Fine American & European Paintings

Fine American & European Paintings & Sculpture 12/02/12

Fine American & European Paintings & Sculpture 12/02/12

Fine American & European Paintings & Sculpture Sale 1448 Sunday, December 2nd, at 2pm Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267.414.1214 dweiss@freemansauction.com andrew huber direct tel: 267.414.1210 ahuber@freemansauction.com

Printing by Brilliant Studio Exton, Pennsylvania

Exhibitions:

Bidding:

Thursday, November 29th to Saturday, December 1st 10am-5pm

bids department bridgette bonner tel: 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com

Catalogue $35

Inside Front Cover: Lot 114 (detail) Inside Back Cover: Lot 94 (detail) Color images of every lot are available at www.freemansauction.com

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

Payment

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer.

To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid.

Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.

Payment may be made in cash, by check, money order, or debit card.

Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

European Paintings & Property from the Estate of Marvin Lundy

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1 126039/2 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) LES LAVANDIERS Signed and dated ‘Daubigny 1863’ bottom left, oil on panel 14 5/8 x 26 1/2 in. (37.1 x 67.3cm) provenance: Property of a Lady, New York, New York. $6,000-10,000

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2 121776/1 FERDINAND VICTOR LÉON ROYBET (french 1840-1920) CAVALIER IN INTERIOR Signed ‘F. Roybet’ bottom left, oil on panel 12 5/8 x 8 in. (32.1 x 20.3cm) provenance: Frederick W. Thom Gallery Ltd., Toronto, Canada.

The Estate of James E. Cushing Jr. $2,000-3,000

4 121746/8 PAUL EMILE LÉON PERBOYRE (french 1851-1929) NAPOLEON LEADING HIS TROOPS Signed and dated ‘Perboyre / 1900’ bottom right, oil on canvas 15 x 18 in. (38.1 x 45.7cm) provenance: Private Collection, Ohio. $2,000-3,000

3 122062/191 FRANÇOIS-ÉTIENNE MUSIN (belgian 1820-1888) FISHERFOLK AT LOW TIDE Signed ‘F. Musin’ bottom right, oil on canvas 31 x 50 1/4 in. (78.7 x 127.6cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $4,000-6,000

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12/02/12 5 126038/2 VICTOR CHARRETON (french 1864-1937) UNDER THE CHERRY BLOSSOM Signed ‘Victor Charreton’ bottom left, oil on canvas 24 x 29 in. (61 x 73.7cm) provenance: Private Collection, North Carolina. $4,000-6,000

6 126029/2 JOSEPH VICTOR COMMUNAL (french 1876-1962) A VIEW DOWN THE VALLEY Signed and dated ‘J. Communal/ 1916’ bottom left, oil on canvas, unframed 29 x 36 1/4 in. (73.6 x 92.1cm) provenance: Private Collection, Maryland. $1,000-1,500

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12/02/12 7 11-2246/7 CONTINENTAL SCHOOL (19th century) MIXED FLOWERS IN AN URN; LANDSCAPE BEYOND Oil on canvas 63 1/2 x 48 in. (161.3 x 121.9cm) provenance: Philippe Farley Antiques, New York, New York.

Acquired from the above.

Private Collection, New York. $4,000-6,000

8 121581/12 ADOLPHE JOSEPH THOMAS MONTICELLI (french 1824-1886) THE BOATING PARTY Signed ‘A. Monticelli’ bottom right, oil on canvas 15 3/4 x 24 in. (40 x 61cm) provenance: Cottier & Co., New York.

Property of an English Gentleman. note: We kindly thank Aaron Sheon for his authentication of this painting by electronically transmitted images.

This lot will be accompanied by a letter of authenticity from Professor Aaron Sheon. $3,000-5,000

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12/02/12 9 126037/1 JOHANNES FRANCISCUS SPOHLER (dutch 1853-1894) A TOWN VIEW WITH FIGURES, BELIEVED TO BE MIDDLEBURG, ZEELAND, THE NETHERLANDS Signed and dated ‘J.F. Spohler ‘78’ bottom left; also with printed frame label verso, oil on canvas 33 x 26 3/4 in. (83.8 x 67.9cm) provenance: Private Collection, New York, New York. $20,000-30,000

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10 126034/1 JOSEF WISCHNIOWSKY (austrian 1856-1929) THE AMOROUS CAVALIER Signed, located and inscribed ‘J Wischniowsky Munchen’ bottom right, oil on canvas 14 1/2 x 12 1/4 in. (36.8 x 31.1cm) provenance: Private Collection, New York, New York.

Private Collection, Pennsylvania. $1,200-1,800

11 126030/19 JOHANN SPERL (german 1840-1914) A PAUSE IN THE DAY Signed ‘Sperl’ bottom center left; also inscribed indistinctly on verso, oil on canvas, unframed 17 x 12 in. (43.2 x 30.5cm) provenance: Private Collection, Pennsylvania. $2,000-3,000 12 126030/17 PHILIPP HELMER (german 1846-1912) TYROLEAN PEASANT AT A TAVERN TABLE Signed ‘Ph. Helmer’ and inscribed bottom right, oil on panel 10 5/8 x 8 in. (27 x 20.3cm) provenance: Private Collection, Pennsylvania. $1,200-1,800

13 126030/13 pair oils on panel FRANZ VON DEFREGGER (austrian 1835-1921) “TYROLEAN GENTLEMAN” Signed ‘Defregger’ upper left, oil on panel, and a companion oil by the same hand, signed 'Defregger' upper left, both unframed Each 12 9/16 x 9 5/16 in. (31.9 x 26.7cm) (2) provenance: Private Collection, Pennsylvania. $4,000-6,000

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14 126030/16 THOMAS ALT (austrian 1846-1937) PORTRAIT OF A GENTLEMAN Signed ‘Th. Alt’ bottom left, oil on canvas, unframed 8 1/2 x 6 7/8 in. (21.6 x 17.5cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

15 126030/3 HUGO WILHELM KAUFFMANN (german 1844-1919) SEATED MAIDEN Signed and dated ‘Hugo Kauffmann 78’ bottom center, oil on panel, unframed.

5 1/2 x 5 1/8 in. (14 x 13cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

16 126029/1 ALOIS HEINRICH PRIECHENFRIED (austrian 1867-1953) A FRIENDLY VISIT Signed and dated ‘A. Priechenfried 1944’ top right, oil on canvas 29 1/2 x 37 1/2 in. (74.9 x 95.3cm) provenance: Private Collection, Maryland. $2,500-4,000

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12/02/12 17 126030/20 JOHANN SPERL (german 1840-1914) VILLAGERS Signed ‘J. Sperl’ bottom right, oil on canvas laid on panel, unframed 8 5/8 x 11 in. (21.9 x 27.9cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

18 126030/2 GREGOR VON BOCHMANN THE ELDER (german 1850-1930) FARMYARD SCENE WITH OXCART Signed and dated ‘Gr Bochmann 09’ bottom left, oil on panel, unframed 4 3/4 x 7 1/8 in. (12.1 x 18.1cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

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12/02/12 19 126029/6 THEODOR PETTER (austrian 1822-1872) HILLSIDE FLOWERS Signed and dated ‘Theodor Petter 1869’ bottom left, watercolor 11 3/4 x 9 3/8 in. (29.8 x 23.8cm) And a companion watercolor by the same hand, signed and dated ‘Theodor Petter 1869’ bottom left 11 5/8 x 9 3/8 in. (29.5 x 23.8cm) (2) provenance: Private Collection, Maryland. $1,000-1,500

20 126030/21 GUSTAV SCHÖNLEBER (german 1851 - 1917) BUSY HARBOR Signed ‘G. Schönleber’ bottom left; also inscribed verso, oil on canvas, unframed 23 1/8 x 17 1/2 in. (58.7 x 44.5cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

21 126030/1 WILHELM VELTEN (russian 1847-1929) HORSEMAN ON A PATHWAY Signed ‘W Velten’ bottom left, oil on panel, unframed 5 1/8 x 8 in. (13 x 20.3cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

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12/02/12 22 121900/3 OSKAR MULLEY (austrian 1891-1949) COTTAGE IN THE WOODS Signed ‘Mulley’ bottom right, mixed media on paper 17 3/16 x 16 9/16 in.

(43.6 x 42.1cm) provenance: Private Collection, New York. $5,000-8,000

23 126028/3 GIOVANNI BARTOLENA (italian 1866-1942) STILL LIFE OF A FISH Signed ‘G. Bartolena’ bottom right; also signed in pencil and inscribed ‘0173’ and stamped (twice) ‘581’ verso, oil on panel 4 3/8 x 8 3/4 in. (11.1 x 22.2cm) provenance: Christies, New York, October 1, 2007, lot 835.

Private Collection, Maryland. $1,500-2,500

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24 121077/2 GIOVANNI COSTA (italian 1833-1893) REVERIE Signed ‘G. Costa’ bottom right, oil on canvas 44 1/2 x 27 in. (112.4 x 70.5cm) provenance: Private Collection, Newport, Rhode Island. $6,000-8,000

25 121843/15 POMPEO MASSANI (italian 1850-1920) A FAIR EXCHANGE Signed ‘P. Massani’ top left, oil on canvas 15 3/4 x 11 1/2 in. (40 x 29.2cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

26 126031/1 ENRIQUE ROLDAN (spanish 19th c.)

THE ALCÁZAR, SEVILLE Signed, dated and located ‘Enrique Roldan = 1893/Sevilla’ bottom right, oil on canvas 21 7/8 x 16 3/4 in. (55.6 x 42.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-4,000

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27 121746/2 RAIMUNDO DE MADRAZO Y GARRETTA (spanish 1841-1920) “SANTA MARIA DELLA PACE, ROMA” Signed ‘R. Madrazo’ bottom left, oil on canvas 23 1/4 x 39 3/8 in. (59.1 x 100cm) provenance: Alexander Brown, Philadelphia, Pennsylvania.

Private Collection, Ohio. literature: William R. Johnston, “A Contemporary Genre Painting By Raimundo De Madrazo Y Garreta” Journal of the Walters Art Gallery, 3334, 1970-1. pp 38, fig 4 (illus.) $30,000-50,000

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28 121341/23 ITALO NUNES-VAIS (italian 1860-1932) THE MUSIC LESSON Signed ‘I Nunes-Vais’ bottom left, oil on canvas 22 x 33 1/4 in. (55.9 84.5cm) provenance: Private Collection, New York, New York. $8,000-12,000

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29 121918/6 KONSTANTINOS MALEAS (greek 1879-1928) LANDSCAPE WITH REFLECTING POOL Signed ‘K Maleas’ bottom right, oil on panel 8 1/2 x 10 9/6 in. (21.6 x 26.8cm) provenance: Private Collection, New Jersey. $20,000-30,000

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12/02/12 30 121746/1 WILLIAM SHAYER THE ELDER (british 1787-1879) THE TRAVELLERS’ REST Signed ‘Wm Shayer’ and dated indistinctly bottom right, oil on canvas 25 1/4 x 29 7/8 in. (64.1 x 75.9cm) provenance: Private Collection, Ohio. $3,000-5,000

31 121921/1 JAMES PATERSON (scottish 1854-1932) GIRL IN A RED DRESS ON THE BANK OF A RIVER Signed and dated ‘James Paterson A.R.S.A. 1905’ lower middle, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

32 121922/1 WILLIAM MELLOR (british 1851-1931) “RYDAL WATER” Signed ‘William Mellor’ bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,500-2,500

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12/02/12 33 121830/10 JOHN WATKINS CHAPMAN (british 1823-1903) “BEACH WITH FIGURES, CLIFFS ALONG ENGLISH COAST” Signed ‘J W Chapman’ with conjoined initials and dated ‘1880’ bottom left, oil on panel 5 5/8 x 8 7/8 in. (14.3 x 22.5cm) provenance: Cass Canfield Collection, New York, New York.

Schweitzer Gallery, New York, New York.

Private Collection, New Jersey. $5,000-8,000

34 121995/2 ALFRED FONTVILLE DE BREANSKI, JR (british 1877-1955) “THE GARDEN POND” Signed ‘A de Breanksi Jr’ bottom right; also signed, inscribed with title and dated ‘XI’ verso, oil on canvas 24 x 16 in. (61 x 40.6cm) and “THE ROSE PERGOLA” Signed ‘A de Breanski Jr’ bottom left; also signed and inscribed with title verso 24 x 16 in. (61 x 40.6cm) (2) provenance: Private Collection, Pennsylvania. $2,000-3,000

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35 126005/1 ALFRED DE BREANSKI, SR (british 1852-1928) “THE FALLS AT THE LLUGWY, CAPEL CURIG” Signed ‘Alfred de Breanski’ bottom left, oil on canvas 32 x 48 in. (81.3 x 121.9cm) provenance: Private Collection, New Jersey. $10,000-15,000

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12/02/12 36 126018/1 WILLIAM LEE HANKEY (british 1869-1952) “THE MARKET SQUARE” Signed ‘W LEE-HANKEY’ bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Wally Findlay Gallery, Chicago, Illinois.

By descent in the family to present owner.

Private Collection, New Jersey. $3,000-5,000

37 126038/1 WILLIAM LEE HANKEY (british 1869-1952) “SUMMER AFTERNOON ETAPLES” Signed ‘W LEE-HANKEY’ bottom right; also inscribed with title on label verso, oil on canvas 24 x 29 in. (61 x 73.7cm) provenance: Private Collection, North Carolina. $3,000-5,000

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38 128073/1 MONTAGUE DAWSON (british 1895-1973) “THE CHARLES B. LUNT (997 TONS)” Signed ‘Montague Dawson’ bottom left; also inscribed ‘M.D 20 Far Horizion (sic)’The Charles B. Lunt of Newburyport / 997 Tons Built in 1859’ in pencil on canvas overlap verso, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: A partial Frost & Reed label is attached verso.

Private Collection, Virginia. $20,000-30,000

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12/02/12 39 122062/193 JOHN CHARLES MAGGS (british 1819-1895) “THE LIVERPOOL LONDON ROYAL MAIL” Signed, located and dated ‘J C Maggs/Bath 1878’ bottom left, oil on canvas 25 1/4 x 30 in. (64.1 x 76.2cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $2,500-3,500

40 122062/192 JOHN CHARLES MAGGS (british 1819-1895) THE BATH-LONDON MAIL COACH, WINTER Signed, located and dated ‘’J C Maggs / Bath 1882’ bottom right, oil on canvas 24 1/4 x 36 in. (61.6 x 36cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $2,500-3,500

41 121975/1 HARRY HALL (british 1814-1882) “SYCEE” Signed and indistinctly dated ‘H Hall 1877’ center right; also inscribed ‘Sycee’ lower left, oil on canvas 17 x 21 in. (43.2 x 53.3cm) provenance: Believed to have been in the collection of Robert de Grey Vyner.

Arader Gallery, Philadelphia, Pennsylvania.

Acquired from the above.

Private Collection, Delaware. $4,000-6,000

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12/02/12 42 121975/3 HARRY HALL (british 1814-1882) “FILLE DE L’AIR” Signed and dated ‘H Hall 1865’ bottom right, oil on canvas 17 x 21 1/4 in. (43.2 x 54cm) provenance: Believed to have been in the collection of Robert de Grey Vyner.

Arader Gallery, Philadelphia, Pennsylvania.

Acquired from the above.

Private Collection, Delaware. $4,000-6,000

43 121975/4 HARRY HALL (british 1814-1882) “THE BARON” Signed, located and dated ‘HALL Newmkt 1848’ center left; also inscribed ‘The Baron’ bottom right, oil on canvas 17 x 21 in. (43.2 x 53.3cm) provenance: Believed to have been in the collection of Robert de Grey Vyner.

Arader Gallery, Philadelphia, Pennsylvania.

Acquired from the above.

Private Collection, Delaware. $4,000-6,000

44 121975/2 HARRY HALL (british 1814-1882) “OXONIAN” Signed, dated and titled ‘H. Hall / 1878 / Oxonian’ bottom right, oil on canvas 17 1/4 x 21 1/8 in. (43.8 x 53.7cm) provenance: Believed to have been in the collection of Robert de Grey Vyner.

Arader Gallery, Philadelphia, Pennsylvania.

Acquired from the above.

Private Collection, Delaware. $4,000-6,000

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45 128025/5 HENRY ALKEN (british 1785-1851) “THE FIND” Oil on canvas and a companion by the same hand “THE DEATH” Signed ‘H. Alken’ bottom center right, oil on canvas Each 14 x 18 in. (35.6 x 45.7cm) (2) provenance: Schillay & Rehs, Inc., New York, New York.

Christie’s New York, sale of December 1, 1999, lot 12.

Private Collection. $7,000-10,000

46 126029/5 HENRY ALKEN (british 1785-1851) FULL CRY Signed 'H. Alken' bottom right 7 3/4 x 10 7/8 in. (19.7 x 26.7cm) DRAWING THE COVERT 7 1/2 x 10 7/8 in. (19.1 x 27.6cm) GETTING AWAY Signed 'H. Alken' bottom right 7 3/4 x 10 3/4 in. (19.7 x 27.3cm)

FINDING A SCENT 7 1/2 x 11 in. (19.1 x 27.9cm) A set of four watercolors with pencil on heavy paper (4) provenance: Private Collection, Maryland. $2,000-3,000

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12/02/12 47 128025/7 THOMAS WEAVER (british 1774-1843) “THE MASTER OF THE HOUNDS” Signed and dated ‘T. Weaver pinxt 1811’ bottom center left, oil on canvas 28 x 35 7/8 in. (71.1 x 91.1cm) provenance: Christie’s New York, sale of December 1, 1999, lot 4.

Private Collection. $2,000-3,000

48 121746/11 H. MURRAY (british 19th-20th century) “OFF TO THE MEET” Signed ‘H. Murray’ bottom right, watercolor on paper 6 5/8 x 9 3/4 in. (17.1 x 25.1cm) provenance: Private Collection, Ohio. $600-1,000

49 121975/7 PETER SMITH (british b. 1949) “DOWN TO THE START” Signed ‘P.A. SMITH’ bottom right, oil on canvas 18 x 22 in. (45.7 x 55.9cm) provenance: Frost & Reed, New York, New York.

Private Collection, Delaware. $1,500-2,500

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12/02/12 50 128025/12 JOHN NOST SARTORIUS (british 1759-1828) “THE CHARGER OF AN OFFICER OF YEOMANRY HELD BY A GROOM IN STABLE DRESS WITH MEMBERS OF THE TROOP IN THE BACKGROUND” Signed and dated ‘JN Sartorius pinxit 1804’ bottom left, oil on canvas laid to board 25 x 30 in. (63.5 x 76.2cm) provenance: The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot no. 212.

Private Collection. exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955. $7,000-10,000

51 128025/14 JOHN NOST SARTORIUS (british 1759-1828) “A SADDLED HORSE WITH GROOM OUTSIDE A COUNTRY HOUSE” Signed and dated ‘1802 Sartorius’ bottom right, oil on canvas laid to board 25 x 30 in. (63.5 x 76.2cm) provenance: The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot no. 213.

Private Collection. exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955. $4,000-6,000

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52 128025/10 BENJAMIN MARSHALL (british 1767-1835) “‘PASTIME’ A BAY FILLY, LED BY ONE OF HER TRAINERS, WITH A GROOM IN ATTENDANCE” Signed and inscribed ‘PASTIME / B Marshall Pt’ lower right, oil on canvas 28 x 36 in. (71.1 x 91.4cm) Painted circa 1822 provenance: Sir Walter Gilbey.

Christie’s London, sale of June 11, 1915, lot 336.

The Property of a Lady title.

Sotheby’s London, sale of July 27, 1949, lot 102.

With Ellis & Smith, London, United Kingdom.

With Frost & Reed, London, United Kingdom.

The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot 209.

Private Collection. exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955.

‘The Equestrian in Art,’ The Muckenthaler Cultural Center, Fullerton, California, September 7-30, 1984. literature: Aubrey Noakes, Ben Marshall, Leigh-on-Sea, 1978, p.

56, 64, and 74, no. 227. $80,000-120,000

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12/02/12 53 128025/4 JOHN NOST SARTORIUS (british 1759-1828) “CATCHING THE SCENT” Signed and dated, ‘J. N. Sartorius 1812’ bottom right, oil on canvas, and a companion by the same hand “THE KILL” Signed and dated ‘J. N. Sartorius pin* 1812’ bottom left, pair of oils on canvas Each 25 x 30 in. (63.5 x 76.2cm) (2) provenance: Private Collection. $20,000-30,000

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54 128057/1 JOHN EMMS (british 1843-1912) IN FULL PURSUIT Signed ‘JNO Emms’ bottom right, oil on canvas 36 x 60 in. (91.4 x 152.4cm) provenance: Private Collection, Virginia. $80,000-100,000

Property from the Collection of Marvin Lundy Lots 55-69 Marvin Lundy was a native Philadelphian who was founder and chairman of his highly successful personal injury firm, Lundy Law. However, he was also known as a benefactor and fundraiser for numerous charitable, cultural, and educational institutions. Over the years, Mr. Lundy served on committees and was a board member for more than 35 institutions devoted to law, arts, history, medicine, science, and religion. Mr. Lundy was proud to serve on the museum board of the Philadelphia Museum of Art and most recently became an emeritus board member. The works offered here are a selection from a substantial art collection built over many years of travel and thoughtful collecting.

55 12-1006/14 EDWARD SEAGO (british 1910-1974) “THE HARBOR, HONFLEUR” Signed ‘Edward Seago’ bottom left, inscribed with title in pencil verso, oil on masonite 10 x 16 in. (25.4 x 40.6cm) provenance: P&D Colnaghi & Co Ltd. From the Estate of Marvin Lundy. $8,000-12,000

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56 12-1006/10 AFTER MELANIE DE COMOLERA (french active 1816-1854) MIXED FLOWERS WITH A GLASS COMPOTE OF FRUIT, A BIRD’S NEST AND BUTTERFLY Inscribed ‘Melanie de Comolera/Peintre de S.M.B 13th.../Eleve de C van Spaendonck/1830’ bottom left, oil on canvas 21 1/4 x 26 in. (54 x 66cm) provenance: From the Estate of Marvin Lundy. $3,000-5,000

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12/02/12 57 12-1006/15 MARIO CORNILLEAU RAOUL CARL-ROSA (french 1855-1913) “BORDS DU MOUZON, LORRAINE” Signed ‘M. CARL-ROSA’ bottom left, oil on panel 12 1/4 x 21 7/8 in. (31.1 x 55.6cm) provenance: From the Estate of Marvin Lundy. $2,500-4,000

58 12-1006/17 PAUL EMILE LECOMTE (french 1877-1950) LANDSCAPE Signed ‘Paul Lecomte’ bottom right, oil on canvas 12 5/8 x 18 in. (32.1 x 45.7cm) provenance: From the Estate of Marvin Lundy. $1,500-2,500

59 12-1006/26 CHARLES ALEXANDRE MALFRAY (french 1887-1940) A FISHING VILLAGE Signed ‘Malfray’ bottom right, oil on canvas 21 1/4 x 32 in. (54 x 81.3cm) provenance: From the Estate of Marvin Lundy. $1,500-2,500

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12/02/12 60 12-1006/12 FERDINAND-JEAN LUIGINI (french 1870-1943) “LA SEINE PRES DE NOTRE DAME” Signed ‘Luigini’ bottom right, gouache on paper Sight size: 19 x 23 1/4 in.

(48.3 x 59.1cm) provenance: From the Estate of Marvin Lundy. $1,000-1,500

61 12-1006/13 LOUIS ETIENNE TIMMERMANS (belgian 1846-1910) “L’AVANT PORT DE DIEPPE” Signed ‘L. TIMMERMANS’ bottom left; also inscribed with title on label verso, oil on panel 14 7/8 x 18 1/4 in. (37.8 x 46.3cm) provenance: From the Estate of Marvin Lundy. $1,500-2,500

62 12-1006/16 GEORGES JAN (french died 1907) “PROMENADE AU BORD D’UNE RIVIERE” Signed ‘G. Jan’ bottom left; also with printed stretcher label, oil on canvas 15 3/4 x 21 3/4 in. (40 x 55.2cm) provenance: From the Estate of Marvin Lundy. $1,500-2,500

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12/02/12

63 12-1006/11 JOHAN HENDRIK VAN MASTENBROEK (dutch 1875-1945) A BUSY HARBOR Signed and dated ‘JH van Mastenbroek 1928’ bottom right, oil on panel 10 1/4 x 14 1/4 in. (26 x 36.2cm) provenance: From the Estate of Marvin Lundy. $5,000-8,000

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12/02/12 64 12-1006/4 ELISÉE MACLET (french 1881-1962) WINTER STREET SCENE Signed ‘E Maclet’ bottom left, oil on canvas 19 1/2 x 29 in. (49.5 x 73.8cm) provenance: From the Estate of Marvin Lundy. $2,500-4,000

65 12-1006/5 HANS OLAF HEYERDAHL (swedish 1857-1913) “PORTRAIT OF THE ARTIST’S DAUGHTER SIGRID” Signed ‘Heyerdahl’ top left, signed and inscribed on label verso, oil on panel 14 x 12 in. (35.6 x 30.5cm) provenance: From the Estate of Marvin Lundy. $3,000-5,000

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12/02/12 66 12-1006/18 LUIGI SETTANNI (american 1909-1984) FIGURES AND BOAT ON THE SHORE Signed ‘Luigi Settanni’ bottom right, oil on canvas 13 x 16 in. (33 x 40.6cm) provenance: From the Estate of Marvin Lundy. $2,000-3,000

67 12-1006/124 PHILIP EVERGOOD (american 1901-1973) “NUDE” Pencil signed ‘Philip Evergood’ bottom left, ink on paper Sheet size: 23 1/2 x 18 in.

(59.7 x 45.7cm) provenance: Terry Dintenfass Inc., New York, New York.

From The Estate of Marvin Lundy. $800-1,200

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12/02/12 68 12-1006/1 EDMUND WILLIAM GREACEN (american 1877-1949) MOTHER AND CHILD Indistincly signed bottom left, oil on canvas 24 x 16 1/2 in. (61 x 41.9cm) provenance: From the Estate of Marvin Lundy. $5,000-8,000

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12/02/12

69 12-1006/2 EDMUND WILLIAM GREACEN (american 1877-1949) “THE TEA TABLE” Signed ‘Edmund Greacen’ bottom right, oil on canvas 32 x 39 3/8 in. (81.3 x 100cm) provenance: From the Estate of Marvin Lundy. $20,000-30,000

American Art & Pennsylvania Impressionism

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12/02/12

70 126036/1 FRANK MILTON ARMINGTON (canadian 1876-1941) ‘JARDIN DES TUILERIES, PARIS’ Signed and dated ‘Frank M. Armington 1916’ bottom left; also inscribed ‘Jardin des Tuileries, Paris par Frank Armington’ verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: J.J. Gillespie Gallery, Pittsburgh, Pennsylvania.

Private Collection, Florida. $10,000-15,000

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12/02/12 71 121581/5 CORNELIUS DAVID KRIEGHOFF (canadian 1815-1872) NATIVE WOMAN CROSSING THE SNOW WITH TRADE GOODS Signed and dated ‘C. Krieghoff 1861’ bottom right, oil on canvas, painted in the oval 12 x 9 in. ( 30.5 x 22.9cm) provenance: Private Collection, United Kingdom. note: Dennis Reid has kindly confirmed the authenticity of this painting on the basis of an electronically transmitted image. $5,000-8,000

72 126000/5 ROBERT TAIT MCKENZIE (canadian 1867-1938) SPRINTER Inscribed ‘R. Tait McKenzie’ and ‘R.B.W.’ Bronze, brown patina Height 9 3/4 in. (24.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

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12/02/12

73 121341/48 EDWIN LORD WEEKS (american 1849-1903) “BENARES” Signed with inititals, inscribed and dated ‘ELW / Benares / 16/3/83’ bottom right, oil on canvasboard 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, New York, New York. note: This lot will be accompanied by a letter of authenticity from Dr. Ellen K. Morris and will be included in her forthcoming catalogue raisonné. $20,000-30,000

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12/02/12 74 122273/1 JAMES HAMILTON (american 1819-1878) SUNSET ON THE HARBOR Signed and dated ‘JW. Hamilton 1876’ bottom left, oil on canvas 20 1/2 x 37 in. (52.1 x 94cm) provenance: Collection of Ms. Frances Wolf, Chestnut Hill, Pennsylvania.

Acquired from the above.

Private Collection, Pennsylvania. $3,000-5,000

75 121928/1 ALEXANDER HELWIG WYANT (american 1836-1892) WOODLAND RIVER AT DUSK Signed ‘A.H. Wyant’ bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) $5,000-8,000

76 122233/1 JOSEPH H. GREENWOOD (american 1857-1927) UNTITLED (A PRINCETON PASTURE) Signed and dated ‘J. H. Greenwood 96’ bottom right, oil on canvas laid down to board In a frame by Paul Carter Goodnow 26 x 40 in. (66 x 101.6cm) provenance: Private Collection, Massachusetts. exhibited: ‘An American Impressionist: Joseph H. Greenwood’ Worcester Art Museum, Worcester, Massachusetts, March 6 - June 8 2004. $2,000-3,000

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12/02/12 77 126017/12 CARL BERNHARD SCHLÖSSER (german 1832-1914) HIS BABY SISTER Signed ‘Carl Schlosser’ bottom left, oil on canvas 38 x 28 1/4 in. (96.5 x 71.8cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

78 121918/4 ELIHU VEDDER (american 1836-1923) AT THE WELL Signed with monogram and dated ‘1867’ bottom right, oil on canvas laid on board 22 x 9 5/8 in. (55.9 x 24.4cm) provenance: Private Collection, New Jersey. note: A nearly identical painting by Vedder, smaller in size, was offered at Bonhams, New York, sale of November 29, 2005, lot 28. $5,000-8,000

79 122242/1 FRANK PENFOLD (american 1849-1927) THE INQUISITIVE MONKEY Signed, inscribed and dated ‘F.C. Penfold/Algiers/1887’ bottom left, oil on canvas 35 x 42 1/2 in. (88.9 x 108cm) provenance: Private Collection, Florida. $1,500-2,500

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12/02/12 80 126017/21 WORTHINGTON WHITTREDGE (american 1820-1910) “ON THE WAWAYANDA RIVER, NJ” Inscribed with title, signed and dated ‘W Whittredge 1891’ bottom left, watercolor Sight size: 7 1/2 x 13 3/4 in.

(19.1 x 34.9cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

81 122338/2 WILLIAM LOUIS SONNTAG JR. (american 1869-1898) ON THE JETTY Signed ‘Sonntag Jr’ bottom left, watercolor heightened with gouache Sight size: 13 1/2 x 20 1/4 in.

(34.3 x 51.4cm) provenance: Private Collection, Boston, Massachusetts. $2,500-4,000

82 121972/61 FRANK DUVENECK (american 1848-1919) WAVES BREAKING ON ROCKS Inscribed in ink verso ‘(indecipherable) Nov 5, 1920 / This is to certify / that the painting / subject: Marine / size: 10 x 15 / was painted by my brother / Charles F Duveneck’ oil on canvasboard 10 1/4 x 15 in. (26 x 38cm) provenance: The Estate of Donald Brenwasser, New Jersey. $2,500-4,000

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12/02/12

83 122338/1 ALFRED THOMPSON BRICHER (american 1837-1908) ON THE COAST, SAILBOATS ON THE HORIZON Signed ‘ATBRICHER’ bottom right with conjoined initials, oil on canvas 17 x 36 in. (43.2 x 66cm) provenance: Private Collection, Boston, Massachusetts. note: The authenticity of this painting has kindly been confirmed by Jeffrey R. Brown on the basis of electronically transmitted images. $40,000-60,000

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12/02/12 84 128025/9 DAVID JOHNSON (american 1827-1908) “SCENERY AT SHELBURN (SIC), VERMONT” Signed with artist’s monogrammed signature and dated ‘DG 1865’ bottom left, oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection. $25,000-40,000

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12/02/12 85 126041/1 WILLIAM MERRITT CHASE (american 1849-1916) PORTRAIT OF A LADY, SAID TO BE MARY HUSSEY (1798-1886) Signed ‘WMM Chase’ bottom left, oil on canvas 30 x 24 in. (76.2 x 61cm) provenance: Private Collection, Pennsylvania.

By descent in the family. note: Mary Hussey was the wife of Thomas Earle (1796-1849), an attorney, journalist and vicepresidential candidate who settled in Philadelphia in 1817.

We kindly thank D. Frederick Baker for confirming the authenticity of this painting. This portrait will be assigned a catalogue number and placed in the files of the William Merritt Chase catalogue raisonné. $15,000-25,000

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12/02/12 87 126017/2 DANIEL RIDGWAY KNIGHT (american 1839-1924) “WOMAN WITH GOLD COINS” (DIVIDING THE PROFITS) Signed and dated ‘D.R. Knight 1871’ bottom right, oil on canvas 26 1/8 x 20 in. (66.4 x 50.8cm) provenance: Richard A. Bourne and Company, Inc., Hyannis, Massachusetts, sale of August, 1977.

Estate of Daniel Kurland, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. note: This painting may possibly be the work exhibited at the National Academy of Design, 1873 (Waters and Hutton) Artists of the 19th Century, vol II, pp 25.

A certificate of authenticity from Howard L. Rehs dated June 7,2011 will accompany this lot. $4,000-6,000

86 126039/1 ASHER BROWN DURAND (american 1796-1886) LANDSCAPE Signed and dated ‘A B Durand 1855’ bottom right, oil on canvas 25 x 36 in. (63.5 x 91.4cm) provenance: Vose Galleries, Boston, Massachusetts.

Knoedler Galleries, New York, New York.

Property of a Lady, New York, New York. exhibited: Museum of Art, Rhode Island School of Design, Providence, Rhode Island.

‘Loan Exhibition’ Lyman Allyn Art Museum, New London, Connecticut. $50,000-80,000

88 122062/190 LOUIS ASTON KNIGHT (american 1873-1948) RIVERBANK FLOWERS Signed and located ‘Aston Knight / Paris’ bottom left, oil on canvas 22 x 18 1/4 in. (55.9 x 46.4cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $5,000-7,000

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12/02/12

89 126019/1 ALFRED CORNELIUS HOWLAND (american 1838-1909) “A DICKER FOR THE CALF” Signed ‘A.C. Howland’ bottom right, oil on canvas 15 1/2 x 21 1/2 in. (39.4 x 54.6cm) provenance: Private Collection, New Jersey. $2,000-3,000

90 126017/1 WILLIAM HENRY LIPPINCOTT (american 1849-1920) PLAYING WITH HER DOLL Signed and dated ‘WM. H. Lippincott 1882’ bottom left, oil on canvas 9 1/2 x 11 3/4 in. (24.1 x 29.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

91 12-8001/32* CHARLES G. DYER (american 1851-1912) “IN ST. MARKS” Signed and dated, ‘CHARLES GIFFORD DYER/ MDCCCLXXXI’ bottom left, oil on canvas 59 5/8 x 47 1/8 in. (151.4 x 119.7cm) provenance: Private Collection, Charlottesville, Virginia. $5,000-8,000

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12/02/12 92 126017/6 FREDERICK ARTHUR BRIDGMAN (american 1847-1928) TEA TIME Signed, inscribed and dated ‘F.A. Bridgman/a l’Exposition 1900/Paris’ bottom right; also with an ‘A l’Arc-en Ciel, H. Canville, Paris’ label attached verso, pastel on paper laid to board Sight size: 18 1/8 x 11 3/4 in.

(46 x 29.8cm) provenance: Samuel T. Freeman and Company sale of December 1975.

Private Collection, Pennsylvania. $3,000-5,000

93 122025/1 LUIS GRANER Y ARRUFI (spanish 1863-1929) THE SPANISH DANCER Signed ‘L. Graner’ bottom left, oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, New York. $4,000-6,000

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12/02/12

94 11-2246/1 JAMES EDWARD BUTTERSWORTH (american/british 1817-1894) “THE ROYAL YACHT SQUADRON CUP RACE, 1851” Signed ‘JE Buttersworth’ lower right, oil on canvas 14 3/4 x 27 in. (37.5 x 68.6cm) provenance: The Collection of Rudolph J. Schaefer, New York.

To his son, William M. Schaefer, New York. literature: Schaefer, Rudolph, J. E. Buttersworth, 19th-Century Marine Painter, Mystic Seaport, Inc., Connecticut, 1975, p. 96, no. 71 (illus.) note: “This scene shows part of the fleet that competed in that historic race around the Isle of Wight on August 22, 1851. America, the only American entry against 14 British boats, won the trophy which was to become the famous America’s Cup. In the painting above, America appears in the right middleground leading the pack. The Royal Yacht Victoria and Albert stands off in the distant right background with Queen Victoria aboard together with her Prince Consort, Albert, and the Royal party watching the event. Several of the British cutters which participated looked very much alike and, lacking any special identification marks, it is impossible to tell which of the group these are.”

[Schaefer 96].

Typical of Buttersworth’s ouevre, “The Royal Yacht Squadron Cup Race, 1851” documents an event on the sea in stunning detail. As the son of a marine painter, J.E. Buttersworth more than carried on the family legacy of the subject - he became synonymous with it. Few nineteenth century marine artists were as prolific as Buttersworth, and none excelled like he at capturing a racing scene with such deftness that he transcended mere documentation. $50,000-80,000

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12/02/12 95 122062/198 WILLIAM AIKEN WALKER (american 1838-1921) COTTON PICKERS A pair of oils on board contained within one frame, each signed ‘WA Walker’ bottom left Each 8 x 3 3/4 in. (20.3 x 9.5cm) provenance: Bland Gallery Inc, New York, New York.

Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. note: We kindly thank John Fowler for his authentication of the pair by electronically transmitted images.

These two paintings will be included in the forthcoming catalogue raisonné being prepared by Mr. Fowler. $8,000-12,000

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12/02/12 96 121825/1 CHARLES PORTER (american 1850-1923) STILL LIFE WITH FLOWERS Indistinctly signed ‘C.E. Port..’ bottom right, oil on canvas 20 x 16 in. (50.8 x 40.6cm) provenance: Maxwell Galleries, San Francisco, California.

Private Collection, Massachusetts. $6,000-8,000

97 128025/16 EDMUND HENRY OSTHAUS (american 1858-1928) AN ENGLISH SETTER Signed ‘Edm. H. Osthaus’ bottom right, watercolor on paper laid to card 12 x 18 in. (30.5 x 45.7cm) provenance: With partial label ‘The Sporting Gallery, New York’ verso.

Christie’s New York, sale of December 1, 1999, lot 89.

Private Collection. $3,000-5,000

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12/02/12

98 126017/18 GEORGE GARDNER SYMONS (american 1863-1930) “THE FURTHER HILLS SEEN THROUGH A VEIL OF EVENING LIGHT” Signed ‘Gardner Symons’ bottom left, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Edwin C. Shaw, Akron, Ohio.

The Estates of James A. & Dorothy C. Vaughn, Sea Island, Georgia.

Freeman’s sale of Fine American & European Paintings & Sculpture, December 7, 2008 lots 112.

Private Collection, Pennsylvania.

note: A photocopy of a letter from the artist will accompany this lot. It reads: “119 East 19th St New York My Dear Ms. DunbarI was spending a week with my friend and fellow partner Ben Foster at his home in West Cornwall, Conn.

He had been urging me for some time to see his place in winter and said “I want to take you to a spot about ten minutes walk from the house where you can get a view of the further hills” and so “The further Hills Seen Through a veil of evening light” was painted.

It is one of my best things and I believe the people who now own it will grow very fond of the painting for the motive has a real appealWith kindest regards, Sincerely yours Gardner Symons Oct 26th 1917” $20,000-30,000

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12/02/12 99 126032/1 CHARLES DEMUTH (american 1883-1935) A SHIP AT ANCHOR Signed ‘CH Demuth’ bottom right and lower right; also inscribed ‘Charles painted this picture for his Grand parents (Demuth’s) for their Golden Wedding.

Augusta W. Demuth’ on label verso, oil on board.

5 3/8 x 9 in. (13.7 x 22.9cm) provenance: Henry Cornelius and Elizabeth Demuth.

By descent in the family.

Private Collection, Pennsylvania. note: Included with this lot is an unframed pencil and watercolor on stationary paper of an elderly lady seated by a dresser attributed to a young Charles Demuth, 10 x 7 3/4 in. (25.4 x 19.7cm) and two photographs of the artist as a young man, 4 3/4 x 2 3/4 in. & 5 3/4 x 4 in. $3,000-5,000

100 126001/3 EMMA FORDYCE MACRAE (american 1887-1974) STILL LIFE OF DAFFODILS AND ROSES Inscribed ‘EMMA FORDYCE MACRAE’ verso, oil on board 16 x 19 7/8 in. (40.6 x 50.5cm) provenance: Jim’s Antiques Fine Art Gallery, Lambertville, New Jersey.

Private Collection, Connecticut. $800-1,200

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12/02/12 101 126029/4 FRANCIS HOPKINSON SMITH (american 1838-1915) VENICE Signed ‘F. Hopkinson Smith’ bottom left, watercolor and charcoal on paper laid to card 14 3/4 x 24 1/2 in. (37.5 x 62.2cm) provenance: Private Collection, Maryland. $2,000-3,000

102 126017/14 EVERETT SHINN (american 1876-1953) PROCESSION BEFORE DANTE Signed and dated ‘EVERETT SHINN 1940’ bottom center left, watercolor and pencil on paper 11 5/8 x 15 1/8 in. (28.6 x 37.5cm) provenance: Sotheby’s Parke-Bernet, New York, New York, March 8, 1976, lot 456.

Mr. and Mrs. Samuel Nowak.

Private Collection, Pennsylvania. note: Small pencil sketch on the reverse.

This is one of six illustrations prepared for an edition of Dante’s Inferno. $3,000-5,000 103 126033/3 T. LUX FEININGER (american b. 1910) “GREAT AMERICAN SAIL” Signed ‘LUX’ bottom right, oil on canvas 21 1/4 x 25 1/2 in. (54 x 64.8cm) provenance: Julien Levy Gallery, New York, New York.

Private Collection, Delaware. exhibited: Julien Levy Gallery, New York, New York, 1937. $3,000-5,000

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12/02/12 104 126017/8 RICHARD HAYLEY LEVER (american 1876-1958) “CONCARNEAU FRANCE, 1901” Signed and dated ‘Hayley Lever 1901’ bottom left, oil on panel 12 x 16 in. (30.5 x 40.6cm) provenance: Clayton Liberatore Art Gallery, Bridgehampton, New York.

Private Collection, Pennsylvania. $2,500-4,000

105 121776/9 WILLIAM SAMUEL HORTON (american 1865-1936) “NORWAY 1935” Signed ‘Horton’ bottom left; also inscribed with title on stretcher verso, oil on canvas 25 1/4 x 30 3/8 in. (64.1 x 77.2cm) provenance: Steven Straw Company, Newburyport, Massachusetts.

The Estate of James E. Cushing Jr. $3,000-5,000

106 121972/60 JOHN EDWARD COSTIGAN (american 1888-1972) THE WOODCUTTER Signed ‘J E COSTIGAN N.A.’ bottom left, oil on panel 12 x 14 in. (30.5 x 35.6cm) provenance: The Estate of Donald Brenwasser, New Jersey. $2,500-4,000

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12/02/12 107 126017/15 ERIC SLOANE (american 1905-1985) “MT. WASHINGTON” Signed “SLOANE” bottom right, inscribed with title bottom left, signed and inscribed verso, oil on board 19 7/8 x 23 3/4 in. (50.5 x 60.3cm) provenance: Freeman’s sale of Fine American & European Paintings, December 3, 2006, lot 54.

Private Collection, Pennsylvania. $6,000-10,000

108 126017/16 ERIC SLOANE (american 1905-1985) “FIRST SNOW” Signed ‘SLOANE’ bottom right, inscribed ‘FIRST SNOW’ bottom left, signed and inscribed verso, oil on board 17 3/4 x 23 3/4 in. (45.1 x 60.3cm) provenance: Freeman’s sale of Fine American & European Paintings, December 3, 2006, lot 55.

Private Collection, Pennsylvania. $6,000-10,000

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12/02/12 109 122246/1 ALDRO THOMPSON HIBBARD (american 1886-1972) “HIGH BRIDGE AT JEFFERSONVILLE, VERMONT” Signed ‘A.T. Hibbard’ bottom right; also signed and inscribed with title verso, oil on canvas 22 x 30 in. (55.9 x 76.2cm) provenance: Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Haverford, Pennsylvania. $6,000-10,000

110 126020/1 ERNEST FIENE (american 1894-1965) A MINING TOWN Signed ‘E Fiene’ bottom right, oil on canvas 22 x 18 in. (55.9 x 45.7cm) provenance: Private Collection, Connecticut. $2,000-3,000

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12/02/12

111 126017/10 DALE NICHOLS (american 1904-1995) “HARVESTING” Signed ‘DALE NICHOLS’ bottom left, oil on canvas 14 x 22 in. (35.6 x 55.9cm) provenance: Maxwell Galleries, San Francisco, California.

Private Collection, South Carolina.

Freeman’s sale of Fine American & European Paintings, June 21, 2009, lot 91.

Private Collection, Pennsylvania. $8,000-12,000

112 126035/1 ELIZABETH KIRK (american born after 1866) “THE HURRICANE” Signed ‘E Kirk’ bottom right, oil on board 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, Massachusetts. exhibited: New Haven Paint and Clay Club Inc. Annual Exhibition. $1,000-1,500

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12/02/12

113 128071/1 JONAS LIE (american/norwegian 1880-1940) “MAINE HEADLAND” Signed ‘JONAS LIE’ bottom right, oil on canvas 25 x 36 in. (63.5 x 91.4cm) provenance: William Macbeth, New York, New York.

Private Collection, West Virginia. $12,000-18,000

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12/02/12 114 128044/1 CARL CLEMENS MORITZ RUNGIUS (american 1869-1959) GRIZZLY BEAR Signed ‘C. Rungius’ bottom right, oil on canvas, unframed 30 x 40 in. (76.2 x 101.6cm) provenance: Private Collection, Virginia. $200,000-300,000

Considered the first wildlife painter in America, Carl Rungius (18691959) was both a sportsman and an artist who depicted animals in their natural environs. A native of Rixdorf, Germany – now present-day Berlin – he had a keen interest in nature and art from an early age, particularly that of the American West. Its vast, uncharted territory would present Rungius with greater opportunities to both hunt and paint, and a fortuitous invitation from his uncle to travel to America was pivotal in shaping his career. Eventually becoming a prolific and celebrated artist, much in the tradition of the Hudson River painters who preceded him, he glorified the American landscape. Rungius also became a champion of the conservation movement, and was pitted against the forces of late 19th-century Western expansionism.

After immigrating to the Unites States in 1896, Rungius maintained a New York studio while he travelled extensively throughout Yellowstone, Wyoming, Montana, Alaska and the Yukon, eventually establishing a summer studio in Banff, Alberta in 1922, known as ‘The Paintbox’.

Following in the tradition of the plein-air painters of the 19th and 20th-centuries, Rungius dutifully studied and recorded his subjects,

revealing not only a great love and respect for nature and its inhabitants, but a concern for depicting animals and landscapes with fidelity. As such, it is not surprising that he enjoyed a successful career as an illustrator of books, magazines and other material promoting conservation and the support of endangered animals.

Rungius was not alone in his portrayal of animals; a century earlier, sporting artists of Britain achieved notoriety in painting equine-themed subjects, including thoroughbreds and racehorses.

However, in such pictures, while the animals are portrayed realistically and in a dignified manner, they are rarely depicted in their natural environments. Instead, whether with a jockey up or with a groom, to name but two common themes of the period, the horses’ identities and importance are both inseparable from, and justified by, the existence of sportsmen in full racing/hunting regalia. In 19th-century Britain, and to a lesser extent parts of the Continent, the worth of an animal is directly tied to its owner, with the latter viewing the former almost strictly as an instrument providing commerce and social standing.

Rungius, along with many wildlife painters he would later influence,

very rarely included humans in his paintings, for to do so would be wholly antithetical to his idyllic depictions, unspoiled by humans and their encroachment on nature.

We are pleased to offer this Rungius painting depicting a stately grizzly bear. Immortalized on canvas, this impressive creature joins his many other works of moose, big horn sheep, caribou, mountain goats, pack horses, and antelope, all capturing the spirit and beauty of magnificent animals in the precious natural and threatened world they inhabit.

70 free≤an’s fine american & european paintings & sculpture

12/02/12 115 121776/10 BILL OWEN (american b. 1942) ‘JUST ONE MORE MILE’ Signed ‘BILL OWEN S / V’ lower right; also signed, inscribed and dated “Just One More Mile / By Bill OWEN / s / v 1973/ Artist Reserves Reproduction Rights / A tribute to my good friend Eston Jones / A REAL COWBOY” verso, oil on canvas 40 x 30 in. (101.6 x 76.2cm) provenance: The Estate of James E. Cushing Jr. $12,000-18,000

71 free≤an’s fine american & european paintings & sculpture

12/02/12 116 122309/1 WALTER BIGGS (american 1886-1968) “‘TOO YOUNG TO MARRY’ (MY AUNT ELSIE)” Signed and dated ‘W. BIGGS/56’ bottom right; also signed and inscribed verso, oil on canvas.

35 x 27 in. (88.9 x 65.6cm) provenance: The Curtis Building, Philadelphia, Pennsylvania.

By descent in the family.

Private Collection, New Jersey. $4,000-6,000

117 126017/7 FRED GARDNER (american 1880-1952) “THE CALLER” Signed and dated “GARDNER 1923” bottom left, inscribed “The Caller Fred Gardner 110 Columbia Heights Brooklyn, NY” verso 20 x 16 in. (50.8 x 40.6 cm) provenance: Freeman’s sale of Fine American & European Paintings, December 4, 2005, lot 111.

Private Collection, Pennsylvania. exhibited: Everson Museum of Art - Syracuse, NY “Fred Gardner (1880-1952), June 21 - September 8, 1985 Cat. No. 17. $5,000-8,000

72 free≤an’s fine american & european paintings & sculpture

12/02/12 118 121972/62 JOHN MCCLUSKY (american b. 1914) RURAL SCENE Signed and dated ‘JOHN McCLUSKY/63’, oil on masonite 18 3/4 x 42 in. (47.6 x 106.7cm) provenance: The Estate of Donald Brenwasser, New Jersey. $2,500-4,000

119 121972/63 JOHN MCCLUSKY (american b. 1914) IN THE FOREST Signed and dated ‘JOHN McCLUSKY/59’, bottom, oil on masonite 28 x 20 in. (71.1 x 50.8cm) provenance: The Estate of Donald Brenwasser, New Jersey. $3,000-5,000

120 122246/2 ANDRÉ GISSON (american 1921-2003) “IN THE MEADOW” Signed ‘A Gisson’ bottom right, oil on canvas 24 x 12 in. (61 x 30.5cm) provenance: Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Haverford, Pennsylvania. $1,500-2,500

73 free≤an’s fine american & european paintings & sculpture

12/02/12

121 121752/3 MARGUERITE THOMPSON ZORACH (american 1887-1968) “WINTER STILL LIFE” Signed ‘MARGUERITE ZORACH’ bottom left, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Kraushaar Galleries, New York, New York Private Collection, Pennsylvania. $20,000-30,000

74 free≤an’s fine american & european paintings & sculpture

12/02/12 122 121918/2 DAVID DAVIDOVICH BURLIUK (american/ukrainian 1882-1967) FLOWERS Signed ‘BURLIUK’ bottom left, oil on canvas 22 x 18 in. (55.9 x 45.7cm) provenance: ACA Galleries, New York City, New York, circa 1955.

Private Collection, Brooklyn, New York.

Acquired from the above by the present owner.

Private Collection, New Jersey. $12,000-18,000

123 121931/1 DAVID DAVIDOVICH BURLIUK (american/ukrainian 1882-1967) “SOUTHERN STREET SCENE” Signed ‘D. BURLIUK’ bottom left, oil on canvas 13 1/4 x 18 in. (33.7 x 45.7cm) provenance: Christie’s New York, sale of September 21st, 1984.

Drew Peter’s Fine Art, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $6,000-10,000

75 free≤an’s fine american & european paintings & sculpture

12/02/12 124 121776/11 DONALD TEAGUE (american 1897-1991) “IN THE TYPHOON SHELTER, HONG KONG” Signed ‘DONALD TEAGUE NA’ bottom right; also signed and inscribed with title on label verso, watercolor, gouache and graphite on paper Sight size: 6 x 8 3/4 in.

(15.2 x 22.2cm) provenance: The Estate of James E. Cushing Jr. $1,500-2,500

125 126028/2 RAPHAEL SOYER (american 1899-1987) STANDING FEMALE NUDE Signed ‘RAPHAEL SOYER’ bottom right, oil on canvas 20 x 12 in. (50.8 x 30.5cm) provenance: Private Collection, Maryland. note: This lot is accompanied by a photo of the artist holding the painting. $4,000-6,000

76 free≤an’s fine american & european paintings & sculpture

12/02/12 126 121996/4 AUSEKLIS OZOLS (latvian/american b. 1941) ALONG THE SHORE Signed ‘OZOLS’ bottom left, oil on canvas 28 1/4 x 42 in. (71.7 x 106.7cm) provenance: Private Collection, Minnesota. $2,500-4,000

127 121980/9 KARL KNATHS (american 1891-1971) TABLETOP STILL LIFE Signed ‘Karl Knaths’ bottom right, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Trinity Auction House, Trinity, Texas.

Private Collection, Wisconsin. $2,500-4,000

128 121996/1 FRANCIS SPEIGHT (american 1896-1989) “HIGHLAND AVENUE WITH CLOUDS” Signed and indistinctly dated ‘FRANCIS SPEIGHT 1971’ bottom right; also titled on printed label verso, oil on canvas 16 x 18 in. (40.6 x 45.7cm) provenance: Acquired directly from the artist.

Private Collection, Minnesota. $4,000-6,000

77 free≤an’s fine american & european paintings & sculpture

12/02/12

130 121996/3 FRANCIS SPEIGHT (american 1896-1989) “WEIRTON” Signed and dated ‘F Speight 1936’ bottom left; also signed, dated and inscribed with title in pencil verso, watercolor 9 3/4 x 12 5/8 in. (24.8 x 32.1cm) provenance: Acquired directly from the artist.

Private Collection, Minnesota. $2,000-3,000

129 121996/2 FRANCIS SPEIGHT (american 1896-1989) SCHUYLKILL RIVER Signed and dated ‘Francis Speight 1957’ bottom right; also titled on printed label verso, oil on canvas 34 x 47 in. (86.4 x 119.4cm) provenance: Acquired directly from the artist.

Private Collection, Minnesota. note: A plaque affixed recto states Benjamin Ritman Prize (Landscape)/133rd Annual Exhibition-1958/NATIONAL ACADEMY OF DESIGN. $15,000-25,000

78 free≤an’s fine american & european paintings & sculpture

12/02/12

131 126017/17 WALTER STUEMPFIG (american 1914-1970) “THE CANAL” Signed ‘Stuempfig’ bottom right, oil on canvas 36 x 42 in. (91.4 x 106.7cm) provenance: Freeman’s sale of Fine American & European Paintings, June 24, 2007, lot 146.

Private Collection, Pennsylvania. $15,000-25,000

79 free≤an’s fine american & european paintings & sculpture

12/02/12 132 126017/5 JULIUS BLOCH (american 1888-1966) IMMIGRANTS Signed ‘Julius Bloch’ bottom right, oil on canvas 9 x 19 in. (22.9 x 48.3cm) provenance: Kendall Chew & John Formicola, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $3,000-5,000

133 126017/4 THERESA FERBER BERNSTEIN (american 1890-2002) “GLOUCESTER HARBOR” Signed ‘T BERNSTEIN’ bottom left, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Revsin Gallery, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $4,000-6,000

80 free≤an’s fine american & european paintings & sculpture

12/02/12 134 126033/2 HARRY LEITH-ROSS (american 1886-1973) “WHEELER’S POINT, GLOUCESTER, MASSACHUSETTS” Signed ‘Leith-Ross’ bottom right, oil on canvasboard 12 x 16 in. (30.5 x 40.6cm) provenance: By descent in the artist’s family.

Acquired from the above.

Private Collection, Delaware. $4,000-6,000

135 122361/1 ARTHUR MELTZER (american 1893-1989) “EGGS; BROWN AND WHITE” Signed ‘Arthur Meltzer’ bottom left; also signed and inscribed by Meltzer on card affixed to stretcher, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Illinois. $4,000-6,000

136 121940/1 FERN ISABEL COPPEDGE (american 1888-1951) “OCTOBER WOODS” Signed ‘Fern I Coppedge’ bottom left, signed and inscribed in ink verso, oil on board 8 1/4 x 10 3/8 in. (21 x 26.4cm) provenance: Private Collection, Boston, Massachusetts. $5,000-8,000

81 free≤an’s fine american & european paintings & sculpture

12/02/12

137 122183/1 WALTER ELMER SCHOFIELD (american 1867-1944) COASTAL LANDSCAPE Signed ‘Schofield’ bottom left; also signed verso, oil on canvas 35 1/4 x 39 1/4 in. (89.5 x 100cm) provenance: Private Collection, Michigan. $15,000-25,000

82 free≤an’s fine american & european paintings & sculpture

12/02/12

138 126042/3 MARY ELIZABETH PRICE (american 1877-1965) “THE DOROTHY BRADFORD (FROM PROVINCETOWN TO BOSTON)” Signed ‘M ELIZABETH PRICE’ inscribed and titled verso, oil on canvasboard 10 x 14 in. (25.4 x 35.6cm) provenance: Private Collection, New Jersey. $10,000-15,000

139 126017/9 ARTHUR MELTZER (american 1893-1989) “OUR BACKYARD” Signed “Arthur Meltzer” bottom right, oil on board 7 5/8 x 9 1/2 in. (19.4 x 24.1cm) provenance: Freeman’s Sale of Fine American & European Paintings, December 4, 2005, lot 169.

Private Collection, Pennsylvania. $3,000-5,000

83 free≤an’s fine american & european paintings & sculpture

12/02/12 140 126017/20 PAULETTE VICTORINE J. VAN ROEKENS (american 1896-1988) “THE SWAN BALLET” Signed ‘P. VAN ROEKENS’ bottom left, signed and inscribed with title verso, oil on board 8 x 10 in. (20.3 x 25.4cm) provenance: Alderfer auction, Hatfield, Pennsylvania, March 13, 2009, lot 3149.

Private Collection, Pennsylvania. $5,000-8,000

141 126017/19 PAULETTE VICTORINE J. VAN ROEKENS (american 1896-1988) THE HOOP Signed ‘P. VAN ROEKENS’ bottom left, inscribed with signature, title and date ‘1960’ on stretcher verso, oil on canvas 14 x 12 1/4 in. (35.6 x 31.1cm) provenance: Estate of Alan S. Kushner, Wyndmoor, Pennsylvania.

Freeman’s sale of Fine Paintings & Sculpture, June 22, 2008, lot 118.

Private Collection, Pennsylvania. $8,000-12,000

84 free≤an’s fine american & european paintings & sculpture

12/02/12

142 126040/4 DANIEL GARBER (american 1880-1958) PORTRAIT OF FELIX DERBYSHIRE SCHELLING Inscribed, dated and signed ‘To MR Schelling/Daniel Garber/1918’ bottom left, charcoal on paper, in a signed LAUGHLIN frame Sight size 15 3/8 x 10 5/8 in.

(39.1 x 27cm) provenance: The artist.

Felix Derbyshire Schelling, Lumberville, Pennsylvania, 1918.

Mr. and Mrs. Richard T. Salter, Lumberville, Pennsylvania, 1945.

Richard T. Salter, Lumberville, Pennsylvania, 1987.

Mr. and Mrs. William Kohn III (his daughter and son-in-law), Chalfonte, Pennsylvania,1988.

Private Collection, Pennsylvania.

note: At about the time the artist created this drawing, the father of the sitter, Felix E. Schelling, a professor of Shakespearean Literature at the University of Pennsylvania, purchased the house across the road from the Garbers at Cuttalossa.

The dwelling, formerly owned by Mary Maxwell, was owned by the Schellings until 1945 when it was purchased by the Salter family. Felix Derbyshire Schelling, the subject of this drawing, was, among other things, an artist, and would later teach art at the Penn Charter School for Boys in Philadelphia. For another portrait drawing of Schelling, see cat. D 214.

[Humphries, D 186] $4,000-6,000

143 126040/1 DANIEL GARBER (american 1880-1958) “SPRING VALLEY WILLOWS” 1942. Edition of 50. Signed, titled and inscribed ‘D.G. Imp’ in the margin, in pencil, soft-ground etching and drypoint 8 3/16 x 11 7/8 in. (20.8 x 30.2cm) [Humphries, E 43] provenance: Private Collection, Pennsylvania. $1,000-1,500

144 126040/3 DANIEL GARBER (american 1880-1958) “FISHERMAN’S HUT” 1940. Edition of 34. Signed, titled and inscribed ‘D.G. Imp’ in the margin, in pencil, etching and drypoint 7 7/8 x 9 7/8 in. (20 x 25.1cm) [Humphries, E 40] provenance: Plymouth Meeting Gallery, Plymouth Meeting, Pennsylvania.

Private Collection, Pennsylvania. $1,000-1,500

85 free≤an’s fine american & european paintings & sculpture

12/02/12 145 126040/6 DANIEL GARBER (american 1880-1958) “STRAW BARRACKS” 1931. Edition of 50. Signed, titled and inscribed ‘D.G. Imp’ in the margin, in pencil, etching 7 7/8 x 9 11/16 in. (20 x 22.9cm) [Humphries, E 25] provenance: Private Collection, Pennsylvania. $1,000-1,500

146 126040/5 DANIEL GARBER (american 1880-1958) “THE HERON” 1923. Edition of 61. Signed, titled and inscribed in the margin, in pencil, etching with drypoint 6 x 8 in. (15.2 x 20.3cm) [Humphries, E 8] provenance: Private Collection, Pennsylvania. $1,000-1,500

147 126040/2 DANIEL GARBER (american 1880-1958) “BIRMINGHAM MEETING HOUSE” 1935. Edition of 50. Signed, titled and inscribed ‘D.G. Imp’ in the margin, in pencil, etching 6 x 11 in. (15.2 x 27.9cm) [Humphries, E 31] provenance: The Coryell Gallery, Lambertville, New Jersey.

Private Collection, Pennsylvania. $1,000-1,500

86 free≤an’s fine american & european paintings & sculpture

12/02/12

148 121925/1 GEORGE WILLIAM SOTTER (american 1879-1953) “THE NEIGHBORS” Signed ‘G.W. Sotter’ bottom right; also with ‘George W. Sotter Studios’ stretcher label, oil on canvas 26 x 32 in. (66 x 81.3cm) provenance: Northern New Jersey Estate.

Acquired from the above.

Private Collection, Maryland. $50,000-80,000

87 free≤an’s fine american & european paintings & sculpture

12/02/12 149 126001/2 FERN ISABEL COPPEDGE (american 1888-1951) “NEAR PINEVILLE IN OCTOBER” Signed ‘Fern I Coppedge’ bottom center, inscribed with title in pencil on stretcher verso, oil on canvas 16 x 16 in. (40.6 x 40.6cm) provenance: Private Collection, Connecticut. $10,000-15,000

88 free≤an’s fine american & european paintings & sculpture

12/02/12 150 11-2245/1 KENNETH R. NUNAMAKER (american 1890-1957) “BACKYARD” Signed ‘K. NUNAMAKER’ bottom left, oil on canvas 14 x 14 in. (35.6 x 35.6cm) provenance: Salmagundi Club Auction, New York City, New York.

Private Collection, New Jersey. $12,000-18,000

89 free≤an’s fine american & european paintings & sculpture

12/02/12 151 126042/5 KENNETH R. NUNAMAKER (american 1890-1957) THE QUARRY Signed ‘K NUNAMAKER’ bottom right, oil on canvas 20 x 22 1/8 in. (50.8 x 56.2cm) provenance: Jim’s Antiques Ltd. Lambertville, New Jersey.

Private Collection, New Jersey. $10,000-15,000

90 free≤an’s fine american & european paintings & sculpture

12/02/12 152 126042/4 HENRY BAYLEY SNELL (american 1858-1943) CHILDREN AT THE BOATYARD Signed ‘Snell’ bottom left, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, New Jersey. $5,000-8,000

153 126001/1 FERN ISABEL COPPEDGE (american 1888-1961) “PIGEON COVE” Signed ‘Fern Coppedge’ bottom right, indistinctly inscribed and dated ‘1936’ verso, oil on canvasboard 9 3/4 x 12 in. (24.8 x 30.5cm) provenance: Bianco Gallery, Buckingham, Pennsylvania.

Private Collection, Connecticut. $8,000-12,000

91 free≤an’s fine american & european paintings & sculpture

12/02/12

155 121923/1 ARTHUR MELTZER (american 1893-1989) STILL LIFE WITH FLOWERS Signed ‘Arthur Meltzer’ bottom left; also dated ‘Feb 15, 1961’ in pencil verso, oil on masonite 24 x 20 in. (61 x 50.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

154 126020/3 ARTHUR MELTZER (american, 1893-1989) “THE CABBAGE PATCH” Signed and dated ‘Arthur Meltzer 30’ bottom left, inscribed with title on upper stretcher in pencil verso; also signed and inscribed with title on two labels attached verso, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Private Collection, Connecticut. $15,000-25,000

92 free≤an’s fine american & european paintings & sculpture

12/02/12

156 126036/2 JOHN FULTON FOLINSBEE (american 1892-1972) NEW HOPE FROM ACROSS THE DELAWARE Signed ‘John F. Folinsbee’ bottom left, oil on canvas laid down on board 8 1/4 x 10 3/8 in. (21 x 26.4cm) In a frame stamped ‘R MOORE PRICE / FRAMES / NEW HOPE PA’ verso provenance: Private Collection, Florida. note: This piece will be included in the artist’s catalogue raisonné. $8,000-12,000

93 free≤an’s fine american & european paintings & sculpture

12/02/12

157 121933/1 GEORGE WILLIAM SOTTER (american 1879-1953) “BROOK IN WINTER” Signed ‘G.W. Sotter’ bottom right, oil on canvas 32 x 36 in. (81.3 x 91.4cm) provenance: Dennis O’Brian, Passaic, New Jersey.

By descent to Rosemary O’Brian-Donohue, Indiana.

Gifted to the present owner.

Private Collection, Michigan. $50,000-80,000

94 free≤an’s fine american & european paintings & sculpture

12/02/12 158 126017/11 SAMUEL GEORGE PHILLIPS (american 1890-1965) “BUCKS COUNTY TAPESTRY” Signed “Phillips” bottom right, oil on canvas 18 x 16 in. (45.7 x 40.6 cm) provenance: Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Florida.

Freeman’s sale of Fine American & European Paintings, December 4, 2005, lot 163.

Private Collection, Pennsylvania. $10,000-15,000

159 126042/2 CHARLES ROSEN (american, 1878-1950) ‘WHITE CASTLE’ Signed ‘C ROSEN’ bottom left, inscribed with title verso, oil on canvasboard 11 5/8 x 15 3/4 in. (29.5 x 40cm) provenance: Private Collection, New Jersey. $6,000-10,000

95 free≤an’s fine american & european paintings & sculpture

12/02/12 160 126009/1 RICHARD GIBSON WEDDERSPOON (american 1889-1976) “BOWMAN’S HILL” Signed and dated ‘R.G.WEDDERSPOON ‘58’ bottom right, oil on canvas In a Badura frame 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, New Jersey. note: The present painting depicts the Delaware River, looking north from Bowman’s Hill. $12,000-18,000

96 free≤an’s fine american & european paintings & sculpture

12/02/12 161 126017/3 WALTER EMERSON BAUM (american 1884-1956) “EMMAUS AVENUE ALLENTOWN, PA” Signed ‘W E BAUM” bottom right;also signed and dated ‘January 4, 1950’ and inscribed with title in ink on page attached verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, Pennsylvania. $7,000-10,000

162 126042/1 RAE SLOAN BREDIN (american 1881-1933) “MISS ELFRIDA LANDIS” Signed ‘RS Bredin’ bottom left, inscribed ‘For Elfrida Landis’ on label verso, oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, New Jersey. exhibited: Annual Exhibition, Pennsylvania Academy of the Fine Arts, 1993, catalogue no. 450. $8,000-12,000

97 free≤an’s fine american & european paintings & sculpture

12/02/12

163 126017/13 WALTER ELMER SCHOFIELD (american 1867-1944) A BUSY CORNISH HARBOR Signed and dated ‘Schofield 14’ bottom right, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Estate of a Lady, Philadelphia, Pennsylvannia.

Freeman’s sale of Fine American & European Paintings, June 21, 2009, lot 109.

Private Collection, Pennsylvania. exhibited: James A. Michener Museum, Doylestown, Pennsylvania, June 2 - July 11, 2011. $25,000-40,000

98 free≤an’s fine american & european paintings & sculpture

12/02/12 164 122220/1 RICHARD GIBSON WEDDERSPOON (american 1889-1976) READING IN THE SHADE Signed ‘R G Wedderspoon’ bottom right, oil on canvas 18 x 18 in. (45.7 x 45.7cm) provenance: Private Collection, Florida. $4,000-6,000

165 126028/1 STUART SHILS (american b. 1954) “TREES ON THE WEST RIVER” Signed and dated ‘SHILS 86” bottom right; also signed, titled and inscribed verso, oil on paper 8 3/4 x 10 1/2 in. (22.2 x 26.7cm) provenance: Private Collection, Maryland. $1,000-1,500

99 free≤an’s fine american & european paintings & sculpture

12/02/12

166 121925/2 HENRY ASBURY RAND (american 1886-1961) ‘WINTER SUNLIGHT (BENJAMIN WILLIAMS HOMESTEAD)’ Signed and dated ‘Henry A Rand 1921’ bottom right, oil on canvas 25 x 30 in. (63.5 x 76.2cm). provenance: Northern New Jersey Estate.

Acquired from the above.

Private Collection, Maryland. $15,000-25,000 END OF SALE

Index Alken, H., 45, 46 Alt, T. 14 Armington, F.M., 70

Folinsbee, J.F., 156 Garber, D., 142, 143, 144, 145, 146, 147 Gardner, F., 117 Gisson, A., 120 Graner y Arrufi, L., 93 Greacen, E.W., 68, 69 Greenwood, J.H., 76

Bartolena, G., 23 Baum, W.E., 161 Bernstein, T.F., 133 Biggs, W., 116 Bloch, J., 132 Bredin, R.S., 162 Bricher, A.T., 83 Bridgman, F.A., 92 Burliuk, D.D., 122, 123 Buttersworth, J.E., 94 Carl-Rosa, M.C.R., 57 Chapman, J.W., 33 Charreton, V., 5 Chase, W.M., 85 Communal, J.V., 6 Coppedge, F.I.,136, 149, 153 Costa, G., 24 Costigan, J.E., 106 Daubigny, C.F., 1 Dawson, M., 38 De Breanski, Sr., A., 35 De Breanski, Jr., A.F., 34 De Comolera, M., 56 De Madrazo y Garreta, R., 27 Demuth, C., 99 Durand, A.B., 86 Duveneck, F., 82 Dyer, C.G., 91 Emms, J., 54 Evergood, P., 67 Feininger, T.L., 103 Fiene, E., 110

Hall, H., 41, 42, 43, 44 Hamilton, J., 74 Hankey, W.L., 36, 37 Helmer, P., 12 Heyerdahl, H.O., 65 Hibbard, A.T., 109 Horton, W.S., 105 Howland, A.C., 89 Jan, G. 62 Johnson, D., 84 Kauffmann, H.W. 15 Kirk, E., 112 Knaths, K., 127 Knight, D.R., 87 Knight, L.A., 88 Krieghoff, C.D., 71 Lecomte, P.E., 58 Leith-Ross, H., 134 Lever, R.H., 104 Lie, J., 113 Lippincott, W.H., 90 Luigini, F.J., 60 Maclet, E., 63 Macrae, E.F., 100 Maggs, J., 39, 40 Maleas, K., 29

Malfray, C.A., 59 Marshall, B., 52 Massani, P., 25 McCluskey, J., 118, 119 McKenzie, R.T., 72 Mellor, W., 32 Meltzer, A., 135, 139, 154, 155 Monticelli, A.J.T., 8 Mully, O., 23 Murray, H., 48 Musin, F.E., 3 Nichols, D., 111 Nunamaker, K.R., 150, 151 Nunes-Vais, I., 28 Osthaus, E.H., 97 Owen, B., 115 Ozols, A., 126 Paterson, J., 31 Penfold, F. 79 Perboyre, P.E.L.,4 Petter, T. 20 Phillips, S.G., 158 Porter, C., 96 Price, M.E., 138 Priechenfried, A.H., 16 Rand, H.A., 166 Roldan, E., 26 Rosen, C., 159 Roybet, F.V.L., 2 Rungius, C.C.M., 114

Settani, L., 66 Shayer the Elder, W., 30 Shils, S., 165 Shinn, E., 102 Sloane, E., 107, 108 Smith, F.H., 101 Smith, P., 49 Snell, H.B., 152 Sonntag, Jr. W.L., 81 Sotter, G.W., 148, 157 Soyer, R., 125 Speight, F., 128, 129, 130 Sperl, J., 11, 17 Spohler, J.F., 9 Stuempfig, W., 131 Symons, G.G., 98 Teague, D., 124 Timmermans, L.E., 61 Van Roekens, P.V.J., 140, 141 Vedder, E., 78 Velten, W., 22 Von Bochmann the Elder, G. 19 Von Defregger, F., 13 Walker, W.A., 95 Weaver, T., 47 Wedderspoon, R.G., 160, 164 Weeks, E.L., 73 Whittridge, W., 80 Wischniowsky, J., 10 Wyant, A.H., 75 Zorach, M., 121

Sartorius, J.N., 50, 51, 53 Schofield, W.E., 137, 163 Schönleber, G., 21 Schlösser, C.B., 77 Seago, E., 55

CONTINENTAL SCHOOL, 7

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names

attributed to

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Refers to probably a work by the artist; e.g.

Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g.

Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

signatures & dates

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

Fine Paintings Thursday, 29th November, 2012 33 Broughton Place, Edinburgh EH1 3RR

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

ARPITA SINGH (INDIAN b. 1937 ROAD SIGN:DONT CROSS CENTRAL PARK AT NIGHT Signed and dated 1995, inscribed, oil on canvas 91.5cm x 106.5cm (36in x 42in) Provenance: Chemould Gallery, Bombay Exhibited: CIMA Gallery, Calcutta, Arpita Singh, 1996, referred to in the text and illustrated in the plates

ÂŁ40,000-60,000 ($64,000-96,000)

w w w. lyo n a n d t u r n b u l l . co m

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

11 No “buy” bids shall be accepted at any time for any purpose.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE (Primary)

RESALE

COUNTRY

PHONE (Secondary)

/

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

❑

(signature required to execute your bids)

❑

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED

This fall brings a consistent roster of our expertise to the Main Line, Freeman’s new office in Eagle Village Shops! Experience, explore and enjoy these services within the comfort and convenience of suburban Philadelphia: • Daily exhibitions of upcoming auction highlights • Monthly Gallery Talks • Walk-in consignment inquiries and ‘fair market value’ appraisals • Auction registration for bidding in person, over the phone or absentee • Bill payment and pick- up of small items

Katherine Oldiges 610.254.9700 koldiges@freemanauction.com

to preview, bid or consign visit us at

www.freemansauction.com 1808 Chestnut Street Philadelphia PA 19103 Tel: 215.563.9275

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Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236