Modern & Contemporary Art

Modern & Contemporary Art 05/05/13

Modern & Contemporary Art 05/05/2013

Modern & Contemporary Art Sale 1458 (lots 1-193) Sunday, May 5th at 2pm

Exhibitions:

Bidding:

Thursday, May 2nd and Friday, May 3rd 10am-5pm

bids department bridgette bonner 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com

Saturday, May 4th 12 noon-5pm

Inquiries: anne henry ext 3049 Vice-President 267.414.1220 ahenry@freemansauction.com

aimee pflieger ext 3015 Associate Specialist 267.414.1221 apflieger@freemansauction.com

fred frederick ext 3018 Department Administrator 267.414.1231 ffrederick@freemansauction.com

Printing by Brilliant Studio Exton, Pennsylvania

Catalogue $35 (in the Gallery)

Inside Front Cover: Lot 42 (detail) Inside Back Cover: Lot 121 (detail) Color images of every lot are available at www.freemansauction.com

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer.

To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid.

Freeman’s is not responsible for errors or failure to execute bids.

Payment

Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

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Modern & Contemporary Art SUNDAY, MAY 5TH AT 2PM

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1 131072/2 JACQUES VILLON (french, 1875-1963) “LA PARISIENNE (TOURNÉE À GAUCHE, PETIT PLANCHE)” 1904, pencil signed, numbered ‘No 55’ (from the edition of 100), with wide margins, Sagot, Paris, publisher and with their embossed stamp.

Color etching and aquatint on Japan. image: 9 3/8 x 6 5/8 in.

(23.8 x 16.8cm) sheet: 15 5/8 x 10 3/8 in.

(39.7 x 26.4cm) [Ginestet & Pouillon, E93] Unframed $1,000-2,000

2 131315/1 HENRI MATISSE (french, 1869-1954) “JEUNE FILLE ACCOUDEE AU PARAVENT FLEURI” 1923, pencil signed, numbered 22/60, with thin (trimmed) margins. Lithograph on Chine laid down to wove paper. image: 7 1/8 x 10 1/4 in.

(18 x 26.1cm) sheet: 9 x 11 7/8 in. (22.9 x 30.2cm) [Duthuit, 439] $5,000-8,000

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3 131009/2 PABLO PICASSO (spanish, 1881-1973) “AU CIRQUE” from “la suite des saltimbanques” 1905 (printed in 1913), bears pencil signature, from the edition of 250 (there were also 27 or 29 on Japan), with full margins, Ambroise Vollard, Paris, publisher. Drypoint etching on Van Gelder. image: 8 5/8 x 5 1/2 in.

(21.9 x 14cm) sheet: 20 x 13 in. (50.8 x 33cm) [Bloch, 9; Baer, 11] $3,000-5,000

4 139056/2 PABLO PICASSO (spanish, 1881-1973) “LE BAIN” from “la suite des saltimbanques” 1905 (printed in 1913), from the edition of 250 (there were also 27 or 29 on Japan), with wide margins, Ambroise Vollard, Paris, publisher.

Etching on Van Gelder. image: 13 1/2 x 11 1/4 in.

(34.3 x 28.6cm) sheet: 17 7/8 x 14 3/8 in.

(45.4 x 36.6cm) [Bloch, 12; Baer, 14] $3,000-5,000

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5 131257/1 PABLO PICASSO (spanish, 1881-1973) “FEMME NUE ASSISE DEVANT UN RIDEAU” from “la suite vollard” 1931 (printed in 1939), pencil signed, from the edition of 250 (there were also 50 on larger paper), with wide margins, Vollard, Paris, publisher.

Etching on Montval, watermark Picasso. image: 12 1/4 x 8 3/4 in.

(31.2 x 22.4cm) sheet: 17 5/8 x 13 1/8 in.

(44.8 x 33.3cm) [Bloch, 137; Baer, 202] $5,000-7,000

6 122364/47 PABLO PICASSO (spanish, 1881-1973) “SCÈNE BIBLIQUE, AVEC BOUFFON AU CHAPEAU À DEUX CORNES” from “series 347” 1968, pencil signed and numbered 21/50 (there were also 17 artist’s proofs), with full margins, Galerie Louise Leiris, Paris, publisher.

Etching on BFK Rives. image: 8 1/4 x 10 1/2 in.

(21 x 26.7cm) sheet: 12 3/4 x 16 in.

(32.4 x 40.7cm) [Bloch, 1814; Baer, 1831] $2,500-3,500

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7 122364/46 PABLO PICASSO (spanish, 1881-1973) “PEINTRE DEVANT SA TOILE, AVEC UN MODÈLE” from “series 347” 1968, pencil signed and numbered 25/50 (there were also 17 artist’s proofs), with wide margins, Galerie Louise Leiris, Paris, publisher.

Etching on BFK Rives. image: 10 1/4 x 6 3/4 in.

(26 x 17.2cm) sheet: 16 1/8 x 11 3/4 in.

(41 x 29.8cm) [Bloch, 1725; Baer, 1742] $5,000-7,000

8 122364/45 PABLO PICASSO (spanish, 1881-1973) “ARTISTE PEINTRE AU TRAVAIL , AVEC UN MODÈLE LAID” from “series 347” 1968, pencil signed and numbered 21/50 (there were also 17 artist’s proofs), with wide margins, Galerie Louise Leiris, Paris, publisher.

Etching on BFK Rives. image: 8 3/4 x 5 3/4 in.

(22.3 x 14.7cm) sheet: 14 1/2 x 11 in. (36.8 x 28cm) [Bloch, 1711; Baer, 1727] $4,000-6,000

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9 131112/20 PABLO PICASSO (spanish, 1881-1973) “PROFIL DE FEMME NO. 67” 1963, inscribed “Edition Picasso” and “Madoura,” numbered 67 and numbered 45/100 on the underside, white earthenware dish with decoration in engobes under partial brushed glaze and black patina diameter: 10 in. (25.4cm) [Ramié, 473] provenance: The Estate of D. Colman Witte, Philadelphia, Pennsylvania. $2,000-3,000

10 122364/44 PABLO PICASSO (spanish, 1881-1973) “VIEUX CORSAIRE À LA RETRAITE FUMANT SA PIPE” from “series 347” 1968, pencil signed and numbered 21/50 (there were also 17 artist’s proofs), with wide margins, Galerie Louise Leiris, Paris, publisher.

Etching on BFK Rives. image: 8 3/4 x 6 7/8 in.

(22.3 x 17.5cm) sheet: 14 5/8 x 12 1/4 in.

(37.2 x 31.2cm) [Bloch, 1740; Baer, 1757] $8,000-12,000

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11 131390/2 PABLO PICASSO (spanish, 1881-1973) “CLOCK-SHAPED HEAD” 1956, with the ‘Empreinte Originale Picasso’ and ‘Madoura Plein Feu’ stamps verso, ink-numbered 38/100 and ‘C.104’, white earthenware ceramic plate diameter: 16 1/2 in. (42 cm) [Ramié, 325] provenance: Private Collection. $5,000-7,000

12 131390/1 PABLO PICASSO (spanish, 1881-1973) “CLOCK WITH TONGUE” 1956, with the ‘Empreinte Originale Picasso’ and ‘Madoura Plein Feu’ stamps verso, ink-numbered 25/100 and ‘C 106’, white earthenware ceramic plate diameter: 16 1/2 in. (42 cm) [Ramié, 327] provenance: Private Collection. $5,000-7,000

13 OWNED/430 PABLO PICASSO (spanish, 1881-1973) “VISAGE AUX PALMES” 1956, with the ‘Empreinte Originale de Picasso’ and ‘Madoura Plein Feu’ stamps verso, numbered 6/100 and incised ‘C 116’, white earthenware ceramic plate diameter: 16 1/2 in. (42cm) [Ramie, 365] provenance: By family descent.

Private Collection, New Jersey. $3,000-5,000

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14 122364/49 SALVADOR DALÍ (spanish, 1904-1989) “APRES 50 ANS DE SURREALISME” the complete set of twelve prints 1974, the complete set of 12 signed and numbered color etchings, title/justification, text by André Pannaud, copy F172/195 (from the French edition, there was also a deluxe edition of 35 and an English edition of 195), Transworld Art SA, Fribourg, publishers and with their blindstamp and copyright stamps.

All with full margins, loose (as issued) on Rives BFK, in individual paper folders with printed text and contained in the original black-linen boards and slipcase with printed text. images:15 3/4 x 11 7/8 in.

(40 x 30.2cm) sheets: 25 3/4 x 19 5/8 in.

(65.4 x 49.9cm) portfolio:28 1/4 x 21 5/8 in.

(71.8 x 55cm) [Michler & Löpsinger, 665-76; Field, 74-8] $12,000-18,000

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15 122364/48 SALVADOR DALÍ (spanish, 1904-1989) “OUR HISTORICAL HERITAGE” the complete set of eleven prints 1975, the complete set of eleven signed and numbered engravings with color stencil variations, title and justification, copy 126/400 (there were also 50 in Roman numerals and a total of 300 South American copies), Leon Amiel, Paris, publisher and with his blindstamps.

All with full margins, loose (as issued), on Arches, contained within blue fabric covered portfolio box with printed text and original metal medallion cast by the Hotel des Monnaies de Paris after an original wax mold by the artist embedded in cover. images: 22 1/4 x 15 3/4 in. (56.6 x 40cm) sheets: 26 x 19 7/8 in. (66.1 x 50.5cm) portfolio: 26 1/4 x 20 1/4 in. (66.8 x 51.5cm) [Michler & Löpsinger, 752-62] $5,000-7,000

16 122364/50 SALVADOR DALÍ (spanish, 1904-1989) “PAPILLONS ANCIENNES” the complete set of four prints 1977, the complete set of four signed color lithographs, title and justification, copy CXXXIX/CL (there were also 250 on Arches plus 65 artist’s proofs on Japan), published by Bowles & Hopkins/Sienna Workshop, New York. All on Japan, with wide margins, loose (as issued), contained within original black cloth-covered portfolio with gilt lettering. images: 23 1/4 x 18 in. (59.1 x 45.7cm) sheets: 29 1/2 x 20 1/2 in. (75 x 52cm) album 31 1/4 x 23 in. (79.4 x 58.4cm) [Michler & Löpsinger, 1491-1494] $4,000-6,000

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17 131250/1 SALVADOR DALÍ (spanish, 1904-1989) PORTRAIT OF A WOMAN Signed on the support and dated 1924, ink on paper 6 x 5 1/4 in. (15.2 x 13.4cm) [Taschen, 194] provenance: J.E. Gomensoro Galeria & Remates, Montevideo, Uruguay.

Private Collection. literature: Robert Descharnes, Gilles Néret, “Salvador Dalí, 1904-1989: the paintings,” Köln/New York, Taschen, 2001, p. 87, no. 194 (illustrated). $6,000-10,000

18 122591/1 YASUO KUNIYOSHI (american/iapanese, 1893-1953) STILL LIFE WITH FLOWERS Signed and dated ‘21 center right, ink on paper 12 5/8 x 9 7/8 in. (32.1 x 25.1cm) provenance: The artist.

Mr. Walter Kuhn, New York, New York.

Plaza Auction Galleries, May 2, 1962.

Mr. M. Schneider.

Raydon Gallery, New York, New York. exhibited: “Art on Paper, 1980,” Weatherspoon Annual Exhibition, The University of North Carolina at Greensboro, November 16December 14, 1980. note: This work will be sold with a letter written by Mr. Maynard Walker of Maynard Gallery, dated 11 May, 1962 certifying provenance and authenticity, and is addressed to Mr. Schneider, the owner of the artwork at that time. $1,500-2,500

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19 128101/1 LÉONARD TSUGUHARU FOUJITA (french/iapanese, 1886-1968) JEUNE FILLE AUX NATTES Signed in ink, dated 1948 lower right, watercolor, gouache and ink on paper sheet: 20 3/4 x 12 15/16 in.

(52.7 x 32.9cm) support sheet: 23 3/4 x 14 3/4 in.

(60.3 x 37.5cm) provenance: Private Collection, Virginia. note: This painting has been authenticated by Sylvie Buisson and has been assigned catalogue number D48.018.A. and will be accompanied by a certificate of authenticity dated 10 February, 2013.

The present owner sat for this portrait in 1948 when she was eight years old and living outside of Tokyo where her father, a colonel in the army, was stationed. She recalls that Foujita, by then an internationally celebrated artist, executed portraits of several of the occupationists’ children. $30,000-50,000

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20 131174/1 (AFTER) JOAN MIRÓ (spanish, 1893-1983) “UNE FEMME” 1958, pencil signed and numbered 82/300, with wide margins, Maeght, Paris, publisher, and with their blindstamp. Color lithograph on Arches. image: 18 1/8 x 14 3/4 in. (46 x 37.5cm) sheet: 25 3/8 x 18 5/8 in. (64.5 x 47.3cm) [Maeght, 1712] $2,500-3,500

22 131336/1 JOAN MIRÓ (spanish, 1893-1983) TWO PRINTS from “quelques fleurs pour des amis” 1964, both pencil signed bottom right, numbered 30/75 (from the deluxe edition, there were also 10 hors commerce impressions for each), the full sheets, XXe Siècle, Paris, publisher. Two color lithographs on Japan nacré. sheets: 16 1/8 x 12 5/8 in. (41 x 32cm) [Mourlot, 407 and 410; see Cramer books 920] (2) $2,500-3,500

21 131330/7 JOAN MIRÓ (spanish, 1893-1983) “SERIES II, BLACK” 1961, pencil signed bottom right, numbered ‘HC’ (the edition was 30), Maeght, Paris, publisher. With wide margins, lithograph on BFK Rives. image: 16 1/2 x 22 1/2 in. (42 x 57.3cm) sheet: 17 3/4 x 23 3/4 in. (45.1 x 60.3cm) [Mourlot, 286] $1,500-2,500

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23 138040/1 JOAN MIRÓ (spanish, 1893-1983) “LA HARPIE” 1969, pencil signed and numbered 22/75 (there were also a few hors commerce copies), the full sheet, Maeght, Paris, publisher. Color etching, aquatint and carborundum on Arches. sheet: 37 1/8 x 27 1/2 in.

(94.3 x 69.9cm) [Dupin, 506] $8,000-12,000

24 131092/2 JOAN MIRÓ (spanish, 1893-1983) “HUMAN RIGHTS” poster for unesco 1974, pencil signed and numbered 30/75, with full margins, UNESCO, Paris, publisher. Color lithograph (before letters) on Arches. image: 29 1/2 x 22 1/2 in.

(74.8 x 57.2cm) sheet: 31 3/8 x 23 1/2 in.

(79.8 x 59.8cm) [Mourlot, 930] $4,000-6,000

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25 131180/3 AUGUSTE HERBIN (french, 1882-1960) “TROIS OPPOSITIONS POLAIRES” Ink signed and dated 1941 bottom right, gouache and pencil on paper 13 3/4 x 10 5/8 in. (34.9 x 27cm) provenance: Carl Laszlo, Basel.

Christie’s New York, sale 6818, May 11, 1989, lot 184.

Private Collection. exhibited: “Herbin,” Kesttner-Gesellschaft, Hanover, September-October 1967, no. 91. This exhibition traveled to Art Association of the Rhineland and Westphalia, Düsseldorf, 1967. $20,000-30,000

26 131120/8 (AFTER) FERNAND LÉGER (french, 1881-1955) “LA RACINE GRISE” 1945, ink signed and numbered 132/250 in pencil, with wide margins, Guy Spitzer, Paris, publisher. Offset color lithograph and stencil on Arches. image: 19 1/4 x 25 1/8 in.

(48.9 x 63.8cm) sheet: 25 x 35 1/2 in.

(63.5 x 90.2cm) [Saphire, E 21] Unframed $800-1,200

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29 131188/1 YVES TANGUY (american/french, 1900-1955) SURREALIST COMPOSITION Signed and dated ‘36 in ink bottom right, gouache on paper 6 3/8 x 9 3/8 in. (16.2 x 23.8cm) provenance: Christie, Manson & Woods, Ltd, London, “Impressionist and Modern Drawings and Watercolours,” December 6, 1977, lot 139.

Private Collection, Pennsylvania. (Purchased directly from the above sale). $150,000-200,000

Yves Tanguy’s paintings of the 1930s consistently depicted his signature bone-like, biomorphic shapes in desolate landscapes, yet the decade also saw subtle and important changes in the artist’s output.

Paintings of this era nearly always include an impression of unreal light and shadow, a horizon line that shifts and fades, and landscapes that cannot be identified with any particular geographic location, but may evoke places as exotic as the sea floor and the surface of the moon. Central to these compositions are loosely grouped

shapes that hint at organic life forms but resist identification with any particular being.

The rise of facism, threat of war, infighting amongst members of the Surrealists, and frustration over response to his work were all factors that had influence on the artist’s palette and composition in the early 1930s. However, by 1935, Tanguy had his first solo exhibition in the United States and in 1936, Alfred H. Barr acquired two paintings for the collection of the Museum of Modern Art. The increase of solo

and group exhibitions and the artist’s impending emigration to the United States might have been factors that led Tanguy to shift his palette gradually lighter and caused his biomorphic shapes to appear less menacing and more playful.

The artist’s work would remain consistently abstract and populated by strange forms in disquieting, otherworldly landscapes, but the subtle shifts during the 1930s influenced by disturbing world events and personal discontent were influential and important.

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30 131024/1 (AFTER) GEORGES BRAQUE (french, 1882-1963) “LA NAPPE JAUNE” 1960, pencil signed and numbered 230/300, with wide margins, Maeght, Paris, publisher. Color etching on BFK Rives. image: 10 x 17 in. (25.4 x 43.2cm) sheet: 18 1/4 x 24 1/4 in.

(46.4 x 61.6cm) [Maeght, 1038] $2,000-3,000

27 131097/1 JACQUES LIPCHITZ (french, 1891-1973) “BIBLICAL SCENE II” Signed, bearing the artist’s thumbprint and incised 2/7 at the base, bronze with dark brown patina 20 x 7 x 3 in. (50.8 x 17.8 x 7.6cm) provenance: Sotheby’s, New York, New York, “Impressionist and Modern Paintings, Drawings & Sculpture,” Sale 5262, October 18, 1984, lot 191A. Private Collection, Narberth, Pennsylvania. literature: Jacques Lipchitz with H.H. Arnason, “My Life in Sculpture,” New York, 1972, pp.184-85, illustrated p.156.

Alan G. Wilkinson, “The Sculpture of Jacques Lipchitz: A Catalogue Raisonné,” Thames and Hudson, New York, 1996-2000, vol. II, cat. no 448 (illustrated). exhibited: Philadelphia Museum of Art, “Jacques Lipchitz and Philadelphia,” June 27-August 22, 2004 (cat. no. 37). $30,000-50,000

31 131330/6 (AFTER) GEORGES BRAQUE (french, 1882-1963) “PICHET ET OISEAU” Circa 1955, signed in black crayon and numbered 134/200, with wide margins, Maeght, Paris, publisher.

Color etching and aquatint on BFK Rives. image: 16 x 20 1/4 in.

(40.7 x 51.5cm) sheet: 22 x 26 1/4 in.

(55.9 x 66.7cm) [Maeght, 1005] $1,500-2,500

32 131330/8 (AFTER) GEORGES BRAQUE (french, 1882-1963) “L’AQUARIUM” Circa 1950, signed in red pencil and numbered 8/100, with wide margins, Maeght, Paris, publisher.

Color aquatint on wove paper. image: 10 x 13 in. (25.4 x 33cm) sheet: 18 x 21 1/2 in.

(45.8 x 54.6cm) [Vallier, 1007] $1,500-2,500

28 131330/1 HENRY MOORE (british, 1898-1986) “FIGURES SCULPTURES” 1931, pencil signed and numbered 21/50, with wide margins, Gérald Cramer, Geneva, publisher.

Woodcut on Japon nacré. image: 5 x 7 3/4 in. (12.8 x 19.8cm) sheet:10 x 14 in. (25.5 x 35.6cm) [Cramer, 1] $3,000-5,000

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33 131097/2 GEORGES BRAQUE (french, 1882-1963) “LE TIR A L’ARC” frontispiece 1960, pencil signed and inscribed H. C. (one of several proofs with large margins, the total book edition was 165, 20 of which included a suite on Japan), with wide margins, Louis Broder, Paris, publisher. Etching on Japan. image: 8 3/4 x 5 1/2 in. (22.2 x14cm) sheet: 15 1/8 x 11 in. (38.4 x 28cm) [see Vallier, 153] $1,500-2,500

34 131193/5 MARC CHAGALL (french/russian, 1887-1985) “TAMAR BELLE-FILLE DE JUDA” from “bible” 1960, pencil signed and numbered 45/50, with wide margins, Verve, Paris, publisher. Color lithograph on Arches. image: 14 x 10 3/4 in. (35.6 x 27.3cm) sheet: 20 5/8 x 14 7/8 in.

(52.4 x 37.8cm) [Mourlot, 243] $4,000-6,000

35 131193/7 MARC CHAGALL (french/russian, 1887-1985) “LE MARIAGE” 1968, pencil signed, numbered 31/50 (there were also 50 with color), with wide margins, Gérald Cramer, Geneva, Switzerland, publisher.

Etching and aquatint on wove paper. image: 24 x 17 1/2 in. (61 x 44.5cm) sheet: 29 5/8 x 21 1/2 in. (75.2 x 54.6cm) [Cramer, 32] $4,000-6,000

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36 121903/2 MARC CHAGALL (french/russian, 1887-1985) “THE CONVERSATION” 1961, pencil signed and numbered 15/40, with wide margins.

Lithograph on wove paper. image: 12 3/4 x 9 3/4 in.

(32.4 x 24.8cm) sheet: 19 1/4 x 14 7/8 in.

(48.9 x 37.8cm) [Mourlot, 305] $1,200-1,800

37 131282/5 MARC CHAGALL (french/russian, 1887-1985) “VISION OF PARIS” Pencil signed and numbered 11/40, with wide margins, Mourlot, Paris, publisher. Color lithograph on Arches. image: 13 1/4 x 10 in.

(33.7 x 25.4cm) sheet: 18 3/4 x 12 3/4 in.

(47.6 x 32.4cm) [Mourlot, 287; see Cramer books 43] $3,000-5,000

38 131193/6 MARC CHAGALL (french/russian, 1887-1985) “MOISE ET L’ANGE” 1970, pencil signed and numbered 21/30 (there were also 5 artist’s proofs), with wide margins. Lithograph on Arches. image: 12 5/8 x 9 7/8 in. (32 x 25.1cm) sheet: 20 5/8 x 15 1/2 in. (52.4 x 39.4cm) [Mourlot, 613] $2,000-3,000

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39 131193/3 (AFTER) MARC CHAGALL (french/russian, 1887-1985) “PARIS L’OPERA” 1965, pencil signed and dated 1977, the full sheet, Mourlot, Paris, publisher. Color lithographic poster on wove paper. sheet: 25 x 39 in. (63.5 x 99cm) [Sorlier posters, p. 96-7] $1,000-1,500

40 131072/6 PAUL DELVAUX (belgian, 1897-1994) UNTITLED (WOMAN) Sepia ink on paper sheet: 14 3/4 x 10 3/4 in. (37.47 x 27.3cm) Unframed provenance: Private Collection, Pennsylvania. note: The committee of the Paul Delvaux Foundation has reviewed this work and confirmed its authenticity. $3,000-5,000

41 131072/7 two drawings PAUL DELVAUX (belgian, 1897-1994) WOMAN IN PROFILE AND WOMAN WITH DECORATIVE COLLAR Ink wash on paper sheet: 8 1/4 x 6 3/4 in. (20.96 x 17.15cm) Unframed (2) provenance: Private Collection, Pennsylvania. note: The committee of the Paul Delvaux Foundation has reviewed these works and confirmed their authenticity. $2,000-3,000

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42 139056/1 WOLFGANG PAALEN (austrian/mexican, 1907-1959) UNTITLED Signed with initials and dedicated “à Richard B. Freeman mon amis 1949” verso, oil on canvas Executed circa 1948 25 3/4 x 25 3/4 in. (65.4 x 65.4cm) provenance: The artist.

Richard Borden Freeman, Mill Valley, California (acquired directly from the above in 1949).

By family descent.

Sarah Freeman Evans, Kentucky. note: This lot will be accompanied by a copy of ‘Wolfgang Paalen’ by Gustav Regler, Nierendorf Editions, New York, New York, 1947. The book has been dedicated to the artist’s friend, and original owner of the painting as follows: “à Richard B. Freeman très amical hommage, Wolfgang Paalen Mexico 1947.”

Andreas Neufert, Berlin, has kindly confirmed the authenticity of the work based on a photograph. $40,000-60,000

From 1920 to 1940 Wolfgang Paalen studied and painted in France, Italy, Germany, Spain, Switzerland and Greece. In the 1930’s, he was a part of the Parisian Surrealist group led

by Breton and partook in the International Surrealist Exhibition in London in 1936. With the advent of the war, many artists from the group scattered, with Paalen heading to Mexico. In 1940, he organized the International Exposition of Surrealism at the Gallery of Mexican Art, Mexico City. The same year, he also held his first one-man show in America at the Julien Levy Gallery.

Paalen continued to work in Mexico City, and in 1942 founded the magazine DYN in which he publicly announced his separation from surrealism. Paalen’s writings for this magazine received international attention, and were published in Wittenborn’s “Problems of Contemporary Art” in 1947.

The present work was probably painted in 1948, a pivotal and important time for the artist. By now, living in Mill Valley, California, Paalen would meet Lee Mullican and

Gordon Onslow Ford who each would show individually at the San Francisco Museum of Art. The artists together declared themselves as the ‘Dynaton’ movement in a dedicated exhibition at the San Francisco Museum of Art in 1951. In his introductory essay written for the show, Paalen stated of their collective artistic ambition, “For us, a painting is beautiful, when it makes the spectator partake emotionally in the great structural rhythms, the tidal waves of form and chaos, of being and becoming, which go beyond the accidents of individual fate. Our images are not meant to shock nor to relax; they are neither objects for mere aesthetic satisfaction nor for visual experimentation. Our pictures are objects for that active meditation which does not mean detachment from human purpose, but a state of self-transcending awareness, which is not an escape from reality, because it is in intuitive participation in the formative potentialities of reality. …. Painting is the adventure into an inner space which can not be

measured by yardsticks nor lightyears. A space where thought travels faster than light, where the nearest is also the farthest, where the smallest sea-shell curves as meaningful as the galactic spiral and the eye of the mind at once beholds worlds gone and to come.” (Paalen, Wolfgang, San Francisco Museum of Art, “Dynaton,” 1951 pp. 26-7).

Richard Borden Freeman, the original owner of this painting was a curator at the San Francisco Museum at the time of “Dynaton,” and became friendly with the artists over the course of their work on the exhibition. The families often socialized together, and according to his family’s recollections, Mr. Freeman traded an old Studebaker to Paalen for the painting in 1949.

Mr. Freeman, who went on to chair the Art departments at the Universities of Alabama and Kentucky, treasured this painting, which bears an affectionate dedication from the artist and has remained in his family ever since.

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43 131180/1 MAX ERNST (german, 1891-1976) “CHERI BIBI” Conceived 1973, cast in 1975, signed and numbered 63/175 on the back of the base, with Valsuani Cire Perdue stamp, bronze with green patina 12 3/4 x 7 x 6 3/8 in.

(32.4 x 17.8 x 16.2cm) provenance: Private Collection, Washington, D.C. literature: Exhibition catalogue for “Max Ernst: Sculture = Sculptures,” Milano: Charta, 1996, p. 184 (another cast illustrated). $15,000-25,000

44 122460/2 two paintings ALBERT RATY (belgian, 1889-1970) VILLAGE SCENES Both signed bottom left, inscribed “Vresse S/Semois”, and “Bohan S/Semois” respectively and both dated 1945 verso, oil on canvas 11 3/4 x 17 1/2 in. (29.8 x 44.5cm) and 11 x 12 in. (28 x 30.5cm) (2) provenance: Private Collection. $1,200-1,800

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45 131180/6 ANDRÉ LHOTE (french, 1885-1962) “MAISONS DANS UN PAYSAGE” Signed bottom left, gouache on paper 11 3/8 x 15 1/2 in. (28.9 x 39.4cm) provenance: Private Collection. exhibited: Galerie Gauvreau, Montréal, “Russian Avant-Garde Art from the Schreiver Collection,” January 20March 9, 1986. $4,000-6,000

46 131258/1 JAN MULLER (american/german, 1922-1958) TWO WOMEN Bears inscription with artist’s name and title verso, oil on canvasboard 8 x 10 in. (20.3 x 25.4cm) provenance: Stephen Radich, New York, New York.

Jerome Goodman, Philadelphia, Pennsylvania. $2,500-3,500

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47 121972/120 LYONEL FEININGER (american/german, 1871-1956) “BUTTELSTEDT�

Signed and titled bottom left, dated 12 I 35 bottom right, ink on paper 9 5/8 x 12 in. (24.5 x 30.6cm) provenance: Willard Gallery, New York, New York.

Lawrence A. Fleischman, New York, New York.

Kennedy Galleries Inc., New York, New York.

Private Collection, New Jersey. note: This work will be included in the Lyonel Feininger archives of drawings and watercolors with the number 1189-03-06-13 and is accompanied by a certificate of authenticity dated 6 March 2013 and signed by Achim Moeller for the Lyonel Feininger Project LLC. $20,000-30,000

48 131371/2 KARL SCHMIDT-ROTTLUFF (german,1884-1976) ANENOMES Signed bottom right, pastel and ink on paper 10 1/2 x 15 3/4 in. (26.7 x 40cm) provenance: Private Collection, Philadelphia, Pennsylvania. $8,000-12,000

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49 131072/3 two drawings EUGENE BERMAN (american/russian, 1899-1972) “CHRISTO REY” AND UNTITLED Both signed with initials and dated ‘48 and ‘49 respectively, ‘Christo Rey’ titled and annotated ‘254’, ink on paper each sheet: 12 x 9 in.

(30.5 x 22.8cm) Unframed (2) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

50 131395/14 EUGÈNE BRANDS (dutch, 1913-2002) COUPLE Signed and dated ‘2-57’ upper left, bears dedication, ‘aan mijn vrouw’ in pencil verso, oil on cardboard 17 x 17 3/8 in. (43.2 x 44.2cm) provenance: The Estate of Milton Ginsburg, Haverford, Pennsylvania. $1,500-2,500

51 131072/5 ASGER JORN (danish, 1914-1973) “RÉSISTANCE MASCULINE” (MÄNNLICHER WIDERSTAND) 1954 (printed in 1961), pencil signed, dated and numbered 17/50, with wide margins. Etching on wove paper. image: 5 1/8 x 4 5/8 in. (13 x 11.7cm) sheet: 15 x 10 7/8 in. (38.1 x 27.6cm) [Van de Loo, 51] Unframed $600-1,000

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52 131072/4 ALEXANDER ARCHIPENKO (ukrainian, 1887-1964) “TWO FIGURES” from “international anthology of contemporary engraving” 1962, ink signed within the image, pencil numbered 24/60 (there were also 15 artist’s proofs), with wide margins, Galerie Schwarz, Milan, publisher. Etching on BFK Rives. image: 4 3/8 x 5 3/4 in. (11.1 x 14.6cm) sheet: 7 5/8 x 10 1/4 in. (19.4 x 26cm) [Karshan, 41] Unframed $800-1,200

53 131277/4 ALEXIS GRITCHENKO (ukrainian, 1883-1977) “ARC EN CIEL, MILOS” Signed upper right and dated 1923, mixed media on board 15 3/4 x 19 5/8 in. (40 x 50cm) provenance: Peter Deitsch, New York, New York.

Gross McCleaf Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

54 131277/3 ALEXIS GRITCHENKO (ukrainian, 1883-1977) “LA CIOTAT” (COTE D’AZUR) Signed bottom right, oil on panel Executed in 1953 12 3/4 x 18 in. (32.4 x 45.7cm) provenance: Dr. Walter Hordinsky, Ukrainian Institute, Livingston, New Jersey.

Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

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55 122414/1 ARTHUR KOLNIK (ukrainian, 1890-1972) “LE MUSICIEN” Signed bottom right, oil on panel 18 x 15 in. (45.7 x 38cm) provenance: The Collection of Alan Dershowitz & Carolyn Cohen, Cambridge, Massachusetts. note: Nadine Nieszawer has confirmed the authenticity of this painting. $3,000-5,000

56 131180/4 MOÏSE KISLING (polish, 1891-1953) SEATED NUDE Signed bottom right, mixed media on paper 27 1/2 x 19 7/8 in. (69.9 x 50.5cm) provenance: Private Collection, Washington, D.C.. $5,000-7,000

57 131180/2 two paintings GEORGES BORGEAUD (swiss, 1913-1998) “LE GRENADES” AND “POIRE VERTE” One signed and dated 69 bottom right, the other signed and dated 70 bottom left, both signed, titled, dated 1970 and inscribed “Geneve” verso, both oil on canvas 8 3/4 x 13 in. (22.3 x 33cm); and 10 1/2 x 13 3/4 in. (26.7 x 34.9cm) (2) provenance: Private Collection, Washington, D.C. $1,000-1,500

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58 128054/3 ANDRÉ BRASILIER (french, b. 1929) “DINER EN VILLE” Signed bottom right, signed again with initials and titled verso, oil on canvas 29 x 23 1/2 in. (73.6 x 59.7cm) provenance: Hammer Galleries, New York, New York.

Private Collection, Florida (purchased directly from the above). exhibited: “André Brasilier” Hammer Galleries, New York, October 7-19, 1985 (no. 52, illus. p. 5) note: This painting has been authenticated by the artist and will be accompanied by a signed photo certificate dated April 27, 2011. $15,000-25,000

60 131338/1 JEAN-PIERRE SERRIER (french, 1934-1989) “LA TROUPE DE COMEDIE” Signed, dated 1965, titled and inscribed “A Paris,” oil on canvas 20 3/4 x 25 3/4 in. (52.8 x 65.5cm) provenance: Private Collection, Pennsylvania. $1,000-2,000

59 131193/2 ANDRÉ BRASILIER (french, b. 1929) “JEUNE FILLE EN BLEU” Signed bottom right, titled in pencil verso, watercolor and pencil on paper 30 x 22 in. (76.2 x 56cm) provenance: Property of a Philadelphia Estate. $800-1,200

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61 131109/2 NICOLA SIMBARI (italian, b. 1927) “WHARF” Signed bottom right, oil on canvas 23 1/2 x 31 1/2 in. (59.7 x 80cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

62 131169/5 ANDRÉ GISSON (american, 1921-2003) “AU BORD DU LAC” Signed bottom left, titled on the stretcher verso, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, New York. $1,000-1,500

63 131350/1 ANDRÉ GISSON (american, 1921-2003) STREET SCENE Signed bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, New Jersey. $2,000-3,000

64 131338/2 ANDRÉ GISSON (american, 1921-2003) CAROUSEL Signed bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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65 131365/2 MANUEL MARIN (spanish, 1942-2007) UNTITLED Incised with artist’s name on base, painted and welded iron stabile 31 x 53 x 17 1/2 in. (78.7 x 134.6 x 44.5cm) provenance: The artist.

Monika Rabassa (wife of the artist). $1,500-2,500

66 131365/1 MANUEL MARIN (spanish, 1942-2007) UNTITLED Incised with artist’s name on base, painted and welded iron stabile 33 x 42 1/2 x 19 1/2 in. (83.8 x 108 x 49.5cm) provenance: The artist.

Monika Rabassa (wife of the artist). $1,500-2,500

67 131118/31 MIGUEL BERROCAL (spanish, 1933-2006) “ROMEO AND JULIET” 1967, stamped with the artist’s signature and numbered with edition size of 1000, bronze with gold patina 5 1/2 x 8 1/2 x 3 1/2 in. (14 x 21.6 x 9cm) provenance: Private Collection. note: This sculpture will be accompanied by the original instruction booklet. $1,500-2,500

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68 131112/14 PAUL WUNDERLICH (german, 1927-2010) “AMAZONE” 1976, stamped with the artist’s name, the Venturi Arte foundry stamp and numbered 214/500 opposite side, bronze with gold patina 15 x 31 1/2 x 4 1/2 in.

(38 x 80 x 11.5cm) provenance: The Estate of D. Colman Witte, Philadelphia, Pennsylvania. $1,500-2,500

69 131048/1 EMILE GILIOLI (french, 1911-1977) “L’HOMME DE L’ESPACE” Signed and numbered 3/5, with the Susse-Fondeur, Paris foundry stamp at the base, polished bronze on wood base Executed in 1963 34 5/8 x 23 x 22 1/2 in. (88 x 58.4 x 57cm) provenance: Galerie Albert Loeb, Paris.

Private Collection. literature: Centre Georges Pompidou, “Gilioli Sculptures,” June 6-September 3, 1979, (another example illustrated p. 26). note: A copy of the catalogue for the exhibition at the Centre Georges Pompidou will accompany this lot. $8,000-12,000

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70 126020/2 FRANZ KLINE (american, 1910-1962) THE HORSE Signed bottom right, oil on canvas 24 x 35 in. (61 x 88.9cm) provenance: Private Collection, Connecticut. note: See Robert S. Mattison, “Franz Kline: Coal and Steel,” the catalogue for the exhibition of the same name held in 2012 at the Allentown Art Museum, page 34 for similar example. $10,000-15,000

71 131277/2 WILLIAM BAZIOTES (american, 1912-1963) UNTITLED Gouache on cardboard 6 x 8 in.

(39.1 x 20.4cm) provenance: Constance & Harry Baziotes, Pennsylvania.

Pennypacker-Andrews Auction Centre, Inc., Reading, Pennsylvania, “Important Twentieth Century Unreserved Art Auction of Recently Discovered Works by William Baziotes,” September 25, 1995 (addendum to sale).

Private Collection, Philadelphia. $6,000-10,000

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72 131277/1 WILLIAM BAZIOTES (american, 1912-1963) UNTITLED Signed bottom right, ink on paper 8 1/2 x 11 in. (21.7 x 28cm) provenance: Constance & Harry Baziotes, Pennsylvania.

Pennypacker-Andrews Auction Centre, Inc., Reading, Pennsylvania, “Important Twentieth Century Unreserved Art Auction of Recently Discovered Works by William Baziotes,” September 25, 1995 (addendum to sale).

Private Collection, Philadelphia. $1,000-2,000

73 121345/3 MILTON AVERY (american, 1885-1965) “TWISTED TREE” 1943, signed, dated and numbered 39/60, with wide margins, The Associated American Artists, New York, New York, publisher. Drypoint etching on heavy wove paper. image: 5 1/8 x 6 3/4 in. (103 x 17.2cm) sheet: 10 5/8 x 12 1/8 in. (27 x 30.6cm) [Lunn, 25] $1,500-2,500

74 122140/1 MILTON AVERY (american, 1885-1965) “FANTAIL PIGEON” 1953, pencil signed, dated and numbered 16/25 (there were also 20 in black and 30 in blue and black), with margins.

Woodcut in brown and black. image: 10 x 9 1/2 in. (25.4 x 24.2cm) [Lunn, 47] $1,800-2,200

75 122140/2 MILTON AVERY (american, 1885-1965) “JAPANESE LANDSCAPE” 1939, pencil signed, dated and numbered 43/100, with margins. Drypoint on wove paper. image: 3 1/4 x 7 15/16 in. (8.3 x 20.2cm) sheet: 10 x 13 3/4 in. (25.4 x 34.9cm).

[Lunn, 15] $1,800-2,200

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76 131332/2 CLAUDE C.F. CLARK (american, 1915-2001) “THE TRUMPET (WEST AFRICA)” Signed and dated 77 bottom right, titled on label verso, oil on board 12 x 24 in. (30.5 x 61cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. $2,500-4,000

77 131332/1 CLAUDE C.F. CLARK (american, 1915-2001) “SCOWS” Signed bottom right, titled and dated Dec. 1957 verso, oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. exhibited: Ruthermore Gallery, San Francisco, California. $2,500-4,000

78 131193/8 DOX THRASH (american, 1893-1965) RECLINING NUDE Signed bottom right, mixed media on paper 11 x 14 7/8 in. (27.9 x 37.8cm) provenance: Property of a Philadelphia Estate. $1,800-2,200

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79 131193/1 DOX THRASH (american, 1893-1965) “I KNOW MY STUFF” Stamp signed twice bottom right and titled “I. KEW MY STUFF (sic)” in pencil verso, ink wash on paper approx. 30 x 22 1/4 in.

(76.2 x 56.5cm) provenance: Property of a Philadelphia Estate. $2,000-3,000

80 122598/1 HUMBERT HOWARD (american, 1915-1992) “STILL LIFE WITH AFRICAN DOLLS” Signed and dated ‘78 bottom right, signed again on frame verso, oil on canvas 32 x 38 in. (81.3 x 96.5cm) provenance: Gross McCleaf Gallery, Philadelphia, Pennsylvania.

Private Collection. $2,000-3,000

81 131230/1 ELIZABETH CATLETT (american, 1915-2012) “TWO GENERATIONS” 1979, pencil signed, dated, titled, numbered 9/100, with full margins.

Lithograph on Arches. image: 17 x 20 1/2 in.

(43.2 x 52.1cm) sheet: 22 1/4 x 30 in.

(56.5 x 76.3cm) Unframed $1,500-2,500

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82 131230/5 ELIZABETH CATLETT (american, 1915-2012) “ROOTS” Pencil signed and dated bottom right, titled and numbered 6/40, with wide margins. Color lithograph on wove paper. image: 14 x 19 1/2 in. (35.6 x 49.6cm) sheet: 21 x 27 1/2 in. (53.3 x 69.8cm) $3,000-5,000

83 131230/2 ELIZABETH CATLETT (american, 1915-2012) “MALCOLM X SPEAKS FOR US” 1969, pencil signed, dated, titled and numbered A/P 5 (from the edition of 40); the artist, Mexico City, publisher, with wide margins. Color linoleum cut on wove paper. image: 34 1/2 x 27 in. (87.7 x 68.6cm) sheet: 41 1/2 x 31 1/2 in. (105.4 x 80cm) $6,000-10,000

84 131230/6 CHARLES WILBERT WHITE (american, 1918-1979) “I HAVE A DREAM” 1976, pencil signed, dated, titled and numbered 96/125, the full sheet, presumably published by the Graphic Arts Council, Los Angeles Museum of Art, (with their blindstamp). Lithograph on Arches. sheet: 22 3/8 x 30 1/4 in. (56.8 x 76.5cm) $3,000-5,000

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85 131230/7 JACOB LAWRENCE (american, 1917-2000) “CONFRONTATION AT THE BRIDGE” 1975, pencil signed, dated, titled, and numbered 88/175, the full sheet, Transworld Art, New York, publisher, and with their red ink stamp verso.

Color screenprint on wove paper. sheet: 19 1/2 x 26 in. (49.5 x 66cm) $3,000-5,000

86 131230/4 ELIZABETH CATLETT (american, 1915-2012) “VIRGINIA” 1984, pencil signed, dated, titled and numbered 2/32 (the entire edition was comprised of artist’s proofs), the full sheet. Lithograph and collage on black wove paper. sheet: 22 x 15 in. (56 x 38.1cm) $2,500-3,500

87 131230/3 RUTH WADDY (american, 1909-2003) “EMERGENCY CALL” 1982, pencil signed, dated, titled, and numbered 3/6 (the 6 rewritten), also inscribed ‘lino-cut,’ with wide margins. Color linoleum cut on Japan. image: 19 1/4 x 8 3/8 in. (50.2 x 21.3cm) sheet: 23 1/2 x 12 1/2 in. (59.7 x 31.8cm) $1,000-1,500

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88 122522/2 FELICIANO BEJAR (american/mexican, 1920-2007) TWO MAGISCOPES Signed and dated 90 and illegibly on glass at upper left, glass and bronze height: 50 in. (127cm) and 51 in.

(129.5cm) respectively (2) provenance: Private Collection. $1,500-2,500

89 122522/1 FELICIANO BEJAR (american/mexican, 1920-2007) MAGISCOPE Signed and dated 1991 on glass at upper left, glass and bronze height: 75 in. (190.5cm) provenance: Private Collection. $1,500-2,500

90 122522/5 FELICIANO BEJAR (american/mexican, 1920-2007) TWO MAGISCOPES Signed and dated 1987 and 82 on glass at upper left, glass and bronze height: 38 1/2 in. (97.8cm) and 50 1/2 (128.4cm) respectively (2) provenance: Private Collection. $1,500-2,500

89 88 88

90 90

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91 131112/17 RUFINO TAMAYO (mexican, 1899-1991) “CABEZA ROJA” 1975, pencil signed, numbered 51/100 (there were also 10 artist‘s proofs), the full sheet, Ferdinand Roten Galleries, Baltimore, Maryland, publisher. Color lithograph on wove paper.

29 x 21 5/8 in. (73.7 x 55cm) [Pereda, 187] provenance: Estate of D. Colman Witte, Philadelphia, Pennsylvania. $1,200-1,800

92 131029/1 RUFINO TAMAYO (mexican, 1899-1991) “MUJER” 1959, pencil signed, numbered 16/100 (there were also a few unnumbered copies), with wide margins, Pereda states that the publisher is unknown. Color lithograph on Arches. image: 25 x 19 1/2 in. (63.5 x 49.6cm) sheet: 30 x 22 1/4 in. (76.2 x 56.6cm) [Pereda, 54] $1,000-1,500

93 131352/1 FELIPE CASTAÑEDA (mexican, b. 1933) CROUCHING NUDE Inscribed “F CASTANEDA/1979/II/VII” bronze, dark gray and green patinas on base 12 x 11 3/4 x 13 1/4 in. (30.4 x 29.8 x 33.6cm) provenance: Freeman’s, Philadelphia, “Fine American & European Paintings & Sculpture,” June 26, 2005, lot 47.

Private Collection, New York, New York. $3,000-5,000

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94 131029/2 FRANCISCO DOSAMANTES (mexican, 1911-1986) “CON LOS MANOS VACIAS” Signed bottom left and dedicated “PARA MI AMIGA EVELYN CARIÑOSAMETE,” oil on canvas 165 x 94 in. (419.1 x 238.8cm) provenance: The artist H. Evelyn Meeks (gifted directly from the above).

By family descent.

Private Collection, New Jersey. exhibited: Instituto Naçional de Bellas Artes, Mexico City; and Museo Naçional de Artes Plàsticas, Mexico. $5,000-8,000

95 131029/3 FRANCISCO DOSAMANTES (mexican, 1911-1986) LIRIOS DE CALA Signed bottom left, dedicated ‘PARA EVELYN CARIÑOSAMETE,’ bears date 1964 verso, oil on canvas 39 1/2 x 29 1/2 in. (100.4 x 75cm) provenance: The artist H. Evelyn Meeks (gifted directly from the above).

By family descent.

Private Collection, New Jersey. $3,000-5,000

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96 131029/6 FRANCISCO DOSAMANTES (mexican, 1911-1986) “LOS TRES” Signed bottom right, titled in pencil on the stretcher verso, oil on canvas 43 x 27 1/4 in. (110 x 69.3cm) provenance: The artist H. Evelyn Meeks (gifted directly from the above).

By family descent.

Private Collection, New Jersey. $3,000-5,000

97 131029/8 FRANCISCO DOSAMANTES (mexican, 1911-1986) PORTRAIT OF EVELYN Signed, dated 2-4-1972, and dedicated “para Eve........ mi querida amiga” in pencil bottom left, pencil on paper laid down to panel 18 x 13 3/8 in. (45.8 x 34cm) provenance: The artist H. Evelyn Meeks (gifted directly from the above).

By family descent.

Private Collection, New Jersey. $800-1,200

98 131029/7 ALFREDO ZALCE (mexican, 1908-2003) “MEXICO SE TRANSFORMA EN UNA GRAN CIUDAD” Pencil signed and dated ‘47, numbered 10/200, with wide margins. Etching on wove paper. image:12 3/8 x 15 1/2 in. (31.3 x 39.5cm) sheet: 14 3/8 x 17 1/2 in. (36.7 x44.4cm) $800-1,200

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99 131253/1 FERNANDO BOTERO (colombian, b. 1932) “CENTAUR” Bronze with brown patina, incised with the artist’s signature, stamp numbered 1/6 and with the Fonderia Artistica Da Prato foundry stamp on the back of the base Executed in 1995 27 1/2 x 16 1/2 x 21 in. (69.8 x 41.8 x 53.4cm) provenance: Irving Galleries, Palm Beach, Florida.

Private Collection, New Jersey. literature: Fernando Botero and Rudy Chiappini, “Fernando Botero,” Città di Lugano: Museo d’Arte Moderna, 1997 (another form the edition illus. p. 217). $200,000-300,000

Fernando Botero’s “Centaur” immediately demands attention; its bold sexuality and sumptuous surface make it difficult to ignore. In essence, this piece does not differ from a great deal of the artist’s sculpture; Botero’s work is marked by repetition. His figures, more often than not, are fat, voluptuous and strangely serene. They are also

often playful, sexual, and funny.

Although wrapped in an amorous embrace, both figures are expressionless, with no apparent emotions of joy or pleasure. In this sculpture, Botero does that which he is so skilled: he gives the perception that he is a judgment-less observer.

He acts as a modern day story weaver and fable teller- drawing his

narratives from the Bible, mythology, Latin American history, and even current news stories. His figures, with their solemn faces and fleshy bodies, act as powerful, recognizable archetypes for the artist to use as a tool, exploring themes of wealth, power, sexuality, history and cultural appropriation.

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100 131269/2 MAQBOOL FIDA HUSAIN (indian, 1915-2011) “VARANASI II” Pencil signed three times (once in Devanagari) and numbered 33/100, titled and dated 25 II ‘73 in the image, with wide margins. Screenprint in black on wove paper. image: 27 x 19 in. (68.6 x 48.3cm) sheet: 30 x 22 in. (76.2 x 55.9cm) Unframed $2,000-3,000

102 131269/8 MAQBOOL FIDA HUSAIN (indian, 1915-2011) “VARANASI V” Pencil signed twice (once in Devanagari) and numbered 33/100, titled and dated 26 II 73 in the image, with wide margins. Screenprint in black on wove paper. image: 27 x 19 in. (68.6 x 48.3cm) sheet: 30 x 22 in. (76.2 x 55.9cm) Unframed $2,000-3,000

101 131269/6 MAQBOOL FIDA HUSAIN (indian, 1915-2011) “VARANASI IV” Pencil signed twice (once in Devanagari) and numbered 33/100, titled and dated 25 II ‘73 in the image, with wide margins. Screenprint in black on wove paper. image: 19 x 27 in. (68.6 x 48.3cm) sheet: 22 x 30 in. (55.9 x 76.2cm) Unframed $2,000-3,000

103 131269/7 MAQBOOL FIDA HUSAIN (indian, 1915-2011) “VARANASI VII” Pencil signed and inscribed AP, titled and dated 26 II ‘73 in the image, with wide margins. Screenprint in black on wove paper. image: 19 x 27 in. (68.6 x 48.3cm) sheet: 22 x 30 in. (76.2 x 55.9cm) Unframed $2,000-3,000

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104 131269/3 two prints SOMNATH HORE (indian, b.1921) UNTITLED 1969, each pencil signed and dated, inscribed ‘Artist’s Proof 4/7’ and numbered A/P 7/12 respectively, both with wide margins. Color lithographs on wove paper. each image: 10 1/2 x 13 1/2 in.

(26.7 x 34.3cm) each sheet: 15 x 19 5/8 in.

(38.1 x 49.8cm) Unframed (2) $3,000-5,000

106 131071/1 ROBERTO MATTA (chilean, 1911-2002) “LES DAMNATIONS” the deluxe set of 21 prints 1966, the deluxe set of 11 color etchings in- and horstexte plus the additional incomplete suite of 10 pencil signed etchings on Japan (lacking one), title, text by Joyce Mansour and justification, signed by the artist and author in pencil and stamp-numbered 48 on the justification page (from the edition of 75, there were also 10 artist’s proofs in Roman numerals), Georges Visat, Paris, publisher, the full sheets, the eleven prints on folded sheets of Arches printed in-texte (as issued) and the additional suite individually pencil-signed, with wide margins and loose on Japan (as issued). All within paper folder embossed with title contained in fabric-covered boards within slipcase (as issued). album: 17 x 13 1/2 in. (43.2 x 34.3cm) [Sabatier, 136-158] $3,000-5,000

105 131269/1 two prints SOMNATH HORE (indian, b.1921) UNTITLED 1969, each pencil signed and dated, numbered A/P 2/8 and inscribed ‘Artist Proof’, respectively, both with wide margins. Color lithographs on wove paper. image: 10 3/4 x 15 in.

(27.4 x 38.1cm) sheet: 15 x 19 3/4 in.

(38.1 x 19.75cm) and image: 9 1/2 x 13 1/2 in.

(24.2 x 34.3cm) sheet: 15 x 19 7/8 in. (38.1 x 50.6cm) Unframed (2) $3,000-5,000

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107 122133/1 MAQBOOL FIDA HUSAIN (indian, 1915-2011) “PEACOCK” Signed upper right, oil on canvas 36 x 17 1/2 in. (91.4 x 44.5cm) provenance: Central Cottage Industries Emporium, Indian Cooperative Union Ltd., New Delhi.

Mr. and Mrs. Paul Grimes, New York, New York (purchased directly from the above in 1962).

The Estate of Paul and Miriam Grimes, New York, New York and Elkins Park, Pennsylvania. note: The original owner, Mr. Paul Grimes, was the Southeast Asian correspondent for the New York Times from 1959-1962 and was based out of New Delhi. $50,000-80,000 Blending brightly colored hues with earthy tones, this work by M.F. Husain reflects the contrasting colors of day to day life in India.

Depicting several blocky heads at the bottom of the work and an organic, gestural peacock rising in the center of the work, this painting is a representative example of Husain’s experimental integration of principles of expressionism with a quasi-Cubist surface treatment of the figural busts (without actually breaking up the picture plane).

Stylistically, this work is characteristic of his artistic practice in the early 1960s, following a phase in the 50s when the main subject of his work is images of a rural idyll, and preceding his engagement with narrative and India’s major epics the Mahabharata and Ramayana in the late 60s and beyond. As the peacock in the painting is monochromatic, abstract, and a bit hidden, the title calls attention to the contrast between it and the colorful range at the bottom of the painting.

Husain was a founding member of Bombay’s Progressive Artists Group, founded on the cusp of independence from Britain in 1947.

In the following decade, he became one of India’s leading art stars. He did so equally with his prolific paintings and charismatic, eccentric personality – for example, he was known to travel around India in impeccably tailored suits, but barefoot. One of his most celebrated

artistic achievements is a blending of folk and modern (especially Cubist) traditions, but his engagement and experimentation with expressionism alongside other modern idioms has gotten less critical attention. This dimension is especially interesting because it was a major trend among several others of India’s leading artists, and it became an important marker of modernism in Indian art of the 1950s and 60s, especially among artists who were focused intellectually on existentialism.

There were few commercial galleries in India in the late 50s and early 60s. In spite of this, Husain’s work was exhibited widely all over India, and by the early 1960s even in Europe and the United States.

Kumar Gallery was established in New Delhi in the 1950s, and they

held a solo show of Husain’s work in 1961. The bill of sale marking the provenance of this painting from Central Cottage Industries Emporium (CCIE) is historically interesting and rare. Established by the Government of India in 1948, the mission of CCIE is to preserve and share Indian craftsmanship. Its largest and central branch remains the New Delhi location where this work was sold. At this early date, CCIE also showed and sold artworks, and this work could have been consigned directly through the artist or passed through Kumar Gallery.

We are grateful to Beth Citron for contributing this note. Ms. Citron is a New York based art historian and critic who completed her dissertation on Contemporary Art in Bombay 1965-1995.

Paul and Miriam Grimes with the artist, Maqbool Fida Husain.

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108 131368/3 SHYAMAL DUTTA-RAY (indian, 1934-2005) “MAN CRAWLING” Signed and dated 2002 lower right, watercolor 19 x 24 in. (48.3 x 61cm) provenance: Private Collection, New York. $8,000-12,000

109 131368/7 RAM KUMAR (indian, b. 1924) “ABSTRACT LANDSCAPE 9” Acrylic on paper Executed in 2005 22 3/8 x 30 1/8 in. (56.9 x 76.6cm) provenance: The artist.

Private Collection, New York. $10,000-15,000

110 131368/4 LAXMA GOUD (indian, b.1940) “SCULPTURAL HEAD RELIEF 2” 2007, numbered 1/7, bronze with green patina mounted to panel 22 1/2 x 19 in. (57.2 x 48.3cm) provenance: The artist.

Private Collection, New York. $1,500-2,500

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111 131368/6 BOSE KRISHNAMACHARI (indian, b. 1963) “STRETCHED BODIES 29” Signed twice and titled verso, acrylic on canvas.

Executed in 2007.

36 x 72 in. (91.4 x 182.9cm) Unframed provenance: The artist.

Private Collection, New York. $10,000-15,000

112 131368/5 BAIJU PARTHAN (indian, b. 1956) “ENGINEERED FRUIT 2” 2001. Unique digital print on aluminum composite.

Executed in 2001.

36 x 35 3/4 in. (91.4 x 90.8cm) provenance: Private Collection, New York. literature: Ranjit Hoskote, Baiju Parthan: A User’s Manual, Afterimage Publishing, Mumbai, 2006. $2,500-3,500

113 131368/8 S. HARSHA VARDHANA (indian, b. 1958) “UNTITLED 18” Signed and dated 2006 verso, mixed media on canvas 48 x 60 in. (122 x 152.4cm) provenance: The artist.

Private Collection, New York. $4,000-6,000

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114 131395/8 JEAN DUBUFFET french, 1901-1985) “LION HERALDIQUE” from “fables” 1976, pencil signed with initials, dated and numbered 29/50 (there were also 9 artist’s proofs), with wide margins, Pace Editions, New York, publisher. Color screenprint on Arches. image: 22 x 28 in. (55.9 x 71.3cm) sheet: 27 1/2 x 34 5/8 in. (69.8 x 88cm) [Webel, 1179] $2,500-3,500

115 131260/5 WILLEM DE KOONING (american/dutch, 1904-1997) “LOVE TO WAKAKO” 1970, signed and dated bottom right, numbered 58/58, with wide margins, Knoedler, New York, publisher. Lithograph on Akawara paper. image: 42 x 26 1/2 in. (106.7 x 67.3cm) sheet: 45 x 28 1/2 in. (114.3 x 72.4cm) [Graham, 28] $3,000-5,000

116 131346/2 HILTON BROWN (american, b. 1938) “AMBIVALENCE” Signed, titled and dated July, 1965 verso, acrylic polymer on canvas 50 x 60 in. (127 x 152.4cm) provenance: Private Collection. $1,500-2,500

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117 131193/4 ALEXANDER CALDER (american, 1898-1976) “LA MEMOIRE ELEMENTARE” set of eleven lithographs 1978, the incomplete set of eleven signed and numbered color lithographs (lacking one, the original suite included 12), text by Patrick Waldberg (lacking the justification), copy 48/100 (there were also 15 artist’s proofs); Éditions de la Différence, Paris, publishers. The full sheets, all on Arches, contained within original linen-covered portfolio box printed with artist, title and publisher. all sheets: 20 1/4 x 28 3/8 in. (51.5 x 72.1cm) album: 21 1/2 x 29 1/4 in. (54.6 x 74.3cm) provenance: Property of a Philadelphia Estate. $15,000-25,000

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118 131425/11 ANDY WARHOL (american, 1928-1987) “SHOE BRIGHT, SHOE LIGHT, FIRST SHOE I’VE SEEN TONIGHT” from “a la recherche du shoe perdu” Ca. 1955, stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts verso, inscribed in pencil 'PM12.0462' and with initials 'T.J.H' verso bottom right and also inscribed 'RR-46.106' verso bottom left, the artist, New York, publisher. Offset lithograph and watercolor on wove paper. sheet: 9 3/4 x 13 3/4 in. (24.8 x 34.9cm) [Feldman & Schellmann, IV.82B] provenance: Private Collection. $15,000-25,000

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119 131425/12 ANDY WARHOL (american, 1928-1987) “SEE A SHOE AND PICK IT UP AND ALL DAY LONG YOU’LL HAVE GOOD LUCK” from “a la recherche du shoe perdu” Ca. 1955, stamped on the reverse by the Andy Warhol Art Authentication Board Inc., and pencil-numbered 'A134.0110' verso bottom left, and 'XA37.9' verso bottom right, the artist, New York, publisher.

Offset lithograph and watercolor on wove paper. sheet: 9 3/4 x 13 3/4 in. (24.8 x 34.9cm) [Feldman & Schellmann, IV.75B] provenance: Private Collection. $15,000-25,000

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120 131000/5 ROY LICHTENSTEIN (american, 1923-1997) “TEMPLE” 1964, signed, dated and numbered 161/300, with full margins, Leo Castelli Gallery, New York, New York, publisher. Offset color lithograph on wove paper. image: 23 x 17 in. (58.4 x 43.2cm) sheet: 23 3/4 x 17 3/4 in.

(60.3 x 45.1cm) [Corlett, II.3] $2,000-3,000

121 131343/1 ROY LICHTENSTEIN (american, 1923-1997) “BRUSH STROKE V” Signed in paint and numbered 2 (from the edition of 10) on plaque verso, wall relief comprised of epoxy paint, acrylic lacquer, and enamel painted cherry wood Executed in 1986 60 x 31 x 13 1/2 in. (152.4 x 78.8 x 34.3cm) provenance: Tyler Graphics, New York, New York.

Thordén Wetterling Galleries, Stockholm.

Sotheby’s, New York, Contemporary Art Part II, November 14, 1991 (Lot 386).

Private Collection, Florida. (Purchased from the above sale).

Private Collection, New York. literature: Frederic Tuten, Roy Lichtenstein: Brushstrokes, Six Painted Reliefs, New York, 1986 (another example illustrated in color).

Throden Wetterling Galleries exhibition catalogue for “Roy Lichtenstein: Sculpture and Graphics 19801986,” 1986 (n.p., another example illustrated in color). note: This work will be included in the forthcoming catalogue raisonné being prepared by the Roy Lichtenstein Foundation. $80,000-100,000

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122 131334/6 RED GROOMS (american, b. 1937) “FATS DOMINO” 1984, signed in red pencil, numbered 21/54 (there were also 5 artist’s proofs), Shark’s Ink, Boulder, Colorado, publisher. Three dimensional color lithograph in Plexiglas case. overall: 17 1/4 x 20 3/8 x 17 3/8 in. (43.8 x 51.8 x 44.1cm) [Knestrick, 102] provenance: Private Collection, Pennsylvania. $2,000-3,000

123 131334/5 RED GROOMS (american, b.1937) “LOS AFICIONADOS” 1990, signed and dated in brown pencil and numbered 33/90 (there were also 10 artist’s proofs), co-published by the artist and Shark’s Incorporated, Boulder, Colorado. Color lithographic cutout construction in original Plexiglas case. overall: 26 1/2 x 37 1/4 x 25 in. (67.3 x 94.6 x 63.5cm) [Knestrick, 119] provenance: Private Collection, Pennsylvania. $2,000-3,000

124 131260/7 ALEX KATZ (american, b. 1927) “LILY II” 1992, pencil signed and numbered 63/90 (there were also 8 artist’s proofs), the full sheet, co-published

by Brooke Alexander, Inc. and Fischbach Gallery, New York. Color lithograph on Arches. sheet: 20 3/4 x 27 7/8 in.

(52.8 x 70.7cm) [Maravell, 24] Unframed $3,000-5,000

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125 122224/8 ALEX KATZ (american, b. 1927) “UNFAMILIAR IMAGE” 2001, pencil signed and numbered 74/120 bottom left (there were also 13 artist’s proofs), the full sheet, Alberico Cetti Serbelloni Editore, Milan, publisher. Color screenprint on Hahnemuehle. sheet: 30 x 44 1/8 in. (76.2 x 112.1cm) Unframed $800-1,200

126 131290/1 CHRISTO AND JEANNE-CLAUDE (american, b. 1935) “WRAPPED BOTTLE AND CANS PROJECT” 2004, pencil signed, numbered ‘HC 12/30’ (an hors-commerce impression, the edition was 300 plus 50 artist’s proofs), the full sheet, Landfall Press, Chicago, Illinois, publisher, and with their and the artist’s copyright inkstamp on the reverse. Color offset lithograph on wove paper. sheet: 15 3/8 x 13 3/4 in. (39.1 x 34.9cm) Unframed $1,500-2,000

127 122527/1 CLAES OLDENBURG (american, b. 1929) “BROKEN BUTTON” 1981, signed with initials, dated and numbered 85/100 (there were also 14 artist’s proofs), Multiples Inc., New York, publisher, for the patrons of The Institute of Contemporary Art, Philadelphia, Pennsylvania. Rag museum board, glue, cast pigmented paper, color silkscreen and wood multiple in plexiglas box. dimensions (not including plexiglas box): 13 1/2 x 11 1/2 x 5 in. (34.3 x 29.2 x 12.7cm) [Axsom/Platzker, 175] $5,000-8,000

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128 121972/249 LEROY NEIMAN (american, 1921-2012) SEATED FIGURE WITH ST. BERNARD Signed bottom left, dated ‘67 in pencil, mixed media on paper 19 3/8 x 13 in. (49.2 x 33.1cm) provenance: Private Collection, New Jersey. $1,000-2,000

129 131151/6 JIM DINE (american, b. 1935) UNTITLED from “an undefined novel, state ii” 1979, pencil signed, dated and numbered 29/35 (there were also 9 artist’s proofs), with full margins, Pace, New York, New York, publisher. Color etching on BFK Rives. image: 23 3/4 x 19 1/2 in.

(60.3 x 49.6cm) sheet: 29 3/4 x 22 1/8 in.

(75.6 x 56.3cm) [D’Oench/Feinberg, 39] $1,200-1,800

130 131334/2 ALICE NEEL (american, 1900-1984) “EDWARD AVEDISIAN” 1981, pencil signed and numbered ‘AP 2/10’ (artist’s proof, the edition was 6), with wide margins. Color lithograph on wove paper. image: 32 1/2 x 24 in. (82.6 x 61cm) sheet: 35 3/4 x 26 1/4 in. (90.8 x 66.7cm) Unframed provenance: Private Collection, Pennsylvania. $600-800

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131 131271/1 GRACE HARTIGAN (american, 1922-2008) “SEA” Signed and dated ‘76 upper right, oil on paper collage 27 1/2 x 39 5/8 in. (69.8 x 100.8cm) provenance: C.Grimaldis Gallery, Baltimore, Maryland.

Genesis Galleries Limited, New York, New York.

Private Collection, Maryland. $5,000-8,000

132 131260/6 SAM FRANCIS (american, 1923-1994) UNTITLED plate five from “poemes dans le ciel” 1986, pencil signed, numbered 86/100 (there were also 50 artist’s proofs in Roman numerals), the full sheet, Philosophie des Artes, Paris, publisher. Color lithograph on wove paper. sheet: 29 7/8 x 22 in. (75.8 x 55.8cm) [Lembark, 272] Unframed $1,000-1,500

133 131260/3 PAUL JENKINS (american, 1923-2012) “FIVE INVOCATIONS” set of five prints The complete set of five color lithographs, numbered justification page, all pencil signed, dated 77 and numbered 80/100 (there were also 25 artist’s proofs in Roman numerals), the full sheets, Fall Edition, Paris, publisher. All on BFK Rives and enclosed within red portfolio box with printed blue text as issued. all sheets: 21.9 x 29.6 in. (55.8 x 75.3cm) $1,500-2,500

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134 131059/1 JACOB EL HANANI (american/israeli, b. 1947) UNTITLED LANDSCAPE Signed twice (once in Hebrew), and dated 71 bottom right, oil and ink on canvas 16 x 16 in. (40.7 x 40.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

135 131059/2 two paintings JACOB EL HANANI (american/israeli, b. 1947) LANDSCAPE AND WOMAN IN PROFILE Both signed twice (once in Hebrew) and ‘woman’ dated ‘70, one ink on artist’s board and one ink on paper 11 x 14 in. (27.9 x 35.6cm) and 8 1/8 x 6 7/8 in. (20.7 x 17.5cm) Both unframed (2) provenance: Private Collection, Pennsylvania. $1,000-1,500

136 131260/4 RICHARD ARTSCHWAGER (american, 1923-2013) “SAILORS” from “kölner kunstmarkt” 1972, pencil signed, dated and numbered 83/180, with wide margins, Multiples Inc., New York, publisher. Screenprint on BFK Rives. image: 15 x 13 1/8 in.

(38.1 x 33.3cm) sheet: 24 3/4 x 17 3/4 in.

(62.9 x 45cm) Unframed $600-800

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137 137 131107/2 BERNARD SÉJOURNÉ (haitian, 1947-1994) UNTITLED Signed and dated 70 lower right, oil on canvas 34 x 22 in. (86.3 x 55.8cm) provenance: Private Collection, Maryland. $2,000-3,000

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138 138 131395/17 JAMES HAVARD (american, b. 1937) “DRINKS JUICE OF THE STONE” Signed, titled, dated 78, mixed media on paper 39 1/2 x 34 in. (100.4 x 86.4cm) provenance: The Estate of Milton Ginsburg, Haverford, Pennsylvania. $1,000-1,500

139 131330/2 PAT LIPSKY (american, b. 1941) “THE PALM AT THE END OF YOUR MIND” Signed and dated 1974 verso, oil on canvas 32 x 89 1/4 in. (81.3 x 226.8cm) provenance: André Emmerich Gallery, New York, New York.

Private Collection, Bethesda, Maryland. $4,000-6,000

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140 131290/6 ELLSWORTH KELLY (american, b. 1923) “RED ORANGE/YELLOW/BLUE” 1970, pencil signed and numbered 16/75 (there were also 9 artist’s proofs), with full margins, Gemini G.E.L., Los Angeles, California, publisher, and with their blindstamps. Color lithograph on wove paper. image: 32 1/4 x 10 3/4 in.

(81.7 x 27.3cm) sheet: 42 1/2 x 29 5/8 in.

(108 x 75.3cm) [Axsom/Gemini, 62] $3,000-5,000

141 131180/5 FRANK STELLA (american, b. 1936) “KOZANGRODEK (II)” from “the paper relief proiect” 1975, one of 9 trial proofs (the edition was 26), the full sheet, Tyler Graphics, Ltd., Mt. Kisco, New York, and with their blindstamp. Handcolored paper-pulp relief and collage.

24 1/4 x 21 in. (61.6 x 53.3cm) [Tyler, 543:FS2; Axsom add.4B] $5,000-7,000

142 131290/7 FRANK STELLA (american, b. 1936) “SINJERLI VARIATION II” 1977, pencil signed, dated and numbered 25/100 (there were also 20 artist’s proofs), with full margins, Petersburg Press, New York, publisher. Color offset lithograph and screenprint on wove paper. image: 24 3/4 x 24 3/4 in.

(62.9 x 62.9cm) sheet: 32 x 42 in. (81.3 x 106.7cm) [Axsom, 115] $5,000-8,000

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143 131260/8 SOL LEWITT (american, 1928-2007) “UNTITLED (PURPLE)” 2004, pencil signed, numbered 21/30, with full margins, Landfall Press, Santa Fe, New Mexico, publisher. Color lithograph and aquatint on wove paper. image: 31 x 31 in. (78.8 x 78.8cm) sheet: 35 3/4 x 36 in.

(90.8 x 91.5cm) Unframed $1,500-2,500

144 131290/4 ROBERT MOTHERWELL (american, 1915-1991) “ST. MICHAEL I (STATE II)” 1975-9, pencil signed with initials and annotated ‘PP’ (aside from the edition of 34), the full sheet, Tyler Graphics Ltd., Mount Kisco, New York, publishers and with their blindstamp. Color screenprint and lithograph on wove paper. sheet: 63 x 25 1/2 in.

(159.8 x 64.2cm) [Engberg/Banach, 235] Unframed $2,500-3,500

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145 131092/5 LOUISE NEVELSON (american, 1899-1988) UNTITLED plate v 1973, pencil signed and dated lower right, numbered 18/90 (there were also artist’s proofs), Pace Editions, New York, publisher. Color aquatint and collage on Fabriano paper. image: 29 3/4 x 19 5/8 in.

(75.6 x 49.8cm) sheet: 38 7/8 x 27 1/2 in.

(98.7 x 69.8cm) $800-1,200

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145

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146 131092/6 RICHARD DIEBENKORN (american, 1922-1993) “CARD GAME” 1981, pencil signed with initials, dated and numbered 25/35 (there were also 11 artist’s proofs), with full margins, Crownpoint Press, San Francisco, California, publisher, and with their blindstamps. Soft-ground etching on wove paper image: 10 3/4 x 12 3/4 in.

(27.3 x 32.4cm) sheet: 21 5/8 x 30 3/8 in.

(55 x 77.2cm) $1,500-2,500

147 131329/1 ROSS BLECKNER (american, b. 1949) “LOVE/LIGHT/SPIRIT/DEATH” Signed and dedicated “for eric” on backing verso, titled at right, graphite on vellum collage 7 1/2 x 7 in. (19 x 17.8cm) provenance: The artist.

Eric Freeman, East Hampton, New York.

Private Collection, New York. $2,000-3,000

148 131390/3 DAVID HOCKNEY (british, b. 1937) “EINE (PART 1)” 1991, pencil signed and dated, numbered 13/35 (there were also 10 artist’s proofs), with full margins, Tyler Graphics, Ltd., Mount Kisco, New York, publisher, with their blindstamp. Color lithograph on BFK Rives. image: 44 3/8 x 31 in. (11.3 x 80.6cm) sheet: 48 3/8 x 35 1/8 in. (12.3 x 90.8cm) [Museum of Contemporary Art, Tokyo 329] $3,000-5,000

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149 131425/9 ELIZABETH PEYTON (american, b. 1965) “PATI, NOVEMBER 2006” Signed with initial lower left, pastel on paper in artist’s frame 8 5/8 x 6 in. (21.9 x 15.24cm) provenance: The artist.

Sotheby’s New York, “RED,” Thursday, February 14, 2008, lot 29.

Private Collection. $50,000-70,000

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150 131290/3 HELEN FRANKENTHALER (american, 1928-2011) “REFLECTIONS III” 1995, pencil signed, dated and numbered 1/30 (there are also 10 artist’s proofs), with full margins, Tyler Graphics, Ltd., Mt. Kisco, New York, and with their blindstamp.

Color lithograph on BFK Rives. image: 14 3/8 x 19 3/4 in.

(36.6 x 50.3cm) sheet: 20 1/4 x 25 1/4 in.

(51.5 x 64.4cm) [not in Harrison] $2,500-3,500

151 131290/2 HELEN FRANKENTHALER (american, 1928-2011) “A PAGE FROM BOOK II” from “this is not a book” 1997, pencil signed, dated and numbered 31/60 (there were 16 artist’s proofs), Tyler Graphics, Ltd., Mount Kisco, New York, publisher, and with their blindstamp. Color etching and aquatint on TGL Handmade. image: 4 x 17 3/4 in. (10.2 x 45cm) sheet: 10 1/8 x 24 5/8 in.

(25.8 x 62.6cm) [not in Harrison] $2,500-3,500

152 131425/1 JAMES BROWN (american, 1951) “HOTEL INTERIOR KYOTO NO. 7” Signed, titled and dated “‘Hotel Interior Kyoto’ James Brown 1986” verso, watercolor on paper 29 1/4 x 25 in. (74.3 x 63.5cm) provenance: Galerie Bruno Bischofberger, Zurich.

Private Collection. $3,000-5,000

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153 131230/8 BETYE SAAR (american, b. 1926) DECORATIVE BOX Signed and dated 1976 in marker on the underside, wood cigar box with screenprinted labels adhered to the top and undersides, containing mixed media/assemblage 1 1/2 x 8 x 6 1/2 in. (4 x 20.4 x 16.6cm) provenance: The artist.

Private Collection. $5,000-7,000

154 131400/1 LOUISE FISHMAN (american, b. 1939) “THE FRONT, THE BACK, AND THE MIDDLE” Signed, titled and dated 1991 verso, oil on linen 32 x 50 in. (81.4 x 127cm) Unframed provenance: Robert Miller Gallery, New York, New York.

Private Collection, Pennsylvania.

(Purchased from the above in 1993). $10,000-15,000

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155 131425/2 GEORGE CONDO (american, b. 1957) SURREALIST LANDSCAPE Signed and dated ‘6.83’ lower left, signed again with initials ‘GC.’ verso, oil on canvas 35 3/4 x 49 in. (90.8 x 124.5 cm.) provenance: Christie’s New York: “Contemporary Art,” February 24, 1993, lot 163.

James Corcoran Gallery, Santa Monica, California.

The Estate of H. Marc Moyens.

Christie’s New York: “First Open Post-War and Contemporary Art,” February 28, 2007, lot 326.

Private Collection. exhibited: Washington, D.C., American University, The Katzen Arts Center, “Remembering Marc & Komei,” January-March 2006. $80,000-120,000

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156 131425/5 NANCY FRIEDEMANN (colombian/american, b. 1961) “RETICULA BIZANTINA” Pencil signed and dated 2002 bottom right, annotated ‘monotype’ bottom left, monotype on chinecollé Executed in 2003 44 x 31 1/2 in. (111.8 x 80cm) provenance: Private Collection. $4,000-6,000

158 131260/2 three prints KIKI SMITH (american, b. 1954) “BIRD,” “BAT,” AND “FLY” from “various flying creatures” 1998, all pencil signed and dated, with wide margins, within individually titled paper folders as issued, Griffel Knust, Hamburg, publisher. Three lithographs with collage on wove paper. images: various sheets: 19 3/4 x 16 1/2 in. (50.2 x 41.9cm) Unframed (3) $800-1,200

157 131411/1 VIJA CELMINS (american/latvian, b. 1939) “NIGHT SKY” 1997, pencil signed and dated 1997, numbered 25/30, with full margins, published by Grenfell Press, New York for the Instititute of Contemporary Art, Philadelphia, Pennsylvania. Woodcut on Kozo/Gampi laid down to Fabriano Tiepolo (as issued). image: 8 7/8 x 9 7/8 in. (22.6 x 25.2cm) sheet: 17 5/8 x 12 1/2 in. (44.8 x 31.8cm) Unframed $8,000-12,000

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159 131266/3 EILEEN NEFF (american, b.1945) “ENTER NIGHT” 2004, signed and dated verso, edition 1/5. Cibachrome print mounted on aluminum.

42 x 56 1/4 in. (106.7 x 142.9cm) Unframed provenance: The artist.

Locks Gallery, Philadelphia, Pennsylvania.

Private Collection. exhibited: Locks Gallery, Philadelphia, Pennsylvania, “Eileen Neff: Notes Toward a Supreme Fiction,” March 5-April 10, 2004.

Institute of Contemporary Art, Philadephia, Pennsylvania, “Eileen Neff: Between Us,” September 7December 16, 2007.

The Royal Hibernian Academy, Dublin, Ireland, “Eileen Neff: Between Us,” January 9-February 15, 2009.

Weatherspoon Art Museum, Greensboro, North Carolina, “Eileen Neff,” May 23-August 23, 2009.

Walton Art Center, Fayetteville, Arkansas, “Beyond Sublime: Changing Nature,” April 23-May 30, 2010. $3,000-5,000

160 131425/7 MARK LICARI (american, b. 1975) “MEGA MOTH” Signed and dated 07 bottom right, ink, watercolor and colored pencil on paper Executed in 2007.

18 x 44 in. (45.7 x 111.8cm) provenance: Honor Fraser Inc., Marina Del Rey, California.

Private Collection. $6,000-8,000

76 www.freemansauction.com

161 131425/3 MARCEL DZAMA (canadian, b. 1974) “LIVING A FOURTH OR SIX LIFE” Signed lower left. Signed, titled and dated on the stretcher verso, acrylic on canvas with collaged paper Executed in 2003 16 x 20 in. (40.6 x 50.8cm) Unframed provenance: David Zwirner Gallery, New York, New York.

Private Collection. $8,000-10,000

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162 131425/4 OSCAR CAMILO DE LAS FLORES (salvadoran b. 1974) “THE EATERS OF THE POTATO EATERS” Signed bottom right, ink on paper Executed in 2007 11 1/2 x 18 3/4 in. (29.2 x 37.7cm) provenance: Katharine Mulherin Contemporary Art Projects, Toronto, Canada.

Private Collection. $1,500-2,500

163 122224/6 GIULIO PAOLINI (italian, b. 1940) “L’EXIL DU CYGNE” The complete set of one unsigned photogravure with laser cutout, 1984, title, text in Italian and English and justification signed by the artist and stamp-numbered 156 of 500, Fratelli Alinari Stamperia D’Arte, Florence, publisher, with full margins and the central vertical fold (as issued), the print and text on folded heavy wove paper within grey paper covered boards with printed text as issued. print: 19 1/2 x 31 1/2 in.

(49.5 x 80cm) portolio: 20 1/4 x 16 1/2 in.

(51.5 x 42cm) $600-1,000

78 www.freemansauction.com

164 131295/1 RÉMY BLANCHARD (french, 1958-1993) UNTITLED Signed bottom right, oil on masonite, plastic, straw and wood Executed in 1981 79 x 53 in. (200.66 x 134.62cm) Unframed provenance: Holly Solomon Gallery, New York, New York. $4,000-6,000

165 131290/5 HOWARD HODGKIN (british, b. 1932) STILL LIFE 1980, pencil signed with initials, dated and numbered 88/100 (there were also an unknown number of artist’s proofs), the full sheet, Bernard Jacobson, London, publisher. Color screenprint on heavy wove paper. sheet: 31 1/4 x 28 3/4 in. (79.4 x 73.1cm) [Heenck, page 222] $1,500-2,500

166 122131/3 four prints JOHN WALKER (british, b. 1939) “CREEKSIDE” 1989, all pencil signed, dated and numbered 3/15, Advanced Graphics, London, publisher.

Color etchings on handmade paper. each image (approx): 16 1/4 x 11 1/2 in.

(41.3 x 29.2cm) each sheet: 38 1/2 x 38 1/2 in. (97.8 x 97.8cm) Unframed (4) $600-900

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167 131260/9 MATTHEW RITCHIE (british, b. 1964) “TRINITY” Mixed media on Denril 12 x 9 in. (30.5 x 22.9cm) provenance: Andrea Rosen Gallery, New York, New York.

Private Collection. $2,000-3,000

168 131425/10 SAUL SÁNCHEZ (colombian, b. 1977) “SIN TITULO” Signed, titled and dated verso, acrylic on canvas Executed in 2011 35 3/8 x 35 3/8 in. (89.9 x 89.9cm) Unframed provenance: Private Collection. $4,000-6,000

80 www.freemansauction.com

169 122224/4 MICHELANGELO PISTOLETTO (italian, b. 1933) “CARTELLA A” the complete set of four prints 1983, the complete set of four color screenprints on polished alumninum foil, signed in ink by the artist and stamp-numbered 91 (of 500) on the title/justification page, text by Germano Celant and table of contents, published by Fratelli Alinari Stamperia d’Arte, Florence, the full sheets, the prints loose in brown paper mounts as issued, within original brown covered boards with printed title. prints: 19 3/4 x 15 3/4 in.

(50.2 x 40cm) portfolio: 20 3/8 x 16 in.

(51.8 x 40.7cm) $1,200-1,800

170 122224/5 MICHELANGELO PISTOLETTO (italian, b. 1933) “CARTELLA B” the complete set of four prints 1983, the complete set of four color screenprints on polished alumninum foil, signed in ink by the artist and stamp-numbered 148 (of 500) on the title/justification page, text by Germano Celant and table of contents, published by Fratelli Alinari Stamperia d’Arte, Florence, the full sheets, the prints loose in brown paper mounts as issued, within original brown covered boards with printed title. prints: 19 3/4 x 15 3/4 in.

(50.2 x 40cm) portfolio: 20 3/8 x 16 in.

(51.8 x 40.7cm) $3,000-5,000

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171 131425/8 ASHLEY MACOMBER (american, b. 1978) “PALMS” Ribbons, wood, acrylic and gouache on dyed paper in artist made wood and plexi box Executed 2005 25 x 19 x 7 1/2 in. (63.5 x 48.3 x 19cm) provenance: Elizabeth Dee Gallery, New York, New York.

Private Collection. $4,000-6,000

172 138025/1 JENNIFER BARTLETT (american, b. 1941) “BOAT” 1999, pencil signed, dated and numbered 4/25, with full margins, Pace Editions, New York, publisher. Color aquatint on Hahnemühle. image: 22 x 29 3/4 in. (55.9 x 75.6cm) sheet: 28 x 35 1/2 in. (71.2 x 90.2cm) Unframed $2,500-3,500

173 131395/18 JONATHAN BOROFSKY (american, b. 1942) “HAMMERING MAN” 1985, pencil signed and numbered 18/35, the full sheet, Philadelphia Museum of Art, publisher.

Color screenprint with handcoloring on wove paper. sheet: 53 x 40 in. (134.6 x 101.6cm) $2,000-3,000

82 www.freemansauction.com

174 131329/2 ERIC FREEMAN (american, b. 1970) UNTITLED Signed, dated 2011 and dedicated ‘For Robert’ verso, oil on canvas 18 x 18 in. (45.8 x 45.8cm) Unframed provenance: The artist.

Private Collection, New York. $1,500-2,500

176 131260/10 DAVID SHAPIRO (american, b. 1944) “CLEARING 13-05-P” Signed, titled, and dated 2005 in pencil verso, acrylic on paper collage overall: 14 x 27 3/4 in.

(35.6 x 70.6cm) provenance: The artist.

Private Collection, New York. $1,000-1,500

175 122224/7 JONATHAN LASKER (american, b. 1948) “UNCONSCIOUS CONSTRUCT” 2002, pencil signed, dated and numbered 30/75 (there were also 15 artist’s proofs), the full sheet, Alberico Cetti Serbelloni Editore, Milan, publisher. Color lithograph on wove paper. sheet: 30 x 22 inches (76.2 x 55.9cm) Unframed $600-1,000

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177 131092/3 PAT STEIR (american, b. 1938) “SILVER WATERFALL” 2001, pencil signed, titled, dated and numbered 27/35, with full margins, Pace Editions, New York, publisher. Color screenprint on Somerset. image: 47 3/4 x 23 3/4 in. (121.3 x 60.3cm) sheet: 56 x 32 in. (142.3 x 81.3cm) $1,000-1,500

178 131092/1 JANE HAMMOND (american, b. 1950) “TING #8” 2006, pencil signed, titled and dated bottom right, unique relief print with collage comprised of lithograph, linocut, rubber stamp, digital and relief printing, watercolor and hand-coloring on Magnagni Pescia sheet: 15 x 11 1/2 in. (38.1 x 29.2cm) $1,000-2,000

179 131157/1 NEYSA GRASSI (american, b.1951) UNTITLED Oil on canvas 56 x 54 in. (142.3 x 137.2cm) Unframed provenance: The artist.

Private Collection. exhibited: Rosenfeld Gallery, 1987. $1,500-2,500

84 www.freemansauction.com

180 131258/2 PAUL RESIKA (american, b. 1928) “MORNING, TRURO BEACH” Signed bottom left, oil on board 6 x 9 in. (15.3 x 22.8cm) provenance: The Carleton Gallery, New York, New York.

Jerome Goodman, Philadelphia, Pennsylvania (purchased from the above in 1975). $1,000-1,500

181 131334/3 ROBERT KULICKE (american, 1924-2007) STILL LIFE, FLOWERS IN VASE Signed bottom center, oil on panel 11 1/4 x 8 in. (28.7 x 20.4cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

182 131334/4 ROBERT KULICKE (american, 1924-2007) STILL LIFE, FLOWERS Signed and dated 73 bottom center, oil on panel sight: 8 x 8 in. (20.3 x 20.3cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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183 131371/1 EDNA ANDRADE (american, 1917-2008) “BLUE CROSS WITH RED” Signed with initials lower left, signed again, titled and dated 1968 on stretcher verso, acrylic on canvas 36 11/16 x 36 11/16 in. (93.2 x 93.2cm) provenance: The artist.

Philadelphia Print Center silent auction, ca. 1980.

By descent in family to present owner.

Private Collection, Philadelphia, Pennsylvania. $8,000-12,000

86 www.freemansauction.com

184 131282/4 ELIZABETH OSBORNE (american, b.1936) COUPLE Pencil signed and dated ‘63 bottom right, pencil and watercolor on paper 16 3/4 x 13 3/4 in. (42.5 x 35cm) provenance: Private Collection, New Jersey. $1,000-2,000

185 131395/12 ELIZABETH OSBORNE (american, b. 1936) FAMILY PORTRAIT Signed upper left, signed again on stretcher verso, oil on canvas 34 x 35 in. (86.4 x 88.9cm) provenance: The Estate of Milton Ginsburg, Haverford, Pennsylvania. $600-1,000

186 131395/7 ELIZABETH OSBORNE (american, b. 1936) LANDSCAPE Signed and dated 70 lower left, watercolor on paper 22 1/2 x 28 1/2 in. (57.3 x 71.8cm) provenance: The Estate of Milton Ginsburg, Haverford, Pennsylvania. $1,000-1,500

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187 131407/1 ELIZABETH OSBORNE (american, b. 1936) “A PLACE REMEMBERED” Signed and dated 1997 lower right, oil on panel 12 x 16 in. (30.5 x 40.6cm) provenance: Locks Gallery, Philadelphia, Pennyslvania.

Mr. and Mrs. Harry C. Jones III. Private Collection, Pennsylvania. exhibited: Marian Locks Gallery, “Recent Paintings,” April 18May 31, 1997.

Pennsylvania Academy of the Fine Arts, “Elizabeth Osborne: The Color of Light,” June 26-September 20, 2009, catalogue no 45 (illustrated p. 68). $3,000-5,000

188 131220/1 BEN KAMIHIRA (american, b. 1925) “SCOTCH GUARD” Signed bottom right, oil on canvas Executed in 1967 72 x 58 in. (182.8 x 147.3cm) provenance: Maxwell Galleries, San Francisco, California.

Forum Gallery, New York, New York. exhibited: Pennsylvania Academy of the Fine Arts, Philadelphia, “Hobson Pittman and His Students,” January 20-February 18, 1973. $6,000-10,000

88 www.freemansauction.com

189 131395/4 BEN KAMIHIRA (american, b.1925) “BLUE DENIM” Pencil signed and dated 75 lower left, oil on canvas Executed in 1976 66 x 52 in. (167.8 x 132cm) provenance: The artist.

Forum Gallery, New York, New York.

The Estate of Milton Ginsburg, Haverford, Pennsylvania. $5,000-8,000

190 131395/2 BEN KAMIHIRA (american, b. 1925) “GREEN CHAIRS” Signed and dated 75 lower right, oil on canvas 31 1/2 x 25 1/2 in. (80 x 64.8cm) provenance: The artist.

Forum Gallery, New York, New York.

The Estate of Milton Ginsburg, Haverford, Pennsylvania. $2,500-4,000

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191 131266/1 BO BARTLETT (american, b. 1955) UNTITLED (TWO NUDES) Signed and with the artist’s ‘IGN’ logo in red at bottom left, dated 1982, pastel on panel 39 1/2 x 32 in. (100.3 x 81.3cm) provenance: The artist.

Marian Locks Gallery, Philadelphia, Pennsylvania.

Private Collection. exhibited: Marian Locks Gallery, Philadelphia, Pennsylvania, “Bo Bartlett: Recent Work,” October 6-31, 1982. $2,500-3,500

192 131266/2 BO BARTLETT (american, b. 1955) UNTITLED (TWO NUDES) Signed with the artist’s ‘IGN’ logo bottom left, signed, inscribed with the artist’s ‘IGN’ logo, dated and inscribed Philadelphia, PA in pencil verso, oil on panel Executed in 1981 16 1/2 x 21 in. (42 x 54.6cm) provenance: The artist.

Marian Locks Gallery, Philadelphia, Pennsylvania.

Private Collection. exhibited: Marian Locks Gallery, Philadelphia, Pennsylvania, “Bo Bartlett: Recent Work,” October 6-31, 1982. $2,500-3,500

90 www.freemansauction.com

193 131334/1 BILL SCOTT (american, b. 1956) UNTITLED Pencil signed and dated 1988, oil pastel on paper sheet: 30 1/8 x 22 3/8 in.

(76.6 x 56.8cm) provenance: Private Collection, Pennsylvania. $3,000-5,000 END OF SALE

Index Dubuffet, J., 114 Dutta-Ray, S., 108 Dzama, M., 161

Andrade, E., 183 Archipenko, A., 52 Artschwager, R., 136 Avery, M., 73-75

El Hanani, J., 134, 135 Ernst, M., 43

Bartlett, B., 191, 192 Bartlett, J., 172 Baziotes, W., 71, 72 Bejar, F., 88-90 Berman, E., 49 Berrocal, M., 67 Blanchard, R., 164 Bleckner, R., 147 Borgeaud, G., 57 Borofsky, J., 173 Botero, F., 99 Brands, E., 50 Brasilier, A., 58, 59 Brown, H., 116 Brown, J., 152

Feininger, L., 47 Fishman, L., 154 Foujita, L., 19 Francis, S., 132 Frankenthaler, H., 150, 151 Freeman, E., 174 Friedemann, N., 156 Gilioli, E., 69 Gisson, A., 62-64 Goud, L., 110 Grassi, N., 179 Gritchenko, A., 53, 54 Grooms, R., 122, 123

Calder, A., 117 Castaneda, F., 93 Catlett, E., 81-83, 86 Celmins, V., 157 Chagall, M., 34-39 Christo and Jeanne-Claude, 126 Clark, C., 76, 77 Condo, G., 155 Dali, S., 14-17 De Kooning, W., 115 De Las Flores, O., 162 Delvaux, P., 40, 41 Diebenkorn, R., 146 Dine, J., 129 Dosamantes, F., 94-97

Hammond, J., 178 Hartigan, G., 131 Havard, J., 138 Herbin, A., 25 Hockney, D., 148 Hodgkin, H., 165 Hore, S., 104, 105 Howard, H., 80 Husain, M., 100-103, 107

Kelly, E., 140 Kisling, M., 56 Kline, F., 70 Kolnik, A., 55 Krishnamachari, B., 111 Kulicke, R., 181, 182 Kumar, R., 109 Kuniyoshi, Y., 18 Lasker, J., 175 Lawrence, J., 85 Leger, F., 26 Lewitt, S., 143 Lhote, A., 45 Licari, M., 160 Lichtenstein, R., 120, 121 Lipchitz, J., 27 Lipsky, P., 139 Macomber, A., 171 Marin, M., 65, 66 Matisse, H., 2 Matta, R., 106 Miro, J., 20-24 Moore, H., 28 Motherwell, R., 144 Muller, 46 Neel, A., 130 Neff, E., 159 Neiman, L., 128 Nevelson, L., 145

Jenkins, P., 133 Jorn, A., 51

Oldenburg, C., 127

Kamihira, B., 188-190 Katz, A., 124, 125

Paalen, W., 42 Paolini, G., 163

Parthan, B., 112 Peyton, E., 149 Picasso, P., 3-13 Pistoletto, M., 169, 170 Raty, A., 44 Resika, P., 180 Ritchie, M., 167 Saar, B., 153 Sanchez, S., 168 Schmidt-Rottluff, K., 48 Scott, B., 193 Sejourne, B., 137 Serrier, J., 60 Shapiro, D., 176 Simbari, N., 61 Smith, K., 158 Steir, P., 177 Stella, F., 141, 142 Tamayo, R., 91, 92 Tanguy, Y., 29 Thrash, D., 78, 79 Vardhana, S., 113 Villon, J., 1 Waddy, R., 87 Walker, J., 166 Warhol, A., 118, 119 White, C., 84 Wunderlich, P., 68 Zalce, A., 98

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names

attributed to

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Refers to probably a work by the artist; e.g.

Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g.

Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

signatures & dates

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

American Art & Pennsylvania Impressionists Auction 06/09/13 Exhibition opens Wednesday, June 5 at 10am Alasdair Nichol 267.414.1211 anichol@freemansauction.com David Weiss 267.414.1214 dweiss@freemansauction.com

GEORGE WILLIAM SOTTER (american 1879-1953) COVERED BRIDGE, WINTER Signed 'G.W. Sotter.' bottom right, oil on canvas 22 x 26 in. (55.9 x 66cm) $50,000-80,000 (detail) Please call 267.414.1256 to order a catalogue or subscription.

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European Art & Old Masters Auction 06/18/13 Exhibition opens Friday, June 14 at 10am Alasdair Nichol 267.414.1211 anichol@freemansauction.com David Weiss 267.414.1214 dweiss@freemansauction.com

JOHANN WILHELM PREYER (german 1803-1889) STILL LIFE WITH CHAMPAGNE FLUTE AND GRAPES Signed and dated bottom right, oil on canvas 14 1/8 x 13 in. $50,000-80,000 (detail) Please call 267.414.1256 to order a catalogue or subscription.

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Fine Paintings Thursday, 30th May, 2013 33 Broughton Place, Edinburgh EH1 3RR

GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) STILL LIFE, FRUIT Signed, oil on convas

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

66cm x 775cm (25.25in x 30.25in) Provenance: J. Gibson Jarvie, Esq. Exhibited: Exhibition of Scottish Art, Royal Academy of Arts, London, 1939, no. 565

ÂŁ60,000-80,000

CURRENTLY SEEKING CONSIGNMENTS

Photographs & Photobooks Auction 09/2013

DAVID LACHAPELLE (american b. 1964 "FAIR LIKENESS" (detail) 2001, edition 1/3. Digital C-print.

50 x 60 in. (127 x 152.4cm) $25,000-35,000

Aimee Pflieger 267.414.1221 apflieger@freemansauction.com

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all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

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will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

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To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 610.397.0488 866.397.0488 Fax: 610.397.0878 philly@cratersandfreighters.com

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 717.786.8809 Fax: 717.786.2978 info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 mastroccomovers@snip.net Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

Mr. C’s Contact: Charles Cohen 267.977.9567 mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com

bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE (Primary)

RESALE

COUNTRY

PHONE (Secondary)

/

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

❑

(signature required to execute your bids)

❑

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED

www.freemansauction.com 99

Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii whitney bounty American Silver samuel ≤ free≤an ii Asian Arts richard cervantes robert waterhouse (consulting specialist) tianhan gao andrew zajack English & Continental Furniture & Decorative Arts david walker benjamin fisher ann glasscock Silver & Objet de Vertu david walker ann glasscock Fine Jewelry & Watches samuel ≤ free≤an ii madeline mccauley allia dhody natalie difeliciantonio American Art alasdair nichol david weiss andrew huber candace vivian

Prints anne henry david weiss aimee pflieger andrew huber candace vivian fred frederick European Art & Old Master Paintings alasdair nichol david weiss andrew huber candace vivian Photographs & Photobooks aimee pflieger candace vivian fred frederick Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger candace vivian fred frederick Oriental Rugs & Tapestries richard cervantes david weiss Books, Manuscripts, Maps & Ephemera david j bloom kerry-lee jeffery

depart≤ents

officers

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter amy parenti laura cox

chair≤an samuel ≤ freeman ii

Consignments samuel h cooper james e buckley jeffery miller ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll jessica carter bethany mobbs bridgette bonner mallory malkasian jocelyn olsen-accad susannah mcgovern Operations nathan norley gerald lightfoot marlon glover tim lambert herbert drayton gerald davis darryll byram

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss tara theune-davis chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry samuel t. freeman iii

Finance mark beckerman karen bajczyk Business Development & ≤arketing tara theune davis melissa geller thomas b mccabe iv christopher browne

representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

robert waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1239

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096

john jones Mountain Brook, AL jjones@freemansauction.com Telephone: 205.803.4949

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

katherine van dell Wayne, PA koldiges@freemansauction.com Telephone: 610.254.9700

Trusts & Estates samuel t freeman iii thomas b. mccabe iv holen miles lewis amy parenti laura cox jeffrey miller Photography elizabeth field elizabeth schultz thom clark ryan buckwalter

v2.2013

Upcoming at Auction

May

June

05/06/13 Fine Jewelry & Watches including the David S. Landes Collection

06/09/13 American Art & Pennsylvania Impressionists including works by Walter Stuempfig from the Forbes Collection

05/21/13 English & Continental Furniture & Decorative Arts

Please call 267.414.1256 to order catalogues or subscriptions.

06/18/13 European Art & Old Masters

05/22/13 Oriental Rugs, Carpets & Textiles

www.freemansauction.com

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236