Forte #700

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Cue the candles, cake and balloons, it’s our birthday... and this one’s a whopper! This issue we’re turning 700 and we could not be more chuffed with how Forté Magazine has evolved since our very first issue back in 1991. Now if that doesn’t deserve a piece of chocolate mudcake, I don’t know what does...

PH: 03 5229 7969 2/105 Skene St, VIC 3220 enquiries@fortemag.com.au

FREEBIES

This issue we’ve got the undeniably cool Adalita on our cover. She’s one of the headliners at the 2 Worlds ‘Not For Profit’ Festival, which returns to the Fyansford Paper Mills this weekend (October 20).

With the aim to bring cultures together in a fun, entertaining and interactive festival atmosphere, the event showcases a variety of indigenous and western performers, art, traditional and not-so traditional activities, and indigenous and modern multicultural food offerings. It’s the perfect day out. Read all about the festival on page 12.

This issue we’re giving away two copies of The Biographer’s Lover by Ruby J. Murray. The Biographer’s Lover is a novel about Australia’s complex relationship with memory, and the role gender plays in the ways we represent not only national myths but our private versus our public selves.

Publisher Furst Media Pty. Ltd. Editor Talia Rinaldo

talia@fortemag.com.au

Advertising Josh Dowling

josh@fortemag.com.au

General Manager Glenn Lynch

T O EN TE R :

glenn@fortemag.com.au

Email your name, your number and the code word ‘LOVER’ to talia@fortemag.com.au

Art Director Nathan Mossop

artwork@fortemag.com.au

Interns Chloe Cicero, Aine Keogh, Lauren McKinnon.

Further in this issue, we chat to legendary band of rockabilly heroes The Living End; Kailei Ginman, the mastermind behind the new Melbourne-based female only and LGBTQI+ inclusive agency; Geelong heavy metaller’s Toxicon; iconic pop artist Belinda Carlisle and the two festival directors of Loch Hart Festival and Bendigo Autumn Music Festival, plus heaps more!

FORTÉGRAM Tag us @Forte_mag or #Fortemag to be featured!

@tammywalters

Contributors Anthony Morris, Alastair McGibbon, Amanda Sherring, Chris Lambie, Dr John Lamp, Natalie Rogers, Paul S Taylor, Tex Miller, Wylie Caird.

Advertisers and agents are advised that all advertising copy is their responsibility under the trade practices act. Advertisements are published in good faith and on the understanding that the content is legitimate and lawful. Advertisers and or agents submit advertisements at their own risk. The editor and creators hold no responsibility whatsoever for the content of the magazine in the case that it may offend. Forté accepts no responsibility for errors or omissions. Forté reserves the right to edit all articles and letters.

We’ve also got our fun little functions feature this issue, so if you need help tracking down some venues for your next function, we’ve done the hard work for you.

Talia and the Forté team xx

@tammywalters

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WRITTEN BY SHAE MCCORMACK NICKELBACK ARE TOURING AUSTRALIA NEXT YEAR

THE BIGGEST NAMES OF ‘90S POP ARE HEADING TO AUSTRALIA

Multi-platinum, chart-topping Canadian rock band Nickelback has announced their massive Feed The Machine Tour will land in Australia this summer, bringing their biggest production yet for three shows only. Touring in support of their ARIA #3 album, these will be Nickelback’s first Australian shows since May 2015 and will be a high octane show of tracks from the band’s enduring nine-album body of work, including all-time classics, ‘How You Remind Me’, ‘Far Away’, ‘Burn it To the Ground’ and ‘Gotta Be Somebody’. The powerhouse trio will hit the Brisbane Entertainment Centre on February 13, Sydney’s Qudos Bank Arena on February 15 and Melbourne’s Rod Laver Arena on February 16 – with very special guests Bad Wolves.

Tickets via livenation.com.au.

Prepare for the ultimate 90s nostalgia hit as the So Pop concert series makes its way to Australia in summer 2019. ‘Barbie Girl’and ‘Dr. Jones’ hitmakers Aqua will be busting out the 90s anthems in the headlining slot, joined by other 90s favourites Vengaboys, B*Witched, Blue and Eiffel 65, among others. These stars will take the stage in Perth, Sydney, Melbourne, Adelaide, Auckland and Brisbane for one night only to perform the tracks you rocked out to on your Hits For Kids CDs. To top it off, the evening will be hosted by Cheez TV MVP’s Ryan Lappen and Jade Gatt. Cue the cargo pants, butterfly clips, Tazos and enough glitter that you’ll be shimmering for days. It all goes down at Melbourne Arena on Saturday February 2. Tickets via ticketek.com.au

MUMFORD & SONS AUSTRALIAN TOUR

2019

GEDDES LANE BALLROOM IS MELBOURNE’S NEWEST LIVE MUSIC VENUE

Mumford & Sons will be returning to Australia in January next year for the first time since 2015 to celebrate their new album Delta, which is set to release on Friday November 16. The first look into the album was the recently released lead single ‘Guiding Light’, that proved the band is still in fighting form, nearly four years after the release of their previous ARIA #1 album Wilder Mind. Joining them on their tour dates is none other than young Londoner Michael Kiwanuka, who will be bringing his distinctive, rich and timeless tunes to the table. Kiwanuka will be performing songs from his 2016 album, Love & Hate, which earned him the number one spot in the UK chart. Catch them at Sidney Myer Music Bowl, Melbourne on January 22 & 23. Tickets via www.secretsounds.com.

The Geddes Lane Ballroom, located at 46 King Street Melbourne and previously home to Showgirls Bar 20 is the newest live music venue to pop up in Melbourne. The 400 capacity room also got a makeover, with Lorenz Grollo (CEO of Grollo Group) overseeing the cosmetic and compliance works of the venue as part of the King Street Revival (KSR) Project.

The Geddes Lane Ballroom has been tastefully renovated to enhance the buildings 170 year old heritage bones where punters can enjoy quality curated live music, alongside exemplary food and drinks from a menu heralded by the inimitable Shannon Bennett. In a quirky twist, the venue will also house a novelty pizza vending machine, that will pop out a Margarita in six minutes of ordering. The calendar is now open for bookings, with the bandroom set to officially open to the public over the coming months.

ANNOUNCE

WHAT’S ON

MENOPAUSE THE MUSICAL

WOMEN ON FIRE SUNDAY 4 NOV, 2PM AND 8PM $38, $34 (Conc)

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NORTH BELLARINE MORNING FILM FESTIVAL SHOWTIME

FRI 16 TO SUN 18 NOVEMBER VARIOUS TIMES AND PRICES

JF ARCHIBALD TUESDAY 13 NOVEMBER, 10.30AM

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NOVEMBER NOCTURNAL BRINGS LANKS + CLYPSO TO THE PARTY

THE PLEASURE GARDEN HAVE DROPPED A MAMMOTH LINEUP

Nocturnal will usher in the end of exams and the beginning of warmer times by taking over Melbourne Museum on Friday November 2, and electropop force Lanks will be heading the fun. With two recent sold out Melbourne shows and brand new LP twentyseven under his belt, multi-instrumentalist, producer and songwriter Will Cuming will deliver one of this summer’s most inspired live shows. He’ll be joined by alt r’n’b outfit Adult.Films, DJ Susan, and Clypso who will bring her jungle-infused troptronica, and glitchy afro-punk vibes. You can also nourish your brain with talks themed around palaeontology between sets, with drinks and snacks and experiential elements throughout Melbourne Museum’s cavernous, spectacularly lit entrance hall. Dancing. And dinosaurs. Do it.

Tickets on sale now.

The Pleasure Garden has slowly been making a name for themselves as one of Victoria’s most unique festivals, and this year (Dec 8) is looking to be their best one yet. You’ll be graced with sets from The Temper Trap, Xavier Rudd, the feisty funk fusion of Katchafire, Confidence Man and Northeast Party House, who will be prepping the dancefloor at the main Conservatory Stage for some heady good times. There’ll also be a dose of R&B from Sampa the Great, along with the inaugural Beach Club will host Harvey Sutherland, Andee Frost and Casey Leaver.

Alongside the music, enjoy the mischievous roving performers, take in monumental art installations, discover artisan market stalls, and kick back and enjoy fine food and decadent cocktails in a palm-fringed party paradise curated all for you.

PAUL KELLY & JULIA STONE LEAD SECOND BLUESFEST LINEUP

LILY ALLEN, THE PRESETS + MORE ANNOUNCED FOR PARTY IN THE PADDOCK

Renowned music festival Bluesfest has dropped its second list of musicians who will be heading to Byron Bay for its 2019 lineup, featuring some Aussie and international greats. Two highlights from the newly released list include iconic Aussie stars Paul Kelly and Julia Stone.

Kelly is no stranger to the Bluesfest stage, having played at the festival back in 1999. Over his career, Kelly has released 23 albums, including this Christmas favourite. Alongside Kelly and Stone, other artists include Hozier, David Gray, Gary Clark Jr., Mavis Staples, Flogging Molly, Ruthie Foster, Anderson East, Lukas Nelson & Promise of the Real, The War And Treaty, Mojo Juju, Caiti Baker, plus more. They’ll all will be grooving out with previously announced Bluesfest artists such as Jack Johnson and Kasey Chambers between Thursday April 18 and Monday April 22 in Byron Bay.

Bringing the beat back to Tasmanian musiclovers in 2019, Party in the Paddock have just revealed a massive lineup for their seventh edition next February. Round up your Paddock pals and prepare for a very special summer music adventure with none other than British legend Lily Allen, The Presets, Riton & Kahlo, The Jungle Giants and Vera Blue – just to name a few. There’ll also be mammoth sets from Tassie faves Luca Brasi and UK rocker Yungblud, along with guaranteed smooth verses from Remi, Kwame and Winston Surfshirt. Going down over three days from 7 to 9 February, these are some of their biggest names to date. Grouplove called it when they said Party in the Paddock is one of the best festivals they’ve ever played after headlining the festival last year and this year, the team have gone above and beyond. Peep the full lineup at www.partyinthepaddockfestival.com.au.

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2 DAYS UNTIL 2 WORLDS FESTIVAL WRITTEN BY TAMMY WALTERS

TWO WORLDS WILL BE COLLIDING THIS SATURDAY THE 20TH OF OCTOBER AS THE MÄRRMA’ ROM FOUNDATION FUNDRAISING EVENT, 2 WORLDS FESTIVAL, RETURNS TO THE OLD PAPER MILLS IN FYANSFORD WITH TWO TIMES THE LINEUP AND TWO TIMES THE ENTERTAINMENT THAN ITS DEBUT EVENT.

Hall, the home-grown talent will follow the powerful stylings of folk soloist William Crighton.

The inaugural 2 Worlds Festival in 2017 saw 1500 people descend down to the historical and culturally significant venue in celebration of the fusing of cultures, with 13 artists throughout the day including Archie Roach, Chris Wilson and Imogen Brough. This year the festival has doubled in size, boasting 31 indigenous and non-indigenous artists across 7 staging zones.

2 Worlds Festival alumni, Alice Skye, Yimmal and the Miliyawutj, and Shane Howard and Yimmal Duo will be returning to the all-ages event with Alice Skye also pairing up with Torres Strait Islander, Chris Tamwoy, for the APRA AMCOS Songline Session, sharing song and stories in The Great Hall. The session will be hosted by none other than the charismatic, music wiz herself; Myf Warhurst.

The Button Hall is jam packed with major talent and big names. Triple j fans will be pleased to hear that the crowned “Fresh Prince of Arnhem Land”, Baker Boy appears on the bill. With his songs “Cloud 9” and “Marryuna” ranking in the Hottest 100 for last year, shining light on indigenous culture and tongue, Baker Boy has been appearing on festival lineups all over the country including St Jerome’s Laneway Festival, Groovin’ the Moo, Woodford Folk Festival and now, most appropriately, for 2 Worlds Festival.

The indigenous rapper is followed by an Australian rock veteran. That’s right! 2 Worlds Festival has nabbed ‘You Am I’ front man, Tim Rogers. As part of his ‘The Endless Cycle of Maintenance Tour’, Rogers will perform his songs from the past three decades including band classics.

Fellow rock royalty and 90’s icon, Adalita, will be taking a break as the lead lady of ‘Magic Dirt’ before their reunion shows for River Rocks in November and Hotter Than Hell from December. With a 4.00pm slot in Button 12

Darren Percival, who appeared on The Voice Australia, will also be making his debut at the event where he will be joined by the Masculine Spirit Choir for an unforgettable experience in the Door Gallery.

And that’s just the headline acts! Spread across Button Hall, Providence Winery, The Great Hall, Stone Vault Studio and Door Gallery throughout the day are (in alphabetical order), Above the Bit, Andre Warhurst, Andrea Robertson Trio, Ayleen O’, Dallas Woods, DRMNG NOW, Elli Belle, Hold // Fire, Howlin’ Wind, Monique Clare, Mountain Grey, Phea, Phil and Trudy Edgeley, Steady State Massive, The Maes, and Todd Cook.

It doesn’t stop there. Representing Geelong and the Surf Coast is a mix of local flavour with 10 High Fly, Alister Turrill, Sarah Carrol Duo and our favourite busker Finnigan August who will be busking to raise funds for Chris Wilson. The talented Immy Owusu will also be making a return to the festival, this year as a solo artist, closing out the event. (Set times are available on the event website.)

While the live music lineup is enough to get us down to the event, the festival is about so much more. 2 Worlds 700

Festival stems from the Märrma’ Rom Foundation (‘Märrma’ Rom’ translates to ‘two worlds, two cultures or two belief systems’ in Yolngu Matha, the language of the people in Arnhem Land), with the not-forprofit event aiming to “entertain, educate, stimulate and promote interaction and understanding across two cultures”. And what better location to capture it!

The Old Paper Mill holds cultural significance for both indigenous and western culture and has become an arts hub in the region. Seated on Buckley Falls, the sight promotes the gathering of elements and, in turn, the intertwining of culture.

Kicking off at midday, the event will open with The Wadawurrung Opening Ceremony (the “Bai-err”), which will acknowledge the traditional owners of Wadawurrung country, partnered with a traditional ceremony that will share stories through dance in the Central Hub. The Asanti Dance Theatre will also be there to showcase their high energy traditional and African contemporary dance performances and crowds will be able to get hands-on in the Culture Circle session where you can try your skills on the Didgeridoo!

There’s also plenty for the kids over at the Kids Zone! Boost Yoga will be hosting half hour sessions throughout the day to get your bodies energised and stimulated for the day. Energising and stimulating the mind is the Mini Maestros sessions. Running in intervals throughout the day these workshops allow kids to explore and discover the magic of music and culture through dancing, singing, playing percussion and enjoying musical games. If music magic is not their thing, then a magic show may be! Dazzling Dan’s Magic Show will have the kids mesmerised!

For the bigger kids, art installations and the Wayne Quilliam light installation will grab your eye. The light installation will project drone footage and moving images taken across Australia over songlines and sites significant to indigenous people onto the roof and walls of The Old Paper Mill, creating a surreal urbanscape; an absolute must see on the day!

2 Worlds Festival has really taken it up a notch this year, so what are you waiting for?! Grab your tickets and check out the festival program at www.2worldsfestival. org.au and get ready to immerse yourself in the binding of two worlds.

Tickets are only $65.00 for adults and children under 12 get in for free!

Where: The Old Paper Mills, Fyansford, Geelong When: 20 October 2018, 12pm-10pm www.2worldsfestival.org.au

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BENDIGO CASTLEMAINE

GEELONG & SURF COAST WA R R N A M BOO L

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JORDY MAXWELL FINDS THE BRIGHT SIDE

ZIGGY ALBERTS CHASES THE SUN Singer-songwriter Ziggy Alberts is making his next tour a big one, hitting the road in December and staying on the road until March. Before the tour kicks off, he will release Laps around the Sun on November 9. Single ‘Stronger’ is out now. Theatre Royal, Castlemaine – January 24; Torquay Hotel, Torquay – January 25; Grant Pavilion, Torquay – January 27; and Whalers Hotel, Warrnambool – February 1.

There is no denying heartbreak sucks.

However, there is always a light should you wish to discover it. WA songman Jordy Maxwell discovered this when a relationship of his drifted, and he later discovered she had set up a new life on the other side of Australia.

His reaction was mixed with happiness she found the courage to begin a new adventure.

This story inspired his song ‘Blue Eyes’.

Engine Room, Bendigo – November 16.

CHOICE CUTS FROM DEEZ NUTS

CONNECT WITH THE LIFELIKE PROJECT Lurking in the shadows is where you will find Michael Kofoed, the main player behind melodic rockers The Lifelike Project. Following the release of single ‘February’ and the well-received accompanying tour, the Melbourne singer-songwriter and his musical compatriots are ready to serve up the album Shadows. Workers Club, Geelong – October 27 & MusicMan, Bendigo – November 3.

TIME IS RIGHT FOR KATIE J WHITE You gotta admit, supporting The Waifs at the age of fourteen gives you some solid bragging rights. A touch more than a decade later and Katie J White announced a tour of some sixty dates across six months. In between hasn’t been too bad either, with the singer-songwriter releasing her fourth album, Red Cloud, at the beginning of 2017. Growlers, Torquay – October 19/20 & Aireys Pub, Aireys Inlet – October 27.

Performing nineteen shows across a month, Melbourne’s Deez Nuts are making their local run count.

From playing Warped to lining up at Germany’s Summer Madness, the four-piece has been all kinds of busy.

The tour includes their first regional dates since the release of their Binge & Purgatory album. Barwon Club, Geelong – October 25. They will be joined by Dregg, Advocates and Amberyse.

OCTOLBO GOES LARGE Colbinabbin is a little over 50 clicks from Bendigo, a ‘blink and you’ll miss it’ sort of town, but one that knows how to treat a visitor. Hosted by the Colbinabbin Country Hotel, OcTolbo is a big music day-nighter at a small country hotel that takes place on October 20. Sal Kimber and the Rollin Wheel, James Kenyon, The Rosie Burgess Trio and The Little Lord Street Band will all perform. Get more through facebook.com/colbinabbincountryhotel.

WHOLE LOTTA LEZ ZEPPELIN Lez Zeppelin’s rescheduled dates for their debut Australian tour have been announced, with the band set to hit Geelong’s Barwon Club on April 7, 2019. Founded by guitarist Steph Paynes in 2004, the band is the first all-female group to pay homage to the legendary Led Zeppelin. They remade the band’s debut, going as far as using the same recording techniques and vintage equipment as Zeppelin’s 1969 album.

DUMB PUNTS ARE LIVIN’ LARGE Europe and the UK are calling Dumb Punts, but first they’ll be playing a few shows in support of album The Big One. The release was actually completed a touch more than a year ago, but things like touring kept getting in the way. So there the album sat, unbeknownst to fans, lying in wait for the special day. Barwon Club, Geelong – October 20 & The Bridge, Castlemaine – October 26.

VAUDEVILLE SMASH IT OUT

MARDI WILSON CLIMBED A MOUNTAIN Brisbane’s Mardi Wilson turned her back on the murky world of drumming, picking up a guitar instead and jumping into the world of indie-folk.

Check out single ‘Landslide’. Mardi: “I wrote Landslide when I realised that sometimes you just have to go with your feelings and be open and vulnerable … I’m talking about the kind of vulnerability where you accept that life is full of mysteries…” The Cally, Warrnambool – November 1.

Thursday 18 Andy Forster Friday 19 Dave Anderson Saturday 20 Luke Biscan Sunday 21 Beavs Got Talent Heat 3 5 - 7.30 Luke Biscan 7.3011.00 Tuesday 23 Geelong Cup Eve Andy Forster Wednesday 24 Geelong Cup After Party Nick Tabone

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Thursday 25 Andy Forster

Saturday 27 Dave Anderson Sunday 28 Beavs Got Talent Heat 4 5 - 7.30 Andy Forster 7.3011pm

SEX ED LESSONS Absorbing all they could from bands including Civic, The UV Race and Hank Wood & The Hammerheads, Geelong’s Sex Ed will play their first headline show at Geelong’s Barwon Club on October 26. Pay attention, as the band has many things to teach you about their debut release, a short and sweet thirteen-minute self-titled EP. Vintage Crop, Straz and Fezz will be there as well, teaching their own valuable lessons.

STAND UP – DON’T STAND BY

7-10pm Luke Biscan 10-1am Karaoke

Friday 26 Jeff Jordan

Throwing together three brothers and two mates sounds like one hell of a share house, and it makes for an even better band.

Melbourne’s Vaudeville Smash is the grease lightning combination of funk, sax, synth and groove.

They released their second album, The Gift, back in 2016, but they have a new jam for you called ‘La Plume de Ma Tante’. The Loft, Warrnambool – December 7.

Wednesday 31 Halloween Party Open Mic Karaoke and Luke Biscan

Women’s Health and Wellbeing Barwon South West (WHWBSW) are partnering with the best night life venues in Geelong during the 16 Days of Activism against gender-based violence to raise awareness of common forms of sexual harassment experienced in venues.

Unfortunately, unwanted sexual behaviour is becoming a normal part of a night out for women, with many reporting they experience anything from inappropriate comments to groping and sexual assault. ‘Stand Up- Don’t Stand By,’ wants to change this and aims to encourage patrons to ‘Stand Up’ for a friend or stranger when they are faced with verbal or sexual harassment instead of ‘Stand By’ and do nothing.

Venues will be displaying awareness raising posters during the 16 Days of Activism from November 25 and sharing ways to be an active bystander on via social media and flyers.

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THIS STATE WE’RE IN

COLOUR PRIDELANDS BAD Exciting times for SA-bred, Melbourne-based metal/rock outfit Pridelands, who are heading out for their first headlining tour of the country. The band recently spent some time with Saviour, but they’re keen to show their EP Any Colour You Desire to the world. The second EP from the band features a new line-up and, more importantly for the band, a new lease on life. Workers Club, Geelong – December 14. Cast Down supports.

INDUSTRY UPDATES FROM MUSIC VICTORI A Hey Forte friends!

We trust you’ve had a music filled month. We’ve been very busy preparing for the upcoming The Age Music Victoria Awards, which are back for their 13th year in 2018! Public voting is now open for Best Album, Best Band, Best Venue, Best Song and more. Jump on to musicvictoria.com.au/ votenow before midnight on the 9th November to make your picks.

P.P. ARNOLD RETURNS P.P. Arnold is returning to Australia, making it her second visit this year.

Known as London’s First Lady of Soul after joining Ike & Tina Turner, Arnold’s work includes ‘The First Cut is the Deepest’ and ‘Angel of the Morning’. She released Turning the Tide last year, an album of unreleased material recorded with Barry Gibb and Eric Clapton in the late-sixties, earlyseventies. Theatre Royal, Castlemaine – December 7.

Nominations have also been determined for the Regional categories, with winners to be determined by a special regional panel. We’re excited to have Bendigo Bank on board as a partner this year, generously donating a cash prize of $3,000 to each regional winner. Here are the nominees: Best Regional/Outer Suburban Act Benny Walker; Freya Josephine Hollick; High Tension; Stonefield; This Way North

IN THE MIND OF ARKIVE

Best Regional/Outer Suburban Venue (Over 50 gigs/year) Barwon Club, South Geelong; Caravan Music Club, Bentleigh; East Karova Lounge, Ballarat; Sooki Lounge, Belgrave; The Workers Club, Geelong

There is business to attend to for progressive metalcore outfit Arkive, who headline Melbourne’s Metal Fest next month. A couple of local show will also take place at Geelong’s Barwon Club on November 30 and The Loft, Warrnambool on December 1. They will be joined at both shows

by Ebonivory, Earthbound and In Deception. The band released the EP Sonder towards the end of 2017.

Best Regional/Outer Suburban Venue (Under 50 gigs/year) Aireys Pub, Aireys Inlet; Blues Train, Queenscliff; Meeniyan Town Hall, Meeniyan; Theatre Royal, Castlemaine; Wandi Pub, Wandiligong The winners of all categories will be announced on November 21st, and voters will automatically go in the running to win one of 2 double passes to this exclusive industry-only event! Happy voting!

ENJOY SOME PIPING HOT TUNES WITH HEY GRINGO Does the name Hey Gringo sound familiar? it really should, because they’re the premier local rockin’ roots and rhythm outfit that always deliver Blistering, hip-shaking, feet moving tunes every time they grace a venue and their upcoming gig at The Piping Hot Chicken Shop will be no exception.

Prepare to go on a trip with their memorable repertoire splashed with that glorious 70’s vibe accompanied by an energetic modern approach on the musical delivery. Hey Gringo’s front runner

Cheers, Sianne & the Music Vic crew Member Moment Mojo Juju Mojo Juju is hitting the road on a massive national tour to celebrate the arrival of her third studio album Native Tongue. Mojo has partnered up with PLUS1 for the tour. For each ticket sold, there will be $1 added on to support Mojo Juju’s chosen charity, Aboriginal Legal Service, who work with Aboriginal and Torres Strait Islander People to provide culturally appropriate legal services, influence positive change, and increase access to justice. The tour includes dates in Geelong, Castlemaine, Meeniyan and Belgrave. https://www.mojojuju.net/ Gig of the month The Bronx (USA), supported by Victorian bands High Tension + Private Function – Monday 29th October 2018 US band The Bronx will be unleashing a reckless level of energy across regional Australia this October, and are heading to Ballarat’s Karova Lounge on October 29th. Joining the convoy will be brutal Melbourne favourites High Tension, fresh off a sold-out national tour in support of their killer new album Purge. Rounding out the line up with their renowned off-the-hook and unpredictable live shows, Private Function will bring their brand of uniquely Melbourne garage punk. https://www.facebook.com/ events/249391802346339/

and multi-instrumentalist Daryl Roberts, who is renowned for his talents will be accompanied by legendary musicians Brian Strafford, Peter Robertson and special guest this time round, Tim Neale who’ll be performing saxophone duties.

Their latest album, the 7th entry in their collection titled “Not the same planet” has been hailed as “One of the best albums of the year” by Barry Maxwell from Hume Blues Club, Blues on the Hill 3NRGFM. Given that Hey Gringo are currently #2 on the Australian Blues & Roots Airplay Charts, this performance is absolutely not to be missed.

When & Where: Piping Hot Chicken Shop, Ocean Grove - Saturday Nov 10.

Tickets just $15.00 www.pipinghotchickenshop.com.au

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TALES OF KINGS & ASSOCIATES Nominated in all five categories at the 2018 Chain Awards and picking up three gongs is a good strike rate for Adelaide neo blues outfit Kings & Associates, whose wins included ‘Best Band’ and ‘Best New Talent’. The band released their second album, Tales of a Rich Girl, last year. Once recorded, the band estimates it took eight months and more than 50,000km of travel to iron out the finishing touches.

The Loft, Warrnambool – November 2.

WHAT'S ON AT THE POTATO SHED

THE HARD ACHES SHINE A LIGHT Earlier in the year The Hard Aches released album number two, Mess.

Recently taking a short breather, the band is ready for another batch of shows before the year ends. Ben David: “Our album Mess is a collection of songs inspired by the people around us and the experiences we’ve all shared together or apart, written with a focus on mental health in a hopeful and positive light.” Workers Club, Geelong – November 16.

The fun continues at the Potato Shed in October when we welcome back the creators of world famous cabaret and variety, Finucane & Smith, with a triumphant return with a repeat performance of Dance Hall, Saturday 27 October at 8pm. Developed at the Potato Shed last February, Finucane & Smith’s Dance Hall has toured Victoria to great acclaim, and so to celebrate the return to where it all started. If you missed it last time, now is your chance to share in the excitement that is Finucane & Smith’s Dance Hall. All tickets $30.00.

LITTLE GEORGIA ON MY MIND It’s here. Well, almost. Folk-rock duo Little Georgia will release the follow-up to 2016’s Bootleg early next month, All the While. The pairing of Justin Carter and Ashleigh Mannix turned to Nick DiDia (Pearl Jam, Bruce Springsteen) to record and produce the album. You have time to give single ‘Yellow Cup’ a few more spins. The Loft, Warrnambool – November 30. With Tom Richardson and Benny Williams.

of Time is his new album and first in around a decade.

A hometown show at The Bridge, Castlemaine on November 4 awaits, with accompaniment from Richard Tankard.

ABADDON INCARNATE UNLEASH HELL Dublin grindcore/death metal outfit Abaddon Incarnate started life as Bereaved, releasing two demos before a name change took place before the release of a third.

They have been in the business since the mid-nineties, and for your trivia files became the first extreme Irish metal band to play in Ecuador, Colombia and Peru.

MusicMan, Bendigo – November 8. They will be joined

by Wounded Pig, Monoliyth and more.

DIVERSITY ROCKS! Come one, come all, to Diversity Rocks, a one-day inclusive music festival that provides opportunities for all bands and performers, including those with disabilities. The line-up includes Rudely Interrupted, The Hackkets, Skullfork, the Bearbrass Asylum Orchestra, The Sugar Bells, Zane McKenzie and DJ Vinnie. Music workshops will also feature. Courthouse Youth Arts, Geelong – October 27.

DRUNK MUMS ARE COMING Melbourne rockers Drunk Mums have returned with a rejuvenated take on the leather clad, boisterous brand of punk rock that has been having fans frothing, with a brand new album in URBAN COWBOY. Such a return has been marked by a rollicking new single in ‘PHANTOM LIMB’ - a perfect example of Drunk Mums’ new output: catchy, frenzied and steeped in rich riffs and grit. To celebrate the release of Urban Cowboy, Drunk Mums are going to be heading out on the road, taking in venues on the east coast with the most ideal tour partners - New York’s own, Dirty Fences. Barwon Club, Geelong – November 29 & Karova Lounge, Ballarat – November 30.

STEPHEN BLACKBURN IS HIP

in at the Nature Gallery of the Conservation Ecology Centre until the end of the year. The exhibition raises funds and awareness for the centre.

THE HORNETS ARE BACK The fabulous Hornets are back live at Ocean Grove’s iconic Piping Hot Chicken and Burger Grill on Saturday 27th October. Craig Horn will also be launching his book, Daddy Who? about his days with the 70’s iconic band, Daddy Cool. Makes for a great night out. Tickets only $10 online at pipinghotchickenshop.com.au or geelongtickets.com.au or $15 at the door.

www.geelongaustralia.com.au/potatoshed, or find them on Facebook and now even Instagram!

Always something on at the Shed, we hope to see you here!

A NIGHT WITH DON MCGLASHAN Don McGlashan (The Mutton Birds) is one of NZ’s favourite songwriters, delivering his extraordinary tales of ordinary lives with vulnerability, grace and hope, conjuring transcendent moments, navigating us through breath-taking beauty, the dark and the deep. He has worked with Paul Kelly, Crowded House and Dave Dobbyn, scored Jane Campion’s “An Angel At My Table”, received two Silver Scroll awards and five of his compositions are in APRA’s “100 Best NZ Songs of All Time”.

His solo albums are rich collections of highly personal songs exploring life and love, always infused with optimism and deep joy. Catch him on Sunday 28 October at The Bridge Hotel, Castlemaine, with support from Skyscraper Stan.Tickets from www.donmcglashan.com

FYRE BYRD’S INNER PEACE

WILD BILL CHAMBERS The life of Bill Chambers is fit for a movie. Growing up in a small town in South Australia, Bill’s fascination with American music led to the formation of high school band Deerstalkers. When his children were toddlers, he moved the family into the wilderness for a few years. On his return he formed the Dead Ringer Band, featuring daughter Kasey. He later turned his attention to producing, before going solo. The Loft, Warrnambool – November 1.

WILD OTWAYS

TIME ON FOR BRODERICK SMITH Broderick Smith has been a clerk, storeman, soldier, advertising copywriter, graphic artist and actor. He is also pretty handy with a guitar in hand. He has been playing music since the early sixties, most notably in The Dingoes which he helped form in 1973. Man Out

Guitarist wanted

Call to book at the Potato Shed on 5251 1998 or at any Customer Service Centre. Check out

Australia You’re Standing In It first screened in 1983, a sketch comedy show that paved the way for many that followed. Stephen Blackburn was one of its stars, featuring in the Tim and Debbie and The Dodgy Brothers sketches. He has also worked as a composer and musical director, including alongside Jonathon Welch for the Choir of Hard Knocks. The New Hip is his new show.

The Loft, Warrnambool – November 10.

Those that have been to the Otways will know of its beauty. Exploring the connection between the Otways and its people, Wild Otways is an exhibition of 20 nature-loving artists. While the exhibition launched late last month, you have the opportunity to take it

Seeking a guitarist

Two is all it takes for Adelaide’s Fyre Bird to rock out with their bad selves. Formed at the beginning of 2017, the brother-sister combo of Josh and Daniella was scooped up in a worldwide recording deal by Golden Robot Records. Within the first month of its release, their debut single ‘Take Me Out’ hit 10,000 Spotify streams. Their new single is ‘Anywhere I Am is Home’.

MusicMan, Bendigo – November 10.

BY THE C FESTIVAL Leura Park Estate will be the happiest place in town next year when the By the C travelling festival makes its way to Leura Park Estate on February 9. Deborah Conway and Helen Carter will put the old band Do Re Mi back together for the event. Icehouse leads the festival, more than forty years after they formed as Flowers in 1977. Rounding out the line-up you have Mental as Anything and the Sunnyboys.

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To see out the month, we have Downtown to Broadway: A Tribute to Petula Clarke. Join us at 2pm on Sunday 28 October for an afternoon of nostalgia and great music as Hilary Henshaw embodies the spirit and emotion behind the fascinating Petula Clarke - so much more than a sixties pop princess who sang Downtown! In a career spanning more than six decades, Petula Clarke has evolved from a child star bringing songs and messages (sometimes encoded) to soldiers during World War Two to sixties sensation; a star of stage and screen; to concert performer, who still delivers with as much passion and skill as ever. Hilary Henshaw, and her on-stage collaborator Will Conyers, will feature many of Clarke’s timeless hits including ‘Sign of the Times’, ‘The Other Man’s Grass’, ‘This Is My Song’ and ‘Downtown’. Come and revel in the nostalgia, the surprises and the beautiful compositions that have been recently created by a legend who continues to sing the song of her life.

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BALLARAT BLOG

THE SENEGAMBIAN JAZZ BAND Set to light up Queenscliff Music Festival, The Senegambian Jazz Band will add a splash of musical colour to your life at Ballarat’s Eastern Hotel on October 20. With influences from Gambia, Senegal, Ethiopia, Ghana and Australia, the band’s fusion of jazz, deep world music beats and funk have been delighting the masses since 2015.

They will be joined by Royalty Noise, who are fresh out of the studio with a new album set for March 2019.

W R I TTE N B Y G L E N AN DE R S O N

Now the footballs have been stowed away and cricket balls and sunscreen are coming out of the cupboard, it’s time to get out amongst it. Harry Lamb plays a nice set of covers at The Lane and fifty or so punters enjoyed his talents on a recent Saturday night out.

October 6 will see Sunnyside play at Karova Lounge as they take to the road with their new LP Body Heat. Blending funk, jazz and hip-hop,with instrumentally driven melodies and a dynamic, fun stage presence, you are guaranteed to see the sunnyside up! $13 to get in!

Keep an ear to the ground as U.S band The Bronx are about to make a commotion at Karova on October 29. Bringing their L.A brand of rock/ punk, it will be a first for the band when they unstrap their guitar cases and launch their unique sound on Monday 29 October. Mind you…it is $68 to get in, so you better start saving your pennies now.

The Cabaret Club have a tribute night to the King of Soul Sam Cooke. It’s $23 to get in and you will hear classics such as ‘Chain Gang’, ‘What A Wonderful World’, ‘You Send Me’ and ‘Twisting The Night Away’. Doors open at 8.30pm and the gig is on the 12th of October.

STEPSON’S SPRING VACATION Melodic-hardcore outfit Stepson spent the first half of the year on support duties, but the second half of the year has been all about them. There has been studio time for their debut album, which also helped to reinvigorate the band.

An all-ages show sold out well in advance, and now comes a few more headlining shows. The Eastern, Ballarat – November 16.

Joining them will be After Touch.

Rick Price is a bit of a legend from the 90’s and his songs have stood the test of time, with hits like ‘Heaven Knows’, ‘Walk Away Renee’ and ‘Not A Day Goes By’. 25 years of recording and performing has given Price a solid grounding. His latest release California Dreaming became his second Top 10 album and shot straight to number one on the ARIA charts. The Cabaret Club hosts Rick Price on 20th October and it’s $30 to get in.

Up in the distance there is a famous Aussie rock band coming to Ballarat in early November when You Am I come back to Karova. Guitarist Davey Lane will play a few of his own tunes to begin the night.. then Tim Rogers has an outfit called the Draught Dodgers…then the mighty You Am I to close the night out. It’s Melbourne Cup weekend so a good opportunity to let your hair down.

On the food scene, the once marvellous Catfish has now been turned into a classy French a la carte restaurant, Mr. Jones. The same chefs will take you on a dining experience you will not forget. The wines to match the dishes have been carefully thought about and I’m going back for sure! Be sure to book ahead as it is very popular amongst the locals!

BLEEDING KNEES CLUB STRIKE HARD It’s hammertime for Bleeding Knees Club. Their new album Fade the Hammer has that oven-fresh smell, and now here comes the tour.

Frontman Alex Wall: “It’s the most fun I’ve ever had in a group, and you know, we really are a gang of misfits … But when we play together it’s like nothing else matters, and it’s us against the world.” Karova Lounge, Ballarat – December 20.

Crocodylus will be there to lend a hand.

GIVE YOUR LOVE TO SHEPPARTON AIRPLANE Don’t you want somebody to love?

Don’t you need somebody to love?

Wouldn’t you love somebody to love? Shepparton Airplane is a band you want to love, need to love and would love to love. The band released Almurta earlier in the year, which Forte’s Chloe Cicero reviewed as an album that “perfectly encapsulates what the post-punk band are all about. The Eastern, Ballarat – November 2.

With support from LOOBS and The Creeks.

BLAZE FESTIVAL 2019 You’re all going down in a blaze of glory. Australia Day 2019 welcomes Blaze Festival to Ballarat’s Karova Lounge. And just who can you expect? Dead City Ruins, Desecrator, Hadal Maw, Whoretopsy, Darker Half, Seedy Jeezus, Dreadnaught, Frankenbok, Fall and Resist, Southeast Desert Metal, The Eternal, Toxicon, Wolfpack, Never, Die in a Dream, Hexreign, Cirrus Crown and ANKL.

BALL PARK MUSIC & SAN CISCO You can still grab yourself a ticket for this weekend’s little day out featuring Ball Park Music and San Cisco, plus the added bonus of Ruby Fields. Ball Park Music released Good Mood early in the year and watched it debut at #5 on the ARIA charts. San Cisco released their third album, The Water, last year.

And star on the rise Ruby Fields has a new clip for her song ‘Dinosaur’.

City Oval, Ballarat – October 20.

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LOCH HART MUSIC FESTIVAL LAZY DAYS AND HAPPY NIGHTS. A PLACE WHERE YOU CAN WATCH THE SUN DIP INTO THE SEA WHILE MUSIC FILLS YOUR EARS. LET THE SEA SPRAY COOL YOU DOWN AND THE SUNSETS SOOTHE THE SOUL...

SOUNDS LIKE A CASTLE IN THE SKY RIGHT? Well it’s not... it’s actually Loch Hart Music Festival, the newest festival heading to the small scenic town of Princetown this Summer where the vibe will be chill, the music will be infectious and the scenery will inspire.

Created as an opportunity to showcase local up and coming Australian talent and the very aesthetically pleasing Great Ocean Road (and all its treasures), this is a festival where you can unwind, escape the daily grind and give yourself a seachange, if only for the weekend.

Chatting with festival organiser Jayden Bath, Loch Hart Music Festival was created around the idea of being a perfect weekend where music lovers can enjoy an intimate and relaxed festival surrounded by ocean views before heading home completely rejuvenated and refreshed.

“It’s genuinely going to be awesome,” Jayden beams.

“I am so confident that when people are there, they are going to have a good time.

“It’s everything rolled into one. It’s BYO, it’s camping, it’s genuinely really good live acts. We’re trying to do all the right things in regards to the environment,” he continues. “It’s such a place for it; it’s ocean views, it’s the start of festival season, the weather is getting warmer, and it’s going to be awesome.”

Drawing inspiration from a number of quality boutique music festivals including Meredith Music Festival and The Hills Are Alive, Jayden began crafting the festival with the most important people as his guide – the punters.

“I started talking to people about what they love in a music festival and what one should look like, and then I’ve tried to implement everything that they care about. It’s very much a people’s choice of music 20

festivals, there’s been so many people contribute ideas.” weekend that will guarantee you feeling completely Creating a festival all the elements that punters refreshed - and maybe even revitalised - as you pack up desire, it was a pretty simple but important remit that your tent on the Sunday. Whether you bring a picnic inspired the creation of Loch Hart Music Festival – to and chill to the tunes in the arvo, or play some games bring people together – and what better way then with in the gaming area or doing some craft, or get up for an awesome lineup? yoga in the morning, the festival is all about embracing Teaming up with Rhys Britnell from Kennedys Creek, ‘you do you’. a festival who have nailed the vibe, got a killer line up While there’s a lot to love about Australian music and worked out a map that just makes life a breeze festivals, it must be said that it can be a bit of a drain every year, the two began curating a diverse gender on your bank account. Between tickets, travelling, food, equal line-up, in several genres, such as alternative merch, accommodation, and gumboots, you can end up rock, indie, pop, punk, hip hop and roots. spending quite the pretty penny on a weekend of fun and music. But it doesn’t have to be this way, and Loch “There was a real focus on acts that would flow into one another, but we also wanted to focus on the fact that Hart Music Festival is committed to making your music everyone is playing live,” Jayden explains. “We’ve really festival experience not only a memorable one, but also focused on ensuring everyone is an amazing performer thrifty with the privilege of bringing your own booze, and engaging in their live sets which is something which Jayden declares is a must these days.

“It’s everything my friends want in a festival, and I’m really excited about getting people to see.”

With this in mind, they’ve sourced some of the we don’t really look at festivals that go for more best up-and-coming Australian talent with the likes than one day that aren’t BYO,” Jayden explains. “It’s of indie rockers Last Dinosaurs, Australia’s most money saving for the punters, but it’s more than that. electrifying punk band Waax, Melbourne punks Press It creates an atmosphere of trusting people enough to Club, Geelong’s own Orb and indie rapper Ivan Ooze, bring in their drinks and feel more comfortable in their alongside IV League, Nancie Schipper, Localles, Bin, environment and not have to stand behind a cage if you Zoe Fox and the Rocket Clocks, and Approachable want to buy a drink.

Members of Your Local Community hit the stage – just “We’re having a bar as well, but that will be more to name a few. supplementary,” he continues. “If you want to come try out some local brews, there’s that option but it’s “We’re so excited about this lineup. Press Club were one of the first artists we signed, they are so good! more if people want some tasty cocktails into the night.”

Definitely one of the best live acts in Australia at the The thought of palming off the traditional $10 warm moment,” he continues. “Her [frontwoman Natalie mid-strength festival beer makes us a bunch of happy Foster] energy is phenomenal; it’s exhausting watching campers that’s for sure. Of course, alongside the bar her. I feel like it’s also similar with WAAX; they are there will be a number of food stalls at the festival, but just as intense live and have been absolutely killing it.” you are also welcome to bring your own food as well.

A festival for happy minds, the team at Loch Hart Further making this festival experience easy on the want all attendees to relax and focus on having a good bank account and in the interests of saving you from living pay check to pay check up until Christmas, Loch time with friends – and that extends past just having a great lineup. Focusing on creating an experience, Hart is all about the on-site DIY home. That’s right.

This one’s will see punters camping in the paddocks punters can enjoy a range of activities across the 700

surrounding Kangaroobie campsite which means the stage is right at your doorstep. Oh and it’s included in the ticket price so there’s no extra costs (unless you want to step up your experience and opt for glamping which is totally fine if you just can’t see yourself in a $10 Kmart tent).

Proving Loch Hart is a place for everyone, there will also be a camping area designated as an alcohol-free zone that you can elect to camp in at the festival if you wish to do so. Loch Hart is an inclusive event, and the priority is on wanting everyone to have fun and feel comfortable so if mixing camping and alcohol isn’t your cup of tea, let the crew know on arrival and they’ll take care of you!

In line with being a place for people to come together and enjoy live music, fresh air and have a break from the usual, Jayden is also focused on fostering a culture of positive change within the Australian Music Industry, bringing in new policies including the Your Choice movement to ensure the festival is a safe space for everybody, as well as undertaking green initiatives so the festival is environmentally sustainable.

Loch Hart Music Festival really is a festival that was created in search of that moment... That moment when you’re listening to some killer tunes, surrounded by your closest friends, the sun is beaming down on your face, you’ve just eaten a glorious meal and you stop and take it all in. That moment when you look around and go “this is the life”.

We love those moments, and this festival promises to provide millions of moments.

The festival will run from November 16 – 18.

Tickets are on sale now via www.lochhart.com

Functions IF YOU’RE HOSTING EVENTS OR PREPARING TO PLAN A PARTY, SOMETIMES YOU JUST NEED A GENTLE, GUIDING HAND. THIS FORTNIGHT WE’VE NARROWED DOWN TO A FEW FUN OPTIONS THAT YOU MAY NOT HAVE CONSIDERED BEFORE FOR YOUR NEXT FUNCTION, PLUS A FEW LITTLE TIPS YOU SHOULD ALSO KEEP IN MIND. HAVE A FLICK THROUGH AND HAPPY PARTYING!

77-79 LITTLE MALOP STREET, GEELONG VIC 3220 BEAVS BAR.COM.AU 0352223366 drink@beavsbar.com.au

CAFE BEAR & SCOOBS Cafe Bear & Scoobs is located at 18 Thompson Road in North Geelong and provides awesome catering and a great space for all types of functions including bridal showers, High Teas, birthday parties, hens nights, baby showers and Christmas parties.

Cafe Bear & Scoobs is open seven days a week and offers a comprehensive catering menu and an awesome licensed function venue with music if required.

As part of the local Geelong community and with ample parking, Mark (Bear) and Dave (Scoobs) also pride themselves on their individualised customer service and offering a safe space as part of the local LGBTIQ+ community.

Chef Mark says, “we make everything fresh in house and we can cater for all dietary needs including vegetarian, vegan, gluten free, dairy free, 700

coeliac and other allergies.” They also offer excellent barista made coffee and specialty teas, and is a licensed venue serving sparkling wine, red and white wine, beer and cider and cocktails.

The catering menu itself includes a wide range of hot and cold savoury food, cakes, slices and desserts all made on the premises which makes Cafe Bear & Scoobs a function venue that is great value for money.

Cafe Bear & Scoobs combines a love of food with a love of people to provide everything you need for your next function; beautiful food made on the premises, awesome service, a licensed venue and value for money and you walk away with nothing else to do.

Cafe Bear & Scoobs; Combining a love of food with a love of people.

18 Thompson Road North Geelong.

0408 290 298 or email cafebearandscoobs@ gmail.com www.cafebearandscoobs.com.au

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All day breakfast & lunch.

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Book Your Function With Us We oer a comprehensive catering menu including savoury, cakes and desserts.

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OPEN 7 DAYS PER WEEK | Mon - Fri 7am - 3pm | Sat 8am - 3pm | Sun & PHs 9am - 2pm Phone 0408 290 298 | cafebearandscoobs@gmail.com | 18 Thompson Road, North Geelong 3215

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Situated behind a red door on Little Malop Street, the unique Beav’s Bar is the ideal place for any get-together, with its retro, metropolitanfeel bar, eclectic couches, coffee tables and themed function rooms.

Boasting a very relaxed atmosphere, Beav’s has three rooms on offer for any occasion, any day or night of the week. The main private room can hold up to 150 heads, and this will see your privy to a large private space, your own bar, microphone access (for either speeches or maybe even some Karaoke) and a big screen for those cheesy but brilliant slideshows, along with a range of music options from iPod docks to space for a band.

If you’re after something smaller, the Hippy Room can cater to 50 and will see you embracing private bar access and a private music system, or their

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PLEASE DON’T STOP THE MUSIC

PARTY ON THE HYGEIA What better way to celebrate then out on a boat, taking in the very best of what Geelong has to offer. Hygeia Party Boat gives you the chance to do exactly that.

Hygeia is everything that the words “Party Boat” inspire and more. They offer everything from New Years Eve cruises (what better way to experience the fireworks), to more casual but still awe inspiring “Family Days” and “Sunday Blues Cruise”. Catering for up to 150 guests, the sleek finish and contemporary décor of the vessel will impress you and your guests and will ensure the party of a life time!

They also have everything that could ever be needed to host your own function. This includes being fully licensed with professional bartenders, wheelchair friendly service and, of course, the very best in food! Hygeia offers both a full lunch and

Selecting the tunes for your function can be difficult with the amount of different options available – but trust us when we say it’s necessary.

Everyone loves music, and it honestly goes a long way. So what do you do... do you go retro? Should you book a cover band? Can you play your own playlists? These are all valid questions, so we’re here to give you a few pointers when it comes to picking the right option for your party.

Cover Bands If you’re hosting a party and you think that your guests would appreciate a local cover band knocking out all the classics, then by all means go out and book one. There are a few things to watch out for with cover bands though, always make sure that they steer clear of those few “un-cover-ables”. If this term is new to you, here is the run down, no one wants to hear cover bands struggle to do justice to songs like Smells Like Teen Spirit or Bohemian Rhapsody.

They’re most likely not going to sound like the original artists and the people who do cover these types of songs generally get a bad rap. Most bands know their limitations and won’t fail to create an awesome vibe for your party.

Spotify Playlists Ahh Spotify (or Apple Music if you’re a fan), it’s perfect when you’re on the go as we’re all aware, but do people want to hear your workout mix all

dinner menu options which are prepared fresh by their on board chef, or they’ve got a cocktail party menu which is served ‘rolling’ – this means they keep serving as long as guests keep eating!

Dance the night away on the huge polished dance floor, enjoy the stars on the skydeck, lounge in the wheel house with the captain or mingle around the polished timber tables. Hygeia has been helping people celebrate on the Bay for 30 years and with their experience, and the beautiful sights the Geelong waterfront has to offer, it is the perfect place for whatever your next function may be.

Where: Fishermans Pier Basin, Bay end of Yarra St Geelong Ph: 03 5254 1111 Site: www.hygeiapartyboat.com

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Franco Cozzo Room can comfortably fit 30 if you’re after something smaller and a bit more casual.

If you’re after a wider scale function, the whole venue can be booked holding up to 250 people. And to top it all off, room hire is free!

If you are after nibbles to go along with your function, Beav’s has a strong relationship with quality caterers who can suit any tastebud, and there’s even the option to bring your own food.

Located on Geelong’s most vibrant strip, there’s plenty of parking close by and it’s close to public transport... perfect if your function is bringing people from out of town.

Where: 77-79 Little Malop Street, Geelong-based Ph: 03 5222 3366 Site: www.beavsbar.com.au

night? Unless your workout mix is a healthy balance of pop, rock, hip hop, dance music and the occasional oldie, then my answer would be no. Like everything in life, a party playlist is about balance, you’re more than welcome to slide a few of your favourite tracks in across the night (it is your party!), but always remember that your guests want the chance to dance to some of their favourites too. Don’t forget to hide it as well, nothing worse than losing it to your jam and someone changes it half way through.

DJ’s A DJ is a great way to create the atmosphere of a nightclub at your function, if your clubbing days are over then it could be a way to re-live your youth without the hassle of huge lines at both the bar and the toilet. DJ’s are very versatile in terms of music selection and if you arrange it with them in an advance they’ll happily play some requests.

Perhaps not practical for all parties, as they can be expensive and also potentially create an awkward vibe if no one’s really in the dancing mood, but there are plenty of DJ’s around that would be happy to spin a few tunes at your party.

Bands Hiring your favourite local band to play at your party is an awesome way to entertain your guest, but it also supports and helps to expose your local scene. Generally this option is reserved for parties where everyone really enjoys a certain band or style of music. It can be messy booking a band that only 20% of the guests are interested in. Know what your friends are into and always have their interests in mind when organising live music.

Jukebox We’re going all the way back to the ‘60’s with this option but it’s a great way to keep the guests engaged.

A jukebox can take away the stress of organising a hot playlist or finding the right cover band, it gives your guests the opportunity to pick what they want to hear next. They’re very low maintenance and plenty of companies around regional Victoria offer jukebox hire. A jukebox could be the perfect way to enhance your party and give your friends the chance to feel like the Fonz.

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S r e b m e v o N n S r e b • BLUE PYRENEES ESTATE presents •

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MELTED FESTIVAL Ever heard a riff so heavy it felt like it would melt your face off? Well prepare for a whole day of it with Melted; Geelong’s first ever heavy and alternative day and night festival.

A combination of the blood, sweat and tears from Geelong’s very own Toxicon, Melted Festival is looking to be one of the best local festivals exhibiting some of Australia’s awesome metal talent, showcasing everything from heavy metal and alternative metal, to 90s punk and progressive rock.

“We really wanted to try and create something that’s just going to grow into the future,” explains Toxicon vocalist Wayne Clarris. “We wanted to emphasise the alternative, the rock and the punk as well as the metal. We didn’t want to just have a straight-up metal festival.

“I think there’s a lot of good ones going around, but I like the mix,” he continues. “We feel like when you get variety over the day, it seems to be a bit more fun. You get more people involved, and you get the opportunity to cross genres so people can see something they may not have seen, or been excited about, before.”

With Geelong’s independent music scene coming back to life, and Geelong crowds and venues putting a heavy focus on celebrating and nurturing live

music; the Toxicon boys are keen to add another annual event to the calendar.

“Geelong’s got a really, really good music scene, and we just wanted to create something for Geelong that brought everybody together,” he explains. “One of our main things is to grow Melted into something that can potentially have some really big names on the bill. We’re really down for that Big Day Out vibe where there’s cross-genres and fun for everybody.”

Alongside the local progressive-metal band who will hit the stage themselves, the day will also see the likes of energetic power metaller’s Damnations Day, extreme metal quintet Nemesium and Melbourne’s Heavy Metal stallions Triple Kill.

Preparing to tear Geelong a new one, they’ve also got Snakes coming all the way from Alice Springs, ferocious and uplifting melodic metal band Trigger coming from Melbourne’s west, alongside progressive rockers Ocelot, hard rock newcomers Fictitious Me, Geelong punk rockers Good For Wednesday and metal veterans Vendetta who will be slinging grooves nastier than your mother in-law since the dawn of time.

We all know how important a lineup is to a music festival, but an often understated factor is a festival’s artwork, and the guys have nailed this one. Inspired by local legend Metal Benny, the old school Mickey Mouse, old 60s cartoon nicknamed ‘Benny Scream’ reflects the vibe and atmosphere you can expect once you arrive at the BC this year and for years to come.

That’s not all though. While the bands will be tearing it up in the band room, there will also be some festival fun throughout the day, including an ice-cream eating competition (fitting with the theme) – because why the hell not?!

Kicking off the first year with a stacked line up and events, Melted Festival will be certain to usher in the summer and blow the sleep from your eyes after a long winter hibernation. It goes without saying; this festival will melt your face off.

good sound. I’ve always preferred recording this way as I don’t particularly like listening to recordings I’ve played on after the fact.

This marks the band’s fourth single, following Get Along earlier this year and 2017’s Scared and Telephone. Are you working towards an album?

You’re a slave to the money, then you die. I think we are just working towards releasing whatever we can as quickly as possible. ‘Scared’ was a demo that we put up to get gigs and ‘Telephone’ kind of stood alone after that. ‘Habits’ will work cohesively with ‘Get Along’ and possibly our future music. We’re writing really well at the moment, and are in the studio again in a couple of weeks. Onwards and upwards, y’know? Habits is a cracker though, we’re really proud of it.

Being a band with siblings, can you talk us through the band dynamics; was music something you were brought up around?

Our parents are not musical. We were all lucky that within the isolation of our home town, Wagga Wagga, Hi Josh, thanks for chatting to Forte Magazine. there was a thriving youth arts scene. Along with Can you give us a little overview of Castilles? bands like The Ocean Party, Flyying Colours, High Castilles are the band of 10 years worth of Tails, Pat Chow, and many others, we cut our teeth conversations that Jules [Valentine] and I had about playing youth shows around town. In the library, by starting a band together. A few years ago we finally the lagoon, at school, the PCYC, even a few venues found ourselves in the same city with no other used to put under-age shows on. We were incredibly musical commitments, Sam [Dawes, Josh’s brother] lucky for those opportunities at that time. As for jumped on board and we’ve been writing together dynamics, everything is pretty easy. Sam and I have since. We play Garage, Blues, Country and everything always been close and Jules had been coming around in between. We proudly wear our influences on our to our place since we were kids. We communicate sleeves and play homage to ‘guitar bands’ well musically through these old ties, and nothing Describe your music in a sentence. else has seemed to matter enough to ever shake that.

An ossuary of half baked ideas.

You’re launching this single in November.

You’ve just released your newest single ‘Habits’.

What can punters expect from this gig?

It’s said that the aim going into the recording We love a front bar show, it’s where we thrive session (a 3 day stint at Red Door Sounds) was to best. On the ground with the punters having a crack. ‘capture the rawness of the new band, explored It’ll be high energy with loads of pub banter and free of preconception’. How did you go about someone will without a doubt fall over.. Five bucks doing this? says it’s Jules.

We had been demoing and rehearsing for what Thanks for chatting to us. To finish off, if your seemed like forever. We were going too far and band was a drink, what would it be? questioning everything, re-write after re-write. We Solo. decided the best way forward was to book a studio and let Woody (Producer) deal with it all. We were When & Where: confident in ourselves as musicians, and just needed to put some nice simple gear in front of us and get a The Labour In Vain, Fitzroy – November 2.

FIVE MINUTES WITH CASTILLES

When & Where: The Barwon Club, Geelong, Saturday November 3 Tickets via oztix.com.au or direct from The BC bar.

to getting songs out there as quick as possible. We’re ready to drop the rest of the EP and then we can move forward!”

Much like the singles that fans have already enjoyed, It’s Okay will, as Soren explains, flow in that same smooth groove vibe we’ve already been hearing from The Cool Calm. “Essentially it is, we’re pretty excited about the ones you wouldn’t have heard.

“One’s been a bit of an experiment for us – we worked with a friend and it’s come out super casual, relaxed.

THE COOL CALM Breezing through to QMF WRITTEN BY ANNA ROSE Good weather ups the good vibes, as does ‘Moving Forward’, the latest single from The Cool Calm. No other way to describe the latest injection of sound from the Melbourne outfit than easy breezy lemon squeezy, really, adjectives that delight members Soren and Tane Walker. Ahead of their appearance at Queenscliff Music Festival, the boys mull over the direction they’ve gone with their music since their formation in 2016.

Equally epic is ‘Hand’, the predecessor, and ‘Nothing For Nothing’. The Cool Cam have been working on new material for their second album, It’s Okay.

“We’ve got one ore tune we’ve been trying to finish off,” explains guitarist Soren Walker. “We’ve been a bit slower in that aspect of the band, when it comes

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“What would you say?” Soren asks his brother, vocalist Tane, for his opinion on the band’s new music. “Probably more simplified in ways,” he says.

“Less production, more instruments. A bit of a departure from the other songs, which will be pretty cool.” “It’s definitely something we haven’t done before,” finishes Soren, “There’s a little bit more substance to the stories, I think.”

Honing in on those words, substance and story, The Cool Calm admit they didn’t really have a particular direction in mind for the new album. “I guess it does come back to just the last five years all summed up in terms of life and what’s been going on,” says Soren.

“It’s coloured in a way that you can tell there’s a bit of angst in there and what not…” Turning again to his bandmate for words, Tane offers a summary for the journey over the last five years. “It’s got a fair bit of raw emotion in there, I think that does come across.

“Other songs show the lighter side of us as well, which I think is important, I think we’ve got to get that out further, that people can see the side of us that we have a lot of fun.

“I think we’ve hit the hat pretty nicely in all these songs in terms of representing various aspects of our band.”

The 2018 Queenscliff Music Festival will be held from Friday 23 – Sunday 25 November.

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LET THE GOOD TIMES ROLL ON THE BLUES TRAM There’s a unique way to enjoy live music this year as part of the Bendigo Blues & Roots Music Festival and that is aboard The Blues Tram.

Combining two of Bendigo’s best attractions - its historic trams and sublime music talent – this is the perfect way to mix up the weekend activities.

Kicking off at the Central Deborah Goldmine, the tram takes its audience through the heart of Bendigo, featuring up close and personal performances from an array of performers across the weekend, including mesmerising Canadian blues rocker Tennyson King, emerging talent Buddy Knox, breathtaking festival stalwart Hailey Calvert, and the beard growing

THE LITTLE LORD STREET BAND Hey guys thanks for chatting to Forte Magazine.

First up, can you give us a quick introduction?

We [Natasha Shanks and James Rogers] began playing music together in 2013 when asked to play at a friends wedding in New Zealand. When we got back to Perth, we would play everywhere we could and somehow we swung a gig supporting The Whitlams.

The catch for this amazing support slot was coming up with a better band name than just Tash and James.

At the time we were living on Lord Street in Perth and the name The Little Lord Street Band just rolled out from there. Since then we’ve had friends join us bass, drums and all kind of instruments, we’ve played everywhere we can in WA and now we’re hoping to the same here in Victoria.

You released your third EP earlier this year which is cool! Can you tell us a bit about that?

We recorded it in July of 2017 in RADA studio in Perth. Our engineer/co-producer was Dan Carroll who’s also worked with The Kill Devil Hills, Davey Craddock, Timothy Nelson and The Floors. This EP certainly showcases a louder side to our songwriting which is good as our first EP, ‘No Turning Back’ is very much an acoustic EP and our Second EP ‘Walk With Me’ is slightly more ‘electric’ but still for the most part quite mellow. I feel these three EP’s

one-man band Stringybark McDowell. After taking a pit stop at the Joss House, the tram then turns back towards the mine.

One performance we recommend jumping aboard for is Aboriginal blues master Buddy Knox, who will perform his Blues Tram (and Bendigo Blues & Roots Music Festival) debut with the 50 year music veteran Jo Jo Smith on Saturday 10 November.

“It will be great to play my songs on the tram rolling around the streets, with other people. I’m really looking forward to being there,” he smiles.

Performing his funky Blues with lightning speed licks alongside a subtle infusion of traditional Aboriginal elements of drone and rhythm, Buddy promises his show will “smoke ya boots”, and having notched his Blues belt with some of the biggest music festivals in Australia (and has been described as Australia’s own BB King), we can attest to that.

First picking up a guitar at just ten years of age and practising on a guitar that was missing a string, Buddy persisted with his passion for music, perfecting his guitar ability to an outstanding standard, now spanning nearly three decades.

Despite his skills in the music realm, Buddy admits performing aboard a moving vehicle is one that pushes him outside his comfort zone.

“I was on the Blues Train in Queenscliff and was a bit nervous, but it went away quick. It took about a song before I got my ‘sea legs’,” he laughs. “I think it will be different [to a regular stage]. I like that intimate thing; we are just going to have a little bit of fun!”

With influences spanning Freddie King, Albert King, Albert Collins, Robert Johnson, Delbert McLinton and BB King, a lifetime of guitar touring experiences, a deep passion for the blues and a brand new EP (Big City), you can trust Buddy will present blues with great respect to the genre in a unique setting.

Incredible blues music matched with a gorgeous historic tram, you’ll just wish it lasted longer!

band officially formed in 2016, “Before that we used to always play around in my dad’s basement in Ocean Grove and jam out mostly three chord covers that we would start playing after we’d had a few drinks, it was really fun,” states the groups lead vocalist Matt Blach.

The two years since have seen the band gaining notoriety for their unique prog-esque ballads, with their debut album ‘Babble,’ selling out online purely in presales. Speaking of the response to ‘Babble’ the band said, “We knew there was a little bit of hype, just from people commenting on Flightless posts saying ‘when are you going to do Baked Beans stuff’ and Reddit had a few threads that mentioned us which is really exciting,” Mitch says, before Jack interjects, “Vinnie is the master of all the threads, he sits in his room and researches us all the time.”

“Vinnie’s got supply and demand covered,” Mitch continues. “He just goes on Reddit and posts, ‘can’t wait for the new Beans album’ and hype just builds from there. If you actually look at the names of the people posting about us online they will all be stuff like, ‘Vindog420’ and ‘BigMickyClem’.”

Releasing Babble through Flightless, the response WRITTEN BY ALEX CALLAN has been immediate, with the album’s first single ‘Slow’ already scoring a play on the National League I remember coming home from school and Baseball (USA). “The response has been insane. I find eagerly looking in the pantry for some goodies it really crazy how the album has sold out before we and hearing my mum say, “Oh, there’s Baked have even played shows with most of these songs Beans…” A statement to which my response was before. We are waiting for the album tour to play a “piss off, mum.” lot of it,” states Vinnie I also remember looking at this years Gizzfest Luckily, the wait isn’t much longer, with the line-up and thinking “Oh, there’s Baked Beans,” band having recently announced both their spot but this time, I couldn’t have been more excited. at Gizzfest, as well as their own headline tour in And rightfully so, with Beans being the most recent support of the album and the lads are couldn’t be local act to sign to Flightless Records (King Gizzards more stoked. revered home-grown label) as well as seeing them “We’re really excited to be back at Gizzfest this year,” responds Mitch, “the timing has been pretty great release their first album this year, there is a bloody having it at the tail end of the Babble Tour. We’ll also lot to be excited about.

If you’re unfamiliar with them, Baked Beans is be including some new material we’ve been eager comprised of Matt Blach (The Murlocs, The Rusties), to let loose.”

Jack Kong (Gonzo, Traffik Island), Lachlan McKiernan When & Where: (The Rusties, The Grunes), Vincent Clemenston and Mitch Rice. After jamming together since they were The Barwon Club, Geelong – November 9.

16 and playing under a lot of different monikers, the

BAKED BEANS ARE BABBLING INTO THE BC

Buddy Knox will perform on the Blues Tram on Saturday 10 November 2-4:30pm as part of The Bendigo Blues & Roots Music Festival (which runs from November 8 – 11).

Visit www.bendigobluesandroots.com.au

together show a few different sides to our writing performing.

You also tore up the stage in Brisbane at BIGSOUND this year, how was it?

Well there’s certainly a lot of great music in this country and that there are people with mindboggling degrees of talent. After a few rather exhausting days of meet and greets and talking shop it was good to just play a gig and remind yourself to have fun with your music. BIGSOUND’s new nickname is the Australian Music Olympics.

The title track single ‘Waking Up Next To You’ is said to be about all about the passionate fights that occur between two ardent artists/ lovers, who have too much spare time together and very little money. It sounds like this is directly based on personal experience?

Absolutely! It’s the first song Tash and I really wrote together. Although I’m singing it, it is effectively a conversation between Tash and myself.

Since then we’ve learnt to have our own quarters in our house and when we’re on tour we have some alone time to keep things cool.

You’re taking your duo set on the road over the next few weeks. What do you love about taking your music to a number of different stages?

Putting our music out there to different people is a real is a real buzz, there’s something to prove but nothing to lose at the same time. Touring can be a challenge but I find that it’s worth doing in the end and as a musician you’re only as good as your last gig.

What can people expect from your live shows?

Given this tour is in the duo format, it’ll be somewhat personable and stripped back but at the same quite energetic with vocal harmonies, acoustic guitars and stomp boxes. Tash and I will rip on each other for our shortcomings which we find usually gets a laugh from the crowd.

SIMMER TOWN IS BRINGING HIP HOP/ RAP TO THE REGION Thanks for you time with Forte! Can you introduce yourself and give our readers a bit of a run-down on what brought you this point.

Thanks for having us. Simmer Town is a collective that was founded in early 2017 by Mikiyas Alemu and Anthony Martino. Our objective for starting the collective was to support each other throughout the creative process and help the artists on our line-up achieve their full potential. The artists in the collective represent a vibrant range of musical experience and genres from all around the world.

More than being creative individuals, we are a family.

We celebrate together, support each other in general life and create great music together.

Is this your first time performing in Regional Victoria? What can the punters expect from you?

It will be a first for Royalty Noise but Bizz Oh, Tumi the Be, J Waters, Luke Seeka and myself performed at Baha in Rye for the launch of FTW’s Mental Health/Suicide Prevention App in mid 2017.

The welcome we got from the locals inspired us to invest more time into touring locally. We believe that it is important to build a relationship with our community because of how much it influences the cultural landscape. We feel that regional Victoria needs to be represented and have the chance to experience the most Melbournians take for granted.

Are you aware of any Hip Hop/Rap scene in Castlemaine or Ballarat?

We like to think we keep our ears close to the ground but as yet don’t know anyone in the Ballarat or Castlemaine scene. That being said, we have heard

When & Where: Pistol Pete’s Food n Blues, Geelong, November 8

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about an up and coming rapper named Mitchell Burgess from Ballarat so we look forward to hearing more from him. Throughout our shows, artists are encouraged to have a jam song in their sets and invite any performers that may be in the crowd to join them. Whether they’re an MC/Rapper/ singer, musician or dancer, participation is encouraged.

Royalty Noise combine elements of Jazz and Reggae to their loops and rhymes, and have a diverse background. Can you expand on my very basic description of the band?

Royalty Noise is a band that explores more then its roots of musical genre. When first formed the band was purely focused on ‘boom bap hip-hop’ which is a style that focuses on sampled / loop based 90’s style musical back bone. Check out their first album Daily Rituals (2014) to get an idea.

As the band matured in their musicality, they began to experiment fusing other styles of music and individual influences to their creativity. The band is backed by a six piece back line set to a soundscape fusing vintage electronica, jazz, R&B with poetic lyrics that touch on personal experience and those around them. To get a better scope of the bands new sound, check out their new single “All that I got” ft Thando who is a power house of her own. Royalty Noise is gearing up to release a full-length album in February 2019.

Any final words?

We hope that the punters of Castlemaine and Ballarat are ready to get their dance on and party with us into the early morning.

When & Where: The Bridge Hotel, Castlemaine – October 18.

The Eastern, Ballarat – October 20.

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DIRTGIRL’S TOP THE MALDON FOLK FESTIVAL CELEBRATES 45 YEARS The Maldon Folk Festival has been going for more than four decades, and it still offers festival goers a legendary folk experience across a number of venues over four days.

With an abundance of music, workshops and dance, there’s no reason not to see what it’s all about, especially for their 45th edition.

One particular performance we are excited about is Melbourne folk outfit Rich Davies & The Low Road.

With a poet’s heart and rocker’s soul, Rich Davies & The Low Road deliver a ‘foot-stomping contemporary folk attack’ (as per the words of Mick Thomas).

Hailed as ‘The Pogues meets Springsteen’, and having spent most of the last 18 months on the road, the award winning songwriter and his formidable band are renowned for their rousing live show, as they peel back the skin of rock’n’roll to expose bones of folk and roots.

Davies spent his formative years in Scottish folk clubs steeped in the ethos of the genre, and his second album, Ghosts, has seen him reconnect with that world, placing song craft front and centre, with

YOU KNOW GONZO AND U-BAHN, BUT WHO’S MOTH? WRITTEN BY ALEX CALLAN “I’m definitely stepping out of my comfort zone; which is weird because I’m pretty comfortable with playing gigs but being up front and singing whilst playing the guitar is the complete opposite of me sitting on drums without a microphone.

It’s been super fun and exciting so far...”

Being the drummer in both U-Bahn and Gonzo, two of the hottest acts in the Melbourne gig scene at the moment, I genuinely don’t know how Darcy Berry has found the time for his own solo project. But somehow, he has managed to create ‘Moth’, a multiinstrumentalist krautrock experience that is already stimulating some buzz in the Melbourne scene.

“When I first started doing it as a recording project, the songs could have been Gonzo songs because that was back when we were doing that sort of ‘spooky’ style and then I started doing more songs and they became less and less like Gonzo,” remarks Darcy.

“It used to be pretty straightforward punk and then I got a synth and started getting weird with that

his heart-wrung voice leading the charge.

Placing song craft front and centre, with his heartwrung voice leading the charge, Rich Davies & The Low Road just wrapped up their ‘East Coast Tour’, visiting Brisbane, Sydney, Adelaide and finishing up with a full house show in Melbourne, and now they’re heading back to Maldon’s festival this November.

“Having had such a delightful time at last year’s festival, coming back was an absolute no brainer,” smiles Stirling Gill-Chambers, fiddle player for the Low Road. “The festival has a wonderfully warm community vibe and it is one of my favourites on the festival circuit.

“Our highlights of last year were pub sessions, op shopping, wine drinking, rehearsing out in the bush and, of course, playing as many shows as we can,” he continues, reflecting on last years edition. “Also, Rich might just break out his gangster rapping skills again...”

Alongside Rich Davies & The Low Road, you’ll also find performances from Ireland’s The Sweet Sorrows, USA’s Blueridge Broadcasters, New Zealand’s brightest rising star Jenny Mitchell, as well as home-grown performers Cat Canteri and The Hispter Proof Fence, The Jam Tarts Trio and Celtic rockers Claymore. There will be a free tribute concert on Sunday night at the Troubadour for Maldon performance veteran Janette Geri after her sudden passing at the end of June this year.

Located in the centre of regional Victoria – between Castlemaine and Bendigo – Maldon is basically a two hour drive from any direction, for those keen on the idea of a road trip. And it’s quite the scenic country route, so grab some friends and make a day of it.

As Stirling puts it, prepare for “a rip roaring folk’n’roll rollercoaster ride!”

DIRTGIRL’S TOP TIPS FOR FAMILY FESTIVAL FUN dirtgirl is a gumboot wearing, planet-loving girl - oh, and she’s also a rockstar who loves to sing and dance almost as much as she loves getting grubby (almost!). The star of ABC Kids hit show, Get Grubby TV (GGTV), dirtgirl celebrates life outside, set to music the whole family can dig – and she’s bringing it to The Lost Lands next month. Ahead of the festival, dirtgirl shares her top tips for family festival fun.

Reduce, re-use, rock on!!

Single use sucks! Taking reusable stuff to The Lost Lands is second nature! The festival is aiming to be a single use plastic free event .And I couldn’t be happier. The motto is LEAVE NO TRACE So pack that reusable straw, seek out some reusable bamboo cutlery and bring along a bag in case you find something cool to buy at a market stall (or a band shirt!!). If you love hot drinks bring your reusable cup.

I never leave home without my trusty refillable water bottle - and this year The Lost Lands will have water stations with filtered cool water! Now that rocks!

The best time ever - whatever the weather!

When it comes to weather, be prepared. A lot of festivals I’ve been to are either super sunny or supper soggy! So check the weather forecast before leaving home and then bring weather friendly stuff. It’s all about comfort and I’m all about comfort. There are

When & Where: Maldon Folk Festival, Maldon – November 2 – 5 2018.

Visit www.maldonfolkfestival.com

and collected more and more instruments. Even recording-wise, learning different techniques definitely changes that style that you write in, if you know you are going to record it a certain way because that does change the sound.

“It’s always changing though, that’s kind of why I wanted this project; just to have the freedom to do literally any style and experiment with different stuff,” he continues. “That’s the same as playing with U-Bahn. It’s just new and exciting playing new shit and people getting into it.”

Originating as a personal recording project, Moth has now grown wings (pun intended) into a stacked line-up of local Melbourne musicians all helping Darcy to recreate his vision live.

“Seeing the sound that we are capable of doing live, it really has impacted on how I’ve been approaching writing it. I feel everyone just kind of assumed that the songs are meant to be played heavier, but I dig that, I think it sounds pretty good live.

“Because Moth for me has always been a recording process, it’s not something I ever considered playing live so hearing it all live at once I actually see that the songs have a skeleton which kind of proves they are songs to me, which is rad.”

With Moth’s album Initial Object having recently been released by Weathervane Records, Darcy is already busy working on his follow up.

“The tape was kind of recorded over 2-3 years so there are a lot of different sounds going on but I want to have songs that are more cohesive for my next release, which I’ve been writing for at the moment.

I guess that’s why I’ve done so many songs for Moth, because I can do it alone, so I can write and record literally whenever.”

With both Gonzo and U-Bahn having a stack of gigs over summer including both the Loch Hart Festival and Gizzfest respectively, it may be a little while before Moth hits the stage again, but, be sure to keep an eye out because after catching them at the Grace Darling a few weeks back, Moth are definitely one to suss.

THE LIVING END ON TAKING A LEAP OF FAITH WRITTEN BY ALEX CALLAN It may have been 20 years since The Living End were talking about being a brat that talks back, but god damn, they haven’t lost the punk. If you don’t believe me give a spin to ‘Death Of The American Dream’, a track off their newest album Wunderbar.

“I’m stoked that you brought up that song because that’s probably my favourite off the record,” remarks the bands Double Bassist Scott Owen. “That one was just a bit of a jam and when we demoed it we didn’t have any lyrics written.

“So I just barked down the microphone. I was pretending I was on the phone to somebody and that was my phone call was the verses of the song.

It was this thing called ‘Can I leave my number’ as if I was leaving a message for someone,” he continues.

“We were more focused about getting the energy right to make it a banger of a song and didn’t care as much about the lyrics and Chris took it away and turned it into the ‘Death Of The American Dream’ which turned it to a completely other dimension.

“It’s the first time we had ever written like that. I

Moth isn’t on socials but keep your ear to the ground, it’s worth it.

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some things that I always take. Even if it’s overcast, I slap on my eco sunscreen. In my backpack you will find eco bug-off, paw-paw cream and... my hat and a funky raincoat are also a festival must! Of course, I never forget my gumboots. My everyday boogie boots are a festival goers necessity.

Navigate like a true Nature Detective!

Before you go, explain to your kids that there will be a lot of people and make a contingency plan in case they really get lost at The Lost Lands. First thing when you get to the festival - get familiar! Make a meeting spot or find where lost kids get found. Equip the whole fam with a map each, make sure the littlest ones know their name and find a safe place to pop a contact phone number.

Eyes and Ears… listen to the music of the artists before the festival and bring ear muffs!

Little ears are super sensitive - if you think it’s loud, then it’s turned up to 11 for the wee folk -and not in a good way. Ear muffs rock! Testing 1, 2, 3! Wearing them around at home to get the love happening is a great idea. Pack sunnies. Funky sunnies don’t just make you look great - if you need sunnies to lower the glare and stop the squint factor, the little people in your gang probably need them too.

Home away from home Set yourself up a cosy base camp. Plan for comfort and fun. This will help ground the wee ones who are adjusting to the big sensory overload of a festival! It also means you’ll be happy to head back and have some down time during the day. Being out all day and night is a great way to end up in melt down mode for anyone. Instead, have your own zen zone where you’re all happy to hang and keep the whole family chilled & happy for the duration of the festival! You may also like to decorate your world… stand out, so your family can spot their tent in the crowd! Beside, it’s a festival - the perfect place for flags and fabric bunting!

The Lost Lands comes alive on November 3 & 4 at Werribee Park & Mansion, Werribee. Tickets are available through thelostlands.com.au and are on sale now.

didn’t expect it to turn into what it did, it was just something we did for a bit of fun and then it grew legs and got a life of its own.”

Recording the album over six weeks in Berlin, Scott spoke about how the band were “fish out of water” when they headed over to work with Tobias Kuhn, a producer the band had never met before.

“The whole idea was to take a bit of a leap of faith,”he says. “We didn’t want to play it safe and put ourselves in the same situation we have before, so instead we thought we would take an adventure and work with someone we don’t know in a place that’s really far away.

“It was a great idea; it was the best thing we could of done,” Scott expands. “Tobias was unreal; we got along with him really well and had really similar musical tastes and ideas so it was a really good collaboration there in a sense.

“We try not to have too many preconceived ideas about songs and try to just let them go to where they want to be. We just want each song to have their own identity.”

Now back in Australia, The Living End will once again be hitting the road for the Wunderbar tour and bringing along West Thebarton for the ride.

“Truthfully, I don’t really know much about West Thebarton,” laughs Scott before continuing, “so I’m really looking forward to touring with them so I can check them out. We have just done a bunch of gigs in Europe which has been really good for us and now we have a few gigs between no and when the tour starts but we absolutely cannot wait to get back up there again.

“Being in a studio is great, but it feels like you’ve got the shackles on and everything is under the microscope so we all can’t wait to let lose on stage again.”

When & Where: The Forum, Melbourne – November 3.

Release: Wunderbar is out now.

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Didirri, Neko Case (USA) Wallis Bird (IRL) Hollow Coves Gregory Isakov (SA) Mojo Juju, Sal Kimber & The Rollin Wheel Z Star (UK) Liz Stringer, 19 Twenty, Blue Shaddy Blackeyed Susans + Strings, Mick Thomas’ Roving Commission Basia Bulat (CAN) Greta Stanley, Cooper Lower, Van Walker The Weeping WillowsSkipping , Front country (USA)The Little Quirks Mark Lang ( VinegarGirl ) Junkadelic Brass Band Immy Owusu… and much much more ALL ARTISTS PERFORM MULTIPLE TIMES OVER 4 MIGHTY DAYS OF THE PORT FAIRY MUSICAL FEAST

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BAM IS THE NEWEST ADDITION TO THE VICTORIAN MUSIC FESTIVAL CALENDAR Red Square Music, the team behind the Mullum Music Festival and Bello Winter Music, brings their love of music to Bendigo next year. The inaugural Bendigo Autumn Music (BAM) festival will take place across the Easter weekend, April 25 through April 28.

Kicking off its inaugural year on Anzac Day evening,

this boutique family-friendly arts and music festival will be presented by Red Square Music, supported by the City of Greater Bendigo on a coming together of live music venues, pubs, community halls, cafes and other unique and interesting spaces to celebrate music and arts within Bendigo’s arts precinct.

Looking to grow Red Square Music, festival director Glen Wright decided to add a third festival to their roster with the same format, this time looking beyond New South Wales and into Regional Victoria.

“Over a five year period, we probably looked at about thirty different locations,” he says. “It’s interesting because there aren’t that many locations that have what we were after and because I’d done it twice before, I had a really good idea of what we were after.”

And Bendigo was it.

“The Ulumbarra Theater is probably one of the main reasons that we have gone with Bendigo. It’s such a spectacular venue, and we wanted that,” he continues. “And there’s The Capital which is another amazing venue along with all the other venues all within one block of each other.

“That’s important for us; it’s important that we produce a festival that is all within walking distance inside this a festival precinct. It’s in this style that there are no gates, port-a-loos, bag searches or endless queues, and no VIP exclusion zones; we try and engage as much of the community as we can.”

With a festival location locked in, the next task was to curate a lineup. Following in the tradition of Red Square Music’s sell out boutique music festivals, Wright says they wanted to create a diverse line-up that spans many genres and includes a generous offering of 30 local and international acts with a little something for everyone.

“It’s a kind of a family enlightened music festival so we look at both emerging music and musicians, but also great career artists,” he explains. “We’re not exclusively guarded by who’s the most popular act at the time, but rather what’s a great lineup?”

“The venues and stages will also be very genre unspecific,” he continues. “In fact, it’s almost jolting to go from one stage to another but that’s kind of its beauty. That’s why in this lineup you’ll go from Kurt Vile and the Violators which is very much with

the Melbourne music scene kinda thing, to Cash Savage and the Last Drinks, rock’n’roll party starters Jazz Party, and then even to soul jazz with Thando and the deepest of street funk with The Seven-Ups.” It’s in the heart of Bendigo where you’ll enjoy sounds from the world’s finest purveyors of postpunk Cretan folk Xylouris White, the incandescent Cash Savage and the Last Drinks, UK’s desertblues rock goddess Z-Star Delta, the one and only trumpet-playing vocalist and all-around raconteur from The Cat Empire – Harry James Angus, who will be presenting his gospel production, ‘Struggle with Glory’, ARIA award-winning agitator and powerhouse Deborah Conway & Willy Zygier, as well as three-time ARIA award-winning guitarist Jeff Lang.

That’s barely skimming the surface though, with a second lineup announcement to come next month.

Offering music lovers of all persuasions an opportunity to come together and discover new music from around the globe, the country, and local region, BAM also holds a commitment to programming 30 per cent local content.

“I have always thought it’s best to engage the local artists as well and it actually creates a really exciting feeling of support from the local community,” he explains. “The local artists are always really excited about performing; festivals like this are the first step for artists being able to do that, and in turn they’re giving our event its heart and soul which is so important.”

With more news to come shortly, tickets are on sale now for a long weekend away, perfect for immersing yourself in music and arts in the charming city of Bendigo.

This one promises to be a good one – right in the heart of good old Bendigo!

Get all the information you need through bendigoautumnmusic.com

RIVERBOATS MUSIC FESTIVAL RETURNS FOR FEBRUARY 2019 WRITTEN BY CHLOE CICERO With a stellar line-up for 2019, the Riverboats Music Festival is back (February 15-17) on the sun-drenched banks of the Murray in the twin towns of Echuca-Moama.

Headliners for 2019 include The Waifs, Augie March, Tex Perkins, Jen Cloher and Mark Seymour who will be performing under the towering river red gums of the Murray. With a crop of Aussie talent, you’ll enjoy sets from Deborah Conway and Willy Zygier, Fraser A. Gorman, Gabriella Cohen, The Public Opinion Afro Orchestra, The Kill Devil Hills, Benny Walker, Leah Senior while Rockwiz’s Brian Nankervis will once again be taking the reins as festival MC. The Riverboats famous paddlesteamer sideshow will again be making an appearance, giving festival goers an opportunity to experience a one-hour music-laden cruise down Australia’s longest river with intimate acoustic performances from some of Australia’s favourite artists.

In addition, Riverboats Annual Festival Breakfast will be returning to Beechworth Bakery on Sunday February 17, including live sets by Benny Walker.

This one’s pretty popular and sells out every year, so make sure you get in early so you don’t miss out!

Just two and a half hours north of Melbourne, Echuca-Moama boasts a broad range of accommodation choices within walking distance of the festival site, from local camping and caravan options to five-star serviced apartments, Air BnBs, houseboats, backpackers and quality motels. Start organising your holiday now and get excited for three stunning, musical summer days in Echuca-Moama.

Tickets on sale now at riverboatsmusic.com.au

BELINDA CARLISLE Celebrating 30 years since the release of Runaway Horses WRITTEN BY NATALIE ROGERS As a former Valley girl, turned punk rocker, turned solo superstar, Belinda Carlisle has touched a lot of hearts in her forty years in the spotlight. Known to some as ‘The thinking man’s Madonna’ and as the voice behind hits like ‘Summer Rain’ and ‘Heaven Is a Place’ Carlisle is one of the most successful and respected recording artists in the world - but who knew the former runaway’s life would change while waiting for an autograph.

“Lorna Doom and I met Darby Crash and Pat Smear - who is now in the Foo Fighters - when we were in high school. We were all waiting in the lobby of a hotel for Queen who were playing there,” she says.

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We were waiting to get Freddy Mercury’s autograph and they liked me and asked me to join their band the Germs.

“Unfortunately I never got to play with them live because I came down with mononucleoses and had to go back home and live with my parents!” she laughs. “But that was a time you could be in a band and be horrible, that was the Hollywood punk scene and that’s where everything started for me actually.”

Soon after leaving the Germs, Carlisle went on to form The Go-Go’s and with singles like ‘We Got the Beat’ and ‘Our Lips Are Sealed’ they made history as the first all-girl group to top the US album charts.

“I still perform with them occasionally. We recently played the Hollywood Bowl with the New York Philharmonics,” she smiles.

From the mid-1980’s onwards Carlisle would go on to make a name for herself as a solo artist, and in 1989 she release Runaway Horses, an album that would go double platinum in Australia. So to celebrate the 30th Anniversary of her landmark release she will be back on our friendly shores in February and March of 2019. “I’m so excited! And

CALLOUS Callous play Death/Grind Metal with the tongue planted firmly in their cheek. One of few extreme acts from Bendigo, Guitarist Matt “Chooma” Tresize gave us a few words ahead of the gig at Musicman with Irish Death Grinders Abaddon Incarnate.

How is it being on the extreme side of things and playing in Bendigo?

It’s interesting to say the least, metal in general has a decent following in this town. But, like many other regional areas, we lack the venues to play, especially for the more extreme side of metal. Like most other bands we are always looking to play in different areas other than Bendigo and with like-minded metal heads. Our focus has been on recording and new tracks which keeps us busy with the lack of venues to play.

What can we look forward to at the gig with Irish champs Abaddon Incarnate?

Well if you remember the Canteena on Tatooine then I needn’t say more.

Future plans for Callous?

Essentially to record new content and gig a bit more. We’re working on some new tracks that will raise the bar on our musical skills. These tracks will consolidate a lot of work we have put in to practicing individually and as a collective.

Catch Callous at The Musicman Megastore in Bendigo on Friday October 26 for a night of extreme sonic destruction. Abaddon Incarnate will open the gates to hell when they unleash their brutally intense brand of death/grind on the venue, alongside Wounded Pig, Blood Mountain and AbuGhraib.

I’ve set myself the challenge of performing the album in its entirety.”

Carlisle says while she feels humble to have achieved such a career milestone, she is more proud of something she’s been working on behind the scenes. “A lot of people don’t know that I will be doing Meet & Greets while I’m here because it’s something I don’t normally do but I wanted to do them especially in Australia to get the word out about the Animal People Alliance that I co-founded after a trip to Kolkata, India in 2014.

“I travel to India quite a lot and there’s not many animal welfare services especially in the city. The alliance provides people who have experienced difficulty getting a job, be it the caste system or they have a disability or women who have been trafficked.

We are training them to become dog handlers or veterinarian assistants, and to service various NGOs in the city,” she explains.

“We also now have our own shelter and it’s doing really well. It’s a cause I’m working on daily, and it’s really near and dear to my heart. So with the Meet & Greets one hundred per cent of the proceeds go to the Animal People Alliance - but it’s very limited, there are only ten M&G tickets per show.”

Carlisle is an activist, a pop icon and punk at heart with a lot to say, but there’s one question left to ask I had to ask. Did she meet Freddy Mercury that fateful night?

“No!” she laughs. “But I was thinking about how funny it is because after doing this for forty years and having to go to hotels sometimes under a fake name, that we found out his room number and we actually found the balls to knock on his door. Of course he didn’t answer but I probably wouldn’t have answered ever!”

When & Where: Ulumbarra Theatre, Bendigo - March 1 The Palais Theatre, Melbourne - March 2 Tickets via abstractentertainment.net/

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THE WOMBATS A Riesling to be cheerful WRITTEN BY HELENA METZKE Sometimes we all need a Riesling to be cheerful – and if news of our favourite furry friends The Wombats returning down under this November isn’t reason enough, I’m not quite sure what is.

Still reveling in the afterglow of their sold out Australian tour some months ago, as well as a pivotal performance at Byron Bay’s Splendour in The Grass, The Wombats are bringing the love back once again.

With a string of headline shows lined up for Perth, Melbourne and Brisbane, the forthcoming tour will also see the English rockers play slots at both Canberra’s Spilt Milk festival and Victoria’s Grapevine Gathering.

“It’s going to be our first time playing a winery, which we’re very excited about,” exclaims Dan Haggis, drummer of the band. “We’re all big fans of wine and we’ve actually been to a couple of wineries in Australia just to do some tastings and what not,”

us a really strong bond with the country. Also just the language, the culture and the sense of humour – there are lots of things that are similar to home,” he smiles before continuing, “even though it’s a f#ck of a long way to travel.”

With an extensive catalogue of rocket tracks including the likes of ‘Let’s Dance to Joy Division’, ‘Jump Into The Fog’ and ‘Lemon To a Knife Fight’, The Wombats return to our land with a fresh offering.

Released during late August – only months after recent album ‘Beautiful People Will Ruin Your Life’ – ‘Bee-Sting’ makes for yet another belter of a track.

“We’ve had loads of good feedback,” says Dan. “Even though we haven’t played it at a show yet, thanks to social media we can see that people are really loving it.

“And because we tour a lot, it’s always nice for us when we get to put out new music.

“Bee-Sting is almost an add on to ‘Beautiful People continues Dan. “So when the tour came in that was the first thing that we heard and we were like, ‘let’s Will Ruin Your Life,” he says of the new track. “I feel as though it’s in that same world for us and off the do it.’ same palate.”

“I mean, it’d be a shame not to… especially with While the boys will be enjoying a vino or two preall that wine on offer,” he laughs. “Plus, a few of the performance during their next visit to Australia, you’ll places on this tour are places we hadn’t managed to usually catch them practicing yoga, or having a singplay last time, so it’s a great opportunity to make along before taking to the stage. the rounds.”

“About an hour before each show it’s kind of cut off Playing to what was a brimming Amphitheatre on time,” tells Dan. “Whatever we’ve been doing through the final night of this year’s Splendour in The Grass festival, the prolific three-piece confirmed the long- the day, we try and put that aside and be at the actual place we’re going to play so we can start soaking up held notion that The Wombats are one of Australia’s some of the vibe. most beloved touring acts.

“For me personally, I typically like to listen to music, “Splendour is always absolutely unbelievable do a little bit of yoga and then just start warming up and such a party,” expresses Dan. “It’s just so nice and singing along to some songs – really just getting to see that many people having such a great time your brain into music mode,” he says. collectively.

Grab your partner in wine and join the party when “It’s infectious – it really rubs off on you,” he continues. “And that Aussie tour was just mind- The Wombats return to Australia this Spring. blowing as a whole.”

When & Where: It’s no question that our favourite marsupials enjoy a cheeky visit to our sunburnt country, especially given how often they frequent the place – but what is it exactly that keeps them coming back for more?

“It’s a number of things really, but I mean, obviously the fact that since we first came over you guys have just seemed to embrace us,” explains Dan. “It was one of the first countries that really ‘got’ the band, you know, and I think that initial connection has given

Palais Theatre, Melbourne – Monday 19 November Grapevine Gathering, Rochford Wines, Yarra Valley – Saturday 24 November (SOLD OUT)

FORTE FROTHS THE RANDOM ACT OF KINDNESS A random act of kindness (or RAoK) is a selfless act performed by people to either help or cheer up a work colleague, friend or loved one with a random act of kindness, for no reason other than to make people happier.

These little Chocolate Spheres of Happiness are the perfect option for a RAoK. The excitement of the gift, the unwrapping, and the surprise of the Chocolate Sphere and then the excitement as the receiver smashes the sphere to release the deliciousness of the jellied lollies within. Make someone’s day - be it a partner, friend or family member - for no reason at all or for all the reasons you can think of. Find them at www.thefoodpurveyor.com.au

AUDIOFLY’S AF45W MK2 Say hello to your newest best friend for summer. Perfect for fitness and travel, the new and improved edition of Aussie home-grown brand Audiofly’s much-loved Bluetooth Wireless In-Ear Headphones are an everyday essential with more than just a pretty face (the white & rose-gold ones really are pretty, but they also come in black). These

ALPHA FEMALE, KAILEI GINMAN, LAUNCHES FEMALE AND LGBTQI+ INCLUSIVE BOOKING AGENCY WRITTEN BY TAMMY WALTERS We love a good female empowerment story, so when we heard about a lone booking agent shaking up the music industry by establishing a female only and LGBTQI+ inclusive agency, we had to find out more! Kailei Ginman is the mastermind behind the new Melbourne-based startup, Alpha Booking Agency, a project born out of frustration, passion and necessity!

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With a career spanning 10 years in the music are becoming incredibly proactive in pushing towards industry, Ginman hit the ground running working in diverse representation across festival lineups, Alpha an artist management firm responsible for looking wants to spearhead the change in agencies by after the likes of Lisa Mitchell, Evermore and Operator representing those who feel like they haven’t been Please. She then moved onto a booking agent and heard and celebrating their passions. promoter role with Platinum One Entertainment, “It just seems like the right time. It all was very sidestepping into a publicist and radio plugger serendipitous actually on how everything kind of position with Shake Appeal, jumping across to Araca came about and it’s an exciting time to be able to Australia as their Merchandise Marketing Manager, represent people who feel like they haven’t been and finally jetting across to Ministry of Sound as a represented properly before either because of their booking agent. gender or their sexuality or even their ethnicity,” “It was a male oriented team so being the only Ginman says. “Especially a large part of what Alpha female in the team was difficult at times,” Ginman is going to do as well is work with charities and says of her experience at Ministry of Sound and her hopefully work with government initiatives and decision to leave. “I was looking around thinking ‘wow associations for women and LGBTQI+, so it’s super there aren’t a lot of female agents so that’s something important to Alpha as well that we get behind our that needs to change’, and also seeing some of the artists passions and charities.” stuff that happened to my female talent while I was The roster is already flourishing with talent there as well. Just all kind of issues, even harassment including Ayebatonye, MIMI, Feline, Stara and Rosie in the clubs from patrons that weren’t taken seriously Kate and is due to expand in the coming months. so I knew I needed to step in and I knew that I needed “The Alpha roster is really going to grow and it will to create an agency where these things were taken also grow outside of just electronic music,” reveals seriously and to try and avoid this from happening.” Ginman.

“It even got down to a point where I didn’t even While Alpha is making waves, the move has not know how to sort of speak to males in my emails with come without critics. Many are calling out Ginman my tone,” she continues. “I had some frustrations for being discriminatory and labelling the move as obviously, being a female and in a very male dominant ‘reverse sexism’. environment and I just needed to step out and “People that are calling it reverse sexism on this prepare myself for my next adventure.” movement they are pretty much proving why this That adventure could not have come at a more agency needs to exist! It’s not reverse sexism in the slightest, it’s just representing people who haven’t appropriate time. After 4 weeks of what Ginman described as sitting in bed, eating a packet of chips been represented previously to the best potential in her underwear and ‘really doing unemployment’, and it’s also about opening up that conversation and she was contacted by an old client to check in with her just starting change in the industry and hopefully to movements and planted the seed of starting an agency. society just in general!”

“They mentioned to me that they had a few Ginman hopes to leave a legacy and see more artists that they were working with who didn’t feel agencies follow her lead in the coming years, to get represented and that kind of catapulted the idea of the ball rolling in starting the equality conversation!

Alpha coming together,” Ginman explains. “I had “It’s not even about just changing the industry. It’s thought about starting my own agency previously but about changing socially…It’s utopian, let’s just hope this really kind of cemented it so I ended up moving it works!” to Melbourne and getting the agency started.”

The music industry has been under the microscope Learn more about Alpha Booking Agency in recent times in the movement for equality and at www.alphabookingagency.com female representation. As organisations, associations, industry representatives and artists alike in Australia

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Lightweight and built for life on the go, I won’t leave home without my AF45W MK2. RRP at $89.99 and you can purchase them from JB Hi-Fi nationally.

LARRIKIN GIN From master distillers, Scott WilsonBrowne and Chris Pratt (no, not the one you wish it was) - Larrikin Gin imbues the heart of Ballarat and Aussie larrikinism in every drop, making for a seriously good gin, that’s no laughing matter. In four varieties - Original Larrikin, Scoundrel, Buccaneer and Barrel-Aged Batch #3 - Larrikin Gin bottles the harmless prankster, a bit of cheek and a load irreverence into high quality spirits that can be enjoyed by everyone, including those with a preference for drinking their spirits neat, as well as those who like to add their favourite mixers. Right now we are all about the original Australian Larrikin which is infused with botanicals complementing the juniper and coriander base – along with notes of lemon and hints of spice! So. Damn. Good.

Check it out at larrikingin.com.au

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JEFF MILLS. RIVAL CONSOLES. YOU AM I. GILLES PETERSON. BAD GIRLS DISCO FEAT: RENÉE GEYER + KYLIE AULDIST + CHELSEA WILSON + DJ JNETT. DJ SEINFELD. NADIA ROSE. REMI. LEON VYNEHALL. MARK PRITCHARD. AINSLIE WILLS + GRETTA RAY + ANGIE MCMAHON. STRAIGHT ARROWS. HEAPS GAY. KIRA PURU. MARIBELLE. LUKE MILLION. GARETH LIDDIARD. CLOWNS. JEN CLOHER. NAI PALM. ALICE SKYE. BEATRICE. RUDELY INTERRUPTED. ALLDAY. GRAND SALVO. REGURGITATOR. NEW WAR. RVG. ALI BARTER.

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GEELONGS ULTIMATE WINE FESTIVAL

Melbourne Cup weekend, November 3-4 Showcasing three diverse sub-regions of Geelong – each offering a series of unique and exciting food, wine and entertainment experiences.

Patrons can experience the very best of the Bellarine Peninsula, the Surf Coast and the Moorabool Valley.

Tickets on sale now. Get in quick to avoid missing out!

Visit www.toasttothecoast.com.au to view the program and BOOK NOW PARTICIPATING WINERIES MOORABOOL VALLEY:

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bubbles will be available along with soft drinks and free water for your designated driver. As for the food, there will be a variety of food trucks with kartoffelpuffers (potato pancakes), schnitzels, kranskies (sausages), pfannkuchen (German pancakes), berliners (doughnuts) and other surprises just waiting to be consumed in the new rustic beer garden!

WHAT’S ON WRITTEN BY CHLOE CICERO

A second exclusive ‘silo bar’ will cater for everyone’s needs, and what’s a festival without giant Jenga and Dominoes? As the sun goes down, it only gets better with lighting of the river gums bringing out the real beauty of this location.

BREWER’S SHOUT: XPA BEER LAUNCH HALLOWEEN STYLE The legends at Little Creatures are yet again hosting another excuse to get together and drink! This time it’s the Brewers Shout, an XPA Beer Launch party for Halloween.

If you’re travelling home that day don’t be shy to stock up on some mettwurst or other delicacies which will be available for sale in the beer garden – perfect to take home for the family!

This event sees the team stepping it up, bringing us a double triple treat with the use of US Crystal, WHP Galaxy and Nelson Sauvins in the brewhouse, as well as Galaxy, Mosaic and Citra for a dry hop aroma, reminiscent of a delicious seasonal fruit salad.

If you don’t live locally and you’re travelling from out of town and keen for a big day (you really can’t go to a German fest and not consume a stein or two), we have something for you! While you can’t stock up on the delicacies, you CAN have a stress-free experience with the on-site camping available for less than $20. That’s cheaper than a taxi home...

Brewed with ‘Flavour + Balance = Refreshment’ in mind, this little beauty is jam packed with aromatic and tasty goodness.

Best of all? It’s FREE ENTRY with doors opening at 4pm on Friday, October 26 and it’s first in best dressed.

So dig up your best Halloween costume, and hop on down to Little Creatures Geelong for a BREWERS SHOUT. This is your chance to get a taste of their new XPA, as well as FREE sliders and even a little Halloween surprise.

Little Creatures Geelong is located at 221 Swanston St, Geelong.

PARMA BAR IS HERE...

IT’S WHAT WE’VE ALL BEEN WAITING FOR. Geelong finally has its own first dedicated Parma Bar (or Parmi Bar, which ever you feel is politically correct).

Serving all things Parma, and featuring a massive menu of 42 parmi’s, there are plenty of choices for all parmi lovers.

It’s basically like a subway, but for parmi’s. The aim of the game is to choose your preferred base (chicken, veal, eggplant, pumpkin), then way its cooked (fried, baked, grilled), then pick from the list of 42 toppings, add a side (chips, salad, veg, slaw) and then top it off with dessert – stretchy clothing is recommended.

RAISE YOUR STEIN TO THE HORSHAM GERMAN FEST

the Maydale Reserve at the Horsham Showgrounds on Saturday November 17 (from 2pm – 10pm). Here, punters can celebrate the German heritage with a large open-air space allowing plenty of alfresco dining and picnic seating along the Wimmera River.

We all know October is the perfect time to drink lots of beer, eat lots of German food and celebrate everything that embodies the idea of Oktoberfest... but why not keep the celebrations going?

Within the grounds, you’ll find a traditional bierhalle that will feature live music direct from Adelaide, local DJ’s, a local oompah band, a fully licensed bar, German dancers, a beer stein holding competition and Miss (& Mr) Horsham German Fest!

This year, we’ll be raising our steins in November at the Horsham German Fest that’s set to takeover

Authentic German beers have been sourced and a variety of canned ciders, wines and piccolo’s of

Anyone can nominate A new ‘youth voice’ for Greater Geelong

Open to all 12 to 17 year-olds

ARE YOU

GEELONG’S

FIRST

JUNIOR MAYOR? NOMINATE FOR THE NEW GREATER GEELONG YOUTH COUNCIL

The grand opening kicked off Wednesday night, and we at Forte, feel like it’s going to be the beginning of something beautiful – get excited

Represent your local area Make a difference

Meetings begin 2019

So go on prepare your lederhosen and dirndl’s (because who doesn’t love dressing up) and enter the Horsham German Fest through the fast lane by purchasing your ticket online at www.trybooking. com/355556 for $25 and grab your beer stein as you come in.

Choose the slow lane and you’ll be up for $30 at the door. Please note, there’s no EFTPOS facilities here so make sure you cash up before you arrive. A beer/drinks ticketing system will be used on the day.

Proceeds from the Horsham German Fest will go towards the development of a new pavilion to cater for a multitude of community needs on the banks of the picturesque Wimmera River.

EXPLORE THE MACEDON RANGES WINE REGION THIS SUMMER Ever wanted the chance to explore the Macedon Ranges Wine Region and join in on a party?

Now’s your chance... The coolest wine region in mainland Australia, with mainly boutique, family-owned producers, celebrates its 50 year anniversary this year, and you’re all invited!

Running over two days in November, more than 30 wineries will be opening their doors for the Macedon Ranges Wine and Food Budburst Festival, where visitors can enjoy wine tastings, live entertainment, good old-fashioned country hospitality and explore the diversity of wine styles grown and vinified across this outstanding wine-making region.

During the festival, winery dinners will be held in various locations across the region to showcase the restaurants, producers and vignerons. As most of the wineries are small and family-owned, the festival offers a personalised experience to learn first-hand from some of Victoria’s best wine artisans. Festival goers can get the chance to talk directly with people who grow the grapes and make the wine; perfect for all the budding wine connoisseurs.

Geelongians.

Parma Bar is located at 112 Pakington street, Geelong West

The Macedon Ranges are on the road less travelled and yet still less than an hour from Melbourne, so what are you waiting for?

Nominations open 15 October – 15 November 2018 Nominate at www.geelongaustralia.com.au/youthcouncil

www.geelongaustralia.com.au CityofGreaterGeelong

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@GreaterGeelong

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The Budburst Festival runs November 17 & 18. See www.budburst.com to purchase your early-bird ticket at just $20.

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Shopping can be a tiring exercise, so keep fuelled up with the range of food options and alfresco dining in the central Geelong area. Here you will find delicious street eats from The Hot Chicken Project, Pistol Pete’s Food n Blues, Mad Kitchen Asian Food, The Workers Club, Big Ears, Tomodachi, Coffee Cartel and Geelong Cellar Door. And if you’re after something a bit sweet James Street Bakery have you sorted! Some will also have some lunch specials so make sure you check it out!

With thousands of shoppers flocking to the streets, it’s an exciting day both for the race itself and the opportunities it gives to local retailers. The places we shop, where we eat and where we indulge, all make up a part of our community home, especially the unique one-of-a-kind businesses that locals know and love.

What’s more, buying from locally-owned businesses is not only good for our local retailers, but it’s a great way to generate and strengthen the economic impact for our own community. Basically, when you buy locally, the local city sales tax revenue is derived from the purchases you make. This money is then recycled back to the community. It’s a win win situation if you ask us!

THE ONE DAY SALE FRENZY RETURNS TO GEELONG The annual Sidewalk Sales is Geelong’s largest sale day – the day people flock to the streets to snap up some once-off bargains from local retailers.

Held on Melbourne Cup Day (Tuesday November 6), businesses right across Central Geelong will trade on the footpath, offering a huge range of special offers and sale items with many more offering in-store specials as part of the Central Geelong Shopping Festival and Sidewalk Sales.

Before you start pouring the bubbly on race day, head into town and take advantage of all the one-day-only

THE TOP FIVE PICKS OF THE 2018 ARCHIBALD PRIZE High profile, eagerly anticipated and often controversial, the Art Gallery of New South Wales’ Archibald Prize is Australia’s favourite art award, and one of its most prestigious. Awarded to the best portrait painting, it’s a who’s who of Australian culture, with subjects often including politicians, celebrities, sporting heroes, authors and artists. Lucky for us, The Geelong Gallery is again the exclusive Victorian venue for this exhibition. Gallery Director Jason Smith talks us through his top five picks of this years collection.

The Fourth Week of Parenthood by Guy Maestri This is a really lovely painting I just keep going back to. Guy has been in the show before, but this is a small, beautiful self-portrait, and it’s called The Fourth Week of Parenthood where he’s cast himself in a dark, sombre, small painting just of his head.

It’s really beautiful in light and colour, but also its depiction of a state of calm but bewilderment at what’s happening to his life with the arrival of this new baby. It’s just a really touching self-portrait by a man who’s beginning to cope with parenthood.

Herb and Flan by Julian Meagher This one is of the writer Richard Flanagan with his cockatoo; a pink Major Mitchell’s Cockatoo. It’s a big portrait, but when you look at it, there isn’t

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deals. A event hub will be located in Little Malop Street Central offering further special offers, pop up shops, sale items and a range of entertainment to enjoy along the way. Here you’ll find live music performances from the big band soul sound of The Sweethearts, a ‘Garden Party’ area with a range of pop up versions of some of Central Geelong businesses including Lushious Australia, Kaisercraft, Rook Sri Lankan Fusion and more; a ‘Pamper Marquee’; offering free mini make up touch ups, hair ups and more from Invoque, The Centre of Excellence Hairdressing & Beauty College, and even a ‘Kids Zone’ featuring ride on horses and crafts from Urban Upcycle for the kids.

For those who aren’t heading up to Melbourne for the races, it’s a great way to stay entertained, support local businesses and, of course, save some money with the sales. However, a range of venues around the CBD will be broadcasting the action from Flemington so you can still keep an eye on your winning horses.

For a full list of the businesses involved, race deals and locations visit www. centralgeelong.com.au/sidewalksales Feature photo at Townhouse Living

There will also be a hub up the other end in Little Malop Street West that will include a ‘Sweet Street’ with pop-up’s with Armageddon Cake and more, a ‘Fashion Parade’ featuring Own.Kind and meet and greets Ambassador Anna Teague, Geelong Cats AFLW player.

BLONDIE

a mark out of place. There isn’t a lot of paint, it’s almost like a watercolour, the paint’s so thin and washy so Julian couldn’t make any mistakes. It’s just very deftly realised and composed as a portrait.

We know portraits often look back at us, but pretty much without fail this year, there is such a penetrating gaze from all the sitters back to the viewer. It really is great, and this is one of those works. It’s a miracle of beautiful painting.

The Huxleys by Sally Ross Sally has been in the Archibald a few times. This is a picture of a live couple called The Huxleys. It’s a double portrait of Will and Garrett and they’re dressed up in their performance costumes, with their short brown bob wigs on and their pink sequinned outfits.

It’s unusual to see a double; we don’t see often too many but Sally has kind of a very pointillist style that’s quite beautifully graphic. It’s just a remarkably kind of lively, fun, slightly weird-double portrait. I like things that keep me coming back again and again, and this is one of them.

Guy by Anne Middleton Anne Middleton’s portrait of Guy Pearce is an incredibly powerful work. Anne is intriguing because this is the first portrait she’s ever painted. She usually paints fish and botanical specimens. Very expertly, photo-realist, but she thought Guy would be a lovely sitter. As she has stated, what she encountered in him was a very unpretentious, gentle, contemplative man.

She really seems to have captured those very private, personal qualities in the portrait.

Numb to touch by Natasha Walsh This is a self-portrait called Numb to Touch, as in feeling numb. Last year’s portrait (she was in the show last year) was similarly very contemplative and very kind of inward-looking. Her paintings are small and they’re very finely worked, but while they’re meticulous, she doesn’t try to make it look like a photograph. It’s very much about painting. The small, intimate scale is very beautiful but she’s such a very very interesting artist. There’s a lot of emotional intensity packed into this tiny little painting. There’s paintings of every gamut in the Archibald, but some of the little ones pack the biggest punch.

The Archibald Prize runs until 18 November at The Geelong Gallery. Open daily 10am to 5pm.

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HALLOWEEN COMICFEST 2018 Celebrating its seventh year, Halloween ComicFest is an annual event where participating local comic shops celebrate the Halloween season by giving away free comics to fans. The event takes place the Saturday on or before Halloween each year (so October 27th this year) and is the perfect opportunity to introduce friends and family to the many reasons why comics and comic shops are great! Comic shops are the perfect location to get into the spooktacular season: from zombies, vampires, monsters, and aliens to costumes and more, comic shops have it all when it comes to Halloween fun... and this year you can find it all at our favourite local comic book store, Gifts for the Geek.

Featuring a whole new selection of 34 comic book titles from publishers like DC Comics, Marvel Comics, Dark Horse Comics, and IDW Publishing, 22 of them are your full size and the rest are all-ages mini comics, perfect to give out to trick-or-treaters or as party favours to inspire the next generation of comics readers!

Coined to be the best Halloween ComicFest yet, Halloween ComicFest spokesperson Ashton Greenwood says this year’s comics reflect a broad range of tastes. “The All-Ages Mini Comics feature popular characters like Rocky & Bullwinkle, Archie, and the Teenage Mutant Ninja Turtles, while the Full-Size Comics feature well-known properties like Hellblazer, Spider-Man, and Goosebumps,” he says. “Halloween ComicFest is the perfect time to introduce friends and families to the wonders of comic shops, and experience them as premiere destinations for Halloween fun!”

You can check out the complete list of available comics at halloweencomicfest.com, but we recommend just heading in store on the day and revel in the excitement of Halloween. Along with a free comic, the legends at Gifts of the Geek will also be handing out trick or treat goodies and a Lego mini figure.

Whether you’re an avid fan or a comic book newbie, it is well worth swinging past the store to pick up a free comic book. The store has plenty of other things to check out while you’re there – a wide range of band merch, records, T-shirts and comic book merchandise are also available, along with a number of comic books and graphic novels for those wanting to take home more than one story from the day.

Gifts for the Geek is located at 153-155 Ryrie Street, Geelong.

HEATH FRANKLIN’S CHOPPER RISES AGAIN Say your prayers... Australia’s ‘Most Wanted’ comedian Heath Franklin’s CHOPPER is back and he is rising again to preach to the converted in his Bogan Jesus – The Resurrection Tour this October. We chat to Heath ahead of the tour.

Hi Heath, thanks for taking the time to talk with Forte Magazine - I’m quite a Ronnie Johns Half hour fan here so it’s a pleasure to chat with you.

With Ronnie Johns in mind, when you initially began doing the now world famous Chopper performance on the show, did you expect it to be as popular as it’s become?

I honestly had no idea. I think I was very lucky though because Chopper became popular at just the right time on the internet. If it was two years earlier people wouldn’t have been sharing videos and if it was two years later it would have just been keyboard cat remixes everyone was watching.

The introduction of your performance as Chopper was over 10 years ago now and is to this day, with many tours between now and then, still highly quoted in pop culture. Why do you think Chopper resonates with so many people?

I think people like someone who comes across as a bit dangerous. I’ve also tried to make it clear

STEP BACK IN TIME WITH ASTROMAN It’s the 80s. Gary Ablett has just signed with Geelong. Cyndi Lauper blares through the stereo.

And for gifted young teenager, Jiembra Djalu, the local video arcade is the place to be over summer.

His mum knows better than anyone that Jiembra is a special kid with the world at his feet, but will he ever find the courage to reach for the stars?

that if someone needs to be told to get fucked I’m willing to do it.

Given that you are quite familiar with joking about politically incorrect topics - Evidence of that being some of the hilarious cult classic skits in The Ronnie Johns half hour and your several ground-breaking Chopper tours, are there any lines that you wouldn’t cross? Do you think comedians should have those boundaries?

I kind of hate the term ‘political correctness’ because it gets appropriated to mean different things by both sides of the argument. My thing is that I’m definitely offensive but I make sure the people I offend those who deserve it and not the ones who don’t.

Bogan Jesus - The Resurrection Tour begins in October and It’s quite an extensive tour, what can audiences expect from this show?

It’s Chopper laying out his ten commandments.

It’s the ten most important things to Chopper for the survival of the human race. Cat Cafes must go.

Looking back at your successful comedy career leading into this tour, what are some of your favourite and most memorable performances?

I’ve had some good gigs in my life. I’ve done a few really big ones but they aren’t always the best. The best gigs just sneak up on you.

Congratulations on being awarded the Comic’s Choice Award at the 2018 Melbourne Comedy Festival Heath. A massive achievement, what was it like receiving that award?

It was really great. I put a heap of effort into this show and to have a lot of very funny people give me the nod made me feel like the hard work had paid off.

Thanks for your time Heath, we appreciate it, but just before we wrap it up, can you give our readers some premium Chopper advice on how to get through a slow shift at work?

Plan a crime… In detail. Go through every step and make sure you’d get away with it. Then plan contingencies. Then if it seems feasible enough and profitable enough maybe just do it.

A life: MT Presented by Friendlyjordies Where: GPAC, Geelong When: Sunday October 7 Reviewed by Josh Dowling Photographed by John De Haan A life: MT Presented by Friendlyjordies - is a tongue in cheek, hour-long roast of Malcolm Turnbull and a raving venture into Australian politics that features satirist comedian Jordan Shanks parading his antics across the stage dressed as an old French aristocrat portrayal of the politician - which given the former prime minister’s reputation, is blissfully felicitous.

It’s an approach that may at first seem altogether preposterous on the exterior and to be honest, it is considerably outrageous. However ultimately the presentation demonstrated a profound expertise regarding the political environment and the psyche of the general Australian.

Meticulously weaving political satire with explorations into sometimes very dark territory humour wise, Jordan establishes a stage show that legitimately kept the crowd mesmerised with the overall tone making the crowd wonder what priceless chronicle would be played out before them next.

When & Where: Gateway Hotel, Geelong - October 27.

Directed by Helpmann award winning director Sarah Goodes (from The Children, A Doll’s House, Part 2) with the help of Tony Briggs (The Sapphires) as Associate Director, Astroman is playwright Albert Belz’s irresistibly funny and heart-warming tale of family and friendship and is set to please crowds when it hits Arts Centre Melbourne stage later this month, bringing this essential coming-of-age story to life.

“I’m super excited,” exclaims Perth-based actor Calen Tassone who plays the role of Sonny Djalu, Jiembra’s brother. “I’m still excited as I was the first day of rehearsals; you see it taking shape and it’s coming together really well.”

Known for his roles in Bassendream (2018), Black Comedy (2014), Red Dog (2016) and The Heights (2018), Calen’s first role in theatre stems back to primary school where he played Little Red Riding Hood in a musical. It was only after his time at Western Australian Academy of Performing Arts (WAAPA) studying Aboriginal Theatre years later that he found his passion for the stage.

“It’s corny, but I think I found my true calling. I fell in love with it. And not only that, but it was about choosing a career path that means something to me,” he explains. “With the current renaissance going on in Aboriginal Screen and Theatre, I feel proud to be a part of it. Just to pick up the baton of where a lot of amazing artists have come before me.”

Now Astroman marks Calen’s debut with the Melbourne Theatre Company, who landed the role after sending off a quick self-tape while preparing the baby room for his son.

“I feel like it’s a big deal for myself,” he beams. “Just going through drama school you’re told about the big theatre companies in Australia. It’s a massive goal for everybody to be able to perform for these theatre companies and perform on these big stages.

Finally making it is a real ‘ah’ moment. It’s definitely a goal I can tick off.”

As for the play itself, this one will please anyone from the 80s, specifically those who grew up in Geelong at the time. Within the play, Albert Belz has captured the beginning of our love affair with gaming technology and the young adult culture that fuelled the ’80s with films like The Karate Kid and breakdancing.

“Luckily, throughout the play there’s a of references

The comedic prowess of Jordan allowed him to produce a gratifying, compelling and hilarious verbal barrage for the hour run time. A much different tone from his previous tour (Chip up, Stooge!) that despite being funny also served a purpose of being beneficial from a self-help perspective. This new show was an exodus from the prior self-help based tour, with the focus this time fundamentally being about adding flare to Australian politics whilst revealing the absurdity of modern social aristocracy and the political elites.

A life: MT demonstrates that Jordan Shanks is proficient in effortlessly occupying many contrasting spaces on the comedy spectrum and because of this, he leaves everyone wondering what he will present us with next and that element of the unknown is what makes great, memorable comedy.

so it’s easy to go back and look at a YouTube or Google something and just learn about the 80s,” Calen says, referring to the research involved in preparing for the play. “The directors, the 80s was their time when they were young so it’s good to go back to them, and even some of the cast, and ask them what it was like.

“One of the big parts of the show is actually the hiphop culture; breakdancing which is something that I’m very passionate about. It was easy to have that as a place to start and then branch out from there.”

Against a backdrop of BMX bikes, Michael Jackson, Gary Ablett, Donkey Kong and Friday night Kentucky Fried Chicken, the play simultaneously tells the story of an unlikely friendship between an older Greek man (and owner of the local arcade) and a young indigenous boy, who together give each other the courage to face the outside world.

“I’m just looking forward to the audience being able to come and watch the show; I just want to see their reaction now,” he says of the comingof-age story. “We’ve been doing runs of this play for a couple of weeks now and we all love it; we’re constantly laughing so I’m really excited to have the audience come in and just see their reactions to the story and the characters.

“I really hope some of the older audience members get that sense of nostalgia, and that we can take them back to this world. It was a completely different world, for me anyway. Looking back at these photos and videos, it was so bizarre. It was such a cool and scary time, depending on where you came from. I hope the audience can get lost in it a little bit – and of course enjoy the show.”

A delightfully charming play, Astroman explores the highs and lows of growing up in Geelong, the exhilaration of learning and what it means to be truly courageous.

Astroman runs from October 27 to December 8 at Arts Centre Melbourne.

Tickets via 03 8688 0800 or mtc.com.au

MUFF 19 Celebrating Australian Cinema, the Melbourne Underground Film Festival (MUFF) is a cutting edge premiere showcase that aims to support and promote Australian and International features to an Australian audience, with many of these films showing to audiences for the very first time.

Known for its radical, adventurous and iconoclastic programming decisions, along for its support for different voices in Independent and Underground film and video practitioners worldwide, the festival now returns for its 19th year.

Running over one week, the festival showcases around 100 new, wild, thrilling, notorious and controversial works each year, plus an exciting array of documentaries and curated retrospectives in certain Melbourne venues.

This year MUFF is guided by the theme ‘Mad, Bad & Dangerous to know’ and features films by Bruce LaBruce, Mark Savage, Lauren Southern, Steve Bannon, Mike Retter, Terry McMahon and more.

With 2500 entires alone this year, you know that you’ll be presented with the very best.

Opening night is sure to please with Mark Savage’s searing thriller Purgatory Road on Friday October 26. Set against the grim backdrop of Louisiana, this bloody tale of absolution and fallen Christdom is not to be missed. The film festival will close with a double night, featuring LGBT film-maker Bruce LaBruce’s Ulrike’s Brain, as well as Mike Retter’s Youth on the March, and there will also be the “Mini MUFF” which are a series of short films across the festival.

With an array of films throughout across a variety of genres including comedies, dramas, thrillers and documentaries, there is sure to be something for everyone.

The festival runs from Friday October 26 to Friday November 2.

Check out all the details online at www.muff.com.au

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film reviews

BEAST

BY ANTHONY MORRIS

A STAR IS BORN

On the isolated UK island of Jersey, Moll (Jesse Buckley) struggles to live a life dominated by her controlling mother (who may, it’s suggested, have a reason for keeping her on a tight leash).

Wandering away from her own birthday party, she meets Pascal (Johnny Flynn), a gun-wielding handyman who’s own drifter nature seems to symbolise the freedom she’s striving for. But the island is currently on a knifeedge as a series of sexualise murders continues: could it be that the man she loves is also a man who kills? There’s a lot more going on in writer-director Michael Pearce’s ambiguous tale of catand-mouse between lovers who might also be predator and prey, but it’s the performances – especially Buckley’s – that really ignite the tension here. Love gone bad has rarely been this uneasy or this primal; Beast reaches back to fairy-tales to drive this almost mythic tale of passion and flawed desire.

To be honest, this version of the Hollywood classic (the third to date) should be titled A Star is Dying; while it’s Lady Gaga’s Ally that’s the focus of the title, the film itself – co-written, directed and starring Bradley Cooper – keeps its eye firmly on Cooper’s country rock legend Jackson Maine.

This works to its advantage in the first (much better) half: he’s out looking for booze (not a good sign) after yet another stadium show when he ends up in the drag bar where Ally is performing (she’s the only non-drag act and the only one singing live). They spend the night together hanging out, talking music and – in her case – punching out a cop, and it’s a wonderfully romantic start to their lives together. Soon he’s asking her up on stage with him and she’s totally won over; can a happy ever after be far off? Well, he’s a drunk who’s losing his hearing, she’s moving on up and has a shady UK manager steering her towards “superficial” pop, and there’s going to be more than one sad song sung before this is done. Cooper is gruff but vulnerable, but Gaga’s the real star here on stage and off: Ally’s coming-of-musical-age lights up the screen in ways he can’t touch.

1%

FIRST MAN

VENOM

For the last few years Perth bikie club

There’s little doubt that Neil Armstrong

The best parts of Venom are the parts

(Ryan Gosling) was a notoriously private

you already know are going to be the

man whose interior landscape was as

best parts. That’d be every scene where

unknowable as the Moon’s surface – and

Tom Hardy acts nuts. To be fair, Eddie

that’s a comparison this film does not

Brock (Hardy) starts and finishes the film

avoid making. So for much of this biopic

as a perfectly normal and well-adjusted

director Damien Chazelle (Whiplash)

man. That’s because five minutes in

focuses on the general how of how NASA

he has a confrontation with billionaire

went to the moon in the 60s rather than

(and secretly evil dude) Carlton Drake

the specific why. It’s a smart move: Here

(Riz Ahmed) after which he rapidly

space travel itself is a cramped, rickety,

loses his reporting job and the love of

noisy hellride filmed almost entirely in

his previously adoring girlfriend Anne

extreme close-ups, and few films have

(Michelle Williams). After that Hardy

done this well at dramatising just how

plays him as a good-natured dim-

risky flight, let alone flying into space,

bulb drunk; it’s a perfectly reasonable

can be. Even outside of the space travel,

character choice. And then, while

much of the film is enjoyably down-to-

researching a tip-off into Drake’s lethal

earth; Armstrong is told he’ll be leading

experiments, he finds himself with an

the flight to the moon in a bathroom.

alien symbote spurting out of his body

The moments where it breaks out of the

like living tar while whispering in his

traditional hero’s journey – protest songs

head about how much fun it’d be to eat

about the wastefulness of space travel,

people. That definitely takes a toll on a

the focus on Armstrong’s wife (Claire

guy. Which is why he ends up sitting in

Foy) dealing with the constant danger of

a lobster tank in the middle of a fancy

the Moon program and an emotionally

restaurant during lunch chowing down on

absent husband – are when it feels

one of the inhabitants. Aside from Hardy’s

freshest. They’re also, not coincidentally,

unhinged performance, Venom is kind

the moments where the film’s shell of

of a basic superhero film, a sometimes

white-collar restraint cracks. Gosling’s

bumpy ride where the extreme violence

performance sets the tone and the tone

is largely neutered, but Hardy’s highly

is (intentionally) as far from emotional

entertaining performance has so much

as you can get – which makes the film’s

going on that having a story with anything

climax almost unbearably moving.

more going on would be a distraction.

The Copperheads has been run by Paddo (Ryan Corr). He’s got big plans for the club, looking towards a future based on working together with their rival gangs to reap the rewards of organised crime. Two things stand in his way; one is his brother Skink (Josh McConville), whose bungled attempt to move into drug dealing forces Paddo to make a deal with enemy Sugar (Aaron Petersen). The other is Knuck (Matt Nable, who also wrote the script), original leader of The Copperheads. He’s fresh out of jail and keen to take the club back to the old, violent ways he knows best.

It’s the kind of story that could easily have been another gang war story, but first-time director Stephen McCallum takes an almost Shakespearian approach to the material, with the rival leaders scheming against each other as they’re egged on by their respective partners (Abbey Lee as Paddo’s ambitious girlfriend and Simone Kessell as Nux’ regal consort). It’s not quite up there with the classics of Australian crime cinema, but a gritty atmosphere and a few decent plot twists (plus an ambivalent approach to the bikies themselves) gives this enough of an edge to make it a worthwhile effort.

RECORD WATCH

STAFF PICKS

Jenny Wilson - Exorcism (Gold Medal Recordings)

TALIA GREENDAY - AMERICAN IDIOT

Hard to not admire a strong individual in the #metoo age, after baring her soul on 2013’s Demand The Impossible LP, as she recovered from breast cancer.

NATHAN BLACK SABBATH - HEADLESS CROSS GLENN

Exorcism is a confronting but cathartic album, dealing with her well documented sexual assault.

ANATHEMA - THE CRESTFALLEN EP

For fans of Fever Ray, Tash Sultana or TuneYards, amazing one person bands,utilising loops to create a lush musical texture.

JOSH

Available at Real Music (83 Little Malop St, Geelong).

CHLOE

WHAM! - MAKE IT BIG

BLINK 182 - BORED TO DEATH

LADIES IN BLACK

WEST OF SUNSHINE

THE INSULT

WAJIB

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FRI 19TH 3.30PM MON 22ND 1.15PM FRI 26TH 3.40PM SUN 28TH 1.10PM

CHRISTOPHER ROBIN

BEAST

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CNR. MOORABOOL & VERNER ST. SOUTH GEELONG | WWW.PIVOTCINEMA.COM.AU 44

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ON CHESIL BEACH FRI 19TH 6PM SUN 21ST 1.10PM

you expect?). I wouldn’t be surprised if this gig was a tester from Gene to see if Ace is up to scratch for the final farewell tour.

In what seemed just as much a marketing process as it was a rather enjoyable gig, Gene Simmons hit the stage and kicked off a better than expected set list with Deuce, more KISS classics, a few very rarely played tracks such as ‘Almost Human’, ‘Plaster Caster’, and ‘I’, from the oft-maligned Music from the Elder album.

Compared to Ace, the lights were bolder, the sound was stronger. I sensed this may not be coincidental.

Take nothing away from Gene though, he is in fine form after all these years, and the solo tours was his time to shine. Geelong’s Amy Lehpamer was fortunate enough to get up on stage to sing ‘I Was made For Lovin You’ before he resumed his post behind the microphone, with more KISS tracks, mostly unheard to our our ears in a live environment.

Gene Simmons + Ace Frehley Festival Hall, Melbourne 30 August 2018 Reviewed by Glenn Lynch Photos by John Raptis Last time I saw a gig at Festival Hall it was back in 93 when Suicidal Tendencies supported Alice In Chains. It is not as big as I remember, but being 15 and caught in a mosh pit with Suicidal Tendencies smashing it on stage would seem big to any 15 year old. This was a little different, with seating on the floor, a much older crowd now, and a lot safer than all those years ago!

KISS solo albums, Gene brought Ace over for the ride, which on a personal note, was a more salivating prospect than seeing the “God of Thunder”.

‘Fractured Mirror’ resonated through the speakers before Ace got on stage and kicked into gear with ‘Parasite’, backed with The Gene Simmons Band (minus Gene). KISS classics such as ‘Love Gun’ and ‘Detroit Rock City’ were scattered throughout the set, along with some of Ace’s signature songs such as ‘Shock Me’, ‘Strange Ways’, my personal favourite ‘Rocket Ride’, ‘Rock Soldiers’, and one of his most famous, ‘Cold Gin’, finishing off the set.

It was a more relaxed vibe than your regular KISS gig, and as part of Gene personally delivering the “Vault”, those with deep enough pockets and a care factor high enough to purchase one, got to jump on stage for the final sing along extravaganza Rock N Roll All Night with which Ace also jumped up on stage for.

An enjoyable, though not mind blowing night of good, hard rock n roll was had by all. Bring on the farewell tour, and let’s hope Ace can don the make up for KISS one last time before the legends put the band to rest.

The Biographer’s Lover: A book by Ruby J Murray Reviewed by Aine Keogh When a young writer is hired to document the life of unknown and late artist, Edna Cranmer, a seemingly dull project turns into a journey she could have never dreamed to be so fascinating.

When she sees Cranmer’s studio; filled with triptychs, sketchbooks and canvases of all shapes and sizes, the life of the artist is illuminated. Weaving through faces, figures and times of her life; whether it be family, life, deaths or war, the biographer instantly knew that Edna Cranmer’s work was worth more than a life behind protective sheeting, closed doors and the ‘failed career’ she had supposedly lived.

Several characters emerge as the novel unfolds, each posing as significant figures in Edna’s life and now too of the life of the biographer.

Working through brief chapters, intertwining selfreflection of the unnamed biographer, the evolving skeleton of Edna’s life and of precious moments in Australian history are re-birthed. In each painting, a component of Edna’s frame of mind comes to life, pertaining to love, loss and the values that we entrust to art and heritage. Edna’s paintings capture significant moments lost in time, reminding us of the hardships female artists once faced – from the Archibald prize to the Women’s land Army throughout the Second World War. On a personal note, reading this novel was particularly captivating, being able to recognise the suburban streets and peninsulas Murray writes about through thoughtful and delicate imagery.

Murray’s writing is smooth flowing and conversational, setting scenes and places as if we too are there with her. With each page, a relationship between reader and character is developed, creating a poignant and gripping read of which is immensely pleasing.

No matter what reads usually dock your quota, this is one I could highly recommend.

I’ve seen KISS a number of times, but not in the sole guise. Celebrating 40 years since the release of the

Ace has declared himself sober, and for the most part was very solid with his performance. That unmistakable lead guitar sound is still there, and the smoking guitar was on show for all to see. His laid back vocal style wouldn’t have put too much strain on the vocal chords over the years, so still holds up rather well. The backing band was solid, but came to the fore when playing with Gene Simmons (hell, they were called the Gene Simmons Band, what would

MATTHEW FAGAN

THE SEQUELS

HELLIONS

LENNY KRAVITZ

España El Vito - The Spirit Of Spain

I’m A Vampire (But Nobody Believes Me)

Rue

Raise Vibration

Independent

Independent

UNFD

BMG

Reviewed by Alex Lynch

Reviewed by Alex Callan

Reviewed by Alex Callan

Reviewed by Alex Callan

At last, the lord of the strings Matthew Fagan has returned to us. The lord of the strings has recently launched his newest album entitled El Vito – The Spirit of Spain, an adventure for the ears to a place full of beauty and rich in soul. Matthew takes you on a mesmerising ride deep into the spirit of Spain.

Fifteen unique tracks of masterful precision help bring a strong sense of adventure full of elegance.

Matthew must be commended on the diversity he still manages to bring, some tracks feeling quite peaceful yet captivating where others produce a more energetic and vibrant response that showcase Matthews incredible passion, dexterity and skill.

The clarity of the fantasy must not be understated, you are taken to deep dark and beautiful places in a relaxing yet powerful performance, the sound feels authentic and of course it is, it’s the lord of the strings I’m talking about, duh!

Last time I saw Matthew Fagan live, he impressed me with his precision and passion, El Vito has achieved that yet again, probably even more so. Matthews new album is a triumph to the spirit of Spain. We’ve gone thirty years without a new Spanish guitar vinyl, I think it’s only appropriate that it be Matthew Fagan’s El Vito.

Channelling a Strokes/Arctic Monkeys vibe, The With ‘Smile’ being released early as a single, I At this point I had no idea that Lenny Kravitz was Sequels first EP delivers four melodic indie-rock was ready for my favourite Aus hardcore band to be still making albums so I was slightly taken back when numbers that’ll be sure to get you boogieing, or as the churning out melodic pop numbers and truthfully Raise Vibration came up and truthfully after giving it song suggests, getting up to ‘Dance Floor Shenanigans.’ for the most part, I was wrong. Yes, there are a lot of a listen, I’m really pleasantly surprised.

‘Cyclone’ kicks things off with new age Britpop- ‘Thresher’-esque unison vocals throughout the album, Although at times certain lyrics such as “The war esque riffs and honest lyrics from Cohen Johnstons’ but if anything the album in it’s incredibly succinct won’t stop as long as we keep on dropping bombs, such as, “I just think I care too much, about not giving and choreographed entirety, is a merge between rap ”remind me of Russell Brands character in Get Him To a fuck,” before leading into the slightly more sleazy and rock. But not in the standard nü metal style by The Greek, the album in itself is truly a banger. It’s sounding ‘The One About The Dancing Girl.’ any stretch, instead it has funky, uncompromising not necessarily Lenny trying to lead a revolution, but ‘Cut Me Out’ adds a bit of punch with its impressive tunes that don’t try too be hard or heavy, leaving the it more so highlights just how cultural his music is. bass-lines before ‘Dance Floor Shenanigans’ wraps From the funky, ‘Who Really Are the Monsters,’ heaviness in itself to Dre Faivres unique vocals. things up with its harder/faster approach. I’m A ‘Furrow’ shows a much slower side of Hellions, to the reggae sounding, ‘It’s Enough’, it really seems Vampire (But Nobody Believes Me) is a damn good with epic guitars at times reminiscent of ‘The Black as if there are some worldly influences going on. The EP; the songs are good, as is the recording.

Parade,’ ‘Rue,’ the albums title track is ruled by group whole album gives off a vibe of Childish Gambino meets Parliament/Funkadelic, which truthfully is a Although, at times I felt as if the bands influences sing-alongs that’ll be destined to go down at treat at may have been a slight bit too prevalent, as previously hard thing to pull off, but Lenny does it. Incorporating Unify 2019. mentioned with references to The Strokes and The ‘The Lotus’ proved to be the hardest and most sounds of both the old and the new, Raise Vibration Arctic Monkeys. That’s not necessarily a bad thing for technical song on the album in my eyes, and was also is definitely an album worth a suss for any fans of the most punters, most people like familiarity, but, for me incredibly interesting as it brings back reference to Kravman out there.

I find it slightly distracting to listen to a band and draw a previous Hellions’ song, ‘The Lotus Eater.’ As to be similarities to other acts. expected the album rounds up with the ‘26,’ a rousing That being said, it’s a great first effort and I’m keen anthem about the quest for happiness. In terms of the to keep an eye on what they bring out in future! musicality, Rue is an incredible album.

The one thing I will say for many long time fans that may struggle with the happier side of Hellions, is to look deeper than the face value of the song and you’ll find that more often than not, the songs are much deeper than you think..

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WRITTEN BY ALASTAIR MCGIBBON

BLUES NEWS

WRITTEN BY JOHN (DR JOHN) LAMP

TOO HEAVY TO HUG

SURFBEAT

WRITTEN BY ANTHONY MORRIS

POP

PULP

WRITTEN BY PAUL S. TAYLOR

BY JOHN FOSS

Doctor Who is back! And thanks to the BBC shifting it to Sunday nights in the UK, it’s now screening here Monday evenings before the ABC news, which is… actually a good time for the new series, aimed as it is at winning back the younger audience that has been drifting away over the last few years.

Of course, the ABC would much prefer to be showing it Sunday nights in prime time – Doctor Who is pretty much the only BBC program that the ABC still has first-run rights to, with most of the UK broadcaster’s output now going directly to their pay TV channel BBC First – but Who fans aren’t really the type to wait close to a full week before watching the latest episode. And while piracy seems to be pretty much a dead issue these days, that’s almost entirely because every network with any sense is getting the shows people want to watch in front of audiences before they can get around to stealing them.

So somewhat ironically, Doctor Who in Australia now has a timeslot that less people watch just at a time when the show is unashamedly trying to maximise its audience. Fortunately, while some viewers (myself included) had some misgivings about the overall direction of the new series, Jodie Whittaker as the thirteenth Doctor seems to have (rightfully) won over all the (very small number of) nay-sayers with a performance that does everything right as far as a version of Doctor Who that everyone can enjoy.

It’s a truism that any long running series or character will eventually go on long enough that no one version can please everyone; If you’re a massive fan of the Roger Moore James Bonds you’re probably not all that into much of Daniel Craig’s work, and if you loved the 1966 version of Batman then The Dark Knight Rises most likely doesn’t scratch the same itch. Doctor Who largely gets around this by making the various Doctors clearly separate from each other; you’re not going to be confusing Tom Baker’s version with anyone else’s, even if there are certain characteristics we expect the various Doctors to share.

So while Peter Capaldi’s previous Doctor was largely sold as a “back to basics” model taken from the original series – older man, not hunkily attractive, playing a slightly cranky version of the character – Whittaker’s version, even after only a handful of episodes, is clearly equally “back to basics”… only now the new status quo is that of the new series where the Doctor is a youthful, bubbly, very attractive friend to the various traditional human companions.

It’s a perfectly valid approach, and a sensible one for a show looking to recapture past glories: the only problem with this is that if every Doctor is going to be basically the same, then the advantage of being able to change the lead actor is lost.

Whereas in the past the show has largely gone for a “hire the most charismatic performer available and tailor the character to their strengths” approach, it feels like from here on in the performer will have to fit an increasingly restrictive mould. And if that’s the case, some of what made Doctor Who such a special show to watch will be gone.

Hey gang! It wouldn’t be a proper issue of Forte without my comicinduced ramblings, so strap yourselves in and don your best noir outfit, because this week’s comic is a dark (and frankly depressing) ride through the depths of vigilantism. This week, I’ve gone back to one of my favourite creative teams: Ed Brubaker and Sean Phillips (Fatale, The Fade Out), and picked up their dark ‘n’ gritty take on small-scale vigilantism.

There’s no fancy gadgets or expensive cars here – it’s down in the muck, with an average bloke launching a vigilante crusade in order to survive another day – that’s right, we’re talking about Kill or Be Killed. Be warned – there’s some confronting topics ahead.

Dylan is a 28-year-old grad student.

He’s depressed, burnt out, and in love with his best friend – who just so happens to be dating his roommate. He’s tried and failed to kill himself several times before, but his last failed attempt changed his life for the worst. By a freak chance, he survives a 6-storey fall, and is inspired to live again – until a demon comes calling. Claiming that second chances don’t come cheap, the demon tells Dylan that he must kill a “bad person” once a month or die himself. Dylan thinks it was all a hallucination… until he gets sick. After a week of agonising illness, Dylan attempts to stagger to the emergency room, only to be mugged. As he’s being beaten, his rage builds, and the second he decides to fight back, he feels better.

Giving in to the demon’s wishes, Dylan sets out on his hunt – if only to save his own life.

As you can see, Kill or Be Killed covers some really grim territory. Dylan’s life sucks, without a doubt, and the spiral he finds himself once the demon appears makes for a really dark and depressing atmosphere. When combined with Phillips’ linework and colourist Elizabeth Breitweiser’s very dark palette, it’s almost oppressively dark. While that’s been a running theme when it comes to Brubaker and Phillips, this time around it falls a bit short.

In previous cases – for example, Fatale and The Fade Out – that atmosphere was filtered by a noir setting, and it worked really well. Here, there’s no style to it – things just seem grim and brooding for the sake of being grim and brooding.

I suspect that this is a very deliberate choice on the creative team’s part – Brubaker has previously talked about the inspiration of the series being “everybody getting away with everything” in modern society – and while it makes Kill or Be Killed a tough read, it’s got that Punisherstyle catharsis when it comes to justice being served. When a comic has a whole host of characters that are honestly just terrible people, you know that there’s some serious drama heading their way.

All up, Kill or Be Killed is another great exploration of some grim themes from Brubaker and Phillips. It’s not a standout compared to Fatale, for example, but it’s got an engaging enough story, and enough truly flawed characters to make things interesting. If you’re a fan of their previous work, you’ll probably get a kick of it – especially if you’re a Punisher fan.

We’re past the first weekend in October – the dreaded daylight savings change. One clock I have has made this easy, it has a DST button which advances the one hour. Of course, we have forgotten how to change the time other than that. Currently it’s 10 mins ahead and accelerating.

Speaking of forgetting, Amnesia Blues Band is coming to Geelong.

Amnesia Blues Band are from Gippsland and have been playing blues originals and covers together since early 2013. Their music comes from the tradition of the early bluesmen and mid-20th century blues: Muddy Waters, Big Bill Broonzy, Elmore James, Sonny Boy Williamson and so on.

The band’s name stems from the fact that the boys aren’t getting any younger, so remembering songs and where they left band members can be a bit of a struggle!

Paul, their lead singer, had a significant ‘heart scare’ a few years ago and he decided that he wasn’t going to be around forever, so he may as well start playing music again.

A chance conversation between Paul and Stuart Anderson veered onto the topic of the blues and Paul mentioned that he was in a band who were looking for a drummer.

Stuart mentioned that he was a drummer looking for a band. A deal was struck.

The five-piece band features Paul “Buck” Buchanan (acoustic guitar, vocals), Stuart Anderson (drums), Sandy Clark (lead guitar), Ning Hopkins (lead guitar), Darryl Kerr (bass guitar) and either Dennis “Salty” Trevarthen or Barry Walker on harmonica.

Paul is the main songwriter in the band.

He’d had several decades away from music, but is now belting it out as the lead singer of Amnesia Blues Band. Stuart has been playing drums most of his life, but as one of the younger band members, his amnesia is not as advanced, so his role is to remember ‘where that thing is’ and ‘who that guy is.’ Stu is recognised by his collection of home-made drums and Paisley shirts. Ning and Sandy have been playing together for many years and can weave a certain kind of magic with their duelling guitars. For an urban edge, Salty Dog brings the grit with his impressionistic blues harp and unauthorised percussion. At other times, Barry displays a fine selection of jandals and vintage harp mics to go with the growl.

New in the engine room for 2018, Darryl joins us from Gippsland’s Blues Lizards to hold it down rock-steady in the rhythm department.

They released their debut album, “We Still Remember” in 2016, featuring eight original songs and four ‘not-so-obvious’ covers. In September 2016 the band was voted MBAS Vic/Tas Band of The Year and were finalists in the MBAS International Blues Challenge in 2016, 2017 & 2018.

Please write down, right now that Amnesia strikes at Sleepy Hollow on October 28th. See you there, but don’t expect me to remember you.

Sleepy Hollow has started releasing band details for their Bluestone Festival over New Year’s Eve, so it’s time to start pulling your camping gear out and checking their website for tickets.

Welcome to THTH, Forte’s premier source of all things heavy, hard, fast and metal.

I talk a lot about the anniversary release of old albums because not only are they cash cows for the bands, but because they’re a marker in time and in these days of the internet and social media, it appears we’re all pining to look back on times when they were simpler, pre internet days, days when we were young. With that, it appears that next year Slipknot are looking to do something “special” for the 20th anniversary of their self titled release which more than likely includes a re-release said album. Whilst many Slipknot fans will love reliving their youth, I just wonder what’s next? In 2021 will the band look at a 20th anniversary release of Iowa? And from there, what? A 20th anniversary release of Vol. 3: (The Subliminal Verses) in 2024?

Are we literally expected to relive Slipknot’s early career over the next 5 – 6 years like we’re doing the time warp, again?

Also, word is the band are to release a new album next year too, which will totally throw out this history repeating cash cow thing bands are doing. I’m confused, are we living in the past or the present or the future?

BIG OIL IN THE BIGHT IS BAD FOR OUR BEACHES. In April 2010 an offshore oil spill discharged over 4.9 millions barrels of oil into the Gulf of Mexico. Known as the Deepwater Horizon incident it was one of the most deadly environmental disasters in history polluting over 180,000 km2 of ocean and almost 2,000 km of beaches from Texas to Florida.

Tens of thousands of seabirds and animals were killed, tens of thousands of volunteers and paid experts spent months attempting to clean up the oil from beaches and wetlands. Fish started dying, the seafloor under the oil slick was heavily contaminated, baby dolphins were found to die and 5 times the normal level and experts predicted that the spill cost the fishing and tourism industries close to $30 billion dollars.

Couldn’t happen here… could it?

The Surf Coast’s pristine beaches including Lorne, Fairhaven and Bells Beach are at risk of a serious oil spill if plans to develop a deep-water oil field in the Great Australian Bight go ahead.

Norwegian energy company Equinor have plans to begin exploratory drilling in an area 327km off the coast of Ceduna, South Australia in waters up to 3000m deep. Their current permit for lease EPP39 requires them to drill before October 30, 2019 and they have stated their intention to drill in 2019.

The permit for EPP39 was previously owned by BP, who abandoned plans to drill in the Bight in October 2016 after their Environment Plan was rejected three times by industry regulator NOPSEMA. BP’s oil spill modelling, which formed part of their submission, showed a potential oil spill would cover most of the southern coastline of Australia spreading black oil from South Australia to Victoria including the entire length of the Surf Coast and the Great Ocean Road.

Surfers are up in arms at the thought that some of the best beaches in the world from Ceduna to Bells Beach could be covered in black balls of slimy oil.

Local environmental and lobby groups including Surfrider Foundation Surf Coast and Greater Torquay Alliance are working to lobby the Federal Government to call for a moratorium on all oil exploration in the Great Australian Bight. With a Federal Election coming up soon now is the time to ask our politicians what they will do to protect the Great Australian Bight and the beaches along the Great Ocean road, they’re marine life and pristine beaches.

In other news ++ Eye Of The Enemy, Fall and Resist, As Flesh Decays, Interitum and Distorta will all play Ballarat’s Eastern Hotel on Friday October 19. ++ Disturbed will release their new album Evolution on Friday October 19. ++ Pig Destroyer will play The Arthouse on Tuesday October 30. ++ The Ocean will release their new album Phanerozoic I: Palaezoic on Friday November 2. ++ Opeth will release Garden of the Titans: Live at Red Rocks Ampitheatre on Friday November 2. ++ Parkway Drive, Killswitch Engage and Thy Art Is Murder will play Margaret Court Arena on Friday November 2. ++ Psycroptic will release their new album As The Kingdom Drowns on Wednesday November 7. ++ Conan and Bell Witch be at Max Watts on Thursday November 8. ++ Architects will release their new album Holy Hell on Friday November 9. ++ Sinsaenum will play Max Watts on Saturday November 10. ++ An Evening With Steven Wilson will take place at the Palais Theatre on Saturday November 10. ++ Amon Amarth will release The Pursuit Of Vikings: 25 Years In The Eye Of The Storm, a retrospective documentary and a live album, on Friday November 16. ++ Amenra, YLVA and LO! will be at Max Watts on Saturday November 17. ++ The Metal in the Mountains 2018 day festival featuring I Am Duckeye, Grindhouse, Monarchus, As Flesh Decays, plus more, will be held at Beechworth’s Servicemen’s Memorial Hall on Saturday November 24. ++ Psycroptic will play Geelong’s Barwon Club on Wednesday November 28, then Ballarat’s Karova Lounge on Thursday November 29. ++ The 10th annual Progfest featuring The Ocean and Monuments, with more to be announced, will be held at Melbourne’s The Croxton on Saturday January 26. ++ If you have any news about local metal bands, shows or albums, let THTH know by emailing to tooheavytohug@ hotmail.com or get in touch via Twitter at @TooHeavyToHug

Proudly presented by the Sleepy Hollow Blues Club 700

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PIANO BAR

M U R P HYS

MURPHYS

AMPED

WHITE NIGHT

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WHITE NIGHT

T H E DECK

THE DECK

P I A N O BAR

PIANO BAR

AMPED

THE DECK

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GUIDE THURS 18TH

89A RYRIE ST, GEELONG 3 STORES ACROSS BENDIGO, BALLARAT & GEELONG WWW.OFFYATREE.COM.AU

PRESENTED BY

EDGE: LIVE MUSIC AND DJ

THURS 25TH

PETREL HOTEL: DANGEROUS CURVES,

AMPED: CHRISSY BURRELL

GEELONG ROLLER DERBY

BARWON CLUB: DEEZ NUTS, DREGG,

VENDETTA, SILVER BITE, JAKE CAMILLERA

BARWON CLUB: THE FLATLINERS, STOLEN

10TH ANNIVERSARY

ADVOCATES, AMBERYSE

PISTOL PETE’S: ANDY PHILLIPS

YOUTH, JAPAN FOR, VON STACHE

GROVEDALE HOTEL: MADZ GOT RICH

BEAVS BAR: ANDY FORSTER

& THE CADILLAC WALK

BEAVS BAR: ANDY FORSTER

HOME HOUSE: DIXIE, DJ PHILLY

PISTOL PETE’S: ETHAN FARMER BAND

BRIDGE HOTEL: SIMMER

THE LOFT: 4 WIDE

TOWN ROOTS TOUR

PATCHEWOLLOCK MUSIC FESTIVAL

THE DECK: DECKTOBERFEST

PETREL HOTEL: SMOKED & OVERDUE,

EDGE GEELONG: LIVE MUSIC AND DJ

CITY AT MIDNIGHT, THE OBJEX

PISTOL PETES: PISTOL PETE’S JAM NIGHT

PISTOL PETES: PAUL O’BRIEN

FRI 19TH AMPED: EINSTEIN’S TOYBOYS BARWON CLUB: DJ LONSTAR BEAVS BAR: DAVE ANDERSON BRIDGE HOTEL: THE OUTDOOR TYPE THE EASTERN: EYE OF THE ENEMY EDGE GEELONG: LIVE MUSIC AND DJS ELEPHANT & CASTLE: DON & CHRISSY DUO GROVEDALE HOTEL: DARA HESSION HOME HOUSE: HOMEHOUSE FRIDAYS PARTY WITH DJS PATCHEWOLLOCK MUSIC FESTIVAL PISTOL PETES: CHECKERBOARD LOUNGE THE SPHINX: THE UNITED NATIONS GALA QUEENSCLIFF BREWHOUSE: NARDIA ROSE WORKERS CLUB GEELONG: AWAKEN I AM, PICTURESQUE

SAT 20TH 2 WORLDS FESTIVAL AIREYS PUB: BEN JANSZ AMPED: PEARL JAM OZ AVOCA CUP BALLARAT CITY OVAL: SAN CISCO, BALL PARK MUSIC, RUBY FIELDS BARWON CLUB: DUMB PUNTS BEAVS BAR: LUKE BISCAN BLOOM: NOISA, UONE THE DECK: BOTTOMLESS BRUNCH THE EASTERN: SIMMER TOWN ROOTS TOUR, THE SENEGAMBIAN JAZZ BAND

FRI 26TH AMPED: PEOPLES POETS BARWON CLUB: SEX ED, VINTAGE CROP, STRAZ, FEZZ, DJ GOOB, DJ MINT DADDY BEAVS BAR: JEFF JORDAN

QUEENSCLIFF BREWHOUSE:

BRIDGE HOTEL: DUMB PUNTS

SAM NICHOLSON

CHYA: ANTIGONE

THE SPHINX: 80S ENUFF, INXSIVE

THE EASTERN: JADE IMAGINE

THE WOOL EXCHANGE GEELONG:

EDGE GEELONG: LIVE MUSIC AND DJ

DREAM ON DREAMER

GROVEDALE HOTEL: LEVI & CODY

THE WORKERS CLUB

HOME HOUSE: HOMEHOUSE

GEELONG: JOSH WADE

FRIDAYS PARTY WITH DJS

SUN 21ST

THE LOFT: COOPER LOWER

AMPED: THE SOOKY LA LA’S

PISTOL PETE’S: ISAIHA B BRUNT TRIO

BEAVS: BEAVS GOT TALENT

THE WORKERS CLUB

HEAT 3, LUKE BISCAN

GEELONG: JUDAH KELLY

ELEPHANT & CASTLE: JESSE

SAT 27TH

VALACH + SAMMY OWEN GROVEDALE HOTEL: LIBBY STEEL

AIREYS PUB: KATOE J WHITE DUO

PATCHEWOLLOCK MUSIC FESTIVAL

AMPED: TAKIN’ COVER

PISTOL PETES: BLUE SUNDAY

ARTS CENTRE MELBOURNE: ASTROMAN BY ALBERT BELZ

POTATO SHED: FREE FAMILY FUN DAY

BARWON CLUB: ARC OF ASCENT,

THE WORKERS CLUB GEELONG: MOJO JUJU

NEVER, SMOKE WITCH, DROID

TUES 23RD

BEAVS BAR: DAVE ANDERSON

BEAVS BAR: GEELONG CUP

BLOOM: HORRORHOUSE – BOOGS, NOISA

EVE ANDY FORSTER

THE BRIDGE: JADE IMAGINE

PISTOL PETE’S: HAMMOND

CHYA: DIVERSITY ROCKS

NIGHTS WITH LIAM KEALY

THE DECK: BOTTOMLESS BRUNCH

WED 24TH

THE EASTERN: OXY CLINIC

BEAVS BAR: GEELONG CUP AFTER PARTY,

EDGE: LIVE MUSIC AND DJ

NICK TABONE, LUKE BISCAN, KARAOKE

GATEWAY: BOGAN JESUS

GEELONG CUP

GROVEDALE HOTEL: TRENT JANSZ

PISTOL PETE’S: SHANNON BOURNE

HOMEHOUSE: CHERRY LOVE,

SPORTING GLOBE: GEELONG

COURTNEY MILLS

CUP AFTER PARTY

THE LOFT: THE ASCENDED

QUEENSCLIFF BREWHOUSE: JADE AND JARROD THE SPHINX HOTEL: STAND & DELIVER TORQUAY HOTEL: CARAVANA SUN THE WORKERS CLUB GEELONG: THE LIFELIKE PROJECT

SUN 28TH AMPED: DON FISHER ARTS CENTRE MELBOURNE: ASTROMAN BY ALBERT BELZ BEAVS BAR: BEAVS GOT TALENT HEAT 4, ANDY FORSTER BRIDGE HOTEL: DON MCGLASHAN EDGE GEELONG: LIVE MUSIC GROVEDALE HOTEL: RACH & LIAM PISTOL PETE’S: SWEET SOUL SESSIONS WORKERS CLUB GEELONG: WORKERS CLUB CHOIR

MON 29TH ARTS CENTRE MELBOURNE: ASTROMAN BY ALBERT BELZ KAROVA LOUNGE: THE BRONX, HIGH TENSION, PRIVATE FUNCTION

TUES 30TH ARTS CENTRE MELBOURNE: ASTROMAN BY ALBERT BELZ BARWON CLUB: THE BRONX, HIGH TENSION, PRIVATE FUNCTION PISTOL PETE’S: HAMMOND NIGHTS WITH LIAM KEALY

WED 31ST ARTS CENTRE MELBOURNE: ASTROMAN BY ALBERT BELZ BEAVS BAR: HALLOWEEN PARTY, OPEN MIC, KARAOKE, LUKE BISCAN PISTOL PETE’S: ANDREA ROBERTSON DUO

OXYGEN COLLEGE OPEN DAY

ELEPHANT & CASTLE: TOTALLY 80S

GEELONG GALLERY 22 SEPTEMBER–18 NOVEMBER

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FRI 19 OCTOBER:

SAT 20 OCTOBER:

SUN 21 OCTOBER:

SOLO ACOUSTIC SET

DUO ACOUSTIC SET

SOLO ACOUSTIC SET

DARA HESSION

MADZ GOT RICH

Born and bred into a very Irish and musical family Dara has music running through my veins. His love of performing always makes for a night to remember to be sure.

LIBBY STEEL

With Madeliene on vocals and Richard on guitar a great night is guaranteed. Their repertoire covers a range of top 40 hits as well as classics from over the decades.

Libby is a singer/songwriter who delivers feel good pop songs. After years of gigging she has taken to writing her own music which has had rotation on Triple J.

* FRIDAYS

7PM-8PM *

ESPRESSO MARTINIS

— $10 —

GROVEDALEHOTEL FRI 26 OCTOBER:

SAT 27 OCTOBER:

LEVI & CODY

SUN 28 OCTOBER:

TRENT JANSZ

ACOUSTIC DUO SET

SOLO ACOUSTIC SET

Brothers Levi & Cody combine acoustic guitar and bongos to smash out covers from Hendrix, Radiohead, John Butler, Ben Folds and Portugal. Booya.

PHONE.

ACOUSTIC DUO SET

Trent really knows how to read a crowd and entertain. You can be sure to hear not only current songs but also sounds from the 50s-60s and everything from rock to rap.

GROVEDALEHOTEL.COM.AU 1300GROVEDALE (1300 476 833)

WEB.

RACH & LIAM

Why have one when you can have two? Rach and Liam combine soulful vocals and playful and harmony based acoustic guitars for a killer night out with ya mates.

GET YOUR TICKETS FROM: torquayhotel.eventbrite.com

SAT. 27 OCTOBER

FRI. 9 NOVEMBER

SAT. 17 NOVEMBER

Silver Linings EP Tour

The Eleven and Two More Tour

Feat. PACES, ZAG album launch

CARAVANA SUN

Kyle Lionhart

PARTY AT THE PUB

FRI. 30 NOVEMBER

HARTS — AUST. TOUR Is it Harts last tour ever?

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GROOVE JUNCTION 36 Bell Street, Torquay torquayhotel

SPHINXHOTEL.COM.AU 700

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