A small book about my sculptures, and thoughts about sculpture being. Iron is my primary material, but all materials where it is possible to work as directly as possible, and to express oneself artistically, as paperclay Fiber Concrete, aluminum, wood, and plastic, are good materials.
In my sculptures in iron, I use iron’s unique properties, of so to speak "modeling sculpture in the empty space" where it will be forming floating in the process of cutting, shaping, hammering and welding. This is a very direct and vivid process because of iron strength, and opens up for a very rich and dynamic expression. I often leave the sculptures to be open, , as an calligraphic form, with only the required shape and movement to express the image most strongly.
”The long way back - to yourself”
”Lost in a sea without love”
” A Anti-sexual harassment sculpture - And the difficulties of love ” Kopper
�The Glorious patrole of harassement & selfrighteousness �
”Torn-A’Part ”
”The great bewilderness”
-In the previous sculptures, I have primarily worked in thin (1mm) iron plates that you can shape with warm & hammering - which gives an expression that is very free, vibrant and dynamic. You can see how in the �way of the hammer�.
the following sculptures are thick plates (4 mm), where you get a more tightly expressionm, but simultaneously also much extra of iron’s own dramatic strength and opportunity, working with a dynamism and movement in the surface. In "Portrait of a Iron Tycoon" you can see how.
”To piss thunder & crapp Ligtning”
”Big-Ben , uncocked and ready to rock ”
”The Art of been a Beast of Burden”
�Liberalismens lyksaligheder�
This sculpture also can be seen at The Joy of Libertarisme� youtube
I have worked a lot in clay - and especially Paper clay that gives the best opportunities to models, in a very vivid and narrative mode. one can see a little of how I do on this video paperclay intro
”The Art of keeping a stiff upperlip”
”I’m not a crook”
”gemütleigheit”
�The little tiny Bully� bronce
”The long journey to sleep” clay
”iron Lady”
Massiv iron
”Ladies Fight night”
”Nightwatch” jern
”Dancer in the Dark” This experiments can be seen at Aluminium
”The unbelievable Kurt” Alu
PortrĂŚt i Fiberbeton
kan ses pĂĽ youtube
I have experimented in Fiber Concrete (Fine Form Mortar) an exciting material that can be combined nedwith many others, Strong and weather resistant and very easy To work in. You can both look at my other Issu publication, and see more on my Skulptur –enkelt & eksperimenterende
”The Nightwalker” Fiberbeton
”Golden Boy”
Granit and Fiberconcrette
�Natural Improvements " tree and Fiber Concrete
”under a dark sky” Fiber concrete 1,9m h
”Killer-fjarill” 2,5 m h
”The Guardian” 1,9 m h 1mm jern
C V : Frank Fenriz Skulptør, Charlottenborgs forårsudstilling 1986, 1987, 1990,Kunstnernes Efterårsudstilling 1987 1990 Kulturministeriets udstillingshus “ Overgaden “, 1989 Kunstnernes sommerudstilling,1989 gæst hos Decembristerne 1991, KGS. Have billedhugger biennale 1992 1996 2000 Gl. Holtegård 1992 “Grunhorse” på FILOSOFGANGEN 1997“the unforgettable Grunhorse on tur “ SAK 1998 Sofienholm med Dansk Billedhugger Samfund 2000 , “north art” i Rendsburg Tyskland 2001-20022003 ,“From the edge of my mind” Carls bastion Kbh. 2003, galeri Rasmus 2005 Sydfynske kunstnere på SAK Svb. Birkerød Tychos legat 2006, ”kunstby Give” 2007-08, Fyns Kunstmuseum 2010 medlem af: B.K.F. og gæsteatelier Hollufgård ,Sydfynske kunstnere på SAK se .ArtGuideDenmark.dk og www.bkf.dk Se mere på : www.frankfenriz.dk www.tv2fyn.dk/video/15800#