Leaving the Lake (from Plainfield)

Page 1

Leaving the Lake  serious but light

High Voice

Piano

 

Words by Elizabeth Schultz Music by Frank Nawrot

                

7

        oth - er plac - es

   

12

   

    

 

    

 

 

(accel.)                         3  3                        

12

  

   

 



pedal ad lib

7

             

    

Eight - y

               

    

 



 dolce     pedal ad lib

I've

su - per - sti - tious,

 

 

 

left the lake for

 

    

As a kid,

sum - mers,

   

 

 

           hop - ing to re - turn to

      

 

  

    

 


2

Leaving the Lake

  

  

18

find

    

the lake's

18

             

  

21

      

3



3

3

     

  

 

   

       

27

    

   



 

con moto

 

fixed for - ev - er,

 

 



        3

pedal ad lib

for the sum - mer,

 

blue

3

        con moto     

   

Catch - ing my fi - nal view

27

green and

     

 

   

21

shades of

3

       

       

freely; take time

    



  

   

   

 



               I'd

   

wave from the car's back

      

 



win - dow

   

  


Leaving the Lake

just

as we slid

32

      

    

from the hill - top

   

37



home-ward bound.

      3  3              

37

 

43

a tempo



       

43

stand a tempo



 

   

dolce

-

  



    ing

   

at

the



    

    

  

dock

  

    

   

down



   I Late - ly,

     

 

pedal ad lib

-



end

           

        the rut - ted road

           

       



 

pay

 

   fi - nal

 

 

on

my

        

last

 

 

          

poco rit.



re - spects,

         

 

     

  



 

        



  

32

3



   

         poco rit.



 

day

for

 

the


4

Leaving the Lake

46

   year,



46

  

freely; take time

   

    

but

spar - kles

 

the

lake,

     

    

     

  

freely; take time

49

49

  

sub.

and

 

winks

 

  

as

     

  

back at

al - ways,

     

 

 



me.

 

just

 


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