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PERSONALITIES DAISUKE NISHIDA 6 PAUL MASON 14 NATALIA VETROVA 20 CULINARY FRANKIE WE SALUTE YOU! 26 INTERIOR DESIGN FRANCE LEFEBVRE 32 SAVOUR FAIRE / LOUIS VUITTON 46 LUXURY RETAIL L'ESPRIT DU LION / CHANEL 56 CHRISTOPHER BATES X LEXUS 62 M ADE BY HAND CATE BROWN 68 AMY SLOSKY 74 OBAKKI X BIDI BIDI 80 FINE ARTS MIRIAM AROESTE 90 TRANSPORTATION PORSCHE TAYCAN 100 EVENTS CIRQUE DE SOLEIL 108 PHOTO CREDITS 118 FOLIO.YV R is published m ont hly by EcoLux Luv Com m unicat ions and is a sponsored supplem ent and m arket ing t ool designed t o augm ent serv ices prov ided 2 by EcoLuxLuv Com m unicat ions. Queries regarding collaborat ion, sponsorship, m arket ing, consult ing, and/ or inclusion in FOLIO.YVR, and ot her ELL Com m s t it les should be direct ed t o t he publisher v ia hyperlink or t2ext t o 778.847.30 11. Mailing address is c/ o Helen Siw ak, Suit e A, 489 West 6t h Av enue, Vancouv er, BC, V5Y 1L3
Personalities Th e Bilt m or e Caber et Pete Yorn in Concert 2755 Prince Edward Street Vancouver, BC October 16, 2019
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Daisuke N 6
DEVOA Lau n ch es at Le Leisure Center 950 Homer Street Vancouver, BC V6B 2W7 October 26, 2019
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Nishida
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aisu k e Nish ida is the kind of person who doesn?t leave anything up for interpretation when talking about what inspires him. Speaking through a translator at Leisu r e Cen t er Van cou ver only minutes before the opening reception of his event Fu t u r e Nom ads ? Her e t o Go: Pr ison er s of t h e Hu m an Con dit ion, he is animated and open while discussing what led him to design clothing, and venture into the world of visual art. Nishida?s Grandfather was a tailor, he says through a translator. And his mother practiced traditional ik eban a, which is the traditional Japanese art of arranging flowers into graceful and artistic formations. However, to his family?s surprise, Nishida started in the world of sport, first practicing and then instructing wrestling. After this, he became a medical instructor and finally forayed into clothing design without any formal education. His experience instructing anatomy laid the technical foundation for his career in clothing design, specifically his studies of 16th century Flemish anatomist An dr eas Vesaliu s, who is known as the founder of modern anatomy, and published the Fabrica, a collection of drawings on the human form that were regarded as revolutionary at the time.
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?The way he was drawing wasn?t the exact human form,? Daisuke explains, referring to photos of Vesalius?work on an iPad. ?Nobody 8 understands why. The part that no one understands is what I am interested in. I want to be like him, making new patterns of clothing that people might not understand.? These photos show people with their muscles and flesh exposed, holding graceful yet unnatural poses, not unlike the figures on display in his exhibit .
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In 2005, he started the DEVOA brand, based on a booklet of sketches and design ideas that are still used to inform design choices to this day. His clothes sit somewhere in the realm of t ech w ear an d h igh f ash ion , and he continually pushes the boundaries of what defines the brand.
?My experiences m 10 fashion designer,? fashion training. ? human body and
A deep understanding of the human body is core to Nishida?s design philosophy, and it informs the materials and construction he uses. He traces the seams of his jacket, which follow a path that avoids being sensed by the nerve located on the forearm. His trousers are cut with an unnatural line, making the legs appear longer and slimmer.
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Nishida?s emphas visual art, as with the to make cloth with over 1,000 ye medium is too pa One gets the feeli that are easy.
made me think that I couldn?t be a normal ,? Nishida says, referring to his lack of formal ?I am trying to present the structure of the how to present it through my clothes.?
sis on learning by doing is apparent in his his fashion design. The washi paper used for hing for his miniature figures is an art form ears of history. His decision to use this ainstaking to be considered experimental. ing that Nishida doesn?t like doing things 10 10
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?There is a lot of failure with this,? Nishida says. ?It?s critical to present the color, and I mix four colours without knowing what the outcome will be? the unpredictability is the most beautiful part of it.? Leaving Leisure Center, I walked past the display space at the front of the store for a second time. Alongside several racks of his brand DEVOA?s most recent collection of men?s technical wear are several glass cases holding h u m an f igu r es clothed in his designs and held in dr eam lik e positions with webs of thin chains. A staff member informs me that these figures are meant to be f u t u r ist ic f or m s of t h e h u m an body, which are slightly disproportionate to suggest the idea that the human body will evolve over time.
His collection and exhibit are sure to be well received in Vancouver, where locally-based designers like Ar c?t er yx, Reign in g Ch am p, and Lu lu lem on are known to prioritize function and fit above all else. When asked about style in Vancouver, he agrees that DEVOA has a chance to meld into the city?s tech-focused style. ?People in Tokyo try too hard,? he says, grinning. ?In Vancouver, people choose to wear comfortable clothes.?
In this futuristic timeline, ever yt h in g com es in black , including an overcoat that seems to melt into a canvas of black washi paper. The clothing for the figurines is made with this traditional Japanese art form, which proves to be one of Nishida?s many specialties. Nishida?s exhibit in Leisure Center follows stops in Ber lin , Sh an gh ai, and Kyot o, where each show is designed specifically for the city that hosts it. Leisure Center was selected due to his connection with the owners ? M ason Wu and M u Yu n Li - and Nishida states that even though many retailers sell his clothes, he is confident that only certain retailers would understand his exhibition and want to host it.
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Paul Mason
Fash ion San t a Slay 14
Four Seasons Vancouver 791 West Georgia Street Vancouver, BC V6C 2T4 October 11, 2019
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au l M ason lights up in a way only someone dubbed the Fash ion San t a can. With an encompassing embrace in the lobby of the prestigious Fou r Season s Hot el in downtown Vancouver, he greeted me with energy, warmth, and curiosity. The white-bearded man inside the suit is eager to let the world know who he is. In the city for a shoot with made-to-measure suiting brand In doch in o, he has just returned from set at the historic Britannia Mine in Squamish, BC. Paul has built a reputation as one of Canada?s most notable male models. His career has included working with well-known designers, being photographed by the legendary Pet er Lin dber gh , and walking in fashion weeks across the world. His Fashion Santa persona saw unexpected success after appearances at Tor on t o?s Yor k dale M all during the winter of 2015 went viral. Mallgoers took selfies with him in exchange for donations to local charities. Several years after his first appearances, he has trademarked the Fashion Santa brand and is always on the go, making appearances and raising money for charities.
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Paul has supported the Sick Kids Hospit al, Ter r y Fox Fou n dat ion, and Hope Spr in gs Can cer Resear ch Cen t r e, and ensures that every Fashion Santa experience continues to be tied to a charity or non-profit organization. ?I want to go everywhere with this character,? says Mason. ?[I want] to raise awareness and money for charities all over the globe.? His new charitable partnerships include the Hear t an d St r ok e Fou n dat ion , and yet unnamed environmental initiative. His media appearances have not only become more frequent but also involve trying new things, like shooting a recently released fragrance commercial for Paco Raban n e. This stylistic complex desert shoot featured the original stunt vehicles from the film M ad M ax: Fu r y Road and a jean vest-clad Mason observing from the 16 trailer. doorway of a vintage Air st r eam
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Mason will be completing a six-city tour with Rit z Car lt on Hot els (outfitted in In doch in o) and is looking forward to a speaking engagement in M oscow in the new year. Mason says that this travel schedule can be demanding, but by the time he is taking selfies with fans, it is all worth it. Meeting supporters of Fashion Santa is what keeps him motivated, and he knows that the more personal connections he creates, the greater his philanthropic impact will be. There is nothing but optimism for the future of the Fashion Santa persona, and one gets the feeling that this is because of Mason?s prolific career. He knows how to make the most of the spotlight and find opportunities to grow. As the driver pulled up to whisk him off to YVR Airport, I asked Paul which moments of his career stood out. He smiled and spoke about 15 years living and working in New Yor k Cit y, as well as working with Gian n i Ver sace, Don n a Kar an , Ar m an i, M osch in o, Dolce & Gaban n a, and walking for Dior . He mentions these names in the same breath as his current work and looks ahead to where he can take the persona, and most importantly how Fashion Santa can continue to raise money for charities he believes in.
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Natalia Vetrova Classically Tr ain ed & Capt u r in g t h e Wor ld Wendel Gallery on Granville Island 2nd Floor, 1490 J ohnston Street Vancouver, BC V6H 3S1 October 26, 2019
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o sit in observance of Nat alia Vet r ova painting is to sit in wonder of a creator so singularly devoted to precision, that it makes everything on the periphery fade away. In her studio on Granville Island, which is shared with her partner, master jeweler Per Wendel Madsen, Natalia is dressed casually in a black turtleneck and high-waisted jeans. Longtime associates, Natalia and I share a fondness of designer fashion and bump into each other often as we traverse the boutiques in Kit silan o and Sou t h Gr an ville. While she paints, I would love to talk and compare our latest finds, but instead, I sit in silence, envisioning the finished piece. The days fading sunlight is barely illuminating the room as she puts down the brush, smooths back her bangs, and gestures that we move into the anteroom. In the morning, she is flying to Palm Spr in gs to undertake a new project for a client who owns multiple homes in the US. As a commissioned artist, Natalia taps into her Designer training and love of physical aesthetics, to create lasting beauty in homes. Working one-on-one with clients to understand their vision for a wall, room, or the entire home, Natalia now finds herself traveling more frequently as word of her work spreads. Recently she expanded her services to include h an d-pain t ed w allpaper and cu st om can vas pan els for clients who are looking to move their interior design to the highest level of bespoke. For clients with multiple homes that wish to carry a particular aesthetic throughout them, this approach allows Natalia to work both on sit e an d r em ot ely, and to work on multiple projects at the same time.
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FROM WHENCE SHE CAM E Exhibiting professionally since her 1995 graduation from the St r ogan ov Academ y of Ar t in M oscow , she was qualified with a M ast er of Ar t Cr it icism and as a Design er . A journey through Asia as part of a geological expedition satisfied her longing for inspiration, and with a head full of fresh ideas and a sense of wonderment, she relocated to Vancouver. Influenced by both realism and conceptualism, Natalia displays in her work excellent technical and painterly skills that borrow heavily from classical and mythological motifs. Although her work contains the atmospherics of classic surrealism, Natalia?s compositions are still whimsical and strangely moving. LEGACY COLLABORATIONS For the person that appears to have everything and wants for nothing, Natalia and Per have created what can only be described as a legacy collaboration. Together, with the client, they custom design a stunning one-of-a-kind jewelry piece that is realized in the finest gemstones and precious metals, followed by Natalia creating a beautiful painting that 22 incorporates the finished piece into the setting. Imagine the emotion of owning a stunning bracelet or ring that is immortalized in a lifesize portrait of yourself hanging over the fireplace?
To connect with Natalia to view her work, commission a piece, or discuss custom muraling, email her here. Her work is always available for viewing at the Wendel Gallery.
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Greta Thunberg & Sustainabiliteens Climate Strike Rally Vancouver Art Gallery Vancouver, BC 24 October 25, 2019 24
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Frankie We Salute You! Br ian & Ch r ist in a Sk in n er # 6 - 1717 Harvey Avenue Kelowna, BC V1Y 6G3 October 22, 2019
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t was during a 3-day getaway to the Okanagan Valley that we were introduced to Fr an k ie, We Salu t e You . A primarily plantbased restaurant launched by Br ian an d Ch r ist in a Sk in n er . The duo has created a menu that celebrates all things local as well as paying homage to their grandfathers, coincidentally both named Frank. The Skinner 's are probably best known for their award-winning restaurant, Th e Acor n. It was one of Vancouver ?s first upscale restaurants dedicated to plantbased dining with an additional focus on crafting stellar cocktails. Located south of downtown in the hipster enclave that embraces M ain St r eet , the restaurant was recently was listed as the top vegan-friendly restaurant in the world by Big 7 Tr avel. Brian has earned an extensive list of accolades having been shortlisted in Van cou ver M agazin e?s Rest au r an t Aw ar d for Best New Rest au r an t in 2013, placed 9th nationally in Air Can ada en Rou t e M agazin e?s Best New Rest au r an t Aw ar d 2013, and represented BC in the Can adian Cu lin ar y Ch am pion sh ips. Ready for a new challenge and change of pace, 2014 saw the Skinner 's sell The Acorn and move their growing family 455-kilometres east to Kelowna. In a community with limited healthy food options and a plethora of farms growing incredible produce, the couple gambled and launched Frankie, We Salute You (FWSY) in 2019.
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Their comfort food menu is prepared with ingredients from local growers and farmers, and an incredible selection of regional wine, craft beer, and ciders. Brian and Christina?s goal is to bring people together with their food, so it only fits that the food comes from the community. Everyone is welcome, and FWSY even has a lit t le h u m an?s menu of food perfect for children. On their move to Kelowna, Brian says, ?We live people?s holiday! Lakes, wineries, skiing, hiking, we love it here. But most importantly, seeing my son flourish in a quaint little elementary school amongst wineries and orchards is huge.?
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Our meal at FWSY was set as part of a Caesar st on e home tour and included a welcome plate of housemade ?Boursin? cheese, chickpea fries, and a Fr en ch 75 cocktail. The cheese melted in my mouth, and the rice cracker was thick and crunchy. The table devoured the welcome plate, appetites whetted.
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A 2018 Joie Noble Blen d arrived with an appetizer of arancini with arugula pesto, root vegetable salad with feta, and Okanagan apples. The feta was incredible and is created by a closely guarded complicated process that Skinner explains involves soft tofu and an emulsifying machine. No further details were forthcoming, no matter how much we tried. The main course was served with a 2017 Spear h ead ?Coyot e?Pin ot Noir , fragrant and fruity, the perfect pairing for the savoury platter that it accompanied - seared King Oyster mushrooms with fresh herb polenta, bundled green beans, and mushroom jus. Gorgeous and delicious. While the desserts, served on a selection of Caesar st on e mini-slabs, were being prepared, Brian spoke with us about his memories of working in the city and the wealth of new life experiences that were being created in the interior of BC. A selection of pumpkin cashew cheesecake, deconstructed lemon meringue, and coconut hemp chocolate truffles soon arrived, and the table swooned. The flavours were intense, and amongst tablemates, no consensus was reachable on which was the favourite.
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A post-dessert conversation ensued regarding a dish experienced at The Acorn years ago, which included an incredible golden and crunchy deep-fried brick of rice. Brian excitedly indicated that the rice element from the dish was on the current FWSY menu. Preparation is an involved process that starts with sushi rice that is soaked, cooked, pressed with weights to half its size (to create an incredible density), then deep-fried. The result is served with plantbased Bulgogi beef strips and chili sauce. Skinner insisted before leaving, we try the dish, and it did not disappoint. Savoury, spicy, tantalizing bites that resulted in a wonderfully warm sensation in our mouths as we made our way into the chilly Okanagan evening.
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INTERNATIONAL EDUCATION Brian?s journey as a chef began at just 16 year s old when he first started working in kitchens. A decade later, his formal training as a chef began at the Van cou ver Com m u n it y College. He received his Red Seal Cer t if icat ion apprenticing at Bin 941 in 2005, where he quickly worked his way up to Sous Chef. In search of a more profound culinary education, Brian went to Europe, where he gained M ich elin St ar experience in top tier restaurants. He spent time working in world-renowned kitchens such as Viajan t e and Sk et ch in Lon don , En glan d, as well as Nom ain in Copen h agen , Den m ar k . He also worked as an instructor at Th e Un der gr ou n d Cook er y Sch ool in London, England, where he led fine dining cooking classes. Brian didn?t stop there. He acted at the Developm en t Ch ef for Ot ar ian Rest au r an t , the first fully car bon -f oot pr in t ed restaurant in the world. He was also a member of the core team to design and launch production kitchens and retail outlets in New York and London with full vegetarian menus.
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FRANKIE, WE SALUTE YOU
?We can sling 50 a day at times...and I may be a part of eating one or two of those. Just trying to do my part to keep the restaurant afloat!?
FWSY was designed and branded by Christina and we enjoyed the casual atmosphere which paired well with the comfort food in which the restaurant specializes. While our group enjoyed a customized and elevated menu, the most popular item, according to community appetites, is the Fr an k ie Bu r ger .
It is heartwarming (and heart-healthy) to know that the offerings at FWSY have been embraced by the community.
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Keep up on what is being served at FWSY on IG!
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Christopher Bates Holiday Derbies Exclusively at Harry Rosen CF Pacific Centre 700 West Georgia Street Vancouver, BC V7Y 1K8
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ance L efebvre Ok an agan Design Obsession Lake Ef f ect Interiors 9456 Benchland Drive Lake Country, BC V4V 0A4
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rom the moment you enter Kelowna?s Lak est on e community, it is apparent that the development is a work-in-progress, but for the families that have taken up residence amidst the construction, life is good. In the Ben ch lan ds section, award-winning interior designer Fr an ce Lef ebvr e is busy finalizing little dĂŠcor touches that turn a house into a home.
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For France, the decision to build in Lakestone was an easy one. She and her husband wanted to fulfill their longstanding dream of building their dream home close to nature. ?This house was designed with the intent of being the house where we would spend our golden years,? she says. ?We wanted a relaxed lifestyle with lots of outdoor possibilities.? The property has no shortage this, with unobstructed views of Lak e Ok an agan to the south and west, easily accessible hiking trails, golfing, wineries, and restaurants. 40 40
Lefebvre is a Montreal native, and has spent ample time living and traveling across North America and beyond. Her over 15 years of experience as a residential interior designer reflects this, and she brings perspectives from different cultures and design styles when she works. After 21 years living in the United States with her husband Bob, spending time in Memphis, TN and Lake Bluff, IL, they decided to relocate back to Canada in 2018.
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The interior design choices are directly attributed to the vibrant blues of the Okanagan?s water, and the famously clear skies of the region. A matte dove white finish on almost every wall allowed for Lefevbre to play with accent colours throughout, and to offer breaks in the pattern of white with warm and organic textures like tile and shiplap. According to Lefebvre, although the oversized island (featuring a stunning Caesar st on e countertop) anchors the kitchen, everything is built around her collection of cookbooks. Her collection of books numbers around 300, and it is essential that the kitchen be large enough to display them properly. Each book finds its home under the island, or above the refrigerator where they are backlit for a pleasant effect in the nighttime. ?I plan to continue to buy books that I am passionate about,? she says, clearly not one to rely too much on old recipes.
Off the kitchen is a wall of windows that lead to a large patio, from which the Okanagan landscape provides a spectacular panorama. It is a perfect place to start or end the day, with incredible sunrises and views of lights on the lake at night. The space feels like one big living room, as the open design and flow has the living room, kitchen, dining room, all blending together. Caesarstone countertops are used at several points throughout the home, in both the kitchens, mudroom, and bathrooms. The polished St at u ar io M axm iu s 5031 is warm with marbling which complements the white oak flooring and cabinets fittingly. For Lefebvre, the benefits of the product come as much with function as with form. ?The beauty of this product is in the proximity to real marble, that it offers at a better cost and [required] maintenance,? she remarks.
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Much of her design choices are defined by how she envisions herself using and living in the space, which is why the house feels so homey and lived in, even though they have only been living there for a little over three months. The remainder of the house is full of thoughtful design forms. Corrugated metal covers the wall behind the lower floor bar area, with inset lights that showcase a collection of Quebec Inuit sculptures, making use of an inexpensive material to showcase treasured art. The master bedroom, which she refers to as ?modern mountain style? is a wide space with soft and peaceful colours.
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Storage is a priority, and M adeli Italian drawer vanities and Rober n mirror inserted wall cabinets are in intersection between function and elegance. ?This home truly reflects how we want to live close to nature and family, and it fulfills all our expectations of beauty, functionality and West Coast livin g,? she remarks. Although the home is bu ilt w it h en t er t ain in g in m in d, some of her best memories have been quiet, solitary moments where the passing weather and landscape are the focus. But this is not a homecoming for the wandering couple who have found their inspiration through traveling and experience design. Kelowna is not a place to come back to, rather a new chapter in life where memories with family and friends will be made, and a career ?s worth of thoughtful design can find a creative new application. Lefebvre?s recent days at home have been f u ll of beau t if u l m om en t s. On the day of our interview, she remembers going to bed the night before looking out over the shoreline that was dappled with lights from the west bank of the lake. ?When you see the full moon reflecting on the lake, you know that you live in a very special place. The best place in the world,? she says. Poetic moments like these come often in Lake Country, and especially in a home like this.
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L ouis Vuitton Savoir Fair e 2019 Rosewood Hotel Georgia 801 West Georgia Street Vancouver, BC V6C 1P7
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top one of Vancouver 's skyscrapers, 48 Lou is Vu it t on, in every shape and form awaits. In a luxurious penthouse, with a panoramic view of the city, on the 48th floor of the Pr ivat e Residen ces at t h e Hot el Geor gia, visitors can find the latest installment of the Savoir Faire series.
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Visitors ca elegantly the oppor edition de surrounde temporar heritage a
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an shop room after room of unique but arranged Louis Vuitton goods. This is rtunity to view exclusive and limited esigner furniture and accessories, while ed by coastal views. The theme of this y shopping experience reflects the and spirit of travel of the brand, which
dates to the 19t h cen t u r y. Its location inspires each installment of the Savoir Faire series. In the past, this has included Aspen , Los An geles, and M exico. When entering the space, the dreary Van cou ver autumn is quickly forgotten. There are bright, cheery pops of colour and fascinating shapes throughout the 8,000-square-foot space. 48 48
Multiple pieces from the Objet s Nom ades collection, created in collaboration with international artists and designers, are on display. In the corner sits An dr é Fu 's Ribbon Dan ce sofa, inviting two people to engage in an intimate tête-à-tête with its fluid lines and face-to-face seating. The centre of any dining room is the dining table. At elier Biaget t i's An m on a is a worthy centrepiece. It's rippling base with a striking cobalt blue interior, topped with oval glass will be the first thing any dinner guest will remark on. Finally, in the living is the work of the Cam pan a Br ot h er s. Both in matching red, the iconic Cocoon ch air and the curvy Bom boca sof a are the perfect accent piece, marrying fun, funk, luxury, and functionality. LET'S NOT FORGET THE LUGGAGE It, of course, would not be Louis Vuitton without lu ggage and h an dbags. Throughout the space, the extensive collection holds n ew t r eat m en t s to the brand, such as t ie-dye and w at er colou r , as well as a Can adian exclu sive: a simmering pink Capu cin es. Variations of the brand's icon ic t r u n k s can be found, designed to hold items of every shape and size. Some as specific as tea sets, vinyl records, and even billiards. A burst of bird song calls visitors to a small anteroom where the great Canadian outdoors has been brought inside. Another Canadian exclusive is on display here: The Night Under the Stars trunk. This trunk, designed for the wilderness, includes a spot t in g scope and bin ocu lar s from Leica, two stools by At elier Oï, and a pair of Bar ber & Osger by bell lamps - both from Objets Nomades - as well as cushions and a blanket.
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Exclusive bags are pieces on display. clothes straight fro 52in stores. The luxu there. For those lo experience, a Lou i custom decorate t order cu st om ized colour and treatm provided a drawin home to admire w France.
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e not the only Louis Vuitton fashion The walk-in closets are filled with om the runway and not yet available ury of the experience does not stop ooking for a more bespoke is Vu it t on ar t isan was onsite to trunks and luggage. Visitors could d h an dbags according to their ment specifications, and a sketch artist ng of the custom piece to be taken while the bag is being crafted in
THE LOUIS EXPERIENCE This exciting by-appointment experience was a must for any Louis Vuitton enthusiast. Beautiful furnishings and Canadian exclusives made Savoir Faire the place to see the distinctive and artisanal pieces the brand is known for. For those wanting to personalize their pieces, artisans can help visitors create custom pieces unique to their tastes.
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Luxury Retail
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YVR-based ar t ist Sh ar on a Fr an k lin Calls-Ou t Lu xu r y Br an d Gu cci f or Th ef t . Sign Petition! Follow Sharona BitchMedia 54 54
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L 'Esprit du L ion Ch an el High Jew eller y Collect ion Holt Renf rew 737 Dunsmuir Street Vancouver, BC October 23, 2019
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or Gabrielle Chanel, the mighty lion was steeped in symbolism.
The magnificent beast served as inspiration in her work and her spirit, touching many aspects of her life. Chanel was born August 19th under the sign of t h e Leo, the fifth sign in the zodiac, a number Chanel believed would bring her good luck. The lion also happens to be the emblem of the City of Venice, a place near and dear to Chanel?s heart. Here she would find herself re-inspired after suffering the death of her lover Ar t h u r " Boy " Capel. The lion would adorn many of her creations, from suit buttons to bag clasps. The lion made it?s first debut in Ch an el High Jew eller y in 2012 as part of the Bijou x de Diam an t s collection, one celebrating the 80th anniversary of the original collection bearing the name.
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In 2013, the Sou s Le Sign e du Lion collection paid homage to Chanel?s ever-important symbol as her zodiac sign and as it represents her beloved city of Ven ice. Based on the lions found in Chanel?s 31 Ru e Cam bon apartment in Paris, located above the iconic original Chanel store, the 2018 L?Espr it du Lion began a new era of Chanel high jewellery. She worked the image of the lion into all aspects of her apartment. Carved in gilt bronze or marble standing proud on tables and sculpted into the wood of the fireplace, the lion is there representing the spirit and spark of Gabrielle. The lion is featured in almost all of the 53 high jewellery pieces, bold and bright with 58 diamonds, sapphires, beryls, and topaz, all set in white or yellow gold.
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To add emphasis to the power and authority of the beast, a chain is paired with the lion. The collection is vast: necklaces, chokers, bracelets, cuffs, rings, earrings, and even secret timepieces where a 37.41-carat beryl hides the watch face in the shape of a fearsome lion head. There is nothing subtle about this collection, and each piece is as mighty as the animal it features. 'Coco' Chanel was a woman known for her pride and strength of character. She overcame personal adversity, heartbreak, wars, and even self-exile with perseverance.
Her journey is much like that of a lion hunt. Hungry for success, she fought competitors for dominance in the fashion world. Chanel?s triumphant return to Paris in 1954 to revive her fashion house after WWII can be compared to a lion taking back control of its pride. L?Esprit Du Lion is the perfect homage to Chanel?s strength and bold Leo heart. The craftsmanship of each piece in this collection shows the expertise of Chanel high jewellery.
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Stay up- to- date with the latest from Chanel through their Instagram page. Links to events, podcasts, and more.
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CBates CAFA M en's Wear Design er of t h e Year
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L exus In spir ed by Lexu s UX Com pact Cr ossover 2288 Burrard Street Vancouver, BC V6J 5A5 November 11, 2019
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n celebration of a shared dedication to no-compromise luxury lifestyle products for Canadians, luxury automotive brand Lexus has announced an exclusive limited-edition sneaker collaboration with renowned Canadian men?s wear designer Ch r ist oph er Bat es. The inspired footwear is available via Lexu s Bou t iqu e orders at Lexu s Dealer s across the country. The men?s and women?s shoes were inspired by the Lexu s UX - a bold compact crossover for the urban explorer, swathed in quality craftsmanship, edgy design, and supple materials. ?Style and craftsmanship are core pillars of the Lexus brand, so we?re honoured to partner with iconic Canadian designer Christopher Bates,? said Rober t Tsan g, Director of Lexus in Canada. ?Our shared values have resulted in a sneaker that makes an undeniable statement on the street - just like the Lexus UX does on the road.? The fully customized limited-edition sneaker, produced in Italy like Bates? clothing line, incorporates many recognizable design elements from the Lexus UX itself, such as the striking Cir cu it Red colour, perforated upholstery materials and signature black and white colouring from the Lexu s F SPORT m odels.
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Design inspiration includes the use of the side profile and signature Lexus spindle grille, a racing stripe down the center of the tongue, and tasteful Lexus branding. Variations in sole design mark the differences in the sneakers for both men and women. ?Working with Lexus on this customized shoe collaboration has been an incredible experience, one I?m excited to finally debut,? says Bates. ?Lexus has long established itself as a luxury leader in the automotive lifestyle industry, which draws many parallels to how I?m building the Ch r ist oph er Bat es brand, and I hope this is the beginning of a long and successful partnership.? The partnership follows an exciting year for Bates, after being named the Canadian Arts and Fashion Awards (CAFAs) Menswear Designer of the Year, the lead designer at the Monaco Grand Prix ?Ice White?fashion show, 64 and national expansion of his namesake brand into Nordstrom retail locations across Canada.
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Handcrafted OMEGA Boutique The Fairmont Hotel Vancouver 900 West Georgia Street Vancouver, BC V6C 2W6
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Cate Brown Recycled Fash ion - Reim agin ed Lu xu r y Studio by Appointment 1480 Lloyd Avenue North Vancouver, BC V7P 3J 9 778.340.2089 68 68
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ou m ay n ever h ave m et Coco Ch an el, bu t n ow you can sit n ext t o h er .
That is the tagline favoured by Cat e Br ow n , an interior designer and founder of her eponymous brand of re-find and atelier pillows created from repurposed designer garments. Creating cat e br ow n , the brand, was her response to frustrations with the throwaway tendencies of the fashion industry. With more than 15-tons of used textile waste generated each year in the US alone, she sought to break the cycle of fashion consumerism, beginning with her own habits. Brown noticed how her closet and those of her friends were often home to designer garments that hung unworn, seemingly waiting for the right occasion to be brought out, and it did not feel right. She often thought about the effects that the garment industry has on the environment, the endless rinse and repeat of what has turned into 52 micro-seasons of product per year. While there is still a stigma against buying pre-owned, there is a tendency to hold on to clothing for purely sentimental reasons.
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?It?s time for the fashion industry to have an evolution,? Brown says. In a past interview with Desin gn ow , she mentions that although donating unwanted clothing may seem admirable, only 20% of most second-hand store inventory usually ends up being sold.
Splitting her time between New Yor k and with her team in Van cou ver , Brown has cut her teeth in vintage and consignment stores and is inspired by the possibilities of what she sees on the subway every day. The soul of both cities is expressed in the 72 brand.
She sought a better way to manage the surplus of well-made designer goods looking for a new life. As silhouettes and styles come and go over time, the one constant is exceptional material, and that?s where Brown found inspiration and ultimately the idea for her business.
?New York really inspired the idea with all the abundant luxury stores,? she says. ?Vancouver also has a very strong attitude towards recycling.? She has high ambitions for the brand, some of which are already being realized.
One of her vintage finds now calls Par k Aven u e home. ?An apartment in the sky, rather than in a landfill. Now that?s progress,? she remarks. The brand is focused on building connections with other companies that have similar ideals in Vancouver and New York first, with Lon don , Asia, and Ru ssia on the horizon. Many fabrics by Ch an el, Lou is Vu it t on , and Her m es can be found on cate brown pillows, and a collaboration with these and other brands is a long-term goal. Brown likes Alice & Olivia, Alexan der M cQu een, and Vivien n e West w ood for their quirky and colourful attitude.
She draws parallels with St ella M cCar t n ey and Eileen Fisch er ?s goals of sustainability and responsible fabric sourcing. Of course, Brown says, ?Ch an el w ou ld be an u lt im at e goal.? Surely brands in the haute couture space would take notice of someone trying to give forgotten patterns a platform to display their timelessness, but until then, Brown will keep doing what she does best, digging to find treasured fabrics to turn into beautiful interior living accessories.
Connect with cate brown on Instagram and bear witness to the incredible luxury transformations underway in the North Vancouver studio.
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Amy Slosky Cr af t in g It alian Tr adit ion in YVR Franklin Studios By Appt Only: 1654 Franklin Street Vancouver, BC V5L 1P4
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m y Slosk y delivers It alian sh oem ak in g cr af t sm an sh ip right here on the w est coast . Her m ade-t o-or der and lim it ed r eady-t o-w ear collections are crafted by hand from start to finish. Every pair of shoes is created with the knowledge that the right pair of shoes can not only elevate a look but also how the wearer feels. Amy was privileged to study under shoemaking master An gelo Im per at r ice for four years in Flor en ce, It aly. With over 60 year s of shoemaking experience, his expertise was vital to forming her into the artisan she is today. Before becoming a shoemaker, Amy worked in marketing, experience which she said has served her well in building her business. She holds her work to high standards and is a patient and dedicated perfectionist.
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One of her biggest challenges has been not in her product but in the concerns people have had with the slower nature of making shoes from scratch. Each pair takes almost 40 h ou r s to create, but in the end, you have a pair of shoes unique to you. 76
"In North America, we've only ever known how to shop on con ven ien ce and pr ice, it's no wonder 'handmade' is a foreign concept to so many."
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A few years ago, Amy had the opportunity to design six shoe models as part of a limited collection for a label in Florence. This, she says, is one of her proudest moments. The collection debuted at M ICAM , the leading footwear fair in It aly. From this opportunity, her models went to stores as far as Tok yo and Hon g Kon g. To Amy, even to be a part of MICAM was an honour. "The recognition and interest from buyers was the catalyst that kick-started the development of my brand."
Besides her mentor, Amy is inspired by creators like Roger Vivier for his awe-inspiring creativity and Fer r agam o for his historical inspiration as a true innovator. She also admits to an obsession with Gu cci, for their "lux campy style and gender-bending vibes." Though Amy has proven her skills as a shoemaker, MICAM a testament to that, her ambitions do not stop there. Twice a year, beautifully dressed men and women flock to Italy's Pit t i Uom o.
This event is the 'be all end all' of men's fashion week, and as a lover of men's fashion Amy's goal is to take part, "If you're invited to show at Pitti Uomo, it doesn't get much better." While in Florence, when not studying, she would sit for hours on Via Tor n abu on i, a fashionable street in the downtown core watching the event-goers. To those who, as she did, dream of creating beautiful handmade shoes, she suggests patience. With only a handful of shoemakers remaining from whom to learn the craft, finding a local mentor can be difficult. "It takes years of practice before you can call yourself a master craftsman," she said, "It comes down to how badly you want it."
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Follow @ASlosky to view her latest hand- crafted creations.
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x Bibi Bidi Th e Obak k i Fou n dat ion Walrus Design Inc 3408 Cambie Street Vancouver, BC November 6, 2019
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he interior of Walr u s Design In c on Cambie Street is cozy, warm, and flush with excitement over the Obak k i Fou n dat ion s?St or y of Us pop-up event and the attendance of its founder, Tr ean a Peak e. The philanthropist spends a majority of her time hands-on in Africa with the foundation. For the attendees, being able to connect with this dynamic personality is rare and a not to be missed opportunity. Treana?s philanthropic journey began at only 8-year s-old when an an on ym ou s en velope of m on ey was slipped under the door of her childhood home during a difficult time for her family. This gesture was the catalyst that eventually impacted over t w o-m illion lives for the better. To honour the generous stranger, who changed the tides for her family, Treana formed the Obakki Foundation in 2009. With it, she has built authentic and genuine connections within the communities she works with.
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The Obakki Foundation?s mission is to empower women and families in the most vulnerable areas in Africa. Their newest lifestyle collection, Story of Us, is meant to directly improve the livelihood of f em ale r ef u gees in Bidi Bidi, Uganda. Bidi Bidi is the w or ld?s lar gest r eset t lem en t ar ea, where thousands of women have been displaced due to the brutal civil in Sou t h Su dan . These women have faced unmentionable atrocities, lost their homes and families, and now are starting from nothing, bravely powering on and remaining hopeful despite all odds. On her first visit, Treana was met by a group of such women when visiting Bidi Bidi, and together they created the art which would form the base for82the collection and reflected their in dom it able spir it .
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Not only does each piece of this collection tell the unique story of each woman, it directly gives back to them. The collection includes homeware and lifestyle articles, and 100% of t h e n et pr of it s from their purchase go toward the Obakki Foundation projects. The Story of Us wall hanging is a profoundly symbolic representation of the women of Bidi Bidi. Three strips of fabric, representing their past , pr esen t
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within the camp, and their hope for the f u t u r e were woven together. The woven hanging is as intricate and different as each woman?s story, each as worthy of being seen and heard as the next. Guests were invited to write a message of hope on long strips of rough cloth. these in turn will be incorporated into the Story of Us wall hanging. Each city that the pop-up tours will add more messages, and so on.
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The foundation opened its first t ailor sh op and t ext ile t r ain in g f acilit y in the refugee settlement area to encourage and teach skills that will give women the independence they need. The In digo Collect ion of authentic in digo-dyed homewares, textiles, and scarves paid homage to the colourful heritage of West Af r ica and were all hand-dyed by Treana herself. The Obakki Foundation Indigo Collection provides the women of Bidi Bidi with the ability to provide for themselves through sewing and natural dyeing.
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"I have been spending time studying natural dyeing techniques and making indigo for our new homeware collection, and it's definitely made me appreciate the skill that is involved. It was important for me to both understand and respect the process that goes into the making of these pieces. After learning what it takes to create this beautiful blue colour ? from growing the indigo and pounding the leaves, to spinning and weaving the cotton ? I personally have so much more respect for slow design & for those who create beautiful pieces every day," says Treana. In addition to the indigo, there is a selection of mudcloth textile, created with an an cien t m et h od known as bògòlan f in i or bogolan . This method is traditional to the region and originated in M ali, which has m in er al-r ich m u d collected from river beds by young men, packed onto woven cloth, and baked in the sun. Once the process is complete, the final product will have unique and distinct patterns and designs, much like the stories of each woman involved.
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On launching this new initiative, Treana shares: "Our new homewares collection is aimed at respecting the hands that made it - through recognizing the cultural traditions that influenced the design, by appreciating the ?maker ?behind it, and by sharing the story of what steps were required to get this product from their talented hands to yours. Authentic indigo dyeing is the perfect example of this ? there is an immense amount of time, love, effort and tradition that goes into the process." The Bidi Bidi pop-up with its collection of homewares, scarves, bandannas, and kids?t-shirts has moved onto New York, to be followed by Toronto and other North American cities over the next months.
Are you inspired to help? Visit the Obakki Foundation website and learn more about donating to their projects.
Donate Here
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Miriam Aroe Explor in g t h e Passion of t h e Hu m o
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old, bright, and full of meaning. The works of M ir iam Ar oest e invoke powerful emotions with unidentifiable shapes and bursts of colour. In her latest collection, Hu m o, the colours seem to move on the canvas, like drops of ink in water. Each bloom of colour could be a physical representation of human emotions, usually impossible to touch but always passionately felt. Born in M exico Cit y and spending her formative years as an artist in Par is and Rom e, Miriam was inspired by influential artists of diverse backgrounds. She and her husband arrived in Canada 29 years ago.
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Her extensive artistic resume boasts exhibitions and shows across the US, M exico, Can ada, and Fr an ce, curation and art consulting, and M an ager of Ar t Sales an d Ren t al at the Van cou ver Ar t Galler y.
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Miriam harbours many passions, making the constant conscious choice to enjoy life, "I love exploring, travelling, dancing, creating and so many other things,? she said, ?I believe in love, and I find pleasure in very simple things."
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DONDE HAY HUM O Humo (oo-moh) translates as sm ok e in Span ish. Each piece invokes movement, floating across the canvas or rising from bottom to top like smoke in a breeze. Humo was born of a desire to play and experiment. Different mediums and techniques, coupled with her intense love of colou r , brought each piece to life. Creating this series, she said involved control and letting go all at once.
Painting to her is an in t im at e and sen su al process, but also akin to keeping a journal.
"It is powerful by being immediate, in the moment, spontaneous. The story is always biographical, moments of life, fragments of memories, and presence."
As an artist, Miriam always hopes that her work evokes per son al n ar r at ives in its viewers. Each deeply personal range of emotions adds layers of meaning to each existing painting. Every time someone looks at a piece again, new meaning can be felt each time.
EM OTIONS OF ART Pursued by her intrigue in the power of colours, Miriam depicts authentic r aw em ot ion s in her works without the use of distinct traditional shapes. Colours, lines, and space work together to create endless possibilities.
"My work has both abstract visual appeal as well as an underlying conceptual basis," she said, "I am fascinated by the inner workings of the mind, conscious and unconscious thought, impulse and defense." IN THEIR EYES
?I hope my work stirs, provokes, and evokes in highly personal, evolving ways, causing viewers to look, then look again and in the process, remain alive and relevant."
To her, there is beauty and satisfaction to be found in the imperfect. While the observer is admiring Miriam's work, each piece becomes an in t r ospect ive m ir r or , directing the focus inwards to how we speak to ourselves and others to nurture bliss.
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Follow Miriam Aroeste on IG and enjoy the adventures of this incredible contemporary artist.
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ion Holt Renf rew 2nd Floor Footwear 737 Dunsmuir Street Vancouver, BC October 23, 2019
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Porsche Tayc Lu xu r y Elect r ic Veh icle PopUp Ou t per f or m s Aberdeen Centre 8060 Cambie Road Richmond, BC V6X 1J 7 October 10, 2019
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he future of Por sch e is right here in M et r o Van cou ver . At the first-of-its-kind Porsche pop-up store, Por sch e NOW, the all-new all-electric Por sch e Taycan was the star of the show. Two industry giants, Open Road Au t o Gr ou p and Dilaw r i Gr ou p of Com pan ies, came together to break ground on the construction of a brand-new Por sch e Cen t r e at the Rich m on d Au t o M all. The Por sch e Taycan is the company's impressive first step into the lu xu r y elect r ic veh icle market. This four-door sedan is sleek on the inside and out. A wide variety of customizations are available, including a f u lly vegan in t er ior . Even without a gas engine, it retains the traditional Porsche feel that enthusiasts know and love. The centre of gravity is low, lower than any other before, making for excellen t h an dlin g even at high speeds. The top-of-the-line model, the Tu r bo S, boasts a ludicrously fast 0 ? 100km/h in 2.8-seconds. This vehicle remains a Porsche through and through, even down to the sound.
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Unlike most current EVs, the Porsche Taycon has an amplification system to route the mechanical noise of the gearbox through speakers inside and out, giving the ordinarily silent EV driving experience the sound one expects of a high-performance vehicle. The Taycan starts at $220K, with options roughly another $30K.
Not only does the Porsche Taycan offer the traditional luxury vehicle feel without the pollution, the factory it will be manufactured in is just as green. Located in Zu f f en h au sen , Ger m an y, this new modern factory will produce a vehicle that will be car bon -n eu t r al. The electricity required to power the plant will come from renewable sources and biogas for extreme energy efficiency. This massive undertaking includes a body shop, paint shop, a plant to produce the motors and components, and an assembly hall.
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It was only fitting for this groundbreaking new electric vehicle to be unveiled during an event at the Por sch e NOW pop-u p, a first of its kind in the world.104 Located at Richmond's Aberdeen Square, this retail concept offers a design centre where customers can custom-build their own Porsche, an augmented reality visualizer for clients to experience their dream Porsche, as well branded Porsche products such as fashion, watches, eyewear, electronics, and bags.
This space serves as a taste of the partnership between OpenRoad and the Dilawri. Just hours before the reveal of the Taycon, representatives from both companies, as well as Porsche Canada, broke ground at the site of the new Porsche Centre Richmond. The Porsche Taycan is a welcome addition to the lu xu r y dr ivin g m ar k et with its excellent acceleration and handling, and addition of sound 104 and vegan interior option. 104
The new carbon-neutral factory in Germany means that this vehicle is t r u ly gr een. The Porsche NOW pop-up, as well as the coming dealership in Richmond, are unique not only for their features but because they are born from a great partnership.
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Herschel Canada 347 Water Street Vancouver, BC V6B 1B8 October 24, 2019
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David Suzuki F Concord Pacif 811 Carrall St Vancouver, BC
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ehold Lu zia ? A Wak in g Dr eam of M exico. A dream of the sort that traps the viewer in its surreal and beautiful landscape, making it impossible to imagine waking up. A cast of colourful characters illustrate the spirit of Mexico, and exceptional acrobatics and set design make this latest creation from Cir qu e du Soleil one to remember. The evening performance of Luzia, which was a special presentation by the David Su zu k i Fou n dat ion , runs until the end of November at Con cor d Pacif ic Place. But any hint of the West Coast disappears when entering the ?Big Top? tent, as the cold early winter air gives away to the sights and aromas of a Fr ida Kah lo-er a M exico. Drawing heavily on the mythology and surrealism of Mexican identity, the story touches on better-known themes, like a dueling pair of football players performing deft show-stopping tricks and a Lu ch a Libr e inspired swinging acrobat act. These give way to the more abstract elements like a woman with enormous, silken monarch butterfly wings attached to her back, acrobatics reminiscent of Salon Mexico?s golden age of cinema, and an interaction between the demi-god of rain and a fierce-looking puppet jaguar.
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Luzia is Cirque Du Soleil?s 38th original production since 1984 and bringing the spectacle back under the Big Top instead of recent stadium performances is a deliberate move towards an intimate feel, best accomplished with a well-chosen storyline and vivid set design. What sets it apart from its predecessors, however, is its use of water on stage, a first for any of Cirque?s productions. The production?s name blends the Spanish luz (light) with illuvia (rain). The illuvia comes as a cascade of water that falls onto the performers during particularly climactic moments before disappearing into specially built drains in the stage floor, making moments of the story even more unforgettable. The stage is constantly changing as the sun gives away to the moon or fiery floodlighting, giving way to a space lit by hundreds of rotating candles. Twin giant treadmills change directions at a whim, and acrobats and performers adjust seamlessly to their ability to accelerate in a superhuman way, thanks to a little bit of help underfoot.
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Human animals take center stage throughout the show, as fauna like iguana, swordfish, and jaguar flit in and out of the story. This comes from the M esoam er ican con cept of nagual, which states that the spirit of an animal lives in every human being from birth onwards. Surreal moments arise from acrobats dressed as hummingbirds, who complete daring stunt despite costumed feathers and a beak that surely must get in the way. The M on ar ch Bu t t er f ly is especially Em ily For got , In st allat ion important, given that the show was
IDS West 2019 inspired by the insect?s incredible Vancouver Convention Centre migration from Mexico to Canada. More September 27, 2019 than 90 percent of the butterflies that make this journey have disappeared in the past 20 years, and proceeds from Luzia ticket sales go towards the planting of milkweed, which is essential to the Monarch?s survival.
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With so many themes throughout, it can be challenging to summarize Luzia with one concept. However, Cirque du Soleil organizers refer to monumentality as its single unifying idea. Even as the show becomes intimate in its temporary tented home, the performance showcases st agger in g beau t y and a r ich cu lt u r e that is meant to be larger than life. From the enormous disc that sees a transformation in light and darkness throughout the show to the billow in g m on ar ch bu t t er f ly w in gs behind a female protagonist, the hugeness of the experience takes the viewer ?s breath away. Luzia shows that the best way to enjoy the circus is in its most storied way, an im al-f r ee and under a big top tent with the action unfolding right before your eyes.
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ALL CONTENT CREATED BY: HELEN SIWAK, COLEMAN PETE, AND MONA BUTLER DISHUKE NISHIDA: AUTHOR : COLEMAN PETE IMAGE CREDITS: COVER: HELEN SIWAK OF 'BACIO ROSSO' BY MIRIAM AROESTE FROM THE 'HUMO' SERIES TOC: HELEN SIWAK PAGES 6- 25: HELEN SIWAK PAGES 26- 29: BRIAN SKINNER PAGES 30- 33: HELEN SIWAK PAGES 34- 35: CHRISTOPHER BATES PAGES 36- 45: DEAN CEBULIAK PAGES 46- 53: COURTESY OF LOUIS VUITTON PAGES 54- 55: HELEN SIWAK PAGES 56- 57: COURTESY OF CHANEL PAGES 58- 61: HELEN SIWAK PAGES 62- 65: CHRISTOPHER BATES PAGES 66- 67: HELEN SIWAK PAGES 68- 73: CATE BROWN / NATE BOZEMAN PAGES 74- 79: HELEN SIWAK, AMY SLOSKY PAGES 80- 87: HELEN SIWAK / THE OBAKKI FDN PAGES 88- 89: HELEN SIWAK PAGES 90- 97: MIRIAM AROESTE PAGES 98- 99: HELEN SIWAK PAGES 100- 105: PORSCHE CANADA PAGES 106- 107: HELEN SIWAK PAGES 108- 119: CIRQUE DU SOLEIL
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