Architecture Portfolio 2012

NOW, PLEASE...

CTRL

L

PORTFOLIO

+ ...EVERYTHING STARTS WITH HANDS

IMPORTANT LECTURES (IMPACT)

Winy Maas MVRDV

Alvaro Siza

Renzo Piano RPBW

E. S. de Moura

David Adjaye Adjaye Ass.

Peter Cook CRAB Bjarke Ingels BIG

Cecil Balmond Rem Koolhaas Ove Arup OMA Jan Gehl Gehl Architects Eduardo Arroyo No.Mad

Wang Shu Amateur A.

MORALE “ARCHITECTURE, YOU SURE?”

10 20

Published project Improving Elbasan w/ R.Castiglia Exhibited project Uncharted territories Pisa, IT

Graffiti writing

Published project Arch&Sostenibilità Quaderno 7

Calligraphy

Marathon running Parkour

Internship 3Gatti Arch.St. Shanghai, China

Canada Pavilion 5468796+J-S.C. 13. Biennale, Ve Extern Corde St. Venice, IT 2nd Prize Cemeterial Park Competition

2nd Prize De Arkitecten CIE Workshop

2nd Prize Laura Alvarez Workshop

Photoshoot Ass. BBDO Dubai Ad. Paris, FR

Mock-Up Assistant Pia Lizzadro Milan, IT

Published project Delft-Mendrisio-UniFi...

FlorenceArchWorkshop Kadapak&G. Exhib.

Luxembourg Pavilion 12.Biennale, Venice

Interior design Car design

13

09 20

Animator Misseri Studio Florence, IT

Carpenter Amsterdam, NL

EXTRA ACTIVITIES & HOBBIES

Model Maker Studios/students

1st Prize Delft-Mendrisio-UniFi Workshop

WORK, OTHER

PUBLICATIONS & EXHIBITIONS

20

08 20

Extern Next Design Studio Florence, IT

ReDesign Elbasan University of Pisa Internal Competition

Car Design Eur. Inst. of Design Scholarship, Turin, IT

12

07 20

ReDesign Elbasan University of Pisa Albania

Car Design Eur. Inst. of Design Scholarship, Turin, IT

20

06 20

AWARDS & PRIZES

11

05 20

Bachelor Architecture IUAV Univ. of Venice

Building Engineering University of Pisa

WORK, ARCHITECTURE

20

04

ACADEMIC ACHIEVEMENTS

20

TIMELINE

40.000 hours Exhib.

LaBiennale Pavilion 13.Biennale, Venice Published project De Arkitecten CIE Workshop

Exhibited project FestivalArchitettura Parma, IT

Interaction design Typography

PROGRAM

Cemetery + Park

CATEGORY

Public Building Landscape Design Team

5

3

ARCHITECTS

BUSY WEEKS

20

13

WORK, EXTERN at Corde, VENICE SECOND PRIZE

20

12

ROLE

HOW DO WE TURN PAST TRASHES INTO FUTURE TREASURES?

Meters²

37400 ~ 1200 4800 5300 26100

TOTAL AREA

2 COLOSSEUMS

PATHWAYS

PARKING

BUILDINGS

GREEN PARK

Competition aly

P

It o, rat

.

AA ly E RD , Ita CO nice Ve

1274 138 12000

RULES DOWNLOADS

FIRST PRIZE

PAGES OF RULES

€

UNDERSTANDING THE RULES FIGURING OUT SIZES DESIGN PHASE HAIRDRESSING IMAGES

CRITICAL MÆSSES

01

PO Chronologic development of the project Ita

5

10mt

planivolumetric plan 0

10

40m

1960s EXPANSION Fake tuscan style. Bad.

10mt

1970 EXPANSION Fake tuscan, real concrete. Very bad.

temple 01

5

temple

1800s CEMETERY Very nice.

1980s EXPANSION Modernist concrete. Very VERY bad.

2000s FINISHING TOUCHES A.Natalini called for desperate help.

‘12

CRITICAL MESSES - APPROACH “I ain't touching that MESS!”

Functions Main entrance, corpses entrance

CRITICAL MASSES - SIZE MATTERS Weeks figuring out the right size of things, and how to connect them.

Corpses entrance and families Temple

New parking spaces

Charnel house, cinerary

TELEPHONE CALL #n+1 “Hello Sir, how big is your [...]?”

New entrance to cemetery

Wrk

Service entrance

CRD

Access to park

Park

Access to park

Awd 2nd

Species of trees, existent and by design

Cupressus sempervirens Quercus Ilex “informa” Fraxinus excelsior

Magnolia stellata Cupressus sempervirens Quercus robur / Catalpa

Quercus ilex “in forma”

Existing trees

Quercus ilex “in forma”

DESIGN PHASE 3 full days. I mean, nights and all.

GLOAT 2nd prize, big smiles (and 5000¤).

offices PO Ita

to the temple

rooms for rituals

temple 01

Rooms for ritual, configurations

‘12

space reserved to the public

room 1+2, 108 seats room 1, 70 seats room 2, 38 seats

Wrk CRD

space reserved to corpses

Diagram of the fluxes Diagram of the fluxes

Awd 2nd

ple at park level cremation room Pblc + Ldsc

pavilions 0

5

10m

I padiglioni scala 1:200 01

5

10mt

room reserved to ashes

planivolumetric plan 0

10

40m

temple 01

5

temple

10mt

visitors personnel coffins ashes spaces for the personnel / offices cremation spaces for the public technical spaces

5

10

pavilions

PO

0

5

10m

Ita I padiglioni scala 1:200 01

5

10mt

planivolumetric plan 0

10

40m

temple 01

5

temple

‘12

Wrk Prefabricated modules

CRD

Awd 2nd

Prefabricated modules Pblc + Prefabricated modules Ldsc

Flexibility of the modules

Flexibility of the modules Flexibility of the modules

10mt

PROGRAM

Park + Pool + Houses + + Research center Public/Private building Landscape Team leader, Stu. Work

CATEGORY ROLE

1

4

MODULAR CELL

DIFFERENT COMBOs

20

20

13

12

EXAM

CAN RESEARCH, LANDSCAPE, LIVING AND SPORT COEXHIST COHERENTLY?

Meters²

26860 ~ 400 630 710 22700 31.5

TOTAL AREA

ZAHA’S MAXXI

RESEARCH CENTER

RESIDENTIAL

SPORT AND LEISURE

GREEN PUBLIC SPACE

7.40

5.40

3.30

3.80

y

v Tre

iso

al , It

SINGLE MODULE

NECESSARY TRUCKS

½

+

½

Green park QUERCUS ROBUR

CASTANEA SATIVA

PHRAGMENT AUSTRALIS

ACER PALMATUM

GREENERY PAVED SURFACE

PAVED OR COBBLED

PATTERNATURAL

Assigned area, karstic hills and dolines TV

OF FAUNA SEASONAL POLYCHROMY PRESERVATION WINTER

SPRING

SUMMER

AUTUMN

Ita

SO

UT

H

ST EA Three required axis

guestroom#3, 2nd floor 0

‘12

2

planivolumetric plan 5m

0

10

40m

pavilions

SO

UT

H

01

ST EA

10m

5

I padiglioni scala 1:200

30 / 30

2

Definition of a pattern to lay down

1

3

Castanea Sativa Quercus Robur Phragment Australis Acer Palmatum

01

5

10m

planivolumetric plan scale 1:2500 0 5 10 20

40m

temple 0 1

5

10m

planivolumetric plan 0

SO

UT

H

10

40m

ST EA

Patterned vegetation and pathways Pblc + Ldsc

SO

UT

H

Vegetation and trees Green pathways Shaded picnic areas Paved areas and pathways Buildings

ST EA

LANDSCAPE + PARK

Pathways and green areas

Form genesis, Housing

30 m2 UNIT 1

TV Ita

S E U S O H

45 m2 UNIT 2

75 m2 UNIT 4

45 m2 UNIT 3

90 m2 UNIT 5

‘12

30 / 30

MODULES

Kitchen+Dining+Bath

Pblc + Ldsc

HOUSES

Kitchen+Bath

Single bedroom #1

Single bedroom #2

Single bedroom #3

Double bedroom

Twin bedroom

Stairs

Form genesis, Pool & Gym TV

ASSIGNED SITE#1 On a hill, famous for its river and its WW1 battles.

Ita

REQUIREMENTS “Aim at 3 spots with 3 axes”. (WTF?) Pool & Gym, section

ASSIGNED SITE#2 From our spot, nothing, either far or close, was visible.

INTIMIDATION#1 Most projects developed around the 3 directions. We had none.

‘12

Research center, section

QUARREL Teachers still wanted 3 axes.

DECISION No axe was ever said to be a visual connection. Then we do it different.

30 / 30

AXIS#1 - PEOPLE Aligned towards the closest village.

Form genesis, Research center

AXIS#2 - WAR Only visual one, aiming at a WW1 monument.

AXIS#3 - RIVER Latent axe, toward its alpine source.

PARK#1 Patternized mixing the axes directions.

PARK#2 To increase biodiversity, used 4 plants typical of the area, but lost over time.

Pblc + Ldsc

BUILDINGS#1 Studying a critical mass by each function.

BUILDINGS#2 Designed a prefabricated modular cell.

BUILDINGS#3 Based on needs, modules combined.

COLORS Applied on buildings after th synthesis of landscape photos into color strings.

POOL & GYM

RESEARCH CENTER

PROGRAM

Shelter for refugees

CATEGORY

Experimental Student Work, Team

13

SECOND PRIZE WORKSHOP EXHIBITION 20

20

12

ROLE

Surface materials GREEN

FREE SPACES

WOOD

PATHWAYS WALL AS SURFACE

PLASTER

PUBLIC SQUARES

STONE PAVEMENT

SHALL IMMIGRANTS REBUILD A NEW SOCIETY THRU ARCHITECTURE?

SUNSHADES

NET

Foreigners in Italy 4 Mil 2 Mil Source: ISTAT 2003

2011

Meters²

PUBLIC SPACE

45%

55%

3200

PERMANENT HOMES

Z RE A V L AL , N A m UR rda LA ste Am e, nic

ly

Ita

800

WORK

BUILT AREA

600

IMMIGRATION CENTER

2300

TEMPORARY HOMES

800

MULTI-FUNCTION

Ve

1000

400

SCHOOLS

NURSERY

500

4000

FIRST ASSISTANCE

BASKETBALL ARENA

SEEKING REFUGE

VE

Exploded axonometric view guestroom#3, 2nd floor

Ita

0

2

A

planivolumetric plan 5m

0

10

40m

pavilions Project surface

01

10m

5

I padiglioni scala 1:200 01

5

10m

planivolumetric plan scale 1:2500

‘12

0 5 10 20

Modules & Exceptions

40m

temple 0 1

5

10m

planivolumetric plan

28 / 30

0

10

40m

Grids disposition

Awd

SC

HO

Xpm

0

0

Exceptions

S

N

WO R

K

Semi-modular and modular

Section A - A’

F AS IRST SIS TE NC

00

120

NU

RS

ER Y

320

B HA ASK LL ET B

AL

E

0 240

M FU ULT NC I TIO N

Functional program to build, m³

0

150

I CE MMIG NT ER RATI O

OL

0 240

Exh

0

300

300

2nd

0 690

P DW ERM EL AN LIN EN G T

0

960

T DW EMP EL ORA LIN R G Y

L 00

600

TO TA L

A’

VE

Prefab modular units

Example of disposition

STARTING QUESTION How would we react if the Lampedusa detention center were to move to Venice?

A’

Ita

SITE S. Biagio, island on the edge of the Giudecca island, used entirely as dump.

Kitchen + Dining

APPROACH Turning imprisonment into living with architecture, through activities, freedom on the inside, and interaction.

Living

>ARCHITECTURE BUILDS SOCIETY< A unifying super-surface to dwell, work, teach, learn, develop, evolve. To live.

‘12

28 / 30

Ground floor

A

Kitchen + Living

INSIDE WORLD working and learning - continuous coming and going - inner city OUTSIDE WORLD exchange - pubblic services - humanitarian associations

B

Double bedroom

B’

Triple beds Awd

First floor

2nd

Xpm

Twin beds + Bath 0 1 2

5m

Temporary dwelling

Multi-functional

Permanent dwelling

Work

Disposition principles

Exh

Section A - A’

Section B - B’

APPROACH#2 Not a structure, but an infrastructure to make life happen in between.

APPROACH#3 A facade, a shape is a statement in conservative countries. Not in China.

REGULATIONS No building can overshadow any other in the neighborhood.

TRADITIONS ON TOP A siheyuan, a courtyard, for traditional activities, as calligraphy, tea and taiji.

PROGRAM

Suspended footbridge

CATEGORY

Technology Restauration Student Work

ROLE

1543

PALLADIO STARTS

1558

END OF CONSTRUCTION

20

20

13

12

EXAM

Students’ projects

98.4% 1.6%

CATALOGUE STUFF

MYSELF

Meters

-3.4

GROUND HEIGHT

+4.3

VAULT HEIGHT, TOP

Kilograms z

n ce Vi

aly

It a,

HOW DO YOU USE GLASS, AVOID BANALITY, AND STILL SAVE MONEY?

865 ~ 630 ~ -27% -38%

OLD GLASS PAVEMENT

SMALL CARAVAN

NEW GLASS PAVEMENT

FERRARI F1 + PILOT

GLASS WEIGHT

FOOTBRIDGE WEIGHT

-27% $$$ GLASSERELLA

VI

bending moment: BAD

Ita

!?

↓

over-engineered, old solution

??

↓

new solution

‘12

!

case study #7: Saint Gobain LiteFloor, 70x100 cm sheets

6mm sacrificial sheet 8mm float glass 1.5mm pvb 15mm tempered 1.5mm pvb 8mm float glass

40mm

prototype: 0 mm 40 80

~

NOT necessary

glass torque: BAD

Tcnl + Rst

↓

!

kg

↓

!?

↓

865

?

Inverted to minimize torque

-27

%

!!!

kg 0 3 6

VI Ita

SITE Palladian villa, restoration+intervention.

RESTORATION Just follow procedure.

INTERVENTION No catalogue stuff. I'ma do me.

INTIMIDATION#1 Very few f*cked with Palladio and won.

‘12

30 / 30

INTIMIDATION#2 Prof.Piana is the main expert at restauration in Northern Italy.

PROF.PIANA#1 “Use no glass floor for internal footbridges: you don't want paparazzi waiting for upskirts.”

GIRL REACTION “I must start from scratch” (WTF?).

GUY REACTION “I could sand the surface” (bullsh*t!).

MY REACTION “Screw that, i'll use glass. But better”.

ENLIGHTENMENT#1 Glass as structure is good, as pavement is bad: let’s do a structural pavement.

OUTCOME#1 Same resistance, -27% glass used.

Tcnl + Rst

OUTCOME#2 Less steel needed, -35/40% tot weight.

OUTCOME#3 Translucency, no banal transparency.

PROF.PIANA#2 + GLOAT “Very good idea. Fix this thingie and patent it.”

VI Ita

Exploded axonometric view

â&#x20AC;&#x2DC;12

30 / 30

Mock-Up of the materials

Tcnl + Rst

screwed adhesive welded positioned Assembly informations

PROGRAM

Multi-function highrise

CATEGORY

Public Space Private development Design Team

ROLE

WORK, INTERN at 3Gatti, SHANGHAI

Meters

103 ~

12

11

20

20

CAN THE HUMAN-SCALE SURVIVE IN A COUNTRY LED BY MARKET LAWS?

MAXIMUM HEIGHT

FLORENCE CUPOLA

Meters² WATERCUBE

~ 50000 TOTAL AREA

Functions CHINESE TRADITION

PARK

OFFICES

RESIDENCES

VIP HOTEL

RESTAURANTS

HOTEL

RETAIL SHOPS

ina

an Xi

,C

a hin

S

a

gh

n ha

h i, C

SHELF-SCRAPER

XIA Chn

â&#x20AC;&#x2DC;11

Shadow speed and critical areas Wrk 3GT

Mlti

Shadow speed increases with the distance from the building

Fnct

Und Cstr

Problem Area solved by the gap

BUSINESS IN CHINA#1 The moods of the Market guide the construction business in China.

XIA Chn

BUSINESS IN CHINA#2 The lack of strong planning results what appears to be spontaneity.

BUSINESS IN CHINA#3 Soon after construction, people will start a constant change of the building APPROACH#1 Include this chinese dynamicity in an ongoing re-design of the highrise.

â&#x20AC;&#x2DC;11

APPROACH#2 Not a structure, but an infrastructure to make life happen in between.

APPROACH#3 A facade, a shape is a statement in conservative countries. Not in China.

REGULATIONS No building can overshadow any other in the neighborhood.

Wrk

TRADITIONS ON TOP A siheyuan, a courtyard, for traditional activities, as calligraphy, tea and taiji.

3GT

Mlti Fnct

Und Cstr

Chinese functions

Park

Offices

Residences

VIP Hotel

Restaurants

Hotel

Retail shops

PROGRAM

Winery + Hotel

CATEGORY

Private building Restauration Design Team

ROLE

Meters²

WORK, INTERN at 3Gatti, SHANGHAI

310 ~

12

11

20

20

CAN WINE AGE IN A COUNTRY THAT REFUSES HIS PAST?

TOTAL AREA

VILLE SAVOYE

Rooms

7 3

11 54

NEW ROOMS

BAMBOO BUBBLES

GUESTROOMS

BOTTLES ON DISPLAY

Meters ina

an Xi

,C

a hin

S

a

gh

n ha

h i, C

4000 1500 far

OF BAMBOO STICKS

BAMBOO FOREST

Costs HARDWOOD ‘06

‘07

‘08

‘09

‘10

‘11

BAMBOO

CHINESE BOXES

XIA

CLIENT Winery in an historical building.

Chn

entrance

CONTRADICTION#1 The building did not look historical at all.

CONTRADICTION#2 In China, historical means also “done LIKE in the past”.

APPROACH#1 “European” historical approach: no wall touched.

‘11 guestroom#1

MATERIALS The bubble structures are local intertwined bamboo.

APPROACH#2 Chinese boxes. Better: chinese barrels.

tasting room

Rooms, first floor Wrk 3GT dining suite

guestroom#2

Hotl + Wnr

guestroom#3

Und Cstr Rooms, second floor

exhibition room

XIA Chn 1 2 3 4 5 6 7 8 9

guestroom#3, 2nd floor

â&#x20AC;&#x2DC;11

0

2

planivolumetric plan 5m

0

10

pavilions

Section cuts

01

10m

5

I padiglioni scala 1:200 01

1

Wrk

2

3GT

1 2 3 4 5 6 7 8 9

scale 1:2500 0 5 10 20

Hotl + Wnr

5

6

7

8

Und Cstr

9

40m

temple

planivolumetric plan 0

4

10m

planivolumetric plan

0 1

3

5

10

40m

5

10m

40m

Perspective view

PROGRAM

Single house

CATEGORY

Research Private building Student Work

ROLE

Meters

EXAM

11

10

EXHIBITION & PUBLICATION 20

20

CAN THE NEW LIVE ON, IN A LAND WEIGHTED DOWN BY ITS PAST?

30far from

DISTANCE

FLORENCE CUPOLA

950s

Meters²

250 ~

TOTAL AREA

FALLINGWATER

1580s

Old neighbors HOUSE

16th

?

10th

2010s

TOWER

aly

Flo

re

It e, nc

Towerhouses

A.D.

DAHANE OH! NO PURE PRISM !

REFERENCE

FI Ita

‘10

30+ / 30

Hou + Intrr

Exh + Publ

FI Ita

REQUIREMENTS Single house, 10x10x10m, no precise context given, we could choose.

CONTRADICTION No context IN ITALY, WTF?!?

CHALLENGE I need boundaries to push the project beyond: the harder the better.

SITE#1 30m far from Brunelleschi's Cupola.

‘10

SITE#2 A beautiful interstice between a Renaissance building and a 10th cent. tower-house.

30+ / 30

INTIMIDATION#1 The professor is an expert in medieval fortification.

INTIMIDATION#2 Read Site#1 and Site#2.

CHALLENGE#2 I don't bring knives to gunfights: EVERYTHING needs to be justifiable.

RESEARCH#1 Months pass, locked into libraries.

RESEARCH#2 Even the smallest detail had a reason, from the materials to the steps’ height.

Hou + Intrr

Exh + Publ

PROFESSOR + GLOAT “I don't even like this kid, but damn, I can't help but give him the Laude: he justified everything!”

FI Ita

‘10

30+ / 30

Exh + Publ

People working

PROGRAM

Chalk Models

CATEGORY

Model making

ROLE

Team leader, Stu. Work

20

20

13

12

EXAM EXHIBITION

?

96%

STUDENTS

4%

ASSISTANTS

0% PROFESSOR

WHEN DOES MODEL-MAKING TURN INTO SHAPING LIVES?

Meters²

25

0.2

BIGGEST MODEL

SINGLE MODELS

Materials

2000 280

KG, CHALK POWDER

LT, LIQUID SILICON

Hours r Pa

, ma

ly Ita

Ve

e, nic

ly

Ita

5.5 10.5 0.3 20 18200 27%

EACH WEEK

EACH DAY, LAST WEEK

TO SOLIDIFY SILICON

TO SOLIDIFY CHALK

TOTAL, ALTOGETHER

SPENT SWEARING

THE CHALKHILLS

PR Ita

Fortress, Parma, 15th century

â&#x20AC;&#x2DC;12

28 / 30

Cathedral of Parma, section

Fortress, Parma, 16th century

Mdl Mkn

Exh

PR Ita

INPUT 40x40cm base for each one.

PHASE#1 Trace out every contour of a map by hand, back to front.

PHASE#2 Cut the contours on 0.2mm thin cardboards, file them.

‘12

PHASE #3 Glue them, 10cm high slopes, 500 CONTOURS. PHASE#4 Build a strong box fitting the thingie.

28 / 30

PHASE#5 Pour liquid silicon into the box.

WAIT#1 Hope it all goes well…

PHASE#6 Break the old box, clean the mould, create another box.

PHASE#7 Pour liquid chalk into the new box.

WAIT#2 More hope...

Apennines from 17th c. painting Mdl Mkn

PHASE#7 Break the new box, clean the model.

PHASE#8 Photograph it all and photoshop it.

OUTPUT A LOT of swearings, a lot of unexpected patience.

Exh

Canada

PROGRAM

Canada Pavilion

CATEGORY

13.Biennale

ROLE

On site Design team

HOW CAN YOU KEEP YOUR IDENTITY IN TIMES OF CONSTANT MOBILITY?

20

20

13

12

WORK, volunteer EXHIBITION at LaBiennale

7 11

18 7

PREVIOUS EXHIBITS

PROJECTS EXHIBITED

REGIONAL WINNERS

. da AA ana 6 C 9 87 eg, 6 p 54 inni W

ice

n Ve

ly

a , It

PEOPLE’S CHOICES

People working

ON CH NG rea SU .Ko E S JA oul, e S

+ LOCOMOTIVE+5 CARS

170k

TOTAL VISITORS

5

5468796 AA.

1

JAE-SUNG CHON

2

VOLUNTEERS

8

OTHER

~150˙000 MIGRATING LANDSCAPES 4000 KG OF WOOD USED

AT INAUGURATION

VE Ita

‘12

Wrk Ark

Dsg + Instl

Exh Bien

PROFICIENCIES

Photoshop

Illustrator

Hand drawing

AutoCad

V.Ray

Revit

Rhino 3D

ACADEMIC ACHIEVEMENTS

Italian (ML)

Spanish

French English (ML)

Grasshopper

Maxwell

LANGUAGES

3D MODELING

2004

Model making

VISUAL & RENDERINGS

2012

GRAPHIC “HAIRDRESSING”

InDesign

SketchUp

Chinese Mand.

Building engineering University of Pisa, Italy

Bachelore of Architecture IUAV University of Venice, Italy 110+Magna cum Laude / 110

GPA 29.3 / 30

GPA 29.0 / 30 WORK, ARCHITECTURE

AWARDS & PRIZES

WORK, OTHER

PUBLICATIONS & EXHITITIONS

“Writing blackletters in red” opera 12. Biennale of Architecture, 2010 Luxembourg Pavilion “Migrating landscapes” 13. Biennale of Architecture, 2012 Canada Pavilion “40.000 hours”, project model 13. Biennale of Architecture, 2012 LaBiennale Pavilion Several other exhibitions and publications

ANIMATION (stop-motion) Animator in charge of scenographies Misseri Studio “Earnie&Bert’s great adventures” Florence, Italy “Scherzi a Parte”, TvShow sequences Dir: Paolo Pratesi, Client: Mediaset Milan, Italy ADVERTISING Mock-up assistant in several Ad campaigns and photoshoots Pia Lizzadro, Francesco Majo [...], Agency: BBDO Dubai, Ubik [...]

Paris, Milan and London

1st Prize, Florence architecture workshop Universities involved: Uni Florence - TU Delft - Syracuse Arch - Mendrisio AA. - Kent State Florence, Italy 2nd Prize, Prato Cemetery Int.l Competition CORDE Architetti Prato, Italy 1st Scholarship, Car design European Institute of Design Turin, Italy 2nd Scholarship, Car design European Institute of Design Turin, Italy Competition “Redesign Elbasan” University of Pisa Elbasan, Albania Various Awards in other Workshops & Competitions w/ Laura Alvarez - De Arckitecten CIE

Architecture Intern 3GATTI Architecture Studio SHANGHAI, China Extern - Collaborator for competitions CORDE Architetti Venice, Italy Extern - Interior designer NEXT Design Studio Florence, Italy Model maker Several architecture studios & students Florence, Italy Design and installation, volunteer 5468796 AA + JAE-SUNG CHON Canada Pavilion at 13. Biennale Venice, Italy

IN THE END, IT’S STILL THE HAND THAT MOVES THE MOUSE

Via Marsuppini 2, Florence, Italy + 39 - 333 - 22 42 644 Skype contact : f.d.i. francesco.deglinnocenti@ymail.com

FRANCESCO DEGL’INNOCENTI