Forge Press #120 by Forge Press

Thursday 26 April 2018

Issue 120

Is zero tolerance the way?

Celebrity Deaths

Alien Day

Features

Opinion

Screen

An insight into the University’s current drug policy

p. 8

Should we be mourning people we’ve never even met? p. 15

A celebration of the beloved sci-fi horror franchise p. 34

Protest over Uni’s handling of racism Luke Baldwin

BME Committee are launching a protest outside Firth Court this Friday over the University’s supposedly poor handling of recent cases of racism involving their students. The protest comes over a month after the Varsity Ice Hockey match, where black Hallam student Tyrell Pearce allegedly had a rotten banana thrown at him by a University of Sheffield student. Hajira Liaquat, Chair of the Sheffield BME committee and organiser of the protest, said: “I have organised this protest to lobby the university to take incidents of racism on campus seriously. I have been appalled by... (cont. on page 3)

Sexist tweets from Uni sport team condemned Michael Chilton

Sheffield University Men’s Football Club (SUMFC) have been widely condemned after a series of sexist and misogynistic remarks on Twitter. The first team lost against Sheffield Hallam in the final Varsity event at Hillsborough last night, just weeks after the tweets were first published. The club have since apologised for the misogynistic tweets, which were made on the SUMFC Twitter account leading up to and during their tour in Croatia. On Saturday 24 March, the club tweeted:

“THE BOYS ARE BACK ON TOUR… I can’t wait for a week of respecting women. Live odds incoming…” (cont. on page 7)

Uni of Women’s 1s beat Hallam 2-0 on final day

Dan West

Revenge of the Sixth: another Varisty win for University of Sheffield Ben Warner

he University of Sheffield have been crowned Varsity champions for the sixth year, levelling up the overall titles to tenapiece. The 40-point mark was reached when the University of Sheffield’s Mixed Korfball 2s team won 12-10 against Sheffield Hallam.

Hallam looked like they could be about to mount a late comeback when they secured a few points on Finals Day, but a quick rally from the University of Sheffield made sure they won their sixth title in as many years. The final score was 45-34 to the Black and Golds. Sheffield SU Sports Officer Flo Brookes said: “I am so... (cont. on page 5)

inside

20-page varsity pull-out

Forge Press Editorial Team Editor editor@forgetoday.com Luke Baldwin Managing Editor Freyja Gillard Deputy Editors editor@forgetoday.com Nick Burke Michael Chilton Web Coordinator Dan Cross Head of News Ben Warner News press.news@forgetoday.com David Anderson Alex Peneva Gethin Morgan Opinion press.opinion@forgetoday.com James Pendlington Josie Le Vay Features press.features@forgetoday.com Katharine Swindells Megan-Lily McVey Elsa Vulliamy Coffee Break press.coffeebreak@forgetoday.com Dave Peacock Lifestyle press.lifestyle@forgetoday.com Harry Gold Ellie Conlon Head of Sport Adam May Sport press.sport@forgetoday.com Josh Taylor Tim Adams Music press.music@forgetoday.com Ben Kempton Florence Mooney

Thursday 20 April 2018

Editorial

ell, after weeks of thrilling competition, the University of Sheffield have been crowned Varsity champs for the sixth time running. Bragging rights around the city are well and truly ours and I’m sure plenty of those involved in the victory are letting our noisy neighbours Hallam well aware of it. Forge have been working tirelessly to make sure that as much of the competition has been covered as possible and we here at Press have been no exception. Don’t believe me? Then check out our amazing Varsity pullout for all the fixtures and results, lovingly crafted by our own Head of Design Nick Burke. Everytime I think he can’t do more with design, he surprises me and smashes it out of the park (pardon the sports pun). Despite being one of the most naturally talented people I’ve ever met, he has had to work so hard on this pullout and I think this effort definitely shows; in my opinion this is his best design to date A massive shout out to everyone from Forge who was involved in Varsity coverage. Our role as official media partner for the event added so much pressure, but everyone

on the team stepped up to the plate (again, pardon the pun) and delivered. As always, thank you to the lovely Freyja who has once again been the best support and friend anyone could ask for. Particular applause has to go to the three Forge Media Heads of Sports. Radio’s Adam Bailey has been quintessentially calm and organised under pressure and will no doubt carry this coolness into his role as Station Manager next year. Kate Marron for TV has thrown herself head-first into the role despite her short time in charge.To take on such responsibility is always difficult but she has certainly been a figurehead for many involved in coverage. She’s also been amazing keeping on top of all the Varsity photography for this very paper. But of course, most of my plaudits have to go to Press’ own Adam May. Adam has shown incredible leadership and command over the past few weeks, but also throughout the year. He is one of the most valued members of this team and I am incredibly fortunate and privileged to be able to work alongside him. Props to our current Sports Editors Josh and Tim for a stellar job on coverage, as well as our incoming editors Michael and

Patrick. If their performance over Varsity is anything to go by, they should be amazing next year. Sadly the spectacle of this year’s Varsity has been somewhat marred by a series of unsavoury incidents. Although the Varsity oath is based on respect, sportsmanship and pride, racism, misogyny and loutishness seem to be the words that resonated over the past few weeks. It’s an ugly truth that this type of behaviour is still very prominent in our society, even uglier when considering that something as wonderful and inspiring as sport tends to be a catalyst for such behaviour to rear its head. Whether it be at top level football or student sporting events, we see far too often friendly rivalry and competition boil over. But it’s also worth noting that this is a small (albeit very loud) minority. It’s 2018 and generally those attending Varsity just want to support their university and enjoy some good sport. It’s down to the majority, regardless of how intimidating it might be, to call out this behaviour and let the perpetrators know that it’s not acceptable. The impassioned response I’ve seen around the wider student community has been testament to this; standing up for

Pic of the Press This Varsity photo was taken by TV’s outgoing Head of Entertainment and incoming Deputy Station Manager, Adam Richmond. As well as being very topical, this photo has been picked for Pic of Press because it’s taking perfectly exemplifies what Forge is all about. Adam had no

experience with photography prior to this photo, but decided it was something he wanted to try and asked one of our more seasoned photographers for a hand. Forge is all about trying new things and learning new skills and there’s no better opportunity to do this than Varsity. Whether it be writers

having a go at camera work or techy people trying their hand at commentating, everyone at Forge has come out of their comfort zones for Varsity and excelled to produce some excellent coverage.

Forge Press

what is right in the face of adversity is vital and they’ve done excellent job of doing just that. Everyone involved in Varsity and Sport Sheffield have, to me at least, been consummate professionals and athletes and genuinely make me proud to attend this Uni. But it’s down to these same people to acknowledge the negative image they have and properly hold those who validate this image to account. On a final and more positive note, a massive congratulations to any of the sportspeople who won their events and commiserations to those who were less successful. Whether your hard work and training paid off or not, you have all done your uni proud and provided inspiration and entertainment to thousands of your fellow students. You can hold your heads high and deserve plenty of celebration. But who am I kidding, chances are by the time you’re reading this you’re still nursing that well earned VK hangover from last night’s ROAR.

Want your photo here? Contact

press.photography@forgetoday.com with submissions

Get Involved

Games press.games@forgetoday.com Chloe Dervey Tom Buckland

Want to join the team? Fancy yourself a decent writer or presenter? Then why not get involved with Forge Media! No prior experience is needed and anyone can apply.

Arts press.arts@forgetoday.com Laura Mulvey Sophie Maxwell Screen press.screen@forgetoday.com David Craig Joseph Mackay

Join the Facebook group “Forge Media Contributors 17/18”for all the lastest articles or to pitch your own ideas. Like our Facebook page for all the latest news, reviews and features as the location of contributor meetings.

Copy Editors Connie Coombs Brenna Cooper Leah Fox Harriet Evans Amy King Charlotte Knowles-Cutler

Press will also be holding an EGM this an EGM this Friday at 6 in View Room 5 of the Students’ Union. There’s 17 roles up for grabs, so if you fancy joining the team for next year head over to page 17 for more info

Photography Kate Marron

Photo by Adam Richmond

Contact luke.baldwin@ forgetoday.com with any questions.

Forge Press

Thursday 20 April 2018

Students not receiving ‘grades they deserve’ Ben Warner

Hundreds of Sheffield students have missed out on top grades in the past few years, despite seemingly meeting the requirements, a Freedom on Information request has revealed. The FOI shows that over the last few years, many students haven’t received Firsts or Distinctions despite an average grade seemingly

above the threshold needed for that level of degree. In 2016, there were 86 undergraduates in this position and 117 postgraduates. At other universities, they tend to round up so the average grade attained reflects the level of degree given. Harrison Jones, a former postgraduate student of the

University, is one of the students affected after he graduated last year. He averaged over 72 in his degree but was awarded the level below a Distinction. He appealed to the University at the time but was ultimately unsuccessful. He said: “I felt the grade was unfair and not a reflection of what I deserved for the course. “There has to be a line and criteria for grade boundaries, but common sense should be applied in my view. If you average over a particular grade boundary during the year, then you should get that grade.”

Dr Helen Tattam, Student Information and Developments Manager at the University of Sheffield, said: “Our degree classification regulations ensure that students are awarded the outcome that best reflects their overall performance. “Two calculations are performed and combined to determine undergraduate degree classifications, rather than simply averaging marks. This is to prevent final degree classifications from being unduly skewed by outlying grades, such as a particularly high or low grade in one particular module.”

Firth Court

Ben Warner

Anti-racism protest to be held at the University Luke Baldwin

The Students’ Union have become the first SU in the country to launch a zero-waste shop

David Anderson

Sheffield become first SU in country to open zero-waste shop Ben Warner

he Students’ Union has become the first in the country to launch an entirely zerowaste shop. It is part of SU Development Officer Megan McGrath’s #ReusableRevolution, which has been one of her key and most successful campaigns during her year in office. It expands upon the zero-waste wholefoods section which is currently in Our Shop, and can be found behind the Box Office, opposite the stairs on Level 3. ‘Our Zero Waste Shop’ is open 10am until 6pm on weekdays, as well as 10am to 4pm on Saturdays. It carries a vast range of items, including grains, pulses, dried fruit, nuts, herbs and spices, at prices more affordable than the majority of those found in the major supermarkets.

There is also an extensive range of homeware products, including toiletries, kitchen utensils, and refill stations for household cleaning supplies. They also sell products which allow customers to avoid purchasing single-use plastics during their daily lives, such as selling flasks, lunchboxes and reusable coffee cups. The #ReusableRevolution has been one of Megan McGrath’s biggest efforts during her time in office. She has run several campaigns, including: introducing the Campus Cup scheme operating across 21 outlets on campus, which while reducing the need for disposable cups, has the added benefit of making hot drinks cheaper for students; and thrift shops where people can buy and sell second-hand goods. Megan said: “I’m so excited to see the range of environmentally friendly and plastic free goods

expanding in the Students’ Union. “We’ve always been ahead of the curve on plastic, banning water bottles in 2011 and I’m so proud to see Sheffield SU leading the way once again.

“Plastic pollution is one of the greatest environmental threats of our generation and its vital we take action!” Her successor, Mel Kee, who will

take up the role in July, has pledged her support to the campaign and has said she will maintain the #ReusableRevolution when she’s in the job. In last month’s elections, she ran on a platform of sustainability, pledging to improve recycling practices around the SU and the city. Mel said: “I think the new shop is brilliant, it’s great for us at the SU to have opened the first zero waste shop in Sheffield! “I’m really excited to come into office and make sure the shop is a success! I want to spread awareness of why it’s so important to reduce our waste, how Our Zero Waste Shop can help with that and other changes you can make in your daily life. “I also want to look into expanding the produce sold at the shop by asking students what they want to see, which is already happening on a board in the shop now.”

(cont. from front page) ...their inadequate response to dealing with racism, since it appears to me that they are more concerned with maintaining a credible reputation, rather than helping their students. “Many students have experienced racism on campus but have chosen not to report it, and this is not surprising. How can we trust the University when they seem adamant on concealing such matters? Every student at the University of Sheffield deserves to feel safe, and it is time that the university starts acting to ensure this.” The SU Officers have pledged their full support to the protest. Women’s Officer Celeste Jones said: “Racism on campus is alive and thriving and we need to put a stop to it. BME committee have work very hard on this and we all look forward to the protest.” The University declined to comment while the investigation is ongoing. The protest will take place outside Firth Court from 1pm to 2pm on Friday 27 April. If you have had any experiences of racism or other abusive behaviour that you wish to highlight, please contact editor@ forgetoday.com.

Every student at the University of Sheffield deserves to feel safe

Thursday 26 April 2018

Forge Press

From left to right: Teri Limongi with some members of Forge TV, host officer Tom Mason, some of the attendees of the conference and awards, and the site of the awards ceremony in the University’s Octagon Photos by Sam Birkitt

Forge TV win their first ever NaSTA award F Ben Warner

orge TV won their first ever award at the National Student Television Association Conference and Awards on Saturday 14 April. The event, which was also hosted by Forge TV, saw dozens of student television stations from around the country flock to South Yorkshire for the biggest night in the student TV calendar. The awards were judged by industry professionals, including BBC Comedy Commissioner Gregor Sharp and Director for Good Morning Britain Erron Gordon. Forge won the right to host the conference and awards last year at the previous event, hosted by

Birmingham’s Guild TV. Tom Mason, Forge TV’s Head of Training, was the host officer for the event but was supported by many of the people who worked hard to put the event on. Tom said: “Organising the conference and awards has been a colossal task which has taken up a lot of my time, but I could not have been more proud of how it all went during the weekend. “I’ve had such an amazing team of people behind me who have put their all into making the conference and awards as special as it was.” The biggest award of the night, Best Broadcaster, went to LSTV from the University of Leeds, but Forge TV also won their first ever award, as well as earning highly-commended

certificates in two other categories. Forge TV won the prize for ‘Light Entertainment’, thanks to the livemusic session programme created by Teri Limongi, a third-year journalism student at the University. Teri said: “The event put on by Forge TV was incredible. I am proud and honoured that my show was picked for a NaSTA award but I don’t think I would have been able to do it without the support of all the members on the Forge TV committee. They’re like family.” They were also highly-commended for ‘Post Production’ (thanks to station manager Edward IrelandJones’ promotional video for ‘This Girl Can’) and the ‘Mars El-Brogy award for Multimedia Content’, due to collaborations with Forge Press

and Forge Radio on big events like Varsity and the SU Elections. This is Forge TV’s best result in NaSTA awards, beating their previous best in 2012 when they were highlycommended in the ‘Best Broadcaster’ and ‘Best Ident’ categories. The conference had workshops, panel sessions and talks from leading industry experts, such as James Mobbs, a graphic designer for BBC Breakfast and Newsround, Alex Sawyer, an audio engineer who has previously worked on Downton Abbey, and Luke Cutforth, a British YouTuber who has recently ventured into creating short films. The trophies were handmade out of vintage camera lenses provided by Harrison Cameras in Sheffield, and put together by Tom and his dad Paul.

I don’t think I would have been able to do it without the support of all the members on the Forge TV committee. They’re like family

Forge Press

Thursday 26 April 2018

PhD science students show off their work Ben Warner

The Faculty of Science ran an exhibition displaying PhD students’ work, with the aim of encouraging more students to go for a doctorate. The Faculty of Science Graduate Student Showcase ran for three hours in the Octagon, with over 200 students from all seven departments

in the faculty displaying their work. Prizes were awarded for the best posters on show, by judges who were walking round examining the projects. The top three overall were Hannes Maib (Biomedical Sciences), Robert Shaw (Chemistry) and Jake Shipley (Mathematics). More details can be found on the Faculty’s website. Undergraduate students were

invited to the event for the first time ever this year so they could learn more about the experience of doing

200 posters were on show

a PhD and to discover the research taking place in the Faculty. Prof. Andrew Furley, Faculty Head of Research Training, who helped

to organise the event, said: “The Faculty of Science Showcase 2018 built on the tremendous success of last year’s event. “There was a distinct ‘buzz’ from the moment the doors opened which continued on well into lunch, reflecting the students’ obvious excitement at having the opportunity to talk about their work with peers and staff across the disciplines. “The feedback has been uniformly positive and we are excited to already be planning the next one, which we hope to make more extensively open to undergraduates considering a career in research.”

Posters were hung up on boards

James Turner

Sheffield student with brain tummor runs London Marathon Ben Warner

The ice hockey 2’s team celebrate their victory over Sheffield Hallam

Lucas Mentken

Uni of Sheffield win Varsity for the sixth year in a row Ben Warner

(cont. from front) ...proud of all the athletes, spectators, staff and volunteers. This is a win for everyone and I am so honoured to lift the trophy tonight for the black and gold family! Thank you to all students and staff this is your year and this city is ours!” Athletes from both universities trained hard for the events, trying to win points for their team. One of Uni of’s tennis players, Aimee Kirkup, flew in from America the morning of her matches and persevered to win her singles match 7-6 6-0. Varsity kicked off with snowsports back in December, at Val d’Isère in the French Alps, with Black and Gold winning both snowboarding events

and ski freestyle. Team Hallam won the ski race. Hallam were triumphant in both the ice hockey final held at the FlyDSA Arena and the boxing at the Octagon, which were well-attended by students of both universities. Uni of’s Men’s Ultimate Frisbee 2s team won their first ever Varsity match, beating Team Hallam 8-7 on Sports Park Day. However the majority of the points on the day went to the hosts. Black & Gold eventually took a healthy lead over Sheffield Hallam, but it was cut down on both Abbeydale Tuesday and Finals Day. Thankfully for the reigning champions though, they picked up points in badminton and canoe polo, while a 12-10 win in korfball for the second team put Uni

of over the line. Kieran Maxwell, SU President, said: “I’m absolutely delighted that the University of Sheffield has won Varsity for the sixth year in a row.

This a testament to the skill, talent and dedication of our fantastic

athletes, and to the work of our amazing Sports Officer, Flo Brookes. I’m very proud to be Black and Gold today.” The result was confirmed before the showpiece finale at Hillsborough Stadium, where Uni of completed a brilliant few weeks by winning both the men’s and women’s finals of the competition. The Women 1s won 2-0 in the early game beore the Mens team won 3-2 in dramatic fashion late on against ten men, going ahead early on before falling 2-1 behind. Last-gasp goals in the 94th and 96th minutes gave Uni of the final point up for grabs, sparking a pitch invasion at Hillsborough. More details can be found in the Varsity pullout later in the paper.

A University of Sheffield student has completed the London Marathon, despite a slow-growing brain tumour. James Wardle, a third-year mechanical engineering student, discovered the tumour in February 2016 after seizures which left him temporarily paralysed. He ran the marathon to raise funds which could help scientists find a cure for the disease and completed it with a time of 4:44:50. James’ tumour is classed as a low-grade tumour and following treatment he has been able to continue his studies and train for the marathon. He said: “The London Marathon has always been number one on my bucket list and there is no better time than now. “For obvious reasons, Brain Tumour Research is very close to my heart and, as well as raising money, I hope my efforts will also help to raise awareness of the startling statistics around this disease.” Michael Thelwall, Head of Community Fundraising for Brain Tumour Research, said: “James’s determination and commitment are fantastic and I hope his story will provide inspiration to others whose lives have been affected by a brain tumour. “For too long, brain tumours have been a neglected cancer. Experiences like James’s remind us all that we cannot allow this desperate situation to continue “We are extremely grateful to him and offer our congratulations to everyone who took part in this year’s event to raise money for charity.” James’ JustGiving page can be found at justgiving.com/ fundraising/jameswardle.

I hope to raise awareness of the startling statistics around this disease

Thursday 20 April 2018

Forge Press

Arctic Monkeys to bring No. 1 Party Anthems back to Sheffield Brigid Harrison-Draper

The SRSB and Sheffield Volunteering mascots presented their unique moves to the Teadance event guests

Alex Peneva

Sheffield Royal Society for the Blind put on their Dancing Shoes Alex Peneva and Lucas Mentken

niversity of Sheffield students danced with clients of Sheffield Royal Society for the Blind (SRSB) to celebrate National Tea Day on Saturday 21 April. The University’s Ballroom Dance Society and other volunteers invited the visually impaired participants and their guests to dance and introduced them to basic Waltz and Cha-Cha moves. The special performance at the event was by the SRSB and the Sheffield Volunteering mascots

The Students’ Union has helped run a series of events to celebrate International Refugees Week. International Students’ Officer Santhana Gopalakrishnan worked in collaboration with Taylor Harris and Omar Said from International Students’ Committee to raise money for ASSIST Sheffield. Events they ran included the Refugees Welcome to Dinner, in partnership with Wellbeing Café, at View Deli (pictured), a panel discussion, and a documentary showing with Film Unit in the Nelson Mandela Auditorium. There was also a collaboration with the STAR group at Yellow Arch Studios. Over £500 was raised during the week.

Photograph by Aritro Dutta

- a pink elephant and a bee, who presented their own unique moves. Jane Peach, Fundraising and Marketing Manager of SRSB, who was in charge of the event organising, said: “Our clients love this event. They enjoy not only the dancing part, but also the chance to socialise with the students as well.” The annual Teadance event has been running for five years now, with volunteers and dance societies from the Students’ Union being involved every year. The Ballroom Dance Society is a regular participant in the celebration.

Our clients love this event. They enjoy dancing and socialising with the students

Amanda Dewitt, MA student in Clinical Research and a member of the society, participating at the Teadance for the first time said: “I love being part of the society. I really enjoy the community events it participates in and I would love to be even more involved in the future.” Mary Marshall, 80, patient of the SRSB, and her partner (in both life and dance) Stewart impressed with their original Waltz choreography. Both of them started dancing more than 65 years ago and they have won several amateur competitions around South Yorkshire together.

Arctic Monkeys have sold out four nights in their hometown of Sheffield after announcing the release of their new album. The High Green rockers, who have shaped the sound of indie music since 2002, will return to the music industry after a brief hiatus with new album Tranquility Base Hotel & Casino in May. Arctic Monkeys announced a UK tour to coincide with the release of their sixth album. They originally announced two dates on Tuesday 18 and Wednesday 19 September at Sheffield’s FlyDSA Arena. These sold out instantaneously, meaning another two dates were added on Friday 21 and Saturday 22 September, which also sold out. The last time Arctic Monkeys played in Sheffield was back in November 2013 with their highly anticipated fifth album AM. Over the past five years, the band have been working on solo projects and other band work. Tranquility Base Hotel & Casino will be released on Friday 11 May.

Think Tramlines is only about the music? That’s Where You’re Wrong Gethin Morgan

Tramlines have announced their first ever comedy line-up, with TV’s Henning Wehn headlining. The inner-city festival reaches its tenth iteration in 2018 and this is the latest addition in a bid to expand the event, having earlier in the year announced a move to the higher capacity Hillsborough Park, before later revealing their biggest musical line-up to date. A range of comedians will be put on the Leadmill Stage and as well as established German comic Wehn, the list includes Edinburgh Comedy Award winner Tom Wrigglesworth and Sheffield’s own singersongwriter John Shuttleworth, a fictional character created by Graham Fellows. There was also an announcement of further musical acts, with Tom Grennan, Tokio Myers and Everly Pregnant Brothers joining the impressive line-up, which already included Stereophonics, Noel Gallagher’s High Flying Birds and Craig David. Tickets for the whole weekend, Friday 20 to Sunday 22 July 2018, currently cost £79 and can be found at tramlines.org.uk.

Forge Press

Thursday 20 April 2018

UCU members vote to end strike action Ben Warner

Two-thirds of University and College Union members have voted to accept the latest Universities UK proposal and end the strikes. The union held 14 days of strike action last semester to protest the changes being proposed to their pensions schemes, but now 64% have voted to end the strike and accept the latest proposal, on a turnout of 63.5%. The new proposals mean that a joint expert panel will be set up to reexamine the USS and the valuation. The UCU and the UUK will propose these ideas to the USS Board and the Pensions Regulator. UCU General Secretary Sally Hunt said: “Members have participated in record numbers in the consultation, with a clear majority voting to

accept the proposals. The union has come a very long way since January when it seemed that the employers’ proposals for a defined contribution

64%

of UCU members voted to end strike action pension were to be imposed. “Now we have agreement to move forward jointly, looking again at the USS valuation alongside a commitment from the employers to a guaranteed, defined benefit scheme. USS, the regulator and government now need to ensure that UCU and UUK have the space to implement the agreement effectively. “We hope this important

agreement will hearten workers across the UK fighting to defend their pension rights and was won through the amazing strike action of UCU members. “UCU has more work to do to ensure that the agreement delivers the security in retirement that university staff deserve. On behalf of all UCU members I want to say thank you to students and other staff for their inspiring support throughout the dispute.” Education Officer Stuart McMillan said: “Whilst it’s disappointing that the UCU leadership put such an unclear deal to members, none of the concessions would have been possible without the power and vibrant campaigns that happened in Sheffield and across the country. “There is power in a union, and that power comes from its members.”

Protesters marched through Sheffield on several occasions

Ewan Somerville

Sexist tweets from Uni sport team condemned (cont.)

Michael Chilton

(cont. from front page) They followed this with:

“PRICE BOOST: Seb Young to shag over 1.5 women’s rugby forwards – 5/1”. While on tour in Porec the team tweeted:

“After lengthy negotiations on the continent it can be confirmed that the SUMFC has agreed a partnership with Manchester Uni. See you later for a night of chaos ladies”. The club recently retook the Varsity Oath, pledging to fair play, pride, respect and sportsmanship. Worries about bad behaviour, in particular towards women, have been pervasive in university sports teams for some time, and for many these incidents suggest that the problems remain. Forge Press contacted SUMFC who responded with an apology, stating: “The club would like to formally apologise for any offence caused by tweets that have been considered sexist, or in any other way discriminatory. “SUMFC do not in any way condone this behaviour and are committed to maintaining our

values of respect for all on and offthe-pitch.” They explained the tweets were written by a non-committee member, who has since had his access to the account revoked and who will be made to attend Inclusions Training. Flo Brookes, Sports Officer at Sheffield SU, condemned the behaviour. She said: “These comments and this behaviour go completely against what the Black and Gold community stands for. Incidents like these do not reflect the wider sporting community and it is such a shame that the careless acts of a few individuals jeopardise the reputation of our clubs. “Speaking as a feminist myself, this behaviour is unacceptable and we do not tolerate acts of misogyny in sport. We can assure you that this has not gone unnoticed and will continue to work hard to achieve equality in sport for all students. “We are working hard with Sport Sheffield to ensure that the individuals will be disciplined appropriately through the Sport Sheffield club code of conduct.” Celeste Jones, Women’s Officer, also commented on the tweets. She said: “They are really disgusting. I think with all the work that especially Flo and the Sports Committee have done, around inclusivity campaigns this year in sport, it’s really disappointing to see that this club hasn’t really taken that on board.” Forge Press contacted all of

the sponsors of the club listed on their website and Twitter account. Hello Student, a private student accommodation company, were the only to respond. They said: “Hello Student do not condone this behaviour and it no way represents our brand and what we stand for. “Our sponsorship with Sport Sheffield covers 17 teams across the University, so we are disappointed to see these tweets. We are reviewing our relationship with Sport Sheffield.” SUMFC have a history of controversial tweets, often disrespecting and objectifying women. Last year they posted:

“Social secs = dumb and dumber secure the vote. Kingy and Butler will be ploughing through cheers social secs for the next year”. and

“Brilliant to see @ PomSabrecats being nominated for club of the year!!! Especially seeing as they are about as relevant to that accolade as an empty crisp packet”. Some of their tweets also suggest that initiations and hazing are taking place, despite being officially

banned by the University. A tweet from last September read:

“Now onto the real fun. These freshie gimps are about to have their world turned upside down, pre initiation social is gunna be stinky”.

These comments and this behaviour go completely against what the Black and Gold community stands for

When asked about this breach of University rules the club declined to comment. However, a representative for Sport Sheffield said: “Sport Sheffield operates a zero tolerance policy towards such behaviour which is made clear to all sports clubs at the beginning of the year. Any breach of this will be investigated via the Club Sport Code of Conduct and appropriate action will be taken”. Sport Sheffield are due to meet with club representatives next week to discuss the incidents. The Sabrecats cheerleading club have been contacted for comment.

Forge Press is investigating misogyny and sexism from University sports clubs. We are looking for personal accounts of misogynistic and sexist behaviour that anyone may have experienced during their time at University from sports teams. If you have had any experiences of this kind of behaviour, you can email editor@ forgetoday.com, where you will remain anonymous.

Thursday 26 March 2018

Features facebook.com/ForgePress

@ForgePress

It’s here, the penultimate issue of the year, and although we’re sad about our time as editors coming to an end, we are also beyond excited to pass on the torch to next year’s brilliant Features team. Before the fateful last issue (out on 11 May) we have some cracking content for

Forge Press

you. First, Kate Marron looks at university drug policy. Then we have a brilliant piece exploring Santhana’s time as International Officer, with her thoughts on how we can improve our University to make it inclusive for all students, no matter where they are from. Happy reading!

press.features@forgetoday.com

Zero tolerance or harm reduction? An insight into university drug policy

What are universities doing to tackle the evergrowing drug problem that is impacting students nationwide? Photography editor Kate Marron looks at what approaches are Drug use and university policy regarding illegal substances is an ongoing issue for students and universities alike. The death of a student due to illegal drug use last summer has led to a surge in media attention on the matter and the University to consider a revision of their current policy. As it stands the university has a zero tolerance policy on illegal drugs. However, the website also draws attention to websites like Talk to Frank which relate more to harm reduction than zero tolerance. The aim of the policy revision is to assess whether the current policy needs adapting and to ensure it is clear and coherent. Across the country, different universities adopt a range of drug policies. With various reports highlighting the key issues connected with student drug use, some universities and students’ unions go beyond creating a standard policy and are working on new methods to either research the most effective ways of dealing with the issue or provide extra support for their students. Research and surveys refer to Leeds as the university with the highest student drug use in the UK, with a survey of over 5,000 students showing an 85% drug use rate. That being said, Leeds University Students Union has a very clear-cut, zero tolerance policy advertised clearly on their website. Leeds Beckett Students Union on the other hand announced a campaign in 2016 to lobby their University to take a more relaxed approach on their zero-tolerance stance. Leeds Trinity University also make specific reference to a ‘duty of care’ which means that they ‘refer students to appropriate agencies’ regarding drug use. King’s College London have already

adopted a harm reduction policy by focusing on confidentiality and assistance provisions through GP and counselling services. In 2014 Kings, in partnership with LSE, released a report regarding the use of drugs as cognitive enhancers otherwise known as smart-

Universities are working on new methods to provide extra support for their students.

drugs. The report stated that smart drug use was not as prevalent in students as previously believed. Alongside their partners in this research, LSE have also adopted a similar drug policy. Although they comment specifically on how it does not condone the possession or use of illegal substances, they do also seem to adopt a harm reduction approach, noting that they will ‘provide information and encourage those with an alcohol or drug problem to seek support and help’. LSE also have an International Drug Policy Unit which conducts research into the effects of certain policies. Although this research is not done for the specific application of university policy, it does give an interesting perspective on the issue. Alexander Soderholm, the Policy Co-ordinator at LSE’s IDPU said that “what the global evidence unequivocally tells us is that harm reduction interventions for drug users do work and have important positive knock-on effects.”

Forge Press

Thursday 26 March 2018

“There are several important lessons and practices that universities should look at adopting, based on evolving national and international research,” he said. “Indeed, providing the safe and trusted environment for individuals with problematic drug use to seek help is of paramount importance in preventing further negative consequences from harmful drug use.” Looking once more at the universities in the north of the country, in 2016 Newcastle University sold drug testing kits as part of their harm reduction policy. They were sold below the RRP at £3 per kit and have been said to be used for MDMA and Ketamine. Since then, universities from the US and Australia have looking into replicating the campaign. Initiatives like the one seen at Newcastle have been spearheaded by the UK branch of the Students for Sensible Drug Policy. The group is part of an international network of students looking reform current drug policies which they believe to be extremely damaging. They run training and educational events throughout the year and are linked with groups in other countries including France, Australia, Nigeria, China and the US. Allan Griffiths, who is part of the UK branch of Students for Sensible Drug Policy, said, “campaign responses from universities varies massively. I praise all Student’s Unions who have taken the initiative to change their zero tolerance stance but I am concerned for some institutions and their students who are not so lucky.” “Lack of information and outreach fails to change students

behaviour and will lead another reported fatality.” SSDP this year restarted as a Union society, in order to push for harm reduction in Sheffield. “Drug use amongst students is the highest on record, and it’s also the most dangerous time to be consuming drugs in decades” Sheffield SSDP Co-Chair, Cam Galloway, explained. “I set up SSDP because I saw a dangerous absence of conversation on harm reduction drug practice on campus, and a total lack of Welfare provisions by the Union. Universities are a place for education and when a large portion of the student population consumes drugs I feel it is the Union’s duty of care to educate and encourage safe practice.” In addition to lobbying the SU for policy change, SSDP hold meetings and debates, and are working on an Ask for Frank campaign, similar to the Ask for Angela scheme currently in place, that would tell students they can approach staff at a venue for help whilst under the influence, and they will be treated with respect and dignity. Other student-led organisations also run campaigns and make statements in regards to university policy, including the National Union of Students (NUS). As part of ‘The Lock’ Campaign the NUS has commented on drug taking whilst at University. Set within a wider campaign to keep students and their belongings safe, the NUS commented on both the safety and ethics involved with drug taking, noting that drugs such as cannabis can often be imported with crime groups who also have connections with human and gun trafficking. As a national body the NUS clearly

state the risks involved with taking drugs and encourages students who take the substances to do so when they are safe and informed. Back in 2013 the NUS adopted an evidence-based drug policy, whereby they lobby the government to adopt similar policies. This would mean a focus on education and rehabilitation as opposed to imprisonment. With all of these positions on drug use from across the UK, it is also important to gain an insight into the internal opinions of the University and SU. The Welfare Committee within the Union are currently working to progress the changes made to the policy. Jake Smith, chair of the Welfare Committee, said his primary concern is that the current policy is extremely unclear. “The University’s stance is zero tolerance, but we’ve heard conflicting messages about the SU’s stance - some say it’s zero tolerance, some say it’s harm reduction,” he said. “However, on the University site both are listed as zero tolerance. We’ve done a lot of looking into this and even we aren’t sure what the deal is! This lack of clarity creates confusion and uncertainty – where exactly do students stand?” “Our worry is that students might be hesitant in approaching University and SU services because the implications aren’t clear. If students aren’t coming forward when they need information, their safety might be at risk. This simply isn’t good enough.” From this, Smith said that although the committee would like to push for a move towards harm reduction, their main priority is that

We believe harm reduction has the best chance of maximising the policy is clearly and explicitly defined. “At the very least, we would like to see far more clarity on the stances of the University and the Union, and what the implications are for students. In a meeting with Kieran Maxwell, we provided feedback on the proposed new Union policy and pushed for exactly that,” he said. “Ideally, we would like to see a much stronger emphasis on harm reduction in the future as we believe this approach has the best chance of maximising student safety. Student wellbeing will always be our priority and we will wholeheartedly back the measures which best achieve this.” However, one of the key difficulties around the policy review is that of licensing. “We appreciate that the issues surrounding licensing are complex, and it would be imprudent of us to make any sweeping statements,” he said. “However, if harm reduction is favoured but also at odds with the licensing stipulations, then every effort should be made to ease this conflict wherever possible.” It is still unclear which route Sheffield Student’s Union will take. In terms of the process of changing the policy, proposals first have to

be passed by the Student’s Union Council and will then go onto be considered by the officers. The drug policy is currently under review by the officers and there are a lot of variables for them to consider before the new policy is presented back to the Student’s Union Council. “In our approach to drugs, Sheffield Students’ Union will continue to fully satisfy our licensing requirements, and also our duty, for the well-being of our members,” Students Union President Kieran Maxwell said. “I am looking to formalise the relationship between our legal and welfare responsibilities which will be brought to Students’ Union Council for approval.”

Thursday 26 April 2018

Forge Press

Taking it International

As she faces the last few weeks of her role, International Students Officer Santhana Gopalakrishnan reflects on her achievements of the past year

first came to Sheffield in April 2012, visiting a friend who was studying here. In those seven days, I fell in love with this city. That’s when I decided that the University of Sheffield was where I want to be. Fast forward six years and I’m the International Students Officer of the best SU in the country - 10 years running. A large part of my role is preserving the #WeAreInternational campaign in the Students’ Union, which was founded in 2012 by Abdi Aziz Suleiman, former President of the SU and Professor Sir Keith Burnett, President and Vice-Chancellor of the University. The campaign was launched due to the growing concern about attitudes towards students as immigrants. By 2018 the campaign has emerged to be the most successful campaign led by the University and Students’ Union, taking on another international dimension, by supporting a sister campaign in the US: #YouAreWelcomeHere. To most people, this campaign may look like it is only about international students and their rights in the UK. But the truth is that this campaign is a mindset. When I first moved to the UK, I did not even imagine that five years down the line, I would have adopted a slight British Yorkshire twang which, coupled with excessive American television show-binging, has given me a mixture of British-Malaysian-American accent. It not only confuses strangers, it confuses my family! It’s not all about the language though - let’s add my ethnicity and nationality into the mix - I am Malaysian, but Indian by ethnicity. The assumptions made about me, and the multiple languages I speak, create a distinctive image in the mind of an observer; usually they recall all the stereotypical knowledge they have heard about a particular aspect of my background and apply it to me. It’s almost always positive (I mean what’s not to love about Malaysians!)

until recently. A server in local chippie exclaimed that “Malaysians are lazy” and continued to boast about how he could “shave his face while standing on one leg while Malaysians are busy eating Western cuisine”. Reena (our current Welfare Officer and close friend) and I waited for her chips dumbfounded. It was a very confusing time for us both, especially as his remark was right after I disclosed my nationality. Here we can see that the issue of stereotyping and labeling succeeds. Let’s also not forget the time when 12 year old kids threw balls of paper at me while shouting “Go back to India!” as I was walking home in Crookes. My point is, why associate ‘international’ with nationalities? Why do we let countries dictate how we are seen in the public eye?

Why does society allow people to be judged negatively based on their skin colour, the languages they speak and where they are born? Are we truly global? My work this year revolved around education, employability, healthy relationships, immigration, and mental and physical health. I successfully lobbied the University to reduce tuition fees for international students who partake in a Year in Industry as part of their course and established t h e International S t u d e n t Support F o r u m together with the University t o

address key issues in the student journey at an institutional level. I helped facilitate a working relationship between Forge Media and the English Language Teaching Centre to promote freedom of speech among international students and successfully lobbied the University to form a Brexit Monitoring and Advisory Group to ensure the University works for the betterment of the EU Community. I also held the most widely attended Refugee Week we have ever seen, involving collaborations with many societies and the University. Celeste, the Women’s Officer, and I launched a ‘Healthy Relationships’ campaign to promote healthy communication in relationships, sexual consent and sexual health, which has now been embedded into the University’s Student Empowerment Project. I worked closely with Reenar to establish the SU’s first permanent Quiet Room, a dedicated quiet space free for all students to use and we worked with Stuart, the Education Officer, to review the support offered to students during the exam season - in particular when it comes to unfair means. Our Students’ Union has never been more international. We are international because we care about global citizenship. We are international because issues we care about are international. Climate change, refugees, migrants, homelessness, welfare, inclusion and discrimination are just a few of the global issues my team and I have strived to tackle. Our Students’ Union is the frontier of various issues facing our students whom we see as global citizens. Each and every one of us have worked really hard towards fulfilling our goal to be an inclusive, global Students’ Union.

Forge Press

Thursday 26 April 2018

Flo Brookes - Sports

Sport is the perfect way to bring people together and celebrate diversity and we are so proud to have a part in World Week 2017. Over 25 sports clubs have engaged with World Week celebrating diversity in their clubs. We have also had people from 21 different countries come and play in Sports Committee and ISC’s joint #WeAreInternational football tournament. We are all Black and Gold, and we are all international!

Celeste Jones - Women’s This year, I ran my 16 Days Against Gendered Violence Campaign in November which focused on the issue of gendered violence around the world. We held a diverse range of events, including the Reclaim the Night March, a discussion on Muslim women and gendered violence, and a film screening of Girl Rising, which shows global perspectives of young girls and the struggles they face, from child marriage to female genital mutilation. There was also an exhibition running throughout the campaign containing art work, stories and poems with a huge international focus. Feminism and liberation is an international issue and something we need to address on a global scale.

Kieran Maxwell - President It’s been a privilege to work so closely with Santhana to hold the University to account, to ensure that the University is prioritising the welfare of its international students and being vocal about international students’ concerns. It’s infuriating to watch the government pay such little regard to the amazing contribution that International Students make to our campus. We must remain vocal in our condemnation of imposing extra NHS charges, the inclusion of them in the net migration figures, the scrapping of the poststudy work visa and everything else the government does to discriminate against international students. The most important thing for me is that we have a politically engaged and campaigning Students’ Union, as that‘s the only way that we can truly fulfill our role in representing students.

What does international mean to you? Megan McGrath - Development

Climate change affects us all, but its predominant impact is on those in the global south, where many of our international students come from. Our changing climate intensifies and makes natural disasters more likely. The refugee crisis in Syria is intrinsically linked to droughts caused by climate change. Hundreds of thousands of people have lost their homes, families and lives as a result of the destruction and exploitation of our planet’s natural resources. I have been lobbying the University to introduce a Sustainability Strategy to utilise the wealth of knowledge we have in the University for the benefit of the planet as well as ensuring our University upholds its civic responsibilities.

Stuart McMillan - Education

Borders and nations, throughout history, have always been used as a tool by governments and bosses to divide ordinary people. For that reason, unity - across borders, nationalities and communities - is what makes us strong. We saw this kind of unity during the UCU strike, which centred around pensions, but came to mean so much more. We held teach outs on liberating the curriculum, neoliberal terminology, Brexit, and more. The strike was about building a sense of community in our University. Going forward, we will be challenging University management on its record, not just on what it says, to demand action on international staff and student rights.

Tom Brindley - Activities I am creating a Pending Coffee scheme in Coffee Revolution. By doing this, all Students, home and international, are able to give back to their community and help those who need it. We are promoting integration and encouraging social engagement with homeless people. It allows vulnerable people to sit in the comfort and safety of the same places we all like and enjoy. Homelessness and mental health issues are inherently linked. They are not gender specific and do not discriminate by age or nationality. As a student body, it is our duty to embed ourselves within the community that we take so much from. We must give back in whatever way we can and to help those most vulnerable.

Reena Staves - Welfare

As a former commuter student, this year I wanted highlight issues surrounding loneliness and isolation. Loneliness is an epidemic that doesn’t discriminate; it can affect any one of us at any point in our lives. For students beginning their higher education journey in a completely new country, the change and sense of isolation is often exacerbated. Through organising events, raising awareness and collaborating with the University, I’ve prioritised embedding a long-term focus on combating loneliness.

COMMUNITY REACTION

join us for a day of solidarity with the homeless community.

Saturday 5th May

Devonshire Green, 3pm Followed by an evening event in Foodhall, 5pm

VE OU

goo.gl/C8iZag D WICH

Thursday 26 April 2018

Opinion facebook.com/forgetoday

press.opinion@forgetoday.com

Well, we finally got here. Our final paper. Ish. There’ll be another issue littering the concourse before we all leave for summer, but in that paper our precious section will be lovingly crafted by four, not two Opinion editors. However, at present we’re unsure whether or not we’ll be able to convince the replacements to fill the section with poor puns, obscure references and wiki facts. So, in order to keep our legacy intact, we shall say our goodbyes now. Except it’s only actually Josie typing this, but whatever. Goodbye Opinion readers. If you bother to read this section every week, I love you, because I don’t think our big scary editor even bothers to do that. Your complaints (and articles, if you so wish) will soon be sent to two fresh-faced Editors, Connie

and Matthew. Be kind to them, for they are young, untarnished, and eager to begin what will be a long and hard year. Don’t let them turn into what we are now - shells of beings, no morals in sight. Regards, JamJo xxx (James and Josie) P.S. I’m sure you’ll all be dying to know why our page design has magically improved this issue. Well, it’s not magic, and no, the new editors didn’t arrive early. I’m procrastinating, like the rest of you. Put Forge down and finish your coursework.

Sign this petition A petition to petition petitions an opinion on why online petitions are useless Olive Enokido-Lineham

’ve done it, you’ve done it, we’ve all done it.Whether you’ve been tempted by the prospect of legalising cannabis for recreational use, or simply wanted to make

To be quite frank our demands are often unrealistic and farfetched hedgehogs a protected species – e-petitions really do cover it all. And all they ask for is your signature. The only catch is – and it’s a big one - you have no idea if they actually work. The e-petition which sought to prevent U.S President Donald Trump from making a state visit to the UK gained almost two million signatures and what was the outcome? Unsuccessful. An e-petition

Whilst

consistently failing

to achieve their

objectives one can question whether

they are just hot air demanding a second EU Referendum gained four million signatures and the result? Unsuccessful. Considering a vote of No Confidence in Jeremy Hunt, Health Secretary, gained 300,000 votes and the result? Unsuccessful. E-petitions rarely achieve their desired outcome, but why? To be quite frank, our demands are often unrealistic and farfetched. In the case of Trump, given our historical ‘special relationship’ with the U.S., the likelihood of banning the

President from making a state visit really was slim to none. I’m not a Trump supporter (I promise), but e-petitions tend to overlook the complexity of the issues that they promote and provide incoherent and oversimplified answers. Now let’s not get too cynical, e-petitions aren’t utterly useless. Contributing to political debates over a range of issues whether that be local or national, e-petitions effectively scrutinise the government and provide a platform to voice public opinion. Given the constant advances in technology they are great way to encourage political engagement and are easy to use. Despite this, they consistently fail to achieve their objectives. One has to question whether they are just hot air.If they are to be successful, changes must be made. Providing a narrower and more focused scope whilst ensuring that the objectives are realistic will increase the probability of success. E-Petitions are not useless by any means but they have a long way to come before they can be really useful.

Forge Press

Thursday 26 April 2018

Celeb deaths, celeb deaths! They’re funny ‘cause... you pretend to know who they are! Next time it could be you Michael Chilton

ou’re going to die one day. Most likely this is a thought that rarely crosses your mind, the same way we can imagine it doesn’t cross the minds of the recent slew of celebrities that have shuffled off this mortal coil. However, had they known the fervor their deaths would create online you wouldn’t be that hard pressed to say they would be turning in their graves. The thousands of tweets, commemorative snapchat filters and social media frenzy that breaks out whenever someone vaguely well known dies is ridiculous and loses all sense of perspective. We don’t have to focus on the wishes of the dead to identify some troubling patterns. The outpouring of almost obligatory social media posts skews our gauge of sincerity to a strange and abstract place where we seem to misunderstand what has happened. Yes, someone has died, but someone you have never known and nine-times-out-of-ten likely has had no profound effect on

your life. You haven’t revolutionised your outlook on life after watching Dale Winton’s Supermarket Sweep, nor found a new inner sense of understanding after listening to

You haven’t revolutionised your outlook on life after watching Dale Winton’s Supermarket Sweep, nor found a new inner sense of understanding after listening to Wake Me

‘Wake Me Up’ by Avicii. This, to me at least, seems odd. There is something so unintelligible about offering some ‘in memoriam’ to an individual that has no bearing on the course of your life. This leads to another consideration when thinking of the dead; even when it comes to those that have had a more noticeable impact upon the world as a whole, are you the best person to comment? As well as wondering whether the sincerity is there, consider whether you have anything important to add. Take Stephen Hawking. How many of us have actually read his works on Hawking Radiation and Black Holes or even his book A Brief History of Time? I haven’t, and if you were to ask me where I really saw Hawking, it was through appearances of him on the news telling us robots were going to rise up and that aliens don’t want to talk to us. I can appreciate his impact on the world of science but will my public comments on his death add anything important to his passing? I am going to go with no. Instead ask peers and students of

Rather than racing to offer your regimented lines of how great a person they are, listen instead to those that new them best, and maybe even learn something in the process his like Tim Pedley or Marika Taylor who knew him well and understood his work. It’s to this end that when we talk about the prospect of Attenborough

finally popping his clogs all I see is a zealous preamble for each of us to top everyone else regarding how sad we are. It has become a surreal farce where people almost seem to eagerly anticipate his death so they can cash in all of their ‘respect’ and ‘RIP’ posts. And again I have to ask, has David Attenborough dramatically changed your life? Or are you still sat there binging on Blue Planet ogling at a slow motion shark? Let people who know the man speak rather than offering your self professed moving eulogy garnered out of a couple of hours of nature documentaries. So, much like opinion articles themselves you have to ask yourself, is what is being said adding anything important? The answer is most likely no. The synthetic sincerity mixed with the unqualified remarks of so many both off and online is unnecessary, obnoxious and even harmful. Rather than racing to offer your regimented lines of how great a person they were, listen instead to those that knew them best, and maybe even learn something in the process.

Thursday 26 April 2018

Forge Press

“I am here for an argument” “Is this a five minute argument, or the full half hour?” The case made for reasonable debate Charlie Heywood-Heath

I recently wrote an article criticising Stormzy’s performance at the Brits. In short, the piece spoke about whether music had become too political, the dangerous comments made by Stormzy and how such comments contributed to today’s “culture of hostility” towards difference of opinions. As you would expect, there were a large corpus of comments on the article.These comments were personal, substandard and narrow-minded. Ironically, they proved my point about a “culture of hostility.” Whilst I was happy to see the piece instigate a debate, it saddened me that such a debate couldn’t be executed in a way which was mature and reflective of our diverse society. The personal comments regarding my surname, assumptions of my political beliefs and the immaturity of various critics was frankly embarrassing. Worse, many didn’t seem to notice that by defending Stormzy’s right to free speech (something which I did not argue against), they were contradictory and doing a disservice to themselves when they then insulted my own right to free speech. I believe this issue isn’t just exclusive

to my Stormzy piece or someone with my views. What it reflected was empirical proof of a society where the freedom to speak is coming at an increasing cost. It further demonstrated that people are treated as vandals for merely being or believing differently. In 2018, we should be proud to live in a society where we can hold different views, have the platform to express those views and challenge those views we disagree with. What we shouldn’t be proud of is a society who struggle to fathom that some may not boast the same opinions as them and decide to use insults (the cheapest form of criticism) to reflect their dismay at such dissenting opinions. John Stuart Mill once said that silencing free speech “robs the human race” and with that I agree. What makes this concerning is that this is not a new issue. You can go as far back as Socrates, if not further, to see free speech being silenced. And yet, over 2,400 years later we are still seriously unable to deal with differing opinions. In a world of social media, when we’re not silencing dissent, we are stifling it through aggression and personal abuse. What makes this a tragedy is that we can already look at our history to see that we are stronger, bolder and braver when we

let’s encourage difference, not shut it down or insult it because it doesn’t sit comfortably with our own worldview

allow people to be different. If we shame and berate people for legitimately and maturely expressing their beliefs, we subject ourselves to the risk of being no better than our blinkered and closeminded ancestors. This may sound dramatic but the risks posed are not unfathomable. An example would be the Jacob Rees-Mogg event at UWE. This highlighted that instead of conversing with Rees-Mogg in a mature fashion, he was instead approached with hostility and shouted down. This demonstrates that these risks can and do materialise into real, physical action. As a society we should be stood united against such events. However, to do this successfully it means embracing those views we disagree with, engaging with those views we disagree with, and encouraging those views we disagree with to still be expressed. That way we can debate and discuss them in a manner which is mature and reflective of the tolerant democracy we are lucky to live in. So, let’s encourage difference, not shut it down or insult it because it doesn’t sit comfortably with our own worldview. The moment we employ mockery, personal insults or immaturity, we have already lowered the tone and potential to have a rewarding and interesting debate.

View the original article Music has become a place to spread political propaganda

Stormzy

Kim Erlandsen

Forge Press

Thursday 26 April 2018

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EGM FRIDAY 27TH APRIL 6PM View Room 5 SU

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Thursday 26th April 2018

Lifestyle facebook.com/ForgePress

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Harry Gold and Ellie Conlon

Forge Press

Lifestyle Editors

Hi guys, we hope you’ve all had a fun week of sunbathing, drinking at 2 in the afternoon and avoiding doing your dissertation. This week, (just in case you’re bored of revision and want reminding why you decided to come to University here), we have 8 reasons why Sheffield is the best City in the North. Next up, lifestyle spoke to some of Sheffield’s sober students to get some insight into what it is like being a student who has made the bold

decision to abstain from drink and drugs. Let’s be honest, another 10 minutes of procrastnation isn’t going to hurt, and what better way to spend it than reading this week’s lifestyle pages? Go on, you know you want to ... Love, Harry and Ellie

10 Reasons Why Sheffield is the Best City in the North Ellie Conlon

If exam stress is getting you down and you need reminding why you chose to come to university in Sheffield, here’s a few reasons why. The Paternoster Lift This lift has no doors, never stops moving and can be found inside the North’s very own Eiffel Tower: the Arts Tower (Only it’s free and not many people who work there speak French). This is the biggest paternoster lift in the world. If you finish your degree and you haven’t at least attempted to set foot in this lift, has your 27 grand really been well spent? Legend has it, nobody has ever managed to get all the way to the top and come back down again. Corp The cultural hub of the city: Corporation. Where else can you drink your body weight in sugar for under £2.50, throw up for three hours and watch last night’s antics back on Corp TV the next morning? Not in Leeds you can’t. Anywhere else in the North, if you see someone at 11AM on a Thursday morning in a shirt and tie you wouldn’t even bat an eyelid. It’s probably just someone walking to a job interview, a business meeting or someone on their lunch break at work. But no, not in Sheffield. With a questionable blue stain on one arm, brown converse that were obviously once white and a visible hangover, you know where they’ve been. You’ll give them a nod of approval, let them know you know; they evidently didn’t go home last night.

The hills Not being able to walk anywhere without having to hike three miles up a gigantic hill is one of the reasons we love Sheffield. Walking up Conduit on the way back from uni is always a pleasure. Don’t even get us started on Shore Lane. It’s more or less impossible to turn up to a lecture without sweating out of places you didn’t even know existed. Who needs to pay 300 quid for a gym membership when you live at the top of Crookesmoor? Western Bank Is this the edgiest place in the North? Western Bank has an aesthetic that seems to rub off on the people inside it. You can’t walk into Western Bank without bumping into someone like John. John is that guy from your course who doesn’t wash his hair, watches French films for fun and got all his clothes from various edgy thrift shops he’s stumbled across whilst travelling Eastern Europe in his gap yah. He’ll be sat in the same place he has done since September, is probably reading another obscure philosophical paper and listening to Lou Reed’s Metal Machine Music. He even sometimes dares to eat crisps in silent study because he’s that cool. It’s not like the IC. You don’t even have to scan your UCard to get out of the building. No faffing about in the bottom of their bag for five minutes to find it before you can leave. Straight out, no messing. You can have a nice stress free revision session without the fear of losing your UCard and being trapped in there forever. There’s no place quite like it.

Forge Press

Thursday 26th April 2018

Henderson’s Relish “Easily the best non-alcoholic liquid on the face of the earth” K. T. Tunstall knew what she was talking about. Superior to vinegar, mayonnaise, and maybe even oxygen, Sheffield loves this stuff. Get your friends from home to try it. Give some to your dog. Get some for your Nan for Christmas. Actually, definitely don’t give some to your dog.

Where else can you drink your body weight in sugar for under £2.50, throw up for three hours and watch yourself back on Corp TV again the next morning? Not in Leeds you can’t.

The weather Although the weather isn’t something to go screaming to your mates about, it actually rains less in Sheffield than it does in Manchester or Leeds. Sheffield only rains on us 131 days of the year, so you lot from down South complaining that you’ve had to invest in an umbrella, six raincoats and a bus pass: we actually have it lucky. If you want to go North, Sheffield’s the best place to be if you want to stay dry. Just leave your suede shoes at home. Football The city has a long sporting heritage and is home to both the oldest football club in the world (Sheffield FC, founded in 1857) and the oldest football ground in the world (Sandygate, home of Hallam FC). What’s more exciting than the Steel City derby, Sheffield Wednesday vs Sheffield United? It’s widely considered as one of the most hotly contested derby matches in English football. Music Of course, last but definitely not least, Sheffield’s music scene. Recently announced as one of the leading music cities in the UK, Sheffield is a great place for both established bands and up and coming acts. Already the city has the likes of Joe Cocker, Def Leppard, The Human League, Pulp and Bring Me The Horizon as its music alumni. Oh, and of course the Arctic Monkeys.

Thursday 26th April 2018

Forge Press

Sheffield’s Sober Students For most students, drinking alcohol and taking drugs is an obligatory staple of the university lifestyle. So much so, in fact, that it’s impossible for many of us to consider a life without intoxication. That’s why Lifestyle decided to gather together the words and opinions of a group of students who have made the bold choice to abstain from drink and drugs.

Brogan Maguire

Drinking is something that is so commonly associated with student life, but also something that hasn’t really featured in my university experience. Just a few weeks after turning 18, I decided to stop drinking in order to improve both my physical and mental health. I was suffering from really bad anxiety and acid reflux, and alcohol didn’t help with either so I cut it out altogether. I constantly get strange looks and lots of questions from people who can’t believe that a 20 year old doesn’t like going out and getting drunk, but I’m so comfortable in my decision now that it no longer bothers me. I know that I can still have fun without drinking, and I know that going out clubbing makes me anxious so I don’t see the point in putting myself through it just to please other people. Sometimes I feel left out when my friends go on nights out and I hear about it all the next day, but it is so worth it to wake up with a clear head and a healthy mind. I’m a much healthier person for not drinking, and it means that I have more money to spend on the things I enjoy, like clothes and day trips, which is a bonus.

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Thursday 26th April 2018

Oliver Newall

There are a number of reasons why I don’t drink. First off, I like knowing what I’m doing and how I’m behaving in front of others. I’m not a big fan of the taste of most alcoholic drinks and would rather spend money on things that I actually like the taste of. Another big contributor is alcoholism within my family. My dad is an alcoholic, but hasn’t drunk for 21 years now after joining AA and confronting his problems. I also have other family members that have battled with alcoholism and feel that in some ways, I may end up having similar experiences if I choose to drink. It’s an interesting experience, not drinking at university. However, it’s one that has been a lot easier than I anticipated. Once you’re past the ‘you don’t drink? Why not?’ stage and you’ve told people your reasons generally people are really understanding and it doesn’t come up again. I’m part of the Darts Society – probably the drunkest mass of people you’d come across in Pop Tarts! But they totally understand. There have only been a couple of occasions in my two years at university so far where I’ve felt uncomfortable when explaining my reasons. There’s so much money to be saved as well – spending 20p on a lime and soda makes a massive difference to the three to four

pounds you might spend on a pint. Once you have accepted the sweat, heat and smell within clubs you can actually have a really good night! You remember everything, all the crazy things that your mates get up to (which are really interesting stories to tell when you need one). You can relax, it seems strange but ‘getting drunk off the vibe’ is something I can actually relate to. The more your mates drink the more relaxed you get. You also avoid a hangover, meaning you can be out until 3am and feel up and raring to go for your 9am the same morning. But there are admittedly some negatives. Obviously you have to keep yourself entertained. Once it gets past 1:30am and generally everyone is semi-unconscious it becomes difficult to enjoy yourself, but still I can have a really good night so long as I have the odd Red Bull to keep me going. You do also become the ‘responsible friend’, which can be irritating at times but in some ways isn’t a bad thing as you know everyone is getting home ok, and I do feel I’m appreciated by everyone for looking after them. All in all being teetotal at uni hasn’t actually had that big of an effect on my overall experience and I’d encourage more and more people to try it for a night or two, as it makes you look at things differently.

Paris Cross

The reasons I don’t drink aren’t particularly exciting. I just never really found a drink that I liked the taste of, and upon discovering that I still enjoyed nights out without being drunk I decided to just go with it, saving myself a few quid. I suppose, too, that the prospect of being drunk makes me feel quite nervous as I like to be in control of myself and aware of my surroundings, so sobriety feels safer in that respect. As I’ve never relied upon alcohol to have a good night, my experiences probably aren’t so different. I’m certainly more aware of the stickiness of the floor or how questionable a song choice is, but when everyone else is having a good time it becomes easy to lose your inhibitions and have a good time too. The thing I find most interesting

about being a sober student is people’s reactions to it. Coming to university, I had originally feared that people would be unpleasant about it and cease to invite me to social events. It turns out no-one could care less as long as you don’t stop them from doing their thing. What’s funny is how tentatively people will ask why you don’t drink. I think people are worried they’ll sound condescending, or that they’re potentially barging in on some dramatic backstory. Sometimes I’ll be asked if I feel I’m missing out on anything to which I would say no as I still enjoy nights out and have a far less affected bank account the morning after. All I really feel I miss are hangovers and as you can imagine, that’s absolutely fine by me.

Thursday 26 April 2018

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Chloe Dervey & Tom Buckland

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"Video games are all about taking people to a world they can't go to in real life" These are the words of Tim Schafer, previous LucasArts developer and founder of Double Fine Productions. Despite almost losing our minds whilst this gaming legend played Disco Elysium in the chair next to us at EGX Rezzed 2018, we somehow managed to keep it relatively cool and crack on with playing as many indie demos we could get our hands on! This issue is one big indie spotlight on

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Games Editors all of our favourite demos from EGX that we can't wait to see more from. Jumping back to triple A gaming over the page, you'll find a Ni No Kuni II review and also a Far Cry 5 review, from incoming Games Editor, Luke. Enjoy! Games love Chlom x

ne of the two Detective-emups that showed great promise was in the form of an isometric RPG. This is a genre that doesn’t typically appeal to a mainstream audience, but Disco Elysium utilises the format in the best way possible. The game is being developed by ZA/ UM, a company founded in 2015 and based in London with a headquarters in Estonia. Our demo begins by picking one of four preset characters, but even here the game immediately tests boundaries. The player governs a conversation with an individual known as Ancient Reptilian Brain, who speaks in a tone reminiscent of 80s metal rockers. It’s enjoyable to listen to and it was surprising to hear from developers that this was the actor’s debut. It is revealed that this colourful character is actually within our characters’ mind: the primal, most basic part of the brain. It slowly unfolds that every part of the character’s skillset, thought process and memories interact with the player directly and actually speak to them. It’s a difficult concept to grasp, especially through writing, but it’s unique and works surprisingly well. The Perception skill, for example, provides you with an alternate choice of dialogue, rather than a logical choice. It doesn’t make sense, but that’s part of the charm. As in real life, your brain’s processes aren’t always correct and they tempt the player to dabble on the side of insanity. Upon meeting characters you can blurt out politically incorrect statements because of observations made by your Perception. The game nudges you into a mindset that your character is unstable without forcing you to do anything, using humour and charming nonsense to draw you into its absurd world. Instability aside, the game still operates as an RPG, so there are skill checks. For example, in our

playthrough, our troubled detective was so hungover that when he encountered a hanging corpse, he threw up last night’s food and couldn’t go near the corpse without feeling he would do it again. Thus there was the additional task of curing his nausea. However, if the player had initially decided their detective was more hardy and vigilant, they wouldn’t have gone down that path. The success and failure of the skill check both equally immerse the player in the game and bring a personal experience of the detective that only that player is going to have. So far, the story deftly mixes mystery and instability. The demo is a fantastically wild and enjoyable experience throughout. Although the games’ complicated concept may not make sense, Forge Games strongly recommends you check it out for yourself when it’s released.

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Thursday 26 April 2018

his year, EGX Rezzed was fascinated with mysteries and being a cool detective and The Sinking City was no exception. This new IP from Frogwares caught Forge’s interest with its Lovecraftian setting. The game is set, suitably, in a city that is mostly submerged in water. Travelling between districts on a small motorboat, you see a sombre and bleak environment. It encompasses everything gothic, but it also shares a reassuring familiarity with visuals that games like Fallout typically adopt. The roughly 30-minute demo opens with the protagonist terrorised by tentacled monsters beneath the water. The nightmarish sequence comes to an end and our troubled investigator is met by a sadlooking woman who asks the player to find her husband. A moral choice whether to take her engagement ring as payment or do the job for free didn’t have much effect in the demo, although obviously consequences may come later. The game captures a perfect Lovecraftian dystopia with a nice noir detective touch. There were brief moments of ‘insanity’, where the character encounters alienlike entities he has to fight, and in those moments the game feels very

hotographs tells a story through (unsurprisingly) photographs, accompanied by simple, understandable puzzles that slowly increase in difficulty as the story progresses. It’s a quirky game that channels simplicity through its gameplay and artistic style. Despite this, it doesn’t take long to discover a heavier tone that lies within the simplistic guise. The game is interesting because of this deceit. ‘The Alchemist’ is one of three stories available in the demo shown at Rezzed. This chapter introduces a sweet story about a father and daughter whose home and alchemy business grows over time, bringing them happiness. However, the sincere voice acting, music, and warm graphic design give a false security of

reminiscent to horror titles such as the original Resident Evil games. You are a detective first and a fighter second. The most noticeable part of the game is how little guidance it gives you. It originally comes across as a lack of attention by the developers, but upon conversation with them it was made clear that that was the point. They don’t want to hold your hand, a daunting change for gamers. What was originally identified as poor game design was in fact a conscious decision to let the player do the work. The player is given several pieces of evidence to flip through and several locations on the map, but you’re not told where to go and what evidence will help. You have a picture of an occult symbol: where would you go to study this symbol further? Perhaps a library? It’s up to the player to figure out their next course of action. Still though, there were times that the game really was too ambiguous and the developers had to tell us what to do, due to the amount of mindless running around. Whether these more frustrating sections are cleaned up or not in the full release, spending some time in the charming-but-miserable city of Oakmont, Massachusetts is definitely an experience we’ll be anticipating with eager eyes.

home and endearment, and left us completely unprepared for the dark turn in its story. Unafraid to explore sadness and themes of mistake and regret, the game boldly shifted toward darker themes while maintaining its gentle visuals, a fascinating juxtaposition. The merging of simple gameplay and art style against a paradoxically sophisticated and mature plot works wonderfully. Photographs is another wave in the growing tide of games that go further than just entertainment. The game is coming to mobile devices and its gameplay is perfect for the platform. It is accessible, charming, simple, and dark, making for an altogether bittersweet and captivating experience.

inding the Orange Island demo at EGX Rezzed was like unearthing an ancient gaming relic. The game is an independently developed 8-bit adventure with five playable characters, each with their own unique stats and special abilities to assist in exploration of their 2D world. The demo showcased a new retro world that we at Forge Games can’t wait to see more of. After wandering through the perilous dungeons below and stumbling back to the safe haven of our house, we couldn’t help but get the feeling that behind the cute graphic style and pleasant pastel colours, there was an impressive amount of depth to Orange Island. The game is still in very early development stages but its strong retro style has already taken center stage. Sole developer Ted plans to use classic visuals against a modern twist, telling Forge Games he sees the whole game as a balancing act. “I want to inject modern themes into the story without breaking the illusion that you’re playing a long-lost NES game from the early 90s”, he says. “So, as you’re playing you might recognise allusions to current events and issues but I want to retain a level of subtlety, nothing too selfreferential or witty.” With big plans to expand the breezy overworld and the caves below, Orange Island is definitely a game to keep tabs on. We can’t wait to see the result of this modern-retro dichotomy.

DID YOU KNOW The pixel art in

Photographs was done by Octavi Navarro, who also worked on Forge Games’ favourite,

Thimbleweed Park.

Thursday 26 April 2018

Far Cry 5 REVIEW Luke Baldwin

ix years ago, Far Cry 3 was released to huge critical and commercial acclaim. It injected new life into the franchise and created a signature tone and gameplay for the series, something that Ubisoft Montreal has since followed to the letter. Far Cry 4, while objectively very good, didn’t offer enough originality compared to its predecessor, while Far Cry: Primal felt like a reskin, resulting in a bland experience. For many it seemed that Ubisoft had killed the goose that laid the golden egg, running an original concept firmly into the ground. The same has been said about Assassin’s Creed, a series that had a long-overdue shake up last year with Origins. The game boldly reinvented the stale AC format while capturing what made the franchise so successful, but can the same be done for Far Cry? Gone are the tropical islands, Himalayan mountains and other exotic locales which the series is renowned for. Instead the game takes place in fictional Hope County in rural Montana, where a fanatically religious doomsday cult known as the Project at Eden’s Gate are causing trouble. The player, a local Deputy Sheriff, is

sent in as part of a task force to apprehend the cult’s omniscient leader, Joseph Seed. Hope County is gorgeous and surprisingly varied. From winding rivers and spacious wheat fields to vast mountain ranges and dense woodland, the world is impeccably detailed. Despite the familiarity to Southern USA, the game retains the exoticism it is known for. There’s something alien about seeing the juxtaposition of ordinary establishments such as petrol stations and bars among the over the top chaos and mayhem, but it’s a feeling that perfectly encapsulates Far Cry’s spirit. Ubisoft have previously spoken about how their approach to exploration in Far Cry 5 has been heavily inspired by the more natural progression seen in Breath of the Wild. Instead of repeatedly climbing up towers to reveal the map, locations such as enemy outposts and hunting spots are discovered by talking to people or reading magazines and road signs found throughout the world, making player interaction and exploration much like reality. The game does not include a mini-map, forcing the player to navigate using their environment. This is expertly complimented by the ability to mark locations using binoculars, similar to how Shrines could be marked in BotW. It’s a huge improvement and one which makes exploration far more

enjoyable and rewarding. Hope County is divided into three regions, each run by one of Joseph’s siblings. Completing activities in each of these regions builds a resistance meter which, once filled, will allow the player to take on story missions. The game does little by way of hand holding, plonking the player smack bang in the middle of the map and allowing them to go in any direction and

take on activities in any order they please. Sadly, Ubisoft haven’t completely reinvented the wheel and a couple aspects of the game remain somewhat formulaic. Once the map has been revealed, the activities available therein are enjoyable but limited and eventually become downright repetitive. Outposts are the

same as they’ve always been. Hunting has had a slight revamp, meaning it is less important than in previous games and is no longer needed for crafting purposes, instead serving as just another way to make money. The addition of a fishing mini game is fun but has little longevity. The inclusion of dynamic side missions to accompany the story, on the other hand, offer a welcome change of pace. These vary from big action set pieces to downright bizarre scenarios, all of which are reinforced by Far Cry’s typically sharp-yet-silly humour and solid shooter mechanics. In terms of gameplay, Far Cry 5 doesn’t do much to challenge the norm, offering the usual plethora of gameplay styles from stealthy bows and sniping, to all out guns blazing and explosives. The inclusion of planes and helicopters are a nice addition to the player’s already expansive arsenal. It’s all very good, but nothing revolutionary. The biggest change comes in the form of the Guns and Fangs for Hire, sidekicks which will accompany the player once a mission has been completed for them. Using these sidekicks is fun and offers yet another approach gameplay wise, but there’s nothing here that hasn’t been done before. There’s the usual abundance of quirky weirdos and reprobates in the game’s roster of characters, but the main attraction of any Far Cry game has to be the antagonists. Whether it be the psychotic Vaas

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or the charismatic Pagan Min, the franchise has a history of doling out the A-class baddies. Sadly, Joseph Seed doesn’t live up to the billing, but fortunately his siblings do. Each one represents an aspect of their brother’s personality, conveyed through some stellar performances reinforced by gameplay variations unique to each region. Without going into too much detail, the combination of the four creates interesting concepts which perfectly reflect the game’s themes. Speaking thematically, the game has come under significant criticism regarding very clear parallels to and satirisation of current American culture and politics, which some argue do not properly tackle the severity of the issues. However, this doesn’t necessarily mean the game’s plot is bad, it’s just a pulpy, tongue-incheek look at American culture. This is true to the tone of the franchise; criticising the game for not trying to look at these issues in a more serious manner is unjust. Far Cry 5 doesn’t rewrite the formula of the franchise, instead offering a refined and perfected version of the old format. There are some changes, most notably in the approach to open world gameplay which indicates a huge step in the right direction. There are improvements and changes for the better, however, these changes lack the ambition and scale to truly make Far Cry great again.

Ni No Kuni II: Revenant Kingdom REVIEW Chloe Dervey

i No Kuni II: Revenant Kingdom introduces young hero Evan, the newfound rightful king of Ding Dong Dell after his father is killed in a mutiny. With the help of adviser Roland, a cast of colourful companions and the fairy-like Higgledys, Evan builds a brand new kingdom, Evermore, and sets out with the hope of securing peace treaties throughout the continent to bring

an end to war. This is a game that does almost everything a great sequel should. The years have clearly changed this beautiful world, but the flawlessly charming style of its predecessor is not lost in the past. It’s still full of the quirky, cute and curious, and has mostly evolved for the better. The shift toward real time combat is one of the biggest changes the sequel has brought, coming as a relief to many players who struggled in the first game. Unfortunately, to the game’s

detriment, this has significantly reduced the difficulty of the combat. Higher difficulty has to be sought in places outside the main quest, but defeating bosses in the story doesn’t create as much of a feeling of accomplishment. Making up for this, the combat is undoubtedly more enjoyable and tactical; the different party members’ fighting styles are now more elaborate and stylised. It’s a massive improvement from attempting to play as Esther or Swaine in the first game, characters who never felt balanced or fun to use. Switching between the hand-to-hand combat, long range weapons and spell casting abilities of the characters adds new layers of strategy and the addition of adorable supporting Higgledys works well. Watching Tani cartwheel around the battlefield firing her arrows away, you’ll soon realise the previous battle system is scarcely missed.

The new kingdom building aspect of growing Evermore is implemented both as a story quest and a result from completing side quests. Completing tasks for the citizens and recruiting them to Evermore is a fun way to get to know the game, adding a level of attachment to the kingdom by getting to know the the to-be inhabitants. Although the amount of dialogue can be extensive, each side quest tells its own little story if you have the time to be whisked away into the game’s fantasy. In order to protect Evermore and his new allies in the continent, Evan is required to muster his forces in a new mini-game component of Skirmishes. This type of gameplay will definitely not be every player’s cup of Sage’s Secret, but fortunately these are not required for the story to progress. Ni No Kuni II is a good RPG but its biggest weakness is that it will always be compared to the first

game. Its biggest strengths are the ways in which it keeps all of the right components from the first and introduces some of its own welcome additions, with only a few imperfect implementations. Fans will be pleased that the magical core of Ni No Kuni most certainly remains, as they adventure alongside Evan to that triumphant title track.

Ni No Kuni II does almost everything a great sequel should

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Thursday 26 April 2018

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Laura Mulvey

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Hello arts fans, and welcome to another issue! We haven’t been swept up in the Varsity hype as we’ve been too busy covering all the great arts events in Sheffield this month! On this page, our very own Lifestyle Editor Ellie Conlon has found out all the details and dramas that make up the day in the life of a ballet dancer. Check out her interview with Northern Ballet performer Rachel Gillespie below.

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Arts Editor

Our contributors have been enjoying some comedy this week - Kieran Jenkins gives us his take on the multiaward winning production ART at the Lyceum, while Joe Reed explores the debut book from James Acaster, star of Mock the Week and Would I Lie To You? Turn over the page for our lowdown on the Festival of Debate, Sheffield’s celebration of free speech and opinion. Arts Editor Sophie Maxwell caught up with one of the co-ordinators to find out what it’s all

A Day in the Life of a Ballet Dancer Ellie Conlon

ur Lifestyle Editor speaks to Northern Ballet star Rachel Gillespie about becoming Jane Eyre.

First of all, tell me about your daily routine. We usually start the day at 9:45 am when we have an activation class. This is basically a warm up, but it’s more specified for dancers. Then we go into company training which starts at 10am. That’s like a ballet class but aimed to strengthen what you need for rehearsals or the show. It’s like brushing your

teeth; you have to do it every day. After training we go straight into rehearsals. We then have a 15 minute break so the dancers can replenish, have a snack and go to the loo (all the mundane things), and then we go back into the studio until 2.30pm. After this we have an hour for lunch and then get back into rehearsals at 3.30pm. This week we’ve just had Jane Eyre rehearsals again, so it’s more customised to what we needed from the last rehearsal or what we need for the next run of shows. That’ll run until 6.30pm. It’s a pretty gruelling rehearsal schedule if it’s a full day, so you’ve got to rest well afterwards.

time you need to rest. Netflix, resting, nice food.

We only really get one day off a week. If it’s the rehearsal period, we get Sunday off. If we’re touring (because we perform on Saturday night) we have Sunday to travel and Monday as our rest day or visa versa. It is quite hard to fit in anything extra during the week. Personally, I really like to relax, I like to go to yoga. It’s really beneficial for ballet dancers because it helps to lengthen muscles and you’re using your brain and your body in a different way and you meet different people. Most of the time when you get free

What’s the most embarrassing thing that’s happened on stage?

Oh my, I can tell you that one easily! My entire costume came undone on stage. It was in Dangerous Liaisons and I was wearing a corset which was done from behind really tightly. I was dancing with a guy who had a lot of buttons on the front of his costume and the loop of my bow got caught on his button, which then (when he moved away) pulled it. Gradually it just came undone until the whole costume including my skirt came off. Yeah,

it was not a great moment for me, but I remember it fondly. There’s nothing you can do other than just keep it cool, but you just feel mortified like ‘There’s hundreds of people than can see my underwear right now’. I remember turning to my friend who was sat at the back of the stage and I just looked at her and she was just like ‘I can’t look at you in the face right now’. You just have to carry on and pretend it’s meant to be part of the action. And the audience love it, they love a bit of live drama. Everyone has at least a couple of funny stories behind them. It’s often thought that ballet dancers live very strict lives, have very disciplined diets and need their beauty sleep. To what extent is that true, do you ever pop to the pub or go out clubbing? I won’t really drink too much alcohol if I have a show the next day but at the weekend, I think you’ve got to go and enjoy yourself. You need to go and enjoy normal things. I love to go and see my family or my friends. I love Yorkshire’s pubs and we’re so lucky with beautiful restaurants. You need to go out and see movies or other theatre productions, or go shopping.

Classic Scrapes

at the Lyceum Theatre

s I enter the beautiful Lyceum Theatre I share that familiar excitement for what an eager audience are about to witness. That said, I find a slight apprehension in the back of my mind difficult to ignore. Could ART just be one step too far from the sort of theatre I can comfortably comprehend? After all, art can be so wildly abstract and multiinterpretable. 90 minutes later and I can confirm ART is a quite perspicuous piece of theatre and possibly one of the most hilarious comedies you will ever see. Nigel Havers (Downton Abbey, Benidorm) plays Serge, a wealthy man who has invested £200,000 in exchange for a piece of ‘modern art’ – a white paint on white canvas type. The play draws on a series of interactions between Serge and his two long-time friends, Marc and Yvan, played by Dennis Lawson (Bleak House, New Tricks) and Stephen Tompkinson (DCI Banks, Trollied). Together, they test the boundaries of their friendship as each one takes it in turn to disparage and defend such simplistic art. The set for this play is impressively

Photo by Emma Kauldhar

Do you do anything outside your rehearsals or your training?

ART

Kieran Jenkins

about. Meanwhile, Yohan Kim lets us in on the sold-out talk by renowned politician and economist Yanis Varoufakis, while Sophie and I review Two Little Ducks, a talk by poet and activist Matt Abbott. Check out our picks for the rest of the festival, too; there are plenty of events and discussions to suit all interests.

by James Acaster

modest: nothing but three elegant chairs and a coffee table accompany the artwork. Instead, the play relies on outstanding lighting design to drive the plot forward, whilst making clever distinctions between characters conversing as normal, and then entering monologues which reveal more about their inner-consciousness. The lighting has also been designed in tandem with the meticulous repositioning of the canvas in each scene, which genuinely changes the look of

Photo by Matt Crockett

the artwork, thus encouraging audiences to see beyond the white. A big ask, I know! A small number of instrumental bursts with very Left Bank Two vibes transport the audience into Serge’s pretentiously ‘artsy’ lifestyle, as well as generally setting the tone of the play. Amidst more conspicuous themes of friendship and culture, ART poses an evocative question about perspective, and the way in which we could refresh our outlook if we collaborated our opinions better.

Joe Reed

hen I was a baby, I urinated into my own mouth” is the opening line to comedian James Acaster’s book, appropriately named: James Acaster’s Classic Scrapes. From this line onwards, the book rarely strays back into any realm of normality. Acaster uses this book to document the multitude of bizarre, hilarious (and usually self-inflicted) situations that he has gotten himself into. Hilarious from start to finish, you would be forgiven for thinking that the stories you are reading have been lifted straight from the desk of a sitcom writer with too much time on their hands. From nearly getting beaten up for laughing at a gang of youths on a London bus, to causing a series of car crashes, it seems near impossible that so many story-worthy incidents could befall a single person. Yet Acaster insists that all these mishaps are indeed situations that he has encountered within his lifetime. Comedy is an art form that is difficult to translate using the written word. It becomes even more difficult when you have to

strictly stick to the truth. Acaster masterfully weaves his way around both these obstacles to create a witty mini-biography that at times is guaranteed to make you audibly laugh out loud (often to the bemusement of those around you). Stylistically this book is beautiful:

You can pick it up

if you have just five minutes.

the series of short unconnected stories means that you can pick it up if you just have five minutes to spare or want to kill a whole day reading. Each tale is independent and even if read completely out of order very little of the humour would be lost on the reader. Those familiar with Acaster’s stand-up work will already know just how effortlessly funny he can be, and for those who have not come across him before this is a great way to get to know his work. Hilarious, flowing and with a refreshingly distinct style, James Acaster’s Classic Scrapes rarely puts a literary foot wrong and is perfect for anyone looking for a bit of light entertainment, but is sick of Saturday night TV.

Thursday 26 April 2018

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For the fourth year running, the Festival of Debate is sparking conservation about all strands of life within our very own city’s streets until 29 June.

Interview: Joe Kriss, FoD Coordinator

rts Editor Sophie Maxwell caught up with Joe Kriss, an organiser of the Festival of Debate, to delve deeper into the upcoming festival and all things debatable. Here’s what he had to say: What led to the founding of the festival in 2015? It was ahead of the General Election really. The idea was to encourage debate and dialogue around the key political, social and economic issues of the day. I think a lot of people share a similar feeling when they look at political discourse, in the sense that they feel it is too partisan in our first past the post party system where people are very loudly disagreeing with each other, as opposed to debating key issues and taking the best new ideas forward. We wanted to have a festival that approached things in a different way. The best way we felt we could do that in Sheffield was to create a platform for these issues to be talked about through the festival. It’s not necessarily that we endorse all of the speakers at the festival but we want to get people engaged in discussion. What makes 2018 the best year yet for the festival? The festival has almost doubled in size every year since we’ve run it. A lot of the events this year have higher capacity and we have a lot more high profile speakers involved. I think the biggest growth of the festival has been the increase in household names. It helps lift the whole profile for the festival. The other thing we’ve done is organise the festival into five

strands: culture, self & identity, democracy & activism, fairness & equality, futures and science & environment. It’s a way of allowing people to find more easily subjects they are interested in. Every year we are tweaking the festival to try and make it slightly better and bigger. Broadly, this year’s festival will reach more people. What do you think are the most prominent debates rife both in Sheffield and around the world currently? Of course within Sheffield at the moment it is the debate around trees. I think it’s a symptom partly of austerity and partly of the outsourcing of public services to private companies. It is similar to the debates people used to have between the state and the church now between the state and massive private companies that just exist to hoover up these massive government contracts. It throws up a range of issues

Personally, I believe to encounter an opposing point of view is a good thing.

surrounding who is accountable for the delivery of these services, which often comes down to the democratic deficit. Power tends to hide itself. Where is the leverage point for the community groups who live in these areas to impact power? Where power lies and how people can impact it is a really interesting issue, and the trees are the perfect example of how it exists in Sheffield. More broadly, automation of jobs and services is also a prominent area. There are so many industries & jobs that could be replaced by automation. The repercussions of that on our education system and our economy are massive, and we have a narrow window of time to adapt and change before essentially the shit hits the fan. We need to move those conversations forward, quicker. There are so many debates about race and gender and all of the things that make up our identity which has always been an evolving strand of our society that is progressing. We’re realising that there is a lot of work still to be done. It is a conversation happening all across the world, in regards to the #MeToo movement for example. Discussion aids progress. In October, the university saw protests over comments Jenni Murray made about transgender women amid her performance at the university for Off the Shelf festival. Where do you stand on the free speech/no-platforming debate? We stand completely on free speech and we don’t believe in no-platforming anyone. Personally, I believe to encounter an opposing point of view is a

good thing. Debate and dialogue and discussion is important. Nobody changed anyone’s mind by preaching to the converted or shouting at them loudly or not listening to their opinion. There has to be dialogue. We strongly believe in free speech.” In terms of this year’s line-up, which act are you most looking forward to? I’m really excited for the closing party (100 Years of Women’s Suffrage featuring Helen Pankhurst and Hollie McNish) partly because it will be the 80th and last event of the festival! Yanis Varoufakis will be great as well. He is an interesting speaker that used to be an obscure but very well respected economist who has turned into a bit of a rockstar politician. Reni Eddo-Lodge. Her book and her work is so timely and important - it’s great to have a place for her at the festival. Francesca Martinez is another good one, she combines comedy with activism in a really engaging manner. There are a lot of high profile speakers at the festival this year. Are there any understated events you think deserve particular attention? I think a really interesting event is Drugs, Harm Reduction & The Law looking at the discussions around the best way to reduce the harm related to drugs and whether drugs need to be legalised or at least decriminalised. I think a lot of people’s immediate reaction would be that any decriminalisation will lead to the increase in drug usage, but actually studies show the best

policies forward are looking at solutions around decriminalising it. Really, it should be a health issue rather than a criminal justice issue. Do you know of any solutions that have come about from the festival and discussions from previous years? We’ve had a few working groups. For example, in previous years the festival has had a few events on universal basic income, which is perhaps a solution to some of the problems that will rise from automation. A group has emerged from these events called UBILab that is looking at the viability and possibility of apply for funding and advocating for Sheffield to be a pilot project for universal basic income. Broadly, when thinking about how the festival impacts change, it is about impacting people first. This can change culture and in turn influence power. The more people who come to these events, the more they can learn about and advocate these issues to their family and friends and also to the people who are meant to represent them in our political system such as councillors and MPs. Other groups have experienced greater membership and involvement through the festival too, which helps renews support for different campaigns.

For more details on the ongoing festival visit the website: festivalofdebate. com for the full programme of events.

Forge Press

Thursday 26 April 2018

Reviews

YANIS VAROUFAKIS

Yohan Kim

ast week as the city of Sheffield was delighted by the warmth and brightness of the sun, many were equally delighted by the presence of contemporary politics and economics. Yanis Varoufakis, known for his biker leather jacket, unbridled disdain for neoliberalism, and unflinching criticism against the ‘autocratic

bureaucracy’ at the EU, is a former Greek Minister of Finance, Member of the Hellenic Parliament, and the co-founder of the Democracy in Europe Movement 2025 (DiEM25). Invited as the highlight speaker at the Festival of Debate, Varoufakis’s talk focused on the ramifications of Brexit and the need to rethink the future of political economy in the EU. Both young and old gathered to attend this sold-out event. In fact due to the overwhelming demand for his talk, the organisers had to open a second hall next to the main event to live-stream his talk. Such popularity for a politician is very rare. Talking about politics seems to draw so much controversy and discomfort for many. But as he walked in with his trademark casual oxford collar shirt and jeans, he didn’t seem like someone who cared about drawing either. In the show, Varoufakis recounted his last visit to Sheffield during the Thatcherite-era to protest the closing of the steel

factories. He addressed the ‘class war’ that he believes are being intentionally obfuscated by neoliberal governments around the world and emphasized the need to completely overhaul the banking system. Brexit, according to him, wasn’t an unfortunate symptom of current politics, but a build up of people’s unresolved agitation with the system, which since long back has been transforming into an unfair global neoliberal playground. He didn’t shy away from revealing his politics, and let no listener in the room confuse what his political agenda and opinions were. In fact, this seems to be the bigger message of the talk: make politics about people choosing political directions through transparency and not about enabling politicians (or bankers) jockeying with it. Overall, the event was intellectually stimulating, filled with witty comments and insights relevant to the current politics in the UK and the EU.

Such popularity for a politician is very rare.

MATT ABBOTT: TWO LITTLE DUCKS Laura Mulvey and Sophie Maxwell

t is easy to become disconnected with political discourse and the victims of war when they’re not right in front of you. For Matt Abbott, the distance of the Calais jungle was too close to home: 22 miles, in fact, from the Calais border to Dover. The time spent by Abbott in the Calais jungle coincided with the Brexit referendum. Two Little Ducks uses poetry to challenge the preconceptions of Brexiteers whilst provoking thought on the ongoing refugee crisis. Abbott works hard to tie these two themes together throughout the show, yet occasionally lacks affirmation when the moment presents itself. By far the most powerful strand of Abbott’s repertoire is his complete immersion in the injustices faced by Syrian refugees in Europe. ‘Le Tricolore’ paints a chillingly vivid picture of ‘blue lights, white smoke, red sparks’ - the chaos ensuing when young children jostling for donated fruit are bombarded with tear gas. Meanwhile, Abbott showcased his talent for technical poetry in performing a monologue

Forge Recommends: FRANCESCA MARTINEZ:

WHAT THE **** IS NORMAL? Thu 10 May | 7-8:30pm | SU Auditorium

RENI EDDO-LODGE: WHY

I’M NO LONGER TALKING TO

WHITE PEOPLE ABOUT RACE Thu 17 May | 7:30-9pm | Pennine Lecture Theatre

Photo by Amaal Said

composed of 48 haiku poems to further explore themes of disenfranchisement in the North. Moving and unpretentious, his work effortlessly weaves social critique with personal experience. Abbott’s command of language is impressive; he tackles gritty issues like poverty and nationalism matter through colourful

His work effortlessly weaves social critique with personal experience. storytelling, keeping the audience onside throughout. Two Little Ducks is an intimate performance which succeeds in eliciting powerful emotion from everyone present.

FESTIVAL OF DEBATE

CLOSING PARTY: 100 YEARS

OF WOMEN’S SUFFRAGE FT.

HELEN PANKHURST & HOLLIE MCNISH

Fri 29 June | 7pm-12am | Abbeydale Picture House

Thursday 26 April 2018

facebook.com/ForgePress

Flo Mooney | Music Editor

@ForgePress

After the Easter break, it’s always a joy to know that we’re on the home stretch for summer. With the weather warming up, and the days getting noticeably longer, it’s time to turn up the volume for some classic feel good summer tunes, and check out Forge Press for the new ones. In this issue, we’ve got the goods once more, with interviews from Bruno Major and Tom Grennan, as well as reviews of The Vaccines new album, Front and Back’s night at Yellow Arch

press.music@forgetoday.com

Music

Studios, and The Weeknd’s new record. We’ve got another worthy set of Editor’s picks for you too. King Princess is continuing to make a noteworthy mark on music in 2018 with her follow up single to ‘1950’, ‘Talia’. It’s cool, smooth and heartbreaking all at the same time, with vocals and a songwriting ability which is likely to blow up in coming months. On the album side, we had to drop in Arctic Monkey’s 2013 album AM. A practically perfect piece of art, it stand out as one of the best albums of the decade, leading to intense

Forge Press

anticipation for their new album, Tranquility Base Hotel & Casino, released 11 May. Next issue is the last of this academic year, and my last issue as Music Editor, whilst Ben is carrying on next year. In both celebration and sadness, be prepared for a massive blow out music section next issue. In a bit.

Editors’ Picks. Album.

Single.

AM by Arctic Monkeys

‘Talia’ by King Princess

Five years after this release (as if it’s been five years!) AM still sounds like futuristic perfection, with slick production and genius songwriting from Alex Turner. The ideal album for afters, it soundtracks late nights mistakes and morning regrets, with a sexy drawl. It’s definitely worth giving this album another spin in preparation for Turner and Co’s new album (out on 11 May).

Editors

After releasing her debut single ‘1950’ earlier this year she has quickly gained a lot of attention from the music industry. The track has been shared by the likes of Romy from the xx and Harry Styles, quickly racking up over 38 million streams on Spotify. Her second single is a moody break-up track, reminiscent of Lorde’s recent work, and a perfect slow summer jam. Give ‘Talia’ a listen, and be sure to keep your eye out for the heights King Princess is sure to reach.

The Weeknd My Dear Melancholy

or his fifth studio release, Canadian R&B singer The Weeknd (real name Abel Tesfaye) has turned his back on flashy 2016 effort Starboy, instead choosing to wipe the slate clean. My Dear Melancholy is a taut, trim piece of work, never wasting a word when a sound will do, and the result is a welcome return to the sexy and nuanced work on which The Weeknd made his name. Intense heartbreak colours this mini-album, as Tesfaye is adamant in taking his listeners with him on a trip down the long, dark night of the soul. Where Starboy felt overstuffed with celebrity cameos, My Dear Melancholy keeps its running time and guest appearances short and sharp. French DJ Gesaffelstein lends a hand on twin tracks ‘I Was Never There’ and ‘Hurt You’ - flipsides of an angry, damaged relationship. Gesaffelstein’s arrival and departure are punctuated by night sirens, and overall he sustains the extended drug trip with poise and style. ‘I Was Never There’ is a particular highlight, a brooding and volatile tonic with an unexpected midway course change; trap beats skitter along the marble floors. Starboy was a swaggering bravado of confidence and luxury. Now , Tesfaye finds himself on the backfoot. The triumphant, stilted opener ‘Call Out My Name’ recalls the waltz of his Fifty Shades of Grey anthem ‘Earned It’ and yet the lyrics suggest an

Pale Waves

Idle Ross

‘Into the Thick of It’ Lizzie Day

Idle Ross

In the absence of the Arctic Monkeys, have you been missing the iconic Sheffield sound of heavy, unapologetic, fast-paced indie anthems? Then, four-piece band, Idle Ross’ debut single ‘Into the Thick of It’ might just be the answer. The record, which unashamedly

pays homage to Kasabian and The Strokes, starts with strong, slow beats, making you sit up straight as you realise a classic, catchy rock tune is about to be stuck in your head for the next 48 hours. As lead singer Ross Green starts to growl his provocative lyrics - “Don’t you think that things look different, in the night? Can’t believe that you’d be such a hypocrite, wasting my time” you’re transported to a Saturday night, where negative, drunkfuelled emotions are penetrating your thoughts. In other words, we’ve all been

exploration of new parameters. “I almost cut a piece of myself for your life,” Tesfaye insists. His hurt, demented ego proves a visceral, bloody attraction. Elsewhere, Tesfaye confronts his sadomasochism – “I poison myself again, again” – and, on the album’s closing track, claims to find solace in his “two red pills”. If it’s designed to be read as an attack on former flames, it sure is pointed. Gossip columns will clammer to tie publicised flings with model Bella Hadid and singer Selena Gomez into the narrative, but Tesfaye wisely holds back on any name-calling. “She wasn’t even half of you,” he confides to a hidden lover in the dark on the excellent ‘Wasted Times’. His tone switches from wounded to defensive with lighting speed, demanding answers from a wall of silence. “What they got that I don’t got?” he snarls, pointing to another key theme: male rivalry. The album’s closer, the aptly named ‘Privilege’, can be read as an attack on the subtle yet inexorable manipulation within relationships, and that only narcotic relief is capable of breaking the cycle. Some will say that Tesfaye’s operatic and chauvinistic boldness is distracting, misogynistic, and wrong. Those people will be ignoring the true intentions of this intelligent and mystical work of art.

there. The snarling cynicism of the lyrics, coupled with explosive electric guitar riffs, gives the song an addictive and exhilarating quality. If you’re pining for a track which takes you back to that rowdy, early morning session which got you kicked out of the Green Room, then you’ll probably be pressing replay. Despite the chaotic, rough readiness of the song, the magic of the record lies in its simplicity. The lyrics are relatable, unambiguous and symptomatic of how it feels to be pissed off.

Idle Ross are a new Sheffield rock band, who formed in September 2017 and have already made their mark on their home city with crowded, sweat-filled gigs at the likes of The Frog and Parrot and Peddler Night Market. You can experience the passionate rock ‘n’ roll frenzy of an Idle Ross gig for yourself, as the band are set to play at Tramlines this summer.

Forge Press

Thursday 26 April 2018

The Vaccines Combat Sports

fter an experimental yet uninspiring third album, The Vaccines have returned to their roots with Combat Sports, a guitar-heavy half-hour of glorious indie pop. However, in spite of this album’s similarities to their 2011 debut, What Did You Expect From The Vaccines? this is a different band to the one which burst onto the scene seven years ago. After drummer Pete Robertson’s departure due to family commitments, Spector’s Yoann Intonti stepped in to fill the void, with keyboardist Tim Lanham also joining permanently after a spell

as a session musician for the band. The result is not a revolutionary change to the The Vaccines’ sound, but instead a fresh spin on a trusted formula. Opener ‘Put It On A T-Shirt’ is a rousing anthem reminiscent of What Did You Expect’s ‘Wetsuit’, but Combat Sports thrives with its punchy singles and exciting riffs. It’s their shortest album yet, coming in at a swift 33 minutes to somehow surpass their debut for brevity. ‘I Can’t Quit’ was the record’s first single, conveying a clear message to fans who maybe expecting The Vaccines to call it a day and

putting any critics in their place. The opening riff and growled vocals from singer Justin Hayward-Young are more aggressive than previous albums, but just as captivating. ‘Nightclub’ also follows the band’s trusted formula, combining a catchy yet familiar guitar hook (have a listen to Blondie’s ‘One Way Or Another’) with a singalong chorus and big guitar solos. The Dick Dale-esque opening strum and playful lyrics of ‘Surfing In The Sky’ make the track a stand out, while ‘Out On The Street’ is packed with the kind of urgency that propelled the band into the

public eye in the first place. The slower ‘Young American’ also lands well as a brief two minutes in the middle of the record, its sultry lyrics and dreamy tone making it one of The Vaccines’ most romantic songs yet. Despite the band being quick to distance themselves from the experimentation of third album English Graffiti, some of its sound has survived the cull. ‘Maybe (The Luck Of The Draw)’ sounds like it could have been pulled right off of the last record, explaining why it’s the album’s weakest track. It’s nice, but incredibly forgettable. Final track ‘Rolling Stones’ is

romantic and powerful. “And I’ve been to the bottom with you / But we just do what we want to do / So let’s skip to the front of the queue / And tell them that this one’s for you,” sings Hayward-Young as the album comes to a close. This almost sounds like a grateful message to the fans who have stuck by The Vaccines through the highs and lows of the past seven years. Maybe it is. One way or another, with Combat Sports The Vaccines have certainly fought their way back to the front of the queue. David Anderson

Front and Back

Yellow Arch Studios Joe Mackay

lthough they’ve been knocking around the Sheffield dance music scene for just over a couple of years, Front & Back have really come into their own. With recent bookings of Kornél Kovács at The Harley, Baba Stiltz at Hope Works, and an absolute roadblock for Mall Grab at The Night Kitchen back in November, Front & Back seem set on dominating Sheffield’s nightlife scene, and by the looks of it, pretty much every venue in the city itself. Pearson Sound at Yellow Arch is no exception to this. As a venue, Yellow Arch truly excels as a setting for the evening; the understated setting and nofrills stage production mirroring the smooth and sometimes lo-fi nature of the sounds on display, and truly allows the music to take centre stage. The night begins with LK / Viers, spinning productions from both of his pseudonyms. Over the course of his set he combines bumpy acid funk with bright jazzy chords

alongside ever present house and techno fundamentals. It’s bluesy, groovy, moody, and really quite good. A solid producer proved to be a solid DJ, and definitely somebody to check out. Taking control of the room for the next two hours comes Prosumer. His set forms a stellar example in setting a scene and moving an entire room from one mood into another. Following on from LK / Viers, he begins with an array reverberating lofi rhythms. This slowly transforms into a more complicated sound, until the lo-fi element is lost completely in favour of a more energetic and almost tribal approach, bringing the room into some serious thumping house music with even a touch of disco towards the end. A masterclass in opening up a crowd before a headliner whilst still maintaining a quality set. For final portion of the evening, Hessle Audio’s Pearson Sound well and truly takes the helm. Holding nothing back, he fires through

music as if genre boundaries don’t even exist, spanning a variety of UK dancefloor music. Whether it’s breakbeat or techno, atmospheric tribal house or garage, he throws it all in the mix and spits out a surprisingly palatable end product, playing to the strengths of his selections. Front & Back’s evening at Yellow Arch is a stellar example of what Sheffield’s underground music nightlife scene has to offer. An understated venue with a lot of charm (and heaters in the smoking area), a pleasant crowd excited to hear the music on offer, and a stellar lineup of acts that work hand in hand with each other.

Thursday 26 April 2018

Tom Grennan

Interview

Ben Kempton

earing an oversized black hoodie and a pair of vintage maroon Adidas trackies Tom Grennan is quite the contrast to his usual sharp indie-urbangentleman style. “Sorry man, had a show in Nottingham last night. I’m hungover as fuck and look like a tramp.” Wildcat Grennan, who oozes an edge of old-school rock star, kickstarted a remarkable year with his Chase and Status collaboration ‘It All Goes Wrong’ in 2017. “They heard a song of mine and called me up. I had the backbone of the song ready and we got it going. They helped me out massively and I will always be thankful to them for that.” His centrepiece soul vocals got Grennan the airtime and recognition to launch solo. A hat trick of EPs included hit tunes ‘Something in the Water’ and, more recognisably, ‘Found What I’ve Been Looking For’. Featured on FIFA 18 and the Sky Sports Premier League advert, Tom Grennan has cunningly become a part of the household. “Hearing my songs on such a massive platform is mad. Mad is the only word I have for it. I’m humbled by it but I have to say when I hear my song on FIFA now I just have to skip it.” With growing prominence and an upcoming album, which he is convinced is going straight to number one, his free spirit persona is worn on the sleeve of the pop star, but is becoming a burden. “I have got to tone it down a bit now I’m in the spotlight but I do like to go crazy once in a while.” With a ruffle of his uncontrollably messy yet somehow perfectly tailored hair he confesses: “My lifestyle has definitely landed me in trouble sometimes, but fuck it. Nothing I’ve been arrested for, just been a few fucking tear ups once in a while but that’s just that.” Troublemaker Grennan didn’t

exactly aspire to be selling out venues across the UK: “I didn’t think I’d be famous and I definitely didn’t think I’d be touring the UK. If it wasn’t music I’d be working on a building site with my Dad or trying to travel the world. Before music life was just normal.” It begs the question of how he discovered his talent. Humbly replying, Grennan explains, “I was doing some karaoke at a party really pissed up, singing ‘Seaside’ by the Kooks and it started from there really”. Above the infectious pop melodies, Grennan’s music boasts his uniquely husky soul voice which packs a punch on stage and through his records. “I’m a big fan of soul music, especially old stuff like Ray Charles, Robert Johnson and Elvis. I know it’s nothing to do with me and my voice isn’t anything like that but it’s old soul and where I get my influence from.” Alongside his vocal ability, Grennan also relishes from his style and ultra-confident personality: “As much as I love soul, I did grow up listening to grime, which is a bit different but it’s where I get my edge from.” After shaking hands and thanking Tom for his time, he retreated back to the foetal position. Tom Grennan’s album is out 6 July and he’s doing festivals all across the country accompanied by a European tour.

Forge Press

Sorry man, had a show in Nottingham last night. I’m hungover as fuck and look like a tramp

Forge Press

Thursday 26 April 2018

After releasing a new song every month for a year, Bruno Major

Bruno Major

exploded onto the music scene with his album A Song for Every

Moon in August 2017. The extraordinarily talented singer-

Q&A

songwriter, currently touring with Sam Smith, took time out to speak to Forge and candidly discuss everything from music to religion.

Lulu Payne

One of the things that makes A Song for Every Moon stand out as an album is how every song is sung from the heart. Do you find it harder to perform with the same level of emotional connectivity in your voice when performing live than in a recording booth? No, I don’t find it difficult. I just think about the lyrics and say them like it is a poem but with the melody, obviously. Sometimes I think people believe there is more of an emotional connection than there really is. Is songwriting where you process the emotions of a song? Yeah, that is the hard thing. That’s when you are dredging up the Titanic! When you are writing a song, you have to be deeply connected to it and think hard about it. However, when it comes to performing it, it can actually be quite enjoyable, despite being a sad song. Do you have a set process when it comes to song writing or do songs come organically to you? Honestly, it is different every time. Sometimes I will write a piece of music on the piano and then a melody will come out of the chord voicings, sometimes I write a poem and other times it just comes together all at once. Normally, the best ones come that way. They feel like you are writing them down, rather than you are writing them.

Do you ever find it difficult to find the right melody to match your lyrics? Yes, at times. Sometimes you can use a set of lyrics in five or six different songs and they don’t work and then one day you find their home. Song writing is one of the hardest things in the world until it is the easiest thing in the world! You released a song every month for a year. Did you find it difficult to remain in that creative mindset? Were there any months you struggled to find inspiration? The first six months were a breeze but towards the end it did get pretty tough. I think it was due to a combination of consistent working and the fact that half way through people started to listen to my music. People were expecting music and that did freak me out a little! Around February, which is when I released ‘Just the Same’, I had to stop partying. I started going to the gym and living a bit more like a monk, in order to keep myself focused. Right towards the end of the year, I was admitted to hospital for exhaustion… it was really bad! Are you going to take a break after the tour to give yourself a bit of a rest? I have had a bit of chill time already. After I finished the album I took three weeks off, although I did end up writing a lot during that time, so it wasn’t really a complete break. To be honest, I am not really that good

at chilling. After about three days, I start getting a bit antsy. You stated in an Instagram post that you wanted the artwork on your album to be a “visual universe where your music can live”. Is this what you hope your music provides people with? A separate universe that they can escape into? I think that is kind of what music is - what all art is. It’s an opportunity to disappear into another world. I can’t speak for my own music, but I know that is how I feel when I listen to other people’s music that I really love. One of my favourite things about being on tour is just lying down in the bus and listening to my favourite albums while I’m only partially awake. What are your favourite albums at the moment to listen to? I am a really big jazz nerd! I listen to a lot of John Coltrane. My favourite album at the moment is King of the Zulu Guitar by Madala Kunene. He is a really talented guitarist, and the album is beautiful. How did you get into jazz? Well, to me, jazz is the most complex form of modern improvised music. There used to be a lot of improvisation in classical music but there isn’t so much now. I have always been drawn to the highest level of musicianship and so I was inevitably led to jazz. I just wanted

to learn everything about it. Music is a form of language just like written word, so learning to use it enables you to express yourself more clearly. In the song ‘Easily’ you mention the concept of destiny. Do you think the younger generation is becoming too focused on the future to the point we have forgotten to live in the moment? Yes, but I don’t think it is just this generation that has become overly focused on the future. I think it is the way western society is set up. Alan Watts in his ‘School of Life’ talked about how nobody goes to a concert to hear the end, you go to experience the whole thing. He analogizes that with the journey we go through in life. We are obsessed with the ‘end goal’ - whether that is becoming a CEO or getting a big house - and when we achieve that goal, we realise we should have just enjoyed the journey all the way along. Potentially, I think this stems from the fact western culture has been heavily influenced by Christianity. The idea of heaven in Christianity, to me, belittles the beauty of the fleeting moments that we do have on this beautiful planet. You’re always thinking “it’s cool! Whatever happens I will end up in Heaven”. Do you have a faith? I believe we are all slices of consciousness that feed into one greater, universal consciousness.

I think that when you die, much like the carbon cycle, your consciousness returns back into the universal consciousness of which we are all a part of. We become part of the big, beautiful universe! I have a faith and I believe in a higher power, but I don’t believe in religion as such. Did you come to that conclusion when writing ‘On Our Own’ and when your nan passed away? I did, yeah. When I wrote ‘On Our Own’ I hadn’t thought about faith that much. I was what one would call an agnostic - a fence sitter. After my granny died, I became an atheist. It wasn’t until a little bit later that I came to my current hypothesis. You can catch Bruno on tour across the UK at the beginning of May.

Thursday 26 April 2018 facebook.com/ForgePress

Joe Mackay

@ForgePress

Screen Editor

The weather’s nice isn’t it? Beer gardens, Ice lollies, short shorts The whole shebang. In the words of the late great Bob Marley: ‘Sun is shining, the weather is sweet, makes you want to move your dancing feet’. It is not a time of the year that particularly lends itself to going to the cinema or staying inside watching TV. But here at Forge Press Screen we beat on,

Screen press.screen@forgetoday.com

boats against the current, borne back ceaselessly into the past. We’ve got a review of Wes Anderson’s latest hipster-flick Isle Of Dogs, exciting coming-out story Love, Simon, the ever-so-spooky A Quiet Place, and some nerdy fanservice in the form of Ready Player One. In addition to this, my ever-amicable co-editor David Craig (not to be confused with Craig David) has written up a feature

Review Matthew Hartill

ased on the novel Simon vs. the Homo Sapiens Agenda and directed by Greg Berlanti, Love, Simon tells the story of Simon Spier (Nick Robinson), a closeted gay teenage boy. His sexuality, as we are informed in the opening montage of the film, is a “huge-ass secret” which threatens to rear its head when Simon unexpectedly falls in love. He begins sending emails to another closeted gay student at his school, launching a relationship which quickly becomes something more for both parties. Simon is so determined to keep his sexuality hidden, that you get the sense that he self-edits every sentence in his head before committing it to words. As his mother says to him in what is arguably the best scene in the movie, Love Simon. Do it! Love him! SEND IT!

Netflix - the final frontier

Movie DB

Review Ewan Brett

tarting life as a 1960s TV show, Lost in Space followed the adventures of the Robinson family as their spaceship was thrown off course by sabotage. It was campy fun, with bright purple and yellow jumpsuits and cheap cardboard sets. 30 years later, a film was produced starring Matt LeBlanc and Gary Oldman that attempted to be grimdark, with a colour palette firmly rooted in black. The less said about that, the better. So where does 2018’s Lost in Space, this time produced by Netflix, stand in relation to these? The answer is somewhere in the middle, balancing a significantly more modern science-fiction take on the property with plenty of humorous moments. In fact, the show in general could be described as “somewhere in the middle”.

Lost in Space The production values are excellent, as we have come to expect from Netflix productions. The costumes and sets look well-put together, with stunning CGI vistas. The acting itself is also respectable, especially from the Robinson kids. Child actors can be hit and miss, but the trio of Will, Penny and Judy have good chemistry on screen, and the actors work well with the content they’re performing. The Robinsons feel like a genuine family, which makes gives us far more reason to root for them against the odds.. However, the show is hampered to an extent by its lack of originality. It feels very similar to every other science fiction show of the past ten years. Dialogue is laden with clichés, with people spouting lines like “you might want to come take a look at this” or “we’re not so different”. As for the characters themselves, they

fit into your typical archetypes. You have the angsty eldest child who must try and prove herself, the comic relief younger sister whose every line seems to be dripping with sarcasm, the gruff military father trying to reconnect with his family, and so on. This doesn’t make them any less enjoyable to watch as they move from one catastrophe to the next, but it does mean that the show never quite creates an identity of its own or reproduce the charm of the original. Lost in Space is ultimately a satisfactory story about the importance of family pulling together in dire circumstances. Although it doesn’t make much headway into uncharted territory, the show provides a stable foundation and enough unanswered questions to create intrigue for more adventures with the Robinsons.

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about Ridley Scott’s Alien franchise - which is sure to be a delight. Finally, this is going to be my last introduction as editor of Forge Press’ fantastic screen section. Don’t cry because it’s over, smile because it happened. Goodbyes are only for those who love with their eyes. Because for those who love with heart and soul there is no such thing as separation. Au revoir, ciao, auf wiedersehen, farewell.

Love, Simon ‘You get to exhale now, Simon’. In a genre so woefully underrepresented, an audience shouldn’t throw themselves at the film’s feet simply by default. While it is true that the plot is often thin and formulaic, that’s not to say that Love, Simon isn’t remarkably well-pitched. As a prime example, its central plot point – a teenager coming out in 2018 – is dealt with sensitively and, crucially, without almost any of the fuss which the film itself has attracted. In Hollywood, a film this wonderfully understated is simply unheard of. Though this lends the film a deceptively simple look, this is no mean feat, and as such should propel Love, Simon to the status of a modern classic. Movie DB

Forge Press

Thursday 26 April 2018

I love dogs Movie DB

Review

Isle of Dogs

Gethin Morgan

Mayor Kobayashi (Kunichi Nomura) decides to banish all dogs to Trash Island, including his orphaned nephew Atari’s guard-dog, Spots (Liev Schreiber). There they are left to survive quite literally on scraps as the disease spreads. The islands most notable inhabitants and the films protaganists are a pack of five dogs: Rex (Edward Norton), Chief (Bryan Cranston), Duke (Jeff Goldblum), Boss (Bill Murray) and King (Bob Balaban), who subsequently decide to help reunite the child with his best friend. The prospect of a Wes Anderson movie full of dogs screams cuteness overload, but while this film is

or two decades Wes Anderson has transported us to the quirky worlds of high schoolers, disjointed families, aquatic explorers, runaway kids and Eastern European hotel workers. Now nine years on from Fantastic Mr. Fox he returns to both the animal kingdom and stop-motion animation, with Isle of Dogs. An artistic prologue explains the ancient conflict between humans and dogs in which mankind emerged victorious, leaving dogs to be tamed and serve as pets. In future Megasaki City, following the sudden emergence of dog flu, the cat-loving

Review Ghost Stories Stan Beal

ith the embrace by many Americans of Donald Trump and a lot of Brits’ horror and disgust with him, it feels like transatlantic disagreement is becoming more prevalent of late. In keeping with this trend on Rotten Tomatoes, Ghost Stories received glowing reviews from British critics but a much more muted response across the pond. This isn’t surprising as writers Andy Nyman and The League of Gentlemen’s Jeremy Dyson celebrate the tropes of classic British horror unashamedly. Ghost Stories is a delicious mix of horror and humour, even if people expecting groundbreaking modern thrills may be disappointed. Nyman plays the lead as a professor investigating supernatural tales told by an alcoholic night-watchman (Paul Whitehouse), an awkward underachieving teenager (Alex Lawther) and a flash banker (Martin Freeman). Nyman skilfully parodies

the smug celebrity sceptic, but Whitehouse is the star turn. It would be easy to portray his character as a racist, misogynistic pig. His character isn’t politically correct but he is kindhearted and Whitehouse’s nuanced performance leads the audience to sympathise with him. Meanwhile, the cinematography is gorgeous, perfectly encapsulating the grim majesty of northern England. Dyson and Nyman aren’t trying to revolutionise horror here. Instead, Ghost Stories is more a love letter to 20th century horror, written by two passionate fans of the genre. They use horror tropes in an effective way, creating consistent scares. While a broken CD player and a car seat might not seem particularly scary, in the context of the film they are. This isn’t for the faint of heart. A short film that moves at an electric pace, Ghost Stories is well worth a watch especially for fans of classic British horror.

just as charming as the rest of his catalogue, it is also perhaps his most brutal. The landscapes are harsh. Dogs have had to form violent packs to survive, and calling these scruffy mutts bedraggled is a compliment. He doesn’t pull punches either with some really visceral images dog skeletons, lunch consisting of maggot-infested garbage bags and, in an early dog-fight, we see Chief (Bryan Cranston) viciously bite another dog’s ear clean off. It’s Cranston’s stray canine that has the greatest arc by a distance. Although this is a massive ensemble with a jaw-dropping cast-list, it is Chief along with Norton’s Rex who do most of the heavy lifting on the

dog-front. Cranston was born for voice performance. He has such an impressive vocal range and his straining exuberance works a treat for the eccentric world of animation. Meanwhile on the human front, much of the dialogue is in nonsubtitled Japanese, and Koyu Rankin provides a wonderfully innocent voice for young Atari. The more important exposition is cleverly translated via Frances McDormand’s TV broadcast translator, while activist exchange student Tracy (Greta Gerwig) leads the human charge to find a cure and save dogkind. Animation gives Anderson a perfect platform to use his incredible

eye for the aesthetically pleasing. The colour, framing, and attention to detail are all marvellous. From electric cityscapes to the vast wastelands of Trash Island, the film is beautifully shot and the craft behind character design is sensational. Not quite his finest work, but Isle of Dogs is upper-tier Anderson and another fine addition to the collection. Beautifully visualised, cleverly written and accompanied by a stunning score, this is a film brimming with the kind of largerthan-life character and plot that only Wes Anderson can deliver.

Thursday 26 April 2018

Forge Press

ALIEN DAY

BY DAVID CRAIG

ver since the macabre creature burst out of John Hurt’s chest back in 1979’s Alien, the xenomorph has remained among the scariest creations science-fiction has to offer. 40 years on, the franchise has expanded far beyond its humble beginnings as a slasher set in space, even boasting its very own celebration day. Alien Day has been celebrated since 2016 on 26 April, a date settled on as a tribute to the ill-fated planet LV-426 where the saga began. Although it may only be a glorified marketing strategy by 20th Century Fox, the day has been embraced wholeheartedly by fans of the series, and they have been rewarded for their loyalty. Previous years have seen the release

of brand new audio books, novels, comic-books and perhaps the coolest of all: an exact replica of the Reebok high top “alien stompers” worn by Ellen Ripley in 1986’s Aliens. Ironically, the shoes were initially only listed on their website in men’s sizes, although fortunately this was corrected before too long. This year’s Alien Day comes during a difficult moment for the long-running franchise. Last year’s new instalment Alien: Covenant proved to be a financial disappointment, casting the future of Ridley Scott’s proposed trilogy in doubt. Meanwhile, if Disney’s purchase of 20th Century Fox is approved by the U.S. government, the franchise could take a whole new direction under the control of the Mouse House.

Nonetheless, the festivities must go on. Alien Day 2018 brings with it a brand new audio adaptation of James A. Moore’s novel Alien: Sea of Sorrows produced by Audible. The story has all the ingredients of original recipe Alien, including a mysterious planet, a lone xenomorph and the foreboding presence of the Weyland-Yutani Corporation with a mysterious agenda. Also dropping on the big day is a brand new virtual reality experience titled Alien: The Descent, although only a handful of lucky fans will be able to take part. The installation is based in Orange County, California, where participants will be free to roam a fully realised virtual world armed with only one prop gun to defend themselves against the

xenomorph threat therein. Additional locations to play are set to open soon after, but it remains to be seen whether it will make the leap to our shores. Overall, this year’s celebration looks to be lighter in terms of new content than previous years have been, but there could very well be some surprises on the day. If nothing else, Alien Day is a great opportunity to look back on a franchise that has contributed massively to the science fiction genre and pop culture as a whole.

THE HIGHS AND LOWS OF THE ALIEN FRANCHISE ALIENS (1986) Arguably the best film in the series, James Cameron’s Alien sequel steered the franchise in a completely new direction prioritising action over scares. The first half of the film carefully sets up a fantastic ensemble cast filled to the brim with memorable personalities, led by the one and only Sigourney Weaver in one of the best performances of her career. The second half is an action packed journey through the hellish planet LV-426, and contains some of the most exciting sequences blockbuster cinema has ever seen. Most impressively, the majority of the visual effects hold up remarkably well over 30 years on.

ALIEN (1979) It would be fair to say that Ridley Scott’s first Alien movie is beginning to show its age. The film’s plodding pace serves as something of a culture shock in a modern world of fast-paced blockbuster cinema, and many of the visual effects are now looking a tad primitive. That being said, the film is still a very entertaining watch, and is responsible for some of the series most iconic moments. Additionally, Alien deserves a huge amount of respect for all the new ideas it brought to the table, many of which the franchise still relies on to this day; facehuggers, fake endings, airlock shenanigans, and Weyland-Yutani misdeeds chief among them.

ALIEN 3 (1992) The first major misstep of the franchise, Alien 3 moves the action to a space prison where Ripley’s escape pod crash lands. The way in which the film brutally disregards much of what Aliens sets up remains a sore spot for fans even all these years later, and certainly Alien 3 categorically fails to justify doing so. Certainly mediocre, at the very least Alien 3 ties a neat bow around the adventures of Ellen Ripley and should have been the natural end point of her story.

Forge Press

Thursday 26 April 2018

It’s unclear who came up with the idea of turning arguably the franchise’s most disgusting creature into an adorable plush toy, but presumably they are laughing all the way to the bank. This critter is 40cm long and mostly cuddles at night. Mostly.

£25 £200 £500

#xeno

merch

a few cool t hings to he lp Alien D ay in s you celebr tyle ate

In celebration of Alien Day, Reebok has released special Alienthemed shoes for the past two years. The first were replicas of the “alien stompers” worn by Ripley in the second film (left), while last year’s offering was a twin pack inspired by her fight in the power loader with the xenomorph queen (above). The shoes are awesome, but sadly they don’t come cheap. The limited runs sold out almost immediately and are currently being sold on eBay from anywhere between £200 and £500.

PROMETHEUS (2012) Ridley Scott returned to the Alien universe with Prometheus, which proved to be the most divisive entry in the series to date. The film is a prequel only tangentially linked to the previous instalments, and as a consequence left some fans hungry for a more traditional Alien story. This led to some of Scott’s new ideas being given the cold shoulder, a shame because many of them were interesting (albeit not quite fully formed). Admittedly, Prometheus leaves you with more questions than answers but it’s still a very enjoyable sci-fi horror with some exhilarating sequences and superb performances.

ALIEN: COVENANT (2017)

ALIEN: RESURRECTION (1997) It’s hard to overstate just how bad Alien: Resurrection is. Set 200 years after the third film, this trainwreck follows a clone of Ellen Ripley designed by military scientists attempting to bring back the xenomorph species. An ensemble cast including talents like Winona Ryder and Ron Perlman are in tow for the proceedings, but everyone is wasted on a painfully stupid story and some hideously directed action sequences. Other films in the series may have their flaws, but none came closer to killing the franchise than Resurrection which prompted a 15-year absence of mainline Alien instalments. Fortunately, the series did bounce back, but it is a great shame that Ripley’s (possibly) final appearance was such an embarrassing one.

Alien: Covenant is essentially two movies combined together: both a conventional Alien movie to satisfy die-hard fans of the franchise while also serving as Prometheus 2, but it doesn’t really excel in either department. That isn’t to say the film is bad, but there is the distinct feeling that it could have been stronger had it settled on being one or the other.. Perhaps the biggest missed opportunity is the unceremonious ousting of Noomi Rapace from the lead role. Katherine Waterston is an adequate replacement, but can’t quite match the charisma of her predecessor. Fassbender on the other hand is on top form and completely steals the show.

Forge Press

Thursday April 26 2018

Break

I think we all love movies/films on some level. When I was a kid I was obsessed with the Star Wars and Lord of the Rings sequels. I went off them a bit after I had a pretty unnerving experience while I was still young when I watched The Sixth Sense with one of my friends and had nightmares for days. Some of us though, needless to say, love film more than others. It’s actually remarkable how

passionate some people are over their beloved, favourite movies. The other night I was in the presence of two degenerates that were engaged in a heated argument over whether the new Blade Runner deserves to be considered good or not. As much as it was bloody annoying, to be completely honest, I couldn’t help but be impressed by the level of detail that these two movie-nerds were going into in order to back up

Movies Crossword Puzzle!

what they were saying. That said, lame! Nonetheless, the points still stands. We do all love a good movie, whether we’re intentionally scaring the crap out of ourselves, injecting ourselves with steady dose of adrenalin during a thriller, or blubbering pathetically over a romance. Enjoy the crossword! Dave

Sudoku Puzzles Easy

Medium

Wowzas that’s HARD!

DOWN

1. Stan Laurel and ___ (6,5). 3. Willy Bank in the 2007 movie, Ocean’s Thirteen (2,6). 4. Silken Floss in the 2008 movie, The Spirit (8,9). 7. Claire Stenwick in the 2009 movie, Duplicity (5,7). 8. Don Juan in the 1948 movie, Adventures of Don Juan (5,5). 9. Angelo Allieghieri in the 2002 movie, Avenging Angelo (7,5). 10. Writer, Director and Sid Waterman in the 2006 movie, Scoop (5,5).

ACROSS

2. Drover in the 2008 movie, Australia (4,7). 5. The Inventor in the 1990 movie, Edward Scissorhands (7,5). 6. Director of the 200 movie, Gladiator (6,5). 7. Viola Fields in the 2005 movie, Monster-in-Law (4,5). 11. Tom Cruise is Colonel Claus von Stauffenberg in this 2008 movie (8). 12. Neil Jones in the 2009 movie, He’s Just Not That Into You (3,7). 13. Clouseau in the 2006. movie, The Pink Panther (5,6).

1. Oliver Hardy. 3. Alpacino. 4. Scarlett Johansson. 7. Julia Roberts. 8. Errol Flynn. 9. Anthony Quinn. 10. Woody Allen.

DOWN

2. Hugh Jackman. 5. Vincent Price. 6. Ridley Scott. 7. Jane Fonda. 11. Valkyrie. 12. Ben Affleck. 13. Steve Martin.

ACROSS

Thursday 26 April 2018

Forge Press

Society Spotlight

This week... Women’s

Committee

Let’s start off with who you are and what your position is in Women’s Committee? I’m Natalia Mole and I am the Inclusions Officer and LGBT+ Representative on Women’s Committee.

How long has Women’s Committee been in existence? In Sheffield, at least since the 1970s. The women’s minibus, a scheme for picking up women and taking them home, for example, was introduced as a direct response to the Yorkshire Ripper who was active in the early seventies. Women’s Committee lobbied the SU for its introduction.

What exactly Committee do?

does

Women’s

Essentially we’re just here to support and represent women. So we have regular meetings where we discuss issues that affect women as well as run campaigns. The meetings are varied in the topic being discussed; we’ve covered stuff like the sexualisation of the media, and even stuff about Disney princesses in the context of feminism. We also ensure we support marginalised groups of women including Muslim women, autistic women, and migrant women. And we take direction from women students in terms of what they want from us and exactly what support they need.

What would you say is at the very top of the agenda for Women’s Committee? Well, honestly, I’d say that this year and next year it’s making sure that all women feel like they are being heard, that they have a space in which they can just be themselves at university, because in previous years there have been issues where Women’s Committee has reflected only one type of woman. Ultimately, being a woman is not a single unified experience, and we should be making sure everyone is being represented and supported. We want to ensure that we reach out to those women that go through university without feeling like there’s a space for them.

It says on your website that you organise campaigns, events and fundraisers, what are some interesting or notable one’s you’ve been involve in? So fundraising this year, we did a collaborative film screening with

the local MP Paul Blomfield. It involved a viewing of Hidden Figures (2016) which is about black female mathematicians who worked at NASA in the 1960s. Afterwards we had a bake sale to raise money for the Together Women Project which focuses on supporting criminalised women and vulnerable women who may have to resort to crime or be criminalised. They run all sorts of sessions, from support groups, guidance on job hunting, and even stuff like pilates.

Do you work societies?

alongside

other

Another event we’re doing is with Palestine Society, where we’re going to be talking about women in resistance and undertaking a screening of a great film called Speed Sisters which is about a group of Palestinian women who are car racers. We definitely want to engage with other societies as much as possible.

What would you personally say is the best thing about Women’s Committee? It’s just felt like a really supportive and embracing space. Like this last year especially, we have had such a diverse committee, which is amazing. We have women from so many different backgrounds, from so many different experiences. And that’s helped us engage with students who weren’t involved before. That’s my favourite thing personally. Talking to students who weren’t engaged with the SU before or any of the representative committees, but then watching them come to our sessions and seeing them realise how supported they are in this space.

Finally, could you explain how someone can get involved in the society? Because we’re a representative committee, you don’t need to pay membership and our events are generally free. It’s honestly just come along or email us to get on our mailing list. A lot of our events are women only, but we do also run plenty of events that are open to all genders. And follow us on Facebook!

Thursday 26 APril 2018

Forge Press

Graphic by Harry Fender

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