1335 DAYS - Firman R Faza Undergraduate Architecture Portfolio

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FIRMAN RASYADI FAZA is an ISFJ guy who loves pop culture reference.

He studies architecture major in Diponegoro University and has been graduated in July 2019.

During those 3 years and 8 month of study, he has been learning through architecture design studio, architecture competition, architecture literatures, seminar, talkshow, discussion forum, workshop, intership, architectural trips and international urban sketching event in order to understand architecture in critical thinking and logical sense.

Nowadays, those learning process still spinning around to keep him alive and makes him more passionate to join the real work of architects.

It’s about time.

/CONTACT +62 81 2300 903 78 firmanrfaza@gmail.com behance.net/firmanrfaza Firman R Faza @urekanfaza

/EDUCATION 2012 • SMP N 5 Semarang 2015 • SMA N 3 Semarang 2019 • S-1 Teknik Arsitektur Universitas Diponegoro 3.74/4.00 GPA

/SKILLS

Ps

Ai

Id

/WORKSHOP, EVENT, AND SEMINAR

/WORK EXPERIENCE

2016 • Architectural Workshop

Des 2017 - Feb 2018 • Student Intern - LABWRKS Architects

Jepara Coastal Art Installation Space Project 2016 • Sketch Event International Semarang Sketchwalk 2016 2016 • Architectural Workshop RSA Abhipraya Architectural Competition Training 2016 • Architectural Seminar Pekan Arsitek 2016

2017 • Anabata Campus Series #Semarang Architecture dan Architectural Bureau

2019 • Architectural Event Firmitas Architectural Book Roadshow #Semarang

2016 • Anabata Open Talk Series #Semarang

Working on architectural competition with teams, project visit, private house design process, art workshop research, and creative illustration

Aug 2019 - Feb 2020 • Junior Intern - ABODAY Working on architectural competition with teams, apartment and marketing gallery schematic design, apartement and business loft detail engineering design (DED), public bathroom construction drawing, and business loft schedule of finishes

Design Process

2018 • International Field School (IFEs) 2018 Creative thinking of resiliency

2016 • Indonesia Creative Digital Architecture Exploration in Parametric Design

2016 • KKL 2018 Identity of East Java

2016 • Bintaro Design District 2018 Permeable Society

2016 • Architectural Workshop Training Design (TRENDI) 2018

2019 • Architectural Event IndoBuildTech 2019

2019 • Archinesia Asean Architecture Seminar Design Approach

2016 • Anabata Open Talk Series #Semarang Design Process

2016 • Bintaro Design District 2019 Inclusivity

/ACHIEVEMENT 2017 • 2nd Prize and Favorite Prize TKIMAI XXXIII Mix Used Building Competition

2019 • Participant International Tropical Architecture Design (ITAD) Competition

2019 • Speaker Young Diponegoro Orientation

2019 • 1st Prize GRAPIS Holiday Skecthing

2018 • 6th Prize WEX 2018 - Urban Disaster Learning Center (UDLC) Competition

2019 • 3rd Prize STUCO 2018 Student HUB Competition

2019 • Speaker Bedah Karya 2.0

2019 • Speaker Young Diponegoro Orientation

/ORGANIZATIONAL EXPERIENCE Rohis Izzati Generation 22 BPMAI - Communication Division 2016 • Junior Staff RSA Abhipraya (Ruang Studi Arsitektur) 2016 • Member 2017 • Head

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BEKRAF CREATIVE OFFICE • Undergraduate Architecture Final Project based on Energy Efficiency Approach 6 • Yea

Gambir Central Station National Monument

ar 2019 • Individual • A mark • Archicad, SketchUp, Lumion, Photoshop, Ecotect Analysis, EDGE App

Immanuel Church

Site Location

7

80 m

/ISSUE Bekraf Creative Office is a dedicated office that collaborates the Creative Economy Agency (Bekraf) with Jakarta Creative Hub (JCH) to synergize office workers and creative workers, better known as the creative class. The main issue that underlies this project is about location and coordination, where the location of the offices of the two agencies / organizations concerned does not yet occupy their own buildings. Moreover, the existing Bekraf office is still separated in two different buildings by a main road.

This has an impact on coordination that has not been maximized. Even though in the work program, both of them have some similarities, which are both handling the creative industries, starting from holding workshops, creative talk and exhibition. The only difference is that JCH handles the Jakarta area while Bekraf handles the entire territory of Indonesia.

Looking at these two potential issues, it will be more optimal if Bekraf and JCH can occupy the same building to facilitate coordination between ‘leaders’ and ‘implementers’.

Unification of the two is also expected to facilitate creative workers and the general public in seeking information, attending training/workshops and collaborating in advancing the creative economy of Indonesia.

ORDINARY BOX

PROPORTION

FUNNCTION + ADDITIONAL

CONVERGENT CONCEPT

BE KRAF

ENERGY + COMPANY BRANDING

m DE

PU

TI ES AN D COHEA BU NF D RE OF E F AU JA C OO RE F KAO - D NC ICE S CO E LO RT WO BB A C RKURTHAL L Y RE IN AN A G D TIV CA E FE HU B

m 16

/CONCEPT Convergent is a term used by Bekraf in the report on the development of creative industries (OPUS 2019) to describe the integration of traditional boundaries between media boundaries with entertainment, entertainment with technology and so on in the era of industrial revolution 4.0.

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OR

KI

NG LIV

IN

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OR

HIERARCHY

KI

NG

BEKRAF OFFICE

PUBLIC FACILITIES CREATIVE HUB PUBLIC FACILITIES

BE

Literally, convergent can also can be interpreted as something that meets or ‘meeting in a place’. This simple understanding is interpreted as a space for interaction/rest/discussion/ open/gathering which is placed in the middle of the building by dividing the building mass into three main parts.

The middle area is flanked by active work spaces where at certain peak points, it can be a neutral space to reduce stress and saturation. This simple space configuration is a solution to implement work n living in a creative office where work and social life are one entity.

Convergent translation is also applied to the mass of buildings that are made jutting towards one side, namely the foodcourt and open space as a place of collaboration and interaction. The mass of buildings pressed in sequence also creates a hierarchy that implicitly indicates that office ownership on behalf of Bekraf.

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N 2 6

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1

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/EDGE CALCULATION Site Area Building Footprint Circulation + Parking 1 Building Coverage Basement Footprint Infiltration Coverage

5867m2 1736m2/2640m2 1223m2/968m2 3459,153m2 /3608,21m2 2861m2/3227m2 2407,847m2/1760,10m2

2 GIA Occupancy Density Operational Hours

15,758m2 9,3m2/person 13 hours/day

3 Floor Plan Depth Main Orientation Floor to Floor Reduced WWR of

16,95m North 4,22m 23,64%

ROOF TOP BUREAUS

4 External Shading device (AASF) 0,42 5 Low - E PANASAP Euro Grey (U - value 5,8 W/m2.K and SHGC 0,54 ) Daylight using Ecotect Analysis 336,03 lux

BUREAUS

6 Energy-Saving Light Bulbs - Internal Spaces LED Linear Tube 35 watt (Philips)

DEPUTIES

7 Water Efficiency NLA 12222m2 Clean Water (CW) 19,09L/person.day

63,96% efficiency 10000L tank Grey Water (GW) 6033L Rain Water (RW) 31961L 50000L tank 156% capacity Black Water (BW) 42,03m3/day 45000L tank 8 Variable Refrigrant (VRF) System - COP of 4,41 NLA 11757,54m2 Indoor unit ceiling mounted casette

ceiling mounted duct Outdoor unit VRV-X triple unit type with 60HP

DEPUTIES DEPUTIES HEAD OFFICE HALL

9 Material Efficiency Structure waffle concrete slab (460mm) External Walls curtain walling (130mm; 37,83%) alumunium profile cladding (62,17%) Internal Walls brick with plaster (150mm; 48%)

insitu reinforced wall (300mm; 52%) Window Frames alumunium (100%) Flooring concrete textured ceramic tile (75,48%)

laminated wooden flooring (24,52%)

41.83%

72.21%

23.84%

FOODCOURT CO - WORKING CREATIVE HUB LOBBY n CAFE BASEMENT 1 BASEMENT 2 BASEMENT 3

CREATIVE HUB

CO - WORKING

FOODCOURT

HEAD OFFICE

DEPUTIES

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BULUSAN URBAN VILLAGE OFFICE • Architecture Design Studio 2 • Year 2017 • Individual • A Mark • SketchUp, L

Lumion, Photoshop, Illustrator, InDesign

Site Location Residential Areas

Residential Areas

17

/ISSUE

In this modern Reform era, public services to the local community, especially in the Urban Village, have put efficiency and transparency in the forefront. This is a progress in bureaucracy that should be followed by a positive image in terms of architecture. An image that is able to erase the monotonous impression while still showing the peculiarities of institutional buildings that prioritize space organization for better working activity.

Public Hall

The Function is executed by creating a bubble diagram where public service room as the front office is placed in the middle area so that it can be connected directly to the Head room, Deputy Head room, and Public Hall. This public services room uses partitions wall in anticipation of reforming the organizational structure in the Head Section and Staff room as back office.

The Form is executed by tilting the main entrance at 45 degrees. The aim is to minimize the heat of west sun and as a building vista from three different roads.

The high roof shape of the main facade aims to reflect the openness and transparency of public services. Meanwhile, the peculiarities of institutional buildings are indicated by using raw materials, such as brick, concrete, and wood as a form of honesty.

Toilet

Storage

Pantry

Digital Archives Room

/CONCEPT The initial idea of ​​the redesign of Bulusan Village Office was how working activity that began to prioritize efficiency and transparency could be translated into effective space organizations or in other words using the Form follows Function approach.

BUBBLE DIAGRAM

The Bulusan Urban Village Office located on Gondang Raya St. has carried out public services for approximately 30 years. This is known from the form of office building that reflect the period of the beginning of development in the New Order era, where several administrative buildings in the city of Semarang resembled local traditional house, namely Joglo House. The similarity is located on the roof and impression of its mass form which is still looks monotonous.

Deputy Head Room

Main Entrance

Public Services Room

Head Room

Head Section Room

efficient massing

separations of function

space programs

details

HALL PLAN

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N

WF STEEL ROOF TRUSS

BITUMEN ROOF SOLID VOID BRICK PATTERN

TOILET

WOODEN CEILING

C H

OFFICE PLAN

CONCRETE TEXTURE HOMOGENEOUS TILE

SITE PLAN

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POLISHED CONCRETE WALL

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OM HOUSE • Contemporery Small House Design Competition by IDEA • Year 2019 • Individual • Competition Entry • A

Archicad, SketchUp, Lumion, Photoshop, Illustrator, InDesign

Housing Complex West Jakarta

Existing House

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existing house

/ISSUE An uncle’s one-storey house in the West Jakarta is become an ‘existing’ for a concept of a contemporary 60m2 small house in a densely populated settlement. The narrative that is trying to build is a design that begins with a contextual approach that is experiencing reallife patterns of daily activities and observing the environment around the house. Uncle’s family profile is as follows:

Father

Mother

Private Employees

Government Employees

1st Son

2nd Son

Sister

Junior High Student

Elementary Student

Household Asisstant

/CONCEPT For one week, the family does like family in general, working in the morning and resting at night. However, there are some unique habits that are often relaxing while eating mendoan (fried foods) after work, having dinner together while watching television series, housekeepers who do not stay overnight, brothers togetherness especially when playing games, to the hobby of cycling on weekends. The environment around housing is classified as conducive where neighbors know each other and socialize.

Starting from this approach, the concept of contemporary small house design with splitlevel house was proposed as an idea to divide public and private zone by level difference, create expansion of infiltration area through its vault, create natural air stack effect, and create various space experiences from massing arrangement. It also equipped by smart furniture such as bed/desk in kids bedroom, drawer in stairs, and sofa/dining table in living room in order to make small house more compact.

general massing

3x3 module

duplicate to the top

split level

slant and flat roof

GROUND FLOOR PLAN +0.00

FlOOR PLAN +1.50 N

N

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6 8

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FLOOR PLAN +2.50

FLOOR PLAN +4.00 N

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FLOOR PLAN +5.00

ROOF FLOOR PLAN +6.80 N

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/LEGEND: 1. Gate 2. Carport 3. Entrance 4. Stairs

5. Dry Garden 6. Bicycles Vault 7. Dry Area 8. Terrace

9. Kitchen and Laundry 10. Living/Dining Room 11. Main Bedroom 12. Main Bathroom

13. Kids Bedroom 14. Bathroom 15. Roof Tank and Outdoor AC

Infiltration Area (grassblock) Infiltration Area (pebbles) Building Area 59,57m2 Flat Roof

Metal Spandek Roof

Window Frame with Rustic Metal Finished

Clear Glass

Finished Concrete as External Wall

Internal Wall by SCG Cementboard

Flooring by Sincere Natural Wood

Perforated Metal for Terrace Floor to create natural air stack effect

Exposed Brick

Unpolished Matt Tiles

by Durafloor

Sanitary by American Standard

Danpalon Polycarbonate

Solid Void Brick Pattern for natural air

Kitchen Set by Teka and Tap Sanitary by Paloma Polished Glazed Porcelain Tiles

by Durafloor

Solid Void Brick Pattern for natural air Grey Pebbles

Diponegoro Sportainment • Project Proposal • Year 2019 • In Collaboration with Prana Kusuma • Schematic Design

Diponegoro Golf Driving Range Site Location

• SketchUp, Lumion, Photoshop, Illustrator, InDesign

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A Housing Complex

C C

Main Building

A

B N

general massing

B

divides into 3 area (parking, retails, terrace)

Second Building

zig-zag arrang gesture’ to ma ‘special atten terrace as

gement as a ‘open ain road and give ntion’ by hiding a hidden gem

/ISSUE

/CONCEPT

DIponegoro Golf Driving Range will redesign its building in order to improve services such as golf driving range, gym, sport store, retails, foodcourt, and better accessibility of vehicle and pedestrian.

The approach that we use to design the second building is started by analyzing the main road and sun path. The main road is categorized as a vast road with 6 lines (3 lines up and 3 lines down) which can contain six cars parallel.

The building will be planned to have two masses that located in different location. The main building is located at the end of small road with a facilities that will support golf sport such as new golf driving range, sport store, gym, restaurant and multifunction hall.

By looking this as an advantage, we arrange masses which have 5 retails in the front and one service in the back with zig-zag arrangement. We choose zig-zag arrangement to create an ‘open gesture‘ to the main road so people who passing by with a car hopefully notice and welcomed by the building.

While the second building will located at the side of main road. This building will have retails such as cafe, small restaurant and outdoor terrace.

Eventhough buildings are separated, it is part of Diponegoro Sportainment Center.

This is the first briefing that was explained to us in first schematic phase, so there will be some changes in the future.

create a line as a connection between parking area and hidden terrace

This open gesture create another side effect to the back of building. It creates terrace that will become the ‘hidden gem’ of the building. Terrace as an open space will become a place that generates various activities as an extention function of retails with additions of benches. And in order to prevent west sun radiance, it placed several trees like ketapang kencana.

give it details and landscape

/LEGEND

/SITE PLAN

A: Entrance B: Car Park C: Bike Park D: Ramp/Connecting Path E: Retails F: Outdoor Area G: Terrace/Open Space H: Musholla I : Toilet J: Pond K: Signage L: Exit M: Main Road

B

G F H C

ROSTER BRICK

ROSTER BRICK CLEAR GLASS (WINDOW)

D I

WOOD FRAME

E

CLEAR GL (WINDO

LASS OW)

/RETAIL FLOOR PLAN

N

G

L

F K

D B

M A

J

CLEAR GLASS (BOUVEN)

EXPOSED BRICK BITUMEN ROOF RETAIL SIGNAGE

E

Site Location UNDIP Reservoir UNDIP Campus UNDIP Stadium

TEMBALANG HUB • Student HUB Competition by STUCO • Year 2018 • In Collaboration with Prana Kusuma and Rasy

yita Atmoko • 3rd Prize • SketchUp, Lumion, Photoshop, Illustrator, InDesign

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/ISSUE Tembalang is an educational area in the south of Semarang City which was built to equalize the economic development of the city of Semarang.

Now, no less than 15,000 students annually crowded the Tembalang area which is the base of the Diponegoro University campus and 4 colleges.

Based on data, as many as 5,558 residents were recorded as indigenous residents of Tembalang. This number is 1/10 of college students currently at 49,513 students. When viewed from its history, there have been drastic changes in the area that was once a limestone hill now crowded with boarding houses, photocopies, burjo and laundry. Over time, Tembalang became an exclusive area inhabited by students.

Seeing the gap between the community and students, a solution is needed from students as an ‘agent of change’ to build a surrounding community while practicing the knowledge gained on campus for more tangible applications.

/CONCEPT One of the solutions that we narrate is TEMBALANG HUB, a space that is able to synergize students and society where there are various kinds of facilities for various fields of study which in practice must be able to provide social benefits and impacts to the community through training workshops, socialization, and people parties.

We translate this idea with the concept of Chronostasis, which is a condition that occurs whenever attention is shifted or distracted, leaving a feeling that something slower has happened, in other words ‘time bonding’.

>514 INDEKOST

>693 FOOD TENANT

>223 FOTOCOPY CENTER

>128 LAUNDRY

Time bonding is considered appropriate for processing a choosen site in Diponegoro Reservoir which is an inactive residual space and tends to be negative, into a living communal space so that it can unite diversity between 2 users and supported by surrounding environment. By making a circular mass as the base, the view in all directions and access from all directions becomes an important point so that the activities that occur are not only limited by massive walls. The division of zoning is also simple, where the upper floors are used for student activities while the ground floor with a wider area is focused on communal and social activities.

CENTERED

ONOSTASIS CHR

GF - COMMUNAL SPACE

1F - LAB + CO-WORKING SPACE

BITUMEN TILE ROOF

WHITE STUCO

TERMINA

WF STEEL

2F - SITTING GROUP

ROOF PLAN

N

NATURAL AIR VENTILATION

ALIA MANTALY ROSTER BRICK

INTERFACE - BANDUNG LRT STATION • Light Rail Transit (LRT) Competition by Paradesc Unpar • Year 2018 48 • In

Site Location Public Park

Elementary School

Collaboration with Prana Kusuma • Competition Entry • SketchUp, Lumion, Photoshop, Illustrator, InDesign

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/ISSUE Bandung City is now changing the image of the city into one of the world’s major cities that excels in the creativity and happiness of its people. With the many communal spaces, green open spaces and public facilities that are built, accessibility and connectivity are important factors to connect community activities.

In addition, the difference in zoning between the city center and the residential area around it should be connected with mass transportation modes to reduce the growth rate of vehicles and congestion. One that has been planned is LRT (Light Rail Transit). A mass transportation modes that is right with the order of the city of Bandung.

/URBAN ANALYSIS

town hall

elementray school public park

road and path

government comercial

green area

education

comercial

/CONCEPT

landuse and surrounding

City Hall LRT Station is located between the central government and city center support areas such as offices and schools. The development of the City Hall LRT station will not only accommodate the activities of workers and students around the surrounding stations but also tourists from Bandung who enjoy urban creative tourism that is created from the park around the City Hall.

The design approach of the LRT Station which lies on Jalan Merdeka begins with maximizing the effective form of mass. Then the mass is made into 3 layers of zones in order from the bottom, namely the public zone, commercial and platform. The mass in the western part is then split into three parts so as not to eliminate the existing vegetation while being able to take advantage of natural shading.

While the mass in the east is drawn to the south so that it becomes the main vista and does not close the visual view towards the school.

This simple mass is then wrapped with a secondary skin as sun shading and filled with vertical elements in the form of a steel column

800m 500-800m 8 minute 500 < 5minute

pedestrian radar

flow

employees tourists

tourists

students

main point

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SITE PLAN

N

ACRYLIC ROOF Y SHAPED WF COLUMN CEILING LOUVRE

LOUVRE FACADE

PATTERN WINDOW

FLAT SLAB STRUCTURE

UNDEGROUND PASSAGE

GF - PLAZA

1F - CAFE + RETAIL

2F - PLATFORM

STRUCTURE PLAN

Silhouette Of Disasters (S.O.S) • Urban Disaster Learning Center (UDLC) Competition by WEX • Year 2018 • Individ

dual • 6th Prize • SketchUp, Lumion, Photoshop, Illustrator, InDesign

Malang Square

Malang Jami’ Masjid

Site Location

Malang Regent Office

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/ISSUE

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Natural disasters that occur in Indonesia often hit many cities/districts are randomly fatal infrastructure and casualties. This phenomenon seems to make a pattern that keeps repeating over the years. Although it has been overcome by disaster mitigation, the implementation only touched a number of community groups for example socialization in schools and villages. How about the community is not there? Like in communal space for example.

Unavailability learning space/center on natural disaster mitigation as well an indicator of a lack of knowledge and understanding of the community in facing a disaster, especially in eastern Indonesia. For the initial stage, Malang City was chosen as a densely populated urban city that is geographically surrounded by 5 volcanoes active, the threat of earthquakes, constituency to floods and landslides.

=

Specific location selection is based on the potential of the Freedom Square which is the favorite communal space in Malang City and also the problem of lack of public facilities that can educate the public. The existence of UDLC is expected to be able to make Malang City a pilot of a disaster mitigation center for eastern Indonesia.

/CONCEPT

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As an Urban Disaster Learning Center, S.O.S (Silhouette of disasterS) offers a natural disaster mitigation education process through an experience of space circulation centered on existing vegetation and synergizing with other activities/functions.

Laying space centered on existing vegetation creates new perceptions for a communal/central space that tends to be closed by mass and roof.

Whereas the addition of the sitting group function on the ground floor and the viewing post on the first floor makes S.O.S an unselfish space because of its laying which responds to the axis of the pedestrian and axis shift of view toward an Alun-Alun Merdeka plaza.

assembly point X

CLOSED axis pathway

centered

3 phase learning

communal space

OPEN

massing n detail

N GROUND FLO OR

/LEGEND A: Natural Disasters Introduction Zone B: Communal Space / Temporary Aid Post C: Communal Space / Sitting Group

C

B

TRANSP ACRY PAN

A BLACK HOLLOW STEEL

TRANSPARENT ACRYLIC PANEL

E

A

N FIRST FLOOR

F

/LEGEND D: Natural Disasters Rescue Educational Zone E: Post-Natural Disaster Educational Zone F: Viewpoint

E D

PARENT YLIC NEL

TUBE STEEL L SHAPED STEEL

D

WOODEN FLOOR BOARDS

WF STEEL

Blenduk Church

Site Location Srigunting Park Marba Building

RE-FLEKSI •Public Toilet Competition by WEX • Year 2019 • In Collaboration with Prana Kusuma and Wicaksena Dwi S

Sutrisno • Competition Entry • Archicad, SketchUp, Lumion, Photoshop, Illustrator, InDesign

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/ISSUE

/CONCEPT

The Old City of Semarang, also known as the Little Netherlands, has now become a conservation tourism area that has begun to make improvements here and there. The revamping process was marked by the revitalization of several old buildings, the improvement of pedestrian lanes, the provision of parking areas and the emergence of tourism supporting facilities in terms of amenities such as cafes, 3D art museums, art galleries, gift shops and restaurants.

The absence of a rest area for tourists and the architectural settlement of some revitalizing buildings that are not contextual have become our concern to narrate a rest area that is able to reflect the context of the Old City.

Reflection that becomes the main concept is described as how a rest area as a new building can reflect the Old City without intentionally replicating what has been created, in other words taking the red thread of the Old City context as a guideline design.

Although the revamping process is still being carried out, it seems that there are still some buildings which architecturally are in contrast to the Old City context. Instead of being a fancy new building, it even causes disharmony with the old building structure. This problem was compounded by the absence of a rest area for tourists both toilets and prayer rooms in the Old City area ofâ&#x20AC;&#x2039;â&#x20AC;&#x2039; Semarang.

The four things reflected in the new rest area are eminent, symmetry, curvature, and material. These four guideline designs are then attached to the simple and clean building mass located on the hook near the tourist junction. The selection of the site on the hook is also one way to break the stigma of a rest area that must always be hidden, so that no buildings in the Old City are abandoned.

MONOD HUIS

JIWAS

REST AREA

MANDIRI MUSEUM

S A T E 29

M A R B A

PRINGSEWU

TAMAN SRIGUNTIN

KOTA LAMA SEMARANG

SPIEGEL BAR

SMG

simple massing

curvature angle

EMINENT

SYMMETRY

one sided programs

one path

CURVATURE

MATERIAL

arch structure

I

B C

3D ART MUSEUM

SRAYA

clean and floating facade

GEREJA BLENDUK

NG

G GALERY

OU DETRAPP AMPHITHEATER

GROUND FLOOR

FIRST FLOOR

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10

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11

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3 2

8 1

5

BITUMEN ROOF

WO PARQU FLO

1

2

3

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1. Lactation room 2. Difabled toilet - family 3. Male toilet 4. Womenâ&#x20AC;&#x2122;s toilet 5. Janitor 6. Stairs 7. Breezeway 8. Terrace 9. Musholla 10. Male wudhu 11. Female wudhu 12. Water tank

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OOD UETTE OOR

/LEGEND

DANPALON TRANSLUCENT POLYCARBONATE

Rainwater

GRC PLAFOND ARCH TYPE

Rainwater Harvesting

Water Filter

4

GWT

Water Fixture

72