Young Auditorium Book 2 2013 by Footlights.com

Chancellor: Provost: College of Arts & Communication Dean: Associate Dean:

Director: Development Director/Assistant Director Technical Director: Audience Services Manager: Marketing Director: Coordinator of Education & Outreach: Office Manager:

Richard Telfer Beverly Kopper Mark McPhail Robert Mertens

Ken Kohberger Keir R. Johnson J.D. David Nees Michael Morrissey Leslie LaMuro Shannon Dozoryst Malinda Hunter

Mission Statement Young Auditorium serves as a presenting organization for the performing arts and as an educational and cultural center enriching the lives of the campus and regional communities. Vision Statement Young Auditorium: Artstanding in Creativity, Artstanding in Collaboration, Artstanding in Education, Artstanding in its Field. Non-Profit Status Young Auditorium is a non-profit organization under Section 115 of the Internal Revenue Code. A Note To Our Patrons: • Latecomers will be seated at the first convenient interval at the discretion of the audience services staff. • Patrons are requested to turn off pagers, cellular telephones, and hourly signaling watches during the performances. • Photography or video/audio recording of the performance is strictly prohibited. • No smoking or food allowed in the theater. Only beverages purchased in the reusable cups available in the lobby will be allowed. • Personal hearing enhancement devices are available at the gift shop. • No state tax revenue supported the printing of this program. Ordering Tickets UW-Whitewater Ticket Services Voice & TTY: 262-472-2222 Fax: 262-472-1329

Group Ticket Sales Groups of 10-24 = 10% discount Groups of 25+ = 20% discount For more information call 262-472-5705.

Purchase tickets in person at two locations Greenhill Center of the Arts Box Office M-F 9:30 am – 5:00 pm (Short term, metered parking at this location)

Facility Rental Young Auditorium facilities are available for banquets, receptions, concerts, meetings and dances. For information call 262-472-4444. Facilities include the Auditorium, Kachel Center, Main Lobby and the Fern Young Terrace.

University Center- Information Services Desk UC 159 on the main floor lobby of the University Center. M-F: 9:30 am – 5:00 pm Young Auditorium Lobby at 5:00 pm prior to performances. Contact Us Young Auditorium 930 West Main Street • Whitewater, WI 53190-1790 Phone: 262-472-4444 www.uww.edu/youngauditorium E-mail: youngaud@uww.edu

Accessibility Features Patrons with special seating needs please inform ticket services personnel at 262-472-2222 three weeks prior to the performance when ordering tickets for: wheelchair seating or for visual impaired seating. Patrons with special visual or hearing needs please inform Michael Morrissey, audience services manager, by e-mailing at morrissm@uww. edu or call at 262-472-1487 three weeks prior to the performance for large print or Braille programs, or signed interpretation for the hearing impaired. and tickets must be purchased at least one week prior to event. Hearing enhancement devices are available at the lobby information station. Young Auditorium

SATRUDAY, OCTOBER 12, 2013 • 7:30 PM

“America’s Favorite Tribute to Journey!” Juan Del Castillo - Lead Vocalist Roger Cain - Guitar Henry O’ Neill - Keyboards Scotty Kormos - Drums Tony Love - Bass DSB has been highly revered by fans as the “next best thing” to Journey. They have captured the lush and signature sound of renowned vocalist Steve Perry and Journey in their prime. Complete with a band of world-class Los Angeles musicians, DSB remains true to Journey’s musical legacy and delivers the nostalgic concert experience that will keep you Believin’! “Just like they did last year, the Journey tribute band DSB broke attendance records with approximately 14,000 music fans covering the fields and dancing into the dark!” —KHTS AM 1220 “DSB is in the Tribute Band elite, known for sounding just like the real deal. They draw concert-sized crowds, even outdrawing the name acts!” —Valley Scene Magazine Experience America’s Favorite Tribute to Journey. Experience DSB

DSB is managed by Bright Light Entertainment, Inc. Los Angeles, CA 818.519.8217 2

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T H A N K YO U

Thank you to all of our sponsors and supporters for the 2013-14 Season! SEASON SPONSORS

CORPORATE SPONSORS

MEDIA SPONSORS

GRANTS

PREFERRED LODGING

PREFERRED CATERING

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TUESDAY, OCTOBER 15, 2013 • 7:30 PM Aquila Theatre Presents

FAHRENHEIT 451 By Ray Bradbury Cast Montag .................................................................................................................................. Norman Murray Black ...................................................................................................................................... Wayne Willinger Holden/Henley ..................................................................................................................... Calder Shilling Beatty..................................................................................................................................... James Lavender Clarisse .................................................................................................................................... Harriet Barrow Mildred ......................................................................................................................................... Kali Hughes 1st Paramedic ................................................................................................................................ Lizzy Dive 2nd Paramedic................................................................................................................... Wayne Willinger Mrs. Hudson ................................................................................................................................... Lizzy Dive Faber ..................................................................................................................................... Wayne Willinger Alice .......................................................................................................................................... Harriet Barrow Helen ................................................................................................................................................. Lizzy Dive All other roles are played by the company. Director.....................................Desiree Sanchez Lighting Design..........................Peter Meineck Costume Designer..........................Clare Amos Projection Design.....................Kate Freer, IMA Composer.................................. My Great Ghost

Company Stage Manager..................................Christopher Marc Set Design Consultant.......................Ivy Flores Technical Director/ Lighting Supervisor.................Gillian Wolpert

Additional music by NIN and Muse. Pieces, in order of appearance: Ghosts III Track 27 by NIN, Tempest Idea - 8new by My Great Ghost, Ghosts IV Track 28 by NIN, Ghosts I Track 2 by NIN, Ghosts I Track 1 by NIN, and The 2nd Law Isolated System by Muse.

There will be one twenty-minute intermission. The taking of photographs or the use of any kind of recording device is strictly prohibited. Aquila Theatre’s production is part of Shakespeare for a New Generation, a national program of the National Endowment for the Arts in cooperation with Arts Midwest.

The Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest. Aquila Theatre is the Professional Company-in-Residence at the Center for Ancient Studies, New York University Aquila Theatre P.O. Box 735, Katonah, NY 10536 aquila@aquilatheatre.com • www.aquilatheatre.com 4

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SYNOPSIS ACT 1:

ACT II:

Scene 1: The Firehouse. Montag and his fellow firemen Black, Holden, and Beatty receive an alarm to go out and start a fire.

Scene 1: Montag’s House. Mildred enters and is upset when she finds Montag reading. The Hound comes, sensing that Montag is reading.

Scene 2: Outside the house. Montag meets Clarisse who questions if Montag reads any of the books that his job is to burn. Scene 3: Montag’s House. Montag comes home to find his wife Mildred sleeping but realizes that she has overdosed on drugs. He calls the paramedics to come and pump her stomach. Scene 4: A Field. Montag finds Clarisse, and they discuss why Montag is a fireman. Scene 5: The Firehouse. Montag and Beatty are putting the finishing touches on the Hound, a mechanical dog designed to track down suspected readers. When Black enters, they have fun with him by setting the Hound to track him. Scene 6: Mrs. Hudson’s House. The firemen come to Mrs. Hudson’s house to burn her house and the books she has inside, but Mrs. Hudson refuses to leave as the house goes up in flames. Scene 7: Outside. Clarisse finds Montag outside, and he tells her about setting the house on fire with Mrs. Hudson in it.

Scene 2: Fabers House. Montag meets Faber who promises to teach Montag how to understand what he reads. Scene 3: The Firehouse. Holden, Black, and Beatty watch the Hound in action on TV for the first time as Montag lingers unnoticed in the background. Scene 4: Montag’s House. Mildred and her girlfriends are gathered together to watch The Mildred Show, and Montag gets upset by the insipid entertainment and ends up reading a passage from a book. Scene 5: The Firehouse. Black, Beatty, and Montag are about to start a card game when Beatty begins to question if Montag has been reading. Faber tries to advise Montag through a two way radio, but Montag and Beatty erupt in an argument as Faber listens on the other end. Scene 6: A Forest. Montag runs from the Hound and ends up in the forest where he meets Clarisse again.

Scene 8: Montag’s House. Distraught about Mrs. Hudson, Montag begs Mildred to call into work to say he is sick. Beatty shows up to lecture Montag about his being sick and offers him a get well gift. Scene 9: Beatty’s House. Beatty takes Montag to his house and reveals his enormous collection of books. Scene 10: Montag’s House. Montag starts to read a book for the first time. Young Auditorium

INTERNATIONAL PERFORMANCES: Aquila has appeared in numerous festivals and at venues around the world including performances in London, Holland, Germany, Greece, Scotland, Canada, and Bermuda. Aquila recently performed Euripides’ Herakles at the Festival of the Aegean in Syros, Greece and the Michael Cacoyannis Foundation in Athens. EDUCATION PROGRAMS: Aquila is dedicated to theatre arts education and produces three major initiatives: Workshop America, a nationwide program that provides an opportunity for people to share in the art of Aquila; Theatre Breakthrough, which brings America’s schools to the stage; and Shakespeare Leaders, an after-school program that enables inner-city students to perform the classics at Frederick Douglas Academy in Harlem, NYC. YOUSTORIES: Aquila’s new YouStories program, presented in partnership with the National Endowment for the Humanities continues the work of Aquila’s Ancient Greek/Modern Lives program. YouStories features events held nationally at public libraries and arts’ centers across the United States. It puts a special emphasis on Veterans and their families, while connecting the classics to our modern lives. YouStories will feature a brand new interactive App (Mobile Application) which will, among other things, allow users to submit their own stories.

A MAJOR ANNUAL NATIONAL TOUR: Aquila is the foremost producer of touring classical theatre in the United States, visiting 60-70 American cities per year. Aquila’s 2012/2013 Season was Shakespeare’s Taming of the Shrew and Rostand’s Cyrano de Bergerac. The 2011/2012 Season was Shakespeare’s Macbeth and Oscar Wilde’s The Importance of Being Earnest. The 2010/2011 Season was Shakespeare’s A Midsummer Night’s Dream and Pirandello’s Six Characters in Search of an Author. Aquila’s 2009/2010 Season of Shakespeare’s As You Like It and Ibsen’s An Enemy of the People began with The Festival Follow Aquila Theatre on Facebook! More information at www.aquilatheatre.com. of the Aegean on Syros, Greece and the Shakespeare Festival/LA. The 2013/2014 Season will be Shakespeare’s Twelfth Night and Ray Bradbury’s Fahrenheit 451. 6

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AQ U I L A S TA F F Founder..................................................................................................................................... Peter Meineck Artistic Director.................................................................................................................. Desiree Sanchez Arts Administrator....................................................................................................................... Erika Pierce Production Coordinator ........................................................................................................ Eric Mercado Bookkeeper ....................................................................................................................... Diana O’Donnell Accountants ............................................................................................. Lutz & Carr, Martin Berkowitz Lawyers ....................................................................... Jacob Medinger & Finnegan, LLP, Don Farber Allen B. Breslow, Esq. AQ U I L A B I O G R A P H I E S Harriet Barrow (Clarisse/Alice) Theatre credits include; Helena in A Midsummer Night’s Dream (Royal Court, Liverpool), Witch in Macbeth (Royal Court, Liverpool), Anthea in The Phoenix & the Carpet (The Nuffield Theatre Co.), Anu in Forgotten Fortress (Theatre in the Quarter), Clara Eynsford-Hill in Pygmalion (Manchester Royal Exchange) and Britannia in The Entertainer (Manchester Royal Exchange). Short Film credits Lizzy in Liquidity (BBC) and Lily in One (OneFilm Productions). Harriet is delighted to be joining Aquila Theatre for the tour. Lizzy Dive (1st Paramedic/Mrs. Hudson/Helen) trained at Cygnet Training Theatre in Exeter and recently moved back to Devon (after five years in London) as she absolutely loves the South West. Some of Lizzy’s credits to date are: Mrs Cratchit in A Christmas Carol (The Palace Theatre); Mrs Twit in The Twits (Illyria); Louisa Gradgrind in Hard Times (Creative Cow); Puck in A Midsummer Night’s Dream (Illyria); Helena in Look Back in Anger (Yvonne Arnaud); Lady Wishfort in The Way of The World (Bridewell); Mrs Elvstead in Hedda Gabler (Orange Tree); Penelope in An Act of Twisting (Rondo Theatre). Lizzy is delighted to have recorded her first audio book this year, ‘Have A Little Faith’ with Audio Go (BBC Audio Books). Lizzy is also thrilled to be working for Aquila Theatre Company and relishes the opportunity to be in two brilliant productions. Kali Hughes (Mildred) just finished touring The Count of Monte Cristo for Company Boudin in the UK. Previous theatre work includes A Christmas Carol (The Tobacco Factory Theatre, Bristol), Aladdin, Cinderella and The Wizard of Oz for Theatre Royal Winchester, Wink The Other Eye (Wilton’s Music Hall), Macbeth (Europe and Central America tours for TNT), Very Hard Times (rural tour for Publick Transport), Lysistrata (UK tour

for Actors of Dionysus), Anything But Love (UK tour for Narrow House), The Extremists (a play reading for Chris Goode and The Royal Court Theatre), Holding The Man (West End, understudy), Oedipus and Antigone (Wimbledon Studio Theatre), Play Time (new writing for Theatre West), as well as four plays for The Cambridge Shakespeare Festival. James Lavender (Beatty) For Aquila: The Importance of Being Earnest and Macbeth (National Tour & New York), As You Like It and An Enemy Of The People (National Tour & New York). Other theatre credits include: The Comedy Of Errors & The Importance of Being Earnest (Oxford Shakespeare Company), Headlines (BAC), Jack & The Beanstalk (Sheringham Little Theatre), Adventures In Wonderland (Teatro Vivo), Twelfth Night (Oxford Shakespeare Company), Aladdin (Hazlitt Theatre Maidstone), The Comedy of Errors (Greenwich Playhouse), Sleeping Beauty and Goldilocks & The Three Bears (Georgian Theatre Royal, Richmond), Supermarket Shakespeare (Teatro Vivo), The Jungle Book (Birmingham Stage Company), Jack & The Beanstalk (Millfield Theatre), Hamlet and The Taming Of The Shrew (Groundlings Theatre Company), Plebians Rehearse The Uprising (Arcola Theatre), Macbeth and The Taming Of The Shrew (British Shakespeare Company), Scar Tissue (Man In The Moon Theatre), On The Razzle (Westminster Theatre), Jumping The Gun (Blackheath Halls). TV & Film: The Golden Hour, Lights, The Ice Cream Man. James trained at Rose Bruford. Norman Murray (Montag) trained at the Liverpool Institute for Performing Arts. This year he has worked on the Irish feature film, Dream On. His television credits include Emmerdale for ITV, The Princess and the Gangster for Channel 4 and Holy Cross for the Young Auditorium

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BBC. On stage he has played Macbeth at the Liverpool Everyman Theatre and Bottom in a British tour of A Midsummer Night’s Dream. He has worked with award-winning Australian theatre company, Side Pony. Calder Shilling (Holden/Henley) is a recent graduate of Sarah Lawrence College where he studied theatre and developed a passion for ensemble-based work. Originally hailing from the Pacific Northwest, Calder has been seen on stages in Seattle, London, San Diego, Waterville Valley, Haverhill, Bronxville, and New York City. Some of his credits include Thurio/Eglamour in Two Gentlemen of Verona, Titus in Titus Andronicus, Prospero in The Tempest, Timothy/Jones in SPARK, and Gary in Port Out Starboard Home, the recent ensemble theatre production by San Francisco-based company foolsFURY. Calder is delighted to have the opportunity to work with Aquila Theatre Company this fall. Wayne Willinger (Black/2nd Paramedic/ Faber) is a New York City based actor who is excited for this Aquilla Theatre debut. Wayne is a founding member of the Chesapeake Shakespeare Company. Some favorite CSC roles include: Tybalt, Orlando, Edgar, Lucio and Puck. Also look for him in Martin Scorcese’s upcoming film The Wolf of Wallstreet and is his ongoing one-man show: Bukowski: The Farewell Tour. Special thanks to Desiree and the rest of the Aquila Theatre Company! Desiree Sanchez (Artistic Director, Director) directed last season’s productions of The Taming of the Shrew, Cyrano de Bergerac, and Herakles at BAM in March 2012, at the Festival of the Aegean in Syros, Greece and at the Michael Cacoyannis Foundation in Athens in July, 2012, Macbeth and The Importance of Being Earnest for the 2011/12 season, and Six Characters in Search of an Author for the 2010/11 season; created movement for Aquila’s A Very Naughty Greek Play (Aristophanes’ Wasps), Catch-22, Julius Caesar, The Iliad: Book One and The Comedy of Errors; performed in The Iliad: Book One at The Festival of the Aegean in Syros, Greece; and was the lead teaching artist for Aquila’s Shakespeare Leaders program in Harlem. Desiree had a twenty-year dancing career including working as a principal dancer for the Metropolitan Opera Ballet where she 8

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worked under the direction of numerous directors and choreographers that included Francesca Zambello, Mark Lamos, Doug Varone, John Dexter, Franco Zeffirelli, Julie Taymor, and Andrei Konchalovsky. Other companies and choreographers she has worked with include the Boston Ballet, Neo Labos Dancetheatre, Donald Bryd/The Group, Sean Curran, Gelsey Kirkland, Bill T. Jones, Heidy Latsky, Eun Me Ahn in Korea, and Robert La Fosse. She has also collaborated with the Winnipeg Contemporary Dance Company of Canada and the Delfos Danza Compania of Mexico. She performed for the Papermill Playhouse as a featured dancer in the musicals, Carousel and The King and I. She has also taught at Long Island University as a visiting associate professor of dance, and at Elliot Feld’s Ballet Tech. She has a Certificate of Movement Therapy from The New School. Peter Meineck (Aquila Founder, Lighting Designer) studied at University College London (BA hons. Ancient World Studies) and the University of Nottingham (Ph.D. Classics) and founded Aquila in 1991. He now lives in New York with his family. He has worked extensively in London and New York theatre and directed and/or produced over 60 professional productions of Classical drama in New York, London, Holland, Germany, Greece, Scotland, Canada, Bermuda, and the United States in venues as diverse as Carnegie Hall, the ancient Stadium at Delphi, Lincoln Center, and the White House. Peter has published several volumes of translations of Greek plays including Aeschylus’ Oresteia, which won the Lewis Galantiere Award for Literary Translation from the American Translators Association; Sophocles’ Theban Plays (with Paul Woodruff ), Philoctetes and Ajax; and Aristophanes’ Clouds, Wasps & Birds. He has also written several literary adaptations for the stage including The Man Who Would Be King, Canterbury Tales, The Invisible Man, and Catch-22. Peter is a regular performing arts contributor to the humanities Journal Arion and has published many scholarly articles of Greek drama and Shakespeare. In 2010, he was the recipient of the American Philological Association Award for Outreach and has received significant grants from the National Endowment for the Humanities for devising and directing the groundbreaking public programs, “Page and

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Stage: The Power of The Iliad Today” in 2008 and “Ancient Greeks: Modern Lives” in 2010 (Chairman’s Special Award). Peter is also Clinical Associate Professor of Classics at New York University and Honorary Professor of Classics at the University of Nottingham . He has held teaching posts at Princeton and USC and was a fellow at the Harvard Center for Hellenic Studies. He also acts as an advisor of Greek literature and mythology, recently to National Geographic, Disney, Fuse TV and Will Smith (I am Legend). He is currently working on a new book on neuroscience, cognitive theory and ancient drama. He is a New York State Emergency Medical Technician and volunteers with the Katonah Bedford Hills Ambulance Corps and the Bedford Fire Department in New York. Clare Amos (Costume Designer) is a Costume Designer and Maker based in London. She is working with Aquila for the second time this year, after also designing The Taming of the Shrew in 2012. Since studying Costume Design at London College of Fashion, Clare has worked on a wide variety of productions, including dance, opera, site-specific, promenade and open-air theatre in the UK. Recent design projects include: Early Days, Finborough Theatre; Microwave and The Eighth Continent, Tristan Bates Theatre; Top Girls and Victory, Waterloo East Theatre; Celebrity Night at Cafe Red, Trafalgar Studios (revival); The Day Shall Declare it, Wilderness for The Bush Bazaar, at Bush Theatre; The Hit, at Hotel Indigo (set and costume co-designed with Anett Black). Clare also worked as Costume Designer for Theatre Ad Infinitum on all of their shows from 20092011. As Costume Supervisor, she helped create costumes for the new musical Between Empires for the Edinburgh Festival, as well as the Grosvenor Park Open Air Theatre Seasons in Chester from 2010-2012; The Hightide Festival in 2010 and 2011; One Hour Eighteen Minutes, for Sputnik Theatre at The New Diorama; A Christmas Carol, with Mokitagrit, at The Kings Head Theatre. Many of the above projects have required Clare’s costume making skills, but additional costume construction projects have included: creating a costume for the character of Eden from the comic Taroq (Bad Imprint); for Ludd & Isis, a community project with The Royal Opera, London; and for Annie Get Your Gun, for the

Young Vic Theatre. Kate Freer, IMA (Projection Design) is a multimedia designer and video artists for theater, film, and installations. Off-Broadway and Downtown: Around the World in 80 Days (The New Theater at 45th Street); PS Jones and the Frozen City (The New Ohio); Cry for Peace: Voices from the Congo (La Mama, Undesirable Element Festival); Bullet for Adolph (New World Stages); Chimera (HERE, Under the Radar 2012); Václav Havel’s Hunt For the Pig (3LD, Ice Factory Festival 2011). Regional: Stuck Elevator (American Conservatory Theater); The Mountaintop (CenterStage); The Clean House (Syracuse Stage); Holiday Review (Oregon Ballet Theater). Her installation work has been exhibited at the National Building Museum, The Hammond Museum, 3LD, Front Room Gallery, and the World Wide Words Festival (Denmark). She has taught workshops at Harvard University, Syracuse University, Wesleyan, and New York University. Kate is a founding partner of Imaginary Media Artists (www.imartists.com). My Great Ghost (Composer) is the midnight studio project of singer Drew Smith and producer Trevor Gureckis. The duo spent the winter of 2011 writing and recording their first EP which they self-released in July 2012. Their remix of Philip Glass’ “Music in 12 Parts” was featured on the Philip Glass remix record Rework. Other artists on the album include Beck, Pantha du Prince, Tyondai Braxton, and Cornelius. An iPad/iPhone app based on Rework was produced by Scott Snibbe Studio. They live and work in New York City. Christopher Marc (Company Stage Manager) comes from Minneapolis MN where he has been working as a Stage Manager, Sound Designer, Set Designer and Technician for 5 years. Christopher graduated with a B.F.A Theatre and Communications with an emphasis in Stage Management and Sound Design. Stage Management Credits include The Fantasticks with Skylark Opera; ART with Bloomington Civic Theatre; Death of a Salesman, Cabaret, Leading Ladies, Arsenic and Old Lace, Almost Maine, Mr. A’s Amazing Maze Plays, All Shook Up, As You Like It, Mousetrap, Little Shop of Horrors, Meet Me In St. Louis, with Lyric Arts. Sound credits include Becky’s New Car, Over the Tavern, Sherlock Holmes, The Young Auditorium

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Boxcar Children, with Lyric Arts, as well as 4 months with the Idaho Shakespeare Festival as a soundboard op and technician. Set Design credits include Little Shop of Horrors, Pirates of Penzance, and Beauty and the Beast with Anoka High School. He has also worked as a sound and lighting technician around the Minneapolis area with Mixed Blood Theatre, Yellow Tree Theatre, Theatre in the Round, Lyric Arts, I.A.T.S.E Local #13 Over hire, and EMI Audio. Gillian Wolpert (Technical Director/Lighting Supervisor) Originally from Toronto, Gillian has served as lighting designer for such companies as the Luminato Festival and Touchstone Theatre in Canada, as well as Zoetic Dance, New York Theatre Workshop, Brooklyn Arts Exchange, Blessed Unrest

and many others. As an assistant lighting designer and lighting supervisor, Gillian worked at the Stratford Festival in Canada for three seasons (King Lear, Merchant of Venice, Cabaret, and more), toured with Sean Curran Company, and assisted on numerous other dance and theatre projects. Her work has garnered a Guthrie award for her contributions in Stratford and a Jessie Richardson nomination for her design of The Unexpected Man in Vancouver. Recent designs have included The Play About the Coach and Barking Girl both at New York Theatre Workshop, Gurl at the Southwest Arts Center in Atlanta, and 400 Parts Per Million with Blessed Unrest. Gillian has a B.F.A. in Theatre Design and Production from the University of British Columbia. www. gillianwolpert.com.

Cultural Affairs Presents

Feet Don’t Fail Me Now the tap dance phenomenon

is one of the most popular tap shows since Tap Dogs.

Live 6 piece band plays Funk-Salsa

4 dancers inspire & energize

Wed.,Oct. 30 - 7:30 pm

Friday, October 25 - 7:30pm Dinner Kachel Center 6pm

“Feet Don’t Fail Me Now is a storm of feverish excitement.” - The Edinburgh List

TICKETS: 262-472-2222

930 W Main St- UW-Whitewater Campus

930 W Main St - UW-Whitewater Campus

uww.edu/youngauditorium

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W E D N E S DA Y, O C TO B E R 16 ,2 013 • 7 : 3 0 P M

Aquila Theatre Presents

Twelfth Night By William Shakespeare Cast Duke Orsino.......................................................................................................................... Norman Murray Olivia.............................................................................................................................................. Kali Hughes Viola........................................................................................................................................... Harriet Barrow Lady Toby Belch............................................................................................................................. Lizzy Dive Sir Andrew Aguecheek..................................................................................................... Norman Murray Malevolio.............................................................................................................................. James Lavender Maria...................................................................................................................................... Wayne Willinger Sebastian................................................................................................................................. Calder Shilling Antonio................................................................................................................................. James Lavender Captain.................................................................................................................................. Wayne Willinger Feste....................................................................................................................................... Wayne Willinger First Officer................................................................................................................................... Kali Hughes Second Officer....................................................................................................................... Calder Shilling Priest...................................................................................................................................... Wayne Willinger All other roles are played by the company. Director.....................................Desiree Sanchez Lighting Design..........................Peter Meineck Costume Designer..........................Clare Amos Projection Design.............Dave Tennent, IMA Composer.................................. My Great Ghost

Company Stage Manager..................................Christopher Marc Technical Director/ Lighting Supervisor.................Gillian Wolpert

Additional music by Beats Antique. Pieces, in order of appearance: 12 Parts, Pt 1 by Philip Glass & My Great Ghost, Junktion by Beats Antique, Photograph, Means to an End, Come Away Death Instrumental, Four Walls, and Anon Sir, by My Great Ghost.

Aquila Theatre is the Professional Company-in-Residence at the Center for Ancient Studies, New York University Aquila Theatre • P.O. Box 735, Katonah, NY 10536 aquila@aquilatheatre.com • www.aquilatheatre.com Young Auditorium

SYNOPSIS Act I, Scene I - The Sea Coast. Viola, a young noblewoman, has been rescued from a terrible shipwreck. Her twin brother, Sebastian, has vanished in the storm. Viola decides that she will disguise herself as a young man and seek service with Duke Orsino. Duke Orsino is hopelessly in love with Lady Olivia, who is in mourning for her brother and will not receive suitors for seven years.

Act II, Scene V - Olivia’s Garden. Lady Toby, Sir Andrew, and Feste trick Malvolio into believing Olivia is in love with him by leaving him a love letter in what looks like her handwriting. Olivia confesses her love despite Viola’s protests.

Act I, Scene II - Olivia’s House. Olivia’s Lady-in-Waiting, Maria, scolds Lady Toby for her indiscrete behavior in the house of her niece, the Lady Olivia, and for bringing a foolish knight, Sir Andrew, to try to woo her.

Act III, Scene II - A Street. Antonio and Sebastian arrive in town where Antonio must be cautious because of crimes he has committed against Orsino.

Act I, Scene III - Duke Orsino’s Palace. Viola arrives, disguised as ‘Cesario’. Orsino asks Viola to woo Olivia for him, but Viola is reluctant because she has fallen for Orsino herself. Act I, Scene IV - Olivia’s House. Lady Belch warns Feste, the fool, that he has been absent too long. Olivia enters with Malvolio, her Steward, and is mocked by the fool. Viola arrives to woo for the Duke, but Olivia falls passionately in love with her and sends a ring after her to make sure she returns. Act II, Scene I - The Sea Coast. Sebastian, Viola’s brother, tells Antonio, the sea captain who rescued him, his true identity and his plans to go to Orsino’s court. Act II, Scene II - A Street. Malvolio ‘returns’ the ring to Viola. Viola realizes that Olivia has fallen in love with her. Act II, Scene III - A Room in Olivia’s House. Malvolio breaks up Lady Toby’s party and they plot their revenge on him. Act II, Scene IV- A Room in the Duke’s Palace. Orsino sends Viola back to Olivia to plead his love for her. 12

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Act III, Scene I - A room in Olivia’s House. Lady Toby convinces a jealous Sir Andrew to challenge Viola to a duel.

Act III, Scene III - Olivia’s Garden. Entirely convinced Olivia is in love with him and, as instructed, wearing yellow stockings, Malvolio approaches Olivia who thinks he is mad. Lady Toby and Feste tease Malvolio, then engineer a fight between Sir Andrew and Viola. Antonio, believing Viola to be Sebastian, steps into the fight and is arrested. Antonio’s words give Viola hope that her brother may not be dead. Sebastian arrives seeking Antonio, but finds a houseful of people who claim to know him. Sebastian is entranced by Olivia. Act IV, Scene I - A Room in Olivia’s House. Malvolio, deemed mad, has been locked in a cell and is mocked by Feste who pretends to be the Priest, Sir Topas. Act IV, Scene II - Olivia’s Garden. Sebastian is bewildered by events but has fallen in love with Olivia and agrees to marry her. Act V, Scene I - The Street before Olivia’s House. Orsino, angry at Viola’s apparent betrayal, threatens to kill her when Olivia calls Viola her husband. Sebastian arrives and is reunited with Viola. Orsino agrees to marry Viola and peace and harmony is once more restored in Illyria.

AQ U I L A T H E AT R E Aquila Theatre’s mission is to make classical works accessible to the greatest number. A play becomes ‘classical’ because we recognize that after a time it transcends the original culture it was created for. It retains the power to provoke the central question of what it means to be human. As a company dedicated to the classics, we feel a responsibility to acknowledge and explore newfound classical works. Founded in London in 1991 by Peter Meineck, Aquila is now based in New York City. Aquila’s programs include: PRODUCTIONS IN NEW YORK CITY: Aquila is a major part of New York’s theatrical landscape, producing a regular season of plays. Aquila recently produced Euripides’ Herakles at Brooklyn Academy of Music, Shakespeare’s Macbeth at the GYM at Judson, Shakespeare’s A Midsummer Night’s Dream, Pirandello’s Six Characters in Search of an Author, Shakespeare’s As You Like It and Ibsen’s An Enemy of the People at the Skirball Center for the Performing Arts at New York University, and Joseph Heller’s Catch-22 and Homer’s The Iliad: Book One Off-Broadway at the Lucille Lortel Theatre. A MAJOR ANNUAL NATIONAL TOUR: Aquila is the foremost producer of touring classical theatre in the United States, visiting 60-70 American cities per year. Aquila’s 2012/2013 Season was Shakespeare’s Taming of the Shrew and Rostand’s Cyrano de Bergerac. The 2011/2012 Season was Shakespeare’s Macbeth and Oscar Wilde’s The Importance of Being Earnest. The 2010/2011 Season was Shakespeare’s A Midsummer Night’s Dream and Pirandello’s Six Characters in Search of an Author. Aquila’s 2009/2010 Season of Shakespeare’s As You Like It and Ibsen’s An Enemy of the People began with The Festival of the Aegean on Syros, Greece and the Shakespeare Festival/LA. The 2013/2014 Season will be Shakespeare’s Twelfth Night and Ray Bradbury’s Fahrenheit 451.

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AQ U I L A S TA F F Founder..................................................................................................................................... Peter Meineck Artistic Director ................................................................................................................. Desiree Sanchez Arts Administrator....................................................................................................................... Erika Pierce Production Coordinator ........................................................................................................ Eric Mercado Bookkeeper ....................................................................................................................... Diana O’Donnell Accountants ............................................................................................. Lutz & Carr, Martin Berkowitz Lawyers ....................................................................... Jacob Medinger & Finnegan, LLP, Don Farber Allen B. Breslow, Esq. AQ U I L A B I O G R A P H I E S Harriet Barrow (Viola) Theatre credits include; Helena in A Midsummer Night’s Dream (Royal Court, Liverpool), Witch in Macbeth (Royal Court, Liverpool), Anthea in The Phoenix & the Carpet (The Nuffield Theatre Co.), Anu in Forgotten Fortress (Theatre in the Quarter), Clara EynsfordHill in Pygmalion (Manchester Royal Exchange) and Britannia in The Entertainer (Manchester Royal Exchange). Short Film credits Lizzy in Liquidity (BBC) and Lily in One (OneFilm Productions). Harriet is delighted to be joining Aquila Theatre for the tour. Lizzy Dive (Lady Toby Belch) trained at Cygnet Training Theatre in Exeter and recently moved back to Devon (after five years in London) as she absolutely loves the South West. Some of Lizzy’s credits to date are: Mrs Cratchit in A Christmas Carol (The Palace Theatre); Mrs Twit in The Twits (Illyria); Louisa Gradgrind in Hard Times (Creative Cow); Puck in A Midsummer Night’s Dream (Illyria); Helena in Look Back in Anger (Yvonne Arnaud); Lady Wishfort in The Way of The World (Bridewell); Mrs Elvstead in Hedda Gabler (Orange Tree); Penelope in An Act of Twisting (Rondo Theatre). Lizzy is delighted to have recorded her first audio book this year, ‘Have A Little Faith’ with Audio Go (BBC Audio Books). Lizzy is also thrilled to be working for Aquila Theatre Company and relishes the opportunity to be in two brilliant productions. Kali Hughes (First Officer) just finished touring The Count of Monte Cristo for Company Boudin in the UK. Previous theatre work includes A Christmas Carol (The Tobacco Factory Theatre, Bristol), Aladdin, Cinderella and The Wizard of Oz for Theatre Royal Winchester, Wink The Other Eye (Wilton’s Music Hall), Macbeth (Europe and Central America tours for TNT), Very Hard Times (rural tour for Publick Transport), Lysistrata (UK tour for Actors of Dionysus), Anything But Love (UK tour for 14

Young Auditorium

Narrow House), The Extremists (a play reading for Chris Goode and The Royal Court Theatre), Holding The Man (West End, understudy), Oedipus and Antigone (Wimbledon Studio Theatre), Play Time (new writing for Theatre West), as well as four plays for The Cambridge Shakespeare Festival. James Lavender (Malevolio/Antonio) For Aquila: The Importance of Being Earnest and Macbeth (National Tour & New York), As You Like It and An Enemy Of The People (National Tour & New York). Other theatre credits include: The Comedy Of Errors & The Importance of Being Earnest (Oxford Shakespeare Company), Headlines (BAC), Jack & The Beanstalk (Sheringham Little Theatre), Adventures In Wonderland (Teatro Vivo), Twelfth Night (Oxford Shakespeare Company), Aladdin (Hazlitt Theatre Maidstone), The Comedy of Errors (Greenwich Playhouse), Sleeping Beauty and Goldilocks & The Three Bears (Georgian Theatre Royal, Richmond), Supermarket Shakespeare (Teatro Vivo), The Jungle Book (Birmingham Stage Company), Jack & The Beanstalk (Millfield Theatre), Hamlet and The Taming Of The Shrew (Groundlings Theatre Company), Plebians Rehearse The Uprising (Arcola Theatre), Macbeth and The Taming Of The Shrew (British Shakespeare Company), Scar Tissue (Man In The Moon Theatre), On The Razzle (Westminster Theatre), Jumping The Gun (Blackheath Halls). TV & Film: The Golden Hour, Lights, The Ice Cream Man. James trained at Rose Bruford. Norman Murray (Sir Andrew Aguecheek) trained at the Liverpool Institute for Performing Arts. This year he has worked on the Irish feature film, Dream On. His television credits include Emmerdale for ITV, The Princess and the Gangster for Channel 4 and Holy Cross for the BBC. On stage he has played

AQ U I L A B I O G R A P H I E S

c o n t.

Macbeth at the Liverpool Everyman Theatre and Bottom in a British tour of A Midsummer Night’s Dream. He has worked with awardwinning Australian theatre company, Side Pony. Calder Shilling (Sebastian/Second Officer) is a recent graduate of Sarah Lawrence College where he studied theatre and developed a passion for ensemble-based work. Originally hailing from the Pacific Northwest, Calder has been seen on stages in Seattle, London, San Diego, Waterville Valley, Haverhill, Bronxville, and New York City. Some of his credits include Thurio/Eglamour in Two Gentlemen of Verona, Titus in Titus Andronicus, Prospero in The Tempest, Timothy/Jones in SPARK, and Gary in Port Out Starboard Home, the recent ensemble theatre production by San Francisco-based company foolsFURY. Calder is delighted to have the opportunity to work with Aquila Theatre Company this fall. Wayne Willinger (Captain/Feste) is a New York City based actor who is excited for this Aquila Theatre debut. Wayne is a founding member

of the Chesapeake Shakespeare Company. Some favorite CSC roles include: Tybalt, Orlando, Edgar, Lucio and Puck. Also look for him in Martin Scorcese’s upcoming film The Wolf of Wall Street and is his ongoing one-man show: Bukowski: The Farewell Tour. Special thanks to Desiree and the rest of the Aquila Theatre Company! Dave Tennent, IMA (Projection Design) creates interactive video installations, custom theatrical software, and projections designs for theater. Off-Broadway and Downtown: La Ruta (Working Theater); P.S. Jones and the Frozen City (New Ohio); Bullet For Adolf (New World Stages); How to Break (HERE); The Language Archive (Fordham); Chimera (HERE, Under The Radar 2012). Associate Projections: Sweet Bird of Youth (Goodman Theater, Chicago); Crowns (Goodman Theater, Chicago).Dave has taught projections workshops at Syracuse University, New York University, and Harvard University. He is a founding member of Imaginary Media. www. imartists.com

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TICKETS: 262-472-2222

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930 W Main St- UW-Whitewater Campus Young Auditorium

M E M B E R S 2 013 -14 Director’s Council James R. Connor Lolita Kachel Michael Ross Director’s Circle Ron & Ann Abele James & Julie Caldwell Robert & Yvonne Fiskum David & Kathy Granum H. Gaylon & Hannah Greenhill John & Sandra Heyer Dr. Beverly Kopper Mark McPhail Kenneth & Dorothy Otting Francine L. Pease Julian & Anne Stinson Chuck & Barb Taylor Richard & Veronica Telfer Ambassador Craig & Bonnie Anderson Richard & Kathy Haven Dawn & Lyle Hunter Mitzi Joseph Ken & Susie Kidd James E Killian & Roberta Rohdin Killian Ken Kohberger Everett & Ellen Long Craig & Amy Matzinger Dennis & Margaret Rohrs Carole Scharinger Betty Schoonover Richard & Judy Triebold Elmer Werhane Patron Bill & Karen Bohn Robert & Marion Burrows Winona Campbell James Carlson Jo Coulthart Donna G. Fox Ginny Hall Glenn & Christine Hayes John & Nancy Hoffmann John Hunter Geraldine & Robert Jennings Orville & Carol Larson Nels & Gloria Madsen Connie & Alan Marshall Rowland & Audrey McClellan Michael & Jean Morrissey Margaret Mueller Terry & Arlene Ostermeier Jerry & Jan Palzkill Mary Hill-Roth & Ted Roth Dennis & Mary Salverson Jim & Sue Schlough Jerry & Bunny Schoen Lewis & Kathleen Scott Cynthia Smith Charles Taggart Dean & Shirley Taylor Donald & Marjorie Triebold Pamela & David Van Doren Robert Wright & Elizabeth Asher Karl & Doris Zahn Supporter Curtis & Diane Abendroth Helmut & Martha Ajango 16

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Stanley & Ann Alger Jackie Amandson & Dean Zweifel Rod Anderson Julia Armstrong Michael & Karen Atwood Patricia & Thomas Bauhs Thomas & Christine E. Beckman Dale Benson James & Ginger Best Lynn & Cheryl Binnie Ron & Marilyn Binning Bryan & Rose Ann Bishop Elizabeth Blumberg Forrest Bright Susan Burkhardt Mary Beth Byrne Chris & Kristine Cameron Gerald & Lois Caslavka Mr. & Mrs. Cohen Antionette Czebotar Dean & Bonnie Dahnert Jack & Betty Frawley Deb & Dave Gamble Audrey & Christian Gatz Nancy & Leo Geidel Barry & Margo Goldberg Karla Goodman Kathy & Jim Gross Carol Guequierre Mark Gustafson & Su Ash Gustafson Hans & Carla Hahn Margaret Hancock Diane Hanson John & Jean Henderson Mark Hildebrand Lloyd & Daphne Holterman Gene & Charlotte Huntley Helene Hurdis Richard & Susan Kaja Mary Kenne Steven Kennedy Debra & Ken Kirkeby Sharon & Jeff Knight Bob & Gloria Knipschild Leota & Steve Larson Leece & Phillips Law Office Laura Lester Dr. Steven & Larissa Lyon Sandra Matson Don McComb Barbara McGlynn Susan Mealy Mary Kaye Merwin Jim & Carol Miller Dr. Hank Mol John & Arlene Newhouse Lois O’Brien Tom & Mary Oehler Kim & Denise O’Keefe Michael & Marie Olson Richard & Judy Owens Terrie Parenteau Larry & Mary Peiffer Kirke & Elaine Plank Stephen & Diane Raebel Rauland Realtors Dale & Colleen Riggs Janet M. Rortvedt Dick & Julie Ruhe Daniel Sable Kathleen Salzwedel Doug & Karen Saubert

Alice Scherer Ervin Schlepp Dennis & Evelyn Schulz Robert & Sharon Schweitzer William & Marlyne Seymour Roger & Helen Shimon Larry & Edie Simons Patrick & Luly Snyder Barbara Stallman Dave & Bonnie Stanley David & Cheryl Stedman Ann & Howie Stiff Lee Stoneking Ben Strand & Kari Borne Michael Swerdlow Richard & Arlene Trewyn Ron & Sandra Van Able Carleen & Arthur VanderKoy John & Darlene Varnes David F. Veith Mary Lynn & Dennis Vogel Marge Ware Vivian & Fred Welch Estelle Wiesmann Eda Wilson Richard Winz Carole & Monte Witkowski Rod & LaVonne Wittwer Contributor Mary Adams George & Harriet Christopherson Janice Evans John Finney Margaret & Dale Fose Carol Grulich Jean & Wayne Hartwig Eleonora Jedrysek Kristin Koeffler Carole Koehler Dr. & Mrs. Robert Koenitzer Paul & Sue Kremer Fred Aschmann & Diane LaFontaine-Aschmann Steven Landfried Mary Lawrence Tammy McElwee James McLeer Rosemary Metzdorff Bob Mischka Barry Mullen Thelma Robbins James & Cheral Sadler Merle & Mary Lou Schinke Alice & Curt Schwarz Steve & Linda Steinhoff Miles A. & Nancy Stejskal Thomas Spiegelhof Gayle & Dale Stettler Robert Taylor Karolyn & Hugo Tscharnack Doris & Alphonse Zimmerman David Zittnan Student Joseph Berman Owen Kirkeby Gerald Roche Lisa Tessene-Martin Matching Gifts USG Foundation, Inc.