Lehman Brother's Collection Part II

02/127/10

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

works from the lehmah brothers collection: part ii

Works from the Lehman Brothers Collection: Part II 02/12/10

Works from the Lehman Brothers Collection: Part II 02/12/10 Auction: Friday February 12th at 11am Exhibition: Wednesday February 10th & Thursday February 11th 10am–6pm

All lots to be sold not subject to a reserve

Inquiries: paintings Aimee Pflieger Dolby Tel: 267.414.1221 adolby@freemansauction.com prints Libia Elena Mendez Tel: 267.414.1210 lmendez@freemansauction.com topographical, historical & decorative prints David Bloom Tel: 267.414.1246 dbloom@freemansauction.com Joe Huenke Tel: 267.414.1247 jhuenke@freemansauction.com Bidding: bids department Natalie DiFeliciantonio Tel: 267.414.1208 Fax 215.599.2240 ndifeliciantonio@freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com

Catalogue $20

Inside Front Cover: Lot 19 (detail) Inside Back Cover: Lot 370 (detail)

126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available from February 1st at www.freemansauction.com

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Important Information for Buyers All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer.

To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid.

Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.

Payment may be made in cash, by check, money order, or debit card.

Payments by check must clear the bank before lots will be released.

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within 5 days. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Topographical, Historical & Decorative Prints

Fine American & European Paintings & Sculpture 06/13/10

Exhibitions: Thursday, June 10th and Friday, June 11th (10am to 6pm)

Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com

Saturday, June 12th (12 Noon to 5pm)

david weiss direct tel: 267.414.1214 dweiss@freemansauction.com

libia elena mendez direct tel: 267.414.1210 lmendez@freemansauction.com

Further consignments are invited

Detail of: FERN ISABEL COPPEDGE (american 1883-1951) “THE HILL ROAD” Signed ‘Fern I Coppedge’ bottom right, signed and inscribed with title in pencil verso, oil on canvas 30 x 30 in. (76.2 x 76.2cm) $70,000-100,000

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1 09-1680/810 1 piece.

Hand-Colored Lithohgraph. Stannard & Rae, Litho. after Clarke, S. “Ipswich from The Union.” London, n.d. [ca. 1860]. 16 1/8 x 23 1/8 inches (355 x 508mm) - sheet size; 14 x 20 inches (410 x 587mm) - image & text. Light to moderate mat burn, mounted to bd. $200-300

2 09-1680/816 2 pieces.

Hand-Colored Steel Engravings: Smillie, Jas. D. “Upper Ausable Lake (Adirondacks).” New York, 1869. Approx. 14 x 10 inches (355 x 254mm). * Hinshelwood, Robert. “Natural Bridge, Virginia.”

New York, 1869. Approx. 14 x 10 inches (355 x 254mm). Both clean & bright. $100-150

3 09-1680/732 1 piece.

Hand-Colored Engraving. Bennett, William James.

“Baltimore from Federal Hill.” New York: H.I. Megarey, [1831]. 19 1/4 x 25 7/8 inches (488 x 657mm) - trimmed within plate mark; 16 1/4 x 24 inches (412 x 609mm) - image size. Slightly toned, edges darkened.

Deak 378, presumed 2nd state with J. & G. Neale imprint. $500-800

4 09-1680/827 1 piece.

Hand-Colored Engraving. Mottram, C after Hill, J.W. “Boston.” Boston: B.F. Smith, 1857. 28 1/4 x 41 3/4 inches (718 x 1060mm), margins. Mounted to bd., occasional creasing in margins. Clean & attractive. $600-900

5 09-1680/734 1 piece.

Tinted Lithograph. (Whitefield & Smith, publisher.) Whitefield, E., after. “View of Boston in 1848 from East Boston.” Boston, 1848. 24 1/2 x 45 1/2 inches (622 x 1155mm) - sheet size; 22 1/2 x 44 inches (570 x 1115mm) - image & text.

Lightly toned, 1 expertly repaired tear extending 2 inches into top of image, mounted at edges, minor wear & discoloration to edges. Image clean & attractive.

Norton 37 $400-600

6 09-1680/543 2 pieces.

New York City - Map & Bird’s-Eye View: (Map.) “New York & Brooklyn.” New York: S. Augustus Mitchell, 1877. Hand-colored lithograph, 21 1/2 x 14 1/4 inches (545 x 360mm). * (Bird’s-Eye View.)

Currier & Ives. “City of New York.” 20th-Century color reproduction. 15 1/2 x 19 3/4 inches (393 x 500mm). Both clean. $80-120

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7 09-1680/817 2 pieces.

Hand-Colored Engravings: “A View on The Hudson River.” * “Yachting - Rounding The Stake Boat.” New York, 1869. Appleton’s Journal Art Supplements, both after A.R. Ward. Both approx. 10 x 28 inches (254 x 710mm). Minor creasing. Clean. $80-120

8 09-1680/804 1 piece.

Hand-Colored Aquatint Etching. Bennett, William James. “Troy Taken from The West Bank of The Hudson, In Front of The United States Arsenal.”

New York, H.I. Megarey, 1838. 21 3/4 x 28 1/2 inches (552 x 724mm) - sheet size; 15 1/2 x 25 1/4 inches (393 x 641mm) - image size. Moderate mat burn, image clean & attractive.

Deak 479, 2nd state $800-1,200

9 09-1680/741 1 piece.

Hand-Colored Aquatint Etching. Hill, John after Wall, William Guy. “Hudson.” New York: H.I. Megarey, [1825-26]. [Plate #5, Hudson River Portfolio.] 17 1/2 x 24 1/4 inches (445 x 615mm); image size 14 x 21 inches (356 x 533mm). Light toning outside image, generally clean & attractive. $800-1,200

10 09-1680/800 1 piece.

Hand-Colored Aquatint Etching. Hill, John after Wall, William Guy. “View Near Sandy Hill.” New York: H.I. Megarey, [1825-26]. [Plate #7, Hudson River Portfolio.] 18 1/2 x 26 inches (470 x 660mm); image size 14 x 21 inches (356 x 533mm). With text leaf at back of frame. $800-1,200

11 09-1680/801 1 piece.

Hand-Colored Aquatint Etching. Hill, John after Wall, William Guy. “New York, From Governor’s Island.” New York: H.I. Megarey, [1825-26]. [Plate #20, Hudson River Portfolio.] 18 1/2 x 26 inches (470 x 660mm); image size 14 x 21 inches (356 x 533mm). Very slightly toned, occasional minor spotting, but clean & attractive. With text leaf at back of frame. $1,200-1,800

12 09-1680/802 1 piece.

Hand-Colored Aquatint Etching. Hill, John after Wall, William Guy. “View Near Fishkill.” New York: H.I. Megarey, [1825-26]. [Plate #18, Hudson River Portfolio.] 18 1/2 x 26 inches (470 x 660mm); image size 14 x 21 inches (356 x 533mm).

Generally clean & bright. With text leaf at back of frame. $800-1,200

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13 09-1680/746 1 piece.

Hand-Colored Aquatint Etching. Hill, John after Wall, William Guy. “Hadley’s Falls.” New York: H.I. Megarey, [1825-26]. [Plate #5, Hudson River Portfolio.] 18 1/2 x 26 inches (470 x 660mm); image size 14 x 21 inches (356 x 533mm). Slightly toned, small close tear below image. $800-1,200

14 09-1680/803 1 piece.

Hand-Colored Aquatint Etching. Hill, John after Wall, William Guy. “Fort Edward.” New York: H.I. Megarey, [1825-26]. [Plate #10, Hudson River Portfolio.] 17 7/8 x 21 inches (454 x 632mm); image size 14 x 21 inches (356 x 533mm). Slightly toned, small close tear below image. 2 small repaired close tears below image. Clean & attractive. $800-1,200

15 09-1680/834 1 piece.

Hand-Colored Engraving. Bennett, W(illiam) J(ames). “West Point from Phillipstown.” New York: Lewis P. Clover, 1831. 19 3/4 x 25 3/8 inches (500 x 644mm). Some toning to edges, a few small repairs to verso of upper margin. Image clean & attractive.

Deak 375 $1,000-1,500

16 09-1680/830 1 piece.

Hand-Colored Lithograph. Endicott, G. & W. after Hill, John W. “Rockland Lake - Cutting Ice. View from The North East.” N.p., n.d. [ca. 1860s].

18 3/4 x 23 7/8 inches (476 x 606mm) - sheet size; 13 1/4 x 18 1/4 inches (336 x 463mm) - image & text. Minor toning to edges. Image bright, clean & attractive. $500-800

17 09-1680/832 1 piece.

Hand-Colored Lithograph. Endicott & Co. after Hill, John W. “New York Ice Company - Cutting Ice at Athens.” (New York), 1847. 18 7/8 x 26 inches (479 x 660mm) - sheet size. A few expertly repaired small tears in margins, edges very slightly discolored. Image bright, clean & attractive. $800-1,200

18 09-1680/87 1 piece.

Tinted Lithograph. Currier, N.; Ives, J.M., publisher. “New York and Brooklyn.” New York, 1877. Drawn on stone by Parsons & Atwater. 28 x 40 3/4 inches (711 x 1035mm) - sheet size.

Mounted to bd. Light to moderate mat burn & toning, trimmed? Bird’s-eye view Gale 4820 (presumed) $1,000-1,500

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19 09-1680/838 1 piece.

Color Lithograph. Currier, N.; Ives, J.M., publisher.

“The Great East River Suspension Bridge.” New York, 1877. 28 3/4 x 39 1/4 inches (730 x 995mm) - sheet size; 23 x 33 inches (584 x 838mm) image & text. Slightly toned, linen-backed. Image clean & attractive.

Gale 2817 $2,000-3,000

20 09-1680/735 1 piece.

Hand-Colored Lithograph. Currier, N., publisher. Sweet, Moses; Davis, Alexander J after. “Ravenswood, Long Island near Hallett’s Cove.” New York, [1836]. 54 5/8 x 19 3/4 inches (1387 x 500mm). Edges darkened, vertical crease at center. Image clean & attractive.

Gale 5497 $400-600

21 09-1680/837 1 piece.

Hand-Colored Lithograph. Currier, N., publisher.

“City of New York.” New York, 1856. 24 1/8 x 30 5/8 inches (612 x 779mm) - sheet size; 22 1/4x 28 1/4 inches (565 x 717mm) - image & text.

Lightly to moderately toned, minor creasing & a little dust soiling outside of image. Image generally clean & attractive.

Gale 1217 $1,500-2,500

22 09-1680/820 1 piece.

Chromolithograph. Melrose, Andrew. “A View of The Battery and The Statue of Liberty Beyond.”

[Raphael Tuck], [ca. 1890]. 21 3/4 x 35 5/8 inches (552 x 905mm). Minor edge wear. Clean & attractive. $250-400

23 09-1680/819 1 piece.

Hand-Colored Aquatint Etching. Sebron, Hyppolyte Victor Valentine. New York. Winter Scene In Broadway. New York: M. Knoedler, 1857. 27 1/2 x 37 1/4 inches (698 x 946mm), margins. Mounted at edges, very minor mat burn, but bright, clean & attractive. $1,200-1,800

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24 09-1680/818 1 piece.

Color Lithograph. Bachmann, John. “View of New York.” (New York), 1877. 23 x 32 1/4 inches (584 x 826mm) - sheet size; 20 x 29 1/2 inches (508 x 750mm) - text & image. Very slightly toned, edges darkened. Image clean & attractive. $800-1,200

25 09-1680/822 1 piece.

Hand-Colored Lithograph. Bornet, John after.

“Panorama of The Harbor of New York, Staten Island and The Narrows.” New York: Nagel & Weingartner, 1854. 28 7/8 x 40 1/2 inches (733 x 1028mm) - sheet size. Mounted to bd., trimmed at bottom edge. Moderate toning & mat burn, occasional minor abrasions, image generally clean & attractive, a few close creases in image. $2,500-4,000

26 09-1680/823 1 piece.

Engraving. Seymour, Samuel after Birch, William.

“The City of New York in The State of New York North America.” Springfield Near Bristol, Pennsylvania, Jan. 1, 1803 [but ca. 1820]. 21 1/4 x 25 5/8 inches (540 x 650mm), narrow margins.

Minor edge wear, a few small close tears in margins. Clean & bright.

Deak 245, 3rd state with imprint of William H. Morgan. $800-1,200

27 09-1680/826 1 piece.

Hand-Colored Engraving. Mottram, C after Hill, J.W. “New York.” New York: F. & G.W. Smith, 1855.

34 x 54 1/4 inches (863 x 1375mm) - sheet size, trimmed just within platemark. Slightly toned, edges slightly worn & discolored. Image clean & attractive. $1,200-1,800

28 09-1680/831 1 piece.

Hand-Colored Lithograph. Endicott & Co., lithographer. “South Interior View of The New York Post Office.” New York, (1845). 18 1/4 x 23 1/4 inches (463 x 590mm) - sheet size; 15 x 18 1/2 inches (380 x 470mm) - image & text. Mounted to board along edges. Generally clean & attractive.

See Deak 530 $300-500

29 09-1680/811 1 piece.

Engraving. American Art Union, publisher. Jones, Alfred after Woodville, R.C. “Mexican News.” New York, 1853. 22 x 24 3/4 inches (558 x 628mm), wide (full?) margins. Slightly toned, but clean & attractive. $500-800

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30 09-1680/750 1 piece.

Hand-Colored Engraving. Sartain, John after Bingham, Geo. C. “The County Election.” New York, 1854. 25 1/2 x 32 inches (647 x 812mm), wide margins; 22 3/8 x 29 5/8 inches (568 x 752mm) image size. Very slightly toned, mat burn affecting edges only. Image clean & attractive. $1,500-2,500

31 09-1680/809 1 piece.

Hand-Colored Lithograph. Bingham, Geo. C. “Canvassing for a Vote.” New York: M. Knoedler, 1853. 18 5/8 x 21 5/8 inches (473 x 550mm) sheet size; 16 x 18 1/2 inches (406 x 470mm) image & text. Minor darkening to edges. Generally clean & attractive. $600-900

32 09-1680/807 1 piece.

Engraving. Tanner, Benjamin, after Barrelett, John J. “America Guided by Wisdom: An Allegorical Representation of The United States, denoting Their Independence and Prosperity.” Philadelphia, 1820.

17 3/4 x 23 1/2 inches (450 x 597mm), wide (full?) margins. Linen-backed, light to occasionally moderate foxing. Providence Atheneum ink stamp below image. $300-500

33 09-1680/808 1 piece.

Tinted Lithograph. Sarony & Major, lithographer.

“Distribution of The American Art-Union Prizes, at The Tabernacle - Broadway, New York; 24th Dec. 1847.” New York: John P. Ridner, 1848. 22 1/2 x 27 5/8 inches (570 x 700mm) - sheet size; 17 x 20 1/2 inches (430 x 520mm) - image & text.

Expertly washed. $250-400

34 09-1680/828 1 piece.

Hand-Colored Lithograph. Mount, W(illiam) S(idney). “The Power of Music.” New York, 1848.

21 3/4 x 23 3/4 inches (552 x 603mm) - sheet size; 14 1/2 x 18 1/2 inches (368 x 470mm) image. Lightly to moderately toned, a few small chips to edges, a few small tears at bottom margin.

Image bright & attractive. $400-700

35 09-1680/829 1 piece.

Hand-Colored Lithograph. Mount, W(illiam) S(idney). “Coming to The Point.” New York: W. Schaus, 1854. 23 7/8 x 27 inches (606 x 685mm) sheet size; 19 x 22 1/2 inches (482 x 570mm) image. Slightly toned, light mat burn. $300-500

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36 09-1680/824 1 piece.

Hand-Colored Engraving. Murray, Draper, Fairman & Co., engravers after Sully & Kearney. “The Battle of Lake Eire, Fought Sept. 10, 1813 - First View.”

Philadelphia: Wm. Smith, [ca. 1815]. 22 1/2 x 21 3/4 inches (570 x 805mm) - sheet size.

Mounted on heavy modern paper sheet. Moderate toning & mat burn, some dust soiling outside of image. $400-600

37 09-1680/805 1 piece.

Engraving. Tanner, Benjamin, after Birch, Thomas.

“United States and Macedonian.” Philadelphia, 1814. 21 x 27 3/8 inches (533 x 695mm) - sheet size. A few repaired close tears mostly outside of image - 1 just touching upper portion of image.

Clean & attractive.

See Deak 284 $300-500

38 09-1680/833 1 piece.

Hand-Colored Lithograph. Endicott, & Co., lithographer. Batchelder, J.B. “Review of The Mass.

Volunteer Militia, at Concord, Sept. 9th, 1859.” New York, 1860. 29 7/8 x 45 5/8 inches (760 x 1150mm). Light to moderate toning, minor edge wear, a few abrasions in image. Some dust soiling to verso. $600-900

39 09-1680/825 1 piece.

Hand-Colored Lithograph. Botticher, Otto after.

“National Guard, 7th Reg. N.Y.S.M. at Camp Worth (Kingston, July 1855).” New York, 1856. 30 3/4 x 37 7/8 inches (780 x 962mm) - sheet size. Light toning to image, light to moderate toning outside of image, some edge wear. $600-900

40 09-1680/812 6 pieces.

Chromolithographs. Cozzens, Frederic S. [Sailing Scenes]: “Second International Race, The Finish off Staten Island.” 1884. * “By Sou’ West Split.” 1884. * “Around The Cape Marblehead.” 1884. * “Robbins Reef, Sunset.” 1884. * “The Early Racers.” 1884. * “Stern Chase and a Long One.” 1884. All 14 1/2 x 20 5/8 inches (368 x 523mm). All clean & bright. $800-1,200

41 09-1680/835 1 piece.

Hand-Colored Lithograph. Currier, N., publisher.

Palmer, F.F., after. “Cutter Yacht ‘Maria’, Modelled

by R.E. Stevens...” New York, 1852. 20 1/2 x 26 1/4 inches (520 x 668mm) - sheet size; 19 x 23 7/8 inches (482 x 606mm) - image & text. Lightly toned, edges slightly darkened. Image clean, bright & attractive.

Gale 1466 $500-800

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42 09-1680/806 1 piece.

Color Lithograph. “American Hunting Scenes.” N.p., n.d. [ca, 1870]. 24 1/4 x 28 1/2 inches (615 x 724mm) - sheet size; 18 x 22 1/8 inches (457 x 562mm) - image & text. Clean & attractive. $300-500

43 09-1680/840 1 piece.

Hand-Colored Lithograph. Currier, N.; Ives, J.M., publisher. Tait, A.F., after. “American Field Sports.

‘Retrieving’.” New York, 1857. 20 1/8 x 26 5/8 inches (510 x 676mm) - text & image; 21 1/2 x 28 3/4 inches (546 x 730mm) - sheet size. Light to moderate toning, a few small abrasions outside of image. Image clean & attractive.

Gale 0164 $1,000-1,500

44 09-1680/842 2 pieces.

Hand-Colored Lithographs. Currier, N.; Ives, J.M., pub.: Cameron, J after. “American Jockey Club Races: Jerome Park. Tom Bowling Winning...

October 4th, 1873.” New York, 1873. 18 3/4 x 26 inches (476 x 660mm) - text & image. Occasionaly minor dampstaining, image generally bright & clean. Gale 0188. * “The Celebrated Mare Flora Temple, ‘The Queen of The Turf’.” New York, 1853.

20 1/8 x 26 1/2 inches (511 x 673mm) - text & image. Image generally clean & attractive. Gale 0982. Both examined out of frames but not out of heavy mats. $400-600

45 09-1680/836 1 piece.

Hand-Colored Lithograph. Currier, N., publisher.

Tait, A.F. “Wild Duck Shooting. A good day’s sport.”

New York, 1854. 23 7/8 x 29 5/8 inches (606 x 755mm) - sheet size; 20 x 25 5/8 inches (508 x 650mm) - image & text. Light to moderate toning (heaviest along edges). Image clean & attractive.

Gale 7212 $800-1,200

46 09-1680/841 1 piece.

Hand-Colored Lithograph. Currier, N.; Ives, J.M., publisher. “The Life of A Fireman: The Race - ‘Jump her, boys, jump her!’.” New York, 1854. 21 3/4 x 29 3/4 inches (522 x 755mm) - sheet size; 18 1/2 x 26 1/8 inches (470 x 663mm) - text & image.

Slightly toned, mounted & darkened along edges.

Image clean & attractive.

Gale 3787 $600-900

47 09-1680/839 1 piece.

Hand-Colored Lithograph. Currier, N.; Ives, J.M., publisher. Palmer, F.P., after. “American Prize Fruit.”

New York, 1862. 23 1/2 x 30 3/4 inches (596 x 780mm) - sheet size; 20 1/2 x 27 5/8 inches (520 x 700mm) - text & image. Very slightly toned.

Image clean & attractive.

Gale 0197 $400-700

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48 09-1680/813 1 piece.

Chromolithograph. Haskill & Allen, pub. “American Prize Fruit. No. 1.” Boston, 1872. 21 5/8 x 27 3/4 inches (550 x 705mm) - sheet size; 19 x 24 3/4 inches (482 x 628mm) - image & text. Light to moderate toning, mat burn affecting edges of margins. Image clean & attractive. $250-400

49 09-1680/821 2 pieces.

(Bird Prints.) Hand-Colored Lithographs. Wolf, J.; Keulemans, J.G., et al.: “Euplocomus Swinhoei.” * “Ceriarnis Satyra.” [Ca. 1875.] Both approx. 18 x 23 inches (457 x 584mm). Moderate mat burn & toning, but images attractive & well-colored. $200-300

50 09-1680/843 13 pieces.

Audubon, John James: “Great Blue Heron.” * “Harlequin Duck.” * “Golden-Winged Warbler.” * “Downy Woodpecker.” * “American Magpie.” * “Zenaidia Dove.” * “Brant Goose.” * “Snow Goose.” * “Night hawk.” * “Stanley Hawk.” * “Black-Billed Cuckoo.” * “Long Billed Curlew.” * “Florida Comorant.” (The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

51 09-1680/844 13 pieces.

Audubon, John James: “The Great White Heron.” * “Tropic Bird.” * “Bullock’s Oriole; Baltimore Oriole.” * “Virginia Partridge.” * “Summer or Wood Duck.” * “Barn Owl.” * “Trumpeter Swan.” * “Iceland or Jer Falcon.” * “Great Cinereous Owl.” * “Winter Hawk.” * “Wood Ibis.” * “White Crowned Pigeon.” * “RedShouldered Hawk.” (The Birds of America.)

Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

52 09-1680/845 13 pieces.

Audubon, John James: “Snowy Owl.” * “Columbia Jay.” * “Violet Green Cormorant; Townsend’s Comorant.” * “Blue Crane or Heron.” * “WhiteWinged Silvery Gull.” * “Raven.” * “Louisiana Heron.” * “Red Phalarope.” * Velvet Duck.” * “Horned Grebe.” * “Red-Throated Diver.” * “Arctic Yager.” * “Sora or Rail.” (The Birds of America.)

Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

53 09-1680/846 13 pieces.

Audubon, John James: “Hooping Crane.” * “Azure Warbler.” * “Black-Throated Bunting.” * “BlackThroated Green Warbler.” * “Bonapartian Gull.” * “Bonaparte’s Flycatcher.” * “Cardinal Grosbeak.” * “Cat Bird.” * “Chestnut-Backed Titmous.” * “Chestnut Colored Finch.” * “Chestnut Sided Warbler.” * “Evening Grosbeak.” (The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

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54 09-1680/847 13 pieces.

Audubon, John James: “Great Horned Owl.” * “FoxColored Sparrow.” * “Golden-Winged Woodpecker.” * “Great Crested Flycatcher.” * “Green Black-Capt Flycatcher.” * “Kentucky Warbler.” * “Little Tawney Thrush.” * “Mangrove Cuckoo.” * “Nutall’s Starling.” * “Painted Finch.” * “Pine Grosbeak.” * “Prairie Warbler.” * “Prothonotary Warbler.” (The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

55 09-1680/848 13 pieces.

Audubon, John James: “Brown Pelican. “ * “Purple Finch.” * “Republican or Cliff Swallow.” * “RoseBreasted Grosbeak.” * “Sea-Side Finch.” * “Selby’s Flycatcher.” * “Shore Lark.” * “White-Breasted Black-Capped Nuthatch.” * “White-Crowned Sparrow.” * “White-Throated Sparrow.” * “Wilson’s Phalarope.” * “Wilson’s Plover.” * “Yellow-Billed Cuckoo.” (The Birds of America.) Amsterdam, 19711972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

57 09-1680/850 13 pieces.

Audubon, John James: “White-Headed Eagle.” * Smew or White Nun.” * “Pin Tailed Duck.” * “Hairy Woodpecker.” * “Great Crested Grebe.” * “Goshawk or Stanley Hawk.” * “ Brasillian Caracara Eagle.” * “Night Heron.” * “Booby Gannet.” * “Gannet.” * “Black-Bellied Darter.” * “Broad-Winged Hawk.” * “Meadow Lark.” (The Birds of America.)

Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

58 09-1680/851 13 pieces.

Audubon, John James: “Passenger Pigeon.” * “American Goldfinch.” * “Little Owl.” * “Little Screech Owl.” * “Rathbone Warbler.” * “Tengmaim’s Owl.” * “Labrador Falcon.” * “Blue-Headed Pigeon.” * “Barred Owl.” * “Bartram Sandpiper.” * “Black Skimmer.” * “Columbian Water Ouzel.” * “Lapland Longspur.” (The Birds of America.) Amsterdam, 1971-1972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

56 09-1680/852 71 pieces.

Audubon, John James: “American Flamingo.” * “Lessern Tern.” * “Long-Eared Owl.” * “Piping Plover.” * “Red-Headed Woodpecker.” * “Salt Water Marsh Hen.” * “Semipalmated Snipe.” * “Snow Bunting.” * “Townsend’s Sandpiper.” * “Little Sandpiper.” * “Band-Tailed Pigeon.” * “Herring Gull.” * “American Redstart.” “Black Tern.” * “Brown Creeper or California Nuthatch.” * “Brown Titlark.” * “Brown-Headed Nuthatch.” * “Cedar Bird.” * “Cow-Pen Bird.” * “Thick-Tailed Flycatcher.” * “Kildeer Plover.” * “Kittiwake Gull.” * “Little Tyrant Flycatcher.” * “MacGillivray’s Finch.” * “March Tern.” * “Pewit Flycatcher.” * “Praire Starling.” * “RedCockaded Woodpecker.” * “Red-Eyed Vireo.” * “Rough-Legged Falcon.” * “Rusty Grackle.” * “Thick-Billed Murre.” * “Vigor’s Warbler.” * “Winter Wren or Rock Wren.” * “Yellow Red-Poll Warbler.” “Yellow-Winged Sparrow.” * “LargeBellied Puffin.” * “Bank Swallow.” * “Brown Pelican.” * “Pine Creeping Warbler.” * “Lazuli Finch.” * “Le Petit Caporal.” * “Ruff-Necked Hummingbird.” * Purple Martin.” * “Connecticut Warbler.” * “Turtle Dove.” * “Belted Kingfisher.” * “Song Sparrow.” * “Baltimore Oriole.” * “Black Warrior.” * “BoatTailed Grackle.” * “Summer Red Bird.” * “Louisiana Water Thrush.” * “Townsend’s Warbler.” * “Scarlet Ibis.” * “Ivory Billed Woodpecker.” * “Audubon’s Warbler.” * “Bohemian Chatterer.” * “Blue-Winged Teal.” * “Arctic Tern.” * “Blue Bird.” * “Worm Eating Warbler.” * “Ruddy Duck.” * “American Widgeon.” * “Purple Gallinule.” * “King Duck.” * “White Fronted Goose.” * “Tyrant Flycatcher.” * “Cayenne Tern.”

(The Birds of America.) Amsterdam, 19711972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $800-1,200

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59 09-1680/849 13 pieces.

Audubon, John James: “Canada Goose.” * “Least Bittern.” * “Yellow-Breasted Chat.” * “Virginia Rail.” * “Rice Bunting.” * “Gadwell Duck.” * “American Green-Winged Teal.” * “Shoveller Duck.” * “Tufted Duck.” * “Common Cormorant.” * “Willow Grouse.” * “Common American Swan.” * “Cock of The Plains.” (The Birds of America.) Amsterdam, 19711972. 1/250. All color prints, 26 1/2 x 39 1/2 inches (673 x 1003mm). All clean & bright. $600-900

60 09-1680/814 10 pieces.

Hand-Colored Wood-Engravings - Harper’s & other Illustrated Weeklies, most ca. 1880s - New York City Views & C: “Walk in Riverside Park.” * “In Central Park, New York - Feeding The Swans.” * “Broad Street during The Panic.” * “The Gold Panic in Wall Street.” * “Evening on The Battery.” * “Chatam Street, New York.” * “Grand Demonstration of The Democrats in New York City, Oct. 5, 1868.” * “The New York and Brooklyn Suspension Bridge. The Approach on The New York Side.” * “A March Day.” * “The New York Produce Exchange Building.”

All approx. 9 x 12 (or 12 x 9) inches (228 x 304mm). All with modern color. All clean & bright. $200-300

62 09-1680/598 5 pieces.

Hand-Colored Botanical Engravings: [Thornton, Robert J.] “Group of Carnations”; “Tulips.” [Temple of Flora, London, 1812, 4to ed.]. Approx. 12 x 8 inches (305 x 203mm). * Smith, E.D., after. Tulips.

[London], [1827]. 8 plates, approx. 8 x 5 inches (203 x 127mm). * Tulips. 18th-Century, 14 x 8 1/2 inches (356 x 216mm). Modern color. All clean.

Smith tulips framed in group of 5 & group of 3. $200-300

63 09-1680/297 10 pieces.

20th-Century Prints & Mechanical Reproductions of 19th-Century Prints - Maritime, Sporting & American Architectural & City Views. 24 x 30 inches (610 x 760mm); 15 x 33 inches (380 x 840mm) & smaller. All clean. $100-200

61 09-1680/815 9 pieces.

Hand-Colored Wood-Engravings - Harper’s & other Illustrated Weeklies, most ca. 1850s-1880s - New York City Views & C: “Marine View, New York Harbor.” (1857). * “The Drive in The Central Park,... Sept. 1860.” * “Approaching Centennial...

Inauguration George Washington.” * “New York The Completion [of the Brooklyn Bridge].” * “The Herald Square of The Future.” Half-tone. * “The Metropolitan Museum...” * “The Coast Defense Question.” * “Evacuation Day.” * “Reception of The Japanese in New York.”

All approx. 15 x 20 1/2 (or 20 1/2 x 15) inches (380 x 520mm). All with modern color. All clean & bright. $250-400

Modern & Contemporary Works of Art 05/16/10 Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267.414.1214 dweiss@freemansauction.com anne h. henry direct tel: 267.414.1226 ahenry@freemansauction.com aimee pflieger dolby direct tel: 267.414.1221 adolby@freemansauction.com

Exhibitions: Thursday, May 13th and Friday, May 14th (10am to 5pm) Saturday, May 15th (12 Noon to 5pm)

Further consignments are invited

ALEXANDER CALDER (american 1898-1976) “AZUL, AMARILLO, BLANCO SOBRE ROJO” Sheet metal, brass, wire and paint Executed in 1955 7 1/2 x 7 3/4 x 6 1/2 in. (19.1 x 19.7 x 16.5cm) provenance: The Artist.

Private Collection, Caracas , Venezuela .

Krasner Gallery, New York , New York .

Private Collection, New York .

Private Collection, Philadelphia . exhibited: Museo de Bellas Artes, Caracas , Venezuela , “Exposición Calder,” September 11-25, 1955, cat. no. 40.

Fundación Eugenio Mendoza, Caracas , Venezuela , “Calder en Venezuela ,” July 6- August 3, 1969, cat. no.

40, illus. p. 40.

This sculpture has been authenticated by the Calder Foundation $100,000-150,000

Modern & Contemporary Paintings

Pop Culture 06/19/10

Exhibitions: Wednesday, June 16th to Friday, June 18th

Inquiries: simeon lipman direct tel: 267.414.1213 slipman@freemansauction.com kati gegenheimer direct tel: 267.414.1212 kgegenheimer@freemansauction.com

Further consignments are invited

Detail of: CHARLES PETERSON KURT COBAIN Original black and white photograph, signed 11 x 14 in. $800-1,200

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64 09-1882/25 AMERICAN SCHOOL (late 19th century) HUDSON RIVER SCHOOL LANDSCAPE Oil on canvas 24 x 28 in. (60.9 x 71.1cm) $300-500

65 09-1680/191 GEORGE J. TRIBE (american 19th/20th century) LANDSCAPE WITH SHEEP Signed and dated ‘George T.Tribe 1907’ bottom left, watercolor on paper sight: 13 x 19 in. (33 x 48.2cm) provenance: Bunnell Frame Shop, Boston, Massachusetts. $300-500

66 09-1680/28 ALICE STONE (american 1876 - 1926) THE SUN DIAL Signed ‘Alice Stone’ bottom right, oil on canvas 18 x 26 in. (45.7 x 66cm) provenance: Vose Galleries, Boston, Massachusetts. $400-600

67 09-1680/773 J. ARNOLD (american b. 1890) SEA CLOUD Signed ‘By J. ARNOLD’ bottom right, titled bottom left, watercolor and ink on paper sight: 15 x 25 in. (38.1 x 63.5cm) $200-300

68 09-1680/404 MIKLOS SUBA (american 1880-1944) “CONEY ISLAND FACTORY, NO. 11” Dated ‘4 July 1929’ and titled bottom right, sepia and graphite on paper sight: 15 1/2 x 12 in. (39.3 x 30.4cm) provenance: Weyhe Gallery, Mount Desert, Maine. $800-1,200

69 09-1680/405 MIKLOS SUBA (american 1880-1944) WATERFRONT, BROOKLYN Signed and dated ‘MIKLOS SUBA / Aug. 1932 / Bklyn / (illeg),’ charcoal on paper sight: 14 1/2 x 10 3/4 in. (36.8 x 27.2cm) $800-1,200

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70 09-1680/335 two linocuts LEO JOHN MEISSNER (american 1895-1977) “WHAT ARE YOU DOING TONIGHT, GENEVIEVE?” Pencil signed, titled and numbered 3/30 in the margin. image: 9 1/2 x 7 in. (24.1 x 17.7cm) and “BARBER SHOP” Numbered in pencil 16/30 in the margin. image: 7 x 11 1/2 in. (17.8 x 29.2cm) $400-600

71 09-1680/294 LEO JOHN MEISSNER (american 1895-1977) “SHINE” 1928, pencil signed 18/30 in the margin. Linocut. image: 11 5/8 x 8 3/8 in. (29.5 x 21.4cm) $150-250

72 09-1680/230 HUGO GELLERT (american 1892-1985) “USELESS” 1935, pencil signed in the margin, from the edition of 50. Lithograph. image: 15 x 13 in. (38.1 x 33cm) provenance: Mary Ryan Gallery, New York, New York. $300-500

73 09-1680/363 two color etchings ROBERT KASIMIR (austrian 1914-2002) “WASHINGTON SQUARE PARK” Pencil signed in the margin. image: 16 x 11 1/2 in. (39.3 x 29.2cm) and LUIGI KASIMIR (austrian 1881-1962)) “THE NEW YORK PUBLIC LIBRARY” Pencil signed in the margin. image: 17 1/2 x 12 in. (44.5 x 30.5cm) $500-800

74 09-1680/774 PERLE FINE (american 1905-1988) UNTITLED Signed and dated ‘Perle Fine ‘41’ bottom left, gouache on paper 22 x 28 in. (55.9 x 71.1cm) $2,500-4,000

75 09-1680/552 SAMUEL HALPERT (american 1884-1930) INTERIOR Signed and dated ‘S HALPERT - 13’ bottom right, watercolor on paper sight: 24 x 16 1/2 in. (60.9 x 41.9cm) provenance: Martin Diamond Fine Arts, New York, New York. $1,200-1,800

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76 09-1680/553 SAMUEL HALPERT (american 1884-1930) GERANIUM Signed and dated ‘S. Halpert - 28’ bottom right, watercolor on paper sight: 22 1/2 x 17 in. (57.2 x 43.2cm) $700-900

77 09-1882/12 WALTER FRANCIS BROWN (american 1853-1929) HAULING THE NETS Signed ‘WALTER F. BROWN’ lower right, oil on canvas 24 3/4 x 16 1/2 in. (62.9 x 41.9cm) $500-800

78 09-1882/15 AMERICAN SCHOOL (early 20th century) SAILBOAT NEAR CHANNEL MARKER Oil on canvas 16 1/4 x 20 1/4in. (41.2 x 51.4cm) $500-800

80 09-1680/42 three color woodcuts ANTONIO FRASCONI (argentine b. 1919) “FULTON FISH MARKET III” 1952, pencil signed, dated, titled and inscribed A/P in the margin. image: 23 1/2 x 11 3/4 in. (59.8 x 29.8cm) “THE STORM IS COMING” 1950, pencil signed, dated, titled and numbered ed. 9/10 in the margin. image: 21 3/4 x 15 1/2 in. (55.3 x 39.3cm) “TUSCANY” 1966, pencil signed, dated, titled and numbered 14/17 in the margin. image: 22 x 33 3/4 in. (55.9 x 85.7cm) $1,500-2,500 79 09-1680/145 EADWEARD MUYBRIDGE (british/american 1830-1904) “ANIMAL LOCOMOTION” plate 163 from ‘animal locomotion, an electrophotographic investigation of consecutive phases of animal movements’ 1887, plate 163, copyrighted; University of Pennsylvania, Philadelphia, Pennsylvania, publisher.

Collotype. image: 9 x 13 in. (22.9 x 33cm) $600-1,000

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81 09-1680/761 ARTHUR FILLON (french 1900-1974) LE QUAI DU LOUVRE Signed ‘fillon’ bottom left, oil on canvas 19 3/4 x 24 in. (50.2 x 60.9cm) $1,000-1,500

82 09-1882/6 JEAN MAXIME RELANGE (french b. 1938) SEASCAPE WITH SAILBOATS Signed ‘Relange’ bottom right, oil on canvas 19 3/4 x 19 3/4 in. (50.2 x 50.2cm) $500-800

83 09-1680/618 VIERA KRAICOVA (czechoslovakian b. 1920) TENSION Initialed and dated ‘VK68’ bottom right, oil on canvas 25 3/4 x 31 1/2 in. (65.4 x 80cm) provenance: Arias and Vanda Gallery, New York, New York. $400-600

84 09-1680/509 ROBERT ANDREW PARKER (american b. 1927) “GROUSE SHOOTING #6” Signed and dated ‘Robert Andrew Parker 8.I.67’ bottom left in ink, titled bottom center in ink, watercolor on paper 24 x 36 in. (60.9 x 91.4cm) provenance: Terry Dintenfass, Inc., New York, New York. $300-500

85 09-1680/508 two works on paper ROBERT ANDREW PARKER (american b. 1927) AIRPLANES Signed and dated ‘Rbt Andrew Parker 27.III.67’ upper right, watercolor and ink on paper 18 1/2 x 24 in. (47 x 60.9cm) and MAP I Signed and dated ‘Robert Andrew Parker 19.VII.64’ bottom left, watercolor, ink and graphite on paper 22 x 30 in. (55.8 x 76.2cm) provenance: Terry Dintenfass, Inc., New York, New York. $300-500

86 09-1680/410 * MOSS (american 20th century) UNTITLED Signed and dated ‘61 Moss’ bottom left, oil on masonite 36 x 40 in. (101.6 x 91.4cm) $300-500

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89 09-1680/422 NATVAR BHAVSAR (indian b. 1934) “IN DARK MEASURE” 1967, pencil signed, dated and numbered 12/20 in the margin. Color screenprint. image: 27 x 25 3/8 in. (68.6 x 64.4cm) $200-300

87 09-1680/426 NORMAN IVES (american 1923-1978) BBR-2 Signed, titled and dated ‘NORMAN IVES BBR-2, 1965’ verso, inscribed ‘For Eleanor’ in pencil on the support, painted wood relief mounted to masonite relief: 15 x 15 in. (38.1 x 38.1cm) $300-500

88 09-1680/202 three color screenprints GORDON HOUSE (british 1932-2004) “CONTINUED H” from 40 cm series 1969, pencil signed, dated, titled and numbered 36/70 in the margin.

“CONTINUED I” from 40 cm series 1969, pencil signed, dated, titled and numbered 65/70 in the margin.

“CONTINUED J” from 40 cm series 1969, pencil signed, dated, titled and numbered 59/70 in the margin. image: 15 3/4 x 15 3/4 in. (40 x 40cm) (each) sheet: 30 1/2 x 22 1/4 in. (77.4 x 56.5cm) (each) $300-500

90 09-1680/627 WILLIAM DOLE (american 1917-1983) “ABECEDERIUM” 1975, pencil signed, dated and inscribed ARCHIVE PROOF in the margin. Screenprint with embossing and hand coloring. image: 16 x 21 in. (40.7 x 53.3cm) $200-300

91 09-1680/609 two color screenprints TONY JANNETTI (american b. 1947) “THE SECOND EMERGENCE-TOKPA-THE PERFECT PATTERN OF LIFE” 1971, pencil signed, dated, titled and numbered 25/35 in the margin. image: 17 1/2 x 23 3/4 in. (44.4 x 60.6cm) and “THE THIRD EMERGENCE-KUSBERZA THE PERFECT PATTERN OF LIFE” 1971, pencil signed, dated, titled and numbered 32/35 in the margin. image: 17 x 25 3/8 in. (43.2 x 64.4cm) provenance: Brooke Alexander Editions, New York, New York. $200-300

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92 09-1680/535 ROBERT RAHWAY ZAKANITCH (american b. 1935) “DRAGONSEED” 1978, pencil signed, dated, titled and numbered 83/100 in the margin. Color lithograph. image: 13 3/4 x 14 1/2 in. (34.9 x 36.8cm) provenance: Robert Miller Gallery, New York, New York. $300-500

93 09-1680/427 NORMAN IVES (american 1923-1978) “I.B.” 1972, pencil signed, dated, titled and numbered 38/50 in the margin. Color screenprint. image: 20 1/8 x 17 1/8 in. (51.2 x 43.3cm) $150-200

94 09-1680/76 BRUCE PORTER (american, 20th-21st century) BULGE Oil on canvas Executed in 1979 38 x 50 in. (96.5 x 127cm) $500-800

95 09-1680/156 ELAINE LUSTIG COHEN (american b. 1927) UNTITLED Signed and dated ‘Elaine Lustig Cohen 1979’ under image bottom right, gouache and graphite on paper 30 x 22 1/2 in. (76.2 x 57.1cm) provenance: Barbara Gladstone Gallery, New York, New York. $200-300

96 09-1680/60 BERNARD CHAET (american b. 1924) CYCLAMEN Signed and dated ‘ChAET / 78’ bottom right, watercolor and graphite image: 21 1/2 x 29 in. (54.6 x 73.7cm) $400-600

97 09-1680/61 BERNARD CHAET (american b. 1924) SUNSPOTS Oil on canvas Executed in 1983 42 x 58 in. (106.7 x 147.3cm) provenance: Marliyn Pearl Gallery, New York, New York. $800-1,200

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98 09-1680/62 BERNARD CHAET (american b. 1924) SPREADING LIGHT Oil on canvas Executed in 1986 39 1/4 x 57 in. (99.7 x 144.8cm) $500-700

99 09-1680/58 two watercolors with graphite BERNARD CHAET (american b. 1924) CATHEDRAL ROCKS #1 Signed and dated ‘ChAET / 77’ bottom left 22 1/2 x 30 1/2 in. (57.2 x 77.5cm) and UNTITLED LANDSCAPE #22 Signed and dated ‘ChAET / 78’ bottom right 22 1/4 x 30 1/4 in. (56.5 x 76.8cm) provenance: Marilyn Pearl Gallery, New York, New York. $200-300

100 09-1680/586 STUART NIELSEN (american 20th century) UNTITLED Crayon, oil and pastel on paper Executed in 1977 41 1/2 x 29 1/4 in. (105.4 x 74.3cm) $400-600

101 09-1680/587 STUART NIELSEN (american 20th century) UNTITLED Crayon, oil and pastel on paper Executed in 1977 41 1/2 x 29 1/2 in. (105.4 x 74.9cm) $300-500

102 09-1680/219 HARVEY QUAYTMAN (american 1937-2002) UNTITLED Signed and dated ‘Harvey Quaytman 76’ bottom right, mixed media 39 3/4 x 25 1/4 in. (101 x 64.1cm) provenance: David McKee Gallery, New York, New York. $700-1,000

103 09-1680/194 two color screenprints on sandpaper GEORGES NOËL (french b. 1924) “UNTITLED #1” and “UNTITLED #2” 1976, each from the edition of 100; Pace Editions, Inc., publisher. image: 27 x 27 in. (68.1 x 68.1cm) (each) provenance: Pace Prints, New York, New York. $200-300

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104 09-1680/445 three color screenprints on handmade paper PHILIP MULLEN (american b. .1942) “SUSAN’S HOTEL GHOST” 1977, pencil signed, titled and numbered ED.9. in the margin. image: 20 1/2 x 30 in. (52 x 76.3cm) sheet: 22 1/2 x 31 1/4 in. (57.2 x 79.4cm) and “CALIFORNIA REGAL” 1977, pencil signed, titled and numbered 27/37 in the margin. image: 21 1/2 x 16 in. (34.6 x 40.7cm) sheet: 25 1/2 x 19 1/2 in. (64.8 x 49.4cm) and “CALIFORNIA BLUE” 1977, pencil signed titled and numbered 1/31 in the margin. image: 21 1/4 x 16 1/4 in. (51.4 x 41.2cm) sheet: 24 x 18 1/2 in. (60.9 x 47cm) $400-600

105 09-1680/232 two color screenprints ILYA BOLOTOWSKY (russian/american 1907-1981) RED, BLUE DIAMOND 1973, pencil signed and numbered XIV/XXV in the margin. image: 24 x 24 in. (60.9 x 60.9cm) sheet: 26 x 36 in. (66 x 91.4cm) and RED OVAL 1975, pencil signed and numbered 11/125 in the margin. image: 27 3/4 x 17 in. (70.5 x 43.2cm) sheet: 34 1/4 x 25 1/2 in. (87 x 54.8cm) $400-600

107 09-1680/186 GARY BOWER (american b. 1940) DOUBLE SQUARE #2 Initialed ‘GB’ bottom right, watercolor and graphite on paper Executed in 1970 22 x 30 in. (55.9 x 76.2cm) provenance: O.K. Harris, New York, New York. $400-600

106 09-1680/242 three color screenprints JACK YOUNGERMAN (american b. 1926) “THE PARIS REVIEW” 1966, pencil signed, dated and numbered 85/150 in the margin. image: 39 x 27 in. (99.1 x 68.6cm) sheet: 45 x 32 1/4 in. (114.3 x 81.9cm) and “UNTITLED 1973” 1973, pencil signed, dated and numbered 22/50 in the margin. image: 37 x 24 1/2 in. (99 x 62.2cm) and “CHANGES #1, 1970” 1970, pencil signed, dated and numbered 32/175 in the margin. image: 35 x 25 7/8 in. (88.9 x 65.5cm) $300-500

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108 09-1680/14 ALAN SHIELDS (american 1944-2005) BIG DEAL Watercolor and acrylic on handmade paper attached to wire armature Executed in 1978 23 1/4 x 23 1/4 in. (59.1 x 59.1cm) provenance: Paula Cooper Gallery, New York, New York. $500-800

109 09-1680/15 ALAN SHIELDS (american 1944-2005) UNTITLED Pencil signed and numbered 20/40 in the margin.

Handmade paper collage with screenprint. overall: 35 3/4 x 27 3/8 in. (90.8 x 69.5cm) $200-300

111 09-1680/469 RICHARD ANUSZKIEWICZ (american b. 1930) “SEQUENTIAL: PLATE VII” 1972, pencil signed, dated, titled and numbered 172/200 in the margin; Sanmore Editions, publisher. Color screenprint. image: 25 1/4 x 19 in. (64.2 x 48.3cm) $150-200

112 09-1680/495 RICHARD LINDNER (german/american 1901-1978) UNTITLED (COUPLE) Pencil signed, indistinctly inscribed and numbered 115/125. Color lithograph. image: 21 1/4 x 15 3/4 in. (54 x 40cm) $300-500

110 09-1680/187 three color aquatints GARY STEPHAN (american b. 1942) “IF-THEN B” 1974, pencil signed, dated titled and numbered 42/50 in the margin. image: 21 3/8 x 21 3/4 in. (54.3 x 55.3cm) sheet: 25 x 28 3/4 in. (63.5 x 73cm) “IF-THEN D” 1974, pencil signed, dated, titled and numbered 42/50 in the margin. image: 19 3/4 x 25 in. (50.2 x 63.5cm) sheet: 24 1/2 x 28 1/2 in. (62.2 x 724cm) “IF-THEN F” 1974, pencil singed, dated, titled and numbered 42/50 in the margin. image: 22 1/4 x 25 3/4 in. (56.5 x 65.3cm) sheet: 25 x 29 in. (63.5 x 73.7cm) provenance: Brooke Alexander Editions, New York, New York. $600-800

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113 09-1680/516 ROBERT INDIANA (american b. 1928) “THE NEUBERGER ART” 1975, pencil signed, titled, copyrighted and numbered 23/50 in the margin. Color screenprint. image: 23 3/4 x 24 in. (60.3 x 61cm) sheet: 34 x 30 in. (83.4 x 76.2cm) provenance: Editions Denise René, Paris, France. $300-500

114 09-1680/766 two color lithographs HANLYN DAVIES (american 20th century) “BLACK JAMOVE” 1975. image: 26 x 19 1/2 in. (66.1 x 49.5cm) and “JAMOVE” 1975, pencil signed, dated, titled and numbered 51/25 in the margin. image: 18 x 24 in. (45.7 x 61cm) sheet: 19 3/4 x 26 in. (50.2 x 66.1cm) $500-800

115 09-1680/208 HANLYN DAVIES (american 20th century) “BROWN/BANDS” 1975, pencil signed, dated, titled and numbered 15/70 in the margin. Color lithograph. image: 22 x 17 in. (55.9 x 43.2cm) sheet: 26 x 19 in. (66.1 x 48.3cm) $300-500

116 09-1680/216 HARRY NADLER (american 1930 -1990) LABRYRINTH FOR WALTER BENJAMIN Initialed and dated ‘H.N.’78’ bottom right corner, oil on canvas 60 x 60 in. (152.4 x 152.4cm) provenance: Gruenebaum Gallery, New York, New York. $500-700

117 09-1680/66 two color screenprints BILL RAWN (american 20th century) “THREE MOVES I” 1971, pencil signed and numbered 10/16 in the margin.

“THREE MOVES II” 1971, pencil signed and numbered 9/16 in the margin. image: 17 1/2 x 17 1/2 in. (44.5 x 44.5cm) (each) provenance: Susan Caldwell & Co., New York, New York. $300-500

118 09-1680/608 TOM WUDL (american b. 1948) TWO TRIANGULAR SPIRALS Acrylic on perforated rice paper Executed in 1974 26 x 18 1/2 in. (66 x 47cm) provenance: John C. Stoller & Co., Minneapolis, Minnesota. $400-600

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119 09-1680/229 two color screenprints HUGH KEPETS (american b. 1946) “SIXTH AVENUE” 1976, pencil signed, dated, titled and inscribed artist’s proof in the margin. image: 36 x 29 3/4 in. (91.4 x 75.6cm) (each) and “EIGTH AVENUE” 1976, pencil signed, dated, titled and numbered 25/85 in the margin. $400-600

120 09-1680/45 two color serigraphs ASTRID FITZGERALD (swiss b. 1938) “ZEN” from ‘circle series of five serigraphs’ 1972, pencil signed, dated and numbered 28/65 in the margin. image: 11 x 25 in. (27.8 x 63.5cm) sheet: 26 x 32 in. (66 x 81.3cm) “BREAKAWAY” from ‘circle series of five serigraphs’ 1972, pencil signed, dated and numbered 49/70 in the margin. image: 13 x 17 in. (33 x 43.2cm) sheet: 26 x 32 in. (66 x 81.3cm) $100-200

121 09-1680/239 JACK BEAL (american b. 1931) “POND LILIES” 1971, pencil signed and numbered 90/120 in the margin. Color lithograph. image: 27 x 19 in. (68.6 x 48.3cm) provenance: Brooke Alexander Editions, New York, New York. $200-300

122 09-1680/111 two pastels G. DANIEL MASSAD (american b. 1946) STUDIO #4 Pastel on paper Executed in 1982 sight: 15 3/4 x 14 1/4 in. (40. x 36.2cm) and “STUDIO #5” Pastel on paper Executed in 1982 sight: 15 3/4 x 14 1/4 in. (40. x 36.2cm) provenance: Tatistcheff and Co., New York, New York. $1,000-1,500

123 09-1680/110 G. DANIEL MASSAD (american b. 1946) SHELVES Signed and dated ‘Massad 1982’ bottom right, pastel on paper 17 3/4 x 23 3/4 in. (45 x 60.3cm) provenance: Tatistcheff and Co., New York, New York. $500-800

124 09-1680/337 LILIANA PORTER (argentine b. 1941) THE RESEMBLANCE Signed and dated ‘Liliana Porter 79’ bottom right, acrylic, charcoal and paper collage on paper 22 1/2 x 30 in. (57.2 x 76.2cm) $1,000-1,500

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125 09-1680/284 JOE GOODE (american b. 1937) UNTITLED 1972, pencil signed and inscribed Artist proof; apart from the numbered edition of 75; Cirrus Editions, New York, New York. Color lithograph and screenprint triptych. overall: 23 3/4 x 126 in. (62.2 x 320cm) provenance: Brooke Alexander Editions, New York, New York. $600-800

126 09-1680/131 DEE SHAPIRO (american b. 1936) UNTITLED Watercolor and ink on paper Executed in 1978 10 x 59 1/2 in. (25.4 x 151.1cm) provenance: Gladstone/Villani Gallery, New York, New York. $800-1,200

127 09-1680/132 DENISE GREEN (american b. 1946) TRANS Oil and wax stick on canvas Executed in 1978 28 x 84 1/2 in. (71.1 x 214.6cm) provenance: Max Protetch Gallery, New York, New York. $400-600

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128 09-1680/133 DENISE GREEN (american b. 1946) PLANCHETTES Oil and wax on canvas Executed in 28 1/2 x 30 1/4 in. (72.3 x 76.8cm) Unframed provenance: Max Protetch Gallery, New York, New York. $400-600

129 09-1680/262 JANET STAYTON (american b. 1939) “FIVE CUPS - YELLOW” Signed, titled and dated ‘Five Cups / Yellow Stayton / ITALY-USA WORKSHEET 1977-78-3’ bottom left in pencil, mixed media on paper 27 1/2 x 39 1/2 in. (69.9 x 100.3cm) $250-400

130 09-1680/29 ALLAN D’ARCANGELO (american 1930-1998) “14TH NEW YORK FILM FESTIVAL” 1976, pencil signed, dated and numbered 112/144.

Color screenprint. image: 37 1/2 x 56 in. (95.2 x 142.3cm) sheet: 40 x 58 3/8 in. (101.6 x 149.4cm) $300-500

131 09-1680/101 two handmade dyed and bleached paper collages CLINTON HILL (american b. 1922) “FLASH FLOOD” and “SUMMER UP” Each signed and dated ‘C Hill 75’ bottom left and titled bottom center each: 22 1/2 x 18 in. (57.2 x 45.7cm) $300-500

132 09-1680/124 DAVID SCHIRM (american b. 1945) IMMINENT RAIN KNOW ANXIETY Acrylic and mixed media collage Executed in 1976 47 1/2 x 62 1/2 in. (120.7 x 158.8cm) $800-1,200

133 09-1680/72 BRUCE BOICE (american b. 1941) MANUAL Oil on canvas 64 3/4 x 75 in. (164.5 x 191cm) provenance: Sonnabend Gallery, New York, New York. $700-900

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134 09-1680/74 BRUCE BOICE (american b. 1941) UNTITLED Pencil and oil on paper Executed in 1982 sight: 27 3/4 x 19 3/4 in. (70.5 x 50.2cm) provenance: John Weber Gallery, New York, New York. $400-600

135 09-1680/73 BRUCE BOICE (american b. 1941) UNTITLED Pencil and oil on paper sight: 20 x 27 1/2 in. (50.8 x 69.9cm) provenance: John Weber Gallery, New York, New York. $400-600

136 09-1680/120 DAVID JOSHUA GOLDOTE (american 20th century) WATER, GARDEN 1977. Color monoprint diptych. overall: 42 1/2 x 56 in. (108 x 142.2cm) (each) $200-300

137 09-1680/171 ERNEST TROVA (american 1927-2009) “FOUR FOOT FALLING MAN” 1973, pencil signed, dated and numbered 94-150 in the margin. Color screenprint. image: 64 x 32 1/2 in. (162.6 x 82.5cm) sheet: 70 x 37 1/2 in. (177.8 x 95.3cm) $400-600

138 09-1680/170 ERNEST TROVA (american 1927-2009) “FALLING MAN MANSCAPES #1” 1969, pencil signed, dated and numbered 14-175 in the margin. Color screenprint. image: 22 1/2 x 22 1/2 in. (57.1 x 57.1cm) provenance: Pace Prints, New York, New York. $400-600

139 09-1680/315 KAREL APPEL (dutch 1921-2006) UNTITLED (TWO FIGURES) Pencil signed, dated and numbered 48/75 in the margin. Color lithograph. image: 19 3/4 x 24 in. (50.2 x 60.9cm) $500-800

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140 09-1680/167 ERICA STOLLER (american 20th century) “RODIE” Acrylic on canvas in two parts Executed in 1975 each: 18 1/4 x 54 1/4 in. (46.2 x 137.8cm) $600-1,000

142 09-1680/769 ROBERT NATKIN (american b. 1930) FIELD MOUSE 1969, pencil signed in the margin. Color lithograph. image: 29 1/2 x 22 3/4 in. $300-500

141 09-1680/360 LOWELL NESBITT (american 1933-1993) “IRIS” 1978, pencil signed, dated, inscribed AP and numbered 18/30 in the margin. Color screenprint. image: 23 1/2 x 23 1/2 in. (59.7 x 59.7cm) provenance: The artist. $150-200

143 09-1680/770 ROBERT NATKIN (american b. 1930) UNTITLED 1976, pencil signed and numbered 25/50. Color lithograph. image: 29 3/4 x 72 1/4 in. (75.6 x 183.5cm) $300-500

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144 09-1680/523 ROBERT NATKIN (american b. 1930) “BERN SERIES” 1980, pencil signed, dated and numbered 7/31; Redvale Press, publisher. Color lithograph. overall: 42 x 29 5/8 in. (106.7 x 75.2cm) $300-500

145 09-1680/125 DAVID SHAPIRO (american b. 1944) UNTITLED Signed and dated ‘David Shapiro 77’ bottom center in pencil, watercolor, graphite, pastel and acrylic sight: 27 x 21 1/2 in (68.6 x54.6cm) $400-600

146 09-1680/126 DAVID SHAPIRO (american b. 1944) “CHAPTER & VERSE” 1978, pencil signed, dated, titled, copyrighted and numbered 27/65 in the margin. Color lithograph. image: 25 1/2 x 20 in. (64.8 x 50.7cm) $200-300

147 09-1680/127 DAVID SHAPIRO (american b. 1944) “PLEASURES OF THE ROAD” 1982, pencil signed, dated, titled and numbered 18/24 in the margin. Screenprint and graphite. sheet: 20 1/2 x 44 1/4 in. (52.1 x 112.4cm) $400-600

148 09-1680/154 EDWARD YOUKILIS (american 20th century) THE GREAT VALERO Signed and dated ‘Youkilis 78’ bottom right, acrylic on paper 30 x 22 in. (76.2 x 55.9cm) provenance: Acquavella Galleries, New York, New York. $400-600

149 09-1680/155 EDWARD YOUKILIS (american 20th century) THE NEW ST. GEORGE Signed and dated “Youkilis Oct. 1978” bottom left, acrylic on paper 30 x 22 in. (76.2 x 55.9cm) provenance: Alexander F. Milliken Gallery, New York, New York. $400-600

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150 09-1680/123 DAVID ROTH (american b. 1942) “RANDOM COLORS OVER RANDOM COLORS I” 1977, pencil signed, dated and numbered 2/50 in the margin. Color screenprint. image: 35 7/8 x 35 3/4 in. (91.1 x 90.8cm) sheet: 36 3/4 x 36 1/2 in. (93.3 x 92.7cm) $150-200

151 09-1680/431 PAT STEIR (american b. 1938) “WISH #3 TRANSFORMATION” 1974, pencil signed, dated, titled and numbered 2/50. Color lithograph. image: 31 1/4 x 32 1/4 in. (79.4 x 81.9cm) provenance: Kathryn Markel Gallery, New York, New York. $400-600

152 09-1680/340 LOIS LANE (american b. 1948) UNTITLED #23 Watercolor on paper Executed in 1977 22 x 17 1/8 in. (55.9 x 43.5cm) $600-800

153 09-1680/341 LOREN MADSEN (american b. 1943) “INVERTED PYRAMID” Signed and dated ‘Loren Madsen 1977’ bottom right and titled bottom left, ink on paper image: 12 x 16 in. (30.5 x 40.6cm) provenance: David McKee Gallery, New York, New York. $500-800

154 09-1680/395 MICHAEL MAZUR (american b. 1935) “IRIS 1” 1978, pencil signed, dated, titled and copyrighted in the margin. Monotype. image: 23 1/4 x 35 1/2 in. (59.1 x 35 1/2cm) $600-800

155 09-1680/394 MICHAEL MAZUR (american b. 1935) “N.Y. MEMORY” 1972, pencil signed, dated, titled and numbered 8/20. Etching. image: 23 3/4 x 17 3/4 in. (60.3 x 45cm) provenance: Pace Prints, New York, New York. $300-500

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156 09-1680/424 NEIL WELLIVER (american 1929-2005) “TROUT II” 1974, second state, pencil signed and nubmered 3/30 in the margin. Etching and aquatint. image: 15 3/4 x 17 3/4 in. (40 x 45.1cm) provenance: Brooke Alexander Editions, New York, New York. $500-800

157 09-1680/108 CYNTHIA GALLAGHER UNTITLED (GREEN) Oil pastel on paper 37 x 35 in. (94 x 88.9 m) provenance: The artist. $200-300

158 09-1680/138 DON NICE (american b. 1932) “OWL” 1972, pencil signed, titled and numbered 12/30 in the margin. Color etching and aquatint. image: 27 1/4 x 21 1/2 in. (69.2 x 54.5cm) $100-200

159 09-1680/140 DON NICE (american b. 1932) “FESTIVAL PREDELLA” 1988, pencil signed, dated titled and numbered 19/72 in the margin. Color screenprint. sheet: 33 x 45 3/4 in. (83.8 x 116.2cm) $200-300

160 09-1680/209 HANS HOKANSON (american b. 1925) “DECOY” 1976, pencil signed, dated and numbered 2/15 in the margin. Color woodcut. image: 21 1/4 x 34 3/4 in. (54 x 88.3cm) $80-120

161 09-1680/328 three color pochoirs LARRY ZOX (american 1936-2006) UNTITLED (YELLOW) and UNTITLED (GRAY) and UNTITLED (RED) 1978, each pencil signed and numbered 5/11 in the margin. image: 21 x 14 in. (53.3 x 35.6cm) (each) sheet: 29 x 22 in. (73.7 x 55.8cm) (each) provenance: Barbara Gladstone Gallery, New York, New York. $700-900

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162 09-1680/329 two color pochoirs LARRY ZOX (american 1936-2006) “BONAC II” 1981, pencil signed and numbered 115/160 in the margin. image: 37 x 17 1/2 in. (94 x 44.4cm) and UNTITLED Pencil signed and numbered 14/19 in the margin. image: 23 3/4 x 31 3/4 in. (60.3 x 80.6cm) $200-300

165 09-1680/370 MARK SCHLESINGER (american b. 1949) “JEWEL” Signed, dated and titled ‘1978-79 / Mark Schlesinger / “JEWEL” ‘ verso, oil on canvas 71 x 68 in. (180.3 x 172.7cm) $400-600

163 09-1680/326 four color pochoirs LARRY ZOX (american 1936-2006) UNTITLED, STATE II (YELLOW) 1976, pencil signed and numbered 16/20 in the margin. and UNTITLED, STATE II (SALMON) 1976, pencil signed and numbered 8/20 in the margin. and UNTITLED, STATE II (BROWN) 1976, pencil signed and numbered 10/20 in the margin. and UNTITLED, STATE II (BLUE) 1976, pencil signed and numbered 20/20 in the margin. image: 17 1/2 x 18 in. (44.4 x 45.7cm) (each) provenance: Brooke Alexander Editions, New York, New York. $800-1,200

164 09-1680/201 GORDON HART (american b. 1940) GOLD/BLUE STUDY Casein and gold leaf on paper Executed in 1980 image: 40 x 29 in. (101.6 x 73.7cm) $400-600

166 09-1680/295 JOHN MOORE (american b. 1941) UNTITLED Signed and dated ‘Moore 1974’ bottom right, watercolor on paper 22 1/4 x 30 1/4 in. (56.5 x 76.8cm) provenance: Fischbach Gallery, New York, New York. $600-1,000

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167 09-1680/147 ED BAYNARD (american b. 1940) ARRANGEMENT/HIROSHIGE Signed and dated ‘Ed Baynard 1979’ bottom right, watercolor on paper 60 x 40 in. (152.4 x 101.7cm) provenance: Alexander F. Milliken Gallery, New York, New York. $400-600

168 09-1680/177 FRANCES KUEHN (american b. 1943) UNTITLED Signed and dated ‘Francis Kuehn 1977’ bottom left, watercolor and graphite on paper 15 x 22 1/4 in. (38.1 x 56.5cm) $200-300

169 09-1680/109 DANIEL BRUSTLEIN (french/american 1904-1996) “RUE DE SEVRES” Signed ‘BRUSTLEIN’ bottom right, oil on canvas Executed in 1977 39 1/2 x 39 1/2 in. (100.3 x 100.3cm) provenance: M. Sachs Gallery, New York, New York. $250-400

170 09-1680/594 SUSAN HALL (american b. 1943) “THE HOMECOMING” 1978, pencil signed, dated, titled and numbered XVII AP in the margin. Color etching and aquatint. image: 27 3/4 x 21 1/2 in. (70.5 x 54.6cm) provenance: Hal Bromm Gallery, New York, New York. $300-500

171 09-1680/399 MICHELE BOLL (american 20th century) ROOFTOPS ACROSS THE STREET Signed ‘M. Go*****man-Boll ‘79’ bottom right, pastel on paper 20 7/8 x 28 3/4 in. (53 x 73cm) provenance: Impressions Gallery, Boston, Massachusetts. $400-600

172 09-1680/368 MABEL DUCASSE (american 1895-1976) MEMORIES Pastel on paper sight: 17 x 15 3/8 in. (43.2 x 39.1cm) $200-300

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173 09-1680/406 MILET ANDREJEVIC (american 1925 -1989) TOWARDS BETHESDA FOUNTAIN Signed “Milet Andrejevic/1978” verso, egg oil tempera on canvas 38 x 50 in. (96.5 x 127cm) provenance: Robert Schoelkopf Gallery, New York, New York. $500-800

174 09-1680/532 ROBERT WILBERT (american b. 1929) COMPOTE WITH FRUIT ON GREY Signed and dated ‘Wilbert 78’ upper center, oil on canvas 20 x 22 in. (50.8 x 55.9cm) provenance: Donald Morris Gallery, Birmingham, Minnesota. $700-900

175 09-1680/496 RICHARD LYTLE (american b. 1935) JACQUE’S GIFT Signed and dated ‘Lytle 77’ bottom right corner, watercolor and graphite on paper 30 x 23 in. (76.2 x 58.4cm) provenance: Marilyn Pearl Gallery, New York, New York. $150-250

176 09-1680/421 NATALIE BIESER (american b. 1948) UNTITLED #39 Signed and dated ‘Natalie Bieser 1979’ bottom right, watercolor on paper 21 1/2 x 29 3/4 in. (54.6 x 75.6cm) $300-500

177 09-1680/299 JOHN WILLENBECHER (american b. 1936) “THE TABLE (59)” Signed and dated ‘John Willenbecher 1976’ bottom left, titled bottom left, acrylic and paper collage on paper 13 1/2 x 17 1/4 in. (34.3 x 43.8cm) provenance: Richard Gray Gallery, New York, New York. $300-500

178 09-1680/576 STEPHEN NEIL LORBER (american b. 1943) CHINESE BASKETS 1977, pencil signed, dated and numbered 9/30 in the margin. Etching, aquatint and engraving. image: 15 1/2 x 19 3/4 in. (39.3 x 50.2cm) sheet: 22 x 30 in. (50.8 x 76.2cm) provenance: A.M. Sachs Gallery, New York, New York. $300-500

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179 09-1680/577 two screenprints STEPHEN NEIL LORBER (american b. 1943) STILL LIFE WITH REEDS AND QUIVER 1978, pencil signed, dated and numbered 7/80 in the margin. image: 32 1/2 x 18 in. (82.6 x 45.7cm) provenance: Gladstone-Villani Gallery, New York, New York. and STILL LIFE WITH TWIGS 1980, pencil signed, dated and numbered 28/95 in the margin. image: 26 x 36 in. (66 x 91.4cm) provenance: Barbara Gladstone Gallery, New York, New York. $200-300

180 09-1680/511 ROBERT CONOVER (american 1920-1998) “INTERLOCKING” 1970, signed, titled and inscribed A.P. Color screenprint. image: (81.3 x 147.3cm) sheet: 9 x 36 1/2 in. (149.8 x 92.7cm) $200-300

181 09-1680/642 YUN JAMES YOHE (american 20th century) NIGHT GARDEN Watercolor, acrylic and ink Executed in 1977 29 1/2 x 22 in. (74.9 x 55.8cm) provenance: Alexander F. Milliken Gallery, New York, New York. $300-500

182 09-1680/439 PETER FLACCUS (american b. 1947) UNTITLED Oil on paper Executed in 1976 sight: 20 1/4 x 28 in. (51.4 x 71.1cm) provenance: Zabriskie Gallery, New York, New York. $600-800

183 09-1680/584 STEVEN SORMAN (american b. 1948) “LEWIS & CLARK” 1978, pencil signed, dated, titled and numbered 10/50. Color lithograph and collage. overall: 37 1/4 x 37 1/2 in. (94.6 x 95.3cm) $300-500

184 09-1680/583 STEVEN SORMAN (american b. 1948) “THE LETTER TO MATISSE” 1978, pencil signed, dated, titled and numbered 7/25 in the margin. Color lithograph and collage. overall: 31 1/2 x 27 in. (80 x 69.8cm) provenance: The artist. $300-500

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185 09-1680/477 RICHARD CHIRIANI (american b. 1942) “PILGRIM STATE II” Signed and dated ‘Chiriani 72’ bottom right, acrylic on paper mounted to canvas 22 x 52 in. (55.9 x 132.1cm) provenance: Tibor de Nagy Gallery, New York, New York. $300-500

186 09-1680/176 FRANCES BARTH (american b. 1946) SKOWHEGAN Oil stick and charcoal on panel Executed in 1979 24 x 48 in. (61 x 121.9cm) $300-500

187 09-1680/347 FRANCES BARTH (american b. 1946) DRAWING #304 Signed ‘Frances Barth 1976’ bottom right in pencil, oil and pastel on paper 18 1/4 x 31 1/2 in. (46.3 x 80cm) $150-250

188 09-1680/175 FRANCES BARTH (american b. 1946) UNTITLED #312 Signed ‘Frances Barth 1977’ bottom right in pencil, oil and pastel on paper 16 3/4 x 32 in. (42.6 x 81.3cm) $150-250

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189 09-1680/435 PAUL MORGENSON (american 20th century) UNTITLED Watercolor on paper diameter: 21 1/4 in. (54cm) $400-600

190 09-1680/331 LAURENT SARLATTE (american b. 1945) #271 Pastel and charcoal on paper Executed in 1979 22 1/2 x 30 in. (57.1 x 76.2cm) provenance: John Berggruen Gallery, San Francisco, California. $300-500

191 09-1680/257 JANE COUCH (american 20th century) UNTITLED Watercolor and oil crayon Executed in 1978 image: 12 x 21 1/2 in. (30.5 x 54.6cm) provenance: Gladstone/Villani Gallery, New York, New York. $400-600

192 09-1680/35 ANDREW TAVARELLI (american b. 1942) “PLAN FOR CEDAR CITY” Signed and dated ‘A tavarelli ‘75’ and titled bottom left, colored pencil, graphite and paper collage on paper 22 x 30 in. (55.9 x 76.2cm) provenance: Fischbach Gallery, New York, New York. $300-500

193 09-1680/271 JENNIFER FERRARA (american 20th century) UNTITLED Signed indistinctly bottom left, pastel and graphite on paper 27 1/2 x 39 1/2 in.(69.8 x 100.3cm) $300-500

194 09-1680/336 LEO JOHN MEISSNER (american 1895-1977) GULF COAST WAVELETS - ANNA MARIA, FLORIDA Signed ‘Leo MEISSNER’ bottom right, pastel on paper sight: 17 1/4 x 23 1/4 in. (43.8 x 59.1cm) $500-700

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195 09-1680/392 two hand colored screenprints MICHAEL HURSON (american 1941-2007) PALM SPRINGS I 1972, pencil signed and numbered 15/15 in the margin. image: 14 1/2 x 11 1/2 in.(36.8 x 29.2cm) sheet: 15 x 17 in. (38.1 x 43.2cm) and PALM SPRINGS II Pencil signed and numbered 14/15 in the margin. image: 14 1/2 x 12 in. (36.9 x 30.5cm) sheet: 15 1/4 x 17 in. (38.7 x 43.2cm) provenance: Paula Cooper, New York, New York. $200-300

196 09-1680/224 two oil pastels HERB JACKSON (american b. 1945) UNTITLED DRAWING P335 Signed ‘Herb Jackson’ bottom right and UNTITLED DRAWING P338 Signed ‘Herb Jackson’ bottom left each: 30 x 22 in. (76.2 x 55.9cm) $700-1,000

197 09-1680/223 two oil pastels HERB JACKSON (american b. 1945) UNTITLED DRAWING P325 and UNTITLED DRAWING P309 Each signed ‘Herb Jackson’ bottom right, oil pastel on paper each: 30 x 22 in. (76.2 x 55.8cm) $700-1,000

198 09-1680/459 RAY CIARROCCHI (american 20th century) SPRING WOODS 1978, signed. Color monotype. image: 16 3/4 x 26 3/4 in. (42.5 x 67.9cm) provenance: Tibor de Nagy Gallery, New York, New York. $200-300

199 09-1680/588 STUART SHEDLETSKY (american 1944-2006) PARABLE OF THE SHIP Oil on paper Executed in 1978 46 3/4 x 36 in. (118.7 x 91.4cm) $1,200-1,800

200 09-1680/564 two gelatin silver prints SCOTT MUTTER (american 1944-2008) “PARQUET FLOOR” 1975, pencil signed, dated, copyrighted and numbered 64 in the margin. image: 8 1/4 x 12 in. (20.9 x 30.5cm) and “414 TRAIN/4 SMALL MEN” 1981, pencil signed, dated, copyrighted and numbered 19 in the margin. image: 9 x 6 3/4 in. (22.8 x 17.2cm) $600-800

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201 09-1680/580 STEPHEN SHOLINSKY (british 20th century) “FRONTISPIECE” Pencil signed, dated and numbered 75/125. Color lithograph. image: 19 3/4 x 15 1/2 in. (50.3 x 39.4cm) $250-400

202 09-1680/582 STEVE HARTMAN (american 20th century) UNTITLED Mixed media on rice paper 25 1/2 x 37 in. (64.8 x 94cm) $300-500

203 09-1680/540 RANDAL RUPERT (american 20th century) FLOWER FLIGHT Signed ‘Randal Rupert’ bottom right, gouache on paper Executed in 1978 19 1/2 x 25 5/8 in. (49.5 x 65.1cm) $300-500

204 09-1680/303 JORDAN DAVIES (american b. 1941) UNTITLED Graphite, watercolor and ink on paper Executed ca. 1978 22 1/2 x 30 1/4 in. (57.2 x 76.8cm) provenance: Susan Caldwell Gallery, New York, New York. $200-300

205 09-1680/592 SUSAN HALL (american b. 1943) “PORTAGE” Signed, titled, and dated ‘Portage / 1978 / 25 x 30 / Susan Hall’ verso, acrylic on paper mounted to canvas 29 3/4 x 24 3/4 in. (75.5 x 62.8cm) $400-600

206 09-1680/767 JAMES JUSZCZYK (american b. 1943) “SIMILAR OPPOSITES #3” Signed, dated and titled ‘SEPT 1978.NYC.JUSZCZYK TOP. SIMILAR OPPOSITES #3” on stretcher verso, acrylic on canvas 52 x 54 1/4 in. (132.1 x 137.8cm) Unframed provenance: Rosa Esman Gallery, New York, New York. $400-600

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207 09-1680/79 CARA BANA (20th century) UNTITLED Signed ‘Cara Bana’ bottom right, mixed media on paper 16 1/4 x 16 in. (41.3 x 40.6cm) (image) $200-300

208 09-1680/461 three paintings RONALDO DE JUAN (argentine 1931-1989) UNTITLED Acrylic on paper Executed in 1977 each: 39 3/4 x 29 3/4 in. (101 x 75.6cm) $1,000-1,500

209 09-1680/460 four paintings RONALDO DE JUAN (argentine 1931-1989) UNTITLED Two signed and dated ‘De Juan 77’ bottom right, acrylic on canvas Executed in 1977 each: 39 3/4 x 29 3/4 in (101 x 75.5cm) $1,500-2,500

210 09-1680/365 M. ANDREWS (american 20th century) “ELECTRA III” Pencil signed, titled and numbered 15/200 in the margin. Color etching. image: 30 1/2 x 23 1/4 in. (77.5 x 59.1cm) $200-300

211 09-1680/610 TONY KING (american b. 1944) “AESOP II G-1” Signed and dated ‘T King Q4-78’ and titled bottom left under image, watercolor on paper image: 16 x 16 in. (40.6 x 40.6cm) provenance: OK Harris, New York, New York. $200-300

212 09-1680/628 WILLIAM FARES (american b. 1942) UNTITLED Signed and dated ‘WM. FARES 75’ center under image, graphite and paper collage on paper 31 x 21 1/2 in. (78.7 x 54.6cm) $200-300

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02/12/10 213 09-1680/48 two works on paper BARTON LIDICE BENES (american b. 1942) BOAT STRIP Signed and dated ‘Barton Lidice Benes 1979’ bottom center, watercolor and stamp on paper Executed in 1978 50 x 4 in. (127 x 10.2cm) and “SOUVENIERS” Signed and dated ‘Barton Lidice Benes 1983’ and titled bottom left, mixed media in shadowbox frame overall: 39 3/4 x 28 1/2 in. (cm) $500-700

214 09-1680/574 STEPHEN BUCKLEY (british b. 1944) “SEPTEMBER SUITE” 1977, pencil signed, dated and numbered 19/50.

Color etching. image: 9 1/2 x 12 in. (24.1 x 30.5cm) sheet: 19 1/2 x 25 1/4 in. (49.5 x 64.2cm) provenance: Barbara Gladstone Gallery, New York, New York. $200-300

215 09-1680/84 two color screenprints with embossing CHARLES HINMAN (american b. 1932) “UNTITLED-PRINT #3” 1976, pencil signed, dated and numbered 84/100 in the margin. provenance: Pace Prints, New York, New York. and “UNTITLED-PRINT #2” 1976, pencil signed, dated, and numbered 73/100 in the margin. image: 33 3/4 x 30 3/4 in. (85.7 x 78.1cm) (each) sheet: 39 3/4 x 37 in. (101 x 94cm) (each) $300-500

216 09-1680/768 UNKNOWN (20th century) RAINBOW Acrylic on canvas 60 1/2 x 110 1/4 in. (153.7 x 280cm) Unframed $200-300

217 09-1680/771 RICHARD CAMIRE (american 20th century) “TUT’S GAME” Signed, titled and dated ‘Richard Camire/”Tut’s Game” 1986’ verso, acrylic on paper 16 x 30 in. (40.6 x 76.2cm) $200-300

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218 09-1680/296 JOHN MOORE (american b. 1941) DUNBAR Watercolor Executed in 1977 22 1/2 x 30 1/4 in. (57.2 x 76.8cm) $600-800

219 09-1680/593 SUSAN HALL (american b. 1943) THE OLD WEST Acrylic and graphite on paper mounted to canvas Executed in 1978 32 x 44 in. (81.2 x 111.7cm) provenance: Hamilton Gallery of Contemporary Art, New York, New York. $400-600

220 09-1680/765 CONTINENTAL SCHOOL (20th century) BULL Signed indistinctly bottom left, dated 9-67 bottom left, oil on canvas 30 x 48 1/4 in. (76.2 x 121.9cm) $600-800

221 09-1680/758 AMERICAN SCHOOL (20th century) SURREALIST BEACH SCENE Signed indistinctly bottom right, oil on canvas 16 x 20 in. (40.7 x 50.8cm) $300-500

222 09-1680/272 JEREMY GILBERT-ROLFE (british b. 1945) “8TH STUDY FOR EASTERN FRONT” Initialed, titled and dated ‘j a-r 8th study for Eastern Front, ‘77’ bottom center under image, gouache on paper image: 10 1/2 x 22 3/4 in. (26.6 x 57.8cm) provenance: Paula Cooper Gallery, New York, New York. $400-600

223 09-1680/93 CHRIS CRISTOFARO (american 20th century) “PO148” Signed, dated and titled ‘Chris Christofaro 77 PO148’ bottom right, colored pencil and paper collage on paper 22 x 30 in. (55.9 x 76.2cm) provenance: Editions Denise Rene, Paris, France. $150-200

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224 09-1680/89 CHARLES PRICE (american 20th century) “WHITE 4” Signed and dated ‘chprice77’ and titled bottom left, oil pastel and gold leaf on paper 15 1/2 x 24 in. (39.4 x 61cm) $150-250

225 09-1680/500 RICHARD SMITH (british b. 1931) “TABLES TURNED #4” Pencil signed and dated. Color monotype. image: 43 1/2 x 29 3/4 in. (100.4 x 75.5cm) $200-300

227 09-1680/504 RICHARD SMITH (british b. 1931) “EVIDENCE III” 2007, pencil signed, dated and numbered 1/25 in the margin. Aquatint. image: 16 1/2 x 16 1/2 in. (41.9 x 41.9cm) sheet: 20 x 20 in. (50.8 x 50.8cm) provenance: Flowers Gallery, New York, New York. $300-500

228 09-1680/562 SCOTT DUCE (american b. 1956) IMPARTIAL RESOLUTION Signed, titled, and dated ‘Scott Duce ‘Impartial Resolution 1986’ verso acrylic on canvas 54 x 60 in. (137.2 x 152.4cm) provenance: Phyllis Weil and Company, New York, New York. $400-600

226 09-1680/501 three color etchings RICHARD SMITH (british b. 1931) “WILD LIFE” 1985, pencil signed, dated and numbered 13/35 in the margin. image: 23 5/8 x 33 7/8 in. (60 x 86cm) and “FIRST DANCER” 1985, pencil signed, dated and numbered 9/35 in the margin. image: 24 x 16 in. (60.9 x 40.6cm) sheet: 30 x 22 1/2 in. (76.2 x 57.2cm) and “COUP DE THEATRE” 1985, pencil signed, dated and numbered 4/15 in the margin. image: 35 1/2 x 23 3/4 in. (90.3 x 60.4cm) sheet: 39 1/2 x 27 in. (100.3 x 68.6cm) $400-600

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229 09-1680/561 SCOTT DUCE (american b. 1956) AIRPORT LANDSCAPE Signed “Duce 84” bottom right, oil on canvas 36 x 40 in. (91.4 x 101.6cm) Unframed provenance: Shippee Gallery, Inc., New York, New York. $400-600

230 09-1680/560 SCOTT DUCE (american b. 1956) ULTERIOR METROPOLIS Signed and dated ‘DUCE 84’ bottom right, oil on canvas 36 x 42 in. (91.5 x 106.6cm) provenance: Shippee Gallery, New York, New York. $300-500

231 09-1680/454 RAFAEL FERRER (puerto rican b. 1933) “PLENILUNIO” 1986, pencil signed, titled and numbered 12/20 in the margin. Color etching. image: 12 1/2 x 23 1/2 in. (31.8 x 59.6cm) provenance: Nancy Hoffman Gallery, New York, New York. $200-300

232 09-1680/597 SUSAN SHATTER (american b. 1943) “TERRACE TILT” 1980, pencil signed, dated, titled and numbered 16/50 in the margin. Color etching and aquatint. image: 13 x 35 in. (33 x 88.8cm) provenance: Fischbach Gallery, New York, New York. $200-300

233 09-1680/433 PATRICK WEBB (american b. 1955) CROSSWALK MADONNA Oil on canvas 36 x 48 in. (91.4 x 121.9cm) $400-600

234 09-1680/3 AARON FINK (american b. 1955) THE BLUE SPOON Signed and dated ‘Aaron / Fink / 1984’ verso, oil on canvas 76 1/4 x 108 in. (193.6 x 274.3cm) $700-900

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235 09-1680/591 SUSAN JANE BELTON (american b. 1951) PARKING LOT ISLAND Oil on paper Executed in 1980 18 3/4 x 26 1/4 in. (47.6 x 66.6cm) (sight) provenance: Thomas Segal Gallery, Boston, Massachusetts. $300-500

236 09-1680/647 MARY SNOWDEN (american 20th century) RED SQUARE Signed and dated ‘Mary Snowden ‘85’ bottom right, titled bottom left, watercolor on paper 20 3/4 x 29 3/4 in. (52.7 x 75.5cm) $500-800

237 09-1680/50 BEN BERNS (american b. 1936) MORNING, LATE FALL Oil on canvas Executed in 1985 38 x 52 in. (96.5 x 132.1cm) provenance: David Findlay Jr, Inc., New York, New York. $300-500

238 09-1680/68 BILL SULLIVAN (american b. 1942) “PALISADES #4” Signed, titled and dated ‘Palisades #4 1986 Bill Sullivan’ under image, pastel on paper 26 x 40 in. (66 x 101.6cm) $300-400

239 09-1680/481 RICHARD CROZIER (american b. 1944) MIMOSA HILLSIDE Signed “CROZIER 84” bottom right, oil on canvas 36 x 48 in. (91.4 x 121.9cm) provenance: Tatistcheff and Co., New York, New York. exhibited: “Contemporary American Realism Since 1960,” Pennsylvania Academy of Fine Art, Philadelphia, Pennsylvania, 1981. $400-600

240 09-1680/480 RICHARD CROZIER (american b. 1944) OUT THE WINDOW #4 Signed and dated ‘CROZIER ‘80’ bottom right, oil on canvas 28 1/8 x 48 1/4 in. (71.4 x 122.5cm) provenance: Tatistcheff and Co., New York, New York. $300-500

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241 09-1680/479 RICHARD CROZIER (american b. 1944) SOUTH CALIFORNIA LANDSCAPE Signed and dated ‘CROZIER 79’ bottom right, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Tatistcheff and Co., New York, New York. $300-500

242 09-1680/478 RICHARD CROZIER (american b. 1944) “MOORMANS RIVER” Signed, titled and dated ‘RICHARD CROZIER / 1979 - CH’VILLE, VA / “MOORMANS RIVER”’ verso, signed and dated ‘CROZIER 79’ bottom right, oil on canvas 28 x 30 in. (71.1 x 76.2cm) provenance: Tatistcheff and Co., New York, New York. $400-600

243 09-1680/304 JOSEPH DIGIORGIO (american 1931-2000) DELAWARE SERIES NO. 24 Oil pastel on paper Executed in 1986 sight: 29 1/2 x 43 1/4 in. (74.9 x 109.8cm) provenance: Ruth Siegel Gallery, New York, New York. $300-500

244 09-1680/305 JOSEPH DIGIORGIO (american 1931-2000) DELAWARE SERIES NO. 10 Pastel on paper Executed in 1986 sight: 29 x 39 1/2 in (73.7 x 100.3cm) $300-500

245 09-1680/339 LINDA PLOTKIN (american b. 1938) “MORNING TABLE” 1980, pencil signed, titled and numbered 3/40 in the margin. Color etching. image: 17 3/4 x 17 3/4 (45.1 x 45.1cm) sheet: 30 x 22 in. (76.2 x 56.5cm) provenance: G.W. Einstein Company, Inc., New York, New York. $100-200

246 09-1680/215 HARRIET SHORR (american b. 1939) “KIMONO + KIWI” 1986, pencil signed, dated, titled and numbered 32/125 in the margin. Color etching. image: 21 1/2 x 29 1/2 in. (54.6 x 74.9cm) provenance: Orion Editions, New York, New York. $300-500

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247 09-1680/213 HARRIET SHORR (american b. 1939) “BIG BLUE” 1980, pencil signed and numbered 17/60 in the margin. Color aquatint. sheet: 29 1/2 x 41 1/2 in. (74.9 x 105.4cm) provenance: Orion Editions, New York, New York. $300-500

248 09-1680/447 PHILIP SPEAKES (american 20th century) “NIGHT SKYLINE” Signed, titled, dated ‘Philip Speakes / 1984 / (Night Skyline)’ verso, signed indistinctly bottom right, oil on canvas 29 x 36 in. (73.6 x 91.4cm) provenance: Leslie Cecil Gallery, New York, New York. $500-800

249 09-1680/390 MICHAEL ANSELL (american 20th century) SWIMMING POOL Signed and dated ‘Michael Ansell 2/80 ©’ bottom right, watercolor on paper image: 17 3/4 x 23 3/4 in. (45 x 60.3cm) $500-800

250 09-1680/567 SHEILA GARDNER (american, b. 1948) HILLCREST Signed ‘Gardner’ bottom right, watercolor on paper Executed 1981 23 x 30 in. (58.4 x 76.2cm) provenance: Tatistcheff and Co., New York, New York. $400-600

251 09-1680/402 MIKLOS POGANY (american b. 1946) DOPO LA TEMPESTA Oil, wax, acrylic, gesso, graphite, pastel on canvas Executed in 1984 65 x 49 1/4 in. (165.1 x 125.1cm) provenance: Victoria Munroe Gallery, New York, New York. $800-1,200

252 09-1680/403 MIKLOS POGANY (american b. 1946) KLARIKA (SONOMA) Mixed media on paper 59 1/2 x 40 in. (151.1 x 101.6cm) $600-800

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253 09-1680/401 four color etchings MIKLOS POGANY (hungarian/american b. 1946) “TALPA” (RED) and “TALPA” (BLUE) and “TALPA” (MULTICOLOR) 1983, each pencil signed, dated, titled and copyrighted in the margin. Each etching with watercolor. and “TALPA” (BLACK AND WHITE) 1983, pencil signed, dated, titled, copyrighted and numbered 7/10 in the margin. image: 8 x 3 3/4 in. (20.3 x 9.5cm) (each) sheet: 22 x 17 3/4 in. (55.8 x 45.1cm) (each) provenance: Victoria Munroe Fine Art, New York, New York. $800-1,200

254 09-1680/400 MIKLOS POGANY (hungarian/american b. 1946) “KLARIKA (SONOMA)” 1982, pencil signed, dated, titled and copyrighted in the margin. Color etching with watercolor. image: 17 3/4 x 11 3/4 in. (45.1 x 29.9cm) $250-400

255 09-1680/393 two color monotypes MICHAEL MANZAVRAKOS (greek 1901-1949) “GOING OUT I” and “GOING OUT II” 1985, each pencil signed, dated and titled in the margin. image: 22 x 16 in. (55.9 x 40.6cm) (each) provenance: Thomson Gallery, Minneapolis, Minnesota. $300-500

256 09-1680/265 two color monotypes JANIS PROVISOR (american b. 1946) UNTITLED (RED) and UNTITLED (BLACK) 1985, each pencil signed and dated. image: 23 1/2 x 22 in. (59.7 x 55.9cm) (each) $300-500

257 09-1680/631 WILLIAM LEAVITT (american b. 1941) UNTITLED Initialed and dated ‘WWL ‘83’ bottom right, pastel on paper 21 3/4 x 29 3/4 in. (55.2 x 75.6cm) provenance: Kuhlenschmidt/Simon, Los Angeles, California. $400-600

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258 09-1680/298 two c-prints JOHN WAWRZONEK (american b. 1941) “FLOWERING TREES AT TWILIGHT” Pencil signed, titled and numbered 33/100 on mat. image: 19 1/4 x 23 1/4 in. (48.9 x 59.1cm) (each) and “REFLECTIONS ON A FALL EVENING” Pencil signed, titled and numbered 5/100 on mat. $200-300

259 09-1680/267 two color etchings JEAN SOLOMBRE (french b. 1948) “LA FLEUVE” 1987, pencil signed, dated, titled and numbered 46/120 in the margin. image: 15 1/4 x 17 3/4 in. (38.7 x 45.1cm) and “L’APPRETISSAGE DE LA NUIT” 1987, pencil signed, dated, titled and numbered 42/120 in the margin. image: 15 1/4 x 17 3/4 in. (38.7 x 45.1cm) $200-300

260 09-1680/440 four drypoint etchings PHILIP SEELY LARSON (american b. 1944) “FIRST GRATE” and “SECOND GRATE” and “THIRD GRATE” and “FOURTH GRATE” Each pencil signed, dated, titled and numbered 5/6. image: 19 1/2 x 29 1/4 in. (49.5 x 74.4cm) (each) provenance: Bird Island Publishing, Minneapolis, Minnesota. $400-600

261 09-1680/383 MARY PIA MALM (american 20th century) BLA TIMMEN (THE MAGIC HOUR) Acrylic on canvas 57 1/2 x 40 in. (146 x 101.6cm) provenance: Virginia Miller Galleries, Coral Gables, Florida. $500-800

262 09-1680/382 MARY PIA MALM (american 20th century) ON THE LINE Acrylic and charcoal on canvas Executed in 1983 48 x 58 in. (120.7 x 142cm) provenance: Virginia Miller Galleries, Coral Gables, Florida. $500-800

263 09-1680/217 HARRY SOVIAK (american 1935-1984) GAUDI’S GARDEN Signed and dated ‘Soviak 1984’ bottom right in pencil, watercolor and collage on paper 211/2 x 34 1/4 in. (54.6 x 87cm) provenance: Pam Adler Gallery, New York, New York. $400-600

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264 09-1680/524 ROBERT BAARD PETERSON (american b. 1943) “FEBRUARY 1980” 1982, pencil signed, dated, titled, inscribed and numbered STATE PROOF 2/5. Color etching and collage. image: 21 x 25 3/4 in. (53.3 x 65.4cm) and FITZGERALD (american 20th century) “GOLDEN SECTION CVI” Inscribed with title in margin bottom left and signed and dated bottom right, pastel and pencil on paper 24 x 38 3/4 in. (61 x 98.4cm) $250-400

265 09-1680/613 TONY LIGAMARI (american b. 1952) 17TH STREET Gouache and colored pencil on paper Executed in 1985 sight: 27 x 19 1/2 in. (68.6 x 49.5cm) provenance: Fuller Goldeen Gallery, San Francisco, California. $200-300

266 09-1680/456 four color softground etchings with aquatint RALPH HUMPHREY (american 1932-1990) “NIGHT MOODS” 1983, each pencil signed, dated and numbered 5/10 in the margin. image: 23 1/2 x 23 1/2 in. (59.7 x 59.7cm) (each) sheet: 27 3/4 x 27 3/4 in. (70.5 x 70.5cm) (each) provenance: Parasol Press Ltd., New York, New York. $700-900

267 09-1680/310 JUDITH MURRAY (american 20th century) LINCOLN CENTER 1980, pencil signed, dated and numbered 112/134 in the margin. Color screenprint. image: 34 x 37 3/4 in. (86.4 x 95.8cm) provenance: Orion Editions, New York, New York. $200-300

268 09-1680/565 two color monotypes SHAWN DULANEY (american 20th century) “SUNDER” and “EMBARK” 1989, each signed and dated. image: 29 1/2 x 21 1/2 in. (74.9 x 54.6cm) $300-500

269 09-1680/571 SONDRA FRECKLETON (american b. 1936) FLOWERING BEGONIA Signed ‘Sondra Freckleton’ bottom right, watercolor on paper Executed in 1980 31 x 33 in. (80.6 x 83.8cm) provenance: Brooke Alexander, New York, New York. $300-500

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270 09-1680/545 SALLY STURMAN (american b. 1953) “TABLE” Signed and dated ‘SALLY MARA STURMAN 8/18/80’ bottom right, titled bottom right, colored pencil and graphite on paper 19 3/4 x 25 in. (50.2 x 63.5cm) provenance: Diane Villani Editions, New York, New York. $250-400

271 09-1680/379 MARTIN PAJECK (american 20th century) VASE OF GLADIOLAS Signed ‘Martin Pajeck’ bottom right, watercolor on paper 24 x 18 in. (61 x 45.7cm) provenance: Karen Sinapi and Co., New York, New York. $250-400

272 09-1680/537 ROGER HOWRIGAN (american 20th century) TURNSTILE Initialed and dated ‘RH 80’ bottom left, watercolor on paper 30 x 22 1/2 in. (76.2 57.1cm) provenance: Diane Villani Editions, New York, New York. $250-400

273 09-1680/371 MARIE BRUMUND (american b. 1948) SANTA ROSA Signed and dated ‘Marie Brumund 1984’ bottom right, watercolor and graphite on paper 22 3/4 x 30 1/8 in. (57.8 x 76.5cm) provenance: Kathryn Markel Gallery, New York, New York. $200-300

274 09-1680/314 KANG LOK CHUNG (american b. 1947) CITY HALL Signed and dated ‘Kang L Chung 83’ bottom right in pencil, graphite on paper image: 27 1/2 x 21 1/2 in. (69.9 x 54.6cm) provenance: Staempfli Gallery, New York, New York. $600-800

275 09-1680/372 MARK FARLEY (american 20th century) EMPIRE STATE BUILDING AND CHRYSLER BUILDING Signed and titled ‘Mark Farley 1991’ bottom right in pencil, inscribed ‘Over the charmed bay waters Liberty: Study 1/ inspired by Hart Crane’ bottom left in pencil, watercolor, graphite, colored pencil and paper collage mounted on paper image: 25 x 27 in. (63.5 x 68.6cm) $200-300

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276 09-1680/472 two works on paper RICHARD CALABRO (american 20th century) “ARCHITECTURE #4” Signed and dated ‘R. Calabro 1986’ bottom right, mixed media on paper image: 28 x 21 1/4 in (71.1 x 54cm) and ARCHITECTURAL DRAWING 86-16 Signed and dated ‘R. Calabro 1986’ bottom right, mixed media on paper image: 28 x 21 1/4 in (71.1 x 54cm) provenance: Shippee Gallery, New York, New York. $200-400

277 09-1680/474 three works on paper RICHARD CALABRO (american 20th century) ARCHITECTURAL DRAWING 86-20 Signed and dated ‘R. Calabro 1985’ bottom right, mixed media on paper image: 28 x 21 1/4 in (71.1 x 54cm) and ARCHITECTURAL DRAWING 86-35 Signed and dated ‘R. Calabro 1985’ bottom right, mixed media on paper image: 28 x 21 1/4 in (71.1 x 54cm) and ARCHITECTURE 6 Signed and dated ‘R. Calabro 1985’ bottom right image: 28 x 21 1/4 in (71.1 x 54cm) provenance: Shippee Gallery, Inc., New York, New York. $500-800

279 09-1680/70 six c-type color prints BRIAN MCNALLY (american 20th century) “HUTTON LOBBY SERIES” 1987 image: 13 1/2 x 10 3/4 in. (34.3 x 27.4cm) (each) $500-800

280 09-1680/391 MICHAEL GRAVES (american b. 1934) “HARBOR FAÇADE- EAST, LIBERTY PARK WILD LIFE CENTER” Signed and dated ‘Graves ‘80’ under image bottom center, titled under image bottom center, colored pencil and graphite on paper sight: 8 1/2 x 21 3/4 in. (21.5 x 55.2cm) provenance: Max Protetch Gallery, New York, New York. $300-500

278 09-1680/448 PHILIP TARLOW (american 20th century) “GRAND CENTRAL REFLECTIONS” 1984, pencil signed, dated and numbered 49/125 in the margin. Color screenprint. image: 36 x 36 in. (91.4 x 91.4cm) provenance: Orion Editions, New York, New York. $300-500

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281 09-1680/322 KITTY KLAIDMAN (american b. 1937) YELLOW FIELDS Signed and dated ‘Klaidman 85’ bottom center left, acrylic and oil pastel on paper 39 1/2 x 59 1/4 in. (100.4 x 150.4cm) $300-500

282 09-1680/323 KITTY KLAIDMAN (american b. 1937) SUNSTRUCK MOUNTAIN Signed and dated ‘Klaidman ‘85’ bottom left, acrylic and oil pastel on paper 32 x 40 in. (81.3 x 101.6cm) $300-500

283 09-1680/324 KITTY KLAIDMAN (czechoslovakian 20th century) WINDBLOWN GRASSES Signed and dated ‘Klaidman 85’ bottom left, acrylic and oil pastel on paper 32 x 40 in. (81.3 x 101.6cm) $300-500

284 09-1680/261 JANET FREDERICKS (american b. 1949) HEDGE & FLOWER GARDEN Signed and dated ‘J. Fredericks ‘86’ bottom left, oil on canvas 30 x 36 in. (76.2 x 91.4cm) $600-800

285 09-1680/260 two paintings JANET FREDERICKS (american b. 1949) MIAMI CHICKEE - SQUAL Signed and dated ‘J. Fredericks 1986’ bottom right, oil on canvas 20 x 24 in. (50.8 x 60.9cm) and MIAMI CHICKEE II Signed and dated ‘J.Friedericks 1986’ bottom right, oil on canvas 16 x 16 in. (40.7 x 40.7cm) $400-600

286 09-1680/259 JANET FREDERICKS (american b. 1949) FOUR DINGEYS Signed and dated ‘J. Fredericks ‘86’ bottom left, oil pastel on paper 21 3/4 x 30 3/8 in. (55.2 x 77.2cm) provenance: The artist. $250-300

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287 09-1680/320 KINGSLEY PARKER (american 20th century) “A DARK TANKER SLIPS THROUGH THE NIGHT” 1983, pencil signed, dated, titled and numbered 19/30 in the margin. Aquatint. image: 4 7/8 x 40 1/2 in. (12.3 x 107.9cm) provenance: Condeso-Lawler Gallery, New York, New York. $200-300

289 09-1680/569 SHELLY KAPLAN (american 20th century) THE WHITE BRIDGE Oil on panel Executed in 1984 18 1/2 x 48 in. (47 x 121.9cm) provenance: Patricia Hamilton Gallery, New York, New York. $500-800

288 09-1680/160 ELLEN WIENER (american b. 1954) GOLD MOON Signed ‘Ellen Wiener’ bottom right, oil, watercolor and pencil on paper Executed in 1983 right panel: 15 x 28 1/4 in. (38.1 x 71.4cm) left panel: 15 x 44 in. (38.1 x 111.8 cm) $500-800

290 09-1680/67 BILL SULLIVAN (american b. 1942) “HARBOR-#34” 1985, pencil signed and titled in the marign. Handcolored screenprint. image: 24 x 39 1/2 in. (60.9 x 100.3cm) provenance: Orion Editions, New York, New York. $100-200

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291 09-1680/37 ANNE SEELBACH (american 20th century) “TANK TRAPS” Signed, dated and titled ‘Tank Traps, 1985 / Anne Seelbach’ verso on both right and left panel, oil and oil pastel diptych on canvas overall: 72 x 90 in. (182.9 x 228.6cm) $1,200-1,800

292 09-1680/38 ANNE SEELBACH (american 20th century) PATH STATION / ORANGE FIELDS Oil on paper Executed in 1985 22 x 22 1/4 in. (55.9 x 56.5cm) $300-500

293 09-1680/39 ANNE SEELBACH (american 20th century) OBJECT Oil, pastel, and wax on paper Executed in 1985 30 x 22 in. (76.2 x 55.9cm) provenance: Shippee Gallery, New York, New York. $300-500

294 09-1680/40 ANNE SEELBACH (american 20th century) MUD HOUSE Oil, pastel, and wax on paper Executed in 1985 22 x 30 in. (55.9 x 76.2cm) provenance: Shippee Gallery, New York, New York. $300-500

295 09-1680/467 REX LAU (american b. 1947) UNTITLED (COUPLE) 1984, pencil signed and dated in the margin. Color monotype. image: 24 1/2 x 21 1/2 in. (62.2 x 54.6cm) 31 1/2 x 25 in. (80 x 63.5cm) $300-500

296 09-1680/251 JAMES COUPER (american 20th century) “SUNSET, SAPELO ISLAND” Signed and dated ‘J Couper 1983’ bottom right, oil on canvas 28 x 42 in. (71.1 x 106.7cm) provenance: Virgina Miller Galleries, Coral Gables, Florida. $400-600

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297 09-1680/158 ELIZABETH GRAJALES (american b. 1952) LUNAR ELECTRON EMITTER / FALL OUT Pastel on paper in two parts Executed in 1985 left panel: 37 1/2 x 58 1/4 in. (95.3 x 147.9cm) right panel: 37 1/2 x 53 1/4 in. (95.3 x 135.4cm) provenance: Shippee Gallery, New York, New York. $700-900

299 09-1680/157 ELENA BORSTEIN (american b. 1946) APPOLONIA Watercolor on paper Executed in 1980 19 1/2 x 26 3/4 in. (49.5 x 67.9cm) provenance: Andre Zarre Gallery, New York, New York. $300-500

298 09-1680/51 BEN BERNS (american b. 1936) WOODS, 4 P.M. Signed and dated ‘BEN BERNS 8/85’ bottom right, oil on paper sight: 39 1/2 x 27 1/2 in. (100.3 x 69.8cm) provenance: David Findlay Jr, Inc., New York, New York. $300-500

300 09-1680/207 GUSTAF MILLER (american b. 1940) RED, BLACK, WHITE, YELLOW Signed ‘Gustaf Miller’ bottom right, watercolor, oil, graphite and paper collage on paper Executed in 1986 20 1/2 x 27 in. (52 x 68.6cm) provenance: Thomas Segal Gallery, Boston, Massachusetts. $400-600

301 09-1680/82 two color monotypes CAROL MACDONALD (american 20th century) “TOYS ON RUG IV” 1985, signed and dated. image: 30 x 35 in. (76.2 x 88.9cm) and “YELLOW CUP W/ RINGS” 1986, pencil signed, dated, titled and numbered 1/1 in the margin. image: 12 x 6 3/4 in. (30.5 x 17.1cm) provenance: The artist. $150-250

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302 09-1680/206 GREGORY PAQUETTE (american b. 1947) GARDENS, WINTER Signed and dated ‘Paquette 1981’ bottom left, graphite and charcoal on paper sight: 28 1/2 x 21 1/4 in. (72.3 x 54cm) provenance: Staempfli Gallery, New York, New York. $200-300

305 09-1680/753 two color lithographs AMERICAN SCHOOL (20th century) “VINES & LEAVES V” Pencil signed indistinctly and numbered 33/40 in the margin. image: 20 x 10 1/2 in. (50.8 x 26.7cm) sheet: 29 1/2 x 17 1/4 in. (74.9 x 43.8cm) and “VINES & LEAVES VI” Pencil signed indistinctly and numbered 33/40 in the margin. image: 20 8 5/8 in. (50.8 x 21.8cm) sheet: 29 1/2 x 17 1/4 in. (74.9 x 43.8cm) $300-500

303 09-1680/218 five prints HARVEY KIDDER (american b. 1918) “STILLMAN’S POND” Pencil signed, titled and numbered 81/175 in the margin. Color drypoint etching with roulette. image: 25 5/8 x 42 1/4 in. (65.1 x 107.3cm) and ANDREW RICE (american 20th century) “ABOVE THE SEA” Pencil signed, titled and numbered 3/150 in the margin. Color lithograph. image: 23 3/4 x 17 in. (60.4 x 43.2cm) and SCOTT ANTHONY (american 20th century) TOWN FROM WATER’S EDGE Pencil signed and numbered 282/335. Color screenprint. image: 18 x 26 in. (45.7 x 66cm) and GAUTAM JOHN MAXON (american b. 1947) “STEPPE INTO” 1986, pencil signed, dated, titled and numbered 25/150 in the margin. Color lithograph. image: 25 x 35 1/2 in. (63.5 x 90.2cm) $300-500

304 09-1680/41 four prints ANSEI UCHIMA (japanese b. 1921) “UNTITLED (F)” 1977, pencil signed, dated, titled and inscribed AP; with artist’s mark in the margin. Color woodcut. image:30 x 20 in. (76.2 x 50.8cm) and JACK SONENBERG (american b. 1925) “DIMENSION #5” 1969. Color lithograph. overall: 27 x 21 1/4 in. (68.6 x 54cm) and JOYCE KOZLOFF (american b. 1942) “PICTURES & BORDERS II” 1977, 26/50. Color lithograph. image: 23 5/8 x 22 1/4 in. (60 x 56.2cm) sheet: 30 x 22 1/4 in. (76.3 x 56.2cm) and M. EPSTEIN (american 20th century) UNTITLED Pencil signed and numbered 86/100 in the margin.

Color lithograph. image: 27 1/4 x 19 in. (69.2 x 48.3cm) and AMERICAN SCHOOL (20th century) UNTITLED Pencil signed and numbered LXIII/LXXV in the margin. Color etching.

17 1/2 x 22 1/2 in. (44.5 x 57.2cm) provenance: Pace Prints, New York, New York. $300-500

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306 09-1680/513 four prints ROBERT GLAUBKE (american 20th century) HAY Signed on the mat. Gelatin silver print. image: 7 x 7 in. (17.8 x 17.8cm) and (AFTER) MILTON AVERY (american 1885-1965) TWO WOMEN Giclee on canvas 33 1/2 x 21 1/2 in. (90.2 x 54.5cm) and NINA PRANTIS (american 20th century) “METROPOLITAN LIFE, ST. PATRICK’S DAY, NYC, 1987” 1987, signed, dated, titled and with artist’s stamp verso.

23 x 15 1/2 in. (58.4 x 39.4cm) and NINA PRANTIS (american 20th century) “THE FLAT IRON” 1987, signed, dated, titled and inscribed TopDiptych/Ekta color verso.

23 x 15 1/2 in. (58.4 x 39.4cm) $200-300

307 09-1680/763 two paintings AMERICAN SCHOOL (20th century) “WINTER, NY HARBOR” Signed indistinctly bottom left, titled verso, gouache on paper 10 1/4 x 12 3/4 in. (26 x 32.4cm) and “SMOKESCREEN #55” Signed indistinctly bottom left, titled verso, gouache on paper 10 1/4 x 12 3/4 in. (26 x 32.4cm) $300-500

309 09-1680/137 DON DUDLEY (american b. 1930) UNTITLED Signed and dated ‘Don Dudley ‘80’ bottom right, graphite and watercolor on paper 22 1/2 x 30 in. (57.2 x 76.2cm) provenance: Pam Adler Gallery, New York, New York. $200-300

308 09-1680/457 five prints RAOUL KUBIK (american 20th century) PAN AM BUILDING Signed in the margin. Color photolithograph. image: 14 x 18 1/2 in. (35.6 x 47cm) and ALDO ROSSI (italian 1931-1997) “PROJETTO PAR IL MUSEO DI FIRENZE 76” 1979, signed, dated, titled and inscribed Presa D’Artiste in the margin. Etching. image: 18 1/2 x 26 3/4 in. (47 x 67.9cm) provenance: Max Protech Gallery, New York, New York. and AMERICAN SCHOOL (20th century) CHICAGO BOARD OF TRADE Pencil signed and numbered 32/350 in the margin.

Color photolithograph. image: 17 3/4 x 23 3/4 in. (45.1 x 60.3cm) and *WELLING (american 20th century) FROM BROOKLYN BRIDGE 1976, pencil signed, dated, titled and numbered 64/200 in the margin. Lithograph. image: 10 x 22 1/2 in. (25.4 x 57.2cm) and *GALLAIS (american 20th century) “LOWER MANHATTAN AND BROOKLYN BRIDGE, NEW-YORK-CITY” 1964, signed, dated and titled in the margin; copyrighted. Photolithograph. image: 16 1/4 x 21 in. (41.3 x 53.3cm) $250-400

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310 09-1680/601 eight color lithographs TERRENCE WARREN (british b. 1948) THE COMPLETE “STONES OF VENICE” SERIES Each pencil signed, titled and numbered 129/200 in the margin. image: 10 1/4 x 11 3/4 in. (26 x 29.9cm) (each) sheet: 10 1/2 x 12 in. (26.7 x 30.5cm) (each) $1,000-1,500

311 09-1680/184 four screenprints FUDEZUKA TOSHIHISA (japanese b. 1957) “CORRIDOR-5” 2000, pencil signed, dated, titled and numbered 16/22 in the margin.

“CHAOS” 2000, pencil signed, dated, titled and numbered 22/25 in the margin.

“WATER SHADE” 2000, pencil signed, dated, titled and numbered 24/24 in the margin.

“CORRIDOR-3” 2000, pencil signed, dated, titled and numbered 9/20 in the margin. image: 21 x 14 3/4 in. (53.3 x 37.4cm) (largest) provenance: The Tolman Collection, New York, New York. $600-800

312 09-1680/321 two color monotypes KINOSHITA TAIKA (japanese 20th century) “LET IT BE-M-41” 1985, pencil signed, dated, titled and numbered 41 in the margin. image: 21 31 1/2 in. (53.3 x 80cm) sheet: 25 x 35 1/2 in. (63.5 x 90.1cm) and “LET IT BE-M-8” 1985, pencil signed, dated and titled in the margin. image: 15 1/2 x 24 in. (39.3 x 60.9cm) sheet: 19 5/8 x 28 1/2 in. (49.8 x 71.7cm) provenance: The Tolman Collection, New York, New York. $400-600

313 09-1680/572 STEPHANIE ROSE LANDSCAPE Initialed and dated ‘SR 1985’ bottom center, oil on paper 30 x 22 in. (78.7 x 55.9cm) provenance: Brooke Alexander, New York, New York. $300-500

314 09-1680/166 ERIC HOFFMAN (american b. 1952) IONIA Acrylic and mixed media on canvas Executed in 1985 76 x 50 in. (193 x 127cm) provenance: Twining Gallery, New York, New York. $500-800

315 09-1680/165 ERIC HOFFMAN (american b. 1952) UNTITLED Signed ‘Hoffman’ bottom right and dated ‘1981’ bottom left, enamel and chalk on paper 17 x 23 3/4 in. (43.2 x 60.2cm) $300-500

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316 09-1680/573 STEPHANIE ROSE (american 20th century) FOUNTAIN OF LIFE Initialed and dated ‘SR 1985’ bottom right, oil on paper 30 x 22 in. (78.7 x 55.9cm) $300-500

317 09-1680/595 SUSAN MOSS (american b. 1934) “CLEARING” Signed, titled and dated ‘Clearing 1986. Susan Moss’ under image in pencil, oil and graphite on paper 28 x 20 in. (71.1 x 50.8cm) provenance: Marliyn Pearl Gallery, New York, New York. $300-500

318 09-1680/518 ROBERT KELLY (american b. 1956) “PADMA” Signed, titled and dated ‘Padma LVIII 1983 Robert Kelly’ under image, mixed media on paper 39 1/2 x 34 in. (100.3 x 86.4cm) $200-300

319 09-1680/375 MARTHA BOYDEN (american 20th century) UNTITLED Signed and dated ‘Boyden ‘81’ bottom right, oil on paper 19 x 24 3/4 in. (48.2 x 62.8cm) $300-500

320 09-1680/189 GEORGE KLEIMAN (american 20th century) UNTITLED Signed and dated ‘Kleiman 85’ upper right, pastel on paper 23 x 30 in. (58.4 x 76.2cm) $400-600

321 09-1680/269 JEANNE DUVAL (american b. 1956) THE SANCTUARY Signed “J. Duval” bottom left, oil on canvas Executed in 1984 31 1/2 x 39 1/4 in. (80 x 99.7cm) provenance: Sherry French Gallery, New York, New York. $400-600

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322 09-1680/291 JOHN EVANS (american b. 1945) PORCH Signed ‘John Evans’ bottom right, oil on paper Executed ca. 1984-5 sight: 18 1/2 x 23 1/2 in. (47 x 59.7cm) provenance: Gallery Henoch, New York, New York. $800-1,200

323 09-1680/292 JOHN GORDON (american 20th century) LATE SUMMER GARDEN Signed “Gordon” bottom right, oil on panel Executed in 1984 35 1/2 x 47 1/4 in. (90.2 x 120cm) provenance: Tatistcheff and Co., New York, New York. $600-800

324 09-1680/281 four monotypes JOCELYN SANDOR (american 20th century) “SPRING LANDSCAPE” 1984, pencil signed and dated image: 23 x 21 1/4 in. (58.4 x 54cm) and “SPRING INTERLUDE” Pencil signed and dated image: 16 x 12 3/4 in. (40.6 x 32.4cm) and “ADIRONDACK STEEPS” Pencil signed, titled and dated in the margin image: 17 3/4 x 20 in. (45.1 x 50.8cm) and “SRING VIEW” 1984, pencil signed and dated image: 23 x 21 1/4 in. (58.4 x 54cm) $500-800

325 09-1680/409 MORTON KAISH (american b. 1927) VIEW FROM THE STUDIO, JANUARY Signed ‘M. Kaish’ bottom right corner, acrylic on canvas Executed in 1984 48 x 48 in. (121.9 x 121.9cm) provenance: Staempfli Gallery, New York, New York. $500-800

326 09-1680/135 DICK JEMISON (american b. 1942) “CAVE LETTER X” Signed, dated and titled ‘Cave Leter X / Dick Jemison / 1983’ verso, mixed media on canvas 96 x 48 in. (243.8 x 121.9cm) Unframed provenance: The Segal Gallery, New York, New York. $1,000-1,500

327 09-1680/136 DICK JEMISON (american b. 1942) EARTH NOTE XVI Mixed media on canvas Executed in 1985 48 x 72 in. (121.9 x 182.9cm) $800-1,200

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328 09-1680/416 NANCY MANTER (american b. 1952) FIVE TREES Oil and acrylic on paper Executed in 1984 22 x 30 in. (55.9 x 76.2cm) $400-600

329 09-1680/380 MARY ARMSTRONG (american b. 1956) FIRST LIGHT Signed ‘MA Armstrong’ bottom right, oil on panel Executed in 1984-5 26 x 22 in. (66 x 55.9cm) provenance: Victoria Munroe Fine Art, New York, New York. $400-600

330 09-1680/172 FARRELL BRICKHOUSE (american b. 1949) “3-D MARTELLO” Signed, titled and dated ‘Farrell Brickhouse “3-D Martello”’ verso, initialed, inscribed and dated ‘FB 1984’ and ‘Rebuilt 1985’ verso, oil on panel 34 3/8 x 26 1/8 in. (87.3 x 66.4cm) provenance: The artist. $400-600

331 09-1680/316 KARL A. MEYER (american 20th century) UNTITLED 1985, pencil signed, dated and numbered 111. Color woodcut in four parts. overall: 41 1/4 x 51 3/4 in. (104.6 x 131.3cm) provenance: Rosa Esman, New York, New York. $200-300

332 09-1680/63 BETH VAN HOESEN (american b. 1926) “DURER CAN” 1982, pencil signed, titled, copyrighted and numbered 32/70 in the margin. Color etching, drypoint and aquatint. image: 15 1/2 x 13 1/8 in. (39.4 x 33.3cm) provenance: John Berggruen Gallery, San Francisco, California. $200-300

333 09-1680/253 JAMES DEL GROSSO (american b. 1941) UNTITLED LANDSCAPE Signed ‘Del Grosso’ bottom right, oil on panel 30 x 40 in. (76.2 x 101.6cm) $600-1,000

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334 09-1680/252 JAMES DEL GROSSO (american b. 1941) BLUE PITCHER WITH BEACH GRASSES Signed bottom right ‘Del Grosso’ bottom right, oil on panel 15 3/4 x 11 3/4 in (40 x 29.8cm) provenance: Virginia Miller Galery, Coral Gables, Florida. $300-500

337 09-1680/544 SANDRA SMITH-POLLING (american b. 1947) “HALIBUT SCHOONER CRUSADER” Signed ‘S. Smith-Poling’ bottom right, titled verso watercolor on paper 24 3/4 x 18 1/2 in. (62.9 x 47cm) provenance: Virginia Miller Galleries, Coral Gables, Florida. $250-400

335 09-1680/103 three watercolors CRAIG SMITH-POLLING (american b. 1921) “PEGGY’S COVE, NOVA SCOTIA, CANADA” Signed and dated ‘Craig Smith ‘84’ bottom right, titled botom right, watercolor on paper sight: 11 3/4 x 18 in. (29.8 x 45.7cm) and “HONFLEUR, FRANCE (NORMANDIE) BOATS - LE VIEUX BASSIN” Signed ‘Craig Smith’ and titled bottom right, watercolor on paper sight: 17 3/4 x 23 3/4 in. (45 x 60.2cm) and “PEGGY’S COVE, N.S., CANADA” Signed and dated ‘Craig Smith ‘86’ bottom left, titled botom left, watercolor on paper sight: 11 3/4 x 17 7/8 in. 32.3 x 45.4cm) provenance: Virginia Miller Galleries, Coral Gables, Florida. $400-600

336 09-1680/106 CRAIG SMITH-POLLING (american b. 1921) “THE SCHOONER WAWONAH” Signed ‘Craig Smith’ bottom right, watercolor on paper sight: 23 1/2 x 17 1/2 in. (59.7 x 44.5cm) provenance: Virginia Miller Galleries, Coral Gables, Florida. $250-400

338 09-1680/52 BEN SCHONZEIT (american b. 1942) “SUPPORT” Signed and dated “Schonzeit 80” bottom right and titled bottom left, watercolor on paper 41 1/4 x 29 3/8 in. (104.8 x 74.6cm) provenance: Nancy Hoffman Gallery, New York, New York. $700-1,000

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339 09-1680/772 ALAN TURNER (american b. 1943) MARKED WOODS #4 Signed and dated ‘© Alan Turner 1981’ in ink, numbered ‘#4’ in ink verso, oil on panel (diptych) each panel: 90 x 60 in. (233.7 x 157.5cm) $500-800

340 09-1680/19 ALAN TURNER (american b. 1943) MARKED WOODS #5 Oil on canvas Executed in 1981 90 x 60 in. (220.9 x 150.2cm) $500-800

341 09-1680/18 ALAN TURNER (american b. 1943) MARKED WOODS #6 Oil on canvas Executed in 1981 90 x 60 in. (220.9 x 150.2cm) $500-800

342 09-1680/20 ALAN TURNER (american b. 1943) UNTITLED Watercolor and acrylic on paper 22 x 30 in. (50.8 x 76.2cm) $300-500

343 09-1680/16 two works on paper ALAN TURNER (american b. 1943) “WHITE LANDSCAPE” 1978, pencil signed, dated and numbered 3/20 in the margin. Etching. image: 14 1/2 x 19 3/4 in. (36.8 x 50.2cm) provenance: Parasol Press, Ltd., New York, New York.

and “RAINBOW FOREST” Signed and dated ‘Alan Turner 1980’ bottom right, magic marker on paper 15 x 20 in. (38.1 x 50.8cm) provenance: Edward Thorp Gallery, New York, New York. $300-500

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344 09-1680/455 RALPH HILTON (20th century) FLYING MAN IN PROCESS Oil on paper Executed in 1983 sight: 18 1/4 x 24 1/2 in. (46.4 x 62.2cm) $300-500

345 09-1680/499 RICHARD SHEEHAN (american b. 1953) “QUINCY DRY CLEANERS” Signed, titled and dated ‘Quincy Dry Cleaners / USA / 86 / Sheehan’ bottom right, oil on canvas 28 x 28 in. (71.1 x 71.1cm) $700-900

346 09-1680/458 two works on paper RAPHAEL ANGEL COLLAZO (american 1943 - 1990) BUG WORLD SERIES I Signed ‘R. Collazo’ bottom right, mixed media on paper 17 x 14 in. (43.2 x 35.6cm) Executed in 1986 and BUG WORLD SERIES II Signed ‘R. Collazo’ bottom right, mixed media on paper 17 x 14 in. (43.2 x 35.6cm) provenance: R.C. Erpf Gallery, New York, New York. $500-700

347 09-1680/173 ASTRID FITZGERALD (swiss b. 1938) AUSPEX SERIES Paper construction Executed in 1975 20 1/2 x 25 in. (52 x 63.5cm) $200-300

348 09-1680/578 STEPHEN MAINE (american b. 1958) UNTITLED Acrylic on paper Executed in 1986 sheet: 30 x 44 in. (76.2 x 111.8cm) provenance: R.C. Erpf Gallery, New York, New York. $400-600

349 09-1680/107 CRISTOS GIANAKOS (american b. 1934) PEGASUS SERIES Acrylic on mylar Executed in 1983 24 x 36 in. (60.9 x 91.4cm) provenance: Oscarsson Siegeltuch & Company, New York, New York. $400-600

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350 09-1680/254 three color lithographs JAMES JUSZCZYK (american b. 1943) “REACH” 1980, pencil signed, dated, titled and numbered 28/35 in the margin. and “PRESS” 1980, pencil signed, dated, titled and numbered 28/35 in the margin. and “GATE” 1980, pencil signed, dated, titled and inscribed L.P. IMP-4; apart from the numbered edition of 35. image: 19 7/8 x 23 7/8 in. (25.2 x 60.7cm) (each) sheet: 20 x 34 in. (50.8 x 86.3cm) (each) provenance: Landfall Press, Santa Fe, New Mexico. $300-500

351 09-1680/233 ILYA KABAKOV (russian b. 1933) UNTITLED 1995, pencil signed and numbered 45/60 in the margin. Color screenprint and offset lithograph. image: 18 1/4 x 26 1/4 in. (46.4 x 66.3cm) sheet: 27 1/4 x 34 1/2 in. (69.2 x 87.7cm) provenance: Schellmann Art Production, New York, New York. $300-500

352 09-1680/116 three color monotypes DAVID DUPUIS (american b. 1959) “UNTITLED” 1999, each pencil signed, dated and titled in the margin. image: 15 3/4 x 11 1/2 in. (40 x 29.2cm) sheet: 29 1/2 x 22 1/4 in. (74.9 x 56.2cm) “POP LIFE ON WATER” image: 15 3/4 x 11 1/2 in. (40 x 29.2cm) sheet: 29 1/2 x 22 1/4 in. (74.9 x 56.2cm) “CROSSING THE WATER II” image: 21 1/2 x 17 3/4 in. (54.6 x 45.1cm) sheet: 34 x 29 1/4 in. (86.4 x 74.3cm) provenance: Cheryl Pelavin Fine Arts, New York, New York. $800-1,000

353 09-1680/234 IMAMURA YOSHIO (japanese b. 1948) “WALL OF BLUE” 2006, pencil signed, dated and inscribed with Japanese characters and numbered 7/25 in the margin. Etching and silver leaf. image: 14 3/4 x 17 1/2 in. (37.5 x 44.4cm) provenance: The Tolman Collection, New York, New York. $300-500

354 09-1680/220 HASEGAWA YUICHI (japanese 20th century) UNTITLED (TWO MOONS) 1999, pencil signed, dated, inscribed in Japanese and numbered 14/18 in the margin. Color screenprint. image: 19 5/8 x 30 1/4 in. (49.8 x 76.5cm) provenance: The Tolman Collection, New York, New York. $500-700

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355 09-1680/412 NOBORU TSURUTANI (japanese 20th century) “EXPRESSION-H” Pencil signed, titled and numbered 39/50. Color etching. image: 24 x 13 1/4 in. (61 x 33.7cm) $150-200

358 09-1680/413 NAGAI KENJI (japanese 20th century) “WL 01-23” 2001, pencil signed, dated and numbered 16/32 in the margin. Color lithograph. image: 14 x 19 3/4 in. (35.5 x 50.2cm) provenance: The Tolman Collection, New York, New York. $300-500

356 09-1680/614 four prints TSUBOTA MASAHIKO (japanese b. 1947) “DRAWING BORDER COLORING-C” 2005, pencil signed and numbered 9/20 in the margin. Color etching and aquatint. image: 9 1/2 x 14 1/4 in. (24.1 x 36.2cm) and “STROKING CUTTING-A” 2006, pencil signed and numbered 6/25 in the margin. Color lithograph with perforations. image: 14 1/2 x 19 1/4 in. (24.1 x 36.2cm) sheet: 22 x 27 3/4 in. (55.8 x 70.4cm) and “DRAWING COLORING-E” 2005, pencil signed and numbered 8/30 in the margin. Color lithograph. image: 11 x 17 1/4 in. (27.8 x 43.8cm) sheet: 19 1/2 x 26 in. (49.5 x 66cm) and “DARKNESS STROKING-H” 2006, pencil signed and numbered 6/20 in the margin. Lithograph. image: 9 1/2 x 14 in. (24.1 x 35.6cm) sheet: 19 3/4 x 26 in. (50.3 x 66cm) provenance: The Tolman Collection, New York, New York. $300-500

357 09-1680/776 JOANNE GREENBAUM (american b. 1953) UNTITLED 2008, pencil signed and numbered 1/30. Color screenprint. overall: 29 x 24 in. (73.7 x 61cm) Unframed $600-1,000

359 09-1680/414 NAGAI KENJI (japanese 20th century) “WL. 08-1” 2008, pencil signed, dated, titled and numbered 9/15 in the margin. Color lithograph and screenprint. image: 17 x 32 in. (43.2 x 81.3cm) sheet: 25 x 36 in. (63.5 x 91.5cm) provenance: The Tolman Collection, New York, New York. $300-500

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360 09-1680/418 three acrylic paintings on paper NATALIE ALPER (american b. 1942) “APRIL #1” Signed, titled and dated ‘Natalie Alper April #1 2007’ 12 3/8 x 13 1/4 in. (31.3 x 33.7cm) and “APRIL #2” Signed, titled and dated ‘Natalie Alper April #2 2007’ 11 3/4 x 13 1/2 in. (29.8 x 34.3cm) and “APRIL #3” Signed, titled and dated ‘Natalie Alper April #3 2007’ 12 1/2 x 13 1/2 in. (31.8 x 34.3cm) $200-400

363 09-1680/266 JEAN SHIN (korean/american b. 1971) “PRESSED COAT” 2005, pencil signed, dated, titled, and numbered 16/16 in the margin. Collograph. overall: 28 7/8 x 41 3/4 in. (73.3 x 106cm) provenance: Art Projects International, New York, New York. $400-600

361 09-1680/415 four color etchings NAKAZAWA SHIN’ICHI (japanese 20th century) “TSURAYUKI IV” Pencil signed, titled and numbered 6/10 in the margin. Color etching with silver leaf. image: 31 x 15 1/2 in. (78.8 x 39.4cm) and “NISHIKI II” Pencil signed, titled and numbered18/30 in the margin. Color etching with gold leaf. image: 17 1/2 x 23 1/4 in. (44.5 x 58.7cm) and “YATSUHASHI V” Pencil signed, titled and numbered 2/20 in. the margin. Color etching with gold leaf. image: 19 1/4 x 13 1/2 in. (48.3 x 34.2cm) and “YATSUHASHI VI” Pencil signed, titled and numbered 2/20 in the margin. Color etching with silver leaf. image: 19 1/4 x 13 1/2 in. (48.9 x 34.4cm) provenance: The Tolman Collection, New York, New York. $700-1,000

362 09-1680/775 four color etchings NAKAZAWA SHIN’ICHI (japanese 20th century) “YATSUHASHI V” Pencil signed, titled and numbered 7/20 in the margin. Color etching with gold leaf. image: 19 1/4 x 13 1/2 in. (48.9 x 34.3cm) and “YATASUHASHI VI” Pencil signed, titled and numbered 7/20 in the margin. Color etching with silver leaf. image: 19 1/4 x 13 1/2 in. (48.9 x 34.3cm) and “REUNION V” Pencil signed, titled and numbered 16/35 in. the margin. Color etching with gold leaf. image: 13 3/4 x 12 1/4 in. (34.9 x 31.1cm) and “REUNION VI” Pencil signed, titled and numbered 16/35 in the margin. Color etching with silver leaf. image: 13 3/4 x 12 1/4 in. (34.9 x 31.1cm) provenance: The Tolman Collection, New York, New York. $700-1,000

364 09-1680/505 two color monotype triptychs RICHARD TSAO (thai b. 1954) “SPACESHIP 3-4” and “SPACESHIP 3-3” 2004. image: 15 x 33 1/2 in. (38.1 x 85.1cm) (overall) (each) provenance: Art Projects International, New York, New York. $300-500

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365 09-1680/255 two color lithographs JAMES NARES (british b. 1953) “EPIGRAPH 4” and “EPIGRAPH 5” 2005, each pencil signed, dated and numbered 6/25 in the margin. image: 47 1/2 x 24 in. (120.6 x 60.9cm) (each) provenance: Senior & Shopmaker Gallery, New York, New York. $400-600

368 09-1680/27 ALICE PHILLIPS (american 20th century) UNTITLED Signed and dated ‘Alice Phillips ‘77’ bottom right, oil pastel and graphite on paper 22 x 16 1/4 in. (55.9 x 41.2cm) $100-200

366 09-1680/300 four prints JON CARSMAN (american 1944-1987) “ASBURY REFLECTIONS” 1976, pencil signed, dated and numbered 82/100 in the margin. Color screenprint. image: 27 1/2 x 33 in. (70 x 83.8cm) provenance: Pace Prints, New York, New York.

CAROL DARK (american 20th century) “BARKS AND LEISURE” Pencil signed, titled and numbered 239/325 in the margin. Color screenprint. image: 17 1/4 x 24 1/2 in. (43.8 x 62.3cm) and AMERICAN SCHOOL (20th century) “CLOUDS OVER MOUNTAINS” 1977, pencil signed, dated, titled and numbered 30/100 in the margin. Color etching with embossing. image: 21 1/4 x 16 in. (54 x 40.6cm) and AMERICAN SCHOOL (20th century) “NORTHERN SPRING” 1976, pencil signed, dated, titled and numbered 24/100 in the margin. Color etching. image: 25 3/4 x 19 1/4 in. (65.4 x 48.1cm) $250-400

367 09-1680/96 two works on paper CISSY PAO PUI-LAI (chinese 20th century) BLEEKER Signed and dated ‘’76 Cissy Pao,’ mixed media on paper 15 1/2 x 21 1/2 in. (39.4 x 54.6cm) and SALLY VAGLIANO PETTUS (american b. 1942) UNTITLED Signed and dated ‘Vagliano 78’ bottom left, watercolor on paper 22 1/2 x 30 in. (57.1 x 76.2cm) $200-300

369 09-1680/32 two color monotypes ANDREA BELAG (american 20th century) UNTITLED (2) 2003, each pencil signed and dated in the margin. image: 16 1/2 x 20 1/2 in. (41.9 x 52cm) (each) sheet: 25 x 27 3/4 in. (63.5 x 70.5cm) (each) provenance: Cheryl Pelavin Fine Arts, New York, New York. $300-500

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370 09-1680/94 CHRIS JOHANSON (american b. 1968) “FOREVER IS BOTH WAYS FOR ALL TIME (PERCEPTIONS #2)” 2007, pencil signed dated and numbered 1/40 in the margin. Color sugarlift aquatint and aquatint etching. image: 26 5/8 x 35 5/8 (67.6 x 90.5cm) sheet: 36 1/2 x 45 in. (92.7 x 114.3cm) provenance: Paulson Press, Berkeley, California. $300-500

373 09-1680/612 TONY KING (american b. 1944) “MCKINLEY 500” 1985, pencil signed, dated and numbered 54/150 in the margin. Color screenprint with gold leaf. image: 19 1/4 x 44 in. (48.9 x 111.7cm) $150-200

371 09-1680/366 four works on paper M. APJAR (american 20th century) UNTITLED Signed and dated ‘© 1983 M Apjar’ bottom right corner, watercolor and paper collage on paper sight: 22 3/4 x 30 1/4 in. (57.8 x 76.8 cm) JOHN GROOM (welsh b. 1953) UNTITLED Signed ‘John Groom 1985’ bottom right, charcoal and pastel on paper sheet: 18 x 24 in. (45.7 x 60.9cm) and JOHN GROOM (welsh b. 1953) UNTITLED Signed ‘John Groom 1985’ bottom right, charcoal and pastel on paper sheet: 18 x 24 in. (45.7 x 60.9cm) RICHARD SABA (american 20th century) THE JESTER AND THE STATUE OF VENUS Signed and dated ‘Saba 1986’ bottom right, mixed media on paper 30 x 23 in. (76.2 x 58.4cm) provenance: Shippee Gallery, Inc., New York, New York. $300-500

372 09-1680/283 JOE FIG (american b. 1978) “INKA’S FLOOR” 2008, pencil signed, dated, and numbered 22/22 in the margin. Color screenprint. image: 23 3/8 x 32 3/4 in. (59.4 x 83.2cm) sheet: 30 x 38 3/4 in. (76.2 x 98.4cm) provenance: Lower East Side Print Shop, New York, New York. $200-300

374 09-1680/130 * DAVIS (american 20th century) “STOCK MARKET” 1959, pencil signed, dated, titled and numbered 12/50 in the margin. Woodcut. image: 32 x 53 3/4 in. (81.3 x 136.5cm) $400-600

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Index Alper, N., 360 American Art Union, 29, 33 American School, 64, 78, 221, 304308, 366 American Views, 3-5 Americana, 29-39, 42-47 Andrejevic, M., 173 Andrews, M., 210 Ansell, M., 249 Anuszkiewicz, R., 111 Apjar, M., 371 Appel, K., 139 Armstrong, M., 329 Arnold, J., 67 Audubon, John James, 50-59 Avery, M. (after), 306 Bana, C., 207 Barth, F., 186-188 Baynard, E., 167 Beal, J., 121 Belag, A., 365 Belton, S., 235 Benes, B., 213 Bennett, William James, 8, 15 Berns, B., 237, 298 Bhavsar, N., 89 Bieser, N., 176 Bingham, G., 30, 31 Birch, William, 26 Bird Prints, 49-59 Boice, B., 133, 134 Boll, M., 171 Bolotowsky, I., 105 Bornet, John, 25 Borstein, E., 299 Botanical Prints, 62 Bower, G., 107 Boyden, M., 319 Brickhouse, F., 330 Brown, W., 77 Brumund, M., 273 Brustlein, D., 169 Buckley, S., 214 Calabro, R., 276, 277 Camire, R., 217 Carsman, J., 366 Chaet, B., 96-99 Chiriani, R., 185 Christofaro, C., 223 Chung, K., 274 Ciarrocchi, R., 198 Cohen, E., 95 Collazo, R., 346 Conover, R., 180 Continental School, 220 Couch, J., 191

Couper, J., 296 Cozzens, Frederic S., 40 Crozier, R., 239-242 Currier & Ives, 18-21, 41, 43-47 D'Arcangelo, A., 130 Dark, C., 366 Davies, H., 114, 115 Davies, J., 204" Davis, *, 74 de Juan, R., 208, 209 Del Grosso, J., 333, 334 Digiorgio, J., 243, 244 Dole, W., 90 Ducasse, M., 172 Duce, S., 228-230 Dudley, D., 309 Dulaney, S., 268 Dupuis, D., 352 Duval, J., 321 Endicott & Co., 16, 17, 28, 38 Evans, J., 322 Fares, W., 212 Farley, M., 275 Ferrara, J., 193 Ferrer, R., 231 Fig, J., 372 Fillon, A., 81 Fine, P., 74 Fink, A., 234 Fitzgerald, A., 120, 347 Flaccus, P., 182 Frasconi, A., 80 Freckleton, S., 269 Fredericks, J., 250, 284, 285 Gallagher, C., 157 Gallais, 308 Gardner, S., 286 Gellert, H., 72 Gianakos, C., 349 Gilbert-Rolfe, J., 222 Glaubke, R., 306 Goldote, D., 136 Goode, J., 125 Gordon, J., 323 Grajales, E., 297 Graves, M., 280 Green, D., 127, 128 Greenbaum, J., 357 Hall, S., 170, 205, 219 Halpert, S., 75, 76 Hart, G., 164 Hartman, S., 202 Hill, C., 131

Hill, John; Wall, William Guy, 9-14 Hilton, R., 344 Hinman, C., 215 Hoffman, E., 314, 315 Hokanson, H., 160 House, G., 88 Howrigan, R., 272 Humphrey, R., 266 Hurson, M., 195 Indiana, R., 113 Ives, N., 87, 93 Jackson, H., 196, 197 Jannetti, T., 91 Jemison, D., 326, 327 Johanson, C., 370 Juszczyk, J., 206, 350 Kabakov, Ilya, 351 Kaish, M., 325 Kaplan, S., 289 Kasimir, L., 73 Kelly, R., 318 Kenji, N., 358, 359 Kepets, H., 119 Kidder, H., 303 King, T., 211, 373 Klaidman, K., 281-283 Kleiman, G., 320 Kozloff, J., 304 Kraicova, V., 83 Kubik, R., 308 Kuehn, F., 168 Larson, P., 260 Lau, R., 295 Leavitt, W., 257 Ligamari, T., 265 Lindner, R., 112 Lois, L., 152 Lorber, S., 178, 179 Lytle, R., 175 MacDonald, C., 301 Madsen, L., 153 Maine, S., 348 Malm, M., 261, 262 Manter, N., 328 Manzavrakos, M., 255 Masahiko, T., 356 Massad, G., 122, 123 Mazur, M., 154, 155 McNally, B., 279 Meissner, L., 70, 71, 194 Meyer, K., 331 Military Subjects, 36-39 Miller, G., 300

Moore, J., 166, 218 Morgenson, P., 189 Moss, 86 Moss, S., 317 Mottram, C., 27 Mount, W. S., 34, 35 Mullen, P., 104 Murray, J., 264 Mutter, S., 200 Muybridge, E., 79 Nadler, H., 116 Nares, J., 369 Natkin, R., 142-144 Natural History Prints, 49-59, 62 Nautical Views, 7, 36, 37, 40, 41 Nesbitt, L., 141 New York Views, 2, 6-28, 60, 61 Nice, D., 158, 159 Nielsen, S., 100, 101 Noel, G., 103 Pajeck, M., 271 Paquette, G., 302 Parker, K., 287 Parker, R., 84, 85 Peterson, R., 267 Phillips, A., 368 Plotkin, L., 245 Pogany, M., 251-254 Porter, B., 94 Porter, L., 124 Prantis, N., 306 Price, C., 224 Provisor, J., 256 Pui-Lai, C., 367 Quaytman, H., 102 Rawn, B., 117 Relange, J., 82 Rose, S., 313, 316 Rossi, A., 308 Roth, D., 150 Rupert, R., 203 Sandor, J., 324 Sarlatte, L., 190 Sartain, John, 30 Schirm, D, 132 Schlesinger, M., 165 Schonzeit, B., 338 Seelbach, A., 291-294 Shapiro, D., 126, 145-147 Shatter, S., 232 Shedletsky, S., 199 Sheehan, R., 345 Shields, A., 108, 109

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Glossary Shin'ichi, N., 361, 362 Shin, J., 363 Sholinsky, S., 201 Shorr, H., 246, 247 Smith, R., 225-227 Smith-Polling, C., 335, 336 Smith-Polling, S., 337 Snowden, M., 236 Solombre, J., 259 Sonenberg, J., 304 Sorman, S., 183, 184 Soviak, H., 263 Speakes, P., 248 Sporting Scenes, 42-45 Stayton, J., 129 Steir, P., 151 Stephan, G., 110 Stoller, E., 140 Stone, A., 66 Sturman, S., 270 Suba, M., 68, 69 Sullivan, B., 238, 290 Taika, K., 312 Tarlow, P., 278 Tavarelli, A, 192 Toshihisa, Fudezuka, 311 Tribe, G., 65 Trova, E., 137, 138 Tsao, R., 364 Tsrutami, N., 355 Turner, A., 339-343

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist Uchima, A., 304 Van Hoesen, B., 332 Warren, T., 310 Wawrzonek, J., 258 Webb, P., 233 Welling, 308 Welliver, N., 156 Wiener, E., 288 Wilbert, R., 174 Willenbecher, J., 177 Wudl, T., 118 Yohe, Y., 181 Yoshio, I., 353 Youkilis, E., 148, 149 Youngerman, J., 106 Yuichi, H., 354 Zakanitch, R., 92 Zox, L., 161, 162, 163

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Purchase removal, shipping and offsite storage information successful bidders for works from the lehman brothers: part ii sale will be expected to pick up all property from freeman’s no later than 4.30 pm on friday, february 19th, 2010.

Shippers who have worked with Freeman’s include but are not limited to: Aiston Fine Art: Tel: 212.715.0629 Fax: 212.838.6982 email: mark@aistonart.com Packaging Store: Tel: 215.361.6940 Fax: 215.361.6941 email: hrpa112@aol.com UPS: Tel: 215.629.4990 store4242@theupsstore.com A. Mastrocco Jr. Moving & Storage Tel: 215.491.0346 email: mastroccomovers@snip.net Navis Pack & Ship Tel: 610.534.0750 email: rebecca.michaelson@gonavis.com

Property not picked up from Freeman’s within ten business days of the auction will be transferred to a storage facility as noted in our terms and conditions.

There will be packing, transport, storage and release charges. For the convenience of the successful bidder, all purchased lots will be packed and transferred to the storage facility together.

Payment of the hammer price, premium and any applicable sales taxes must be made directly to Freeman’s prior to the release of property.

Please contact Freeman’s at 215-563-9275 ext. 3204 with shipping related queries.

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Directory specialist departments

depart≤ents

officers

Americana lynda a cain samuel ≤ free≤an ii amy parenti

Appraisals anita heriot sa≤uel ≤ free≤an ii james e buckley donald e walter

chair≤an samuel ≤ freeman ii

Appraisal Services andrea vainius elton-john torres

president paul roberts

Asian Arts robert waterhouse richard cervantes English & Continental Furniture, Silver & Decorative Arts robert waterhouse douglas girton kerry jeffery Fine Jewelry samuel ≤ free≤an ii kate waterhouse Fine Paintings & Sculpture alasdair nichol david weiss libia elena mendez aimee pflieger dolby Fine Prints david weiss aimee pflieger dolby libia elena mendez Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger dolby Pop Culture simeon lipman kati gegenheimer Oriental Rugs & Tapestries david weiss richard cervantes Rare Books, Manuscripts, & Ephemera david j bloom joe huenke

≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll kati gegenheimer natalie difeligiantonio jessica carter bethany mobbs susannah henderson meghan styles jones Operations hanna dougher marcell zombori jacob schell paul black maya odonnell-shah bethany mobbs darryl paris julius clayton gerald davis

vice chair≤an alasdair nichol

executive vice presidents ja≤es e buckley hanna dougher chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry robert waterhouse david weiss representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011

robert and kate waterhouse Finance hanna dougher jeffrey miller Business Development & ≤arketing thomas b. mccabe iv lily stone christopher browne Trusts & Estates samuel t freeman iii thomas b. mccabe iv Photography elizabeth field elizabeth schultz tom clark

Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

02/127/10

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

works from the lehmah brothers collection: part ii

Works from the Lehman Brothers Collection: Part II 02/12/10