FLESH & BONE In pursuit of art and music VOL. 12
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THANK YOU FOR SHARING OUR 1ST BIRTHDAY WITH US Submissions: If you are intertested in being featured in F&B contact: fleshbonemagazine@gmail.com All images copyright the respective contributor.
FOUNDER: Brandynn L. Pope COPY EDITOR: Donald Kimber DESIGN & LAYOUT: Brandynn L. Pope COVER DESIGN: Morgan Fraser PHOTOGRAPHERS: Sara Almlah Courtney Cook Clare Kim Rickie Miller
THE TEAM Brandynn L. Pope Brittney Tambeau WRITERS: Sara Almlah Ashley Houston Donald Kimber Brandynn L. Pope Cale Zebedee
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CONTENT
May, 2015 | VOL. 12
ALBUM REVIEWS ALL TIME LOW ALBUM: Future Hearts RELEASE: 01/07/15 STAND OUT(S): “Missing You”
8.5
“Dancing With A Wolf”
AUTHOR: Ashley Houston
It’s been three years since All Time Low has put out a new album. It seems to be a testament to the band’s passion, enthusiasm and drive that they kept going. They were smart, first and foremost - returning home to indie label Hopeless Records and releasing what was an obvious return-to-form record Don’t Panic. After its release, immediately following was a lengthy world tour, multiple festival dates and then a long period of relaxation with no touring commitments. Within that time off, it appears that the four guys did some growing up. If you’ve ever attended an All Time Low concert that would be surprising with a live show filled with high school-aged antics and goofiness playing out onstage. But with the release of Future Hearts, All Time Low has shown not only how they have maintained their sound that was built over a span of 10 years, but also how it’s managed to perfect it.
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This album has something that is sure to please everyone. The first single, “Kids in the Dark,” is well rounded and reminiscent of Jimmy Eat World. There are stand out pure pop tunes, such as “Something’s Gotta Give,” the Mark Hoppus-assisted “Tidal Waves” and sure-to-be-future-single “Missing You” being the strongest among them. You’ve also got the anthemic opening track “Satellite.” Throughout the album all instruments sound heavier — the bass is prominent, fuller electric guitars. The introduction of the drums shapes the album, preluding what is to come ahead. Even lead vocalist Alex’s voice sounds darker, creating a raspier tone that grows in intensity throughout the album. It’s easy to see Future Hearts is triumph in many ways for a band that is now six albums and a decade deep into what’s going to be remembered
as one of the most celebrated careers to come from a band born of the Warped Tour community. Where their album Nothing Personal could and should have been a breaking point -Future Hearts feels like it’s laughing in the face of those “problems.” Having an album that doesn’t need a hit single with national airplay to rack up the most album sales in America and the UK during its debut week; this should be the statement that proves All Time Low are here to stay with this album.
THE HONEST HEART COLLECTIVE ALBUM: The Liars Club RELEASE: 04/01/15
The Honest Heart Collective, a group that has been said to “perform with the intensity and passion of a band trying to save rock and roll itself, one song at a time,” released their début full-length album Liars Club via Free Mind Operations. They keep true to their name and give the listener nothing but their hearts-and-souls in all ten tracks. The album, based on personal experiences from singer/ guitarist Ryan MacDonald’s life, is said to be about, “learning to be honest with yourself when you’re
STAND OUT: “Peace for the Weary Souls” AUTHOR: Cale Zebedee
not sure what to believe.” Tracks like “Haymaker” and “Ghosts and Graves” give off a Gaslight Anthem vibe, while tracks like “Broken Hands pt.II” and “Truthteller” give off more of an alternative-country vibe, but still allows the album to flow perfectly. The stand-out track is “Peace for the Weary Souls”, which speaks of the life of a musician and all the strife that they go through. From beginning to end this album has it all, thoughtful lyrics, one of the most moving guitar solo’s I’ve heard in years, playful
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drums, and soulful vocals: this is honest rock and roll.
OUT THIS MONTH 05.04 05.12 05.12 05.18 05.19 05.19 05.19 05.26
Mumford & Sons Snoop Dogg Veil Of Maya Brandon Flowers The Story So Far Twenty One Pilots Zedd Anti-Flag
Wiler Mind BUSH Matriarch The Desired Effect The Story So Far Blurryface True Colors American Spring
Set It Off
Brittney Tambeau
Some people spend their spring break at Panama City Beach getting wasted and making bad decisions, but many others and myself chose a different route and attended the Glamour Kills Spring Break ’15 Tour. While the weather felt nothing like spring, the fun and energetic show certainly made up for it. Kicking off the night was an up and coming band from the United Kingdom known as ROAM. The 5-piece pop punk group set the tone for the evening with a high-energy performance, similar to The Story So Far that had the crowd engaged from start to finish. Circle pits and stage diving took over as ROAM ended with a crowd pleaser, “Head Rush”. The group is definitely setting out to leave an impression in the states. Also from across the pond, As It Is was next to take the stage, which earned shrieks from a group of girls near the front. Front man Patty Walters seemed to be in the air more than on the ground, and encouraged the crowd to be the same. They had a Real Friends vibe to their catchy sound. My previous knowledge of the pop punk band was just that Patty was a popular YouTuber, and this certainly held true as girls lined up to meet him by merch as soon as they finished. They gave a great performance and left me excited to catch them on Warped this summer. Co-headliner, Against The Current, came out next and I was looking forward to finally seeing the new Fueled By Ramen recruit that I kept hearing about. I had heard them being compared to Paramore, and although I think that’s mostly due to the fact that they have a female belting out lead vocals with male band members surrounding her, I will admit I see a bit of Hayley Williams when watching Chrissy Costanza. The groups have slightly different styles, but Chrissy owns the stage in a similar way Hayley does, and she gives it her all throughout the entire performance. Complete with strong vocals and the backbend she’s becoming known for, ATC’s performance had the crowd’s
energy building even more. When Cody from Set It Off joined them for a cover of “Up Town Funk” it was evident that this venue was not dying down anytime soon, and as everyone sang and danced like Bruno Mars was upon us, things seemed to be just getting started. Hand signs representing the band’s symbol immediately filled the room as the intro started for Set It Off to take the stage. From the first note in “Forever Stuck in our Youth” the crowd was jumping along with the pop punk/pop rock band from Tampa, Florida. Their set included most of their newest album, Duality, and a few older hits off of Cinematics and Horrible Kids, and of course they included their cover of Ariana Grande’s “Problem” that can be heard on the latest volume of Punk Goes Pop. There wasn’t a spot on the stage not being used and when that wasn’t enough, Carson went out into the crowd, trusting them to hold him up while he continued to sing. Fans were loving every second of it, and at times the band would pause and just smile, looking extremely humbled by the amazing response they were receiving. Cody slowed things down with a piano performance for “Miss Mysterious” and then picked it right back up with “Swan Song” before leaving the stage. The chanting started as soon as they were gone and the crowd wasn’t ready for it is over yet. Hand signs went up again as Set It Off came out for the encore performance of their new gospel-meets-punk single, “Why Worry?” The passionate group finished with a bang and was met with loud applause at the end. I went into the show only completely knowing one band and partially knowing another, but left as a fan of all four. This turned out to be one of the strongest line ups put out this spring and definitely my favorite. I strongly recommend catching a show when any of these bands are in town. Never a dull moment and tons of energy comes with the Glamour Kills Spring Break ‘15 Tour.
Review: Kelly Rottman
ROAM
Brittney Tambeau
As It Is
Brittney Tambeau
Against The Current Brittney Tambeau
Walk The Moon Brittney Tambeau
REVIEWS
The lights dimmed and the crowd awoke with anticipation as Australian-based supporting act, The Griswolds took their place on stage. The group walked out to the tune of Coolio’s “Gangsta’s Paradise,” riling up the crowd. Fans were quickly engaged by the energy delivered throughout their performance. The band wrapped up their set with the popular song, “Beware the Dog,” leaving the crowd in high spirits and eager for the headliner. Following a brief intermission, the lights lowered again as “The Circle of Life” blared throughout the speakers. The crowd, seemingly amused, sang along to the Disney classic as Walk the Moon made their way forward. An array of colourful lights reflected off the walls of the venue as the band opened their set with “Different Colors,” the first track off the new album. The sixteen song set list featured a selection of new and old songs alike, satisfying both longtime and new fans. Songs featured throughout the night included, “Shiver Shiver” and “Portugal,” a tasteful tune full of synth, which really got fans off their feet.
Immediately following their last notes, chants of “Anna Sun” echoed from concertgoers. After a few more moments of teasing anticipation, the band made their presence on stage again for a much welcomed encore. Before playing the fan favourite, the group paid an ode to The Killers, performing a cover of “All These Things That I’ve Done.” To end the night, Walk the Moon finished strong by performing the song that brought them back to their roots, “Anna Sun.” The crowd responded enthusiastically and belted along to every word. Petricca surprised the audience by crowd surfing, sharing a special live-in-themoment experience with all of the fans. The Griswolds put on a great show for fans, but Walk the Moon stole the night as headliner, making for a memorable night of live music.
A highlight of the evening included a moment when Petricca told everyone in the audience to throw their hands up during the chorus of “I Can Lift a Car,” encouraging them to release their worries and not to take themselves too seriously. Then came time for the song most were waiting for. They closed their main set with the hit-single, “Shut Up And Dance,” a true crowd pleaser, and a chance for everyone to show off their moves.
Review: Brittney Tambeau
All Time Low
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Issues
Brittney Tambeau
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Tonight Alive Brittney Tambeau
KONGOS HOW DID YOU FIND YOUR PASSION FOR MUSIC AND FOR STARTING A CAREER WITH KONGOS? We all grew up playing music. Our dad was a musician in the business, so we were around that environment from the very beginning. Both of our parents wanted us to learn music just as a part of life and our education. But then, I’d say around teenage years, we started playing different instruments and I really got into drums. We started jamming, and it got fun at a certain point. With our dad being in the music business and having bands and touring, it started to sound more and more appealing, especially if we could avoid getting a real job. Once we got into it, there was no looking back.
WERE THERE ANY BANDS OR ARTISTS THAT INSPIRED YOU TO KEEP GOING DOWN YOUR PATH OF MUSIC? Yes! Definitely a lot of the classics like The Beatles, Rolling Stones . . . Nirvana was one of those really cool bands that everybody remembers and talks about. They’re legendary. British electronic music too . . . I love bands from all over the world. There’s a pretty wide range of influences and inspirations.
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WHEN LISTENING TO YOUR ALBUM LUNATIC, THE SONGS GO THROUGH DIFFERENT “VIBES” VERY QUICKLY. CONSIDERING HOW DIVERSE EACH TRACK IS, WHAT WOULD YOU SAY YOU HAVE A FAVOURITE SONG TO PERFORM LIVE FROM THAT ALBUM? We’ve been kind of going towards some of the new songs since we’ve been playing the other ones for so long. I definitely like to change it up from a heavy song like “Come With Me Now” or “I’m Only Joking,” to a more chill song like, “I Wanna Know.” “I Wanna Know” is one of my favourites, because when you play it with the reggae beats and everything it’s just fun to sit back and enjoy that groove. When people sing along it makes it extra fun.
SEEING AS THIS IS YOUR FIRST HEADLINING TOUR, HAVE THERE BEEN ANY ARTISTS OR BANDS IN THE PAST THAT YOU’VE TOURED WITH THAT HAVE REALLY STUCK OUT TO YOU? We’ve played with, and opened for, a lot of cool bands. We did a few shows with AWOLNATIONa few years ago in the UK and that was really fun. I would say most of all was
INTERVIEW
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the Kings of Leon tour we did last year. Watching them every night and seeing what good of a band they are . . . You don’t really appreciate it until you’ve seen them a few times. We knew their music and liked a lot of their songs, and watching the show just opened up a whole new level of appreciation. That was a big inspiration for us, to see what they were able to put together.
IF YOU COULD NO LONGER BE A MUSICIAN, WHAT CAREER WOULD YOU CHOOSE? I was always really interested in filming video. I took it in high school and it just kind of stuck. I made a bunch of short films with my friends. We made an hour long movie once. I think that if music wasn’t on the table, I would be doing something in that area.
IF YOU WERE IN THE WITNESS PROTECTION PROGRAM AND YOU HAD TO PICK AN ALIAS, WHAT WOULD IT BE? It would have to be something really generic so no one would ever be able to find me. How about . . . Jeff Smith? Yeah, Jeff Smith!
ON TOUR SO FAR, DO YOU HAVE A GO-TO SNACK OR FOOD THAT YOU CAN’T GET ENOUGH OF? The rest of the guys on the tour make fun of me because I love Indian food. I mean, we all like Indian food, but any time there’s a chance of going to an Indian restaurant on a day off, I’m always trying to get in on it. When they’re checking all the mic’s before we go on, our guitar tech always goes, “Jesse vocals, Jesse vocals! I like curry, I like curry!”
IF A FAN ASKED YOU FOR SOME WORDS OF WISDOM, WHAT WOULD YOU TELL THEM? I would say to not hold fame on a pedestal, because it’s not important.
Nathen Maxwell Nathen Maxwell has been known for years as the bassist of folk-punk group Flogging Molly: a seven piece band that calls Los Angeles, California home. Together they have released five studio albums and done countless tours all over the world. Now Maxwell has found focus in a new project known as The Bunny Gang. Maxwell steps forward from his position on the sidelines with Flogging Molly into the spotlight, providing the main voice and writing influence. The Bunny Gang released their debut album, White Rabbit in 2009, which became critically acclaimed for its thought-provoking sound. They are now releasing their new album Thrive, an album that can appeal to the revolutionaries in everyone, everywhere. After working within the success of Flogging Molly, building a new group from the ground up has proven to be a strenuous effort, but ultimately, Nathen has come to decide that, “it also makes me really appreciate how far Flogging Molly has come and how good we have it on the road.” With The Bunny Gang’s release of Thrive, they give credence to a number of sub-genres of the punk movement such as reggae, folk-punk, and alternative. It’s easy to see that Maxwell is going a different direction from his previous efforts, but still maintains that, “The songs themselves made me want to pursue this project . . . it’s hard to say who or what specifically influenced this record. I think this was more of an organic group effort.” Alongside their current release, the group has also been included on Rancid’s tribute album Hooligans United, released on April 10th. Maxwell being a huge fan of the band, and also singer/ guitarist Tim Armstrong’s previous works with Operation Ivy, was very honoured that friend Elvis Cortez from the group Left Alone asked them to be a part of the project. Spending many years of his life as a touring musician, Maxwell finds it hard to consider any specific show influential, as it all adds to the entire experience, but recalls some of the best moments as the ones when he felt, “a cosmic shift.” He also fondly recalls that playing with Iggy Pop and The Stooges was one of his favourite memories: “We’ve been so lucky to have toured with some of the nicest people and the coolest bands over the years, there’s just too many to mention, you should always play music because you love it.” Although Maxwell has a packed touring scheduled for this year already, he intends to keep busy with both projects: “For me the creative process is always hopefully on. I’ll be doing both, focusing on the new Flogging Molly album and continuing to work on The Bunny Gang.”
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For those unfamiliar to your music, how would you best describe it? Our music doesn’t really fit into one genre. We incorporate all sorts of metal and hard rock. Coming from all sorts of influences death, thrash, power, speed, classic and melodic metal and of coarse just plain old hard grinding rock .
How did all of you come together to become Threatpoint? We formed from the death of two older bands but now is the result of the death of three older bands with our two new guys.
What is the most memorable show that you have played so far? Stryper was off the charts awesome. Those guys treated us amazing. They are truly kind people. They walk the talk.
Who are some of your greatest musical influences? So many to list... The Doors, Testament, Metallica, 80s rock, Devildriver, Killswitch Engage, so newer bands as well. We are all over the place.
How do you like to approach writing new music? For us it comes down to a mood or feeling you want to portray. We try to make every song different from the last. So they do not sound alike. I hate when you listen to a cd n all the songs have like one or two sounds on the whole album.
Is there any song in particular that you are proud of or that resinates with you over others? For each of us it’s probably different but Calm before the Storm is pretty epic to all of us. Also Careful what you wish for that’s a monumental song and a lesson for all.
Where would you like to tour most? Who would you want to be on that tour with you? Europe & UK ...with anyone who likes us and wants us there.
Knowing what you do now, is there any advice you would want to have given to you when you first started this band? Haha ...Careful what you wish for !!!! It just gets harder and harder as you go !
What is the plan for the band for the rest of 2015? Touring the United States of America and meeting lots of new people along the way. Hopefully converting them into fans ! Also begin recording our third album this fall to be released in 2016. Definitely trying to find a bigger LABEL to help us.
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Joshua Johnson Josh is a tattoo artist out of Lancaster, Ohio who is spreading like wildfire. Seven years of professional experience has made his client base and name well known around central Ohio. I recently had a conversation with him to discuss his work, personal life and how he got started in the first place.
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Let’s start with a basic question, how do you describe yourself as a person and an artist? “Just you know, awesome in general.” After a chuckle, “I don’t fucking know. Morally driven? I guess? I try not to replicate other peoples art, I try to do my own thing. I like things with eerie beauty to it, I love capturing emotion.”
How did you get started in the tattoo industry? What’s your story? “It was actually a complete fucking accident. I had a friend that bought some tattoo junk off of Ebay. I was doing some drawings and paintings at the time, he hit me up and asked me to tattoo him one day. He didn’t care if it came out well, he just wanted the tattoo. I tried it, and I did this Jester on his arm, and when I got done it was actually really cool. It healed like hell, but it looked cool. I didn’t even know what I was doing. I realized that I loved doing this and I could even get PAID doing this. It blew my mind. I had never even thought about tattooing until that.”
Did you have a lot of tattoos at that time? Were you into body modification? “I wouldn’t say I had a lot. I had a few random piercings and like three tattoos. Nothing too major.”
What style do you think shows off your skills the most? “Anything that I get total freedom to do what I want. I’ve always been sure that I could do so many styles. I try not to focus on one thing because everyone wants something different. I would lean a little more towards realism.”
Is there any tattoo style you don’t like doing? “I’m not into tribal and I’m not a big fan of old school traditional work. I appreciate where that led us, but it’s just to my thing.”
What has been your worst client experience? “I really haven’t had that many. Once I had a chick that was a complete perfectionist and nothing was ever perfect. No matter what you did she was never satisfied. I wont even tattoo her anymore. She would OK a drawing and there would be so many flaws as soon as I put it on her. She would come back every two weeks to get one little dot fixed.”
What’s an annoying question you always seemed to get asked? “How much do ‘tats’ cost ‘bruh’? It’s really annoying to ask how much tattoos cost. My art isn’t a product you can just go out and buy. It’s not made on an assembly line. It varies from person to person. One back piece isn’t going to be that same on a 90 pound girl and a 250 pound man. If you have a budget we can work with it, it’s completely fine. It tells me how much work I need to put into it. the more time, effort and money, the better your tattoo is going to look. I’m going to do my best.”
Do you think people are intimidated by your blunt personality? “Yeah, it’s hard to deal with ignorance. I kind of have to be the way I am. I think people I click with, it’s a lot easier for them to get a long with me. You have to be the dominant person in the relationship with your client. The artist does
this everyday and knows how it should be placed and what will look best. I always try to have good relationships with clients. We all have our own little friendships even though we don’t hang out.”
Like how you bought us all pizza last time I was down there and we all hung out for an hour break? [Getting a friend’s chest piece finished, 4+ hour session] “Yeah, If I’m doing a big tattoo I usually buy my clients lunch. Even though I’ve been doing this so long, I try to keep in mind not to give things away for nothing. I have bills to pay and three kids to feed by doing tattoos. At the same time I feel like I should be giving away tattoos. I’ve been doing tattoos professionally for seven years and I’m just now okay with telling people I do this for a living. I never felt like I was good enough to say that, I just like to hang out and do my best to make my client happy. As soon as you walk through this door you’re part of a family.”
What career do you think you would have if you weren’t a tattoo artist? “Porn star, duh. Not really, haha. Honestly I don’t know. Before this I was a terminal operator for an asphalt
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distribution center, then I sold drugs for a while, went though a whole loser stage. I had some kids and then started tattooing around the same time. My kids helped me stop doing and selling drugs. I separated from that scene because of them. Even though tattooing feels exactly like selling drugs. Everyone wants a hookup, trade something or have cash that day. It’s so similar. Drug free now though, don’t worry.”
What do you think of the negative stigmas that people have about tattoos? “I deal a lot with people starting and glaring in public.” [has neck and hand tattoos, large stretched ears] “I’ll try to take my wife out to eat somewhere nice and I’ll have some older couple starting at me a few tables away, like you’re beneath them or you shouldn’t be there. It’s no different than racism in history. It’s the same mentality. People fear what they don’t understand. They don’t know why someone would tattoo their body forever. They see it as you’re less of a person for having tattoos. It’s a lot more accepted today. I’ve tattooed so many people that are out there saving your life, how bad can they be?”
Fabrizio Ara “ Hello, I’m Fabrizio, I am currently a student, I live in Sardinia, I love hardcore and
doom music (that’s why there is the FAHC symbol in my photos). About me, I don’t hold out a lot of faith in mankind, in my life I have met too many people who talk a lot, and do nothing, fake people, egotism and I had many delusions. A song I love says, “Without this burden called ‘human’ our planet will rise in its beauty once again,” all this creates a melancholy that I try to reproduce in photos.”
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DO YOU HAVE ANY FORMAL EDUCATION, OR ARE YOU A SELF TAUGHT PHOTOGRAPHER? HOW LONG HAVE YOU BEEN TAKING PART IN PHOTOGRAPHY? I am a self-taught photographer, I started 4 years ago casually, I bought my first camera to make some videos with my longskate crew, one day I brought my camera to a live music show and that’s how it began. I never studied anything about photography, I like to think and find solutions when I have an idea, I actually use a mirrorless camera just with manual focus lenses, I try to have the best results at the lowest cost.
WHAT IS IT ABOUT BLACK AND WHITE IMAGERY THAT YOU ARE DRAWN TO RATHER THAN USING COLOUR PHOTOGRAPHS? As I said before, my photography does not contemplate happiness neither the human success, but the opposite, dystopia and melancholy, and dystopia and melancholy do not get along with colors! In addition to this, I started to shoot in black and white also because there is plenty of photographers who take hyper-saturated pictures about sunsets and milky way, I don’t like the easiest and common way.
WHAT WAS THE ORIGINAL ASPECT OF PHOTOGRAPHY THAT INSPIRED YOU TO WANT TO PURSUE IT? I honestly don’t know, photography introduced me to many people, that’s the best side, that’s the way to express myself, but I have a love/hate relationship with photography that makes me sad sometimes, but I really like it, I’m cursed!
“I live photography as a solitary moment�
ARE THERE ANY THEMES THAT YOU ARE TRYING TO EXPLORE IN PARTICULAR WITH YOUR ART? ALSO, WHAT IS YOUR FAVORITE SUBJEECT MATTER TO PHOTOGRAPH?
MANY OF YOUR IMAGES FEATURE SKULLS OF ANIMALS AND ANTLERS. WHAT IS IT ABOUT THIS SUBJECT MATTER THAT YOU ARE MOST DRAWN TO?
I don’t have any projects or favorite subject, I usually go out for a walk and I come back with new pictures, I love lonely trees, mist, skulls, urban exploration, minimal seascape, live music; lately my most photographed subjects are my girlfriend Flaminia, and myself, I often go alone to take pictures, I live photography as a solitary moment.
One day I saw a goat skull in front of an abandoned house and I took a pic [as seen on the right], then I looked inside this house and it was full of dead goats, it started this way; I think they represent perfectly my dystopian vision of the world, I’m fascinated by the bones.
IS THERE ANYTHING ELSE THAT YOU WOULD WANT TO TRY OUT OR WISH THAT YOU WERE BETTER AT? I don’t have any limit, I just hope to do something original and unusual until I’ll have ideas
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IN THE FUTURE, WHERE DO YOU HOPE TO SEE YOUR ART WORK? I had my best satisfactions working with my favourite underground hardcore bands making their album’s covers; in the future I hope to continue to do that both with live show pics and my personal photos.
In pursuit of art and music Do you want to join our team? You can contact us at fleshbonemagazine@gmail.com with your application.