Modern & Contemporary Art

Modern & Contemporary Art 05/15/11

Modern & Contemporary Art 05/15/11

Auction: Sunday, May 15th at 2pm Sale 1399 Exhibitions: Thursday, May 12th and Friday, May 13th 10am-4:30pm Saturday, May 14th Noon-5pm Inquiries:

anne henry ext 3049 Vice-President Direct Tel: 267.414.1220 ahenry@freemansauction.com

aimee pflieger ext 3015 Associate Specialist Direct Tel: 267.414.1221 apflieger@freemansauction.com Bidding: natalie difeliciantonio ext 3008 Direct Tel: 267.414.1208 Fax: 215.599.2240 ndifeliciantonio@freemansauction.com

Catalogue $35 Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236

Inside Front Cover: Lot 52 (detail) Inside Back Cover: Lot 124 (detail)

126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400 www.freemansauction.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available at www.freemansauction.com

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Important Information for Buyers Registration

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A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

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All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

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Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by May 20th at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Modern & Contemporary Art SUNDAY MAY 15TH AT 2PM

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05/15/11 1 11-1345/3 PABLO PICASSO (spanish 1881-1973) “PERSONNAGE ASSIS ET PERSONNAGE COUCHE” 1956, pencil signed and numbered 31/50, with wide margins.

Lithograph on wove paper. image: 17 1/2 x 20 3/4 in.

(44.3 x 52.6cm) sheet: 20 x 26 in. (50.8 x 66cm) [Bloch 798; Mourlot 278]. $4,000-6,000

2 11-1017/2 PABLO PICASSO (spanish 1881-1973) FAUN Signed upper right, sepia ink on wove paper page from book with black printed ‘RP&F’ monogram and with offset printed image of ‘Fleurs dans un verre, no. 6’ (see Bloch 450) verso Executed circa 1950 image: 4 1/2 x 3 1/4 in.

(11/3 x 8.2cm) sheet: 7 3/8 x 4 1/4 in.

(18.6 x 12cm) provenance: Private Estate, Delaware. $5,000-8,000

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3 11-1012/1 PABLO PICASSO (spanish 1881-1973) “UNTITLED” 1966, with the artist’s stamped signature and pencil numbered 34/50, with full margins. Aquatint and etching on wove paper. image: 9 3/4 x 15 in. (25.6 x 38cm) sheet: 14 7/8 x 19 7/8 in. (37.8 x 50.4cm) [Bloch 1405]. $2,500-3,500

4 11-1012/2 PABLO PICASSO (spanish 1881-1973) “UNTITLED” from “series 347” 1967, with the artist’s stamped signature and pencil numbered 40/50, with full margins. Etching on wove paper. image: 11 5/8 x 13 3/4 in. (29.4 x 34.7cm) sheet: 17 3/4 x 20 3/8 in. (44.9 x 51.6cm) [Bloch 1453]. $2,000-3,000

5 11-1357/2 (AFTER) PABLO PICASSO (spanish 1881-1973) “THE LADY” Circa 1967, from the edition of unknown size; Public Building Commission of Chicago, Illinois, publisher. Cor-Ten steel.

11 3/4 x 8 x 4 3/4 in.

(29.8 x 20.3 x 12.1cm) $1,000-1,500

6 10-1001/1 PABLO PICASSO (spanish 1881-1973) “FISH SUBJECT” 1952, inscribed ‘Edition Picasso’ and ‘Madoura’ with with the ‘Edition Picasso’ and ‘Madoura Plein Feu’ stamps on underside, from the edition of 500. Terracotta pitcher painted in black and cream.

5 1/4 x 8 3/4 x 3 3/4 in. (13.3 x 22.2 x 9.5cm) [Ramié 139]. $2,000-3,000

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05/15/11 7 10-9012/13 PABLO PICASSO (spanish 1881-1973) “PORTRAIT DE FEMME DE PROFIL” 1965, one of six rare and unique rincée impressions (there was also one in black, there was no numbered edition), with wide margins. Linoleum cut printed in white/cream, with extensive handadditions in India ink and rinsed, on Arches. image: 25 1/4 x 21 in. (64 x 53.2cm) sheet: 29 5/8 x 24 5/8 in.

(75.2 x 62.4cm) [not in Bloch; Baer 1361]. provenance: The artist.

By family descent.

Marina Picasso (Lugt 3698); Inventory 54968.

Jan Krugier Gallery, New York, New York.

Russeck Gallery, Palm Beach, Florida.

Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. exhibited: “Picasso: The Printmaker,” Dallas Museum of Art, 1983, Curated by Brigitte Baer. (Traveled to Brooklyn Museum, New York, Detroit Institute of Art, Denver Museum of Art, No. 183. (Another of the six proofs exhibited) “Picasso,” Palazzo dei Diamanti, Ferrara, Italy, 1987, No. 166 (Another of the six proofs exhibited). note: We are grateful to Emmanuel Benador for his assistance in researching this work.

Executed in September of 1965, the present work which depicts the artist’s second wife, Jacqueline, is one of Picasso’s last large scale linoleum cuts. Unlike most of his other linoleum cuts, however, this image was never realized in a signed and numbered edition making this image quite special. $50,000-80,000

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05/15/11 8 10-9012/16 PABLO PICASSO (spanish 1881-1973) “TETE DE FEMME NO. 5 (PORTRAIT DE DORA MAAR)” 1939, from the edition of 105 printed

by Lacourière between 1939 and 1942 (according to Baer, there were also 11 proofs of which only two were signed). With wide margins, color aquatint and drypoint on laid Montval watermarked ‘Picasso’. image: 11 13/16 x 9 3/8 in.

(29.7 x 23.8cm) sheet: 17 1/2 x 13 1/4 in.

(44.3 x 33.5cm) [Bloch 1337; Baer 653]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $30,000-40,000

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05/15/11 9 10-9012/20 JOAN MIRO (spanish 1893-1983) “L’OISEAU MONGOL” 1969, signed in white pencil, annotated ‘HC’ (an hors-commerce copy apart from the edition of 75), the full sheet; Maeght Editeur, Paris, publisher. Color etching, aquatint and carborundum on Arches. sheet: 40 1/4 x 27 1/2 in.

(102.1 x 69.8cm) [Dupin 513]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $10,000-15,000

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05/15/11 10 10-9012/11 JOAN MIRO (spanish 1893-1983) “LA BAGUE D’AURORE” four color etchings 1957, each pencil signed and numbered 22/60 (there were also 17 on Japon and 10 artist’s proofs), with wide margins; Louis Broder, Paris, publisher. Four etchings and drypoint with aquatint and burin on BFK Rives. each image: 5 1/2 x 4 1/2 in.

(14 x 11.6cm) each sheet: 15 1/16 x 11 1/8 in.

(38.1 x 28.1cm) [Dupin 125; 128; 131 and 133].

[See Cramer books 45].

(4). provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $15,000-20,000

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11 11-1348/2 JOAN MIRO (spanish 1893-1983) “OBRA INEDITA RECENT” one lithograph 1964, pencil signed with initial ‘M,’ numbered 55/100, with margins; Sala Gaspar, Barcelona, publisher. Color lithograph on folded sheet of Guarro. image: 11 x 16 in. (27.8 x 40.5cm) sheet: 12 x 17 1/8 in. (30.3 x 43.3cm) [See Cramer books 95]. $1,000-1,500

12 11-1015/5 JOAN MIRO (spanish 1893-1983) “LA MELODIE ACIDE” the complete set of fourteen color lithographs 1979-80, each pencil numbered 822/1500, each with full margins, loose (as issued); Galerie Lucie Weill, Paris, publisher. With pencil numbered title/justification page and original natural colored, textured paper folder and white cardboard folder/box as issued. The set of 14 color lithographs on Arches. each image: 8 x 6 1/4 in. (20.4 x 15.9cm) each sheet: 13 x 9 13/16 in. (33 x 24.9cm) [Maeght 1212-1225; see Cramer 248].

Unframed (14). $1,500-2,500

13 11-1015/4 (AFTER) JOAN MIRO (spanish 1893-1983) “MARAVILLAS CON VARIACIONES ACROSTICAS EN EL JARDIN DE MIRO” the complete set of twenty color lithographs 1975, each from the edition of 1500, each with full margins; Ediciones Polígrafa, Barcelona, S.A., publisher. The complete set of twenty color lithographs on wove paper.

13 prints: 19 1/2 x 14 1/8 in. (49.6 x 36cm) 7 prints: 19 5/8 x 28 1/4 in. (50 x 72cm) [Mourlot, 1051-1072; Cramer books 211].

Unframed (20). $1,500-2,500

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05/15/11 14 10-9012/25 JOAN MIRO (spanish 1893-1983) “POLYPHEME” 1968, pencil signed and annotated ‘HC’ (an hors-commerce copy apart from the edition of 75), with full margins; Maeght Editeur, Paris, publisher. Color etching, aquatint, caborundum and cement imprint on Mandeure rag. image: 37 x 25 3/8 in.

(93.8 x 64.8cm) sheet: 41 x 29 1/2 in.

(104 x 74.8cm) [Dupin 450]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $4,000-6,000

15 11-1261/3 OSCAR DOMINGUEZ (spanish 1906-1957) STILL LIFE Signed in watercolor bottom right, monotype with handcoloring Executed ca. 1950. image: 9 1/2 x 13 1/2 in.

(24 x 34.2cm) sheet: 12 3/4 x 19 1/2 in.

(32.2 x 49.4cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

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16 11-8026/1 SALVADOR DALI (spanish 1904-1989) “THE TWELVE SIGNS OF THE ZODIAC” the complete set of twelve color lithographs 1967, twelve pencil signed, each numbered 240/250 (there were also 50 in Roman numerals on Japan), all with wide margins, Léon Amiel, Paris, publisher. The complete set of 12 color lithographs and one numbered lithograph as frontispiece on Arches.

Title, text and justification contained within original buckram-covered portfolio with printed label. each image (approx): 28 3/4 x 20 1/2 in. (73 x 52.1cm) each sheet: 25 1/4 x 19 in. (64.1 x 48.3cm) [Michler & Löpsinger 1181-92].

(13). $4,000-6,000

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05/15/11 17 11-1183/1 SALVADOR DALI (spanish 1904-1989) “PLAYING CARDS” four color lithographs 1970, each pencil signed and numbered 64/150 (there were also 250 on wove paper), with full margins; Reese Palley, New York, New York, publisher. Four color lithographs on Arches. each image (approx.): 14 1/4 x 9 1/2 in. (36.7 x 24cm) each sheet (approx.): 26 x 20 in.

(65.9 x 50.7cm) Including: Ace, King, Queen, Jack of Spades.

[Michler & Löpsinger 1288; 1292; 1296; and 1300].

(4). $6,000-8,000

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05/15/11 18 10-9012/8 SALVADOR DALI (spanish 1904-1989) “PARADISO” Signed and dated 1952 bottom center, bears title and number ‘Paradiso 6’ in pencil verso, watercolor on paper 17 1/4 x 12 3/4 in. (43.7 x 32.3cm) provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $40,000-60,000

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05/15/11 19 10-1955/1 HENRI MATISSE (french 1869-1954) “VIERGE ET ENFANT” 1950-1951, pencil signed, dated and numbered 105/200. Lithograph on chine collé. sheet: 19 15/16 x 14 7/8 in.

(50.6 x 37.8cm) [Duthuit 653]. $2,000-3,000

20 11-1000/25 (AFTER) GEORGES BRAQUE (french 1882-1963) “L’ECHO” 1960, pencil signed and numbered 44/300 in the margin, with full margins; Maeght, Paris, publisher and with their blindstamp. Color lithograph on wove paper. image: 20 x 25 in. (50.7 x 63.3cm) sheet: 24 x 32 3/8 in.

(60.8 x 82cm) [Maeght 1041]. $2,000-3,000

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05/15/11 21 10-9012/2 PIERRE-AUGUSTE RENOIR (french 1841-1919) “ENFANTS JOUANT A LA BALLE” 1900, from the edition of 200, with wide margins; Ambroise Vollard, Paris, publisher. Color lithograph on Arches Ingres laid paper watermarked ‘MBM’. image: 23 1/2 x 20 1/4 in.

(59.5 x 51.3cm) sheet: 32 1/2 x 24 1/4 in.

(82.4 x 61.5cm) [Delteil/Stella 32]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $50,000-80,000

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22 10-9012/32 (AFTER) MARC CHAGALL (french/russian 1887-1985) “L’ANGE AU CHANDELIER” 1973, pencil signed and inscribed ‘Epreuve d’artiste’ (artist’s proof, the edition was 200), with full margins; Amis du Message Biblique Marc Chagall, Nice, publisher.

Color lithograph on Arches. image: 20 1/2 x 17 in. (51.9 x 43cm) sheet: 29 1/2 x 20 3/4 in.

(74.8 x 52.6cm) [Sorlier 46]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $5,000-7,000

23 10-2105/4 (AFTER) MARC CHAGALL (french/russian 1887-1985) “DIE ZAUBERFLOETE” 1967, from the poster edition of 3000, with narrow margins; Charles Sorlier, Paris, for the Metropolitan Opera, New York, publisher.

Color offset lithographic poster on wove paper. image: 39 1/2 x 25 3/4 in. (100.2 x 65.3cm) sheet: 39 13/16 x 25 13/16 in. (101 x 65.5cm) [Sorlier posters p. 106]. $2,000-3,000

24 10-2105/3 (AFTER) MARC CHAGALL (french/russian 1887-1985) “CARMEN” 1966, from the poster edition of 3000, the full sheet; The Metropolitan Opera, New York, New York, publisher. Color lithographic poster on wove paper. sheet: 39 1/2 x 29 1/2 in. (100.2 x 74.8cm) [Sorlier posters p. 117]. $2,000-3,000

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05/15/11 25 10-9012/17 MARC CHAGALL (french/russian 1887-1985) “L’ECHELLE AU CIEL” Signed bottom right, ink and wash on paper Executed in 1979 39 3/8 x 29 1/4 in. (100 x 74.2cm) provenance: Pierre Matisse Gallery, New York, New York.

Sotheby’s New York: Impressionist & Modern Art, May 11, 2000 lot 354.

Collection of Richard Scrushy, Vestavia, Alabama. note: This lot will be accompanied by a certificate of authenticity issued by Comité Marc Chagall bearing the number 2011047 and dated April 5, 2011.

Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $50,000-70,000

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05/15/11 26 10-9012/23 MARC CHAGALL (french/russian 1887-1985) “L’ARC EN CIEL” 1969, pencil signed and inscribed ‘Epreuve d’artiste’ (artist’s proof, the edition was 75), with wide margins; Éditions des Musées Nationaux, Paris, publisher. Color lithograph on Arches. image: 27 1/2 x 27 1/2 in.

(69.8 x 69.8cm) sheet: 36 1/2 x 28 1/2 in.

(92.6 x 72.3cm) [Mourlot 596]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $20,000-30,000

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05/15/11 27 10-9012/5 MARC CHAGALL (french/russian 1887-1985) “GRANDE CORNICHE” from “fugue” 1967, pencil signed and numbered ‘III/XXV’ (proof, the regular edition was 50 on wove), with wide margins. Color lithograph on Japan nacré. image: 19 x 17 5/8 in.

(48.2 x 44.6cm) sheet: 27 1/8 x 21 in.

(68.7 x 53.2cm) [Mourlot 485a]. provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $20,000-30,000

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05/15/11 28 10-2292/1 KEES VAN DONGEN (dutch 1877-1968) “PORTRAIT OF MARINA SALZ” Signed, inscribed and dated ‘van Dongen/Deauville 52’ verso, oil and chalk on board 24 7/16 x 20 1/4 in. (62 x 51.5cm) provenance: Sam Salz, New York, New York.

By family descent. note: This lot will be accompanied by a signed and stamped certificate issued by the Wildenstein Institute.

A renowned Fauvist and portrait artist to the social elite of the 1930s1950s, Kees van Dongen was commissioned by Sam Salz, a major Impressionist art dealer to execute a portrait of his wife, Marina, who had been a ballerina with the Ballet Russe. Over the course of his career, Salz worked closely with many artists, collectors and major insitutions and in fact helped shape Philadelphia’s own Barnes Foundation when he sold Renoir’s “Mussel-fishers at Berneval” (1879) to Dr. Albert Barnes. $30,000-40,000

Sam and Marina Salz, ca. 1955.

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05/15/11 29 10-8104/1 MAURITS CORNELIS ESCHER (dutch 1898-1972) “OTHER WORLD (ANDERE WERELD)” 1947, pencil signed and annotated “Eigendruck” in the margin, dated within print. Color woodcut on Japan. image: 12 5/8 x 10 3/8 in.

(32 x 26.3cm) sheet: 15 1/2 x 13 1/8 in.

(39.3 x 33.2cm) [Bool 348]. $15,000-20,000

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05/15/11 30 11-1343/1 (AFTER) RENE MAGRITTE (belgian 1898-1967) “UNTITLED (MAN WITH BOWLER HAT)” 1968, with the artist’s stamped signature, numbered 27/150, with the ‘Atelier Magritte’ blindstamp, Paris, presumably with full margins.

Etching on Japan nacré. image: 8 x 6 in. (20.2 x 15.2cm) [Kaplan & Baum 19]. $1,000-1,500

31 11-1343/2 (AFTER) RENE MAGRITTE (belgian 1898-1967) “LA LECON DE MUSIQUE” 1968, with the artist’s stamped signature, numbered 41/150, presumably with full margins, with the ‘Atelier Magritte’ blindstamp.

Color etching and aquatint on wove paper. image: 5 7/8 x 4 in. (14.8 x 10cm) sheet: 11 x 8 13/16 in.

(27.8 x 22.2cm) [Kaplan & Baum 15]. $1,500-2,500

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05/15/11 32 OWNED/101323 VALERIUS DE SAEDELEER (belgian 1867-1942) LANDSCAPE Signed ‘Valerius de Saedeleer’ bottom left, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: The artist.

Purchased from the above ca. 1930, Belgium.

Dorothy S. Whipple.

By family descent.

The Estate of Babette S. Whipple, Belmont, Massachusetts. $10,000-15,000

33 11-1185/1 PAVEL TCHELITCHEW (russian 1898-1957) EMBRACE Signed and dated 1931 bottom right, pencil on wove paper 11 x 8 1/2 in. (27.8 x 21.5cm) provenance: Private collection, Maryland. $1,000-1,500

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05/15/11 34 11-1008/1 ANTONIS NINOS (greek 1912-1996) MAN ON HORSEBACK Signed bottom right, oil on canvas laid down to wood 31 x 38 1/2 in. (78.6 x 97.7cm) Unframed $5,000-8,000

35 11-1360/17 YOLANDE ARDISSONE (french b. 1927) “LES MOULINS A OLAND” Signed bottom left, titled and inscribed ‘No. 3’ on stretcher verso, oil on canvas 19 1/2 x 24 in. (49.4 x 60.8cm) provenance: Wally Findlay Galleries, Palm Beach, Florida and Chicago, Illinois. $1,000-1,500

36 10-1684/51 MIRKO BASALDELLA (italian 1910-1983) UNTITLED Signed, dedicated and dated 1953 upper right, ink and watercolor on paper 10 1/2 x 12 3/8 in. (26.5 x 32.2cm) Unframed provenance: Scott Severns, New York, New York. $700-1,000

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37 11-1000/4 JOSEF DOBROWSKY (austrian 1889-1964) FLORAL STILL LIFE Signed and dated 45 bottom left, oil on canvas 27 1/2 x 20 in. (69.2 x 50.2cm) $4,000-6,000

38 10-1684/16 MAXIMILIAN FLORIAN (austrian 1901-1982) FLORAL STILL LIFE Signed and dated 1947 bottom left and inscribed ‘Wien’ bottom right, oil on canvas 31 1/2 x 23 1/2 in. (80 x 59.7cm) $3,000-5,000

39 11-1000/15 OTTO EDUARD PIPPEL (german 1878-1960) GARDEN PARTY Signed bottom right, oil on canvas with STILL LIFE WITH TULIPS verso, oil on canvas 23 x 17 1/4 in. (58.4 x 43.8cm) $1,000-1,500

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40 11-1325/26 ANNI ALBERS (german 1899-1994) TWO PRINTS from “exacta” 1925-83, each pencil signed and numbered ‘XVI-XXV’ and ‘IX-XXV’ respectively (proofs, the edition was 120), with full margins; Fausta Squatiri, Milan, Italy, publisher. Two color screenprints on Fabriano. each image: 24 1/2 x 21 3/4 in. (62 x 55.2cm) each sheet: 26 3/4 x 26 3/4 in. (67.8 x 67.8cm) Including: “Intaglio with Triangles” and “Double Weave.”

Unframed (2). $1,000-1,500

41 11-1188/2 ANNI ALBERS (german 1899-1994) “CONNECTIONS” the complete set of nine screenprints 1925-83, eight pencil signed, all variously dated and numbered 4/125, with full margins; Fausta Squatiri, Milan, Italy, publisher. The complete set of nine color screenprints and title/justification page, all on Umbria, in original cardboard folder with red and black printed text as issued. images: various sizes each sheet: 27 1/2 x 19 5/8 in. (69.7 x 49.7cm) Unframed (9). $3,000-5,000

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05/15/11 42 11-1015/1 EGON SCHIELE (austrian 1890-1918) “SELBSTBILDNIS” Ca. 1917 (1980 cast), stamped witih artist’s name, date, copyright symbols and stamp-numbered 125/300; Collectors’ Club, publisher.

Bronze with dark brown patina. height: 11 in. (28cm) [Kallir 4F]. $2,000-4,000

43 11-1266/1 MAX ERNST (german 1891-1976) “DAS SCHNABELPAAR” one print 1953, pencil signed and numbered 29/30 (there were also 3 hors commerce copies), with full margins; Ernst Beyeler, Basel, Switzerland, publisher. Color etching and aquatint on wove paper. image: 9 1/2 x 7 in. (24 x 17.7cm) sheet: 15 x 11 1/4 in. (38 x 28.5cm) [Spies/Lennert 56]. $1,500-2,500

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05/15/11 44 11-1266/2 MAX ERNST (german 1891-1976) “DEUX OISEAUX” Signed bottom right, oil on slate Executed in 1926 9 x 6 in. (22.7 x 15.1cm) provenance: Sidney Janis Gallery, New York, New York.

Sotheby Parke-Bernet, New York, Sale #4304, lot 957, November 9, 1979, lot 957.

Private Collection, Pennsylvania. literature: Spies, Werner and G. Metken, Max Ernst: Werke 1925-1929, Cologne, Germany, 1976, p. 135, no. 1053 (illustrated). note: While confined to bedrest during an illness in 1925, Max Ernst is said to have noticed and studied the patterns emerging from wood grains and other natural surfaces in his home. This prompted experimentation in a new technique, “frottage” in which he rubbed surfaces with graphite or crayon and explored what images would suggest themselves. In 1926 he took this a step further by applying paint and scraping it away when it was nearly dry, leaving a textured surface which he termed “grattage.” The present work, executed that same year and depicting a quintessential Ernst subject, is a fascinating look into the artist’s evolving technique that was so influential to the surrealist movement as a whole. $80,000-120,000

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45 11-1262/18 GUENTHER UECKER (german 1930-1963) “N.Y.” 1966, signed and dated on accompanying certificate, from the edition of 2000; Kineticism Press, New York, New York, publisher. Wood, nail and acrylic.

Unframed 7 x 4 7/8 in. (17.7 x 12.4cm) [Van der Koelen L6602]. provenance: OK Harris Gallery, New York, New York.

Private Collection, Maryland. $1,000-1,500

46 11-1348/8 ANTONI TAPIES (spanish b.1923) “ESPERIT CATALA II” 1974, pencil signed and numbered 56/75 (there were also 10 horscommerce copies), with full margins; Ediciones Polígrafa, S.A. Barcelona, Spain, publisher. Color etching with embossing on Guarro. image: 17 1/4 x 24 3/4 in. (43.7 x 62.7cm) sheet: 22 1/4 x 30 3/8 in. (56.3 x 77cm) [Galfetti 392]. $1,000-1,500

47 11-1188/1 BERNAR VENET (french b. 1941) “TWO INDETERMINATE LINES” 2006, pencil signed, inscribed ‘Versailles’ and numbered 5/9 (proof apart from the edition of 75), with full margins. Color lithograph on wove paper. image: 15 3/4 x 20 1/4 in. (40 x 51.3cm) sheet: 20 x 23 3/4 in. (50.7 x 60.2cm) Unframed $1,500-2,500

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48 11-1325/29 BERNAR VENET (french b. 1941) "ARCS IN DISORDER: 83.5 DEGREES ARC X 14" 2006, stamp-numbered 27/30 and stamped with title; Jim Kempner Fine Art, New York, New York and WIlliam Shearburn Gallery, St. Louis, Missouri, co-publisher, rolled, welded steel with patina 17 x 37 1/4 x 6 1/2 in.

(43.2 x 94.6 x 16.5cm) note: This sculpture will be accompanied by a certificate of authenticity signed and dated by the artist. $12,000-18,000

49 11-1325/16 BERNAR VENET (french b. 1941) “INDETERMINATE LINE” 2005, signed, titled and dated in black crayon bottom center, numbered 6/45 (there were also an unrecorded artist’s proofs), the full sheet; Art of this Century, New York, New York, publisher.

Screenprint on wove paper. sheet: 60 x 44 in. (153 x 111.6cm) $3,000-4,000

32 free≤an’s modern & contemporary art

05/15/11 50 11-1258/7 (AFTER) HOWARD HODGKIN (british b. 1932) “VENETIAN GLASS” 1989, pencil signed with initials and dated, numbered 17/72 (there were also 9 artist’s proofs in Roman numerals), the full sheet; the Lincoln Center/ List Art Poster and Print Program, New York, New York, publisher. Color offset lithograph on wove paper. image: 26 7/8 x 33 3/8 in.

(68.3 x 84.8cm) sheet: 32 7/8 x 34 1/2 in.

(83.4 x 87.5cm) [Heenck p.223]. provenance: Lehman Brothers Collection. $2,000-3,000

51 11-1345/2 HOWARD HODGKIN (british b. 1932) “LOTUS” 1980, pencil signed, dated and numbered 35/100 (there were also 15 artist’s proofs); Bernard Jacobson, London, England, publisher. Color screenprint and embossing on wove paper. image: 28 1/2 x 35 1/4 in.

(72.7 x 89.4cm) sheet: 31 7/8 x 42 in.

(80.8 x 106.6cm) [Heenck p. 222]. $2,000-3,000

33 free≤an’s modern & contemporary art

05/15/11

52 10-9012/27 PATRICK HUGHES (british b. 1939) “NEAT PIET” Signed, titled and dated 1988 verso, oil on board construction 19 x 40 x 17 in.

(48.3 x 101.6 x 17.8cm) provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $20,000-30,000

34 free≤an’s modern & contemporary art

05/15/11 53 11-1325/27 ANISH KAPOOR (indian b. 1954) “UNTITLED” from “12 etchings” 2007, pencil signed and numbered 20/40 verso (there were also artist’s proofs), with full margins; Paragon Press, London, England, publisher.

Color etching and aquatint on Somerset. image: 21 x 27 5/8 in.

(53.2 x 70cm) sheet: 30 3/4 x 35 1/2 in.

(78 x 90cm) Unframed $2,000-3,000

54 10-1976/1 PARITOSH SEN (indian b. 1918) PORTRAIT Signed and dated 05 upper right, acrylic on canvas 31 x 21 in. (78.8 x 53.3cm) provenance: The artist.

Manish Saboo, Jaipur, India. $6,000-10,000

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05/15/11 55 11-1391/2 KRISHEN KHANNA (indian b. 1925) “COMPOSITION 1965” Signed, inscribed and dated ‘Artist=Krishen Khanna=Title=Composition=1965’ verso, oil on canvas 13 5/8 x 24 in. (34.6 x 61cm) provenance: Kumar Gallery, New Delhi, India.

Purchased from above in 1964.

Private Collection.

Private Collection, London. $5,000-8,000

56 11-1391/1 GULAM RASOOL SANTOSH (indian 1929-1997) LITTLE VALLEY SHIMMERS Signed and dated 64 bottom left, oil on masonite 21 1/8 x 14 in. (53.7 x 35.6cm) provenance: Kumar Gallery, New Delhi.

Purchased from above in 1964.

Private Collection, London. $3,000-5,000

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05/15/11 57 11-1358/1 JAMINI ROY (indian 1887-1972) GOPINI Signed bottom right, tempera on canvas laid down to board Executed ca. 1945 38 1/4 x 18 in. (97 x 45.6cm) Unframed provenance: The artist.

Purchased from above ca. 1945.

By descent in family.

Robert W. Weed, Georgia. $12,000-18,000

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58 11-1358/2 JAMINI ROY (indian 1887-1972) KRISHNA WITH COW Signed bottom right, oil on cardboard laid down to painted board Executed ca. 1945 image: 12 1/4 x 20 3/4 in.

(31 x 55.1cm) board: 16 x 24 in. (40.5 x 60.8cm) provenance: The artist.

Purchased from above ca. 1945.

By descent in family.

Robert W. Weed, Georgia. $7,000-10,000

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05/15/11 59 10-2189/1 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (DARK HEAD) Signed and dated 1996 upper left and inscribed with estate number CR-GIP-66-007 and IP-66-026 in pencil verso, gouache and ink on black paper sheet: 20 5/8 x 15 3/8 in.

(52.3 x 38.9cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $6,000-10,000

39 free≤an’s modern & contemporary art

05/15/11 60 10-2189/3 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (PORTRAIT) Signed and dated 1968 in ballpoint pen upper left and inscribed with estate number CR-PnGP-68-001 in pencil verso, mixed media on paper sheet: 10 x 8 in. (25.3 x 20.2cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $2,500-4,000

61 10-2189/8 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (MOTHER AND CHILD) Signed and dated 83 upper right and inscribed with estate number CR-MWP-83-236 in pencil verso, watercolor and felt tip pen on paper sheet: 11 1/4 x 8 5/8 in.

(28.5 x 21.8cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $2,000-3,000

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05/15/11 62 10-2189/17 FRANCIS NEWTON SOUZA (indian 1924-2002) “STILL LIFE” Signed and dated 74 upper right and inscribed with artist’s name, date, title and estate number A-CB-74001 verso, acrylic on canvasboard 22 x 30 in. (55.9 x 76.2cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $15,000-20,000

63 10-2189/18 FRANCIS NEWTON SOUZA (indian 1924-2002) “HEAD” Signed and dated 68 bottom left and inscribed with artist’s name, title, date and estate number OCB68-001 verso, oil, spray paint and crayon on cardboard 14 x 12 in. (35.6 x 30.5cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $6,000-10,000

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05/15/11 64 10-2189/13 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (ABSTRACT HEAD) Dated 1966 upper left and inscribed with estate number CR-IP-66-118 in pencil verso, fountain pen and ink on paper sheet: 10 1/4 x 8 1/8 in.

(25.9 x 20.5cm) provenance: The Estate of F.N. Souza.

By family descent. $1,500-2,500

65 10-1976/2 KATTINGERI KRISHNA HEBBAR (indian b. 1911-1996) STANDING FIGURE Signed and dated 75 bottom right, ink on paper image: 14 3/4 x 6 1/2 in.

(37.4 x 16.4cm) sheet: 16 1/8 x 9 3/4 in.

(40.8 x 24.6cm) provenance: The artist.

Manish Saboo, Jaipur, India. $2,000-2,500

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05/15/11

66 11-1013/2 LE PHO (french 1907-2001) “COMPOSITION” Signed bottom left in English and Chinese, titled on the stretcher verso, oil on canvas 45 x 57 1/2 in. (114.3 x 146cm) provenance: Wally Findlay Galleries, Palm Beach, Florida.

Mr. and Mrs. Russell A. Zimmermann, Sarasota, Florida. $25,000-35,000

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67 11-1256/1 LE PHO (french 1907-2001) “LE DEBOUT D’ETE” Signed bottom right in English and Chinese, titled on stretcher verso, oil on canvas 52 x 76 1/2 in. (132 x 194.3cm) provenance: Wally Findlay Galleries, Palm Beach, Florida.

Private Collection, Florida. $50,000-80,000

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05/15/11 68 11-1013/1 LE PHO (french 1907-2001) “FLEURS” Signed bottom right in English and Chinese, titled on stretcher verso, oil on canvas 32 x 21 1/2 in. (81/3 x 54.6cm) provenance: Wally Findlay Galleries, Palm Beach, Florida.

Mr. and Mrs. Russell A. Zimmermann, Sarasota, Florida. $10,000-15,000

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05/15/11 69 11-1258/5 ZHANG DAWO (chinese b. 1958) “RECONSTRUCTION NO. 1” Ink on paper mounted to canvas over board Executed in 1996 sheet: 26 x 53 in. (64.8 x 133.4cm) provenance: Lehman Brothers Collection. $3,000-4,000

70 11-1258/4 LIU ZIJIAN (chinese b. 1958) “A STAR NAMED AFTER LIU ZIJIAN 4” Signed in ink bottom right in Chinese, ink on paper with fabric overlay as margin image: 26 7/8 x 53 1/2 in. (68.2 x 135.7cm) sheet: 32 1/2 x 66 1/4 in. (82.4 x 168.3cm) provenance: Lehman Brothers Collection. $2,000-3,000

71 11-1348/9 ZAO WOU KI (chinese b.1921) “A LA GLOIRE DE L’IMAGE ET ART POETIQUE” two prints 1976, each pencil signed, dated and numbered 48/99, each with full margins; Ediciones Polígrafa, S.A., Barcelona, Spain, publisher. Color lithograph on Arches.

Unframed each image: 16 x 26 1/2 in. (40.5 x 67.3cm) each sheet: 19 5/8 x 29 5/8 in. (49.7 x 75.1cm) [See Agerup 271-284]. $1,500-2,500

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05/15/11

72 11-1258/26 LIU WENTAO (chinese b. 1973) UNTITLED Signed in English and Chinese and dated 2007 verso on each panel, graphite on two shaped canvases Executed in 2007 diptych, each canvas: 31 1/2 x 31 1/2 in. (80 x 80cm) Unframed (2). provenance: White Space Beijing, Beijing, China.

Purchased from above in 2008.

Lehman Brothers Collection. exhibited: “Time and writing: Liu Wentao,” White Space Beijing, Beijing, China, June 13-August 31, 2008. $8,000-12,000

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05/15/11 73 11-1258/11 MARIA SEREBRIAKOVA (russian b. 1965) UNTITLED Presumably signed and dated verso, oil on artist’s board Executed in 2007 27 5/8 x 23 3/4 in. (70.3 x 60.4cm) provenance: Lehman Brothers Collection. $1,000-1,500

74 11-1117/2 two works on paper GEORGE LILANGA (tanzanian 1934–2005) UNTITLED Each signed bottom left and dated 1990 bottom right, watercolor and black ink on paper each: 17 x 12 in. (43.1 x 30.3cm) Unframed (2). provenance: Private Collection, Pennsylvania. $1,500-2,500

75 11-1117/1 GEORGE LILANGA (tanzanian 1934–2005) UNTITLED Signed bottom left and dated 1990 bottom right watercolor and black ink on paper 19 3/8 x 27 1/4 in. (49 x 69cm) Unframed provenance: Private Collection, Pennsylvania. $1,500-2,500

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05/15/11 76 11-1000/2 CARMELO DE ARZADUN (uruguayan 1888-1968) “MAR GRIS Y JUNCOS” Signed bottom left, titled verso, oil on board 15 1/8 x 23 in. (38.4 x 58.4cm) $1,200-1,800

77 10-2287/2 ROBERTO MONTENEGRO (mexican 1887-1968) “CASA ABANONADA” Signed bottom left, gouache, watercolor and graphite on paper 11 3/4 x 17 1/2 in. (29.2 x 44.3cm) provenance: Galeria Arte de Coleccionistas, Paseo de la Reforma, Mexico City, Mexico.

Purchased from above in 1970.

Private Collection, Pennsylvania. $1,000-2,000

78 10-2287/3 GUSTAVO MONTOYA (mexican b. 1905) “PASEO” Signed bottom right, oil on canvas 18 1/4 x 24 1/4 in. (45.2 x 61.5cm) provenance: Galeria Arte de Coleccionistas, Paseo de la Reforma, Mexico City, Mexico.

Purchased from above in 1979.

Private Collection, Pennsylvania. $1,500-2,500

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05/15/11

79 10-1623/16 JOAQUIN CLAUSELL (mexican 1866-1935) UNTITLED (TWO LANDSCAPES) Both signed bottom right, oil on canvas laid down to card and another oil on card 5 3/8 x 8 3/8 in. (13.6 x 21.2cm) 6 3/8 x 8 7/8 in. (16 x 22.4cm) (2). $3,000-5,000

80 11-1000/3 CARMELO DE ARZADUN (uruguayan 1888-1968) “PIEDRA CUEVA” Signed and dated ‘45 bottom left, oil on wood panel 21 3/4 x 28 3/4 in. (55.2 x 73cm) $1,500-2,500

81 10-2287/4 LEONARDO NIERMAN (mexican b. 1932) “INFLUENCIA SOLAR” Signed bottom left, bears title verso, acrylic on masonite 23 5/8 x 31 1/2 in. (59.9 x 79.9cm) provenance: The Artist.

Purchased from above ca. 1980.

Private Collection, Pennsylvania. $1,000-2,000

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05/15/11 82 10-2287/1 JOSE CLEMENTE OROZCO (mexican 1883-1949) RECLINING NUDE Signed bottom right, gouache and crayon on paper 22 x 15 1/8 in. (56.3 x 38.1cm) provenance: Corey Gallery, San Francisco, California.

Purchased from above in 1969.

Private Collection, Pennsylvania. $10,000-15,000

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05/15/11

83 11-1356/1 MILTON AVERY (american 1885-1965) “LAMB” 1954, pencil signed and inscribed ‘artist’s proof’ (the edition was 20), with wide margins. Color woodcut on Japan. image: 9 3/4 x 14 1/4 in. (23.4 x 36cm) sheet (approx): 12 5/8 x 18 in. (32 x 45.6cm) [Lunn 58]. provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

84 11-1356/2 MILTON AVERY (american 1885-1965) “STANDING NUDE” 1941, pencil signed, dated and numbered 2/60 (there were also an unknown number of artist’s proofs), with wide margins. Etching on wove paper. image: 14 1/4 x 7 5/8 in. (36 x 19.3cm) sheet: 20 x 13 in. (50.7 x 32.8cm) [Lunn 21]. provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

85 11-5002/1 MARCH AVERY (american b. 1932) “RIM OF TREES” Pencil signed bottom left and dated ‘79 and signed, titled and dated verso, oil on canvas 20 x 64 in. (51 x 163cm) $800-1,000

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05/15/11

86 11-1000/10 JOHN EDWARD HELIKER (american 1909-2000) “EARLY MORNING” Signed bottom right, oil on canvas 18 x 20 in. (45.6 x 50.7cm) provenance: Kraushaar Gallery, New York, New York. $1,000-1,500

87 11-1109/2 JOHN WILDE (american b. 1919) “A TRIBUTE TO H.H. BENNETT” Signed with initial and dated 1964 bottom right, oil on panel 11 1/2 x 9 1/2 in. (29 x 24cm) provenance: Donald Greason, Milwaukee, Wisconsin.

Private Collection, Pennsylvania. exhibited: “John Wilde,” Bressler Galleries, Inc., Milwaukee, Wisconsin, December 124, 1965. $2,500-3,500

88 10-8103/1 EYVIND EARLE (american 1916–2000) LANDSCAPE WITH GRAZING CATTLE Signed and dated 70 bottom right, oil on canvasboard 14 1/8 x 18 1/4 in. (35.7 x 46.2cm) provenance: Private Collection, Virginia. $3,000-5,000

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05/15/11 89 11-1355/1 EYVIND EARLE (american 1916–2000) “FADE INTO THE DISTANCE” Signed and dated ‘1.10.1992’ bottom left, titled, dated and again and numbered ‘134’ verso, oil on panel 11 5/8 x 5 7/8 in. (29.5 x 14.9cm) provenance: Gallery 21, Carmel, California.

Private Collection, Michigan. $1,000-1,500

90 11-1355/2 EYVIND EARLE (american 1916–2000) “OCEAN VIEW” Signed and dated ‘1.13.2000’ bottom center, titled and dated again verso, oil on masonite 8 1/2 x 5 1/2 in. (21.4 x 13.9cm) provenance: Gallery 21, Carmel, California.

Private Collection, Michigan. $1,000-1,500

91 11-1355/3 EYVIND EARLE (american 1916–2000) “FUR [SIC] TREES AND FOG” Signed and dated ‘10.16.97,’ titled verso, oil on board 9 7/8 x 16 in. (25 x 40.5cm) provenance: Gallery 21, Carmel, California.

Private Collection, Michigan. $1,000-1,500

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05/15/11

92 11-1264/1 ROLPH SCARLETT (american 1891-1984) UNTITLED Signed bottom right, watercolor and gouache on paper 9 x 12 in. (22.7 x 30.4cm) provenance: Private Collection, Woodstock, New York. $1,000-1,500

93 10-2105/6 IDA RITTENBERG KOHLMEYER (american 1912-1997) “SUCCESSION” Signed bottom right, oil on masonite board 29 3/4 x 35 3/4 in. (75.4 x 90.7cm) provenance: Ruth White Gallery, New York, New York. $4,000-6,000

94 11-1018/2 WILLIAM DOLE (american 1917-1983) ABSTRACTION Signed and dated 1957 bottom right, watercolor and ink on paper 11 1/4 x 14 1/4 in. (28.5 x 36.1cm) provenance: Estate of Robert Garland, Tallahassee, Florida. $700-1,000

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95 11-1019/1 LOIS MAILOU JONES (american 1905-1998) “STUDY FOR A MASK” Pencil signed and dated ‘94 bottom right and signed again verso, mixed media on paper 14 1/2 x 17 5/8 in. (36.7 x 44.7cm) Unframed provenance: Private Collection, Washington, D.C. $3,000-5,000

96 11-1345/4 ROMARE BEARDEN (american 1911-1988) “MECKLENBERG AUTUMN” from “mecklenberg series” 1979, pencil signed and numbered 167/175 (there were also 30 artist’s proofs), with wide margins; London Arts Inc., Detroit, Michigan, publisher, and with their ink stamp verso. Color lithograph on wove paper. image: 23 1/8 x 18 1/8 in. (58.6x 46cm) sheet: 27 1/4 x 21 1/4 in.

(69.2 x 61.6cm) [Gelburd & Rosenberg 60]. $1,500-2,500

97 11-1325/7 RON ADAMS (american b. 1934) “BLACKBURN” 2002, pencil signed, dated, and numbered 56/80, with full margins; Lawrence Lithography Workshop, Kansas, Missouri, publisher. Color lithograph on wove paper. image: 25 x 35 in. (64.6 x 88.8cm) sheet: 29 1/2 x 39 1/8 in.

(74.8 x 99.3cm) $2,500-3,500

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98 11-1000/14 ADOLPH GOTTLIEB (american 1903-1974) “PINK GROUND” 1972, pencil signed, dated and numbered 77/150, with full margins; Marlborough Graphics, Inc., New York, New York, publisher. Color screenprint on Arches. image: 24 x 17 3/4 in.

(60.8 x 45cm) sheet: 36 1/4 x 27 1/2 in.

(92 x 69.7cm) $1,500-2,500

99 11-1348/7 ROBERT MOTHERWELL (american, 1915 - 1991) “WINDOW” from “hommage a picasso” 1973, pencil signed and numbered 81/90 (there were also 30 artist’s proofs), with full margins; Propyläen Verlag, publisher, and with their blindstamp. Lithograph on Arches. image: 19 x 15 1/2 in.

(48.2 x 39.2cm) sheet: 30 1/4 x 22 1/4 in.

(76.7 x 56.4cm) [Belknap 112].

Unframed $1,000-1,500

100 11-1347/1 PHILIP GUSTON (american 1913-1980) “STUDIO CORNER” 1980, pencil signed, titled, dated and numbered 48/50 (there were also 11 artist’s proofs), with full margins; Gemini G.E.L., Los Angeles, California, publisher. Lithograph on Arches. image: 29 x 40 in. (73.5 x 101.5cm) sheet: 32 x 42 1/2 in.

(81.1 x 107.8cm) [Gemini 928]. $4,000-6,000

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05/15/11 101 11-1270/1 WILLEM DE KOONING (american/dutch 1904-1997) “FIGURES IN LANDSCAPE VI” 1980, signed, dated and numbered 29/100 in pencil, with full margins; The Institute of Contemporary Art, Philadelphia, Pennsylvania, publisher. Color offset lithograph on wove paper. image: 31 1/4 x 28 1/8 in.

(79.2 x 71.3) sheet: 36 1/2 x 32 in.

(92.6 x 81.2cm) $4,000-6,000

102 11-1005/9 SAM FRANCIS (american, 1923-1994) “FIVE CORAL SCREEN” 1972-4, pencil signed and numbered ‘CTP IV’ (the edition was 75 plus 10 artist’s proofs), the full sheet; Gemini G.E.L., Los Angeles, California, and with their blindstamps. Color screenprint on Arjomari. image/sheet: 30 1/4 x 38 1/4 in.

(76.8 x 97.2cm) [Lembark S12; Gemini 493]. provenance: Lehman Brothers Collection. $1,500-2,500

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05/15/11 The following five lots come from the personal collection of Charles Lisanby, three time Emmy Award-winning art director and production designer who was most recently inducted into the Television Academy Hall of Fame. Lisanby and Andy Warhol first met at a party in 1955, and traveled around the world together in 1956. During this trip, while visiting Kyoto, Japan, the artist developed his interest in gold leaf which appears in his art soon afterward including Gold Book of 1957.

The friendship between the artist and producer extended to the artist’s mother, whose holiday card addressed to Lisanby (lot 107) exhibits the same flourishing script recognizable in the lettering she did for her son’s prints throughout his career including his own holiday card (lot 105) as well as “A La Recherche du Shoe” (lot 106), Gold Book, and many other books.

Proceeds of the sale of these works will directly benefit the James Madison University, Harrisonburg, Virginia, Madison Art Collection in support of the research and use of the Charles Lisanby Collection in their extensive curriculum in the visual and performing arts.

103 11-8004/14 ANDY WARHOL (american 1928-1987) BUTTERFLIES Ca. 1955, offset lithograph printed twice on a single sheet of wove paper 13 1/8 x 18 in. (33.2 x 45.6cm) Unframed provenance: The artist.

Gifted to current owner.

Charles Lisanby, Hollywood, California. $1,000-1,500

104 11-8004/8 ANDY WARHOL (american 1928-1987 BUTTERFLIES Ca. 1955, offset lithograph with watercolor on wove paper 13 7/8 x 10 in. (35.2 x 25.4cm) Unframed provenance: The artist.

Gifted to current owner.

Charles Lisanby, Hollywood, California. $3,000-5,000

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05/15/11 105 11-8004/4 ANDY WARHOL (american 1928-1987) “LEG AND SHOE” With printed signature upper right and printed inscription ‘A Whole Stocking Full of Good Wishes’ along left edge. Printed ink on thin vellum.

Executed in 1956 sheet: 22 x 9 1/4 in. (55.8 x 23.5cm) Unframed provenance: The artist.

Gifted to current owner.

Charles Lisanby, Hollywood, California. $12,000-18,000

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05/15/11

106 11-8004/9 ANDY WARHOL (american 1928-1987) “A LA RECHERCHE DU SHOE PERDU” [COVER] Circa 1955, offset lithograph with extensive hand-coloring on wove paper. each image: 9 x 10 1/2 in. (22.8 x 26.6cm) sheet: 13 x 26 1/4 in. (33 x 66.6cm) [see Feldman & Schellmann 69-84A & B].

Unframed provenance: The artist.

Gifted to current owner.

Charles Lisanby, Hollywood, California. $7,000-10,000

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05/15/11 107 11-8004/11 (AFTER) ANDY WARHOL (american 1928-1987) “A PICTURE SHOW BY THE ARTIST” 1976, printed gallery announcement for ‘Andy Warhol/Das Zeichnerische Werk 1942-1975’ at Städtische Galerie im Lenbachhaus, 23 July-12 September 1976. Offset lithograph on metallic card (cover) with printed text interior and verso.

5 7/8 x 4 1/4 in. (15 x 10.5cm) (folded) and JULIA WARHOLA (czech 1892-1972) CHRISTMAS CARD Signed, inscribed ‘Merry Christmas Heppy [sic] New Year from Andy Warhol [sic] Mother,’ black ink on gold paper Executed in 1957/58 7 1/4 x 5 5/8 in. (18.3 x 14.3cm) Unframed (2). provenance: The artist.

Gifted to current owner.

Charles Lisanby, Hollywood, California. note: This lot will be accompanied by original envelope addressed to Charles Lisanby in black ink and inscribed ‘From Mrs. Warhol,’ postmarked New York, N.Y. Jan 6 1958. $500-800

108 11-1018/5 ANDY WARHOL (american 1928-1987) “CAMPBELL’S SOUP CAN (SHOPPING BAG)” 1955, from the edition of unknown size; Institute of Contemporary Art, Boston, Massachusetts, publisher.

Color screenprint on brown paper bag. image: 16 1/2 x 9 1/2 in. (41.8 x 24cm) overall: 19 1/2 x 17 1/2 in. (49.4 x 44.3cm) [Feldman & Schellmann II.4A]. provenance: Estate of Robert Garland, Tallahassee, Florida. $2,500-3,500

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05/15/11

109 11-1015/7 SUNDAY B. MORNING (AFTER ANDY WARHOL) “FLOWERS PORTFOLIO” the complete set of 10 color screenprints All the full sheets; Sunday B. Morning, publisher and with their blue ink-stamp verso. Color screenprints on museum board. each sheet: 35 7/16 x 35 7/16 in. (90 x 90cm) Unframed (10). $2,000-3,000

110 11-1015/6 SUNDAY B. MORNING (AFTER ANDY WARHOL) “MARILYN PORTFOLIO” the complete set of 10 color screenprints All the full sheets; Sunday B. Morning, publisher and with their blue ink-stamp verso. Color screenprints on museum board. each sheet: 36 1/8 x 35 7/8 in. (91.7 x 91.2cm) Unframed (10). $3,000-5,000

63 free≤an’s modern & contemporary art

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111 11-1018/4 ROY LICHTENSTEIN (american 1923-1997) “BRUSHSTROKE” 1965, pencil signed and numbered 94/280 (there were also 15 hors-commerce copies), with margins; Leo Castelli Gallery, New York, New York, publisher. Color screenprint on heavy wove paper. image: 22 1/4 x 28 5/8 in. (56.5 x 72.6cm) sheet: 23 1/16 x 29 1/16 in. (58.4 x 73.7cm) [Corlett II.5]. provenance: Estate of Robert Garland, Tallahassee, Florida. $10,000-15,000

64 free≤an’s modern & contemporary art

05/15/11 112 11-1345/25 six color lithographs JAMES ROSENQUIST (american b. 1933) “HIGH TECHNOLOGY AND MYSTICISM: A MEETING POINT” 1981, each pencil signed, dated, titled and numbered 140/150 (there were also 25 artist’s proofs for each), with full margins; Rosebranches, Inc. and Aripeka, Ltd., publishers. Color lithographs on Arches. each image: 28 1/4 x 28 1/4 in.

(71.8 x 71.8cm) each sheet: 34 x 33 in.

(86.4 x 83.8cm) Including: “Silverbirds;” “Fly;” “Above;” “The;” “Sky;” and “Ai Cham (Somewhere)” [Glenn 181-186].

(6). $3,000-4,000

113 11-1262/17 ROBERT INDIANA (american b. 1928) “JOY” Signed and dated ‘Bob ‘63’’ in black ink and with the ‘Robert Indiana 1964’ embossed seal on interior of opened card, black crayon on Japan paper folded to form card image: 3 1/4 x 8 3/4 in. (8.2 x 22.1cm) sheet (folded): 4 1/8 x 9 3/8 in. (10.9 x 23.7cm) sheet (opened): 4 1/8 x 18 3/4 in. (10.3 x 47.5cm) provenance: The Artist.

Gifted from the above in 1963.

Private Collection, Washington, D.C. $2,000-3,000

114 11-1015/8 ROBERT INDIANA (american b. 1928) “LOVE” Ca. 1995, signed in ink on fabric label affixed verso, numbered 213/300; Master Contemporary Original Artist Rugs, New York, New York, publisher. Skein dyed and hand tufted archival wool on stretched canvas.

72 x 72 in. (183 x 183cm) $1,500-2,000

65 free≤an’s modern & contemporary art

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115 11-1345/13 ROBERT INDIANA (american b. 1928) “DECADE” the complete set of ten color screenprints 1971, each pencil signed and numbered 118/200 (there were also 25 artist’s proofs in Roman numerals), each with full margins; Multiples Inc., New York and Los Angeles, publisher. The complete set of ten color screenprints each within individual paper folders with printed image and title covers, folded title/justification page (numbered in ink), folded table of contents/photographic and documentary material pages on Schoeller Parole paper contained within fabric covered porfolio box with printed title and snap closures (as issued).

Including: “The American Dream”; “The Calumet”; “Yield Brother”; “The Figure 5”; “The Brooklyn Bridge”; “Mississippi”; “USA 666”; “Parrot”; “Black and White”; “Love”; and “Terre Haute No. 2” Unframed [Sheehan 63-71].

(10). $8,000-12,000

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116 11-1271/1 TOM WESSELMANN (american 1931-2004) “FAST SKETCH STILL LIFE WITH GOLDFISH” 1989, pencil signed and numbered 11/100 (there were also 12 artist’s proofs), presumably with full margins; International Images, Putney, Vermont, publisher. Color screenprint on wove paper. sight size: 56 x 78 in.

(142.2 x 198.1cm) $7,000-10,000

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05/15/11 117 11-1018/3 TOM WESSELMANN (american 1931-2004) “FROZEN TEARS WAIT HIDING IN YELLOWING MEMORY MEASURING INTERVALS IN FLOWERS OF SILENCE” 1985, printed with the artist’s signature and title bottom center, numbered ‘0234’ of 3000 verso; Rosenthal Ltd., Kunstreihen, Germany, publisher. Glazed ceramic plate in colors. diameter: 10 3/8 in. (26.2cm) provenance: Estate of Robert Garland, Tallahassee, Florida. $700-1,000

118 11-1261/1 TOM WESSELMANN (american 1931-2004) “LULU” from “metropolitan museum of art” 1982, pencil signed, dated and numbered 201/250 (there were also 25 artist’s proofs), with full margins; Metropolitan Opera and Circle Gallery, New York, New York, copublishers, and with their blindstamps and ink stamp verso.

Color lithograph on wove paper. image: 16 3/4 x 25 1/8 in.

(42.4 x 63.7cm) sheet: 22 1/4 x 30 1/4 in.

(56.3 x 76.8cm) provenance: Private Collection, Pennsylvania. $6,000-8,000

68 free≤an’s modern & contemporary art

05/15/11 119 11-1345/5 JIM DINE (american b. 1935) “MULTI COLORED BATHROBE (FOR THE SECOND OLYMPICS)” 1988, pencil signed, dated and numbered 172/300, with full margins; Olympic Games Committee, Seoul, Korea, publisher. Color lithograph on wove paper. image: 34 x 26 in. (86.4 x 66cm) sheet: 35 1/4 x 27 in.

(89.5 x 68.6cm) $1,000-1,500

120 11-1345/15 JIM DINE (american b. 1935) “THE YELLOW VENUS” 1984, pencil signed, dated and numbered 9/20 (there were also 6 artist’s proofs); Pace Editions, New York, New York, publisher. Color woodcut on handmade Japan.

60 x 37 in. (152.4 x 94cm) [D’Oench & Feinberg 163]. $4,000-6,000

69 free≤an’s modern & contemporary art

05/15/11 121 11-1345/9 JASPER JOHNS (american b. 1930) “KNEE” from “casts from untitled” 1974, pencil signed, dated and numbered 31/47 (there were also 10 artist’s proofs), with full margins; Gemini G.E.L. Ltd., Los Angeles, publisher, and with their blindstamps. Lithograph in black and gray on Richard de bas. image: 14 5/8 x 15 1/4 in.

(37 x 38.6cm) sheet: 31 3/8 x 23 in.

(79.5 x 58.3cm) [ULAE 144; Gemini 506]. $1,500-2,500

122 11-1325/19 AGNES MARTIN (american/canadian 1912-2004) UNTITLED 1973, pencil signed and numbered 25/50 (there were also 15 artist’s proofs), with wide margins; Parasol Press, New York, New York, publisher. Screenprint on Japan. image: 7 x 8 in. (17.6 x 20.2cm) sheet: 12 1/4 x 12 in. (31 x 30.3cm) Unframed $3,000-5,000

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05/15/11 123 11-1325/28 SOL LEWITT (american 1928-2007) “PARALLEL CURVES” 2000, pencil signed and numbered 24/30 (there were also 12 artist’s proofs), with full margins; Landfall Press, Inc., publisher, Santa Fe, New Mexico. Color lithograph and aquatint on wove paper. image: 30 7/8 x 31 1/8 in.

(78.4 x 79.1cm) sheet: 35 3/4 x 36 in.

(90.8 x 91.4cm) Unframed $2,000-3,000

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124 10-1966/1 CARL ANDRE (american b. 1935) “ONE GRAND PIECE” 28 brass and 7 stacked aluminum units Executed in 1964 1 x 3/4 x 3 in. (2.5 x 1.9 x 7.6cm) (each brass unit), 1 x 3 x 3 in. (2.5 x 7.6 x 7.6cm) (each aluminum unit) Overall: 7 x 6 x 3 in. (17.8 x 15.2 x 7.6cm) provenance: The Woodward Foundation, Washington, D.C. Weschler’s Auctioneers & Appraisers, Washington, D.C., October 3, 1992, lot 169. note: Composed of 35 brass and aluminum units arranged in seven staggered tiers, “One Grand Piece” was executed in 1964, one year before the artist’s first public exhibition “Shape and Structure,” curated by Henry Geldzahler at the Tibor de Nagy Gallery in New York. “One Grand Piece” clearly presages the artist’s formative interest in, and influence upon the Minimalist movement that took shape in the early 1960s.

This sculpture will be accompanied by the original certificate of authenticity issued by the artist on 23 December 2010. $20,000-30,000

72 free≤an’s modern & contemporary art

05/15/11 125 11-1261/2 CHRISTO (american b. 1935) “WRAPPED WALKWAYS/PROJECT FOR ST. STEPHEN’S GREEN PARK IN DUBLIN” 1983, pencil signed, dated and numbered 62/100 (there were also 20 artist’s proofs), the full sheet; Edition Schellmann & Klüser, Munich and New York, publisher. Color lithograph and white cloth collage on wove paper laid down to cardboard (as issued). image/sheet: 28 1/8 x 44 3/8 in. (71.3 x 112.6cm) [Schellmann 111].

Unframed provenance: Private Collection, Pennsylvania. $2,000-3,000

126 10-1981/3 CHRISTO (american b. 1935) “WRAPPED ROSES” 1968, signed and dated in white paint on base of wrapped stems, numbered 41/100 (there was also an edition of 75); The Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, publisher. Plastic roses wrapped in plastic wrapper and held with twine. length: 23 3/4 in. (60.3cm) [Schellmann 7]. $3,000-5,000

127 11-1325/18 CHRISTO (american b. 1935) “WRAPPED BOTTLE AND CANS PROJECT” 1958-2004, pencil signed and numbered ‘HC 6/30’ (an hors commerce copy, the edition was 300 plus 10 artist’s proofs), the full sheet; Landfall Press, Santa Fe, New Mexico, publisher, and with their blindstamp. Offset color lithograph on wove paper. image/sheet: 15 3/8 x 13 3/4 in. (39 x 34.8cm) Unframed $800-1,200

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128 11-1348/4 CHRISTO (american b. 1935) “PUERTA DE ALCALA, WRAPPED, PROJECT MADRID” 1981, pencil signed and annotated ‘HC’ (an hors-commerce copy, the edition was 99 plus 10 artist’s proofs), the full sheet; Ediciones Polígrafa, S.A., Barcelona, Spain, publisher. Color lithograph with collage of fabric, thread, city map and photograph on paper board, mounted to cardboard (as issued). image/sheet: 28 x 21 3/4 in. (71 x 55.1cm) [Schellmann 107].

Unframed $3,000-5,000

129 11-1348/5 CHRISTO (american b. 1935) “WRAPPED STATUES/PROJECT FOR DIE GLYPTOTHEK, MUENCHEN” 1988, pencil signed and numbered ‘HC 1/30’ (an hors-commerce copy, the edition was 300 plus 30 artist’s proofs), the full sheet; Olympic Games Committee, Seoul, Korea, publisher. Color screenprint with offset collage on Arches. image/sheet: 35 1/8 x 27 1/4 in.

(89.1 x 69cm) [Schellmann 135].

Unframed $1,000-1,500

130 11-1348/3 CHRISTO (american b. 1935) “ALLIED CHEMICAL TOWER, PACKED, PROJECT FOR 1 TIMES SQUARE, NEW YORK” 1971, pencil signed and numbered 16/100 (there were also 10 artist’s proofs), the full sheet; Landfall Press, Chicago, Illinois, publisher. Color screenprint on Arjomari. image/sheet: 28 1/8 x 22 in. (71.3 x 55.8cm) [Schellmann 39]. $1,000-1,500

74 free≤an’s modern & contemporary art

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131 11-1353/1 HELEN FRANKENTHALER (american b.1928) UNTITLED Signed, dated 1967 and inscribed “For Martha Baer” in ink on stretcher verso, oil on canvas 15 x 18 in. (38 x 45.6cm) provenance: The artist.

Private Collection, New York, New York.

Estate of Lynn Snyder, Bala Cynwd, Pennsylvania. $20,000-30,000

75 free≤an’s modern & contemporary art

05/15/11 132 11-1325/5 HELEN FRANKENTHALER (american b.1928) “THE GROVE” 1991, pencil signed, dated and numbered 18/32 (there were also 10 artist’s proofs); Garner Tullis, New York, New York, publisher. Color woodcut on Japan. image: 17 x 21 in. (43.2 x 53.3cm) sheet: 38 1/2 x 25 1/2 in.

(97.8 x 64.8cm) [Harrison 232]. $1,500-2,500

133 10-1886/2 WOLF KAHN (american b. 1927) LANDSCAPE Signed ‘W. Kahn’ bottom right, oil on canvas 24 x 22 in. (55.9 x 61cm) provenance: Private Collection, New York. $5,000-8,000

76 free≤an’s modern & contemporary art

05/15/11 134 11-1255/1 RED GROOMS (american b. 1937) “EXTRA! EXTRA! READ ALL ABOUT IT!” 2003, pencil signed, dated and numbered 28/50 (there were also 6 artist’s proofs); Shark’s Ink, Lyons, Colorado, publisher. Color lithographic cutout construction in original Plexiglas case. overall: 20 x 26 1/2 x 10 1/2 in.

(50.8 x 67.3 x 26.7cm) $3,000-5,000

135 11-1004/6 RED GROOMS (american b. 1937) “LITTLE ITALY” 1989, pencil signed, dated and numbered 86/90 (there were also 10 artist’s proofs); Shark’s Ink, Lyons, Colorado, publisher. Color lithographic cutout construction in original Plexiglas case. overall: 27 x 38 1/2 x 16 1/2 in.

(68.6 x 97.8 x 41.9cm) [Knestrick 117]. provenance: Private Collection, Pennsylvania. $2,000-3,000

77 free≤an’s modern & contemporary art

05/15/11 136 11-1345/12 JOHN CHAMBERLAIN (american b. 1927) UNTITLED 1964, pencil signed and numbered 39/48, with full margins. Color woodcut on wove paper. image: 35 x 23 1/2 in. (88.8 x 59.6cm) sheet: 41 1/2 x 29 1/4 in. (105.3 x 74.2cm) $700-1,000

137 11-1325/10 JOHN CHAMBERLAIN (american b. 1927) “UNTITLED” 1994, signed in black ink and numbered ‘Pres. Proof 1/2’ (the edition was 30), the full sheet; Graphicstudio, Tampa, Florida, publisher. Screenprint on black and gray on pressed aluminum. sheet: 36 x 36 in. (91.3 x 91.3cm) $2,000-3,000

138 11-1005/5 MEL BOCHNER (american b. 1940) “FOUR COLOR QUARTETS” the complete set of four lithographs 1990, signed and dated in white pencil, from the edition of 35, the full sheets; Diane Villani Editions, New York, New York, publisher. Four color lithographs on wove paper. various sizes, largest 45 x 45 in. (114.3 x 114.3cm) Including: “First,” “Second,” “Third,” and “Fourth” Quartets (4). provenance: Lehman Brothers Collection. $2,000-3,000

78 free≤an’s modern & contemporary art

05/15/11 139 11-1348/6 ED RUSCHA (american b.1937) “RELOJ DE ARENA” from “california” 1988, pencil signed, dated and numbered 49/75 (there were also 10 artist’s proofs), the full sheet; Ediciones Polígrafa, S.A., Barcelona, Spain, publisher. Color lithograph on Guarro. sheet: 30 x 22 1/8 in. (76 x 56cm) [Engberg & Walker 163].

Unframed $1,500-2,500

140 11-1345/16 RONALD BROOKS KITAJ (american 1932-2007) “IN OUR TIME: COVERS FOR A SMALL LIBRARY AFTER THE LIFE FOR THE MOST PART” the complete set of 50 color screenprints 1969, each signed with initial and ink stamped with individual numbers bottom left verso, copy 137/150, all with full margins; Marlborough AG Schellenberg, Florida, publishers. The complete set of fifty initialed, color screenprints on wove paper contained within original black portfolio box with pencil signed and numbered title/justification page (as issued). each image: various sizes each sheet: 30 1/2 x 22 1/2 in.

(77.3 x 57cm) Unframed (50). $3,000-5,000

79 free≤an’s modern & contemporary art

05/15/11 141 11-1268/2 ALEX KATZ (american b. 1927) “ORANGE HAT” from “alex and ada, the 1960s to the 1980s” 1990, pencil signed and numbered 91/150 bottom left (there were also 30 artist’s proofs), the full sheet; Gaultney-Klineman Art, New York, New York, publisher. Color screenprint on Arches. image/sheet: 18 x 36 in.

(45.7 x 91.3cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

142 11-1004/3 ALEX KATZ (american b. 1927) “ADA IN A HAT” from “alex and ada, the 1960s to the 1980s” 1990, pencil signed and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; GaultneyKlineman, New York, New York, publisher. Color screenprint on Arches. image/sheet: 26 1/8 x 36 1/8 in.

(66.3 x 91.6cm) Unframed provenance: Private Collection, Pennsylvania. $1,500-2,500

80 free≤an’s modern & contemporary art

05/15/11 143 11-1004/2 ALEX KATZ (american b. 1927) “SELF PORTRAIT (PASSING)” from “alex and ada, the 1960s to the 1980s” 1990, pencil signed and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; GaultneyKlineman Art, New York, New York, publisher. Color screenprint on Arches. image/sheet: 32 1/2 x 36 in.

(82.4 x 91.3cm) Unframed provenance: Private Collection, Pennsylvania. $2,000-3,000

144 11-1325/1 two multiples ALEX KATZ (american b. 1927) “SUNNY” 1974, pencil signed and numbered 19/52, the full sheet; Brooke Alexander & Marlborough Gallery, New York, New York, co-publishers. Etching with aquatint and drypoint. image/sheet: 15 3/8 x 22 1/4 in. (39 x 56.4cm) [Maravall 74]. and “SUNNY” 2004, signed and numbered ‘XX/XXX’ on underside (proof apart from the edition of 72); Parkett Verlag, Zurich , publisher. Color screenprint on aluminum cutout.

5 1/8 x 5 7/8 x 1 3/4 in. (12.9 x 14.9 x 4.5cm) (2). $1,500-2,500

81 free≤an’s modern & contemporary art

05/15/11 145 11-1268/1 ALEX KATZ (american b. 1927) “JULIAN” Oil on aluminum Executed in 1979 69 3/4 x 10 in. (177.5 x 25.4cm) provenance: Benjamin Mangel Gallery, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $40,000-60,000

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146 11-1325/24 ALEX KATZ (american b. 1927) “OLYMPIC SWIMMER” 1976, pencil signed and numbered 174/200 (there were also 20 artist’s proofs), the full sheet; Kennedy Graphics, Inc., New York, New York, publisher. Color screenprint on wove paper. image/sheet: 40 x 25 in. (101.5 x 63.3cm) Unframed [Maravall 86]. $1,200-1,800

148 11-1004/1 ALEX KATZ (american b. 1927) “GREEN JACKET” from “alex and ada: the 1960s to the 1980s” 1990, pencil signed and numbered 41/150 (there were also 30 artist’s proofs), the full sheet; Gaultney-Klineman Art, New York, New York, publisher. Color screenprint on wove paper. image/sheet: 35 7/8 x 24 in. (91 x 60.8cm) Unframed provenance: Private Collection, Pennsylvania. $800-1,200

147 11-1325/23 two prints ALEX KATZ (american b. 1927) "ANN (SEATED WOMAN I)" 1970, pencil signed and numbered 12/19 (numbering partially re-written), with full margins; Brooke Alexander, New York , New York , publisher. Lithograph in greys and black on wove paper. image: 18 1/2 x 14 3/8 in. (47 x 36.4cm) sheet: 19 1/2 x 15 3/8 in. (49.4 x 39cm) [Maravall 31] Unframed and “SMALL HEAD” 1972, pencil signed and numbered 12/20 (there were also an unknown number of artist's proofs), with full margins; Brooke Alexander, Inc. and Marlborough Graphics, New York, co-publishers. Etching and aquatint on Arches. image: 7 x 8 3/8 in. (17.7 x 21.2cm) sheet: 22 x 15 in. (55.8 x 38cm) [Maravall 56].

Unframed (2). $1,000-1,500

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149 11-1348/1 ROBERT LONGO (american b.1953) “DANCING TRIO I” 1997, pencil signed, dated and numbered 13/15 (there were also 5 artist’s proofs in Roman numerals), with full margins; Ediciones Polígrafa, S.A., Barcelona, Spain, publisher. Lithograph on wove paper. image: 19 x 38 in. (48 x 96.3cm) sheet: 23 x 42 1/4 in. (58.3 x 107.2cm) $3,000-5,000

150 11-1263/2 TIM ROLLINS & K.O.S. (american b.1955) “SMALL BLACK ALICE” Signed, titled, inscribed and dated ‘South Bronx 1986’ verso, black gesso over book pages mounted on linen 32 x 54 in. (81.3 x 137.2cm) Unframed provenance: Baumgartner Gallery, New York, New York.

Private Collection, Pennsylvania. note: “When twelve-year old Annette Rosado [one of Rollin’s Kids of Survival] began to obsess on the image of Alice, grown too big for her confining space; when the group finally arrived at this image (drawn by Lewis Carroll himself) as the mystery behind their own black paintings inspired by Ad Reinhardt….

Then a socialist-feminist-high-artwork was born.”

(Lucy R. Lippard, “Adding to Alice”, Parkett-Verlag, Zurich, Parkett Issue 21, June 1989, p. 95.)

Please note artwork has been photographed on an angle. $4,000-6,000

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05/15/11 151 11-1263/1 ROSS BLECKNER (american b. 1949) UNTITLED Signed and dated 1992 verso, oil on canvas 20 x 16 in. (50.7 x 40.6cm) provenance: Baumgartner Galleries, Inc., Washington, D.C. Private Collection, Pennsylvania. $7,000-10,000

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05/15/11 152 11-1354/1 PAT STEIR (american b. 1938) UNTITLED Signed and dated ‘99 in pencil bottom right, watercolor and colored pencil on paper 12 1/4 x 16 1/4 in. (31 x 41.2cm) Unframed $1,000-1,500

153 11-1354/2 PAT STEIR (american b. 1938) UNTITLED Signed bottom right, watercolor, colored pencil, ink and collage on paper 12 1/4 x 16 1/4 in. (31 x 41.2cm) Unframed $1,000-1,500

154 11-1020/1 REMY BLANCHARD (french 1958-1993) FIGURE WITH TORCH Signed, inscribed and dated ‘IX 86’ faintly in pencil bottom left, acrylic on canvas 40 1/2 x 38 1/4 in. (102.8 x 97.2cm) $4,000-6,000

86 free≤an’s modern & contemporary art

05/15/11 155 11-1325/12 KIKI SMITH (american b. 1954) “LITTER” 1999, pencil signed and dated 1999, numbered 15/50 (there were also 15 artist’s proofs); Universal Limited Art Editions, West Islip, New York, publisher, and with their blindstamp.

Color lithograph with platinum-leaf gilding on wove paper. image/sheet: 22 x 30 in.

(55.7 x 76.2cm) Unframed $2,000-3,000

156 11-1325/14 KIKI SMITH (american b. 1954) “BIRD ON BRANCH” from ‘steuben tattoo collection” 2008, incised with artist’s signature and ‘Steuben,’ numbered 15/25, stamped ‘Kiki Smith Steuben 925’ on underside of silver leaf, stamped ‘KS for Steuben’ on silver brooch; Steuben Glass, New York, publisher.

Crystal multiple on silver leaf/branch base accompanied by a silver leaf brooch, all within original felt bags and foam lined, cloth covered box printed with publisher’s logo (as issued). bird and branch: 3 1/4 x 8 1/2 x 6 in.

(8.3 x 21.6 x 15.2cm) brooch: 2 3/4 x 1 1/2 x 3/8 in.

(7 x 3.8 x 1cm) (3). $3,000-4,000

87 free≤an’s modern & contemporary art

05/15/11 157 11-1325/9 KIKI SMITH (american b. 1954) “CARRIER” 2001, pencil signed, dated and numbered 31/33 (there were also 8 artist’s proofs), with full margins; Universal Limited Art Editions, West Islip, New York, publisher. Color etching with hand applied watercolor on wove paper. image: 14 7/8 x 47 5/8 in.

(37.7 x 120.8cm) sheet: 22 7/8 x 55 3/8 in.

(58 x 140.5cm) $3,000-4,000

158 11-1325/4 KIKI SMITH (american b. 1954) “TITANIA” 1999, pencil signed, dated and numbered 12/20 (there were also 7 artist’s proofs), with full margins; Pace Editions Inc., New York, New York publisher. Color etching and aquatint on wove paper. image: 12 3/8 x 7 3/4 in. (31.4 x 19.7cm) sheet: 20 x 16 in.(50.8 x 40.6cm) $1,000-2,000

159 11-1325/15 KIKI SMITH (american b. 1954) “WHAT GIRLS KNOW ABOUT GRIDS: FOR LESLIE GORE, MO TUCKER, LAURA NYRO AND MAMA CASS” 2000, pencil signed and numbered 13/24 on envelope (there were also 10 artist’s proofs); Pace Editions, Inc., New York, New York, publisher. Multiple of eight etching and relief etchings on handmade Japanese paper (adhered back-to-back to make four handkerchiefs) and four photographs (two in colors) enclosed in envelope with typed title, date and publisher and accompanied by xerox-copied instruction for use/display by the artist. dimensions variable; handkerchiefs: 2 1/2 x 6 1/2 x 6 1/2 in.

(6.4 x 16.5 x 16.5cm) each photograph (approx.): 3 1/4 x 3 1/2 in. (8.3 x 8.9cm) (5) $600-800

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05/15/11 160 11-1259/1 SHEPARD FAIREY (american b. 1970) “UNCLE SCAM” from “rise above” 2006, pencil signed, dated and numbered 48/50. Color screenprint on cotton rag. image: 39 3/8 x 26 1/2 in.

(100 x 67.2cm) sheet: 41 3/4 x 28 1/2 in.

(105.9 x 72.3cm) Unframed $1,500-2,500

161 11-1263/3 LINDA STOJAK (american b. 1955) UNTITLED Pencil signed and dated 1992 verso, mixed media on canvas 32 1/2 x 16 in. (82.4 x 40.5cm) Unframed provenance: Stephen Heller Gallery, New York, New York.

Private Collection, Pennsylvania. $1,000-2,000

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05/15/11 162 11-1357/1 MICHAEL HEIZER (american b. 1944) “40 DEGREES, 90 DEGREES, 180 DEGREES” 1983, pencil signed and dated bottom right, numbered 32/40 (there were also 10 artist’s proofs); Tyler Graphics, Ltd., Mt. Kisco, New York, publisher. Planograph stencil, intaglio, stamping colour lithograph, screenprint, etching on wove paper image/sheet: 31 1/2 x 46 in.

(80 x 116.8cm) $3,000-5,000

Founded in 1985, amfAR is dedicated to ending the global AIDS epidemic through innovative research. With the freedom and flexibility to respond quickly to emerging areas of scientific promise, amfAR plays a catalytic role in accelerating the pace of HIV/AIDS research and achieving real breakthroughs. amfAR-funded research has increased our understanding of HIV and has helped lay the groundwork for major advances in the study and treatment of HIV/AIDS. Since 1985, amfAR has invested nearly $325 million in its mission and has awarded grants to more than 2,000 research teams worldwide. The artworks in this auction were generously donated by artists and galleries to benefit amfAR’s work, and all sale proceeds will go to the organization.

163 11-1344/2 JENNY HOLZER (american b. 1950) “JAPANESE GARDEN FOR ART AGAINST AIDS JAPAN” Computer generated black and white rendering accompanied by one ink on drawing with collage elements on vellum laid down to foam core Executed in 1994 computer generated rendering image: 10 1/2 x 14 in. (26.7 x 35.6cm) drawing on vellum: 23 x 35 in. (58.4 x 88.9cm) Unframed (2). provenance: The artist. amFAR, New York, New York. exhibited: “Tradition and Invention: Contemporary Artists Interpret the Japanese Garden,” Sogetsu Plaza, Sogetsu Kaikan, September 1-11, 1995, exh. catalogue #3, illustrated p. 19. $5,000-8,000

90 free≤an’s modern & contemporary art

05/15/11 164 11-1344/3 JOSEPH KOSUTH (american b. 1945) “GARDEN OF THREE AND ONE ELEMENTS (A PROPOSAL)” Sand blasted glass Executed in 1994 47 1/4 x 63 in. (120 x 160cm) provenance: The artist. amFAR, New York, New York. exhibited: “Tradition and Invention: Contemporary Artists Interpret the Japanese Garden,” Sogetsu Plaza, Sogetsu Kaikan, September 1-11, 1995, exh. catalogue #26, illustrated p. 41. note: This piece was created as a maquette for “Garden of Three and One Elements,” an installation of sandblasted stone and water, in 1996. $30,000-50,000

91 free≤an’s modern & contemporary art

05/15/11

165 11-1344/1 JOSEPH KOSUTH (american b. 1935) “FEUD FRAGMENT (PLUS/MINUS ONE)” Black and white photograph Executed in 1988 21 x 120 in. (53.3 x 304.8cm) provenance: The Artist. amFAR, New York, New York. $10,000-15,000

92 free≤an’s modern & contemporary art

05/15/11

166 11-1258/18 JESSICA STOCKHOLDER (american b. 1959) UNTITLED White pine tree, lithography on fabric, acrylic on yarn, oil, acrylic paint and wood Executed in 1994 87 x 16 x 13 in. (221 x 40.6 x 33cm) provenance: Jay Gorney Modern Art, New York New York..

Lehman Brothers Collection. $4,000-6,000

167 11-1258/17 JOHN DUFF (american b. 1943) “BLUE SERRATED WEDGE” Signed and dated 1985 verso, enamel on fiberglass 80 x 5 x 3 in. (203.2 x 12.7 x 7.6cm) provenance: Lehman Brothers Collection. $4,000-6,000

93 free≤an’s modern & contemporary art

05/15/11

169 11-1258/19 PETER WAITE (american b. 1950) “EMPTY POOL” Signed, titled and dated 1989 verso on panel 1, each also consecutively numbered 1-8 verso, acrylic on eight plastic panels overall: 96 x 96 in.

(243.8 x 243.8cm) Loose and unframed (8). provenance: Lehman Brothers Collection. $8,000-12,000

168 11-1258/28 JASON ROGENES (american b. 1971) “JPC45113” Carved expanded polystyrene with electrical components Executed in 2002 overall: 45 3/4 x 12 1/2 x 10 1/2 in.

(116.2 x 31.8 x 26.7cm) provenance: Lehman Brothers Collection. $1,000-2,000

94 free≤an’s modern & contemporary art

05/15/11 170 11-1258/6 four prints LOUISE FISHMAN (american b. 1939) “BLACK AND WHITE “ plates 1,3,4 and 5 2005, each pencil signed and dated ‘8/05,’ one numbered 14/15 and three numbered 15/15, all with full margins; Riverhouse Editions, Steamboat Springs, Colorado, publisher. Four etching and aquatints on wove paper. each image: various each sheet: 14 x 18 in.

(35.5 x 45.6cm) (4). provenance: Lehman Brothers Collection. $1,500-2,500

171 11-1005/4 JAMES SIENA (american b. 1958) “TANAGRA” 2006, pencil signed, dated and numbered 23/33 (there were also 8 artist’s proofs), with full, thin margins; Universal Limited Art Editions, West Islip, New York. Color lithograph on Arches Cover. sheet: 29 3/8 x 43 5/8 in. (74.5 x 110.7cm) provenance: Lehman Brothers Collection. $2,000-3,000

172 11-1258/8 MICHAEL MAZUR (american b. 1935) “ISLANDS, COGNATE” 1999, pencil signed and dated in the margin, the full sheet, monotype on wove paper sheet: 22 x 29 1/4 in. (55.9 x 74.3cm) provenance: Lehman Brothers Collection. $300-500

95 free≤an’s modern & contemporary art

05/15/11 173 11-1005/2 CAIO FONSECA (american b. 1959) “SEVEN STRING ETCHING NO. 1” 2001, signed, dated and numbered 33/50 (there were also 10 artist’s proofs), with full margins; Paulson Press, Berkeley, California, publisher, and with their blindstamp. Aquatint and etching with chine collé on Somerset. image: 28 1/2 x 40 in.

(72.3 x 101.5cm) provenance: Lehman Brothers Collection. $2,500-3,500

174 11-1005/3 CAIO FONSECA (american b. 1959) “SEVEN STRING ETCHING NO. 6” 2001, signed, dated and numbered 38/50 (there were also 10 artist’s proofs), with full margins; Paulson Press, Berkeley, California, publisher, and with their blindstamp. Aquatint and etching with chine collé on Somerset. image: 26 1/2 x 36 in.

(66.3 x 91.3cm) provenance: Lehman Brothers Collection. $2,500-3,500

96 free≤an’s modern & contemporary art

05/15/11 175 11-1258/13 LAWRENCE WEINER (american b. 1940) “ISLANDS IN A STORM” the complete set of four prints 1990, all pencil signed and dated, titled and annotated “(Red),” “(Yellow),” “(Blue)” and “(Gray)” respectively, all numbered 8/25. The complete set of four etchings and softground, aquatint and chine collé. each image: 14 3/4 x 21 3/4 in.

(37.3 x 55.2cm) each sheet: 17 1/2 x 23 1/2 in.

(44.3 x 59.6cm) (4). provenance: Lehman Brothers Collection. $3,000-5,000

176 11-1258/2 KEVIN APPEL (american b. 1967) “UNTITLED INTERIOR #5” Acrylic and oil on canvas laid down to panel Executed in 1995 65 x 52 in. (165.1 x 131.1cm) provenance: Lehman Brothers Collection. $5,000-7,000

97 free≤an’s modern & contemporary art

05/15/11

177 11-1258/10 SHARON ELLIS (american b. 1955) “JUPITER” Signed, titled and dated 1992 verso, acrylic on canvas 36 x 36 in. (91.3 x 91.3cm) Unframed provenance: Lehman Brothers Collection. $8,000-12,000

98 free≤an’s modern & contemporary art

05/15/11 178 10-9012/3 DONALD ROLLER WILSON (american b. 1938) “COOKIE..... (NEAR ON EASTER MORNING...LOOKING DOWN THE HALLWAY)” Signed and dated 1998 bottom left, inscribed ‘M/5’, signed again verso in ink and inscribed ‘Note to collector... if, when you hang this new painting on your wall, you are able to see this note, you will know you have the painting up—facing the wrong way. Thank you. Roller,’ oil on canvas 12 x 16 in. (30.5 x 40.6cm) provenance: Russeck Gallery, San Francisco, California.

Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $15,000-20,000

99 free≤an’s modern & contemporary art

05/15/11 179 10-9012/15 DONALD ROLLER WILSON (american b. 1938) “SHE HAD SEEN IT...”

Signed, dated 1996, titled and inscribed ‘L-2/ T-2’ upper center, signed, dated and inscribed in ink on cardboard backing verso ‘I have seen it — and whoever gets this painting of cookie has probably seen it too—and, if he or she hasn’t, he or she will...it’s just above your head— about three inches away.../Roller,’ oil on canvas 11 x 9 in. (27.9 x 22.7cm) provenance: Russeck Gallery, San Francisco, California.

Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $7,000-10,000

100 free≤an’s modern & contemporary art

05/15/11

180 10-9012/6 DONALD ROLLER WILSON (american b. 1938) “CARRIE’S AND DON’S UNCLE ERIC’S BIRTHDAY DINNER AT DON’S” Signed, dated 1983 and titled bottom right, oil on canvas 50 1/2 x 50 in. (128 x 127cm) provenance: Russeck Gallery, Palm Beach, Florida.

Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $15,000-20,000

101 free≤an’s modern & contemporary art

05/15/11

181 10-9012/1 SCOTT PRIOR (american b. 1949) AN ARTIST’S WINDOWSILL Signed and dated 2000 verso, oil on canvas 54 x 66 in. (137.2 x 167.6cm) provenance: Collection of Richard Scrushy, Vestavia, Alabama. note: Sold to benefit HealthSouth shareholders, Birmingham, Alabama. $2,000-3,000

102 free≤an’s modern & contemporary art

05/15/11 “Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism as defined by artists such as Thomas Eakins and Andrew Wyeth. Like these artists, Bartlett looks at America ’s heart – its land and its people – and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary. And like Wyeth, Bartlett sees the importance of the smallest details in the overall picture and imbues his work with surreal ambiguity.”

(Bo Bartlett, Charles T. Butler et. al, The Columbus Museum, Columbus, Georgia, 2002, cover introduction) Freeman’s is privileged to offer 47 working sketches, drawings, and paintings by Bo Bartlett, one of the most prominent alumni of The Pennsylvania Academy of the Fine Arts. The majority come from a single, private collection and offer a unique glimpse into the artist’s career, spanning from before his student years of the 1980s through to the early 21st century. Represented here are intimate portraits evocative of 18th Century Italian portraiture studied while the artist was in Italy in the early 1970s (lots 186 and 200) along with several paintings and pencil drawings from the 1980s and 1990s when Bartlett was a well sought after Philadelphia portraiture artist (see lots 183-4, and 191-5). Working studies for large scale, epic works of the mid-1990s are also offered such as “Hiroshima ” (lot 196), “Unity” (lots 190 and 207) and the arresting “Lifeboat” (lot 201) from the much celebrated “Water Series” of the late 1990s.

182 11-1016/169 BO BARTLETT (american b. 1955) SELF PORTRAIT Oil on masonite 14 x 11 in. (35.6 x 27.9cm) provenance: The Artist.

Private Collection. $2,000-3,000

103 free≤an’s modern & contemporary art

05/15/11 183 11-1016/6 BO BARTLETT (american b. 1955) “CHARLOTTE” Signed, titled and inscibred ‘IGN’ on stretcher verso, oil on canvas 43 3/4 x 26 in. (111.1 x 66cm) provenance: The Artist.

Private Collection. $10,000-15,000

104 free≤an’s modern & contemporary art

05/15/11 184 11-1016/127 BO BARTLETT (american b. 1955) “MELONIE” Signed, titled, dated 1994, dedicated and inscribed ‘IGN’ verso, oil on board Executed in 1994 30 x 24 in. (76.2 x 61cm) Unframed provenance: The Artist.

Private Collection. $4,000-6,000

105 free≤an’s modern & contemporary art

05/15/11 185 11-1016/128 BO BARTLETT (american b. 1955) PORTRAIT OF MELONIE Signed, dated 1997 and dedicated verso, inscribed ‘IGN’ verso, oil on board 9 x 12 in. (22.9 x 20.5cm) provenance: The Artist.

Private Collection. $2,500-4,000

186 11-1016/1 BO BARTLETT (american b. 1955) “MELONIE” Signed bottom right, oil on linen laid down to foam core Executed in 1987 19 1/4 x 26 1/4 in. (48.8 x 66.5cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings

by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003November 28, 2004. $1,500-2,500

106 free≤an’s modern & contemporary art

05/15/11 187 11-1016/122 BO BARTLETT (american b. 1955) UNTITLED Signed verso, oil on board 12 x 18 in. (30.5 x 45.7cm) Unframed provenance: The Artist.

Private Collection. $1,000-2,000

188 11-1016/138 BO BARTLETT (american b. 1955) UNTITLED Signed verso, oil and gold leaf on masonite 18 x 24 in. (45.7 x 61cm) Unframed provenance: The Artist.

Private Collection. $1,000-2,000

189 11-1016/8 BO BARTLETT (american b. 1955) STUDY FOR “THE BRIDE” Oil on linen laid down to chipboard Executed in 1993 12 5/8 x 20 1/4 in. (32 x 51.3cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003-November 28, 2004. $1,000-2,000

107 free≤an’s modern & contemporary art

05/15/11

190 11-1016/124 two studies BO BARTLETT (american b. 1955) “UNITY” Signed, titled, dated and inscribed ‘IGN’ verso, both oil on board 10 x 45 in. (25.4 x 114.3cm) Unframed (2). provenance: The Artist.

Private Collection. $3,000-5,000

108 free≤an’s modern & contemporary art

05/15/11 191 11-1016/15 BO BARTLETT (american b. 1955) NUDE (VAL) Signed, titled and dated ‘October 7, 1993’ and with ‘IGN’ stamp bottom right, graphite on paper 30 3/4 x 23 in. (78 x 58.2cm) provenance: The Artist.

Private Collection. $1,000-2,000

192 11-1016/11 BO BARTLETT (american b. 1955) SEATED NUDE Signed and dated August 1994 bottom right, dated July 22, 1994 and dedicated bottom left, inscribed ‘IGN’ bottom right, graphite on paper 22 7/8 x 15 1/4 in. (58.1 x 38.7cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003-November 28, 2004. $1,000-2,000

193 11-1016/37 BO BARTLETT (american b. 1955) “10TH BOOK OF THE REPUBLIC” Signed bottom left, titled bottom right, dated 1997 bottom center, with red ‘IGN’ stamp bottom left, graphite on paper 22 5/8 x 15 in. (57.4 x 38cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003-November 28, 2004. $1,500-2,500

109 free≤an’s modern & contemporary art

05/15/11 194 11-1016/7 BO BARTLETT (american b. 1955) CHARLIE HEWINS With second portrait of sitter verso, oil on board Executed in 2002 25 1/4 x 32 in. (64.1 x 81.3cm) provenance: The Artist.

Private Collection. $4,000-6,000

195 11-1016/50 BO BARTLETT (american b. 1955) “COLLEEN ON A WINTER MORNING” Signed, titled and dated December 2002 and inscribed ‘IGN’ verso, oil on masonite 20 x 16 in. (50.8 x 40.6cm) Unframed provenance: The Artist.

Private Collection. $2,000-3,000

110 free≤an’s modern & contemporary art

05/15/11 196 11-1016/57 BO BARTLETT (american b. 1955) STUDY FOR “HIROSHIMA” Oil on board Executed in 1994 8 x 10 7/8 in. (20.2 x 27.5cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003November 28, 2004. $2,000-3,000

197 11-1016/42 BO BARTLETT (american b. 1955) “TELEPHONE POLE” Oil on board 21 3/8 x 19 in. (54.3 x 48.3cm) Unframed provenance: The Artist.

Private Collection. $2,500-4,000

198 11-1016/22 BO BARTLETT (american b. 1955) “GREEN HOUSE” Signed and titled in pencil and with the red ‘IGN’ ink stamp bottom right and ‘B’ blindstamp bottom left, gouache and pencil on paper 15 3/8 x 22 1/2 in. (39 x 57cm) provenance: The Artist.

Private Collection. $1,000-2,000

111 free≤an’s modern & contemporary art

05/15/11 199 11-1016/5 BO BARTLETT (american b. 1955) STAIRCASE OF PRICE STREET Signed bottom right, oil on board 10 5/8 x 14 in. (27 x 35.6cm) provenance: The Artist.

Private Collection. $2,500-4,000

200 11-1016/136 BO BARTLETT (american b. 1955) “RITRATO DI ‘STEPHEN’” Signed and titled on stretcher verso, oil on canvas 20 x 16 in. (50.8 x 40.6cm) Unframed provenance: The Artist.

Private Collection. $2,000-3,000

112 free≤an’s modern & contemporary art

05/15/11 201 11-1016/170 BO BARTLETT (american b. 1955) STUDY FOR “LIFEBOAT” Oil on linen laid down to chipboard Executed in 1999 9 x 13 3/8 in. (22.7 x 33.8cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings

by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003November 28, 2004. $2,500-4,000

202 11-1016/172 BO BARTLETT (american b. 1955) “WHITE HOUSE” Signed ‘Bo’ bottom left, signed and titled on paper backing verso, watercolor on paper 22 1/4 x 15 in. (56.4 x 38cm) provenance: The Artist.

Private Collection. $1,500-2,500

113 free≤an’s modern & contemporary art

05/15/11 203 11-1016/168 BO BARTLETT (american b. 1955) “VESPER (FULL MOON RISING OVER TEN POUND ISLAND”) Signed, dated ‘summer 1999’ and inscribed ‘IGN’ verso, oil on panel 14 x 18 in. (35.6 x 45.7cm) Unframed provenance: The Artist.

Private Collection. $1,200-1,800

204 11-1016/165 BO BARTLETT (american b. 1955) “TEN POUND IS BURNING” (study for “manasseh”) Signed, titled verso and inscribed IGN’ verso, oil on masonite Executed ca. 2000-1 16 3/8 x 19 3/4 in. (41.6 x 50.2cm) Unframed provenance: The Artist.

Private Collection. $1,200-1,800

205 11-1016/24 BO BARTLETT (american b. 1955) “OVER THE VALLEY” Signed and with ‘IGN’ stamp bottom right, gouache on paper Executed in 2002 16 3/8 x 19 3/4 in. (41.6 x 50.2cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings

by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003November 28, 2004. $1,500-2,500

114 free≤an’s modern & contemporary art

05/15/11

206 11-1016/129 BO BARTLETT (american b. 1955) “INDIAN BLOOD” Signed, titled and dated ‘Aug 9, 1998’ verso, oil on masonite 11 x 14 in. (27.9 x 35.6cm) provenance: The Artist.

Private Collection. $4,000-6,000

115 free≤an’s modern & contemporary art

05/15/11 207 11-1016/135 BO BARTLETT (american b. 1955) “UNITY” Signed, titled, dated 1997 and inscribed ‘IGN’ verso, oil on board 65 x 22 in. (165.1 x 55.8cm) Unframed provenance: The Artist.

Private Collection. $7,000-10,000

116 free≤an’s modern & contemporary art

05/15/11

208 11-1016/35 BO BARTLETT (american b. 1955) “MIRA NAKASHIMA” Signed, titled, dated March 31, 1996 and inscribed ‘IGN’ bottom left, dedicated on frame verso, graphite on paper 22 x 15 in. (55.7 x 38cm) provenance: The Artist.

Private Collection. $1,200-1,800

210 11-1016/38 BO BARTLETT (american b. 1955) “ALYSE LEVY” Signed and with the artist’s blindstamp bottom left, titled and with the artist’s monogram and ‘IGN’ stamp bottom right, inscribed ‘Tom Stryon’ in pencil bottom left edge, graphite on paper Executed in 2001 22 3/4 x 15 1/4 in. (57.7 x 38.6cm) provenance: The Artist.

Private Collection. $1,000-2,000

209 11-1016/41 BO BARTLETT (american b. 1955) “HANNAH” (study for “the new bride”) Signed in pencil and with the red ‘IGN’ stamp bottom right, inscribed ‘H.D.’ in pencil bottom left, graphite on paper Executed in 2000 18 3/8 x 24 1/4 in. (46.6 x 61.5cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003November 28, 2004. $1,500-2,500

117 free≤an’s modern & contemporary art

05/15/11 211 11-1016/2 BO BARTLETT (american b. 1955) PORTRAIT OF MELONIE Oil on board Executed in 2003 18 1/4 x 23 3/4 in. (46.2 x 60.2cm) provenance: The Artist.

Private Collection. $4,000-6,000

212 11-1016/19 BO BARTLETT (american b. 1955) UNTITLED Oil on masonite 18 x 24 in. (45.7 x 61cm) Unframed provenance: The Artist.

Private Collection. $4,000-6,000

118 free≤an’s modern & contemporary art

05/15/11 213 11-1016/123 BO BARTLETT (american b. 1955) “TOWARD A NEW AGE” Signed, titled, dated 1997 and inscribed ‘IGN’ verso, oil on board 12 x 18 1/4 in. (30.5 x 46.4cm) Unframed provenance: The Artist.

Private Collection. $1,000-2,000

214 11-1016/17 BO BARTLETT (american b. 1955) STUDY FOR “MADRE DEL NENE” OR “DEPOSITION” Signed and dated 1989 bottom right, inscribed ‘IGN’ and with the artist’s red thumbprint bottom left, charcoal and pencil on paper 28 7/8 x 22 7/8 in. (73.3 x 58cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 19782002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003-November 28, 2004. $1,500-2,500

215 11-1016/53 BO BARTLETT (american b. 1955) NUDE ON SOFA Signed and dedicated verso, oil on masonite 11 x 14 in. (27.9 x 35.6cm) Unframed provenance: The Artist.

Private Collection. $1,000-2,000

119 free≤an’s modern & contemporary art

05/15/11 216 11-1016/21 BO BARTLETT (american b. 1955) HONEYCOMB Signed, dated October 15, 1998 and with ‘IGN’ red stamp bottom right, with working sketch for ‘Liberty’ and ‘B’ monogram verso, gouache and graphite on paper 19 7/8 x 13 in. (50.4 x 32.9cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003-November 28, 2004. $1,000-2,000

217 11-1016/171 BO BARTLETT (american b. 1955) FIGS With the red ‘IGN’ stamp bottom left, gouache on paper Executed 2001 11 1/4 x 15 in. (28.6 x 38.1cm) provenance: The Artist.

Private Collection. exhibited: “Pennsylvania Academy of the Fine Arts Alumni Exhibition: Works on Paper,” Free Library of Philadelphia, May 2-August 30, 2003. $1,000-2,000

218 11-1016/10 BO BARTLETT (american b. 1955) “TWO HEARTS” Signed, titled, dedicated and dated December 20, 2004 and August 9, 2002, pencil and gouache on paper sheet: 15 x 22 1/2 in. (38.1 x 57.2cm) provenance: The Artist.

Private Collection. $600-800

120 free≤an’s modern & contemporary art

05/15/11 219 11-1016/45 BO BARTLETT (american b. 1955) SELF PORTRAIT Oil on masonite Executed in 2004 14 x 11 in. (35.6 x 28cm) Unframed provenance: The Artist.

Private Collection. $2,000-3,000

220 11-1016/3 BO BARTLETT (american b. 1955) “MELONIE” Signed, titled, dated c. 1980, inscribed ‘IGN’ verso, oil on linen laid down to board 16 x 11 3/4 in. (40.6 x 29.8cm) Unframed provenance: The Artist.

Private Collection. $2,500-4,000

121 free≤an’s modern & contemporary art

05/15/11 221 11-1016/58 BO BARTLETT (american b. 1955) SLOANE Oil on board 16 x 20 in. (40.6 x 50.8cm) provenance: The Artist.

Private Collection. $3,000-5,000

222 11-1016/20 BO BARTLETT (american b. 1955) KATIE Oil on canvas 24 x 18 in. (61 x 45.7cm) Unframed provenance: The Artist.

Private Collection. $2,000-3,000

122 free≤an’s modern & contemporary art

05/15/11

223 11-1016/16 BO BARTLETT (american b. 1955) NUDE Signed, dated 1982 and inscribed ‘IGN’ bottom center, conte crayon and graphite on paper sheet: 23 x 17 1/4 in.

(58.3 x 43.7cm) provenance: The Artist.

Private Collection. $1,800-2,500

225 11-1016/36 BO BARTLETT (american b. 1955) “LYNN” Signed, titled, dated 1982 and inscribed ‘IGN’ verso, graphite on paper sheet: 13 x 19 in. (32.8 x 48.1cm) provenance: The Artist.

Private Collection. $1,000-2,000

224 11-1016/18 BO BARTLETT (american b. 1955) STUDY FOR “CALLING” Signed bottom right, with ‘IGN’ stamp bottom left, chalk and graphite on paper Executed in 1998 sheet: 20 1/2 x 31 in.

(51.9 x 78.6cm) provenance: The Artist.

Private Collection. exhibited: “Heartland: Paintings and Drawings

by Bo Bartlett, 1978-2002,” Columbus Museum of Art, Columbus, Georgia (traveling exhibition), January 26, 2003November 28, 2004. $1,500-2,500

123 free≤an’s modern & contemporary art

05/15/11 226 11-1016/14 BO BARTLETT (american b. 1955) NUDE Oil on linen laid down to chipboard 24 1/4 x 13 1/8 in. (61.5 x 33.3cm) provenance: The Artist.

Private Collection. $1,000-2,000

227 11-1184/2 BO BARTLETT (american b. 1955) WHEELCHAIR Signed, dedicated and dated 1996 verso, with the artist’s red thumbprint and inscribed ‘IGN,’ oil on linen 24 x 30 in. (60.8 x 76.1cm) provenance: The artist.

Private Collection, New York, New York $2,000-3,000

124 free≤an’s modern & contemporary art

05/15/11 228 11-1184/1 BO BARTLETT (american b. 1955) “BRIDGEPORT IS BURNING” Signed, titled twice, dated 1.05.03, dedicated and inscribed ‘IGN’ verso, oil on masonite 20 x 16 in. (51 x 40.6cm) provenance: The artist.

Private Collection, New York, New York $5,000-8,000

125 free≤an’s modern & contemporary art

05/15/11 229 10-2188/1 BO BARTLETT (american b. 1955) “ELIOT” Signed, titled, inscribed and dated on stretcher verso, oil on canvas Executed in 1991 16 x 21 in. (40.5 x 30.4cm) Unframed provenance: The artist.

Private Collection, Pennsylvania. exhibited: P.P.O.W. Gallery, New York, New York. $5,000-8,000

126 free≤an’s modern & contemporary art

05/15/11 230 10-2105/1 THOMAS CHIMES (american 1921-2009) “DAY OF PEACE” Signed lower right, oil on canvas 16 x 22 1/4 in. (40.6 x 56.5cm) In artist decorated frame provenance: With a partial label of the Art Lending Service of the Museum of Modern Art, New York, New York attached verso.

Private Collection, New York.

Acquired by the present owner from Museum of Modern Art public sale, circa early 1960s.

Private Collection, New York. $3,000-5,000

231 11-1110/1 LUIGI SETTANNI (american 1909-1984) CELEBRATION Signed bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Connecticut. $2,500-4,000

232 11-1353/5 LYNN SNYDER (american 1928-2010) UNTITLED Signed bottom right, oil on canvas 28 x 22 1/4 in. (71 x 56.3cm) provenance: Estate of Lynn Snyder, Bala Cynwyd, Pennsylvania.

By family descent. note: Lynn Snyder studied at The Pennsylvania Academy of the Fine Arts and helped strengthen the Philadelphia arts community during her tenure as chairwoman of the Philadelphia Arts Council and through her membership in artists’ groups such as Markings and 10 x 12. She is remembered for her encouragement and appreciation of the work of fellow artists and craftspeople. She exhibited at several venues including the Woodmere Art Museum, Drexel University, the Fleisher Art Memorial and throughout New York, New Jersey and Delaware. $1,000-1,500

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05/15/11 233 11-1353/3 WARREN ROHRER (american 1927-1995) “WINDOW STILL LIFE” Signed bottom right, signed again, titled and dated 1966 in red ink on stretcher verso, oil on canvas 30 x 34 in. (76.2 x 86.4cm) provenance: Makler Gallery, Philadelphia, Pennsylvania.

Art Sales and Rental Gallery at the Philadelphia Museum of Art, Philadelphia, Pennsylvania.

Acquired from the above in 1967.

Estate of Lynn Snyder, Bala Cynwd, Pennsylvania.

By family descent. $1,500-2,500

234 11-1353/4 WARREN ROHRER (american 1927-1995) “GREY ORCHARD” Signed bottom right, signed again, titled and dated in white chalk on stretcher verso, oil on canvas Executed in 1965 30 x 30 in. (76.2 x 76.2cm) provenance: Makler Gallery, Philadelphia, Pennsylvania.

Estate of Lynn Snyder, Bala Cynwd, Pennsylvania.

By family descent. $1,500-2,500

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05/15/11 235 10-2015/8 JANE PIPER (american 1916-1991) “SWEEPING FLOWERS” Signed and dated ‘83’ bottom left, oil on canvas Executed in 1983 44 x 50 in. (111.8 x 127cm) provenance: Gross McCleaf Gallery, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $2,500-3,500

236 10-2015/7 JANE PIPER (american 1916-1991) “FERNS, TWO MIRRORS AND FOUR ORANGES” Titled verso, oil on canvas 50 x 44 in. (127 x 111.8cm) provenance: Private Collection, Pennsylvania. $2,500-3,500

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05/15/11 237 11-1369/1 JIMMY LUEDERS (american 1927-1994) “WHITE ON WHITE” Signed and dated 73 bottom center, signed, titled and dated on stretcher verso, oil on canvas 84 x 84 in. (213.4 x 213.4cm) Unframed provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

238 11-1003/1 BILL SCOTT (american b. 1956) “THIRTEEN BUTTERFLIES” Signed and dated 1987 bottom right, pastel over color lithography sheet: 25 1/8 x 20 1/4 in.

(63.7 x 51.3cm) provenance: The Artist.

Private Collection, Philadelphia, Pennsylvania. exhibited: Peale House Galleries, The Pennsylvania Academy of the Fine Arts, October 29 - November 29, 1987, No. 26. $800-1,200

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05/15/11 239 11-1352/1 BILL SCOTT (american b. 1956) “SUMMER’S FIRECRACKER THUD” Signed and dated 1984 bottom left, signed, titled and dated on stretcher verso, oil on canvas 50 x 46 in. (127 x 116.8cm) provenance: The artist.

Private Collection, Philadelphia, Pennsylvania. exhibited: “Commercial Break,” Nexus Gallery, Philadelphia, Pennsylvania, January 2-26, 1985, exh. no. 11 (as “Firecracker Two”).

“Greater Harrisburg Arts Festival,” The State Museum of Pennsylvania, Harrisburg, Pennsylvania.

The 88th Annual Exhibition of the Fellowship of The Pennsylvania Academy of the Fine Arts,” Peale House Galleries, Philadelphia, Pennsylvania, November-December 7, 1985, exh. no. 68.

“20th Juried Exhibition,” Allentown Art Museum, Allentown, Pennsylvania, February 23-March 29, 1986. $4,000-6,000

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05/15/11 240 11-1395/1 ELIZABETH OSBORNE (american b. 1936) “MITCHELL BUTTE” Signed and dated 74 bottom right and signed, titled and dated verso, watercolor sheet: 22 3/4 x 30 1/2 in.

(57.8 x 77.5cm) provenance: Gimpel & Weitzenhoffer, Ltd., New York, New York.

Private Collection, Texas. $1,000-1,500

241 11-1353/2 ELIZABETH OSBORNE (american b. 1936) “SOUTHWIND” Signed and dated 1972 on stretcher verso, acrylic on canvas 55 x 65 in. (139.7 x 165.1cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania.

Estate of Lynn Snyder, Bala Cynwyd, Pennsylvania.

By descent in family. exhibited: “Elizabeth Osborne: Floating Landscapes 1972-1979,” Locks Gallery, Philadelphia, Pennsylvania, September 8-October 14, 2006.

“Elizabeth Osborne: The Color of Light,” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, June 26 September 20, 2009, exh. #16. $4,000-6,000 END OF SALE

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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Index to Artists Adams, R., 97 Albers, A., 40, 41 Andre, C., 124 Appel, K., 176 Ardissone, Y., 35 Avery, March, 85 Avery, Milton, 83, 84 Bartlett, B., 182-229 Basaldella, M., 36 Bearden, R., 96 Blanchard, R., 154 Bleckner, R., 151 Bochner, M., 138 Braque, G., 20 Chagall, M., 22-27 Chamberlain, J., 136, 137 Chimes, T., 230 Christo, 126-130 Clausell, J., 79 Dalí, S., 16-18 Dawo, Z., 69 De Arzadun, C., 76, 80 De Kooning, W., 101 De Saedeleer, V., 32 Dine, J., 119, 120 Dobrowsky, J., 37 Dole, W., 94 Dominguez, O., 15 Duff, J., 167

Holzer, J., 163 Hodgkin, H., 50, 51 Hughes, P., 52 Indiana, R., 113-115 Johns, J., 121 Jones, L., 95 Kahn, W., 133 Kapoor, A., 53 Katz, A., 141-148 Khanna, K., 55 Kitaj, R.B., 140 Kohlmeyer, I., 93 Kosuth, J., 164, 165 Le Pho, 66-68 LeWitt, S., 123 Lichtenstein, R., 111 Lilanga, G., 74, 75 Longo, R., 149 Lueders, J., 237 Magritte, R., 30, 31 Martin, A., 122 Matisse, H., 19 Mazur, M., 172 Miró, J., 9-14 Motherwell, R., 99 Montenegro, R., 77 Montoya, G., 78

Santosh, G., 56 Scarlett, R., 92 Schiele, E., 42 Scott, B., 238, 239 Sen, P., 54 Serebriakova, M., 73 Settani, L., 231 Siena, J., 171 Smith, K., 155-159 Snyder, L., 232 Souza, F.N., 59-64 Steir, P., 152-153 Stockholder, J., 166 Stojak, L., 161 Tàpies, A., 46 Tchelitchew, P., 33 Uecker, G., 45 Van Dongen, K., 28 Venet, B., 47-49 Waite, P., 169 Warhol, A., 103-110 Weiner, L., 175 Wentao, L., 72 Wesselmann, T., 116-118 Wilde, J., 87 Wilson, D.R., 178-180 Wou Ki, Z., 71 Zijian, L., 70

Earle, E., 88-91 Ellis, S., 177 Ernst, M., 43, 44 Escher, M.C., 29 Fairey, S., 160 Fishman, L., 170 Florian, M., 38 Fonseca, C., 173, 174 Francis, S., 102 Frankenthaler, H., 131, 132 Gottlieb, A., 98 Grooms, R., 134, 135 Guston, P., 100 Hebbar, K.K., 65 Heizer, M., 162 Heliker, J., 86

Nierman, L., 81 Ninos, A., 34 Orozco, J., 82 Osborne, E., 240, 241 Picasso, P., 1-8 Piper, J., 235, 236 Pippel, O., 39 Prior, S., 181 Renoir, P.A., 21 Rogenes, J., 168 Rollins, T. (and K.O.S.), 150 Rosenquist, J., 112 Rohrer, W., 233, 234 Roy, J., 57, 58 Ruscha, E., 139

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Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

Fine Paintings Thursday, 2nd June, 2011 33 Broughton Place, Edinburgh EH1 3RR

LAURENCE STEPHEN LOWRY THE HAWKER’S CART Signed and dated 1929, oil on canvas 53.5cm x 39.5cm (21in x 15.5in)

£300,000-500,000

The Hawker’s Cart will be on view at Freeman’s in Philadelphia during the exhibition times for the Modern & Contemporary Art sale Thursday, May 12th & Friday, May 13th 10am-4:30pm Saturday, May 14th Noon-5pm and on the Sale Day For viewing times in Edinburgh please contact Lyon & Turnbull

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Elena Ratcheva Tel: +44 (0)207 930 9115 elena.ratcheva@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

Upcoming at Freeman’s

Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267-414-1214 dweiss@freemansauction.com maya o’donnell-shah direct tel: 267-414-1210 mshah@freemansauction.com Catalogue $35

Fine American & European Paintings & Sculpture 06/19/11

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400

www.freemansauction.com

NEWELL CONVERS WYETH (american 1882-1945) "AND THERE, QUITE CLOSE TO HIM WAS ELIZABETH AMONG HER LADIES, IN A DRESSING GOWN, UNPAINTED, WITHOUT HER WIG, HER GREY HAIR HANGING IN WISPS ABOUT HER FACE, AND HER EYES STARING FROM HER HEAD." Signed 'N.C. WYETH~' upper right, oil on canvas 30 x 40 in. (76.2 x 101.6cm) $40,000-60,000

Fine American & European Paintings & Sculpture 06/19/11

Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267-414-1214 dweiss@freemansauction.com maya o’donnell-shah direct tel: 267-414-1210 mshah@freemansauction.com Catalogue $35

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400

www.freemansauction.com

Upcoming at Freeman’s

JACK BUTLER YEATS (irish 1871-1957) "THE BREAKER OUT" Signed 'Jack B Yeats' bottom right, inscribed with title verso, oil on linen 20 x 27 in. (50.8 x 68.6cm) $150,000-250,000

Upcoming at Freeman’s

Fine Jewelry & Watches 06/20/11

Auction Monday June 20th at 12 noon Exhibitions Thursday June 16th Friday June 17th Saturday June 18th Sunday June 19th Please contact the department or www.freemansauction.com for further details

Inquiries: kate waterhouse direct tel: 267.414.1230 kwaterhouse@freemansauction.com ellen byrd direct tel: 267.414.1227 ebyrd@freemansauction.com 18 karat yellow gold sunburst brooch tiffany & co. provenance: Property of a Virginia Lady $2,000-3,000

samuel (beau) m. freeman ii direct tel: 267-414-1200 beaufreeman@freemansauction.com

Catalogue $20

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400

18 karat yellow gold sunburst earrings tiffany & co. provenance: Property of a Virginia Lady $1,000-2,000

www.freemansauction.com

Upcoming at Freeman’s

Photographs & Photobooks 10/21/11

Currently accepting consignments

Inquiries: kate molets direct tel: 267-414-1228 kmolets@freemansauction.com aimee pflieger direct Tel: 267.414.1221 apflieger@freemansauction.com

Proud Partners with

The Photo Review Annual Benefit Auction 10/22/11 @ Freeman’s

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011

ROBERT MAPPLETHORPE (american 1946-1989) “AJITTO” 1981 Gelatin silver print 17 7/8 x 13 15/16 in. (45.4 x 35.4 cm) $8,000-12,000

45 School Street Boston, MA 02108 Telephone: 617.367.3400

www.freemansauction.com

UPCOMING SALES May 04

Rare Books, Maps & Manuscripts

Lyon & Turnbull

Edinburgh

May 14

Antiques

Lyon & Turnbull

Edinburgh

May 15

Modern & Contemporary Art

Freeman's

Philadelphia

May 25

Fine English Furniture & Decorative Arts

Freeman's

Philadelphia

May 26

Fine Continental Furniture & Decorative Arts

Freeman's

Philadelphia

May 27

Oriental Rugs, Carpets & Tapestries

Freeman's

Philadelphia

June 01

Fine Jewellery & Silver

Lyon & Turnbull

Edinburgh

June 02

Fine Paintings

Lyon & Turnbull

Edinburgh

June 15

Scottish Design from 1860

Lyon & Turnbull

Edinburgh

June 19

Fine American & European Paintings & Sculpture

Freeman's

Philadelphia

June 20

Fine Jewelry & Watches

Freeman's

Philadelphia

June 29

Fine Antiques

Lyon & Turnbull

Edinburgh

July 13

Jewellery and Silver

Lyon & Turnbull

Edinburgh

July 14

Paintings

Lyon & Turnbull

Edinburgh

July 23

Antiques

Lyon & Turnbull

Edinburgh

July 27

Jewelry, Watches & Accessories

Freeman's

Philadelphia

July 28

Pictures, Prints & Sculpture

Freeman's

Philadelphia

July 29

Mid-Summer Estate Sale

Freeman's

Philadelphia

August 16

The Robert Elliott Collection of of Meteorites: Part 2

Lyon & Turnbull

Edinburgh

August 17

Scottish Silver

Lyon & Turnbull

Edinburgh

August 17

Wemyss Ware

Lyon & Turnbull

Edinburgh

August 25

Scottish Contemporary Paintings

Lyon & Turnbull

Edinburgh

September 07

Rare Books, Maps & Manuscripts

Lyon & Turnbull

Edinburgh

September 11

Fine Asian Art

Freeman's

Philadelphia

September 28

International Sale of Old Master Paintings & Works of Art

Lyon & Turnbull

Edinburgh

September 28

Fine Antiques

Lyon & Turnbull

Edinburgh

October 05/06 Fine English & Continental Furniture & Decorative Arts

Freeman's

Philadelphia

October 07

International Sale of Old Master Paintings & Works of Art

Freeman's

Philadelphia

October 21

Photographs & Photobooks

Freeman's

Philadelphia

Sale dates are subject to change.

International Sale of Old Master Paintings & Works of Art Edinburgh: Wednesday, September 28th, 2011 Philadelphia: Friday, October 7th, 2011

Further entries are invited until August 12th, 2011 Contact: David Weiss (Freeman’s) Direct tel: +1 267-414-1214 dweiss@freemansauction.com

Nick Curnow (Lyon & Turnbull) Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: +1 215.563.9275 Fax: +1 215.563.8236 www.freemansauction.com

LYON & TURNBULL 33 Broughton Place Edinburgh EH1 3RR Telephone: +44 (0)131 557 8844 Fax: +44 (0)131 5578668 www.lyonandturnbull.com

JEAN-BAPTISTE GARNIER (french fl. circa 1748-1759) ABRICOTS ET PRUNES Signed with initials “JB.”(in ligature) G.f” bottom center.

Oil on panel 9 7/8 x 13 1/8 inches (25.1 x 33.3 cm) provenance: Kunsthandel P. De Boer, Amsterdam Private Collection, Paris Acquired from the above, 1955 Thence by descent in the family Private collection, New York state literature: Michel Fare, Le Grand Siecle de la Nature Morte en France, Fribourg, 1974, p. 252 illus. $12,000-18,000 (£7,500-11,250)

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Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii amy parenti kerry-lee jeffery American Silver samuel ≤ free≤an ii amy parenti Asian Arts robert waterhouse richard cervantes English & Continental Furniture, Silver & Decorative Arts robert waterhouse david walker ben fisher kerry-lee jeffery Fine Jewelry kate waterhouse samuel ≤ free≤an ii ellen byrd Fine Paintings & Sculpture alasdair nichol david weiss maya o’donnell-shah aimee pflieger trevor heehs Fine Prints anne henry david weiss aimee pflieger maya o’donnell-shah trevor heehs

Old Master Paintings & Works of Art david weiss maya o’donnell-shah trevor heehs Photography & Photobooks kate molets aimee pflieger Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger trevor heehs Pop Culture simeon lipman, consultant kati gegenheimer Oriental Rugs & Tapestries david weiss richard cervantes Rare Books, Manuscripts, & Ephemera david j bloom joe huenke

depart≤ents

officers

Appraisals anita heriot sa≤uel ≤ free≤an ii james e buckley donald e walter kate molets

chair≤an samuel ≤ freeman ii

Appraisal Services heather burke Consignments samuel h cooper james e buckley ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll kati gegenheimer natalie difeliciantonio jessica carter bethany mobbs susannah henderson marianne dages Operations hanna dougher marcell zombori bethany mobbs nathan norley david edevane andrew zajack gerald davis alex hampshire Finance hanna dougher jeffrey miller Business Development & ≤arketing tara theune davis thomas b. mccabe iv zoe hillenmeyer christopher browne

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts executive vice presidents ja≤es e buckley hanna dougher senior vice president david weiss chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry robert waterhouse david weiss representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

robert and kate waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226

john jones Trusts & Estates samuel t freeman iii thomas b. mccabe iv Photography elizabeth field elizabeth schultz thom clark

Nashville, TN jjones@freemansauction.com Telephone: 267.414.1249

absentee bidding form sale no

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state

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e-mail

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fax

resale / tax identification

state

25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

All lots.must be paid for and removed within 5 days.

lot no

description

maximum bid please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

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I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed (signature required to execute your bids)

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: info@freemansauction.com www.freemansauction.com

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236