FEATURES
OPINONS
Make the date without breaking the bank. PAGE 16
Controversy surrounds black teen’s death. PAGE 8
TRAYVON MARTIN
AFFORDABLE DATES
THE OBSERVER www.fordhamobserver.com
MARCH 29, 2012 VOLUME XXXI, ISSUE 5
PHOTO FEATURE
Expansion Decision Prompts Action By HARRY HUGGINS with reporting by FAITH HEAPHY, MONIQUE JOHN and LAURA CHANG News Co-Editor with Editor-in-Chief, Managing Editor and News Co-Editor
Fordham College at Lincoln Center (FCLC) faculty and many student leaders are disappointed in the way the university administration decided to reallocate bed space in the new law school building opening in 2014. Faculty and student members of College Council first learned of the plans to extend the Gabelli School of Business (GSB) to the Lincoln Center campus during the March 8 meeting, where many professors voiced their disapproval in being left out of the decision making process. During the meeting, Dean of FCLC Rev. Robert R. Grimes, S.J., revealed the plan to give 200 of the 436 new undergraduate beds that come with the new law school building to GSB students. These beds were previously expected to go to FCLC student expansion. This would be part of a new undergraduate business program on campus. The plan, which would take effect in 2014 when work on the new building ends, is being developed by the vice president’s task force at Fordham and has not been approved yet, according to Grimes. The approximately 40 faculty members present in McMahon Hall 109 for the meeting voiced concerns about transparency and a change of academic culture at FCLC. In response, the Faculty Senate met on March 23 and passed, among other things, a resolution objecting to the lack of faculty involvement in the space allotment discussion. According to faculty senate presisee SENATE pg. 2
NATASHA MAHADEOTHE OBSERVER
It’s easy to forget that we walk the streets of a city as historical as New York. For this issue’s Photo Feature, Observer photographers documented places that have been a part of New York for ages. Above, Gotham Hall, which once was Greenwich Savings Bank, was built in 1922.
Counseling Attends Vagina Monologues Debrief By LAURA CHANG News Co-Editor
The “Vagina Monologues” at Fordham College at Lincoln (FCLC), directed by Ashley Almon, FCLC ’14, was performed in the 12th floor lounge of the Leon Lowenstein building on March 24 and the South Lounge on March 25. Although the play by Eve Ensler has been banned by Student Affairs since 2003, this was the first year that Counseling and Psychological Services, a department under Student Affairs, was allowed to take part in the debrief ses-
sion held after the show in the South Lounge. According to Rebecca Gehman, FCLC ’12 and president of Isis, Fordham’s feminist club, the club was unable to label the “Vagina Monologues” as an Isis event because of its ban from Student Affairs. Even though this event was sponsored by Women’s Studies and African American Studies, Gehman said that whenever “Vagina Monologues” was performed, flyers excluded Isis from the brand. Student Affairs oversees several departments including Counseling
Services, Residential Life and the Office of Student Leadership and Community Development (OSLCD); therefore staff members from those offices were not permitted to attend the play. Counseling Services had to move to a separate space in the South Lounge after the play was over for further discussion. Gehman said that the reason Student Affairs does not approve of the “Vagina Monologues” is due to a situation in one monologue whose message they do not want to promote. “There is a young female that has consensual sex with an older female,
but because of the age difference, it is legally rape,” Gehman said. “Even though this is a play, it’s from a real women’s story and it is an artistic expression.” Keith Eldredge, dean of students, said, “The ‘Vagina Monologues’ is not supported by the administrative units of the university, including the departments in the division of Student Affairs.” However, students affiliated with the production, along with United Student Government see MONOLOGUES pg.2
ARTS & CULTURE
Inside FEATURES
ROSE HILL SPOTS
How to find what you need around Rose Hill. u PAGE 15
SPORTS
BRIENNE RYAN
Fordham’s first female swimmer invited to NCAA championships. u PAGE 20
LITERARY
THAT SILVER MAPLE Can a relationship be saved? u PAGE 18
Mary Bly Talks New Book: “Paris in Love” By MEHGAN ABDELMASSIH Blog Editor
Mary Bly’s mission in life is to remember. And her biggest fear is forgetting. The romantic novelists and professor of English at Fordham College at Lincoln Center is releasing her memoir, “Paris in Love,” on April 3. It is delicate, funny and yet fragile. It begins with her breast cancer treatments— with Bly on sabbatical from Fordham University—and then relocating to Paris, France with her husband and two children. The Observer had the chance to sit down with Bly, discussing everything from Leonard Cohen, being a hypochondriac and most of all, her writing. OBSERVER: You print under Eloisa James,
but you’re really writing as Mary Bly. Do
you think your readers will experience a revelation about who the real Eloisa is? MARY BLY: The memoir is a crafted piece
of writing. So who is the real Eloisa or Mary? It’s not a memoir like “Running with Scissors.” A lot of writers create a persona and it’s needed nowadays with social media. I’ve got 33,000 people following me on Facebook, which originally made me post the stories to my wall. My followers felt that they had an intimate connection with me. The thing is the intimate reach. If I was writing “Running with Scissors,” my writing would have been more raw. What I decided to bring out was very different from what I could have expressed. Anytime a person writes about his or herself, they specifically choose to bring something particular forward. My memoir, “Paris in Love,” is an Eloisa production of Mary’s life.
THE STUDENT VOICE OF FORDHAM COLLEGE AT LINCOLN CENTER
OBSERVER: You always end chapters on
a descriptive/illustrative passage. Is that something you arranged in order to end the French scene on a French note? M.B.: The passages moved until I hoped the
book had rhythm. When it went up for auction, a couple of publishing houses wanted me to write in essay form, and I said no. I wanted someone who was working hard to pick it up and fall into the story and then put it down without falling into anxiety. I wanted them to read it the next day and not lose the thread to the story. I aimed to get that rhythm to be right so you didn’t fall down in the middle of a chapter or become too depressed. It all had to flow so that the charm was diluted by grief or by reality in some sense. That took me forever. see MARY BLY pg. 11