// Design Portfolio 2017 by Felipe Oropeza

FELIPE OROPEZA JR DESIGN PORTFOLIO FOR POSITION IN ARCHITECTURE, 2017

foropeza@gsd.harvard.edu felipeoropezajr.com

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FELIPE OROPEZA JR EDUCATION / HONORS

foropeza@gsd.harvard.edu +1 312/401-2925 felipeoropezajr.com

HARVARD UNIVERSITY GRADUATE SCHOOL OF DESIGN MASTER IN ARCHITECTURE CANDIDATE, May 2017 HIGHEST HONORS EACH SEMESTER IN STUDIO “GSD PLATFORM 8,” HARVARD GSD [ACTAR, 2015] A semester of student work was published in annual publication. [Fall 2014]

“GSD PLATFORM 7,” HARVARD GSD [ACTAR, 2014] Two semesters of student work published in annual publication. [Fall 2013, Spring 2014]

“GROUNDED VISIONARIES” Core II project was exhibited at the GSD [Fall 2014]

UNIVERSITY OF ILLINOIS AT CHICAGO BACHELOR OF SCIENCE IN ARCHITECTURE (Cum Laude), 2012 www.arch.uic.edu

DEPARTMENTAL HONORS Highest Distinction In Architecture, 3.70 GPA

“UIC ARCHITECTURE YEAR END SHOW,” [2010, 2012] Work exhibited including “INTERLAPPING,” a pavilion designed [Fall 2011] and built on campus [Spring 2012].

EXPERIENCE Waste to Energy Design Lab, HARVARD GRADUATE SCHOOL OF DESIGN DESIGNER / RESEARCH ASSISTANT / EDITOR June - September 2016] Contributed towards the research of the Waste to Energy Design Lab lead by Professor Hanif Kara and Lecturer in Architecture and Landscape Architecture Leire Asensio-Villoria. In its ﬁnal year of a three year research agenda, I was tasked with compiling, editing, and ﬁnalizing the speculative design component of all the seminar and studio work conducted at the Harvard GSD for publication. “ARCHITECTURE AND WASTE: A (RE)PLANNED OBSOLESCENCE,” HARVARD GSD [ACTAR, 2017]

HOK, Chicago, IL ARCHITECTURE INTERN - PROJECT DESIGNER [May 2015 - August 2015] Participated as a designer towards the renovation and expansion of Kentucky’s International Convention Center. I was tasked with managing the production of the 3d design model as well as the ﬁnal renderings that were presented to the mayor and the governor during the schematic design phase. Working in Revit I assisted the team in the production of the preliminary documentation to be submitted for pricing. I contributed physical models, mock-ups, as well as diagrams and renderings, for various other projects as they became needed.

INGEBORG ROCKER, HARVARD GRADUATE SCHOOL OF DESIGN RESEARCH ASSISTANT / CONSULTANT [January - July 2014] Contributed towards the development of various research projects for former Professor Ingeborg Rocker. In collaboration with various ﬁrms and clientele, we served as design consultants of locally ongoing residential projects.

BUREAU SPECTACULAR, Chicago, IL ARCHITECT [June 2012 - August 2013]

www.bureau-spectacular.net Led and collaborated in the development of various projects and competition entries through the production of computer/physical model work, renderings, illustrations, and screen prints. Most notably I designed, produced the fabrication documents, and managed the fabrication of there SPEECHBUSTER / 99 CHAIRS [2013] installation commissioned by Storefront of Art and Architecture in New York. I also participated in every aspect of the design and submission phase necessary to secure the commission for the NATIONAL PAVILION OF TAIWAN / VENICE BIENNALE [2014]

JUDITH K. DE JONG, UNIVERSITY OF ILLINOIS AT CHICAGO RESEARCH ASSISTANT [August - June, November 2012] Assisted with the development of diagrams for the book “New Suburbanisms,” [Routledge, 2013] seeking to explore the design implications that emerge as cities and their suburbs become more similar. Included were detailed 3d timeline diagrams of Uptown Houston and Chicago’s South Loop highlighting their development by decade since the 1950s.

SKILLS Fluent in English / Spanish, Adobe Graphics Suite, Google Sketchup, Rhino, V-Ray, Grasshopper / Scripting, Autocad, Revit, 3Ds Max, Microsoft Ofﬁce Suite, Drafting, Sketching, Digital/Physical Modeling, Laser Cutting, 3D Printing, Screen Printing, Intermediate Carpentry And Woodworking, the making of pastries, desserts, breads and other baked goods

-- ----- ---

DIGITAL MEDIA II PARAMETRIC AND GENERATIVE GEOMETRY AND MODELING

HOTEL ALEXANDRA SPRING 2016 | FIELDWORK IN CONSERVATION DESIGN SEMINAR

INTROVERTED MULTIPLICITY FALL 2016 | THESIS IN SATISFACTION OF DEGREE MARCH

WASTE, REUSE, & THE PARKSPACE SPRING 2016 | WtE RESEARCH LAB

OF THE PARK, OF THE MFA SPRING 2014 | CORE II STUDIO

VILLAGE URBANISM FALL 2014 | CORE III STUDIO

INTERLAPPING SPRING 2012 | UNIVERSITY OF ILLINOIS CHICAGO

HOTEL ALEXANDRA FIELDWORK IN CONSERVATION DESIGN HARVARD GSD, SPRING 2016 BOSTON, MA MARK MULLIGAN WINNER OF PLIMPTON POORVU PRIZE 2016 IN COLLABORATION WITH ANNA HERMANN

This strategic development plan for the Hotel Alexandra aims to extrapolate from research and findings of the accompanying Historic Structures Report and combine this with market analysis, community insight and the development of a financial model for funding of the rehabilitation and continued use of this building. Our market analysis, community research, and financial analysis informed the basis of a design proposal for the treatment and future use. This proposal argues for a mixed-use commercial and residential building with retail spaces on the ground floor, rentable office units on the second floor, and middle-income housing on floors 3-5. The new design proposal advocated for the construction of a three story extension on the land parcel directly adjacent, to the Hotel Alexandra. Constructed on the site of the former Ivory Bean building, this new 900 sq. ft extension would facilitate ground floor entry into the Hotel Alexandra providing a new public entry for both the commercial and residential tenants as well as increased ground level accessibility in keeping with ADA standards for accessible design. Our aim in preserving this historic structure is to repair and retain what remains of the building, primarily its facade and ground floor condition in keeping with the criteria defined by the South Endâ&#x20AC;&#x2122;s Landmarks Commission. Building upon the historic floor plan layout of the former building and knowledge about the general time period from which it was built, our design proposal for the new interiors would maintain a referential allegiance to certain alignments and material dispositions of the original. At the same time it will also account for contemporary ideas of the way people want to live, work and dwell in a city. As important as preserving the material matter that remains (particularly in the treatment of the sandstone facade and the reconstruction of key facade elements), it is important to preserve the conceptual intention of the building as one of innovation by imagining what it means to inhabit a space - to work, live and dwell - in a contemporary sense, and how this relates to the needs of the community and the urban condition present at this site.

Hotel Alexandra Table of Contents

Introduction

Site and Context

Developmental History

May 2016 Anna Hermann Felipe Oropeza Jr.

Existing Condition

Preservation Status

Treatment

Proposed Use

Design

Development Model

Collaborators & Actors

Financial Model

Project Timeline

on St. At Massachusetts Ave.

Hate Alexar

Introduction

Map 1: The So~h End neighborhood lies in close proximity to downtown Boston, Back Bay, Chinatown, ~d Roxbury making it a desirable and well tralficked part of the city.

Map 2: The Washington Street corridor has historically served as an important commercial and circulation route that connected downtown Boston the ~aosloo Neck.."

Map 3: TheHotel Alexandra sits at the busy intersection of Washington Street and Massachuse border of the South End and Roxbury neighborhoods).

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Washington Street, the first connecting street between downtown Boston and Roxbury around which the land was infi lled to create the South End, underwent aperiod of redevelopment in the 1880s and 1890s following the dismantling of the above ground orange line trains tracks which ran down the middle of the street, leaving a wide 40 ft and busy traffic corridor and a neighborhood that had suffered fromneglect. During these decades the city and the BRA built a number of affordablehousing projects and the Washington Gateway, a main street organization, started to support the proliferation of small businesses along Washington Street. Presently, there is enormous development occurring, the executive director of Washington Gateway, Jennifer Effron, estimates some 2,000 units of new construction housing (mostly high end residential) will go in starting January 2015 in the South End. The new housing stock will predominantly be one-bedroom and stud iorental units, with some condominium.

Developmental History After multiple changes of ownership in the 20th century, Macedonia Realty Trust owned the property until the end of the century but did littleto rehabilitate the building as it fell further into disrepair After a number of court injunctions and threats from the city to place the building into receivership, Macedonia Realty Trust sold thebuilding to the Church of Scientology in 2008 for $4.5 million dollars. The Church of Scientology commissioned Gensler Architects to propose aredesign for the building to serve as the headquarters of its Boston chapter and gained approval for the demolition of the Ivory Bean building next door, siting its condition as beyond repair. The Church ultimately could not afford and follow through with its intended proposal and placed both its stakes on the former Ivory Bean and the Hotel Alexandra on the market in November 2015 and having received over twenty offers on theproperties for sale, the Church has yet to commit to a buyer. This building is not designated as a Historic Landmark, but it sits within the South End Landmark District which means that the Landmarks Commission retains the right to review and approve development proposals. The architectural and historical significance of this building is undisputed but numerous failed redevelopment plans have left it behind in a neighborhood that has seen significant economic investments in numerous rehabilitation and revitalization projects. Private developers make up the majority of the market in this area and building type, but there are a few non-profit organization active in development of historic properties. An ideal developer for this project would be an organization like Historic Boston, Inc. They are a non-profit development company whose mission is to develop and preserve historic properties. They often partner with private developers and through a mix of donations, foundation grants, tax credits and private equity, purchase properties for redevelopment. Project management is transferred to amanagement company once the rehabilitation and establishment of new use have occurred. The model proposed in this strategic development plan, mirrors the structure of such anon-profit development organization and combines foundation grants, tax credits and private equity to finance the rehabilitation while making a developer fee. Site management could be done by a separate entity operated within the non-profit or could be transferred to private ownership once the project stabilizes.

Hotel Alexandra

I Strategic Development Plan

May 2016

Existing Condition

Preservation Status

The extent to which this once vibrantly red and buffed colored sandstonefacade has been allowed to deteriorate under more than acentury of soot is very apparent. Cracked and displaced masonry lintels as well as open mortar joints occurring on both facades along Massachusetts AVfJ and Washington Street demonstrating the need for repair and possible stabilization of its ornamental architectural eleroonts. Moments of exloliating and spatting sandstone along open lacing mortar joints can also be observed. There is no doubt the exterior exhibits severe disrepair and neglect. Following the necessary guidelines prescribed under the Historic landmarks commission, the strategicplan anticipates a preservation and reconstruction treatment towards most of the exterior brick and metal work.

The Question of preservation and more specifically what particular aspect of our building is bei preserved is ama1or aspect for consideration for our building. We considered aspectrum of pr preservation approaches that range froma reconstruction of the original spatial and organizalir configuration of the original structure to one which considers the historic value of the external accommodate a complete new and adaptively reconfigured interior

Because of asuspicious six-alarm lire in 1993 that gutted much olthe upper levels down to its brick bearing walls the interior is closed ol and oil-limits to the public. The extents to which the original interior currently exists is unknown, however there is no doubt it is in astate of disrepair. On the ent level, where we are able to gain entry Y'Je observed the partition that once separated the two retail spa of the base has been remoVfJd to allow for one large retail space. The steps into the retail spaces ha also been removed we presumeto comply with required ADA access requirements. Athree-story residential building located directly next to the Hotel Alexandra, the Churcll of Scientol demolished the Ivory Bean building in April 201 1. The land is currently for sale with the Hotel Alexandra and presents an opportunity to develop both parcels in conjunction with each other.

Rehabilitation

Photo 1: Close-up images of cracked and displaced masonry of awindowheader ornament moment on the Massachusetts facing facade of the Alexandra Hotel.

Adaptive R

Rehabilitation/Reconstruction

Photo 2: Loose mortar joints that were observed at ~e parapet. (photofromHotel Alexandra Gensler Report)

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The original structural logic of thebuilding involved masonry load bearing perimeter 1 spanning wood joist floor structure will remain but be reconstructed using contemporar construction techniques. The new retrofitted construction will address insulation, air i and other currently energy consuming insufficiencies. A new sprinkler system would al: considered as part of the necessary code complying upgrades to the building' systems STRUCTURAL SYSTEM

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Treatment The question of preservation and more specifically what particular aspect of our building is being preserved is a major aspect for consideration for our building. A combination of rehabilitation, preservation and adaptation are thus being proposed. The idea of 'treatment' applies to the condition of the exterior facade and the interior spaces. implicates the current condition of the materials that survive and also the situation of accessibility. The ground floor retail is the only remaining interior space. Treatment of this space involves rehabilitation.

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Hotel Alexandra

I Strategic Development Plan

May 2016

The upper floors are entirely reconstructed. To meet the demands of todays housing market the original 2,000 sq. ft units will be subdivided into 5 units on the 3rd floor upward, with an effort made to maintain access to the perimeter and spatial eccentricities of the interior walls. Rehabilitation is necessary of the chimney located in the southeast corner. To maintain an aspect of the original character, the original plaster ornament _ ll"""' e..,e""ca,,,s""""'.,,,d~... Âˇ ,,,, te,,.__ _ _ _ _ _ _ _ _ _ _ _ _ _ __ white. Charred wood used on the elevation of the new additio sawn wood flooring of the individual units A material palette attempts to preserve the original sense of the interior form.

Proposed Use

We are proposing thus to redevelop the Hotel Alexandra as a multi-unit type with mixe1 building. The ground floor level will be renovated to retain its retail designation with thE provide anew storefront frontally and entry onto Massachusetts Ave. This is of course c approval by the South End Landmarks commission's assessment of our proposal for re1 Office space within thesecond level would provide a beneficial buffer space between th1 accessible retail ground andthe residential above. Amultitude of apartment unit types in section would facilitate the inclusion of adiverse selection of population of people.

MIXED USE PROGRAM

Massachusetts Ave. Elevation

Tying all this together would b< organization of the entry seque the now vacant plot of proper!) had been the former site of the Considerations of ADA access primary driver for this decisior is to provide this with as minin intervention a possible to the e character of Hotel Alexandra. T of designated outdoor public a communal green spaces is om for inclusion within our propm 4thto5th level Maiso-neiie-Uniis-

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BRA HOUSING CHARTS In consultation from Jennifer Effron, director of the Washington Gateway Main Street organization, the proposal focuses on the development of middle incomehousing. Currently thearea has a proportionally substantial amount of affordable housing and the concern is that the middle income wilI be priced out of market rateapartments. New development in the South End is primarily luxury and high end condominiums. There is a strong possibility that the city will introduce a subsidy for middle income housing in the near future.

MAXIMUM AFFORDABLE RENTS Bedrooms

50'll.

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65%

70'll.

75%

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90%

100%

110'll.

120%

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AMI

AMI $2,052

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5821

$890

5958

$1,026

$1,094

$1,232

$1,368

$1,504

$1,642

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5913

5989

51,065

51,140

51,216

51,369

51,521

$1,672

51,825

52,281

$887

51,065

$1,153

51,242

$1,331 1$1,419

51,597

$1,774

51,951

52,129

$2,662

51,013

$1,216

51,318

$1,419

51,521

$1 622

$] 825

$2027

$2 239

$2 433

$3 Q41

51,140

51,369

51,482

51,597

$1,71 1

$1,825

52,053

$2,281

52.509

52,737

$3.421

51,267

51,521

51,648

51,774

$1,901

$2,027

52,281

$2,534

52,788

53,041

53,801

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50%

70'll.

75%

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Size

AMI

$34,350

$41,250

$44,650

$48,100

551,550

539,250

$47,100

551,050

554,950

558,900

90%

100%

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120%

AMI

$54,950

$61 ,850

$68,700

575,550

582,450

562,800

$70,650

$78,500

586,350

594,200 5105,950

$44,150

$53,000

557,400

561,850

566,250

$70,650

$79,500

588,300

$97,150

$49,050

558,900

$63,800

$68,700

573,600

$78,500

$88,300

598,100

5107,950

5117,750

$53,000

$63,600

$68,900

574,200

579,500

$84,800

$95,400

5105,950

$116,550

5127,150

$56,900

$68,300

574,000

579,700

585,350

$91,050

$102,450

$113,800

$125,200

5136,600

Hotel Alexandra I Strategic Development Plan

May 2016

Design The addition on the site of the former Ivory Bean building serves as a circulation core and extension of the residential and retail units. The addition should be clearly new and separate. As can be seen from the elevation the rhythm and sizing of the windows would continue that established by the Hotel Alexandra. The use of what we are proposing to be a charred wood facade would recall aspects of its recent past while offering asense of resilience for the future.

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The complete Historic Structure Report and Strategic Development Plan can be viewed at felipeoropezajr.com

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INTROVERTED MULTIPLICITY INDEPENDENT THESIS IN SATISFACTION OF DEGREE MARCH HARVARD GSD, FALL 2016 CHICAGO, IL Advisor IÑAKI ÁBALOS COMPLETED WITH DISTINCTION JANUARY 2016

Urban ruins exist among us. They inhabit our built environment vacant, uninhibited in appearance and without much of a voice or forethought. Locating these urban ruins offer the opportunity to mine untapped sources of cultural and a social capital with the aim of curating established areas of the built environment while acknowledging hidden historical narratives. What differentiates these ruins from other buildings afflicted with the inevitability of urban blight is a profound sense of belonging or what John Ruskin cites in his essay “Lamp of Memory,” as the “glory of its age… and deep sense of [silent] voicefulness, of stern watching… which we feel in the walls that have long been washed by the passing of humanity… in their lasting witness against men… that we are to look for the real light, and colour, and preciousness of architecture.” The Chicago Post Office is one such urban ruin. Vacant since the late 1990s, this massive industrial high-rise was once the United States Post Office’s primary mail distribution center for all transcontinental mail for nearly three quarters of the twentieth century. The proposed intervention will seek to conserve the essence of Art Deco edifice through the preservation of certain elements, including the envelope. Its new relationship to the city will thus manifest in two ways: as one building on the outside and more than one on the inside. The motivation will be towards a dynamic isomorphic hybrid relationship of the new and historic whole. Without this impetus, there is no hybrid, rather a collection of functions belonging to one building.

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THE MONTESSORI SCHOOL CONCEPT Clear, precise, and abstract ideas are used for thought. The ch ild's growing knowledge of the environment makes it possible for him to have a sense of reality in space. Multiplicity is also related to spatial orientation. In the first plane of development, the human tendency to make order along with the sensitive period for order support the extents by which the child classifies experiences in the world. The Montessori materials help the child construct a precise order. In the class, the child is offered material and

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WASTE, REUSE, & THE PARKSPACE WtE RESEARCH LAB HARVARD GSD, SPRING 2016 HÖGDALEN, SWEDEN LEIRE ASENSIO VILLORIA | HANIF KARA PUBLISHED IN HARVARD “ARCHITECTURE AND WASTE: A (RE)PLANNED OBSOLESCENCE,” 2017

Forecasts indicate a 25% projected increase in Stockholm’s population by 2030. Högdalen is no exception to this projection and this proposal proposes to integrate a design strategy for a future Waste to Energy Power Station / Landscape park community recycling center and marketplace that facilitates the notion of RE-USE as a critical practice within its localized industrial waste management ecosystem. Inspired by a scaled down version of Stockholm’s Green Wedge approach to urban planning, which implements a region-wide system of interlinked park and open spaces that respects the need to preserve natural areas both for ecological and human health, this strategy would consider such factors as networks of flows, circulation, and accessibly within the greater landscape. Three distinct zones of culture, marketplace, and industry are established within the landscape. The notion of the park-space as the canvas on which to integrate via burying and land-forming the WTE processes thus becomes integral to the project. A 20 x 20 meter structural grid, derived from an organizational logic of a car-parking module, modulates the underlying organizational fabric that ultimately provides the means to hybridize and bring a synergy to all programmatic, circulatory and structural components.

SITE STRATEGY 1. Adaptlwdy MINTERLIN K• Proposeprimaryasl&riasoltransportalton byre-appmpri.ahnge.i$lingpalhs ;>Ctou 1he sila tofacil~atan-'nkage t batw"'1

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Major thofoughfares of public space provide tho interstitial space from w hich to allow the wariously zones programed spacos to 'breath" both figuratively and literally allowing the distinction of each to be noliceab!y more p1orl0Unc&d. II lakes the role o f a pedestrian orientated public piazza because they are paved to fool as a p1ogrcssion of human scaled outdoor rooms, su rrounded on all sides by buildings and additional passageways while facilitaling the aclivity of people· watching as sport.

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Ground floor Plan

FRAGMENTATION

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Fragmentation in tenns of tho incineratmg and f~tering compononl s allows each to exist as separate components of a larger whole. This allo ws each to highligil the dilemma of what 1hoy represent in leims or a pe1ceived (Xllluter and the reality l hoir low emission standards.

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BURIAL/LAND· FORMING Burial and land-forming of the WTE components is a technique unde<taken to reduce 1he prominence while camounagi1g the true scale o f the facility. This plays to the aspect ol 1ho spcc1acle when the hidden 1s revealed.

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CALIBRATED TRANSPARENCY This project proposes to highlight the nuances of the dynamic multi-laye1ed sequenoa of operations via an architectural exploration of the wall ground/roof/roof su rface. This otters the oppor1unity to ooamk:ssty inlogate the WTE componoots within its land-

scape context Framed opporlunitios occur within and throughout providing the spectator unique vantage points for the puiposa of both .sho'NCasing and educating the public into the various o ther critical operalions within the complex.

3 19

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WASTE, REUSE, & THE PARKSPACE

Image 58. She model photograph. Model by Felipe Oropeza Jr for WTE Desig n Lab Studio.

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Image 63. View from the zone of reverence I marketplace roofscape overlooking public interior areas of performance and spectacle

325

OF THE PARK, OF THE MFA MUSEUM OF FINE ARTS RARE BOOKS LIBRARY HARVARD GSD CORE II, SPRING 2014 BOSTON, MASSACHUSETTS JEFFRY BURCHARD | GRACE LA PUBLISHED IN HARVARD “PLATFORM 7,” 2014

The goal was to situate a library of the MFA (Museum of fine Arts) within one of three designated locations of the Park. My attempt for my project was to establish a visual relationship with the MFA (via an abstracted interpretation of the classical facade) and at the same time have it belong to the park (via the irregularity of my formal strategy).The organizational strategy in terms of program and circulation was based from a reading of Adolf Loos’s Villa Karma (one of my precedent studies). From this precedent, I extrapolated the ideaOF of a central THE PARK OF THE MFA volume, enveloped by a band of other volumes, cells, and programs. Moments of threshold differentiate these spaces to evoke the concept of a depthless of interior. Access to program along the perimeter, which is perceived as readily accessible, is elongated in the way the entry leads into the deep interiority before access is granted into the perimeter bands. The moment of entry (render one) is one of the most OF THE PARK THE MFA sequence because it serves as important moments ofOF this the moment of threshold between outside and the deep interior, bypassing the perimeter modulation. At the same time it visually grants access back onto itself, mediating the deep interior with its external self, the facade.

OF THE PARK OF THE MFA

IRREGULAR FOOTPRINT

FACADE / FENESTRATION IMPRINT

3RD FACADE

(DERIVED FROM THE ORGANIZATIONAL UNIT MODULE, IS OF THE PARK)

(DERIVED FROM THE CLASSICALLY ARRANGED FACADE OF MFA)

(DERIVED FROM THE IMPLEMENTATION OF THE UNIT MODULE, IS OF THE PARK)

FE NW AY

NW AY

SITE PLAN

0’

SHOWING RELATIONSHIP OF FACADE TO MFA AND SITE

32’

64’

128’

60° 60° 60°

120° 120°

CONSTRUCTED GEOMETRY

120°

WITH SPECIFIC ANGULARITIES TO SITE

CONSTRUCTED GEOMETRY

30°

WITH SPECIFIC ANGULARITIES TO SITE

CONSTRUCTED GEOMETRY

30°

WITH SPECIFIC ANGULARITIES TO SITE

30°

OFFSET FOR CIRCULATION

ROTATE BISECTOR TO EXTEND PERIPHERY

OFFSET FOR CIRCULATION

ROTATE BISECTOR TO EXTEND PERIPHERY

OFFSET FOR CIRCULATION 45

45 45

eq eq

CONSTRUCTIVE GEOMETRY eq

THE PROCESS OF SETTING OUT THE PLAN OF THE LIBRARY

CONSTRUCTIVE GEOMETRY

THE PROCESS OF SETTING OUT THE PLAN OF THE LIBRARY

CONSTRUCTIVE GEOMETRY

THE PROCESS OF SETTING OUT THE PLAN OF THE LIBRARY

EQ EQ

D B B

D A

THE UNIT GEOMETRY COMPOSED FOUR SIDES = FOUR FACADE TREATMENTS

THE UNIT GEOMETRY COMPOSED

FOUR SIDES = FOUR FACADE TREATMENTS

THE UNIT GEOMETRY COMPOSED

FOUR SIDES = FOUR FACADE TREATMENTS

THE UNIT GEOMETRY AGGREGATATION METHOD TO DEFINE DESIRED FACADE (OF MFA)

THE UNIT GEOMETRY AGGREGATATION METHOD

eq eq

TO DEFINE DESIRED FACADE (OF MFA)

THE UNIT GEOMETRY AGGREGATATION METHOD

TO DEFINE DESIRED FACADE (OF MFA)

PROCESS OF SETTING OUT THE PLAN FOR THE LIBRARY eq

THE UNITS DISPERSED

LARGE VOLUMETRIC PROGRAMS PROGRAMS: LARGE READING ROOM THEATRE CAFE AND BOOKSTORE MAIN ENTRY

RARE BOOK STACKS AND READING ROOMS

PUBLIC BOOK STACKS AND READING ROOMS

PUBLIC BOOK STACKS

RARE BOOK STACKS

AND READING ROOMS

THE UNITS ORGANIZED (IN TERMS OF PROGRAM AND CIRCULATION) (INFORMED BY ADOLF LOOS VILLA KARMA PRECIDENT)

LARGE VOLUMETRIC PROGRAMS: LARGE READING ROOM THEATRE CAFE AND BOOKSTORE MAIN ENTRY

THE UNITS ORGANIZED (IN TERMS OF PROGRAM AND CIRCULATION) THE(INFORMED UNITS ORGANIZED (IN TERMS PROGRAM AND PRECEDENT) CIRCULATION) BY ADOLF LOOSOF VILLA KARMA (INFORMED BY ADOLF LOOS VILLA KARMA PRECIDENT)

OF THE PARK, OF THE MFA

Top Floor

13.

1. Vestibule 2. Lobby/Reception and Gallery 3. Small Theater 4. Bookstore and Cafe 5. Large Reading Room 6. Reference Desk 7. Public Stacks 8. Circulation and Support Area 9. Book Scanners/Photocopy 10. Computer Research Stations 11. Multipurpose Rooms (meeting/conference) 12. Rare Book Stacks 13. Grande Staircase

12. 9.

9. 9.

First Floor

12.

13.

12.

13.

12.

9. 9.

12.

9. 9.

12.

2. 7.

13.

9. 9.

11.

10.

13.

Ground Floor Plan

PROGRAMATIC ORGANIZATION PROGRAMMATIC ORGANIZATION

ELEVATION A (REFERENTIAL TO MFA)

ELEVATION A (REFERENTIAL TO MFA) ELEVATION B ELEVATION A (REFERENTIAL TO MFA) ELEVATION B ELEVATION A (REFERENTIAL TO MFA) ELEVATION B

ELEVATION B ELEVATION C ELEVATION B ELEVATION C ELEVATION B ELEVATION C

ELEVATION C ELEVATION D ELEVATION C ELEVATION D ELEVATION C ELEVATION D

ELEVATION D ELEVATION E ELEVATION D ELEVATION E ELEVATION D ELEVATION E

ELEVATION E ELEVATION F ELEVATION E ELEVATION F ELEVATION E ELEVATION F

ELEVATION F ELEVATION G ELEVATION F ELEVATION G ELEVATION F ELEVATION G OF THE PARK, OF THE MFA

ELEVATION G

L SITE PLAN

ENTRY THRESHOLD CONDITION (PERIMETER BAND/INTERIOR SPACE) (INTERIOR / EXTERIOR FACADE)

0’

8’

16’

32’

ELEVATION E ELEVATION F ELEVATION E ELEVATION F

ELEVATION E ELEVATION F

ELEVATION F ELEVATION G ELEVATION F ELEVATION G

ELEVATION F ELEVATION G

ELEVATION G ELEVATION H ELEVATION G ELEVATION H

ELEVATION G ELEVATION H

ELEVATION H ELEVATION I (REFERENTIAL TO MFA)

ELEVATION I (REFERENTIAL TO MFA) ELEVATION J ELEVATION I (REFERENTIAL TO MFA) ELEVATION J

ELEVATION I (REFERENTIAL TO MFA) ELEVATION J

ELEVATION J ELEVATION K ELEVATION J ELEVATION K

ELEVATION J ELEVATION K

ELEVATION K ELEVATION L ELEVATION K ELEVATION L

ELEVATION K ELEVATION L

ELEVATION L

0’

ELEVATION L 41

OF THE PARK, OF THE MFA

8’

16’

32’

PLAN B

VIEW FROM RARE BOOK STACKS INTO READING ROOM (ALIGNED PATHS)

0’

8’

16’

32’

SECTION A

SECTION B

SECTION C

SECTION D

SECTION E

VIEW FROM READING ROOM INTO RARE BOOKS STACKS (WITH STUDY CARRELS)

0’

8’

16’

32’

0’

8’

16’

32’

0’

8’

16’

32’

0’

8’

16’

32’

0’

8’

16’

32’

PLAN A

VIEW FROM PUBLIC STACKS

0’

8’

16’

32’

ELEVATION A (REFERENTIAL TO MFA)

ELEVATION F (ONE OF THE ELEVATIONS OF THE PARK)

ELEVATION I (REFERENTIAL TO MFA)

OF THE PARK, OF THE MFA

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VILLAGE URBANISM MIXED-USE HIGH DENSITY URBAN HIGH-RISE HARVARD GSD CORE III, FALL 2014 PHOENIX, ARIZONA IÑAKI ABALOS | ERIC HÖWELER PUBLISHED IN HARVARD “PLATFORM 8,” 2015

Earth, wind, water, and the sun broadly define the fundamental elements that begin to inform the formal and material strategies of a southwest village vernacular. They define a regionalist approach to architecture which seeks to resists the placeless universal homogeneity of mainstream modernism, through a didactic understanding of the geographical, climactic, as well as any sociocultural particularities related to site. These elements delineate a scalar and hierarchical relationship between the part to whole as they interact with various contingencies of the urban, human, and material scales. Walls are homogeneously massive porous modular components of the earth for structural purposes. The fenestration is orientated in the direction of prevailing wind to facilitate ventilation and strategically inset to maximize heating and cooling through solar control. Water is celebrated for its cooling and recreational properties, nurturing a unique desert experience that runs counter any preconceived notion for the arid climate of the American southwest.

Thermal Mass

ALTERNATE “LIFT” OPERATION

Courtyard Evaporative Cooling

ROTATE VERNACULAR “L” SHAPED TYPOLOGY Plan, Casa Cordova, Tucson, AZ

OPTIMIZE

DUPLICATE, ROTATE, AND OPTIMIZE

TO CONSIDER SUN ANGLE

ON SITE

DERIVED FROM VERNACULAR CASE STUDIES ABOUT THE X AXIS. THE “L” SHAPE, OPTIMIZED TO THE SOUTHWEST CLIMATE FOR HORIZONTAL DISTRIBUTION, MAY ALSO BE APPLIED VERTICALLY.

DISTORT TO CONSIDER SITE VIEWS AND FLOWS

REPEAT VERTICALLY

REPEAT AND REP

ALTERNATING THE “LIFT” OPERATION

TWICE MORE ALTERN OPERATION ONCE

“PINCH” AND “LIFT”

ALTERNATE “LIFT” OPERATION

REPEAT VERTICALLY

REPEAT AND REPEAT

ALTERNATING THE “LIFT” OPERATION

TWICE MORE ALTERNATING THE “LIFT” OPERATION ONCE

PACK “STRUCTURAL” HOTEL UNITS WITHIN

SHIFT HOTEL MODULES TO FACILITATE FLOWS OF VIEWS, VENTILATION, CIRCULATION, AND SHADING STRATEGY

ADAPT STRUCTURAL MODULE TO FORMAL STRATEGY + ARTICULATE THE BASE CONDITION BASED ON SHADOWS ON SITE TO ENHANCE OVERALL VENTILATION, CIRCULATION, AND SHADING STRATEGY

OPTIMIZE MATERIALITY BASED ON AN INFORMED MATERIAL GEOGRAPHY TO ENHANCE BOTH THE THERMODYNAMIC AND PROGRAMMATIC DYNAMICS

SOLAR HEATED WATER (FOR THERMAL BATHS)

MEDIATES EXCESSIVE HEAT GAIN OF MASSING IN THE DAY WATER IS TREATED / RECYCLED BETWEEN THE THERMAL BATHS AT THE BASE AND THE ROOF POOLS

WATER IS MIXED AND TRANSPORTED DOWN TO THE THERMAL BATHS

SUMMER / WINTER OPEN AIR CONDITION SE AXONOMETRIC

9000+

8100+

7200+

6300+

5400+

4500+

3600+

2700+

1800+

901+

OPTIMAL

W h / m2

ANGLE MMER FOR SU SUN

76.5°

EC TI

PROTECTED CONDITION

100°

55.48°

FALL EQUINOX

SEPTEMBER 26

79.8°

SUMMER SOLSTICE

100°

INCLEMENT WEATHER / EXCESSIVE SOLAR HEAT GAIN

May 20

APRIL 17

1000 W/m^2

100

80 MONTH

76.5°

66.7°

120

SPRING EQUINOX

NET RADIATION (W/m^2) TEMPERATURE (°F)

DAILY INCIDENTAL SOLAR HEAT RADIATION (SUMMER)

P IS REV FR A OM ILI N TH G E WI EA N ST D D

WINTER SOLSTICE

COLD WATER INTAKE HOT WATER OUTPUT

NW AXONOMETRIC

MANAGEMENT OFFICE 289 sq. ft.

MANAGEMENT OFFICE 261 sq. ft.

CE WINTER SOLSTI F HOURLY AVERAGE 3:00pm - 62.1°

BUSINESS CENTER 1945 sq. ft. MANAGEMENT OFFICE 253 sq. ft. MANAGEMENT OFFICE 247 sq. ft.

LOBBY / RECEPTION 3120 sq. ft.

RESTROOM (M) 414 SQ. FT.

RAIN WATER RUNNOFF TO BE TREATED AND RECYCLED

RESTROOM (F) 375 SQ. FT.

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3:3

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RESTAURANTS AND BARS

MANAGEMENT OFFICE 289 sq. ft.

MANAGEMENT OFFICE 261 sq. ft.

MANAGEMENT OFFICE 253 sq. ft.

MANAGEMENT OFFICE 247 sq. ft.

BUSINESS CENTER 1945 sq. ft.

RESTAURANTS AND CAFES

OPERA, BALLET, AND ORCHESTRA MUSIC STAGE

Restroom 1 414 sq. ft. LOBBY / RECEPTION 3120 sq. ft.

Restroom 2 375 sq. ft.

STORAGE 1850

SPORTING ARENA AND CONVENTION CENTER

0m 20m

SITE PLAN PEDESTRIAN FLOWS, VIEWS, AND ADJACENCIES

FRONTAL VIEW NORTH FROM THE NORTHWEST PLAZA OF THE US. AIRWAYS CENTER

VIEW WEST FROM THE ENTRY OF THE COLLIER CENTER

80m

POOLS / BATHS LOBBY AND RECEPTION 950 335

1111 1975 310

5340

950 / 800

CHANGING ROOM 2

1111 / 800

MANAGEMENT OFFICE 2 POOL(S) FOR DIVING

1452 1106

5340 / 7600 3124 / 1200

SAUNA / SHOWER

550 / 700

2759 / 2500

WELLNESS CENTER

2578 / 2500

CHANGING ROOM 1

850 / 800

CHANGING ROOM 2

860 / 800

MANAGEMENT OFFICE 1

270 / 300

930 / 800

YOGA AREA

890 / 800

2400

810

840 890 2578

850

270

2759

251 248

258

2400 / 800

TREATMENT ROOM 1

248 / 250

TREATMENT ROOM 2

258 / 250

TREATMENT ROOM 3

253 / 250

TREATMENT ROOM 4

246 / 250

TREATMENT ROOM 5

253 / 250

TREATMENT ROOM 6

256 / 250

TREATMENT ROOM 7

253 / 250

TREATMENT ROOM 8

249 / 250

TREATMENT ROOM 9

280 / 250

TREATMENT ROOM 10

260 / 250

TREATMENT ROOM 11

276 / 250

273

280 2640

246

251 / 300 2640 / -

SPINNING AREA TRAINING AREA

930

ALLOCATED / REQUIRED

RECEPTION AREA

SPECTATOR AREA

890

310 / 300 1106 / 7600

THERMAL POOLS

MANAGEMENT OFFICE 2

276

335 / 300

POOL(S) FOR LAP SWIMMING

GYMNASIUM

249

4523 / 6500

CHANGING ROOM 1 MANAGEMENT OFFICE 1 2546

ALLOCATED / REQUIRED

860

253 249 253

253 256

TREATMENT ROOM 12 BASKETBALL COURTS (2) FITNESS LOUNGE

HOTEL LOBBY / RECEPTION

3199

273 / 250 7890 / 7890 810 / ALLOCATED / REQUIRED

3120 / 2500

RESTROOM 1

420 / 400

RESTROOM 2

380 / 400

RESTROOM 3

405 / 400

RESTROOM 4

391 / 400

STAFF LOCKERS 1

835 / 600

2563

STAFF LOCKERS 2

3199 2472 1739

KITCHEN

1631

750 / 600 1856 / 2000

1475 1341

2863

1241

2243

1850

250

750

2100

1550

835

421 398 289

261 1945

3120

414 375

720 550 873 648

247

253

CAFE / BREAKFAST ROOM

1949 / 2000

BUSINESS CENTER

1100 / 1000

LOADING DOCK 2 SHARED

1000 / 800

LAUNDRY

1920 / 2000

STORAGE

1850 / 2000

TRASH SHARED

945 / 1000

SECURITY OFFICE

281 / 250

MANAGEMENT OFFICE 1

274 / 250

MANAGEMENT OFFICE 2

256 / 250

MANAGEMENT OFFICE 3

237 / 250

883

MANAGEMENT OFFICE 4

264 / 250

241 HOTEL UNITS @ 484 SF

114608 / 125000

3D PROGRAMMATIC ADJACENCY AND SEQUENCE DIAGRAMS

POOLS

+ 303’ - 0”

HOTEL ROOMS

+ 201’ - 0”

GYMNASIUM

+ 147’ - 0”

HOTEL ROOMS

+ 99’ - 0”

HOTEL LOBBY

+ 12’ - 0”

HOTEL LOBBY (ENTRY)

+ 0’ - 0”

THERMAL BATHS

-12’ - 6”

LATITUDINAL SITE SECTION

FACULTY LOCKERS (M) 750 sq. ft.

SECURITY OFFICE 250 sq. ft. BATH 1 720 sq. ft.

FACULTY LOCKERS (F) 835 sq. ft.

KITCHEN 1850 sq. ft. BREAKFAST CAFE 2100 sq. ft.

SHOWER (M) 250 sq. ft.

SHOWER (F) 250 sq. ft.

BATH 2 873 sq. ft.

LAP POOL(s) 5340 sq. ft.

5 BATH 3 648 sq. ft.

RESTROOM 1 414 sq. ft.

BATH 4 883 sq. ft.

LOUNGE AREA 1550 sq. ft.

RESTROOM 2 375 SQ. FT.

TRAINING / DIVING POOL 2025 sq. ft.

THERMAL BATHS -12’- 0”

HOTEL LOBBY +12’- 0” 0’

VIEW OF THE HOTEL LOBBY FROM THE BASE OF THE MAIN ENTRY RAMP

8’

16’

32’

---------------------------- --------------------

CJ CJ CJ CJ -------------------------------------0

CJ CJ CJ

0’

LONGITUDINAL SITE SECTION

8’

16’

32’

TREATMENT ROOM 12 273 sq. ft.

TRAINING AREA 2400 sq. ft.

TREATMENT ROOM 11 276 sq. ft.

TREATMENT ROOM 10 260 sq. ft.

TREATMENT ROOM 9 280 sq. ft.

FITNESS LOUNGE 810 sq. ft.

TOR AR SPECTA . ft. 2640 sq

LAP POOL(s) 5340 sq. ft.

TRAINING / DIVING POOL 2025 sq. ft.

YOGA AREA 890 sq. ft.

HOTEL SUITES +99’- 0”

GYMNASIUM AMENITIES +147’- 0” 0’

VIEW OF HOTEL UNITS FROM THE SKY LOBBY

SPINNING AREA 930 sq. ft.

8’

16’

32’

OPERABLE FACADE OPERABLE / SHADING FACADE / SHADING

DETAIL AB

SECTION DETAIL AA SECTION DETAIL AA

SCALE 1” = 1/2’ -0”SCALE 1” = 1/2’ -0”

STRUCTURAL COMPONENT 1A

STANDARD HOTEL STANDARD UNIT CONFIGURATION HOTEL UNIT CONFIGURATION

HOTEL MODULE CONNECTION DETAIL

STRUCTURAL COMPONENT 1A

DETAIL AB

HOTEL MODULE CONNECTION DETAIL

STRUCTURAL STRUCTURAL VARIANT VARIANT

SCALE 1” = 1’ -0” SCALE 1” = 1’ -0”

STACKING HOTEL STACKING UNIT / STRUCTURAL HOTEL UNIT / STRUCTURAL COMPONENT COMPONENT 1A 1A

DETAIL BC

STACKING HOTEL STACKING UNIT / STRUCTURAL HOTEL UNIT / STRUCTURAL COMPONENT COMPONENT 2B 2B

VIEW OF THE THERMAL BATH EXPERIENCE LOCATED AT THE BASE OF THE HOTEL

HOTEL MODULE/ FLOORPLATE CONNECTION DETAIL

STRUCTURAL COMPONENT 3C

STACKING HOTEL STACKING UNIT / STRUCTURAL HOTEL UNIT / STRUCTURAL COMPONENT COMPONENT 3C 3C

HOTEL MODULE/ FLOORPLATE CONNECTION DETAIL

SECTION DETAIL BB SECTION DETAIL BB

STRUCTURAL COMPONENT 3C

SCALE 1” = 1/2’ -0”SCALE 1” = 1/2’ -0”

STRUCTURAL MODULE HOTEL STRUCTURAL / FLOORPLATE MODULE MOMENT HOTEL / FLOORPLATE MOMENT

SCALE 1” = 1’ -0” SCALE 1” = 1’ -0”

LAP POOL(s) 5340 sq. ft.

6 TRAINING / DIVING POOL 2025 sq. ft.

HOTEL SUITES +201’- 0”

RECREATIONAL POOLS +303’- 0” 0’

VIEW OF RECREATIONAL POOLS LOCATED WITH THE UPPERMOST LEVELS

8’

16’

32’

PHYSICAL MODEL

INTERLAPPING DESIGN/BUILD PAVILION HARVARD GSD, FALL 2011, SPRING 2012 CHICAGO, IL RYAN PALIDER BUILT AND SHOWCASED MAY 2012

INTERLAPPING, as exemplified in Oscar Niemeyer â&#x20AC;&#x2122;s House of the Architect at Cancoa, is used to reconcile the differences between two sprawling surface graphics, creating dynamic spatial qualities within an overlapping roof and ground surface. Various moments of interiorized (void) and exteriorized (figure) space begin to be defined through the interconnecting process of the two surface graphics. Formally this process also begins to suggest program. Amphitheater is suggested by sloped like seating. The wall perpendicular to the amphitheater serves a duality as a presentation wall for a projector facing the amphitheater and gallery area facing outside. At another moment a table top platform is accompanied by seating to create another performance area. When situated within the overall context of the site specific moments of space correlate with the architecture building and important intersections within the walkways, drawing people in to what otherwise would have be vacant space. INTERLAPPING officially opened to the public for the Year End Show on May 4, 2012 concluding a two month construction process. Following the completion of the construction drawings, prefabrication of the wall and floor panels began on 3/19 in the controlled environment of the A+A building. The assemblage of these parts on site promptly commenced on 4/2 and ended 5/3. During this period the roof and exterior cladding was also fabricated, fitted, primed and painted on site. Interlapping remained open to the public for the summer of June - Aug. 2012. CONSTRUCTION TEAM: Felipe Oropeza (Managed and coordinated the fabrication and construction) Ryan Palider (Instructor) Justin Quach-Law Tim Linko Ricardo Rincon Anthony Oplawski Mitchell Hansen Jeffrey Mateja

-$11 9

INTERLAPPING university of illinois at chicago

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+$663

+$104

+$418

+$50

+$73

+$152

2x4x10 Standard/Better Kiln Dried Dimensional Lumber = 276x$2.59 = $715 2x8x8 = 33x$?.59 = $86 2x8xl2 = 1lx$7.48 =$82 2 x 10 x 16 #2 & Better Kiln Dried Dimensional Lumber = 42xS 15.79 = $663 OSB Togue abd Groove Flooring 4x8 at 23/ 32 = 22x$12.27 = $270 7/16"x 4"x 8' OSB Sheathing = 77x$6.97 = $537 Thompsons'Water Seal 5 Gallon Clear Waterproof = 1400 sq ft. / 400 sq ft. per gallon= $49.97 Valspor Exterior Latex Primer= 1450 sq ft. / 400 sq ft. per gallon = $72.94 American's Finest 5 gallon: Flat latex light colors exterior paint 1450 sq ft. x 2 layers I 400 sq ft. per g allon= $76.00x2 = Sl 52.00

$2700.00

~~~~~~~~~~~~~~

_.._.;::::illj West Elevation o~

Section(

Section D 1.6 ' â&#x20AC;¢

INTERLAPPING

lnterlapping officially opened to t he public for the Year

End Show o n May 4, 20 12 com pleting a two month construct ion process. Minor modifications in its original design were made in response to feedback and the

construction process.

:::::-=--

- - -- -__ --- ~-- -- -;_.;:-_~ _-...: -

_.;_

--~- - --~ --_

-- ----11

My complete research/design proposal can be viewed at felipeoropezajr.com

INTERLAPPING