PORTFOLIO
2018
Janek Franz Ferdinand Meyer
Hi.
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Content
4-6 7-105 106-109 -4-
Persona Projects Teaching
CV M.Sc. (Arch.) Janek Franz Ferdinand Meyer 03 / 1989
Born in Tübingen, BaWü, Germany
06 / 2009
Abitur at Max-Planck-Gymnasium, (Berlin)
10/2009 - 05/2010 Internship at ‘Susanne Hofmann Architekten‘ led by Prof. Susanne Hofmann BDA, (TU Berlin) since 10/2010 Bachelor degree programme Architecture at Technischen Universität Braunschweig 06/2013 – 08/2013 Internship at MVI PROPLANT, Inc. (Wolfsburg) 10/2013 - 10/2018 Tutor at Zeichnen Eins am IEX led by Prof. Berthold H. Penkhues, (TU Braunschweig) 04/2014 - 09/2015 Tutor at Entwerfen Eins am IEX led by Prof. Berthold H. Penkhues, (TU Braunschweig) 09/2016 – 11/2016 Internship at NowLab@BigRep led by Daniel Buening, (Berlin, Start-up-Unternehmen) since 04/2017 Master degree programme Architecture at Technischen Universität Braunschweig 10/2017 B.Sc. (Arch.) 11/2017 Special honouring at ‚SMALL SPACES - 25 Ideen für Braunschweig‘- Competition by the City of Braunschweig and ILA (TU Braunschweig) 10/2018 M.Sc. (Arch.)
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Portfolio 8-15
2017
2017
60-69
Terrain Vague VAI
Munich Cowboy Werksviertel Munich
Industriell-Tower, Vertical Agrar-Industry Hambach
Brewery, Fieldtrip Munich
16-31
2014
2014
70-79
SPA Pompeii Design Research Project / SPA
Sterkrade Oberhausen Schlaun Competition 2014
Thermal Bath, Experimentell Pompeii, Italy
Synergy-Concept, Urban development Competition Oberhausen
32-39
2013
2017
80-85
Exhibitionpavillon TU Braunschweig
School on Top Educational Campus - Anhalter Bahnhof
Museum Braunschweig
Educational Campus, Concept Berlin
40-51
2015
2018
86-101
Bauhaus Museum Dessau 100 years of Bauhaus
Cultural Stage Ost-Berlin Potencial Space
Museum, Analog&Digital Dessau
Cultural Concept, City-Revival Berlin
52-55
2012
102-105
2017
Residence Arno Schmidt Student‘s-Residence
Seminars Dynamic Surface, [...]
Student‘s-residence Schauerfeld
Ortlos
56-59
2017
106-109
2013-2018
SMALL SPACES Biosphere One
Teaching at the IEX Entwerfen Eins, Zeichnen Eins
Vial, Archivist Braunschweig
Assistance in teaching at the IEX IEX, TU Braunschweig -7-
2017
Terrain Vague
Vertical Agrar Industry
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land
produced all year under greenhouse
in Germany is used for agricultural
conditions based on circular economy
purposes.
and hydroponics.
99%
of
private
undeveloped
Despite
this
maximum
utilization, much of the feed grain
By 2050, probably 80% of the world‘s
needed for livestock is imported from
population will live in urban areas. To
other countries, such as Mexico. Thus,
feed these 3 billion additional people, it
German agriculture consumes about
would require an agricultural area of 1 09
140% of its own agricultural area.
hectares of newly developed land. Such
In order to meet food needs by
an increase is not feasible and would
increasing productivity, forests continue
lead to massive environmental damage.
to be cleared to sacrifice their land to
Vertical farming helps by resource-
agriculture, destroying an important
saving
part of our ecosystem. There is a need
remedy. Vertical agriculture enables
for action. Thanks to a special process,
year-round and seasonal independent
RWE has successfully recultivated part
plant production. Because there is no
of the surface used in the Hambach
longer any need to transport and cool
opencast mine, thus serving as a pioneer
the crop, there are fewer crop losses
in the recultivation of megafaces.
and less spoiled fruit. In the field of
In order to continue to create land
external crops, the harvest is exposed
for recultivation and become food-
to a variety of abiotic factors. These
technically
future
include above all meteorological factors
productivity growth must no longer
such as heavy precipitation, hail, storms,
be due to the expansion of agricultural
drought and frost.
land, but it must be supported by
But
radical reorganization of production
earthquakes,
and consumer rethinking of food.
and the like have an impact on crop
The cultivation of fodder crops in
yields. Each hectare of usable area of a
livestock makes up by far the largest
vertical form could allow for the return
part of agricultural land. To produce 1kg
of 10 to 20 hectares to natural fallow
of beef you need 9kg feed grain.
land. Farmland‘s redevelopment is not
So it seems almost natural that a
needed for vertical farming, which could
traditional diet with meat as the main
prevent deforestation, desertification,
protein supplier is an unsustainable
salinization, nutrient leaching, overuse
idea. As a sustainable and appropriate
and pollution. Biocide and fertilizer use
treatment of animals, the breeding of
is significantly reduced by controlled
insects should be proposed. Insects
environmental
live naturally in dense colonies, they
with the damage threshold concept
search each other in a confined space.
and the nutrient uptake and release of
In addition, only 1kg of feed grain is
the plants can be controlled exactly.
needed to produce 1kg of protein.
Vertical farming enables the conversion
The saved natural area would benefit
of polluted „black and gray water“
recultivation.
into drinking water by capturing the
Vertical agriculture or vertical farming
water released by evapotranspiration.
is a term of future technology. Vertical
The use of process water would result
farming means the conversion of a viable
in no further „algae blooms“ and
agriculture mass production of plant and
eutrophication processes. From the
animal products to a smaller footprint.
composting methane biogas plants
In
so-called
could be operated. The recovered
farmscrapers, fruits, vegetables, edible
biogas can be converted directly into
edible mushrooms and algae are to be
electricity.
autonomous,
multi-storey
buildings,
use
and
geological
circular
factors
erosion,
such
forest
conditions.
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economy
It
as fires
works
Fundamental Diagrams NAHRUNGSMITTELBEDARF PRO PERSON PRO JAHR Milchprodukte Fleisch Fisch Eier Obst
Getreide Reis Milchprodukte in m2 2%
Kartoffeln
Kartoffeln in m2 1% Reis in m2 1% Getreide in m2 14%
Zuckerprodukte 1.0
12.9
24.8
36.7
48.6
60.5
72.4
Obst in m2
1% 84.3
96.2
3%
108.1
120.0
Eier in m2 2% Fisch in m2 2%
gesamt 2074 qm
Fleisch in m2 73%
Protein in m2
Milchprodukte in m2
Fleisch in m2
Fisch in m2
LW Produkte
Eier in m2
Obst in m2
Getreide in m2
Durch Insektenzucht eingesparte LW-Fläche
Reis in m2
Kartoffeln in m2
27%
Zuckerprodukte in m2
0.0
160.0
320.0
480.0
640.0
800.0
960.0
gesamt 1509 qm
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1120.0
1280.0
1440.0
1600.0
73%
Synergy Concepts
Vertical Agrar Industry and 1/3 Energy Supply Patent / Universal Recultivation Patent Vertikale Landwirtschaft oder Vertical Farming ist ein Begriff der Zukunftstechnologie. Vertical Farming bedeutett die Umwandlung einer tragfähigen Landwirtschaft Massenproduktion pflanzlicher und tierischer Erzeugnisse auf einem geringneren Footprint. In mehrstöckigen Gebäuden, sogenannten Farmscrapers, sollen dann ganzjährig unter Gewächshausbedingungen, basierend auf Kreislaufwirtschaft und Hydrokulturen, Früchte, Gemüse, essbare Speisepilze und Algen erzeugt werden. Bis zum Jahr 2050 werden vermutlich 80% der Weltbevölkerung in urbanen Ballungsräumen leben. Um diese 3 Milliarden zusätzlichen Menschen ernähren zu können, würde es eine landwirtschaftlichen Nutzfläche von 109 Hektar neu erschlossenen Landes benötigen. Eine solche Erhöhung nicht realisierbar und würde zu massiven Umweltschäden führen. Vertical Farming schafft durch ressourcenschonende Nutzung und Kreislaufwirtschaft Abhilfe.Die Vertikale Landwirtschaft ermöglicht eine ganzjährige und saisonunabhängige Pflanzenproduktion. Weil weite Transporte und Kühlung der Ernte entfallen, gibt es weniger Verluste innerhalb der Ernte und weniger verdorbene Früchte.In der Außenbewirtschaftung ist die Ernte einer Vielzahl von abiotischen Faktoren ausgesetzt. Dazu gehören vorallem meterologische Dinge, wie Starkniederschläge, Hagel, Stürme, Dürre und Frost.
presently farming
Aber auch geologische Faktoren, wie Erdbeben, Erosion, Waldbrände und ähnliches haben Einfluss auf die Ernteerträge. Jeder Hektar Nutzfläche einer vertikalen Form könnte die Rückführung von 10 bis 20 Hektar in naturbelassenes Brachland ermöglichen. Die Neuerschließung von Farmland ist für Vertical Farming nicht nötig, wodurch Entwaldung, Desertifikation, Versalzung, Nährstoffauslaugung, Übernutzung und Umweltverschmutzung verhindert werden könnten. Der Biozid- und Düngereinsatz vermindert sich durch kontrollierte Umgebungsbedingungen erheblich. Es wird mit dem Schadschwellenkonzept gearbeitet und die Nährstoffaufnahme und -abgabe der Pflanzen kann exakt gesteuert werden. Vertical Farming ermöglicht die Umwandlung von verschmutztem "Schwarz- und Grauwasser" in Trinkwasser, indem das durch die Evapotranspiration abgegebene Wasser aufgefangen wird. Durch die Verwendung von Brauchwasser würden keine weiteren "Algenblüten" und Eutrophierungsprozesse entstehen. Aus der Kompostwirtschaft könnten Methan-Biogasanlagen betrieben werden. Das gewonnene Biogas kann direkt in Elektrizität umgewandelt werden.
verticality
Vertical Agrar Industry and 2/3 Energy Supply Patent / Universal Recultivation Patent
vertical farming
high-technology and energy supply
vertical agrar industry
Vertical Agrar Industry and 3/3 Energy Supply Patent / Universal Recultivation Patent
2 -3 Ernten im Monat
Der geschlossene Kreislauf bietet eine Energieersparnis von bis zu 98%
Fast 100% Wasserersparnis im Gegenzug zur herkömmlichen Fleischproduktion 2kg Getreide pro 1kg Protein
O2- und sauberes Wasser
Raumklima Feucht, 20-30°C
Raumklima Feucht, 20-30°C NH3- NO2- NO3gesättigtes Wasser aus den Fischtanks
Raumklima Feucht, 20-30°C
NH3- NO2- NO3gesättigtes Wasser aus den Fischtanks
NH3- NO2- NO3als natürliches Düngemittel für Pflanzen O2- und sauberes Wasser
~ 2.145 mio. qm
6x Produktion
~ 12.762 mio. qm
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Isometry
Anbau: Energiemais
Anbau: Getreide
Anbau: Wurzelgemüse Anbau: Kleine Obste
Forschung Anbau: und Hochwachsende Sensibilisierung Obste
Solarthermie
Anbau: Kleine Gemüse Anbau: Hochwachsende Gemüse Anbau: Reis Zucht: Insekten
Zucht: Lachse
Ankunft / Besucherinformation Seminar
Umschlagplatz Bahnhof
Biogas
Biofeststoff
Wasseraufbereitung Aquaponik Algen
Geothermie
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Exploded Isometry
Pflanzenmodule
Anbau: Kleine Obste
Lastenaufzüge
Solarthermie
Insektenkörbe Zucht: Insekten Lüftung und Frischwasser
Solarthermie
Wasserbassins
Zucht: Lachse Solarthermie
Reinigung und Verpackung Forschung und Seminar
Ankunft / Besucherinformation Sensibilisierung Umschalgplatz Bahnhof
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SPA Pompeii
Design Research Project / SPA
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2014
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„Das Design Research Projekt (DRP) ist ein sechsmonatiger Kurs
The aim of my investigation is to
innerhalb des Architektur Masterprogramms der Technischen
implement the acquired information
Universität Braunschweig, initiiert im Jahre 2011, durch Prof.
about the material and its behavior
Berthold H. Penkhues vom Institut für experimentelles Entwerfen.
from the ‚real‘ (earthly) cosmos into an artificial environment. Here, physical
Es ist als open-source Entwurfsprojekt organisiert, das sich in einer ersten Phase dem systematischen Ergründen von Potentialen eines Materials verpflichtet. Der Fokus liegt auf dem Finden, Auslösen und Kontrollieren von inhärenten Verhaltensmustern, Hierarchien und Systemen. Diese fundamentalen Grundprinzipien werden in Form von Verräumlichungsstrategien interpretiert. Hierbei wird das Material nicht nur als Informationsträger gesehen, sondern vielmehr als Partner im Forschungsprozess integriert. Phänomene werden nicht nur akzeptiert, sondern dokumentiert, verstanden, kontrolliert, weiterentwickelt und in diesem Zuge
laws are deliberately neglected and even
completely
intersecting,
overlooked.
condensing,
By
refracting
and dissolving the material in the artificial space, the added value of information that could not be achieved under
‚normal‘
circumstances
is
described. Accompanying the question of qualitatively exciting space, a spatial
auch in andere Materialitäten und Verfahren übersetzt.
composition / sequence should be kept
[...]
in mind.
Das Vermittlungsformat besteht aus der am Institut betreuten, analytischen Seminararbeit die unterstützt wird von analogen
The kinetic energy (from Greek kinesis
Material-Workshops in der Fabrik (Lehrauftrag Astrid Bornheim)
= movement) or kinetic energy is the
und einem digitalen Workshop (Lehrauftrag Sebastian Kaus) zur
energy that an object contains due to its
Entwicklung, weiterführender Formfindungsprozesse aus der
motion. It corresponds to the work that
Theorie heraus.
has to be spent in order to put the object
Drei verschiedene Interpretationen von „Experiment im Entwurf“
from rest into the current movement.
werden getestet:
It depends on the mass m and on the speed of the moving body.
1. Das intuitive Machen vor Ort im Maßstab 1:1 (Workshop mit Astrid Bornheim)
For example, if an object of mass m =
2. Die wissenschaftliche Analyse und Interpretation der Workshopergebnisse
Die
digitale
Übersetzung
/ h, it has a kinetic energy of T = 1/2 * 1000kg * (100km / h ^ 2 = 385.800
(Seminararbeit am Lehrstuhl) 3.
1000kg flies at a velocity of v = 100km
joules. und
Entwicklung
von
Formfindungsprozessen
The deformations are analyzed step by
(Workshop mit Sebastian Kaus)
step. (Graphics 1 - 4)
4. Die Übersetzung in einen architektonischen Entwurf
The
(Entwurf am Lehrstuhl, optional, Phase 2)”
potential of the analysis images are then
form,
appearance
and
spatial
translated into architectural ideas and https://www.competitionline.com/de/beitraege/97731
mouths into a draft
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Workshop Documentation + Shape Studies
1
2
3
4
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Shape Studies + Concept Drafts
The graphical intersection and densification of the individual drawings can be seen in spatial qualities. These and the deformation properties serve as the basis for the design of a spa.
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Shape Studies + Concept Drafts
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Site, Pompeii
The SPA Pompeii hovers over the ruins of the historic SPA in the center of Vesuvius 79 AD. destroyed city. The new spa will be invigorating and a place of recreation. While the ruins are normally visited by tourists, the SPA Pompeii should make a contribution to alternative use. Too often ruins of historic buildings and cities and neighborhoods appear as foreign objects or much more than dead body parts. The idea of ‚remembrance‘ somehow puts a latch to the old city, which can only be opened for a fee. These very latches separate the bustling life from outside of a dead historic city core. Living in such a space of tension between old buildings at eye level and a contemporary architecture above it offers a completely new approach to historical buildings, and the ruins come a little closer to their original meaning.
The pools and spa rooms are located on / in a level. It connects various stations
of
a
SPA
[Apodyterium],
[Caldarium, [Tepidarium], [Frigidarium], [Sudaterium], by
snacks,
outdoor
[Aleipterion], foyers,
facilities
[Natatio]
loungers for
and
distraction. - 22 -
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Lounch
Sudaterium
Fruitbar
Sudaterium
Lounch
Sudaterium Saftbar
E
Sudatorium
KĂźche
Behinderten WC WC WC Void / lager
Empfang
Natatio
Natatio
Aufgang / Aufzug
A
Void / Lager
Apodyterium H
Natatio
Apodyterium D
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Cubature Pictogram
Apodyterium
Frigidarium
Cladarium
D
Frigidarium
C Frigidarium
Tepidarium
Tepidarium Caldarium
B
Apodyterium
Caldarium
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E
A
ErschlieĂ&#x;ungscone
Badeebene
Natatio
Palasteon
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C
D B
26.60 m
Frigidarium Sudatorium
Caldarium
Tepidarium
Dachebene 16.60 m
11.40 m
7.80 m
Bestandstherme
4.50 m
Weg nach Rom
Caldarium
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Perspective: Garden under the SPA
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wtih Sophia Ros
2013
Exhibitionpavillon
TU BS
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The task was to design an exhibition pavilion for the TU
Braunschweig. The main function of it should be to present
the TU Braunschweig appropriately outward. The site is to be
understood as a border area between Forum Square and Oker
River. Our goal in the design is to transform the outskirts through
our design into a connector. The entrance of the pavilion is
oriented towards the forum square, is an attractor and guides
the people in the direction of the pavilion. What is presented
to the visitor is a concrete body, which, however, has different
surface textures. The pavilion doesn‘t open to the outside. Only
precise openings are generated, these are on the one hand at
the entrance and on the other side of the Oker located in the
area of the café.
At the end of the path, once the visitor has crossed the building
and returned to the ground floor via a second ramp, he finds
himself in the café, which, with a wonderful view of the Oker,
invites visitors to linger and gives the visitor the opportunity to
appreciate the impressions of the building to process.
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Site, Campus TU BS
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The different materials and surfaces are
The visitor is guided through the wood
hardly any actual room closures. The
an important feature in the interior and
to and through the exhibition. Another
different rooms and room situations are
exterior. The homogenous and smooth
important component of the design is
concrete facade in the outdoor area is
the interplay between the interior and
interrupted by concrete surfaces on
the perceived exterior space. The wood
which the wood grain of the shuttering
extends from the exterior space into the
boards can be read off. This concrete
interior as well as from the interior to the
surface is located in the entrance area
exterior. This measure means that the
only rooms that have an actual room
and leads the visitor inside the building.
visitor hardly perceives the boundaries
closure are the lecture room and the
Upon entering, the visitor finds himself
between interior and exterior space.
function rooms. At the end of the path,
in a space that is not immediately
The shape of the building emerges from
recognizable and cannot be overviewen;
the path the visitor should take. The
the interior surfaces guiding the visitor
design of the roof shape also results
through the exhibition are oriented
from the shape of the path; At the same
towards
movement
time, one can also read the position of
direction. In addition to the various
the two most important buildings in
concrete surfaces, the wood as a third
the roof: the presentation room and
the visitor the opportunity to experience
material has an important function.
the cafĂŠ. Inside the building there are
the To process the building.
the
visitor‘s
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mainly due to differentiated levels and elements, such as the roof, which also generates different rooms. The different levels are separated only by ramps. The
once the visitor has crossed the building and returned to the ground floor via a second ramp, he finds himself in the cafĂŠ, which invites visitors to linger with a wonderful view of the Oker and gives
Floorplan ground floor
Floor plan 1st floor
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2015
Bauhaus Museum Dessau 100
Years Bauhaus
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This graphic shows the metamorphosis
through the intersections. A blur begins
of an event or its meaning. Depending
to disguise the origin of the message
on the platform, message service or
and its meaning. The information gets
sentience of the divisor, the content of
more and more blurry and the picture
the ‚re-post‘ will be different. The event
becomes ambiguous.
here consists of four elements which are metaphorically changed by pictorial
[Cloud]
concepts.
As a final logical consequence of the two thoughts described above, I consider
[Traces]
the next step. The messages refer to
Figuratively speaking, individual facts
each other‘s content. Networking also
of an entire message are distorted,
takes place in time. Older contents with
shifted or outsourced. These functions
supposedly important information are
of potentially manipulating messages
projected to the current state. The fact is
often overlap or occur in combination.
long unreadable and can not be found in
Due to the fact that one reads not only
the cloud. In the meantime, the process
news from one house per day but from
of interference has progressed so far
houses as different as possible, an
that everything can be reconciled with
overlay also takes place here. The same
everything else. Small condensations
facts of different weighting interfere.
show metaclouds, spaces in the cloud that still have some center of gravity, but
[Lyse]
are so intertwined that they can hardly
The interference is only from the outside
be separated, let alone recognize a clear
a compression of content, actually
boundary between them. The message
dissolves the actual content or its facts
has deprived itself of the content.
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Metamorphosis, Concept Drafts
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The high quality of 2D and 3D scanning
knowledge.
makes it possible to examine and
Socialmedia is an important partner,
experience an exhibit down to the
as users are usually in the process of
smallest detail; For example, find traces
profiling themselves through images
of individual brush fibers and their exact
of what they have experienced on
line on a canvas, or the microscopic
the internet, if the museum, as an
structure of the material of a sculpture.
extravagant
This
aesthetics and science, is the ideal place
allows
for
the
paradoxical
simultaneal
space
of
conclusion that one can come closer
for exactly this use.
to a piece of art on a display than in
While the quality of an internet presence
the traditional way, since most objects
is usually dependent on the handling
are ‚hidden‘ behind glass and, for fear
capabilities of an intern‘s social media,
of theft, can only be viewed from a
one should make the user his own. He is
certain minimum distance. It is precisely
only too happy to put himself there and
this fear that is erased by the use of
thus to the immediate location of the
digital reproduction. Contrary to many
event and its contextual background.
opinions, the exhibit is ‚live‘ nicer and
An art house can simply sit down and
better to perceive than in the imitated
use the process to benefit the visitor.
state, but the digital reproduction has
The visitor draws attention to the
completely new potential.
exhibition as an experience. In any case, public relations does not take place in
PLACE OF STAGING
the Kunsthaus‘s own four walls; potential
An example is the app of the Frankfurt
visitors perceive the museum in non-
Städel ‚Imagoras‘. Children are given a
architectural space. Users put a lot more
virtual tour of the museum‘s collection.
photos on the web than would ever be
Here, an audience is opened, which
possible with a single PR department.
is otherwise difficult and especially
In addition, the users themselves are
little independent in touch with art.
so different that a diverse audience
The Google Art project is also setting
could be approached again, as would
new standards. For example, scanned
be possible for a single curator or
images and documents today can be
advertising officer.
viewed much more sharply than was ever the case in the original. Details come to
Is not every smartphone today also
the fore, breathtaking characteristics of
equipped with a camera and a diverse
the material and color nature literally
repertoire of filters that minimize the
catch your eye, the knowledge about
occurrence of photographic missteps?
the work of art is often enhanced by the
In addition, the event of a visit to
knowledge of the arts and crafts, digital
museum facilities is a valuable indicator
as well as a much larger mass of this
for Ambitious Photography. - 44 -
Perspective: Analogue Exhib
bition
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Museum + Cloud
variability. Exhibits are always re-facing
The ancient ‚Museion‘ as predecessor of
and facing each other to guarantee
the museum had at that time [3rd c. v.
contextual interference.
Much more a preservation, collection,
The answer to the question of the manner
and research assignment. In the 20th
of the exhibition is not least determined
century This changed, the museum
by parameters such as lettering and
became the exhibition and mediation
lighting, an identity of the exhibition
room of art, culture, history and even
house
technology is exhibited today. Due to
element. Media innovations and further
this change, the multimedia opening
developments are required.
of these institutions to the public,
The number of visitors often decides
visitor numbers have become more
not just in front of the door of the house,
and more the basis of legitimacy. Her
but much earlier, with a click on the
own holdings have moved into the
respective homepage, and even that
background, the curator is now exposed
sounds at times in which every small
to
startup company puts its own app on
an
entertainment
obligation,
has
become
a
determining
audience wants to be entertained with
the net to Advertise, almost obsolete.
a variety of temporary exhibitions, he
Through photographic reproduction,
must satisfy both public and sponsors
the museum is already on the net today,
alike. Likewise, ‚marketing‘ has become
the mediation claim will be continued
an important component; How are
here.
exhibits exhibited and staged? The
[Since art per se is a photogenerator
educational mission gained calls for
than
and enables different target groups to
cloud is automatically implemented
be multidimensionally addressed at the
as a hierarchization principle. Content
same time.
deemed aesthetically pleasing is likely
In order to meet different demands and
to be shared or viewed more often than
to be able to approach target groups,
others, with the cloud becoming more
exhibits and their hostels must show
relevant.]
other
motifs,
- 46 -
the
exhibition
Site, Dessau
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Floor plan: Analogue Exhibition + Archive, OG DOCK 10
DOCK 09
DOCK 12
DOCK 11
Beginn des Archiv-Rundgangs REAL - Ausstellung
Exponat-Ausgabe +06.50
+06.50
+07.50
+02.50
Steuerung
Archiv & Verwaltung
+12.50
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Floor plan: Digital Exhibition + Virtual Exhibition, UG
- 50 -
Perspective: Digital Exhibition
Perspective: Virtual Exhibition
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2012
Residence Arno Schmidt
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Isometry, Overfly
The buildings are intended as ‚stations‘ to
libraries and events in the seminar
help the various visitors, to deal with the
house. If necessary, he talks in detail
topic of Arno Schmidt and to approach
with the scholarship holders and with
him. The path and the fragments of the
the Archivist in the seminar house.
building enter into a symbiosis with the showfield and make their way into the village without being „foreign“. They are not to be exempt from constant deterioration and renewal.
The ‚more interested‘ visitor He
enjoys
the
walk
across
the
Schauerfeld, he specifically goes to libraries and events in the seminar house. If necessary, he talks in detail
The ‚random‘ visitor He eats in the inn and enjoys a little walk across the Schauerfeld field without a sound knowledge of Arno Schmitd,
with the scholarship holders and with the Archivist in the seminar house.
after a short stay in the exhibition areas
The scholarship holder
he goes back home.
For a while, he lives and works in a small apartment and the libraries on the Schauerfeld. He experiences the other
The ‚more interested‘ visitor He
enjoys
the
walk
across
the
Schauerfeld, he specifically goes to
visitors hardly or only specifically in the seminar house. - 54 -
Conference I
Perspective: Library
Floor plan: Library 00,00 m Lounge
00,00 m Storage
00,00 m Conference II
-3,00 m Conference I
00,00 m Lounge
Perspective: Seminar
Floor plan: Seminar 00,00 m Storage
00,00 m Conference II
-3,00 m Conference I
00,00 m Lounge
00,00 m Storage
00,00 m Conference II
Perspective: Stele field
Floor plan: Stele flied -3,00 m Conference I
00,00 m Lounge
00,00 m Storage
Perspective: Guesthouse
Floor plan: Guest House
00,00 m Bar / Dining
00,20 m Entrance
00,00 m Kitchen
00,00 m Kitchen Storage
- 55 -
2017
SMALL SPACES
Biosphere One
- 56 -
BS.SM
Janek Franz
Is
M
Institut fĂźr Lan
Prof.
- 57 -
Pictograms, Biodiversity
01
02
03
Biodiversity: Similar to a boreal climate
Biodiversity: Similar to the refrigerated zone Type: Central European deciduous forest
Biodiversity: Similar to a wet savanna
Type: forest tundra and coniferous forest, almost monocultural
Type: No trees, boggy ground
Diagram, Biodiversity 5
4
Grünflächen in der Innenstadt
Versiegelte Flächen in der Innenstadt
Arten x 1000
3 Artenvielfalt
2 Bevölkerung
1
Zeit
- 58 -
Through continuous urbanization, humans are increasingly displacing ecological areas and green oases in their own habitat. While the city of Brunswick has at least one ‚green belt‘ or ‚green ring‘ around its inner city, it is liberated within any green. An already heated by the daily business and rapid area without a rest or even dwell zone. It is obvious / obvious / obvious that the quality of life suffers here.
04
While valuable green space continues to be displaced in cities, between 1991 and 1994 American scientists and investors sought to create a self-sustaining, self-sufficient ecosystem in
Biodiversity: tropical-like, atmospheric circulation Type: Evergreen primeval forest, no thermal seasons
which survival would be possible over a longer period of time. The name of the project was ‚Biosphere 2‘ derived from ‚Biosphere 1‘, which is known as Planet Earth. The knowledge of the possibility of colonizing the moon or Mars was motivation enough for the scientists. So the ecosystem had to be ‚exported‘. I would like to give back to these gray and barren areas their green space and create for the population in addition the possibility of a dwelling and rest area. The further the processes of urbanization and urbanization progress, the less green space we will be able to experience in our cities. On the one hand because remaining green space has to give way to building masses, on the other hand because
Biodiversität in der Phiole
urbanization brings with it climatic changes that make the growth and growth of plants impossible. The vial is said to prevent these external changes from acting on the biosphere. It is not about preserving a tree, but about exhibiting the natural growth and decay of the ecological cycle of the biosphere. This should be a graph and memorial for future generations - 59 -
mit Lars Koop mit Lukas Steude mit Reuven Zweigel
2017
Munich Cowboy
Kompact Design Workshop
- 60 -
- 61 -
has
activities within this field. A collective
retained many urban qualities and also
process justifies the installation of
managed to create new ones. It typifies
small temporary cultural sites, whose
in a special way the type of the European
conceptual background is to be created
city, which despite the dissolution
from the (loss) fear and the imagination
phenomena is still largely preserved
of the residents. They should serve as
and has led to a strong identification
a (political) platform for exchange and
of the Munich with their city. In the
discourse and enable the appropriation
Werksviertel - a former commercial and
of the city by its original inhabitants.
industrial area - in the immediate vicinity
The Werksviertel has attracted our
of Ostbahnhof a new urban quarter is
positive
being built. The workshop deals with
structures
the current urban planning topic of
Nevertheless,
the currently largely unused factory
which makes this place a special Munich
district and aims to highlight the specific
location. In fact, we missed the typical
potential and qualities of the transitional
Munich flair. Whether its supposed
Indutriebrachen. Various interventions
weakness of character, the Werksviertel
should install small temporary (and
could be located in other cities. There is
/
no identity element that integrates the
Munich,
or
like
mobile)
few
other
cultural
cities,
sites,
which
attention as
with
an the
its
urban
existing location.
question
arose,
should initiate an artistic process and
Werksviertel in Munich.
a collective desire production in the
Munich is characterized by a strong
district. The programmatic uses as well
beer and brewery culture. Virtually
as the dimensions of the interventions
every quarter has its own brewery and
are concept-dependent and individually
affiliated tavern.
to develop. Reflections on the urban field
We would like to teach the Werksviertel
and its use are absolutely necessary.
this quality and thus preserve and reuse
Reflecting on art and the city in public
the old ZĂźndapp factory building.
(perhaps never power-free) space is a
The hall itself will be transformed into a
fundamental aspect of the new cultural
hop garden, thus serving as a valuable
sites, which are to be conceived as a place
recreational space for the inhabitants
for urban research and experimentation.
of the district. The brewery is executed
They should send impulses into the
vertically to generate a landmark in the
urban space and pick them up, they
cityscape. Under the brewery tower is
should provoke artistically and function
the tavern and below the host cellar. The
as a resource for the developing urban
garden is at ground level to enter and
space. The interventions should serve
invites you to linger. In addition, there
as part of a social, political and artistic
are the beer laboratories in the garden,
process that opens up perspectives for
where young entrepreneurs can test
the cultural use of urban space and other
and develop their own beer recipe - 62 -
Site, Munich
- 63 -
Collage, Functional Diagram
Workshop - Munich Cowboy Werk 9 - Zündappbräu * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Analysecollage
- 64 -
Perspective
Workshop - Munich Cowboy Werk 9 - Zündappbräu * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Außenperspektive
- 65 -
Workshop - Munich Cowboy Werk 9 - Zündappbräu * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Grundriss Erdgeschoss Maßstab 1:200
Grundriss 6. OG - Brausaal
Grundriss 10. OG - Wassertanks
- 66 -
Grundriss Dachgeschoss
Brauerei-Turm fünf Brauprozesse können parallel stattfinden; die große Anzahl an Braukesseln geben Privatpersonen der Craftbeer-Szene die Möglichkeit in größeren Dimensionen zu brauen
Umnutzung der Zündapphalle die Tonnenschalen des Sheds werden durch eine öffenbare Verglasung ausgetauscht; somit wird die Umnutzung der Halle als große Gewächshaus ermöglicht
Struktur die flankierenden Gebäude der ehemaligen Fabrikhalle werden entfernt, sodass der Zugang der Halle an allen Seiten ermöglicht wird; die Primärstruktur der Halle bleibt erhalten
Gewächshäuser zusätzlich eingestellte Gewächshäuser ermöglichen unterschiedliche Klimazustände für die Züchtung spezieller Aromahopfensorten
Idee des Gartens die versiegelte Fabrikfläche wird aufgebrochen und mit landwirtschaftlich nutzbarer Anbaufläche ausgetauscht; inspiriert vom Englischen Garten und seinen Biergärten werden entsprechende Sitzmöglichkeiten inmitten des Hopfengartens angeboten
- 67 -
- 68 -
Perspectives
Workshop - Munich Cowboy Werk 9 - Z체ndappbr채u * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Perspektive Hopfengarten
Workshop - Munich Cowboy Werk 9 - Z체ndappbr채u * SS17 IAD Prof. Staab 4063714//4170579//4172161//4063661 * Perspektive Wirthaus
- 69 -
mit Till Griesemann
Oberhausen Sterkrade
Schlaun Competition 2014
- 70 -
2014
IV
V II
VII IV
VI
VI
VI
II
I
III V
IV
V VI
V VII
VI
III
VII IV
III
III
V
III
V
IV
III VI III
III
III
III
VI
V
III
III
III
III
III III
III
IV IV IV
IV
III
III
III IV
III
IV
IV III
V IV
III
III III III
IV
III III
III
IV IV
- 71 -
V
III IV
V III
Mining as a source of energy will no
themselves. Unlike the allotment garden
also opens to the center, but brings the
longer exist in the entire Ruhr area by
concept, areas are managed by block
residents an urban quality to Sterkrade.
2018 at the latest. The idea is to still
groups, providing a catalyst that can
This is where services, offices, large and
maintain the location as a supplier of
bring people together. This structure is
small businesses as well as institutions
energy. Solar power can make large parts
again enforced by special uses such as
of a residential district self-sufficient.
playgrounds, meadows, ponds etc.
Additional electricity from wind energy
The key features of a mine from today‘s
can suffice to supply several 100
point of view, the supply of energy and
residential units. In order to also explore
the promotion of community form the
potential in the decommissioned seams,
guiding principle of the design.
in cooperation with e.g. The Fraunhofer
The design plot is divided into three
Institute UMSICHT, which is already
large construction sites. The first field
based in Oberhausen, is developing an
extends
energy and research center in Sterkrade.
existing on the property by compacted,
use, this site will provide research
In addition to the aspect of self-
highly
units,
facilities with combined heat and power
sufficient and sustainable energy supply
which are oriented in broken-up block
plants for the production of energy,
in the sense of the project Climate
structures to the plot center. On this
classrooms for schools, youth hostels,
Metropolis Ruhr 2022, the mentality of
site are mainly residential buildings, in
food stalls, as well as art and culture in
the community in the former coal mines
the square are also small businesses,
the form of a museum in the old shaft
is an important topic for us. For example,
restaurants and a kindergarten. The
photographs of the Ruhr area in the
development adapts to the height of the
1950s show a picture of society of which
existing single or multi-family houses
only very little is left today: working in
and surmounts them only occasionally
the community garden, playing games
to the space situation or the foot and
with other children in the yard, relaxing
bike path, which connects all fields with
in the meadow, playing games such
each other.
the
development
segmented
residential
of art and culture should settle, as they are sometimes found in the directly adjacent, existing uses.
The third construction site is based on
already
the already no longer existing supply buildings of the Sterkrade coal mine. With the strongest relation to the former
tower and rentable premises. The interior defined by the construction fields
and
their
connection
serves
the voluntary agricultural use by the inhabitants or gardeners and forms the social center of the design. This area does not close in front of the neighbors,
as soapbox races or playing soccer.
but opens purposefully and offers
Instead of offering the Sterkradern
At the WeierstraĂ&#x;e after demolition of the
only another park, similar to that of the
supermarket, the gym and other small-
access to participation: at the Christoph-
Volkspark, the area is to be traversed by
scale development another, more urban
Schlingensief-Schule, at the Volkspark,
gardens that can be managed in part
construction field. This is characterized
at the sports fields of the stockpile and
on a voluntary basis by the residents
by a coarser block development, which
through the HOAG Fahrradweg.
Tiefgarage
- 72 -
IV
V II
VII IV
VI
VI
B VI
II
I III V
IV
VI
V
P
VI
V
IV
III V I
VII
VI
A III
IV
VII IV
I VII
VI
III
III
V
V
III
V
II
IV
III VI
VII
V
III
III
III
III
VI V
III
III
III
III
III III
III
IV IV IV
IV
III
III IV
III
III III
III
III
V IV
III
IV
IV
III
III
IV
III III
III IV IV
V
III IV
V III
IV III
IV
B
III III
III VI
Tiefgarage
- 73 -
III
III III
III
Pictograms
Ste
Ste
rk
o r ro w
today
tom
de
En
a
de
ra Surrounding land has an extremely high proportion of private open space (see also Density analysis), which leads to the isolation of the Sterkrader
rkr
For the benefit of collective open spaces, private gardens in the new district are minimized. Through this community should be promoted and encouraged to a social exchange.
1
800
Hypothesis For the use o an agricultural system is self-sufficient life on the s needs 30m² of fruit trees, 1m² of pork. On a total of bred simultaneously. For of approx. 800 people th of approx.
e rg
iekonze
pt
consumer Photovoltaic 3,000 - 12,000 kWh / a per 100m², use of rainwater Use of district heating of the evo district heating network
Analys
Wind energy + recreation Darrieus turbine 3,000 - 5,000 kWh / a Meadows, small parks, boul fields, water retention basins
gard Fruit, vegetab
e +
GRZ 0,2
GRZ 0,26 GRZ 0,36
GRZ 0,22
Reaktio
GRZ 0,27
n
Analysis - base area number GRZ 0.2 - 0.35 Response: Less private space in favor of collective open spaces
Public green spaces Volkspark, Kastanienhain Reaction: gardens and agricultural fields
- 74 -
Cultural and education schools and sports club to gardens and field
S
r ecolog y
ca 40.000 m² 60 %
vac a
64.8
00
nt
a d e r re l i c s
r ade
rader
1
50
rkr
er k
30
te
St
Sterk
7
81
ar
ea
s
f collective open spaces, s proposed that allows a site. Every year, a person , 50m² of vegetables and f 81m ² 7 chickens can be r a district neighborhood his results in a total area 65.000m².
dens bles, chicken
nal institutions Nearby bs Reaction: Gain access ds in the new district
Potential cultivated areas in the interior of the district cover this demand by approx. 60%. This would allow 100% self-sufficiency on the entire design property.
By exposing the Alsbaches the fields can be supplied with water. The chestnut grove in the south, as well as the trees north are preserved. In addition, greenhouses are provided to produce exotic foods as well. The circular path connecting the construction fields cuts every garden field at least once.
Alsbach Aquaponics, algae for water treatment Irrigation of the gardens
Biogas Fermenter + CHP Fermentation of biomass, compost Electricity generation from biogas or possibly methane gas from decommissioned seams
Retail and business use Mainly on the western part of the property Reaction: Transfer of use to the quarter
- 75 -
Superordinate routing Roads and HOAG cycle path Reaction: Continuation of the roads, laying of the HOAG bike path
Perspective
- 76 -
Isometry, residential typology
- 77 -
Perspective
- 78 -
- 79 -
2017
School on Top
Educational Campus Anhalter Bahnhof
- 80 -
- 81 -
The property is bordered north-west of the Schöneberg road, east of an axis consisting of Tempodrom, sports field Ruine Anhalter Bahnhof
Grundschule Fanny Hensel
and the ruins of the old Anhalter station. South of the area to be planned is the Elise Tilse Park.
Sportplatz
ße
tra gS er
On the property itself, the Fanny Hensel
b
ne
hö
Sc
Bunker am Anhalter Bahnhof
elementary school is already located, their breakyard takes by its structural
Tempodrom
Elise-Tilse-Park
mass but also atmospherically the hitchhiker bunker.
N
A relic from the time of the Third Reich. Through him and the ruin is a historical-urban planning Aursichtung read, which subordinates the Tempodrom also. Schöneberg street and Fanny Hensel
Ruine Anhalter Bahnhof
Grundschule Fanny Hensel
Primary School are opposed to this direction. The plot itself is determined by these parameters.
Sportplatz
ße
ra St rg
e eb
The given structures result in a> formal
n
hö
Sc
Bunker am Anhalter Bahnhof
logic <resulting from the place and its history. In order to provide adequate
Tempodrom
Elise-Tilse-Park
education for the existing school and also to limit it through an architecture, I
N
follow this formalism. The imaginary body springs from the gymnasium of the FHG and follows the urban orientation of the place. He encloses the bunker without touching it.
Ruine Anhalter Bahnhof
Grundschule Fanny Hensel
It forms a Dynamic Body to the part of which is the elementary school. The school complex can still be accessed via
II
ße
The dynamics of the place should also
K
h
I
Sc
Schöneberg Strasse.
SE
e ön
Sportplatz
SEK
ra St rg be
Bunker am Anhalter Bahnhof
play a programmatic role. For example, students progress through primary,
Elise-Tilse-Park
Tempodrom
lower secondary and upper secondary education while remaining in contact N
with each other throughout the year and across all disciplines. - 82 -
Site, Berlin
lnse e -He ul ny sch Fan rund G
ha An lte ker un
rB Ruin e
Spo
rtpla tz An
halt
sca
ng
du
Bil
er
alt
nh
sA
u mp
fho hn BCA Ba
Tem p
odro
- 83 -
m
er B
ahn
hof
des
Anh
alte
r Ba
hnh
ofs
Perspektiven
- 84 -
The rapid change that affects our daily
EG
technological and media innovations
de Kü den : Bil Theme nraum
Eingan Schwa g / Foy SEK rzes Bre er II tt
nste
lives in almost every respect through Deta
ilzei chnu
ng 1:50
and further developments, makes it Klasse Malere nraum ca. 10 i-Werk stä -20 Schüle tte r
impossible to take the attention of the
Klasse Malere nraum ca. 10 i-Werk stä -20 Schüle tte r Klasse Holz-W nraum ca. 10 erkstä tte -20 Schüle r
basic education institutions.
Klasse Ton-W nraum ca. 10 erkstä -20 tte Schüle r Klasse Ton-W nraum ca. 10 erkstä -20 tte Schüle r Lerner Bespr zimme Kolleg echun r ium genen, Bilden Vor de Kü bereitu nste ng
Educational and architectural action is
yer / Fo ett s Br K I SE
g an ze Eing hwar Sc
t AA nit
Sch
needed. In addition to the theoretical
Freize
alle ) orth ar Sp tzb ch h nu 2-Fa ntlic fe h öf
it- un
d Pau
senrau
m
(auc
approach and the new understanding
Perspektive Atrium
ing ok ze t Co Plät ) Fron 140 tzbar nu lich fent h öf
mit
fe
Ca
(what is school?), But the architecture
(auc
1.OG Offene 60 Arb r Arb eitspläeits- un tze d Lernra
um
is responsible for the improvements in
teria
most matters. The
arrangement
of
the
building
Deta
ilzei
chnu
ng 1:50
Offene Rückf r Sem ragen- inarra ca. 5-1 Gesprächum 0 Sch e üler
parts follows the dynamic and the
Input-
Input-
programmatic logic.
Input-
Input-
Input-
The main entrance for the publicly
und
und
und
und
Offene Rückf r Sem ragen- inarra ca. 5-1 Gesprächum 0 Sch e üler und
KickO
ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler
KickO
ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler
Offene Rückf r Sem ca. 5-1 ragen- inarraum 0 Sch Gespräch üler e
KickO
ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler
Offene Rückf r Sem ca. 5-1 ragen- inarraum 0 Sch Gespräch üler e
KickO
ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler
Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst
KickO
altu
ff-Vera Klasse nst nra ca. 5-1 altung um 0 Sch en üler
Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst
ngen
altu
Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst
ngen
altu
Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst
ngen
altu
available
offers
(seminar
Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst
rooms,
ngen
altu
Klasse Input- nraum ca. 5-1 und Kic 0 Sch kOff-V üler eranst
ngen
altu
Lerner Bespr zimme SEK echun r II Kol gen legium en, Vor bereitu
r Foye I g / SEK an
Eing
auditorium / multi-function room, sports
ng,
ngen
Kop
ierrau
m
t AA nit
Sch
hall, library and media library) is reached
Bibliot Leihen hek un 120 PLätze d Lernen (auch öffe
alle ) orth ar Sp tzb ch h nu 2-Fa ntlic fe h öf
ntlich
(auc
nutzb
ar)
Perspektive Atrium
from the east, between Tempodrom and the sports field on the grounds of the
2.OG
old Anhalter station. For pupils and staff, the educational
Deta
ilzei
campus is to be reached from the
chnu
ng 1:50
nd
lle
rste
es
iel
Sp
: Da
raum
direction
of
the
intersection
en nu Themeater ze lich Th 0 Plät fent 10 h öf (auc
of
ar)
tzb
es nd lle rste aum : Da ober raum / Pr r le
en um hü Themeaterra 0 Sc Th 15-3 ca.
Stresemannstraße
and
Anhalter
iel
Sp
es nd lle rste aum : Da ober raum / Pr en um ler hü Themeaterra 0 Sc Th 15-3 ca.
iel
Sp
es nd lle rste aum er
iel
Sp
: Da
ob raum / Pr en um ler hü Themeaterra 0 Sc Th 15-3 ca.
en ng ltu sta eran m Off-V en au Kick ng ltu senr d ler sta Klas t- un Schü eran Inpu 5-10 m Off-V en ca. au Kick ng ltu senr und ler sta as hü Kl t- Sc eran Inpu 5-10 m Off-V en ca. au Kick ng ltu senr d ler sta Klas t- un Schü eran Inpu 5-10 m . Off-V en ca au Kick ng ltu senr d ler sta Klas t- un Schü eran pu 10 In 5m Off-V en ca. au Kick ng ltu senr und ler sta as hü tKl Sc eran Inpu 5-10 m Off-V ca. au Kick r nr d le se Klas t- un Schü Inpu 5-10 ca.
nst Ku al he ertsa ze usisc nz ät ) : M Ko 70 Pl tzbar nu raum en lich fent Them h öf (auc
Straße; Here is the tartan track lead
nst Ku he eraum r usisc ob hüle : M / Pr 0 Sc raum um -3 en ertra ca. 15 nz Them Ko
as a groundbreaking element on the
nst Ku he eraum r usisc ob hüle : M / Pr 0 Sc raum um -3 en ertra ca. 15 nz Them Ko nst Ku he eraum r usisc ob hüle : M / Pr 0 Sc raum um -3 en ertra ca. 15 m nz au Them Ko t AA nit senr ngen r Sch Klas staltu hüle Sc eran 10 m f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle un Sc teran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au ckOf ca senr ngen r d Ki Klas staltu hüle Sc t- un eran 10 m Inpu f-V . 5au senr ngen r ckOf ca d Ki Klas staltu hüle Sc t- un eran 5-10 Inpu Off-V ca. ck d Ki t- un Inpu
property. Also, a path from the Elise Tilse Park to
Media Recher thek 70 Plä che un d Ler (auch tze nen öffent lich nutzb ar)
Perspektive Atrium
lead to the campus, in order to address an audience beyond the southern Spree. - 85 -
2018
Cultural Stage
East-Berlin
- 86 -
- 87 -
As a business location, the city of Berlin
has suffered greatly from the closure
is demanded an international cross-
of its operations. Today, the industrial
cultural image. Many companies and
fallow give evidence of the former
therefore also people are looking for a
charm of the district. In addition to the
new home for fear of economic setbacks
economic decline, the separation from
caused by Brexit. In Germany, Berlin has
Schöneweide station by the expansion
to assert itself against other major cities
of Schnellerstraße to a six-lane road.
Site, Treptow-Köpenick, Schö
such as Frankfurt, Munich and Hamburg in order to continue to be an attractive
After German reunification on 3 October
business partner for the companies.
1990, many residents and employees
Rather, however, the influence of the
in Niederschöneweide had to cope
BBI (Berlin-Brandenburg-International-
with significant changes. Due to the
Airport) on Berlin and Treptow-Köpenick
changed market situation for the former
will grow in the near future. With the
enterprises of the GDR there were
international airport Treptow-Köpenick
mass dismissals, company closures and
becomes the place of the first contact
privatizations of the enterprises. Since
with Berlin for the arriving masses
1994 Niederschöneweide belongs to
from all over the world. It lies on this
the 22 redevelopment areas of Berlin.
district, how far the airport grows to the
Niederschöneweide has a hard time
economic center of Berlin. Belin is about
bearing on its industrial heritage of
to grow into a 4 million metropolis. The
a century and a half. Since 1994, the
influx from the outside and also by the
expansion of the waterfront promenade
increase of the inhabitants contribute to
has
it. Both groups must be offered housing
architecture has been restored and
in
added to new uses.
the
future.
Treptow-Köpenick
is
begun.
Historic
industrial
located in the center of the south-east of Berlin. The urban space is characterized
The
by its history of contrasts and transitions:
Schöneweide for Berlin lies in its
urban
settlement
location. Located in the southeastern
core and transition zone, vibrant city
region and through the axis between
and industrial wasteland, urban and
the
landscape space form a diverse mosaic.
Brandenburg International and the city
These patterns are also visible when
center. The location at the center of the
looking at the three districts Old Town
axis requires the joint development of
Köpenick, Adlershof and Schöneweide.
the Upper and Niederschöneweide.
They form the most important urban
While Oberschöneweide already has
core areas of the Treptow-Köpenick
a few cultural offerings in addition to
district. The districts are already strong
research and innovation points of view,
in the black plan depending on their
Niederschöneweide
formative functions. Thus, the old town
a link between the town center and
of Köpenick is a distinctive residential
the area north of the Spree. Here, in
district, Adlershof forms the innovation
a figurative sense, bridges are to be
and research center, in cooperation
built. For example, former industrial
with the selective settlement of parts
sites in Niederschöneweide are to be
of the College of Engineering and
redesigned to supplement the city
Business (FHTW) in Oberschöneweide,
with new apartments, workplaces and
which together with the Economic and
cultural
Scientific City (WISTA) and the Humboldt
program lets the districts grow together
University in Adlershof sets important
again. Niederschöneweide thus serves
Handlungsbedarf
impulses
location
as a catalyst for the development of a
Nicht veränderbar
image. Schöneweide, on the other
vital habitat. The synergy effects from
Kultur und Bildung
hand, is slightly out of the way, which
the most important town centers have
Neuplanung
does not mean that no character is to be
predestined potential to become an
found. In the last years is. Schoneweide
extension of the city center. To thereby
is here a bit outside. The industrial town
approximate the city to the airport.
and
and
peripheral,
shapes
the
potential
future
and
significance
major
offerings.
airport
should
The
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of
Berlin-
become
architectural
Grünraum
รถneweide
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Site, Bärenquell-Areal
Potenzialraum invertiert, Grünflächen verbinden Spree und Quartier
Nicht Erhaltenswert
Erhaltenswerte Quallität
Grünraum
Atmosphärische / Programmatische Räume, generiert durch das gezielte Setzen von Volumen Mögliche Durchwegung und Erreichbarkeit der einzelnen Räume, Sichtbezüge Zwischen und durch die Gebäude
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Theater-Organisationsgeb채ude Lastenaufzug
Potenz.Raum Bar
Theke
Bar Billeterie
Wohnen
Terrasse Biergarten Seminarraum
Bibliothek K체che
Gastraum
B채renquell-Museum Restaurant
Co-Working Space
Speicher
B채renquell-Museum Office
Showroom Glas
Showroom Holz
Empfang
Glasmanufaktur
Holzwerkstatt
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Section AA
Floor plans ground floor + 1st floor G
.-3.O
en 1
n Woh
ke The
G
en E
n Woh
rten
rga
Bie
ke The
Bar
nt
ura
ta Res
m trau
Gas
e
ass Terr
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The buildings of the brewery frame interspaces / squares with different atmospheres. Thus, visual and spatial relationships between the individual cubes and across the area are generated. The theater is integrated with the same logic in the terrain. His Anfang der zwanziger Jahre hatte Erwin Piscator durch seine Inszenierungen für die
program also goes hand in hand with the atmospheric features of Volksbühne die Zuschauer zu aktiven Teilnehmern seiner Aufführungen erzogen. Bei der Inszenierung von Schillers ‚Räubern‘ im Großen Schauspielhaus erreichte er dann die
the rest of the terrain. So this theater is not dependent on a fixed Umwandlung der Menge der individuellen Zuschauer zu einer geschlossenen sozialen
Gemeinschaft. Es folgten am Theater am Nollendorf-Platz die berühmten Inszenierungen von
schedule or ensemble, unlike institutional theaters. It allows for Ernst Tellers ‚Hoppla - wir leben‘ und ‚Rasputin‘. Piscator arbeitete hier mit einer
various uses without losing or deceiving the characteristics of a durchkomponierten Bühne, auf der simultan nacheinander und nebeneinander gespielt
theater.
wurde. An die Stelle der Guckkastenbühne war die Raumbühne getreten. Berliner Geldgeber wollten ihm Mittel für den Umbau eines Berliner Theaterbaues zu einem Theater nach seinen
Erwin Piscator has tried to blur the roles of spectators and actors Ideen zur Verfügung stellen. Piscator, der sämtliche Berliner Theater kannte, lehnte den
Vorschlag ab. Die Geldgeber forderten ihn nun auf, ein Theater gemäß seinen Vorstellungen
and make them both ‚participants‘. Walter Gropius, who was projektieren zu lassen. Piscator stimmte zu und nahm Walter Gropius als Architekten in
Otto Brückwald & Richard Wagner Festspielhaus Beyreuth 1872-1875
Aussicht, dem er ein sorgfältig ausgearbeitetes Programm für ein Theater ohne Parkett,
commissioned by Piscator with the planning of a space theater,
Entwicklung des Verhältnis‘ von Akteur und Zuschauer | Inszenierung und realer Welt | Traum und Wirklichkeit
Ränge, Logen, Galerie vorlegte. Bei der Annahme des Auftrages sagte Walter Gropius: „Ein
commented on the total theater, [...] that the project of a large solches Raumtheater hat mich und meine Freunde am Bauhaus schon lange beschäftigt.“
space machine had been developed, with which the director of Die fertigen Entwürfe übergab Gropius an Piscator mit dem Bemerken, es sei das Projekt einer
the game could accomplish his personal creative achievements großen Raummaschine entstanden, mit der der Leiter des Spiels gemäß seiner
schöpferischen Kraft ganz persönliche Regieleistungen vollbringen könne. Gropius
according to his creative power [. ..] ‚.
unterzeichnete das Projekt als Direktor des Bauhauses. Er würdigte es so als Summe der Leistungen von Mitarbeitern des Bauhauses. Ideen von Andi Weininger, Heinz Löw, Xanti
Simultaneity and chronology are terms that suggest how the Schawinski und einigen anderen waren eingeflossen. Ihre Einfälle fanden auch Anwendung
theatrical play can change. This increased use brings a unique beim späteren Aufbau der Figuralguckkastenbühne für die Werke Oskar Schlemmers.
quality to the place and also in the use of the theater. Directors In der plastischen Werkstatt Joost Schmidts schufen zwei junge Schüler, die gelernten
Maschinenschlosser Heinz Löw und Franz Ehrlich, das Modell eines totalen Theaters, das über
can expand the game via various room functions and, for eine zentrale Welle den gesamten Bühnenmechanismus als ‚Raummaschine‘ funktionieren
example, incorporate the backdrop change into the play. Or by ließ. Anschließend entstanden in der Werkstatt in Originalgröße ein mechanisches Schaufenster und als Modell ein drehbares Haus mit ausfahrbaren Geschossen.
changing the configuration of the bleachers to catch the viewer in a different way. Franz Ehrlich Bauhaus und Totaltheater
Walter Gropius & Erwin Piscator Totaltheater
Second, the theater is not forced to use as a theater. Even exhibitions, markets, concerts, auctions, competitions and much more can now be given space. This versatile use has given the place its special quality.
...Über das Logentheater [...] Das einfache Publikum stand im Parkett vor der Bühne und nur für Personen von Rang und Namen stand das Logenhaus mit seinen senkrecht übereinander stehenden Logenrängen zur Verfügung. Diese in Italien entwickelte Theaterarchitektur fand im 18. Jahrhundert seine Nachahmer in ganz Europa. Die feudale Gesellschaft fand somit im Logentheater seine adäquate räumliche Widerspiegelung. Als erste kleine bauliche Revolution wurden in neueren Häusern ab dem 19. Jahrhundert die geschlossenen Logen von offenen Balkonen ersetzt. Die Theaterbauten von Schinkel und Semper gingen noch weiter, in dem sie das strenge Logenprinzip zugunsten einer klassizistischen Offenheit zurück drängten.
Institutionelle Theater Bsp. Guckkasten Prozessuales Spiel Bsp. ‚BlackBox‘
Überall dort, wo die Zuschauer einen oder mehrere Darsteller in einer spielerischen Situation betrachten, kann von Theater gesprochen werden. Zu dieser Grundsituation gehört auch das Rollenverständnis der Zuschauer und der Darsteller. Das Publikum muss ein Bewusstsein über seine Rolle als Zuschauer besitzen. Und die Darsteller müssen sich selbst als Spieler definieren.
Informelles Schauspiel
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Pictograms, programmatic, theater
Ausstellung besonders großer Exponate Bsp. Jeff Koons
Spezifische Events (Innen und Aussen) Bsp. Oldtimer Show
Pictograms, programmatic, theater
Bühnenaufführungen Bsp. Riverdance
Exotische Sportveranstaltungen Bsp. Sumo Ringen
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“Möglichkeitsraum: Als Raum im Raum
weil auch das Nichtandere natürlich
Möglichkeitsraumes gibt (das illusionäre
ist Theater nur Theater wenn Mögliches
möglich ist – dass lässt denken. Und
Spiel), und das zugleich sich doch diesem
wirklich,
dieses
jederzeit
Jenseits (auch in der illusionärsten
wird. Die Unterbrechung des sozialen
hinüber, mal zum Bloßdenken, mal zum
Guckkastenbühne) bewusst zuwendet.
Raumkontinuums durch die Differenz
Fastnichtdenken im Erfahrungsraum.
Wirkliches
zwischen
Vorstellern
anders
und
möglich
Denken
schwankt
Zusehern
Und sei es nur, um gesehen, gehört und verstanden zu werden.
eröffnet diesen Möglichkeitsraum, der
Erfahrungsraum: Ist Theater sofern ohne
durch seine Öffnung das Mögliche zeigt.
jedes Sinnliche Theater nicht sein kann.
Traditionell kann der Möglichkeitsraum
Dadurch aber, dass dieses Sinnliche
etwa der Fiktionsraum sein, der Raum,
sich im Möglichkeitsraum befindet, ist
vielleicht in noch mehreren) spielt sich
der zwar da aber anders als da, weil eben
dasSinnliche nicht einfach nur sinnlich
Theater wohl ab. Weiteres ist dem
anders möglich, ist. Die Bühne, die nicht
und da. Sondern es ist als vorhandenes
nachzudenken. Auch wenn es vielleicht
die Bühne, sondern der Hof Dänemarks
Sinnliches, ein verwirklichtes Mögliches,
nicht ganz neu erscheint.
sein kann. Zugleich aber kann diese
das auch anders hätte sein können. Und
Bühne
Dänemark
dieses intensive „so ist es“ schwankt ins
Jedenfalls
sein. Zeigt aber als Bühne wieder ein
„hätte anders sein können“ und wieder
theoretischer
Mögliches, das jederzeit anders sein
zurück.
Bühne
und
nicht
kann
nur
in
sträflicher
Vernachlässigung
von
einer dieser Dimensionen abgesehen
könnte, und das so ist, wie es ist, weil auf der Bühne anderes möglich war und ist.
In diesen vier Raumdimensionen (und
Spielraum: Anders als die Medien ist der Möglichkeitsraum auch Spielraum, in
werden. Der theôros hat die vier Räume zu beschauen.”
Denkraum: Indem der Möglichkeitsraum
dem nicht nur abgeschlossen von dem
Mögliches möglich zeigt, gibt er zum
Zuseherraum gespielt wird, sondern
Ulf Schmidt, Die vier Räume des
Denken Anlass. Sei es nur, dass es so
eben bewusst mit dem Zuseherraum.
Theaters: Möglichkeitsraum, Denkraum,
sein könnte. Dass es so ist, das es anders
Ein doppeltes Spiel also, das spielt, es
Erfahrungsraum, Spielraum.
ist oder noch nicht einmal anders ist,
wüsste nicht, dass es ein Jenseits des
Ein Gedankenspiel.
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Floor plan configuration
Theater-Organisationsgeb Lastenaufzug
Potenz.Raum
Floor plan configuration
Theater-Organisationsgeb Lastenaufzug
Potenz.Raum
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- 99 -
- 100 -
- 101 -
2017
Dynamic Surfaces
Grasshopper Seminar
- 102 -
unkt
Deformationspunkt
Mittelpunkt
StĂźlpungspunkt
- 103 -
Diagram, Dynamic Surfaces
Weitungspunkt
Deformationspunkt
Mittelpunkt
StĂźlpungspunkt
- 104 -
- 105 -
2013 - 2018
Teaching at the IEX
Zeichnen Eins Entwerfen Eins
- 106 -
- 107 -
Entwerfen Eins
In the first year of study, five multiweek supervised exercises are worked on.
Under
Composition,
the
headings
Genius
Manifest,
Loci,
Room
Sequence and Light Spaces, these focus on sub-aspects of design. These are finally brought together in a small building design. In this way, students are introduced to the complex field of design from various angles. Through the editing and presentation of the exercises, the first drawing and model building techniques will be learned.
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Zeichnen Eins
As a tutor, I have developed a great interest in teaching. In basic science, it is important for me to teach students communication through architectural means. Reading and recapturing architectural drawings is very important to me. So I have repeatedly sought the conversation with other tutors and also the academic staff to find ways to optimize the courses in favor of teaching. One of my tasks in my previous activity as a tutor at the IEX was the preparation and execution of tutorials in the subject of drawing one as well as the execution of tutorials in design one. Since joining IEX as a tutor, I have been intensively involved in the preparation of the Drawing One tutorials. Creating the student work materials needed for the tutorial was part of it. â&#x20AC;&#x17E;Drawing
Oneâ&#x20AC;&#x153;
forms
the
basic
qualification in the module Presentation and
Design
of
the
first
academic
year of architect education at the TU Braunschweig. In the form of weekly lectures and exercises, the students are familiar with the basic skills of freehand drawing, sketching and the performing geometry in addition to the theoretical and historical foundations of drawing in architecture. Techniques of building and architectural analysis are practiced, by means of which a building can be broken
down
into
its
architectural
elements (grid, axes, walls, columns, openings, spatial
cubature, relationships,
development, hierarchies,
etc.) and analytic using the practiced techniques of drawing and presentation , interpretive drawings can be generated. By repeating and producing analogously in different ways of representation and standards, the students train their twoand three-dimensional imagination. - 109 -
M.Sc. (Arch.) Janek Franz Ferdinand Meyer WilhelmstraĂ&#x;e 48 38100 Braunschweig Janek.Meyer@TU-Braunschweig.de 0176 80 555 8 47
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Thank you.
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