Modern & Contemporary Art including Works from the Neuberger Berman and Lehman Brothers Collection

1 1 / 07/ 10

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

GUY LIMONE (french b. 1958) “ELECTIONS AMERICAINES” Hand-painted plastic figures, five metal shelves Executed in 2000 dimensions variable. each shelf size: 1 1/2 x 39 1/2 in.

(3.8 x 100.3cm) provenance: Michael Kohn Gallery, Los Angeles, California.

modern & contemporary art

ROY LICHTENSTEIN (american 1923-1997) “WATER LILIES WITH WILLOWS” Color screenprinted enamel on processed and swirled stainless steel signed, numbered 10/23 and dated verso.

Executed in 1992.

58 x 104 3/16 in. (147.3 x 264.6cm) provenance: Private Collection, Pennsylvania. literature: Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997, New York, 2002, no. 266, p. 242, illustrated.

Modern & Contemporary Art 11/07/10 including works from the neuberger berman and lehman brothers collection

Modern & Contemporary Art 11/07/10 including works from the neuberger berman & lehman brothers collection

Sunday, November 7th at 12 Noon Sale 1385 Exhibitions: Thursday, November 4th and Friday, November 5th 10am-6pm Saturday, November 6th Noon-5pm Inquiries:

anne henry ext 3049 Vice-President Direct Tel: 267.414.1220 ahenry@freemansauction.com

aimee pflieger ext 3015 Associate Specialist Direct Tel: 267.414.1221 apflieger@freemansauction.com Bidding: natalie difeliciantonio ext 3008 Direct Tel: 267.414.1208 Fax: 215.599.2240 ndifeliciantonio@freemansauction.com

Catalogue $35

Inside Front Cover: Lot 227 (detail) Inside Back Cover: Lot 452 (detail)

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available from October 11th at www.freemansauction.com

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

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All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

Payment

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Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by November 12th at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Works from the Neuberger Berman & Lehman Brothers Collection SUNDAY NOVEMBER 7TH AT 12 NOON

Please note that all lots from Neuberger Berman & Lehman Brothers Collection are to be sold not subject to a reserve.

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Introduction Freeman's is pleased to present here our third selection of works from the Lehman Brothers Collection and our first from the distinguished Neuberger Berman Art Collection.

The more than 250 prints, drawings, photographs and paintings that comprise this sale come from walls of corporate offices in New York, Chicago, Los Angeles and San Francisco.

Whereas earlier groupings offered at Freeman’s included works spanning back as far as 100 years, the present sale is characterized by a more contemporary feel. More than half of the works offered here were created in the year 2000 or later, emphasizing each company’s focus on living and working artists.

Lehman Brothers' long history of collecting began with Robert Lehman who donated significant works from his personal collection to the Metropolitan Museum to establish the Lehman Wing. Collecting and sharing art were also early passions of Roy Neuberger. Much of his collection was donated to the Neuberger Museum of Art on the campus of SUNY, Purchase New York. In 1990, Neuberger Berman began building its own collection with a mission to focus on emerging to mid-career artists whose works celebrate the eclecticism and diversity of international contemporary art in all its schools and mediums. As a result of Lehman Brothers' 2003 acquisition of Neuberger Berman, the two firms' collections were integrated.

Neuberger Berman, which re-emerged as an independent, employee owned asset management firm in 2009, has retained a significant portion of its art collection in its offices and remains committed to presenting a selection of works that maintains the Neuberger Berman Collection's pioneering character.

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1 10-1516/23 BRUCE NAUMAN (american b. 1941) “DOE FAWN” 1973, pencil signed, dated and numbered 29/50 (there were also artist’s proofs), with full margins; Cirrus Editions, Los Angeles publisher. Color lithograph on BFK Rives. image: 30 1/4 x 43 1/4 in.

(76.8 x 109.9cm) sheet: 32 x 45 in. (81.3 x 114.3cm) [Cordes 20]. provenance: Brooke Alexander, New York, New York. $2,500-3,500

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11/07/10 2 10-1516/103 BRICE MARDEN (american b. 1938) “UNTITLED PRESS SERIES #2” 1972, pencil signed, dated and numbered 21/48; Untitled Press, Inc., Captiva, Florida, publisher.

Lithograph and screenprint on Italia wove paper. image: 15 x 16 in. (38.2 x 40.8cm) sheet: 19 1/4 x 26 1/4 in.

(48.8 x 66.7cm) [Tate/Lewison 21.2]. provenance: Susan Sheehan Gallery, New York, New York. $2,000-3,000

3 10-1516/117 MEUSER (german b. 1947) UNTITLED Enamel on steel Executed in 1978 39 x 20 in. (50.8 x 99.1cm) Unframed provenance: Christie’s New York, November 13, 1991, lot 333. $1,000-2,000

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4 10-1516/6 ALEX KATZ (american b.1927) “SUNSET, LAKE WESSERUNSETT II” 1972, pencil signed and annotated ‘#4 A.P.’ (the edition was 60), with full sheet; Marlborough Graphics, New York, and Brooke Alexander, New York, co-publishers. Color screenprint on gray Arches. sheet: 30 x 35 3/4 in. (76.3 x 91cm) [Maravall 59]. provenance: Brooke Alexander, New York, New York $800-1,200

5 10-1516/119 JAMES ROSENQUIST (american b. 1933) “MY MIND IS A GLASS OF WATER” 1972, pencil signed, titled, dated, numbered 116/125 (there were also 25 artist’s proofs in Roman numerals), with margins; Brooke Alexander, Inc., New York, publisher.

Color lithograph on Arches. image: 22 3/4 x 17 7/8 in.

(57.8 x 45.4cm) sheet: 30 x 22 1/4 in.

(76.2 x 56.6cm) [Glenn 58]. provenance: Brooke Alexander, New York, New York $700-1,000

6 10-1516/97 CLAES OLDENBURG (american b. 1929) “CHICAGO STUFFED WITH NUMBERS” 1977, pencil signed and numbered ‘A.P. II’ (one of 20 artist’s proofs, the edition was 85), with full margins; The Art Institute of Chicago, Chicago, Illinois, publisher. Color lithograph on Arches. image: 38 1/4 x 26 1/4 in. (97.2 x 66.8cm) sheet: 47 1/2 x 31 in. (120.8 x 78.7cm) [Axsom & Platzker 166]. provenance: New Museum of Contemporary Art, New York, New York. $1,000-2,000

8 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 7 10-1516/109 JAN GROOVER (american b. 1943) “UNTITLED 70-1-78 (KNIFE AND FORK)” 1978, presumably signed, titled and numbered 1/3 verso. C-print. image: 18 3/4 x 14 3/4 in. (47.7 x 37.5cm) provenance: Sonnabend Gallery, New York, New York.

Sotheby’s, New York, October 05, 1993, lot 115. $600-800 8 10-1516/36 JOAN MITCHELL (american 1926-1992) “SUNFLOWER VII” 1972, pencil signed and annotated ‘EA.’ (artist’s proof, the edition was 75), with full margins; Maeght, Paris, publisher. Color etching and aquatint on Arches. image: 26 3/4 x 17 in. (68 x 43.2cm) sheet: 35 1/4 x 24 3/4 in. (89.5 x 62.8cm) provenance: G.W. Einstein and Company, New York, New York. $1,000-2,000

9 10-1516/30 JOAN MITCHELL (american 1926-1992) “SUNFLOWER IV” 1972, pencil signed and annotated ‘E.A.’ (artist’s proof, the edition was 50); with full margins; Maeght, Paris, publisher. Four color etchings on a single sheet of Arches. image: 9 1/2 x 24 1/4 in. (24.2 x 62cm) sheet: 24 3/4 x 35 1/2 in. (62.8 x 90cm) provenance: G.W. Einstein and Company, New York, New York. $1,000-2,000

9 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 10 10-1516/135 JOAN MITCHELL (american 1926-1992) “BEDFORD II” from “bedford series” 1981, pencil signed and numbered ‘AP 8/16’ (artist’s proof, the edition was 70), with full margins; Tyler Graphics, Ltd., Mount Kisco, New York, publisher. Color lithograph on Arches 88. image: 40 x 30 in. (101.6 x 76.3cm) sheet: 43 x 32 1/2 in. (109.2 x 82.5cm) [Tyler 364]. provenance: Susan Sheehan Gallery, New York, New York. $1,500-2,500 11 10-1516/136 JOAN MITCHELL (american 1926-1992) “FLOWER I” from “bedford series” 1981, pencil signed and numbered ‘AP 8/16’ (artist’s proof, the edition was 70), with full margins; Tyler Graphics Ltd., Mount Kisco, New York, publisher.

Color lithograph on Arches. image: 40 x 28 1/2 in. (101.6 x 72.4cm) sheet: 43 x 32 1/2 in. (109.2 x 82.5cm) [Tyler 369]. provenance: Susan Sheehan Gallery, New York, New York. $1,500-2,500

12 10-1516/137 JOAN MITCHELL (american 1926-1992) “FLOWER III” from “bedford series” 1981, pencil signed and numbered ‘AP 4/16’ (artist’s proof, the edition was 70), with full margins; Tyler Graphics Ltd., Mount Kisco, New York, publisher.

Color lithograph on Arches. image: 39 x 29 in. (99 x 73.6cm) sheet: 43 x 32 1/2 in. (109.2 x 82.5cm) [Tyler 371]. provenance: Susan Sheehan Gallery, New York, New York. $1,500-2,500

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11/07/10 13 10-1516/174 BETTY WOODMAN (american b. 1930) “VILLA DELLA FARNESINA DRAWING #1” Terra sigillata on two sheets of Japan Executed in 1986 49 1/2 x 44 in. (25.8 x 111.8cm) provenance: Max Protech Gallery, New York, New York. $3,000-5,000

14 10-1516/84 LYNDA BENGLIS (american b. 1941) “UNTITLED (II)” 1989, pencil signed; Garner Tullis Workshop, Santa Barbara, California, publisher. Unique color monoprint on handmade paper. sheet: 30 x 22 1/2 in.

(76.2 x 57.2cm) provenance: Garner Tullis Workshop, Santa Barbara, California.

G.W. Einstein and Company, New York, New York. $600-800

11 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 15 10-1516/16 RICHARD DIEBENKORN (american 1922-1993) “SCRABBLING” 1985, pencil signed with initials, dated ‘84, and numbered 10/47 (there were also 10 artist’s proofs), with full margins; Gemini G.E.L., Los Angeles, publisher. Lithograph in grey and black on Arches. image: 30 1/2 x 22 1/4 in.

(77.5 x 56.5cm) sheet: 34 x 25 in. (86.3 x 63.5cm) [Gemini 1194]. provenance: Gemini G.E.L at Joni Moisant Weyl, Los Angeles, California. $3,000-5,000

16 10-1516/15 ROBERT MOTHERWELL (american 1915-1991) “LA CASA DE LA MANCHA” 1984, pencil signed and numbered 44/70 (there were also 19 artist’s proofs in Roman numerals), with full margins, published by the artist and with his blindstamp; released

by Tyler Graphics Ltd., Mount Kisco, New York. Color aquatint and etching on Whatman. image: 173/4 x 23 3/4 in. (45.1 x 60cm) sheet: 24 3/8 x 29 3/4 in. (61.9 x 75.6cm) [Belknap 319; Engberg and Banach 349]. provenance: Greg Kucera Gallery, Seattle, Washington. $800-1,200

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17 10-1516/115 ANDI BRENNER (20th century) “BODY BUILDER” 1986-1988, from the edition of 10.

Dye destruction print.

22 1/8 x 15 3/8 in. (56.2 x 39cm) provenance: Sonnabend Gallery, New York, New York. $1,000-2,000

18 10-1516/116 ANDI BRENNER (20th century) “RUNNER” 1986, from the edition of 10. Dye destruction print.

22 1/8 x 15 3/8 in. (56.2 x 39.1cm) provenance: Sonnabend Gallery, New York, New York. $1,000-2,000

19 10-1516/114 ANDI BRENNER (20th century) “POSTMAN” 1986, from the edition of 10. Dye destruction print.

22 1/8 x 14 7/8 in. (56.2 x 37.8cm) provenance: Sonnabend Gallery, New York, New York. $1,000-2,000

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11/07/10 20 10-1616/22 two prints TERRY WINTERS (american b. 1949) ALBUM PORFOLIO: TWO PRINTS 1988, both pencil signed with initials and numbered 5/50 (there were also 10 artist’s proofs for both), with wide margins; Edition Ilene Kurtz, New York, New York, publisher. Two color etchings and aquatint on Hahnemühle. image: 20 1/2 x 15 7/8 in. (52 x 40.3cm) sheet: 26 1/2 x 20 3/4 in. (67.5 x 52.8cm) [see Sojka, 22-28] (2). $1,500-2,500

21 10-1516/83 JAMES WELLING (american b. 1951) “ILEX” FROM “DEGRADE SERIES” 1989, unique polapan print.

24 x 20 in. (61 x 50.8cm) provenance: Jay Gorney Modern Art, New York, New York. $1,000-2,000

22 10-1516/113 IRVING PETLIN (american b.1934) “STOLEN BLESSING...THE TRUE DOOR” Signed and dated 1986 bottom right, annotated ‘M.V.’ bottom left, pastel on paper 20 x 27 3/4 in. (50.8 x 70.5cm) provenance: Simms Fine Art Gallery, New Orleans, Louisiana.

Kent Fine Art Inc., New York, New York.

Galería Freites, Caracas, Venezuela. $500-800

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23 10-1516/105 SALLY GALL (american 20th century) “ANDREA” 1989. Gelatin silver print. sight: 14 3/4 x 14 3/4 in.

(37.5 x 37.5cm) provenance: New Museum of Contemporary Art, New York, New York. $500-700

24 10-1516/52 JAN VERCRUYSSE (belgian b. 1948) “JE” 1988, presumably signed and numbered 17/30 verso (there were also 8 artist’s proofs), the full sheet; Yves Gevaert, Brussels, publisher.

Color offset lithograph on Velin d’Arches. sheet: 37 1/4 x 25 1/2 in.

(94.7 x 64.7cm) provenance: Christine Burgin Gallery, New York, New York. $700-900

25 10-1516/154 JUERGEN ALBRECHT (german b. 1954) UNTITLED Dated 1989 in pencil, museum board, paper and plastic construction height: 3 in. (7.6cm) width: 8 3/4 in (22.2cm) depth: 15 3/8 (39.1cm) provenance: Blum Helman Gallery, New York, New York $800-1,000

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26 10-1516/153 JOHN AHEARN (american b. 1951) “JANICE ‘PEANUT’ HARVEY” Painted cast plaster Executed in 1983 35 x 21 x 9 in.

(88.9 x 53.3 x 22.9cm) provenance: Sotheby’s, New York, February 25, 1994, lot 162. $1,000-2,000

27 10-1516/35 MAURIZIO PELLEGRIN (italian b. 1956) “SECRETI OVALI” 1989, acrylic on padded canvas, carpenter’s vices, emulsion on canvas dimensions variable; as assembled: 100 x 95 in. (254 x 241.3cm) provenance: Jack Shainman Gallery, New York, New York. $1,200-1,800

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11/07/10 28 10-1516/111 WILLIAM WEGMAN (american b. 1943) “WAIF” 1990, presumably signed, titled and dated verso in ink. Unique Polaroid Polacolor ER photograph. sight: 24 x 19 1/2 in. (61 x 49.6cm) provenance: Pace MacGill Gallery, New York, New York.

New Museum of Contemporary Art, New York, New York. $3,000-5,000

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11/07/10 29 10-1516/112 PETER CAMPUS (american b. 1937) “RUPTURE” 1991, edition 1/6. Digital print. sheet: 20 x 24 in. (50.8 x 61cm) provenance: Paula Cooper Gallery, New York, New York.

New Museum of Contemporary Art, New York, New York. $700-1,000

30 10-1516/110 PETER CAMPUS (american b. 1937) “MUDROCK” 1990, edition 1/6. Digital print. sheet: 24 x 20 in. (61 x 50.8cm) provenance: Paula Cooper Gallery, New York, New York.

New Museum of Contemporary Art, New York, New York. $700-1,000

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11/07/10 31 10-1516/162 PRUITT-EARLY (ROB PRUITT, WALTER EARLY) (american b. 1964 and 1963) “PAINTING FOR TEENAGE BOYS” 1990, each bears sticker “ARTWORKS FOR TEENAGE BOYS/PRUITT EARLY/EARLY NINETIES” verso, set of six heat transfers on fabric wrapped in cellophane each panel: 23 x 23 x 3 1/2 in.

(59.9 x 59.5 x 8.3cm) provenance: 303 Gallery, New York, New York. $2,000-3,000

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32 10-1616/54 RAVEN SCHLOSSBERG (american b. 1973) “THE ICE QUEEN AND THE HOG” Paper and ink collage on vinyl Executed in 1998 84 x 96 in. (213.4 x 243.8cm) provenance: James Graham & Sons, New York, New York. $2,000-3,000

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11/07/10 33 10-1516/75 ROBERT ZANDVLIET (dutch b. 1970) “UNTITLED #14” from “varick series” 1999, pencil signed and dated (from a series of 91 unique works); Peter Blum Edition, New York, publisher. Unique color monotype on Oriental paper. image: 10 x 15 7/8 in. (25.4 x 40.4cm) sheet: 12 3/4 x 17 1/2 in. (32.4 x 44.5cm) provenance: Peter Blum, New York, New York. $700-1,000

34 10-1516/76 ROBERT ZANDVLIET (dutch b. 1970) “UNTITLED #39” from “varick series” 1999, pencil signed and dated (from a series of 91 unique works); Peter Blum Edition, New York, publisher. Unique color monotype on Oriental paper. image: 9 7/8 x 15 7/8 in. (25.1 x 40cm) sheet: 12 3/4 x 18 1/2 in. (32.4 x 47cm) provenance: Peter Blum, New York, New York. $700-1,000

35 10-1516/77 ROBERT ZANDVLIET (dutch b. 1970) “UNTITLED #71” from “varick series” 1999, pencil signed and dated (from a series of 91 unique works); Peter Blum Edition, New York, publisher. Unique color monotype on Oriental paper. image: 9 7/8 x 15 3/4 in. (25 x 40cm) sheet: 12 3/4 x 18 1/2 (32.4 x 47cm) provenance: Peter Blum, New York, New York. $700-1,000

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11/07/10 36 10-1516/78 ROBERT ZANDVLIET (dutch b. 1970) “UNTITLED #58” from “varick series” 1999, pencil signed and dated (from a series of 91 unique works); Peter Blum Edition, New York, publisher. Unique color monotype on Oriental paper. image: 9 7/8 x 15 7/8 in. (25.1 x 40cm) sheet: 12 3/4 x 18 1/2 in. (32.4 x 47cm) provenance: Peter Blum, New York, New York. $700-1,000

37 10-1616/5 SUZANNE MCCLELLAND (american b. 1959) “ZIG ZAG” 1998, pencil signed, titled, dated and numbered 16/25 (there were also 5 artist’s proofs), with full margins; Universal Limited Art Editions, Bay Shore, New York, publisher, and with their blindstamp. Color etching on Arches En Tout Cas. image: 19 3/4 x 23 3/4 in. (50.2 x 60.4cm) sheet: 28 1/4 x 31 5/8 in. (71.8 x 80.3cm) $300-500

38 10-1516/90 DOROTHEA ROCKBURNE (canadian b. 1932) “WAVE/LOCATE I” 1992-94, pencil signed, titled and numbered 92/94, with margins. Color Monoprint on Tullis SB handmade paper. image: 22 3/8 x 30 1/8 in. (56.8 x 76.6cm) sheet: 24 x 32 1/4 in. (61 x 82cm) provenance: Garner Tullis Workshop, Santa Barbara, California.

GW Einstein, New York, New York. $400-600

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11/07/10 39 10-1616/53 KIM DINGLE (american b. 1951) “RECYCLER SERIES: SEMI-NUDE GIRL” Signed, titled and dated 1992 verso, oil on canvas accompanied by printed panel in artist’s frames 32 x 26 in. (81.3 x 66cm); and 12 3/4 x 11 1/4 in. (32.4 x 28.6cm) (2). provenance: Ellie Blankfort Fine Arts, Los Angeles, California.. $3,000-5,000

23 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 40 10-1616/51 ALEXIS ROCKMAN (american b. 1962) “THE FALL” Signed, titled and dated 1990 verso, oil on wood 56 x 44 in. (142.2 x 111.8cm) Unframed. provenance: Jay Gorney Modern Art, New York, New York. exhibited: “Garden of Unearthly Delights: Paintings by Alexis Rockman,” Portland, Oregon, May 22-July 16, 1995.

University Galleries, Illinois State University, Normal, Illinois, August 15-September 24, 1995.

Cincinnati, Ohio, October 22December 31, 1995.

Tweed Museum of Art, University of Minnesota, Duluth, Minnesota, February 6-March 17, 1996. $4,000-6,000

24 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 41 10-1516/134 RICHARD ARTSCHWAGER (american b. 1923) “CHEROKEE” 1991, pencil signed, dated and numbered 19/60 (there were also artist’s proofs), with margins; Multiples, New York, publisher. Color etching and aquatint on Rives BFK. image: 28 x 40 3/4 in. (71.2 x 103.5cm) sheet: 39 1/4 x 51 in. (99.7 x 129.6cm) provenance: Barbara Krakow Gallery, Boston, Massachusetts. $2,000-3,000

42 10-1516/125 MARTIN PURYEAR (american b. 1941) UNTITLED 1999, pencil signed and numbered 5/40 (there were also 13 artist’s proofs), with full margins. Etching and chine collé on wove paper. image: 17 3/4 x 23 7/8 in. (45.2 x 60.4cm) sheet: 26 7/8 x 31 3/4 in. (68.3 x 80.7cm) provenance: Barbara Krakow Gallery, Boston, Massachusetts. $1,000-2,000

43 10-1516/98 MEL BOCHNER (american b. 1940) “GENETIC SPACE, BLACK AND WHITE #1” 1995, from the edition of 6 (there were also 2 artist’s proofs), the full sheets; Two Palms Press, New York, publisher. Engraving with embossment on four sheets of joined handmade paper. overall image: 35 1/2 x 35 1/2 in. (90.2 x 90.2cm) overall sheet: 38 x 37 1/2 in. (96.6 x 95.3cm) provenance: Barbara Krakow Gallery, Boston, Massachusetts.. $1,000-2,000

25 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 44 10-1516/120 four prints ROBERT MANGOLD (american b. 1937) “FOUR FIGURES: A-D” 1998, all pencil signed and numbered 9/50 (there were also 10 artist’s proofs for all), each annotated ‘A.’ ‘B.’ ‘C.’ and ‘D’ respectively, with full margins; Pace Editions, New York, publisher. The complete set of four color etchings on Hahnemühle. image: 23 3/4 x 15 7/8 in.

(60.4 x 40.5 in.) sheet: 30 3/8 x 22 1/4 in.

(77.2 x 56.6cm) (4). provenance: Pace Prints, New York, New York. $5,000-7,000

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45 10-1516/163 SKEET MCAULEY (american 20th century) “VENTANA CANYON, MOUNTAIN COURSE, 3RD COURSE, 3RD GREEN, TUSCON, AZ” 1991, signed and numbered 2/5 verso. Panoramic Fujichrome print.

32 x 88 in. (81.3 x 223.5cm) provenance: Ellie Blankfort Fine Arts, Los Angeles, California.. $500-800 46 10-1516/93 JAN VERCRUYSSE (belgian b. 1948) “FONTAINE LUSTRE” 1990, presumably signed, dated and numbered verso, from the edition of 50 (there were also 9 artist’s proofs); Christine Burgin Gallery, New York and Yves Gevaert, Brussels, publishers. Two offset lithographs (one in color) on a single sheet of Velin d’Arches. each image: 11 3/4 x 9 1/2 in. (29.9 x 24.3cm) sheet: 19 1/2 x 29 3/4 in. (49.5 x 75.6cm) provenance: Christine Burgin Gallery, New York, New York . $700-900 47 10-1516/62 JAN GROOVER (american b. 1943) “UNTITLED (MUSTARD COLOR SMALL BLACK BOTTLE)” 1990. C-print.

30 x 40 in. (76.2 x 101.6cm) provenance: Robert Miller Gallery, New York, New York.

Haines Gallery, San Francisco, California. $700-1,000

27 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 48 10-1516/51 COLLIER SCHORR (american b. 1963) “DAN (AFTER A MATCH)” 1999. From the edition of 5. C-print.

30 x 35 in. (76.2 x 88.9cm) provenance: 303 Gallery, New York, New York. $3,000-5,000

49 10-1516/41 COLLIER SCHORR (american b.1963) “PLAYER” 1998. Edition 2/5. C-print.

31 x 30 in. (78.7 x 76.2cm) provenance: 303 Gallery, New York, New York. $2,500-3,500

28 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 50 10-1516/126 JORGE PARDO (american/cuban b. 1963) “EUCALYPTUS” 1997, one of 15 unique suites, each with full margins, Los Angeles Contemporary Exhbitions, Los Angeles, California, publisher. The complete set of nine unique color silkscreen monoprints. each image (approx.): 11 x 7 1/2 in.

(28 x 19.1cm) each sheet: 13 1.8 x 9 7/8 in.

(33.7 x 25.1cm) (9). provenance: Brooke Alexander, New York, New York. $3,000-5,000

29 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 51 10-1516/145 LINDA BURNHAM (american b. 1950) “UNTITLED 10 (#9420)” Oil, alkyd and latex on canvas Executed in 1994 Overall: 15 x 13 in. (38.1 x 33cm) provenance: Ellie Blankfort Fine Arts, Los Angeles, California.. $1,000-2,000

52 10-1516/33 JOHN BALDESSARI (american b. 1931) “TWO UNFINISHED LETTERS” 1992-93, pencil signed, numbered 1/80 (there were also artist’s proofs), with full margins; Brooke Alexander Editions, New Yorki, publisher. Photolithograph with screenprint on Sennelier paper. image: 29 1/4 x 18 3/4 in.

(75.5 x 47.5cm) sheet: 31 1/2 x 21 in. (80 x 53.2cm) provenance: Brooke Alexander, New York, New York $800-1,200

30 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

53 10-1516/49 JULIE BECKER (american b.1972) “INTERIOR CORNER #4” 1993-1996, edition 3/3. Color coupler print.

35 x 27 1/2 in. (88.9 x 69.8cm) provenance: Greene Naftali Inc, New York, New York. $600-800

54 10-1516/50 JULIE BECKER (american b.1972) “CORNER #3” 1996, edition 3/3. Color coupler print. sheet: 34 3/4 x 27 1/8 in.

(88.3 x 68.9cm) provenance: Greene Naftali Inc, New York, New York. $600-800

55 10-1516/8 ROSS BLECKNER (american b. 1949) “BONDS AND PROTEINS” 1999, pencil signed, dated and numbered 25/50 (there were also 10 artist’s proofs), with wide margins; Paulson Bott Press, Berkeley, California. Color aquatint on Somerset soft white paper. image: 29 1/2 x 21 5/8 in. (75 x 55cm) sheet: 40 x 31 in. (101.6 x 78.7) provenance: Senior & Shopmaker Gallery, New York, New York. $800-1,200

31 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

56 10-1516/17 JENNIFER BARTLETT (american b. 1941) “BRIDGE, BOAT, DOG” 1997, pencil signed, dated, sequentially annotated and numbered 29/50 on right panel; Pace Editions, Inc., New York, New York, publisher. Color aquatint on Hahnemühle in three parts. each panel, image: 23 3/4 x 23 3/4 in (60.5 x 60.5cm) each sheet: 27 1/2 x 27 in. (69.9 x 68.6cm) provenance: Pace Prints, New York, New York. $2,500-3,500

33 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 57 10-1516/37 NANCY SPERO (american 1926-2009) “MOTHER AND CHILD” Ink and collage on paper Executed in 1990 collage: 25 1/4 x 19 in.

(64.2 x 48.3cm) sight: 36 1/2 x 30 1/2 in.

(92.7 x 77.5cm) $2,500-3,500

58 10-1516/55 JAMES BARSNESS (american b. 1954) “MY EARLY LIFE” Signed and dated in ink, ink on printed paper collage and gold leaf on paper Executed in 1992 40 x 32 in. (101.7 x 81.4cm) provenance: Frumpkin/Adams Gallery, New York, New York. $1,000-2,000

Opposite: detail from lot 40

34 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 59 10-1516/65 DEAN MCNEIL (american 20th century) “GENOA” 1995. C-print mounted on foamcore.

36 1/4 x 39 3/4 in. (92 x 75.5cm) Unframed provenance: The artist. $500-700

60 10-1516/66 DEAN MCNEIL (american 20th century) “PRAGUE” 1994. C-print mounted on foamcore.

37 1/2 x 29 3/4 in. (95.3 x 75.5cm) Unframed provenance: The artist. $500-700

35 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

61 10-1516/53 KIKI LAMERS (dutch b. 1964) UNTITLED Oil on canvas Executed in 1999 51 1/8 x 49 1/4 in. (129.9 x 125.1cm) Unframed provenance: CRG Gallery, New York, New York. $2,500-3,500

36 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

62 10-1516/177 PETER GARFIELD (american 20th century) “MOBILE HOME (MANIFEST DESTINY)” 1997. Color photograph. sheet: 40 x 30 in. (101.6 x 76.2cm) provenance: Vaknin Schwartz, Atlanta, Georgia. $600-800

63 10-1516/130 CHEE WANG NG (malaysian b. 1961) “FOUR SEASONS OF BRILLIANCE” 1998. Lambda print.

48 x 48 in. (121.9 x 121.9cm) provenance: Dinaburg Arts, New York, New York. $800-1,200

64 10-1516/129 CHEE WANG NG (malaysian b. 1961) “FAVORABLE ABUNDANCE INFINITELY” 1998. Lambda print.

48 x 48 in. (121.9 x 121.9cm) provenance: Dinaburg Arts, New York, New York. $800-1,200

37 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 65 10-1516/144 ERIC AND HEATHER CHAN SCHATZ (american 20th century) “THE UNIVERSAL TEMPLATES UNTEM 0087” Hydrocarbon resin on paperboard, acrylic domes with celvinyl and polyurethane foam gaskets Executed in 1999 25 1/4 x 25 1/4 x 4 1/2 in.

(64.1 x 64.1 x 11.5cm) provenance: Basilico Fine Arts, New York, New York. $1,200-1,800

66 10-1516/143 ERIC AND HEATHER CHAN SCHATZ (american 20th century) “THE UNIVERSAL TEMPLATES UNTEM 0086” Hydrocarbon resin on paperboard, acrylic domes with celvinyl and polyurethane foam gaskets Executed in 1999 25 1/4 x 25 1/4 x 4 1/2 in.

(64.1 x 64.1 x 11.5cm) provenance: Basilico Fine Arts, New York, New York. $1,200-1,800

38 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 67 10-1516/132 ANGELA CAPPETTA (american 20th century) “SHOWER NYC” from “glendalis” 1995. Chromogenic print on Fuji Crystal Archive paper. image: 15 3/4 x 23 3/8 in.

(40 x 59.4cm) provenance: The artist. $300-500

68 10-1516/171 YUTAKA SONE (japanese b. 1965) UNTITLED Black ink, gouache and white-out on paper Executed in 1999 sheet: 11 7/8 x 9 3/8 in.

(30.2 x 23.8cm) provenance: David Zwirner Gallery, New York, New York. $200-300

39 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

69 10-1516/142 YUTAKA SONE (japanese b. 1965) “MAGIC STICK (#1)” Black ink and white out on paper Executed in 1999 sheet: 8 1/4 x 11 5/8 in.

(21 x 29.6cm) provenance: David Zwirner Gallery, New York, New York. $200-300

70 10-1516/108 YUTAKA SONE (japanese b. 1965) “DRAWING FOR JUNGLE #1” Ink and watercolor on two joined pieces of paper Executed in 1999 overall: 14 x 20 in. (36.5 x 50.8cm) provenance: David Zwirner Gallery, New York, New York. $400-600

71 10-1516/69 sixty photographs MARK DION (american b. 1961) “NOTES TOWARDS A FIELD GUIDE OF THE BIRDS OF THE DEPARTMENT OF EUROPEAN DECORATIVE ARTS OF THE ART INSTITURE OF CHICAGO” 1998, artist’s proof (the edition of was 2). Color photographs. dimensions variable. sight: 13 x 19 3/4 in. (33 x 50.3cm) (60).

provenance: Bonakdar Jancou, New York, New York. exhibited: The Art Institute of Chicago, Chicago, Illinois. note: This artwork was made in collaboration with the Art Institute of Chicago using works from the European Decorative Arts department. $3,000-5,000

41

42 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

72 10-1516/45 MYRIAM LAPLANTE (canadian b. 1954) “ANGEL SKIN (LABYRINTH)” Signed, titled and dated in marker verso, ‘Myriam Laplante 1991 / “ANGEL SKiN (Labyrinth),’ goose feathers on panel 43 x 35 1/2 in. (109.3 x 90.2cm) provenance: Jack Shainman Gallery, New York, New York. $1,500-2,500

74 10-1516/207 CARL OSTENDARP (american b. 1961) “ITS OWN DELIGHT” Signed and dated ‘91 twice on stretcher verso, foam urethane and flashe on linen 70 x 52 in. (177.8 x 132.1cm) provenance: Jay Gorney Modern Art, New York, New York. $1,000-2,000

73 10-1516/20 MARC MAET (belgian b. 1955) “EST (HET LYDEN)” Signed, titled, dated 1989 and inscribed ‘X’ in marker verso, acrylic, lacquer and felt on canvas provenance: Jack Shainman Gallery, New York, New York. $1,500-2,500

43 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 75 10-1616/55 POLLY APFELBAUM (american b. 1955) “ONE HALF AND ONE HALF” Baby sheet, velvet, dye Executed in 1996-1997 67 3/4 x 49 in. (172.1 x 124.5cm) provenance: D’Amelio Terras, New York, New York. $2,000-3,000

44 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 76 10-1516/118 SAM GILLIAM (american b. 1933) “NEW MOON” FROM “ECHO PRESS TENTH ANNIVERSARY PORTFOLIO” 1991-2, pencil signed, dated, titled, inscribed ‘A.P.’, the full sheet; Echo Press, Bloomington, Indiana, publisher. Color screenprint with hand additions and collage on Arches buff. sheet: 30 x 22 1/4 in.

(76.2 x 56.6cm) provenance: Sragow Gallery, New York, New York. $1,200-1,800

77 10-1516/148 SABINA OTT (american b. 1955) “MATER ROSA #”2 1992, pencil signed and dated. Color monotype on wove paper. sheet: 41 x 29 1/2 in. (104.1 x 75cm) provenance: Haines Gallery, San Francisco, California. $700-1,000

45 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

78 10-1516/70 five photographs JON RUBIN, HARRELL FLETCHER AND MARK THOMPSON (american 20th century) “AS A TREE FROM HIS PAST” from “the boy mechanic” 1999. Five C-prints mounted to masonite with acrylic paint each panel: 50 1/4 x 40 in. (127.6 x 101.6cm) Unframed.(5). provenance: Harrell Fletcher. exhibited: Yerba Buena Center for the Arts, San Francisco, California. $800-1,200

47 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 79 10-1616/57 JOYCE PENSATO (american 20th century) “MICKEY” Signed and dated 1997 verso, oil on canvas laid down to wood panel 60 x 40 in. (152.4 x 101.6cm) $7,000-10,000

Opposite: detail from lot 96

48 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

80 10-1616/40 JOYCE PENSATO (american 20th century) UNTITLED Charcoal on paper Executed in 1992 41 x 29 in. (104.2 x 73.6cm) provenance: Luhring Augustine, New York, New York. $3,000-5,000

81 10-1516/107 MARY JONES (american 20th century) “PURPLE CAPACITY” Signed, titled and dated 1994 verso, oil on canvas 24 x 20 in. (61 x 50.8cm) Unframed provenance: Ellie Blankfort Fine Arts, Los Angeles, California... $500-800

82 10-1516/151 LINDA STARK (american 20th century) “RED RIBBON (2ND PLACE)” Signed with initials, titled and dated 1995-96 twice verso, oil on canvas mounted on panel 18 x 16 in. (45.8 x 40.6cm) provenance: Angles Gallery, Santa Monica, California. $700-1,000

49 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 83 10-1516/173 PATRICIA TOBACCO FORRESTER (american b. 1940) “YELLOW LA JOLLA HILL” Signed in pencil, watercolor Executed in 1990 40 x 60 in. (101.6 x 152.4cm) provenance: Fishbach Gallery, New York, New York. $1,500-2,500

84 10-1516/68 NELL BLAINE (american 1922-1996) “NOVEMBER FIFTH” Signed bottom left, watercolor and pastel on paper Executed in 1990 Sight: 20 1/4 x 26 1/2 in.

(51.5 x 67.4cm) provenance: Fischbach Gallery, New York, New York. $1,500-2,500

50 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

85 10-1516/149 DAVID RUDDELL (american b. 1954) “WOOD BOAT/DARK GREEN” Signed, titled and dated 1995 verso, inscribed again with artist’s name, hydrocal, wood, paint and varnish construction 18 x 27 1/2 x 7 in. (45.7 x 69.9 x 17.8cm) provenance: Braunstein/Quay Gallery, San Francisco, California.

Ellie Blankfort Fine Arts, Los Angeles, California.. $2,000-3,000

51 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

86 10-1516/167 MICHAEL JOAQUIN GREY (american b. 1961) “YOUNG AUTONOMIC YOKE” Painted fiberglass resin Executed in 1991 height: 37 in. (94cm) width: 150 in. (381cm) depth 10 in. (25.4cm) provenance: Barbara Gladstone Gallery, New York, New York. $500-800

87 10-1516/208 CHINA ADAMS (american b. 1970) “BOX #24” from ‘the official stitch and hide procedure’ Artist’s burdensome possessions, tarp, dental floss in sewn letter pouches in glass case, accompanied by photocopy of two page notorized artist’s certificate Executed in 1995 height: 20 in. (50.8cm) width: 40 in. (101.7cm) depth: 14 1/2 in. (36.8cm) provenance: Ellie Blankfort Fine Arts, Los Angeles, California.. $1,500-2,500

52 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 88 10-1516/59 JOHN HULL (american b. 1952) “DUGOUT AT NIGHT: RALLY” Signed, titled and dated verso ‘John Hull/Dugout at Night: Rally’/ 1990,’ acrylic on canvas 60 x 42 in. (152.4 x 106.7cm) provenance: Grace Borgenicht Gallery, New York, New York. $1,000-1,500

89 10-1516/146 DAVID HILLIARD (american b. 1964) “UNTITLED (BATHROOM MIRROR)” 1997. C-print mounted to aluminum support.

18 7/8 x 44 1/2 in. (48 x 113.1cm) provenance: Bernard Toale Gallery, Boston, Massachusetts. $700-1,000

53 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

90 10-1516/169 TERRY ADKINS (american b. 1953) “SHAKEN GREEN” Wood and pigment Executed in 1991 height: 34 in. (86.4cm) width: 7 1/4 in. (18.4cm) depth: 24 1/4 in. (61.6cm) provenance: LedisFlam Gallery, New York, New York. $1,000-2,000

91 10-1516/150 LYNN ALDRICH (american 20th century) “LIGHT SHOW: MORNING AND EVENING” Signed, titled and dated 1999 verso on each hemisphere, plastic, epoxy and paint, globe in two parts diameter (each hemisphere): 12 x 5 in. (30.5 x 12.7cm) (2). provenance: Sandroni Rey, Los Angeles, California. $700-1,000

54 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 92 10-1516/168 JEFF CARTER (australian b. 1928) “ENDLESS VARIATIONS” Bamboo, monitor, video of bamboo grove in Bali running on seamless loop Executed in 1999 provenance: Vedanta Gallery, Chicago, Illinois $700-1,000

93 10-1516/95 MAURIZIO PELLEGRIN (italian b. 1956) “SILENZIO MUSICALE” Gilt plaster fragments, brass instruments and fabric Executed in 1990 dimensions variable provenance: Jack Shainman Gallery, New York, New York. $1,200-1,800

55 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

94 10-1516/1516 PAULA SANTIAGO (mexican b. 1969) “SEPTUM” Wax on rice paper, blood, crystal and marble base Executed in 2001 overall: 41 x 28 x 28 in.

(104.1 x 71.1 x 71.1cm) provenance: Iturralde Gallery, Los Angeles, California. $1,500-2,500

95 10-1516/10 PAULA SANTIAGO (mexican b. 1969) “TORSO TG” Wax, stones, light and crystal Executed in 2001 overall: 20 x 14 x 4 in.

(50.8 x 35.6 x 10.2cm) provenance: Iturralde Gallery, Los Angeles, California. $1,000-2,000

56 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 96 10-1616/42 set of three prints MARTIN KERSELS (american b. 1960) “TRIPPING PHOTOS #3” set of three prints Edition 3/5. Three C-Prints. each: 24 x 30 in. (61 x 76.2cm) (3). provenance: Dan Bernier Gallery, Santa Monica, California.

Ellie Blankfort Fine Arts, Los Angeles, California.. $2,000-3,000

57 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 97 10-1616/50 BEAT STREULI (swiss b. 1957) “SYDNEY 98” Signed and dated 1999 verso. Cprint.

59 1/2 x 79 in. (151.1 x 200.7cm) provenance: Murray Guy, New York, New York. $1,500-2,500

98 10-1616/45 STEVE ROBISON (american 20th century) “WHATEVER REMAINS” Signed, titled and dated 1992 verso, oil on canvas 24 x 20 in. (61 x 50.8cm) Unframed provenance: Jan Baum Gallery, Los Angeles, California.

Ellie Blankfort Fine Arts, Los Angeles, California.. $700-1,000

58 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 99 10-1616/41 CHRIS FINLEY (american b. 1974) “DETHIEVER” Signed and dated 1995 verso, carved pencils, placemat holes and wood glue on wood panel 24 x 24 in. (61 x 61cm) Unframed. provenance: Acme Gallery, Los Angeles, California. $1,500-2,500

59 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 100 10-1516/31 MICHAEL LAZARUS (american b. 1969) “AS A MATTER OF FACT” Signed, titled and dated 1999 verso, oil, enamel and collage on panel 60 x 72 in. (152.4 x 182.9cm) Unframed provenance: Marc Foxx, Los Angeles, California. $1,000-2,000

101 10-1516/147 ORIT RAFF (israeli b. 1970) “FOOT ON MARBLE” 1998. C-print.

20 x 24 in. (50.8 x 61cm) provenance: Bonni Benrubi Gallery, New York, New York. $400-600

60 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

102 10-1616/48 AMIR ZAKI (american b. 1974) “UNTITLED (UP_UNIV 01)” Signed, numbered 3/3 and dated 1999 on label affixed verso. C-print.

50 x 68 in. (127 x 172.8cm) provenance: Caren Golden Fine Art, New York, New York. $1,000-1,500

61 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

103 10-1616/47 LINDA BURNHAM (american b. 1950) “TWO MEN WALKING IN SUITS AND HATS” Oil and fabric on canvas 64 x 70 in. (162.6 x 177.8cm) Unframed provenance: Christopher Grimes Gallery, Santa Monica, California. $1,500-2,500

62 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

104 10-1516/72 PAT STEIR (american b. 1938) “SILVER WATERFALL” 2001, pencil signed, titled, dated and numbered 27/35. With full margins, Pace Editions, New York, publisher. Color screenprint on Somerset. image: 47 3/4 x 23 3/4 in. (121.3 x 60.3cm) sheet: 56 x 32 in. (142.3 x 81.3cm) provenance: Pace Prints, New York, New York. $800-1,200

105 10-1516/73 PAT STEIR (american b. 1938) “PEACOCK WATERFALL” 2001, pencil signed, titled, dated and numbered 27/35. With full margins, Pace Editions, New York, publisher. Color screenprint on Somerset. image: 47 3/4 x 23 3/4 in. (121.3 x 60.3cm) sheet: 56 x 32 in. (142.3 x 81.3cm) provenance: Pace Prints, New York, New York. $800-1,200

106 10-1516/71 PAT STEIR (american b. 1938) “DRAGON WATERFALL” 2001, pencil signed, titled, dated and numbered 27/35. With full margins, Pace Editions, New York, publisher. Color screenprint on Somerset. image: 47 3/4 x 23 3/4 in. (121.3 x 60.3cm) sheet: 56 x 32 in. (142.3 x 81.3cm) provenance: Pace Prints, New York, New York. $800-1,200

63 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 107 10-1516/183 PAT STEIR (american b. 1938) “ALPHABET PRIMARY” 2007, pencil signed, dated and numbered 14/20 (there were also 10 artist’s proofs); Crown Point Press, San Francisco, California, publisher, and with their blindstamp.

Color aquatint and etching on Somerset Textured White. image: 19 3/4 x 45 in.

(50.2 x 114.3cm) sheet: 29 x 53 in. (73.6 x 134.6cm) $1,200-1,800

108 10-1516/25 THOMAS NOZKOWSKI (american b. 1944) “UNTITLED #5” 2002, presumably signed and numbered 22/25 verso (there were also 10 artist’s proofs), the full sheet; Simmelink/Sukimoto Editions, Kingston, New York, publisher. Color aquatint and etching. sheet: 21 3/4 x 29 3/8 in. (55.3 x 74.7cm) provenance: Jim Kempner Fine Art, New York, New York. $800-1,200

109 10-1516/19 CHARLES ARNOLDI (american b. 1946) “STAMP” 2002, pencil signed, dated and annotated ‘AP.’ (artist’s proof, the edition was 30), with full margins; Diane Villani Editions, New York, publisher. Color woodcut on Fabriano. image: 15 3/4 x 15 3/4 in. (40 x 40cm) sheet: 22 1/4 x 22 in. (56.5 x 55.9cm) provenance: Diane Villani Editions, New York, New York. $700-1,000

64 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 110 10-1616/27 TERRY WINTERS (american b. 1949) “MONOPRINT / 26” 2004, pencil signed with initials, dated, and titled. Unique color monoprint from a series of 40 works. sheet: 17 1/4 x 13 1/4 in.

(43.8 x 33.7cm) provenance: Matthew Marks Gallery, New York, New York. $2,000-3,000

111 10-1616/28 TERRY WINTERS (american b. 1949) “MONOPRINT / 8” 2004, pencil signed with initials, dated, and titled. Unique color monoprint from a series of 40 works. sheet: 17 1/4 x 13 1/4 in.

(43.8 x 33.7cm) provenance: Matthew Marks Gallery, New York, New York. $2,000-3,000

65 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 112 10-1616/21 TERRY WINTERS (american b. 1949) “WAVE” 2004, pencil signed with initials, dated and numbered 6/18 (there were also 4 artist’s proofs), the full sheet; Universal Limited Art Editions, West Islip, New York, publisher and with their blindstamp.

Lithograph on Somerset. sheet: 22 x 30 in. (55.8 x 76cm) $600-800

113 10-1616/20 TERRY WINTERS (american b. 1949) “GRID” 2004, pencil signed with initials, dated and numbered 6/14 (there were also 6 artist’s proofs), the full sheet; Universal Limited Art Editions, West Islip, New York, publisher and with their blindstamp.

Lithograph on RWS Handmade 1978 paper. sheet: 22 x 31 1/4 in.

(55.8 x 79.4cm) $600-800

114 10-1616/19 TERRY WINTERS (american b. 1949) “KNOT” 2004, pencil signed with initials, dated and numbered 6/18 (there were also 5 artist’s proofs), the full sheet; Universal Limited Art Editions, West Islip, New York, publisher and with their blindstamp.

Lithograph on BFK Rives. sheet: 22 x 30 in. (55.8 x 76cm) $600-800

66 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

115 10-1516/181 JUDY PFAFF (american/british b. 1946) “SNOWY EGRET” 2005, pencil signed and dated 2006, the full sheet, numbered 7/10 (there were also 2 artist’s proofs); the full sheet, Tandem Press, Madison, Wisconsin, publisher. Color etching, relief, acrylic, encaustic and perforations on Crown Kozo paper in artist’s designed frame. sheet: 35 1/2 x 83 in. (90.2 x 210.8cm) overall: 42 1/2 x 90 1/2 in. (107.9 x 229.9cm) provenance: Tandem Press, Madison, Wisconsin. $3,000-5,000

116 10-1616/12 SOL LEWITT (american 1928-2007) “BROKEN GRAY BANDS IN FOUR DIRECTIONS” 2005, pencil signed and numbered 39/50 (there were also 10 artist’s proofs); with full margins, Pace Editions, Inc., New York, New York, publisher. Linocut in greys and black on Somerset velvet Radiant White. image: 9 x 34 1/2 in. (22.8 x 87.7cm) sheet: 18 x 43 1/2 in. (45.7 x 110.5cm) provenance: Pace Prints, New York, New York. $1,000-2,000

117 10-1616/13 SOL LEWITT (american 1928-2007) “BROKEN COLOR BANDS IN FOUR DIRECTIONS” 2005, pencil signed and numbered 39/50 (there were also 10 artist’s proofs); with full margins, Pace Editions, Inc., New York, New York, publisher. Color linocut on Somerset velvet Radiant White. image: 9 x 34 1/2 in. (22.8 x 87.7cm) sheet: 18 x 43 1/2 in. (45.7 x 110.5cm) provenance: Pace Prints, New York, New York. $1,000-2,000

67 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 118 10-1516/124 DONALD SULTAN (american b. 1951) “MIMOSAS” 2006, pencil signed, tittled, dated and numbered 17/90, the full sheet, published by Mary Ryan Gallery, New York. Color etching, aquatint, and screenprint on wove paper. sheet: 27 1/4 x 39 in.

(69.3 x 99.1cm) provenance: Mary Ryan Gallery, New York, New York. $2,500-3,500

119 10-1516/182 DONALD BAECHLER (american b. 1956) “RED CORAL” 2004, pencil signed, dated and numbered 21/34 (there were also 5 artist’s proofs), with full margins; Baron/Boisanté, New York, publishers. Color aquatint with open-bite etching on Hahnemühle. image: 44 1/4 x 33 1/2 in.

(112.3 x 85.1cm) sheet: 55 x 42 1/2 in.

(139.7 x 108cm) provenance: Senior & Shopmaker, New York, New York. $1,500-2,500

68 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 120 10-1616/16 two monoprints LOUISE FISHMAN (american b. 1939) “ELK RIVER #59 AND #40” 2005, each pencil signed and dated, with full margins; Riverhouse Editions, Steamboat Springs, Colorado, publisher, and with their blindstamp. Two unique watercolor monoprints on wove paper. image: 19 3/4 x 25 in. (50.3 x 63.6cm) sheet: 24 1/4 x 28 7/8 in. (61.6 x 73.4cm) and; image: 18 3/4 x 23 5/8 in. (47.6 x 60cm) sheet: 24 1/4 x 28 7/8 in. (61.6 x 73.4cm) (2). $1,000-2,000

69 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

121 10-1616/18 three monoprints LOUISE FISHMAN (american b. 1939) “ELK RIVER #58, #78, #44” 2005, each pencil signed and dated, with full margins; Riverhouse Editions, Steamboat Springs, Colorado, publisher, and with their blindstamp. Three unique watercolor monoprints on wove paper. image: 18 3/4 x 23 5/8 in. (47.6 x 60cm) sheet: 24 1/4 x 28 7/8 in. (61.6 x 73.4cm) and; 23 7/8 x 19 in. (60.7 x 48.3cm) sheet: 29 1/4 x 23 7/8 in. (74.3 x 60.8cm) and; image: 19 x 23 3/4 in. (48.3 x 50.2cm) sheet: 24 1/2 x 29 in. (62.3 x 73.7cm) (3). $2,000-3,000

70 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

122 10-1616/26 MARY HEILMANN (american b. 1940) “MINT PRINT” 1998, pencil signed and numbered 15/40 (there were also 10 artist’s proofs); Pace Editions, Inc., New York, New York, publisher. Color etching on Hahnemühle. image: 29 7/8 x 22 5/8 in.

(73.3 x 57.3cm) sheet: 37 3/4 x 29 3/8 in.

(96 x 74.7cm) $1,200-1,800

123 10-1616/6 POLLY APFELBAUM (american b. 1955) “COLOR EXCERCISES: LANDSCAPE” 2002, pencil signed with initials and dated, numbered 3/60, with full margins; Durham Press, Inc, Durham, Pennsylvania, publishers.

Color screenprint on wove paper. image: 33 1/2 x 24 1/2 in.

(85.2 x 62.3cm) sheet: 39 3/8 x 29 in.

(100 x 73.7cm) $300-500

71 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 124 10-1616/1 four prints LEE BOROSON (american 20th century) “ULTIMATE SINGULARITY (CLUB, DIAMOND, HEART, SPADE)” 2006, each signed, dated and numbered 1/5 in black marker verso.

Four Digital c-prints. each: 33 3/4 x 29 3/4 in.

(85.7 x 76.6cm) (4) provenance: Sara Meltzer Gallery, New York, New York. $200-400

72 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 125 10-1516/190 MICHAEL VAN DEN BESSELAAR (dutch 20th century) “WHAT WE’VE JUST SEEN IS NOT REAL” Signed and dated 07 bottom right, acrylic, ink and graphite on paper sheet: 22 1/4 x 30 in.

(56.5 x 76.2cm) provenance: Black and White Gallery, Brooklyn, New York. $1,000-2,000

126 10-1516/191 MICHAEL VAN DEN BESSELAAR (dutch 20th century) “FOOLPROOF AND INCAPABLE OF ERROR” Signed and dated 07 bottom right, acrylic, ink and graphite on paper sheet: 22 1/4 x 30 in.

(56.5 x 76.2cm) provenance: Black and White Gallery, Brooklyn, New York. $1,000-2,000

73 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

127 10-1516/187 three prints TAIJI MATSUE (japanese b. 1963) “JP-22” 2005. Chromogenic print. each: 19 5/8 x 24 in. (50 x 61cm) (3). provenance: L.A. Gallerie, Lothar Albrecht, Frankfurt exhibited: L.A. Gallerie, Lothar Albrecht, Frankfurt, Germany, September 8-October 14, 2006. $3,000-5,000

74 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 128 10-1616/7 six prints STEPHEN WESTFALL (american b. 1953) “CODEX SERIES: CANAAN, RALLY, NINE OF WANDS, TRANSFIGURED NIGHT, PROSPECT,” AND “DIAMOND LIFE” 2004, all pencil signed and dated, five numbered 6/40 (one 5/25), the full sheets; Durham Press, Inc., Durham, Pennsylvania, publisher.

The complete set of five color screenprints on Arches plus one additional color screenprint on Zangetsu. each sheet: 24 x 30 in.

(61 x 76.2cm) (6). $500-700

75 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 129 10-1616/14 two watercolors RICHARD KALINA (american b. 1946) “KINSHIP” Watercolor on paper image: 18 x 22 in. (45.8 x 56cm) sheet: 22 1/2 x 30 in.

(57.2 x 76.2cm) and; “NATURE SPEAKER” Watercolor on paper image: 14 1/2 x 23 1/2 in.

(36.8 x 59.8cm) sheet: 22 1/2 x 30 in.

(57.2 x 76.2cm) provenance: Lennon, Weinberg, Inc., New York, New York. $400-600

76 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 130 10-1516/2 WILLIE COLE (american b. 1955) “PRESSED IRON BUD” 2005, pencil signed and numbered 8/20 (there were also 5 artist’s proofs); the full sheet, Tamarind Insitute, University of New Mexico, Albuquerque, New Mexico, publisher. Color lithograph on BFK Rives. sheet: 30 x 22 in. (76 x 50.9cm) provenance: Tamarind Institute, Albuquerque, New Mexico. $1,500-2,500

131 10-1516/94 WILLIE COLE (american b. 1955) “PRESSED IRON BLOSSOM NO. 1” 2005, pencil signed and numbered 8/18 (there were also 3 artist’s proofs); Tamarind Insitute, University of Mexico, Albuquerque, New Mexico, publisher, and with their blindstamp. Color lithograph on Somerset satin. sheet: 24 x 36 in. (61 x 91.5cm) provenance: Tamarind Institute, Albuquerque, New Mexico. $1,500-2,500

77 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 132 10-1516/18 GLEN BALDRIDGE (american b. 1977) “BAD POSTURE” Powdered graphite on paper Executed in 2005 sheet: 30 x 22 1/4 in.

(76.2 x 56.6cm) $1,000-1,500

133 10-1516/14 LAURA OWENS (american b. 1970 “UNTITLED (MOON)” 2004, from the edition of 35, the full sheet; Simmelink Sukimoto Editions, Kingston, New York, publishers.

Color etching and aquatint with airbrush on Somerset. sheet: 33 x 29 in. (83.8 x 73.7cm) provenance: Senior & Shopmaker Gallery, New York, New York. $800-1,200

78 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 134 10-1516/159 ANN AGEE (american b. 1959) “ANNA SUI” Signed and dated ‘99-2000’ on underside, porcelain height: 12 in. (30.5cm) provenance: Rena Bransten Gallery, San Francisco, California. $500-800

135 10-1516/158 ANN AGEE (american b. 1959) “BLUE PANTS WITH FLOWER PATTERN” Signed and dated 1999 on underside, porcelain height: 12 in. (30.5cm) provenance: Rena Bransten Gallery, San Francisco, California. $500-800

136 10-1516/160 ANN AGEE (american b. 1959) “PINK SKIRT AND JACKET WITH GOLD FLOWERS” Signed and dated 99-2000 on underside, porcelain height: 12 in. (30.5cm) provenance: Rena Bransten Gallery, San Francisco, California. $500-800

79 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 137 10-1516/87 ELLIOTT PUCKETTE (american b. 1967) UNTITLED Ink on paper Executed in 2006 sheet: 23 1/2 x 18 in (59.8 x 45.7cm) provenance: Danziger Projects, New York, New York. $5,000-7,000

80 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

138 10-1516/39 MARK BRADFORD (american b. 1961) “630C-MB03” 2003, pencil signed with initials, dated and numbered 37/45, the full sheet; Cirrus Editions, Los Angeles, California, publisher, and with their blindstamp. Color lithograph on Somerset. sheet: 32 1/2 x 32 1/2 in (81.3 x 81.3cm) provenance: Cirrus Editions, Los Angeles, California. $800-1,200

139 10-1516/7 MARK BRADFORD (american b. 1961) “629C-MB03” 2003, pencil signed with initials, dated and numbered 37/45, the full sheet; Cirrus Editions, Los Angeles, California; publisher, and with their blindstamp. Color lithograph on Somerset. sheet: 32 1/2 x 32 1/2 in (81.3 x 81.3cm) provenance: Cirrus Editions, Los Angeles, California. $800-1,200

140 10-1516/40 MARK BRADFORD (american b. 1961) “631C-MB03” 2003, pencil signed with initials, dated and numbered 37/45; the full sheet, Cirrus Editions, Los Angeles, California, publisher, and with their blindstamp.

Color lithograph on Somerset. sheet: 32 1/2 x 32 1/2 in (81.3 x 81.3cm) provenance: Cirrus Editions, Los Angeles, California. $800-1,200

81 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 141 10-1516/80 SOPHIE VON HELLERMANN (german b. 1975) “JONATHAN MAKING TORTILLA FOR HEMINGWAY” Signed and dated 2006 bottom right, watercolor sheet: 12 3/4 x 18 in.

(32.4 x 45.7cm) provenance: Greene Naftali Gallery, New York, New York. $1,000-2,000

142 10-1516/79 SOPHIE VON HELLERMANN (german b. 1975) MARTA’S GARDEN Signed and dated 2006 bottom right, watercolor sheet: 12 3/4 x 18 in.

(32.4 x 45.7cm) provenance: Greene Naftali Gallery, New York, New York. $1,000-2,000

82 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 143 10-1516/102 LEE ETHEREDGE IV (american b. 1968) “RETRIBUTION” Signed and dated 2006 bottom right, typewriter ink on paper image: 16 1/2 x 12 7/8 in.

(42 x 32.7cm) sheet: 19 1/4 x 15 5/8 in.

(49 x 39.7cm) provenance: Pierogi Gallery, Brooklyn, New York. $1,000-2,000

144 10-1516/101 LEE ETHEREDGE IV (american b. 1968) “HIGH ENERGY PARTICLES” Signed and dated 2001 bottom right, typewriter ink on paper image: 16 1/2 x 13 in. (42 x 33cm) sheet: 19 1/4 x 15 5/8 in.

(49 x 39.7cm) provenance: Pierogi Gallery, Brooklyn, New York. $1,000-2,000

83 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

145 10-1516/139 JIM BUTLER (american 20th century) “ORANGE HORN” Signed, titled and dated 2001 verso, oil on canvas 57 1/2 x 78 in. (146 x 198.1cm) Unframed provenance: Galerie Thomas Schulte, Berlin. $2,500-3,500

84 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

146 10-1516/27 SAM GILLIAM (american b. 1933) “CASTLE BANNER 5” 2004, signed, dated and numbered 9/14; Tandem Press, Madison, Wisconsin, publisher, and with their blindstamp. Color relief print on wood veneer with collage. sheet: 60 1/2 x 40 1/4 in.

(153.7 x 102.3cm) provenance: Tandem Press, Madison, Wisconsin. $1,200-1,800

147 10-1516/133 SAM GILLIAM (american b. 1933) “BOWLING” 2002, pencil signed, titled, dated and numbered 11/25, with full margins; Tandem Press, Madison, Wisconsin, publisher, and with their blindstamp. Color relief print with chine appliqué on Arches. image: 30 x 39 1/2 in.

(76.2 x 100.3cm) sheet: 38 x 46 1/2 in.

(96.5 x 118.2cm) provenance: Tandem Press, Madison, Wisconsin. $1,200-1,800

148 10-1516/24 JESSICA STOCKHOLDER (american b. 1959) “GREY” Unique pigmented abaca base sheet with pulp painting and archival inkjet print Executed in 2004 sheet: 29 1/4 x 21 3/4 in. (74.3 x 54.7cm) provenance: Dieu Donné Papermill, New York, New York. $1,500-2,000

85 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

149 10-1516/180 three works on paper TAM VAN TRAN (vietnamese b. 1966) UNTITLED Beet juice, gouache, pigment, binder, and collage on paper in three parts, framed separately Executed in 2004 each sheet: 14 x 11x 3 in.

(35.6 x 27.9 x 7.6cm) (3). provenance: Cohan and Leslie, New York, New York. $1,000-2,000

150 10-1516/157 SARAH DOCKTER (american 20th century) “SLIPPER” Glass, steel pins and acrylic Executed in 2000 overall: 4 x 12 x 6 in.

(10.2 x 30.5 x 15.2cm) provenance: The artist. $700-1,000

86 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 151 10-1516/178 LAURA LONDON (american 20th century) “TRUE SELF: PORTRAIT 1” from “true self: portrait series” 1998, signed on back of frame, from the edition of 6. Lightjet Ilfochrome print. sheet: 30 x 30 in. (76.2 x 76.2cm) provenance: Caren Golden Fine Art, New York, New York. $1,000-1,500

152 10-1516/179 LAURA LONDON (american 20th century) “TRUE SELF: PORTRAIT 2” from “true self: portrait series” 1998, signed, titled, dated and numbered 2/3 on gallery label verso, from the edition of 6. Lightjet Ilfochrome print. sheet: 30 x 30 in. (76.2 x 76.2cm) provenance: Caren Golden Fine Art, New York, New York. $1,000-1,500

87 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 153 10-1516/61 PAUL SEAWRIGHT (irish b. 1965) “BROKEN WALL” 2000, signed and numbered 3/6.

Color C-print on aluminum.

39 1/2 x 49 1/4 in.

(100.3 x 125.1cm) provenance: Kerlin Gallery, Dublin, Ireland.

Angles Gallery, Santa Monica, California. $1,000-2,000

154 10-1516/209 PAULA SANTIAGO (mexican b. 1969) “AMIC” Rice paper, wax, hair and blood on silk in wooden box Executed in 2001 overall: 9 x 8 x 3 3/4 in.

(22.9 x 20.3 x 9.5cm) provenance: Iturralde Gallery, Los Angeles, California. $700-1,000

88 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

155 10-1516/42 JOANNE GREENBAUM (american b. 1953) “OUTTAKES: UNTITLED #5” 2002, pencil signed, dated and numbered 17/20 (there were also 2 artist’s proofs), the full sheet; Lower East Side Printshop, New York, New York, publisher. Color screenprint on Arches. sheet: 42 x 30 in. (106.7 x 76.2cm) provenance: Lower East Side Printshop, New York, New York. $800-1,200

156 10-1516/44 JOANNE GREENBAUM (american b. 1953) “OUTTAKES: UNTITLED #2” 2002; pencil signed, dated and numbered 17/20 (there were also 2 artist’s proofs), the full sheet; Lower East Side Printshop, New York, New York, publisher. Color screenprint on Arches.

42 1/2 x 30 1/4 in. (108 x 76.8cm) provenance: Lower East Side Printshop, New York, New York. $800-1,200

157 10-1516/57 JOANNE GREENBAUM (american b. 1953) “OUTTAKES: UNTITLED #4” 2002, pencil signed, dated and numbered 17/20 (there were also 2 artist’s proofs), the full sheet; Lower East Side Printshop, New York, New York, publisher. Color screenprint on Arches 88 sheet: 42 1/4 x 30 1/8 in. (107.4 x 76.5cm) provenance: Lower East Side Printshop, New York, New York. $800-1,200

89 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

158 10-1516/43 JOANNE GREENBAUM (american b. 1953) “OUTTAKES: UNTITLED #7” 2002, pencil signed, dated and numbered 17/20 (there were also 2 artist’s proofs), the full sheet; Lower East Side Printshop, New York, New York, publisher. Color screenprint on Arches.

42 1/2 x 30 1/4 in. (108 x 76.8cm) provenance: Lower East Side Printshop, New York, New York. $800-1,200

159 10-1516/58 JOANNE GREENBAUM (american b. 1953) “OUTTAKES: UNTITLED #8” 2002, pencil signed, dated and numbered 17/20 (there were also 2 artist’s proofs), the full sheet; Lower East Side Printshop, New York, New York, publisher. Color screenprint on Arches. sheet: 42 1/4 x 30 1/8 in.

(107.4 x 76.5cm) provenance: Lower East Side Printshop, New York, New York. $800-1,200

160 10-1516/56 JOANNE GREENBAUM (american b. 1953) “OUTTAKES: UNTITLED #10” 2002, pencil signed, dated and numbered 17/20 (there were also 2 artist’s proofs), the full sheet; Lower East Side Printshop, New York, New York, publisher. Color screenprint on Arches 88. sheet: 42 1/4 x 30 1/4 in. (107.4 x 76.2cm) provenance: Lower East Side Printshop, New York, New York. $800-1,200

90 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 161 10-1516/184 RICHMOND BURTON (american b. 1960) “SOLEX” 2000, pencil signed and numbered 26/35 (there were also 10 artist’s proofs), Pace Editions, Inc., New York, New York, publisher. Color etching, relief, and pochoir on Hahnemühle. image: 22 x 32 1/2 in.

(55.8 x 82.5cm) sheet: 28 1/2 x 39 in. (72.3 x 99cm) provenance: Pace Prints, New York, New York. $1,000-2,000

162 10-1516/185 RICHMOND BURTON (american b. 1960) “BAROK” 2000, pencil signed and numbered 26/35 (there were also 10 artist’s proofs), Pace Editions, Inc., New York, New York, publisher. Color etching, relief, and pochoir on Hahnemuhle. image: 22 x 32 1/2 in.

(55.8 x 82.5cm) sheet: 28 1/2 x 39 in. (72.3 x 99cm) provenance: Pace Prints, New York, New York. $1,000-2,000

91 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

163 10-1616/52 VERNON FISHER (american b. 1943) “YEAR WITHOUT RAIN” Signed and dated 2005 verso, oil and acrylic on paper 42 x 42 in. (106.7 x 106.7cm) Unframed. provenance: Dunn and Brown Contemporary, Dallas, Texas. $3,000-5,000

92 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 164 10-1516/26 MARY BEYT american b. 1959 “STREAMLINE (YELLOW)” Signed and dated 1996-7 on verso and again on stretcher, oil on canvas 56 x 64 1/4 in. (142.3 x 163.2cm) Unframed provenance: LA Louver Gallery, Venice, California. $2,500-3,500

165 10-1516/206 KIYOSHI NAKAGAMI (japanese b. 1949) “UNTITLED (MOONLIGHT)” Signed and dated ‘April 2007’ verso, oil and sand on canvas 18 x 21 in. (45.6 x 53.3cm) Unframed $1,000-2,000

93 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

166 10-1516/175 PIA FRIES (swiss b. 1955) “CADELS” Signed and dated 2000 verso, oil on board 47 1/4 x 67 1/4 in. (120 x 170.8cm) Unframed provenance: CRG Gallery, New York, New York. $6,000-10,000

94 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 167 10-1516/29 PETER EDLUND (american b. 1959) “ANOTHER AMERICA: BLACKBIRDERS INVADE THE HUDSON VALLEY (AFTER ASHER B. DURAND)” Signed, titled and dated 2001 verso, oil on canvas 60 x 45 in. (152.4 x 114.3cm) provenance: Jack Shainman Gallery, New York, New York. $2,000-3,000

168 10-1516/89 HANS BROEK (dutch b. 1965) “SKETCH FOR FAMILY” Signed, titled, dated 2006 verso, oil on linen 24 x 30 in. (61 x 76.2cm) provenance: Torch Gallery, Amsterdam. $1,200-1,800

95 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 169 10-1516/34 JASON BROWN (american 20th century) “SISYPHUS” Graphite on paper Executed in 2005 sheet: 30 x 22 1/4 in.

(76.2 x 56.6cm) provenance: Rare Gallery, New York, New York. $1,000-2,000

170 10-1616/34 DEAN BYINGTON (american b. 1958) “UNDERGROUND I” Oil on linen Executed in 2006 46 x 42 in.(117 x 106.7cm) Unframed provenance: Leslie Tonkonow Artworks + Projects, New York, New York. $400-600

96 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

171 10-1516/13 MARTIN PURYEAR (american b. 1941) “SHOULDERS (STATE 2)” 2005, pencil signed and numbered 2/40 (there were also 10 artist’s proofs). With full margins, Paulson Bott Press, Berkeley, California, publisher. Softground and drypoint etching with Gampi and chine collé. image: 17 3/4 x 23 3/4 in.

(45.1 x 60.4cm) sheet: 29 x 34 in. (73.6 x 86.5cm) provenance: Barbara Krakow Gallery, Boston, Massachusetts. $1,000-2,000

172 10-1516/91 BILL JENSEN (american b. 1945) “TUVA” 2001, pencil signed, titled, dated and numbered 15/20 (there were also 6 artist’s proofs), with full margins, Universal LImited Art Editions, West Islip, New York, publisher. Color etching on Lana Gravure. image: 16 1/4 x 12 1/2 in.

(23.3 x 31.8cm) sheet: 24 x 20 in. (61 x 50.7cm) provenance: Larissa Goldston Gallery, New York, New York. $500-700

173 10-1516/92 BILL JENSEN (american b. 1945) “TERGO” 2001, pencil signed, titled, dated and numbered 15/20 (there were also 6 artist’s proofs); Universal Limited Art Editions, West Islip, New York, publisher. Color etching on Somerset textured white. image: 16 1/4 x 12 1/2 in. (23.3 x 31.8cm) sheet: 24 x 20 in. (61 x 50.7cm) provenance: Larissa Goldston Gallery, New York, New York. $500-700

97 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

174 10-1516/99 three etchings INGRID CALAME (american b. 1965) “UNTITLED (TRACE 1, 2 &3)” 2006, pencil signed, dated and numbered 33/35 (there were also 10 artist’s proofs); with full margins, Pace Editions, Inc., New York, publisher. Suite of three color etchings with Chine collé on Fabriano Tiepolo. image: 17 3/8 x 17 3/8 in. (44.2 x 44.2cm) each sheet: 24 x 24 in. (61 x 61cm) (3). provenance: Pace Prints, New York, New York. $1,500-2,500

175 10-1516/88 CAIO FONSECA (american b. 1959) “SARABANDE” 2004, pencil signed, dated and numbered 21/50 (there were also 10 artist’s proofs). With full margins, Paulson Bott Press, Berkeley, California publisher.

Color etching and aquatint on Somerset soft white textured paper. image: 11 5/8 x 18 3/4 in. (29.5 x 47.7cm) sheet: 20 3/4 x 26 7/8 in. (52.7 x 68cm) provenance: Paulson Press, Berkeley, California. $1,500-2,500

98 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 176 10-1516/67 ANNE CHU (american b. 1959) “ROCK ONE” Watercolor Executed in 2006 sheet: 30 x 21 5/8 in. (76 x 55cm) provenance: Victoria Miro Gallery, London. $600-900

177 10-1516/198 two works on paper JIAN-JUN ZHANG (chinese b. 1979) “SUMI-INK GARDEN OF RE-CREATION” Each signed and titled in English and Chinese and dated 2001, Sumi ink on paper each sheet: 30 x 22 1/4 in. (76.2 x 56.5cm) (2). provenance: Art Projects International, New York, New York. $400-600

178 10-1516/192 JIHA MOON (korean b. 1973) “EN ROUTE” 2007, pencil signed, dated and numbered 2/30, with full margins, published by Diane Villani Editions, New York, New York. Color lithograph with chine collé. image: 16 x 21 1/4 in. (40.6 x 54cm) sheet: 25 1/2 x 30 in. (64.8 x 76.2cm) provenance: Diane Villani Editions, New York, New York. $200-300

99 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 179 10-1516/82 JANE HAMMOND (american b. 1950) “TING #9” 2006, pencil signed, titled, and dated. Unique relief print with collage comprised of lithograph, linocut, rubber stamp, digital and relief printing, watercolor and handcoloring on Magnagni Pescia. sheet: 14 3/4 x 11 1/2 in.

(37.5 x 29.2cm) provenance: Pace Prints, New York, New York. $1,000-2,000

180 10-1516/81 JANE HAMMOND (american b. 1950) “TING #8” 2006, pencil signed, titled, and dated. Unique relief print with collage comprised of lithograph, linocut, rubber stamp, digital and relief printing, watercolor and handcoloring on Magnagni Pescia. sheet: 15 x 11 1/2 in. (38.1 x 29.2cm) provenance: Pace Prints, New York, New York. $1,000-2,000

100 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 181 10-1516/74 diptych GUILLERMO KUITCA (argentinian b. 1961) “L’ENCYCLOPEDIE (MARBLE FLOORING PLAN AND CEILING PLAN OF A SALON IN THE PALACE OF THE MARQUIS DE SPINOLA)” 2002, each pencil signed, dated and one numbered 6/20 (there was also an edition of 45 in Roman numerals). With full margins, Graphicstudio, University of South Florida, Tampa, publisher. Lithograph on wove paper in two parts. image: 39 x 31 in. ( 99.1 x 78.7cm) sheet: 51 1/4 x 40 in. (130.2 x 101.6cm) (2). provenance: Graphicstudio, Tampa, Florida. $1,000-2,000

182 10-1516/200 three works on paper TYLER VLAHOVIC (american b. 1967) “CELL EVENT,” “FIVE LAYER EVENT” AND “SPACE CELL EVENT/SLAB” Each signed with initials and dated 07 bottom left ink on paper each sheet: 18 x 23 3/8 in. (45.8 x 59.4cm) (3). provenance: Feature, Inc., New York, New York. $600-1,000

101 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

183 10-1516/203 three works on paper TYLER VLAHOVIC (american b. 1967) “DOUBLE PROFILE (5-LAYER EVENT ON GROUND),” “SIX LAYER EVENT” AND “SLAB EVENT WITH EMPTY SPACE” Each signed with initials and dated 07 bottom left sheet, ink on paper each: 18 x 23 3/8 in. (45.8 x 59.4cm) (3). provenance: Feature, Inc., New York, New York. $600-1,000

184 10-1516/96 JESSICA STOCKHOLDER (american b. 1959) “OWL PLAID” Unique pigmented abaca base sheet with pulp painting and archival inkjet print Executed in 2004. sheet: 21 1/2 x 29 1/4 in.

(54.7 x 74.4cm) provenance: Dieu Donné Papermill, New York, New York. $1,500-2,500

102 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

185 10-1516/161 JOAN BANKEMPER (american 20th century) “RED POPPY” Unique ceramic mosaic vessel.

Executed in 2001 28 x 13 x 13 in. (71.1 x 33 x 33cm) provenance: The artist, New York, New York. $1,000-2,000

186 10-1516/164 JOAN BANKEMPER (american 20th century) “HUMMINGBIRD LADY” Unique ceramic mosaic vessel.

Executed in 1999.

28 x 13 x 13 in. (71.1 x 33 x 33cm) provenance: The artist, New York, New York. $1,000-2,000

103 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 187 10-1516/176 TERRI FRIEDMAN (american b. 1962) “SOMETIMES YOU CONFUSE ME WITH AIR #11” Duralar, acrylic and plastic in four sheets Executed in 2000 40 x 30 x 6 in.

(101.6 x 76.2 x 15.2cm) provenance: CRG Gallery, New York, New York. $1,000-2,000

188 10-1516/86 RUSSELL CROTTY (american b. after 1956) “FOUR SEASONS IN OUR GALAXY” 2004. From the edition of 35, complete set of four archival inkjet pigment and screenprints (3 in colors). image: 17 x 17 in. (43.2 x 43.2cm) sheet (each): 20 x 20 in.

(50.8 x 50.8cm) (4). provenance: CRG Gallery, New York, New York. $700-1,000

104 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 189 10-1516/4 NILS ERIK GJERDEVIK (norwegian b. 1962) UNTITLED Mixed media on paper Executed in 2005 sheet: 40 x 45 3/4 in. (101.6 x 116.2cm) provenance: Nils Staerk Contemporary Art, Copenhagen, Denmark. $400-600

190 10-1516/5 NILS ERIK GJERDEVIK (norwegian b. 1962) UNTITLED Mixed media on paper Executed in 2005 sheet: 26 x 40 3/4 in. (66 x 103.5cm) provenance: Nils Staerk Contemporary Art, Copenhagen, Denmark. $400-600

191 10-1516/54 NILS ERIK GJERDEVIK (norwegian b. 1962) UNTITLED Mixed media on paper Executed in 2005 sheet: 25 3/4 x 40 1/4 in. (65.5 x 102.3cm) provenance: Nils Staerk Contemporary Art, Copenhagen, Denmark. $400-600

105 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 192 10-1516/46 two watercolors MATTHIAS LAHME (german b. 1974) UNTITLED (FLOWERS) Watercolors on paper Executed in 2005 each sheet: 25 1/2 x 19 5/8 in.

(64.8 x 49.9cm) (2). provenance: Jablonka Lühn, Cologne, Germany. $800-1,200

193 10-1516/127 two watercolors MATTHIAS LAHME (german b. 1974) UNTITLED (FLOWERS) Watercolors on paper Executed in 2005 each sheet: 25 1/2 x 19 5/8 in.

(64.8 x 49.9cm) (2). provenance: Jablonka Lühn, Cologne, Germany. $800-1,200

106 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 194 10-1516/186 BRAD DAVIS (american b. 1942) “TRANSFORMATIONS” 1994, pencil signed, titled, dated and annotated ‘TPB’ (trial proof, the edition was 18); Crown Point Press, San Francisco, California, publisher, and with their blindstamp. Color woodcut on silk mounted on rag paper. image: 28 1/4 x 17 7/8 in.

(71.8 x 45.4cm) sheet: 37 1/2 x 27 in.

(95.3 x 68.6cm) provenance: Crown Point Press, San Francisco, California. $200-300

195 10-1516/21 two prints JAMES SIENA (american b. 1958) “MULTI-COLORED NESTING UNKNOTS” AND “RECURSIVE LIGHTHOUSE VARIATION” 2005, both pencil signed, dated and numbered 20/40 (there were also 10 artist’s proofs); Pace Editions, Inc., New York, New York, publisher.

Color woodcuts on Japan. image: 13 1/2 x 10 1/2 in.

(34.3 x 26.6cm) sheet (approx): 21 1/2 x 17 1/2 in.

(54.6 x 44.4cm) provenance: Pace Prints, New York, New York. $1,000-2,000

107 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 196 10-1516/60 RAYMOND SAUNDERS (american b. 1934) UNTITLED Mixed media and collage (paper tags, string and ribbon) on paper Executed in 2001 sheet size: 45 x 32 in.

(114.3 x 81.3cm) provenance: Stephen Wirtz Gallery, San Francisco, California. $1,000-2,000

197 10-1516/22 JENNY ROSEMEYER (german b. 1974) “OHNE TITEL” Signed, dated and inscribed ‘Berlin’ verso, photocollage Executed in 2006 sheet: 27 1/2 x 19 3/4 in.

(69.8 x 50.5cm) $700-1,000

108 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 198 10-1616/33 ZEMMA MASTIN WHITE (american 20th century) “UNTITLED #2” 2004, pencil signed and dated in the margin, the full sheet. Monotype with chine collé. image: 15 x 30 in. (38.2 x 76.3cm) sheet: 22 1/4 x 30 in. (56.5 x 76.3cm) $400-600

199 10-1616/32 ZEMMA MASTIN WHITE (american 20th century) “UNTITLED #1” 2004, pencil signed and dated in the margin, the full sheet. Monotype with chine collé on Arches. image: 17x 22 1/4 in. (43.2 x 56.6cm) sheet: 22 1/4 x 30 in. (56.5 x 76.3cm) $400-600

200 10-1516/131 one print TAL R (israeli b. 1967) “I AM YOUNG I AM OLD” 2006, pencil signed, dated and numbered 8/18, with full margins. Niels Borch Jensen Verlag, Berlin, Germany, publisher. Color woodcut on Somerset. image: 31 3/4 x 28 in. (80.6 x 122cm) sheet: 36 1/4 x 52 1/4 in. (92 x 132.8cm) provenance: Niels Borch Jensen, Berlin, Germany. $300-500

109 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 201 10-1516/138 one print TAL R (israeli b. 1967) “I AM YOUNG I AM OLD” 2006, pencil signed, dated and numbered 8/18, with full margins. Niels Borch Jensen, Berlin, Germany, publisher. Color woodcut on Somerset. image: 31 3/4 x 48 in. (80.6 x 122cm) sheet: 36 1/4 x 52 1/4 in. (92 x 132.8cm) provenance: Niels Borch Jensen, Berlin, Germany. $300-500

202 10-1516/3 MELISSA MEYER (american b. 1947) “CHARADE #54” 2003 pencil signed, titled and dated in pencil; Riverhouse Editions, Steamboat Springs, Colorado, publisher and with their blindstamp.

Unique watercolor monotype. image: 23 3/4 x 19 in. (60.3 x 48.3cm) sheet: 33 x 26 7/8 in. (84 x 68.4cm) $300-500

203 10-1616/35 MELISSA MEYER (american b. 1947) “CHARADE #57” 2003, pencil signed, dated, titled, with full margins; Riverhouse Editions, Steamboat Springs, Colorado, publisher, and with their blindstamp. Unique watercolor monotype. image: 24 x 37 3/4 in. (61 x 94cm) sheet: 36 3/4 x 50 in. (93.3 x 127cm) provenance: Riverhouse Edition, Steamboat Springs, Colorado. $500-700

110 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

204 10-1516/28 JOHN LEES (american b. 1943) “HOLLYWOOD RIPPLES” 2003, pencil signed, dated and numbered 3/15. Riverhouse Editions, Inc., Steamboat Springs, Colorado, publisher. Six color etching on two sheets of wove paper. overall image: 5 7/8 x 47 1/4 in.

(14.9 x 120.1cm) overall sheet: 18 x 58 1/2 in.

(45.7 x 148.8cm) provenance: Riverhouse Editions, Inc., Steamboat Springs, Colorado. $400-600

205 10-1516/11 PRABIR PURKAYASTHA (indian b. 1952) “ZENDO #3” 2006, signed, dated and numbered 7/8 in black crayon. Digital print on paper. sight: 24 x 36 1/4 in. (61 x 92.1cm) provenance: Bodhi Art, New Delhi, India. $800-1,200

206 10-1516/12 PRABIR PURKAYASTHA (indian b. 1952) “ZENDO #26” 2006, signed, dated and numbered 8/8 in black crayon. Digital print on paper. image: 24 x 36 1/4 in. (61 x 92.1cm) provenance: Bodhi Art, New Delhi, India. $800-1,200

111 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 207 10-1616/31 POLLY APFELBAUM (american b. 1955) “COLOR EXERCISES: SOMBER & LUMINOUS” 2002, pencil signed with initials, dated, and numbered 5/35 (there were also artist’s proofs), with full margins; Durham Press, Durham, Pennsylvania. Color screenprint on Lana Gravure. image: 72 x 27 in. (177.8 x 67.3cm) sheet: 76 x 30 1/2 in.

(195.6 x 77.5cm) $700-1,000

208 10-1516/64 L. C. ARMSTRONG (american b. 1954) “SUNRISE OVER SURFER” Signed, titled and dated 2001 in magic marker verso, acrylic, carbon and resin on canvas 36 x 32 in. (91.4 x 81.3cm) Unframed provenance: Postmasters Gallery, New York, New York. $700-1,000

112 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

209 10-1516/85 ANTON HENNING (german b. 1964) “BLUMENSTILLEBEN MIT FRUCHTEN -1855ER MONUMENT (DIE KLASSIFIZIERUNG DES MONSIEUR CORBET)” 2004, pencil signed with initials, dated and numbered 13/24. The full sheet, Niels Borch, Jensen Galerie, Berlin, Germany, publisher. Color etching on Somerset. image: 11 1/2 x 16 1/2 in. (29.2 x 42cm) sheet: 18 5/8 x 22 3/4 in.

(47.5 x 58cm) provenance: Niels Borch Jensen, Berlin, Germany. $1,500-2,500

210 10-1516/100 ANTON HENNING (german b. 1964) “BLUMENSTILLEBEN NO. 259” 2004, pencil signed with initials, dated, and numbered 15/24. With full margins, Niels Borch Jensen Verlag, Berlin, Germany, publisher. Color etching on Somerset. image: 31 3/8 x 23 1/2 in. (80 x 59.6cm) sheet: 39 1/8 x 30 3/4 in. (99.5 x 78cm) provenance: Niels Borch Jensen, Berlin, Germany. $1,500-2,500

211 10-1516/9 ANTON HENNING (german b. 1964) “BLUMENSTILLEBEN NO. 260” 2004, pencil signed with initials, dated, numbered 13/24. With full margins, Niels Borch Jensen Verlag, Berlin, Germany, publisher. Color etching on Somerset. image: 15 5/8 x 11 5/8 in (39.7 x 29.5cm) sheet: 22 3/4 x 18in. (58 x 45.7cm) provenance: Niels Borch Jensen, Berlin, Germany. $1,500-2,500

113 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 212 10-1516/38 AMELIE VON WULFFEN (german b. 1966) UNTITLED Photograph and acrylic on paper Executed in 2006 sheet: 37 x 28 5/8 in.

(94 x 72.6cm) provenance: Art Passepartout, Berlin, Germany. $2,000-3,000

115 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 213 10-1516/106 JANE WILBRAHAM (british b. 1967) “CAN” Watercolor on paper sheet: 11 3/4 x 14 1/4 in.

(29.9 x 36.3cm) provenance: Hales Gallery, London. $600-800

214 10-1516/104 JANE WILBRAHAM (british b. 1967) “CUP” Watercolor on paper Executed in 2006 sheet: 11 5/8 x 14 1/4 in.

(29.6 x 36.3cm) provenance: Hales Gallery, London. $600-800 Opposite: detail from lot 32

116 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 215 10-1516/141 STEPHEN PUSEY (british b. 1952) “VANISHING POINT” Signed, dated 2006 and inscribed ‘43’ verso, acrylic on canvas 50 x 81 in. (127 x 205.7cm) Unframed provenance: Michael Steinberg Fine Art, New York, New York. $2,000-3,000

216 10-1516/140 MARCELO LEGRAND (uruguayan b. 1961) “JAMON Y PICKLES (HAM AND PICKLES)” Acrylic and mixed media on canvas Executed in 2006 58 1/4 x 86 1/4 in. (148 x 219cm) Unframed provenance: Galería Sur, Montevideo, Uruguay. $1,500-2,500

117 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 217 10-1516/194 four prints SIR TERRY FROST (british 1915-2003) “HALZEPHRON” 2001, all presumably pencil signed, dated and numbered 34/40 (there were also 8 artist’s proofs for all), the full sheets, Paragon Press, London, publisher. Color woodcut collages on Velin Arches blanc. sheet: 23 7/8 x 15 in.

(60.6 x 38.1cm) (each) (4).

Including: “A,” “B,” “C,” “D.” provenance: Paragon Press, London. $5,000-7,000

118 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 218 10-1616/36 JULIE ROBERTS (british b. 1963) “LAMP LIGHT” Signed, titled, dated 2005 bottom right, watercolor sheet: 22 1/4 x 30 in.

(56.5 x 76.2cm) provenance: Sean Kelly, New York, New York. $3,000-5,000

219 10-1516/32 RICHARD DEACON (welsh b. 1949) “BLAKENEY #3” 2001, pencil signed with initials, dated, and numbered 3/30 bottom right. Iris print collage. sheet: 30 x 20 in. (76.2 x 49.8cm) provenance: Dinaburg Arts, New York, New York. $500-700

119 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

220 10-1516/1 eight prints GARY HUME (british b. 1962) “HERE’S FLOWERS” 2006, pencil signed, seven numbered 17/68 and one numbered 16/68 (there were also an unrecorded number of artist’s proofs); Paragon Press, London, publisher. The complete set of eight color linocuts with graphite on Velin Arches Blanc.

(8) image: 21 3/4 x 15 3/4 in. (55.3 x 40cm) sheet: 31 1/2 x 24 in. (80 x 61cm) provenance: Matthew Marks Gallery, New York, New York. $6,000-8,000

120 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 221 10-1516/166 MIRIAM WOSK (american 20th century) “WAIT FOR THE WAGON” Mixed media on handmade paper and epoxy Executed in 1998-2000 diameter: 32 in. (81.3cm) provenance: Robert Berman Gallery, Santa Monica, California.

Ellie Blankfort Fine Arts, Los Angeles, California.. $500-800

222 10-1516/128 MARY JUDGE (american 20th century) “FROM THE ROSE WINDOW SERIES #42” 2006. Monoprint on handmade Kozo. sheet: 48 x 48 in. (122 x 122cm) provenance: Metaphor Contemporary Art, Brooklyn, New York. $700-1,000

121 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 223 10-1516/165 MAUREEN CONNOR (american b. 1947) “TIME MATTERS” Clock, DVD player with DVDs, wooden shelf, monitor Executed in 1999-2001 overall: 18 x 20 x 6 in.

(45.7 x 50.8 x 15.2cm) provenance: Liebman Magnan Gallery, New York, New York. $1,000-2,000

224 10-1516/156 ALEEZA PIANKO (american 20th century) “DAYS” Signed verso, wood, glass, oil, acetate Executed in 2000 11 x 11 x 1 3/4 in.

(27.9 x 27.9 x 4.5cm) provenance: The artist. $700-1,000

122 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 225 10-1516/155 YOSHIHIRO SUDA (japanese b. 1962) “ONE HUNDRED ENCOUNTERS” Painted wood Executed in 2001 4 x 4 x 7 in. (10.2 x 10.2 x 17.9cm) provenance: Entwistle, London. $2,000-3,000

226 10-1516/170 ROB DE MAR (american b. 1964) “STONEWALL AND DIRT ROAD III” Mixed media Executed in 2000 overall: 40 x 36 x 23 in.

(101.7 x 91.5 x 58.4cm) provenance: Clementine Gallery, New York, New York. $1,500-2,500

123 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

227 10-1516/152 GUY LIMONE (french b. 1958) “ELECTIONS AMERICAINES” Hand-painted plastic figures, five metal shelves Executed in 2000 dimensions variable. each shelf size: 1 1/2 x 39 1/2 in. (3.8 x 100.3cm) provenance: Michael Kohn Gallery, Los Angeles, California. $700-1,000

228 10-1516/63 NORA ASLAN (argentinian b. 1937) “FADED ITINERARY” Signed and dated 2005 verso, titled and dated on stretcher, mixed media on canvas 39 x 39 in. (100 x 100cm) Unframed provenance: Pavel Zoubok Gallery, New York, New York. $500-800

124 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

229 10-1616/44 diptych KELLY NIPPER (american b. 1971) “SHOTGUN AND A FIGURE 8” Signed, dated 2000 and inscribed ‘#46’ verso. Two C-prints. each: 50 x 71 1/2 in. (127 x 181.6cm) (2). provenance: Shoshana Wayne Gallery, Santa Monica, California. $600-800

230 10-1616/39 CLARE RICHARDSON (british b. 1973) “UNTITLED 1” 2002, signed, titled and numbered 1/6 on paper affixed to frame verso.

C-print.

42 5/16 x 50 in. (107.5 x 127cm) provenance: White Cube, London. $1,000-2,000

125 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

231 10-1616/59 set of three prints SUE DE BEER (american b. 1973) “RESIDENT EVIL 2: ENTRYWAY, STAIRWAY AND KEYBOARD” Edition 2/5. Three C-prints. each: 26 x 34 in. (66 x 86.4cm) (3). provenance: Sandroni Rey Gallery, Venice, California. $700-1,000

232 10-1616/43 RAUL CORDERO (cuban b. 1971) “A, B, OR C: GET THE REAL” Signed, titled, dated 1998 and illegibly inscribed along the bottom edge, oil on canvas.

37 x 49 in. (94 x 124.4cm) Unframed. provenance: Iturralde Gallery, Los Angeles, California. $700-1,000

126 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

233 10-1616/49 TODD BRAINARD (american 20th century) “EAST REGION: SECTION 17” Signed, titled and dated 2002 verso, oil on panel 36 x 82 in. (91.5 x 208.3cm) provenance: Roberts & Tilton Gallery, Culver City, California. $700-1,000

234 10-1616/56 triptych WALTER NIEDERMAYR (italian b. 1952) “SCHNASTALGLETSCHER V” 1999, signed, titled and dated 1996, numbered #3/6 verso on frame of right panel. C-print in three parts. each: 40 1/2 x 51 in. (102.9 x 129.5cm) overall: 40 1/2 x 155 in. (102.9 x 393.7cm) (3). provenance: Angles Gallery, Santa Monica, California. $6,000-10,000

127 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10 235 10-1616/58 SUSIE ROSMARIN (american b. 1950) “PINK-ORANGE-PURPLE” Acrylic on canvas Executed in 2001 36 x 36 in. (91.4 x 91.4cm) Unframed provenance: Haines Gallery, San Francisco, California. $1,500-2,500

236 10-1616/46 MARIA PORGES (american b. 1954) “TUTELARY SPIRITS (FOR ARTISTS, SCIENTISTS & MAGICIANS) II” Signed, titled and dated 2000 in marker verso, wax, metal leaf and wood.

18 x 24 x 6 in. (45.7 x 61 x 15.3cm) provenance: David Beitzel Gallery, New York, New York. $1,500-2,500

128 free≤an’s works from the neuberger berman & lehman brothers collection

11/07/10

237 10-1516/172 FARHAD MOSHIRI (iranian b. 1963) “TINY GOLD JAR” Signed, titled in English and Arabic and dated 2005 verso, acrylic and oil on canvas 32 x 32 in. (81.3 x 81.3cm) Unframed. provenance: Third Line Gallery, Dubai, United Arab Emirates. $5,000-8,000 238-299 No lots

Modern & Contemporary Art

129 free≤an’s modern & contemporary art

11/07/10

300 10-2011/8 CHILDE HASSAM (american 1859-1935) “THE DUTCH DOOR” 1915, pencil signed with the artist’s monogram and inscribed ‘imp’ bottom right, with wide margins.

Drypoint etching on wove paper. image: 8 1/2 x 10 in. (21.6 x 25.5cm) sheet: 11 x 12 1/4 in. (27.9 x 31.1cm) [Cortissot 49]. $5,000-7,000 301 10-2011/7 CHILDE HASSAM (american 1859-1935) “EASTHAMPTON, SIDEWALK” 1925, pencil signed with the artist’s monogram and inscribed ‘imp’ bottom center, with wide margins.

Etching on Van Gelder Zonen. image: 5 x 7 7/8 in. (12.7 x 20cm) sheet: 9 5/8 x 12 1/2 in. (24.5 x 31.8cm) [Cortissot 251]. $1,500-2,500

130 free≤an’s modern & contemporary art

11/07/10 302 10-1983/1 JAMES ABBOTT MCNEIL WHISTLER (american 1834-1903) “FIRELIGHT: JOSEPH PENNELL, NO. 2” 1896, pencil signed with the artist’s butterfly monogram, from the rare edition of 15, printed by Way, with wide margins. Lithograph on laid paper. image: 6 5/8 x 5 1/4 in.

(16.9 x 13.3cm) sheet: 11 1/4 x 8 5/8 in.

(28.6 x 21.9cm) [Spink & Tedeschi 143; Way 105; Levy 153]. $1,500-2,500

303 10-2011/2 GEORGE WESLEY BELLOWS (american 1882-1925) “NUDE STUDY, CLASSIC ON A COUCH” 1923-4, pencil signed and titled ‘Study’, signed again in pencil by the printer Bolton Brown and inscribed ‘imp’, from the edition of 32, with wide margins. Lithograph on Basingwerk parchment. image: 10 x 12 1/2 in.

(25.3 x 31.7cm) sheet: 12 x 14 in. (30.4 x 35.6cm) [Mason 170].

Unframed. $800-1,200

131 free≤an’s modern & contemporary art

11/07/10

304 10-2011/3 GEORGE WESLEY BELLOWS (american 1882-1925) “POOL PLAYER” 1921, pencil signed by the artist bottom right, signed and inscribed ‘imp’ by the printer Bolton Brown bottom left, from the edition of 40, with wide margins.

Lithograph on tissue-thin Japan. image: 5 5/8 x 10 1/2 in. (14.3 x 26.7cm) sheet: 6 3/4 x 11 7/8 in. (17.2 x 30.2cm) [Mason 83]. $15,000-20,000

305 10-2011/4 GEORGE WESLEY BELLOWS (american 1882-1925) “OLD BILLIARD PLAYER” 1921, pencil signed by the artist, signed and inscribed ‘imp’ by the printer Bolton Brown bottom left, from the edition of 43, with margins. Lithograph on tissue-thin Japan. image: 9 x 7 3/8 in. (22.8 x 18.8cm) sheet: 10 1/4 x 8 3/4 in. (26 x 22.3cm) [Mason 84]. $5,000-7,000

132 free≤an’s modern & contemporary art

11/07/10 306 10-8054/11 EDVARD MUNCH (norwegian 1863-1944) “DIE BEIDEN MAEDCHEN UND DAS GERIPPE” 1896, pencil signed by the artist bottom right, presumably by Felsing (printer) bottom left (partially illegible), Schiefler’s state b of b; Woll’s state II of II, with wide margins. Drypoint etching in brown on heavy wove paper. image: 12 1/2 x 16 3/4 in.

(31.8 x 42.6cm) sheet: 17 3/8 x 23 1/4 in.

(44.1 x 59.1cm) [Schiefler 44, Willoch 36, Woll 51]. provenance: Carl Sachs [Lugt 634a].

Private Collection, Georgia. $4,000-6,000

307 10-1624/1 PAUL GAUGUIN (french 1848-1903) “TE PO (LA GRANDE NUIT)” 1893-1894, pencil signed by Pola Gauguin, inscribed bottom left with artist’s name, indistinctly annotated upper left (the edition was 100), with wide margins; Pola Gauguin, publisher. Woodcut on Chine. image: 8 x 14 in. (20.4 x 35.6cm) sheet: 10 1/8 x 16 3/4 in.

(25.7 x 42.6cm) [Kornfeld 21, Guérin 89]. $2,500-3,500

133 free≤an’s modern & contemporary art

11/07/10 308 10-1879/1 HENRI MATISSE (french 1869-1954) “VISAGE A LA FRANGE” 1913, pencil numbered 41/50 (there were also 5 artist’s proofs), the full sheet. Lithograph on Japan. sheet: 19 3/4 x 13 in. (50.2 x 33cm) [Duthuit 413]. $2,500-3,500

309 10-1879/2 HENRI MATISSE (french 1869-1954) “VISAGE LEGEREMENT PENCHE VERS LA GAUCHE” 1913, pencil signed in ink and numbered 50/50 (there were also 6 artist’s proofs), the full sheet.

Lithograph on Japan. sheet: 19 3/4 x 13 in. (50.2 x 33cm) [Duthuit 414]. $5,000-7,000

134 free≤an’s modern & contemporary art

11/07/10 310 10-8054/10 JOAN MIRO (spanish 1893-1983) “MANNEQUIN PARADE IN BAHIA” 1969, pencil signed and inscribed ‘H.C.’ (the edition was 75), with wide margins; Maeght, Paris, publisher. Color lithograph on wove paper. image: 47 1/4 x 31 1/2 in.

(120 x 80cm) sheet: 49 1/2 x 34 in.

(125.7 x 86.3cm) [Mourlot 628]. provenance: Private Collection, Georgia. $8,000-10,000

311 10-1960/1 the complete set of 14 lithographs JOAN MIRO (spanish 1893-1983) “LA MELODIE ACIDE” 1979-80, each print numbered 489/1500 in pencil, all with full margins, loose (as issued); Galerie Lucie Weill, Paris, publisher. With pencil numbered title/justification page and original natural colored, textured paper folder and white cardboard folder/box as issued. The set of 14 color lithographs on Arches. images: 8 x 6 1/4 in. (20.4 x 15.9cm) sheets: 13 x 9 13/16 in. (33 x 24.9cm) [Maeght 1212-1225; see Cramer 248]. $1,500-2,500

135 free≤an’s modern & contemporary art

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312 10-8073/5 JOAN MIRO (spanish 1893-1983) “PARTIE DE COMPAGNE V” 1967, pencil signed and inscribed H.C. (the edition was 75), with wide margins; Maeght, Paris, publisher. Color etching and aquatint on Mandeure rag. image: 23 1/4 x 36 5/8 in. (59.1 x 93cm) sheet: 29 3/4 x 41 in. (73.6 x 104.1cm) [Dupin 434]. provenance: Private Collection, Florida. $10,000-15,000

136 free≤an’s modern & contemporary art

11/07/10

313 10-8054/9 one print JOAN MIRO (spanish 1893-1983) “MARAVILLAS CON VARIACIONES ACROSTICAS EN EL JARDIN DE MIRO” 1975, pencil signed and numbered 38/75 (there were also 15 artist’s proofs on Rives and 5 on Japon, both in Roman numerals); Ediciones Polígrafa, Barcelona, publisher. Color lithograph on Arches. image: 20 x 12 1/2 in. (50.8 x 31.8cm) sheet: 29 1/2 x 20 3/4 in.

(75 x 52.8cm) [Mourlot 1071, see Cramer books 211]. provenance: Private Collection, Georgia. $2,000-3,000

314 10-1797/6 one print JOAN MIRO (spanish 1893-1983) “MARAVILLAS CON VARIACIONES ACROSTICAS EN EL JARDIN DE MIRO” 1975, pencil signed and numbered 48/75 (there were also 15 artist’s proofs), with wide margins; Ediciones Polígrafa, Barcelona, publisher. Color lithograph on wove paper. image: 19 x 14 in. (48.3 x 35.6cm) [Mourlot 1054, see Cramer books 211]. $2,000-3,000

315 10-8054/8 JOAN MIRO (spanish 1893-1983) “L’ENTRAINEUSE- ROUGE” 1969, pencil signed and numbered 10/75, the full sheet; Maeght, Paris, publisher. Color lithograph on BFK Rives. sheet: 33 1/4 x 23 11/16 in. (84.5 x 60.2cm) [Mourlot 613]. provenance: Private Collection, Georgia. $3,000-5,000

137 free≤an’s modern & contemporary art

11/07/10 316 10-1514/1 one print JOAN MIRO (spanish 1893-1983) “L’ENFANCE D’UBU” 1975, pencil signed and numbered 50/120, the full sheet; Tériade, Paris, publisher.

Color lithograph on Arches.

12 3/4 x 19 3/4 in. (32.4 x 50.2cm) [Mourlot 1013; see Cramer books 204]. $2,000-3,000

317 10-1514/2 one print JOAN MIRO (spanish 1893-1983) “UBU AUX BALEARES” 1971, pencil signed and numbered 102/120, with wide margins; Tériade, Paris, publisher.

Color lithograph on Arches. image: 18 3/4 x 23 3/4 in. (47.7 x 60.3cm) sheet: 19 3/4 x 26 in. (50.2 x 66.1cm) [Mourlot 773]. $2,000-3,000

318 10-1514/3 one print JOAN MIRO (spanish 1893-1983) “ENFANCE D’UBU” 1975, pencil signed and numbered 43/120, the full sheet; Tériade, Paris, publisher.

Color lithograph on Arches. image: 12 5/8 x 20 in. (32.1 x 50.9cm) [Mourlot 1011, see Cramer books 204]. $2,000-3,000

138 free≤an’s modern & contemporary art

11/07/10 319 10-8054/7 JOAN MIRO (spanish 1893-1983) “SOLEIL NOYE II” 1962, pencil signed and numbered 33/75, with wide margins; Maeght, Paris, publisher.

Color aquatint on BFK Rives. image: 8 5/8 x 23 1/8 in. (21.9 x 58.8cm) sheet: 20 1/2 x 32 in. (52.1 x 81.3cm) [Dupin 349]. provenance: Private Collection, Georgia. $1,500-2,500

320 10-8054/5 JOAN MIRO (spanish 1893-1983) “SERIES II, RED AND GREEN” 1961, pencil signed and inscribed ‘HC’ (an hors-commerce proof apart from the edition of 30), the full sheet; Maeght, Paris, publisher. Color lithograph on BFK Rives. sheet: 17 3/4 x 25 5/8 in. (44.2 x 60.3cm) [Mourlot 288]. provenance: Private Collection, Georgia. $1,000-2,000

321 10-1620/1 three catalogues raisonne JOAN MIRO (spanish 1893-1983) MIRO LITHOGRAPHIES I-III 1972, 1975, and 1977, volumes I-III, from the edition of 5000; numbered in ink 831 (of 5000); and 1955 (of 4000) and one un-numbered copy respectively; Tudor Publishing, New York, Léon Amiel, Maeght Editeur; and Maeght Editeur publishers.

The complete set of 30 color lithographs in three volumes, hors-texte, and reproductions of the artist’s lithographs, title, text in English and justifications, all on wove paper and bound as issued within canvas-covered boards and two with printed paper covers, volume I lacking cover. each volume approx.: 12 3/4 x 10 in.

(32.3 x 25.3cm) [Cramer books 160; 198; 230].

(3). $1,000-1,500

139 free≤an’s modern & contemporary art

11/07/10 322 10-8054/12 PABLO PICASSO (spanish 1881-1973) “PEINTRE DEVANT SON CHEVALET AVEC UN MODELE AUX LONGS CHEVEUX” from “le chef- d’oeuvre inconnu” 1927, signed in ink, numbered 70/99 (both slightly attenuated), with wide margins; Vollard, Paris, publisher. Etching on wove paper. image: 7 5/8 x 11 in. (19.4 x 28cm) sheet: 15 1/8 x 17 1/4 in.

(38.4 x 43.8cm) [Bloch 93; Geiser 134B]. provenance: Private Collection, Georgia. $5,000-7,000

323 10-1958/1 PABLO PICASSO (spanish 1881-1973) “VISAGE AUX PALMES” 1956, numbered 6/100 verso, with the ‘Empreinte Originale de Picasso’ and ‘Madoura Plein Feu’ stamps, incised C116, white ceramic plate diameter: 16 1/2 in. (42cm) provenance: By family descent.

Private Collection, New Jersey. $4,000-6,000

140 free≤an’s modern & contemporary art

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324 10-8054/15 (AFTER) PABLO PICASSO (spanish 1881-1973) “ANTICIPATION” from “barcelona suite” 1966, pencil signed and numbered XII/LX (there were also 60 in Arabic numerals), with wide margins; Museo Picasso, Barcelona, publisher and with their blindstamp. Color offset lithograph on Arches. image: 22 1/4 x 18 in. (56.6 x 45.8cm) sheet: 29 5/8 x 21 5/8 in. (75.7 x 55cm) [Czwiklitzer 233]. provenance: Private Collection, Georgia. $4,000-6,000

326 10-8054/17 (AFTER) PABLO PICASSO (spanish 1881-1973) “MERE ET ENFANT AU FICHU” from “barcelona suite” 1966, pencil signed and numbered XII/LX (there were also 60 in Arabic numerals), with wide margins; Museo Picasso, Barcelona, publisher and with their blindstamp. Color offset lithograph on Arches. image: 18 1/8 x 16 1/8 in. (46 x 41cm) sheet: 29 5/8 x 21 5/8 in. (75.3 x 55cm) [Czwiklitzer 231]. provenance: Private Collection, Georgia. $4,000-6,000

325 10-8054/16 (AFTER) PABLO PICASSO (spanish 1881-1973) “LA DANESEUSE NAINE” from “barcelona suite” 1966, pencil signed and numbered XII/LX (there were also 60 in Arabic numerals), with wide margins; Museo Picasso, Barcelona, publisher and with their blindstamp. Color offset lithograph on Arches. image: 22 1/2 x 12 1/2 in. (57.2 x 31.8cm) sheet: 29 3/4 x 21 3/4 in. (75.6 x 55.3cm) [Czwiklitzer 234]. provenance: Private Collection, Georgia. $4,000-6,000

141 free≤an’s modern & contemporary art

11/07/10

327 10-8054/18 (AFTER) PABLO PICASSO (spanish 1881-1973) “MADAME RICARDO CANALS” from “barcelona suite” 1966, pencil signed and numbered XII/LX (there were also 60 in Arabic numerals), with wide margins; Museo Picasso, Barcelona, publisher and with their blindstamp. Color offset lithograph on Arches. image: 22 3/4 x 17 3/8 in. (57.8 x 44.1cm) sheet: 29 5/8 x 21 5/8 in. (75.3 x 55cm) [Czwiklitzer 232]. provenance: Private Collection, Georgia. $4,000-6,000

328 10-1157/5 PABLO PICASSO (spanish 1881-1973) “LES PAUVES” from “la suite des saltimbanques” 1904-5, from the edition of 250 after steelfacing (there were also 27 or 29 impressions on Japon), with wide margins; A. Vollard, Paris, publisher.

Etching on van Gelder. image: 9 1/4 x 7 in. (23.6 x 17.8cm) sheet: 20 x 12 7/8 in. (50.8 x 32.7cm) [Bloch 3; Baer 4]. provenance: Private Collection, Pennsylvania. $2,500-4,000

329 10-8054/19 (AFTER) PABLO PICASSO (spanish 1881-1973) “HARLEQUIN” from “barcelona suite” 1966, pencil signed and numbered XII/LX (there were also 60 in Arabic numerals), with wide margins; Museo Picasso, Barcelona, publisher and with their blindstamp. Color offset lithograph on Arches. image: 22 3/4 x 17 1/4 in. (57.8 x 43.9cm) sheet: 29 3/4 x 21 3/4 in. (75.6 x 55.3cm) [Czwiklitzer 230]. provenance: Private Collection, Georgia. $4,000-6,000

142 free≤an’s modern & contemporary art

11/07/10

330 10-1506/1 PABLO PICASSO (spanish 1881-1973) “SERVICE VISAGE NOIR: PLATE A” 1948, edition 100. Inscribed ‘A’ and with ‘Madoura Flein Feu’ and ‘Edition Picasso’ stamps verso, glazed ceramic plate painted in colors diameter: 9 3/8 in. (23.8cm) [Ramie 36]. provenance: Private Collection, Pennsylvania. $1,000-2,000

331 10-1506/2 PABLO PICASSO (spanish 1881-1973) “SERVICE VISAGE NOIR: PLATE B” 1948, edition 100. Inscribed ‘B’ and with ‘Madoura Flein Feu’ and ‘Edition Picasso’’ stamps verso, glazed ceramic plate painted in colors diameter: 9 1/2 in. (24.1cm) [Ramie 37]. provenance: Private Collection, Pennsylvania. $1,000-2,000

332 10-1506/3 PABLO PICASSO (spanish 1881-1973) “SERVICE VISAGE NOIR: PLATE C” 1948, edition 100. Inscribed ‘C’ and with ‘Madoura Flein Feu’ and ‘Edition Picasso’ stamps verso, glazed ceramic plate painted in colors diameter: 9 7/16 in. (24cm) [Ramie 38]. provenance: Private Collection, Pennsylvania. $1,000-2,000

143 free≤an’s modern & contemporary art

11/07/10 333 10-1957/1 (AFTER) PABLO PICASSO (spanish 1881-1973) “DOVE OF PEACE” 1961, signed in pencil, numbered 175/200, with wide margins. Color offset lithograph on wove paper image: 18 x 21 1/2 in.

(45.7 x 54.6cm) $2,000-3,000

334 10-1514/4 GEORGES BRAQUE (french 1882-1963) UNTITLED from “descente aux enfers” 1961, pencil signed and inscribed ‘Eprueve d’artiste’ (artist’s proof, the edition was 170), with wide margins; Nouveau Cercle Parisien du Livre, publisher. Color lithograph on wove paper. image: 10 3/8 x 7 7/8 in.

(26.4 x 20cm) [Vallier 171]. $4,000-6,000

144 free≤an’s modern & contemporary art

11/07/10 335 10-8060/3 MARC CHAGALL (russian/french 1887-1985) “THE LITTLE RED HORSE” 1975, pencil signed and numbered 47/50 in the margin. Color lithograph on Arches. image: 11 x 9 1/2 (28 x 24.2cm) sheet: 19 x 15 in. (48.3 x 38.1cm) [Mourlot 742]. provenance: Private Collection, Florida. $6,000-10,000

336 10-8054/4 MARC CHAGALL (russian/french 1887-1985) “ART FLOWERS” 1982, pencil signed and numbered 26/50 in the margin (there were also artist’s proofs), with wide margins. Color lithograph on Arches. image: 19 1/4 x 13 1/4 in.

(48.9 x 33.7cm) sheet: 25 5/8 x 18 15/16 in.

(65.1 x 48.1cm) [Mourlot 1006]. provenance: Private Collection, Georgia. $7,000-9,000

145 free≤an’s modern & contemporary art

11/07/10 337 10-8054/1 MARC CHAGALL (russian/french 1887-1985) “SELF-PORTRAIT” 1973, pencil signed and numbered 32/50, with full margins. Color lithograph on Arches. image: 23 x 15 3/4 in.

(58.5 x 40cm) sheet: 29 3/4 x 21 in.

(75.6 x 53.3cm) [Mourlot 697]. provenance: Private Collection, Georgia. $1,500-2,000

338 10-8054/2 MARC CHAGALL (russian/french 1887-1985) “STUDIO AT NIGHT” 1980, pencil signed and numbered 38/50 in the margin, with wide margins; Fernand Mourlot, Paris, publisher. Color lithograph on Arches. image: 193/4 x 15 in.

(50.2 x 38.2cm) sheet: 25 1/2 x 18 7/8 in.

(64.8 x 48cm) [Mourlot 961]. provenance: Private Collection, Georgia. $4,000-6,000

146 free≤an’s modern & contemporary art

11/07/10

339 10-1797/3 MARC CHAGALL (russian/french 1887-1985) “GRAY DOUBLE FACE” 1975, pencil signed and numbered 6/50, with wide margins; Maeght, Paris, publisher. Black and grey lithograph on Japan nacré. image: 16 1/2 x 12 1/2 in. (42 x 31.8cm) [Mourlot 732] $3,000-5,000 341 10-1620/2 four catalogues raisonne MARC CHAGALL (russian/french 1887-1985) CHAGALL LITHOGRAPHS: VOLS. III-V; AND CHAGALL’S POSTERS 1969, 1974, 1984 and 1975, André Sauret and Fernand Mourlot, Monté Carlo; and Crown Publishers Inc, New York, publishers. The complete set of four lithographs (including covers), in-texte, hors-texte, and reproductions of the artist’s lithographs and posters, titles, text in English and justifications. All on wove papers and bound as issued with canvas covered boards with paper covers.

Each volume approx. 13 x 10 in. (33 x 25.4cm) [Cramer books 77 and 94 (two not in Cramer books)].

(4). $1,200-1,800

340 10-1684/4 MARC CHAGALL (russian/french 1887-1985) “BAIE DES ANGES” 1962, pen signed and dated, from the edition of 5000; French Tourist Commission, Paris, publisher. Color lithographic poster with printed text in lower margin (folded back). image: 30 1/2 x 22 1/2 in. (77.5 x 57.2cm) sheet: 38 3/4 x 22 1/4 in. (98.5 x 61.6cm) [See Mourlot 350; Sorlier 38]. $1,200-1,800

147 free≤an’s modern & contemporary art

11/07/10 342 10-1879/3 BERNARD BUFFET (french 1928-1999) “PARIS, LA PORT SAINT-MARTIN” from “album paris” 1962, pencil signed and numbered 48/150 in the margin; A.C. Mazo, Paris, publisher. Color lithograph on BFK Rives. image: 21 1/4 x 26 1/2 in. (54 x 67.3cm) [Sorlier 36]. $1,500-2,500

343 10-1889/1 CONSTANTINE KLUGE (french 1912-2003) “UN VILLAGE DU VALOIS” Signed ‘C Kluge’ bottom right, oil on canvas 29 x 46 in. (73.7 x 116.8cm) provenance: Wally Findlay Galleries, New York, New York.

Private Collection, New York, New York.

Freeman’s, November 4, 2007, sale 1289, lot 4.

Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

148 free≤an’s modern & contemporary art

11/07/10 344 10-1880/1 SUZANNE EISENDIECK (french 1908-1998) “BRICON A ISSAMBRES” Signed bottom right and titled verso, oil on canvas 18 x 21 1/2 in. (45.7 x 54.6cm) provenance: Paris American Art, Paris, France.

By family descent.

Private Collection, New York, New York. $3,000-5,000

345 10-1880/2 SUZANNE EISENDIECK (french 1908-1998) “BATEAUX A FONTAINE LA MER” Signed bottom right and titled verso, oil on canvas 19 1/2 x 24 in. (49.6 x 61cm) provenance: Paris American Art, Paris, France.

By family descent.

Private Collection, New York, New York. $3,000-5,000

149 free≤an’s modern & contemporary art

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346 10-1855/1 JEAN JANSEM (french b. 1920) “MARCHANDE DE FRUITS DE MER” Signed bottom left, titled on stretcher verso, oil on canvas 19 3/4 x 25 1/2 in. (50.2 x 64.8cm) provenance: Wally Findlay Galleries, Palm Beach, Florida.

Private Collection, Pennsylvania. $12,000-18,000

150 free≤an’s modern & contemporary art

11/07/10

347 10-8054/27 RENE BLANCHARD (french 1958-1993) MAN CARRYING A RAM Signed and dated 86 bottom left, acrylic on canvas 36 x 28 in. (91.5 x 71cm) provenance: Private Collection, Georgia. $4,000-6,000

348 10-1684/14 ROBIN CHRISTIAN ANDERSEN (austrian 1890-1969) STILLEBEN Signed bottom right, signed and indistinctly inscribed ‘Prof RC Andersen Wien TV Grosse Neug 6’ in pencil on stretcher verso, oil on canvas 23 7/8 x 25 7/8 in. (60.6 x 65.7cm) provenance: Private Collection, New York, New York. $2,000-3,000

349 10-1684/11 JOSEF DOBROWSKY (austrian b. 1889-1964) FLORAL STILL LIFE Signed bottom left, oil on canvas 24 x 18 in. (61 x 45.7cm) provenance: Private Collection, New York, New York. $3,000-5,000

151 free≤an’s modern & contemporary art

11/07/10 350 10-1554/1 HERBERT GURSCHNER (austrian 1901-1975) “VIVIENNE” oil on canvas 61 1/2 x 36 1/2 in. (156.2 x 92.7cm) provenance: The artist.

Vivienne Burton, New York, New York.

Gifted from the above to close friend, Mrs. Elizabeth White, widow of Gen. Thomas R. White, Adjutant General of the Pennsylvania National Guard.

Acquired from the above by the present owner.

Private Collection, Vermont. exhibited: Gallery Vivienne, New York, New York, November 25-December 31, 1946, exh. no. 37. note: This lot will be accompanied by exhibition brochure.

The subject of this portrait was an orphan, beauty contest winner, countess, heiress, gallery owner and wife six times over. Ms. Marguerite Vivienne Burton was born about 1880, the daughter of two stage performers. Wishing for Marguerite and her sister to have permanent homes, her parents offered them up for adoption. Marguerite was taken in by the Thomansons of Burlington, New Jersey, who were in-laws of the McNeals, owners of the U.S. Pipe Foundry. Classmates from her school at the Van Rennselaer Seminary at Burlington later recalled her telling them that she would one day be a countess.

In 1898, Marguerite met James H. Birch Jr., son of carriage mogul James Birch. They married in 1904, but soon afterwards, Marguerite won a New York beauty contest and divorced her husband. In 1911, after traveling in Europe, she married Count Walter von Roedick, an attaché of the German embassy in London. Later she became involved with a German diplomat’s son, Count Christain Gunther von Bernstroff, and married him in 1917 during the war, causing her American adoptive parents to state publicy in the New York Times wedding announcement, “I would prefer to welcome them after the war is over, not now.”

After the war, Marguerite returned to Burlington, where she became part of American society once again, regaining assets that had been frozen by the government during the war. She moved to New York where she opened Gallery Vivienne in 1946.

Marguerite (Vivienne) went on to have three more husbands - coal magnate Arthur Wooly-Hart, Jams Askton, and New York Bell Vice-President Oscar M. Taylor - before she died at her Park Avenue home in 1981. $30,000-50,000

152 free≤an’s modern & contemporary art

11/07/10 351 10-1960/4 EGON SCHIELE (austrian 1890-1918) “SELBSTBILDNIS” Ca. 1917 (1980 cast), stamped with artist’s name, date, copyright symbols and stamp-numbered 120/300; Collectors’ Club, publisher.

Bronze with dark patina. height: 11 in. (28cm) [Kallir 4F]. $2,000-4,000

352 10-1734/1 MAX VON MOOS (swiss 1903-1979) ABSTRACT COMPOSITION Signed with initials and dated 57 bottom center, titled and dated again verso with accompanying portrait of a man verso, acrylic on board 30 1/4 x 17 1/2 in. (76.9 x 44.5cm) Unframed provenance: Private Collection, Berlin, Germany.

By family descent.

Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

353 10-8073/9 PAUL WUNDERLICH (german 1927-2010) “MINOTAURUS” 1977, signed, numbered 156/2000 and stamped ‘venturi arte’ along base.

Bronze with brown and golden brown patinas and chromed steel. height: 30 3/4 in. (78.1cm) width: 7 3/8 in. (18.7cm) depth: 5 3/4 in. (14.6cm) [Spielmann 37]. provenance: Private Collection, Florida. $3,000-5,000

153 free≤an’s modern & contemporary art

11/07/10

354 10-1802/1 JANOS VASZARY (hungarian 1867-1939) FISHING BOATS Signed bottom left, oil on canvas 21 1/2 x 26 7/8 in. (54.6 x 68.3cm) provenance: Private Collection, New York, New York. $20,000-30,000

154 free≤an’s modern & contemporary art

11/07/10

355 10-1736/1 ANGELOS PANAYOTOU (greek 20th century) FLOWERS IN SPACE Signed and dated 95 bottom right, oil on canvas 27 1/2 x 27 1/2 in. (69.8 x 69.8cm) provenance: Private Collection, Canada. $6,000-10,000

155 free≤an’s modern & contemporary art

11/07/10 356 10-1973/2 JAN SIERHUIS (dutch b. 1928) “DE VRIENDEN” Signed, inscribed and dated ‘59 verso, oil on canvas 35 x 50 in. (88.9 x 127cm) provenance: Private Collection, New York, New York. $2,000-3,000

357 10-1508/15 OSCAR PIATTELLA (italian b. 1932) “MURO BLUE, ROSSO, VIOLA” Signed and dated 1959 verso, oil on canvas 62 1/2 x 52 1/2 in.

(158.8 x 133.4cm) provenance: Galleria dell’ Ariete, Milan, Italy.

Private Collection, Florida.

Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,500-2,500

358 10-1508/14 OSCAR PIATTELLA (italian b. 1932) “VERSO IL CENTRO” Signed, titled and dated 59 verso, oil on canvas 34 5/8 x 52 3/8 in. (88 x 133cm) provenance: Galleria dell’ Ariete, Milan, Italy.

Private Collection, Florida.

Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,000-2,000

156 free≤an’s modern & contemporary art

11/07/10 359 10-1728/2 GINO SEVERINI (italian 1883-1966) “LE PRINTEMPS” Signed ‘G. Severini’ bottom right, pastel and crayon on paper Executed circa 1952-3. image: 24 x 14 1/4 in. (61 x 36.2cm) sheet: 25 3/8 x 17 3/8 in.

(64.5 x 44.3cm) provenance: The artist.

Purchased from the above circa 1953/4.

By family descent.

Private Collection. literature: Daniela Fonti, Gino Severini: catalogo ragionato, Milan, 1988, #925 (painting illustrated). note: The present work is a preparatory sketch for the artist’s large mural hanging at the Palazzo dei Congressi (Palace of Congress) at the EUR district in Rome. The entire work spans 75 meters and depicts various allegories of agriculture with the four seasons of the year at its center.

Romana Severini Brunori has confirmed the authenticity of this drawing. $20,000-30,000

157 free≤an’s modern & contemporary art

11/07/10 360 10-1728/3 GINO SEVERINI (italian 1883-1966) “BALLERINE” 1954, pencil signed and numbered 5/100, with wide margins; Associazione Italiana per la Liberta e Cultura, Roma, publisher. Color lithograph on Arches. image: 14 1/2 x 10 1/4 in.

(36.8 x 26cm) sheet: 19 5/8 x 15 1/4 in.

(49.9 x 38.7cm) [Meloni 23]. provenance: By family descent.

Private Collection. $1,000-2,000

361 10-1731/3 MARINO MARINI (italian 1901-1980) “IMMAGINE” from “triade” Pencil signed and numbered 30/90, with full margins. Color etching on wove. image: 19 1/2 x 14 1/4 in.

(49.5 x 36.2cm) sheet: 28 1/2 x 22 1/4 in.

(72.3 x 55.9cm) [Guastalla 195]. $1,200-1,800

158 free≤an’s modern & contemporary art

11/07/10 362 10-8066/1 LUCIO FONTANA (italian 1899-1968) “CONCETTO SPAZIALE “ Signature incised lower right, aluminum with laceration Executed in 1965 95 3/4 x 38 in. (243.2 x 96.5cm) provenance: Private Collection, Milan.

Gagosian Gallery, London.

Private Collection, New York, New York. literature: Enrico Crispolti, Lucio Fontana Catalogo Ragionato, Vol. II, Milan, 2006, p.

610, no. 65 ME 4, illus.

Enrico Crispolti, Lucio Fontana Catalogo Generale, Vol. 2, Milan, 1986, p.

423, illus.

Enrico Crispolti, Lucio Fontana, Vol. 1: Essays par Jan van der Marck et Enrico Crispolti, La Connaissance, Bruxelles, 1974, p. 84.

Enrico Crispolti, Lucio Fontana, Vol. 2: Catalogue raisonné des peintures, sculptures et environnements spatieux rédigé par Enrico Crispolti, La Connaissance, Bruxelles, 1974, p. 124.

Enrico Crispolti, Omaggio a Fontana, Beniamino Carucci Editore, AssisiRoma, 1971, p. 250. $500,000-800,000 Concetto Spaziale is an elegant and important example of the artist's radical, avant-garde 'experiments' that challenged the paradigm of Western easel painting.

embellished and belabored his paintings, he slashed a picture and realized that in this single gesture, he could achieve the unity of object, action and space all at once.

A pioneer of the Spatialism movement, Fontana rejected the traditional, representational surface of canvas in pursuit of a more transcendent expression that would 'begin the development of an art based on the unity of time and space’.

The present picture then, created in 1965, is an example of the grand pictures which best embody this powerful, distilled aesthetic for which Fontana is celebrated. The luminous brushed aluminum surface contrasts sharply with the jagged, deep central gash with its many puckers and sharp edges evoking the unmistakably violent and scintillating action of the artist. At the same time, the gently imperfect outline of an oval around this gash suggests a more gentle action and tentative gesture by the artist, a memory of a very different action.

These contrasts, coupled with the grand scale declare its objectness, commanding a forceful and awesome presence.

Beginning in 1949 then, Fontana first cut and punctured the surfaces of his canvases. In so doing he quite literally ripped apart the historically traditional surface of representational art. During the 1950s he experimented further with the physicality of surface by heavily applying paint, ceramic shards, paste and other thick physical elements. In 1958, in a moment of frustration over having overly

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363 10-8054/24 HENRY MOORE (british 1898-1986) “SEATED MOTHER AND CHILD” 1975, pencil signed and numbered 64/100 (there were also 25 artist’s proofs), with margins; Gerald Cramer, Geneva, publisher. Color lithograph on Rives. image: 11 1/2 x 8 3/4 in. (29.2 x 22.2cm) sheet: 12 x 9 3/16 in. (30.4 x 23.3cm) [Cramer 367]. provenance: Private Collection, Georgia. $1,000-1,500

365 10-1973/5 DOUGLAS GORDON (scottish b. 1966) “STAYING HOME (FROM THE VANITY OF ALLEGORY)” Unique polaroid, signed and dated 2005 4 x 4 in. (10 x 10cm) Accompanied by a set of 49 postcards in a box designed by Stefan Sagmeister for the Guggenheim Museum, Berlin, contained within a black velvet pouch box: 4 x 4 in. (10 x 10cm) provenance: Private Collection, New York, New York. $800-1,200

364 10-1726/6 HOWARD HODGKIN (british b. 1932) “BLACK MOONLIGHT” 1980, signed in black crayon, dated and numbered 12/50 (there were also 17 artist’s proofs), the full sheets; Bernard Jacobson, Ltd., London, publisher. Lithograph in beige and black with hand-coloring in gouache and watercolor on two sheets of buff BFK Rives. overall: 44 x 55 in. (111.8 x 140.2cm) [Heenk 62]. $1,500-2,500

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11/07/10 366 10-1967/1 ALEXANDER KOSOLAPOV (russian b. 1943) “GORBY I-V” the complete set of four prints 1991-2, each pencil signed and numbered 12/25 (artist’s proofs, the edition was 75), with full margins; Greene Street Editions, New York, publisher. Color screenprints on Coventry rag paper. each image: 27 3/8 x 20 1/2 in.

(69.5 x 52.1cm) each sheet: 32 1/4 x 25 1/4 in.

(81.9 x 64.8cm) (4). provenance: The artist.

Acquired directly from the above.

Private Collection, New York. $5,000-8,000

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11/07/10 367 10-1967/7 LEONID SOKOV (russian b. 1941) “THE CHASE” 1991, signed and dated in red paint, numbered 13/20 (there were also 4 artist’s proofs), the full sheet; Greene Street Editions, New York, publisher. Unique mixed-media collage with hand-printing and gold leaf over wove paper. sheet: 45 1/2 x 38 3/8 in.

(115.6 x 97.5cm) provenance: Private Collection, New York. $10,000-15,000

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11/07/10 368 10-1967/6 LEONID SOKOV (russian b. 1941) “FREEDOM” 1991, signed and dated in blue paint, numbered ‘4/5 A.P.’ (the edition was 20), the full sheet; Greene Street Editions, New York, publisher.

Unique mixed-media collage with hand-printing and gold leaf over wove paper. sheet: 50 x 38 1/4 in.

(127 x 97.2cm) provenance: Private Collection, New York. $10,000-15,000

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369 10-1967/8 OLEG TSELKOV (russian b. 1934) “MILITARIES” Signed, titled and dated 1986 on stretcher verso, oil on canvas 75 x 93 in. (190.5 x 236.3cm) provenance: Pentti Kouri Collection, Los Angeles, California (No. 57).

Private Collection, New York. $100,000-150,000

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370 10-1967/4 ROSTISLAV LEBEDEV (russian b. 1946) “I AM GOING” Signed, dated 1991 and indistinctly inscribed in Cyrillic verso, oil on canvas 50 x 50 in. (147 x 147cm) Unframed provenance: The artist.

Acquired directly from above.

Private Collection, New York. note: The present work is from a series in which the artist paid homage to other artists; in this case, Salvador Dali. $12,000-18,000

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371 10-1967/5 MICHEL ROGINSKY (russian 1931-2004) “PRODIGAL SON”/”WE CAN’T LIVE LIKE THIS ANYMORE” Signed bottom right, oil on canvas 81 x 115 in. (205.8 x 292.1cm) provenance: The artist.

Acquired directly from the above.

Private Collection, New York. $20,000-30,000

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372 10-1425/36 MOISHE (MOISSEY) KOGAN (russian 1879 - 1943) FEMALE NUDE TORSO Signed ‘Kogan’ and numbered 2/6, bronze with blackish brown patina on Belgian marble base. height: 9 1/2 in. (24.1cm) provenance: Property of a Main Line, Philadelphia, Pennsylvania estate. $2,000-3,000

373 10-1623/18 JACQUES LIPCHITZ (french 1891-1973) STUDY FOR ‘PROMETHEUS: MAQUETTE NO. 1.’

1936, Signed with initials ‘JL,’ numbered ‘2/7,’ marked with artist’s thumbprint and foundry stamp.

Bronze with brown patina and verdigris patina. height: 10 in. (25.4cm) width: 8 1/2 in. (21.6cm) depth: 4 1/4 in. (10.8cm) provenance: From a Main Line Estate, Philadelphia Pennsylvania.

Private Collection, Pennsylvania. literature: A.G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonne, The Paris Years 1910-1940, New York, 1996, p. 108, no. 332 (another cast illustrated). $6,000-8,000

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MISSING IMAGE MISSING IMAGE

374 10-1214/3 CHOO KENG KWANG (singaporian b. 1931) “SINGAPORE RIVER” Signed ‘Keng Kwang’ bottom left, signed again, titled and dated verso, oil on canvas Executed in 1968 38 x 28 in. (96.5 x 71.2cm) provenance: A Washington, D.C. Estate. $1,500-2,500

375 10-1214/4 CHOO KENG KWANG (singaporian b. 1931) RIVER SCENE Signed ‘K. Kwang’ bottom right, signed and dated ‘K.Kwang / 1968’ verso, oil on canvas 28 x 38 in. (71.1. x 96.6cm) provenance: A Washington, D.C. Estate. $1,500-2,500

376 10-1684/15 JEAN VOLANG (vietnamese b. 1921) FISHING BOATS Signed bottom left, oil on canvas laid down to board 23 1/2 x 28 3/4 in. (59.7 x 73cm) $1,200-1,800

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377 10-1517/1 LE PHO (french 1907-2001) “THÉ ET SYMPATHIE” Signed bottom left and again in Chinese bottom left, inscribed with title in marker on stretcher, oil on canvas 51 1/4 x 77 in. (130.2 x 195.6cm) provenance: Wally Findlay Galleries, Chicago, Illinois.

Estate of Roy M. Huffington, Houston, Texas. $50,000-80,000

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11/07/10 378 10-1848/1 LE PHO (french 1907-2001) “LA VIGNE ET LE VIN” Signed bottom right and again in Chinese, oil on masonite 28 1/2 x 16 1/2 in. (72 .5 x 41.9cm) provenance: Private Collection, Pennsylvania. $8,000-12,000

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379 10-1729/1 WEI JIA (chinese b. 1975) “NO 31: SHEN ZHOU” Signed, titled and dated in English and Chinese verso, acrylic and paper laid down to canvas Executed in 2004 52 x 52 in. (132.1 x 132.1cm) Unframed provenance: Schmidt/Dean Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania. $20,000-30,000

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380 10-1963/3 SALIBA DOUAIHY (lebanese 1915-1994) “ELEVATION” Signed bottom right, signed again and dated 1965 verso, oil on canvas 30 x 42 in. (76.2 x 106.7cm) provenance: The Contemporaries, New York, New York.

Private Collection, Connecticut. $15,000-25,000

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11/07/10 381 10-1028/6 FRANCIS NEWTON SOUZA (indian 1924-2002) CHEMICAL HEAD Signed and dated ‘Souza 97’ upper left, inscribed vwith estate catalogue number ‘CRE-ChmIP-97-013’ in pencil verso, chemical alteration, gouache and marker on printed magazine paper sheet: 11 7/8 x 8 3/4 in.

(30.2 x 22.2cm) Unframed provenance: The Estate of F.N. Souza.

By descent to the present owner. $3,000-5,000

382 10-1028/10 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED-WOMAN Signed and dated ‘Souza / 97’ upper left, inscribed with estate catalogue number ‘CR-ChmMP-97-021’ verso, chemical alteration, gouache and marker on printed magazine paper sheet: 10 7/8 x 8 1/4 in.

(27.6 x 21cm) Unframed provenance: The Estate of F.N. Souza.

By descent to the present owner. $3,000-5,000

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11/07/10 383 10-1028/11 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED- WOMAN Signed and dated ‘Souza 91’ upper left, chemical alteration, inscribed verso with estate catalogue number ‘CRE-ChmIP-97-013’ verso, gouache and marker on printed magazine paper sheet: 10 7/8 x 9 in. (27.6 x 22.9cm) Unframed provenance: The Estate of F.N. Souza.

By descent to the present owner. $3,000-5,000

384 10-1799/5 two works SUNIL DAS (indian b. 1939) “INTROSPECTION” Signed and dated ‘72 bottom left and again bottom right, signed and dated ‘68 verso, oil on canvas 60 x 72 in. (152.5 x 182.8cm) Accompanied by a ink drawing by the same hand Signed and dated 1972 bottom right, ink on paper sheet: 6 5/8 x 4 5/8 in. (16.9 x 11.8cm) Unframed (2). provenance: The artist.

Acquired directly from the artist ca. 1973 by the present owner who was a United States Foreign Service Officer and American Consul stationed in Calcutta between 1971-3.

Private Collection, North Carolina. exhibited: “United States Information Agency Art Exposition,” Calcutta, India, ca. 1972. $5,000-7,000

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385 10-1799/4 GANESH PYNE (indian b. 1937) “THE FRUIT” Signed and dated 72 bottom right, tempera on canvas laid down to heavy card 23 x 25 in. (58.5 x 63.5cm) provenance: The artist.

Acquired directly from the artist circa 1973 by the present owner who was a United States Foreign Service Officer and American Consul stationed in Calcutta between 1971-3.

Private Collection, North Carolina. exhibited: “United States Information Agency Art Exposition,” Calcutta, India, ca. 1972. $40,000-60,000

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386 10-1799/1 MADVHI PAREKH (indian b. 1942) SEA GODDESS Signed and indistinctly dated bottom right in Devanagari, inscribed with artist’s name in English verso in black paint, oil on canvas Executed ca. 1971 34 3/4 x 45 in. (88.3 x 114.3cm) provenance: The artist.

Acquired directly from the artist circa 1973 by the present owner who was a United States Foreign Service Officer and American Consul stationed in Calcutta between 1971-3.

Private Collection, North Carolina. $7,000-9,000

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11/07/10 387 10-1799/2 BIKASH BHATTACHARJEE (indian 1940-2006) UNTITLED Signed and dated ‘72 upper right, oil on canvas 52 x 34 in. (132 x 137.3cm) provenance: The artist.

Acquired directly from the artist ca.

1972 by the present owner who was a United States Foreign Service Officer and American Consul stationed in Calcutta between 19713.

Private Collection, North Carolina. exhibited: “United States Information Agency Art Exposition,” Calcutta, India, ca. 1972. $40,000-60,000

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11/07/10 388 10-1799/3 BIKASH BHATTACHARJEE (indian 1940-2006) WOMAN WITH PEARL NECKLACE Signed and dated 73 lower left, mixed media on card 29 x 22 in. (73.7 x 55.9cm) provenance: The artist.

Acquired directly from the artist ca.

1973 by the present owner who was a United States Foreign Service Officer and American Consul stationed in Calcutta between 19713.

Private Collection, North Carolina. exhibited: United States Consul General residence, ca. 1973. $10,000-15,000

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Elena Guajardo de Kimberly Elena Guajardo de Kimberly opened the Kimberly Gallery in the summer of 1987 to showcase the work of major contemporary artists from Latin America . Over the course of the next decade, she organized exhibitions from her personal and gallery collections for receptions at the Mexican Cultural Institute in Washington D.C. Esteemed visitors to these events included Presidents George Bush Sr. and William Clinton.

In Los Angeles in 1992, Kimberly organized the exhibition "Four Decades After the Muralists" which ran parallel to the exhibition "Mexico , Thirty Centuries of Splendor" which had originated at New York's Metropolitan Museum and continued on to the L.A. County Museum of Art. "Four Decades" went on to the Mexican Fine Art Center Museum in Chicago and the Mexican Cultural Institute in Washington, D.C. Kimberly Gallery donated 30 works to The Art Museum of the Americas of the Organization of American States and 130 art works by 34 Mexican artists to the Mexican Cultural Institute.

The following 17 works represent a selection from Elena Guajardo de Kimberly’s personal collection.

MISSING IMAGE

Elena Guajardo de Kimberly with Hilary Rodham Clinton at an October, 1995 Mexican Cultural Institute exposition.

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11/07/10 389 10-8074/17 CORDELIA URUETA (mexican 1908-1995) “OJO DEL TIEMPO” Signed and dated 90 bottom right, oil on canvas 55 x 47 in (139.7 x 119.4cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: “Four Decades After the Muralists,” organized by Kimberly Gallery of Art (traveled to Los Angeles, California, Washington D.C. and the Mexican Fine Art Center Museum, Chicago, Illinois), October 1991-September 1992, cover illustration of exhibition catalogue. $6,000-10,000

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11/07/10 390 10-8074/14 CORDELIA URUETA (mexican 1908-1995) “BALANCE DEL MIEDO” Signed and dated 75 bottom right and signed, titled and dated verso, oil on canvas 50 x 66 1/2 in. (127 x 168.9cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $6,000-10,000

391 10-8074/15 CORDELIA URUETA (mexican 1908-1995) “MURALLA” Signed and dated bottom right, signed, titled and dated 1987 verso, oil on canvas 51 x 52 in. (129.5 x 132.1cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $6,000-10,000

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11/07/10 392 10-8074/23 LUIS NISHIZAWA (mexican b. 1920) “TLAYACAPAN” Signed bottom left and with the artist’s red stamp, watercolor Executed in 1987 24 x 36 in. (61 x 91cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: Museo del Palacio de Bellas Artes, Mexico, October 1998. $6,000-10,000

393 10-8074/24 LUIS NISHIZAWA (mexican b. 1920) “ROCAS DE TEPOZTLAN” Signed bottom left and signed again and titled verso, oil on masonite 17 x 22 in. (43.2 x 55.8cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: Salón de la Plástica Mexicana, Instituto National de Belles Artes, Mexico City, Mexico. $1,500-2,500

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11/07/10 394 10-8074/27 CARLOS OROZCO-ROMERO (mexican 1898-1984) “PAISAJE GUANAJUATO” Signed bottom left and titled verso, oil on canvas 18 1/4 x 29 in. (46.5 x 73.7cm) provenance: Galeria Orozco, Mexico.

Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: Salón de la Plástica Mexicana, Instituto National de Belles Artes, Mexico City, Mexico. $6,000-10,000

395 10-8074/3 DR. ATL (GERARDO MURILLO) (mexican 1875-1964) “EL PINO Y LA MONTANA POPOCATEPETL” Signed bottom right, charcoal on paper Executed in 1942 image: 10 1/4 x 14 1/4 in.

(26 x 36.2cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $2,000-4,000

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11/07/10 396 10-8074/13 RODOLFO MORALES (mexican 1925-2001) “DOS MUNDOS” Signed twice at center right and left, signed and titled verso, oil on canvas diameter: 31 1/2 in. (80cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $5,000-8,000

397 10-8074/9 GUILLERMO MEZA (mexican 1917-1997) “ANIMAL EN SOMBRA” Signed and dated 1960 and with artist’s device lower center right, signed, titled and dated again verso, oil on canvas 34 x 33 1/2 in. (86.4 x 85.1cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $2,000-4,000

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398 10-8074/34 FRANCISCO TOLEDO (mexican b. 1940) UNTITLED Signed and dedicated ‘Toledo para los amigos’ and ‘Zunbelevich,’ gouache and ink 11 x 7 1/2 in. (27.9 x 19.1cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: “Four Decades After the Muralists,” organized by Kimberly Gallery of Art (traveled to Los Angeles, California, Washington D.C. and the Mexican Fine Art Center Museum, Chicago, Illinois), October 1991-September 1992, illustrated p. 115 in exhibition catalogue. $5,000-8,000

399 10-8074/35 FRANCISCO TOLEDO (mexican b. 1940) UNTITLED (PORTRAIT) Signed in pencil bottom center, watercolor and ink on paper 10 5/8 x 13 7/8 in. (27 x 35.3cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $4,000-6,000 400 10-8074/21 ROGER VON GUNTEN (swiss b. 1933) “ACIS Y GALATEA” Signed with initials, titled and dated 1987 bottom right, oil on canvas 43 1/2 x 35 3/4 in. (110.5 x 90.8cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: Mexican Fine Art Center Museum, Chicago, Illinois. $1,500-2,500

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11/07/10 401 10-8074/20 three works on paper ROGER VON GUNTEN (swiss b. 1933) UNTITLED Each signed and dated 77, 85 and 84 respectively, three gouaches on paper 17 x 10 3/4 in. (43.2 x 27.3cm) and; 18 3/8 x 15 1/4 in. (46.7 x 38.7cm) and; 14 3/4 x 18 in. (37.5 x 45.7cm) (3). provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $2,500-4,000

402 10-8074/2 LAURA ANDERSON BARBATA (mexican b. 1958) “EL SACRIFICIO DE LA FE” Charcoal, graphite, and pastel on paper 34 x 28 1/2 in (86.4 x 72.4cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. exhibited: “Four Decades After the Muralists,” organized by Kimberly Gallery of Art (traveled to Los Angeles, California, Washington D.C. and the Mexican Fine Art Center Museum, Chicago, Illinois), October 1991September 1992, October 1991-September 1992, exh. cat. p. 23. $500-800

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403 10-8074/60 EDUARDO CHILLIDA (spanish 1924-2002) “BIKAINA X” 1987, pencil signed and numbered 48/50 (there were also 10 artist’s proofs in Roman numerals), with full margins; Polìgrafa S.A., Barcelona, publisher. Etching and aquatint on BFK Rives. image: 4 1/4 x 5 in. (10.8 x 12.8cm) sheet: 25 3/8 x 19 3/4 in. (64.5 x 50.2cm) [Van der Koelen 87007]. provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $1,000-2,000

404 10-8074/22 CARLOS MERIDA (guatemalan 1895-1984) UNTITLED (GEOMETRIC ABSTRACTION) Pencil signed bottom right, watercolor, pencil and tempera on brown wove paper image: 5 7/8 x 8 in. (15 x 8cm) sheet: 7 13/16 x 11 7/8 in. (19.9 x 30.2cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $600-1,000

405 10-8074/37 ROBERTO ESTOPINAN (cuban b. 1920) ABSTRACT FORM Signed, inscribed ‘NY’ and dated 1986, alabaster height: 21 1/2 in. (54.6cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $1,000-1,500

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406 10-8074/59 VICTOR CHAB (argentinian b. 1930) “BAILARIN WATUSI” Signed, titled and dated 1987 verso, oil and collage on canvas 72 1/4 x 60 1/2 in. (184 x 154cm) provenance: Elena Guajardo de Kimberly, Virginia.

By family descent. $2,500-3,500

407 10-1508/9 VICTOR CHAB (argentinian b. 1930) “SER DE ALGUN MUNDO” Signed, titled and dated 1967 verso, oil on canvas 39 1/4 x 31 3/4 in. (99.7 x 80.7cm) provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,000-2,000

408 10-1508/10 AGUSTIN FERNANDEZ (cuban 1928-2006) “UNICORN” Titled and inscribed ‘7’ verso, oil on canvas 51 x 50 1/2 in. (129.5 x 128.3cm) Unframed provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $4,000-6,000

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409 10-1508/17 OMAR RAYO (colombian b. 1928) “WET ZONE NO. 2” Signed, titled, inscribed and dated ‘New York 1966’ in pencil verso, acrylic on canvas 40 x 40 in. (101.6 x 101.6cm) Unframed provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $10,000-15,000

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11/07/10 410 10-1508/23 JUAN DOWNEY (chilean 1940-1993) “RETRATO DE CUERPO ENTERO” Signed bottom right, titled, dated 1963-64 and signed again verso, oil on canvas 31 1/2 x 25 1/4 in. (80 x 64cm) provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $10,000-15,000

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411 10-1508/20 RAUL VALDIVIESO (chilean 1931-1993) “SEED TORSO” Signed with initials and dated 67 on underside, bronze with green patina on artist’s wood base overall height: 31 1/2 in. (80.2cm) width: 7 in. (17.8cm) depth: 8 3/4 in. (22.2cm) provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,500-2,500

412 10-1508/19 RAUL VALDIVIESO (chilean 1931-1993) “SEMILLA I” Bronze on artist’s wood base Executed in 1964 overall height: 27 3/4 in. (70.5cm) width: 16 1/2 in. (41.9cm) depth: 11 in. (27.9cm) provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,000-2,000

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413 10-1508/16 ROGELIO POLESELLO (argentinian b. 1939) “PRIMERA EPOCA” Signed and dated 60 verso and signed, titled and dated again on the stretcher, oil on canvas 39 1/2 x 39 1/2 in. (100.3 x 100.3cm) provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $6,000-8,000

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414 10-1797/10 FRANCISCO ZUNIGA (mexican 1912-1998) “DOS MUJERES” Signed, numbered I/III and dated 1968 near base verso, bronze with green and brown patinas height: 9 1/4 in. (23.5cm) width: 12 1/2 in. (31.8cm) depth: 10 in. (25.4cm) provenance: Private Collection, Maryland. literature: Fundación Zúñiga, Francisco Zúñiga: Catalogo Razonado (1923-1983), Mexico City, 1999, p. 327 No. 550 (another cast illustrated). $15,000-20,000

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415 10-1797/9 FRANCISCO ZUNIGA (mexican 1912-1998) “DESNUDO DE CUCLILLAS” From the edition of 28, bronze with green patina on wood base height: 6 in. (15.2cm) width: 7 in. (17.8cm) depth: 6 1/2 in. (16.6cm) provenance: Sotheby’s, New York, May 18, 1988 lot 85.

Brenner Gallery, Inc., Manalapan, Florida.

Acquired from above in 1991 by present owner.

Private Collection, Maryland. literature: Fundación Zúñiga, Francisco Zúñiga: Catalogo Razonado (1923-1983), vol. I, Mexico City, 1999, p. 245 No. 374 (another cast illustrated). $8,000-10,000

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416 10-8080/3 FELIPE CASTANEDA (mexican b. 1933) SEATED FEMALE FIGURE 1973, incised with artist’s name, dated and numbered ‘I-V’ verso left near base. Bronze with green patina. height: 8 in. (20.3cm) width: 6 in. (15.3cm) depth: 4 1/4 in. (10.9cm) provenance: Private Collection, Florida. $4,000-6,000

417 10-1797/1 FELIPE CASTANEDA (mexican b. 1933) “MUCHACHA” Signed, numbered ‘P/A’ (one of two artist’s proofs, the edition was 7) and dated 1981 near base, bronze with green patina on marble base height: 17 in. (43.2cm) width: 11 in. (28cm) depth: 10 in. (25.4cm) provenance: The artist.

Artistic Gallery, Scottsdale, Arizona.

Purchased from above by the present owner in 1984.

Private Collection, Maryland. note: This lot is accompanied by a copy of the certificate of authenticity signed by the artist. $5,000-7,000

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11/07/10 418 10-8077/1 DIEGO RIVERA (mexican 1886-1956) PORTRAIT OF A YOUNG GIRL Signed ‘Diego Rivera’ bottom left, ink on Japanese paper 15 1/8 x 10 1/4 in. (38.4 x 26cm) provenance: Gift from artist ca. 1933.

By family descent.

Private Collection, Florida. $15,000-20,000

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419 10-8054/25 RUFINO TAMAYO (mexican 1899-1991) “PERFIL” 1977, signed in white crayon and numbered 87/100 (there were also 25 in Roman numerals and 10 artist’s proofs), the full sheet; Taller de Gráfica, Mexicana, Mexico City, publisher, and with their blindstamp.

Color etching on handmade paper. image/sheet: 23 1/4 x 15 3/4 in.

(59 x 40cm) [Pereda 231]. provenance: Private Collection, Georgia. $3,000-5,000

420 10-8054/23 RUFINO TAMAYO (mexican 1899-1991) “TORSO BLANCO” 1978, insdistinctly signed in crayon, numbered 7/120 (there were also 10 artist’s proofs in Roman numerals), with full margins; Taller de Gráfica, Mexico City, Mexico, publisher.

Color mixograph on handmade paper. image: 31 1/2 x 23 3/4 in.

(80.1 x 60.3cm) sheet: 35 1/4 x 27 3/4 in.

(89.5 x 60.4cm) [Pereda 247]. provenance: Private Collection, Georgia. $3,000-5,000

421 10-1973/3 MARCELO BONEVARDI (american 1929-1994) “OBJECTS” Signed and dated 67 twice verso, mixed media collage 15 x 9 1/2 x 3 1/2 in. (38.1 x 24.1 x 8.9cm) provenance: Private Collection, New York, New York. $800-1,200

199 free≤an’s modern & contemporary art

11/07/10 422 10-1623/11 OSVALDO IMPERIALE (argentinian 1913-1977) “LA BOCA” Signed bottom right, signed and titled verso, indistinctly inscribed on stretcher verso, oil on canvas 27 1/2 x 23 1/2 in. (69.8 x 59.6cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

423 10-1210/2 ALBERT HUIE (jamaican 1920-2010) CANOE BY A DOCK Signed bottom left, oil on board sight: 14 x 15 in. (35.6 x 38.1cm) provenance: Private Collection, Washington, D.C. $1,200-1,800

200 free≤an’s modern & contemporary art

11/07/10 424 10-1731/1 STUART DAVIS (american 1892-1964) “STUDY FOR A DRAWING” Circa 1955, from the edition of 100.

Color silkscreen. image: 7 5/16 x 7 5/8 in.

(18.6 x 19.4cm) [Cole & Myers 25]. provenance: Earl Davis.

Metropolitan Museum of Art, New York, New York.

Private Collection, New Jersey. $1,000-1,500 425 No lot

426 10-1860/2 MILTON AVERY (american 1885-1965) “ROOSTER” 1953, pencil signed and dated, from the edition of 100, with wide margins; Collectors of American Art, New York, publisher. Woodcut in blue and black on Japan. image: 9 1/2 x 7 1/4 in.

(24.2 x 18.4cm) sheet: 11 3/4 x 9 in. (29.9 x 22.9cm) [Lunn 50]. provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

201 free≤an’s modern & contemporary art

11/07/10 426 10-1277/4 MILTON AVERY (american 1885-1965) “NUDE COMBING HAIR” 1961, signed and dated in pencil, numbered 12/90, with wide margins. Drypoint on wove paper. image: 8 9/16 x 6 1/8 in.

(21.8 x 15.6cm) sheet: 12 x 9 in. (30.4 x 22.9cm) [Lunn 30]. provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

428 10-1860/1 MILTON AVERY (american 1885-1965) “SLEEPING BABY” 1933, pencil signed and dated, numbered 83/100, with wide margins. Etching on wove paper. image: 5 1/2 x 7 5/8 in.

(14 x 19/4cm) sheet: 13 x 14 7/8 in. (33 x 37.9cm) [Lunn 4]. provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

202 free≤an’s modern & contemporary art

11/07/10

429 10-1508/7 JOSEF ALBERS (american 1888-1976) “WHITE LINE SQUARE XI” from “white line square, series ii” 1966, pencil signed with initial, dated, titled and numbered ‘84-125’ (there were also 15 artist’s proofs), with wide margins; Gemini G.E.L., Los Angeles, California, publisher.

Color screenprint on Arches Cover. image: 15 3/4 x 15 3/4 in. (40 x 40cm) [Danilowitz 172.3] provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,000-2,000

430 10-1508/8 JOSEF ALBERS (american 1888-1976) “WHITE LINE SQUARE XV” from “white line square, series ii” 1966, pencil signed with initial, dated, titled and numbered ‘82-125’ (there were also 15 artist’s proofs), with wide margins; Gemini G.E.L., Los Angeles, California, publisher.

Color screenprint on Arches Cover. image: 15 3/4 x 15 3/4 in. (40 x 40cm) [Danilowitz 172.7]. provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,000-2,000

431 10-1856/3 three prints JOSEF ALBERS (american 1888-1976) “HOMAGE TO THE SQUARE”: “THAW,” AND “FULL,” AND “SOFT EDGE, HARD EDGE: PENDING” 1962, 1962 and 1965 respectively, all from unsigned editions of 250 (there was also a signed edition of 50 for “Pending”), all with wide margins; all published by Ives-Sillman, Inc., New Haven, Connecticut. Three color screenprints on Mohawk Superfine Bristol. all images: 11 x 11 in. (28 x 28cm) all sheets: 16 7/8 x 16 7/8 in. (42.9 x 42.9cm) [Danilowitz 156.2; 156.6; and 165.9] Unframed (3) $1,000-2,000

203 free≤an’s modern & contemporary art

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432 10-1735/12 ROLPH SCARLETT (american 1891-1984) ABSTRACT COMPOSITION Signed bottom right, gouache and watercolor on paper 8 1/2 x 11 1/2 in. (21.6 x 29.2cm) provenance: Private Collection, Woodstock, New York. $1,000-1,500

433 10-1735/11 ROLPH SCARLETT (american 1891-1984) GEOMETRIC ABSTRACTION WITH RED, PURPLE AND LAVENDER Signed with initials bottom right corner, gouache, graphite and watercolor on paper 8 1/4 x 9 3/4 in. (21 x 24.8cm) provenance: Private Collection, Woodstock, New York. $1,000-1,500

434 10-1735/5 ROLPH SCARLETT (american 1891-1984) ABSTRACT COMPOSITION Signed bottom right, gouache and ink on paper 10 x 8 5/8 in. (25.5 x 22cm) provenance: Private Collection, Woodstock, New York. $1,000-1,500

204 free≤an’s modern & contemporary art

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435 10-1728/1 JOSEPH (JOE) DUDLEY DOWNING (american b. 1925-2007) UNTITLED Signed bottom right, oil on canvas 39 1/4 x 31 3/4 in. (99.7 x 80.7cm) $3,000-5,000

436 10-1974/1 BYRON BROWNE (american 1907-1961) “LEGEND” Signed, titled and dated 1954 bottom left and again verso, oil on canvas 21 x 16 in. (53.3 x 40.6cm) provenance: Grogan & Company, Boston, April 13, 1997, lot 102.

Private Collection, New York, New York. $3,000-5,000

437 10-1684/31 OLUF GRAVESEN (danish 1943-1987) UNTITLED Signed and dated ‘62’ bottom right, nail construction in wood base 20 3/8 x 20 3/8 in. (51.8 x 51cm) provenance: Philip Johnson, New York, New York.

Private Collection, New York, New York. $500-800

205 free≤an’s modern & contemporary art

11/07/10 438 10-1684/21 GEORGE MORRISON (american 1919-2000) UNTITLED ABSTRACTION Signed and dated 1956, oil on canvas 25 1/2 x 31 3/4 in. (64.8 x 80.5cm) provenance: Private Collection, New York, New York. $2,000-3,000

439 10-1684/22 GEORGE MORRISON (american 1919-2000) UNTITLED ABSTRACTION Signed and dated 1957, watercolor and gouache on paper 24 7/8 x 37 3/4 in. (63.2 x 96.2cm) provenance: Private Collection, New York, New York. $1,500-2,500

440 10-1684/26 GEORGE MORRISON (american 1919-2000) “LUMINOUS LANDSCAPE” Signed and dated 1953, watercolor and gouache on paper sight: 19 1/4 x 27 in. (48.7 x 68.6cm) provenance: Columbus Gallery of Fine Arts.

Grand Central Moderns, New York, New York.

Art Lending Service of the Museum of Modern Art, New York, New York.

Private Collection, New York, New York. exhibited: “Whitney Annual 1956,” American Federation of Arts, New York, September 1956-September 1958, number 21. $1,500-2,500

206 free≤an’s modern & contemporary art

11/07/10 441 10-1963/1 OLGA ALBIZU (puerto rican 1924-2005) COMPOSITION IN YELLOW AND GREEN Signed and dated 1954 verso, oil on canvas 30 x 20 in. (76.2 x 50.8cm) provenance: Private Collection, Connecticut. $4,000-6,000

442 10-1508/12 ADOLPH GOTTLIEB (american 1903-1974) “BLUES ON GREEN” 1971, pencil signed, dated and numbered 13/150, with wide margins; Marlborough Graphics, New York, New York, publisher.

Color screenprint on Arches. image: 23 3/4 x 17 7/8 in.

(60.3 x 45.4cm) provenance: Estate of Rolf. E. Muenter, Greensboro, Vermont. $1,500-2,500

207 free≤an’s modern & contemporary art

11/07/10 443 10-1758/3 ALEXANDER CALDER (american 1898-1976) UNTITLED Signed and dated ‘Calder 72’ bottom right, gouache on paper 43 1/4 x 29 1/2 in. (109.9 x 74.9cm) provenance: M. Knoedler and Company, New York, New York.

Emrose Art Corporation, Ft. Lauderdale, Florida.

Purchased from above in 1978.

Private Collection, Florida. note: This work is registered in the archives of the Calder Foundation under identification number A24733. $30,000-50,000

208 free≤an’s modern & contemporary art

11/07/10

444 10-8017/18 sculpture accompanied by three drawings MARK TOBEY (american 1890-1976) “FIGURE” Brass.

Executed in ca. 1928 height: 3 3/4 in. (9.5cm) width: 1 15/16 in. (4.9cm) depth: 1 5/16 in. (3.3cm) and THREE DRAWINGS Two, charcoal on yellow paper; one, charcoal with white chalk on folded brown paper largest sheet size: 4 1/8 x 5 in. (10.5 x 12.7cm) (4). provenance: The artist.

Mrs. Horton C. Force, Seattle.

By family descent. exhibited: The Museum of Modern Art, New York, New York, “Mark Tobey,” referenced and illustrated in artist’s biography in the catalogue. $6,000-10,000

209 free≤an’s modern & contemporary art

11/07/10

445 10-1684/39 LEZA SULLIVAN MCVEY (american 1907-1984) UNTITLED Signed ‘Leza’ along bottom of base.

Ceramic. height: 6 1/4 in. (15.9cm) $5,000-8,000

210 free≤an’s modern & contemporary art

11/07/10 446 10-1961/1 HARRY BERTOIA (american 1915-1978) UNTITLED (SCULPTURAL FORM) Unique, iron and cut nails.

Executed ca. late 1950s.

47 x 42 x 44 in. (119.4 x 106.7 x 111.8cm) provenance: Acquired from the artist by the present owner, circa 1962.

Private Collection, Pennsylvania. $15,000-25,000

211 free≤an’s modern & contemporary art

11/07/10

447 10-8079/1 HARRY BERTOIA (american 1915-1978) SOUND SCULPTURE (SONAMBIENT) Copper and brass Executed ca. 1970-2 height: 30 in. (76.2cm) width (base): 7 15/16 in. (20.2cm) depth (base): 7 7/8 in. (20cm) provenance: The artist.

Acquired directly from above by present owner.

Private Collection, Florida. note: This lot will be accompanied by a xeroxed copy of a bill of sale signed

by Harry Bertoia and dated 6/27/74. $10,000-15,000

212 free≤an’s modern & contemporary art

11/07/10

448 10-1508/13 MANUEL NERI (american b. 1930) “NIJINSKY” Signed ‘Neri’ and numbered 2/6, bronze with brown patina.

Executed circa 1975 height: 14 1/2 in. (36.8cm) width: 6 in. (15.2cm) depth: 3 in. (7.6cm) $2,000-4,000

449 10-1797/7 DONALD WRIGHT (american b. 1930) “DW1706” Signed with initials and dated 76, unique bronze with brown patina height: 8 1/4 in. (21cm) width: 13 in. (33cm) depth: 8 1/2 in. (21.6cm) provenance: The Selective Eye, Santa Fe, New Mexico.

Purchased from above in 1985.

Private Collection, Maryland. note: This lot is accompanied by a certificate of authenticity signed by the artist and dated 29 May 1985. $1,000-2,000

450 10-1738/2 RED GROOMS (american b. 1937) “LOS AFICIONADOS” 1990, signed and dated in black crayon, numbered 56/90 (there were also 10 artist’s proofs); Red Grooms & Shark’s Incorporated, Boulder, Colorado, publisher. Three-dimensional color lithograph on Rives BFK, cut out, glued and mounted in Plexiglas case. overall: 26 1/2 x 37 1/4 x 24 7/8 in.

(67.4 x 95.2 x 63.2cm) [Knestrick 119]. provenance: Private Collection, Pennsylvania. $1,500-2,500

213 free≤an’s modern & contemporary art

11/07/10

451 10-8073/10 ROBERT MOTHERWELL (american 1915-1991) “YELLOW FLIGHT” 1982-86, pencil signed and numbered 13/45 (there were also 8 artist’s proofs in Roman numerals), with artist’s blind stamp and full margins; Tyler Graphics, Ltd., Mt. Kisco, New York, publisher. Color etching and aquatint on Hawthorne of Larroque handmade paper. image: 9 3/4 x 23 5/8 in. (24.7 x 60cm) sheet: 18 x 32 1/4 in. (45.7 x 82cm) [Engberg & Banach 333]. provenance: Private Collection, Florida. $5,000-7,000

214 free≤an’s modern & contemporary art

11/07/10 452 10-1738/1 ROY LICHTENSTEIN (american 1923-1997) “WATER LILIES WITH WILLOWS” Signed, dated 1992 and numbered 10/23 verso (there were also 7 artist’s proofs); Saff Tech Arts, publisher. Color screenprinted enamel on processed and swirled stainless steel Executed in 1992.

58 x 104 3/16 in. (147.3 x 264.6cm) provenance: Private Collection, Pennsylvania. literature: Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997, New York, 2002, no.

266, p. 242, illustrated. $250,000-350,000

215 free≤an’s modern & contemporary art

11/07/10

216 free≤an’s modern & contemporary art

11/07/10

453 10-1960/3 SUNDAY B. MORNING (AFTER ANDY WARHOL) “MARILYN PORTFOLIO” the complete set of 10 color screenprints All the full sheets; Sunday B. Morning, publisher and with their blue inkstamp verso. Color screenprints on museum board. sheets: 36 1/8 x 35 7/8 in. (91.7 x 91.2cm) Unframed (10). $2,000-3,000

217 free≤an’s modern & contemporary art

11/07/10

454 10-1960/2 SUNDAY B. MORNING (AFTER ANDY WARHOL) “FLOWERS PORTFOLIO” the complete set of 10 color screenprints All the full sheets; Sunday B. Morning, publisher and with their blue inkstamp verso. Color screenprints on museum board. sheets: 35 7/16 x 35 7/16 in. (90 x 90cm) Unframed (10). $2,000-3,000

218 free≤an’s modern & contemporary art

11/07/10 455 10-1856/1 “11 POP ARTISTS, VOLUME I” the complete set of 11 prints 1965, ten signed (Warhol with artist’s stamp signature), all numbered (there were also 50 artist and collaborator proofs in Roman numerals I-L), all the full sheets; Original Editions, New York, publisher. The complete set of 10 color screenprints (the Wesselmann on blown vinyl, the Lichtenstein on metallic plastic, the Phillips on Alufoil, the Laing with collage) and one color lithograph. With original orange cloth-covered portfolio, title/introduction sheet and pencil numbered justification sheet. portfolio (overall): 24 1/2 x 20 3/8 in.

(62.3 x 51.8cm) (9 framed, 2 unframed) (11).

Including: Allan D’Arcangelo, Jim Dine, Allen Jones [L.29], Gerald Laing, Roy Lichtenstein [C. 37], Peter Phillips, Mel Ramos, James Rosenquist, Andy Warhol [F. & S. II.13], John Wesley and Tom Wesselmann. $18,000-25,000

219 free≤an’s modern & contemporary art

11/07/10

220 free≤an’s modern & contemporary art

11/07/10

456 10-1731/5 TOM WESSELMANN (american 1931-2004) “BLONDE VIVIENNE PLATE” 1985-6. With the artist’s stamped signature on the front and reverse.

Rosenthal Limitierte Kunstreihen, Germany, publisher. diameter: 12 1/4 in. (31.1cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

457 10-1177/1 ROBERT RAUSCHENBERG (american 1925-2008) “RAYS” 1973, signed and dated in pencil, numbered 61/95 (there were also an unrecorded number of artist’s proofs), the full sheet; Styria Studio, New York, New York, publisher.

Color offset lithograph and screenprint on wove paper. sheet/image: 53 x 39 in.

(134.7 x 99cm) $2,500-3,500

458 10-1962/1 FRANK STELLA (american b. 1936) “METROPOLITAN MUSEUM OF ART 1870-1970” 1970, pencil signed, dated and numbered 234/250; The Metropolitan Museum of Art, New York, New York, publisher. Color screenprint with text. image size: 29 1/8 x 29 1/8 in. (74 x 74cm) sheet size: 35 1/4 x 35 1/4 in. (89.5 x 89.5cm) [See Axsom posters C]. $2,500-3,500

221 free≤an’s modern & contemporary art

11/07/10

459 10-1960/5 ROBERT INDIANA (american b. 1928) “CHOSEN LOVE” Circa 1995, signed in ink and numbered 218/300 on fabric certificate affixed verso; Master Contemporary Original Artist Rugs, New York, publisher. Hand tufted wove wool rug.

72 x 72 in. (183 x 183cm) $1,500-2,000

460 10-8073/12 MEL BOCHNER (american b. 1940) UNTITLED from “4 x 4 x 4” 1990, pencil signed, dated and numbered 83/100 (there were also 16 artist’s proofs); Parasol Press, Portland, Oregon, publisher. Color screenprint on Somerset textured paper. image: 45 x 42 in. (114.3 x 106.8cm) sheet: 48 x 48 in. (121.9 x 121.9cm) provenance: Private Collection, Florida. $500-800

461 10-8073/11 ROBERT MANGOLD (american b. 1937) UNTITLED from “4 x 4 x 4” 1990, pencil signed, numbered #83/100 (there were also 16 artist’s proofs), with full margins; Parasol Press, Portland, Oregon, publisher.

Color screenprint on Waterford. image: 44 x 44 in. (111.8 x 111.8cm) sheet: 48 x 48 in. (121.8 x 121.8cm) provenance: Private Collection, Florida. $800-1,200

222 free≤an’s modern & contemporary art

11/07/10

462 10-1972/1 three prints ROSS BLECKNER (american b. 1949) “HAPPINESS FOR INSTANCE I, II, III” 1997, all signed in pencil, numbered ‘AP 11/20’ (the edition was 75), the full sheets; Lococo Fine Art, St. Louis, Missouri, publisher. Three color screenprints on heavy wove paper. sheets: 41 3/4 x 32 1/8 in. (106 x 81.5cm) Unframed (3). $4,000-6,000

463 10-1684/35 MARY HEILMANN (american b. 1940) “FRANZ WEST” 1997, pencil signed and numbered ‘AP 5/10’ (the edition was 45), with full margins; The New Provincetown Print Project, Provincetown, Massachusetts, publisher. Color lithograph on Rives BFK. image: 32 1/2 x 21 3/4 in. (82.6 x 55.3cm) sheet: 40 x 28 in. (101.6 x 71.3cm) $800-1,200

464 10-1738/3 DAVID TRUE (american b. 1942) UNTITLED Signed and dated 87 lower right, gouache, watercolor and ink on paper 30 x 22 1/2 in. (76.2 x 57.1cm) provenance: Blum Helman Gallery, New York, New York.

Mangel Gallery, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $1,000-2,000

223 free≤an’s modern & contemporary art

11/07/10 465 10-1684/18 JAMES DANIEL TORLAKSON (american b. 1951) U.S. MAIL Signed bottom right, oil on canvas 42 x 42 in. (106.7 x 106.7cm) $2,000-3,000

466 10-1973/1 MARCY HERMANSADER (american b. 1951) “GROWING” Signed with initials and dated 1994 at bottom right, colored pencil, pastel, acrylic, photography on museum board 22 x 16 in. (55.9 x 40.6cm) provenance: Janet Fleischer Gallery, Philadelphia, Pennsylvania.

Private Collection, New York, New York. $700-1,000

224 free≤an’s modern & contemporary art

11/07/10

467 10-1618/2 PAUL JENKINS (american b. 1923) “PHENOMENA SPECTRUM DIPPER” Signed, titled and dated ‘Paul Jenkins “Phenomena Spectrum Dipper 1976’ in marker on stretcher verso, acrylic on canvas 77 x 78 in. (195.6 x 198.1cm) provenance: Diane Gilson Gallery, Seattle, Washington.

Acquired from the above by present owner, 1977-8.

Private Collection, Arizona. $30,000-50,000

225 free≤an’s modern & contemporary art

11/07/10

468 10-1618/1 PAUL JENKINS (american b. 1923) “PHENOMENA NET CASTING” Signed bottom right, signed, titled and dated 1971 on stretcher verso, acrylic on canvas 36 x 68 in. (91.4 x 172.7cm) provenance: Elaine Horwitch Gallery, Scottsdale, Arizona.

Acquired from the above by present owner.

Private Collection, Arizona. $20,000-30,000

226 free≤an’s modern & contemporary art

11/07/10 469 10-1618/3 PAUL JENKINS (american b. 1923) “PHENOMENA SOLAR VORTEX” Signed 'Paul Jenkins' bottom left, signed, titled and dated 'Paul Jenkins "Phenomena Solar Vortex 1981' in marker on stretcher verso, acrylic on canvas 78 x 58 in. (198.1 x 147.3cm) provenance: Elaine Horwitch Gallery, Scottsdale, Arizona.

Acquired from the above by present owner, 1986.

Private Collection, Arizona. $20,000-30,000

227 free≤an’s modern & contemporary art

11/07/10

470 10-8058/13 HUNT SLONEM (american b. 1951) AZTEC PANEL Signed and dated 1983 verso and again on stretcher, oil on canvas 80 x 30 in. (203.2 x 76.2cm) Unframed provenance: Private Collection, Florida. $3,000-5,000

471 10-8058/15 HUNT SLONEM (american b. 1951) PAIR OF COCKATOOS Oil on board 32 x 24 in. (81.3 x 61cm) provenance: Private Collection, Florida. $3,000-5,000 472 10-8058/14 HUNT SLONEM (american b. 1951) BIRDS ON A WIRE Oil on board 12 x 8 7/8 in. (30.5 x 22.6cm) provenance: Private Collection, Florida. $1,000-2,000

228 free≤an’s modern & contemporary art

11/07/10

473 10-1738/7 ALEX KATZ (american b. 1927) “RECLINING FIGURE” 1987, pencil signed and numbered ‘3/12 A.P.’ (the edition was 60), the full sheet; Crown Point Press, San Francisco, California. Color aquatint on Arches.

35 1/4 x 41 1/2 in. (89.6 x 105.4cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

474 10-1738/9 ALEX KATZ (american b. 1927) “ADA IN A WHITE HAT” from “alex and ada the 1960’s to the 1980’s” 1990, pencil signed and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; GaultneyKlineman, New York, publisher. Color screenprint on Arches. sheet: 36 x 25 1/2 in. (91.5 x 64.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

475 10-1738/10 ALEX KATZ (american b. 1927) “SWEATSHIRT II” from “alex and ada, the 1960’s to the 1980’s” 1990, pencil signed and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; GaultneyKlineman Art, New York, publisher.

Color screenprint on Arches. sheet: 36 x 28 1/2 in. (91.5 x 72.4cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

229 free≤an’s modern & contemporary art

11/07/10 476 10-1738/6 ALEX KATZ (american b. 1927) “BLUE UMBRELLA” 1979-80, pencil signed and numbered ‘A.P. 10/25’ (the edition was 125), the full sheet; GHJ Graphics, Inc., New York, publisher.

Color screenprint on Arches. sheet: 20 1/4 x 30 in.

(51/4 x 76.2cm) [Maravall 121]. provenance: Private Collection, Pennsylvania. $3,000-5,000

477 10-1738/8 ALEX KATZ (american b. 1927) “FIVE WOMEN” 1977, pencil signed and numbered 59/100 (there were also 20 artist’s proofs), the full sheet; Harry N. Abrams, New York, publisher. Color screenprint on Japan.

18 x 46 1/2 in. (45.8 x 118cm) [Maravall 94]. provenance: Private Collection, Pennsylvania. $1,500-2,500

478 10-1684/13 ALEX KATZ (american b. 1927) “DAY LILY II” 1969, pencil signed and numbered 10/90, the full sheet; Brooke Alexander, Inc. and Fischbach Gallery, New York, co-publishers.

Color lithograph on Arches. sheet: 20 5/8 x 27 3/4 in.

(52.4 x 70.5cm) [Maravall 24]. $1,000-2,000

230 free≤an’s modern & contemporary art

11/07/10 479 10-1508/11 ROBERT GORDY (american 1933-1986) “ARCADY #5” Initialed and dated ‘71 bottom left, signed and dated again on stretcher verso, titled on stretcher verso, acrylic on canvas 84 x 58 in. (213.3 x 147.3cm) provenance: Galerie Simonne Stern, New Orleans, Louisiana.

Private Collection, Florida. $8,000-12,000

231 free≤an’s modern & contemporary art

11/07/10 480 10-1884/1 WILLIAM TOLLIVER (american b. 1951) “FIRE AND ICE” Signed bottom left, oil on canvas 60 x 36 in. (152.5 x 91.5cm) provenance: Galerie Royale, Ltd., New Orleans, Louisiana. $8,000-10,000

232 free≤an’s modern & contemporary art

11/07/10 481 10-1967/2 MARK KOSTABI (american b. 1960) FACES Signed and dated 1992 bottom left, inscribed and dated ‘ACV92’ verso, oil on canvas 83 x 68 in. (210.8 x 172.7cm) Unframed provenance: The artist.

Acquired directly from the above.

Private Collection, New York. $6,000-10,000

233 free≤an’s modern & contemporary art

11/07/10

482 10-1967/3 MARK KOSTABI (american b. 1960) “APRIL SHOWERS” Signed, titled and dated 1992 verso, oil on canvas 48 x 72 in. (121.9 x 182.9cm) Unframed provenance: The artist.

Acquired directly from the above.

Private Collection, New York. $5,000-8,000

234 free≤an’s modern & contemporary art

11/07/10 483 10-1971/1 KENNY SCHARF (american b. 1958) “ULTRAZOONAZIPZAMAPOPDEL UXA” Acrylic and oil on canvas in three parts Executed in 1998 overall: 136 x 270 in.

(345.4 x 685.8cm) provenance: The artist.

Acquired directly by present owner from above.

Private Collection, New York, New York. $40,000-60,000

235 free≤an’s modern & contemporary art

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236 free≤an’s modern & contemporary art

11/07/10 484 10-1738/4 RICHARD BOSMAN (american b. 1944) “THE PIER” Signed bottom right, acrylic on paper Executed in 1987 30 x 22 in. (76.2 x 55.9cm) provenance: Brooke Alexander, New York, New York.

Private Collection, Pennsylvania. $2,000-3,000

485 10-1738/5 RICHARD BOSMAN (american b. 1944) “STUDIO FOR STUDIO SERIES: IN THE DARK” Signed bottom right, acrylic on paper Executed in 1986 30 x 30 in. (76.2 x 76.2cm) provenance: Brooke Alexander, New York, New York.

Private Collection, Pennsylvania. exhibited: “Richard Bosman,” Sala Parpallo, Disputación Provencial de València, València, Spain, May-June 1987. $2,000-3,000

237 free≤an’s modern & contemporary art

11/07/10 486 10-1277/8 KEITH HARING (american 1958-1990) “FIGHT AIDS WORLDWIDE” 1990, numbered 767/1000 in pencil, with full margins; World Federation of the United Nations Associations, New York, New York, publisher and with the artist’s estate stamp verso. Color lithograph on wove paper. image: 10 3/4 x 8 in. (27.3 x 20.3cm) sheet: 11 x 8 3/8 in. (27.9 x 21.3cm) Unframed $1,000-1,500 END OF SALE

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Index Adams, C., 87 Adkins, T., 90 Agee, A., 134, 135, 136 Ahearn, J., 26 Albers, J., 429, 430, 431 Albizu, O., 441 Albrecht, J., 25 Aldrich, L., 91 Andersen, R., 348 Anderson Barbata, L., 402 Apfelbaum, P., 75, 123, 207 Armstrong, L.C., 208 Arnoldi, C., 109 Artschwager, R., 41 Aslan, N., 228 Atl, Dr., 395 Avery, M., 426, 427, 428 Baechler, D., 119 Baldessari, J., 52 Baldridge, G., 132 Bankemper, J., 185, 186 Barsness, J., 58 Bartlett, J., 56 Becker, J., 53, 54 Bellows, G., 303, 304, 305 Benglis, L., 14 Bertoia, H., 446, 447 Beyt, M., 164 Bhattacharjee, B., 387, 388 Blaine, N., 84 Blanchard, R., 347 Bleckner, R., 55, 462 Bochner, M., 43, 460 Bonevardi, M., 421 Boroson, L., 124 Bosman, R., 484, 485 Bradford, M., 138, 139, 140 Brainard, T., 233 Braque, G., 334 Brenner, A., 17, 18, 19 Broek, H., 168 Brown, J., 169 Browne, B., 437 Buffet, B., 342 Burnham, L., 51, 103 Butler, J., 145 Burton, R., 161, 162 Byington, D., 170 Calame, I., 174 Calder, A., 443

Campus, P., 29, 30 Cappetta, A., 67 Carter, J., 92 Castenada, F., 416, 417 Chab, V., 406, 407 Chagall, M., 335-341 Chan Schatz, E. & H., 65, 66 Chillida, E., 403 Chu, A., 176 Cole, W., 131, 132 Connor, M., 223 Cordero, R., 232 Crotty, R., 188 D'Arcangelo, A., 455 Das, S., 384 Davis, B., 194 Davis, S., 424 Deacon, R., 219 De Beer, S., 231 De Mar, R., 226 Diebenkorn, R., 15 Dine, J., 455 Dingle, K., 39 Dion, M., 71 Dobrowsky, J., 349 Dockter, S., 150 Douaihy, S., 380 Downey, J., 410 Downing, J., 435 Edlund, P., 167 Eisendieck, S., 344, 345 Estopinan, R., 405 Etheredge, L., 143, 144 Fernandez, A., 408 Finley, C., 99 Fisher, V., 163 Fishman, L., 120, 121 Fletcher & Thompson, 78 Fonseca, C., 175 Fontana, L., 362 Friedman, T., 187 Fries, P. 166 Frost, T., 217 Gall, S., 23 Garfield, P., 62 Gauguin, P., 307 Gilliam, S., 76, 146, 147 Gjerdevik, N., 189, 190, 191

Gordon, D., 365 Gordy, R., 479 Gottlieb, A., 442 Gravesen, O., 437 Greenbaum, J., 155-160 Grey, M., 86 Grooms, R., 450 Groover, J., 7, 47 Gurschner, H., 350 Hammond, J., 179, 180 Haring, K., 487 Hassam, C., 300, 301 Heilmann, M., 122, 464 Henning, A., 209, 210, 211 Hermansader, M., 467 Hilliard, D., 89 Hodgkin, H., 364 Huie, A., 423 Hull, J., 88 Hume, G., 220 Imperiale, O., 423 Indiana, R., 459 Jenkins, P., 467, 468, 469 Jensen, B., 172, 173 Jensen, J., 346 Jia., W., 379 Jones, A., 455 Jones, M., 81 Judge, M., 222 Kalina, R., 129 Katz, A., 4, 473-478 Kersels, M., 96 Kluge, C., 343 Kogan, M., 372 Koslapov, A., 366 Kostabi, M., 481, 482 Kuitca, G., 181 Kwang, C., 374, 375 Lahme, M., 192, 193 Laing, G., 455 Lamers, K., 61 Laplante, M., 72 Lazarus, M., 100 Lebedev., R., 370 Lees, J., 204 Le Pho., 377, 378

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Legrand, M., 216 Lewitt, S., 116, 117 Lichtenstein, R., 452, 455 Limone, G., 227 Lipchitz, J., 373 London, L., 151, 152 Maet, M., 73 Mangold, R., 44, 461 Marden, B., 2 Marini, M., 361 Matisse, H., 308, 309 Matsue, T., 127 McAuley, S., 45 McClelland, S., 37 McNeil, D., 59, 60 McVey, L., 445 Merida, C., 404 Meuser, 3 Meyer, M., 202, 203 Meza, G., 397 Miro, J., 310-321 Mitchell, J., 8, 9, 10, 11, 12 Moon, J., 178 Moore, H., 363 Morales, R., 396 Morrison, G., 438, 439, 440 Moshiri, F., 237 Motherwell, R., 16, 451 Munch, E., 306 Nakagami, K., 165 Nauman, B., 1 Neri, M., 448 Ng., C.,W., 63, 64 Niedermayr, W., 234 Nipper, K., 229 Nichizawa, L., 392, 393 Nozkowski, T., 108 Oldenburg, C., 6 Orozco-Romero, C., 394 Ostendarp, C., 74 Ott, S., 77 Owens, L., 133 Panayotou, A., 355 Pardo, J., 50 Parekh, M., 386 Pellegrin, M., 27, 93 Pensato, J., 79, 80 Petlin, I., 22

Pfaff, J., 115 Phillips, P., 455 Pianko, A., 224 Piattella, O., 357, 358 Picasso, P., 322, 333 Polesello, R., 413 Porges, M., 236 Pruitt-Early, 31 Puckette, E., 137 Purkayastha, P., 205, 206 Puryear, M., 42, 171 Pusey, S., 215 Pyne, G., 385

Sultan, D., 118

Raff, O., 101 Rauschenberg, R., 457 Ramos, R., 456 Rayo, O., 409 Richardson, C., 230 Rivera, D., 418 Roberts, J., 218 Robinson, S., 98 Rockburne, D., 38 Rockman, A., 40 Roginsky, M., 371 Rosemeyer, J., 197 Rosenquist, J., 5, 356 Rosmarin, S., 235 Ruddell, D., 85

Urueta, C., 389-391

Santiago, P., 94, 95, 154 Saunders, R., 196 Scarlett, R., 432, 433, 434 Scharf, K., 483 Schiele, E., 351 Schlossberg, R., 32 Schorr, C., 48, 49 Seawright, P., 153 Severini, G., 359, 360 Siena, J., 195 Sierhuis, J., 356 Slonem, H., 470, 471, 472 Sokov, L., 367, 368 Sone, Y., 68, 69, 70 Souza, F., 381-383 Spero, N., 57 Stark, L., 82 Steir, P., 104-107 Stella, F., 459 Stockholder, J., 148, 184 Streuli, B., 97 Suda, Y., 225

Tal R., 200, 201 Tobacco Forrester, L. 83 Tamayo, R., 419, 420 Tobey, M., 444 Toledo, F., 398, 399 Tolliver, W., 480 Torlakson, J., 465 Tran, T., 149 True, D., 464 Tselkov, O., 369

Valdivieso, R., 411, 412 Van den Besselaar, M., 125, 126 Vaszary, J., 354 Vercruysse, J., 24, 46 Vlahovic, T., 182, 183 Volang, J., 376 Von Hellermann, S., 141, 142 Von Gunten, R., 400, 401 Von Moos, M., 352 Von Wulffen, A., 212 Warhol, A., 455 Warhol, A. (After), 453, 454 Wegman, W., 28 Wesselmann, T., 455, 456 Westfall, S., 128 Westley, J., 455 Winters, T., 20, 110-114 Welling, J., 21 Whistler, J., 302 White, Z., 198, 199 Wilbraham, J., 213, 214 Woodman, B. 13 Wosk, M., 221 Wright, D., 449 Wunderlich, P., 353 Zaki, A., 102 Zandvliet, R., 33-36 Zhang, J., 177 Zuniga, F., 414, 415

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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

Fine American & European Paintings & Sculpture 12/05/10

Upcoming

Auction Sunday December 5th at 2pm

Detail from: JOSEPH AUSTIN PENNELL

Exhibitions: Thursday, December 2nd & Friday, December 3rd 10am-5pm Saturday, December 4th Noon-5pm

(american 1860-1926) GREY DAY Oil on canvas laid down on panel 11 1/2 x 15 1/2 in. (29.2 x 39.4 cm) provenance: Newberger Berman & Lehman Brothers Collection. $6,000-10,000

Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267.414.1214 dweiss@freemansauction.com maya o’donnell-shah direct tel: 267.414.1210 mshah@freemansauction.com

Catalogue $35

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

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Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

Fine Paintings Wednesday 1st December, 2010 33 Broughton Place, Edinburgh EH1 3RR

Viewing times Sunday 28th November 2pm - 5pm Monday 29th November 10am - 5pm Tuesday 30th November 10am - 5pm Morning of Sale by appointment only Enquiries Nick Curnow or Elena Ratcheva Tel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com

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JOAN EARDLEY (SCOTTISH 1921-1963) PENSIVE BOY Oil on canvas 76cm x 64cm (30in x 25in)

ÂŁ30,000-50,000 ($45,000-75,000)

American Furniture, Decorative & Folk Art The 5th Anniversary Pennsylvania Sale 11/20&21/10

Upcoming

Auctions Saturday November 20th at 10am and Sunday November 21st at 12 Noon

Carved oak hall chair, brand of the Rose Valley Shops, Rose Valley pennsylvania (1901-1907) $8,000-$12,000

Exhibitions Wednesday November 17th through Friday November 19th 10am-6pm

Inquiries: lynda cain direct tel: 267.414.1237 lcain@freemansauction.com amy parenti direct tel: 267-414-1223 aparenti@freemansauction.com

Catalogue $35

Bronze and leaded glass table lamp tiffany studios, new york, early 20th century $10,000-$20,000

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com

Walnut Coffee Table george nakashima (1905-1990) $8,000-$12,000

126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

www.freemansauction.com

Fine Jewellery & Watches 12/06/10

Auction Monday December 5th at 12 Noon Exhibitions: Thursday, December 2nd & Friday, December 3rd 10am-5pm Saturday, December 4th Noon-5pm Sunday, December 5th Noon-5pm Inquiries: kate waterhouse direct tel: 267.414.1230 kwaterhouse@freemansauction.com beau freeman direct tel: 267.414.1200 beaufreeman@freemansauction.com ellen byrd direct tel: 267.414.1227 ebyrd@freemansauction.com

Catalogue $20

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

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Upcoming

18 karat yellow gold and lapis suite ILLIAS LOLOUIS PROVENANCE: Property from the Estate of Marguerite Willnauer Yannopoulos, Philadelphia PA $5,000-7,000 (£7,500-10,500)

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Directory specialist departments

depart≤ents

officers

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii amy parenti

Appraisals anita heriot sa≤uel ≤ free≤an ii james e buckley donald e walter kate molets

chair≤an samuel ≤ freeman ii

Asian Arts robert waterhouse richard cervantes English & Continental Furniture, Silver & Decorative Arts robert waterhouse david walker ben fisher Fine Jewelry samuel ≤ free≤an ii kate waterhouse ellen byrd Fine Paintings & Sculpture alasdair nichol david weiss maya o’donnell-shah aimee pflieger Fine Prints anne henry david weiss aimee pflieger maya o’donnell-shah Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger Pop Culture simeon lipman kati gegenheimer Oriental Rugs & Tapestries david weiss richard cervantes Rare Books, Manuscripts, & Ephemera david j bloom joe huenke

Appraisal Services heather burke elton-john torres ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll kati gegenheimer natalie difeliciantonio jessica carter bethany mobbs susannah mcgovern marianne dages Operations hanna dougher marcell zombori bethany mobbs nathan norley david edevane theo reinke alex hampshire gerald davis Finance hanna dougher jeffrey miller Business Development & ≤arketing tara theune davis thomas b. mccabe iv zoe hillenmeyer christopher browne Trusts & Estates samuel t freeman iii thomas b. mccabe iv Photography elizabeth field elizabeth hinton thom clark

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts executive vice presidents ja≤es e buckley hanna dougher chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry robert waterhouse david weiss representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011

robert and kate waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226

john c. jones Nashville, TN jjones@freemansauction.com Telephone: 267.414.1239

absentee bidding form sale no

bidder no

name

business name

address city

state

zip code

e-mail

phone (h)

phone (w)

fax

resale / tax identification

state

25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

All lots.must be paid for and removed within 5 days.

lot no

description

maximum bid please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account n0

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed (signature required to execute your bids)

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: info@freemansauction.com www.freemansauction.com

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

1 1 / 07/ 10

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

GUY LIMONE (french b. 1958) “ELECTIONS AMERICAINES” Hand-painted plastic figures, five metal shelves Executed in 2000 dimensions variable. each shelf size: 1 1/2 x 39 1/2 in.

(3.8 x 100.3cm) provenance: Michael Kohn Gallery, Los Angeles, California.

modern & contemporary art

ROY LICHTENSTEIN (american 1923-1997) “WATER LILIES WITH WILLOWS” Color screenprinted enamel on processed and swirled stainless steel signed, numbered 10/23 and dated verso.

Executed in 1992.

58 x 104 3/16 in. (147.3 x 264.6cm) provenance: Private Collection, Pennsylvania. literature: Mary Lee Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997, New York, 2002, no. 266, p. 242, illustrated.

Modern & Contemporary Art 11/07/10 including works from the neuberger berman and lehman brothers collection