Full Score
MICHAEL-THOMAS FOUMAI
Lady Dark for Orchestra (2013)
MICHAEL-THOMAS FOUMAI
Lady Dark for Orchestra (2013)
Date of Printing: 6 July 2014
Orchestral performance materials are available for hire from the composer: www.michaelfoumai.com Alternate Chamber Orchestra Version is also available. Published by the Foumai Foundation: foumaifoundation@gmail.com Š 2013 by Michael-Thomas Foumai & Foumai Foundation Ann Arbor, MI, Printed in the U.S.A. All rights of performance and broadcast are strictly reserved.
COMPOSER NOTES Lady Dark takes its title from a set of sonnets (sonnets 127–152) by William Shakespeare that are known as The Dark Lady Sonnets. Unlike Shakespeare’s Fair Youth sonnets, the Dark Lady sonnets are much more sexual and passionate. They are so named The Dark Lady because the poems portray a female figure with black hair and shadowy skin. The work is scored for chamber orchestra and is cast into four continuous movements. Each movement explores the myriad of complex emotions of desire, lust and forbidden love that are expressed in Shakespeare’s sonnets. - MICHAEL-THOMAS FOUMAI
The first performance of the Chamber Orchestra version was given at the Wellesley Composers Conference and conducted by James Baker, Wellesley College, July 31, 2034. The first performance of the this Orchestral version was given by the Milwaukee Symphony Orchestra and conducted by Franceso Lecce-Chong, Milwaukee, WI, November 9, 2013.
Score in C Duration: 15 minutes
SELECTED TEXT FROM THE DARK LADY SONNETS William Shakespeare
CXXVII In the old age black was not counted fair, Or if it were, it bore not beauty's name; But now is black beauty's successive heir, And beauty slandered with a bastard shame: For since each hand hath put on Nature's power, Fairing the foul with Art's false borrowed face, Sweet beauty hath no name, no holy bower, But is profaned, if not lives in disgrace. Therefore my mistress' eyes are raven black, Her eyes so suited, and they mourners seem At such who, not born fair, no beauty lack, Sland'ring creation with a false esteem: Yet so they mourn becoming of their woe, That every tongue says beauty should look so.
CXLV Those lips that Love's own hand did make, Breathed forth the sound that said 'I hate', To me that languished for her sake: But when she saw my woeful state, Straight in her heart did mercy come, Chiding that tongue that ever sweet Was used in giving gentle doom; And taught it thus anew to greet; 'I hate' she altered with an end, That followed it as gentle day, Doth follow night, who like a fiend From heaven to hell is flown away. 'I hate', from hate away she threw, And saved my life, saying 'not you'.
CXXIX The expense of spirit in a waste of shame Is lust in action: and till action, lust Is perjured, murderous, bloody, full of blame, Savage, extreme, rude, cruel, not to trust; Enjoyed no sooner but despised straight; Past reason hunted; and no sooner had, Past reason hated, as a swallowed bait, On purpose laid to make the taker mad. Mad in pursuit and in possession so; Had, having, and in quest to have extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind a dream. All this the world well knows; yet none knows well To shun the heaven that leads men to this hell.
From Complete Sonnets and Poems: The Oxford Shakespeare The Complete Sonnets and Poems.
INSTRUMENTATION Piccolo 2 Flutes 2 Oboes 2 Bb Clarinets 2 Bassoons Contrabassoon 4 F Horn 3 C Trumpets 2 Trombones Bass Trombone Tuba Timpani 2 Percussion Percussion 1 Vibraphone Xylophone Anvil Tam-tam Bass Drum* Claves Percussion 2 Tam-tam* Suspended Cymbals Crash Cymbals Chimes Crotales Waterphone Wood Block (1) Snare Drum *Shared Instruments
Harp Piano Violin I Violin II Viola Cello Bass
LADY DARK
Score in C
for Orchestra
Piccolo
Flute 1
Flute 2
Misterioso q=90
Oboe 1 & 2
Clarinet 1 in Bb
3
3
ff
3
mf
Clarinet 2 in Bb
Bass Clarinet in Bb
3
Contrabassoon
3
mf
Horn in F 1 & 2
p
p
mp
f
mp
p
1.
fp
Trumpet in C 2 & 3
Trombone 1 & 2
Bass Trombone
Percussion 2
Piano
MMLOMMNM
3
non vib.
mf
3
non vib.
non vib.
mp
non vib. 3
f
non vib.
3
mp
f non vib.
mp
f
mp
3
pizz.
senza misura
p
3
3
p
p
p
3
mf
3
f
mp
non vib. 3
f
mp
p
non vib.
3
Misterioso q=90
f
Viola
Double Bass
Violoncello
3
pp
3
Violin 2
Violin 1
mf
Harp
3
3
Trumpet in C 1
Percussion 1
Vibraphone 3
Timpani
3
3
Horn in F 3 & 4
Tuba
p
3
3
f
Bassoon 2
3
p
mf
Bassoon 1
3
senza misura
mf 3
MICHAEL-THOMAS FOUMAI
I. BLACK BEAUTY
3
p
p
p
p
Copyright © 2013 Michael-Thomas Foumai & Foumai Foundation (ASCAP) International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
070614
2
Fl. 1
LADY DARK
3
p
fltz.
f
sfp
p
f
3
fp
cresc. poco a poco
Fl. 1
ff
A tempo q=90
(1.)
Fl. 1 & 2
mf
Ob. 1 & 2
Cl. 1 & 2
p
p
B. Cl.
Bsn. 1
Bsn. 2
rit.
mf
p
p
p
p
mf
mf
f
fp
fp
fp
3
3
Picc.
p
mf
1.
p
p
mf
p
p
mf
5
p
3
mf
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Cbsn.
Hn. 1 & 2
Tba.
Timp.
p
Perc. 1
Tam-tam
Perc. 2
Pno.
p
Vln. 1
Vln. 2
p
Hp.
LNLOMNMM
p
p
Crotales
mf
mf
3
mf
A tempo q=90
Vla.
Vc.
unis.
ord.
p
arco p
070614
3
ord. unis.
p
mf
p
mf
p
ord. unis.
p
Db.
p
(Vib.)
ord. unis.
p
p
p
mf
p
mf
mf
p
p
p
mf
p
p
mf
mf
mf
mf
p
p
p
3
LADY DARK
10
Picc.
Fl. 1
Fl. 2
(1.)
Ob. 1 & 2
p
Cl. 2
p
Bsn. 1 & 2
Hn. 1 & 2
Hn. 3 & 4
f
mf
3
p
p
mf
5
p
p
f
3
p
mf
p
p
mf
p
p
(closed - open)
5
mf
p
mf
Tbn. 1 & 2
(closed - open) w/ st. mute
3
p
3
mf
p
mf
3
p
Vib.
p
5
mf
LMLOLNMM
p
non vib. p
mf
mf
6
p
3
Hp.
mf
Pno.
p
Perc. 2
mf
3
Perc. 1
Timp.
p
dim.
C Tpt. 2 & 3
Tba.
pp
B. Tbn.
1.
p
w/ st. mute
C Tpt. 1
5
p
Cbsn.
p
B. Cl.
f
Cl. 1
16
16
ord.
ord.
ord.
p
mf
mf
p
Vln. 1 non vib.
p
non vib. p
mf
mf
p
p
p
p
mf
mf
p
p
Vln. 2
non vib.
p
Vla.
Vc.
non vib. p
non vib.
p
Db.
non vib.
p
mf
mf
p
mf
p
p
ord.
p
p
mf
ord.
ord.
ord.
p
p
p
mf
mf
mf
p
p
p
p
070614
4
LADY DARK
19
Picc.
(1.)
Fl. 1 & 2
Ob. 1 & 2
p
Cl. 1 & 2
(1.)
p
(1.)
p
B. Cl.
Bsn. 1 & 2
(1.)
Hn. 1 & 2
f
pp
pp
pp
pp
mp
f
pp
mp
f
p
f
p
3
p
Cbsn.
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
3
(con sord.)
pp
mf
w/ st. mute pp
3
mf
pp
pp
mf
pp
pp
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Pno.
Vln. 1
Vla.
Vc.
070614
Vln. 2
Db.
unis.
p
unis.
p
3
3
f
p
f
pp
p
pp
p
p
f
p
p
mf
p
Sus. Cym.
Hp.
Perc. 1
Perc. 2
(Vib.) arco
f
f
p
pp
f
f
5
LADY DARK
Picc.
Fl. 1
Fl. 2
Ob. 1 & 2
25 25
(1.)
sub. f
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1 & 2
sub. f
sub. f
B. Cl.
sub. f
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
f
ff
ff
sub. f
sub. f
sub. f
a2
a2
2.
(1.con sord.)
3
3
3
ff
ff
mf
f
pp
fltz.
fltz.
fp
mf
mf
fp
3
pp
mf
3
pp
fp
mf
p
p
mf
fltz.
fltz.
f
mp
5
f
mf
f
pp
f
5:4q
pp
5:4q
f
25
sub. f
sub. f
sub. f
sub. f
sub. f
ff
sul pont.
fp
ff
ff
3
3
f
fp
3
f
3
f
f
5
ff
f
ff
mp
5:4q
Crot.
f
5:4q
5:4q
pp
f
Db.
f
f
Vc.
3
3
Vla.
Perc. 2
Vln. 2
Vln. 1
3
Perc. 1
Hp.
f
fp
Pno.
mf
f
pp
f
f
f
ff
fp
mf
C Tpt. 1
ff
f
mf
Hn. 3 & 4
ff
3
3
070614
6
LADY DARK
32
32
Picc.
Fl. 1
Fl. 2
ff
3
ff
Bsn. 1
ff
Bsn. 2
Cbsn.
marcato
f
C Tpt. 2 & 3
marcato
p
3
p
p
f
fp
f
fp
p
p
f
p
f
p
f
fp
p
f
f
p
p
3
f
f
3
3
f
3
p
f
f
p
p
f
1.
f
fp
f
fp
f
f
fltz.
ff
p
fltz.
ff
fltz. a2
3
fltz.
ff
fltz. ff
fltz.
ff
3
3
2.
3
3
f
w/ st. mute fltz.
f
3
f
f
f
a2
f
p
fp
2.
fp
fp
p
ffp
f
Tba.
f
fltz.
fp
p
f
fp 2. (con sord.)
3
f
fltz. fp
fp
p
fp
f
B. Tbn.
(con sord.)
Tbn. 1 & 2
marcato
f
C Tpt. 1
f
Hn. 3 & 4
marcato
ff
Hn. 1 & 2
marcato
ff
marcato
3
marcato
ff
B. Cl.
3
ff
Cl. 2
3
ff
Cl. 1
ff
Ob. 2
ff 3
ff
Ob. 1
ff
ff
f
Timp.
Perc. 2
Pno.
Vln. 1
f
32 ff
ff
Db.
ff
070614
marcato
marcato
marcato
marcato
marcato
marcato
(Vib.)
ff
Vc.
ord.
Vla.
ff
Vln. 2
Hp.
f
ff
Perc. 1
NNMOMMMM
gliss.
3
3
gliss.
gliss.
sfp
pizz.
pizz.
f 3
p
f
f
p
f
p
ff
f
sfp
f
p
f
sfp
3
3
f
arco
f
7
LADY DARK
39 38
Più mosso q=110
poco accel.
p
p
Ob. 2
Cl. 1
Picc.
Fl. 1
Fl. 2
Ob. 1
Bsn. 1
f
f
f
p
f
p
f
p B. Cl.
f
p
p Cl. 2
p
f Bsn. 2
mp
f
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
f
p
f
mp
p
F#
p
pp
pp
mf
pp
pp
mf
pp
mf
a2
pp
pp
pp
mp
mp
f
mf
pp
mf
mp
mf cresc. poco
pp
fp
pp
3
mf
p
39
Più mosso q=110
poco accel.
arco
Vla.
ppp
ppp
arco
f
sul D
ff
ppp
ff
ppp
ff
ppp
ff
ppp
ff
p
p
p
p
ff
f
Vln. 2
Db.
mf
Crotales
f
f
f
p
f
Vc.
p
Perc. 2
Vln. 1
Hp.
1.
Perc. 1
Pno.
f Cbsn.
p
f
f
sul D
pp
sul D pp
pp
sul G
pp
mp
mp
sul G
mf
mp
sul G
mf
mp
sul G
f
ord.
mf
ord.
f
ord.
mf
mf cresc. poco
p
mf cresc. poco
070614
8
LADY DARK
48
Picc.
3
A tempo q=110
poco rit.
44
(1.)
Cl. 1
Cl. 2
B. Cl.
fp
fp
fp
fp
fp
fp
pp
pp
pp
pp
fp
fp
1.
f
3
f
3
3
f
p
3
p
3
3
f
p
3
f
3
3
f
3
3
p
pp
p
f
f
(3).
3
p
mf
3
f
f
f
p
p
3
1.
f
p
f
3
f
p
f
fp
p
fp
f
fp
mp
fp
f
fp
fp
f
1.
3.
B. Tbn.
Tbn. 1 & 2
C Tpt. 2 & 3
3 3 3 p mf mf
p
C Tpt. 1
mf
Hn. 3 & 4
Tba.
Bsn. 2
Hn. 1 & 2
3
Bsn. 1
Ob. 1 & 2
Fl. 2
Cbsn.
Fl. 1
f
f
f
Timp.
Perc. 1
Perc. 2
Pno.
(Vib.)
mf
mf
6
unis.
A tempo q=110
poco rit.
ord. p
fp
fp
gliss.
gliss.
pp
*
sul G
fp
sul C
fp
pp *
sul G & D
(cont. trill)
fp
*
sul G & D
pp
*
pp
pp
* trill/gliss: to highest possible pitch.
070614
48
mf
MNLOMMMM
f
ord.
unis.
Db.
Vc.
f
Vla.
Vln. 2
unis.
Vln. 1
Hp.
9
LADY DARK
55 Picc.
Fl. 1
Fl. 2
53
Ob. 2
Cl. 1
Cl. 2
3
fp
3
mf
3
Ob. 1
p
p
fp
Bsn. 1
Bsn. 2
p
fp
p
3
fp
3
fp
Cbsn.
3 ff
a2
Hn. 1 & 2
ffp
(a2)
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
3
Pno.
Vln. 1
Vln. 2
p
Vc.
Db.
p
3
3
3
p
p
f
f
sf
sf
f
fp
(Crot.)
mf
f
f
sf
fp
fp
fp
fp
3
fp
5
5
p
f
f
fp
5 5 p
fp 3
pp
f
3
ff
f
Xylo.
p
3
p
f
3
3
fp
p
pp 3
fp
sf
fp
fp
3
3
3
3
3
3
Bb 3
3
Fb
p
Gb
3
3
3 3
sfp cresc. poco a poco
sf
3
sf 3
f
f
3
p
sf 3
3 3
pizz.
ff pizz.
ff
3
Db
3
cresc. poco a poco
3
ff
3
3
3
pizz.
3
sul pont.
sul pont.
3
pizz.
Affrettando q=144
55
f
f
f
p
fp
ff
fp
sf
3
3
ff
sf
(both hands)
3
sf
w/ st. mute 1.
3 p
fp
5
fp
sf senza sord.
3
ff
fp 3
a2
fp
fp
fp
sf
ff
f
fp
3
sf
f
sf
sf
f
fp
ff
sf
3
sf
3
sf
sf
f
f
fp
sf
3
f senza sord.
p
Vla.
3
sf
MMMOLNMM
Hp.
3
f
p
p
mf
3
3
fp
mf
fp
f
3
sf
fp
3 ff
ffp
f
f
B. Cl.
f
f
3
3
f
Affrettando q=144
3
3
3
3
3
3
3
3
3
070614
10
LADY DARK
59
Picc.
Ob. 2
Cl. 1
3
fp
3
fp
fp
fp
fp
Hn. 1 & 2
fp
f
fp
3
fp flz.
flz.
p
Tbn. 1 & 2
f
B. Tbn.
Tba.
Timp.
flz.
p
flz. fp
3
flz.
fp
f
3
sfp
sf
sf
sf
sfz
Perc. 2
Pno.
sfz
3 3
5
MMMOLMMM
3
f
5
f
ff
ff
3
3
3
3
3
Vc.
3
3
3
pp
3
3
f
3
3
p
3
3
3
3
sul pont. arco 3
mp cresc. sul pont. arco
3
mp cresc.
sul pont. arco
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
5
sfz
sfp
sfz sfz sfz sfz
sfz
sfz
sfz
sfz
sfp
sfz
sfz
ff
ff
ff
Bass Dr.
ff
sul pont.
ord.
sfp
ord.
sfp
sfp sul pont.
sfp sul pont.
ord. sfp
sfp
sfz
sfp
sfp
sfz
ff
sul pont. arco
p
mf ff
gliss.
3
s.
glis
Sus. Cym.
3
sfz
Vla.
Vln. 1
070614
Vln. 2
Db.
3
sfz
sfz
3
sfz
sfp
sfp
sfz
sfp
sfz
Hp.
sfz
sfp
3
fp
(Xylo.) Perc. 1
fp
fp
fp
3
3
fp
ff
fp
fp
fp
C Tpt. 2 & 3
3
sfp
sfp
fp
fp
fp
fp
fp
ff
3
3
fp
3
sfp
3
fp
5 5 f p
C Tpt. 1
fp
fp
fp
Hn. 3 & 4
3
ff
3
3
ff
fp
Cbsn.
3
3
Bsn. 2
Bsn. 1
sf
B. Cl.
Cl. 2
ff
sf
Ob. 1
sf
ff
sf
Fl. 2
Fl. 1
sfp sul pont.
ord.
sfp
sfp
ord.
sfp
sul pont.
ord.
sfp
sfp
sfp
sf
sf
sfp sul pont.
sfz
sfz
sfp
sfz sfz
sfz
sfz arco
sfz
11
LADY DARK
65
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Tba.
Timp.
sfz
sfz
sfp f sfz sfz sfz
sfz
sfz
sfz
sfz
p
ff
fff
a2
fff
p
ff
p
p
ff
p
p sfz
ff
sfz
p
5
ff
p
ff
ff
p
3
ff
ff
Db.
pp
pp
3
f
ff
2.
pp
n
Vib.
3
pp
ord. sfp sfp sfz ord. sfp sfp sfz ord. sfp sfp sfz ord. sfp sfp sfz sfz sfz sfz sfz sfz
rit. sfp sfz sfp
sfz
3
Meno mosso q=120
sul A
p cresc.
sul A
p cresc.
sul A
3
sfz
pizz.
pizz.
pizz.
f
f
f pizz.
sul A
3
sul D
arco sul A
p cresc.
arco sul A
sul G
s.
sul D
3
p
arco unis.
p
w/ intense vibrato
w/ intense vibrato
f
w/ intense vibrato
sul D
sul D
3
arco unis.
f sul D
3
w/ intense vibrato
f
3
p cresc.
f
3
3
sul G
3
sul D
glis
3
p cresc.
p cresc.
ff
Ab
pp
sfz
Vc.
Vla.
ff
sfp
pp
1.
ord.
sfp
ord.
pp
3
Vln. 2
p
ff
flz.
pp
3
pp
sfz
3
pp
3
sfz
mp
pp
sfz
pp
ff
mf 3
f
mf
3
sfz
Perc. 2
sfz
sfz
ff
sfz
sfz
sfz
a2
sfz
sfz
sfz
Vln. 1
Perc. 1
Hp.
Pno.
sfz
sfz
B. Tbn.
ff
p
Tbn. 1 & 2
sfz
C Tpt. 2 & 3
sfz
C Tpt. 1
sfp
Bsn. 1
Hn. 3 & 4
Hn. 1 & 2
Cbsn.
B. Cl.
Bsn. 2
sfz
Meno mosso q=120
rit.
f w/ intense vibrato
f
w/ intense vibrato
f
w/ intense vibrato
f
w/ intense vibrato
f
070614
12
LADY DARK
73 73
Picc.
Fl. 1
Fl. 2
Ob. 1
Cl. 1
B. Cl.
Bsn. 1
Cbsn.
Hn. 1 & 2
C Tpt. 2 & 3
p
ff
p
ff
ff
f
Timp.
Perc. 1
Perc. 2
Hp.
Vln. 1
f
f
f
f
fp
f
f
f
p
f
p
f
f
Xylophone
Crot.
pizz.
sfz
ff
ord.
f
sf
ord.
ord.
fp
f
f
f
f
f
f
sffz
fp
73 unis.
sfz
f
sfz
senza sord.
sf
sfz
070614
unis.
Db.
sffz
Vc.
unis.
sfz
unis.
Vla.
sfz
a2
sffz
Vln. 2
f
Pno.
f
sfz
Tba.
f
1. senza sord.
B. Tbn.
sfz
f
Tbn. 1 & 2
f
sfz
f
sfz
f
p
p
f
ff
C Tpt. 1
ff
Hn. 3 & 4
f
f
Bsn. 2
ff
f
Cl. 2
ff
f
Ob. 2
f
3
più f
più f
3
più f
3
3
più f
3
arco
f
13
LADY DARK
Picc.
79 ff
Fl. 1
ff
Ob. 2
ff
Cl. 1
Bsn. 1
Cbsn.
Hn. 1 & 2
f
Hn. 3 & 4
C Tpt. 1
Tbn. 1 & 2
f
p
f
f
flz.
Tba.
Timp.
Perc. 1
Perc. 2
ff
Vln. 2
Vla.
Vc.
Db.
p
ff
sfz
sfz
sfz
sfz
ff
p
ff
p
f
p
ff
ff
(black and white keys) ss. gli
(senza sord.) a2
sfz
f
ff
* ad lib: random descending chromatic pitches.
ff
ff
ff
p
p
p
p
p
p
ff
p
ff
p
a2
f
f
flz.
f
a2 senza sord
f
ff
ff
f
f
*
*
ff
ff
(both hands)
sfp
sfp
gliss.
sfp
f
f
sfp
f
f
sfp
sfp
sfp
ff
pizz.
sfp
sfz
f
f
sfz
sfz
pp
ff
ff
3
ff
ff
ff
ff
ff
sfp
sfz
ff
f
ff
sfz
ff
p
ff
ff
f
sfz
ff
Vln. 1
Hp.
ff
ff
flz.
p
ff
ff
Pno.
f
flz.
a2 flz.
3
B. Tbn.
ff
ff
f
p
ff
f
p
ff
ff
f
ff
f
ff
f
ff
f
f
C Tpt. 2 & 3
ff
ff
f
f
ff
Bsn. 2
ff
B. Cl.
ff
Cl. 2
ff
Ob. 1
ff
Fl. 2
sfp
sfp
sfp
sfp
sfz
070614
14
LADY DARK 3
84
Picc.
ff
a2
Fl. 1 & 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
Timp.
Perc. 1
Perc. 2
Pno.
Hp.
Vln. 1
Vla.
Db.
070614
3
p
5
ff
ff
pp
sfz
sfz
p
p
ff
ff
ff
ff
fp
3
fp
fp
sfz
3
3
p
sfz
a2
3
p
ff
p
f
3
ff
3
ff 3
ff
3
3
3
f
f
3
ff 3
ff
ff 3
ff
flz.
f
7
flz.
f
.
gliss
3
3
3
ff
3
f
f
f
f
f
sfz
f
f
arco
p
3
3
f
ff
sfz
p
ff
a2
p
sfz
p
sfz
sfz
f
f
sfz
f
sfz
f
f
sfz
p
sfz
fp
(Xylo.)
ff
pp
3
f
ff
f
3
ff
ff
3
3
3
3
p
p
sfz
f
p
sfz
p
sfz
3
3
sfz
3
sfz
3
p
ff
sfz
sfz
f
ff
Vc.
ff
Vln. 2
ff
fp Tba.
fp
B. Tbn.
ff
3
15
LADY DARK
91 88
Picc.
ff
Fl. 1 & 2
rit. (e=e)
(a2)
Cl. 1 & 2
ff
B. Cl.
1.
5
mf
(1.)
Ob. 1 & 2
h=72
(q. = h)
p
5
5
mp
p
ff
Bsn. 2
ff Cbsn.
Hn. 1 & 2
ff
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
ff
B. Tbn.
f
f
f
1. w/ st. mute
f
f
mp
p
ff
Tba.
f
mp
f
ff
p
mp
mp
ff
f
p
3
1.
3
mp
p
ff
Bsn. 1
f
1.
ff
Timp.
f
Perc. 1
Perc. 2
3
Pno.
Hp.
Vln. 1
unis.
ff
unis.
Vla.
ff
sul G ff
Vc.
sul C
ff
Db.
3
f
3
91
ff
Vln. 2
ff
rit. (e=e)
sul D
sul C
sul D
h=72
(q. = h)
p
p
sul G
pizz.
mf
pizz.
mf
pizz.
mf
sul C
p
mf
mf
mf
070614
16
LADY DARK
95
Picc.
Fl. 1
Ob. 1
p
mf
B. Cl.
Bsn. 1 & 2
fp
3
fp
fp
f
fp
3.
w/ st. mute flz.
mf
3 f
fp
fp
dim.
f
3
3
fp
fp
f
1.w/ st. mute
fp
rit.
fp
fp
mf
fp
C Tpt. 2 & 3
(1.)
C Tpt. 1
fp
f
Hn. 3 & 4
f
5
Hn. 1 & 2
Cbsn.
mf
Cl. 2
fp
Cl. 1
6
f
p
Ob. 2
Fl. 2
p
w/ st. mute fp
Tbn. 1 & 2
B. Tbn.
fp
(1.)
Tba.
Timp.
Perc. 1
Perc. 2
Crot.
3
Hp.
f
Pno.
MLLOLNMM
6
Db.
070614
p
3
pp
f
pp
p
p
p
p
f
f
f
f
p
pp
f
ppp
rit.
pp
p
mf
3 3 3
pp
non vib.
3
pp
3
pp
p
sub.pp
6
f ord. non vib.
pp
Vc.
f ord. non vib.
f
p
non vib.
Vln. 2
non vib.
6
f
6
f
non vib.
Vln. 1
Vla.
6
f
f
p
3 3 3 3
p
(Xylo.)
p
f
attacca
17
LADY DARK
II. GENTLE DOOM 105
Picc.
Fl. 1 & 2
Grave h=52
ppp
(1.)
Cl. 1 & 2
ppp
(1.)
ppp
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1 & 2
p
1. senza sord. 3
mf
ppp
3
3
f
3
p
p
mf
mf
p
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
mp
B. Tbn.
Tba.
Timp.
Perc. 1
Hp.
pp
mf
pp
mf
pp
pp
pp
mf
pp
sempre pp
NNLOMNMN
Grave h=52
pp
pp arco p
mf
arco
p
mf
arco
p
mf
pp
p
pp
3 3 3
mf Vib.
Db.
pp
(con sord.)
Vc.
w/ bow arco
mp
mp
mp
mp
mp
p
mf
mf
mp
p
p
p
p
p
mf
3
p
3 3 3
ppp
p
C§
(q=q)
p
p
p
*
*
p
f
*
p
* *
5
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
p
p
p
mf
mf
mf
p
*
p
mf
pp
Vla.
pp
Vln. 2
pp
Vln. 1
ppp
p
Pno.
ppp
p
Tam-tam
Perc. 2
(con sord.)
p
mf
p
mf
mf
3
p
mf
p
p
mf
p
3
dolce
p
mf
pp
p
ppp
p
mf
p
mf
mp
ppp
p
p
mp
mf
p
ppp
(q=q)
(1.)
dim.
Ob. 1 & 2
* Gliss: change strings when needed
070614
18
LADY DARK
114
114
Picc.
p
Bsn. 1 & 2
p p
B. Cl.
mf
f
p
p
3
mp
3
p
f
pp
(1.)
pp
mp
pp
3
mf
5
pp
mf
p
3
pp
MLLOLNMM pp
gliss.
Vln. 1
gliss.
Vln. 2
p
ord.
ord.
ord.
ord.
p
Vla.
pizz.
p
p
ord.
p
ord.
arco
arco
p
p
Vc.
pizz.
p
pizz.
p
p
p
gliss.
gliss.
f
114
070614
Db.
Perc. 1
Hp.
3
(Vib.)
Pno.
B. Tbn.
Perc. 2
mp
w/ st. mute
f
mf
Timp.
Tba.
p
3
pp (con sord.)
pp
p
C Tpt. 1
5
f
3
p
mp
mf
3
3
3
Hn. 3 & 4
Tbn. 1 & 2
(q=q)
p
mf
C Tpt. 2 & 3
mf
1.
1.
(1.)
Hn. 1 & 2
Cl. 1 & 2
(1.)
Ob. 1 & 2
Cbsn.
Fl. 1 & 2
F§
p
Crot.
p
f
9
3
pp
f
f
mp
pp
mp
p
p
mp
mp
arco
p
arco
p
arco
p
mp
(q=q)
mp
pp
pp
f
f
pp
f
f
f
pp
f
mf
19
LADY DARK
120
Picc.
Fl. 1
Fl. 2
Ob. 1 & 2
Cl. 1
Cl. 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2
3
p
p
pp
p
f
ppp
p
p
3
3
2.
fp
pp
mf
(con sord.)
mf
p
C Tpt. 1
w/ st. mute
3
ff
2.
(con sord.)
3 pp
pp
3
sul G
3
MMLOMMMM
sul G
124
p
sul C
sul E
mf
mf
mf
pp
pp
B§
f
p
p
p
f
mf
mf
A# Bb
5
G#
sub. ppp
sub. ppp
sub. ppp
f ord.
mf
sub. ppp
f
ord.
f
C#
3
sub. ppp
f
3
pp
sul G
p
p
mp
p
ord.
mf
sul G
Claves
ff
f
Db.
Vc.
Vla.
ppp
Vln. 2
Vln. 1
Hp.
Pno.
pp
Perc. 2
Perc. 1
f
Timp.
f
Tba.
B. Tbn.
pp
Tbn. 1 & 2
p
Hn. 3 & 4
C Tpt. 2 & 3
124
f
sub. ppp
ppp
ppp
ppp
070614
20
LADY DARK
130
127
Picc.
poco rit.
(1.)
Fl. 1 & 2
mf
3
mf
5
pp
3
pp
mf
pp
mp
f
(1.)
Cl. 1 & 2
mp
Ob. 1 & 2
poco più mosso q=60
p
3
p
Bsn. 1 & 2
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
Tbn. 1 & 2
mf
C Tpt. 2 & 3
pp
3
3
p
mf
p
p
mf
p
mf
pp
ppp
B. Tbn.
ppp
Tba.
Timp.
Hp.
fff
fff
3
Vln. 1
mp
mp
mp
Vln. 2
mp
mp
Vla.
mp
3
mf
mf
p
3
Perc. 1
Pno.
Vib.
Perc. 2
Cbsn.
p
p
mf
B. Cl.
(Crot.)
MNMOLNMM
p
p
mp
f
130
poco rit.
mf
p
mf
p
mf
p
mf
mf
poco più mosso q=60
p
p
mf
p
mp
mp
mp
mp
p
p
mp
mp
Vc.
Db.
070614
21
LADY DARK
Picc.
Fl. 1
Fl. 2
Ob. 1 & 2
Cl. 1 & 2
134
Bsn. 1 & 2
p
pp
pp
p
p
mf
p
mf
pp
mf
mf
p
(1.)
p
p
pp
pp
p
3
3
1.
p
mf
pp
p
3
pp
mf
3
p
1.
Hn. 1 & 2
p
B. Cl.
Cbsn.
3
mf
mf
p
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
3
p
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Vib.
pp
p
p
3
p
pp
3
3
unis.
unis.
p
mf
mf
p
sul G p
mf
p
p
mp
mf
mf
p
pp
p
3
mf
sul G
3
f
Vc.
Db.
p
Vla.
Vln. 2
(1.)
Vln. 1
Hp.
Pno.
3
sul E (C) p
3
mp
sul C
sul C
ord.
pp
ord.
pp
pp
070614
22
LADY DARK
143 139
Picc.
mp
Fl. 1
p
(1.)
Ob. 1 & 2
Cl. 1
Cl. 2
3
Bsn. 1
mf
p
ppp
Hn. 3 & 4
ppp
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
ppp
B. Tbn.
ppp
Tba.
Timp.
Perc. 1
Perc. 2
Vc.
mf
mf
mf
dim.
7
mf
p
p
fff
fff
mf
pp
mf
(Vib.)
p
(Crot.)
p
f
3
arco w/ bow
3
mf
p
mf
p
p
Meno mosso q=54 *
poco rit.
mf
p
mf
p
3
mp 3
mp
*
pp
pp
*
mf
mf
p
mf
mf
p
pp
mf
p
pp
*
p
Waterphone
143
mf
p
p
p
* gliss: change string when needed.
070614
pp
pp
fff
(1.)
p
mf
p
f
pp
p
6
mf
mf
Db.
mf
Vla.
mf
mf
Vln. 2
Vln. 1
5
3
5
mf
dim.
7
f
Hp.
9
p
p
pp
3
Pno.
p
3
fff
mf
mf
Hn. 1 & 2
p
3
5
p
Cbsn.
p
B. Cl.
pp
5
7
Bsn. 2
mf
3
Meno mosso q=54
poco rit.
7
mp
mp
Fl. 2
23
LADY DARK
Picc.
144
Fl. 1
Fl. 2
Ob. 1 & 2
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
3
pp
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
mf
p
f
p
p
f
f
f
f
p
3
pp
p
f
p
f
p
p
p
3
pp
f
f (con sord.)
(con sord.)
3
pp
pp
f
3
Perc. 1
Perc. 2
Timp.
Pno.
Hp.
Vln. 1
Vln. 2
pp
pp Db.
pp
Vc.
p
f
p
p
p
p
f
f
3
pp
3
sf
f
p
f
sul pont.
ord.
p
3 pp
sul pont.
ord.
senza misura
p
p ord.
3
pp
fp
fp
fp
fp
sul pont.
sf
3
sul pont.
ord.
sul pont.
ord.
sul pont.
sf
sul pont.
pp
sf
sul pont.
3 pp
f
p
mf
Più mosso q=120
p
sul G
f
pp
mp
MLLONNMM
pp
pp
sul G
pp
mp
pp
Vla.
Sus. Cym.
3
Tba.
sf
f
B. Tbn.
pp
f
pp
f
Tbn. 1 & 2
p
3
(con sord.)
f
sf
f
f
p
f
p
p
f
senza misura
f
p
p
pp
f
p
f
(1.)
Hn. 1 & 2
pp
Cbsn.
Più mosso q=120
Cl. 1
sf
ord.
pp
3
pp
3
pp
sf
sf
sf
attacca 070614
24
LADY DARK
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
148
Picc.
Furioso q=120
B. Cl.
Bsn. 1
3
ff
Cbsn.
Hn. 1 & 2
Hn. 3 & 4 1
C Tpt. 2 & 3
a2
ff (con sord.)
Tbn. 1 & 2
senza sord
B. Tbn.
p
ff
ff
Tba.
Timp.
ff
Pno.
Hp.
Vln. 1
p
p
3
Vla.
Vc.
unis.
ff
3
3
ff
3
f
3
3
p
p
p
f
a2
3 f
a2
ff
ff
senza sord.
ff
senza sord.
f
f
p
ff
ff
ff
fp
fp
ff
fp
ff
ff
fp
ff
fp
ff
ff
fp
fp
ff
fp
fp
ff
fp
ff
fp
ff
ff
p
ff
ff
5
ff
ff
fp
f
3
fp
f
f 3
f
ff
fp
ff fp fp ff Xylo.
fp
ff
fp
p
p
p
ff
p
sfz
sfz
pizz.
ff
3
ff
ff
3
ff
3
p
sfz
Furioso q=120 unis.
ff
ff
ff
ord. unis.
070614
ff
f
unis.
Db.
p
f
3
ff
p
ff
Vln. 2
LMLOLMLM
Sus. Cym.
p
flz.
Perc. 1
Perc. 2
ff
ff
f
f
f
p
ff
ff
ff
a2 senza sord
f
3
p
p
ff
p
f
ff
ff
p
3
p
ff (con sord.)
p
p
C Tpt. 1
ff
p a2
ff
a2
ff
3
p
ff
ff
III. RAVEN BLACK
ff
ff
ff
ff
Bsn. 2
ff
ff
ff
p
Cl. 2
arco
p
f
f
f
f
ff
ff
fp
ff
fp
ff
ff
f
f
f
ff
ff
fp
25
LADY DARK
160
Vigoroso q=144 (2+2+3+2)
accel.
155
Picc.
Fl. 1
Fl. 2
Ob. 2
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1 & 2
ff
B. Tbn.
ff
ff
ff
ff
ff
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
p
p
p
ff
6
5
ff
ff
5
ff
3
5
7
3
5
ff
ffp
ffp
ffp
mf
fp
fp
fp
f
fp
1.
fp
fp
3.
f
fp
fp
fp
2.
ff
ff
f
fp
mf
f
f
1.
fp
fp
f
ff
fp
fp
ff
fp
ff
ff
ff
ff
f
f
f
f
ffp
ffp
ff
3
3
ff
5
ffp
f
3
3
p
3
p
3
Pno.
Tbn. 1 & 2
Perc. 2
C Tpt. 2 & 3
Perc. 1
C Tpt. 1
Timp.
Hn. 3 & 4
Tba.
Ob. 1
Cbsn.
160
ff
accel.
p
f marcato
p
Vigoroso q=144 (2+2+3+2) f marcato
p
p
f marcato
p
f
f
pizz.
pizz.
070614
26
LADY DARK
163
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 3 & 4
C Tpt. 1
fp
f
f
f
f
B. Tbn.
Tba.
a2 f
(3.)
f
fp
f
f f
Perc. 1
Perc. 2
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
070614
cresc.
p
f
f
p
cresc.
p
p
p
fp
a2
p
f
p
fp
f
2.
p
f
p
1.
p
f
f
mf
p
f
f
p
mf
mf
sf
pizz.
mf
p
f marcato
arco
f marcato arco
f marcato
sf
p
f
pizz.
mp
mp
mp
mp
cresc.
cresc.
mf
f
f
f
arco
f
f
f
f
fp
fp
mf
fp
pizz.
fp
pizz.
mf
pizz. mf
f
f
mf
mf
pizz.
f
mf
(3+2+2)
f
p
arco
cresc.
cresc.
cresc.
p
p
LNLOLNLM
f
Snare Dr.
mp
mf
arco
mf
fp
p
f
p
f
f
f
f
fp
f
p
sf
f
f
mf f
f
f
mf f
mf
mf
f
mf
p
mf
mf
p
fp
mf
mf
f
mf cresc.
f
f
p
p
fp
f
cresc.
f
f
f
Timp.
f
(1.)
Tbn. 1 & 2
p
p
f
f
p
f
f
fp
C Tpt. 2 & 3
(1.)
Hn. 1 & 2
f
fp
f
(3+2+2)
27
LADY DARK
170
Picc.
Fl. 1
Cl. 1
Cl. 2
f
f
cresc.
Ob. 2
Ob. 1
mf
Fl. 2
175
(3+2+2) poco accel.
B. Cl.
Bsn. 1
Bsn. 2
mf
Cbsn.
Hn. 1 & 2
Hn. 3 & 4
mf
mf
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
mf
p f
mf
p
p
mf
f
p
p
f
f
f
1.
mf
ff
ff
f f
f
ff
p
p
ff
Tba.
ff
Perc. 1
Perc. 2
Pno.
Hp.
Vln. 1
mf
Vc.
cresc.
mf
Vla.
Db.
mf
Vln. 2
arco
p
p
arco
p
mf
arco
arco
2.
p
p
ff
ff
ff
f
ff
p
p
175
(3+2+2) poco accel.
ff
p
p
ff
f
p
ff
Timp.
ff
ff
f
2.
p
f
p
B. Tbn.
ff
+2.
f
ff
p
ff
p
Agitato q.=104
Agitato q.=104 f
f
f
f
f
f
f
mf
f
070614
28
LADY DARK
177
Picc.
Fl. 1
(3+2)
(3+2+2)
f
Fl. 2
Ob. 1 & 2
1.
Cl. 1 & 2
(2+3)
f
a2 ff
ff
mf
a2
f
Bsn. 1 & 2
a2 ff
f
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
(a2)
ff
(a2)
ff
ff
a2 senza sord. ff
ff
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
(Sn. Dr.)
Pno.
Hp.
ff
Vln. 2
Vla.
Db.
070614
ff
1.
ff
f
sffz
ff
ff
(2+3)
unis. ff
unis. ff unis.
ff
(3+2+2)
ff
sfz
ff
ff
ff
f
pizz.
ff
f
sfz
(solo)
pizz.
f
ff
Vc.
sffz
sffz
(3+2)
Vln. 1
senza sord.
ff
f
senza sord.
f
ff
mf
sffz
ff
mf
f
ff
f
B. Cl.
Cbsn.
a2
arco
ff
f
arco
f
29
LADY DARK
182
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
ff
f
ff
f
ff
Cl. 1
Cl. 2
f
B. Cl.
f
Bsn. 1 & 2
f
Cbsn.
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
w/ st. mute
f
f
f
ff
ff
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Pno.
Vln. 1
f
Hp.
f
sf
f
sf f
f
Vc.
f
f
f
f
ff
ff
ff
ff
f
f
f
f
f fp
ff
f
fp
w/ st. mute
185
f
sf
fp
fp
sf
sfp
f
Db.
sfp
sfz
f
Vla.
Vln. 2
Tbn. 1 & 2
sfp
sfp
sfp
f
ff
f
C Tpt. 2 & 3
f
ff
f
f
ff
f
f
f
ff
185
sfp
sfp
sfp
sfp
pizz.
sfz
070614
30
LADY DARK
186
Picc.
Fl. 1
Fl. 2
Ob. 2
Cl. 1
Cl. 2
B. Cl.
Bsn. 1 & 2
3
Hn. 1 & 2
3
3
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
mf
(1.)
Tbn. 1 & 2
fp
f
3 fp
f
3
Timp.
3
3
fp
3
p
3
ff
3
a2
f
3
3
p
f
3
fp
p
f
3
p
p
3
5
p
3
p
Vln. 2
3
3
3
3
ff
sff
sff
sff
ff
3
3
ff
sfp
sff
sfp
3
ff
f
3
sfp
3 3 3
sfp
f
Vc.
Vla.
Crot. 3
f
f
3
3
f
3 3 ff
3
fp
070614
Perc. 2
Db.
Vln. 1
Perc. 1
Hp.
fp
fp
Vib.
Pno.
f
f
2. w/ st. mute
ff
3 fp
a2
3
f
f
3
fp
p
p
f
3
3
3
3
fp
p
1.
3
f
f
3
ff
fp
3
3
f
f
3
3
B. Tbn.
Tba.
3
ff
3
3
f
ffp
f
f
fp
fp
f
Cbsn.
3
f
3
f
3
Ob. 1
ff
3
p
ff
p
3
p
p
3
p
3
p
ff
ff
ff
p
ff
3
ff
ff
ff 3
3
ff
ff
3
p
ff
ff
31
LADY DARK
Picc.
191
Fl. 1
Fl. 2
Ob. 1
Ob. 2
f
f
3
3
fp
3
3
ffp
f
3
fp
f
3 fp
f
3
f
B. Cl.
3
fp
fp
Cbsn.
Hn. 1 & 2
fp 3
C Tpt. 2 & 3
fp
fp
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Hp.
Vln. 1
3
ff
3
ff
3
3
f
f
a2
3 3
fff
3
3
3 3
f
f
fp
f
p
p
ff
p
sfp
3
3
f
f
193
(2+3)
ff
più f
p
3
f
3
arco
3
f
fp
più f
più f
ff
fp
ff
ff
ff
ff
più f
ff
più f
ff
ff
più f
p
ff
ff
ff
ff
p
3
p
ff
3
p
3 3 f
Vc.
3
ff
ff
ff
ff
f 3
fp
p
3
fp
3
ff
ff
3 f 3
p
ff
ff
p
ff
loco
ff
fp
più f
Bass Dr.
p
più f
ff
ff
senza sord. a2
più f
più f
ff
f
Chimes
3
f
f
f
sfp
3
f
fff
fp
più f
Vla.
3
3
3
Db.
3
3
3
f
Vln. 2
3
f
3
Pno.
Perc. 1
Perc. 2
p
(con sord.)
ff
3
ff
fp
f
3
3
3
fp
f
3
C Tpt. 1
f
f
3
ff
(2+3)
p
Hn. 3 & 4
3
f
3
193
f
3
3
Bsn. 1 & 2
3
3
Cl. 2
fp
Cl. 1
fp
ff
070614
32
LADY DARK
a2 199
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
(2+3)
C Tpt. 1
C Tpt. 2 & 3
fp
B. Tbn.
mf
mf
mf
2.
mf
mf
Tba.
Timp.
Hp.
Vln. 1
Vln. 2
(2+3)
p
ff
fp
ff
più f
ff
ff
sfz
sfz
più f
più f
più f
più f
p
ff
p
ff
p
p
p
ff
ff
p
ff
p
a2
ff
f
p
ff
sfz
sfz
ff
ff
To B. Xyl. D. ff
ff
ff
fp
fp
sfz
fp
a2
ff
203
ff
ff
fp
f
f
più ff
ff
f
ff
più ff
p
più ff
fp
più ff
f
p
ff
ff
più ff
(Bass Dr.)
ff
p
ff
Vc.
070614
Db.
unis.
Vla.
Pno.
Perc. 1
Perc. 2
ff
fp
ff
fp
ff
a2. w/ st. mute Tbn. 1 & 2
più ff
fp
più ff
203
più ff
(a2)
Hn. 3 & 4
(a2)
Hn. 1 & 2
fp
ff
ff
ff
fp
pizz.
ff
33
LADY DARK
208
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Tbn. 1 & 2
fp
f
f
fp
fp
sfz
sfz
ff
fp
fp
fp
ff
ff
fp
ff
fp
ff
ff
fp
fp
fp
fp
ff
a2
ff
(1.)
ff
ff
ff ff
Xylo.
ff
ff
ff
ff
fp
ff
ff
ff
sfz
(3+2)
sfz
fp
sfz
fp
fp
sfz
fp
fp 2. senza sord.
senza sord.
fp
sfz
fp
fp
3.
f
sfz
fp
a2
a2
sfz
fp
f
sfz
Vc.
unis.
Db.
Vla.
Vln. 2
sfz
Perc. 1
Vln. 1
B. Tbn.
Hp.
C Tpt. 2 & 3
Pno.
C Tpt. 1
Perc. 2
Hn. 3 & 4
Timp.
Bsn. 2
Tba.
Bsn. 1
Hn. 1 & 2
B. Cl.
Cbsn.
f
(Sn. Dr.)
f
ff
(3+2)
ff
ff
ff
ff
ff
arco
sfz
sfz
ff
070614
34
LADY DARK
216
(3+2+2)
216
Picc.
(3+2) ff
f
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
a2
f
Cbsn.
Hn. 1 & 2
Hn. 3 & 4
f
a2
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
p
(a2)
p
ff
ff
p
p
p
f
f
f
ff
f
ff
ff
ff
ff
senza sord. 1.
ff
(a2)
f
a2
p C Tpt. 1
a2
f
f
Bsn. 1 & 2
ff
f
f
p
p
p
p
p senza sord.
ff
1.
p
ff
Perc. 1
Perc. 2
Pno.
Hp.
Vln. 2
f
(Sn. Dr.)
216
Vln. 1
(Xylo.)
s. glis
p
f
ff
MMLOLMMM
(3+2+2)
f
ff
(3+2)
Vc.
ff
ff
f
Db.
f
070614
p
ff
f
ff
s. glis
ff
f
Vla.
f
f
LLLOLMLL
f
f
f
f
f
35
LADY DARK
Picc.
Fl. 1 & 2
Ob. 1
Ob. 2
(3+2)
220
ff
ff
ff
ff
ff
Cl. 2
ff
B. Cl.
Bsn. 1 & 2
Cbsn.
ff
Hn. 1 & 2
ff
Hn. 3 & 4
C Tpt. 1
ff
a2
ff
Tba.
Timp.
ff
ff
Perc. 1
f
mf
1.
Perc. 2
Hp.
Vln. 1
Vln. 2
mf
ff
ff
ff
ff
f
p
f
f
f
f
f
f
f
f
f
p
f
p
p
p
f
f
ff
f
(3+2)
ff
ff
ff
f
f
p
f
f
p
p
p
p
p
f
f
p
f
p
p
f
Sus. Cym.
ff
Db.
ff
ff
Vc.
ff
Vla.
Pno.
f
ff
ff
mf
mf
mf
ff
f
ff
B. Tbn.
f
ff
Tbn. 1 & 2
f
f
ff
C Tpt. 2 & 3
f
ff
ff
f
ff
Cl. 1
070614
36
Picc.
Fl. 1
227
Fl. 2
Ob. 1
Ob. 2
(a2)
B. Cl.
Cbsn.
p
f
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
p
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Hp.
Vln. 1
p
f
ff
fp
ff
f
a2
f
ff
p
ff
f
p
ff
p
ff
p
p
ff
ff
p
ff
ff
p
p
ff
ff
p
p
fff
mf
mf
flz.
pp cresc.
fff
ff
flz.
pp cresc.
3. flz.
3 3
ff
pp cresc.
3
3
f
5
Sn. Dr.
f
Sus. Cym.
ff
f
fff
fff
poco rit.
p cresc.
5
5
5
5
5
5 5 5 5 5 5 5 5 5
mf cresc.
mp
070614
Vla.
Db.
Vc.
Vln. 2
Pno.
(Xylo.)
Perc. 2
Perc. 1
f f
p
q=132
fp
p
p f
fp
p
(a2)
Hn. 1 & 2
LADY DARK
(a2)
Bsn. 1 & 2
(a2)
Cl. 1 & 2
poco rit.
3
5
p cresc.
q=132
gliss.
ff
gliss.
fff
sul G
gliss.
ff
sul D
gliss.
ff
gliss.
gliss.
ff
ff
LADY DARK
233
Picc.
37
236
q=60
fff
Fl. 1
Fl. 2
Ob. 1
Ob. 2
fff
fff
5
Cl. 1
mf
5
5
Cl. 2
mf
5
B. Cl.
5
5
5
3
3
mf
Bsn. 1
Bsn. 2
fff
fff
5
5
5 5
fff
5 5 5 5 fff 3 3 3 3 3 3 3 3 3
3
3
3
f
Hn. 3 & 4
3 3 3
3
pp cresc.
C Tpt. 1
3 mf flz.
C Tpt. 2 & 3
3
3
3
B. Tbn.
f
3
3
Timp.
ff
ff
f
ff
5
ff
f
ff
f
f
ff
ff
f
f
f
ff
fff
fff
fff
5
fff
ff
ff
fff
3
3
7
7
mf Tba.
fff
6
3
ff
mf
ff
3
mf
Tbn. 1 & 2
3
f
flz.
7
Hn. 1 & 2
f cresc.
f cresc.
Cbsn.
5
ff
ff
fff
fff
fff
Perc. 2
Pno.
5
5
5
5
5
5
5
5
ff
5
5
5
5
5
Vln. 1
Db.
gliss.
fff
Vc.
ff
.
236
Vla.
Vln. 2
ff
Hp.
ff
iss
ff
gl
5 5 5 5 5 5 5 5 5
ff
Tam-tam 3
pp
3
Bass Drum
Perc. 1
ff
fff
fff
sul G
ff
gliss.
gliss.
fff gliss.
sul C
ff
sul G ff
fff
sul C
ff
fff
gliss.
fff
q=60 (sul G)
gliss.
fff
(sul G) pp ord. pp
ord.
pp
sul E (C)
ff
fff
gliss.
fff
pp
070614
38
LADY DARK
238
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1 & 2
Hn. 3 & 4
pp
ff
pp
ff
pp
ff
ff
ff
3
pp 3
pp
ff
pp
pp
ff
ff
pp
pp
ff
ff
ff
pp
ff
pp
ff
ff
pp
pp
ff
ff
ff
ff
pp
ff
pp
pp
ff
3.
1.
3
pp
C Tpt. 2 & 3
Tba.
C Tpt. 1
B. Tbn.
Tbn. 1 & 2
ff
Cl. 2
Cl. 1
f
f
pp
pp
f
3.
f
pp
f
3.
pp
2.
f
pp
f
pp
f
f
pp
3
1.
pp
f
pp
f
Perc. 1
Perc. 2
Timp.
Pno.
Hp.
Db.
070614
3
3
ff espress.
3
ff espress.
3 3
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
gliss.
3
f
5
3
ff espress.
Vc.
3
Vla.
ff espress.
Vln. 2
f
3
Vln. 1
39
LADY DARK
244
Picc.
3
più ff
Fl. 1
3
3
più ff
Fl. 2
Ob. 1
Ob. 2
Cl. 1
3
più ff
Bsn. 2
Cbsn.
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
3
p
p
ff
p
Hp.
Vln. 1
ff
3
3
3
3
3
3
3
p
ff
ff
p
p
ff
p
a2
p
ff
3
3
3
3
a2
ff
p
ff
p
ff
ff
p
(Bass Dr.)
ff
fff
p
ff
fff
p
ff
p
ff
p
fff
fff
ff
p
ff
p
ff
p
ff
p
ff
p
ff
più ff
Db.
p
più ff
Vc.
p
più ff
Vla.
p
ff
p
ff
p
ff
3
ff
ff
3
fff
p
p
3
fff
3
3
fff
3
fff
3
ff
3
ff
p
p
fff
p
ff
3
fff
fff
p
ff
p
ff
ff
ff
p
p
3
ff
p
p
ff
3
p
ff
più ff
Vln. 2
ff
Crash Cym.
Pno.
Perc. 1
ff
ff marcato
ff
ff
B. Tbn.
p
p
ff
Perc. 2
ff
p
ff
p
ff
p
Timp.
3
3
ff marcato
Tba.
3
3
Tbn. 1 & 2
3
3
3
a2
C Tpt. 2 & 3
più ff
più ff
Bsn. 1
3
3
3
B. Cl.
più ff
più ff
Cl. 2
3
p
ff
p
070614
40
249
Picc.
3
Fl. 2
3
3
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1 & 2
C Tpt. 2 & 3
Vln. 1
070614
a2 a2
ff
ff
ff
p
ff
fff
p
p
p
p
fff
ff
p
p
p
p
fff
ff
fff
ff
p
p
ff
fff
pp
p
pp
ff
ff
p
ff
3
p
ff
5
Cr. Cym.
f
a2
fff
a2
fff
w/ st. mute
p
fff
1. w/ st. mute
fff
p
fff
6
Wood Blks.
f
7
fff
fff
fff
Xylo.
Anvil
f
253
ff
Db.
ff
Vc.
ff
Vla.
ff
Vln. 2
pp
3
ff
Perc. 1
Hp.
B. Tbn.
Pno.
3
Tbn. 1 & 2
Perc. 2
3
C Tpt. 1
Timp.
3
Hn. 3 & 4
Tba.
3
3 3 3
h=60
3 3
Fl. 1
Cbsn.
253
LADY DARK
ff
ff
p
p
ff
h=60
p
fff
p
ff
p
ff
fff
fff
pizz.
pizz.
arco
pizz.
fff
arco
p
fff
p
pizz.
arco
p
(1/2 section)
fff
pizz.
arco
fff
41
LADY DARK
265
259
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
molto rit.
Meno mosso q=100
(1.)
p
p
p
pp
mp
mp
mp
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2
B. Tbn.
Tam-tam
arco non vib. sul A
arco non vib. sul A
non vib.
grad. vib.
grad. vib.
grad. vib.
p
non vib.
grad. vib.
grad. vib.
non vib. arco
p
Vla.
p non vib. arco
p
Vln. 2
grad. vib.
p grad. vib.
Db.
p
Vc.
p
2. w/ st. mute
mp
p
p
p
mp
p
mp
Meno mosso q=100
p
Vln. 1
265
molto rit.
p
p
mf
3. w/ st. mute
p
Perc. 1
Hp.
mp
Tbn. 1 & 2
Pno.
C Tpt. 2 & 3
Perc. 2
C Tpt. 1
Timp.
p
Hn. 3 & 4
Tba.
1. w/ st. mute
arco
p
w/ intense vibrato
mf w/ intense vibrato
mf
w/ intense vibrato
mf w/ intense vibrato
mf w/ intense vibrato
mf w/ intense vibrato
mf w/ intense vibrato
mf
w/ intense vibrato
mf
p
070614
42
LADY DARK
269
Picc.
Fl. 1 & 2
a2
*
pp
Cl. 1
mf
B. Cl.
Cl. 2
mf
Ob. 2
Hn. 1 & 2
pp
C Tpt. 2 & 3
B. Tbn.
Timp.
Perc. 2
Hp.
mf
mf
pp
mf
mp
f
*
mp
mf
f
mp
gliss: two hands
mf
mp
(unis.)
(unis.)
pp
Vc.
pp
mp
mf
mf
mp
*
Vla.
mf
f
* ad lib: as fast as possible following random descending chromatic pitch pattern (slurred or staccato).
070614
mp
Vib.
MMMOLMLM
mf
pp
mf
Vln. 2
arco w/ bow
Vln. 1
Db.
(1.)
a2 w/ st. mute
Waterphone
Pno.
mf
Perc. 1
fp
Tbn. 1 & 2
Tba.
fp
C Tpt. 1
a2 senza sord. Hn. 3 & 4
a2 senza sord.
pp
mf
mf
pp
mf
pp Cbsn.
pp
f
Bsn. 2
mp
mf
mp
pp
Bsn. 1
flz.
mf
Ob. 1
mf
sul D
sul D
43
LADY DARK
272
Picc.
Fl. 1 & 2
pp
Cl. 1
Cl. 2
B. Cl.
p
Ob. 2
Bsn. 2
Hn. 1 & 2
B. Tbn.
Perc. 2
mf
p
3.
pp
p
0
sul G
0
sul D
sul G
sul D
sul D
mp
sul G
pp
dim.
mf
sul D
sul D
molto
molto
0
dim.
pp
dim.
pp
0
molto
molto
0
0
sul A
sul A
dim.
sul G
sul D
pp
dim.
pp
molto
molto
molto
pp
0
mp
molto
pp
molto
mf
pp
mf
pp
fp
mp
fp
mp
pp
pp
pp
mp
dim.
pp
p
mp
pp
f
p
0
mf
mf
mf
mf
Vln. 2
sul A
mf
dim.
f
Vla.
pp
Vln. 1
Db.
p
Vc.
dim.
pp
Hp.
ppp
p
Pno.
Perc. 1
p
fp
mf
Timp.
fp
dim.
Tbn. 1 & 2
pp
mf
C Tpt. 2 & 3
pp
C Tpt. 1
Hn. 3 & 4
Tba.
mf Cbsn.
pp
mf
Bsn. 1
flz.
p
Ob. 1
sul D
sul D
molto
070614
44
276
Picc.
LADY DARK
276
q=90
ff
Fl. 1
Ob. 2
B. Cl.
ffp
Bsn. 1
sub. ff
ffp
Bsn. 2
ff
ffp
bells up
ff
fff
Sus. Cym.
Perc. 1
Perc. 2
Pno.
ff
pp
f
ff
Vc.
Db.
ff
070614
sul E
ff
ffp
fff
ff
ff
fff
ord.
ff ord.
ff
ffp ff
ff
ord.
ff ord.
ff
5
3
7
fff
fff
3
f
3
f
f
ff
ord.
ord.
ff
f
pp
p
ff ffp
3
f
ffp
ff
ffp
5 6 3 5
ffp
3
3
ff ord.
ffp
f
ff
ffp
f
ffp
ffp
ff ffp
ff ffp
ff
ffp
ff
ff
ffp
ffp
ff
f
7
f
3
3
f
f
3
f
Vla.
Vln. 2
ffp
ff
ffp ff ff
5
ord.
5
3
q=90
Vln. 1
f
6
ff
276
f
Hp.
pp
Crot.
ffp
Timp.
5
ffp
ff
ff ffp
fff
3
f
ff ffp ffp f
B. Tbn.
flz.
fff bells up flz.
ffp
Tbn. 1 & 2
3
3
C Tpt. 2 & 3
f
ffp
C Tpt. 1
Hn. 3 & 4
ffp
ff
f
ff
ff ffp
Cl. 2
ffp
Cl. 1
Tba.
ffp
sub. ff
Hn. 1 & 2
sub. ff
Cbsn.
ffp
Ob. 1
ff
ffp
ffp
ff
Fl. 2
45
LADY DARK
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Cl.
ff
ff
ff
ff
Bsn. 2
Cbsn.
Hn. 3 & 4
C Tpt. 1
Tba.
Timp.
fffp
* f *
f
p
ff
Hp.
Vln. 1
Vln. 2
Vla.
6
ff
fff
fff
fff
fff
fff
fff
fff
fff
Tam-tam
fff
6
pp
fff
fff
fff
fff
fff
fff
6
fff
fff
pp
fff
fffp
pp
fff
fff
pp
fff
fffp
fff
fff
fffp
ff
fffp
pp
fff
Db.
fffp
Vc.
fffp
fffp
ff
pp
as fast as poss.
fff
fff
Pno.
fffp
p
Perc. 2
(cross gliss.)
Chimes
fffp
fff
fffp
fffp
fffp
fffp
ff
fffp
ff
flz.
pp
fff
flz.
pp
ff
fff
fff
fffp
ff flz.
flz.
fffp
ff
fffp
fffp
ff flz.
fffp
ff flz.
fffp
fffp
Perc. 1
f
f
B. Tbn.
*
ff
Tbn. 1 & 2
*
ff
C Tpt. 2 & 3
*
f
* f
flz.
f
ff
Bsn. 1
Hn. 1 & 2
*
280
* ad lib: as fast as possible following random descending chromatic pitch pattern (slurred or staccato).
070614
46 284
Picc.
Fl. 1
rit.
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
mf
p
3
3
mf
f
3
mp
p
pp
p
p
mf
3
p
mp
p
mp
pp
Hn. 3 & 4
p
Hn. 1 & 2
p
Cbsn.
p
Bsn. 2
mf
Bsn. 1
Dolente q=70
3
B. Cl.
LADY DARK
286
pp
C Tpt. 1
pp
C Tpt. 2 & 3
pp
Tbn. 1 & 2
pp
B. Tbn.
pp
Tba.
Timp.
pp
Perc. 1
Perc. 2
Pno.
Hp.
286
Dolente q=70
rit.
Vln. 1
dim.
sul A dim.
Vln. 2
Vla.
Vc.
Db.
070614
dim.
sul A
sul A (p)
dim.
dim.
dim.
sul D
sul D
(p)
sul G
(p)
pp
ord.
pp
sul G
(pp)
ord.
pp
p
ppp
sul C
sul G
(pp)
ppp
(p)
(p)
sul G
sul D
(p)
sul D
(pp)
(pp)
sul G
(p)
dim.
dim.
sul D
pp
(pp)
(p)
sul C
p
mp
p
mp
p
LADY DARK
292
Picc.
Fl. 1
Fl. 2
pp
Ob. 1 & 2
Cl. 1
p
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1 & 2
C Tpt. 1
mp
Hn. 3 & 4
1.
mp
pp
p Vib.
3. pp
p
3
3
Vln. 2
pp
pp ord.
pp
ord.
pp ord.
pp
3
6
mf
non. vib. pp non. vib. pp
non. vib.
pp
pp non. vib.
pp
pp
pp
non. vib.
pp
pp non. vib.
non. vib.
non. vib.
non. vib. 3
pp
mf
mf
(h=h)
ord.
h=60
ppp
296 ord.
3
mf
ppp
5
mf
rit.
3
mf
Xylo.
mf
6
pp
mf
5
mf
pp
p
mf
Db.
Vc.
B. Tbn.
Vla.
Vln. 1
Hp.
Pno.
Tbn. 1 & 2
Perc. 2
Perc. 1
pp
Timp.
3 3
(h=h)
pp
Tba.
C Tpt. 2 & 3
pp
Cl. 2
pp
mp
h=60
3
rit.
47
296
070614
48
LADY DARK
300
Picc.
q=120
f
fp
3
mf
1.
5
3
5
f
3
3
ff
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Fl. 1 & 2
Cbsn.
Hn. 1 & 2
Tba.
Timp.
Perc. 1
Perc. 2
Pno.
Hp.
f
p
p
pp
p
f
pp
p
pp
pp
pp
p
p
pp
pp
pp
ppp
p
ppp
ppp
p
ppp
p
ppp
ppp
pp
p
pp
pp
p
ppp
pp
pp
pp
pp
p
p
pp
pp
p
pp
p
p
ppp
ppp
ppp
p
f
p
p
ppp
p
ppp
f
ppp
p
ppp
f
p
ppp
p
pp
f
p
ppp
f
p
3
fp
f
3
070614
Db.
p
arco w/ bow
Vc.
Vla.
arco w/ bow
p
Crot.
Vln. 2
f
Vib.
q=120
Vln. 1
49
LADY DARK
305
Picc.
Fl. 1 & 2
p
ff
f
f
mf
mp
(h=q)
(h=h)
p
ff
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Cbsn.
Hn. 1 & 2
Tba.
Timp.
Perc. 1
f
Perc. 2
Pno.
Hp.
Vln. 1
p
Xylo.
p
p
ff
(h=q)
(h=h)
ord. Vln. 2
pp
mp cresc.
mf
pp
mf
pp
mf
mf
3
ff
ff
ff
pp
ff
n
n
n
n
n
n
Db.
Vc.
ff
pp
Vla.
n
n
070614
50
LADY DARK
311 311 q=60
Picc.
Fl. 1
Fl. 2
Cl. 1
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1 & 2
3
pp
pp
pp
p
f
p
3
7
7
f
3
p
pp
mf
f
1. w/ st. mute
pp
mf
p
p
Hn. 3 & 4
C Tpt. 1
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
p
Bass Dr.
p
Perc. 1
Perc. 2
Pno.
Vln. 1
Vln. 2
sim.
5
5
p
mf
p
p
1. w/ st. mute
p
mf
5
5
p
5
5
5
5
f
5
311
q=60
div. a3 non vib.
3
pp
pp
pp
pp
pp
pp
mp
pp
mp
mp
pp
pp
mp
mp
pp
mp
pp
mp
pp
mp
pp
pp
pp
pp
3
mf
mf
pp
pp
mf
mf
mf
mf
mf
pp
7
ppp
f
pp
pp
f
pp
f
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
ppp
pp
mf
f
p
f
p
5
p
070614
w/ st. mute
f
ppp
Db.
ppp
Vc.
p
div. non vib.
Vla.
5
(Crot.) arco
Hp.
5
pp
mf
mf
3
pp
pp
mf
p
3
pp
f
3
3
pp
mf
pp
3
pp
pp
mp
pp
mp
mp 3
p
3
pp
mp
pp
pp
3
pp
mp
pp
B. Cl.
f
pp
Ob. 1 & 2
Cl. 2
pp
pp
f
f
f
f
f
pp
pp
pp
pp
pp
LADY DARK
316
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
B. Cl.
rit.
pp
Bsn. 2
Cbsn.
Hn. 1 & 2
C Tpt. 1
mf
mf
p
Pno.
Hp.
5
5
Perc. 1
Perc. 2
p
B. Tbn.
Timp.
p
Tbn. 1 & 2
Tba.
mf
Hn. 3 & 4
C Tpt. 2 & 3
q=50
Bsn. 1
51
322
3
3
p
p
5
5
arco
p
f
p
3
p
f
f
3
pp
322
Vln. 2
(div.a3)
(div.a2)
(div.a2)
Vla.
Vc.
Db.
3
p
p
p
p
p
p
p
p
mf
mf
mf
mf
mf
mf
mf
mf
pp
pp
p
p
p
p
p
p
p
p
p
f
f
pp
f
f
pp
pp
f
f
pp
pp
pp
3
p
pp
pp
p
p
f
pp
pp
pp
f
pp
pp
f
pp
3
pp
3
pp
pp
3
3
3
pp
pp
f
3
3
3
3
pp
f
pp
pp 3
3
3
mp
f
3
pp
mp
3
3
pp
(div.a2)
(div.a2)
q=50
3
3
f
mf
(div.a3)
ord.
rit.
Waterphone
3 3 3 mf pp
3
mf
f
3
p
p
f
3
Vib.
pp
mp
Vln. 1
pp
5
mf
pp
3
3
pp
pp
3
5
3
mf
mf
3
3
pp
3
pp
3
3
3
mp
5
pp
3
pp
pp
pp
a2
3
a2
pp 3
pp
5
pp
070614
328
52
LADY DARK
323
Picc.
Fl. 1
n
Fl. 2
Ob. 1
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
pp
3
3
3
n
5
5
pp
n
C Tpt. 2 & 3
Tbn. 1 & 2
B. Tbn.
Hn. 1 & 2
Hn. 3 & 4
C Tpt. 1
Tba.
Timp.
(Vib.)
Perc. 1
Perc. 2
Pno.
Vln. 1
Hp.
pp
Vln. 2
Vla.
Vc.
Db.
* Gliss: to highest possible pitch.
070614
w/ st. mute
fff
3
ff
*
*
*
ppp
*
ppp
*
ppp
fff
sffz
sffz
3 3
senza sord.
senza sord.
fff
fff
328
ppp
ppp
Sus. Cym.
*
q=152
*
ppp
3
fff
ppp
ff
*
3
fff
*
fff
5
3
p
ff
ppp
fff
ppp
fff a2
(no trill)
3
ff
sffz
a2
sffz
3
(no trill)
ff
ff
f
3
3
ff
(no trill)
(no trill)
ppp
(no trill)
f
3
(no trill)
ff
5
f
3
p
3
f
f
3
flz.
3
f flz.
ff flz. 3 3
n
pp
n
pp
n
n
mf
f
Cbsn.
ppp
ppp
ppp
Bsn. 2
5
3
3
Ob. 2
pp
q=152
fff
fff
fff
fff ord.
fff
fff
fff
fff