October 2012
The Brickell Reporter | Edition 16
www.BrickellReporter.com
P. 12 erin heatherton
P. 10 oktoberfest: trivia & events
By cristina restrepo
hORAcIO pAGANI:
CREATOR OF ROARING MASTERPIECES
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P. 13 calendar
he Festival of Speeds and Prestige Imports is introducing Miami to the man who brought carbon fiber composite to the automobile and motorcycle industries, alongside his latest creation: the Huayra. Horacio Pagani was fascinated by cars throughout his childhood in Argentina, yet unable to turn his dream of building a super car into a reality, he flew to Italy. By twenty years of age, he accomplished his dream, building 70% of a Formula 3 racer. His career led him towards Lamborghini, where as Chief Engineer, he proposed using carbon fiber composites to build the cars. After his idea was denied, he followed his gut and separated from Lamborghini to found his own design company: Modena Design. Since its conception, carbon fiber parts were made for Ferrari, Daimler and Asprillia, the industry’s leading automobile companies. In the interview that follows, the man who creates high speed-performance pieces of art and uses the principals of the Italian masters as inspiration talks about safety, electric cars and passion. Continues on page 12 by aleine unkovic
Food for your thoughts
An introduction to the next four years
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n light of the upcoming Presidential elections on November 6, Tuesday, the following political cheat sheet has been developed. The information found below is taken from various political websites, with the intention of putting these selected issues in one place for our readers’ convenience. The content is published as is without our comment. The featured issues were identified from the most popular questions from our readers: changes to the federal Pell Grant program, immigration reforms, and Medicare. The campaign headquarters for President Obama and Governor Romney did not respond to our questions.
We thank our devoted and engaged readers for their support and help!! Continues on page 5
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By Emma Alois
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ith tuned guitars and beguiling harmonies of today’s great jazz artists, an enraptured audience of jazz devotees will gather this fall to enjoy high-level playing, authentic, old school style jazz. A ways back, Miami attracted the industry’s golden children and the underground’s stars to its clubs and shows. Before Steven Ingrosso and Wolfgang Gartner, the original nightclub in the Fontainebleau often had performers like Nat King Cole and Frank Sinatra singing to their audiences. Once rock ‘n roll and pop music took the stage though, the city’s jazz current moved from the mainstream to underground. Honoring the jazz roots of the city, Joe Carter, jazz musician, educator and Musical Director of the Miami Jazz Fest, has coordinated a schedule of artists who he hopes appeals to a large audience without compromising the authentic jazz sound.
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Tasked with pulling together an alluring lineup for the twoday festival, Carter discusses how other jazz festivals will, for example, invite Van Morrison to play. Admitting that although he believes Van Morrison to be a great musician, those ploys of attracting rock fans to a jazz festival for boosting attendance numbers is the antithesis to the Miami Jazz Fest’s mission. The lineup for the festival were instead motivated by the desire to maintain a certain standard of jazz, hoping the non-jazz fans come and feel a connection with the genre. Emphasizing how excited the musicians were to play in Miami, Carter claimed the reputation Miami has for being a jazz oasis proceeds itself. As the artists were enthusiastic to accept invitations, they met Carter’s standards for playing authentic jazz. He explained, “I chose artists who are not
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RICKELL b K R A p CEntrAL nsored by Tbr spo VIP tent
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