FOLIO
FALL 2024 — WINTER 2025

THE SOCIETY OF THE FOUR ARTS
FALL 2024 — WINTER 2025
THE SOCIETY OF THE FOUR ARTS
Art Galleries, Customer Service, and Walter S. Gubelmann Auditorium 102 Four Arts Plaza (561) 655-7226
Sunday and Tuesday: 1 to 5 p.m.
Monday, Wednesday-Saturday: 10 a.m. to 5 p.m. Closed during the summer
CHILDREN’S LIBRARY
(2nd floor, John E. Rovensky Building) 100 Four Arts Plaza (561) 655-2776
Monday-Friday: 10 a.m. to 4:45 p.m.
Saturday (Nov. through April): 10 a.m. to 12:45 p.m.
Campus on the Lake, Customer Service 240 Cocoanut Row (561) 805-8562
Monday-Friday: 9 a.m. to 5 p.m. Closed during the summer
101 Four Arts Plaza (561) 655-2766
Monday-Friday: 9 a.m. to 4:45 p.m. Saturday (Nov. through April): 9 a.m. to 12:45 p.m.
Note: All hours are seasonal and subject to change Visit fourarts.org to confirm hours before visiting
Enter next to King Library, Dixon Education Building, and at Royal Palm Way and Cocoanut Row Daily: 10 a.m. to 5 p.m., weather permitting Closed on major holidays and for inclement weather. May close for Four Arts special events
From I-95: Take Okeechobee Boulevard (exit 70) and go east for two miles. Cross the Intracoastal Waterway and make a left turn onto Four Arts Plaza
Parking is limited in the lots on The Four Arts campus. Please plan accordingly. Only park at The Four Arts if you are attending programs or visiting the libraries or gardens. Uber / Lyft / Ridesharing: Drop-off and pick-up are available in front of the King Library, 101 Four Arts Plaza
All Four Arts programs require tickets or reservations. To purchase or reserve:
ONLINE: Select the program at fourarts.org or go to tickets.fourarts.org
BY PHONE: Call Customer Service at (561) 655-7226
IN PERSON: Visit a Customer Service desk inside the O’Keeffe or Dixon buildings
All sales are final; no refunds or exchanges. Questions? Email customerservice@fourarts.org.
Wednesday, December 4, 2024 at 7:30 p.m.
$40 • No charge for Four Arts members
Walter S. Gubelmann Auditorium ■ S&J Lambert Concert Series
Grammy award-winning vocal ensemble Chanticleer is known as the “orchestra of voices” for its unparalleled range and abilities. This holiday season, the group brings its brand-new Christmas program to The Four Arts, with original arrangements of well-known tunes drawn from Classical, Jazz, and Popular traditions. They fluently weave between diverse musical styles to create an evening of wonder and joy.
Screening, composed by Wolfgang Amadeus Mozart Saturday, December 14, 2024 at 1 p.m.
$30 • $25 for Four Arts members $15 for students with valid ID
Walter S. Gubelmann Auditorium • The Met Opera Live in HD Encore from 2006 • 1 hour, 55 minutes with no intermission • In English
Enjoy an encore screening of this abridged English-language version of The Magic Flute. Julie Taymor’s whimsical production features a winning ensemble, including tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape.
Screening, performed by New York City Ballet
Sunday, December 15, 2024 at 2 p.m.
No charge • Reservations required
Walter S. Gubelmann Auditorium
1 hour, 40 minutes with no intermission
Music by Pytor Ilyich Tchaikovsky
Choreography by George Balanchine
Experience the wonder of New York City Ballet’s iconic holiday classic on the big screen. In George Balanchine’s The Nutcracker, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besiege a battalion of toy soldiers, and an onstage blizzard leads to an enchanted Land of Sweets. Balanchine’s stunning choreography shines amidst awe-inspiring set pieces, ornate costumes, and grand one-of-a-kind visual effects, like the one-ton Christmas tree that grows to an astonishing 40 feet.
Concert performed by Palm Beach
Atlantic University Chamber Choir Sunday, December 15, 2024 at 4 p.m.
No charge ■ No reservations needed Philip Hulitar Sculpture Garden
Sanda & Jeremiah Lambert Concert Series
Celebrate the holidays in Florida style with Christmas carols on the lawn. Join the Palm Beach Atlantic University Chamber Choir, under the direction of Sonia Santiago, as they present joyful holiday favorites in the beautiful Four Arts gardens.
Past Forward: Native American Art from Gilcrease Museum showcases the extensive collection of Indigenous art from Thomas Gilcrease (1890 –1962), an arts patron and a citizen of the Muscogee Nation. Gilcreaseʼs unprecedented efforts and devotion to Indigenous traditions — continued today by Gilcrease Museum — affirmed these works as vital to American art history. Surveying more than 3,000 years of Native American art, this enriching exhibition encompasses portraiture, archaeological, and archival works, allowing for exploration of visual motifs and shared systems of knowledge that connect different ancestries, time, and space.
Gilcrease, an American oilman and founder of Gilcrease Museum, was of Muscogee (Creek) ancestry and sought to tell the story of the United States through art that emphasized Native cultures and the history of the American West. As scholars and curators increasingly embrace the imperative to foreground Native perspectives, Gilcrease Museum is distinct for having been shaped by the tastes and interests of an Indigenous collector who maintained personal relationships with a number of the Native artists whose works he acquired. Whereas Gilcrease Museum’s holdings of Western art by artists such as Charles Russell and Frederic Remington have been the focus of previous traveling exhibitions, Past Forward is the first to showcase Gilcrease Museum’s remarkable Indigenous art collections.
Past Forward takes a thematic approach to Native American art history, considering ways in which Indigenous artists across time have conceptualized and represented similar subjects. The exhibition is structured around transhistorical themes each featuring two- and three-dimensional Indigenous objects ranging from ancient to contemporary. Works within the first thematic section highlight the use of visual abstraction in Indigenous art and are intended to foster an appreciation of how abstraction plays an integral role in sustaining tribal wisdom across generations. The next section focuses on ceremonial events, which serve in Indigenous communities to ensure the continuity of all creation and to perpetuate the balance of the universe, while the third section examines issues of sovereignty, and how artists have pictured relationships between autonomous communities. Past Forward culminates in an exploration of the ways in which many artists have determinedly negotiated their Indigenous identities in relation to EuroAmerican visual and cultural traditions.
Saturday, November 23, 2024 through Sunday, January 19, 2025
10 a.m. to 5 p.m. Monday, Wednesday through Saturday ■ 1 to 5 p.m. Sunday and Tuesday (Four Arts members only Tuesdays in January)
$10 ■ No charge for Four Arts members O’Keeffe Building
C o-organized by the American Federation of Arts and Gilcrease Museum
Joan Hill (Muskogee/Cherokee, 1930), The Voice of the Drum Circles the Sun, 1979, acrylic on canvas. Gift of Maxine Zarrow. Courtesy Gilcrease Museum and American Federation of Arts.
Across all the sections, a small selection of comparative works by Euro-American artists such as Charles Russell and George Catlin will help underline the distinctive visual languages found within Native art that form the exhibition’s primary focus.
In addition to offering an overview of Indigenous visual culture through highlights from Gilcrease Museum, Past Forward also amplifies the perspectives of Native community members, scholars, and artists through the exhibition’s multi-vocal interpretive program and catalogue entries that feature varied Indigenous perspectives. At a time when marginalized peoples across North America are uniting to magnify their voices in the fight for socio-political reform, it is crucial to provide spaces in which members of these communities can present their own histories, cultures, and modes of expression.
Curated by Chelsea M. Herr (Choctaw Nation of Oklahoma) and spotlighting works created and collected by Native individuals, Past Forward: Native American Art from Gilcrease Museum helps contribute to the widening narrative of American art history.
The Society of the Four Arts is the last of three stops for this traveling exhibition, which was on display from February 16 to April 28, 2024 at the Ackland Art Museum in Chapel Hill, NC, and at the University of Rochester’s Memorial Art Gallery in Rochester, New York, from June 1 to August 25, 2024.
Chelsea M. Herr and Janet Catherine Berlo
Wednesday, December 11, 2024
from 10:30 to 11:30 a.m.
No charge • Reservations are required
Walter S. Gubelmann Auditorium
Join Past Forward’s co-curators Chelsea M. Herr and Janet Catherine Berlo for a lively talk about the Thomas Gilcrease Institute of American History and Art, known as Gilcrease Museum, which houses a comprehensive collection of the art, culture, and history of North America. Herr and Berlo will discuss its role as a cultural hub, the development of the exhibition, and a selection of works on display.
Moderated by Dr. Rachel Schipper
Wednesday, December 4, 2024 at 11 a.m.
No charge • Reservations required
King Library
Smith is an American artist born in 1940. Renowned for her powerful paintings, prints, and mixed media works, Smith’s art confronts issues of identity, history, and social justice, offering profound insights into the Native American experience. Her work challenges stereotypes and highlights the resilience and cultural richness of Indigenous peoples, making her a significant figure in the modern art world.
Presented by Kristin Miller
Saturday, January 11, 2025 at 10:30 a.m.
No charge • Reservations required
King Library
Working with visual motifs shown in Past Forward, students will explore the connection between abstraction and wisdom across generations of Indigenous art. Using clay, beads, and paint, students will think about concepts of their own personal identity, pattern, and place in their community to create small abstract portraits with clay.
Anthony Caro (British, 1924-2013), Piece CCCLXXXII, 1977, steel, 32 ½ x 51 x 29 in., donated at the request of Marshall S. Donnelley to honor Dr. Philip Rylands who brought a new focus to Visual Art and the Sculpture of The Society of the Four Arts, 2024.1. The sculpture will be on display near Diana this fall in the Philip Hulitar Sculpture Garden.
By Philip Rylands Four Arts President & CEO
It is a pleasure to announce that The Society of the Four Arts has received the gift of a sculpture by Sir Anthony Caro (English, 1924-2013). This was donated by Marshall Donnelley, son of Four Arts’ members and trustees Robert and Miranda Donnelley. Caro’s Piece CCCLXXXII will be on display near the Cocoanut Row entrance to the Philip Hulitar Sculpture Garden, in the vicinity of another important gift from the Donnelley family, Augustus Saint-Gaudens’ Diana.
A work by Tony Caro deserves to be high on any list of desirable acquisitions for a modern sculpture collection, and the Four Arts is grateful.1 He was a major figure in the history of post-World War II western sculpture and it has been said that “After David Smith, Anthony Caro was to be the sculptor who fitted most precisely [Clement] Greenberg’s concept of sculpture”. 2
The enigmatic title invites explanation. ‘Piece’, for Caro, is a generic term for ‘work of sculpture’. The roman numeral 382 places this ‘Piece’ in a long sequence which began in 1966 with the first of his ‘Table Pieces’ (no. I). Piece CCCLXXXII, belongs in a subsection of 32 ‘pieces’, of which it is the 29th. Several of these were also ‘Table Pieces’, but not the Donnelley gift, which Caro designed for placement at ground level.3
Caro’s earliest work, carried out while working in the studio of Henry Moore, was figurative: they were expressive bodies, sometimes in moments of strenuous but semi-static action, such as rolling over, waking up, or taking off a tight pullover. The school of Paris was still dominant in his work (Picasso, Richier, Dubuffet), but even at a time when he was achieving early success he was dissatisfied with the presence of the figure in his art, and became increasingly curious about contemporary American art.
Then he met ‘Clem’ Greenberg in London in 1959. He met him again when he traveled for the first time to the United States later that year. He became acquainted with a group of artists — sculptor David Smith, and painters Ken Noland, Adolph Gottlieb and Robert Motherwell for example. His friendship with Noland in particular, which lasted a lifetime, provoked his breakthrough to abstraction.
Caro’s return to London was marked by a pivot to welded, found steel – precisely what we see in the Donnelley gift. His new, avant-garde work was shown for the first time at London’s Whitechapel Gallery in 1963.4 It placed him in a line of succession from Julio Gonzalez and David Smith.
How should we look at and understand Caro’s work?
The catalogue of the Whitechapel Gallery, by Michael Fried, explained Caro’s art in Greenbergian terms. This meant more than just abstract form or truth to
the art of sculpture (two-dimensionality for paintings and therefore three-dimensionality for sculpture). The components of sculpture, Fried wrote, may be given as ‘object’, ‘gravity’ and ‘gesture’.
Piece CCCLXXXII negates objecthood. It lacks a compositional core, a center which defines its physical presence and compact aesthetic proposition. Meanwhile Caro’s contemporaries in the USA, the Minimalists, were emphasizing objecthood, making it a defining value with box-like forms whose 360o viewpoints and sameness was explicit in their production in series (Donald Judd). These are predictable at one glance, thus draining from the work almost to a minimal degree a basic component of sculpture, that of gesture, or meaning.
A further negation of the sculpture as object was Caro’s celebrated abandoning of the sculpture base, with its distancing message of untouchability (‘work of art’). Giacometti’s walking figures do this, as do David Smith’s works. More: the missing base, with its emphatic statement of weight geometrically and evenly distributed on the ground, implies the absence of gravity. Piece CCCLXXXII has, in fact, an airy lightness, that it shares with major works, the Ledges, of the same year (197778) that were commissioned by I.M. Pei for the East Building of the National Gallery of Art, Washington, DC.
— continued on Page 8
Continued from page 7
The circular ‘ring’ element in Piece CCCLXXXII is distinctive. Ian Barker, leading scholar of the work of Tony Caro, writes: “[The ‘ring’ element] went on to be incorporated (at one stage) a year later in the Ledge Piece, 1978, in the East Wing of the National Gallery of Art, Washington, DC. …. [Piece CCCLXXXII] is an example of Tony exploring the dynamic possibilities of incorporating the ‘ring’ element in his sculpture, perhaps as a way of limbering up to tackling the Ledge Piece in Washington (Tony sadly dropped the ring element in his final edit of the Ledge Piece in situ).”5
We are left with ‘gesture’. Andrew Causey has written: “Caro’s sculptures work as sequences of statements or gestures following from one another empirically, without prescription or closure. There is a suggestion of time lapse in the development of the forms, so that words
like extent and extension, punctuation and grammar … are appropriate.” Caro’s works, Causey continues, “are structures in the way that sentences are structures.”6 A year after Piece CCCLXXXII, in 1978, Caro began a series of small table sculptures called ‘writing pieces’ which are closely related in their forms and ‘gestures’ to the Donnelley sculpture.
One could argue therefore that Piece CCCLXXXII relates to, for example, Rodin’s Age of Bronze (Palm Beach, collection of The Society of the Four Arts), of which meaning is also predicated on gesture – albeit figurative rather than abstract. Nor is it mistaken to read into Caro’s work physical or figurative (human) gesture, that can be interpreted by empathy or metaphor. The figurative element was to become explicit in Caro’s late narrative cycles such as Trojan War (1993-94) and The Last Judgement (1999).
1 For the life and work of Tony Caro, see: Ian Barker, Anthony Caro. Quest for the New Sculpture, Swiridoff Verlag, Künzelsau (Germany), 2004.
2 Andrew Causey. Sculpture since 1945, Oxford University Press, Oxford and New York, 1998, p. 110.
3 Information generously provided by Ian Barker, to whom thanks.
4 Caro’s major museum exhibitions include a retrospective at the Museum of Modern of Modern Art, New York (1975, travelled to Walker Art Center, Minneapolis, Museum of Fine Arts, Houston and Museum of Fine Arts), the Museum of Contemporary Art, Tokyo (1995); Tate Britain, London (2005) and three museums in Pas-de-Calais, France (2008), to accompany the opening of his Chapel of Light at Bourbourg. “Anthony Caro on the Roof” was an installation at the Metropolitan Museum of Art, New York (2011). In 2012 the Yale Center for British Art presented “Caro: Close Up”. In 1999 his Last Judgement was exhibited during the Venice Biennale (see Ian Barker, ed., The Last Judgement by Anthony Caro, with contributions by Peter Baelz, Anthony Caro, Hans Magnus Enzensberger, Nadine Gordimer, Robert Hinde, Philip Rylands, John Spurling, and photographs by David Buckland. Künzelsau, Museum Würth, Verlag Paul Swiridoff, 1999.
5 Email to the author, July 1, 2024.
6 Causey, op. and loc. cit.
By Rebecca A. Dunham
Four Arts Head of Fine Arts & Curator
The Society of the Four Arts celebrates Gilbert C. Maurer during the 2024-25 season with a special campus-wide presentation of his beautiful watercolor paintings. Gil has been a force for growth and creativity at Hearst for over 50 years and is currently a member of Hearst’s board of directors, director of the Hearst Foundations, and a trustee under the estate of William Randolph Hearst. However, he is more than a visionary leader in media and communication — he is also a talented artist.
Gil comes from a distinguished family of artists. Alfred Henry Maurer (1868–1932), for example, has been described as America’s first modernist painter. And Alfred’s father, Louis Maurer (1832–1932), made his living as an engraver, first with Currier and Ives, and later forming his own company. Gil’s preferred medium is watercolor, a portable and easy to clean up medium that allows him to paint anywhere, anytime. His watercolors can be described as “travel memories” as they document his journeys around the world. After making a quick gestural drawing with a fine pen (usually a Micron pen), he mixes his paints and uses a variety of brush sizes to apply the watery paint
The Four Arts Celebrates Gil Maurer
November 23, 2024 through March 30, 2025
Hours vary by buildinggo to fourarts.org to view current hours
No charge
No reservations needed
All buildings
to thick watercolor paper specially designed to absorb it. Gil works in both the wet-on-wet and dry-on-wet techniques. In the former, he wets his paper first, then adds paint to the water to create soft, diffused areas, often allowing the white of the paper to shine through. In the dry-on-wet method, he paints onto dry paper, which is a great way to add layers and details. His subjects vary from architectural studies to landscapes
Above: Gil Maurer in his studio
Left: Gil Maurer, Stockholm
Below: Gil Maurer, Isle of Mull, Scotland
and the people around him, but what unites his disparate works is a sense of place and context. And he paints both on the spot, directly observing his subject, as well as back in his studio.
The Four Arts honors Gil’s leadership and commitment to the arts and the civic values of Palm Beach in this presentation of some of his most notable paintings. They range in date from the 1970s to present day and are organized into thematic groupings in each of the Four Arts’ buildings: views of the United States (O’Keeffe); scenes from France and the United Kingdom (Dixon); images of Italy, Japan, and European capitals (Rovensky); and vistas of Greece and Russia (King Library). In these paintings, Gil brings together his passions for art and communication.
Uri Aran will display the sound work Untitled (Good & Bad) in the gardens from December 1 through January 31.
By Uri Aran Beyer Artist-in-Residence
Generally speaking, my work stems from an interest in how language shapes meaning and experience, as well as its power to establish hierarchies. My sculptural installations often incorporate handmade and found objects arranged on tabletops — creating intricate microcosms that explore issues of organization and categorization. In my drawings and videos, I work with text and develop scenarios based on human emotions projected onto animals.
The sound work Untitled (Good & Bad) explores how we use personification and animal metaphors to define human behavior in our daily conversations. Working with a voice actor who uses a formal, slightly affected pronunciation, I created a sound track that emanates softly from the planting beds and garden. The soundtrack features a man reading a list of creatures, from common ones, like the household cat and the spider, to more wild ones, such the platypus and the shark, each described as “good” or “bad.” Serious and at times comical, the expressionless tone of the actor’s voice clashes with the definition of these creatures as either “good” or “bad,” sparking dialogue about the arbitrary nature of classification in language.
BEYER ARTIST-IN-RESIDENCE
Generously supported by Mr. and Mrs. Lawrence Beyer
Uri Aran
LECTURE
1 + 1 = 7
Wednesday, January 8, 2025 at 3 p.m.
No charge
Reservations required
Dixon Education Building
WORKSHOP
Exploring Meaning: Image, Text, Sound, and Object in Context
Meets from 10 a.m. to 1 p.m., January 3, 6, 10, 13, 15
$395
Dixon Education Building
** This class is for all experience levels **
By Wu Han
Four Arts Artistic Advisor for Classical Music
Dear friends, what a privilege to serve as Artistic Advisor for the Classical Music programming for this distinguished Palm Beach institution.
The 2024-25 Season Festival, specially designed for you, is very exciting for me and all my musician colleagues from the Chamber Music Society of Lincoln Center, as it is all about one of our favorite composers. This season, we celebrate one of history’s most prodigiously gifted musicians, Felix Mendelssohn.
Mendelssohn was the 19th century’s consummate musician: the leading composer of his generation and its best pianist and organist; a violinist of professional skill; and history’s first great conductor. Mendelssohn moreover immersed himself in literature, the visual arts, theology, and a broad spectrum of other fields. Finally, he rose above the musician’s call of duty and complemented his artistry with a sense of civic responsibility. As the founder and director of music festivals and educational institutions, and through his charitable support of worthy causes, Mendelssohn set a
Mendelssohn I
Sunday, January 12, 2025 at 3 p.m. A reception follows the concert
Mendelssohn II
Wednesday, January 15, 2025 at 7:30 p.m.
Mendelssohn III
Sunday, January 19, 2025 at 3 p.m.
Tickets to each concert are $40, no charge for Four Arts members Walter S. Gubelmann Auditorium
moral example for the life of the complete artist. He would have felt right at home at The Society of the Four Arts.
Our Mendelssohn celebration this year samples all aspects of his chamber music output. A renowned virtuoso, he composed works of dazzling brilliance for all instruments, which you can hear in the first program featuring two spectacular duo sonatas, for violin and cello and piano. To round out this concert, the three musicians combine for one of Mendelssohn’s iconic piano trios, a landmark in the chamber music genre.
The second program pays tribute to two of Mendelssohn’s most important influences: Johann Sebastian Bach whose music he learned, rediscovered and promoted as a teenager and his close friend Robert Schumann. Coupled with their music is a set of Mendelssohn’s beloved “Songs without Words”, for solo piano, and the astonishing “Double Concerto for Violin, Piano and String Quartet” that he composed and performed in his early teens.
Finally, to cap the festival with a crown of glory, comes a program of the most beloved music Mendelssohn ever wrote: one of his early piano quartets, a sampling of his music for Shakespeare’s “A Midsummer Night’s Dream,” the flashy and breathtaking “Andante and Allegro Brillante” for piano, four hands, and perhaps one of the greatest pieces of chamber music from any age, Mendelssohn’s famous “Octet for strings”, composed at the age of sixteen and now beloved by audiences the world over.
Edith Robb Dixon passed away on May 18, 2024 at the age of 91. Mrs. Dixon served as Four Arts’ Board of Trustees Chair from 2007 to 2010, succeeding her husband, Fitz Eugene Dixon Jr., who served as Chairman from 1988 until his death in 2006.
Edith Bruen Robb was born in Philadelphia. She preferred to be called “Edie”. She married Fitz Eugene Dixon Jr. in 1952. The couple lived in Philadelphia, summered in Winter Harbor, Maine, and wintered in Palm Beach.
Mrs. Dixon became a member of the Board of Trustees in 1984 and played an integral role in The Four Arts’ growth, working on the development of buildings and gardens on our campus during her 40 years on the board.
Her most important success, along with her husband, was perhaps the creation of Campus on the Lake education programs in the early 2000s. They negotiated with the Palm Beach County School Board for six years before The Four Arts was able to purchase the former Palm Beach Public School building on the northeast corner of campus. Thanks in part to a most generous leadership gift from Mrs. Dixon, The Four Arts was able to convert the building into a state-ofthe-art center for lifelong learning. When it opened in 2013, it was named the Fitz Eugene Dixon Education Building in honor of the generosity and support of the Dixon family.
Mr. and Mrs. Dixon were “true visionaries who were instrumental in the dramatic expansion of our education program through the creation of Campus on the Lake,” said Patrick Henry, who succeeded Mrs. Dixon as Chairman in 2010.
After the Philip Hulitar Sculpture Garden was damaged by hurricanes in 2004, Mr. and Mrs. Dixon donated Peacock Monument by Dan Ostermiller to the garden to aid in its renovation. Mrs. Dixon was part of a Four Arts contingent that traveled to Las Vegas to see a relocated historic Banyan Tree from the garden installed at the Bellagio Hotel. She was Chairman when the Sculpture Garden reopened in 2007 and donated Recovery by Grainger McKoy to the garden in 2013.
When The Four Arts purchased what became the John E. Rovensky Building in 1992, Mrs. Dixon served on the decorating committee for the new building, which included the brand-new Children’s Library space. Mrs. Dixon served on the Library Committee from 1993 to 2024 and was fondly remembered for taking part in the Children’s Library’s American Farmer Days by holding animals for the children to pet.
“She had so much grace and elegance, she was so gracious to the children and their families,” said Susan Harris, head of the Children’s Library. “She came for many Farmer Day programs and held lots of goats, chickens, and bunnies!” Mrs. Dixon donated the 3-D wooden “Critter” sculpture that is displayed on the north wall in The Children’s Library.
She was on The Four Arts Executive Committee from 2006 to 2015, and was a many time gala co-chair. In addition to serving on all committees during her tenure as Chairman, she served at various times on the Entertainment, Ad Hoc School Construction, Development, and Library committees.
During her lifetime, Mrs. Dixon and her husband were the largest donors to the Society in the history of The Four Arts. The Four Arts is grateful for her life, her dedication and her generosity.
The Garden Club of Palm Beach celebrated the 50th anniversary of its book, Historic and Specimen Trees of Palm Beach, by updating the text and producing a new publication.
Trees of Palm Beach 2023 is a limited edition volume featuring 240 pages of color photographs (images by Ray J. Megginson) and produced by King Tree Service. The 2024 folio is a wonderful catalog of historic and specimen trees, with both Latin and common names listed for the convenience of tree enthusiasts.
Trees of Palm Beach 2023, part of a limited edition of 100, is available to view by request in the King Library thanks to The Garden Club of Palm Beach.
Conservation is one of the main interests of The Garden Club of Palm Beach. In 1973 the club proposed the Historic and Specimen Tree Ordinance, which was enacted by the Town Council and became one of the first strict tree protection laws in Florida. The club assisted in a survey identifying and documenting different trees including native trees. Historic designation was given to significant trees. After the club published Historic and Specimen Trees of Palm Beach, a 53-page text listing of trees, the list was updated annually.
Trees of Palm Beach 2023 has been beautifully and visually updated through the efforts of the Garden Club. The book features most of the historic and specimen trees, as well as hundreds of others. It is dedicated to the Garden Club “for their efforts since 1928 that have made the book possible”. The cover features a view of the palm tress on Royal Palm Way.
The Garden Club presented a copy to the King Library over the summer. Patrons can ask to view the book by calling the King Library at (561) 655-2766 or speaking to a King Librarian when visiting.
“We have had such interest in special, rare, and beautiful books,” Director of Libraries Rachel Schipper said, “and we are honored to have Trees of Palm Beach 2023 in our collection. This visual reference must be seen to be fully appreciated.”
Christmas Boutique and Plant Sale
Thursday, November 14 and Friday, November 15, 2024 from 10 a.m. to 4 p.m. No charge • No reservations needed ■ Dixon Education Building
By David Darby
The Four Arts
He was The Society of the Four Arts’ first choice to return to the Four Arts campus for a second time, as he continues to advance in his second career.
Drew Blazure, the new Director of Facilities Management, knows plenty about building renovations — and The Four Arts. “I came here in 2017 when I was working with Conkling and Lewis to work on the King Library renovation,” Blazure said. “I really liked the atmosphere — it was a fresh and exciting time, same as it is now — and I thought the people were very nice. I liked talking to (former President) David Breneman too, because he was an economist.”
Blazure was born in New Jersey and received a bachelor’s degree in business administration from High Point (N.C.) and an MBA from Central Florida. While he still likes to trade stocks for himself, his parents, Gail and Scott, and his brother Trent, he discovered a calling outside finance, especially once he began working for Conkling and Lewis.
“I enjoyed being out of the office,” Blazure said, “and from there I went up the ladder doing construction, became a superintendent. I just enjoy being outside and seeing the progression of your work, seeing what comes together versus inside work, making sure the buildings and grounds are pristine. It’s a neat position in that if I see something out of whack, I can do something about it — I can fix it, something that needs to be trimmed, something that needs to be painted.”
Blazure has worked as a Superintendent for construction firms in Jupiter, Stuart, and Port St. Lucie, learning home construction, supervising crews, managing subcontractors, and prepping structures for electrical, plumbing, and HVAC. These skills are a bonus to The Four Arts as it prepares to renovate the Esther B. O’Keeffe and John E. Rovensky buildings.
“I know I can provide protection for The Four Arts,” Blazure said, “especially having a blueprint-reading background, knowing the construction side of it, knowing what needs to go in versus what doesn’t have to go in. I am looking forward to being the eyes and ears of the organization during the next renovations.”
Blazure spent a few months learning The Four Arts’ facilities management from outgoing director Ron Minnicks, who retired after 32 years of service. Blazure and his wife, Ashley, and their chorkie, Leo, will be living on campus as well.
“I’m looking forward to seeing the activity on the island and how The Four Arts internally functions during season,” Blazure said. “I got to enjoy some of the concerts last year; my wife and I thought they were wonderful; we loved going to them.”
Outside of work, Blazure is an avid golfer with a 10 handicap who has volunteered at the PGA Cognizant Classic golf tournament in Palm Beach Gardens. He enjoys watching football and sports, with the NHL’s Florida Panthers and the NFL’s Pittsburgh Steelers among his favorite teams.
“I feel very fortunate to be here,” Blazure said. “And I am very thankful for my team, thankful to have longtime employee Dan Williams in the transition process. Dan, Luis Cordero, and Ian Campbell are great assets to The Four Arts, and they do a lot more behind the scenes than people know. We were busy this summer and I know we will be busy during season too.”
Deb Beckers joined the SOFA in June 2024 as the Accounting Manager. She was raised in Palm Beach County and returned to Florida soon after receiving her accounting degree at Auburn University. She has over 25 years of experience in accounting where she worked long term for PGA of America and The Legend Group. In her spare time, she enjoys baking and spending time with family and friends.
Olivia Klawonn joined this summer as the Assistant Registrar and Exhibitions Coordinator working with Head of Fine Arts Rebecca A. Dunham on the art exhibitions. After graduating from Hofstra University in 2018, Olivia moved to Palm Beach and has worked in the fine arts community since 2019. When Olivia isn’t babysitting the art, she is catching up with family on the phone or rummaging through vinyl record sales.
A native of Caracas, Venezuela, who moved to Florida in 2015, Miguel Tinoco is a graduate of Universidad Monteavila as a Lawyer, and has practiced Corporate Law for more than 15 years. His passion for Western Civilization started at a very young age when he represented Greece and won the International Fair in his school. He has traveled to more than 25 countries and visited the Uffizi, El Prado, and The Louvre. You may find him playing tennis, practicing yoga, or at the King Library.
Chamber Music Society of Lincoln Center
Saturday, January 18, 2025 at 2 p.m.
No charge • Reservations required • Family-friendly
Walter S. Gubelmann Auditorium
What would an orchestra of insects and tiny animals sound like? Felix Mendelssohn’s Octet for Strings, which he composed when he was 16 years old, has a magical scherzo, a musical party inspired by a vision of an orchestra of frogs, mosquitoes, flies, and crickets, and a bagpipe that blows soap bubbles. When dawn breaks, all of this vanishes. Between the ages of 11 and 14, Felix Mendelssohn wrote over 100 pieces of music — including piano pieces, chamber music, songs, choral pieces, symphonies, and operas. The 16-year-old Felix composed the magical Octet for Strings that is still one of the most beloved pieces of chamber music in the world today. Inspector Pulse, the world’s greatest and only private ear (investigator of musical mysteries), is inspired by the sound of a fly and soon discovers that he was not the first musician to feel the buzz.
Sir Stephen Hough Piano
Sunday, January 26, 2025 at 3 p.m.
$40 • No charge for Four Arts members
Walter S. Gubelmann Auditorium
Sir Stephen Hough, recently knighted by King Charles, presents music by some of the greatest pianists in history. The B minor sonatas of Frédéric Chopin and Franz Liszt re-defined what the keyboard could do in the Romantic era. And Cécile Chaminade, writing a few decades later, penned virtuosic piano pieces that took her on tour around the world, turning her into one of the most popular composers in early 20th century America.
Book by Peter Stone
Music and Lyrics by Maury Yeston
Saturday, January 4, 2025 at 2 p.m.
$30 • $25 for Four Arts members ■ 15 for students with valid ID ■ Walter S. Gubelmann Auditorium
2 hours, 25 minutes with one intermission
This five-time Tony Award winner is ‘Breathtaking’ (The Guardian) and ‘Magnificent’ (The Telegraph). A stunning and stirring production recounting the hopes, dreams and aspirations of her passengers, from the wealthy first class to the third class dreaming of a new life in America.
by Giacomo Puccini
Saturday, November 23, 2024 at 1 p.m.
$30 • $25 for Four Arts members ■ $15 for students with valid ID
Walter S. Gubelmann Auditorium 3 hours, 28 minutes with two intermissions
Extraordinary Norwegian soprano Lise Davidsen stars as the passionate title diva in David McVicar’s thrilling production. British-Italian tenor Freddie De Tommaso makes his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse American baritone Quinn Kelsey is the sadistic chief of police Scarpia. Maestro Xian Zhang conducts the electrifying score, which features some of Puccini’s most memorable melodies.
by Giuseppe Verdi
Saturday, January 25, 2025 at 12:30 p.m.
$30 • $25 for Four Arts members ■ $15 for students with valid ID
Walter S. Gubelmann Auditorium
3 hours, 38 minutes with one intermission
American soprano Angel Blue headlines as the Ethiopian princess torn between love and country in a new production of Verdi’s Aida by Michael Mayer that brings audiences inside the towering pyramids and gilded tombs of ancient Egypt with intricate projections and dazzling animations. Romanian-Hungarian mezzo-soprano Judit Kutasi also stars as Aida’s rival, Amneris, alongside Polish tenor Piotr Beczała as the soldier Radamès — completing opera’s greatest love triangle. Met Music Director Yannick Nézet-Séguin takes the podium to conduct.
Saturday, December 7, 2024 at 2 p.m.
$20 • $15 for Four Arts members or students
Walter S. Gubelmann Auditorium
1 hour, 30 minutes with no intermission
Directed by David Bickerstaff
Focusing on Van Gogh’s unique creative process, this documentary explores the artist’s years in the south of France, where he revolutionized his style. Van Gogh became consumed with a passion for storytelling in his art, turning the world around him into vibrant, idealized spaces and symbolic characters.
Select Fridays at 2, 4:30 or 5:30 p.m.
• Walter S. Gubelmann Auditorium
Tickets are available in advance and at the door 30 minutes before each screening
Friday, December 6, 2024 at 2 and 5:30 p.m.
$10 • No charge for Four Arts members
2020 • PG • 1 hour, 39 minutes
Alice is a reclusive writer, resigned to life in Southern England while World War II rages. Surprised by a young London evacuee on her doorstep, her initial resistance softens as the two warm to each other. Gemma Arterton and Tom Courtenay star in this intensely emotional story of love’s endurance in trying times
Friday, January 3, 2025 at 2 and 5:30 p.m.
$10
• No charge for Four Arts members 2022 • Not rated • 1 hour, 31 minutes In French with English subtitles
When Madeleine (Line Renaud) leaves her small house to enter a nursing home on the other side of Paris, taxi driver Charles (Dany Boon) comes to pick her up. Given that she is in no hurry to reach her destination, she asks him to go to places in the capital which have counted in her life.
Friday, January 17, 2025 at 2 and 5:30 p.m.
$10
• No charge for Four Arts members 2023 • R • 1 hour, 56 minutes
Friday, December 13, 2024 at 4:30 p.m. only
$10 • No charge for Four Arts members
2023 • Not rated • 1 hour, 38 minutes
Q&A follows with Four Arts’ Philip Rylands
At the height of the Cold War, the US government wants to fight Communism with culture. In 1964, the Venice Biennale becomes the site of political scandal. To promote democracy, the US entry embarks on a daring plan to make Robert Rauschenberg the winner of the Grand Prize. Their efforts leave the international press crying foul and Rauschenberg questioning the politics of nationalism.
Friday, January 10, 2025 at 4:30 p.m. only
$10 • No charge for Four Arts members
2023 • Not rated ■ 1 hour, 40 minutes
Q&A follows with Solid Waste Authority’s Jessica Winter
Plastic production coming from fossil-based sources continues to rise worldwide. Follow a concerned mother on a journey to uncover the full story of this problem and the innovative solutions it requires. Hosted by comedian Rob Riggle, first-hand insights explain how we can get this pressing issue under control.
Friday, January 24, 2025 **at 2 p.m. only**
$10
• No charge for Four Arts members 2023 • PG-13 • 1 hour, 45 minutes
Motivations are suspicious, and expectations become chaotic, as a con artist takes on Manhattan billionaires. Starring Julianne Moore, Sebastian Stan, and John Lithgow, no one is who they seem in this neo-noir New York City thriller presented in nonlinear vignettes, each focusing on different characters.
In English and Korean, Mandarin, and French with English subtitles
Nora and Hae Sung, deeply connected childhood friends, are wrested apart after Nora’s family emigrates from South Korea. Twenty years later, they are reunited for one fateful week as they confront notions of love and destiny.
Tuesdays at 3 p.m. • Walter S. Gubelmann Auditorium
Reservations required for Four Arts members at no charge
Public tickets ($50) go on sale six days before each presentation, subject to availability
Parking at The Four Arts on Tuesday afternoons is limited to Four Arts members with this season’s Four Arts parking pass. Parking is not available for nonmembers.
‘Risks and Returns: Creating Success in Business and Life’ best-selling book
Tuesday, January 7, 2025 at 3 p.m.
The John R. Donnell Memorial Lecture
Wilbur L. Ross, Jr. served as Secretary of Commerce in the Trump administration following 55 years of experience in investment banking and private equity. As Secretary he advised on commercial and economic affairs, and helped U.S. entrepreneurs create jobs and opportunity. Over the course of his career, Ross restructured more than $400 billion in assets, earning him a distinguished reputation on Wall Street. In 2011, Bloomberg Markets named him one of the 50 most influential people in global finance. Ross is the author of the USA Today best-seller Risks and Returns: Creating Success in Business and Life.
David Sinclair
Lifespan: Why We Age and Why We Don’t Have To
Tuesday, January 21, 2025 at 3 p.m.
The Harold and Helen Bernstein Memorial Lecture
Leading researcher on aging and best-selling author Professor
David Sinclair is regarded as the world’s foremost expert on human longevity. A professor in the Genetics Department at Harvard Medical School, Dr. Sinclair heads a leading research lab that has discovered why we age and how to control it. He is the inventor on more than 50 patents, has published over 180 papers that have been cited 95,000 times, and is the author of The New York Times best-seller Lifespan: Why We Age and Why We Don’t Have To.” Dr. Sinclair is a serial entrepreneur who has cofounded more than a dozen successful companies.
The 2024 U.S. Election: What Happened? What’s Next?
Tuesday, January 14, 2025 at 3 p.m.
The Beatrice and Randolph Guthrie Lecture
For more than 25 years, Amy Walter has built a reputation as an accurate, objective, and insightful political analyst with unparalleled access to campaign insiders and decision-makers. One of Washington’s “Most Powerful Women” in 2023 & 2021, she is the Publisher and Editor-in-Chief of The Cook Political Report with Amy Walter, where she provides analysis of the issues, trends and events that shape the political environment. As a contributor to the PBS “NewsHour” she provides weekly political analysis for the popular Politics Monday segment and is a featured contributor to their Election coverage events.
The Myth of American Inequality: How Government Biases Policy
Tuesday, January 28, 2025 at 3 p.m.
The Samuel J. Heyman Memorial Lecture
Phil Gramm served six years in the US House and 18 years in the US Senate. His legislative record includes landmark bills like the Gramm-Latta Budget, which reduced federal spending, rebuilt national defense and mandated the Reagan tax cut. Gramm joined Lone Star Funds as Vice Chairman in December of 2012. Gramm is a Nonresident Senior Fellow at the American Enterprise Institute. He holds a Ph.D. from the University of Georgia in economics, the subject he taught at Texas A&M for 12 years. He has published numerous articles and books, including The Myth of American Inequality in 2022.
Giovanni Bellini
Thursday, December 19, 2024 at 3 p.m.
$35 • Dixon Education Building
Giovanni Bellini (c. 1426–1516) was the foremost Venetian painter of the second half of the 15th century. Almost singlehandedly he carried Venetian art out of its late Gothic period through the early Renaissance to the threshold of the High Renaissance. United States museums own two of his greatest paintings: the Frick St. Francis (New York) and The Feast of the Gods (National Gallery of Art). A series of Venice altarpieces scan his progression as artifex of Early and High Venetian Renaissance painting, a process brought to fruition by accomplished pupils such as Giorgione, Sebastiano del Piombo and Titian. His adoption of oil painting (as opposed to the use of egg tempera) in the 1470s was a turning point in Italian art history. Dr. Philip Rylands is the President and CEO of The Society of the Four Arts.
Deconstructing the Myth of Pablo Picasso
Thursday, January 9, 2025 at 3 p.m.
$35 • Dixon Education Building • Book signing to follow
Before Picasso became the iconic artist now celebrated as one of France’s leading figures, he was constantly surveilled by the police. In the Prix Femina 2021 book Picasso the Foreigner: An Artist in France 1900-1973, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Dr. Annie Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. Dr. CohenSolal is an award-winning writer, historian, cultural diplomat and global public intellectual. She holds multiple university positions, has curated a dozen shows, published 10 books, and continues avidly to research the interactions between art, literature and society with an intercultural twist.
Gustave Caillebotte:
Painting his World
Thursday, January 30, 2025 at 3 p.m.
$35 • Dixon Education Building
Often referred to as the “unknown Impressionist,” Gustave Caillebotte’s art is much more than meets the eye. His seemingly straightforward and narrative paintings are much more nuanced when seen in the context of the various aspects of his life that comprised his perception of manhood in the French Third Republic. Dr. Gloria Groom, Chair of Painting and Sculpture and the David and Mary Winton Green Curator at The Art Institute of Chicago, will be discussing the Institute’s 2025 exhibit in collaboration with the Getty that will explore the artist’s most iconic images through the lens of fraternité or brotherhood in English.
Joanne Freeman, Ph.D.
The Founders, Some Fighters, and Us
Monday, December 9, 2024 at 3 p.m.
$200 for four-part series
Walter S. Gubelmann Auditorium
Monday, January 6, 2025 at 3 p.m.
$200 for four-part series
Walter S. Gubelmann Auditorium
The Founding Generation created a rare democratic republic in a world of monarchies based on debate, compromise, and public opinion. In the first half of the nineteenth century, they tested this system, leading to civil war, highlighted by physical violence in Congress. Dr. Joanne Freeman, Professor of History and American Studies at Yale University examines what these events reveal about American politics and democracy, past and present. Freeman authored the award-winning Affairs of Honor and edited Alexander Hamilton: Writings and The Essential Hamilton. Her latest book, The Field of Blood, was a Lincoln Prize finalist and a New York Times “best book.” She co-hosted the podcast “Now & Then” with Heather Cox Richardson and hosts the weekly webcast “History Matters.”
Newt Gingrich, a distinguished historian and former Speaker of the U.S. House of Representatives, brings extensive knowledge and experience. As Chairman of Gingrich 360, he shapes public discourse with multimedia productions and consulting. His expertise spans American history, military affairs, and international relations. He has authored 41 books, was the architect of the “Contract with America,” a Fox News contributor, host of the “Newt’s World” podcast, and a 2012 Republican Presidential candidate. In this lecture, Dr. Gingrich will explore how America organized itself post-Declaration of Independence, triumphed over the British Empire, and laid the foundation for its future prosperity.
Andrew Carnegie: Making Sense of Making Millions
Friday, January 24, 2025 at 5 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
Presented in partnership with the New-York Historical Society
Andrew Carnegie arrived in the US from Scotland at 13 with two years of schooling, starting as a bobbin boy in a cotton mill. He later worked as a telegraph messenger and Pennsylvania Railroad operator before founding a bridge-building and iron business at 30. By his thirties, he was a millionaire, and by his sixties, he was the world’s richest man. Carnegie used his fortune to build libraries and museums. Join Dr. David Nasaw, Professor of History Emeritus at CUNY, as he explores Carnegie’s legacy.
Rufus Bird
Princes Among Collectors the Rothschild Taste in Art
Monday, January 27, 2025 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
The Rothschild family gained prominence and wealth as 19th-century bankers and financiers to European states. Mayer Amschel Rothschild’s five sons operated across Europe, becoming a formidable force in international finance. Their wealth led to grand houses and a competitive drive to acquire fine art, resulting in the distinctive “goût Rothschild” style. This talk explores the origins and evolution of the Rothschilds’ art collecting. Rufus Bird, former Surveyor of the Queen’s Works of Art, will illuminate this remarkable history.
Julie Huber, Ph.D. and Timothy Shank, Ph.D.
New Insights into Life in the Deep Ocean
Monday, November 18, 2024 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
Generously supported by Chilton Trust
The ocean, spanning 70% of the planet, harbors some of Earth’s most extreme environments, yet only around 20% has been explored. Its impact is profound, serving as the linchpin of Earth’s climate system by regulating the weather and sequestering carbon. Join oceanographer Dr. Julie Huber and Woods Hole Oceanographic Institution (WHOI) deep-sea biologist Dr. Timothy Shank for a discussion on cutting-edge research in these extreme ocean environments. They will also explore innovative collaborations aimed at probing the aquatic worlds of our solar system.
Aldous Bertram, Ph.D.
Dragons & Pagodas: A Celebration of Chinoiserie
Monday, December 2, 2024 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building • Book signing to follow
Art historian and artist Aldous Bertram has long been captivated by chinoiserie, Western art inspired by an imagined China. His book Dragons & Pagodas is organized by themes like porcelain, color, flora, fauna, and architecture. Each chapter brims with images from grand European palaces to modern rooms adorned in floral wallpaper. Complete with Bertram’s own watercolors and collages, the book is an irresistible example of chinoiserie itself.
Katharine Hepburn: Talented, Stylish and Spirited
Monday, December 16, 2024 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
Born into a prominent New England family, fourtime Academy Award winning Katharine Hepburn was known as headstrong and spirited. She mostly played roles which matched this image and would eventually be named “the greatest female star in classic Hollywood cinema” by the American Film Institute. Historian and lecturer René Silvin will share personal anecdotes of Katharine Hepburn and bring context to her extremely private life through audio, interview clips and recount his experience meeting her in 1982.
Art Deco Crosses the Atlantic: Elegance and Speed in Turbulent Times
Monday, January 13, 2025 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
A new style emerged in France before WWI and thrived in the 1920s, revolutionizing crafts, architecture, and industrial design. From cars to household items, it transformed everyday objects. Forward-thinking professionals like engineers, architects, and graphic artists played pivotal roles in this evolution. In an illustrated lecture, art historian, curator, and editor Dr. Madeleine Deschamps will explore the development of Art Deco on both sides of the Atlantic, focusing on its impact and significance.
1882–1964 Paris), The MET.
World-class scientists discuss the path toward new, cutting-edge treatments for Alzheimer’s disease and share the latest breaking updates on their research with moderator Dr. Howard Fillit, Co-Founder and Chief Science Officer of the Alzheimer’s Drug Discovery Foundation (ADDF).
Targeting Aging to Defeat Alzheimer’s
Wednesday, January 15th, 2025 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
Presented by the Alzheimer’s Drug Discovery Foundation in partnership with Heidi and Tom McWilliams
Aging is the main risk factor for Alzheimer’s disease. Dr. Nir Barzilai, Professor of Medicine and Genetics at the Albert Einstein College of Medicine and President of the Academy for Health and Lifespan Research, will discuss his efforts to develop methods to target the biology of aging, including through his “Targeting Aging with Metformin” (TAME) study, which aims to prove that a single drug can combat multiple diseases associated with aging and receive FDA approval for targeting aging.
Rufus Bird
St. James’s Palace: From Leper Hospital to Royal Court
Wednesday, January 22, 2025 at 3 p.m.
$20 • No charge for Four Arts members
Dixon Education Building
Book signing to follow
In his book, St. James’s Palace: From Leper Hospital to Royal Court, Rufus Bird explores the history of this lesser-known royal residence. Serving as the official residence of the British monarch from 1698 to 1837, St. James’s Palace played a crucial role in London’s development. Bird, former Surveyor of the Queen’s Works of Art, and current consultant at Gurr Johns, brings to life the palace’s transformation and historical significance.
Tuesdays at 5:30 p.m.
• Dixon Education Building
$20 • No charge for Four Arts contemporaries and members • Book signings follow
The Contemporaries’ mission is to educate, enlighten, and inspire with thought-provoking discussions from the fields of science, contemporary culture, media, and the arts. Programming is geared toward younger supporters and parents aged 21 to 49.
Our Biggest Fight: Reclaiming Liberty, Humanity, and Dignity in the Digital Age
Tuesday, December 10, 2024 at 5:30 p.m.
Frank H. McCourt, Jr. is the executive chairman of McCourt Global, a private family enterprise working across the real estate, sports, technology, media, and capital investment industries. Building upon McCourt’s ongoing work as founder Project Liberty – a $500-million initiative to create a better, healthier internet – Our Biggest Fight addresses the growing threat today’s highly centralized internet infrastructure presents to democracy, youth mental health, and individual data rights.
Catherine Morris
More Than Getting Out the Ladies: Feminist Curating at the Brooklyn Museum
Tuesday, January 28, 2025 at 5:30 p.m.
Taylor Hagood, Ph.D.
The Shakespearean Comedy
Mondays from 5:30 to 7 p.m.
$125 for 4-part series or $35 per lecture
Dixon Education Building
January 13: Mix-ups and Shenanigans
February 10: Love and Masking
March 17: The Problems
April 14: The Romances
Brooklyn Museum Senior Curator Catherine Morris will discuss her work at the Elizabeth A. Sackler Center for Feminist Art. She will highlight curatorial methods that aim to change, rather than simply revise, our understanding of history by featuring exhibitions that go beyond adding women artists to the existing art historical canon. She will also address the intersection of curating exhibitions and building collections. Morris has curated exhibitions for acclaimed artists like Elizabeth Catlett, Nona Faustine, Lorraine O’Grady and Judith Scott.
Florida Atlantic University professor Taylor Hagood will discuss the function and form of comedy for Shakespeare and his time as well as the relevance of his comedic visions in our own time.
Jeffrey Morton, Ph.D.
American Foreign Policy
Thursdays from 3 to 4:30 p.m.
$125 for 4-part series or $35 per lecture
Dixon Education Building
January 23: Cyprus
February 27: China & Latin America
March 20: The International Criminal Court (ICC)
April 17: Globalization in Decline
Dr. Jeffrey Morton has lectured nationally on matters relating to U.S. foreign policy and is the recipient of the FAU Researcher of the Year Award, Talon Service Award, and was the 2019 FAU Distinguished Teacher of the Year.
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Mr. and Mrs. John A. Zenko
Mr. and Mrs. Barry L. Zubrow
Gifts from members to The Four Arts of $10,000 to $24,999 per year
Mr. and Mrs. Stephen Anbinder
Ms. Alexandra Hufty Anlyan
Mr. and Mrs. Neil L. Aronstam
Mr. and Mrs. George Asch
Mr. and Mrs. E. William Aylward
Mrs. Christina Baker
Mr. and Mrs. Jon Baker
Mr. and Mrs. Stuart David Baker
Mr. and Mrs. John Wallis Ballantine
Mr. and Mrs. Carlo Barel di Sant’Albano
Mr. and Mrs. Tom Barrat
Dr. Diana Barrett and Mr. Robert Vila
Mr. and Mrs. Stephen Bartram
Mr. Arthur Bauernfeind and Mrs. Diana Nicosia
Mr. and Mrs. Eugene P. Beard
Mrs. Charlotte Beers and Mr. Alexander McQueen Quattlebaum
Suzanne Reynolds & Lars Peterson
Mr. and Mrs. Gene M. Bernstein
Mr. James D. Berwind and Mr. Kevin F. Clark
Mr. and Mrs. William Earle Betts III
Mr. and Mrs. Anthony M. Beyer
Mrs. Friederike Kemp Biggs
Mrs. Charles Bilezikian
Mrs. Marion Black
Mr. and Mrs. Harold Blumenstein
Mr. and Mrs. John Blundin
Mr. James R. Borynack and Mr. Adolfo Zaralegui
Mr. and Mrs. Dennis C. Bottorff
Mr. and Mrs. J. Thomas Bowler Jr.
Mr. and Mrs. William J. Branstrom III
Ms. Deborah A. Bricker
Mr. and Mrs. Richard Brickley
Mr. and Mrs. John G. Brim
Mr. and Mrs. Daniel Brodsky
Mr. and Mrs. Charles Bronfman
Annual giving donations are defined as tax-deductible gifts made in addition to membership dues. Donations are recognized during the fiscal year in which they are received, from July 1 through June 30. Gifts to capital campaigns or special projects are much appreciated and recognized separately.
Dr. Jeffrey Alan Brown and Mrs. Rory
Shanley-Brown
Mrs. Nancy M. Brown and Mr. Leonardo Radomile
Mrs. Marjorie Buckley
Mr. and Mrs. J. Gary Burkhead
Mr. and Mrs. Henry Burr
Mr. Brian Burry and Mrs. Jeanne Nicastri
Mr. and Mrs. Michael Buxton
Mr. Tyler R. Cain
Mr. and Mrs. Edward W. Callahan
Mr. and Mrs. Geoffrey S. Caraboolad
Mrs. Jane Carroll
Mr. and Mrs. John Victor Ceriale
Mrs. Arlene Cherner
Mr. and Mrs. Thomas G. Cigarran
Dr. and Mrs. Carmel Cohen
Mr. and Mrs. Larry Cole
Mr. and Mrs. Denis P. Coleman Jr.
Mr. and Mrs. John T. Collins
Mrs. Elfriede Collis
Mr. and Mrs. Christopher Condron
Mr. and Mrs. Eugene P. Conese Jr.
Ms. Anita Cosgrove
Mrs. Heidi Cox
Mr. and Mrs. Howard Cox
Mr. and Mrs. John F. Cregan
Mr. and Mrs. Maurice Cunniffe
Mr. and Mrs. Alan Curtis
Mr. and Mrs. Douglas Daft
Mrs. John H. Daniels
Mr. and Mrs. Stephen A. Davis
General Pete Dawkins and Ambassador Mary M. Dawkins
Mr. Nathaniel B. Day
Mr. and Mrs. Lodewijk De Vink
Mrs. J. Simpson Dean Jr.
Mrs. Barbara Deane
Mr. and Mrs. William N. Deatherage
Ms. Christina Dennis
Dr. and Mrs. David A. Dooley
Mr. and Mrs. David Dorman
Mr. John Dragisic
Mrs. Rodman L. Drake
Mr. and Mrs. Carl E. Dranoff
Mr. and Mrs. John G. Drosdick
Mr. and Mrs. Douglas Durst
Mr. and Mrs. Irwin Edlavitch
Ambassador and Mrs. Edward E. Elson
Mr. Edward A. Emerson
Mr. and Mrs. Alfred B. Engelberg
Mr. and Mrs. William H. Eyre Jr.
Mrs. Shannon Fairbanks and Mr. Newman T. Halvorson, Jr.
Mr. Brent Feigenbaum and Mr. Frank Morgan II, MBE
Mr. and Mrs. Matthew Feuer
Mr. John D. Firestone
Ambassador and Mrs. Richard Fisher
Mr. and Mrs. Mark Flaherty
Mr. and Mrs. Lee Folger
Mr. and Mrs. James C. Foster
Mr. and Mrs. Reeder R. Fox
Mr. and Mrs. Michael Freeburg
Mrs. Cynthia Friedman
Mr. and Mrs. David W. Frisbie
Mr. and Mrs. Robert Frisbie
Mr. and Mrs. George Fugelsang
Mr. and Mrs. Mario Gabelli
Mr. and Mrs. Benjamin S. Gambill Jr.
Mr. and Mrs. Peter N. Geisler Sr.
Dr. Nancy Genieser
Mr. and Mrs. William Georgas
Mr. and Mrs. Peter A. Georgescu
Mr. Bernard Gewirz
Mr. and Mrs. Robert V. Gilbane
Mrs. David H. Gilmour
Mrs. Jay Goldberg
Mr. and Mrs. John Golden
Mr. and Mrs. Peter W. Gonzalez
Mr. and Mrs. Melvin R. Goodes
Mrs. Darcy Gould
Mr. and Mrs. Stanley Graber
Mr. and Mrs. John Rovensky Grace
Mrs. Robert M. Grace
Mrs. Adele R. Grant
Mr. and Mrs. Haynes G. Griffin
Mr. and Mrs. William S. Gubelmann
Mrs. Ursula L. Gwynne
Mr. and Mrs. John Halpern
Mr. and Mrs. Roger Clark Hamilton
Mr. and Mrs. S. Matthews V. Hamilton Jr.
Mrs. William Hersey Hamm III
Mr. and Mrs. Torrence C. Harder
Mr. and Mrs. Cameron M. Harris
Mrs. J. Ira Harris
Mr. and Mrs. William B. Harrison Jr.
Mrs. Mai Hallingby Harrison
Mr. and Mrs. Thomas E. Hassen
Mr. and Mrs. George K. Hendrick III
Ms. Heather Henry
Mr. and Mrs. Patrick Henry
Mr. and Mrs. Robert Hermann Jr.
Mr. and Mrs. Arthur Hershaft
Dr. Peter N. Heydon
Mr. and Mrs. Eugene Hill III
Mr. and Mrs. Harry Hill III
Mrs. Peter H. Hill
Ms. Leslie Hindman
Mr. and Mrs. Richard C. Holton
Mr. and Mrs. Robert S. Honeyman Jr.
Mr. and Mrs. W. Todd Houser
Mrs. Pamela Howard and Mr. Edwin Laffey
Mr. and Mrs. Barry Hoyt
Mr. and Mrs. Christopher Imbs
Mr. and Mrs. Laban P. Jackson
Mr. and Mrs. Michael F. Jackson
Mr. and Mrs. Herbert H. Jacobi
Mr. and Mrs. Martin D. Jacobson
Ms. Ann Folliss Jeffery and Mr. Ralph E. Watson
Ambassador and Mrs. Robert W. Johnson IV
Mr. and Mrs. Thomas S. Johnson
Mr. John W. Johnston and Mrs. Marigil Walsh
Mr. and Mrs. William Johnston
Mr. and Mrs. Timothy Jones
Mr. and Mrs. John W. Jordan II
Mrs. Robert B. Judell
Mr. and Mrs. James S. Karp
Mrs. Jayne T. Keith
Mrs. Jorie Butler Kent
Mrs. Stanley A. Knapp
Mr. Rick Knop
Mr. and Mrs. Sidney Kohl
Mr. Michael Kovner and Mr. Jean de Montaillou
Mr. and Mrs. Robert Kraus
Mr. and Mrs. Henry R. Kravis
Mrs. H. Frederick Krimendahl II
Mr. and Mrs. Peter E. Lacaillade
Mrs. Linda Landis
Mrs. William Lane
Mr. and Mrs. Wesley Warren Lang Jr.
Ms. Bonnie Lautenberg
Mr. and Mrs. William L. Leatherman
Mr. Joseph Ledbetter
Ms. Regina A. Lee
Mrs. H. Irwin Levy
Mr. Stephen Lewinstein
Ms. Ellen Liman
Mr. and Mrs. Thomas J. Litle IV
Mr. and Mrs. H. Eugene Lockhart
Mr. and Mrs. Robert Edgar Long Jr.
Mr. and Mrs. J. Jeffry Louis, III
Mrs. Walter R. Lovejoy
Mr. and Mrs. Richard K. Lubin
Mr. and Mrs. Peter Lunder
Mr. and Mrs. Joseph W. Luter III
Mr. and Mrs. James Edward Lyons
Mr. and Mrs. Thomas H. MacCowatt
Mr. and Mrs. Edward E. Madden
Mr. and Mrs. Lance D. Mahaney
Mrs. David Mahoney
Mr. and Mrs. Grant E. Mashek
Mr. and Mrs. George G. Matthews
Mr. and Mrs. Bruce Mavec
Mrs. Talbott Maxey
Mr. Thomas O. McCarthy
Mr. and Mrs. Peter McCausland
Mr. and Mrs. John B. McCoy
Mrs. Mary O. McDonnell
Annual giving donations received from July 1 through October 18, 2024
Mrs. William J. McDonough
Mr. and Mrs. Theodore McGraw, Jr.
Mr. and Mrs. Martin G. McGuinn
Mr. and Mrs. Terence McGuirk
Mr. Henry P. McIntosh IV
Mr. and Mrs. Thomas McWilliams
Mr. and Mrs. Richard L. Menschel
Mr. and Mrs. Michael Merriman
Mrs. Aimee M. Merszei
Mr. and Mrs. Donald K. Miller
Mr. and Mrs. D. Quinn Mills
Honorable Mary V. Mochary
Mrs. George B. Moore
Mr. and Mrs. Charles J. Moore
Mrs. Dudley L. Moore Jr.
Mr. and Mrs. Robert J. Morrissey
Mrs. Mary M. Morse
Mr. and Mrs. Henry T. Mortimer Jr.
Alicia and Timothy Mullen
Ms. Pamelee Murphy
Mr. and Mrs. Thomas J. Neff
Ms. Sandra Triem Norcross
Mr. and Mrs. Christoph Nostitz
Mrs. John A. Nyheim
Mr. and Mrs. Charles M. Oakley, Jr.
Mr. and Mrs. Chips C. Page
Mrs. Anka Kriser Palitz
Mr. and Mrs. Ellis J. Parker
Mr. and Mrs. Gary W. Parr
Mrs. Lee Wallace Peck and Mr. John A. Capstick
Dr. Virginia Pellicci
Mr. and Mrs. Richard J. Phelps
Mrs. Sallie B. Phillips
Mr. and Mrs. Michael B. Picotte
Mr. and Mrs. Seth Low Pierrepont
Mrs. William Pitt
Mr. and Mrs. Joseph Plumeri
Mrs. Natalie Pray, MBE
Mrs. Diana Ronan Quasha
Mr. Thomas C. Quick
Mr. and Mrs. Marko Remec
Mrs. Martin Revson
Mr. William D. Robbins
Mr. and Mrs. Clayton J. Rohrbach III
Mrs. Walter M. Ross
Ms. Kara Ross
Ms. Lyn M. Ross
Honorable and Mrs. Wilbur L. Ross
Mr. and Mrs. Richard Rothschild
Mrs. John Ruan III
Ms. Madeleine K. Rudin
Mr. and Mrs. David Rudnick
Honorable Philip E. Ruppe
Ms. April Russell and Mr. Hampton Lynch, Jr.
Mrs. Alexandra Hersey Hamm Ryan
Mrs. Adele K. Schaeffer
Mr. and Mrs. Matthew Schecter
Ms. Vera Alfieri Serrano
Mr. Mark L. Shapiro and Mrs. Judy C. Lewent
Mrs. Jean S. Sharf
Mr. and Mrs. Morton H. Simkins
Mr. and Mrs. Steven J. Simmons
Mr. and Mrs. Beryl D. Simonson
Mr. and Mrs. Frank P. Slattery Jr.
Mr. and Mrs. Matthew K. Smith
Mrs. Suzette de Marigny Smith
Mr. and Mrs. Charles A. Smithgall III
Ambassador and Mrs. Clifford M. Sobel
Mr. and Mrs. Timothy S. Sotos
Ambassador and Mrs. Craig R. Stapleton
Ms. Susan S. Stautberg
Mrs. Marlene Strauss
Mr. and Mrs. John M. Sullivan Jr.
Mr. and Mrs. Joseph E. Swan
Mr. and Mrs. Steven Tananbaum
Ambassador and Mrs. Nicholas F. Taubman
Mrs. Susan Taylor
Mr. and Mrs. Mark A. Tebbe
Mr. and Mrs. Dom Telesco
Mrs. Sandra N. Thompson
Mr. and Mrs. Richard E. Thornburgh
Mr. and Mrs. John L. Townsend III
Mrs. Meredith A. Townsend and Mr. William Blind
Mr. and Mrs. Peter Trethewey
Mr. and Mrs. Joseph V. Tripodi
Mr. and Mrs. Bruce Tucker
Mr. and Mrs. Wallace Turner
Mr. Stephen Uihlein and Mrs. Alessandra Branca-Uihlein
Mrs. Nancy Best Van Deuren
Mr. and Mrs. Cornelis J. Van Hoek
Mr. and Mrs. Christopher S. Vecellio
Mr. and Mrs. Stephen R. Weiner
Mr. and Mrs. William C. Weldon
Mr. and Mrs. Thomas C. Weller
Mr. and Mrs. Charles P. Werner
Mr. and Mrs. William B. Wiggins Jr.
Mrs. Cynthia and Mr. William Wilby
Mrs. Kelly M. Williams and Mr. Andrew Forsyth
Mr. and Mrs. Benjamin J. Winter
Mr. Michel Witmer
Mr. and Mrs. Robert K. Wood
Mrs. Jane B. Woodman
Mr. and Mrs. Robert C. Wright
Mrs. Carol N. Wyett
Mr. and Mrs. Leonard Zack
Gifts from non-members to The Four Arts of $10,000 or more per year
Mr. Barron N. Hilton
The Hulitar Foundation
Gifts from members and non-members to The Four Arts of $5,000 to $9,999 per year
Mr. and Mrs. Michael Ainslie
Mrs. Emilia Menocal Alexandre and Mr. DeWitt L. Alexandre, Jr.
Mr. and Mrs. Joseph Allen
Mr. Thomas Andruskevich and Mrs. Suzanne McMillan
Mrs. Jameson A. Baxter
Annual giving donations are defined as tax-deductible gifts made in addition to membership dues. Donations are recognized during the fiscal year in which they are received, from July 1 through June 30. Gifts to capital campaigns or special projects are much appreciated and recognized separately.
Mrs. Henry Darlington Jr.
Mrs. Martha DeBrule
Mr. and Mrs. Robert H. Eder
Mr. and Mrs. Kenneth Eisenberg
Mr. and Mrs. Robert B. Evans
William and Anne Farrell
Mrs. Anne Fisher
Mr. and Mrs. Lawrence Flinn Jr.
Mrs. Lynn A. Foster
Mr. and Mrs. Nathan Gantcher
Ms. Carole Gigliotti
Mr. John Herrick Gooch
Mrs. Henry F. Harris
Mrs. Clair A. Heise
Mr. and Mrs. Carl Hewitt
Mrs. Charles H. Jones Jr.
Mr. and Mrs. Arthur L. Kelly
Mr. and Mrs. Jonathan S. Linen
Mr. and Mrs. Carmine A. Martignetti
Mr. and Mrs. Donald Mintmire
Mr. and Mrs. David Newton
Mrs. Lorraine Odasso
Ms. Cynthia Polsky and Mr. Leon Polsky
Mr. Steven Rappaport and Ms. Judith A. Garson
Mr. and Mrs. P. Anthony Ridder
Mr. and Mrs. Donald J. Riley
Mrs. John J. Rinker
Alix and Scott Sandell
Mr. and Mrs. David L. Sliney
Mrs. Beverly Sommer
Mr. and Mrs. Alberto Vitale
Mr. and Mrs. Raymond Wareham
Mr. John Howard Wert
Mr. and Mrs. R. Richard Williams
Gifts from members and non-members to The Four Arts of $2,500 to $4,999 per year
Mrs. Steven Ames
Ms. Penny Bank
Mr. and Mrs. George W. Beverly Jr.
Mrs. Louise L. Braver
Mr. Stephen L. Brown and Mrs. Jamie Stern
Mrs.Karen S. Butler
Mr. and Mrs. Michael Carney III
Mr. Sumeet Chabria and Mrs. Donna Chabria
Mrs. Gail Cooke
Mr. and Mrs. Stephen Dattels
Mr. and Mrs. William J. Devers Jr.
Mr. and Mrs. Donald Dwares
Mrs. Mary Ann Ehrlich
Mr. and Mrs. Robert Epstein
Mrs. Eric C. Fast
Mr. and Mrs. Gregory W. Fisher
Mr. and Mrs. Peter Garvy
Mr. and Mrs. David Genser
Beth and Marc Goldberg
Mrs. Mary Harrington
Mrs. David Herwitz
Mr. and Mrs. Michael J. Horvitz
Mr. and Mrs. Charles Marion Johnson III
Mr. and Mrs. Stanley Katz
Mr. and Mrs. Bradley Krey
Mr. and Mrs. Douglas Thomas Lake
Mr. and Mrs. Jeffrey Lane
Mr. and Mrs. H. E. Lentz
Mr. and Mrs. Benjamin F. Lucas II
Mr. and Mrs. Roman Martinez IV
Mr. and Mrs. Edward Masterman
Mr. and Mrs. Alan Menkes
Ms. Judith Miller
Mr. and Mrs. Mitchell Morgan
Mr. and Mrs. William I. Morton
Mr. and Mrs. Clarence V. Nalley III
Mrs. Kathrine Palmer
Dr. Giselle Anna Parry
Mr. and Mrs. Joseph Patton
Dr. and Mrs. G. Wesley Price
Mr. and Mrs. Harry T. Rein
Mr. and Mrs. M. Weldon Rogers IV
Mrs. Bonnie Johnson Sacerdote
Mis. Kay T. Segerdahl
Mrs. Jerome Serchuck
Mr. and Mrs. Robert Bland Smith
Mrs. E. Massie Valentine
Dr. Mary Frances Smoak Walde and Mr. William L. Walde
Mr. and Mrs. Christopher M. Wiedenmayer
Mr. Matthew Wyatt
Gifts from members and non-members to The Four Arts of $1,000 to $2,499 per year
Mr. and Mrs. Leo Arnaboldi III
Mr. and Mrs. Harris J. Ashton
Mrs. Ellen B. Asplundh
Mr. and Mrs. James B. Bertles
Mr. David Brodsky and Ms. Emmelle Segal
Mr. and Mrs. George R. Bunn Jr.
Mrs. Edwin M. Burke
Mr. and Mrs. Rob P. Bushman III
Mr. and Mrs. James Morgan Clifford
Mrs. Eileen Cornacchia and Dr. John Grabow
Mr. and Mrs. Paul J. Crowley
Mrs. John Cutting II
Mrs. Barbara Daniels
Mr. and Mrs. Loic de Kertanguy
Mr. and Mrs. David Duffy
Ms. Leslie A. Fitzgerald Fallon
Mr. Joshua Fleming
Mr. and Mrs. James T. Flynn
Mr. and Mrs. Joseph S. Frelinghuysen
Mr. and Mrs. Gerald Kip Geddes
Mr. Michael Gibbons
Mr. and Mrs. Thomas F. Gilbane Jr.
Mrs. Edward T. Goodman
Mrs. Robert G. Gordon
Mrs. Rachel K. Grody
Mr. and Mrs. Neil Hamilton
Mr. and Mrs. Franklin L. Haney
Mr. and Mrs. G.F. Robert Hanke
Mr. and Mrs. Robert D. Hardwick
Mr. and Mrs. Robert K. Hatcher
Mr. and Mrs. Henry W. Howell
Mrs. Allison Ridder Johnstone
Mr. and Mrs. Victor K. Kiam III
Mr. and Mrs. Thomas M. Kirchhoff
Mr. and Mrs. Christopher Larmoyeux
Mrs. Elaine Learson-Schoch
Mr. and Mrs. Alan Remy Leist Jr.
Mr. and Mrs. Richard Leonard
Mrs. Josephine P. Louis
Mr. and Mrs. Robb R. Maass
Mrs. Zelda Mason
Mr. and Mrs. Michael P. McDonough
Mr. and Mrs. Charles H. McGill III
Mr. and Mrs. Peter D. McLeod
Mr. and Mrs. Marc Alain Meadows
Mr. and Mrs. Craig Millard
Mrs. Marjorie L. Miller
Mr. and Mrs. George B. Moore
Mr. and Mrs. John H. Morris Jr.
Ms. Madeleine Morrison and Mr. Charles Bellock
Mr. and Mrs. John F. Niblack
Mr. David G. Ober
Mrs. Frank A. Olson
Mrs. Evelyn O’Neil
Mr. and Mrs. Laurie Charles R. Oppenheim
Mr. John F. Otto Jr.
Dr. and Mrs. Nicholas Papanicolaou
Mr. and Mrs. Paul E. Petry
Dr. and Mrs. Charles E. Pierce Jr.
Mr. and Mrs. Harvey L. Poppel
Mr. and Mrs. Robert J. Reveley
Mrs. Ene Riisna
Mr. and Mrs. Timothy J. Rooney
Mr. C. Tanner Rose Jr.
Annual giving donations received from July 1 through October 18, 2024
Mrs. Sarane H. Ross
Mr. Thomas Schoch
Mr. Shouky A. Shaheen
Mr. Alan Shayne and Mr. Norman Sunshine
Mrs. J.V. Shields Jr.
Mrs. Suzanne W. Silver
Mr. and Mrs. Richard Sloane
Mrs. John J. Slocum
Ms. Elizabeth Sorrel
Ms. Heidi L. Steiger
Mr. and Mrs. Steven Stern
Dr. and Mrs. John Strasswimmer
Dr. and Mrs. Stephen Sullivan
Mr. and Mrs. William E. Sullivan
Mr. and Mrs. Harry Theodoracopulos
Mr. and Mrs. John Thorndike
Mr. and Mrs. Walter S. Tomenson Jr.
Mr. and Mrs. Stanley S. Trotman Jr.
Ms. Susan Van Pelt
Mr. J. David Veselsky and Mr. Kenneth B. Elias
Mrs. Kenneth Walker
Ms. Kendall Wheeler
Mr. and Mrs. Austin Willis
Mr. and Mrs. Watson Wright
Mrs. Ilsabe W. Wyman
Mr. and Mrs. Donald S. Young
Mr. and Mrs. Thomas E. Zacharias
Gifts from members and non-members to The Four Arts of $100 to $999 per year
Mrs. John H. Alban Jr.
Mr. David Albenda
Mrs. R. Jack Alexander Jr.
Mrs. Gale Alger
Mr. and Mrs. Christian Angle
Dr. and Mrs. Carter S. Bagley
Ms. Catherine Balbach
Mr. and Mrs. Matthew Barrett
Mr. and Mrs. Peter A. Belmont
Mr. and Mrs. Harry James
Benson CBE
Ms. Mary Beth Bloomberg
Mr. Thomas Patrick Boland
Mr. and Mrs. John G. Buchanan III
Mr. Douglas Buck and Mrs. Bobbie Lindsay
Mr. and Mrs. Richard P. Callahan
Mrs. Kathleen Fletcher Chace
Mr. Garry M. Collins
Mrs. Frank S. Coniglio
Mr. and Mrs. David S. Daniel
Mrs. Patricia Donnelley and Mr. Douglas Stockham
Mrs. John C. Duggan
Mr. and Mrs. Laurence Dunst
Ms. Harriett Eckstein
Ms. Geri Emmett and Mr. Michael Magnani
Mr. and Mrs. Edward S. Evans III
Ms. Susan M. Faries
Mr. Patrick Foy
Mrs. James M. Gabler
Mr. and Mrs. Robert N. Garrison
Mrs. Sally M. Gibson
Mrs. Martha Glasser
Mr. and Mrs. John B. Goodwin Jr.
Mr. and Mrs. John C. Gordon
Mr. and Mrs. Stephen Francis Gormley
Mr. and Mrs. Thomas Griffen
Ms. Denis K. Hanrahan
Mr. and Mrs. Henry Phipps Hoffstot III
Annual giving donations are defined as tax-deductible gifts made in addition to membership dues. Donations are recognized during the fiscal year in which they are received, from July 1 through June 30. Gifts to capital campaigns or special projects are much appreciated and recognized separately.
Mrs. Lynn Homes
Mr. and Mrs. Albert D. Hutzler III
Mrs. Lawrence Ingber
Mr. and Mrs. Herbert Jablin
Mrs. Katharine M Jones
Mrs. Renata Jones
Mr. and Mrs. Robert Emerson Kaufmann
Mr. and Mrs. John P. Keller
Mrs. Benigna Kirsten
Mrs. Dolores Kohl
Mr. and Mrs. Mark N. Kozak
Mr. and Mrs. Milton Lachman
Mr. Charles F. Lanigan
Mrs. Patricia Lebow
Dr. and Mrs. Jeffrey Leiden
Mrs. L. Marguerite Lenfest
Mr. and Mrs. Per Arne Lorentzen
Mr. David Blackwell Lowe
Mr. and Mrs. Clark Fownes
MacKenzie
Mr. and Mrs. Rocco A. Marcello
Mr. and Mrs. A. Lewis Markfield
Mr. and Mrs. Spencer Scott Marsh III
Mrs. Mas G. Massoumi
Mrs. Helaine Hobby McKenney
Mr. and Mrs. Stephen McPherson
Mr. and Mrs. Henry Mellon
Mrs. Katherine Mezzacappa
Mr. and Mrs. David Hubbard Morrish
Mr. and Mrs. Robert Moynihan
Mrs. Herbert J. Myers
Mr. and Mrs. Warwick Fay Neville
Mr. and Mrs. Timothy J. O’Hara
Mrs. Deborah Landon O’Kain
Daniel and Carole A. Pichney
Mrs. Leonard S. Platt
Mr. and Mrs. Gilbert Prawer
Mrs. Robin H. Prince
Mr. and Mrs. Michael J. Pucillo
Mr. and Mrs. Richard T. Reminger
Mr. David R. Rinehart
Mrs. Irene Ritzenthaler-Casey
Mr. and Mrs. Richard L. Robbins
Mrs. Judith Robinson
Mr. and Mrs. Andrew Rodman
Mr. and Mrs. Randall Brewster Roe
Mr. and Mrs. Leonard G. Rogers
Mrs. Laura Rose
Mrs. Raphael J. Rothstein
Mrs. Carole Ruhlman and Mr. Michael Ruhlman
Mrs. Stanley Rumbough Jr.
Mrs. June Salny
Mr. and Mrs. Victor J. Scaravilli
Mr. and Mrs. Stuart Schapiro
Mr. and Mrs. K. Christian Schoeller
Mr. and Mrs. George H. Shattuck Jr.
Dr. and Mrs. Daniel O. Sokoloff
Mrs. James B. Sommers
Mr. Campbell Steward
Mr. and Mrs. Robert P. Stiller
Mrs. Marion H. Straton
Mr. and Mrs. William Strawbridge
Mrs. Christine S. P. Strawbridge
Mrs. Edna Strnad
Mrs. Ann Lesesne Sutherland and Mr. Malcom Sutherland
Mr. and Mrs. Hirotake Suzuki
Mr. and Mrs. Joe B. Thompson
Mr. and Mrs. Schuyler Tilney
Mr. and Mrs. Albert J. Togut
Mrs. and Mr. Pascal Franchot Tone
Mr. and Mrs. Peter Van der Wolk
Mrs. Ralph B. Vogel
Mrs. Carol Weltz
Mr. and Mrs. Charles S. Whitman III
Mrs. Thomas Miller Wilkinson
Mr. Frederick Wright Jr.
Mrs. Shelby Wyckoff
Mr. and Mrs. Ronald F. Young
Peter and Patricia Yunghanns
Amb. W.L. Lyons Brown, given by Mr. and Mrs. Alexander P. Federbush
Edith Dixon, given by Ms. Kimberly V. Strauss
Joseph Flanagan, given by Harriet Resnick
Sally Kessler, given by Ms. Linda R. Olsson
Dudley Moore, given by Mr. and Mrs. Stanley Graber
Nell W. Otto, given by Mr. John F. Otto Jr.
Amb. Bonnie McElveen-Hunter, given by Mr. and Mrs. John H. Livens
Nancy Talsky, given by Mr. Michael Kasdan
Walter C. Teagle III, given by Mrs. Walter C. Teagle III
The Four Arts wishes to thank the following partners for their generous support:
GENERAL SUPPORT
Chilton Trust
The Bob Merrill Band
The Breakers Palm Beach
Chik Monk
Civil Society Brewing Company
Loïc Bakery
Nosh Catering
Ovando
TooJay’s
Winebow Imports
Wolffer Estate Vineyard
The Garden Club of Palm Beach
Tourist Development Council: Cultural Council for Palm Beach County
The Town of Palm Beach
Capehart Photography
South Florida PBS TV
WLRN 101.9 FM
WEST PALM BEACH, FLORIDA
PERMIT NO. 1817 fourarts.org
100 Four Arts Plaza • Palm Beach, FL 33480
Adventure, Architecture, and Palm Beach Fun for the whole family • No charge • Reservations required, call (561) 655-2776
with Robert L. Forbes
Saturday, January 25, 2025 at 10:30 a.m.
Presented in partnership with The Preservation Foundation of Palm Beach
Addison Mizner created a style of architecture now known as Mediterranean Revival that swept Palm Beach, Florida in the 1920s. His story from adventurous youth to famous architect is filled with many twists and turns, and dreams. Join us as Robert Forbes shares excerpts from Addison Mizner Visionary Architect in the Children’s Library. This family program will include a book reading, Mizner-inspired arts & crafts, a blueprint planning station, and refreshments. A special thank you to The Preservation Foundation of Palm Beach for gifting a copy of this book to each family in attendance.
COVER PHOTO: Georgia O’Keeffe (American, 1887-1986), Antelope Head with Pedernal, 1953, Oil on canvas, 20¼ x 24¼ in. Gift of the Thomas Gilcrease Museum Association, John Steele Zink Foundation, and Peter M. Walter, Courtesy Gilcrease Museum and American Federation of Arts.