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CURRICULUM VITAE
Name | Francisca Trigo Cabral Penteado Date of birth | 21 of November 1995 Adress | Maia, Portugal Telephone | +351 914806092 E-mail | franciscapentead@gmail.com
ACADEMIC EDUCATION
Master degree in Architecture, Oporto University (FAUP) 2013-2019 (final grade: 16 out of 20)
ERASMUS+ at ETSAB Estcola Tècnica Superior de Arquitectura de Barcelona 2017/2018
EXPERIENCE
OAB | Office Architecture of Barcelona by Carlos Ferrater - 4 months internship
ACHIEVEMENTS
1º BIM prize at the PLADUR® IBERIAN CONTEST 2019
SOFTWARE COMPETENCE
AUTOCAD 2D/3D
OOOOOOOOOO
SKETCHUP 3D + V-RAY
OOOOOOOOOO
REVIT
OOOOOOOOOO
ARCHICAD
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RHINOCEROS + V-RAY
OOOOOOOOOO
ADOBE PHOTOSHOP
OOOOOOOOOO
ADOBE INDESIGN
OOOOOOOOOO
ADOBE ILLUSTRATOR
OOOOOOOOOO
3D STUDIO MAX
OOOOOOOOOO
VOLUNTEER WORK
by ERASMUS+ 2018
2017 – OPORTO OPEN HOUSE 2017 2018/19 – JUST A CHANGE OPORTO (renovation of homes affected by housing poverty)
LANGUAGES
PORTUGUESE (mother tongue) ENGLISH: C1 level (CAE: Cambridge Advanced English Exam) SPANISH: B2 level CATALAN: A1
PERSONAL PROJECTS 2
Web desing for my personal page of illustrations cargocollective.com/franciscapenteado
CONTENTS
1 SELECTED PROJECTS COLLECTIVE DWELLING ! PLADUR® 2019 CONTEST
2 HISTORY PROJECT
P. 6
REFURBISHMENT OF AN AGRICULTURAL COMPLEX
P.10
RETHINKING® GLOBAL WARMING CENTER CONTEST
P.14
HIGH SCHOOL
P.16
COLLECTIVE DWELLING
P.20
HOUSING RENOVATION PLADUR® 2017 CONTEST
P.24
STRUCTURAL PUBLIC SPACE | C-245
P.28
PLAZA
P.30
CULTURAL CENTER AND RESIDENTIAL BUILDING
P.34
CULTURAL CENTER KAIRA LOORO CONTEST
P.36
P. 40
3 HAND DRAWINGS
P.44
4 PHOTOGRAPHY
P.50
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4
SELECTED PROJECTS
5
COLLECTIVE DWELLING PLADUR® CONTEST 1º PLACE AT BIM PRIZE 2019 | Partnership with Hugo Rebelo
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TRIANGULAÇÕES SUSPENSAS
ESPÍRITO DE COMUNIDADE
PARADINHA 2
A Horta comunitária é o centro de cada módulo e é por isso um local de encontro para o qual todas as famílias participam. Deste núcleo, nascem as várias habitações, capazes de evoluir consoante as necessidades dos moradores. De baixo dos volumes surgem os espaços coletivos, à semelhança da cidade tradicional. Assim, cada módulo terá um ou mais espaços coletivos a ele associado, dependendo da inclinação do terreno nesse ponto específico, adaptando-se à sua morfologia original. Tal como na Habitação, o Programa Coletivo é repartido por todo lote, evitando assim a polarização de funções.
FASE 1
FASE 2
FASE 3
AXONOMETRIA PROGRAMÁTICA DO CONJUNTO
O espaço não construído é deixado livre para não danificar o terreno. Ainda assim, existem zonas com diferentes características e propósitos: os espaços exteriores cobertos, decorrentes do sombreamento das plataformas que estão suspensas nas palafitas; a sombra das próprias árvores (originais e novas plantadas); o campo de jogos que se localiza sobre a cobertura do estacionamento, rentabilizando a sua área; e por fim o restante espaço relvado, deixado usufru do sol e contemplação da Natureza e do rio. para usufruto
ORÇAMENTO TOTAL DOS MATERIAIS
(ESCALA 1/300)
Cálculos com base no gerador de preços Cype Ver Painel 4
Horta Reservatório
Zona de trabalho colectivo
Loja de conveniência
Estacionamento carros
Biblioteca
Instalações
Estacionamento bicicleta
Sala de estudo
Lavandaria
Oficina de Manutenção
Cantina +Cozinha
Farmácia + Primeiros Socorros
Cacifos eletrónicos
Social Gourmet
Campo de jogos
XXIX CONCURSO DE SOLUÇÕES CONSTRUTIVAS PLADUR®
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COLLECTIVE DWELLING PLADUR® CONTEST TRIANGULAÇÕES SUSPENSAS
ACESSIBILIDADE PARA TODOS
PARADINHA 3
CRIAÇÃO DO MÓDULO BASE
A compartimentação das várias hipóteses tipológicas cria-se através de cortinas opacas que controlam a luminosidade e a sonoridade do espaço, flexibilizando também as áreas e as suas potencialidades.
EVOLUTIVIDADE DO MÓDULO HABITACIONAL T0
T1
T2
T3
A CÉLULA
(T4)
Todas as casas partem de uma célula habitacional acessível, pelo que não será necessário adaptá-la a casos particulares. O programa da célula base funciona em volta de uma bateria de serviços que segue o sentido da cumeeira, deixando livre o restante espaço para fácil circulação. A casa-de-banho evita o uso de polibãs e banheiras, preferindo-se a inclinação natural do chão, para escuar a água do duche e deste modo rentabilizar ao máximo a área disponível. A mesa de refeições é rebatível, podendo a zona de estar ser facilmente convertida num espaço de refeições. Dada a fácil produção e montagem da estrutura da célula, esta evolui de forma livre e multidirecional.
A morfologia do Terreno a intervencionar é bastante ingreme, pelo que se torna difícil garantir a acessibilidade em todos os pontos, ainda assim, as plataformas dos módulos sobre as quais se apoiam as casas, têm duas escadas e uma rampa acessível.
CÉLULA BASE
MÓDULO BASE (ESCALA 1/300)
1 2 3 4 5
ZONA DE ENTRADA ...................................... 4M2 COPA COM ZONA DE REFEIÇÃO .................... 8M2 CASA DE BANHO ACESSÍVEL ........................ 4M2 ZONA DE TRABALHO .................................... 6M2 ZONA DE DORMIR ................................... 16m2 ............ ACESSO PARA MOBILIDADE REDUZIDA ..................... ACESSO LATERAL POR ESCADA .............PONTO PARA CONTEMPLAÇÃO DO RIO
MÓDULO A: FASE 3
(ESCALA 1/200)
XXIX CONCURSO DE SOLUÇÕES CONSTRUTIVAS PLADUR®
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MÓDULO C: FASE 3 (ESCALA 1/200)
TRIANGULAÇÕES SUSPENSAS
AUTOSUFICIÊNCIA SUSTENTABILIDADE
PARADINHA 4
8 9 4 3
2
AXONOMETRIA CONSTRUTIVA (ESCALA 1/10)
PLANTA DA CÉLULA HABITACIONAL (ESCALA 1/50)
S I S T E M A PA R E D E / C O B E R T U R A
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1
Placas de ardósia (40x20cm)
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Ripas de madeira H (2x4cm)
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Ripas de madeira V (2x4cm)
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Pilar/Viga de madeira (15x5cm)
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Canal PLADUR®
6 Placa PLADUR® BV (Soluções de eficiência
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CÉLULA ORIGINAL
VIGAS PARA A PLATAFORMA
energética ENAIRGY®. Funciona como barreira pára-vapor)
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Lã mineral
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Montante PLADUR® M-46
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Placa PLADUR® OMNIA (1,5cm X 2)
VIGAS PARA A CÉLULA
PLADUR® + ARDÓSIA + MADEIRA
A horta central não só serve de sustento como também é um filtro da água decorrente das precipitações, que é posteriormente armazenada num enorme reservatório que alimentará o saneamento de cada casa. Os panos de vidro de todas as casas, abertos estrategicamente, são todos compostos por filamentos fotovoltaicos que transformam a energia solar na energia elétrica necessária para alimentar cada uma das habitações. |Pelo exterior, as habitações revestem-se de ardósia, da mesma família do xisto, fazendo alusão às casas tradicionais da aldeia da Paradinha, sendo também um material impermeável e extremamente resistente com benefícios a nível ambiental uma vez que evita perdas térmicas. P elo interior, o sistema de revestimento PLADUR® garante o isolamento térmico e o conforto acústico assim como a resistência ao fogo e há humidade graças à combinação das placas de alta prestação da gama Omnia e BV , ideais para este sistema construtivo de Parede/Cobertura. |Para garantir a presença de materiais renováveis na construção, toda a estrutura, quer das unidades de alojamento quer das plataformas exteriores, será composta por vigas e pilares de madeira lamelada previamente seccionados em fábrica.
TRANSPORTE TERRESTRE
SISTEMA PAREDE / COBERTURA
TRANSPORTE AÉREO
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1
3 4 5
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7 CORTE PERSPETIVADO DO MÓDULO C (ESCALA 1/50)
8 SISTEMA CONSTRUTIVO DO MÓDULO
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1 Vidro com filamentos fotovoltaicos 2 Sistema parede/cobertura PLADUR® + ardósia (detalhe 1/10)
3 Tabique de distribuição: montante PLADUR® M-90 + 2X placas PLADUR® OMNIA (1,5cm) 4 Tabique de remate : montante PLADUR® M-46 + 2X placas PLADUR® N (1,5cm) 5 Vão para porta de correr 6 Tabique de distribuição: montante PLADUR® M-46 + 2X placas PLADUR® H1 (1,5cm) 7 Cortina para compartimentação flexível 8 Teto falso : montante PLADUR® + 2X placas de PLADUR® ULTRA L-TEC (1,5 cm) 9 Reservatório de água (paredes de betão in-situ 30 cm) XXIX CONCURSO DE SOLUÇÕES CONSTRUTIVAS PLADUR®
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FINAL PROJECT REFURBISHMENT OF AN AGRICULTURAL COMPLEX CARRAZEDA DE ANSIĂƒES
2018/19
THESIS ABSTRACT The natural evolution of society has led to buildings with agricultural purposes to be no longer needed. Alongside this, emerges the necessity to find places to host new programmes that cater for current needs. In this case there are two options: either building from scratch or taking advantage of an existing building and adapting the new programme to its apparently obsolete form. The refurbishment project for an Agricultural Complex in Carrazeda de AnsiĂŁes proposes to stop the natural wrecking process of a rural structure with familiar heritage, giving it a new life by adapting its agricultural and livestock use to holiday housing, as a rest and leisure refuge. This dissertation is an illustrated story about an architectural project development, which goes beyond the refurbishment and the extension design issues. In fact, the project aspires to design an environment that evokes the past forever lost (by Destruction) and simultaneously, that gives us comfort from the pleasure of a new future. (by Transformation). This is, therefore, an experimental laboratory where project themes and visual inspirations are explored and theoretical and physical references as well as artistic ones interconnect during the natural process of time flow either related to the case study or the designing process in itself, in its wider sense and not strictly related to refurbishment Despite being a project in a real context, the essay that we present is not intended to thoroughly gather technical information, supported by absolute truths and unquestionable facts. Conversely, the story that we tell wants to make evident the uncertainty inherent to every creative process that precedes the construction of places, scenarios of our best memories.
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FINAL PROJECT REFURBISHMENT OF AN AGRICULTURAL COMPLEX
12
13
RETHINKING® GLOBAL WARMING CENTER CONTEST 2018 |
14
Partnership with Hugo Alves Rebelo
15
HIGH SCHOOL CAMPO 24 DE AGOSTO, PORTO
2016/17
The conceptual idea was to transform the whole lot available for construction into a single solid mass, where it would be dug a hollow and a prominent volume added (the classrooms). With this strategy I propose a total cut between the educational world and the street fast movement of this urban center.
A school must be a versatile place where the collective spaces are the heart of that experience. Indeed, a school is a world in itself, therefore I tried to recreate that atmosphere through two open spaces that are the negative of each other – the courtyard, a private space in the ground level and is connected with all the social spaces ; and the flat roof, in the first level, a collective space that communicates with the surroundings though a fantastic view over the 24 August avenue.
Due to the demanding and complex program I chose a steel column + beam structure and, in the case of the playground, a truss system. As for the materials, I opted for a aesthetic of contrast between the ground floor (heavy white concrete) and the high volume (light transparent glass)
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HIGH SCHOOL
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COLLECTIVE DWELLING RUA DAS FONTAINHAS, PORTO
2015/16
The set of the intervention is an unsolved void that asks for a urban intervention. This neighborhood is made of old fragments and also recent social housing buildings. I wanted my project to be clear, pragmatic, versatile and an answer to the contemporary needs. Therefore I respected the city skyline and the atmosphere, however instead of a mimetic repetition of the old building, I opt to use contemporary language and technique in order to state a new construction era. My biggest reference for this project was the architect Eduardo Souto de Moura house projects and “White houses� from the architect Adalberto Dias .
This was also the first year I first experience drawing with a digital software. The drawings were made in Autocad, whereas the digital images were produced in Archicad.
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COLLECTIVE DWELLING
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HOUSING RENOVATION PLADUR® CONTEST 2º PLACE FAUP 2017 | Partnership with Hugo Rebelo
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HOUSING REFURBISHMENT PLADUR® CONTEST
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STRUCTURAL SPACE | C-245 Viladecans y Gavà |
ERASMUS
We formed groups to give live to this old main road, C-245. It starts from being a simple path, to emerge as the center of Viladecans and Gavà, two cities nearby Barcelona. Not only did we studied this axis, we also analyzed the whole area in order to understand the fluxes and transform this industrial path in a “Rambla”, where the enjoyment of the citizens was our number one priority.
28
+
2018 |
Partnership with Alice Antonacci
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STRUCTURAL SPACE | PLAZA Viladecans y Gavà |
ERASMUS
+
2018
The concept of this square comes from its relation with the previous proposed “Rambla”. Acknowledging the former as a long axis, I opted to consider it as the main direction of this new urban project. For a start, this square would have to have two different areas: the North area, in contact with the “Rambla” and therefore exposed to the heavy traffic; and the South area, that faces residential as well as small collective buildings, hence, much more quiet. From this dual contrast I came up with the idea of creating a much more open zone, with the character of busy square, used only for passing by. Whereas, in the second zone I designed a living space, closer to the idea of a urban garden. The design of the square is based on the same module used that in the “Rambla” flowerbeds (3,5x13,5m ; 5,5x13,5m ; central exception central: 3,5x17,5 m; 5,5 x 17,5 m). Moreover, it was design a underground parking whose enters, either for cars or pedestrians, fit in this modular system. Regarding the pavement, I opted for off-site concrete pieces with specific measures that allow the installation of benches and street lights in this thought geometrical system. It is foreseen that this will be a square that will both serve the residential area as well as the new designed commercial axis, connecting a peaceful quiet garden to the urban live of this new centrality of Gavá and Viledecans.
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STRUCTURAL SPACE | PLAZA
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Bancos en madera y acero con pintura graphite grey ( Painted RAL 7024)
Puntos de anclaje para bicicletas en acero con pintura graphite grey ( Painted RAL 7024)
ELEMENTOS URBANOS DIBUJADOS
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CULTURAL CENTER/ RESIDENTIAL BUILDING Nearby Trindade Metro Station, PORTO
2014/2015
The project, which I might say, it doesn’t belong to me, supports himself in his defects, in his virtues. I state that it does not belong to me because it is the result of a place, of imagined stories and people, of predictions of the future, of conversations, of books, of travels, of intuition. I knew from the beginning that the residence should be the plan that would fill the old street of Porto, Bonjardim, whereas the cultural center would be in charge of the great streets, in the flow of the great “voids” of the city, assuming a noble role. While on one hand references such as the museum in Santiago de Compostela and Bonjour Tristesse, both of Álvaro Siza Vieira, the Grassi and Rossi façades, and Alvar Aalto’s curve residence, were inspiring images, in a second phase the journey took me to concrete spaces and to a reality of textures and colors that got me away from the abstract material of the model. This project was made entirely by hand drawing.
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CULTURAL CENTER KAIRO LOORO CONTEST 2018 |
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Partnership with Hugo Rebelo
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HISTORY PROJECT
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HISTORY PROJECT CAPELA DE SÃO SEBASTIÃO DA ERICEIRA
2016/2017
Little treasures of our heritage should be registered, kept and preserved. Our group of 5 students was lucky to bring to paper this little treasure of renascence period and reveal all of its history. Here are some of the drawings from the demanding topographic survey.
DES 15 | DETALHES PORTAL SU-SUDESTE
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HAND DRAWINGS
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HAND DRAWINGS Architecture
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HAND DRAWINGS Organic shapes
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PHOTOGRAPHY
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PHOTOGRAPHY
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T H A N K
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Y O U