FORM - International Issue - July/Aug 2010

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10 IN 20

"I have found that clients abroad believe what we do is very important, and they express a great appreciation and respect for creativity and technical expertise ."

Dan W. Winey

MANAGING PRINCIPAL, PAC IFIC NORT HWEST AND ASIA, AT GENSLER

Discusses the culture and creative pursuit of building an international practice In what countries do you primarily wo rk?

Does one develop a specific expertise in working with a selected country?

How h as as a country's culture affected your architectural design?

United States. Gensler currently has offices in

As part of our f irm's strateg ic plan, we are

Of course the cu lture is always a maj or

Lon don, Tokyo, China, Singapore, Dubai, Abu

comm itted to building local design practices

cons ideration, but because of the scale an d

Dhabi, India and Costa Rica. At this point in

t hat serve our clients around the wo rld. By

complex ity of our work, I am not sure that I

t ime, we have p roj ect s throughout Europe,

develop ing local d esign ta lent, along wit h

view our design philosop hy in that way. My

Eastern Europe, Asia, North and South America

Gensler expat talent, we believe that we have

belief is that our work is grounded in t he very

an d the Middle East. Personally, I have been

a clear advantage over our competitors. Our

culture where the project is located. There are

involved p ri mari ly in the As ian and Indian

p hilosophy is to be un iq uely Gensler and

three distinct influences on o ur work- the

markets over t he last 18 years.

uniquely local, and th is perspecti ve helps

practical, the cultural and t he symbolic. The

We work across t he globe, and outside of the

make our work more relevant and responsive

practical consists of site constraints, zoning

to the local cu lt ure.

regulations and other techn ica l aspects. The

So it's importa nt to actua ll y open a rchitectural practices aroun d t he world?

cultural includes the history of the site, surrounding architecture and other broader influences. And the symbolic involves what

I t hink that t he wo rk is more relevant from

the building represent s to the citizens, the

a d esign p erspective when you are bot h

city, or the country. In combination with one

international and loca l. I also believe

another, these influences provide a very strong

strong ly in the sharing of techno logy an d

underlying foundation for the design of the

intellectual capital for t he bett ermen t of

building. This is very d ifferent than designing

human life. The more we work side by side

a building that is "contextual," wh ich I tend to

with local arch itec t s, t he more we learn

believe is another word for contrived.

from them and the more t hey learn from of design excellence, higher performing

How has culture affected the way you wo rk with the clients?

build ings, and higher quality constru ction.

The culture affects everyt hing that we do-

us. This understanding leads to a higher level

16

The Shanghai Tower will be the second

pursuing the work, negotiating the contract

ta llest skyscraper in the world.

and executing the design. For examp le, most




























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