Fine American & European Paintings & Sculpture

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Fine American & European Paintings & Sculpture 12/05/10


ALFRED THOMPSON BRICHER (american 1837-1908) “SEASCAPE: SUNSET” Signed ‘A.T. Bricher’ bottom left, oil on canvas 27 x 50 in. (68.6 x 127cm) Probably executed in the mid-1860s



Fine American & European Paintings & Sculpture 12/05/10

Sunday December 5th at 2pm Sale 1388 Exhibitions: Thursday, December 2nd 10am-8pm Friday, December 3rd 10am-5pm Saturday, December 4th Noon-5pm Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267.414.1214 dweiss@freemansauction.com maya o’donnell-shah direct tel: 267.414.1210 mshah@freemansauction.com Bidding: bids department natalie difeliciantonio tel: 267.414.1208 fax: 215.599.2240 ndifeliciantonio@freemansauction.com

Catalogue $35

Inside Front Cover: Lot 69 (detail) Inside Back Cover: Lot 34 (detail) Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available at www.freemansauction.com


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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

Payment

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by December 17th at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


European Paintings & Sculpture lots 1-56



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1 10-9011/1 ATTRIBUTED TO GASPARD DUGHET, CALLED ‘GASPARD POUSSIN’ (french 1615-1675) FIGURES IN AN EXTENSIVE CLASSICAL LANDSCAPE Oil on canvas 9 x 12 1/2 in. (22.9 x 31.8cm) Painted circa 1660 provenance: Collection of the Marquis of Bath (according to label verso). Phillips, London, sale of ‘Important and Fine Old Master Paintings,’ December 10, 1996, lot 104. Didier Aaron, Inc. Private Collection, Alabama. $8,000-12,000


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12/05/10 2 09-1380/18 MANNER OF FILIPPINO LIPPI (italian 1457-1504) PORTRAIT OF A YOUNG LADY Tempera on gessoed panel 24 x 16 3/4 in. (61 x 42.6cm) and a companion PORTRAIT OF A YOUNG MAN 24 x 16 7/8 in. (61 x 42.9cm) provenance: Private Collection, New Jersey. note: The Portrait of a Young Man appears to derive from Portrait of a Youth in The National Gallery of Art, Washington, D.C., oil and tempera on panel, traditionally attributed to Sandro Botticelli, but more recently given to Filippino Lippi. The present portrait differs from the latter painting in the background and figure’s vestment. $3,000-5,000

3 10-1526/6 AFTER TITIAN (italian c. 1485-1576) VIOLANTE (LA BELLA GATTA) Oil on canvas 26 5/8 x 20 in. (67.6 x 50.8cm) provenance: Private Collection, Maryland. note: After the original in the Kunsthistoriches Museum, Vienna. $2,000-3,000


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12/05/10 4 10-2118/3 CIRCLE OF JAN BAPTIST WEENIX THE YOUNGER (dutch 1640-1719) TROPHIES OF THE HUNT Oil on canvas 38 x 32 in. (96.5 x 81.3cm) provenance: Property of a Midwestern Museum. $4,000-6,000

5 10-1645/128 FLEMISH SCHOOL (18th century) ELEGANT COMPANY Oil on canvas 19 1/2 x 23 in. (49.5 x 58.4cm) provenance: An Estate, Pennsylvania. $1,500-2,500


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12/05/10 6 10-8072/16 FOLLOWER OF ANDREA DOMENICO REMPS (italian c. 1620-1699) A TROMPE L’OEIL WITH DOCUMENTS, LETTER, BOOK AND PAINTING OF THE MADONNA AFTER GIOVANNI BATTISTA SALVI Oil on canvas 27 x 20 in. (68.6 x 50.8cm) provenance: An Estate, Virginia. $3,000-5,000

7 10-1039/23 FOLLOWER OF CANALETTO (italian 1697-1768) PIAZZA SAN MARCO LOOKING EAST TOWARDS BASILICA AND THE CAMPANILE Oil on canvas 11 1/2 x 17 5/8 in. (29.2 x 44.8cm) provenance: Private Collection, New York, New York. $2,000-3,000


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8 10-9011/14 DOMENICO BRANDI, CALLED ‘MICCO’ (italian 1683-1736) “FESTA AL VILLAGGIO” Signed ‘Dom Brandi’ lower center, oil on canvas 50 3/4 x 70 3/4 in. (128.9 x 179.7cm) provenance: Waddington’s, sale of June 12, 2000, lot 323. Galleria Pasti Bencini, Florence, Italy. Private Collection, Alabama. $20,000-30,000


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9 10-2026/2 FOLLOWER OF SIR GODFREY KNELLER (british 1646-1723) PORTRAIT OF A NOBLEMAN, BELIEVED TO BE LOUIS XIV Oil on canvas 33 x 27 in. (83.8 x 68.6cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,500-2,500

10 10-1703/3 BRITISH SCHOOL (17th-18th century) PORTRAIT OF A GENTLEMAN Feigned oval, oil on canvas 35 1/4 x 28 in. (89.5 x 71.1cm) provenance: Private Collection, Delaware. $1,200-1,800

11 10-1965/1 FRENCH SCHOOL (17th-18th century) PORTRAIT OF A MAN WITH LONG HAIR AND RED CAPE Oil on canvas, oval 27 1/2 x 22 1/2 in. (69.9 x 57.2cm) provenance: Private Collection, Washington, D.C. $1,200-1,800


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12/05/10 12 10-1036/1 FOLLOWER OF ANDREA DEL SARTO (italian 1486-1530) PORTRAIT OF A LADY WITH VEILED HEADDRESS Stamped ‘ETRURIA PITTRICE / no. 226’ verso; also inscribed, in part, ‘No. 226 / Andrea del Sarto...’ on label verso, oil on panel 19 5/8 x 16 1/8 in. (49.9 x 41cm) provenance: (Probably) Collection of Lord Palmerston. (Probably) D. Cevat, Belgium. Christie’s, London, sale of January 25, 1957, lot 108 as ‘Sarto, Portrait of a Lady (Said to be the Artist’s wife)’ Private Collection, Pennsylvania. $1,200-1,800

13 10-2029/1 MANNER OF ALESSANDRO VAROTARI, CALLED ‘IL PADOVANINO’ (italian 1588-1641) VENUS AT HER TOILETTE WITH CUPID Inscribed ‘Michele Cortiazzi / Fece in Firenze / Nel Anno 1742’ verso, oil on canvas 38 1/2 x 29 5/8 in. (97.8 x 75.2cm) provenance: Private Collection, Pennsylvania. By descent in the family to the present owner. $2,000-3,000


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14 10-2098/1 HUBERT ROBERT (french 1733-1808) “LES DEUX AMIES” Signed and dated ‘1780/H.ROBERT’ on the balustrade, bottom center right; and “LA JEUNE DESSINATRICE” Signed and dated ‘H. ROBERT/1780’ on the pedestal, bottom center left Each oil on copper, oval, a pair (2) 35 3/4 x 28 3/4 in. (91 x 73cm) ‘LES DEUX AMIES’ provenance: Soultzener Collection, circa 1860. Baron Richard d’Eprémesnil. Sotheby’s, London, sale of ‘Important Old Master Paintings,’ March 24, 1971, lot 100, as HUBERT ROBERT “A LANDSCAPE IN THE ROMAGNA”(“LES DEUX AMIES”). Private American Collection. By descent in the family to the present owner. exhibited: Paris, Galerie Cailleux ‘Hubert Robert, Louis Moreau, Exposition Du Cent-Cinquantenaire de Leur Mort’ November 26 - December 20, 1957, no. 21.


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“LA JEUNE DESSINATRICE” provenance: Soultzener Collection, circa 1860. Baron Richard d’Eprémesnil. Private American Collection. By descent in the family to the present owner. exhibited: Paris, Galerie Cailleux ‘Hubert Robert, Louis Moreau, Exposition Du Cent-Cinquantenaire de Leur Mort’ November 26 - December 20, 1957, no. 22. literature: Hubert Burda, ‘Die Ruine in Den Bildern Hubert Roberts,’ Munich, 1967, no. 90, p. 163 illustrated. note: These paintings are to be included in the catalogue critique of the oil paintings of Hubert Robert being prepared at The Wildenstein Institute, Paris. An Avis d’Inclusion (Statement of Inclusion) from The Wildenstein Institute will accompany this lot. $300,000-500,000


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15 10-1685/1 FELIX ZIEM (french 1821-1911) “LES EAUX-DOUCES D’ASIE” Signed ‘Ziem’ bottom left, oil on canvas 21 1/2 x 29 1/4 (54.6 x 74.3cm) provenance: Private Collection, North Carolina. note: The Association Félix Ziem, represented by M. Mathias Ary Jan and David Pluskwa, has confirmed the authenticity of this work. It will be reproduced in the forthcoming catalogue raisonné. $12,000-18,000


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16 10-2030/1 JULES ARSENE GARNIER (french 1847-1889) “JOUR DE FÊTE” Signed and dated ‘JULES GARNIER 79’ bottom left, oil on canvas 37 1/2 x 60 in. (95.3 x 152.4cm) provenance: Kurt E Schon Ltd., New Orleans, Louisiana. Private Collection, Maryland. note: This lot is accompanied by an original bill of sale from Kurt E. Schon, Ltd., New Orleans, Louisiana. $6,000-10,000


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12/05/10 17 10-1619/3 EDOUARD RICHTER (french 1844-1913) LADY IN INTERIOR Signed ‘E. Richter’ bottom right, oil on canvas 21 3/4 x 15 1/4 in. (55.3 x 33.7cm) provenance: Private Collection, Maryland. $4,000-6,000

18 10-2033/3 ADOLPHE ALEXANDRE LESREL (french 1839-1929) CAVALIER ON GUARD Signed ‘A. Lesrel 1873’ bottom center left, oil on canvas 8 1/2 x 6 1/4 in. (21.6 x 15.9cm) provenance: Private Collection, Maryland. $2,500-4,000


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12/05/10 19 10-1680/1 CHARLES ALEXANDRE COËSSIN DE LA FOSSE (french 1829-1910) THE SMILING GIRL Signed and dated ‘COËSSIN / 1877’ bottom left, oil on panel 16 x 12 in. (40.6 x 30.5cm) provenance: Private Collection, California. $3,000-5,000

20 10-8070/3 PAUL CÉSAR HELLEU (french 1859-1927) YOUNG GIRL IN PROFILE Signed and dedicated ‘Helleu / à Madame Blas***’ bottom right, graphite and black and sanguine conte crayon on paper 21 3/4 x 17 in. (55.2 x 43.2cm) provenance: Private Collection, Atlanta, Georgia. Acquired from the above, by the present owner. Private Collection, Virginia. $4,000-6,000


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21 10-9011/2 ARMAND GUILLAUMIN (french 1841-1927) “VERGER À MIREGAUDON” Signed ‘Guillaumin 92’ bottom right, inscribed ‘Con Antonin Personnaz / Verger à Miregaudon / Juin 1892 4h soir / No. 50’ on label attached verso, oil on canvas 25 1/2 x 32 in. (64.8 x 81.3cm) provenance: Antonin Personnaz. Bayonne Raphael Gerard, Paris. Arthur Tooth & Sons Ltd, London. Richard Green, London. Acquired from the above in 1983 by the present owner. Private Collection, Alabama. exhibited: London, Arthur Tooth & Sons Ltd, ‘Recent Acquisitions XX’, November 16 - December 4, 1965, no 7, illustrated. literature: Edouard des Courières, Armand Guillaumin, 1924, p. 80 G Serret and D Fabiani, Armand Guillaumin, catalogue raisonné de l’oeuvre paint, 1971, illustrated, fig. 244 Christopher Grey, Armand Guillaumin, 1972, p. 178. $70,000-100,000


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12/05/10 22 10-8070/2 HIPPOLYTE CAMILLE DELPY (french 1842-1910) “UN SOLEIL COUCHANT AU RIVE” Signed and dated ‘H.C. Delpy 99’ bottom right, oil on canvas 17 7/8 x 28 in. (45.4 x 71.1cm) provenance: Kurt E. Schon, Ltd., New Orleans, Louisana. Private Collection, Virginia. $4,000-6,000

23 10-8057/1 ALEXANDRE JACQUES CHANTRON (french 1842-1918) THE EMPTY GLASS Signed and dated ‘AJ Chantron / 1882’ upper left, oil on canvas 25 1/2 x 21 in. (64.8 x 53.3cm) provenance: Private Collection, Virginia. $3,000-5,000


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24 10-1481/121 E. TIMMERMANS (continental late 19th / early 20th c) MOONLIT HARBOR SCENE Signed ‘E Timmermans’ bottom left, oil on canvas 30 x 50 in. (76.2 x 127cm) provenance: Private Collection, New Jersey. $2,000-3,000

25 10-1476/14 DAVID EMILE JOSEPH DE NOTER (belgian 1825-1892) WOMAN WITH TRAY, LOBSTER, EGGS AND FOWL AT A CASEMENT Signed and dated ‘David de Noter 1841’ bottom right, oil on panel 14 3/8 x 12 in. (36.5 x 30.5cm) provenance: Private Collection, New Jersey. $2,500-4,000

26 10-1255/4 PIETER LODEWIJK FRANCISCO KLUYVER (dutch 1816-1900) GATHERING TWIGS Signed ‘Kluyver’ bottom left, oil on canvas 30 1/8 x 25 1/4 in. (76.5 x 61.3cm) provenance: Private Collection, Pennsylvania. $1,000-1,500


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27 10-1993/4 HERMAN FREDERIK CAREL TEN KATE (dutch 1822-1891) TENDING TO THE WOUNDED Signed ‘Herman ten Kate ft.’ bottom right, oil on panel 16 7/8 x 23 3/8 in. (42.9 x 59.4cm) provenance: Private Collection, New York. $4,000-6,000


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28 10-1993/6 CHARLES LEICKERT (dutch 1816-1907) FIGURES IN A WINTER LANDSCAPE WITH WINDMILLS Signed ‘Ch Leickert f’ bottom right, oil on panel, unframed 7 7/8 x 10 1/2 in. (20 x 26.7cm) provenance: Private Collection, New York. $5,000-8,000


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29 10-8056/1 FRANZ VON STUCK (german 1863-1928) “DIE SCHAUKEL” Signed ‘FRANZ STUCK’ lower left, pastel on board 19 x 24 1/4 in. (48.3 x 61.6cm) provenance: Galerie Heinemann, Munich. Private Collection, Massachusetts. note: A Galerie Heinemann Munchen label is attached verso with no. 7543. $8,000-12,000


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30 10-2025/4 CARL WILHELM HUBNER (german 1814-1879) OFFERING CONSOLATION Signed ‘Carl Hubner’ bottom center left, oil on canvas 37 1/2 x 33 in. (90.3 x 83.8cm) provenance: Private Collection, Pennsylvania. By descent in family to the present owner. $4,000-6,000

31 09-2361/5 CONTINENTAL SCHOOL (19th century) TRAVELERS IN AN ALPINE LANDSCAPE Signed indistinctly with initials and dated 1866 bottom right, oil on canvas 40 1/8 x 32 1/2 in. (101.9 x 82.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000


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12/05/10 32 10-2033/5 BASIL POUSTOCHKINE (russian 1893-1973) STILL LIFE Signed and dated ‘B. Poustochkine / 1924’ bottom left, oil on board 20 1/2 x 17 1/4 (52.1 x 43.8cm) provenance: Private Collection, Maryland. $1,000-1,500

33 10-2033/2 JOSEF JURUTKA (russian 1880-1945) STILL LIFE WITH BOOKS, QUILL PEN, GLOBE AND ENGRAVING Signed ‘Jurutka Jos. 1935’ bottom right, oil on panel 27 3/8 x 35 5/8 in. (69.5 x 90.5cm) provenance: Private Collection, Maryland. $2,500-4,000


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34 10-2033/1 YULIY YULEVICH KLEVER (russian 1850-1924) A WINTER’S DAY, SUNSET Signed, inscribed, and dated ‘J. von Klever Munchen 188*’ bottom right, oil on canvas 30 x 40 1/2 in. (76.2 x 102.9cm) provenance: Private Collection, Maryland. $25,000-40,000


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35 10-1861/50 ENRICO FANFANI (italian 1824-1885) THE CLERIC’S ADMONITION Signed and dated ‘E. Fanfani, 1875’, bottom left, oil on canvas 40 x 53 in. (101.6 x 134.6cm) provenance: An Estate, Pennsylvania. $4,000-6,000

36 10-1755/1 FRANCESCO SAVERIO TORCIA (italian 1840-1891) ARAB HAMMERING COPPER POT Signed and dated ‘F.S. Torcia 84’ upper left, also with ‘The Art Club of Philadelphia’ label verso, oil on canvas 15 x 11 1/2 in. (38.1 x 29.2cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

37 10-1691/2 FEDERICO DEL CAMPO (peruvian 1837-1927) VENETIAN CANAL SCENE Signed ‘F del Campo’ bottom right, watercolor 14 1/4 x 10 1/8 (36.2 x 25.7cm) provenance: Private Collection, Pennsylvania. $2,500-4,000


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38 10-8092/1 JUAN GIMÈNEZ Y MARTÍN (spanish 1858-1901) HAREM SCENE Signed and located ‘Gimenez Martin / Roma’ bottom right, oil on panel, unframed 9 1/2 x 15 1/2 in. (24.1 x 39.4cm) provenance: Private Collection, West Virginia. $12,000-18,000


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12/05/10 39 10-1965/2 CHARLES SAMUEL DELAPEINE (swiss 1826-1894) GATHERING TWIGS, WINTER Signed and dated ‘S. Delapeine 73(?)’ bottom right, oil on canvas 21 1/4 x 15 1/4 in. (54 x 38.7cm) provenance: Private Collection, Washington D.C. $2,000-3,000

40 10-8070/8 ERIK LUDWIG HENNINGSEN (danish 1855-1930) PROMENADE BY THE RIVER Signed and dated ‘Erik Henningsen 1907’ bottom right, signed on label verso, oil on canvas 24 3/4 x 20 in. (62.9 x 50.8cm) provenance: Private Collection, Virginia. $2,000-3,000


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41 10-1861/11 JAMES LYNWOOD PALMER british ( 1868-1941) A BAY HUNTER IN A LANDSCAPE Signed and dated ‘Lynwood Palmer 94’ bottom right, oil on canvas 16 1/8 x 24 1/8 in. (41 x 61.3cm) provenance: An Estate, Pennsylvania. $2,500-4,000

42 10-1759/3 FRANK WILLIAM WARWICK TOPHAM (british 1838-1924) THE YOUNG VIOLINIST Signed and dated ‘Frank W. W. Topham 1887’ bottom right, oil on canvas 22 x 15 1/2 in. (55.9 x 39.4cm) provenance: Private Collection, Pennsylvania. $1,200-1,800

43 10-1854/1 GEORGE SMITH (scottish 1870-1934) HERDING CATTLE Signed ‘Geo Smith’ bottom right, oil on canvasboard 12 x 16 (30.5 x 40.6cm) provenance: Private Collection, Iowa. $1,000-1,500


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12/05/10 44 10-1548/1 KATHARINE CAMERON R.S.W. A.R.E. (brittish 1874-1965) “THE MERMAID ROSE” Signed ‘K Cameron’ bottom left, signed and inscribed with label verso, watercolor, bodycolor and traces of pencil 19 1/2 x 15 in. (49.5 x 38.1cm) provenance: Aitken Dott & Son, Edinburgh, Scotland. Private Collection, Vermont. $2,000-3,000

45 10-1684/52 SIR NOËL COWARD (british 1900-1973) FIGURES IN A LANDSCAPE, JAMAICA Signed ‘NOËL COWARD’ bottom right, oil on canvasboard 13 7/8 x 17 7/8 in. (37.8 x 45.4cm) provenance: Private Collection, New York, New York. $3,000-5,000


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46 10-1885/1 HANS HEYSEN (australian 1877-1968) “SHEEP IN WOODED LANDSCAPE” Signed and indistinctly dated ‘HANS HEYSEN 195*’ bottom right, watercolor 12 1/2 x 15 1/8 in. (31.8 x 38.4cm) provenance: (By repute) A Foreign Dignitary. Private Collection, New Jersey. $6,000-10,000


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47 10-2118/2 MONTAGUE DAWSON (british 1890-1973) “PASSING SHADOWS” Signed ‘MONTAGUE DAWSON’ bottom left, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: With Frost & Reed Label verso, inscribed with artist’s name, title and registered stock number ‘7880’. Property of a Midwestern Museum. $30,000-50,000


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48 10-2118/1 MONTAGUE DAWSON (british 1890-1973) “THE GUARDIAN” Signed ‘MONTAGUE DAWSON’ bottom right, inscribed with title in pencil on upper stretcher verso, oil on canvas 24 x 44 in. (61 x 111.8cm) provenance: With Frost & Reed label verso, inscribed with artist’s name, title and registered stock number ‘6472’. Property of a Midwestern Museum. $25,000-40,000


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12/05/10 49 10-2100/1 LUIGI PAOLILLO (italian 1864-1934) NEOPOLITAN VIEW Signed ‘L Paolillo’ bottom right, oil on canvas 28 x 36 in. (71.1 x 91.4cm) provenance: Private Collection, New York. By descent in the family to the present owner. $3,000-5,000

50 10-2100/2 LUIGI PAOLILLO (italian 1864-1934) “TERRACE IN CAPRI AT SUNSET” Signed ‘L Paolillo’ bottom right, signed with vignette verso, inscribed with title in pencil on stretcher verso, oil on canvas 28 1/4 x 36 1/4 in. (71.8 x 92.1cm) provenance: Private Collection, New York. By descent in the family to the present owner. $3,000-5,000

51 10-9000/5 ANTOINE BLANCHARD (french 1910-1988) L’ARC DE TRIOMPHE Signed ‘Antoine Blanchard’ bottom right, oil on canvas 24 x 30 in. (61x76.2) provenance: Private Collection, Alabama. $5,000-8,000


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12/05/10 52 10-2026/4 FABIAN DE LA ROSA (filipino 1869-1937) “ROOFS OF PARIS” Signed, inscribed, and dated ‘F de la Rosa / Paris 1928’ bottom left, oil on canvas laid down on board 18 1/2 x 15 in. (47 x 38.1cm) provenance: Collection of Dr. Noel J. Cortes, Philadelphia, Pennsylvania. $12,000-18,000


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53 10-1035/1 EDMONDO BACCI (italian 1913-1978) “AVVENIMENTO NO. 389” Signed ‘Bacci’ bottom left, signed and inscribed with title verso, oil on canvas 31 1/2 x 40 3/4 in. (80 x 103.5cm) provenance: Collection of Sidney Frey, Riverdale, New York. note: A label attached verso states ‘3e Premio Nazionale de Pittura, ‘Campione d’Italia’ 1963.’ $15,000-25,000


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12/05/10 54 10-1035/2 DAVID ALFARO SIQUEIROS (mexican 1896-1974) STUDY OF A HEAD Signed, inscribed, and dated ‘Siqueiros / CP.7.64’ bottom right, gouache on paper, laid down on masonite 12 5/8 x 10 3/8 (32.1 x 26.4cm) provenance: Collection of Sidney Frey, Riverdale, New York. $6,000-10,000

55 10-1035/3 DAVID ALFARO SIQUEIROS (mexican 1896-1974) MAN CARRYING A CHICKEN Signed, inscribed, and dated ‘Siqueiros / CP.7.64’ bottom right, gouache on paper laid down on masonite 12 5/8 x 10 3/8 in. (32.1 x 26.4cm) provenance: Collection of Sidney Frey, Riverdale, New York. $6,000-10,000


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12/05/10 56 10-2115/2 BERNARD SEJOURNE (haitian 1947-1994) FEMALE NUDES Signed and dated ‘BERNARD SEJOURNE 90’ bottom right, oil on board 40 x 35 1/4 in. (101.6 x 89.5cm) provenance: Private Collection, New Jersey. Freeman’s, sale of Modern & Contemporary Art, November 4, 2007, lot 100. Private Collection, Pennsylvania. $4,000-6,000


American Paintings & Sculpture lots 57-125



43 free≤an’s fine american & european paintings & sculpture

12/05/10 57 10-2053/13 EDWARD AUGUST BELL (american 1862-1953) ELEGANT LADY IN INTERIOR Inscribed and signed ‘COMPLIMENTS / E. A. BELL’ bottom left, oil on panel 17 1/2 x 11 3/8 in. (44.5 x 28.9cm) provenance: Private Collection, Pennsylvania. $4,000-6,000


44 free≤an’s fine american & european paintings & sculpture

12/05/10 58 10-1321/6 MORSTON REAM (american 1840-1898) STILL LIFE WITH TAZZA, FRUIT AND ROSES. Signed ‘Morston Ream’ bottom left, oil on canvas 32 x 26 in. (81.3 x 66cm) $2,000-3,000

59 10-1801/1 JOHN F FRANCIS (american 1808 - 1886) PEACHES AND PEARS Signed ‘J.F. Francis / Pinxit, 186(?)*’ bottom right; also signed and inscribed ‘Jno F. Francis / P* 186(?)*’ verso, oil on canvas and a companion (2) 15 1/4 x 19 3/16 in. (38.7 x 48.7cm) (each) provenance: A Private Southern Collection. note: This lot will be accompanied by letters of authenticity for each painting, signed by Dr. William H. Gerdts and dated September 11, 2010. $25,000-40,000


45 free≤an’s fine american & european paintings & sculpture

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46 free≤an’s fine american & european paintings & sculpture

12/05/10 60 10-2101/2 GEORGE HENRY BOUGHTON (american 1833-1905) WEAVING A BASKET Signed, inscribed, and dated ‘GH Boughton / Paris 61’ bottom left, oil on panel 14 x 10 1/2 in. (35.6 x 26.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

61 10-2179/1 FRANK CRAWFORD PENFOLD (american 1849-1921) BY THE GARDEN DOOR Signed and dated ‘F.C. Penfold 18923’ bottom right, oil on canvas 39 1/2 x 23 in. (100.3 x 58.4cm) exhibited: ‘Summer In The Garden: Fountain Figures and Sculpture, Paintings and Furniture,’ James Graham & Sons, New York, New York, June 20August 30, 2002. $5,000-8,000


47 free≤an’s fine american & european paintings & sculpture

12/05/10 62 10-1759/8 KARL WITKOWSKI (american 1860-1910) “THE CRITIC” Inscribed, dated, and signed ‘Copyright 1902 / K Witkowski’ lower left, oil on canvas 30 x 24 in. (76.2 x 61cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

63 10-2026/1 HARRY WILLSON WATROUS (american 1857-1940) “MADONNA AND CHALICE” Signed ‘Watrous’, bottom right, oil on canvas 36 x 24 in. (91.4 x 61cm) provenance: Collection of Dr. Noel J. Cortes, Philadelphia, Pennsylvania. $2,000-3,000


48 free≤an’s fine american & european paintings & sculpture

12/05/10 64 10-1481/120 CHRISTOPHER H SHEARER (american 1846-1926) “ON THE SCHUYLKILL” Signed and dated ‘CH Shearer 1895’ bottom left; also signed and inscribed with title on label verso, oil on canvas 30 1/2 x 50 1/8 in. (77.5 x 127.3cm) provenance: Private Collection, New Jersey. $3,000-5,000

65 10-8070/4 CHARLES MELVILLE DEWEY (american, 1849-1937), “SUNSET OVER LONG ISLAND” Signed ‘Charles Melville Dewey’ bottom left, oil on canvas 16 x 24 in. (40.6 x 61cm) provenance: Knoke Fine Art, Marietta, Georgia. Acquired from the above by the present owner. Private Collection, Virginia. $3,000-5,000

66 10-1890/102 HENRY BOESE (american 1824-1863) CATTLE GRAZING Signed and located ‘H. BOESE / NY’ bottom left, oil on canvas 30 x 46 in. (76.2 x 116.8cm) provenance: An Estate, Princeton, New Jersey. $3,000-5,000


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12/05/10 67 10-2179/3 ALBERT FITCH BELLOWS (american 1829-1883) GOING TO PASTURE Signed ‘Bellows’ bottom left, oil on canvas 24 x 20 in. (61 x 50.8cm) $6,000-10,000

68 10-1890/14 CHARLES PAUL GRUPPE (american 1860-1940) NOVEMBER LANDSCAPE Signed ‘Chas. P. Gruppe’ bottom left, oil on canvas 25 x 30 in. (63.5 x 76.2cm) In a Newcomb Macklin frame provenance: An Estate, Princeton, New Jersey. $4,000-6,000



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69 10-9011/4 ALFRED THOMPSON BRICHER (american 1837-1908) “SEASCAPE: SUNSET” Signed ‘A.T. Bricher’ bottom left, oil on canvas 27 x 50 in. (68.6 x 127cm) Probably executed in the mid-1860s provenance: Private collection, since 1940. Sotheby’s, New York, sale of May 22, 1996, lot 58. The Masco Corporation. Sotheby’s, New York, sale of the above, December 3, 1998, lot 103. Private Collection, Alabama. $200,000-300,000


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70 10-1890/30 JAMES GALE TYLER (american 1855-1931) “ON THE HIGH SEAS” Signed ‘JAMES G. TYLER’ bottom right, oil on canvas 35 x 46 in. (88.9 x 116.8cm) provenance: The Connecticut Gallery, Marlborough, Connecticut. An Estate, Princeton, New Jersey. $8,000-12,000


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72

73 71 10-1481/126 ATTRIBUTED TO GORDON HOPE GRANT (american 1875-1962) “FIRST SALUTE TO THE STARS AND STRIPES - JOHN PAUL JONES 1778” Inscribed with title along bottom, oil on canvas 70 1/2 x 94 1/2 in. (179.1 x 240cm) provenance: Private Collection, New Jersey. $3,000-5,000

72 10-1481/124 FRANKLIN DULLIN BRISCOE (american 1844-1903) BREEZING UP Signed ‘F.D. Briscoe’ bottom right, oil on canvas 18 x 14 1/4 in. (45.7 x 36.2cm) provenance: Pedersen Gallery, Lambertville, New Jersey. Private Collection, New Jersey. $1,000-1,500

73 10-2178/1 EDWARD MORAN (american 1829-1901) BOAT IN ROUGH SEAS Signed ‘Edward Moran’ bottom left, oil on canvas 14 1/4 x 24 in. (36.2 x 61cm) provenance: Private Collection, Florida. $5,000-8,000


54 free≤an’s fine american & european paintings & sculpture

12/05/10 74 10-1890/98 JOSEPH ANTONIO HEKKING (american 1830-1903) TRAVELERS ON A WOODLAND PATHWAY Signed ‘Hekking’ bottom center right, oil on canvas 27 x 33 7/8 in. (68.6 x 86cm) provenance: An Estate, Princeton, New Jersey. $2,500-4,000

75 10-1619/2 THOMAS BAILEY GRIFFIN (american 1858-1918) “IN THE WHITE MOUNTAINS” Signed ‘T.B. Griffin’ bottom left; also signed and titled verso, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, Maryland. $1,000-1,500

76 10-1758/8 JOSEPH JEFFERSON IV (american 1829-1905) WOMAN AMONGST TREES Signed and dated ‘J. Jefferson 97’ bottom right, oil on canvas 23 1/4 x 36 in. (59.1 x 91.4cm) $2,000-3,000


55 free≤an’s fine american & european paintings & sculpture

12/05/10 77 10-1890/77 CHARLES HAROLD DAVIS (american 1856-1933) AUTUMN LANDSCAPE Signed ‘CH Davis’ bottom left, oil on canvas 10 x 12 in. (25.4 x 30.5cm) provenance: The Connecticut Gallery, Marlborough, Connecticut. An Estate, Princeton, New Jersey. $1,000-1,500

78 10-2118/4 ELLIOTT DAINGERFIELD (american 1859-1932) “NEW ENGLAND LANDSCAPE” Signed and dated ‘Elliott Daingerfield 92’ bottom left, oil on canvas laid down on board 21 3/4 x 24 in. (55.2 x 61cm) provenance: Originally purchased in 1914. Property of a Midwestern Museum. $5,000-8,000

79 10-1890/82 LEONARD OCHTMAN (american 1854-1935) “STEEP HOLLOW, SPRING, COS COB” Signed ‘LEONARD OCHTMAN’ bottom left, signed and inscribed with title verso, oil on panel 12 x 16 in. (30.5 x 40.6cm) provenance: Florence Lewison Gallery, New York, New York. The Connecticut Gallery, Marlborough, Connecticut. An Estate, Princeton, New Jersey. $1,000-1,500



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80 10-9011/3 RALPH ALBERT BLAKELOCK (american 1847-1919) “JAMAICAN COASTAL SCENE” Signed and dated ‘R.A. Blakelock 1875’ bottom left, oil on canvas 35 x 56 in. (88.9 x 142.2cm) provenance: Edward W. Moore, Cleveland, Ohio. Sotheby Parke Bernet, New York, sale of April 23, 1982, lot 20. Gloria and Richard Manney, Hastings-on-Hudson, New York. Sotheby’s, New York, sale of May 27, 1993, lot 205. The Masco Corporation. Sotheby’s New York, sale of the above, December 3, 1998, lot 123. Private Collection, Alabama. note: This painting has been entered as no. 1231 and assigned to Category II, in the Blakelock Inventory, University of Nebraska, Lincoln, Nebraska. $100,000-150,000


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81 10-2034/3 HARRY AIKEN VINCENT (american 1864-1931) A BUSY HARBOR Signed ‘H A VINCENT’ bottom left, oil on canvas 24 x 30 in. (60.7 x 76.2cm) provenance: Private Collection, Tennessee. $8,000-12,000


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82 10-1712/1 ANTHONY THIEME (american 1888-1954) “OLD ROCKPORT” Signed ‘A. Thieme’ bottom right; also titled and numbered ‘169*’ verso, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: An Estate, New Jersey. $10,000-15,000


60 free≤an’s fine american & european paintings & sculpture

12/05/10 83 10-2103/2 ANTHONY THIEME (american 1888-1954) “QUARRY 2” Signed ‘A Thieme’ bottom left, inscribed with title verso, oil on canvas 25 x 30 in. (63.5 x 76.12cm) provenance: Private Collection, Massachusetts. $5,000-8,000

84 10-8070/5 ALSON SKINNER CLARK (american 1876-1949) “CATALINA” Inscribed, signed, and dated ‘To Mrs Wright Alson Clark 24’ bottom right, inscribed with title, dated and signed in pen verso, oil on board 7 x 9 1/2 in. (17.8 x 24.1cm) (sight) provenance: Private Collection, Virginia. $6,000-10,000


61 free≤an’s fine american & european paintings & sculpture

12/05/10

85 10-1890/103 HAYLEY LEVER (american 1876-1958) “DRAWBRIDGE, HOWARD’S BEACH” Signed ‘Hayley Lever’ bottom left, signed and inscribed with title verso, dated ‘1931’ on label verso, oil on canvas 24 x 36 1/4 in. (61 x 92.1cm) provenance: An Estate, Princeton, New Jersey. $10,000-15,000


62 free≤an’s fine american & european paintings & sculpture

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86 10-1890/65 ERNEST ALBERT (american 1857-1946) “THE SETTING SUN” Signed and dated ‘ERNEST ALBERT A.N.A. / 1937’ bottom right, oil on canvas 32 1/4 x 40 1/4 in. (81.9 x 102.2cm) provenance: Whitley Gallery, Old Lyme, Connecticut. Grand Central Art Galleries, New York, New York. An Estate, Princeton, New Jersey. exhibited: National Academy of Design, New York, New York. $4,000-6,000

87 10-1890/100 ERNEST ALBERT (american 1857-1946) “MAINE COAST, OGUNQUIT” Signed ‘ERNEST ALBERT A.N.A.’ bottom right, oil on canvas 24 x 24 in. (61 x 61cm) provenance: Vose Galleries, Boston, Massachusetts. An Estate, Princeton, New Jersey. note: This lot is accompanied by an original bill of sale from Vose Galleries, Boston, Massachusetts. $1,500-2,500

88 10-1890/9 ERNEST ALBERT (american 1857-1946) “LONG LAKE” Signed ‘ERNEST ALBERT A.N.A.’, bottom right, oil on masonite 20 x 24 in. (50.8 x 61cm) provenance: An Estate, Princeton, New Jersey. $1,500-2,500


63 free≤an’s fine american & european paintings & sculpture

12/05/10 89 10-1890/67 EDMUND WILLIAM GREACEN (american 1877-1949) MOUNTAIN STREAM Signed and dated ‘Edmund Greacen 1911’ bottom right, oil on canvas 26 x 32 in. (66 x 81.3cm) provenance: The Connecticut Gallery, Marlborough Connecticut. An Estate, Princeton, New Jersey. $6,000-10,000

90 10-1796/1 WALTER KOENIGER (american 1881-1943) STREAM IN WINTER Signed and dated ‘ W. KOENIGER / 25’ bottom left, oil on canvas 30 x 30 in. (76.2 x 76.2cm) provenance: Private Collection, Texas. $4,000-6,000


64 free≤an’s fine american & european paintings & sculpture

12/05/10 91 10-1890/78 GEORGE GARDNER SYMONS (american 1863-1930) WINTER LANDSCAPE Signed ‘Gardner Symons’ bottom left, oil on canvas 9 3/8 x 11 1/4 in. (23.8 x 28.6cm) provenance: An Estate, Princeton, New Jersey. $1,000-1,500

92 10-1890/75 GEORGE GARDNER SYMONS (american 1863-1930) COUNTRY ROAD Signed with initials ‘G.S.’ bottom right, oil on canvas laid on board 8 1/2 x 10 1/2 in. (21.6 x 26.7cm) provenance: The Connecticut Gallery, Marlborough, Connecticut. An Estate, Princeton, New Jersey. $1,000-1,500

93 10-1890/76 JOHN FABIAN CARLSON (american 1874-1945) ‘SPRING GAYETY’ (sic) Signed ‘John F. Carlson’ bottom right, oil on canvas laid on board 8 x 10 in. (20.3 x 25.4cm) provenance: Vose Galleries, Boston, Massachusetts. An Estate, Princeton, New Jersey. note: This lot is accompanied by an original bill of sale from Vose Galleries, Boston, Massachusetts. $1,500-2,500


65 free≤an’s fine american & european paintings & sculpture

12/05/10 94 10-1758/4 JONAS LIE (american 1880-1940) HOUSES BY A RIVER Signed ‘JONAS LIE’ bottom right, oil on canvas 22 x 26 in. (55.9 x 66cm) $2,500-4,000

95 10-1684/6 JAN MATULKA (american/czech 1890-1972) HOUSES AND TELEGRAPH POLES Signed ‘Matulka’ bottom left, gouache with traces of pencil; with a black conte drawing verso 14 1/2 x 21 1/8 in. (36.8 x 53.7cm) provenance: Robert Simpson, St. Davids, Pennsylvania. Reverend Beatrice Blair, New York, New York. Private Collection, New York, New York. $3,000-5,000


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12/05/10 96 10-8070/7 GIOVANNI BATTISTA TROCCOLI (american 1882-1940) “THE WHITE GLOVES” Signed and dated ‘G.B. Troccoli Aug 1911’ bottom right, signed and inscribed with title in pencil on stretcher verso, oil on canvas 38 x 28 in. (96.5 x 72.1cm) provenance: Private Collection, Virginia. exhibited: Seventh Exhibition Contemporary American Oil Paintings, Corcoran Gallery of Art, Washington, D.C. 1919. Thirty Third Annual Exhibition, Chicago, 1920. Tenth Annual Exhibition, Art Association of Newport, 1921. One Hundred and Seventeenth Annual Exhibition, Pennsylvania Academy of Fine Art, Philadelphia, Pennsylvania, 1922. Sesqui-Centennial International Exposition, Philadelphia, Pennsylvania, 1926. The American Federation of Art, Washington, D.C. National Academy of Design, New York, New York. The Guild of Boston Artists, Boston, Massachusetts. $1,500-2,500

97 09-1680/21 HENRY SCHWARTZ (american 1927-2009) “THE MARRIAGE AT CANA BY VERONESE AS PARODIED AND FURTHER PARODIED BY HENRY SCHWARTZ USING THE FACULTY OF 1951” Signed and dated ‘Schwartz 51’ bottom left, casein, gold ink and pencil on board 20 x 29 1/4 in. (50.8 x 74.3cm) provenance: Gallery NAGA, Boston, Massachusetts. From the Lehman Brothers Collection. note: This work depicts the faculty of the Boston Museum School of 1951. A pencil sketch key attached verso identifies the sitters. $800-1,200


67 free≤an’s fine american & european paintings & sculpture

12/05/10 98 10-1851/1 PAUL MELTSNER (american 1905-1966) DOCK SCENE, GLOUCESTER Signed ‘PAUL MELTSNER’ bottom left, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, New Jersey. $3,000-5,000

99 10-1858/1 MAX ARTHUR COHN (american 1903-1998) “SUBWAY RIDERS” Signed ‘MAX ARTHUR COHN’ bottom right, oil on canvas laid down on board 19 1/3 x 23 3/8 in. (48.9 x 59.4cm) (sight) provenance: Private Collection, Pennsylvania. $2,000-3,000


68 free≤an’s fine american & european paintings & sculpture

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100 10-8070/1 NEWELL CONVERS WYETH (american 1882-1945) “THE GIBBET” Signed ‘N.C. WYETH’ bottom right, oil on canvas 34 x 25 in. (86.4 x 63.5cm) Executed 1924 provenance: The artist. Mrs. N.C. Wyeth. Carolyn Wyeth. Frank E Fowler, Lookout Mountain, Tennessee. American Illustrators Gallery, Atlanta, Georgia. Private Collection, Virginia. exhibited: Wilmington, Delaware, 1946 no. 34 literature: Richard Layton, Inventory of Paintings in the Wyeth Studio, 1950, unpublished, Wyeth Family Archives, p. 19. Douglas Allen and Douglas Allen, Jr., N. C. Wyeth, The Collected Paintings, Illustrations and Murals (New York: Crown Publishers, 1972), p. 219. Christine B. Podmaniczky, N. C. Wyeth, A Catalogue Raisonné of Paintings (London: Scala, 2008), I. 969 (1212), p. 467 note: This work was painted as an illustration for David Balfour, Being Memoirs of the Further Adventures of David Balfour at Home and Abroad by Robert Louis Stevenson (f.p. 28, New York: Charles Scribner’s Sons, 1924). ‘The Gibbet’ is NCW number 1212 in the catalogue raisonné of the works of Newell Convers Wyeth by the Brandywine River Museum, Chadds Ford, Pennsylvania. $50,000-80,000


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70 free≤an’s fine american & european paintings & sculpture

12/05/10 101 10-2117/1 NORMAN ROCKWELL (american 1894-1978) SCENE FROM ‘THE MOST BELOVED AMERICAN WRITER’ (‘JO CONCOTED A THRILLING TALE...’) Signed ‘Norman Rockwell’ bottom left, charcoal and black crayon 19 x 15 1/4 in. (48.3 x 38.7cm) (sight) Executed circa 1938 provenance: (By repute) Aquired from the artist. Private Collection, Delaware . By descent in the family. note: Rockwell completed paintings and drawings illustrating Katherine Anthony’s tribute to Louisa May Alcott, The Most Beloved American Writer. Alcott is best known as the author of Little Women. For a work related to the present lot, see Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts , 1986, vol. 2, number S708 illustrated. $15,000-25,000


71 free≤an’s fine american & european paintings & sculpture

12/05/10 102 10-2117/2 NORMAN ROCKWELL (american 1894-1978) SCENE FROM ‘THE MOST BELOVED AMERICAN WRITER’ (‘HER DIARY CHRONICLED...’) Signed ‘Norman Rockwell’ bottom right, charcoal and black crayon 19 1/8 x 13 7/8 in. (48.6 x 35.2cm) Executed circa 1938 provenance: (By repute) Aquired from the artist. Private Collection, Delaware . By descent in the family. note: For a work related to the present lot, see Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts , 1986, vol. 2, number S707 illustrated. $15,000-25,000


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103 10-1804/1 EARL MORAN (american 1893-1984) RECLINING NUDE Signed ‘EARL MORAN’ bottom right; also with ‘Aaron Brothers Galleries’ stamp and inventory number ‘1467’ verso, oil on canvas 36 x 24 in. (91.4 x 61cm) provenance: Long & Company, Houston, Texas. Acquired by the present owner’s father from the above, 1969. By descent to the present owner. Private Collection, Texas. $6,000-10,000


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104 10-2180/1 TIM COX (american b. 1957) FORDING CATTLE, AUTUMN Signed ‘AT COX ©’ bottom left, oil on masonite 30 x 40 in. (76.2 x 101.6cm) provenance: Private Collection, Shelter Island, New York. $15,000-25,000


74 free≤an’s fine american & european paintings & sculpture

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105 10-2180/2 TIM COX (american b. 1957) “SHE AIN’T NO LADY” Bronze with brown patina, numbered 18/40, signed and dated ‘AT COX 87 ©’ and with cactus stamp on base 11 3/4 in. (29.8cm) (height) on stained mahogany plinth 13 3/4 (34.9cm) (overall) provenance: Private Collection, Shelter Island, New York. $2,000-3,000

106 10-1758/2 CARL KAUBA (american 1865-1922) STAGECOACH AND FOUR Bronze with brown patina, signed ‘C Kauba’ on base, and stamped ‘GESCHUTZT’ 7 5/8 in. (19.4cm)(height) 23 2/4 in. (60.3cm)(length) $2,000-3,000


75 free≤an’s fine american & european paintings & sculpture

12/05/10 107 10-1759/10 JOSEPH HENRY SHARP (american 1859-1953) “THE DOGHOUSE” Signed and dated bottom left ‘JH Sharp 82’, bottom left, oil on canvas 14 x 10 in. (35.6 x 25.4cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

108 10-2024/1 GRANDMA MOSES (american 1860-1961) “BARTERING” Painted ceramic tile, signed ‘MOSES’ bottom left 6 x 6 in. (15.2 x 15.2cm) provenance: Private Collection, Pennsylvania. literature: O. Kallir, Grandma Moses, New York, 1973, p. 327, number 43, illustrated. note: Accompanied by a copy of Otto Kallir, Grandma Moses, signed by Hilda Bachert. $3,000-5,000


76 free≤an’s fine american & european paintings & sculpture

12/05/10 109 10-2114/2 JOSEPH STELLA (american 1877-1946) “THE JADE NECKLACE” Oil on canvas 21 3/4 x 18 1/8 in. (55.2 x 46cm) provenance: Richard York Gallery, New York. The artist’s nephew. By family descent. Private Collection, New Jersey. $12,000-18,000


77 free≤an’s fine american & european paintings & sculpture

12/05/10 110 10-1619/5 MINNA WRIGHT CITRON (american 1896-1991) “LILY OF TENNESSEE VALLEY” Signed ‘Minna Citron’ bottom right, inscribed and signed ‘Copyright reserved Minna Citron’ verso, oil on masonite 19 1/2 x 15 3/4 (49.5 x 40cm) provenance: Private Collection, Maryland. $4,000-6,000


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111 10-1886/1 WOLF KAHN (american b. 1927) BARN Signed ‘W Kahn’ bottom right, oil on canvas 31 1/2 x 48 1/2in. (77.5 x 123.2cm) provenance: Private Collection, New York. $8,000-12,000


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112 10-1886/2 WOLF KAHN (american b. 1927) LANDSCAPE Signed ‘W. Kahn’ bottom right, oil on canvas 24 x 22 in. (55.9 x 61cm) provenance: Private Collection, New York. $8,000-12,000


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113 10-2028/1 JOHN FULTON FOLINSBEE (american 1892 - 1972) “RABBIT RUN BRIDGE” Signed ‘John Folinsbee’ bottom right, oil on canvas 31 3/4 x 40 in. (80.6 x 101.6cm) provenance: Private Collection, New Jersey. exhibited: Phillips Mill Community Association: Annual Spring Exhibition, May-June 1932 literature: Art & Artists, ‘The New Hope’ 1:1 (August 1933), 5, black and white illustration. note: This work is included in the catalogue raisonné of John Folinsbee’s work by the Folinsbee Art Trust as catalog number FFF.1161. $30,000-50,000


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12/05/10 114 10-1481/137 JOHN WELLS JAMES (american 1873-1951) “NEW HOPE” Signed ‘John Wells James’ bottom left, inscribed with title in pencil verso, oil on canvasboard 12 3/4 x 15 3/4 in. (32.4 x 40cm) provenance: Private Collection, New Jersey. $2,500-4,000

115 10-2031/1 KATE A. WILLIAMS (american d. 1939) FEEDING DUCKS BY A RIVER Signed ‘Kate Williams’ bottom left, oil on canvas, laid down on board 25 1/4 x 30 in. (64.1 x 76.2cm) provenance: A Private Collection, Florida. note: It has been suggested that this may be a view of the canal looking north towards New Hope, Pennsylvania. $2,000-3,000

116 10-1783/7 LAURENCE A. CAMPBELL (american b. 1939) “APPROACHING STORM JUPITER, FLORIDA” Signed and dated ‘Laurence A. Campbell 94’ bottom left, also inscribed with title verso, oil on board 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, New Jersey. $2,000-3,000


82 free≤an’s fine american & european paintings & sculpture

12/05/10 117 10-1481/174 LAURENCE A. CAMPBELL (american b. 1939) “FISHING BOATS (GARDNER’S) BASIN ATLANTIC CITY” Signed and dated ‘Laurence A Campbell © 1992’ bottom left, signed and inscribed with title on lower stretcher verso, oil on canvas 20 x 24 in. (50.8 x 60.7cm) provenance: Private Collection, New Jersey. $6,000-10,000

118 10-1481/182 LAURENCE A. CAMPBELL (american b. 1939) “STUDY FOR (EARLY MORNING) RIVERTON YACHT CLUB” Signed ‘Laurence A Campbell’ bottom right, signed and inscribed with title verso, oil on board 8 x 10 in. (20.3 x 25.4cm) provenance: Private Collection, New Jersey. $1,500-2,500


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119 10-1623/9 LUIGI SETTANNI (american 1909-1984) WOMAN ON A HORSE Signed ‘Luigi Settanni’ bottom left, oil on canvas 29 x 24 in. (73.7 x 60.9cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

120 10-1623/8 LUIGI SETTANNI (american 1909-1984) WOMAN Signed ‘Luigi Settanni’ bottom right, oil with traces of pencil on canvas laid on masonite 10 1/2 x 8 1/2 in. (26.7 x 21.6cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

121 10-2177/1 GEORGE A WEYMOUTH (american b. 1936) “CALIFORNIA LADY” Signed ‘George A Weymouth’ upper left, egg tempera on panel 18 x 24 in. (45.7 x 61cm) Executed in 1988 provenance: Collection of the Artist. Private Collection, Los Angeles. exhibited: Brandywine River Museum / Brandywine Conservancy, ‘George A. Weymouth Retrospective,’ June 8-September 2, 1991. $2,000-3,000


84 free≤an’s fine american & european paintings & sculpture

12/05/10 122 10-2105/1 THOMAS CHIMES (american 1921-2009) “DAY OF PEACE” Signed ‘Chimes’ bottom right, oil on canvas 16 x 22 1/4 in. (40.6 x 56.5cm) In an artist decorated frame provenance: With a partial label of the Art Lending Service of the Museum of Modern Art, New York, New York attached verso. Private Collection, New York. Acquired by the present owner from Museum of Modern Art public sale, circa early 1960s. Private Collection, New York. $5,000-8,000

123 10-1726/1 DAVID FERTIG (american b. 1946) “A VASE OF IRISES, MY STUDIO, MY GARDEN” Signed ‘David Fertig’ bottom center left; also signed, titled, and dated ‘Summer 85’ verso, oil on canvas 38 x 82 1/2 in. (96.5 x 209.5cm) provenance: An Estate, Pennsylvania. $2,000-3,000


Artists of the Pennsylvania Academy of the Fine Arts lots 126-161



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124 10-8070/9 MARY CASSATT (american 1844-1926) “ENFANT LE BAS LEVÉ” With the collection stamp ‘Mathilde X’ stamp bottom left, the original backboard attached verso with stamp and label inscribed ‘13.992 M. Cassatt / Enfant le bas levé dessin / 152’, charcoal 15 1/4 x 18 1/4 in. (38.7 x 46.4cm) (sight) provenance: Ex Collection Mathilde Vallet, the artist’s collaborator. Private Collection, Virginia. $6,000-10,000


88 free≤an’s fine american & european paintings & sculpture

12/05/10 125 10-1798/1 THOMAS P ANSHUTZ (american 1851-1912) “PORTRAIT OF MISS BUNTING” Signed ‘Thos Anshutz’ bottom right, oil on canvas 38 x 29 in. (96.5 x 73.7cm) Executed circa 1910 provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection Pennsylvania. Private Collection, Virginia. $5,000-8,000

126 10-1996/1 CARROLL SARGENT TYSON (american 1877-1956) NUDE PORTRAIT OF A YOUNG WOMAN Oil on canvas 34 x 29 1/8 in. (86.4 x 74cm) provenance: Hirschl & Adler Galleries, Inc., New York, New York. Private Collection, Pennsylvania. $1,500-2,500


89 free≤an’s fine american & european paintings & sculpture

12/05/10 127 10-1684/10 THOMAS P ANSHUTZ (american 1851-1912) “WOMAN SEWING” Signed ‘Thos P. Anshutz’ on backboard, pastel 12 1/8 x 16 1/4 in. (30.8 x 41.3cm) (sight) provenance: Estate of the artist. Mr. Leo Stoll, New York, New York. James Graham & Sons., New York, New York. Robert Simpson, St. David, Pennsylvania. Reverend Beatrice Blair, New York, New York. Private Collection, New York, New York. exhibited: ‘Thomas Anshutz Paintings, Watercolors, and Pastels’ Graham Gallery, New York, New York, October 30th - December 21st, 1979, Cat N. 51. $1,500-2,500

128 10-1890/101 FRANK KNOX MORTON REHN (american 1848-1914) ‘SUMMER’ Signed ‘FKM Rehn’ bottom right, signed and inscribed with title on label verso, oil on canvas 30 1/4 x 50 in. (76.8 x 127cm) $1,500-2,500 129 10-1321/12 AMERICAN SCHOOL (late 19th / early 20th century) YOUNG MAN WITH HAT Oil on canvas with partial Pennsylvania Academy of Fine Art label attached verso 21 1/8 x 15 1/2 (53.7 x 39.4cm) $1,000-1,500


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130 10-2026/3 CHARLES MORRIS YOUNG (american 1869-1964) AUTUMN LANDSCAPE Signed and dated ‘Chas Morris Young 1911’ bottom right, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $12,000-18,000


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131 10-2036/1 CHARLES MORRIS YOUNG (american 1869-1964) “OCTOBER PATTERN” Signed and dated ‘Chas Morris Young Oct 11, 1938’ bottom left, oil on canvas 20 x 24 1/4 in. (50.5 x 61.6cm) In a Harer frame with incised signature provenance: McClees Galleries, Philadelphia, Pennsylvania. Private Collection, Colorado. $10,000-15,000


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132 10-1516/193 JOSEPH AUSTIN PENNELL (american 1860-1926) GREY DAY Signed ‘J Pennell’ bottom left, oil on canvas, laid down on panel 11 1/2 x 15 1/2 in. (29.2 x 39.4 cm) provenance: Wallace Gallery, East Hampton, New York. Newberger Berman & Lehman Brothers Collection. $6,000-10,000


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133 10-2103/1 LEON KROLL (american 1884-1974) “QUARRY” Signed and dated ‘Kroll 1913’ bottom right, oil on canvas 36 x 48 in. (91.4 x 121.9cm) provenance: Private Collection, Massachusetts. $10,000-15,000


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12/05/10 134 10-2114/1 ARTHUR BEECHER CARLES (american 1882 - 1952) HOUSE WITH RED ROOF Oil on panel 13 x 9 1/4 in. (33 x 23.5cm) provenance: The Artist. His daughter, Mercedes Matter. Acquired from the above. Private Collection, New York, New York. Freeman’s, sale of June 25, 2006, lot 147. Acquired from the above by the present owner. Private Collection, New Jersey. $5,000-8,000

135 10-1481/175 MARTHA WALTER (american 1875-1976) “SKETCH OF BOY” Inscribed on verso, ‘Sketch / of Boy / April 1905 / Walter’, oil on canvas 22 x 17 in. (55.9 x 43.2cm) provenance: Private Collection, New Jersey. $5,000-8,000


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12/05/10 136 10-2116/1 MARTHA WALTER (american 1875-1976) “FISH MARKET, QUIMPER” Inscribed with title and dated ‘192’ in pencil verso, oil on canvasboard 14 x 18 in. (35.6 x 45.7cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

137 10-2116/2 MARTHA WALTER (american 1875-1976) EXCHANGING GOSSIP Signed ‘Martha Walter’ bottom left, oil on canvasboard 15 x 18 in. (38.1 x 45.7cm) provenance: Private Collection, Pennsylvania. $4,000-6,000


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12/05/10 138 10-1481/176 PAULETTE VAN ROEKENS (american 1896-1988) “CIRCUS CROWD” Signed ‘P. VAN ROEKENS’ bottom right; also signed and titled on stretcher, oil on canvas 12 x 14 in. (30.5 x 35.6cm) provenance: Private Collection, New Jersey. $5,000-8,000

139 10-1481/187 PAULETTE VAN ROEKENS (american 1896-1988) “THE KING AND CLOWN” Signed ‘P. VAN ROEKENS’ upper right, also signed and titled verso, oil on canvas laid on masonite 9 3/4 x 7 7/8 in. (24.8 x 20cm) provenance: Private Collection, New Jersey. $2,000-3,000


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140 10-1549/1 KATHERINE HOOD MCCORMICK (american 1882-1960) “THE HEART OF PHILADELPHIA” Signed ‘K H McCormick’ bottom right, oil on canvas 33 x 25 in. (83.8 x 63.5cm) provenance: The artist. Gift from the above to Ms. Maude Archer. Acquired from the above by the present owner. Private Collection, Philadelphia, Pennsylvania. note: There is a partial Pennsylvania Academy of Fine Art Exhibition label verso dated 1929. $2,500-4,000

142 10-1890/39 LAURA D. STROUD LADD (american 1863-1943) “HYDRANGEAS” Signed ‘Laura D.S. Ladd’ bottom left, signed and inscribed with title on label verso, oil on canvas 36 x 34 in. (91.4 x 86.4cm) provenance: An Estate, Princeton, New Jersey. $3,000-5,000

141 10-1549/2 KATHERINE HOOD MCCORMICK (american 1882-1960) “SPRING GULPH MILLS” Signed ‘K.H. McCormick’ bottom right; also inscribed on (unidentified) label verso of frame, oil on canvas 30 x 34 1/4 in. (76.2 x 87cm) provenance: The artist. Gift from the above to Ms. Maude Archer. Acquired from the above by the present owner. Private Collection, Philadelphia, Pennsylvania. $1,500-2,500


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143 10-1032/1 FERN ISABEL COPPEDGE (american 1883-1951) “THOMPSON-NEELY HOUSE” Signed ‘Fern I Coppedge’ bottom center left, oil on canvas 18 x 20 in. (45.7 x 50.8cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $25,000-40,000


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144 10-1712/2 ANTONIO PIETRO MARTINO (american 1902-1988) “REFLECTIONS” Signed and dated ‘A.P. Martino / 1927’ bottom right; also inscribed ‘780 A’ in pencil on stretcher, and with hand-written label on verso of frame, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: An Estate, New Jersey. note: This lot will be accompanied by a National Hall of Art Certification and Registration Certificate dated November 22, 1944. $6,000-10,000


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12/05/10 145 10-1460/1 FERN ISABEL COPPEDGE (american 1883-1951) FISHING BOATS IN A HARBOR Signed ‘Fern I Coppedge’ bottom left, oil on canvas 20 x 18 in. (50.8 x 45.7cm) provenance: Private Collection, Topeka, Kansas. $6,000-10,000

146 10-1175/1 ROY NUSE (american 1885-1975) “BY THE BANKS OF THE NESHAMINY (WINDOW OF TREES)” Oil on canvas, laid down on board 18 x 16 in. (45.7 x 40.6cm) provenance: The artist. Gifted to the present owner, a student of the artist. Private Collection, Pennsylvania. note: This lot will be accompanied by a letter of authenticity signed by Robin Nuse and dated July 2, 2004. $6,000-10,000


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12/05/10 147 10-1758/9 WALTER EMERSON BAUM (american 1884-1956) “BROOKLYN IN THE WOODS” Inscribed and signed ‘Brooklyn in the Woods / Walter Emerson Baum / Sellersville PA’ verso, oil on canvasboard 16 x 20 in. (40.6 x 50.8cm) $3,000-5,000

148 10-1598/4 WALTER EMERSON BAUM (american 1884-1956) MACUNGIE, PENNSYLVANIA LANDSCAPE Signed ‘WE BAUM’ bottom left; also signed and located verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000


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12/05/10 149 10-1031/1 RICHARD GIBSON WEDDERSPOON (american 1889-1976) “FILLING SILO” Signed ‘RG WEDDERSPOON’ upper right, signed and inscribed with title verso, oil on board 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, New Jersey. $5,000-8,000

150 10-1731/2 MORRIS BLACKBURN (american 1902-1979) ABSTRACT COMPOSITION Signed ‘Morris Blackburn’ bottom right, watercolor 13 x 8 in. (33.1 x 20.4cm) provenance: Kendall Chew & John Formicola. Acquired from the above by the present owner. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500


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12/05/10 151 10-1623/1 JIMMY LUEDERS (american 1927-1994) “FLOWERS’” Signed ‘Lueders’ lower right, signed on upper stretcher verso, oil on canvas 40 x 30 1/4 in. (101.6 x 76.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

152 10-1623/2 JIMMY LUEDERS (american 1927-1994) SUMMER WILDFLOWERS Signed and dated ‘Leuders 86’ bottom left, acrylic on canvas 36 x 32 in. (91.5 x 81.3cm) provenance: Private Collection, Pennsylvania. $1,500-2,500


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153 10-1481/193 PETER SCULTHORPE (american b. 1948) FARM IN WINTER BY MOONLIGHT Signed ‘P Sculthorpe’ bottom left, oil on canvas 72 1/4 x 71 1/2 in. (183.5 x 181.6cm) provenance: Somerville Manning Gallery, Greenville, Delaware. Private Collection, New Jersey. $10,000-15,000


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12/05/10 154 10-1481/171 PETER SCULTHORPE (american b. 1948) “FROM THE DOWNSTREAM SERIES” Signed and dated ‘P Sculthorpe © 1994’ bottom center right, inscribed on artist’s label verso ‘From the Down Stream Series / Watercolor on *** Panel / Painted in Rockland Studio / 1994’ watercolor 55 1/2 x 35 3/8 in. (141 x 89.9cm) (sight) provenance: Somerville Manning Gallery, Greenville, Delaware. Private Collection, New Jersey. $4,000-6,000

155 10-1481/195 PETER SCULTHORPE (american b. 1948) “TREES FROM LANCASTER” Signed and dated ‘P. Sculthorpe © 00’ graphite 32 3/4 x 46 in. (83.2 x 116.8cm) provenance: Somerville Manning Gallery, Greenville, Delware. Private Collection, New Jersey. $1,500-2,500


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156 10-2115/1 BEN KAMAHIRA (american b. 1925) “WING ON” Signed and dated ‘Kamahira 73’ lower right, oil on canvas 50 5/8 x 62 7/8 in. (128.6 x 159.7cm) provenance: Forum Gallery, New York. Urban Art Research Center, New York. Freeman’s, sale of The Desind Collection, June 9, 2006, lot 197. Private Collection, New Jersey. exhibited: Butler Institute of American Art, Youngstown, Ohio, “Mainstream America: The Collection of Phil Desind,” March 1 - April 5, 1987; University of Florida, Gainesville, “Style, Strands & Sequences: American Realist Paintings & Drawings from the Philip Desind Collection,” October 5 - November 4, 1990 (this exhibition also traveled to the Deland Museum of Art, 1991, and the Tampa Museum of Art, 1992) $7,000-10,000


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157 10-2104/1 BO BARTLETT (american b. 1955) “JACKIE READING AUREOLE” Signed with monogram ‘IGN’ bottom left, signed and dated ‘1999’ verso, oil on board 18 x 24 in. (45.7 x 61cm) provenance: The artist’s studio. Acquired from the above by the present owner. Private Collection, Philadelphia, Pennsylvania. $12,000-18,000


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12/05/10 158 10-1883/1 QUITA BRODHEAD (american 1901-2002 “MAPLEWOOD ROAD” Inscribed ‘Maplewood Road by Quita Broadhead’ on lower stretcher verso, oil on canvas, unframed 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, Philadelphia, Pennsylvania. literature: Woman’s Art Journal, Spring/ Summer 1997, Volume 18, number 1, Barbara A. Wolanin, ‘Quita Brodhead: Capturing The Vibes of the Twentieth Century,’ figure 2, page 4, illustrated, as ‘MAPLES IN THE FALL’ $1,000-1,500

159 10-1888/1 SIDNEY GOODMAN (american b. 1936) UNTITLED Signed ‘GOODMAN’ bottom right and again verso, oil on canvas 61 x 49 in. (155 x 124.3cm) provenance: The artist. Acquired from the above by the present owner. Private Collection, Pennsylvania. $4,000-6,000

END OF SALE


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Index Albert, E., 86, 87, 88 American School, 129 Anshutz, T.P., 125, 127 Bacci, E., 53 Bartlett, B., 157 Baum, W.E., 147, 148 Bell, E.A., 57 Bellows, A.F., 67 Blackburn, M., 150 Blakelock, R.A., 80 Blanchard, A., 51 Boese, H., 66 Boughton, G.H., 60 Brandi, D. (called 'Micco'), 8 Bricher, A.T., 69 Briscoe, F.D., 72 British School, 10 Brodhead, Q., 158 Cameron, K., 44 Campbell, L.A., 116, 117, 118 Canaletto, follower of, 7 Carles, A.B., 134 Carlson, J.F., 93 Cassatt, M., 124 Chantron, A.J., 23 Chimes, T., 122 Citron, M.W., 110 Clark, A.S., 84 Cohn, M.A., 99 Continental School, 31 Coppedge, F.I., 143, 145 Coward, Sir N., 45 Cox, T, 104, 105 Daingerfield, E., 78 Davis, C.H., 77 Dawson, M., 47, 48 de la Fosse, C.A.C., 19 de la Rosa, F., 52

de Noter, D.E.J., 25 del Campo, F., 37 del Sarto, A., follower of, 12 Delapeine, C.S., 39 Delpy, H.C., 22 Dewey, C.M., 65 Dughet, G. (called ‘Gaspard Poussin’), attributed to, 1 Fanfani, E., 35 Fertig, D., 123 Flemish School, 5 Folinsbee, J.F., 113 Francis, J.F., 59 French School, 11 Garnier, J.A., 16 Giménez-Martín, J., 38 Goodman, S., 159 Greacen, E.W., 89 Grandma Moses, 108 Grant, G.H., attributed to, 71 Griffin, T.B., 75 Gruppe, C.P., 68 Guillaumin, J-B.A., 21 Hekking, J.A., 74 Helleu, P.C., 20 Henningsen, E.L., 40 Heysen, H., 46 Hubner, C.W., 30

Kneller, Sir G., follower of, 9 Koeniger, W., 90 Kroll, L., 133 Ladd, L.D.S., 142 Leickert, C., 28 Lesrel, A.A., 18 Lever, H., 85 Lie, J., 94 Lippi, F., manner of, 2 Lueders, J., 151, 152 Martino, A.P., 144 Matulka, J., 95 McCormick, K.H., 140, 141 Meltsner, P., 98 Moran, E., 103 Moran, E., 73 Nuse, R., 146

Shearer, C.H., 64 Siqueiros, D.A., 54, 55 Smith, G., 43 Stella, J., 109 Symons, G.G., 91, 92 Ten Kate, H.F.C., 27 Thieme, A., 82, 83 Timmermans, E., 24 Titian, after, 3 Topham, F.W.W., 42 Torcia, F.S., 36 Troccoli, G.B., 96 Tyler, J.G., 70 Tyson, C.S., 126 van Roekens, P., 138, 139 Varotari, A. (called ‘Il Padovanino’), manner of, 13 Vincent, H.A., 81 von Stuck, F., 29

Ochtman, L., 79 Palmer, J.L., 41 Paolillo, L., 49, 50 Penfold, F.C., 61 Pennell, J.A., 132 Poustochkine, B., 32

James J.W., 114 Jefferson IV, J., 76 Jurutka, J., 33

Ream, M., 58 Rehn, F.K.M., 128 Remps, A.D., follower of, 6 Richter, E., 17 Robert, H., 14 Rockwell, N., 101, 102

Kahn, W., 111, 112 Kamahira, B., 156 Kauba, C., 106 Klever, Y.Y., 34 Kluyver, P.L.F., 26

Schwartz, H., 97 Sculthorpe, P., 153, 154, 155 Sejourne, B., 56 Settanni, L., 119, 120 Sharp, J.H., 107

Walter, M., 135, 136, 137 Watrous, H.W., 63 Wedderspoon, R.G., 149 Weenix, J.B. the Younger, circle of, 4 Weymouth, G.A., 121 Williams, K.A., 115 Witkowski, K., 62 Wyeth, N.C., 100 Young, C.M., 130, 131 Ziem, F., 15


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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.


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Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

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Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.


Fine Paintings Wednesday 1st December, 2010 33 Broughton Place, Edinburgh EH1 3RR

Viewing times Sunday 28th November 2pm - 5pm Monday 29th November 10am - 5pm Tuesday 30th November 10am - 5pm Morning of Sale by appointment only

Enquiries Nick Curnow or Elena Ratcheva Tel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

JEAN-BAPTISTE CAMILLE COROT (FRENCH 1796-1875) SOUVENIR D’UN PORT MEDITERANÉEN Signed, oil on canvas 36cm x 46.5cm (14.5in x 18.25in) Note: This painting dates circa 1868-1872 This painting has been examined and authenticated by Martin Dieterle and will be included in his forthcoming sixth supplement to the Corot catalogue raisonné

£30,000-50,000 ($45,000-75,000)


Fine Antiques including Selected Contents from a French Chateau Wednesday 8th December, 2010 33 Broughton Place, Edinburgh

Viewing times Sunday 5th December 2007 2pm - 5pm Monday 6th December 2007 10am - 5pm Tuesday 7th December 2007 from 9am Enquiries

Lee Young Tel: +44 (0)131 557 8844 E-mail: lee.young@lyonandturnbull.com

Illustrated catalogue ÂŁ12 plus postage and packing

w w w. lyo n a n d t u r n b u l l . co m


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vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts executive vice presidents ja≤es e buckley hanna dougher chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry robert waterhouse david weiss representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011

robert and kate waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226

john c. jones Nashville, TN jjones@freemansauction.com Telephone: 267.414.1239


Fine Jewellery & Watches 12/06/10

Auction Monday December 6th at 10am Exhibitions: Thursday, December 2nd 5pm-8pm Friday, December 3rd 10am-5pm Saturday, December 4th Noon-5pm Sunday, December 5th Noon-5pm Inquiries: kate waterhouse direct tel: 267.414.1230 kwaterhouse@freemansauction.com beau freeman direct tel: 267.414.1200 beaufreeman@freemansauction.com

Impressive lady's platinum and diamond necklace 1940s provenance: Property of the Herman E. Robinson Estate, Philadelphia PA. $150,000-250,000 (ÂŁ93,500-178,000

ellen byrd direct tel: 267.414.1227 ebyrd@freemansauction.com

Catalogue $20

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

w w w.f re e m a n s a u c t i o n . c o m

Upcoming


Upcoming

English & Continental Furniture, Silver & Decorative Arts 01/25&26/11

Auctions Tuesday January 25th and Wednesday January 26th at 10am both days Exhibitions Friday January 21st and Saturday January 22nd 10am to 4:30pm Sunday January 23rd by appointment only Monday January 24th 10am to 4:30pm

Inquiries: robert waterhouse direct tel: 267.414.1226 rwaterhouse@freemansauction.com david walker direct tel: 267-414-1216 dwalker@freemansauction.com ben fisher direct tel: 267-414-1215 bfisher@freemansauction.com

Catalogue $35

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

Charles II silver tobacco box 1670-1685 $2,000-3,000

www.freemansauction.com


English & Continental Furniture, Silver & Decorative Arts 01/25&26/11

Upcoming

Auctions Tuesday January 25th and Wednesday January 26th at 10am both days Exhibitions Friday January 21st and Saturday January 22nd 10am to 4:30pm Sunday January 23rd by appointment only Monday January 24th 10am to 4:30pm

Inquiries: robert waterhouse direct tel: 267.414.1226 rwaterhouse@freemansauction.com Important Fredric Lord Leighton (1830-1896) bronze $30,000-50,000

david walker direct tel: 267-414-1216 dwalker@freemansauction.com ben fisher direct tel: 267-414-1215 bfisher@freemansauction.com

Catalogue $35

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 www.freemansauction.com 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 www.freemanssouth.com

www.freemansauction.com


Appraisal Services

Including insurance, equitable distribuation, estate, charitable donation & inventory. Servicing private clients, museums, historical societies & corporations.

tel: 267.414.1239


absentee bidding form sale no

bidder no

business name

name address city

state

zip code

e-mail

phone (h)

phone (w)

fax

resale / tax identification

state

25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. All lots.must be paid for and removed within 5 days.

lot no

description

maximum bid please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account n0

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed (signature required to execute your bids)

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: info@freemansauction.com www.freemansauction.com


Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


YULIY YULEVICH KLEVER (russian 1850-1924) A WINTER’S DAY, SUNSET Signed, inscribed and dated ‘J. Von Klever Munchen 188*’ bottom right, oil on canvas 30 x 40 1/2 in. (76.2 x 102.9cm)



www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236


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