Songs of Kisaeng by Michael-Thomas Foumai

Michael-Thomas Foumai

Songs of the Kisaeng for soprano, clarinet, violin, cello and piano

Commissioned by Robert Pollock for the Ebb & Flow Ensemble www.michaelfoumai.com

Michael-Thomas Foumai

Songs of the Kisaeng for soprano, clarinet, violin, cello and piano

Commissioned by Robert Pollock for the Ebb & Flow Ensemble www.michaelfoumai.com

Songs of the Kisaeng 1. The mountains remain 2. Why should you? 3. I will shape the giant pine 4. I pluck a willow branch 5. They call me a pine 6. Jade green brook 7. The blue hills 8. When did I ever? 9. When pear-blossoms rain 10. What have I done?

11. Should I cleanly forget? 12. Night falls 13. A wild goose screams 14. Into the deep night 15. A lover seen 16. I will cut into halves the waist 17. With my mind 18. Spring has come 19. Forget it 20. The moon shines Duration: Approximately 25 minutes

First Performance: November 21, 2011 (Maui, HI), Rachel Schutz (Soprano) and the Ebb and Flow Ensemble.

Program Note Songs of the Kisaeng was commissioned by Robert Pollock for Ebb and Flow Arts. Scored for soprano and clarinet with piano trio, the text draws upon the sijo poetry of the Kisaeng, Korean female artist/entertainers. As slaves of the state, the Kisaeng trade was not unsavory from her modern counterpart. At high levels of society, one might entertain and associate with leading male citizens: noblemen, ministers and scholars. The Kisaeng were trained in art, literature, composition, singing, dancing and conversation. The singing of sijo was common and many of the best sijo have been composed by the Kisaeng. Their poetry is free to express genuine expression, free from political and social governance. The 20 sijo presented here, are taken from a variety of Kisaeng, among most notable is Hwang Jini, whose 6 sijo survive today. Sijo is a very short form of poetry and although the translations in English are set, much is said with very little words. Translating into music, for this cycle of songs, I have strived to compose relatively short pieces that utilize very sparse and simple material to hopefully express as the sijo, the yearning, longing and anger of the Kisaeng.

Performance Notes - All trills diatonic unless notated otherwise. - Violin is to be held like a mandolin in Movement 4. - Songs can be performed separately and in any order, however maintaining prescribed order should be strived.

Guide to Symbols and Notation

ÂŠ Foumai Foundation & Michael-Thomas Foumai. All Rights Reserves (ASCAP) www.michaelfoumai.com

The mountains remain the same as of old but the stream is constantly changing. It flows day and night; how could it be the same water? The men of fame are like the stream: once gone, they will not return.

The blue hills are my thoughts; the green waters, my beloved’s love. Though the green waters flow away, what can the blue hills do but remain? No wonder, the green waters cry, Unable to forget the blue hills.

Hwang Jini

2 Why should you freeze in bed? Why should you sleep that way? With my duck-embroidered pillow and jade green quilt, there’s no reason to freeze tonight. Since you have met cold rain today you’ll melt in bed tonight.

8 When did I ever lack faith in you? When was I ever untrue to you when there was no sign that you would arrive until the small hours? What could I do with the sound of leaves that drift by in the autumn wind?

Hanu

Hwang Jini

I will shape the giant pine into a boat and set it floating on the Taedong river; then pluck a long willow branch to tightly bind me to my lover. Some jealous spirits from nowhere may try to pull us into the quicksand.

When pear-blossoms were raining down we parted with tearful hugs. Now an autumn wind knocks off the leaves and I wonder if my love thinks of me. Only my lonely dream comes and goes a thousand leagues between us.

Kuji

Kyerang

4 I pluck a willow branch and send it to you. Plant it by your windowside and watch it grow. When buds appear after a rain take them for me. Hongnang

5 They call me a pine, every one. Yet what kind of pine can I be but the one tall and spreading on the cliff a thousand feet high? The boy woodcutter may try his little sickle but I am far beyond his reach. Song-i

6 Jade green brook in the blue mountains, do not boast your swift course. Once you get to the blue ocean it won’t be easy to return. Now that the bright moon overflows the empty hill, why don’t you stop to rest for a while? Hwang Jini

1 0 What have I done? Didn’t I know I would miss him so? Had I but asked him to stay, how could he have gone? But I was foolish enough to send him away. How I miss him now! Hwang Jini

1 1 Should I cleanly forget and perish or live ceaselessly yearning for you? Not easy to die and forget or to live and yearn. O my lover, say just one word and I will know whether to die or live. Maehwa

1 2 Night falls in the mountain hamlet; a dog barks from far away. I push my twig-gate open; the moon is suspended cold in the sky. What sense is there in a dog barking at the quiet moon and the bare hills? Ch’on’gum

1 3

1 7

A wild goose screams across the clear autumn sky; I fling my window open. The moon and snow fill the yard. It also shines where my beloved is. Perhaps I have been left alone in the world to feel this pain.

With my mind full of gentleness and your heart full of tenderness, we both ache to meet each other. This yearning and pain I feel for you! How many more days can I stand being without you?

Kumhong

Maehwa

1 4

1 8

Into the deep night till day dawns I turn and twist, unable to sleep. I hear a bell tinkle in the incessant rain; it tears apart my love-lorn heart. If one would only paint a picture of me and give it to my lover!

Spring has come to the old, twisted bough of the plum tree. Blossoms will appear unerringly where they have bloomed before. But since the spring snow is drifted about, they seem half-minded to break into blossom.

Maehwa

1 5

1 9

A lover seen in a dream is not to be trusted, they say. But I miss you so desperately. And when can I be with you except in my dreams? O lover, be it even in dreams, I wish to see you ever so often.

Forget it. Do not say anything if you do not love me. Should you be the only man under heaven you could justly hold your head high. I will live with what heaven made me. Is there not some who will love me?

Myongâ&#x20AC;&#x2122;ok

Munhyang

1 6 I will cut into halves the waist of the long mid-winter night; roll it up to be placed under the warm spring-breeze quilt and I will unroll it at night when my beloved arrives. Hwang Jini

2 0 The moon shines on Cold-pine Pavillion; the calm waves lap against Kyongpo Terrace The faithful white seagulls circle, gliding over the dark sea. Why is it that our beloved prince, once gone, is never to return? Hongjang

Songs of the Kisaeng

Score in C TRANSLATIONS JAIHIUN JOYCE KIM

for Soprano, Clarinet, Violin, Cello and Piano

1. The mountains remain

MICHAEL-THOMAS FOUMAI (2010)

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' $ ## 4' ' *' *' 4' *' 4'

! . #

' ' , # 2 # ' *' *'

feet high?

mf 5

' ' 4'

The boy wood - cut - ter may

' ( try

: 3 ' *' *' ' 4' ' 2 2 ( his lit - tle

sick - le

! #

but

'5 (5

1 # '5 , #

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1 '' , ## 5

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Vln.

of pine can I

on the cliff a thou - sand

Cl.

kind

(

3 "

125 S.

' ' ' *' ' ' 3

# $" Pno.

3 " '

poco

$ "#

130 A tempo, h=58 S.

$ !# (

Cl.

$ !# . $ !# ' * '5 p

Vc.

& ! *''5 # p

((

'' 5

((

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be -

(

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his

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reach.

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yond

very long!

: %

! $#

: %

&! #

: %

A tempo, h=58

Pno.

far

Vln.

*' -

pizz.

2 2

pp pizz.

1 * ''

, 9

*'' , 9 5

6. Jade green brook 134 Vivace, q=144 S.

$ "!

" "

Cl.

! $ "

" 9 "

" 1 '5'6''5 '' '' ''5 " '5'6'' '' /

arco

Vln.

! $ " '' 6''5 '5' ''5 '' > '' 6''5 '5' ''5 '' '' ''5 > / / / f pizz.

Vc.

& ! "

141

/ , '- 2

" "

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1, 2 '

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" , 1 9 " ' '5 '5 / sf

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, '1 "! (

' ' 6' ' ' ' '

1 1 '' "! 6'' '' '' '' 5 5 5 /

poco

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1 '' 6'' '' ' '' '' ' 5 5 '> 5 5 '> /

, '1 2

(

# "

'' 6'' '' '' '' ' ' ' ! ' ' ' '' " ' ' '' ' ' ' ' 5 5 5 > ' 6'5 '5 " 6'5 ''> ' '5 '5 '5 " 6''> '5 '5 > ' '5 '5 /' / / / /

# "

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3 " ' ' ' " 6' ' '

in the

/' f

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green

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moun

3 " ' " ' ' ' ' ' 3

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(

tains,

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(

1 1 ' ' ' ' ' ' /' /' /' '5 %

12 149 S.

Cl.

Vln.

Vc.

$ $

(

do not

boast

' '

1 ' , 2

Cl.

Vln.

(

$ "!

swift

# "

' 2

& ! "

166 S.

molto

$ '

won't

Cl.

Vln.

Vc.

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you

get

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eas

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' to

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(

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poco

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poco

(

! "

turn.

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blue o - cean

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arco 1 , , /'5 , /'5 2 *' -

1 '' '' "! 6'' '' 5 5 5

'5 6' 4'5 ' 2

(

1 ' '

6'5 ' ' '5 5

$ '1 , , ''1 '5 /5 sf /'5 1 , , '5 sf

1, , 1 , 12 '5' 6 '5' 6 '5' / /

3 1 ! ' '' ' '' # ' ' , , 6' ' ' '5 " " 6 ' ' '

pizz. # " / 6' '5 ! 2 " % " '- , ' ' ' ' '5 ' - , " ' /

' -

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arco

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% 6

f pi첫

# " " % " '6' ' ' '5 ' ' ' ' '5 /

pizz.

/ ! 5 ' ' ' *' ' ' ' ' ' ' ' ' 6 ' ' ' 6 ' ' ' 5 5 5 5 5 / 5 '5 ' 6'5 ' 4' ' ' ' ' ' " ' ' '/ 5 / /

Vc.

(

course.

(

f pi첫

1 , # % "" 1 , 2 ' " /' p

$ "!

' "# ' ' 6' ' '6' ' ' '5 ' ' '6' '5 ' ' ' ' '' '' / / /

# " " % " 9

$ "! (

# ' " '''' '

f pi첫

1' ' 4''5 '5' '' ' ' / /

' '1 , "#

poco

your

'' 6'' '' ' '' '' ' 5 5 '> 5 5 ' >

(

' ' 6' ' '

158 S.

'5 * '5 / '' '

1 '5

'' ' '5 /5 /

'5 ' 4 '5 * '' / /

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1 '/

' ' ' / 5 /5 '

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*/'' sf

/' 5 4'

5 / ! '5 4' *' ' "

'' 2 /5

*'5 2 /

, '1 "! */' sf

1 "! /'

13 174 S.

Cl.

Vln.

Vc.

$ "! 2

Cl.

now that

! $ " ' ' & ! "

$ '

' ' *' ' '

bright

moon

Vc.

ver

flows

$ '' 5

' ' '5 '5

& 2

Vln.

' ' '*'

'5 '' ''5 /

Vc.

'' /

'' 5

pizz.

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A '>

''''''

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' ' '''''''' ' ' ' ' ' ' ' '*' ' ' ' ' ' ' 5 p f

(

' 1 '' '' / '

2 (

2 ' /'5

'' 5

'' 2 /5

' / ' 2

' ' ' ' ' ' "" ' ' ' 1 6' '

don't you

stop

pizz.

for a

" "

while?

1 , '

1 , 2 '6' ' ' '5 /

1 '5 ,

1 , 2 '' ' 6 ' ' 5 ' /

1 '' 5 ,

6' ' ' f

poco

5 5 ' ' ' ' ' ' ' ' ' '

(

' ''

' ' ' ' ' ' ' ' '6' ''' '

hills,

(

' ' ' ' ' ' ' ' '6' *' ' '5 '5 ' ' ' ' ' ' *' ' ' ' ' ' ' ' ' ' ' '' ''''''' '' ' '5 '5 ' 5 5 ' ' p f

1 $ ' ' ' ' ' ' ' ' ' ' '6' '' 6''5 5 f &

emp - ty

$ '6' ' 5

(

Why

Cl.

the

arco

' ' %

' ' ' ' ' * ' ' ' ' ' ' ' ' '*' $ '''' 2

184 S.

' '

poco

Vln.

*/'5 , -

the

1 , ' * '5 /

' '

' -

/ 5 $ "! 4'5 '5 *' '

179 S.

" "

' - , 2

' - ,

7. The blue hills 190 S.

$ !#

Slow and Majestic, h=42

3 #

Slow and Majestic, h=42

! $# 2 Pno.

6' 3 #

! #

Pno.

$ 9

& ' 6' ' '

poco

The

blue

hills

(

( are

$ 6' ' 2 2 6' ' '

' 2

6' & ' 6' 9

# #

f dim.

' 2

(

' ( *' ' ( * ' *' * ' '' * ' *' *' *' ' ( *' *' *' ' *' poco *' mf

poco

' 6'

(

4( 4(

Though

' 6(

the

love.

thoughts

be - lov - eds

$ ' 6' 6' 9

poco

! # 2 ' ' ' ' '' ' ' ' ' 2 ! ' #. ' ' ' ' . .

# #

wa - ters

Pno.

! #

' 4' ' ' ' 6' 4' $ ' 6' ' ' '' 4'

201 S.

# #

6' . ' ! 2 ' ' ' 6' . ' # ' ' ' ' ' 6' . ' 2 ' ' ' &! ' # 4. ' ' ' 4. poco 4.

6' 6' ' 2 &! 3 # . ' 6' 6' $ 6' # 6. 6' . poco .

196

the

' 5

' 6'

green

' '

'6' ' 6'

cresc. 3

' 6' 6' 6' ' '

green

wa - ters flow

poco

15 accel.

205 S.

1 ' 6' ' ' ' 4' '-

' ' 6' a -

way,

way

' 63' ' 6(

a - way

what

can the blue hills

(

cresc.

but

3 ' ' 6' '- , '

' ' 6' (

re - main?

1 '

re - main?

re -

accel.

$ Pno.

' 9

6' '

poco

$ ' -

' ' ( main?

'' -

poco

6' ' '

! "

/1 ' 6 ' '' 6' ' ' 6' 6' ' 6. /

C =

' ' ' 6 ' ' ' '' ' 6' ' ' 66'' '' /' ' 6/' ' ' ''' ! ''' '' 66'' 66'' , 6' / / ' 6' ' ' " ' ' 6 '- /

' 6' 6' 6' ' $

214

' ' ' 6' '

poco

''' 9

poco

! 9 #

6/' '' C 6 ' ! , # '' =

ff molto

6' ' 9 '

A tempo, h=42

Pno.

re - main?

poco rit.

A tempo, h=42

poco rit.

209

'6 '

' 2

'C ' '= '

'' ! '' ' 6' ' '/ " ' '' 66 '' 6 '' $' ' /

/1 & ! 6' # 6' poco 6 . /

/ 6' ' '6' ' ' '''' 6' ' ' ' ' /' ' /' ' 6' ' 6' 6'- / / ' 6' ' ' ' ' ' ' '

rit.

No won - der, the green

' '

dim.

wa - ters

cry,

( *' *' *' ' ' 3

- a - ble

4' 1 , 2 - 6' for - get

, 1 6' ( 6' the blue

: .

hills.

6: ' 6' 6' 6' 2 ' 6' 6' 6' 6' 6 ' 6' '

rit.

Pno.

' ' ' p

6' 6'

8. When did I ever? 219 Fast, h=126

Cl.

# $ #

# $ # 2

% 2

poco

6( **/(( 4 /( poco

2 *( * /(

sf sempre Vln.

# $ # 2 *( * /(

sf sempre

Vc.

arco / & # *( # ' ' /5

227 S.

(spoken) f

$ ## '

When

Cl.

*/(

'' /5

sf sempre

*/(

'' /5

poco

did

ev - er

lack

faith

$ ## ' 4 '5

Cl.

Vln.

Vc.

$ 9

when

there

was

$ 2 *' 2 5 $ 2 **'' ' 5 & 2 *' 2

# # 6( /(

*/(

' ! */'5 */( - , # 2

*/(

# #

*/(

' ' 3

'5 '' 5

*'5

' ' %

' 4'

' '

you?

! 1, 1, # '' ( 4 ' 6 ' '5 '' */(

((

! '' ,4(/( # -

((

*/(

*'5

6' 6' '5 , 4'' '' 5/

'' /5

'' 5

4 ''5

*'5

When

(

4'' 5

/'5

was

ev - er

un - true

2 ' (

ar - rive

un - til

1, ' 1, ' ' ' ' '5 ' ' '5 5 '5 poco

(

the

you

'5 '' 5 '5

(

small

' '1 , 2 ' 1, ' 1, ' ' '5 ' ' '5 *' *'5 * '5 * ' '5 '5 poco

' '5 2 '5

mf leggiero

5 ' ' '5 , ' ' ' '5 , *' * ' *'5 -

mf leggiero

poco

# #

' *'5

# #

! 1, # ' *( /

1, 6 ' 6' '5 4'

'' 2 **(( /5 / poco

mf leggiero

*( /

' /5

poco

! #

% '5

poco

' '

no sign that you woud

sfz

(sung)

*/(

# $ # ' 5

232

# #

sfz

sf sempre

! 2 1, # ' '5 /( /

sfz

*/(

5 & # *' #

# #

1 ! '' , # **'' 2 * (( 46(( / / /5

sf sempre

Vc.

sfz

sf sempre

Vln.

! #

17 239 S.

$ ' 6'

(

hours?

Cl.

Vln.

Vc.

$ 9

Cl.

Vln.

Vc.

mf sempre

$ 9

* ''5

$ $ $

mf sempre

& 9

246 S.

*'5

*'5 *'5

* ''5 **''5 ''5 *'5

mf sempre

(

that

1 , ' 6 ' 6' '5

2 *' 5

(

((

(

' ' 4(

drift

in the

, ' 5

1 , ' '5 '5

1 ' ' 6 '5

1 , ' 6 ' '5 4 '' ' 6 '

5 ' ' 6'5 , ' -

& 6' 6' '5 , ' -

' * '5 '5

' ' -

could

tumn

' ' '

(

with

poco

(

the sound

leaves

'' 5

2 *' 9 '5

' 2

(

''5

rain?

' 6'5 ' '5 2

' /

' ' ' 6' 2 5 / 5

*/(

(

'' '' '' '' 2 5 5

' / f / '

' '5 ' ' 2 / 5

2 *( * /(

**. . /

((

2 **''5

/ .

(

'5 2

' '5 ' '5 2

(

What

' '5 /' '5 2

/ 2 *(

9. When pear-blossoms were raining 253 Slow, rubato, h=50 S.

$ !#

Slow, rubato, h=50

! $# '

$ #! Pno.

poco rit.

*' *'

' '

poco rit.

mf leggiero

)

256 Slow, rubato, h=50 S.

Slow, rubato, h=50

Pno.

>' ' *' ' ' *'

$ ' ' *' *' ' ' mf leggiero

poco rit.

(whispered)

*' *'

4' 4'

WHEN PEAR BLOSSOMS WERE RAINING DOWN WE PARTED WITH TEARFUL HUGS.

*' *'

p (whispered)

poco rit.

NOW AN AUTUMN WIND KNOCKS OFF THE LEAVES AND I WONDER IF MY LOVE THINKS OF ME.

4' ' 6' ' ' 4' ' 6' *(

(

' 4' 4' ' 6' ' 6' *(

(

18 260 Slow, rubato, h=50 S.

(whispered)

poco rit.

Slow, rubato, h=50

A THOUSAND LEAGUES BETWEEN US.

Slow, rubato, h=50

Slow, rubato, h=50 poco rit.

Pno.

$ ' ' ' *( *' & *' *'

(

mp leggiero

(

: %

rit.

ONLY MY LONELY DREAM COMES AND GOES

: ' *' *' ' ' *' ' *' *' ' ' rit.

*' *' ' * ' * ' *' ' ' ' *' '

* ( *(

p leggiero

10. What have I done? Incisive, q=120 f

/5 /5 1 $ "! , '- , *'- , '1 , '5 2 / /5

266 S.

What

Cl.

Vln.

have

$ "! 1 , 1 , 1 , ' * '5 /5 / ' /5 sf $ "! 2

Vc.

/ & ! ( "

/' '

$ "! 2 Pno.

1, 2 * '5 /

What

have

I done?

" ' 2 " ' /''5

( (

sul pont. /5 6 ' " ' ' 2 "

sfz

sul pont.

/5 1 */'5 ! " , *'- , '5 , 4'1 , - 2 / /5 f

What

" , 4/'5 2 " sfz

! " 2

ord.

sfz

1 '5 , 2 2 "" , 6 ''1 2 6' /

have

! " 1, 1, * '5 / /'5 4/' sf

sfz

sf sempre

/'5 4 & ! - , 2 4/'5 , " -

" ' " 6' 2 /5

(

Incisive, q=120

" 2 "

done?

( */(

*/(

poco

' ' *(

ord. / * ! ( " fp

! "2

/'5 * ! "-,2

1, 2 ' /5

sf sempre

/'5 -,

' ' ' 6' 3

Did - n't I know

" "

*(( /

" " ' 4 '' 2 ' /5

((

/5 " '' 6 ' 2 "

(

6'5 ' sfz/

sul pont.

sfz

sul pont.

" 2 "

done?

/' '

sfz

1 , 2 2 "" , 1 2 *'5 664 ''' /

" , 4/'5 2 "

sfz

4' ' I

would

mf poco

272 S.

3 $ *' *' 4'

miss

Cl.

Vln.

Vc.

$ 2

him

so?

Had

*' 4'

' 6''

& 9

' mf

/' -

pizz.

1 , '/

/ , *(

((

1 '' ,

8 '

(

5 / ' *'- 4' -

$ '

gone?

Cl.

Vln.

Vc.

1 ' *' '

But

' ' ' ' 3

I was fool - ish e - nough

' ' '

' ' to send

' ' *' '

him a - way

How

I miss

'5 6/'

' him

3 . "

$ . . /

. . /

3 " '1 , 2 '

& . *. /

*. . /

/ 3 '1 , ( " ' f

. /

' /'

3 "2

/'5 - , 2 */'5 , -

1, 2 ' /5

sf sempre

/( *(

A tempo, q=120

Pno. mf

I miss

( him

' , 2 -

1 , 2 ''

' ' , 2 -

How

. /

poco rit.

' ' *' ' - ,

now!

. /

*. /

. /

have

3 ' " 1 , '1 , 1 , 1 , ' fp /5 /5 * '5 ' /

A tempo, q=120

mf cresc.

could

, *'5 - 4 ' 6 '5 5

/'5 - ,

1 *'

1 '5 , /

poco rit.

276

how

'' /

, *'

to stay

1 , 1 , 2 ' 6 '5 /5 / f /5 * ' , , 2 1 ' /5

him

1 */' '

fp arco

poco 3

arco

1 , 6 '5 / pizz.

I asked

(

6. /

$ Pno.

poco

$ 2

6' ' ' 6' 4' ' -

poco

/'5 - ,

20 281 S.

Cl.

Vln.

Vc.

Pno.

' 3 ' *' - ,

(

miss

him

, 2

1 , 1 , 1 , ' '5 6 '5 fp / / 4 '5 /

1 , 2 ''

' ' -

now!

How

$ 2

1 , 1 , 1 , ' '5 ' fp / * '5 /5 /

$ 2

& 2

/( *(

$ 2

& 2

1, 2 ' /5

/'5 - , 2

' -

' /'

poco

(

/'5 - ,

6/(

/'5 / *'5 , - , -

' , 2 -

1 , 2 ''

' ' , 2 -

now!

, 2

' /'

/( 4(

1, 2 6 '5 / 1, 2

' /5

' '

/'5 - ,

/'5 /'5 - , - ,

11. Should I cleanly forget? mf

285 Brooding, q=72 S.

Cl.

Vln.

$ "#

& # ' "

arco

Vc.

6' f

sim.

6' -

Should

' clean

% , ,

- ly

for

' -

get

(

arco

1 4'

1 ' and

per - ish

' -

(

' -

(

6' -

' -

292 S.

' 4' -

$ ,

Cl.

Vln.

Vc.

$ $

Vln.

Vc.

*' ' 6' 4'

(

' -

cease - less - ly year - ning

for

(

poco

(

' ' 6' 4' *' '

(

' -

' *' ' '

' -

' *' *' 4'

' 4' ' 6'

dim. 3

and

$ ( ,

or to live

1 ' ,

6'1 ,

& ''

*''

6' 6( and

(

6' -

6'1

' '

2 4' '

' ' -

' ' *'

O my

lo - ver,

say

(

yearn.

' -

(

dim.

6'1

' '

, ' *' ' '

, ' *'

6'1 ,

' '

( poco

*'' mf

(

, ' *'

6'1 ,

' '

6' -

for - get

(

$ , *''

(

6' -

Not

(

you?

ea - sy to die

Cl.

live

& '

298

' 6'

6'1 ,

(

( %

(

poco

dim.

308 S.

Cl.

Vln.

Vc.

$ $ $ &

p 3

' *'

just one word

' , 2 -

'5 , -

1 ' , 2

, '

% '

1 6'5 , '

sim.

'5 , -

sim.

' p

*'5 , ' -

'5 , -

: %

1 6'5

: %

1 6'5 , '

sim.

(whisper) AND I WILL KNOW WHETHER TO DIE OR LIVE.

*'5 , ' -

: %

TO DIE OR LIVE.

A tempo, q=72

*' p

, *'

TO DIE OR LIVE.

, *(

: (

1, 1, 1, *' ' *' ' *' ' *' '

: (

(

12. Night falls 318 S.

Cl.

Vln.

Vc.

$ $

senza misura, ominous

: %

NIGHT FALLS IN THE MOUNTAIN HAMLET; A DOG BARKS FROM FAR AWAY.

: %

/ .

f intense

6' ( -

senza misura, ominous

' '

Pno.

' '

$ )

' '

' ' ' '

' ' '

' '

I PUSH MY TWIG GATE OPEN; THE MOON IS SUSPENDED COLD IN THE SKY.

319 S.

Cl.

Vln.

Vc.

/ . f intense

f intense

' 6' ( $

' '

Pno.

' ' ' ' ' ' ' ' ' ' '

' ' ' ' ' ' ' ' ' '

320 S.

Cl.

Vln.

Vc.

WHAT SENSE IS THERE IN A DOG BARKING AT THE QUIET MOON AND THE BARE HILLS?

321

6/(

' -

/ .

' -

/' 6' ( -

' -

$ Pno.

' '

/( sf

' '

' ' ' '

' '

' ' ' '

6/'

6' ' 6' '

'6'

: *' *( *'

'6'

*: ( p

13. A wild goose screams 322 S.

Organic, q=72

Cl.

$ "# 2 *' $ "#

wild

goose

(

Vln.

Vc.

& # "

% %

# $" Pno.

$ "#

% %

*/'

' '5 /

sfz

*'' -

sul pont.

/' 6'

*'*'

arco sul pont.

1 0' fp

'*' / 4' f

the

' '3 clear

(

( %

1 ' 02 /'

1 '' 0 2

arco

*' *' f

au - tumn

ord.

' ' * ' ' ' ' ' * ' ' /' ' ' 3

cross

pizz. ord.

(

Organic, q=72

screams

pizz.

$ "#

(

24 330 S.

(

(spoken w/ quasi pitch inflection) f mp

! " 2 0

sky;

Cl.

'5 '5

' '5 , /5

Vln.

Vc.

, '

/5 & **'' -

$ 0 '*' '

Cl.

Vln.

Vc.

flutter

$ &

(

! "

, 2 2

fling

7 7 7 "#

' '

! "

! " 2 6 ''1 /5 /5 ! 2 *''"

'3 ' ' ' 6 ' 3

! "2

(

# "

pizz.

' -

The

' *'- ' poco

moon

' ' '

'6'

'' ! "2

# " ,

/' ' 2

# " ' # "

4/( f

arco

pizz.

and snow

' -

f arco

(

6'6'4' 2 3

# "

4' 36' -

1 ' ,

poco

6' -

fill the yard.

*' 2 ' '

# "

1 '

! " (

# " '*'*' ' *' '*'

my win - dow o - pen

' ' ' /' 0 - ,

# " 0

! " 2 *(

! " 1 '

' *'4 '

*'*'

Pno.

337

$ 0

*'' '

' /'

pizz.

1 , 6'' 2

arco

1 '

'5 '5

pizz. 3

(

arco

0 1 6 '5' / f / 4 '5 0f

poco

1, ' ' pp

! $ % " Pno.

$ % "!

% %

# " ' '6' , 2 # "

6' ' p

' '6 '

2 6' ' f

, 2

2 6'6' p

'6'6' 2 & f

, '1 ''

, 6'1 6'

( ((

' ''

( (

' '

25 345 S.

$ 2

' ' ' It

'' '

al - so shines

where

poco

'' ' ' '

be - lov - ed

, 6'- 6'

is.

Per -

Cl.

$ 0

1 '

' (

(

/'A $ -

Vln.

Vc.

Pno.

/' 6'

' 7

$ 6'

' $ - , ' a

Cl.

Vln.

Vc.

been

left

(

a - lone

' ', -

% %

*/' -

/'3

0 4' '

sfz

' * ' *' 4'5 pizz3 ord. 0 , 4'

*'*'

* /'5 -

poco rit.

( -

' , ' -

lone

( -

' , 2 -

lone

6' '

in the world

1 ' "! (

feel

this

! "

% %

! "

: ( pain.

: %

% : (

arco

: 6/( sfz

Pno.

(

sfz

355 S.

I have

haps

4' ( -

sul pont.

poco

pizz.

*'6' '5 '5 ' ' '''

(

' '

! "

: %

! "

: %

poco rit.

14. Into the deep night 365 Rustling, q. = 56 S.

Cl.

, , '- *'

D $ = 2

In - to

D $ = *'

Vln.

1 *' ' ,

$ D= *' '5 , ' '5 , *' '5 , p

Vc.

& D =

arco

Rustling, q. = 56

Pno.

Cl.

Vln.

Vc.

Pno.

night

1 '5 '

$ '' '5 , '' '5 , & *'

, *'

, ,,

p sub.

poco

' p sub.

poco

' *' *' ' ,

1 '5 '

'*'*' '

' , , , ' -

'' '5 , ' '5 ,

, *'

twist,

1 '5 *'

turn

' , , , '- '

$ *'

and

poco

dawns

poco

' ' -

' ' '

'' '5 , '' '5 ,

$ D= , , '- ' ) pp

' *' -

day

(

'' '5 , '' '5 ,

$ '

till

*' ' ' -

' '5 , *' '5 , ' '5 , *' '5 , ' '5 , *' '5 , '' '5 ,

D $= , ,

, , '

372 S.

(

the deep

*' *' -

a - ble

poco

' , ' ' *' '

un - a - ble to

' *'5 , ' '5 ,

cresc.

' *'5 , ' '5 ,

, *'

' '5 , ' '5 , ,

sleep

1 ' ' ' ' ' to

1 '5 '

cresc.

, '

sleep

1 '5 * '

'' '5 , '' '5 ,

, *'

poco

' ' 1 '5 '

1 '5

'' '5 , 4'' *'5 , '

, *'

' * '' ,, -

27 379 S.

Cl.

Vln.

Vc.

Pno.

$ *'- ' $ *' $ &

(

1 '5 '

1 '5 *'

, ' '

Cl.

Vln.

Vc.

Pno.

1 '5 * '

1 4 '5 * '

'' '5 , '' '5 ,

, *'

, '

1 '5 *'

% 1 '5 *' p

, *'

, '

,,'' -

, '

, *'

poco

, '

$ '' '5 , '' '5 ,

'' *'5 , '' '5 ,

, '' *'5 , '' * '5 poco

, ' , '' ' '5 * '5

& '

, *'

, '

poco

, *'

*' '' *'

'*' ' ' '*' ' ' ' '*'*' ' ' '*'*' ' *'*' ' ' ' ' ' '

*' ' ' ' *' ' ' ' ' *' *' ' ' ' *' *' ' *' *' ' ' ' ' ' ' ' $ mf

'' '5 , '' '5 , ,

'*'*' '

, ,,'' -

' *' *' '

' -

, ,,

1 '5 *'

1 '5

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poco

mf 2 '- *' *'1 *(

% ,

, '

I hear

$ *'

'' '5 , '' '5 , *'' '5 , '' '5 , *'' '5 , '' '5 , *'' '5 , '' '5 ,

386 S.

' , , 2 -

'' '5 , '' '5 , **''

' 4 ' * '' , -

bell

*' '51 ' '51 *' '51 ' '51 p *' *'1 '

*' * '' '-

'' ' , ' ,

poco

' ' * ' ' , , * ' ' * ' * '' '' * '' - ''' -

4' , , & ' , ' , ' , ' , p

393 S.

Cl.

poco

Vln.

Vc.

$ &

1 '5 '

' ' *'' poco

Pno.

, ' 1 '5

' ' , '

Vln.

Vc.

Pno.

hear

1 '5 * '

*''

, *' '

bell

tin - kle

1 '5 p

' *' '

*' '

' '

*' '

(

' ' ,

' *'

in - ces - sant rain;

& ' ,' ,

1 * '5

1 * '5 '

1 '5

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*'5 ' -

'5 -

< $ = 2 $ <= '

' , ' ,

' ,' ,

' -

D *' =

D = '

< $ = '

1 4 '5 '

1 '5 '

& < *' =

1 '5 '

tears

' -

a -

' ,' ,

1 '5 '

1 '5

D = *'

1 '5 '

1 '5

< = < =

' -

*' , *'

' , '

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*' ,* '

< =

< ' ' ' ' *' ' ' ' ' ' ' ' ' ' =

part

D = '

, '

' ' ,

' *' '

, ' *' ' ' mp

' , '

< =

' *' ' '

in the

mf pi첫

' ' '

' ' ' * ' * ' * $ * *'' - '' , * *'' , '' - * *'' , '' , * *'' '- '' , * *'' * '' '' * '' '' * '' '' * '' '' * ''

399

Cl.

poco

' ' -

poco

' ' -

love

cresc.

heart.

' *' ' '

1 '5 '

1 '5

cresc.

1 '5

1 ' '5 '

1 '5

' '

1 *'5

cresc.

lorn

, <=

, '

1 '5

< = < = < = < =

$ <= ' *' ' ' ' ' ' ' ' D= *' ' ' ' ' ' *' ' ' ' ' ' *' ' ' ' ' ' <= ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' & < *'' =

, ''

, D= *'' mf

, ''

, *''

, ''

' '

cresc.

, ''

, <=

29 A tempo, q.=56

poco rit.

403 S.

Cl.

Vln.

$ <=

(

' $ <=

< $ =

' '

' *'5

' '

' D = '

' *'

D ' =

' D *' =

fff

(

' 4' *'

heart!

1 ' *'

' '

' ff

molto

& < ' = '

1 *'5

' '

1 '5

' '

D ' = '

1 '5

1 *'5

' '

1 '5

D 1 = '

*' ' -

&< ' = '

, ''

( $ <=

, D= ''

, ''

' -

, , 2

heart!

Cl.

Vln.

Vc.

Pno.

< $ = *'1 4' $ <=

, ''

1 ' '

' *' *'

1 ' '

1 '

& < *' =

1 *' '

1 ' '

1 '

' poco

' ' *'

poco

(

' ' '

(

, * ' * ' ' '1 *' ' ' ' ' **'' < ( * ' $ = (( ' ' ' / mf 1 *' ' ' , * '' ' '1 & < , *' = *( *( ' *( *( ' /

1 ' '

(

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, '' , '' ' '

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< =

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< 1 = '

' D= *' -

1 ' '

< =

((( (

(( (( ( /

D * *((( =*(

< =

D ( = *( /

< =

poco rit.

***''' '

''' '

D =

(

< =

D =

(

< ' , , 2 = -

D =

(

< '1 , , 2 =

D =

' < - , , 2 =

D =

1 '' , , 2 '

D =

, * '' , '' ''1 <',,2 ( = ( '-

D =

poco

, , 1 ' /'

heart.

heart!

poco rit.

1 ' '

' *' ' < =

A tempo, q.=56

< D $ = *' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' = ' ' *' ' ' ' ' ' ' ' ' ' 2

407 S.

molto

poco rit.

Pno.

D = *'1 *'

1 *' '

molto Vc.

1 ' '

D =

''' '

D ***''' = '

, * '' , '' , '' D *' ( = *' (

(

''' '

< =

D =

30 412 S.

Cl.

rit.

Calm, q.=50

$ D=

1 ' *'

1 *'

If one would

$ D= *' , ' , *' , '

$ D= ' , ' ,

& D ' , ' , =

' , '

p leggiero

Vln.

p leggiero

Vc.

1 ' '

*' ' '

on - ly

1 ' *' ' ,

paint

, ,

, ' ,

, *' ' ' ' '

a pic - ture

' '

and

, '

' '

give it

poco

*' ' ' *'

, '

lo - ver!

, 2

, *'

p leggiero

, 2

: (

' ' '

(

, 2

: (

: * (((

rit.

Calm, q.=50

D $=

&D =

Pno.

(

15. A lover seen Presto, q=160

420 Perc.

Cl.

Vln.

mp (spoken/whispered)

1 '

$ "# ,

$ "# $ "#

lov - er

seen

/ & # ' "

426

Cl.

Vln.

' 6'

1 '

a dream

(

' ' ' '

not

' ,

1 '

be trust - ed,

they

(

1 '

(

' -

' 4'

1 6 ' ' *' *' ' 4 ' *' 4' ' 4' *' *' ' ' 6 ' 4 ' 4' * ' 3

4' ' '

' 4 ' 6 ' '5 * '5 * '5 4 '5 *'5 4 '5 '5 4'5 6 '5 * '5 * '5 4 '5 *'5 4 '5 '5 4'56 '5 * '5 * '5 4 '5 *'5 4 '5 '5 4'5 6 '5 /5 5 5 / / / / / / '

mf (longing) BUT I MISS YOU SO DESPERATEDLY,

% 3

say.

' ' 6 ' '5 ' 4 ' 6 ' '5 '5 4 '5 6 '5 '5 * '5 * '5 4 '5 *'5 4 '5 '5 6 '5 4'5 /5 5 5 /5 5 5 / / /

pizz.

Vc.

1 ' ' ' ' 3

' 4 ' */'

AND WHEN CAN I BE WITH YOU EXCEPT IN MY DREAMS?

1 ' ' 4'6'

, , 1 *' ' ' ' ' 6 ' 4 ' * ' ' * ' * ' *' ' 4 ' 4' 6 ' 6' 6 ' 4 ' * ' ' * ' * ' *' ' 4 ' 4' 6 ' p mp

Vc.

434 S.

Cl.

f (persistent) O LOVER, BE IT EVEN IN DREAMS,

2 3

442 S.

Cl.

& 2

(

' , ' 6' 6' ' ' 4' , *' 4' '

(

: %

1 '5 '5 6 '5 '5 '5 p

: %

' ' 6' ' 6'- , , 2 $ , *' *' 4' 4' 3

cresc.

A tempo, q=160

: %

arco sul pont. 3

cresc.

poco

(whisper) I WISH TO SEE YOU EVER SO OFTEN.

' ' ' 6' * ' 4 ' ' ' 6 ' 6 ', , , , 2 $ , 3

Vc.

6' 6' 4' 4' ' 6' 6' , , , ' ' 4' ' 6' 4' *' ,

' ' ' 6' 6' , ' ' * ' , ' 4 ' , - , , 2 $ 3

Vln.

' , 6' 4' ' ' 6' , , 6' 4' 4' *' , ' 3

poco

*' *' 4' ' ' ,

poco

, , 2 $ 4' 6' *' 4 ' * ' ' ' 6 ' ' 6' 4' ' ' &

, *' ' , , 2 ' 4' 6' 4' *' ' 6'

poco

Vc.

I WISH TO SEE YOU EVER SO OFTEN.

Vln.

f pi첫

5 '5 '5 6 '5 ' '5 -

ord.

1 '5 4 '5 6 '5 '5 '5

5 '54 '5 6 '5 ' '5 -

1 '5 4 '5 6 '5 '5 '5

5 '54 '5 6 '5 ' '5 -

5 '54 '5 6 '5 '

16. I will cut into halves the waist 450 Tenderly, q=126 S.

Cl.

Vln.

$ "!

' $ "! ' 4' ' *' ' mp

Vc.

& ! "

Tenderly, q=126

Pno.

' *'5 '5 mf espress.

6 >'

mf espress.

*' '5 '5 4 >'

' '5 '5 >'

" "

! "

2 2

*' " ' ' ' *' ' ' ' ! ' ' '5 '5 " "

" "

* >'

2 2

' '

(

*' '

I will

cut

in - to

' '

(

*' '

(

' '

poco

! " *'

pizz.

'' ' 2 /5 * '5

'5 2 ' /5

arco

$ "!

" "

! "

&! "

" "

! "

* ''' 5

'' '5 mp %

32 458 S.

Cl.

Vln.

Vc.

' halves

$ $ &

*' -

the waist

* ''5 ''5

' ' ' *'

' ' ' *' * ''5

'' 5

' 6' 2

Pno.

$ ' ' ** ''5 '5 ' & %

466 S.

$ ' '

(

$ ' '

(

to be placed

Cl.

Vln.

Vc.

Pno.

$ 2 & 2

* ''5 ''5 '5 '5

*' ' (

roll it up

(

' 4' 5 5 ' '

( 2

* ''' 5 cresc.

'' '5

' ' '

un - der the

cresc.

warm

2 ' ' '5 '5

'5 '5

' spring

breeze

1, 2 *'

, ' * '1

*' '

, 2

*' '

*' ' ( mp

(

*' 2 *'

1, ' '

1 1 2 '' ' , '' *' , 2

1 2 '' *' ,

((

*' 2* '

*' 2 '

mp sub.

*' ' '

( quilt

and

*' '

*' , '

' ' 2

will un - roll

2 2

' '

1 ' , (

' ' *' ' ' ' ' >' *'

(

*' ' ' ' * ' ' *' ' ' p '

, '' '1

' *' *'5

cresc.

(

of the long mid - win - ter night;

cresc.

*'5 '5

' 6'

2 2

' ' ' un - roll

2 ' '

(

' '5 '5

' '5

' '5 '5

>' *' 2 2 mp

>' 2 2

'> 2 2

' ' -

my be -

2 '5

poco

>' 2 2

*'' 2 2 *'' 2 2 * '' 2 2 4 '' 2 2 *''> 2 2 *''> 2 2

at night when

(

poco

'5 '5

(

mp dolce

*'' '' 5 5 mp

'> 2 2

% %

2 2

33 475 S.

Cl.

' love

Vc.

Pno.

pizz.

Cl.

Vln.

Vc.

Pno.

rives

2 2

' arco

" " 4' '

" " '

! "

! '5 "

arco 5 ! '' "

''5

'''

! " '''

" "

! "

(

& ' 5

'' '5

2 4'

*'5

2 *''' '''

'' '

2 '5

' ' *'5 ' '5 ' 2

poco rit.

'' '

& ''' 5

'' '5

1 '

(

*''

'5 '

'' *'

'' '5

' 6'

'' '5

" "

'5 %

$ '' '

'5 ' -

dim.

% '

'' '5

f espress.

" "

$ ' 5

! ( "

480 S.

" 6. " " ' "

$ *' *' &

' -

- ed

$ pizz.

Vln.

poco

6. p

" . " 6. p

" " . . p

1 ' ,

poco rit.

" " . 6. p

" . " . .

attacca

17. With my mind 485 Sentimental, q=132 S.

Cl.

$ "!

1 $ "! 2 *' *' ,

1 2 *' *' ,

$ "! 2 *''

2 *' '

sim.

Vln.

sim.

& ! " ' 2 2 pizz.

Vc.

' 2 2

Sentimental, q=132

Pno.

Cl.

Vln.

Pno.

With

2 *' '

(

ful

gen

1 2 *' *' ,

mind

1 2 *' *' , 2 *' '

2 *' '

' 2 2

2 *' '

' 2 2

cresc.

(

tle

- ness

(

and your

heart

1 2 *' *' , *' *' , ' -

*' , - 4'

1, '

2 *' '

1 '' , ''

1 ' ,

sim. 2 ' '1 , '

' - ,

, 6' '

, ' '

' 2 2

pizz.

*' 2

arco

sim.

1, ' '

' ' - ,

pizz. arco

&! "

(

full

$ 2 ' '1 , 1 $ 2 '' ' ,

' -

ten - der - ness

2 '

pizz. ' ' & - , *' ' ' pizz. arco

Vc.

poco

! $"

494 S.

arco

' , ' ' mf

we both

( '

(

' ache

' ' -

to see

' '1 , 2

' '

each

' (

othe

1, 2 * '' ''

2 6( 6(

66((

*' 2

2 *(

(

pizz.

arco

, '

This

' 6'

'' 6'' 2

poco

' poco

' *'

yearn -

, 2

pizz.

*' *'1 , 2 4' mf

' ' -

ing

sim.

, 2

*' sim.

*' *'1 , 2 4' 2

666(((

'' '' 6'' 2 ' ' 6'

2 6( 66 ((

2 6(

4' ' 6' 2

poco

35 503 S.

$ 2 '

and

Cl.

Vln.

Vc.

1 $ ' ' , 2

& 2 2

512 S.

Cl.

poco

2 2

3 "

' , -

' How

E??????? 1, 1 ' ' '5

! $ ' '1 , ' '1 , "

now!

1, 2 ''

1, ''

*' ' *' ! # " * ' * ' '- , " * ' * '

'' , - *'

**''

'' , -

mf più

, "# 2 pizz.

mf più

! **''' "*'

arco

, ' How

pizz.

,2 ' '1

'' # *' ' ' , " * '' '' , - *' *'

' - '

man - y

E??????? 1 ' '5 , 2

E??????? 1, 2 1 ' ' * ''5

more,

1 ' ' ,

your

1, '

! # " 2 ' '1 , " 2

1 '

feel for

(

1, 2 '

man - y more

' 2 ' - , /'

1 , "# 2 ' '

pizz. arco

' *' *' '

pizz.

' 3' '

! " 2

& *'' '' , *'' '' , ! " -

now!

mf più

E??????? 2 *'1 ' '51 , 2

# ' ' " - ,

mf più

! ( " ! " 2

3 "

you

f più dolce

$ ' '1 , ' '1 , "! *' ' *' '

3 "

2 2

for

3 "

(

3 "

*' ' ' , "!

feel

1, 2 2 ''

cresc.

1 6' , 2 2

poco

3 " *(

1, *'' '' ''

feel

*' *'1 , '

, ! ' '1 "

$ ' 1, '

cresc.

Pno.

How

cresc.

Vc.

' '

cresc.

Vln.

feel

2 2

(

1, 2 '' ''

1 ' ' , 2

$ ' '1 , 2 ' '

$ Pno.

pain

' '

poco

, 2

mf arco

*' ' * '' '' , -

' 2

, ' '1 ' ''

, 2

' '

*' '- , 2

' *'

, ' '1

days

1, 2 '

arco

& *''' ''' , *''' ''' , ! - "

'' *'

A tempo, q=132

poco rit.

521 S.

Cl.

$ 2

$ '

cresc.

Vln.

Vc.

Cl.

Vln.

Vc.

can

stand

, *'

(

& '

*' ' ' -

out

with - out

(

' *'

! "

' *'

! " '

(

' *'

poco

(

*' ' *' '

(

( poco

2 '

*''

' ' *(( * (

2 '' *'

*(( * (

(((

rit.

1 *' ,

1 '' ,

sim.

*''

: %

% 1 *' ,

1 '' ,

1 *' ,

: (

*''

1 '' ,

: ( (

: (A

arco

% rit.

% 2

pizz.

( ( 6'

poco

A tempo, q=132

(

f espress.

(

' - , 2

f espress.

poco

! *((( " '

' - ,

poco

you

! "2 ' '

(

you!

' , 2 -

(

A tempo, q=132

! ( "

f espress.

' , 4' -

! ' "

(

" "

rit.

'' *'' *'' & ' '

" *' "

" "

dim.

' , ' *' -

" ' *' "

' *' -

" *' "

" " *'

you.

$ ' $

with

(

be - ing

poco rit.

cresc.

' -

cresc.

' ' -

(

$ 2 Pno.

528 S.

$ ' '

$ Pno.

cresc.

A tempo, q=132

' rit.

: %

18. Spring has come 535 Lightly, h=80 S.

Cl.

$ ## 9

(

has

2 '5 ' 5 '5 '5 '5 ' 5

, !# '5 '5 ' '5 '5 '1 5 5

& # ' #

# 4' 4' #

poco

$ !# 6(

6' ap -

(

pear

er - ring - ly

where they have

bloomed

! #

' , '

be -

1 5 $ !# ' ' '5 , , ' 6'5 '5 ' '5 '- , 5 5 5 5 poco

# ' # 5 ' ' '5 ' ' 2 5 5 5 5

'5 ' 6' ' '5 ' 2 5 5 5 5

'5 6'5 '5 '5 '5 '5 2

! $ # ' ' 1 , , ' 6'5 1 , 5 '5 '5 '5 '5 5 5 '5 poco

# ' # 5 ' ' '5 ' ' 2 5 5 5 5

'5 ' 6' ' '5 ' 2 5 5 5 5

'' 6'5 '5 '5 '5 '5 2 5

& ! # '

# ' #

poco

$ '5 ' '5 4'5 '5 ' 2 5 5

$ '5 ' '5 4'5 '5 ' 5 '5 '5 5

' ' ' '5 5 '5 5 '5 '5

& *'

cresc.

$ .

But

cresc.

Vc.

Blos - soms

! #

1 , '5 '5 '5 '5 '5 '5 '5

1 '5 '5 '5 '5 '5 '

mf sempre

cresc.

Vln.

2 '5 '5 ' '5 '5 '5 5

fore.

Cl.

tree.

$ ## '5 ' ' '5 ' ' 2 5 5 5 5

544 S.

plum

1 , ! ' ' # 5 5 ' ' '5 5 '5 5

will

Vc.

the

' ,

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