Leap of Faith (2015)

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in memory of Thomas Shipley

Leap of Faith For Solo Marimba and Wind Ensmble (2015)

Craig Andrew Fitzpatrick

Commissioned by the Western State Colorado University Wind Symphony, Music Department, and Dr. Michael Flynn.

Copyright Š 2015 Fitzpatrickmusic www.fitzpatrickmusic.net


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Instrumentation 2 Flutes 3 Bb Clarinets Bass Clarinet 2 Alto Saxes Tenor Sax Baritone Sax 3 Trumpets in Bb 2 Horn in F 2 Tenor Trombones Bass Trombone Euphonium Tuba Solo Marimba Piano Timpani Percussion 1: Wind Chimes / Suspended Cymbal / Hi-hat / Splash Cymbal / Snare Percussion 2: Bass Drum / Gong / Sus. Cymbal / Splash Cymbal Percussion 3: Crotales Percussion 4: Vibraphone Duration: approx 6:30 Premiere: 10 am on January 28, 2016


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PROGRAM NOTE Water is life: a simple concept; but in the arid west, settlers could not rely on rain to supply water to nourish their fields. The community at East Portal brought together people of various skills and backgrounds to construct a tunnel that would transfer a portion of the Gunnison River water to the fields of the Uncompahgre Valley to the west. Their labors from 1905 to 1909 drove a tunnel 11 feet x 12 feet six miles through the cliffs of the Black Canyon and helped ensure the survival of communities in the valley. Abraham Lincoln Fellows, revealed feelings of awe and respect for a place that tested his mettle and challenged his courage. He had been studying the canyon for months, and had been a hydrographer (water engineer) for years. He hired Will Torrence, of the 1900 expedition, and they were standing a short distance above the Narrows, where the canyon walls squeeze to 40 feet, and the exact spot where that earlier trip had been abandoned. Fellows said the following: "When about noon, we reached the mighty jaws past which there was to be no escape, a feeling of nervousness and dread came over me for the first time. Right then I made the only discouraging speech that was made during the entire trip, and I said to Torrence. 'Will, your last chance to go out is to the right. You can make it there if you wish, but if we cross the river at this point there can be no return; we must go on.'" Unlike the trip in 1900, this trip was conducted in mid-August to take advantage of summer heat, while the river level might still be very low. In addition, they packed lightly. Giving up the idea of boats, they acquired an inflatable rubber air mattress for floating and rubber bags to hold cameras instruments, rope and other equipment. Both men made many accounts of this dangerous and majestic place. "One remarkable point which we passed I called the Giant Stairway. The walls looked almost as if cut into enormous steps by some Titan of old, while statues, turrets and pinnacles adorned the rugged precipices on either side. Leaning out a little from one of the giant steps was a long, thin rock like needle, entirely detached from the cliff. It seemed extraordinary that it could so hold its position for centuries, as it had apparently done." - Abraham Lincoln Fellows "For ages masses of black rock had been falling from above, and in this narrow part had got wedged between the walls of the canyon, forming a tunnel through which the river rushed in a winding course at terrific speed. Mass after mass had fallen until above the tunnel rose a great volume of rock. The most likely thing was that [we] would be sucked down into the maelstrom, or dashed to pieces against the rocky walls." - William W. Torrence Here "there were deep pools... where we were obliged to swim, into which the water boiled from the caves above and sucked out again through the crevices between the boulders below. In one of these pools I was drawn completely under water in an eddy. I fully expected to be drawn down into the crevices of the rocks below, but by dint of the hardest kind of swimming, succeeded in getting into still water. At this time Torrence felt that he would never see me again." - Abraham Lincoln Fellows This last quote is the biggest inspiration to the piece and especially the title. The men were at a moment of truth. Blindly push forward, not knowing if either would make it out the other side, or attempt to turn back and make the dangerous journey all over again. Fellows, taking a leap of faith, push on, disappearing into the water. Torrence, after waiting some time, then took the same leap of faith not know the fate of his friend who went before him.


Commissioned by the Western State Colorado University Wind Symphony, Music Department, and Dr. Michael Flynn.

Leap of Faith

Craig Andrew Fitzpatrick (ASCAP) 2015

in memory of Thomas Shipley

4

with reverence q = 70 Flute 1 - 2

Oboe

Bassoon

Clarinet in Bb 1

  

 

 

 





p Clarinet in Bb 2 - 3

Bass Clarinet in Bb

Alto Sax. 1 - 2

Tenor Sax.

Baritone Sax.

Trumpet in Bb 1

Trumpet in Bb 2, 3

Horn in F

Trombone 1

Trombone 2 / Bass Trombone

Euphonium

Tuba

 

  

 

  

  

 

 

 

 



mp

f

 



mp

f

  

n

f

 

n

 

  



mp

f

 

 

mp

f

mp

f

f

  

  

    

  

 

 

 

mp

f

 

 

 

f

  

 

f

  

f

  

n

f

    

n

 

   

 

         

f

 

mp

f

3

 

mp

f

mf

 

pp

                        f

  f

 

3

pp

n

 

f

    

  

  

f

   

f

n

     f

  mp

n

  

   f

pp

    

 

pp

 

p

 

n

 p

   

   

mf

   

wind chimes

Percussion 1 (wind chimes / sus. cym. / hi-hat / splash cym. / snare)

 

n

mp

pp

Piano

 

f

mp

 

Timpani

  

  

mf

p

  

mp

Marimba (solo)



           f

    

  

   

sus.. cym.

 

 

  

f

  

f

B.D.

Percussion 2 (bass drum / gong / sus. cym. / splash cym)

   

 

pp

Percussion 3 (crotales)

Percussion 4 (Vibraphone)

 

  

  

Crotales

           

n

f

f

          f

1

2

3

4

 

 f

 

6

7

  

f

5



8



  

      9


16  Fl. 1 - 2 

Ob.

Bsn.

 

mf

Cl. 2 - 3

B. Cl.

 



   

p

  

mf

 

 

f

n

                

mf

    

             

p

n

mf

f

mf

     

n

Tpt. 1

    

     

   

n

Tpt. 2 - 3

n

Horn 1 - 2

mf

 

      



     

    

   

   n

Mar. (solo)

Timp.

Piano

  

Perc. 2

       mp

f

                

 

f

f

Perc. 1

   

mp

f



3

 

 

    

Perc. 4

11

n

n

mf

mf

  

  

n

   

  

  

mf

f



 

mf

f

n

n



 

f

 

 

mf

f

n

      

mf

 

    

  

n

   

  

   

n

              

  

 

 

 

  

 

12

     

p

mf

 

mf

f

gong

   

 

    

  

                              

 

f

3

n

 

mf

 



     

n

 f

10

mp

f

f

    

f

  



mf

n

Perc. 3

n



mf

    

mp

3

 

f

 

  

n

f

   

   

f

n

Tba.

f

n

Euph.

mf

n

Tbn. 2 / B.Tbn.

mf

    

Tbn. 1



mf

n

p

mf

Bari. Sax.

      

f

Ten. Sax.

  

mf

n

mf

                              

with rubato



mf

n

A. Sax. 1 - 2

 



            p

f

 

Cl. 1

              

5

13

 

f

n

       

mf

p

 

   14

 

  

mf

15

16

17


6

 Fl. 1 - 2 

Ob.

Bsn.

accel.

rit.

slower q = 46

   f

6



f

    

    

     

n

B. Cl.

6

       

f

Cl. 2 - 3

 

f

mf Cl. 1

6

6

   

f

n

 A. Sax. 1 - 2 

     6

f

Bari. Sax.

Ten. Sax.

 mf

    

 

n

Tpt. 1

Tpt. 2 - 3



mf

Horn 1 - 2

Tbn. 1

 f

 

    

mf

f

mf

f

 

 

mf

f

 

 f



mf

Tbn. 2 / B.Tbn.



f



 

mf

Euph.

    

  f

 

mf

Tba.

 

Mar. (solo)

Timp.

                 3

 

p

 

Piano

Perc. 2

f

 

3

      

 

pp

    f

            f

     

Perc. 1



mp

mf

         

p

mf

  6 3                            3 ff 6

      3                  3

f

6

   ff

 

 

 

 

 

 

  

ff

 ff

Perc. 3

Perc. 4

    

     

18

        6

f

        6

f

19

20

21

22

23

24

25


29  Fl. 1 - 2  

Ob.

Cl. 1



  

Bari. Sax.

      



ff

 

  

 

       ff

mf

  

mf

 



mf

 

 

  

 

 

  

 

Ten. Sax.

 

  

mp

A. Sax. 1 - 2

ff

mp

B. Cl.

       

   

ff

 

mp

Cl. 2 - 3

mf

 

Bsn.

driving q = 154

 

mp

7

          

ff

 ff               ff

   

 

ff

           

  

    

  

       

   

  

  

 

Tpt. 2 - 3

  

     

 

Horn 1 - 2

 

  

 

 

   

 

Tpt. 1

Tbn. 1

   

Euph.

    

 

 

   

 

  ff

Mar. (solo)

Timp.

Piano

Perc. 1

 

   

 

      

mf



Perc. 3

Perc. 4

mf

 

 

 

 

   

        

 

    

  

   

splash cym Ch.

ff



   

ff

 

 

 

27

28

29

30

31

32



26

   

hi-hat (closed w/ brushes)

p

   

                                                               

 

mf

   

ff



   

  

wind chimes



3

ff

 

  

                                                                 



ff

           

sus. cym.

Perc. 2

   

  

ff

ff

Tba.



ff

ff

Tbn. 2 / B.Tbn.



   



ff

   


8

 Fl. 1 - 2  

Ob.

Bsn.

 

 

   

   

       

   









      

   

 

 

 

 



f

                   

                  



   

     

   









   

    

          

    









  

   

  A. Sax. 1 - 2 

   

  

   

   

Cl. 1

Cl. 2 - 3

B. Cl.

Ten. Sax.

Bari. Sax.

Tpt. 1

 

 f               



f

  

   

   

    

  

  

   

 

 

   

 

  

   

  

   

Tpt. 2 - 3

Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.

  

 



  

    



                                 ff

Mar. (solo)

Timp.

  

    

Piano

Perc. 1

 

       

 

              









 

 

 

 

                  

   









   









   

 

 

 

 

   





  

   



   





  

   



   





 

   



   







   











 

 

 

 



 



 

        

               

                   

 

   

mf

mf

mf



mf

mf



  

 

 

                                       

                    mf                                                            





   

Ch.

   

Ch.

























34

35

Perc. 2

Perc. 3

Perc. 4



 33

36

37

38


43 Fl. 1 - 2

Ob.

Bsn.

Cl. 1

Cl. 2 - 3

B. Cl.

A. Sax. 1 - 2

Ten. Sax.

Bari. Sax.

Tpt. 1

  

 

 



 

  



         

 



 

                   

 

  











                

 



 

9

 



  

  



 

 

 

 

 

 

 

 

 





 









   

p

mf

p



 

  



mf





   

  





 

  



p

p

mf

mf















 

 

 

 

 

 

 

















 

   

                    





 

f

Tpt. 2 - 3

 











 

   f

Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.

Mar. (solo)

Timp.

Piano

 

 

 

 

 

 

 

 

 















 















 















  















 





 

 

 

 

 

 

   







   mp

 







 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

           mp                 

 

 

mf

     f



    

 

                     mf

 

   



 

 

    







n

                                                                                                                                   

   

    

 















 















  















39

40

41

42

43

44

45


10

Fl. 1 - 2

Ob.

Bsn.

     



 

 

 

    



 

     



     



   



f

Cl. 1

Cl. 2 - 3

B. Cl.

   

   

   



p

  

  

  

  

mf



p

mf

 

 

p

   

   



   

 

    

   



   

   



  

   



   

 

   



   

   



  

   



   



f

Ten. Sax.

   f

Bari. Sax.

f

Tpt. 1

Tpt. 2 - 3

Horn 1 - 2

    

 

   



    

 

    

 

p

p

 

   f

Tbn. 2 / B.Tbn.

 

     f

       

Mar. (solo)

Timp.

Piano

f

mf

 

     

 

Perc. 1

 

 

    



mf

p

f

     

n





   

   

     

  

    



 

  

 



    









    



 

p

mf

mf



 





 



p

 

p



 







 













 









n

 

n

 

 

mf

      mf



   

mf

    

 

   





 









    







  





   







      

   



 



 

    

 



 

     

     

 

         

        

 

    

    



 

 mf

mf

 

 

mf

mf

mf



f

Tba.

 

f

Euph.

n

  

f

Tbn. 1

n

 

p

A. Sax. 1 - 2

   



mf

    

mf

 





  

   

                               mf                              



               



 





























f

                                                                 snare                                                                                           

p

Perc. 2

Perc. 3

Perc. 4

 



   

Ch.

f













  

mf



  



 















  















46

47

48

49

50

51

52


  Fl. 1 - 2  

    

11

56

         

 

 

 

 

 

         

 

 

 

 

 

   

 

 

 

 

 

ff

Ob.

       ff

Bsn.

Cl. 1

 

     ff 

 

ff

Cl. 2 - 3

    

         ff 

Ten. Sax.

 

Tpt. 1

Horn 1 - 2

Tbn. 1

         

 

 

 

 

 

  

    

        































   

 

 

 

 

 

   











  



Euph.

  

       

       ff 

 

 

   

Mar. (solo)

Timp.

Piano

Perc. 1

  

  

  

 

 

 

 

 

    

       











     

    











       



  

   











          ff

 

   

     

 

 

 

 

 

  

  











 

 

 

 

 

 

            

       

           ff          ff

    ff

     ff

  



             ff 

Perc. 3

Perc. 4

 

  

                                        ff         

ff

          

 

      

ff

    

ff

Perc. 2

                 

ff

Tba.

       

  

ff

Tbn. 2 / B.Tbn.

 

      

ff

Tpt. 2 - 3

     

ff

Bari. Sax.

  

   

  

     ff        A. Sax. 1 - 2        ff  B. Cl.

     

 

 

    

 p

Ch.

  

  

 

   

                                                        





























 

 

 

 

 

 Ch.  



 







     

           

   

Ch.

            

mf

p

  

     

        

ff



   

ff

ff

mp

 











  











53

54

55

56

57

58

59

60


12

Fl. 1 - 2

Ob.

Bsn.

  



















 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



mp

Cl. 1

Cl. 2 - 3

B. Cl.

 



















 



















  

















mp A. Sax. 1 - 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2 - 3

Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.

Timp.

Piano

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 

              

  















 

 

 

 

 

 

 

 

  















  



















 



















 

 

 

 

 

 

 

 

 

 

 



















 



















 



















  



















                

Mar. (solo)

                 

                  

 mp





 

 

                  

                                                        

                                                                

          

   



















 



















 















  

    

 

      

  

 







 





  





p

61

62

63



 

      

  















  

64

 







 















66

67

68







   

 

          

      

mf

65



  mf 

69




74 Fl. 1 - 2

Ob.

Bsn.

Cl. 1

Cl. 2 - 3

B. Cl.

  

















 

 

 

 

 

 

 

 

 

 

Bari. Sax.

Tpt. 1

Tpt. 2 - 3

Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.



                                              

Piano

Perc. 1

Perc. 2

Perc. 3

Perc. 4

   

      

















 

















  



      

                                                      





 

 

mf

              





    













 

 

 

 

 

 

                                                  

                

 

mf

  

    

 

  

















 

















 

 

 

 

 

 

 

 

 

 









 

 









 









  







       

              

Timp.

              

mf

mf

Mar. (solo)

 

  A. Sax. 1 - 2  

Ten. Sax.

13

   

   f

         

  

     

  

   

 

         

  

     

 

  

       

 

   

mf

 

mf











       





                         

  

                        

 

      

 

 

   

















 

















 

















   

 



  



                

        

  





        

  







 

















 

















  

















70

71

72

73

74

75

76

77


84

14

  Fl. 1 - 2  

Ob.

Bsn.

Cl. 1

Cl. 2 - 3

B. Cl.

A. Sax. 1 - 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2 - 3

mf

    



  

  

 

  

                     



    mf

  

  

           

   

  

mf

mf

 

 

 

mf

 

 

   

 

         mf

   

  

 

Tbn. 2 / B.Tbn.

Euph.

Tba.

Timp.

Piano

 

 

Perc. 2

Perc. 3

Perc. 4

     



           

 

 

 





  

  

 

     

      

 

 

 



         

     

 

       



 

 

          

                

   









   

   





 



   

  

   

  

    

    

  



   

ff

ff

 

ff

      

    

ff ff

ff

       ff













ff

  

          

   

   

  

      ff

   

 



   

 

   



        

  

 

 

 ff

                     



ff

ff

 



ff





 

   

ff

 

   

   ff



   

  



   

   

 

  

      

  

ff

                        

          





   

   

 

                     

  



   

         



 

   

 

               

 

f



mf

 

  

 



mp

 



                     

 









 

ff

      

  

ff

ff

  ff

                                       





ff



 ff

 

Perc. 1



           

     

Mar. (solo)

     

                                              

mp

Tbn. 1



            

mf

Horn 1 - 2

   

 

mf

 

                            

 

 

                    

  

                           

            









                                           



    





78







79







80



   

snare

 

p

ff



     

   













82

83

 p

Ch.

p



    



81





ff

84




15

 Fl. 1 - 2  

Ob.

Bsn.

Tpt. 1

  

  

         

  

             

 

        

   

   

  

  

  

  

  

   

    

  

   

 

  

    

   

   

     

  

   

    

  

 

Euph.

 

 

   

Piano

  

  

 

Perc. 1

  

 

   

Perc. 2

Perc. 3

Perc. 4



   

f

  

 

 

f

 

             



mf

    

 

 

  fp

  

 

 

 

fp

 

fp

  

  

  

  

                             

 

   

  

    

Ch.

  

   

 

 



 

   

 

  



 

        

ff

Ch.

 

   



     

p

   

f

            

  

 

   

 

 

 

   

   

f

     

 





       

            

 

             

f

 

gong B.D.

 

 







ff

        

ff

85

86

 

f

    

   

     

   

         

ff



    

 

  

                 

       

   

                               ff

Timp.

          

  

 

  

  

Tbn. 2 / B.Tbn.



f

  

Tbn. 1

Mar. (solo)

Horn 1 - 2

Tba.



    

Tpt. 2 - 3

   

f

   

Ten. Sax.

Bari. Sax.

Cl. 2 - 3

A. Sax. 1 - 2



  

Cl. 1

B. Cl.

 

           

   87

88

89

 

       90


16

  Fl. 1 - 2  

           

Ob.

Bsn.

   



 A. Sax. 1 - 2   

Ten. Sax.

Bari. Sax.



   

   

  

  

 

           



 

 

 



 

        f

 

 

Tba.

 

   

Timp.

 

             

 

  

 



 

    

 

 

 

f

f

 

       



   

 

    

 

    

 

    

 

Piano

Perc. 1

Perc. 2

   

Perc. 4



 

 

         

 

 

  

  

                      

Perc. 3

      







       91



p

f

 





       92

    

   

 

 



  

   





  

 



   

    

 

 

                                                                 

Mar. (solo)

     

f





 

 

Euph.

 

   

         

 

 

Tbn. 2 / B.Tbn.

 

 

   



 



 

                      

fp

Tbn. 1





 

 



fp

Horn 1 - 2

 



fp



 

 

                

  

Tpt. 2 - 3

 

 

           

                                   f

Cl. 2 - 3

Tpt. 1

     



          

Cl. 1

B. Cl.

            

  

  

 

 

   

 

   

       

 

                      

 





         93





 

 

   94

   

 



             

 





         95


17

  Fl. 1 - 2  

Bsn.

   

Cl. 2 - 3

 







   

 

 

         

 

 

   

  



 

fp

Mar. (solo)

Timp.

Piano

Perc. 1

Perc. 2





   

 

fp

 

       

 

 

   

   

 

   

   



  

   

 

 

   

    



  

 

    

 

 

Perc. 3

Perc. 4



 



 

 

 

  

p

f

 





       96

 

               

  

 





 

 

 



 



 

         

 

  

   

 

         

                       



   



              

 

       

 

 

   



  

 

 

 

    

 

 

   

   

   

      

           

 





 

                                                     6  

              

 

f

f



 



 

 

f

 

  

 

 

fp

Tba.

 

 

 

Euph.



 

Tbn. 2 / B.Tbn.

 

                              

   

Tbn. 1



A. Sax. 1 - 2

Horn 1 - 2

 



 

Tpt. 2 - 3

 



B. Cl.

Ten. Sax.

 



          

Cl. 1

Tpt. 1

           

Ob.

Bari. Sax.

 



 



 

 

 

 

 

 

 

 

 

 

 

   

 

     

          

    

 

   97

 

  

        

 

 

 

 

      

  

   

  

        





 

 

  

   

              

98

6

       

    99



                  

 



 

    

 

       



  

 

                   

 

 100

 


107

18

   Fl. 1 - 2 

 

 



 



Ob.

Bsn.

 





Cl. 2 - 3

  

 

 

B. Cl.

 

Cl. 1

 

Ten. Sax.

  

 

Bari. Sax.

 

 



 



  

   

 

 

 



 

 

   



ff

 

   

 

 

 

 

ff

 

    

Perc. 3

Perc. 4

ff

  

p

ff

mf

 

harmon mute

p

    

ff

  

harmon mute



       

mf



p

ff

mf

  

   

p

ff

 

p

    

ff

p

  

ff

   

                                      

p

harmon mute

  

 

 

 

  

 

  



  

 



 

 

 



                     



  

 

 

 

 

 

3

                                

 

 

 

 

   

wind chimes

mf

 

   

mf

ff



 

p

  



f

f

   

ff

      f                              

mf

   

mf

mf

   

ff

p

Perc. 2

p

Perc. 1

   

mf

 

p

Piano



 

 



 

  

Euph.





 

Tbn. 2 / B.Tbn.

p

p

 

Tbn. 1

Timp.

 

  

Horn 1 - 2

Mar. (solo)

 

  

Tpt. 2 - 3

Tba.

 

  A. Sax. 1 - 2  

Tpt. 1

 

 

mf

               

f

  101

 

 

 

  102

 

                                  f

p

103

104

105

106

107

108

109

110


19

 Fl. 1 - 2 

Ob.

Bsn.

 

B. Cl.

   

           

 

 

 

    

    

   

n

   

           

 mf

           

   

   

p

 

       



   

  

mf

3

Timp.

    

mf

p

  

   

3

      

   

Perc. 1

Perc. 2

  

n

mf

          

mute out

   

         mute out 

 

        

    

mute out

3

mf

p

  

 

 

       111

p

   

p

            

                       

  

 

    

    

           

115

  

116

 



             

114

3

113

mf

       



           



mf

   

112

   

3

mf

 

 

p

  

 p

3

    

mf

Perc. 4

   

                       

 

mf

Perc. 3

        

Piano



p

mf

mf

 

mf

mute out

p

3

   

mf

    

   

mf

Mar. (solo)

mf

       

mf

       



p

n

mf

n

         

mf

mf

Tba.

mf

mf

Euph.

mf

harmon mute

Tbn. 2 / B.Tbn.

mf

mf

Tbn. 1



mf

n

mf

Horn 1 - 2

   

        

Tpt. 2 - 3

mf

n

3

Tpt. 1

mf

mf

Bari. Sax.

n

mf

  A. Sax. 1 - 2          Ten. Sax.

 

  

    

 

Cl. 2 - 3



mf

mf

Cl. 1

117

118

        

  

        

  



    

   

119

120


20

 Fl. 1 - 2 

Ob.

B. Cl.





   

Bari. Sax.

  

 

 

  

n

  

n

 

 

 

3

mp



  

 



n

Timp.

  

  

    

    

 

n



  

 p

n



  

  

 

 



  

 



mf

  

n

mf

 

 

 

 

p

 

n

mf





        



  

 

n

mf

 mf

mf

mf

Perc. 2

Perc. 3

   

      121

    

 

Perc. 4

 

 

             

      

       

       

 

   

3

 

             

Perc. 1

 

   

mf

        

Piano

p

   

mf

   

p

  

mf

n

p



  

mf

Mar. (solo)

mf

 

 

 

p

 

 

mf

Tba.

 

   



   

mf

Euph.

mf

 

p

 

Tbn. 2 / B.Tbn.

n

    

Tbn. 1

 

3

mf

Horn 1 - 2

  

p

Tpt. 2 - 3

 

n

Tpt. 1

 

p

  

Ten. Sax.



mf

n

A. Sax. 1 - 2

 mp

Cl. 2 - 3

n

n

Cl. 1

mf

   

Bsn.





          

(right hand stay soft)                                

    

 

   122

     123

  f



125

   

 

   

   

                 124

 

126

127

128

129

 

   130


135 Fl. 1 - 2

 













 

 

 

 

 

 

 

 



  

Ob.

Bsn.

 

Cl. 2 - 3

 mf

A. Sax. 1 - 2



    mf

n

   

mf

n

























 

  

    

n

    

  

p

 



mf

 



  

n

n

   n

  

    

  

 mf

  

Ten. Sax.

Bari. Sax.

 

n

Cl. 1

   

mf

B. Cl.

21

mf













 

 

 

 

 



 

  

   

mf

n

mf



 

 

 

 

 

 

 

Tpt. 2 - 3













Horn 1 - 2













Tpt. 1

Tbn. 1

  

 p

  

Tbn. 2 / B.Tbn.

Euph.

    

  

  p

 p

Tba.

mf

Timp.

         

 

Perc. 1

Perc. 2

 

 

  

   

 



  

   

    

  



   

mf

 

    







mf

 

 

 

 



mf

    





 

 



mf





   

n



          





  



            

mf

                                                   

 

mp





       pp

  





                                                        

   

mf

3

    

Piano

 mf

n

Mar. (solo)

   

 

     

 









         

       

 

 





 

 

   

        

   

         

   





 

















mp

Perc. 3

Perc. 4

    

    131





                              132

133

134

135

136

137

138

      139

    140




22

Fl. 1 - 2

Ob.

Bsn.

Cl. 1

Cl. 2 - 3

B. Cl.

A. Sax. 1 - 2

Ten. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2 - 3

Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.

  

 

 

 

 

 

 

 

 

 

 



















   











  

n



p

                   

        

 



















 

 

 

 

 

 

 

 

 

 

   











    

n

  

 

 

 

 

 

 

 













   











    

n



p



p

                  

 

      

 

 

 







                   

         

  



















 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     







 

 

 



     







  

  

 

 

     













  

    



p

p

  p



n





 

mf





    

  

mf

mf



     



  



 

mf



 

 

 



mf

n

                                                                       

Mar. (solo)

Timp.

                                                     

   



         

Piano

 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

      

    

 

      

     

   

  













      













 

 

      

 

 

   

 

   

  

   

 

    

  











 

 













141

    142

  





 

       

            

          143

144

 

  145

       146

 

 



   147



 

   

  













       148

 

 

   149










153 Fl. 1 - 2

Ob.

Bsn.

23

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

                                              

                

mf

Cl. 1

Cl. 2 - 3

B. Cl.

 

 

 





 



Bari. Sax.



 



 



                                               

  A. Sax. 1 - 2  

Ten. Sax.

 

mf

Tpt. 2 - 3

Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.

Timp.

Piano

Perc. 2

Perc. 3

Perc. 4

                 

 







 

 

   

mf

  

mf

               





























                

 

  

                 

 

  

















 

















 













 

    





 

 

 

    





   

 



         

 









 

f

       

n

     

                

mf

   

 

 

 

 

     



       

  

       

 





       

                          

             

mf



mp

     

mf

  











mp

       





                         



     



            

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Perc. 1



mf

                                             

     

Mar. (solo)

              

mf

Tpt. 1

 

  

 

     

 



         

                 

 150

 





        

 





             

    









































mf

        

                151

152

  

 153

154

155

156

157


24

        Fl. 1 - 2      mf

Ob.

Bsn.

Cl. 1

Cl. 2 - 3

 

 

  

              

 

 

                      A. Sax. 1 - 2        

Bari. Sax.

Tpt. 1

Tpt. 2 - 3

  

   

 

 

         mf

   

  

 

Tbn. 1

Tbn. 2 / B.Tbn.

Euph.

Tba.

Piano

Perc. 1

Perc. 2

Perc. 3

Perc. 4



 

 



     





 







   



  

 

  

     

  

        

 



  

 

   

   

 

  



mf

   



         

                      

 

 

  

       





 

 

 

  







  

     

       

  

    

            

  

ff

         



    

ff

     f        

       ff

     

       



    

 

     

       

  

   

        

            

  



ff

 





ff



ff

 

159

f

f

f

f

f

f

f

f

 

 

 

 







  

    







160

161

mf

p

mp

      mf   mp            mf

p

p

  

mp

mf

mp

     

mf

mp

mf

p

   p

p

mp

mf

p

mp

p

             mf

mp

p

ff

  

 

     

       

  



    





ff

  

f

f

f

 

 

mf

mp

mf

mp

mf

p

mp

     

mf

mp

   

3

p

 

p

 

3

 

 

p

  3

   

3

 



3

p

  3

p

  

 

 



   

Ch.

 

ff

 



  

 

ff

162

mp

         

 

mf

p

      

f

        



mp

     

ff

  

mf

  

      

 

     

p

        

ff

 

mp

     

               

                    

mf

  

    

ff

158

f

        

ff

ff

p

    





mp



ff

 





ff

 

mf

f

ff

 





f

       





       

     

ff

  

     

ff

ff



                                     



                      



 

  

 

  



 

          

        

 



ff

 

 

 

f



 

  

                  



  





                      

 

 

ff

    

           

  

Timp.

     

                                  

           

Mar. (solo)



            

mf

Horn 1 - 2

   

 

mf

 

                            

 

 

                    

  

B. Cl.

Ten. Sax.

           



3 3

163

 

 



3

 

3

   

  3

  164



p

3

  p

165


169 Fl. 1 - 2

 

   

 

 

    











   

 

 

 

     



    



   

 

 

 

n



n

 

p

  

  

   

 

mf





  

  



   



 

  

   



p

p

mf

mf

n











   











 

    











  

    





 

n

n

n

n

  

 

    

    

n

 

    

Tbn. 2 / B.Tbn.

 

 

Euph.

   

     



 

   



   



   



   

   

 

 

   



  



     







  







  

 

 

 

f

    



f

n



f

n

   

f

n

      f

n







f

    

 

 









n

 



   

f

 

 

 



 

                           

 















 

 

 

 

 

 

 

 



  p

Perc. 1

 

    

Tbn. 1

Piano

 

n

n

  

mf

 

  

 

Horn 1 - 2

Timp.

Tpt. 2 - 3

Mar. (solo)

  

 

p

 



Ten. Sax.

Tba.

 

 



Cl. 2 - 3

Tpt. 1

n

 

Cl. 1

Bari. Sax.

    

Bsn.

A. Sax. 1 - 2

 

Ob.

B. Cl.

25



 

mf

f

                

                    

mf

                

 

mf

                    

mf

f

 

mf

               

                  

                                                                                                                  p

Perc. 2

    

f

Perc. 3

Perc. 4













   

Ch.

f



 













  













166

167

168

169

170

171

172


26

179   Fl. 1 - 2  

Ob.

Bsn.

 

 

 

 



p



p



   

 mf

 mf



     

     p

     p



 

    

n

  

    

mf

Cl. 2 - 3

B. Cl.

 

 

  

     

p



 



    

 

    

p

n





  

        

  

   

 

  

 

   





mf

mf

 



  

p

  A. Sax. 1 - 2  

   mf

p

n

ff

Cl. 1

               



p

     p



n

n

  ff

 

 

         mf

Ten. Sax.

 











 



 

 



 

ff

Bari. Sax.

  











ff

Tpt. 1

Tpt. 2 - 3

Horn 1 - 2

Tbn. 1

  











 











 











 











mf



 

  

 

  

 



 



 

 

         

ff

Tbn. 2 / B.Tbn.

Euph.

 

 

 



 



 



 



 



ff

ff

Tba.

  

Timp.

Piano

Perc. 1

Perc. 2

Perc. 3

Perc. 4







  

 

   

 

   

f

  

 

                

  

 

 

                    





  ff

                              f mf                       

 

Mar. (solo)



                                    

 

 

 



 

                 

      

ff

ff

                               

                                         ff             

  

    

 

ff

  

  

 







 



 











  











178

179

180

181

173

174

175

176

177

 


                Fl. 1 - 2    

Ob.

                  

        

        

mf

Bsn.

Cl. 1

Cl. 2 - 3

B. Cl.

A. Sax. 1 - 2





 

 



mf



 

 

 



      



             

     

  



   

     



 

            

 

 

 

 

Tba.

        

mf

        

        

        

             

           

Mar. (solo)

Timp.

Piano

Perc. 2

Perc. 3

Perc. 4

          

          

 

 

 

   

  

  

  

  

     

  

 

   

  

 

 

 

 

 

   

  

 

 

 

 

   

     



 

 

 

 

ff

   

 

   

 

ff

fp

fp



 





                                 

p

 

   

  

  

   

 

    

  

 

   

  



     

 

 

 







ff

    

  

      

ff

 

   

  

  

f

fp

mf

f



 

  

  



ff

      

 

Perc. 1

    

        

mf

Euph.

   

            

  

Tbn. 2 / B.Tbn.

  

             

Bari. Sax.

Tbn. 1

        

 

Horn 1 - 2



f

        

  

      

mf

 

  

 

Tpt. 2 - 3

     

f

        

 

            

       

             

 

           

 

       

Ten. Sax.

Tpt. 1

   

 

 

    

                  

27

191

   Ch.    

Ch.

ff



182

183

184

185

186

187

188

189

190







 







ff

        191


28

   Fl. 1 - 2  

              

           

Ob.

Bsn.

             

   

 ff

          

Cl. 1

B. Cl.



    



ff

A. Sax. 1 - 2

    

Ten. Sax.

Bari. Sax.



Tpt. 1

ff

  



  

 

Tpt. 2 - 3

   

  



 

 

 

 

          

 

 

 





 

         f

 

   



  

 

   

  

             

 

 

    

 

 

      

 

    

   

 





   

  

 



 

    

 

 

 

f



f







                         

fp

Tbn. 1





 





fp

Horn 1 - 2

 



fp



 

                 

   

          

                               f

Cl. 2 - 3

 

f

   

 

   

    



   

 

    

 

    



    

ff

Tbn. 2 / B.Tbn.

 

ff

Euph.

 

   

ff

Tba.

   



 

ff                                                                    

Mar. (solo)

Timp.

Piano

Perc. 1

Perc. 2

  



 

Perc. 4



ff

 



  

      192

 



 





       193

 

 

 

 









          194





 

 

   

 



        

  

 

 

     

  

 

 

 

       

 



    

      

Perc. 3

  

   195

   

 



 





         196


29

    Fl. 1 - 2  

           

Ob.

Bsn.

Cl. 2 - 3

A. Sax. 1 - 2

Tpt. 1

 



 





 

 

         

 

   

  



 

fp

 

   

 

Timp.

Piano

   



  

   

 

 

   

    





  

 

      

 

Perc. 1

Perc. 2

 

 

Perc. 4





               

  

  



 

 

 

 

       

 

 

   

   

 

   



 



 

         

 



  

  

 

          

                        



  



              

 

        

 

 

  



  

 

 

 

 

 

 

   

   

   

   

      

 

    

  

 

 

 

 

 

 

  

 

 

 

  

  

  

 

    

snare

 

 

          

  

   

        

 

6

       



                   

 



                      

     



  

           

  

 

                  

ff

 

 

Perc. 3

 



6



f

 

             



                                       

Mar. (solo)

 

    

fp

 

 

 

f



 

 

f

 

 



 

fp

Tba.

 

 

Euph.

 

 

Tbn. 2 / B.Tbn.

 

                              

Tbn. 1

 



     

Horn 1 - 2

 



   

Tpt. 2 - 3

 



 

Ten. Sax.

Bari. Sax.

   

          

Cl. 1

B. Cl.

 







        197







 

 

   198

    

 

  

 



 

 

199

  

   

 

200

201

 


30

   Fl. 1 - 2 

 

  

 

Ob.

Bsn.

Cl. 1

B. Cl.

A. Sax. 1 - 2

Bari. Sax.

Tpt. 1







 

 

 

  

 



 

 

 

 

 

                   3

p





 







 

 

 

 

 



 

  ff

 



 

 

 

 

   

  3          fff

   3        

   

3



  

   

   

 

ff



p

ff

 

 

p

ff



p

ff

 

ff

Euph.

Mar. (solo)

Timp.

 

   

   



   



Piano

 

  ff



Perc. 2

Perc. 3

Perc. 4

   

   

   

  ff

   

       

    

   

 

 

   

     

   

     

 

 

 



  

 

   202

  3

   

3



   

 

   



   



   



   



   

   



             3

 

 

    

 

      

   

  

  

ff

      

 

   

ff

 





 

 

 

   203

  

    



ff f

 

  

3

   

ff

p

  

 

ff

Perc. 1

   

  

3

   

ff

p

      

   

3

   



p

   

        

 

         3 3                                                   fff 

     



 

   



   

         



p

Tba.

         

   

p

 

3              

p

Tbn. 2 / B.Tbn.

3

3               fff

       

p

  

   

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3

3   3                    fff 

 

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Tbn. 1

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p

 

Horn 1 - 2

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  

Tpt. 2 - 3

 

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Ten. Sax.

 

fff

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Cl. 2 - 3

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204

205

206


31

 Fl. 1 - 2    

Ob.

Bsn.

 

Cl. 1

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Cl. 2 - 3

B. Cl.

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 A. Sax. 1 - 2  

Ten. Sax.

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Bari. Sax.

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Tpt. 1

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Tpt. 2 - 3

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Horn 1 - 2

Tbn. 1

Tbn. 2 / B.Tbn.

Tba.

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Timp.

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Perc. 3

Perc. 4

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Perc. 1

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Piano

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Mar. (solo)

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Euph.

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209

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