Modern & Contemporary Works of Art

Modern & Contemporary Art 11/06/11

Lot 54 (detail) MATHIAS GOERITZ (german/mexican 1915-1990) “MESSAGE�

Perforated golden metal over painted wood Executed ca. 1960.

27 3/4 x 27 3/4 x 2 7/8 in.

(70.5 x 70.5 x 7.3cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquired from the above in 1974. note: This lot will be accompanied by a certificate of authenticity by Lily Kassner dated 30 August 2011.

Modern & Contemporary Art 11/06/11 Auction: Sunday, November 6th at 2pm Sale 1413 Exhibitions: Thursday, November 3rd and Friday, November 4th 10am-5pm Saturday, November 5th Noon-5pm Inquiries:

anne henry ext 3049 Vice-President Direct Tel: 267.414.1220 ahenry@freemansauction.com

aimee pflieger ext 3015 Associate Specialist Direct Tel: 267.414.1221 apflieger@freemansauction.com Bidding: bridgette bonner tel: 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com

Catalogue $35 Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 Fax: 215.563.8236

Inside Front Cover: Lot 54 (detail) Inside Back Cover: Lot 53 (detail)

126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 Fax: 434.296.4011 45 School Street Boston, MA 02108 Telephone: 617.367.3400 www.freemansauction.com Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available at www.freemansauction.com

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All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

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Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Modern & Contemporary Art SUNDAY NOVEMBER 6TH AT 2PM

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1 11-2130/1 (AFTER) PABLO PICASSO (spanish 1881-1973) “NATURE MORTE AU CITRON ET AU PICHET ROUGE” Ca. 1955, pencil signed and numbered 235/300, with wide margins; Atelier Crommelynck, Paris, publisher, and with their blindstamp. Color aquatint on BFK Rives. image: 13 x 16 in. (33 x 40.6cm) sheet: 19 13/16 x 25 7/8 in.

(50.3 x 65.8cm) provenance: Private Collection, Ocean City, New Jersey. $8,000-12,000

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2 11-8058/3 PABLO PICASSO (spanish 1881-1973) “FEMME AU CHAPEAU ET À L’OEILLET, AVEC HOMME ENTURBANNE, CLOWN, PUTTO ET SPECTATEUR” from “347 series” 1968, pencil signed and numbered 33/50; with wide margins; Galerie Louise Leiris, Paris, France, publisher.

Etching on BFK Rives. image: 6 3/4 x 10 3/8 in.

(17 x 26.2cm) sheet: 11 1/8 x 15 in. (28.2 x 38cm) [Bloch 1716; Baer 1735]. $5,000-8,000

3 11-2114/2 PABLO PICASSO (spanish 1881-1973) “TÊTE D’HOMME BARBU, II” from “sable mouvant” 1965, pencil signed and numbered VII/X (from the total edition of 60 on this paper plus 20 on Japan and a book edition of 255), with wide margins; Louis Broder, publisher, Paris. Aquatint on Auvergne paper with ‘PABLO PICASSO’ watermark. image: 14 1/2 x 10 5/8 in.

(36.8 x 26.8cm) sheet: 22 3/4 x 18 in.

(57.7 x 45.6cm) [Bloch 1189; Baer 1158]. $4,000-6,000

4 11-2117/4 PABLO PICASSO (spanish 1881-1973) “TÊTE DE GARCON” 1962, pencil signed, dated ‘Le 5.2.65’ and dedicated ‘pour mon ami Janot.’ bottom right, proof apart from the signed and numbered edition of 50, with wide margins; Galerie Louise Leiris, Paris, publisher. Linoleum cut on Arches. image: 13 3/4 x 10 5/8 in. (35 x 27cm) sheet: 24 7/8 x 17 5/8 in. (63.2 x 44.8cm) [Bloch 1026; Baer 1290] provenance: Private Collection, Los Angeles, California. note: ‘Janot’ was the nickname for Jean Bongiovanni, Picasso’s driver in the 1960s. $5,000-8,000

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11/06/11 5 11-2117/1 three working proofs PABLO PICASSO (spanish 1881-1973) “DORMEUSE” 1962, inscribed with the date "10-4-62" of printing presumably by the printer, H. Arnéra, Baer's state II of IVB, (Baer calls for one proof in this state annotated in green crayon verso, the final signed and numbered edition in the fourth, final state in three colors was 50), with wide margins. Color linocut in chocolate over caramel on Arches image: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm) [see Bloch 1083, see Baer 1319.II]. and 1962, Baer's state III of IVB, (not in Baer, Baer calls for one or two proofs in this state in two colors, the final signed and numbered edition in the fourth, final state in three colors was 50), with wide margins. Color linocut in chocolate on Arches image: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm) [see Bloch 1083, see Baer 1319.III]. and 1962, Baer's state IVA of IVB, pencil signed and inscribed by the printer, 'Linogravure originale de Picasso H. Arnera' verso, (one of two or three proofs in this state before the final signed and numbered edition of 50 in these colors), with wide margins. Color linocut in caramel, chocolate and black on Arches image: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm) [see Bloch 1083, Baer 1319.IVA].

(3). provenance: The Studio/Estate of Hidalgo Arnéra, Paris, France.

Galerie Michael, Beverly Hills, California.

Private Collection, Los Angeles, California. note: Unsigned working proofs for most of Pablo Picasso’s linoleum cuts are well documented in Brigitte Baer’s catalogue raisonné and offer a fascinating glimpse into the artist’s working process. In the same way that Picasso’s paintings challenged and pushed the traditional definitions of painting, the artist’s printmaking techniques were innovative and experimental with wonderful effect.

Linoleum cuts were first invented in the 1860’s and enabled artists to create a rich, multi-colored image by inking several different linoleum ‘blocks.’

Typically, each was cut differently to depict another area of the final image, then inked and layered one over the last to create the final print. Picasso, along with master printer Hidalgo Arnéra however, experimented with using just one block to create his layered images. This was achieved by cutting, inking and impressing just one block over and over into the same sheet of paper so that the finished print was comprised of the differing cuts (states) one over the other.

The present working proofs which originally came directly out of Arnéra’s studio offer a unique chance to glimpse the artist testing the effects of these cuts before inking and applying them to his prints. State III of IV (caramel over white) here shows the artist’s new cuts to the arms, shoulder and face that ultimately appear in the final state IV of IV. $50,000-80,000

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11/06/11 6 11-2114/1 PABLO PICASSO (spanish 1881-1973) “FEMME AU CHAPEAU” 1962, pencil signed and numbered 36/50, with full margins; Galerie Louise Leiris, Paris, France, publisher.

Color linocut on Arches. image: 25 x 18 in. (63.4 x 45.6cm) sheet: 24 3/4 x 17 1/2 in.

(62.8 x 44.3cm) [Bloch 1074; Baer 1283]. provenance: Private Estate. $25,000-35,000

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11/06/11 7 11-1360/23 two drawings PABLO PICASSO (spanish 1881-1973) “TÊTE DE FEMME” AND “TÊTE DE GARCON” Both signed and dated 4.9.66 upper right, one dedicated “Pour Edouard and Joanne Steichen” and the other “Pour Steichen” in green ink upper center, ink on paper each: 11 3/4 x 10 3/4 in.

(29.7 x 27.2cm) provenance: The artist.

Edward Steichen Estate, New York, New York. note: These works are drawn on the frontispiece and page preceding it in the book Picasso: Notre Dame de vie, H. Parmelin, Editions Cercle d’art, Paris, 1966 which was issued in a limited edition of 125 numbered copies. $8,000-12,000

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8 11-1360/33 PABLO PICASSO (spanish 1881-1973) “GREY FACE” 1953, inscribed ‘Edition Picasso’ and with the ‘Madoura Plein Feu’ pottery stamp verso, from the edition of 500, painted and glazed ceramic plate 12 1/4 x 15 in. (31 x 38cm) [Ramié 206]. provenance: Estate of Dr. Ruth W. Berenda, New York, New York. $4,000-6,000

9 OWNED/430 PABLO PICASSO (spanish 1881-1973) “VISAGE AUX PALMES” 1956, numbered 6/100 verso, with the ‘Empreinte Originale de Picasso’ and ‘Madoura Plein Feu’ stamps, incised C116, white ceramic plate diameter: 16 1/2 in. (42cm) [Ramie 365]. provenance: By family descent.

Private Collection, New Jersey. $3,000-5,000

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11/06/11 10 11-2022/4 GEORGE BRAQUE (french 1882 - 1963) “OISEAU III” 1950, pencil signed bottom right, numbered 3/10 bottom left (there was also an edition of 20 on slightly larger paper), with wide margins; Maeght, Editeur, Paris, publisher.

Lithograph on handmade Japon nacré paper. image: 5 x 6 1/2 in. (12.6 x 16.4cm) sheet: 7 x 9 1/2 in. (17.6 x 24cm) [Vallier 57; Maeght 33]. $2,500-3,500

11 11-1662/14 (AFTER) GEORGES BRAQUE (french 1882-1963) “LA BARQUE SUR LA GRÈVE” 1960, pencil signed, numbered 201/300, with wide margins; published by Maeght Editeur, Paris, France and with their embossed stamp bottom left. Color lithograph on wove paper. image: 12 x 28.7 in. (30.5 x 72.9cm) sheet: 16 1/4 x 35 1/2 in.

(41.3 x 90cm) [Maeght 1040]. $1,000-1,500

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12 11-1859/1 twenty lithographs JOAN MIRO (spanish 1893-1983) “MARAVILLAS CON VARIACIONES ACROSTICAS EN EL JARDIN DE MIRO” 1975, each from the edition of 1500, each with full margins; Ediciones Polígrafa, Barcelona, S.A., publisher. The complete set of twenty color lithographs on wove paper.

13 prints: 19 1/2 x 14 1/8 in. (49.6 x 36cm) 7 prints: 19 5/8 x 28 1/4 in. (50 x 72cm) [Mourlot, 1051-1072; Cramer books 211].

Unframed $1,500-2,500

14 11-1859/2 fourteen lithographs JOAN MIRO (spanish 1893-1983) “LA MELODIE ACIDE” 1979-80, each pencil numbered 52/1500, each with full margins, loose (as issued); Galerie Lucie Weill, Paris, publisher. With pencil numbered title/justification page and original natural colored, textured paper folder and white cardboard folder/box as issued. The set of 14 color lithographs on Arches. each image: 8 x 6 1/4 in. (20.4 x 15.9cm) each sheet: 13 x 9 13/16 in. (33 x 24.9cm) [Maeght 1212-1225; see Cramer 248].

Unframed $1,500-2,500

13 11-1423/23 JOAN MIRO (spanish 1893-1983) “EXPOSITION DES OEUVRES RECENTS” 1953, pencil signed bottom right, numbered 121/150, from the edition before letters for the Exhibition of Recent Works at Galerie Maeght, Paris, France, with wide upper and lower margins. Color lithograph on Arches. image: 27 1/4 x 20 1/2 in. (69.2 x 52cm) sheet: 29 7/8 x 22 in. (75.7 x 55.7cm) [Mourlot 191; Maeght 123]. $1,000-1,500

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11/06/11 15 11-2145/1 SALVADOR DALI (spanish 1904-1989) “LA MONTRE MOLLE” Copy 152/820; Daum Cristal, Paris, France, publisher. Pâte de verre and bronze multiple stamped with artist’s and publisher’s names on bronze hardware, contained within original fabric lined box with printed cover, accompanied by mounting hardware and chain. height: 20 1/4 in. (51.3cm) provenance: Private Collection, Pennsylvania. note: This work is accompanied by a Daum editions certificate of authenticity numbered ‘152’ in ink. $4,000-6,000

16 11-1662/16 HENRY MOORE (british 1898-1986) “PANDORA AND THE IMPRISONED STATUES” from “prometheus” 1950, pencil signed, dated and inscribed ‘Essai’ (trial proof, the edition was 20); Henri Jonquieres PA Nicaise, publisher; with wide margins. Color lithograph on Marais pur fil. image: 12 1/2 x 8 1/2 in.

(31.8 x 21.2cm) sheet: 15 x 11 1/8 in. (38.1 x 28.2cm) [Cramer 31]. $1,500-2,500

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11/06/11 17 11-1747/9 MARC CHAGALL (french/russian 1887-1985) “ABDULLAH DISCOVERED BEFORE HIM ...” plate 9 from “tales from the arabian nights” 1948, pencil signed and inscribed ‘pl. 9’ and numbered 13/90, with margins; Pantheon, publisher. Color lithograph on laid paper. image: 14 3/4 x 11 3/8 in.

(37.5 x 28.8cm) sheet: 17 x 13 1/4 in.

(43.2 x 33.6cm) [Mourlot 44; see Cramer books 18]. $6,000-8,000

18 11-8058/2 (AFTER) MARC CHAGALL (french/russian 1887-1985) “OISEAU BLEU” 1968, pencil signed, inscribed ‘epreuve d’artiste L/L’ (the edition was 200 in Arabic numerals); with wide margins, Charles Sorlier, Paris, France publisher. Color lithograph on Arches. image: 22 x 17 in. (55.9 x 43.18cm) sheet: 28 x 20 1/2 in. (71 x 51.9cm) [Sorlier 41]. $8,000-12,000

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11/06/11 19 11-1747/8 MARC CHAGALL (french/russian 1887-1985) “THEY WERE IN FORTY PAIRS” plate 2 from “four tales from the arabian nights” 1948, pencil signed and inscribed ‘pl. 2’ and numbered 89/90, with margins; Pantheon, publisher. Color lithograph on laid paper. image: 14 3/8 x 11 1/8 in.

(36.5 x 28.2cm) sheet: 17 x 13 in. (43.2 x 33cm) [Mourlot 37; see Cramer books 18]. $6,000-8,000

20 11-2022/2 MARC CHAGALL (french/russian 1887-1985) “L’INSPIRÉ from “lithographs of marc chagall, vol. ii” 1963, pencil signed and numbered 29/40 (there was also an unsigned edition of 10,000 without margins), André Sauret, Paris, publisher; with wide margins. Color lithograph on Arches. image: 13 x 10 in. (33 x 25.3cm) sheet: 18 1/4 x 12 3/4 in.

(46.3 x 32.3cm) [Mourlot 398, see Cramer books 56]. $3,000-5,000

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21 11-1702/70 MARIA-MELA MUTER (french/polish 1876-1967) “PITONS CAGIBIT” Oil on canvas 20 x 20 in. (50.8 x 50.8cm) provenance: Private Collection, Villanova, Pennsylvania. $18,000-25,000

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22 11-1339/1 PIERRE BONNARD (french 1867-1947) “PAYSAGE DU DAUPHINÉ” Oil on panel Executed circa 1897.

5 1/4 x 8 11/16 in. (13.3 x 22.1cm) provenance: The Bonnard Estate.

Private Collection, New York, New York. literature: Jean and Henry Dauberville, “Catalogue Raissoné de L’Œvre Peint 1940,” 1947. Supplement 1887-1939.

Vol. 4., no. 01694, illustrated p. 113. $15,000-20,000

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23 11-1067/99 JEAN HUGO (french 1894-1984) CONCERT EN PLEIN AIR Signed bottom right, gouache on paper 4 1/2 x 9 7/8 in. (11.3 x 24.9cm) provenance: Private Collection, Delaware. $1,000-1,500

24 11-1696/3 ROGER DE LA FRESNAYE (french 1885-1925) MAN IN ROMAN COSTUME Inscribed “Dessin pour un Costume (Bal Poirot a St. Cloud) par R. dela Fresnaye” in pencil and with ink stamp of ‘37’ verso, watercolor and pencil on paper 12 1/2 x 9 3/8 in. (31.8 x 23.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

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11/06/11 25 11-1702/75 WILLY (ROCHAT) JAMES (french/swiss 1920-2004) “MONTMARTE, PLACE DU TERTRE” Signed bottom right and again on stretcher verso, oil on canvas 21 1/2 x 28 3/4 in. (54.4 x 73.2cm) provenance: Private Collection, Villanova, Pennsylvania. $4,000-6,000

26 11-1336/3 YOLANDE ARDISSONE (french b. 1927) “LA BRETAGNE AU PRINTEMPS” Signed bottom left, titled verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Findlay Galleries, Inc., Chicago, Illinois.

Private Collection, Maryland. $1,000-1,500

27 11-1360/12 JACQUES BOUYSSOU (french 1926-1997) “PARIS: L’ESCALIER A MONTMARTE” Signed bottom right, titled verso, inscribed ‘Paris’ verso, oil on canvas 32 x 25 1/2 in. (81.3 x 64.8cm) provenance: Lejeune Beaux-Arts, Paris. $1,500-2,500

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28 11-2048/8 EMILIO GRAU SALA (spanish 1911-1975) “INTERIEUR AUX CARTES” Signed bottom left and signed again, titled, dated 70 and inscribed ‘Paris’ verso, oil on canvas 23 3/4 x 28 3/4 in. (60.3 x 73.1cm) provenance: The artist.

Le Monde Galleries, New York, New York.

Alexander Slater, New York, New York. note: This lot will be accompanied by the original invoice and a photograph of the painting signed by the artist. $15,000-25,000

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11/06/11 29 11-1581/1 AGUSTIN UBEDA (spanish 1925-2007) “EL CABALLO DE LUNA” Signed bottom left, and signed again and titled verso, oil on canvas Executed in 1968 36 x 28 3/4 in. (91.5 x 73cm) provenance: Private Collection, Alexandria, Virginia. $2,000-3,000

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30 11-8060/1 GERARDO RUEDA (spanish 1926-1996) UNTITLED Signed and dated 1966 on upper stretcher verso, painted wood and canvas construction 22 1/2 x 19 1/8 x 1 3/4 in.

(57.2 x 48.6 x 4.4cm) provenance: Private Collection, Virginia. $3,000-5,000

31 11-1732/5 No Lot

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32 11-2050/1 EDMONDO BACCI (italian 1913-1978) UNTITLED Signed bottom right, oil on canvas 31 1/2 x 43 in. (80 x 109.2cm) provenance: Private Collection, Media, Pennsylvania. $12,000-18,000

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33 11-8042/11 LUCIANO VENTRONE (italian b. 1942) “NATURA MORTA” Signed lower left, signed again and titled verso, oil on canvas 40 1/2 x 59 1/2 in. (102.9 x 151.1cm) provenance: Galleria Forni, Bologna, Italy.

Private Collection, Miami, Florida. $30,000-50,000

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34 11-8042/12 LUCIANO VENTRONE (italian b. 1942) “CESTO DI CEDRI CON ZAGARE” Signed bottom left and signed again, titled and inscribed ‘UN AUTHENTICA LUCIANO VENTRONE’ in ink verso, oil on canvas Executed in 2000 35 1/4 x 39 1/2 in. (89.5 x 100.4cm) provenance: Galleria Forni, Bologna, Italy.

Private Collection, Miami, Florida. $20,000-30,000

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35 11-8058/6 MARINO MARINI (italian 1901-1980) “BUNTER REITER I” 1975, pencil signed and numbered 17/75, with full margins; Albra, Turin, publisher. Color lithograph on wove paper. image: 31 1/2 x 22 1/2 in.

(80 x 57.2cm) sheet: 37 x 26 5/8 in.

(94 x 67.6cm) [Guastalla 332].

Unframed (shrink-wrapped) $1,200-1,800

36 11-2129/1 MARINO MARINI (italian 1901-1980) “CHEVAUX ET CAVALIERS II” 1972, pencil signed and numbered XXII/XXX (proof apart from the edition of 60), with margins; Société Internationale d’Art XXe Siécle & Léon Amiel, Paris, co-publishers.

Color lithograph on wove paper. image: 14 3/4 x 19 3/8 in.

(37.4 x 49cm) [Guastalla 266]. $1,500-2,500 37 11-2021/1 BRAM VAN VELDE (dutch 1895-1981) UNTITLED circa 1950, pencil signed, numbered 6/100, the full sheet. Color lithograph on wove paper. image/sheet: 26 1/4 x 20 in.

(66.7 x 50.7cm) $800-1,200

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11/06/11 38 11-1321/1 JAN SLUIJTERS SR. (dutch 1881-1957) UNTITLED (PORTRAIT OF VEILED WOMAN) Inscribed ‘Eigendom Jan Sluijters’ in red crayon on stretcher verso, oil on canvas 32 x 24 in. (81.3 x 60.9cm) provenance: J. van der Elst, Amsterdam.

Private Collection. exhibited: “Jan Sluijters,” Gemeente Museum, The Hague, Netherlands. $40,000-60,000

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11/06/11 39 11-1662/13 JOHANNES ITTEN (swiss 1888-1967) “HAUS DES WEISSEN MANNES” plate 4 from “bauhaus mappe” 1922, pencil signed bottom right from the dition of 110, with wide margins; Staatliches Bauhaus, publisher.

Lithograph on wove paper. image: 10 1/2 x 9 1/2 in.

(26.7 x 24.1cm) sheet: 13 13/16 in. x 11 1/8 in.

(35.1 x 28.2cm) [Itten 222]. $1,000-1,500

40 No lot

44 11-2002/6 FRITS LUCIEN OHL (dutch 1904-1976) TEMPLE Signed bottom right, oil on masonite 27 1/2 x 23 1/2 in. (69.7 x 59.5cm) provenance: The Art Gallery, Newark, New Jersey.

Private Collection, Princeton, New Jersey. $3,000-5,000

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41 11-8023/4 PANG TSENG YING (chinese 1916-1997) UNTITLED Bears red stamp center right, ink and watercolor on parchment laid down to Japanese paper 16 7/8 x 12 1/8 in. (42.8 x 31.1cm). provenance: The artist.

Private Collection, Virginia, acquired from the above in 1972. $3,000-5,000

43 09-2208/1 JAMINI ROY (indian 1887-1972) CAT AND KITTEN Signed in Bengali bottom right, tempera on card image: 15 15/16 x 15 1/2 in.

(40.5 x 39.4cm) card: 16 1/2 x 16 1/8 in.

(41.9 x 41cm) Unframed provenance: Private Collection, Philadelphia, Pennsylvania. $2,500-4,000

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42 11-2009/1 LAXMAN PAI (indian b. 1926) “BRIDE” Signed, inscribed and dated ‘Paris 56’ and signed again in Devangari bottom right and signed, titled and inscribed on stretcher verso, oil on canvas 18 x 25 1/2 in. (40.8 x 64.8cm) provenance: Private Collection, New York, New York. $3,000-5,000

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11/06/11 45 10-2189/5 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (HEAD) Signed and dated 98 upper left, inscribed with estate number MGP98-002 in ink and again in pencil verso, gouache and ink on a folded sheet of newsprint image: 13 3/4 x 12 1/2 in.

(34.9 x 31.8cm) sheet: 13 3/4 x 22 1/2 in.

(34.9 x 57.2cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $6,000-10,000

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11/06/11 46 10-2189/4 FRANCIS NEWTON SOUZA (indian 1924-2002) “ANN-MARGARET” Titled and dated 1966 in pencil bottom center, inscribed with estate number CR-MMP-66-002 in pencil verso, gouache, graphite and newsprint collage on paper sheet: 17 x 7 3/8 in. (43.2 x 18.8cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $4,000-6,000

47 11-1848/1 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (TWO NUDES) Signed and dated in pencil bottom right and again in ink upper left, crayon on magazine paper sheet size: 12 1/4 x 9 1/4 in.

(31.1 x 23.5cm) Unframed provenance: Private Collection, Connecticut. $2,500-4,000

48 10-2189/12 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (HEAD) Signed and dated 83 in ink upper left and inscribed with estate number CR-MWP-83-241 in pencil verso, watercolor and felt tip pen on paper sheet: 11 x 8 1/2 in. (28 x 21.6cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $1,500-2,500

50 10-2189/11 FRANCIS NEWTON SOUZA (indian 1924-2002) UNTITLED (HEAD) Signed and dated 66 center left, inscribed with estate number CRPnP-66-005 in pencil verso, ballpoint pen on paper 10 x 8 in. (25.4 x 20.3cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $1,500-2,500

49 10-2189/16 FRANCIS NEWTON SOUZA (indian 1924-2002) NUDE HALF LENGTH Signed and dated 66 upper left and inscribed with estate number CR-IP66-062 in pencil verso, fountain pen and ink on paper 17 x 11 in. (43.2 x 27.9cm) Unframed provenance: The Estate of F.N. Souza.

By family descent. $2,000-3,000

Property from the Estate of Jack L. Wolgin, Philadelphia In a 2009 Wall Street Journal article about the previous year's financial meltdown and the impact it was having on the art market, Jack L. Wolgin, who died a year later at the age of 93, expressed his concern about the artists who would have to face the difficult days ahead and commented, "I would rather have art than money." Fortunately for our native Philadelphia, he gave both with a remarkable thoughtfulness, generosity and foresight. Undeniably, a large part of his legacy is tied to his city. Freeman's is pleased to offer here thirteen exceptional works from his estate.

Some Philadelphians may not know the Wolgin name but they most certainly know of Claes Oldenburg's 1976 monumental and iconic Clothespin. Towering near City Hall in the Centre Square Plaza office complex Wolgin helped to develop, it was one of three works he had commissioned at that time to fulfill the city's requirement that a percentage of new construction costs be allocated for art. His goal was "to provide art that would enhance Philadelphia by integrating into the daily life of those who live or work in the city, the joy and inspiration derived from great art."

We can view the Clothespin, especially in Philadelphia and its association with Jack Wolgin, as something of a link between the impact of extraordinary 20th-century public art and the influence artists will have in the coming decades.

In 2008, he created the Jack Wolgin International Competition in the Fine Arts administered by Temple University's Tyler School of Art - a truly outstanding annual prize of $150,000 to be awarded to one artist to promote "excellence by transcending traditional boundaries." It is the world's largest juried visual arts prize. Jack Wolgin gave Philadelphia monumental art and significant resources to guarantee that contemporary art in all dimensions will flourish in the future. Freeman's takes particular pleasure in being able to offer a selection of Jack Wolgin's many treasures. Like the enduring artistic and philanthropic legacies he left to Philadelphia, it seems appropriate that Freeman's, with a unique and historic link to the fine arts of the city, will assist in yet another chapter in the life of one of the city's great champions of the arts.

Photo credit: John Condax Photography

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51 10-4013/30 RAOUL DUFY (french 1877-1953) “AMPHITRITE ET CHEVAUX MARINS” Signed bottom center, gouache on paper laid down to canvas Executed in 1925.

26 1/2 x 27 3/4 in. (67.2 x 70.3cm)

provenance: Parke-Bernet Galleries, Inc., Sale 2431, April 27 1966 lot 680.

The Estate of Jack L. Wolgin, Philadelphia. (Purchased at the above sale). exhibited: “Private Collections: Mr. & Mrs. Henry Clifford, Mr. & Mrs. Louis C. Madeira, Mrs. John Wintersteen,

Mr. and Mrs. Jack L. Wolgin,” Philadelphia Museum of Art July 7-August 30, 1970. literature: Fanny Guillon-Laffaille, “Catalogue raisonné des aquarelles, gouaches et pastels, Vol II” Paris, 1982, p. 298, cat. no. 1877. $40,000-60,000

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52 10-4013/20 HANS (JEAN) ARP (french 1886-1966) “BUSTE SILVESTRE” Inscribed with the artist’s name and stamp-numbered 6/10 on the underside, polished bronze Conceived in 1963. height: 5 3/8 in. (13.6cm) provenance: Brooks Gallery, London.

Pace Gallery, Columbus, Ohio.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. literature: Eduard Trier, “Jean Arp Sculpture: His Last Ten Years,” 1968, no. 305, illustration of another cast, pl. 89. $10,000-15,000

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53 10-4013/13 ARMAN (french/american 1928-2005) UNTITLED Signed and dated ‘71’ on lower edge, unique broken violin cast in polyester resin 9 7/8 x 9 7/8 x 9 7/8 in. (25 x 25 x 25cm) provenance: The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. note: This work is recorded in the Arman Studio Archives under number: APA# 8208.71.084 $30,000-50,000

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54 10-4013/4 MATHIAS GOERITZ (german/mexican 1915-1990) “MESSAGE” Perforated golden metal over painted wood Executed ca. 1960.

27 3/4 x 27 3/4 x 2 7/8 in. (70.5 x 70.5 x 7.3cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquired from the above in 1974. note: This lot will be accompanied by a certificate of authenticity by Lily Kassner dated 30 August 2011. $30,000-50,000

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55 10-4013/29 WOJCIECH FANGOR (polish/american b. 1922) “M-62” Signed, titled and dated 1966 verso, oil on canvas 66 x 66 in. (167.6 x 167.6cm) Unframed provenance: Galerie Chalette, New York, New York.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquired from the above in April 1970. $60,000-100,000

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11/06/11 56 10-4013/15 CLAES OLDENBURG (american b. 1929) “MODEL FOR CLOTHESPIN” Stamped with the artist’s signature, numbered 7/9 and with the Lippincott, Inc., North Haven, Connecticut stamp, bronze and stainless steel with golden patina Executed in 1974.

48 x 16 1/4 x 7 in. (122 x 41.3 x 17.8cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. exhibited: Walker Art Center, Minneapolis, Minnesota, “Oldenburg: Six Themes,” April 6 - 25 May, 1975 (traveled to The Denver Art Museum, the Seattle Art Museum, New Orleans Museum of Art, the Art Gallery of Ontario, Toronto), June 28, 1975 - May 1976 (another example exhibited, pp. 63, 67).

Philadelphia Museum of Art, Philadelphia, Pennsylvania, “Philadelphia Collects: Art Since 1940,” September 28 - November 30, 1986.

Leo Castelli Gallery, New York, New York, “Claes Oldenburg,” April 27 - May 18, 1974 (another example exhibited). literature: "Claes Oldenburg Coosje van Bruggen Large-Scale Projects," The Monacelli Press, Inc. New York, New York, 1994, p. 234. $250,000-350,000

“I’m not an abstract artist. I’m a realist. The way I look at it, abstraction is not sufficiently complicated; abstraction doesn’t relate enough to everyday life. You see, that’s my realist bias. I’m using these objects because I want to employ the world around me, which I feel a relationship with. I’m a purist on my own terms but not a purist in the sense that I want to eliminate the world of appearances or the tactile world.”

Claes Oldenburg When the 40-foot Clothespin sculpture was unveiled in downtown Philadelphia in July of 1976, it was the manifestation of nearly ten years of the artist’s working to translate one of the most functional and familiar tools in the artist’s studio into a grand public monument. Clothespins “are the instruments of connection which are so important in the fabrication of my work ... My studio is full of clothespins. I handle these objects. After a while I begin to see them as much larger structures than they actually are and think of enlarging them. They have an architectural character.”

In 1967, Oldenburg held a real clothespin to the plane window as he flew over Chicago and first envisioned the everyday object as a variation on the Hancock building, innovative for its rejection of the usual vertical building format . He then worked the idea into the cover for Artforum magazine that same year.

In 1972, the theme continued to evolve as the artist used a drawing of a clothespin with a collaged element of Brancusi’s ‘The Kiss’ as a poster and limited edition print [see lot 57] for his solo exhibition at the Philadelphia Museum of Art. The artist referenced the iconic sculpture, in the holdings of the Philadelphia Museum “because it contained two structures pressing close together and held in an embrace: In the case of the clothespin, the parts were held by a spring.”

No doubt, Philadelphia businessman and art collector Jack Wolgin would have attended this local 1972 exhibition around the time he was seeking to commission a large sculpture for his Centre Square Project in downtown Philadelphia . That same year, Oldenburg had begun work with Don Lippincott on the production of a few studies and models for a large scale clothespin. After many fits and starts, revisions of line and of medium, the artist and Lippincott put into production three tenfoot steel clothespins and nine four-foot sculptures [one of which is offered here].

Distilled down to its most elegant curves and finished in a warm, golden patina, “Model for Clothespin” is an alluring celebration of the beauty in the universal, common and familiar.

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57 10-4013/28 CLAES OLDENBURG (american b. 1929) “PROPOSAL FOR A COLOSSAL STRUCTURE IN THE FORM OF A CLOTHESPIN-COMPARED TO BRANCUSI’S KISS” 1972, pencil signed and numbered 62/200; with wide margins, The Friends of the Philadelphia Museum of Art, Philadelphia, publisher. Color screenprint and collage on Arches. image: 21 1/2 x 13 7/8 in.

34.6 x 35.2cm) sheet: 29 1/4 x 21 5/8 in. (74.2 x 54.8cm) [Axsom & Platzker 103]. provenance: Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. $1,000-1,500

58 10-4013/66 RED GROOMS (american b. 1937) “FRANKLIN’S RECEPTION AT THE COURT OF FRANCE” 1982, pencil signed, dated, and numbered 29/125 (there were also 5 printer’s proofs), the full sheet; Institue of Contemporary Art, Philadelphia, Pennsylvania, publisher. Color screenprint on Rives BFK. image: 41 3/4 x 29 1/2 in.

(106 x 74.9cm) sheet: 44 3/4 x 31 1/2 in.

(113.6 x 79.3cm) [Knestrick 93]. provenance: Institute of Contemporary Art, Philadelphia, Pennsylvania.

Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. note: Edition donated by the artist for the benefit of the Institute of Contemporary Art in support of Philadelphia Cornucopia, Institute of Contemporary Art, University of Pennsylvania, Philadelphia. This print was executed for “Rally Round the Flag,” a fund-raising benefit. $1,000-1,500

59 10-4013/33 ROBERT ENGMAN (american b. 1927) “JACK” Inscribed ‘3/15/69’ and stamped with foundry mark, polished bronze 20 x 20 in. (50.8 x 50.8cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquired from the above in March 1969. $1,500-2,500

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11/06/11 60 10-4013/17 ALEXANDER CALDER (american 1898-1976) UNTITLED (BANNER DESIGN FOR THE REDEVELOPMENT AUTHORITY OF PHILADELPHIA) Signed and dated ‘CA 75’ bottom left, gouache on paper 40 1/4 x 14 3/4 in. (102.2 x 37.5cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. note: This work is registered in the archives of the Calder Foundation under identification number A19110. $40,000-60,000

In 1975, Jack Wolgin commissioned Alexander Calder to design eight banners to hang in the atrium of his Centre Square, downtown Philadelphia complex as part of the Redevelopment Authority’s percent-for-art program requirement. The artist submitted proposed designs to Mr. Wolgin in the form of gouache works on paper, one of which is offered here. The magnificent final products, brilliantly hued banners of dyed cotton and silk ranged from 18 to 28 feet in length and were unveiled at a gala event on July 1st, 1976, timed to coincide with the city’s bicentennial celebration.

The banners are the only ones ever designed by the artist.

Suspended from the sky-lit atrium around a large sculpture by Jean Dubuffet with the newly installed 40-foot “Clothespin” by Claes Oldenburg just outside, the three works together made a stunning impact and instantly marked Philadelphia as a great supporter and nurturer of public art. Mary Kilroy, former head of the Redevelopment Authority art program, said the 1976 installation of those artworks marked a cultural “breakout” for the city.

After Centre Square was sold in the 1980s, the atrium was redesigned and the banners temporarily removed and placed in storage. Ownership of Centre Square subsequently changed hands at least twice more, and the banners were lost for many years. Thanks to the efforts of many people including Susan Davis, former director of public art at the Philadelphia Redevelopment Authority, however, the banners were found in 2009 and hung at the Philadelphia Free Library for public viewing for the first time in over twenty years.

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11/06/11 61 10-4013/48 EDNA ANDRADE (american 1917-2008) “NIGHT FLIGHT” Signed with initials and dated 60 bottom right and signed again and titled on back of frame, oil on canvas in artist’s painted wood frame canvas: 10 x 24 in. (25.4 x 60.9cm) with artist’s frame: 16 3/4 x 30 5/8 in. (42.5 x 77.8cm) provenance: The artist.

Philadelphia Arts Council.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquired from the above in April 1961. $3,000-5,000

62 10-4013/67 CHAOUKI CHAMOUN (lebanese b. 1942) UNTITLED Signed bottom right and signed again twice and dedicated ‘to Muriel & Jack in remembrance of your visit/Spain 1979’ verso, acrylic on cardboard 19 x 22 3/4 in. (48.5 x 57.8cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. $1,500-2,500

63 10-4013/22 PEDRO FRIEDEBERG (mexico b. 1937) “ESTUDIOS SUPERIORES” Signed bottom right, acrylic on wood with painted and sculpted hands Executed in 1995.

30 x 30 in. (76.2 x 76.2cm) provenance: The artist.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquired from the above in August 1995. note: This work is accompanied by a stamped and hand-written certificate of authenticity signed by the artist and dated 1995. $7,000-10,000

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11/06/11 64 11-8042/3 FERNANDO BOTERO (columbian b. 1932) “GIRL ON A HORSE” Signed lower right, signed again, titled and dated ‘61’ verso, oil on canvas 14 1/4 x 11 1/8 in. (36.2 x 28.3cm) provenance: Elkon Gallery, New York, New York.

Private Collection, Switzerland.

James Goodman Gallery, Inc., New York, New York.

Private Collection, Miami, Florida. exhibited: The Elkon Gallery, New York, New York, “Modern and Contemprorary Masters- Spring 1990,” April 30 June 8, 1990. $30,000-50,000

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11/06/11 65 11-8058/5 RUFINO TAMAYO (mexican 1899-1991) “VENUS NOIRE” from las mujeres 1969, pencil signed and numbered 98/150 (there were also 25 on Japon in Roman numerals), with full margins; Touchstone Publishers, New York, New York, publisher.

Color lithograph on BFK Rives. image: 27 1/2 x 21 in.

(69.9 x 53.3cm) sheet: 30 x 22. 5/8 in.

(76.3 x 57.5cm) [Pereda 110]. $1,000-1,500

66 11-8058/4 RUFINO TAMAYO (mexican 1899-1991) "FIGURA DE MUJER" from “15 lithographs” 1973, white crayon signed and numbered 68/75 (there were 10 artist's proofs in Roman numerals), the full sheet; Ediciones Polígrafa, Barcelona, publisher. Color lithograph on Guarro. sheet: 29 3/4 x 21 3/4 in.

(75.6 x 55.2cm) [Pereda 148]. sheet: 29 3/4 x 21 3/4 in.

(75.6 x 55.2cm) $2,000-3,000

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67 10-1508/17 OMAR RAYO (colombian b. 1928) “WET ZONE NO. 2” Signed, titled, inscribed and dated ‘New York 1966’ in pencil verso, acrylic on canvas 40 x 40 in. (101.6 x 101.6cm) Unframed provenance: Estate of Rolf E. Muenter, Greensboro, Vermont. $10,000-15,000

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11/06/11 68 11-2144/1 set of 10 etchings GUNTHER GERZSO AND OCTAVIO PAZ (mexican 1915-2000 and 1914-1998) “PALABRAS GRABADAS (GRAVEN WORDS)” 1990, the complete set of ten signed and numbered color etchings on Rives, copy 37/50 (there were 7 artist’s proofs), with title and signed and numbered justification pages, loose in individual folders with printed poems/text (as issued), all with full margins.

Contained within original fabric covered portfolio box as issued (one framed).

Nine unframed, one framed each sheet: 16 x 18 in. (40.6 x 45.7cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

69 11-8042/2 JOSE BEDIA (cuban b. 1959) “LEMBO” Signed and dated 01 bottom right, ink and mixed media on amate paper 16 x 46 1/2 in. (40.6 x 118.1cm) provenance: Private Collection, Miami, Florida. $2,000-3,000

70 11-8042/1 JOSE BEDIA (cuban b. 1959) “FIONGO” Signed and dated 01 bottom right, ink and mixed media on amate paper 16 x 38 in. (40.6 x 96.6cm) provenance: Private Collection, Miami, Florida. $2,000-3,000

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71 11-8042/8 AGUSTIN CÁRDENAS (cuban 1927-2001) “COMPOSITION AUX TROIS FORMES” Signed and numbered E.A. 2/4 (artist’s proof), bronze with green patina Conceived in 1956 (cast later).

59 7/8 x 26 7/8 x 20 1/8 in.

(152 x 69.3 x 51cm) provenance: Galerie Patrice Trigano, Paris.

Private Collection, Miami, Florida. exhibited: Galerie Patrice Trigano, Paris, “Cardenas,” March 10-April 10, 1999 (exhibition catalogue cover illustration). $40,000-60,000

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11/06/11 72 11-8042/4 HERMANN CAMARGO (columbian b. 1950) “TAPAROS” Signed and dated 2000 bottom right and signed again, titled and dated verso, oil on canvas 27 1/4 x 37 in. (69.2 x 94cm) provenance: The artist.

Private Collection, Miami, Florida, aquired from the above in 2000. $3,000-5,000

73 11-2054/1 ROBERTO BURLE MARX (brazilian 1909-1982) “THE FOREST” Signed and dated 1965 bottom right, gouache on paper 21 3/4 x 30 1/4 in. (55.2 x 76.8cm) provenance: The artist.

Gifted to Ian McHarg, Philadelphia, Pennsylvania ca. 1960-70.

By descent in family to present owner.

Private Collection, Unionville, Pennsylvania. $3,000-5,000

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11/06/11 74 11-2144/3 ten aquatints ROBERTO MATTA (chilean 1911-2002) “CENTRE NOEUDS” 1974, ten etchings with aquatint in colors on Japon nacre, each pencil signed and numbered 44 of 125, title, each with full margins; Editions Alexander Kahan and Georges Visat, Paris, co-publishers. Title, text by Antonin Artaud and stampnumbered justification folded sheet on Arches, in embossed title folder, within original buckram covered portfolio box with printed text (as issued). each image: 14 x 10 1/2 in. (35.6 x 26.7cm) each sheet: 23 7/8 x 17 1/4 in.

(60.6 x 43.8cm) [Sabatier 393-402; Ferrari 88-97]. note: Lacking the additional set of ten signed and numbered aquatints on Arches as originally issued. $5,000-8,000

75 11-8042/9 WIFREDO LAM (cuban 1902-1982) UNTITLED Signed, dated and inscribed ‘1946 Haiti’ bottom left, bears inscription ‘Ancienne collection Piere Loeb docteur Chast’ in pencil verso, Chinese ink on paper.

12 3/4 x 10 in. (32.2 x 25.4cm) provenance: Galerie Marwan Hoss, Paris, France.

Private Collection, Miami, Florida. $4,000-6,000

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11/06/11 76 11-2143/1 MILTON AVERY (american 1885-1965) “LAMB (RED)” 1954, pencil signed, dated and inscribed ‘trial proof’ (the edition was 20), with wide margins. Color woodcut on thin, cream Japan paper. image: 9 3/4 x 14 in. (24.6 x 35.5cm) sheet: 12 1/4 x 17 1/2 in. (31 x 44.4cm) [Lunn 58]. $2,000-3,000

77 11-1360/30 MILTON AVERY (american 1885-1965) “FLIGHT” 1953, pencil signed, dated, and inscribed ‘artist’s proof’ (proof apart from the edition of 100), with wide margins. Woodcut on wove paper. image: 7 x 9 in. (17.8 x 22.8cm) [Lunn 51]. provenance: The artist.

Estate of Dr. Ruth W. Berenda, New York, New York. $800-1,200

78 11-1360/31 MILTON AVERY (american 1885-1965) “NUDE” 1953, pencil signed, dated and numbered 2/20, with wide margins. Color woodcut on wove paper. image: 3 5/8 x 10 3/4 in. (9.2 x 27.3cm) [Lunn 49]. provenance: The artist.

Estate of Dr. Ruth W. Berenda, New York, New York. $1,800-2,200

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79 11-2143/2 MILTON AVERY (american 1885-1965) “BABY AVERY” 1933, pencil signed, dated and numbered 15/60, with wide margins. Drypoint on wove paper. image: 8 15/16 x 5 15/16 in.

(22.7 x 15.1cm) sheet: 15 x 13 1/8 in. (38 x 33.2cm) [Lunn 3]. $800-1,200

81 11-1360/29 SALLY MICHEL AVERY (american 1902-2003) MILTON SEATED Signed and dated twice bottom left, oil on board 41 1/2 x 23 1/2 in. (105.3 x 60cm) provenance: The artist.

Estate of Dr. Ruth W. Berenda, New York, New York. $2,500-3,500

80 11-2143/3 MILTON AVERY (american 1885-1965) “FANTAIL PIGEON” 1953, pencil signed, dated and inscribed ‘artist’s proof’ (the edition was 25 or 30 in colors), with wide margins.

Woodcut on creamy thin Japan. image: 10 1/8 x 9 3/4 in. (25.6 x 24.6cm) sheet: 14 5/8 x 12 in. (37 x 30.3cm) [Lunn 47]. note: This lot will be accompanied by a letter of authenticity signed by Sally Avery and dated September 15, 1989. $1,500-2,000

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11/06/11 82 11-1360/36 SALLY MICHEL AVERY (american 1902-2003) UNTITLED (WOMEN AND CATS) Signed and dated 1975 bottom right, oil on canvas 39 1/2 x 47 1/2 in. (103 x 120.6cm) provenance: The artist.

Estate of Dr. Ruth W. Berenda, New York, New York. $6,000-10,000

83 11-2014/1 MARCH AVERY (american b. 1932) UNTITLED Signed and dated 63 along left edge, oil on canvas 46 x 50 in. (116.7 x 126.9cm) provenance: Fontana Gallery, Narberth, Pennsylvania.

A Main Line Estate, Pennsylvania. note: This lot is accompanied by a handwritten letter from the artist dated 1968 sent to the original purchaser of the painting in which she details her work on the painting. $4,000-6,000

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11/06/11 84 11-1360/27 SALLY MICHEL AVERY (american 1902-2003) TWO RIDERS Signed and dated 1967 bottom right, oil on artist’s board 12 x 16 in. (30.4 x 40.6cm) provenance: The artist.

Estate of Dr. Ruth W. Berenda, New York, New York. $2,000-3,000

85 11-2131/1 MARCH AVERY (american b. 1932) “RELAXING COUPLE” Signed, dated 74 upper center and signed, titled and dated again on stretcher verso, oil on canvas 40 x 50 in. (101.6 x 127cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

86 11-2014/2 MARCH AVERY (american b. 1932) “EAST END” Signed and dated 65 bottom left, signed, titled and dated again on stretcher verso, oil on canvas 40 x 44 in. (101.5 x 111.7cm) provenance: Gallery Reese Palley, Atlantic City, New Jersey.

A Main Line Estate, Pennsylvania. $2,500-3,500

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11/06/11 87 11-2016/1 MAN RAY (american 1890-1976) DANCING GIRL Signed and dated 1917 bottom right, ink on paper 19 x 14 5/8 in. (48.2 x 37cm) provenance: The artist.

By family descent.

Private Collection, Philadelphia, Pennsylvania, gifted from the above circa 1959.

By family descent.

Private Collection, Philadelphia, Pennsylvania. exhibited: New York, Daniel Gallery, “Man Ray: An exhibition of selected drawings and paintings accomplished during the period 1913-19,” November 17December 1, 1919.

Paris, Galerie Rive Droite, “Man Ray,” 1959. note: Although erroneously dated 1917 by Man Ray, the artist’s card file held at the Centre Pompidou archives confirms the date of execution as 1918. The present owner’s mother, a close friend of Man Ray’s niece, Naomi Savage, received this drawing as a gift from the artist after visiting him in his studio in Paris. $15,000-20,000

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88 11-8058/1 ALEXANDER CALDER (american 1898-1976) UNTITLED Signed and dated 69 bottom right, gouache on paper 22 x 30 in. (55.9 x 76.2cm) provenance: The Upstairs Gallery, Long Beach, California.

Private Collection, Alabama, purchased from the above in 1978.

Private Collection, Florida. note: This work is registered in the archives of the Calder Foundation under identification number A25406. $30,000-40,000

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Five Works by Paul Jenkins from a Private Collection Beginning in the 1940s, the artist Paul Jenkins’ mother developed a long term friendship with her neighbor, George Hudock.

Over time, Hudock also met Paul Jenkins. Throughout the following decades, the two corresponded and visited each other from time to time. During these years, Hudock received several gifts of artwork from Jenkins, several of which are included in this exceptional group of paintings and sculptures.

89 11-1958/6 PAUL JENKINS (american b. 1923) “PHENOMENA: SHAMAN” Signed bottom left, signed again, titled, dated 1989 and inscribed verso, acrylic on canvas 57 1/2 x 45 in. (145.9 x 114.2cm) Unframed provenance: The artist.

George Hudock.

By descent in family.

Private Collection. $20,000-30,000

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11/06/11 90 11-1958/7 PAUL JENKINS (american b. 1923) “PHENOMENA- CRISS CROSS KIND” Signed, titled dated 1979 and inscribed and dedicated verso, acrylic on artist’s board 18 x 14 in. (45.7 x 35.5cm) Unframed provenance: The artist.

George Hudock.

By descent in family.

Private Collection. $6,000-10,000

91 11-1958/5 PAUL JENKINS (american b. 1923) “PHENOMENA MERCURY LIFE” Signed bottom right, signed again, titled, inscribed ‘Paris’ and dated 1963 verso, watercolor on paper sight: 29 x 21 in. (73.6 x 53.3cm) provenance: The artist.

George Hudock.

By descent in family.

Private Collection. $4,000-6,000

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92 11-1958/1 PAUL JENKINS (american b. 1923) “ECHO CHAMBER” Signed, titled, dated “January 14, 1980,” dedicated “For George Hudock from Paul Jenkins” and inscribed “J/6” on the underside, polished bronze with green patina larger element: 3 7/8 x 4 in. (9.8 x 10.2cm) smaller element: 1 1/2 x 1 5/8 in.

(3.8 x 4.1cm) (2). provenance: The artist.

George Hudock.

By descent in family.

Private Collection. $1,000-1,500

93 11-1958/3 PAUL JENKINS (american b. 1923) HEAD (SELF PORTRAIT) Painted and glazed plaster cast Executed ca. 1948 height: 9 1/4 in. (23.3cm) width: 7 1/4 in. (18.3cm) provenance: The artist.

Nadyne Jenkins Herrick (mother of the artist).

George Hudock.

By descent in family.

Private Collection. $1,000-1,500

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94 11-2144/9 WOLF KAHN (american b. 1927) “FLORIDA HORIZON 13” Signed bottom center, titled and dated ‘1998/13’ on stretcher verso, dated again on canvas verso, oil on canvas 19 x 22 in. (48.2 x 55.8cm) provenance: Private Collection, Pennsylvania. $6,000-8,000

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11/06/11 95 11-1369/3 WILLEM DE KOONING (american/dutch 1904-1997) “FIGURES IN LANDSCAPE VI” 1980, signed, dated and numbered 86/100 in pencil, with full margins; The Institute of Contemporary Art, Philadelphia, Pennsylvania, publisher. Color offset lithograph on wove paper. image: 31 1/4 x 28 1/8 in. (79.2 x 71.3) sheet: 36 1/2 x 32 in. (92.6 x 81.2cm) $6,000-8,000

96 11-2022/1 ROBERT MOTHERWELL (american 1915-1991) “DANCE I” 1978, pencil signed with initials upper right, numbered 23/30 (there were also 10 artist’s proofs), with wide margins; the artist, publisher, and with his blindstamp, released by Brooke Alexander Editions, Inc., New York, New York. Etching and aquatint on TH Saunders. image: 9 3/4 x 23 7/8 in. (24.6 x 60.8cm) sheet: 19 1/2 x 30 in. (49.5 x 76.2cm) [Belknap 199; Engberg & Banach 230]. $3,000-5,000

97 11-1882/4 ADOLPH GOTTLIEB (american 1903-1974) “JETSAM” 1967, pencil signed, dated and numbered 2/75; Marlborough Gallery, New York, New York, publisher. Color screenprint on wove paper. image: 23 1/2 x 17 5/8 in. (59.7 x 44.8cm) sheet: 24 x 18 in. (60.9 x 45.8cm) $1,000-1,500

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98 11-2118/2 ELLSWORTH KELLY (american b. 1923) “BLACK CURVE” 1970-72, pencil signed bottom right and numbered 4/75 bottom left (there were also 9 artist’s proofs), with full margins; Gemini G.E.L., Los Angeles, publisher, and with their blindstamps. Linocut on Special Arjomari. sheet: 29 1/4 x 29 in.

(74.2 x 73.7cm) [Axsom 80].

Unframed $2,000-3,000

99 11-2118/1 HELEN FRANKENTHALER (american b. 1928) “AERIE” 2009, pencil signed with initials and numbered 70/128 bottom left (there were 9 artist’s proofs), the full sheet; Lincoln Center, List Project, New York, publisher. Color screenprint on wove paper. sheet: 29 3/4 x 38 5/8 in.

(75.6 x 98.8cm) Unframed $4,000-6,000

100 11-1949/1 SAM FRANCIS (american 1923-1994) UNTITLED Signed, dated 1961 and inscribed ‘Bern’ verso, ink on paper 13 7/8 x 17 in. (35.7 x 43.2cm) provenance: Estate of Bob Garland, Florida. $3,000-5,000

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11/06/11 101 11-1661/5 JASPER JOHNS (american b. 1930) “TWO FLAGS (WHITNEY ANNIVERSARY)” 1979-80, pencil signed and dated, numbered ‘AP V/XI’ (one of 11 artist’s proofs, the edition was 51), with full margins; Gemini G.E.L., Los Angeles, California, publisher, and with their blindstamps (and inkstamps verso). Color lithograph on Arches 88. image: 45 1/4 x 32 1/2 in.

(115 x 75cm) sheet: 50 x 33 3/4 in.

(127 x 85.7cm) [ULAE 207]. provenance: Private Collection, Pennsylvania. $25,000-35,000

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102 11-2144/8 ROBERT RAUSCHENBERG (american 1925-2008) “SLINK” from “marrakitch” 2000, signed and dated ‘2K’ in pencil, numbered 27/52 (there were also 8 artist’s proofs), the full sheet; Gemini G.E.L., Ltd., Los Angeles, California, publisher and with their blindstamps.

Color screenprint on John Koller HMP. sheet: 31 1/2 x 23 1/4 in.

(79.8 x 58.9cm) $1,500-2,500

103 11-2020/1 ROBERT RYMAN (american b. 1930) “ROBERT RYMAN PRINTS: 1969-1993” a catalogue raisonne 1993, the complete deluxe set of six color aquatints (one pencil signed and numbered 39/50, there were also 200 copies issued without the aquatints).

Cover page, title, text, introduction, and justification pages, Parasol Press, Ltd., New York, publisher. Introduction and catalogue by Amy Baker Sandback. The prints with full margins, on various wove papers loose as issued within original fabric covered slipcase with embossed title. sheets: 14 x 14 in. (35.4 x 35.4cm) $2,500-3,500

104 11-2019/1 LARRY RIVERS (american 1923-2002) “BALD EAGLE GEORGE AND PART OF THE CONSTITUTION” 1987, pencil signed, dated and numbered 6/52; Universal Ltd. Art Editions, West Islip, New York, publishers, and with their blindstamp. Color silkscreen and lithograph on handmade paper. sheet: 32 x 23 1/2 in. (81.3 x 59.7cm) (2). note: This lot will be accompanied by a pencil signed poster with similar imagery commemorating the bicentennial of the U.S. Constitution commissioned by The Friends of Independence National Historical Park. $1,500-2,500

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105 11-2115/1 ANDY WARHOL (american 1928-1987) “VAN HEUSEN (RONALD REGAN)” from “ads” 1985, pencil signed bottom right, numbered 51/190 bottom left (there were also 30 artist’s proofs), the full sheet; Ronald Feldman Fine Arts, Inc., New York, New York, publisher, and with their blindstamps. Color screenprint on Lenox Museum Board. sheet: 36 x 36 in. (96.4 x 96.4cm) [Feldman & Schellmann 356]. $18,000-25,000

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11/06/11 106 11-2008/1 ANDY WARHOL (american 1928-1987) “MARILYN” 1981, signed in black felt-tip marker, from the edition of unknown size, the full sheet; Castelli Graphics, New York (for “Andy Warhol: A Print Retrospective”). Color offset lithograph on smooth wove paper with printed exhibition text verso. sheet: 12 1/8 x 12 in.

(30.8 x 30.8cm) $6,000-10,000

107 11-2144/4 ROY LICHTENSTEIN (american 1923-1997) “YELLOW STILL LIFE” from “six still lifes” 1974, pencil signed and dated, numbered 61/100 (there were also 10 artist’s proofs), with full margins; Multiples, Inc. and Castelli Graphics, New York, New York, copublishers. Color lithograph and screenprint on Rives. image: 25 1/2 x 36 7/8 in.

(64.6 x 93.5cm) sheet: 33 x 44 3/8 in.

(83.5 x 112.6cm) [Corlett 133]. $7,000-10,000

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11/06/11 108 11-2078/1 ten prints VARIOUS ARTISTS “ny international portfolio” 1966, nine pencil signed and numbered 28/225 (there were also 25 artist’s proof copies lettered A-Y), some dated 1965, title/numbered folded justification sheet, contained within cloth covered portfolio box with printed text; Tanglewood Press, Inc., New York, publisher. The complete set of two color lithographs, one photolithograph and seven screenprints. each sheet: 10 x 16 3/4 in.

(25.4 x 42.5cm) including: John Goodyear, “Two-Sided Movement”; Saul Steinberg, “Sam’s Art”, Charles Hinman “Print Collage”, Robert Motherwell, “Lithograph”, Oyvind Fahlstrom “Eddy (Sylvie’s Brother) in the Desert”, Ad Reinhardt “Abstract Print”, Allen Jones “Self”, Arman “Boom-Boom”, James Rosenquist “Somewhere to Light”, and Mary Baumeister “Sketch for Tanglewood Press”. $3,000-5,000

109 11-1486/1 RED GROOMS (american b. 1937) “DE KOONING BREAKS THROUGH” 1987, signed with red pencil bottom right, numbered 66/75 bottom left (there were 10 artist’s proofs); the artist and Shark’s Ink, Boulder, Colorado, co-publishers. Color lithographic cutout construction in original Plexiglas case. overall: 47 x 33 x 8 3/4 in. (119.3 x 83.8 x 22cm) [Knestrick 112]. provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

110 11-1662/11 CHRISTO (american b. 1935) “WRAPPED STATUES/PROJECT FOR DIE GLYPTOTHEK, MUENCHEN” 1988, pencil signed and numbered ‘CLX/CCC’ bottom right (there were also 30 artist’s proofs), the full sheet; Olympic Games Committee, Seoul, Korea, publisher.

Color screenprint with offset collage on Arches. image/sheet: 35 1/8 x 27 1/4 in. (89.1 x 69cm) [Schellmann 135].

Unframed $1,000-1,500

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11/06/11 111 11-1662/10 CHRISTO (american b. 1935) “WRAPPED WALKWAYS/PROJECT FOR ST. STEPHEN’S GREEN PARK IN DUBLIN” 1983, pencil signed, dated and numbered 63/100 (there were also 20 artist’s proofs), the full sheet; Edition Schellmann & Klüser, Munich and New York, publisher.

Color lithograph and white cloth collage on wove paper laid down to cardboard (as issued). image/sheet: 28 1/8 x 44 3/8 in.

(71.3 x 112.6cm) [Schellmann 111].

Unframed $2,000-3,000

112 11-8056/2 TOM WESSELMANN (american 1931-2004) “STILL LIFE WITH BLONDE” 1999, pencil signed and numbered AP 3/12 bottom right (the edition was 100), with full margins; Cooper Square Prints, New York, publisher. Color screenprint on wove paper. image: 21 x 28 in. (53.3 x 71.1cm) sheet: 30 x 37 in. (76.2 x 93.8cm) $4,000-6,000

113 11-1665/1 JAMES ROSENQUIST (american b. 1933) “VIOLENT TURN” 1977, pencil signed, titled and numbered 9/100 (there were also 20 artist’s proofs), the full sheet; Sidney Singer, New York, New York, publisher. Color lithograph on Arches.

36 1/2 x 70 in. (92.7 x 177.8cm) [Glenn 127]. $2,500-3,500

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114 11-2017/1 ALEX KATZ (american b. 1927) “GREY DAY” 1992, pencil signed and numbered 54/75 (there were also 12 artist’s proofs), presumably with the artist’s inkstamp verso, the full sheet; Chalk & Vermillion Fine Arts, Greenwich, Connecticut, publisher. Color screenprint on Arches. image/sheet: 22 1/8 x 72 1/4 in. (56.2 x 183.5cm) provenance: Private Collection, Main Line, Pennsylvania. $18,000-25,000

115 11-1661/1 ALEX KATZ (american b. 1927) “BOY WITH BRANCH II” 1975, pencil signed and numbered 19/60 (there were also 9 artist’s proofs), the full sheet; Brooke Alexander and Marlborough Graphics, Inc., New York, New York, co-publishers. Color aquatint on Arches. sheet: 24 x 40 1/8 in (60.9 x 102.1cm) [Maravell 80]. $1,200-1,800

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117 11-1661/3 ALEX KATZ (american b. 1927) “ADA WITH SUNGLASSES (1969)” from “alex and ada, the 1960’s to the 1980’s” 1990, pencil signed and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; GaultneyKlineman Art, New York, New York, publisher. Color screenprint on Arches. sheet: 36 x 24 in. (91.4 x 61cm) $3,000-5,000

116 11-1661/2 ALEX KATZ (american b. 1927) “PORTRAIT OF A POET (KENNETH KOCH)” 1970, pencil signed, dated and numbered 158/200 (there were also an unrecorded number of artist’s proofs), the full sheet; Brooke Alexander and Fischbach Gallery, New York, New York, co-publishers.

Color lithograph on Arches. sheet: 27 3/4 x 22 in. (70 x 55.8cm) [Maravell 33]. $1,000-1,500

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11/06/11 118 10-1738/10 ALEX KATZ (american b. 1927) “SWEATSHIRT II” from “alex and ada, the 1960’s to the 1980’s” 1990, pencil signed and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; GaultneyKlineman Art, New York, publisher.

Color screenprint on Arches. sheet: 36 x 28 1/2 in.

(91.5 x 72.4cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

119 11-1661/6 ALEX KATZ (american b. 1927) “GREY RIBBON” from “alex and ada, the 1960’s to the 1980’s” 1990, pencil signed, dated and numbered 91/150 (there were also 30 artist’s proofs), the full sheet; Gaultney-Klineman Art, New York, New York, publisher. Color screenprint on Arches. sheet: 27 1/2 x 36 in.

(69.9 x 91.4cm) $1,500-2,000

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11/06/11 120 11-2023/1 JACOB LAWRENCE (american 1917-2000) “CONFRONTATION AT THE BRIDGE” from “not songs of loyalty alone: the struggle for personal freedom” 1975, pencil signed and dated bottom right, titled center and numbered XLV/V (the regular edition was 125), the full sheet; Transworld Art, New York, publisher, and with their ink stamp verso. Color screenprint on Strathmore. sheet: 19 1/2 x 26 in. (49.4 x 65.9cm) [Nesbett L75-2]. $5,000-8,000

121 11-2012/1 CLAUDE CLARK (american 1915-2001) “BROTHERS & SISTER” Oil on board Executed in 1949 9 x 12 in. (22.8 x 30.4cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. $2,500-3,500

122 11-2012/2 CLAUDE CLARK (american 1915-2001) “NOON RAP” Signed bottom right, oil on board 12 x 18 in. (30.5 x 45.8cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. $1,000-1,500

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123 11-2023/2 three prints ROMARE BEARDEN (american 1911-1988) “ODYSSEUS LEAVES,” “TROY,” AND “THE SIRENS SONG” from “odysseus suite” 1979, all pencil signed, two inscribed ‘a.p.’ and one numbered ‘LXII/LXXV’ (two artist’s proofs and one from the edition in Roman numerals, there was also 125 in Arabic numerals). Three color screenprints on various wove papers. each image: 18 x 24 in. (45.7 x 60.9cm) each sheet: 21 1/2 x 29 3/8 in. (54.6 x 74.5cm) (3).

[Gelburd/Rosenberg 44, 45 and 46]. $3,000-5,000 124 11-1573/2 ROMARE BEARDEN (american 1911-1988) “AUTUMN OF THE ROOSTER” 1983, pencil signed and numbered AP 19/20 (artist’s proof, the edition was 175), with wide margins. Color lithograph on wove paper. image: 17 x 22 5/8 in. (43.2 x 57.4cm) $1,500-2,500

125 11-1573/1 ROMARE BEARDEN (american 1911-1988) “MORNING (CAROLINA MORNING)” 1979, pencil signed and numbered 18/30 AP (the edition was 175), with wide margins. Color screenprint on wove paper. image: 19 3/8 x 25 in. (49.2 x 63.5cm) [Gelburd/Rosenberg 62]. $1,200-1,800

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126 11-1399/1 ROMARE BEARDEN (american 1911-1988) “SLAVE SHIP” 1977, pencil signed and numbered 1/44 bottom right, with wide margins. Color screenprint on wove paper. image: 28 1/2 x 18 1/8 in.

(72.3 x 46cm) sheet: 30 1/2 x 20 1/4 in.

(77.4 x 51.4cm) [Gerlburd/Rosenberg 61]. $2,000-3,000

127 11-2023/3 ROMARE BEARDEN (american 1911-1988) “MECKLENBERG AUTUMN” from “the mecklenberg series” 1979, pencil signed and titled, numbered ‘AP 7/15’ (arist’s proof, the edition was 175), with wide margins; London Arts, publisher.

Color lithograph on wove paper. image: 23 x 18 1/8 in.

(58.4 x 47cm) sheet: 27 1/8 x 21 1/4 in.

(68.8 x 54cm) [Gelburd & Rosenberg 60]. $1,500-2,500

128 11-1399/4 CHARLES SEARLES (american 1937-2004) UNTITLED Signed and dated 83 bottom right, shaped paper collage with applied acrylic 10 x 8 x 3/4 in. (25.3 x 22.2) provenance: Private Collection, Wyndmoor, Pennsylvania. $1,000-1,500

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11/06/11 129 11-1399/3 two works CHARLES SEARLES (american 1937-2004) UNTITLED AND “SPIRIT FORMS” Each signed bottom right, one dated ‘9/79’ and the other ‘78’, “Spirit Forms” also titled verso, acrylic on canvas each: 16 1/2 x 20 5/8 in.

(41.9 x 52.3cm) (2). provenance: Private Collection, Wyndmoor, Pennsylvania. $3,000-5,000

130 11-2146/1 CHARLES SEARLES (american 1937-2004) “LOOKING OUT #1” Signed and dated 86 verso, painted wood construction 16 5/8 x 35 x 5 1/2 in. provenance: Sande Webster Gallery, Philadelphia, Pennsylvania. $2,000-3,000

131 11-1882/5 HUMBERT HOWARD (american 1915-1992) STILL LIFE WITH FRUIT Signed and dated 70 upper right, oil on board 8 x 25 (20.3 x 63.5cm) provenance: Private Collection, Bala Cynwyd, Pennsylvania. $1,200-1,800

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132 11-2111/1 SHEPARD FAIREY (american b. 1970) “HOPE” 2008, pencil signed and dated bottom right, from the fundraiser release aside from the edition of 600, with margins. Released by the Obama Campaign. Color offset lithograph on wove paper. image: 34 1/4 x 22 3/8 in.

(87 x 55.8cm) sheet: 36 x 24 in. (91.5 x 60.8cm) Unframed $1,800-2,200

134 11-2144/7 KIM DOUGLAS WIGGINS (american b. 1960) “ESTANCIA” Signed and dated 98 bottom right, oil on canvas 60 x 40 in. (152.3 x 101.5cm) provenance: Cline Fine Art, Santa Fe, New Mexico.

Private Collection, Pennsylvania. $6,000-8,000

133 11-1662/12 KEITH HARING (american 1958-1990) “FIGHT AIDS WORLDWIDE” 1990, numbered 532/1000 in pencil, with full margins; World Federation of the United Nations Associations, New York, New York, publisher and with the artist’s estate stamp verso. Color lithograph on wove paper. image: 10 3/4 x 8 in.

(27.3 x 20.3cm) sheet: 11 x 8 3/8 in. (27.9 x 21.3cm) Unframed $800-1,200

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11/06/11 135 11-8057/1 three paintings MICHAEL GREGORY (american b. 1955) UNTITLED (THREE TULIPS) Two signed and dated 2002 verso, one signed and dated 2003 verso, oil on panel each: 12 x 8 in. (30.3 x 22cm) (3). provenance: Nancy Hoffman Gallery New York, New York.

Private Collection, Virginia. exhibited: Nancy Hoffman Gallery, “Michael Gregory,” 2004. $3,000-5,000

136 11-2144/2 set of nine prints TONY FITZPATRICK (american b. 1958) “JOE’S GARDEN” 1995, the complete suite of nine color etchings with aquatint, all signed with initials, dated 95, individually titled and inscribed 'P.P.' (printer's proofs, the edition was 40); all with full margins, published by the artist. The complete set of nine color aquatints on chine collé all images: 8 x 5 in. (20.3 x 12.7cm) all sheets: 18 x 15 inches (45.7 x 38.2cm) Unframed.

(9) $2,500-3,500

137 11-2144/6 JOSEPH RAFFAEL (american b. 1933) “MEDITERRANEAN ROSE” Signed bottom right, watercolor on paper 34 x 35 1/4 in. (86.2 x 91.9cm) provenance: Nancy Hoffman Gallery, New York, New York.

Private Collection, Pennsylvania. $3,000-5,000

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139 11-2112/1 PAT STEIR (american b. 1938) UNTITLED Signed bottom right, watercolor and crayon on folded paper sheet: 12 1/4 x 16 1/8 in. (31.1 x 41cm) Unframed provenance: Private Collection, New York, New York. $1,000-1,500

138 11-2144/5 six watercolors framed together GREG HALILI (american b. 1975) UNTITLED Watercolors on paper All executed in 2000 each: 7 x 5 in. (17.8 x 21.6cm) Framed together including: “Eden,” “Twilight,” “Ethereal Night,” “Serenity,” “Quiet Dream,” and “Jewels.” provenance: Nancy Hoffman Gallery, New York Private Collection, Pennsylvania. $1,200-1,800

140 11-2112/2 PAT STEIR (american b. 1938) UNTITLED Signed bottom right, watercolor and crayon on folded paper sheet: 12 1/4 x 16 1/8 in. (31.1 x 41cm) Unframed provenance: Private Collection, New York, New York. $1,000-1,500

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11/06/11 141 11-2110/1 ANDRES SERRANO (american b. 1950) “CACTUS BLOOD” from “body fluids” 1987, pencil signed, titled and numbered 1/10 verso. C-print mounted to plexiglas. sheet: 40 x 27 1/2 in.

(101.6 x 69.8cm) provenance: Stux Gallery, New York, New York.

Private Collection, Charleston, South Carolina. $10,000-15,000

142 11-1325/25 JAMES SIENA (american b. 1958) “TANAGRA” 2006, pencil signed, dated and numbered 24/33 in the margin (there were also 8 artist’s proofs); United Limited Art Editions, Inc., publisher, West Islip, New York. Nine color lithograph on hand torn white Arches cover. image: 13 1/4 x 21 in. (33.5 x 53.2cm) sheet: 29 3/8 x 43 5/8 in. (74.6 x 11.1cm) Unframed $2,000-3,000

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143 11-2015/1 DONALD ROLLER WILSON (american b. 1938) CAT WITH OLIVE Signed, dated 1981/9 and inscribed '2:50pm March 26" bottom right, oil on canvas 20 x 24 1/4 in. (50.8 x 61.5cm) provenance: Estate of Edwin Friedman, Denver, Colorado. $8,000-12,000

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11/06/11 144 10-1508/11 ROBERT GORDY (american 1933-1986) “ARCADY #5” Initialed and dated ‘71 bottom left, signed and dated again on stretcher verso, titled on stretcher verso, acrylic on canvas 84 x 58 in. (213.3 x 147.3cm) provenance: Galerie Simonne Stern, New Orleans, Louisiana.

Estate of Rolf E. Muenter, Greensboro, Vermont. $4,000-6,000

145 11-1014/2 ROBERT GOODMAN (american 20th century) “PILE STORM” Pencil signed verso and titled on stretcher, oil and acrylic on canvas 72 x 84 in. (182.8 x 213.4cm) Unframed provenance: Seraphin Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania. $1,500-2,500

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146 11-2128/1 THOMAS NOZKOWSKI (american b. 1944) UNTITLED Signed, titled, dated 1985 and dedicated in red crayon verso, oil on handmade paper 16 x 20 in. (40.6 x 50.8cm) provenance: The artist.

Private Collection, Bala Cynwyd, Pennsylvania. $12,000-18,000

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147 11-1853/2 DALE CHIHULY (american b. 1941) “SEAFORM SET” Signed and dated ‘93’ on underside of small green element with white stripes, nine elements of blown glass with pink, amber, yellow, lavender and blue lip wrap overall: 11 x 24 x 10 in.

(27.9 x 61 x 25.4cm) provenance: Albers Fine Art Gallery, Memphis, Tennesse.

Private Collection, Memphis, Tennessee. $8,000-12,000

148 11-1853/1 WILLIAM MORRIS (american b. 1957) “STANDING STONE” Signed and dated 1984 along the base, blown colored glass 31 1/2 x 17 x 5 in.

(80 x 43.2 x 15.2cm) note: William Morris Archive number WM18901. provenance: Private Collection, Memphis, Tennessee. $8,000-12,000

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149 11-1853/3 BETTY WOODMAN (american b. 1930) “NIGHTTIME (KIMONO VASE)” Each stamp-signed on the base, two painted and glazed ceramic vases Executed in 1990. each approx.: 29 x 20 x 29 1/2 in.

(73.7 x 50.8 x 74.9cm) (2). provenance: Private Collection, Memphis, Tennessee. $10,000-15,000

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150 11-1853/4 ANTHONY CARO (british b. 1924) “HYPNOS (SLEEP)” from “trojan war” series Ceramic, jarrah wood and steel Executed in 1993-4 59 x 20 1/2 x 18 in.

(149.9 x 52.1 x 45.7cm) provenance: Marlborough Gallery, New York, New York.

Private Collection, Memphis, Tennessee, acquired from the above in 1998. literature: Blume, Dieter, "Anthony Caro. A Catalogue Raisonné," vol. XI: Table and Related Sculptures 1993-1995, Clay and Related Sculptures 19941996, Miscellaneous Sculptures 1993-1996, Bronze Sculptures 19931994, Steel Sculptures 1993-1996, Cologne/London/New York/Hannover, p. 133, no. 2254 (illustrated). exhibited: English Heritage and Yorkshire Sculpture Park, "The Trojan War: Sculptures by Anthony Caro," 1994, illus. p. 16.

Marlborough Gallery, New York, "The Trojan War: Sculptures by Anthony Caro," 1998. $25,000-40,000

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151 11-1853/5 MAGDALENA ABAKANOWICZ (polish b. 1930) “ANGELO” Stamped with the artist’s monogram, date and title on inside of sculpture, unique bronze Executed in 1989.

67 x 22 x 13 in.

(171.2 x 55.9 x 33cm) provenance: Marlborough Galleries, New York, New York.

Private Collection, Memphis, Tennessee. exhibited: Marlborough Gallery, New York, "Magdalena Abakanowicz," October 20-November 25, 1989, cat. no. 3, illus. p. 16. $40,000-60,000

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152 11-1853/12 WOLF KAHN (american b. 1927) “DARK TREES” Signed twice at bottom center and bottom right, pastel Executed in 1991. sight size: 21 x 28 1/2 in.

(53.3 x 72.4cm) provenance: Grace Borgenicht Gallery, Inc., New York, New York.

Private Collection, Memphis, Tennessee. $7,000-10,000

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153 11-1853/11 WOLF KAHN (american b. 1927) “A COLD SUNSET OVER SANTA FE” Signed bottom left, oil on canvas Executed in 1992.

28 x 36 in. (71.1 x 91.4cm) provenance: Grace Borgenicht Gallery, Inc., New York, New York.

Private Collection, Memphis, Tennessee. $10,000-15,000

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154 11-1853/13 JANET FISH (american b. 1938) “PROVENCE” Signed and dated 1995 bottom right corner, oil on canvas 50 x 50 in. (127 x 127cm) provenance: Grace Borgenicht Gallery, New York, New York.

Private Collection, Memphis, Tennessee. $30,000-50,000

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155 11-1853/22 HUNT SLONEM (american b. 1951) “THE WITNESS” Each panel signed and dated 1995 verso, oil on canvas, triptych each panel: 78 x 62 in. (198.1 x 157.5cm) overall: 78 x 186 in. (198.1 x 472.5cm) (3).

Unframed provenance: William McWillie Chambers III, New York, New York.

Private Collection, Memphis, Tennessee. exhibited: Tennessee State Museum, Nashville, Tennessee, March-July 1997.

Lannon Gallery, New York, New York, 1995. literature: A detail of “The Witness” is reproduced as the cover illustration of the book “Hunt Slonem Exotica” published by Edizioni d’Arte Fratilli Pozzo, Turin, Italy, 1997. $6,000-10,000

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11/06/11 156 11-1853/18 IDELLE WEBER (american b. 1932) “GREY STILLNESS R.A.P.1.98” Signed and dated 1993 bottom right, acrylic and oil stick on linen 41 3/4 x 42 in. (106 x 106.7cm) provenance: Schmidt-Bingham Gallery, New York, New York.

Private Collection, Memphis, Tennessee. $2,000-3,000

157 11-1853/17 IDELLE WEBER (american b. 1932) “LIQUID GOLD” Signed and dated 93 bottom left, oil on linen 46 x 46 in. (116.8 x 116.8cm) provenance: Schmidt-Bingham Gallery, New York, New York.

Private Collection, Memphis, Tennessee. $2,000-3,000

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11/06/11 158 11-1853/20 HOLLY LANE (american b. 1954) “THE VISITATION” Signed and dated 1995 on right angel wing and signed, titled and dated again verso, mixed media construction 29 x 22 1/2 x 6 in.

(73.7 x 57.2 x 15.2cm) provenance: Schmidt-Bingham Gallery, New York, New York.

Private Collection, Memphis, Tennessee. exhibited: Schmidt-Bingham Gallery, New York, New York, September 6October 7, 1995. $3,000-5,000

159 11-1853/19 HOLLY LANE (american b. 1954) “THE SOLITARY WITNESS” Signed and dated 1994 bottom right and signed, titled and dated again verso, mixed media construction 41 1/2 x 45 x 4 3/4 in.

(105.4 x 114.3 x 12.1cm) provenance: Schmidt-Bingham Gallery, New York, New York.

Private Collection, Memphis, Tennessee. $2,000-3,000

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11/06/11 160 11-1398/77 JEFF ELROD (american b. 1966) “CLONE ALONE” Signed, titled and dated and inscribed ‘NYC 2000’ verso, oil on canvas 92 x 78 1/2 in. (233.6 x 199.3cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $7,000-9,000

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11/06/11 161 11-1398/47 GREG BOGIN (american b. 1965) “WARM REGARDS” Signed and dated 2001 verso, acrylic and enamel on canvas 65 x 56 in. (165.1 x 142.3cm) Unframed provenance: Mary Boone Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $3,000-5,000

162 11-1398/59 JAMES WELLING (american b. 1951) “UNTITLED 79” Signed with initials and inscribed ‘79’ verso, oil on canvas Executed circa 1986-7 52 x 52 in. (132.1 x 132.1cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $2,500-3,500

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163 11-1398/27 DAVID MORENO (american b. 1957) “HEADPHONE HEADS” Ink and watercolor on paper Executed in 2001 85 1/2 x 62 in. (217.1 x 157.4cm) provenance: Lehman Brothers Corporate Art Collection. $2,000-3,000

164 11-1398/8 WILLIAM H. BAILEY (american b. 1930) “GIRL IN TURTLENECK” Signed and dated ‘67 bottom right, graphite on paper 15 x 11 1/8 in. (38.1 x 28.2cm) provenance: Lehman Brothers Corporate Art Collection. $800-1,200

165 11-1398/29 BILLY SULLIVAN (american b. 1946) “EASTER IN AFGANISTAN” Signed with initials and dated 90 bottom right, pastel on paper 42 x 30 in. (106.6 x 76.3cm) provenance: Fishbach Art Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $2,000-3,000

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166 11-1398/36 five works on paper ALESSANDRO PESSOLI (italian b. 1963) “UNTITLED” Each presumably signed, dated 1997 or 1998 in ink and numbered in pencil verso, bleach and watercolor on paper Executed in 1997-1998. each sheet approx. 10 x 14 in. (25.4 x 35.6cm) (5). provenance: Anton Kern Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $5,000-8,000

167 11-1398/44 six works on paper ALESSANDRO PESSOLI (italian b. 1963) UNTITLED Each presumably signed, dated 1997 or 1998 in ink and numbered in pencil verso, bleach and watercolor on paper Executed in 1997-1998. each sheet approx. 10 x 14 in.

(25.4 x 35.6cm) (6). provenance: Anton Kern Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $5,000-8,000

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168 11-1398/48 CARLOS ESTRADA-VEGA (mexican b. 1955) “FACUNDO 202 = 401” Signed twice, titled, dated 1998 and inscribed ‘202 = 401’ and ‘Pomona CA Summer of 1998’ verso, oil on canvas with magnet inserts attached to metal plate 14 1/2 x 14 1/2 in. (36.8 x 36.8cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $600-1,000

169 11-1398/30 CARL FUDGE (british b. 1962) “STORAGE OF PLEASURE” Signed and dated 1997 and inscribed ‘jouis sarce’ verso, synthetic paint on wood 56 x 48 in. (142.2 x 121.9cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $1,500-2,500

170 11-1398/62 JULIAN LETHBRIDGE (american b. 1947) “ALIBI I” Signed with initials and dated 92 bottom right, graphite and acrylic on paper sheet: 27 x 22 in. (68.6 x 56cm) provenance: Stuart Regen Gallery, Los Angeles, California.

Lehman Brothers Corporate Art Collection. $800-1,200

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11/06/11 171 11-1398/102 BRAD KAHLHAMER (american b. 1956) “CLOUDY BOY MONUMENT” Signed, titled and dated 1999 verso, oil on canvas 84 x 64 in. (213.3 x 162.5cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $4,000-6,000

172 11-1398/98 CORNELIUS VÖLKER (german b. 1965) “SWIMMER” Signed and dated 1996 verso, oil on canvas 59 x 86 in. (149.8 x 218.4cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $3,000-5,000

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11/06/11 173 11-1398/408 VITO ACCONCI (american b. 1940) “BLOWN-UP BABY DOLL (6 TRIANGLE VERSION)” 1992, signed in black marker, dated and numbered 6/20 verso, printed by Clay Street Press, Inc., Cincinnati, and with their blindstamp. Color screenprint on Sintra and mirrored plexiglas in six parts, each backed with velcro. overall: 48 x 48 in. (121.9 x 121.9cm) Unframed provenance: Private Collection, New York.

Lehman Brothers Corporate Art Collection, acquired from above in October 1999. $2,500-3,500

174 11-1398/404 ANDRES SERRANO (american b. 1950) “BLOOD AND SEMEN” from “photographers and friends against aids” 1990, signed and numbered 9/25 verso. Silver dye bleach print contained within wove paper folder printed with artist’s name.

15 3/4 x 12 3/4 in. (40 x 32.4cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $1,500-2,500

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11/06/11 175 11-1398/88 AMY MYERS (american b. 1965) “THE HANDHELD UNIVERSEPOPE” Graphite, conte crayon, fine metallic thread and gouache on paper Executed in 2004. sheet: 22 x 23 in. (55.8 x 58.3cm) provenance: Dunn and Brown Contemporary Art, Dallas, Texas.

Lehman Brothers Corporate Art Collection. $600-1,000

176 11-1398/52 JAMES BARSNESS (american b. 1954) “ST. CHRISTOPHER” Signed with initials and dated 1992 bottom right, mixed media and collage on paper 40 x 32 in. (1101.6 x 81.3cm) provenance: Frumpkin/Adams Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $800-1,200

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11/06/11 177 11-1398/84 AMIKAM TOREN (israeli b. 1945) “UNTITLED (ARM CHAIR PAINTING)” Signed bottom right, oil on canvas with cut out lettering Executed in 1989 18 x 24 in. (40.7 x 60.8cm) provenance: Anthony Reynolds Gallery, London.

Lehman Brothers Corporate Art Collection. $2,500-3,500

178 11-1398/80 ELLIOTT GREEN (american b. 1960) “EMERGENCE 57” Signed and dated 1993 bottom right, titled verso on stretcher, acrylic on paper laid down to painted canvas 24 x 36 in. (60.8 x 91.5cm) Unframed provenance: Lehman Brothers Corporate Art Collection. $800-1,200

179 11-1398/10 HIRAKI SAWA (japanese b. 1977) “ELSEWHERE” Signed, titled, numbered 1/8 and dated 20/11/2003 on printed and folded certificate with title card enclosed therein, digital video on DVD plus two duplication copies contained within cardboard box.

7:40 loop. provenance: Lehman Brothers Corporate Art Collection. $1,200-1,800

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180 11-1398/18 WALTER PICHLER (austrian b. 1936) “ROT IN RUECKEN (RED IN BACK)” Signed, dated 4.5.83 and inscribed ‘(St.M)’ bottom right, titled upper center, graphite, watercolor and egg tempera on paper sheet: 16 3/4 x 12 in. (42.5 x 30.5cm) provenance: Lehman Brothers Corporate Art Collection. $4,000-6,000

181 11-1398/105 MIA WESTERLUND ROOSEN (american b. 1942) “HOOSICK FALLS I” Graphite and pastel on vellum Executed in 2006 sheet: 30 x 20 3/4 in. (76.2 x 52.7cm) provenance: Betty Cuningham Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $600-1,000

182 11-1398/115 two drawings PEGGY PREHEIM (american b. 1963) “CYCLE” and “JANE” Both signed and dated 98 bottom right, “Jane” signed, titled, dated ‘July 15, 1998’ in pencil verso, graphite on paper each image approx.: 3 1/2 x 2 1/2 in. (8.9 x 6.4cm) each sheet: 14 x 11 in. (35.6 x 27.9cm) (2). provenance: Bonakdar Jancou Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $800-1,200

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11/06/11 183 11-1398/50 PETER WEGNER (american b. 1963) “SKY 9” AND “SKY 10’ from “clear blue sky” Signed, titled and dated 1999 verso on each panel, oil on medium density fiberboard, diptych each panel: 30 x 78 in.

(76.2 x 198.2cm) overall: 60 x 78 in.

(152.3 x 198.2cm) Unframed (2). provenance: Mary Boone Gallery, New York, New York.

Lehman Brothers Corporate Art Collection. $4,000-6,000

184 11-1398/93 JIRI KOLAR (czech 1914-2002) “UNTITLED #6” Signed with initials and dated 69 bottom right, collage of strips on color offset laid on cardboard 7 1/2 x 18 in. (19 x 45.7cm) provenance: Lehman Brothers Corporate Art Collection. $800-1,200

185 11-1398/97 ERNESTO PUJOL (cuban b. 1957) “HOW TO SINK A BOAT: BOAT AND SAW” Oil on linen affixed to composite board with pins, diptych Executed in 1996. each: 27 x 38 in. (68.6 x 96.5cm) (2). provenance: Lehman Brothers Corporate Art Collection. $1,000-2,000

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186 11-1398/104 ELLEN PHELAN (american b. 1943) “CATSKILLS- MIST RISING OFF THE RIVER” Gouache on paper Executed in 1986. sight size: 13 1/2 x 11 in. (34.3 x 27.8cm) provenance: Barbara Toll Fine Art, New York, New York.

Lehman Brothers Corporate Art Collection. $1,200-1,800

187 11-1398/13 BETTY ROODISH GOODWIN (canadian b. 1923) “LA MEMOIRE DU CORPS I” Signed and dated 91:92 bottom right, oil, graphite, and pastel on Geofilm with steel pendulum 84 x 32 in. (213.36 x 81.3cm) (2). provenance: Lehman Brothers Corporate Art Collection. $4,000-6,000

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188 11-1398/61 ANN HAMILTON (american b. 1956) “UNTITLED” From the edition of 40 unique examples, published by the New Museum, New York, cut-out book pages, colored stones and pebbles in a lacquered birch and glass case Executed in 1992.

3 5/8 x 38 3/4 x 9 1/4 in. (9.2 x 98.4 x 23.4cm) provenance: Lehman Brothers Corporate Art Collection. exhibited: New York, Akira Ikeda Gallery, “An Empty Space: Ann Hamilton,” JanuaryJune 2006 (another example exhibited). $4,000-6,000

189 11-1398/63 SAM SAMORE (american b. 1963) “THE I (#3)” Signed and dated 2000 in pencil verso. Digital pigment print on canvas.

43 x 102 in. (109.3 x 259.1) Unframed provenance: Gorney Bravin + Lee, New York, New York.

Lehman Brothers Corporate Art Collection. $4,000-6,000

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190 11-1881/10 PETER REGINATO (american b. 1945) “FREEFORM IRON SCULPTURE” Signed and dated ‘79 on underside, welded iron sculpture 28 x 25 1/2 x 21 1/2 in.

(71.12 x 64.8 x 54.6cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania.

Private Collection, Bryn Mawr, Pennsylvania, acquired from the above in 1981.

By descent in family. $2,000-3,000

191 11-2116/1 STUART NETSKY (american 20th century) “SCANDAL TO THE JAYBIRDS” Enamel sign paint on plexiglas Executed in 2003.

45 x 45 in. (114.3 x 114.3cm) Unframed. provenance: Locks Gallery, Philadelphia, Pennsylvania. $1,500-2,500

192 11-1951/1 EDNA ANDRADE (american 1917-2008) “SKETCH B - CLOUD II” Initialed and dated 12.76 bottom left corner, ink on graph paper 14 x 11 in. (35.6 x 27.9cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania. $800-1,200

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193 11-5003/1 JANE PIPER (american 1916-1991) “SMALL FLORAL” Signed and dated 77 bottom right, mixed media and paper collage element on paper 23 1/2 x 18 in. (59.7 x 45.8cm) provenance: McCleaf Gallery, Philadelphia, Pennsylvania.

Estate of Polly Plummer Mackie, Bryn Mawr, Pennsylvania. $800-1,200

195 11-1882/3 two works on paper JIMMY LUEDERS (american 1927-1994) UNTITLED Each signed and dated 76 (one bottom right, one bottom left), acrylic on paper 22 7/8 x 21 7/8 in. (58.1 x 55.6cm); and 25 x 24 7/8 in. (63.5 x 63.3cm) Each unframed (2). provenance: Private Collection, Bala Cynwyd, Pennsylvania. $1,000-1,500

194 11-1353/6 LYNN SNYDER (american 1928-2010) “A QUIET PLACE” Signed bottom right, oil on canvas 22 x 28 in. (35.8 x 71.1cm) provenance: Estate of Lynn Snyder, Bala Cynwyd, Pennsylvania.

By family descent. $1,000-1,500

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196 11-5003/4 JIMMY LUEDERS (american 1927-1994) “LEFT HAND FLOWERS” Signed and dated 71 bottom right, signed again verso on canvas and stretcher, acrylic on canvas 34 1/4 x 28 in. (87 x 71.1cm) provenance: Estate of Polly Plummer Mackie, Bryn Mawr, Pennsylvania. $1,000-1,500

197 11-5003/5 JIMMY LUEDERS (american 1927-1994) “BLACK CALLA” Signed and indistinctly dated bottom left, acrylic on canvas 40 1/4 x 30 in. (102.2 x 76.2cm) provenance: McCleaf Gallery, Philadelphia, Pennsylvania.

Estate of Polly Plummer Mackie, Bryn Mawr, Pennsylvania. $1,000-1,500

198 11-1353/12 JIMMY LUEDERS (american 1927-1994) “FLOWER STRUCTURE” Signed and dated 73 bottom right, oil on canvas 46 x 48 in. (116.8 x 121.8cm) provenance: Gross McCleaf Gallery, Philadelphia, Pennsylvania.

Estate of Lynn Snyder, Bala Cynwyd, Pennsylvania. $1,500-2,500

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11/06/11 199 11-5003/6 JIMMY LUEDERS (american 1927-1994) “COMPOSITION #7” Signed center right, titled on stretcher, acrylic on canvas 30 x 24 in. (76.2 x 61cm) provenance: Estate of Polly Plummer Mackie, Bryn Mawr, Pennsylvania. $800-1,200

200 11-1486/20 ELIZABETH OSBORNE (american b. 1936) “AUDREY II” Signed and dated 87 upper left, pastel on paper sight size: 23 x 32 in. (58.3 x 81.3cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

201 11-1557/2 ELIZABETH OSBORNE (american b. 1936) “UNTITLED III” Signed and dated ‘74 bottom right, watercolor 22 1/2 x 30 3/8 in. (57.1 x 76.8cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania. $1,500-2,500

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202 11-1847/2 ELIZABETH OSBORNE (american b. 1936) “CHAMA VALLEY” Signed, titled and dated 73 verso and again on stretcher, acrylic on canvas 70 x 72 in. (177.8 x 182.9cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania.

By descent in family to present owner.

Private Collection, Wayne, Pennsylvania. $12,000-18,000

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11/06/11 203 11-1999/1 ELIZABETH OSBORNE (american b. 1936) “INTERIOR” Signed and dated 67 bottom left, signed, titled and dated again on stretcher verso, acrylic on canvas 33 x 43 in. (83.7 x 43cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

204 11-1999/2 ELIZABETH OSBORNE (american b. 1936) INTERIOR WITH TWO FIGURES Signed and dated 67 bottom left, acrylic on canvas 32 x 40 in. (81.1. x 101.5cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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11/06/11 205 11-1557/3 ELIZABETH OSBORNE (american b. 1936) SEATED WOMAN Signed and dated 71 bottom left, pastel on paper 10 3/4 x 14 in. (27.3 x 35.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

206 11-1882/1 ELIZABETH OSBORNE (american b. 1936) BLACK BOTTLE Signed and dated 76 bottom left, watercolor on paper sight size: 13 x 11 in. (33 x 27.8cm) provenance: Private Collection, Bala Cynwyd, Pennsylvania. $1,500-2,500

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11/06/11 207 11-1016/174 BO BARTLETT (american b. 1955) “THE LIGHT YEARS (MELONIE 1993-1994)” Signed and with artist’s IGN inscription verso, oil on board 21 x 17 in. (53.3 x 43.2cm) provenance: The artist.

Private Collection. $4,000-6,000

208 11-1016/54 BO BARTLETT (american b. 1955) MELONIE IN PINK DRESS Oil on panel 12 x 9 in. (30.3 x 22.7cm) Unframed provenance: The artist.

Private Collection. $1,000-2,000

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209 11-2011/1 BO BARTLETT (american b. 1955) “MADRE DEL NENE” Signed, titled, dated Dec. 1989-Jan. 1990 and with IGN inscription verso, oil on linen 70 x 94 in. (177.8 x 238.8cm) provenance: The artist.

P.P.O.W. Gallery, New York, New York.

Private Collection, Haverford, Pennsylvania. exhibited: “Heartland: Paintings by Bo Bartlett, 1978-2002,” The Columbus Museum, Columbus, Georgia (traveled to Greenville County Museum of Art, Frye Art Museum, Santa Barbara Museum of Art and Pennsylvania Academy of the Fine Arts), illustrated in exhibition catalogue on p. 54 (plate 13).

P.P.O.W. Gallery, New York, New York, 2010. literature: Donald Kuspit, Patricia Junker and Jack Byer, “Bo Bartlett: Paintings 19812011,” 2010, illustrated p. 12. $40,000-60,000

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210 11-1851/1 BO BARTLETT (american b. 1955) STUDY FOR “FIREFLY” Signed, titled 1993, inscribed and titled verso, oil on panel 5 1/2 x 7 5/8 in. (14 x 19.4cm) Unframed provenance: The artist.

Private Collection, Bryn Mawr, Pennsylvania. literature: Charles Butler, Al Harris-Fernandez, Sylvia Yount and Suzi Gablik, “Bo Bartlett,” 2002, “Firefly” (larger, finished painging) illustrated p. 17 (plate 17). $600-1,000

212 11-1016/176 BO BARTLETT (american b. 1955) STILL LIFE WITH COFFEE CUP Signed, dated ‘03 verso and with artist’s IGN inscription verso, gouache on paper sheet: 15 x 22 1/2 in.

(38.2 x 57.2cm) provenance: The artist.

Private Collection. $1,500-2,500

211 11-1851/2 BO BARTLETT (american b. 1955) ELIOT (TWO PORTRAITS) One dedicated bottom left and executed ca. 1996-7 and the other inscribed ‘EL’ and dated ‘9.12-03’ verso, graphite on paper each sheet approx: 11 3/8 x 15 1/8 in. (28.8 x 38.3cm) (2). provenance: The artist.

Gifted to the present owner.

Private Collection, Bryn Mawr, Pennsylvania. $1,000-1,500

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11/06/11 213 11-2116/2 BO BARTLETT (american ) UNTITLED (PHILADELPHIA) Signed twice and dated 83 on stretcher verso, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: The artist.

Locks Gallery, Philadelphia, Pennsylvania. $4,000-6,000

214 11-1016/121 BO BARTLETT (american b. 1955) STUDY FOR “MIGRATION” Signed and with the artist’s monogram and titled in pencil verso, oil on board 11 x 23 in. (27.7 x 58.3cm) Unframed provenance: The artist.

Private Collection. $2,000-3,000

215 11-1016/43 BO BARTLETT (american b. 1955) VIEW THROUGH TREES Oil on panel 14 x 11 in. (35.4 x 27.8cm) Unframed provenance: The artist.

Private Collection. $1,000-2,000

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216 11-1016/175 BO BARTLETT (american b. 1955) “MELONIE MOULTRIE” Signed, titled, dedicated and dated ‘July 1995’ and with artist’s IGN inscription verso, oil on board 13 x 16 3/8 in. (32.9 x 41.5cm) provenance: The artist.

Private Collection. $3,000-5,000

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217 11-1664/1 BO BARTLETT (american b. 1955) “GREEN REASON” With the artist’s red ‘IGN’ monogram bottom left and artist’s pentagon symbol bottom right, signed, titled and dated 1990 verso, oil on birch panel 16 1/4 x 19 1/4 in. (41.3 x 49cm) provenance: Private Collection, Philadelphia, Pennsylvania. exhibited: “Bo Bartlett: Paintings and Drawings,” Jan 5-26, 1991, PPOW, NY, Illustrated p 36., cat. no. 20. $6,000-10,000 END OF SALE

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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Index Abakanowicz, M., 151 Acconci, V., 173 Andrade, E., 61, 192 Ardissone, Y., 26 Arman, 53, 108 Arp, H., 52 Avery, March, 83, 85, 86 Avery, Milton, 76-80 Avery, S., 81, 82, 84 Bacci, E., 32 Bailey, W., 164 Barsness, J., 176 Bartlett, B., 207-217 Baumeister, M., 108 Bearden, R., 124-127 Bedia, J., 69, 70 Bogin, G., 161 Bouyssou, J., 27 Bonnard, P., 22 Botero, F., 64 Braque, G., 10,11 Calder, A., 60, 88 Camargo, H., 72 Cardenas, A., 71 Caro, A., 150 Chagall, M., 17-20 Chamoun, C., 62 Chihuly, D., 147 Christo, 110, 111 Clark, C., 121, 122 Dali, S., 15 de Kooning, W., 95 de la Fresnaye, R., 24 Dufy, R., 51 Elrod, J., 160 Engman, R., 59 Estrada-Vega, C., 168 Fahlstrom, O., 108 Fairey, S., 132

Fangor, W., 55 Fish, J., 154 Fitzpatrick, T., 136 Francis, S., 100 Frankenthaler, H., 99 Friedeberg, P., 63 Fudge, C., 169 Gerzso, G., 68 Goeritz, M., 54 Goodman, R., 145 Goodwin, B., 187 Goodyear, J., 108 Gordy, R., 144 Gottlieb, A., 97 Green, E., 178 Gregory, M., 135 Grooms, R., 58, 109 Halili, G., 138 Hamilton, A., 188 Haring, K., 133 Hinman, C., 108 Howard, H. 131 Hugo, J., 23 Itten, J., 39 James, W., 25 Jenkins, P., 89-93 Johns, J. 101 Jones, A., 108 Kahlhamer, B., 171 Kahn, W., 94, 152, 153 Katz, A., 114-119 Kelly, E., 98 Kolar, J., 184 Lam, W., 75 Lane, H., 158, 159 Lawrence, J., 129 Laxman, P., 44 Lethbridge, J., 170

Lichtenstein, R., 107 Lueders, J., 196-199 Man Ray, 87 Marini, M., 35, 36 Marx, R., 73 Matta, R., 74 Miro, J., 12, 13, 14 Moore, H., 16 Moreno, D., 163 Morris, W., 148 Motherwell, R., 96, 108 Muter, M., 21 Myers, A., 175 Netsky, S., 191 Nozkowski, T., 146 Ohl, F., 41 Oldenburg, C., 56, 57 Osborne, E., 200-206 Pai, L., 42 Paz., O., 68 Pessoli, A., 166, 167 Phelan, E., 186 Picasso, P., 1-9 Pichler, W., 180 Piper, J., 193 Preheim, P., 182 Pujol, E., 185 Raffael, J., 137 Rauschenberg, R., 102 Rayo, O., 67 Reginato, P., 190 Reinhardt, A., 108 Rivers, L., 104 Roosen, M., 181 Rosenquist, J., 108, 113 Roy, J., 43 Rueda, G., 30 Ryman, R., 103

Sala, E., 28 Samore, S., 189 Sawa, H., 179 Searles, C., 130 Serrano, A., 141 Siena, J., 142 Slonem, H., 155 Sluijters, J., 38 Snyder, L., 194 Souza, F.N., 45-50 Steinberg, S., 108 Steir, P., 139, 140 Sullivan, B., 165 Tamayo, R., 65, 66 Toren, A., 177 Ubeda, A., 29 Van Velde, B., 37 Ventrone., L., 33, 34 Völker, C., 172 Warhol, A., 105, 106 Weber, I., 156, 157 Wegner, P. 183 Welling, J. 162 Wesselmann, T., 112 Wiggins, K., 134 Wilson, D.R., 143 Woodman, B., 149 Ying, P.T., 42

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Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

American Furniture, Folk & Decorative Arts 11/19/11 The 6th Annual Pennsylvania Sale 11/20/11

Auctions: Saturday, November 19th, 10am Sunday, November 20th, 12pm

Upcoming at Freeman’s

To be offered 11/20/11 Wharton Esherick (1887–1970) sculpted, wall-mounted console Inscribed “W.E. 1962” provenance: Estate of Lynn Snyder, Bala Cynwyd, Pennsylvania.

Exhibitions Wednesday, November 16th Thursday, November 17th Friday, November 18th Saturday, November 19th Please contact the department or www.freemansauction.com for further details

Inquiries: lynda cain direct tel: 267.414.1237 lain@freemansauction.com amy parenti direct tel: 267.414.1223 aparenti@freemansauction.com Catalogue $30

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 45 School Street Boston MA 02108 Telephone: 617.367.3400 www.freemansauction.com

www.freemansauction.com

Fine Paintings Thursday 1st December, 2011 33 Broughton Place, Edinburgh EH1 3RR

Viewing times Sunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pm Morning of Sale by appointment only

JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HIGH CORRIE, ARRAN Signed, oil on canvas 51cm x 61cm (20in x 24in)

ÂŁ10,000-15,000 ($16,000-24,000)

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

Fine American & European Paintings & Sculpture 12/04/11

JAMES ABBOTT MCNEILL WHISTLER (american 1834-1903) "BLUE AND OPAL - THE PHOTOGRAPHER" Watercolor on paper, laid down on card.

Painted circa 1885 4 x 8 in. (10.2 x 20.3cm) $150,000-250,000 (detail) provenance: Howard Mansfield Harlow McDonald & Co., New York Mrs. Cornelius J. Sullivan Macbeth Gallery, New York E.A Seasongood Sold at Parke – Bernet auction, New York, 5-6th November, 1951, lot 304 Private Collection Macbeth Gallery, New York Private Collection, Amherst, MA Macbeth Gallery, New York Hirschl & Adler, New York Acquired from the above in 1959 Private Collection, Pennsylvania Estate of the above.

Alasdair Nichol 267.414.1211 anichol@freemansauction.com

Upcoming at Freeman’s

David Weiss 267.414.1214 dweiss@freemansauction.com

exhibition: London, Dowdeswell, 1886 Possibly Paris, 1887 New York, 1889 (where purchased by Howard Mansfield) Boston, Copley Society, ‘Memorial Exhibition of the Works of Mr. Whistler’, 1904 New York, 1984 ‘James McNeill Whistler: Retrospective Exhibition, 1994-95’ Touring Exhibition Tate Gallery, London, UK, October 12, 1994 – January 8, 1995 Reunion des Musees Nationaux (Musee d’Orsay), Paris, France, February 6 - April 30, 1995 National Gallery of Art, Washington, D.C., May 28 – August 20, 1995

www.freemansauction.com

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Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii amy parenti whitney bounty American Silver samuel ≤ free≤an ii amy parenti Asian Arts robert waterhouse richard cervantes nicholas clarke English & Continental Furniture, Silver & Decorative Arts david walker ben fisher nicholas clarke Fine Jewelry kate waterhouse samuel ≤ free≤an ii madeline mccauley Fine Paintings & Sculpture alasdair nichol david weiss maya o’donnell-shah aimee pflieger david edevane Fine Prints anne henry david weiss aimee pflieger maya o’donnell-shah

Old Master Paintings & Works of Art david weiss maya o’donnell-shah david edevane Photography & Photobooks kate molets aimee pflieger david edevane Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger david edevane Pop Culture simeon lipman, consultant kerry-lee jeffery Oriental Rugs & Tapestries richard cervantes david weiss Rare Books, Manuscripts, & Ephemera david j bloom joe huenke

depart≤ents

officers

Appraisals

chair≤an samuel ≤ freeman ii

anita heriot sa≤uel ≤ free≤an ii james e buckley donald e walter kate molets Appraisal Services heather burke natalie difeliciantonio lauren peck Consignments samuel h cooper james e buckley ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll fran nicosia jessica carter bethany mobbs susannah henderson marianne dages bridget bonner Operations nathan norley gerald lightfoot marlon glover michael fredricks andrew zajack gerald davis alex hampshire Finance jeffrey miller Business Development & ≤arketing tara theune davis thomas b. mccabe iv mary knapp christopher browne Trusts & Estates samuel t freeman iii thomas b. mccabe iv natalie difeliciantonio Photography elizabeth field elizabeth schultz thom clark

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss chief financial officer eric a smith vice presidents david j bloom lynda a cain samuel t. freeman iii anne henry robert waterhouse representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345 colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011 kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400 robert and kate waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226 john jones Mountain Brook, AL jjones@freemansauction.com Telephone: 205.803.4949

“One of the top 100 hotels in the world” Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proud to announce our new partnership with Freeman’s. We are pleased to offer Freeman’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.

215-790-2541, jheim@rittenhousehotel.com

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

Lot 153 (detail) ARMAN (french/american 1928-2005) UNTITLED Signed and dated ‘71’ on lower edge, unique broken violin cast in polyester resin 9 7/8 x 9 7/8 x 9 7/8 in.

(25 x 25 x 25cm) provenance: The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania. note: This work is recorded in the Arman Studio Archives under number: APA# 8208.71.084

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236