Fine American & European Paintings by Freeman's

Fine American & European Paintings & Sculpture 06/19/11

Sunday June 19th at 2pm Sale 1403 Exhibitions: Thursday, June 16th and Friday, June 17th 10am-5pm Saturday, June 18th Noon-5pm Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267.414.1214 dweiss@freemansauction.com maya o’donnell-shah direct tel: 267.414.1210 mshah@freemansauction.com Bidding: bids department natalie difeliciantonio tel: 267.414.1208 fax: 215.599.2240 ndifeliciantonio@freemansauction.com

Catalogue $35

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236

Inside Front Cover: Lot 44 (detail) Inside Back Cover: Lot 107 (detail)

126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400 www.freemansauction.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available at www.freemansauction.com

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment

Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by June 24th at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

European Paintings & Sculpture

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06/19/11 1 11-5035/8 LADISLAUS BAKALOWICZ (polish 1833-1904) CHOOSING A BOOK Signed and inscribed ‘L. Bakalowicz / Paris’ lower left, oil on panel 21 3/4 x 16 in. (55.2 x 40.6cm) provenance: The Estate of Albert Del Negro, New Jersey. $5,000-8,000

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06/19/11 2 11-8019/1 EUGENIO ZAMPIGHI (italian 1859-1944) A TENDER MOMENT Signed and dated ‘E. Zampighi 1885’ upper right, oil on canvas 14 x 10 5/8 in. (35.6 x 27cm) provenance: Private Collection, Virginia. $8,000-12,000

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06/19/11 3 11-5035/7 CHARLES LOUIS BAUGNIET (belgian 1814-1886) “PREMIER TROUBLE DU COEUR” Signed ‘C L Baugniet’ bottom left, oil on panel 25 1/4 x 20 5/8 in. (64.1 x 52.4cm) provenance: The Estate of Albert Del Negro, New Jersey. $6,000-10,000

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06/19/11 4 11-1506/4 LÉON EMILE CAILLE (french 1836-1907) BLOWING BUBBLES Signed ‘L Caille’ bottom left, oil on canvas laid down on board 21 3/4 x 26 in. (55.2 x 66cm) provenance: An Estate, Florida. $3,000-5,000

5 11-1492/1 PAUL JOSEPH LEYENDECKER (french b. 1842) AT THE POND Signed and dated ‘P LEYENDECKER 1879’ bottom right, oil on panel, unframed 15 3/4 x 12 1/2 in. (40 x 31.6cm) provenance: Private Collection, Delaware. $1,500-2,500

6 11-1492/2 PAUL JOSEPH LEYENDECKER (french b. 1842) AN OFFER OF MARRIAGE Signed and dated ‘P LEYENDECKER 1880’ bottom right, oil on canvas, unframed 13 x 16 1/4 in. (33 x 41.3cm) provenance: Private Collection, Delaware. $800-1,200

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06/19/11 7 10-2333/1 VICTOR PIERRE HUGUET (french 1835-1902) AT THE WELL Signed ‘V. Huguet’ bottom left, oil on canvas, unframed 21 3/4 x 18 1/4 in. (55.2 x 46.4cm) provenance: Private Collection, New Jersey. $20,000-30,000

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06/19/11 8 11-1360/1 EMILE VAN MARCKE DE LUMEN (french 1827-1890) CATTLE WATERING Signed ‘Em. van Marcke’ bottom right, oil on canvas 23 3/4 x 35 5/8 in. (60.3 x 90.5cm) provenance: Private Collection, New York. $2,500-4,000

9 11-1073A/10 BERNARD DE GEMPT (dutch 1826-1879) “A LIFE OF LUXURY” Signed and dated ‘B te Gempt 1859’ bottom left, oil on canvas 21 3/4 x 29 1/2 in. (55.2 x 75cm) provenance: Sara Davenport Fine Paintings, London, United Kingdom. The Estate of Judith Stanley Coleman, Red Bank, New Jersey. Private Collection, Colorado. $4,000-6,000

10 11-1103/1 LOUIS WILLEM VAN SOEST (dutch 1867-1948) TILLING THE FIELD Signed ‘Louis W v Soest’ bottom left, oil on canvas 13 3/4 x 31 1/2 in. (34.9 x 80cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,500-2,500

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11 11-1350/1 LOUIS APOL (dutch 1850-1936) DUTCH LANDSCAPE Signed ‘Louis Apol’ bottom left, also inscribed ‘Hollandische Winterlandschaft mit Haus und Pferd’ on label verso, oil on canvas 18 1/2 x 25 in. (47 x 63.5cm) provenance: Private Collection, Pennsylvania. $20,000-30,000

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06/19/11 12 10-2294/1 TINUS DE JONGH (dutch 1885-1942) SUNSET ON MOUNTAINS Signed ‘Tinus de Jongh’ bottom right, oil on canvas 12 1/4 x 20 in. (31.1 x 50.8cm) provenance: Private Collection, New York. $1,500-2,500

13 10-2294/2 TINUS DE JONGH (dutch 1885-1942) SOUTH AFRICAN LANDSCAPE WITH WHITE BUILDINGS Signed ‘Tinus de Jongh’ bottom right, oil on canvas 12 1/4 x 20 in. (31.1 x 50.8cm) provenance: Private Collection, New York. $1,500-2,500

14 10-2294/3 TINUS DE JONGH (dutch 1885-1942) SOUTH AFRICAN LANDSCAPE Signed ‘Tinus de Jongh’ bottom left, oil on canvas 12 1/4 x 20 in. (31.1 x 50.8cm) provenance: Private Collection, New York. $1,500-2,500

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06/19/11 15 10-2294/5 TINUS DE JONGH (dutch 1885-1942) HOUSE IN A LANDSCAPE Signed ‘Tinus de Jongh’ bottom left 9 3/4 x 12 1/4 in. (24.8 x 31.1cm) and a companion by the same hand, SUNLIT MOUNTAIN Signed ‘Tinus de Jongh’ bottom right, each oil on canvas (2) 9 1/2 x 12 1/4 in. (24.1 x 31.1cm) provenance: Private Collection, New York. $1,500-2,500

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16 11-1360/24 PIETER CORNELIS DOMMERSEN (dutch 1834-1908) AN ENGLISH SHIP IN DISTRESS Signed ‘P C Dommersen 1875’ bottom right, oil on canvas 26 x 44 in. (66 x 111.8cm) provenance: Private Collection, New York. $3,000-5,000

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06/19/11 17 11-1115/1 ALFRED F. DE PRADES (british 1844-1883) PORTRAIT OF A BRITISH DRAGOON GUARD ON HORSEBACK Signed ‘F de Prades’ bottom left, oil on board 23 1/2 x 18 in. (59.7 x 45.7cm) provenance: Private Collection, Georgia. $4,000-6,000

18 11-1498/1 JENO KEMENDY (hungarian 1860-1925) SETTING OFF FOR A HORSE RIDE Signed and dated ‘Kemendy Jeno. / 1890’ bottom left, oil on panel, unframed 6 x 9 in. (15.2 x 22.9cm) provenance: Private Collection, Connecticut. $600-1,000

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06/19/11 19 11-8005/2 ERNST LIEBERMANN (german 1869-1960) “DER STROM” Signed and inscribed ‘ERNST LIEBERMANN / MCHN’ signed and inscribed with title on stretcher verso and with partial ‘Neue Pinakothek München’ label verso, oil on canvas 39 1/2 x 47 1/2 in. (100.3 x 120.7cm) $2,000-3,000

20 11-1548/2 ADOLF KAUFMANN (austrian 1848-1916) CATTLE BY A RIVER, SUMMER Signed and dated ‘A Kaufmann 1903’ bottom right, oil on canvas 15 5/8 x 23 in. (39.7 x 58cm) provenance: Private Collection, Newton, Massachusetts. $1,500-2,500

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21 11-8014/1 CARL WILHELM FRIEDRICH BAUERLE (german 1831-1912) PORTRAIT OF YOUNG GIRL WITH A BASKET OF FLOWERS AND HER DOG Inscribed ‘Carl Bauerle’ on stretcher verso, oil on canvas 58 x 54 5/8 in. (147.3 x 138.7cm)

provenance: W & J Sloane, Inc., New York, New York. Private Collection, Florida. note: The sitter in this portrait is said to be Miss Hilda Dundas. $40,000-60,000

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06/19/11 22 11-1182/18 MANÉ KATZ (french/ukranian 1894-1962) FLUTIST Signed ‘Mane Katz’, bronze, brown patina Height: 14 5/8 in. (37.1cm) provenance: From the Buloff Collection, New York, New York. $1,000-1,500

23 11-1182/25 MANÉ KATZ (french/ukranian 1894-1962) BASS PLAYER Signed ‘Mane Katz’, bronze patina with greenish highlights, mounted on Black Belgian marble base Height: 11 1/4 in. (28.6cm) Overall height: 12 7/8 in. (32.7cm) provenance: From the Buloff Collection, New York, New York. $1,000-1,500

24 11-1182/26 MANÉ KATZ (french/ukranian 1894-1962) THE VIOLINIST Signed ‘Mane Katz’, bronze, brown patina Height: 13 3/4 in. (34.9cm) provenance: From the Buloff Collection, New York, New York. $1,000-1,500

25 11-1182/12 REUVEN RUBIN (israeli 1893-1974) FIGURE WITH SHEEP Signed in Hebrew and signed ‘Rubin’ bottom center, inscribed ‘To sweet Barbara / with love / Rubin / 1963’ on mat, black ink and watercolor on paper 4 1/2 x 4 in. (11.4 x 10.2cm) provenance: A gift from the artist to the present owner. The Buloff Collection, New York, New York. $2,000-3,000

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26 11-1337/2 LESSER URY (german 1861-1931) STRAßENSZENE IN DER NACHT Signed ‘L Ury’ bottom left, oil on canvas laid down on panel 3 15/16 x 6 9/16 in. (10 x 16.7cm) provenance: Private Collection, Pennsylvania. $10,000-15,000

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27 11-1337/1 LESSER URY (german 1861-1931) SIEGESALLEE MIT SIEGESSÄULE IM SOMMER Signed ‘L Ury’ bottom left, oil on canvas laid down on panel 4 x 5 5/8 in. (10.2 x 16.8cm) provenance: Private Collection, Pennsylvania. $10,000-15,000

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28 11-1339/1 PIERRE BONNARD (french 1867-1947) “PAYSAGE DU DAUPHINÉ” Oil on panel 5 1/4 x 8 11/16 in. (13.3 x 22.1cm) Executed circa 1897 provenance: The Bonnard Estate. Private Collection, New York, New York. literature: Jean and Henry Dauberville, Catalogue Raissoné de L’Œvre Peint 1940, 1947. Supplement 1887-1939, vol. 4, no. 01694, p. 113, (illus.). $30,000-50,000

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29 11-1506/6 EDOUARD VUILLARD (french 1868-1940) “STILL LIFE WITH CHERRY PLUMS” With stamped signature ‘E Vuillard’ bottom left, oil on canvas 8 x 10 in. (20.3 x 25.4cm) provenance: The artist’s studio. Renou et Colle, Paris, ca. 1949. Louis Bonn, Paris. Sam Salz, New York, ca. 1979. An Estate, Florida. exhibited: Musée Toulouse-Lautrec, Albi, France, 1960, cat. no. 3. literature: Antoine Salomon and Guy Cogeval, Vuillard - The Inexhaustible Glance - Critical Catalogue of Paintings and Pastels, vol. 1, Wildenstein Institute, p. 18, no. I-20, (illus.). $50,000-80,000

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30 11-1500/1 HENRI ALPHONSE BARNOIN (french 1882-1940) HARBOR SCENE Signed ‘H. Barnoin’ bottom right, oil on canvas 26 x 32 in. (66 x 81.3cm) provenance: Galerie Georges Petit, Paris, France. Private Collection, Connecticut. $12,000-18,000

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06/19/11 31 11-1500/2 HENRI ALPHONSE BARNOIN (french 1882-1940) BRINGING IN THE CATCH Signed ‘H Barnoin’ bottom left, oil on canvas 21 1/2 x 25 1/2 in. (54.6 x 64.8cm) provenance: Private Collection, Connecticut. $10,000-15,000

32 11-1493/1 HENRI ALPHONSE BARNOIN (french 1882-1940) A BUSY HARBOR SCENE Signed ‘H. Barnoin’ bottom left, indistinctly inscribed in pencil on stretcher verso, oil on canvas 15 x 18 in. (38.1 x 45.7cm) provenance: Private Collection, Maryland. $4,000-6,000

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06/19/11 33 11-1506/3 SUZANNE EISENDIECK (french 1908-1998) SAILING TOY BOATS Signed ‘SUZANNE EISENDIECK’ bottom left, oil on canvas 28 x 21 1/4 in. (71 x 54cm) provenance: An Estate, Florida. $3,000-5,000

34 11-8022/1 JULES RENÉ HERVÉ (french 1887-1981) “JARDIN DES TUILERIES” Signed ‘Jules R. Herve’ bottom right, signed ‘Jules R. Herve’ verso, oil on canvas 18 x 22 in. (45.7 x 55.9cm) provenance: Private Collection, Virginia. $3,000-5,000

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35 11-1336/1 ANDRÉ HAMBOURG (french 1909-1999) “MIDI EN CARMARGUE” Signed ‘A Hambourg’ bottom left, oil on canvas 10 1/2 X 17 1/4 in. (26 x 44.5cm) (sight) provenance: Private Collection, Maryland. $5,000-8,000

36 11-1360/2 SIMON FRANÇOIS STANISLAS MONDZAIN (french/polish 1890-1979) “LA ROUTE DE VENCK” Signed and dated ‘Mondzain 1923’ bottom right, signed and inscribed with title and located ‘Saint Paul, Alpes Maritimes, France’ on label attached verso, oil on canvas 21 1/4 x 25 1/2 in. (54 x 64.8cm) provenance: Private Collection, New York. $3,000-5,000

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06/19/11 37 11-1336/2 ANTOINE BLANCHARD (french 1910-1988) “QUAI DES GESVRES” Signed ‘Antoine Blanchard’ bottom left, oil on canvas 12 1/1 x 17 1/2 in. (33 x 45.7cm) provenance: Private Collection, Maryland. note: This lot is accompanied by a letter of authenticity from Rehs Gallery, New York, New York and is included in the online catalogue raisonné of Antoine Blanchard’s paintings as no. CHATQG1318.0005. $3,000-5,000

38 11-1336/4 CONSTANTINE KLUGE (french 1912-2003) “LE QUAI DE L’HORLOGE” Signed ‘C. Kluge’ bottom right, oil on canvas 24 1/2 x 32 in. (62.2 x 81.3cm) provenance: Findlay Galleries, Chicago, Illinois. Private Collection, Maryland. $3,000-5,000

39 11-1463/16 LOUIS ICART (french 1888-1950) TWO ELEGANT LADIES IN A CARRIAGE Signed ‘Louis Icart’ bottom left, numbered ‘552’ and initialed ‘LI’ verso, oil on board 13 x 16 1/4 in. (33 x 41.3cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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06/19/11 40 11-1330/1 DAVID FARQUHARSON (scottish 1840-1907) “A HIDDEN STREAM” Signed and dated ‘D Farquharson / 1878’ bottom left, inscribed with title, signed and dated verso, oil on canvas 22 1/2 x 36 1/2 in. (57.2 x 92.7cm) provenance: Private Collection, Ohio. $3,000-5,000

41 11-1434/1 EDWIN HAYES (irish 1819-1904) “GREAT YARMOUTH HARBOR” Signed and indistinctly dated ‘188*’ bottom left, oil on canvas 21 x 33 in. (53.3 x 84.5cm) provenance: Fine Arts Gallery of New Orleans, Louisiana. Private Collection, Pennsylvania. $6,000-10,000

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42 11-8031/12 JAMES ARTHUR O’CONNOR (irish 1792-1841) A VIEW ON THE RIVER DARGLE, CO. WICKLOW Signed and dated ‘JA O’Connor / 1826’ bottom right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) provenance: Cynthia O’Connor & Company, Dublin, Ireland. Private Collection, Virginia. $10,000-15,000

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43 11-8031/15 ANDREW NICHOLL (irish 1804-1886) WILD POPPIES Signed ‘A. Nicholl RHA’ bottom right, watercolor on paper 12 1/2 x 19 1/2 in. (31.8 x 49.5cm) (sight) provenance: Private Collection, Virginia. $6,000-8,000

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44 11-8031/11A JACK BUTLER YEATS (irish 1871-1957) “THE BREAKER OUT” Signed ‘JACK B YEATS’ bottom right, inscribed with title verso, oil on canvas 20 x 27 in. (50.8 x 68.6cm) provenance: Sold to Miss. May Guinness at the Dublin Exhibition in 1945. Mrs. Mabel Spiro, 1948. Dr. Camille Jourdain, Quebec, 1965. Dawson Gallery, Dublin. J. Burke Wilkinson, Washington, D.C. Private Collection, Virginia. exhibited: Dublin, Ireland, 1925. London, United Kingdom, 1926. Birmingham, United Kingdom, 1927. Leeds, United Kingdom, 1948. London, United Kingdom, 1948. American Retrospective, 1951-1952. York, 1960. Montreal 1961(repro). London, United Kingdom, 1963 (repro). Massachusetts, 1965 (repro). Dublin, Ireland 1966 (repro). New York, 1971-1972 (color repro). Birmingham, Alabama, 1980.

literature: Thomas MacGreevy, Jack B Yeats: An Appreciation and an Interpretation, Dublin, Ireland, 1945 p. 27, plate 8. Hilary Pyle, Jack B Yeats: A Biography, London, United Kingdom, 1970, p. 128. Hilary Pyle, Jack B Yeats: A Catalogue Raisonné of the Oil Paintings, Andre Deutsch Ltd., London 1992, p. 264 (illus.). David Lloyd, ‘Republics of Difference: Yeats, MacGreevy, Beckett’, Field Day Review, 2005, p. 50. note: “Yeats used to explain that the ‘breaker-out’ is the man who signals to the crane manipulator where and when to lower the packages on to a boat - ‘so as not to crush everyone to death’. One of his greatest portraits of an ordinary man practising his profession, with the man of the dockyards assuming a universal importance and dignity as he raises his hand to the unseen crane manipulator. MacGreevy (op.cit) has described The Breaker out as ‘timeless’; and the painting anticipates the more deliberately symbolic characters in the paintings of the 40’s.” (Hilary Pyle, Jack B Yeats: A Catalogue Raisonné of the Oil Paintings, Andre Deutsch Ltd., London 1992, p. 264). $150,000-250,000

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45 11-8031/11B JACK BUTLER YEATS (irish 1871-1957) “KERRY MOUNTAINS” Signed ‘JACK B YEATS’ bottom right, inscribed 'Kerry Mountains' and 'Kerry Hills' verso, oil on panel 9 x 13 7/8 in. (22.9 x 35.2cm) provenance: Sold by the artist to Edward Le Bas, ARA, London, United Kingdom, June 1946. Sotheby’s sale of November, 1979, lot 25. Theo Waddington, London, United Kingdom. Private Collection, Virginia.

exhibited: Dublin, Ireland, 1914. London, United Kingdom, 1914. Allied Artists, London, United Kingdom, 1918. London, United Kingdom, 1919. London, United Kingdom, 1981. literature: Hilary Pyle, Jack B Yeats: A Biography, London, United Kingdom, 1970, p. 128. Hilary Pyle, Jack B Yeats: A Catalogue Raisonné of the Oil Paintings, Andre Deutsch Ltd., London 1992, p. 53. $20,000-30,000

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06/19/11 46 11-1360/3 GRACE HENRY (irish 1863-1953) MADONNA OF THE ROCKS Signed ‘Grace Henry’ bottom right, oil on canvas 25 x 20 in. (63.5 x 50.8cm) provenance: Private Collection, New York. $3,000-5,000

47 11-1360/16 CIARAN CLEAR (irish 1920-2000) “MOONLIGHT, ATLANTIC COAST” Signed ‘Ciaran Clear’ bottom left, signed and inscribed with title verso, oil on board 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, New York. $1,000-1,500

48 11-8031/13B MARSHALL C. HUTSON (irish 1903-2001) OPEN AIR MARKET Signed ‘MARSHALL C. HUTSON’ bottom left, oil on masonite 16 x 28 in. (40.6 x 71cm) provenance: Private Collection, Virginia. $1,500-2,000

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49 11-1108/1 EDWARD SEAGO (british 1910-1974) “THE BURE VALLEY” Signed ‘Edward Seago’ bottom left, inscribed with title verso, oil on board 10 5/8 x 14 in. (27 x 35.6cm) provenance: The Collection of Bernard Madoff. Private Collection, Philadelphia, Pennsylvania. $10,000-15,000

American Paintings & Sculpture

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06/19/11 50 11-1537/38 BENJAMIN WEST (american 1738-1820) “ST. PETER PREACHING HIS FIRST SERMON” Signed ‘B. West’ bottom left, graphite on paper 7 x 5 5/8 in. (17.8 x 14.3cm) provenance: Thomas Agnew & Sons, London, United Kingdom. Black Gallery, New York, New York. An Estate, Pennsylvania. exhibited: Bernard Black Gallery, New York, ‘A Benjamin West Portfolio’ May-June 1968, cat. no. 5. $1,000-1,500

51 11-1141/2 AMERICAN SCHOOL (early 19th century) MILITARY OFFICER IN A LANDSCAPE, SAID TO BE CAPTAIN ALEXANDER HAMILTON Inscribed on stretcher in ink, ‘Captain Alexander A. Hamilton, issue of Colonel Hamilton / Staff of General Washington, Killed in a duel by Aaron Burr / Vice President of the United States’, oil on canvas 16 x 12 in. (40.6 x 30.5cm) provenance: Frank S. Schwarz & Son., Philadelphia, Pennsylvania. Private Collection, Virginia. literature: Frank S. Schwarz & Son., Philadelphia, American Portraits, Philadelphia Collection XXX, Winter 1985, plate 17. $3,000-5,000

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06/19/11 52 11-1497/1 DAVID JOHNSON (american 1827-1908) FIGURES IN A WOODLAND Signed with artist’s monogram and dated ‘76 bottom right, oil on panel 12 3/16 x 9 3/8 in. (31 x 23.8cm) $3,000-5,000

53 10-2109/3 XANTHUS SMITH (american 1839-1929) “HAYING” Signed with initials and dated ‘XS June 19th / 1877 (?)’ bottom right, oil on paper 7 1/2 x 11 1/2 (19 x 29.2cm) (sight) provenance: David David Inc., Philadelphia, Pennsylvania. Private Collection, New York. $2,000-3,000

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06/19/11 54 11-1496/1 WILLIAM TROST RICHARDS (american 1833-1905) “SPRING SIDE (SIC) AT MALIN IRELAND” Signed and dated ‘Wm T. Richards 91’ bottom right, watercolor with traces of pencil on paper 14 x 26 in. (53.6 x 66cm) (sight) provenance: J.J. Gillespie, Pittsburgh, Pennsylvania. Private Collection, Pittsburgh, Pennsylvania. By descent in the family to the present owner. Private Collection, Pennsylvania. $4,000-6,000

55 11-1504/2 THOMAS P. ANSHUTZ (american 1851-1912) “MRS. ANSHUTZ AND DOG AT HOLLY BEACH” Watercolor on paper 13 1/2 x 20 1/4 in. (34.3 x 51.4cm) provenance: Graham Gallery, New York, New York. Private Collection, Connecticut. $5,000-8,000

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56 11-1000/18 AMERICAN SCHOOL (19th century) SAILBOATS IN AN AUTUMN LANDSCAPE Indistinctly signed bottom right, oil on canvas laid on board 14 3/8 x 24 1/4 in. (36.5 x 61.6cm) provenance: Private Collection, New York. $2,000-3,000

57 11-1537/200 DEWITT CLINTON BOUTELLE (american 1820-1884) “HARVEST TIME” Signed and dated ‘Boutelle 1871’ bottom right, oil on canvas laid on masonite 14 x 20 in. (35.6 x 50.8cm) provenance: Robert C. Vose Galleries, Boston, Massachusetts. An Estate, Pennsylvania. $2,500-4,000

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58 11-1546/1 EDWARD MORAN (american 1829-1901) “SQUARE RIGGER AT SEA” Signed ‘Edward Moran’ bottom left, oil on canvas 24 x 40 in. (61 x 101.6cm) provenance: Private Collection, Pennsylvania. $8,000-12,000

59 11-1113/2 EDWARD MORAN (american 1829-1901) EVENING SAIL Signed ‘Moran’ bottom left, oil on canvas 12 x 18 in. (30.5 x 45.7cm) provenance: Robert Schoelkopf Gallery, New York, New York. Private Collection, Maryland. $5,000-8,000

41 free≤an’s fine american & european paintings & sculpture

06/19/11 60 11-1106/1 MAURITZ FREDERICK HENDRICK DE HAAS (dutch/american 1832-1895) A STEAMSHIP TO THE RESCUE Signed ‘MFH de Haas’ bottom left, oil on canvas 12 x 18 in. (30.5 x 45.7cm) $4,000-6,000

61 11-1430/2 FRANKLIN DULLIN BRISCOE (american 1844-1903) HOISTING THE SAILS Signed ‘F.D. Briscoe’ bottom right, oil on board 13 1/2 x 21 1/2 in. (34.3 x 54.6cm) $3,000-5,000

42 free≤an’s fine american & european paintings & sculpture

06/19/11 62 10-2181/1 WILLIAM MERRITT POST (american 1856-1935) TREES BY A RIVER, AUTUMN Signed ‘W. MERRITT POST’ bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, North Carolina. $3,000-5,000

63 11-1317/2 THOMAS HILL MCKAY (american 1874-1941) “AUTUMN” Signed ‘T H McKAY’ bottom right, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, West Chester, Pennsylvania. $2,000-3,000

64 11-1510/6 IVAN F SUMMERS (american 1889-1964) “REFLECTIONS - SAWHILL CREEK” Signed ‘Ivan Summers’ bottom right, oil on board 13 3/4 x 13 3/4 in. (34.9 x 34.9cm) Executed circa 1927 provenance: Private Collection, New Jersey. exhibited: Buffalo Society of Artists, Albright Art Gallery, Buffalo, New York. $1,500-2,500

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65 11-1000/38 ROBERT WILLIAM VONNOH (american 1858-1933) SUN DAPPLED GARDEN Signed and dated ‘Vonnoh 1901’ bottom left, oil on canvas 28 1/2 x 36 3/4 (72.4 x 93.3cm) provenance: Private Collection, New York. $15,000-25,000

44 free≤an’s fine american & european paintings & sculpture

06/19/11 66 11-1331/1 WALTER LAUNT PALMER (american 1854-1932) TRACKS IN THE SNOW Signed ‘W L PALMER’ bottom right, oil on canvas 28 x 18 in. (71.1 x 45.7cm) provenance: Private Collection, New Jersey. $8,000-12,000

45 free≤an’s fine american & european paintings & sculpture

06/19/11

67 11-8030/7 FREDERICK CARL FRIESEKE (american 1874-1939) “SKATERS IN SWITZERLAND” Signed ‘F.C. Frieseke’ bottom right, also with Parisian preparer’s stencil verso, oil on canvas 19 7/8 x 24 in. (50.5 x 61cm) Executed by 1931

provenance: Estate of the artist, 1939. By descent to Sarah O’Bryan Frieseke, the artist’s widow. By gift to Mrs. Allene Richmond, Falls Church, Virginia, 1950s. By descent to her daughter, Patricia Richmond Lundquist, Arlington, Virginia. Private Collection, Raleigh, North Carolina.

note: This painting was executed in Samaden, Switzerland. A letter dated April 7, 2011 from ‘The Frederick Carl Frieseke Catalogue Raisonné’ stating that the present work will be included in the forthcoming Frederick C. Frieseke Catalogue Raisonné will accompany this lot. The catalogue raisonné of Frieseke’s work is being compiled by Nicholas Kilmer, the artist’s grandson, and sponsored by Hollis Taggart Galleries, New York. $10,000-15,000

46 free≤an’s fine american & european paintings & sculpture

06/19/11 68 11-8030/8 FREDERICK CARL FRIESEKE (american 1874-1939) “THE PRACTICE HOUR” Signed ‘F.C. Frieseke’ bottom right, watercolor on paper laid on card 9 3/8 x 12 1/2 in. (23.8 x 31.8cm) provenance: Estate of the artist, 1939. By descent to Mrs. Sarah O’Bryan Frieseke, the artist’s widow. By gift to Mrs. Allene Richmond, Fall’s Church, Virginia 1950’s. By descent to her daughter Patricia Richmond Lundquist, Arlington, Virginia, 1993. Private Collection, Raleigh, North Carolina. note: This watercolor was executed in the artist’s home in Normandy. A letter dated April 7, 2011 from ‘The Frederick Carl Frieseke Catalogue Raisonné’ stating that the present work will be included in the Frederick C. Frieseke Catalogue Raisonné will company this lot. The catalogue raisonné of Frieseke’s work is being compiled by Nicholas Kilmer, the artist’s grandson, and sponsored by Hollis Taggart Galleries, New York. $5,000-8,000

69 11-1504/3 ROBERT HENRI (american 1865-1929) FIGURES SEATED AT A TABLE Black conté crayon on paper 8 1/4 x 7 1/4 in. (21 x 18.4cm) (sight) and another by the same hand verso, STREET SCENE 7 1/4 X 9 3/4 in. (18.4 x 24.8cm) (sight) provenance: Maynard Walker Gallery, New York, New York. Private Collection, Connecticut. $2,000-3,000 70 10-8109/4 EVERETT SHINN (american 1876-1953) SANTA CLAUS Inscribed ‘p. 24 (color)’ verso, watercolor and gouache on paper 13 x 12 in. (33 x 30.5cm) (sheet) provenance: Sotheby’s sale of December 2, 1982, lot 76. Acquired from the above sale by the present owner. Private Collection, Florida. note: A photostat stating ‘This is an original / drawing by my father Everett Shinn / sold by me to / Richard Edgeworth / Davidson Shinn’ will accompany this lot. It appears likely that this work was done as an illustration for the Everett Shinn illustrated edition of The Night Before Christmas, published by John Winston Company, Philadelphia, circa 1942; although a modified version appears in the final edition. $2,500-4,000 71 11-8034/4 MARY HELEN CARLISLE (british/american 1869-1925) YOUNG GIRL WITH BUDGERIGARS Signed ‘M H Carlisle’ bottom left, pastel on canvas 36 x 28 1/4 in. (91.4 x 71.8cm) provenance: Private Collection, Virginia. $1,500-2,500

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06/19/11 72 11-1502/1 WILLIAM AIKEN WALKER (american 1838-1921) MALE COTTON PICKER Signed with conjoined initials ‘W A Walker’ bottom left, oil on board 8 1/8 x 4 1/8 in. (20.6 x 10.5cm) provenance: Property of a Philadelphia Family. note: This painting will be included in John Fowler's forthcoming catalogue raisonné. $4,000-6,000

73 11-1502/2 WILLIAM AIKEN WALKER (american 1838-1921) FEMALE COTTON PICKER Signed with conjoined initials ‘W A Walker’ bottom left, oil on board 8 3/8 x 4 1/4 in. (21.3 x 10.8cm) provenance: Property of a Philadelphia Family. note: This painting will be included in John Fowler's forthcoming catalogue raisonné. $4,000-6,000

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74 10-2108/1 GERALD CASSIDY (american 1879-1934) “MISSION CHURCH IN TECOLOTE, PECOS VALLEY, NM” Signed ‘Gerald P Cassidy’ bottom right, oil on canvas 18 x 18 in. (45.7 x 45.7cm) provenance: Acquired from the artist’s widow. Private Collection, Doylestown, Pennsylvania. note: This painting is registered with the Smithsonian Institute’s Inventory of American Paintings under control number IAP 73261962. $15,000-25,000

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75 11-1107/6 JOSEPH HENRY SHARP (american 1859-1953) “THE OLD SANTA-FE TRAIL” Signed ‘J. H. SHARP’ bottom right, inscribed ‘The Old Sante Fe Trail thru Taos Canon (sic) up near the divide looking toward Taos’ in pencil on backboard, oil on canvas 20 x 24 in. (51 x 61cm) provenance: An Estate, North Carolina. note: This painting is registered with the Smithsonian Institute’s Inventory of American Paintings executed after 1914 under control number IAP73261400. $20,000-30,000

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76 11-1317/1 HANSON DUVALL PUTHUFF (american 1875-1972) “AUTUMN IN MALIBU” Signed ‘H Puthuff’ bottom right, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, Pennsylvania. $20,000-30,000

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77 11-1073D/4 JESSIE ARMS BOTKE (american 1883-1971) PEACOCKS Signed ‘JESSIE ARMS BOTKE’ bottom right, oil on panel 30 1/2 x 40 1/4 in. (77.5 x 102.2cm) provenance: Private Collection, New Jersey. $30,000-50,000

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06/19/11 78 11-1112/1 ELIZABETH SHIPPEN GREEN (american 1871-1954) “THE SEWING ROOM” Signed ‘ELIZABETH SHIPPEN GREEN’ lower left, inscribed with title bottom center, watercolor, crayon and mixed-media on card 25 1/4 x 15 1/4 in. (64.1 x 38.7cm) provenance: Acquired directly from the artist. By descent in the family to the present owner. Private Collection, Delaware. literature: Alice A. Carter, Red Rose Girls, An Uncommon Story of Art and Love, pp. 100-102. note: This illustration was one of a series titled ‘The Mistress of the House’ published in Harper’s Monthly Magazine, August 1905. The series was awarded the Mary Smith Prize by the Pennsylvania Academy of Fine Arts in 1905. $15,000-25,000

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06/19/11 79 11-1118/2 HOWARD PYLE (american 1853-1911) “IN THE PRISON” Signed ‘H Pyle’ with conjoined letters bottom right, oil on canvas, in a frame by Francis A. Coll, incised with signature verso 25 x 18 in. (63.5 x 47.7cm) provenance: From the Collection of The Wilmington Institute Library. literature: Paul Preston Davis, Howard Pyle, His Life-His Work, New Castle, Delaware: Oak Knoll Press and The Delaware Art Museum, 2004, vol. 1, pg. 12; vol. II, p. 403 (illus. b/w). note: This painting is included in the Paul Preston Davis catalogue as number MBP10037 and was done as an illustration for the story ‘Hugh Wayne, Free Quaker,’ by S. Weir Mitchell, published in The Century Illustrated Monthly Magazine, vol. LIV, no. 5, (May 1897), p. 33 (illus. b/w). $12,000-18,000

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80 11-1118/1 NEWELL CONVERS WYETH (american 1882-1945) “AND THERE, QUITE CLOSE TO HIM WAS ELIZABETH AMONG HER LADIES, IN A DRESSING GOWN, UNPAINTED, WITHOUT HER WIG, HER GREY HAIR HANGING IN WISPS ABOUT HER FACE, AND HER EYES STARTING FROM HER HEAD.” Signed ‘N.C. WYETH’ upper right, oil on canvas, unframed 30 x 40 in. (76.2 x 101.6cm) Executed 1928

provenance: Titus C. Geesey, Wilmington, Delaware, to 1964. From the Collection of The Wilmington Institute Library, Wilmington, Delaware. exhibited: (possibly) The Wilmington Society of the Fine Arts annual exhibition 1929, catalogue number 15 as ‘Elizabeth Queen of England’. (Records are unclear whether the painting exhibited is the present work or another image of Elizabeth from the same story.)

literature: Newell Convers Wyeth to James Boyd, Jan 5. 1928, Southern Historical Collection, Library of the University of North Carolina. Douglas Allen and Douglas Allen Jr., N.C. Wyeth, The Collected Paintings, Illustrations and Murals, New York: Crown Publishers, 1972, p. 263. Christine Podmaniczky, N.C. Wyeth, A Catalogue Raisonné of Paintings, London: Scala, 2008, I. 1079 (1822), p. 508.

note: This work was painted as a color illustration for ‘Elizabeth and Essex’ by Lytton Strachey, Ladies’ Home Journal vol. XLV, no. 11 (Nov. 1928) p. 17. This painting is NCW number 1822 in the catalogue raisonné of the works of Newell Convers Wyeth by the Brandywine River Museum, Chadds Ford, Pennsylvania. $40,000-60,000

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06/19/11 81 10-8070/1 NEWELL CONVERS WYETH (american 1882-1945) “THE GIBBET” Signed ‘N.C. WYETH’ bottom right, oil on canvas 34 x 25 in. (86.4 x 63.5cm) Executed 1924 provenance: The artist. Mrs. N.C. Wyeth. Carolyn Wyeth. Frank E Fowler, Lookout Mountain, Tennessee. American Illustrators Gallery, Atlanta, Georgia. Private Collection, Virginia. exhibited: Wilmington, Delaware, 1946 no. 34. literature: Richard Layton, Inventory of Paintings in the Wyeth Studio, 1950, unpublished, Wyeth Family Archives, p. 19. Douglas Allen and Douglas Allen, Jr., N. C. Wyeth, The Collected Paintings, Illustrations and Murals, Crown Publishers, New York. 1972, p. 219. Christine B. Podmaniczky, N. C. Wyeth, A Catalogue Raisonné of Paintings, Scala, London, 2008, I. 969 (1212), p. 467. note: This work was painted as an illustration for David Balfour, Being Memoirs of the Further Adventures of David Balfour at Home and Abroad by Robert Louis Stevenson (New York: Charles Scribner’s Sons, 1924, f.p. 28). ‘The Gibbet’ is NCW number 1212 in the on-line catalogue raisonné of the works of Newell Convers Wyeth by the Brandywine River Museum, Chadds Ford, Pennsylvania. $15,000-25,000

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82 11-1102/1 ANDREW WYETH (american 1917-2009) “THE LOBSTER MAN” Signed ‘Andrew Wyeth’ bottom right, watercolor on paper 19 1/2 x 26 1/2 in. (49.5 x 67.3cm) provenance: The artist. Acquired from the above by the present owner, thence by descent in the family Private Collection, Delaware. note: This watercolor was commissioned through American Artists in New York as a potential Maxwell House Coffee advert. Although the correspondence dates to 1948, the related drawings are dated 1945 so it is difficult to determine the actual date of execution. This watercolor is to be included in the forthcoming catalogue raisonné being prepared by Betsy James Wyeth. $80,000-120,000

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06/19/11 83 11-1118/3 JOHN W. MCCOY (american 1910-1989) WATER LILY Signed ‘John McCoy’ bottom right, watercolor and gouache on buff paper 20 3/4 x 28 3/4 in. (52.7 x 73cm) (sight) provenance: From the Collection of the Wilmington Institute Library, Wilmington, Delaware. $2,000-3,000

84 11-1463/14 JOHN FORD CLYMER (american 1907-1989) “NIGHT RAIDERS” Signed ‘J. Clymer’ bottom right; also signed, titled, inscribed ‘Pt. 4’ (?) and dated July 24 verso, oil on canvas en grisaille 15 3/4 x 47 7/8 in. (40 x 121.6cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

85 10-8109/5 CLYDE SINGER (american 1908-1999) “THE PEA PICKERS” Signed, located, and dated ‘Singer FLA 39’ bottom right; also titled, located, and dated verso, oil on canvas 10 3/4 x 28 1/2 in. (27.3 x 72.4cm) provenance: Robert Stenstream Fine Arts, Boca Raton, Florida. Private Collection, Florida. $1,200-1,800

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86 10-2108/2 MARGUERITE ZORACH (american 1887-1968) “THE OPEN MARKET” Signed with artist’s monogram bottom left, oil on panel 12 5/8 x 16 1/8 in. (32.1 x 41.9cm) Executed circa 1909

provenance: Acquired directly from the artist. By descent in the family. Private Collection, Doylestown, Pennsylvania. exhibited: ‘Marguerite Zorach: The Early Years 1908-1920’, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C., December 1973 February 3, 1974 The Brooklyn Museum, New York, New York, March 13 - April 20, 1974. Bowdoin College Museum of Art, Maine, May 15 - June 30, 1974.

literature: Historical Society of Princeton, New Jersey, Survey 1975. ‘Marguerite Zorach: The Early Years, 1908-1920’ Washington, D.C.: Smithsonian Institute Press, 1973, fig. 5. note: This painting is registered with the Smithsonian Institute’s Inventory of American Paintings under control number IAP32050692. $10,000-15,000

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06/19/11 87 10-2108/5 WILLIAM ZORACH (american 1887-1966) WOMAN WITH VIOLIN PORTRAIT OF ALIX MARUCHESS Signed ‘William Zorach’ bottom right and inscribed ‘Alex Maruchess’ bottom left, black conte crayon on paper, 23 1/4 x 15 1/2 (59.1 x 39.4cm) (sight) provenance: Acquired from the Zorachs by Alix Maruchess. By descent in the family to their daughter who studied with William Zorach at the Art Students League. By descent to her husband. Private Collection, Doylestown, Pennsylvania. note: This painting is registered with the Smithsonian Institute’s Inventory of American Paintings under control number IAP73262545. $2,000-3,000

88 10-2108/4 WILLIAM ZORACH (american 1887-1966) LANDSCAPE FROM THE YOSEMITE SERIES Signed and dated ‘William Zorach 1920’ bottom right, watercolor with traces of pencil 13 x 17 7/8 in. (22 x 45.4cm) (sight) provenance: Acquired directly from the artist. By descent in the family. Private Collection, Doylestown, Pennsylvania. note: This painting is registered with the Smithsonian Institute’s Inventory of American Paintings under control number IAP73261963. $2,500-4,000

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06/19/11 89 10-2108/3 WILLIAM ZORACH (american 1887-1966) “ROBIN HOOD” Signed and dated ‘William Zorach 1928’ bottom right, watercolor with traces of pencil on paper 14 1/2 x 21 1/4 in. (36.8 x 54cm) provenance: Acquired directly from the artist. By descent in the family. Private Collection, Doylestown, Pennsylvania. note: This painting is registered with the Smithsonian Institute’s Inventory of American Paintings under control number IAP73261964 $3,000-5,000

90 11-1000/6 DAVID DAVIDOVICH BURLIUK (american/russian i882-1967) “A HAPPY HOUR” Signed ‘BURLIUK’ bottom right, inscribed with title bottom left, ink and watercolor on paper 10 1/4 x 14 3/4 in. (26 x 37.5cm) provenance: Private Collection, New York. $3,000-5,000

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91 11-1345/8 DAVID DAVIDOVICH BURLIUK (american/russian 1882-1967) “PEASANT COUPLE WITH COW” Signed ‘BURLIUK’ bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Ernest Raboff Gallery, Los Angeles, California. Private Collection, Philadelphia, Pennsylvania. $40,000-60,000

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92 11-1186/1 MILTON AVERY (american 1885-1965) “FLIGHT” Signed and dated ‘Milton Avery 1959’ bottom right, inscribed, signed and dated verso, oil on board 6 x 11 1/4 in. (15.2 x 28.6cm) provenance: Rudolph Galleries, Woodstock, New York and Coral Gables, Florida. $20,000-30,000

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93 11-1490/1 JOHN FABIAN CARLSON (american 1874-1947) RIVER IN WINTER Signed ‘John F. Carlson’ bottom right, and signed on reverse of frame and bottom stretcher, oil on canvas 25 1/4 x 30 1/4 in. (64.1 x 76.8cm) provenance: The artist. Acquired directly from the artist by the present owners’ mother, New Jersey. By descent in the family to the present owners. Private Collection, Pennsylvania. $15,000-25,000

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06/19/11 94 11-1490/2 JOHN FABIAN CARLSON (american 1874-1945) SNOW COVERED EMBANKMENT WITH STREAM Signed ‘John F. Carlson’ bottom left, oil on canvas laid on board 11 3/4 x 15 7/8 in. (29.8 x 40.3cm) provenance: The artist. Acquired directly from the artist by the present owners’ mother, New Jersey. By descent in the family to the present owners. Private Collection, Pennsylvania. $4,000-6,000

95 11-1116/1 WALTER EMERSON BAUM (american 1884-1956) “FARM NEAR STEINSBURG (PA)” Signed ‘WE BAUM’ verso, inscribed, signed and dated, ‘Farm Near Steinsburg (Pa) / Homer V. Smith’s / Place, Coopensburg R.D / November 1947 / Walter E Baum / To my good friend Clarence Dranma (?) / June 1948’ verso, oil on board 9 x 12 in. (22.9 x 30.5cm) provenance: Private Collection, Florida. $3,000-5,000

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06/19/11 96 11-1255/5 NANCY MAYBIN FERGUSON (american 1872-1967) PROVINCETOWN MASSACHUSETTS Oil on masonite 16 x 19 3/4 (40.6 x 50.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

97 11-1255/2 NANCY MAYBIN FERGUSON (american 1869-1967) “THE OLD MILL ON THE WISSAHICKEN” (SIC) Signed ‘Nancy Maybin Ferguson’ on label verso, inscribed with title and further inscribed ‘The Oldest Paper Mill in the county called the Rittenhouse Mill’ verso, oil on board 16 x 20 in. (40.6 x 51cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,500-4,000

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98 11-1346/1 SAMUEL GEORGE PHILLIPS (american 1890-1965) “TOWHICKON CREEK” Signed ‘S. George Phillips’ bottom right, inscribed ‘TOWHICKON CREEK near where it enters the Delaware River Winter 1964 / near Point Pleasant Bucks County (2 miles north of Lumberville, 10 miles east of Doylestown) / Presented by the artist to STEPHEN B SWEENEY/ Christmas 1964 - in appreciation of cordial professional relation between them over the years’ on stretcher verso, oil on canvas 20 x 26 in. (50.8 x 66cm) provenance: The artist. Father-in-law of the present owner. By family descent. Private Collection, New Jersey. $8,000-12,000

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06/19/11 99 11-1499/5 ROBERT SPENCER (american 1879-1931) “THE GRAY HOUSE” Signed and dated ‘Robert Spencer 1910’ bottom right, inscribed on stretcher verso oil on canvas, in a Harer frame with incised signature, ‘HARER’ verso 25 x 30 in. (63.5 x 76.2cm) provenance: Bianco Gallery, Buckingham, Pennsylvania. Private Collection, Doylestown. Freeman’s sale of Fine American & European Paintings & Sculpture, December 5th 2004, lot 125. Acquired at the above sale by the present owner. Private Collection, New Jersey. exhibited: National Academy of Design, New York, New York, Annual Exhibition, 1911. Carnegie Institute’s International Exhibition, Pittsburgh, Pennsylvania, 1912. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Annual Exhibition, 1912, cat. no. 725. Allentown Art Museum, Allentown, Pennsylvania, ‘The Pennsylvania School of Landscape Painting - An Original American Impressionism’, September 16- November 25, 1984. Corcoran Gallery of Art, Washington, DC, December 14, 1984 - February, 1985. Westmoreland Museum of Art, Greensburg, Pennsylvania, March 2-May 5, 1985. literature: Thomas Folk, The Pennsylvania School of Landscape Painting - An Original American Impressionism Allentown Art Museum, 1984, p. 67 (illus.). $70,000-100,000

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06/19/11 100 11-1073/140 MAUDE DREIN BRYANT (american 1880-1946) TREES BY A RIVER, SUMMER’S DAY Signed ‘Maude Drein’ bottom right, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Thurston Nichols American Antiques, Breinigsville, Pennsylvania. An Estate, New Jersey. $3,000-5,000

101 11-1494/3 VIRA B. MCILRATH SCHEIBNER (american 1889-1956) “THE RIVER’S EDGE” Signed and dated ‘V McIlrath 15’ bottom right, oil on canvas 18 x 20 1/4 in. (45.7 x 51.4cm) provenance: Gift from the artist. By family descent. Private Collection, Pennsylvania. $5,000-8,000

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102 11-1494/2 MARY ELIZABETH PRICE (american 1877-1965) “VALLEY OF THE DELAWARE” Inscribed and signed ‘VALLEY OF THE DELAWARE / M. ELIZABETH PRICE / NEW HOPE / PENNSYLVANIA’ verso, oil on canvas 20 x 32 1/4 in. (50.8 x 81.9cm) provenance: Gift from the artist. By family descent. Private Collection, Pennsylvania. $15,000-25,000

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06/19/11 103 11-1494/1 MARY ELIZABETH PRICE (american 1877-1965) “THE MCGILL FARM ABOVE NEW HOPE” Signed ‘M ELIZABETH PRICE’ bottom right, watercolor with traces of pencil on paper 21 1/2 x 27 3/4 in. (54.6 x 70.5cm) (sight) provenance: Gift from the artist. By family descent. Private Collection, Pennsylvania. note: This was painted from the artist’s home which was situated opposite the farm. $5,000-8,000

104 10-2109/1 MARTHA WALTER (american 1875-1976) “UMBRELLA ON BASS ROCKS BEACH” Signed ‘Martha Walter’ bottom right, watercolor on paper 15 x 18 1/2 in. (38 x 47cm) (sight) provenance: Private Collection, New York. $4,000-6,000

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105 MARTHA WALTER (american 1875-1976) “A HOT DAY AT THE BEACH” Signed 'Martha Walter' bottom left, inscribed with title verso, oil on canvasboard 14 x 17 3/4 in. (35.6 x 45.1cm) provenance: Gift from the artist. Private Collection, Philadelphia. $70,000-100,000

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106 11-1359/1 ANTONIO PIETRO MARTINO (american 1902-1989) A WINTER LANDSCAPE Signed and dated ‘A. P. MARTINO / 1928’ bottom left, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Newman’s Gallery, Philadelphia. By descent in the family. Private Collection, Pennsylvania. $15,000-25,000

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107 11-1499/3 ROY CLEVELAND NUSE (american 1885-1975) “THREE CHILDREN ON A FALLEN LOG” Signed with monogram bottom left, oil on linen 25 x 30 in. (63.5 x 76.2cm) Executed circa 1920 provenance: The artist. Paul Nuse, the artist's son. By descent in the family. Bianco Gallery, Buckingham, Pennsylvania. Private Collection, New Jersey.

exhibited: James A. Michener Art Museum, Doylestown, Pennsylvania, ‘Roy C. Nuse - Figures And Landscapes’ February 9 - May 12, 2002. literature: Erika Jaeger Smith, Roy C. Nuse: Figures and Landscapes, James A. Michener Art Museum, Doylestown, Pennsylvania, 2002, p. 33 (illus.). $70,000-100,000

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108 11-1549/1 WALTER EMERSON BAUM (american 1884-1956) “FRIEDENSBERG” Signed ‘W E Baum’ bottom left, oil on canvas 25 x 30 1/8 in. (63.5 x 76.5cm) provenance: Acquired directly from the artist, ca. 1960. An Estate, Maine. exhibited: Philadelphia Art Alliance, Philadelphia, Pennsylvania. $10,000-15,000

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109 11-1499/1 ARTHUR MELTZER (american 1893-1989) “PENNYPACK CREEK” Signed ‘Arthur Meltzer’ lower right, oil on canvas 20 x 26 in. (50.8 x 66cm) provenance: Jim’s of Lambertville, Lambertville, New Jersey. Private Collection, New Jersey. $12,000-18,000

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110 11-1499/2 ROY CLEVELAND NUSE (american 1885-1975) “SNOW RUSHLAND, PA” Signed with monogram and dated ‘35, inscribed on label verso ‘To Carolyn a / long and happy life / Roy Nuse / Rushland 1948’ 16 x 18 in. (40.6 x 45.7cm) provenance: Plymouth Meeting Gallery, Plymouth Meeting, Pennsylvania. Private Collection, New Jersey. $12,000-18,000

79 free≤an’s fine american & european paintings & sculpture

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111 11-1507/1 WALTER EMERSON BAUM (american 1884-1956) “SNOW IN MANAYUNK” Signed and inscribed with title verso and also inscribed verso ‘Bought by Martha Cauler / from Mrs. Baum after Dr. Baum / died / Gift to Billie Curran / with love from Martha / on my 80th Birthday’ oil on board 32 x 40 in. (81.3 x 101.6cm) provenance: Mrs. Walter E. Baum. Acquired from the above by Martha Cauler. Private Collection, Pennsylvania. exhibited: The National Arts Club, New York, New York. Fellowship Annual Exhibition. $12,000-18,000

80 free≤an’s fine american & european paintings & sculpture

06/19/11

112 11-1499/4 GEORGE SOTTER (american 1879-1953) “BUCKINGHAM MOUNTAIN” Signed ‘G.W. Sotter’ bottom right, oil on panel 7 x 9 in. (17.8 x 22.9cm) provenance: Jim’s of Lambertville, Lambertville, New Jersey. Private Collection, New Jersey. $10,000-15,000

81 free≤an’s fine american & european paintings & sculpture

06/19/11 113 11-1491/1 BEN KAMIHIRA (american 1925-2004) “GIRL AND FISH TANK” Signed ‘Kamihira’ bottom left, oil on canvas 16 x 25 in. (40.6 x 63.5cm) provenance: Pearl Fox Fine Paintings, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $1,500-2,500

114 10-2186/1 LEON KELLY (american 1901-1982) FRENCH LANSDCAPE WITH FIGURES Signed ‘L Kelly’ bottom left, oil on canvas 21 1/4 x 28 3/4 in. (54 x 73cm) $2,000-3,000

82 free≤an’s fine american & european paintings & sculpture

06/19/11 115 11-1334/1 HUGH HENRY BRECKENRIDGE (american 1870-1937) “BENEATH THE SEA” Signed ‘Breckenridge’ bottom center, signed and inscribed with title verso, pastel on sandpaper 12 1/8 x 15 in. (30.8 x 38.1cm) provenance: Private Collection, Maine. note: This was a study for ‘Beneath the Sea’ executed in 1928. $3,000-5,000

116 11-1255/3 JOSEPH BARRETT (american b. 1935) “VIEW FROM NEW HOPE” Signed, dated and inscribed ‘J Barrett / 05 / LAHASKA’ bottom center, inscribed verso 32 x 30 in. (81.3 x 76.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

83 free≤an’s fine american & european paintings & sculpture

06/19/11

117 11-1009/1 STELLA ELKINS TYLER (american 1884-1963) WOMAN WITH SWORD Signed and dated ‘Stella Elkins Tyler 1942’ and stamped ‘ROMAN BRONZE WORKS INC’, bronze, medium brown and dark green patinas Height: 26 in. (66cm) Length: 25 in. (63.5cm) note: The present model may be part of a series entitled ‘War Memorial Group’; one of the sculptures from this series was entitled ‘Defiance’. Although there are no known dimensions for that work, and records for Tyler’s later work are not complete, the present bronze may be ‘Defiance’. Tyler was a local sculptor who created nearly 150 works. Her sculptures have been in the collections of Bucks County Community College, Westminster Choir College, Princeton, and The Philadelphia Museum of Art. Her first solo sculpture exhibition was held at Grand Central Art Galleries, New York in 1935. 24 years later she had her final solo exhibition at Woodmere Art Gallery, Chestnut Hill, Pennsylvania. In 1964, Bucks County Community College was established on the grounds of the Tyler Estate in Newtown, Pennsylvania. In the early 1930s, Tyler’s first home in Elkin’s Park, Pennsylvania became the Stella Elkins Tyler School of Art, of Temple University, known today as Tyler School of Art. $5,000-8,000 END OF SALE

84 free≤an’s fine american & european paintings & sculpture

06/19/11

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

signatures & dates

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

85 free≤an’s fine american & european paintings & sculpture

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Index American School, 51, 56 Anshutz, T.P., 55 Apol, L., 11 Avery, M., 92

Henry, G., 46 Hervé, J.R., 29 Huguet, V.P., 7 Hutson, M.C., 48

Bakalowicz, L., 1 Barnoin, H.A., 32, 33, 34 Barrett, J., 116 Bauerle, C.W.F., 21 Baugniet, C.L., 3 Baum, W.E., 95, 108, 111 Blanchard, A., 37 Bonnard, P., 30 Botke, J.A., 77 Boutelle, D.C., 57 Breckenridge, H.H., 115 Briscoe, F.D., 61 Bryant, M.D., 100 Burliuk, D.D., 90, 91

Icart, L., 39

Caille, L.E., 4 Carlisle, M.H., 71 Carlson, J.F., 93, 94 Cassidy, G., 74 Clear, C., 47 Clymer, J.F., 84 de Gempt, B., 9 de Haas, M.F.H., 60 de Jongh, T., 12-15 de Lumen, E.V.M., 8 de Prades, A.F., 17 Dommersen, P.C., 16 Eisendieck, S., 28 Farquharson, D., 40 Ferguson, N.M., 96, 97 Frieseke, F.C., 67, 68

Tyler, S.E., 117 Johnson, D., 52 Ury, L., 22, 23 Kamihira, B., 113 Katz, M., 24, 25, 26 Kaufmann, A., 20 Kelly, L., 114 Kemendy, J., 18 Kluge, C., 38 Leyendecker, P.J., 5, 6 Liebermann, E., 19 Martino, A.P., 106 McCoy, J.W., 83 McKay, T.H., 63 Meltzer, A., 109 Mondzain, S.F.S., 36 Moran, E., 58, 59 Nicholl, A., 43 Nuse, R.C., 107, 110 O'Connor, J.A., 42 Palmer, W.L., 66 Phillips, S.G., 98 Post, W.M., 62 Price, M.E, 102, 103 Puthuff, H.D., 76 Pyle, H., 79 Richards, W.T., 54 Rubin, R., 27

Green, E.S., 78 Hambourg, A., 35 Hayes, E., 41 Henri, R., 69

Singer, C., 85 Smith, X., 53 Sotter, G., 112 Spencer, R., 99 Summers, I.F., 64

Scheibner, V.B.M., 101 Seago, E., 49 Sharp, J.H., 75 Shinn, E., 70

van Soest, L.W., 10 Vonnoh, R.W., 65 Vuillard, E., 31 Walker, W.A., 72, 73 Walter, M., 104, 105 West, B., 50 Wyeth, A., 82 Wyeth, N.C., 80, 81 Yeats, J.B., 44, 45 Zampighi, E., 2 Zorach, M., 86 Zorach, W., 87, 88, 89

International Sale of Old Master Paintings & Works of Art Edinburgh: Wednesday, September 28th, 2011 Philadelphia: Friday, October 7th, 2011

Further entries are invited until August 12th, 2011 Contact: David Weiss (Freeman’s) Direct tel: +1 267-414-1214 dweiss@freemansauction.com

Nick Curnow (Lyon & Turnbull) Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: +1 215.563.9275 Fax: +1 215.563.8236 www.freemansauction.com

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JEAN-BAPTISTE GARNIER (french fl. circa 1748-1759) ABRICOTS ET PRUNES Signed with initials “JB.”(in ligature) G.f” bottom center. Oil on panel 9 7/8 x 13 1/8 inches (25.1 x 33.3 cm) provenance: Kunsthandel P. De Boer, Amsterdam Private Collection, Paris Acquired from the above, 1955 Thence by descent in the family Private collection, New York state literature: Michel Fare, Le Grand Siecle de la Nature Morte en France, Fribourg, 1974, p. 252 illus. $12,000-18,000 (£7,500-11,250)

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Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

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