Best microphone for podcasting

Choosing A Microphone For Podcasting If youare looking over this article then I don't suppose I've to tell you that recently there's been an enormous increase within the number of voiceovers for web applications for example Podcasts, You-tube etc along with the quality of these is usually poor. This is pretty unforgivable today, provided the low price of high quality microphones and changes in soundcard technology.

Microphone Choice To get a good voice recording that you do not have to spend a lot of money on a microphone for this type of work. You need to use any type i.e. Powerful, Ribbon, Condenser or Electret considering that the frequency selection of the individual voice is not that good and generally you will be placing the microphone fairly close to the person performing the commentary, therefore microphone sensitivity is not an issue.

Acoustic Considerations By having the microphone near to the commentator you decrease the influence of room acoustics and any background noise including computer fans. It's best to utilize a cardioid pattern microphone to help reject such sounds.

Place the microphone about six inches from the commentator's mouth, that is more essential for dynamic vocal microphones including the Shure SM58 which will be created for very closeup work. Whether it's too much away its lack of sensitivity and tailored frequency response gives a thin sound and require more gain in the equipment this means more digital

sound/hiss. If audio noise is still a challenge then consider hanging comforters before and behind the commentator (if not all over) to assist soak up the noise. Windshield considerations Microphones might have an intrinsic window but they're generally not capable of totally removing wind noise, so it's advisable to purchase another windshield to mount between the commentator and the microphone.

The commentator could get right upto the window along with the microphone can be quite a few inches behind it (particularly the powerful vocal form). The reason behind finding a windshield is because the spoken word is more vulnerable to wind blasts than when singing as well as the spoken word is more open when compared to a guide vocal in a music track.

By setting the microphone above the commentator (looking down at the mouth) you may get rid of wind noise but usually they'll improve their check out talk in to the microphone

normally (even though you say otherwise) and cause you problems, so it is probably simpler to just get a windshield. Voice recording as work If youare really serious about doing a lot of voiceover tracks (on the commercial basis) then you'll have to purchase sound proofing your saving room along with the voice-over room and you'll have to purchase obtaining a natural sounding acoustic i.e. fairly dry rather than boxy sounding (this generally happens when you've a small room).

You'll need a script stay, so it's better to keep the microphone out of the voiceover's eye line.

Therefore the best microphone form will be a Condenser having a cardioid pattern chosen (dangling above the artiste's head) in order to get the best sensitivity (i.e. less noise/hiss) once you place the microphone further from the voice over artiste.

Get to know more about best condenser mic under 200