FIZA BEDI
P O R T F O L I O 2
0
2
4
Fiza Bedi EDUCATION
OTHER
Bachelors in Architecture
• • • • •
Chandigarh College of Architecture / Chandigarh , PEC
I strongly believe, that Architecture, coupled with design thinking and research, has the ability to innovate, bridge gaps, and bring development, for a positive impact on our societies.
TECHNICAL SKILLS
SKILLS
Presentation & Public Speaking Skills Active Listening Teamwork Creativity and Problem Solving Written and Oral Communication
WORK EXPERIENCE
Graphics / Architectural Representation
Studio Aureole, Chandigarh Architect / 2021- 2023
Autodesk AutoCAD, Adobe Creative
Achievements
Cloud Suite ( Photoshop, Illustrator, Indesign ) , Graphic Design
•
Participated in all stages of design and construction of projects
3D Modeling and BIM
•
Revit ( Beginner ), Rhino ( Intermediate )
Rendering
Created Layouts and Construction Drawings.
•
Presented multiple conceptual design
V-Ray , Lumion
iterations incorporating consultant,
Generative Parametric Design
planning and client input
Grasshopper , Kangaroo ( Physical Analysis of structures ) , Ladybug ( environmental analysis ) , Honeybee , Python
•
Hands - on experimentation with alternative building materials and building forms
Projects : •
BOTANICAL GARDEN Architecture and Landscape
•
ANANDA SUSTAINABLE FARMHOUSE Residential Project
•
WELLNESS CITY, RAJPURA Landscaping and Architecture Design of Water Drainage and Master-planning, Working Drawings
•
MEDITATION SPACE, CHANDIGARH Commercial Interiors
•
DAUSA FARMHOUSE, JAIPUR Residential
N.UDES , Mumbai Intern Architect / 2019 Achievements •
Produced Drawings and Layouts
•
Participated in design and construction stages of 5 projects
•
Supervision of one assembly project, and site-visits of all projects.
•
Created 3D Models, Physical Models, Renderings
2
ADAPTIVE REUSE AFFORDABLE HOUSING
Projects : • REGAL, OBEROI MALL Retail Store Design
&
IALD Lighting Design Workshop Lighting Design and Installation of Light Fixtures
The jury found the project well adapted to climate, and found the design innovative.
• TITAN STORE Retail Store Design
Tokyo Anti-Library / Competition Conceptualizing a Library in Tokyo
• FACADE DESIGN Office Building
INTERESTS
CONTACT
• GREENPARK MOSQUE DESIGN
Graphic Design
• CVMS Furniture Exhibition Furniture and Installation Design
Mobile No. : +91-9216411111 Email : fizabedi@gmail.com
Basics of Graphic Design, and its applications.
• CHINA PAVILION Installation Design, Competition
Arch
Parametric Design
of Facade that responds to temperatures outside( inspired by a mechanical iris ) . A mechanical cooling solution, using sensors.
Thesis
THE RELEVANCE OF HERITAGE IN A RAPIDLY URBANIZING ENVIRONMENT The jury called the design, to be well - thought out and executed.
Digital Facades, IAAC Digital Fabrication and
ACADEMIC STUDIOS B.
Cal - Arts, Online
• • •
3D Printing Python Grasshopper and Kangaroo
Start India// Street Art Project and Installation Painting and Assisting in Street art and Installation, with START India.
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Contents
01
02
BOTANICAL GARDEN & public pavilion
ANANDA SUSTAINABLE FARMHOUSE
ARCHITECTURE AND LANDSCAPE
RESIDENTIAL ARCHITECTURE, ALTERNATIVE BUILDING MATERIALS
4
03
04
ADAPTIVE RE-USE AND affordable HOUSING
B.ARCH THESIS
ACADEMIC PROJECT
HERITAGE IN A RAPIDLY URBANIZING ENVIRONMENT ACADEMIC PROJECT
5
6
01 BOTANICAL GARDEN & PUBLIC PAVILION BHATHINDA, PUNJAB 2023
DESIGN BRIEF A call for proposals by the Bhathinda Municipal Corporation, to invest in the city’s ecological infrastructure.
MY ROLE
‘The botanical garden would serve as a focal point for conservation of ecosystems and biospheres, environmental education, research and recreation for nature lovers, environmental governance and management’.
•
Programming spaces by type and area based on functional requirements and the client’s criteria
•
Coordination with Consultants, requirements within fixed budget.
•
Creating renders and representational graphics
•
Preparation
•
Exploration and Development of Form for Thin Tile Timbrel Brick Vault, using Rhino and Grasshopper Plugins.
Our proposal for the botanical garden interweaves ecology, habitat and culture of Punjab at various levels,through sustainable education for development, spaces for recreation and public use, and conservation of the native ecological typologies of Punjab. The aim was to establish an ambitious Botanical Garden, that could also become an institution which creates an impact far beyond its boundaries.
of
Drawings
for
on
BOQ
Construction
7
SITE CONTEXT
USE OF EXISTING FEATURES ON SITE We did a detailed mapping of trees on site, including species, current size of the tree trunk, its approximate canopy. This was done in order to ensure that none of the major trees are harmed during the construction. Also, we could closely study the various parts of the site w.r.t to the trees. For example, the canal is next to one part of the boundary wall which has existing Eucalyptus trees growing. This tree is an important story in Punjab for helping against water logging and yet in other places it can also cause problems by absorbing too much water. Our Arboretum will be located close to these existing Eucalyptus trees.
8
DESIGN PROPOSAL DESIGN OF ECOLOGY AND LANDSCAPE
3
The proposed botanical garden comprises of 3 ecological regions •
The Tibba ( dry and sandy ) Landscape
•
The Scrub Forest ( Dry Deciduous type ) •
The Lakhi Forest ( Moist Type )
DESIGN OF WATER SCAPE AND WATER MANAGEMENT STRATEGIES
2 •
By combining bio swales, retention ponds, and recharging wells and deep bores, the project establishes a comprehensive water recharge and site drainage system.
•
Use of existing water supply infrastructure on site, and integration of existing water storage in architectural design
MASTER-PLANNING AND ARCHITECTURAL DESIGN
1 •
Use of Experimentative Forms and Structures, to create intrigue and invite residents, and create inclusive public spaces for residents of Bhathinda city, along with fulfilling programmatic requirements of administrative and official spaces.
9
1 ARCHITECTURAL DESIGN MASTERPLAN
LEGEND 1.
LIVE WATER CHANNEL
2.
FRESH WATER CHANNEL
3.
NURSERY
4.
TIBBA LANDSCAPE
5.
AROMATIC GARDEN
6.
SCRUB FOREST
7.
LAKHI FOREST
8.
BOARDWALK
9.
MUGHAL GARDEN
10. GLASS-HOUSE
The built structures recede in the background or mock the natural landscape in order to ensure
11. JOGGER’S TRACK
that the natural landscape takes center stage.
12. TICKET COUNTER
We have ensured use of bricks which
13. ADMIN BUILDING
are commonly used in the landscape to create
14. FIREFLY GARDEN
timbrel vaults which are similar to the shape of the
15. OHSR / NURSERY 16. SERVICE ROAD 17. PARKING 18. FERN-HOUSE 19. BIO-SWALE
tibbas. The landscape elements like gazebos, benches, OAT, waste-bins and drinking water fountains all are designed to merge into the landscape as seamlessly as possible.
20. TOILETS 21. BUTTERFLY GARDEN
10
1 ARCHITECTURAL DESIGN PUBLIC PAVILION
PLAN
FRONT SECTION
SIDE SECTION
11
THIN TILE BRICK TIMBREL VAULTING CONSTRUCTION DETAILS
ITERATION OF CATENARY FORM
1
2
3 12
1 ARCHITECTURAL DESIGN GLASS-HOUSE DRAWINGS FOR CONSTRUCTION
EXPLODED VIEW
SECTION
ELEVATION
SECTION
13
1 ARCHITECTURAL DESIGN BAMBOO - TRELLIS The Bamboo trellis interacts with the existing water infrastructure on site, and creates a connection between the OHSR, and the ground , while serving as a visual break from the towering concrete structure, and invites interaction with it.
PLAN
14
15
2 WATERSCAPE DESIGN
As the site is so closely associated with the Waterworks, the use of water for water channels as well as for rainwater management have played a huge role in the overall arrangement of various features on the site. The rainwater is being collected on site such that it can help create the ecological habitats that we wish to create on site.
Details such as natural bioswales, bores and lined water channels have been incorporated into the site.
16
3 LANDSCAPE DESIGN
CONCEPT
DETAILED PLANTING DESIGN
ECO ZONES OF PUNJAB The proposed botanical garden in Bathinda draws inspiration from the historical landscapes of Punjab that have changed over a course of time due to various ecological and cultural shifts. By envisioning and recreating the past, the garden prompts visitors to imagine the diverse flora and fauna that once thrived in this region.
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GROUND FLOOR
18
02 ANANDA SUSTAINABLE FARMHOUSE CHANDIGARH 2021
DESIGN BRIEF The client wanted to create a truly sustainable built structure, on land they had reclaimed through permaculture techniques, over 10 years. Their primary aim, with the land was to build a ‘food forest’ using natural farming techniques, and harvesting rainwater. They wanted the built structure to reflect the same. We achieved this by designing around and incorporating sustainable materials and systems as well as designing for a life-style that requires less energy and makes use of resources available locally.
At the foothills of the Shivaliks, in the midst of a permaculture farm, we designed one of the first rammed earth buildings in the region. The farmhouse design for Aanandaa Permaculture speaks to its surroundings, reaching out to the farm and the pond, and integrating outdoor and indoor spaces, such that the spaces of the farm and the home flow into each other. Built with 13-16” inches thick rammed earth walls, landscaped courtyards and several different roofing techniques in natural materials, the farmhouse offers a climate responsive and pleasant experience. It is a repository of sustainable building materials and techniques. Our challenge was to incorporate this rich and diverse vocabulary and yet offer a coherent contiguous living space.
19
SKETCHES
SECTIONS
SECTION AA'
20
2
EXPLORATION OF ALTERNATIVE BUILDING PRACTICES
21
22
KITCHEN DETAILS
23
RENDERED VIEW
24
03 ADAPTIVE RE-USE & AFFORDABLE HOUSING COTTON MILLS , MUMBAI ACADEMIC PROJECT 2021-23
DESIGN BRIEF To design a model for affordable housing, and create a livable, green community in the abandoned mills of Mumbai, that are a valuable source of open land in Mumbai, along with being markers of its historical heritage. SELECTION OF SITE
HISTORY OF THE MILLS
The industrial architecture of the mill site is the visual identity of Girangaon, some of the mill structures are structurally sound till date and may be re-used for various purposes for the community. The proposed housing can be seen as a mixed use development.
The mills of Girangaon were once integral to Mumbai’s economy, particularly during the British colonial period, when Mumbai (then known as Bombay) was often referred to as the “Manchester of the East”. However, with the development of newer industries in and around Mumbai, these mills ceased to be profitable, and fell into a state of disrepair.
Simultaneous development of recreational space and restoration of mill structures may generate economic opportunities, within the site itself.
The housing was designed keeping in line with various bye-laws and design guidelines of the Municipal Corporation and the MHADA guidelines.
25
SITE STUDY EXISTING SITE CONDITIONS
SITE
26
DESIGN MAQUETTE
Strategic removal and retention of existing structures and pond creates a directive axis, around which housing units will be organized. U - Shaped Blocks of the housing towers will help maintain the natural drainage pattern of the site.
27
BUILDING TYPOLOGIES
TYPE A
TYPE B 28
SECTION Section through Building Typology A, depicting the various levels, and staggered balconies and projections, to create interaction with the surroundings.
SITE MODEL
3D REALISTIC MODEL
29
PROPOSED SITE PLAN
Programming Areas : • • • • • • •
30 % space to be reserved for recreational purposes.( as per byelaws ) Setting up of a newly constructed community center. Destruction of old heritage and visual identity of the site. The pond creates a natural organizational axis in the site, and provides buffer between the residential and community area.
30
UNIT TYPOLOGIES
LOW COST HOUSING
31
RENDERED VIEW
32
MODEL
33
RENDERED VIEW OF PROPOSED DESIGN
34
04 B.ARCH THESIS INTERWEAVING HERITAGE AND RAPIDLY URBANIZING SPACES ACADEMIC PROJECT 2020
How does a medieval fortress town, still remain relevant in the hyper - urban present ? Are current redevelopment efforts enough to preserve the characteristics of the place ? What parts of the past do we take forward, and which do we let erode away to time ? “In a context of rapid urbanization, old cities struggle to modernize without completely losing their character. In the absence of a strategic public intervention to steer their transformation, many of them simply drift into a haphazard mix of demolition, new construction, and building upgrading. Their overall densification, which is certainly welcome from an economic point of view, is oft en accompanied by the displacement of the original population, which is more questionable from a social point of view.
The level of economic activity these cities can sustain typically increases, sometimes substantially, but in the process these places also lose their distinctive traits and become less livable.”[10] It was essential to maintain the balance between retaining heritage, economic viability and creating spaces that added to the livability of the city, while creating modern, urban amenities. The aim of thesis thus became, to engage with the tangible and intangible culture and heritage of Indian Streets, and to emphasise the inherent social nature of the Street, to find the essential elements that make the quality of the spaces, especially in such a heritage zone, with a history and story that surrounds the built spaces, and to appropriately conserve and provide interventions that inter-weave a contemporary narrative into the site.
35
A Historical Sketch of the City “Heritage is an act of remembering the past, to engage with the present “
STUDYING THE CONTEXT AND THE MEANING OF TANGIBLE AND INTANGIBLE HERITAGE When designing for such a historically important, iconic place, one must ask the essential question of, What is heritage ? What must one preserve and what must be foregone ? These questions became essential to address the question of modernization, of a heritage space. ‘Heritage is a value attributed to things(tangible and intangible) that have certain cultural significance. It is not a value pertaining only to usefulness, benefit or intellectual enterprise, but also to things that play a symbolic, instrumental and other functions in a society. ‘
36
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11 14
TO
TO RED
FORT
ACTIVITY MAPPING TWO WHEELER
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FOUR WHEELER PEDESTRIAN
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LWA ELHI RAI TO OLD D TION SA
STUDY OF URBAN FORM THROUGH LWAY CHRONOLOGICAL ELHI RAI MAPS TO OLD D
YELLOW LINE METRO MORE
SATION
PEDESTRIAN ROUTES
SARA
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AD
SITE
MORE
10
10
I RO
BUS STOPS
AD
ACTIVITY NODES
13
9
14
TO TOWN HALL
5
8
14
HC SEN MA
13
9
SARA
VEHICULAR ROADS
6
RG
TO TOWN HALL
6
HC SEN MA
5
8
7
4
BEGUM SAMRU
HAVELI
RG
7
4 2
The surrounding built space is typically characterized by 1 a lattice work of streets (gallis), that form neighbourhoods (mohallas). 3 This character is intact, even as the city is seeing a decline in 2 a rise in commercial activity. residential character, and
12
1 3 BEGUM SAMRU
HAVELI
12
KUCHA MAHAJANI MARKET
KUCHA MAHAJANI MARKET
ACTIVITY MAPPING AROUND SITE 37
38
39
PROPOSED SITE PLAN
40
WATER CHANNEL
41
MISCELLANEOUS WORK
LEGEND / SYMBOLS
4" thk. PCC Bed
4"LVL. thk.-1'-6" PCC(99.402mm) Bed (footpath lvl. outside park)
6" Course Aggregate 3" thk. Washed concrete
6" Course Aggregate 3" thk. Washed concrete
5"4" 9"
5" 4" 9"
3'-0"
6'-9"
9"
11'-0"
3'-0"
WC
4"4"1"
6'-9"
3'-0"
urinals
8'-0"
planter
6'-0"
5"4" 9"
8'-0" 3'-0"
11'-0"
5"4" 9"
5" 4" 9"
9"
5" 4" 9"
WC
3'-0" 9"
Mosaic mural finish 6" dia metal column
3'-0"
Wall dado work with Mosaic mural finish 12"x18" ceramic tiles 6" metal column (offdia white color)
9"
11'-0"
9"
8'-0"
WC
6" Course Aggregate
421" 9" 5"4" 9"
5"4" 9"
5" 4" 9"
LVL. +12'-10"
3'-0" 5"4" 9"
8'-0" 3'-0"
11'-0"
4'-1"
5"4" 9" 11'-0"
4'-1"
4" thk. PCC Bed
SECTIONAL ELEVATION - C
1'-3"
exposed brick jaali (4.5" thk. in 9" thk. solid brick wall frame) exposed brick jaali (4.5" thk. in 9" thk. solid brick wall frame) DPC brick jaali exposed (4.5"walkway thk. in 9" thk. solid brick wall frame) DPC
walkway
LVL. +11'-4"
LVL. LVL. +12'-10" +8'-4" +7'-1" LVL. +11'-4"
LVL. +12'-10" LVL. +8'-4" LVL. LVL. +11'-4" +7'-1"
LVL. +0'-4" LVL. LVL.+8'-4" ±0'-0" (99.808mm) (park walkway lvl.) LVL. +7'-1"
LVL. +0'-4" LVL. ±0'-0" (99.808mm) (park walkway lvl.)
DPC
4'-1"
2'-9"
walkway
11"
1'-3"
1'-3"
11"
2'-9"
3" thk. Washed concrete
(81"- 14" Gravel size, 2:1:1 bajri,cement,sand)
1'-3"
11" 8'-0"
tile crazy finish
6" Course Aggregate
1'-3"
1'-3"
Mirror
11"
brick seating walkway 3
with 4" thk. 4" thk. PCC Bed
11'-0"
1'-3"
2'-9" 2'-9"
3" thk. Washed concrete
(81"- 14" Gravel size, 2:1:1 bajri,cement,sand)
Mirror
8'-0"
SECTIONAL DPC ELEVATION - C
11"
8'-0"
1'-3"
11'-0"
DPC
brick seating walkway Granite Top with 34" thk. for Basin tile crazy Slab finish
2'-9"
5"4" 9" 11'-0"
8'-0"
1'-3"
11"
3'-0"
2'-0"
Mirror
2'-9"
8'-0" 3'-0"
5" 4" 9"
421" 9"
brick seating Granite Top with 34" thk. for Basin Slab tile crazy finish
11'-0"
2'-0"
DPC
Granite Top for Basin Slab
5"4" 9"
5" 4" 9"
421" 9"
3'-0"
3'-0"
2'-0"
exposed brick jaali 6" diathk. metal (4.5" in 9"column thk. solid brick wall frame) exposed brick jaali 6" dia metal column (4.5" thk. in 9" thk. solid brick wall frame) exposed brick jaali (4.5" thk. in 9" thk. solid brick wall frame)
walkway
6" Course Aggregate 3" thk. Washed concrete 4" thk. PCC Bed
SECTIONAL ELEVATION - C
6" Course Aggregate
6" Course Aggregate 3" thk. Washed concrete
(81"- 41" Gravel size, 2:1:1 bajri,cement,sand)
4" thk. PCC Bed 6" Course Aggregate
WC 1'' thk. DPC 8" x 8'' plinth beam
SECTIONAL ELEVATION -WCD 1'' thk. DPC
4" 9" 1'-6"
2'-1134"
8'-0"
4'-412"
4" 9" WC
8'-0"
4'-421"
4'-421"
UNIVERSAL WC
JANITOR'S AREA
WC
+7'-1" LVL. +11'-4"
2.
THE DRAWINGS ARE THE SOLE PROPERTY OF STUDIO AUREOLE . THE DRAWINGS MAY NOT BE COPIED IN PART OR WHOLE WITHOUT THE PRIOR
1'-6"
4'-4 "
openable window
LVL. +8'-4" +12'-10" LVL.
8'-0"
4'-4 "
LVL. +12'-10" LVL. +8'-4"
UNIVERSAL WC
JANITOR'S AREA
LVL. LVL. +11'-4" +7'-1"
8'-0"
4'-412"
UNIVERSAL WC
JANITOR'S AREA
1 2
PERMISSION CONSULTANTS : ARCHITECTS. DRAWN:OF THE RICHA
CHECKED: JITESH MALIK DATE OF ISSUE: 22-12-21 FOR 21-12-2021 SIGN: (A1 SIZE PRINT) SCALE: 1/4"=1'
CONTRACTORS FOR DATE:CONST. :
THE DRAWINGS ARE THE SOLE PROPERTY OF STUDIO AUREOLE . DRAWING TITLE PHASE THE DRAWINGS MAY NOT/BE COPIED IN PART OR WHOLE WITHOUT THE PRIOR NO. DRAWING PERMISSION OF THE ARCHITECTS.
1'-6"
Mosaic mural finish
4" 9" 8'-0" 2'-1134"
4'-4 " JANITOR'S AREA
1 2
2'-1134"
8'-0" UNIVERSAL WC
1 2
8'-0"
1'-6"
openable window
8'-0"
4'-421"
2'-1134"
WC
4'-421"
1'-6"
4'-4 " 1 2
Mosaic mural finish
LVL. +11'-4"
LVL. +0'-4" (toilet FFL) LVL. +8'-4" LVL. ±0'-0" (99.808mm) (park walkway lvl.)
LVL. +7'-1"
DRAWN: RICHA ARCHITECTURAL DRAWING AP_A03b FOR CHECKED: JITESH MALIK DATE OF ISSUE: 22-12-21 TOILET BLOCK A (SECTIONAL ELEVATIONS) FOR CONST. DATE: 21-12-2021 SIGN: PROJECT NO. (A1 SIZE PRINT)
1/4"=1' AUF_AP
SCALE:
DRAWING TITLE / PHASE DRAWN: RICHA
LVL. +0'-4" (toilet FFL) LVL. ±0'-0" (99.808mm) (park walkway lvl.)
8'-0"
4" thk. PCC Bed
4'-421"
8'-0"
3" thk. Washed concrete
(81"- 41" Gravel size, 2:1:1 bajri,cement,sand)
5"4" 9" 8'-0" 2'-1134"
6" dia metal column
exposed brick wall (4.5" thk.)
8'-0"
5"4" 9"
4'-421"
LVL. +12'-10"
openable window 1'-6"
2'-1134"
6" dia metal column
Mosaic mural finish exposed brick wall (4.5" thk.) 6" dia metal column
Mosaic mural finish
5"4" 9"
Mosaic mural finish
NOTES : MARKING OF MAIN BLOCK CENTRE LINE TO BE TAKEN FROM REFERENCE MARKING PLAN SUBMITTED EARLIER. ALL DIMENSIONS ARE IN FEET AND INCHES UNLESS AND UNTIL IT IS SPECIFIED. 3. DIMENSIONS ON THE DRAWINGS ARE TO BE READ AND NOT TO BE MEASURED. 4. ALL DIMENSIONS ARE FROM UNFINISHED SURFACES. : 5. NOTES ALL CENTER-LINES ARE THROUGH COLUMN/WALL AND WALL 1. CENTERS MARKINGUNLESS OF MAIN BLOCK CENTRE LINE TO BE TAKEN FROM INDICATED. MARKING PLAN SUBMITTED EARLIER. IS FOR 6. REFERENCE ALL R.C.C. WORK INDICATED ON THE DRAWING 2. REFERENCE ALL DIMENSIONS ONLY.ARE IN FEET AND INCHES UNLESS AND UNTIL IT IS SPECIFIED.ARE TO BE REFERED IN CO-ORDINATION OF OTHER 7. DRAWINGS 3. DIMENSIONS ON THE DRAWINGS ARE TO BE READ AND NOT TO CONSULTANT DRAWINGS. MEASURED. 8. BE ANY DISCREPANCY ON THE SITE SHOULD BE REFERRED TO THE 4. NOTES ALL DIMENSIONS ARE FROM UNFINISHED SURFACES. : ARCHITECT. 5. MARKING ALL CENTER-LINES THROUGH COLUMN/WALL AND WALL 1. OF MAINARE BLOCK CENTRE LINE TO BE TAKEN FROM CENTERS UNLESS INDICATED. REFERENCE MARKING PLAN SUBMITTED EARLIER. 6. ALL ALL DIMENSIONS R.C.C. WORKARE INDICATED ON THE DRAWING FOR UNTIL IT 2. IN FEET AND INCHES UNLESSISAND REFERENCE IS SPECIFIED. CONSULTANTS : ONLY. 7. DIMENSIONS DRAWINGS ARE REFERED IN CO-ORDINATION OF NOT OTHER 3. ON TO THEBE DRAWINGS ARE TO BE READ AND TO CONSULTANT BE MEASURED.DRAWINGS. CONTRACTORS : 8. ALL ANYDIMENSIONS DISCREPANCY THE SITE SHOULDSURFACES. BE REFERRED TO THE 4. AREON FROM UNFINISHED ARCHITECT. 5. ALL CENTER-LINES ARE THROUGH COLUMN/WALL AND WALL CENTERS UNLESS INDICATED. THE DRAWINGS ARE THE SOLE PROPERTY OF STUDIO AUREOLE . 6. ALL R.C.C. WORK INDICATED ON THE DRAWING IS FOR THE DRAWINGS MAY NOT BE COPIED IN PART OR WHOLE WITHOUT THE PRIOR REFERENCE PERMISSION OF THE ONLY. ARCHITECTS. CONSULTANTS 7. DRAWINGS: ARE TO BE REFERED IN CO-ORDINATION OF OTHER FORCONSULTANT DRAWINGS. DATE OF ISSUE: 22-12-21 8. ANY DISCREPANCY ON THE SITE SHOULD BE REFERRED TO THE FOR CONST. CONTRACTORS : SIGN: (A1ARCHITECT. SIZE PRINT) 1.
LVL. +0'-4" LVL. ±0'-0" (99.808mm) (park walkway lvl.)
(81"- 14" Gravel size, 2:1:1 bajri,cement,sand)
exposed brickfinish wall Mosaic mural (4.5" thk.)
LVL. LVL. +11'-4" +7'-1"
foothpath paverblocks as per existing detail on site
SECTIONAL ELEVATION - A
6" Course Aggregate
6" dia metal column
LVL. +12'-10" LVL. +8'-4"
Wallbrick dadoseating work with 3 foothpath LVL. +0'-4" 12"x18" tiles paverblocks with ceramic 4" mandhana stone LVL. ±0'-0" (99.808mm) as per existing detail (off white color) top (18" ht.) on site LVL. -1'-6" (99.402mm) brick seating +0'-4" foothpath paverblocks LVL. ±0'-0" (99.808mm) with 34" mandhana stone LVL. per existing detail top (18"asht.) LVL. -1'-6" (99.402mm) on site
4"4"1"
412"
6'-9"
9"
11"
9"
walkway SECTIONAL ELEVATION - A
4" thk. PCC Bed
4" thk. PCC Bed
+7'-1" LVL. +11'-4"
seating Wallbrick dado work with Mosaic mural finish LVL. +0'-4" LVL. +8'-4" ±0'-0" (99.808mm) with 34ceramic " mandhana 12"x18" tiles stone LVL. 6" column topmetal (18" ht.) LVL. +7'-1" (offdia white color)
(81"- 41" Gravel size, 2:1:1 bajri,cement,sand)
(81"- 41" Gravel size, 2:1:1 bajri,cement,sand)
LEGEND / SYMBOLS
LVL. +8'-4" +12'-10" LVL.
LVL. -1'-6" (99.402mm)
412"
4"4"1"
±0'-0" (99.808mm) (park walkway lvl.) (81"- 41" Gravel size, 2:1:1LVL. bajri,cement,sand)
634"
9"
1'-3"
3" thk. Washed concrete LVL. +0'-4" (toilet FFL)
6'-0"
3'-0"
2'-0"
9"
6" 4"3"
DPC
(81"- 41" Gravel size, 2:1:1 bajri,cement,sand)
9"
3'-0"
11"
3'-0"
6" Course Aggregate 3" thk. Washed concrete
6" Course Aggregate
1'-6"
1 2
1'-3"
8'-0"
(81"- 41" Gravel size, 2:1:1LVL. bajri,cement,sand) ±0'-0" (99.808mm) (park walkway lvl.)
SECTIONAL ELEVATION - D
urinals
planter 4 " 9"
urinals planter walkway SECTIONAL ELEVATION - A 4" thk. PCC Planters Bed
(81"- 41" Gravel size, 2:1:1 bajri,cement,sand)
brick seating 4" thk. PCC Bed -1'-6" (99.402mm) (footpath lvl. outside park) with 34" thk. tile LVL. crazy finish
1'-6"
634"
11'-0"
brick seating LVL. +7'-1" LVL. -1'-6" (99.402mm) (footpath lvl. outside park) with 34"Top thk. tile crazy finish Granite for Basin Slab 3" thk. Washed concrete LVL. +0'-4" (toilet FFL)
2'-0"
2'-0"
1'-3"
5" 4" 9" 5" 4" 9"
3'-0"
LVL. LVL. +8'-4" ±0'-0" (99.808mm) (park walkway lvl.)
8'-0"
634"
11'-0"
3'-0"
for Basin Slab LVL. +0'-4" (toilet FFL)
LVL. +12'-10"
3'-0" 412" 9"
9"
LEGEND / SYMBOLS
6'-0"
LVL. +11'-4"
2'-0"
1 2
Mirror
2'-021"
LVL. +8'-4"
brick seating LVL. LVL. +11'-4" +7'-1" with 34"Top thk. tile crazy finish Granite
Mirror
foothpath paverblocks as per existing detail on site
+7'-1" LVL. +11'-4"
Granite Top for Basin Slab LVL. +12'-10"
Mirror
2'-021"
1'-6"
3'-0"
9" 412"
2'-0"
JANITOR'S SPACE
brick seating Wall dado work with 2'-0" foothpath paverblocks ceramic with 34"12"x18" mandhana stonetiles JANITOR'S as per(off existing detail SECTIONAL ELEVATION - D white color) top (18" ht.) SPACE on site brick seating 2'-0" 3 foothpath paverblocks with 4" mandhana stone as topper (18"existing ht.) detail SECTIONAL ELEVATION - D on site 2'-021"
LVL. +8'-4" +12'-10" LVL.
2'-0" 8'-0" 3'-0"
5"4" 9"
JANITOR'S SPACE
brick seating Mosaic mural Wall dado work withwall with 34"12"x18" mandhana stonetiles ceramic top (18" (offht.) white color)
9" 412"
5"4" 9" 11'-0"
Wall dado work withwall Mosaic mural 12"x18" ceramic tiles (off white color)
exposed brick jaali (4.5" thk. in 9" thk. solid brick wall frame) exposed brick jaali (4.5" thk. in 9" thk. Planters solid brick wall frame) DPC brick jaali exposed 4" (4.5" thk. in 9" thk. walkway solid brick wall Planters frame) DPC 3" thk. Washed concrete 6" 4"3"
3'-0"
Mosaic mural wall
PUBLIC TOILETS ( BOTANICAL GARDEN )
LVL. +11'-4"
2'-0"
9"
6" 4"3"
5"4" 9"
5" 4" 9"
SECTIONAL ELEVATIONS
412" 9"
LVL. +12'-10"
11"
9" 412"
UNIVERSAL WC
JANITOR'S AREA
WC
UNIVERSAL WC
JANITOR'S AREA
8" x 8'' plinth beam
ABHA PARK
ARCHITECTURAL DRAWING
DRAWING NO.
AP_A03b ABOHAR URBAN FELLOWSHIP & STUDIO AUREOLE AUF_AP ABHA PARK DRAWING TITLE / PHASE DRAWING NO.
CHECKED: JITESH MALIK
TOILET BLOCK A (SECTIONAL ELEVATIONS)
DATE: 21-12-2021 PROJECT NO. SCALE: 1/4"=1'
42
#499, Sector-12, Panchkula, Haryana
LVL. +0'-4" (toilet FFL) LVL. ±0'-0" (99.808mm) (park walkway lvl.)
SECTIONAL ELEVATION D 1'' thk.- DPC
ARCHITECTURAL DRAWING
AP_A03b ABOHAR URBAN FELLOWSHIP PROJECT Contact :NO. +91 88472 18912 & phone : +91 88472 18912 email : aboharstudio@gmail.com TOILET BLOCK A (SECTIONAL ELEVATIONS)
LAYOUT
C3
BRANDING
MIRROR
BRANDING
REGAL, OBEROI SHOWROOM, MUMBAI
C2
CASHIER
MIRROR
BRANDING
ACCESSORIES DISPLAY
STOREFRONT BRANDING
C1
ENTRANCE
43
T H A N K Y O U
44