1474

Modern & Contemporary Art 11/03/13

Modern & Contemporary Art 11/03/13

Modern & Contemporary Art Sale 1474 Sunday, November 3 at 2pm

Exhibitions:

Bidding:

Thursday, October 31 and Friday, November 1 10am-5pm

cara bishoff

Saturday, November 2 12pm-5pm

Inquiries: anne henry ext 3049

Catalogue:

267.414.1220 ahenry@freemansauction.com

$37 in the Gallery

aimee pflieger ext 3015

$47 international mail

$42 domestic mail

267.414.1221 apflieger@freemansauction.com

fred frederick ext 3018 267.414.1231 ffrederick@freemansauction.com

Inside Front Cover: Lot 85 (detail) Inside Back Cover: Lot 78 (detail) Color images of every lot and condition reports are available at www.freemansauction.com

Printing by Brilliant Studio Exton, Pennsylvania

267.414.1208 fax: 215.599.2240 cbishoff@freemansauction.com

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer.

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Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

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Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

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Modern & Contemporary Art Sunday November 3, 2013 at 2pm lots 1-199

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1 132008/2 FÉLIX EDOUARD VALLOTTON (swiss, 1865-1925) “LA GUITARE” from “instruments de musique” 1897, signed and numbered 66 in blue pencil bottom right (from the edition of 100). Woodcut on wove paper. image: 8 7/8 x 7 in. (22.6 x 17.8cm) sheet: 12 5/8 x 9 7/8 in.

(32.1 x 25.1cm) [Vallotton/Goerg, 175a] $5,000-8,000

2 138051/20 GEORGES ROUAULT (french, 1871-1958) “AMAZONE” plate one from “cirque” 1930, from the total edition of 270 (there were 110 copies on handmade Montval and 160 on Rives wove), with wide margins, Ambroise Vollard, Paris, publisher.

Color aquatint on handmade Montval paper. image: 11 7/8 x 9 in.

(30.2 x 22.9cm) sheet: 17 1/2 x 13 3/8 in.

(44.5 x 34cm) [Chapon/Rouault, 198d] $2,500-4,000

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3 131601/3 PIERRE-AUGUSTE RENOIR (french 1841-1919) “LA PIERRE AUX TROIS CROQUES” 1904, Delteil’s second (final) state with printed signature printed in 1919, from the edition of approximately 950 on this paper, with wide margins, Ambroise Vollard, Paris, publisher. Lithograph on wove paper. image: 8 3/4 x 11 1/4 in.

(22.2 x 28.6cm) sheet: 9 7/8 x 12 3/4 in.

(25 x 32.4cm) [Delteil/Stella, 41] $1,500-2,500

4 131624/2 PIERRE AUGUSTE-RENOIR (french, 1841-1919) “LES BAIGNEUSES” Circa 1908, from the edition of 3050, the full sheet (sheet edges possibly trimmed slightly), printed

by Auguste Clot, Paris. Transfer lithograph on wove paper. sheet: 19 1/2 x 26 7/8 in.

(49.5 x 68.3cm) [Delteil/Stella, 51] $1,500-2,500

5 131850/5 MAX JACOB (french, 1876-1944) “LE SOMMEIL DE L’INNOCENCE: LE SOLEIL DE MINUIT” Signed, and dated [19]28 in ink, titled in pencil bottom right, gouache, pastel and charcoal on paper laid down to board 14 1/4 x 14 in. (36.2 x 35.6cm) provenance: Private Collection. $1,000-1,500

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6 132199/2 ARMAND GUILLAUMIN (french, 1841-1927) “PONTGIBAUD - AOÛT, LE MATIN” Signed bottom left, titled and dated 1895 in pencil on stretcher verso, oil on canvas 23 1/2 x 28 3/4 in. (59.7 x 73cm) provenance: Serret-Fauveau, Paris, France.

Sotheby’s, London, “Impressionist and Modern Paintings and Sculpture, Part II,” June 29, 1988, lot 134.

Private Collection, New York, New York. literature: G. Serret and D. Fabiani, “Armand Guillaumin, Catalogue Raisonné de l’Oeuvre Peint,” Paris 1971, no. 358, illustrated. $30,000-50,000

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7 132199/3 GUSTAVE LOISEAU (french, 1865-1935) “ROCHERS DE ST. LUNAIRE” Signed and dated 1904 bottom left, oil on canvas 24 x 32 in. (60.9 x 81.3cm) provenance: David Findlay Galleries, New York, New York.

Private Collection, New York, New York. note: This lot will be accompanied by a certificate of authenticity from Didier Imbert Fine Arts. It will also be included in the forthcoming catalogue raisonné. $40,000-60,000

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8 132199/1 LUCIEN PISSARRO (french, 1863-1944) “FOOTPATH IN NOVEMBER, GREYSHOTT” Signed and dated 1925 lower left, oil on canvas 21 1/2 x 25 3/4 in. (54.6 x 65.4cm) [Thorold, 417] provenance: David Findlay Galleries, New York, New York.

Private Collection, New York, New York.

exhibited: Walker Art Gallery, Liverpool, United Kingdom, 1934.

(Catalog No. 941) "Exhibition of Paintings and Drawings by Lucien Pissarro," Usher Art Gallery, Lincoln, United Kingdom, 9 November - 7 December, 1935. (Catalog No. 31) The Institute, Braintree, United Kingdom, 1948.

(Catalog No. 65) "Retrospective of the Works of Lucien Pissarro," O'Hana Gallery, London, 9-26 November, 1955.

(Catalog No. 17) "Lucien Pissarro," David Findlay Galleries, New York, New York, 26 April- 14 May, 1966. (Catalog No. 25) $40,000-60,000

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9 131330/3 KÄTHE KOLLWITZ (german, 1867-1945) “VERGEWALTIGT” plate two from “bauernkrieg” 1907, Klipstein’s state VIb (of VIII) printed in 1921, pencil signed, with wide margins. Etching on wove paper. image: 12 1/2 x 20 7/8 in.

(31.8 x 53cm) sheet: 17 1/2 x 23 1/4 in.

(44.4 x 58.4cm) [Klipstein, 97VIa; Knesebeck, 101] $1,000-1,500

10 131995/10 KÄTHE KOLLWITZ (german, 1867-1945) “TOD UND FRAU UM DAS KIND RINGEND” 1911, pencil signed bottom left, a working proof between Klipstein’s state VI and VII (of IX) with a faint ‘x’ in pencil through the image.

Etching, drypoint and softground etching on heavy wove paper. image: 8 3/4 x 11 1/8 in.

(22.2 x 28.25cm) sheet: 12 x 15 1/2 in.

(30.5 x 39.4cm) [Klipstein, 118, Knesebeck, 121] provenance: Sotheby’s Parke Bernet Inc, New York, “Old Master Prints and Nineteenth and Twentieth Century Prints,” May 14-16, 1974, lot 475.

Private Collection, New York. $6,000-10,000

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11 132153/1 GEORGE GROSZ (german, 1893-1959) LORD NELSON AND LADY HAMILTON Signed bottom right, ink on paper 23 3/8 x 18 1/16 in. (59.3 x 45.8cm) provenance: Studio of the Artist, Berlin, 1923.

George Grosz Estate, 1959.

Vera Lazuk Gallery, Cold Spring Harbor, New York.

Private Collection, Philadelphia (Purchased directly from the above circa 1970). note: This work will be included in the forthcoming catalogue raisonné for works on paper prepared by Ralph Jentsch, the director of the George Grosz Estate.

This work is related to one of the drawings Grosz executed as illustrations for Alfred Richard Meyer’s book “Lady Hamilton oder die Posen-Emma oder vom Dienstmadchen zum Beefsteak a la Nelson” (see pp 32-33). $6,000-10,000

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12 131423/2 GEORGE GROSZ (german, 1893-1959) “STILL LIFE WITH CHIANTI BOTTLE, FRUIT BOWL AND OCARINA” Signed and dated “1938/January” verso, oil on canvas 16 1/4 x 20 1/4 in. (41.3 x 51.4cm) provenance: Studio of the artist, Douglaston, Long Island, New York.

Walker Galleries, Inc., New York, New York (Inventory no. W-909) with the title “Still Life with Chianti Bottle.”

Private Collection. note: This work will be included in the forthcoming catalogue raisonné prepared

by Ralph Jentsch, the director of the George Grosz Estate, and is accompanied by a certificate of authenticity dated April 23, 2013. $40,000-60,000

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13 131753/5 JEAN DUFY (french, 1888-1964) “PONTS DE PARIS” Signed bottom right, oil on canvas 21 1/2 x 29 in. (54.6 x 73.7cm) provenance: Schoneman Galleries, Inc., New York, New York.

Estate of Walter Mickelburgh. note: This lot will be accompanied by a certificate of authenticity from Jacques Bailly, dated July 13, 2013 and numbered 4370. It will also be included in the forthcoming catalogue raisonné. $40,000-50,000

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14 131753/4 JEAN DUFY (french, 1888-1964) “PARIS, RUE LAFFITTE” Signed bottom right, gouache on paper 24 x 18 in. (61 x 45.7cm) provenance: Estate of Walter Mickelburgh. exhibited: “Raoul Dufy & Jean Dufy,” Galerie Reine, New York, New York, May 25-June 15, 1967. note: This lot will be accompanied by a certificate of authenticity from Jacques Bailly, dated July 13, 2013 and numbered 4369. It will also be included in the forthcoming catalogue raisonné. $20,000-30,000

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15 131898/3 MARC CHAGALL (french/russian, 1887-1985) “DEATH OF MOSES,” plate 41 from “the bible” Pencil signed with initials bottom right, numbered 57/100 (there were also 20 hors commerce copies numbered in Roman numerals), with margins, Tériade Editeur, Paris, publisher. Etching with hand coloring on Auvergne. image: 12 x 9 3/4 in.

(30.5 x 24.7cm) sheet: 18 7/8 x 14 3/8 in.

(48 x 36.5cm) [Cramer books, 30] $2,500-4,000

16 138051/41 MARC CHAGALL (french/russian, 1887-1985) “BONJOUR SUR PARIS” 1952, pencil signed and numbered E.A. (one of 35 artist’s proofs, the edition was 75), with full margins, Mourlot, Paris, publisher (published in 1955 for the 100th Anniversary album of the Mourlot Press). Color lithograph on Arches. image: 16 x 21 in. (40.6 x 53.3cm) sheet: 19 7/8 x 26 1/4 in.

(50.5 x 66.7cm) [Mourlot, 71] $10,000-15,000

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17 138040/22 MARC CHAGALL (french/russian, 1887-1985) “SACRIFICE AUX NYMPHES” from “daphnis et chloé” 1961, pencil signed and numbered 58/60 (there was also an unsigned, unnumbered edition of 250 without margins), with wide margins, Tériade Editeur, Paris, publisher. Color lithograph on Arches. image: 16 5/8 x 12 1/2 in. (42.2 x 31.7cm) sheet: 21 3/8 x 15 in. (54.3 x 38.1cm) [Mourlot, 330; see Cramer books 46] note: This lot is accompanied by a copy of “Daphnis and Chloe” by Longus with illustrations by Marc Chagall, published by George Braziller, New York, 1977. $6,000-10,000

18 132171/2 MARC CHAGALL (french/russian, 1887-1985) “A SEQUESTERED GARDEN” 1969, pencil signed and numbered 23/50 (there were also 25 artist’s proofs in Roman numerals), with full margins. Color lithograph on Arches. image: 23 3/4 x 15 1/2 in.

(60.3 x 39.4cm) sheet: 30 x 21 1/2 in.

(76.2 x 54.6cm) [Mourlot, 592] $8,000-12,000

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19 131897/1 (AFTER) MARC CHAGALL (french/russian, 1887-1985) “AVENUE DE LA VICTOIRE A NICE” plate 6 from “nice et la côte d’azur” 1967, pencil signed, numbered 24/150 (there were also 75 artist’s proofs in Roman numerals), with wide margins, Fernand Mourlot, Paris, publisher, and with his and Charles Sorlier’s inkstamp verso.

Color lithograph on Arches. image: 24 x 18 in. (61 x 45.7cm) sheet: 29 1/4 x 20 7/8 in.

(74.3 x 53cm) [Sorlier, 31] $10,000-15,000

20 1380104/2 (AFTER) MARC CHAGALL (french/russian, 1887-1985) “FEMME DE CIRQUE” Ca. 1960, pencil signed and numbered HC 10/15 and again in ink verso (an hors commerce impression aside from the edition of 150), Guy Spitzer, Paris, publisher, and with their blindstamp bottom right and inkstamp verso. Color lithograph and pochoir on Arches. image: 23 1/2 x 18 in.

(60 x 45.7cm) sheet: 31 1/2 x 25 in. (80 x 63.5cm) $8,000-12,000

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21 131988/62 (AFTER) HENRI MATISSE (french, 1869-1954) NU Circa 1950, pencil numbered 129/300, with wide margins, Guy Spitzer, Paris, publisher and with his blind stamp. Color collotype and stencil coloring on wove paper. image: 18 x 15 in. (45.7 x 38.1cm) sheet: 22 3/8 x 18 1/2 in.

(56.8 x 47cm) $2,500-4,000

22 128101/1 LÉONARD TSUGUHARU FOUJITA (french/japanese, 1886-1968) JEUNE FILLE AUX NATTES Signed in ink, dated 1948 lower right, watercolor, gouache and ink on paper sheet: 20 3/4 x 12 15/16 in.

(52.7 x 32.9cm) support sheet: 23 3/4 x 14 3/4 in.

(60.3 x 37.5cm) provenance: Private Collection, Virginia. note: This painting has been authenticated by Sylvie Buisson and has been assigned catalogue number D48.018.A. The present owner sat for this portrait in 1948 when she was eight years old and living outside of Tokyo where her father, a colonel in the army, was stationed. She recalls that Foujita, by then an internationally celebrated artist, executed portraits of several of the occupationists’ children. $20,000-30,000

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23 138051/35 ANDRÉ MASSON (french, 1896-1987) UNTITLED (THREE FIGURES) Signed bottom right, ink and pastel on paper 25 1/2 x 19 3/4 in. (65 x 50.2cm) provenance: Estate of Robert G. Luckie, Tuscon, Arizona. $3,000-5,000

24 138051/34 ANDRÉ MASSON (french, 1896-1987) “ARCHANGE” Signed bottom right, pastel on canvas Executed in 1960 16 x 13 in. (41 x 33cm) provenance: Galerie Louise Leiris, Paris.

Estate of Robert G. Luckie, Tuscon, Arizona. $6,000-10,000

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25 131892/4 JACQUES MARTIN-FERRIÈRES (french, 1893-1972) JARDINE DE NEUILLY Signed bottom left, oil on canvas 21 x 29 in. (53.3 x 73.6cm) provenance: Wally Findlay Galleries Private Collection Sotheby’s New York: “Impressionist & Modern Art, Including Russian Art,” Thursday, October 4, 2012, lot 195.

Private Collection note: With an unfinished, unsigned composition depicting a tomato plant verso. $6,000-10,000

26 131538/2 LEBADANG (french, b. 1922) THREE HORSES Signed bottom right, oil on canvas 19 1/2 x 24 in. (49.5 x 61cm) provenance: Private Collection. $800-1,200

27 138051/44 JACQUES DEPERTHES (french, b. 1936) “MONTREUIL” 1965, signed bottom left and signed, titled and dated verso, oil on canvas sight: 25 3/4 x 31 3/4 in.

(65.4 x 80.6cm) provenance: Estate of Robert G. Luckie, Tuscon, Arizona. $1,500-2,500

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28 131850/1 FRANÇOIS GALL (french, 1912-1987) STILL LIFE WITH POPPIES Signed bottom left, oil on canvas 10 3/4 x 8 3/4 in. (27.3 x 22.2cm) provenance: Le Monde Galleries, New York, New York.

Private Collection. $1,000-2,000

30 131850/2 FRANÇOIS GALL (french, 1912-1987) LADIES AT LUNCH Signed bottom right, oil on canvas 10 3/4 x 18 in. (27.3 x 45.7cm) provenance: Hammer Galleries, New York, New York.

Private Collection. $1,000-2,000

29 131850/3 FRANÇOIS GALL (french, 1912-1987) STILL LIFE WITH ROSES Signed bottom right, oil on canvas 10 3/4 x 8 3/4 in. (27.3 x 22.2cm) provenance: Le Monde Galleries, New York, New York.

Private Collection. $1,000-2,000

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31 132162/1 AUGUSTUS EDWIN JOHN (welsh, 1878-1961) “MAGNOLIA” Signed bottom right, oil on canvas 36 x 28 in. (91 x 71cm) provenance: Thelma Cazalet-Keir.

Royal Scottish Academy, Edinburgh.

(Bequest from the above in 1989 in memory of her mother and late husband Daniel Edwin Muir). $8,000-12,000

32 131836/26 two paintings CLAUDE VENARD (french, 1913-1999) STILL LIFE WITH TROMBONE Signed bottom right, oil on canvas 8 3/4 x 6 1/2 in. (22.2 x 16.5cm) and STILL LIFE WITH VIOLIN Signed bottom right, oil on masonite 9 3/8 x 5 3/4 in. (23.8 x 14.6) (2) provenance: The Estate of Sylvia Briselli, Philadelphia. $3,500-4,500

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33 132145/4 two prints LE CORBUSIER (french/swiss, 1887-1965) UNTITLED plate ii from “unite” 1965, unsigned, pencil numbered 122/130, with wide margins, Atelier Crommelynck, Mazo et Cie Éditeurs, Paris, co-publishers. Etching and aquatint in colors on BFK Rives. image: 16 1/4 x 12 1/4 in. (41.3 x 31.1cm) and “AUTREMENT QUE SUR TERRE” 1963, with the printed signature lower right (as issued), unsigned proof apart from the numbered edition of 150, with wide margins. Color lithograph on wove paper. image: 22 x 17 5/8 in. (55.9 x 44.8cm) [“Untitled, Plate II” not in Weber, “Autrement que sur terre” see Weber, p. 69] (2) $2,000-3,000

34 131591/3 JOAN MIRÓ (spanish, 1893-1983) UNTITLED plate 9 from “album 19” 1961, pencil signed with initial and numbered 43/75 (there were also 15 artist’s proofs in Roman numerals), the full sheet, Galerie Maeght, Paris, publisher. Color lithograph on BFK Rives. sheet: 26 x 20 in. (66 x 50.8cm) [Mourlot, 320; see Cramer books, 70] $1,000-2,000

35 131611/4 JOAN MIRÓ (spanish, 1893-1983) “PYGMÉES SOUS LA LUNE” 1972, pencil signed and numbered ‘HC’ (an hors commerce impression aside from the edition of 50), with wide margins, Galerie Maeght, Paris, publisher. Etching and aquatint on Arches. image: 21 x 26 5/8 in. (53.3 x 67.6cm) sheet: 27 1/2 x 37 in. (69.9 x 34cm ) [Dupin, 562] $2,000-3,000

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36 131728/1 JOAN MIRÓ (spanish, 1893-1983) “HUMAN RIGHTS” poster for unesco 1974, pencil signed and numbered 19/75, with wide margins, UNESCO, Paris, publisher. Color lithograph (before letters) on Arches. image: 29 1/2 x 22 1/2 in.

(74.8 x 57.2cm) sheet: 31 3/8 x 23 1/2 in.

(79.8 x 59.8cm) [Mourlot, 930] $4,000-6,000

37 132008/1 JOAN MIRÓ (spanish, 1893-1983) “LE CIEL DU FORGERON” 1964, pencil signed and numbered 69/75, the full sheet (to three sides) Galerie Maeght, Paris, publisher.

Color drypoint with embossing on Arches. image: 23 x 18 3/4 in.

(58.4 x 47.6cm) sheet: 26 x 18 3/4 in. (66 x 47.6cm) [Dupin, 364] $1,000-1,500

38 132145/6 JOAN MIRÓ (spanish, 1893-1983) POSTER FOR THE EXHIBITION “J.L. SERT” 1978, pencil signed and numbered 7/25 (there were also 10 on Rives in Roman numerals and an un-numbered poster edition of 1700 printed with text on ordinary paper), with wide margins, Carpenter Center for the Visual Arts, Harvard University, Cambridge, publisher. Color lithograph on Arches. image: 27 1/2 x 20 1/2 in. (69.8 x 52cm) sheet: 30 x 21 in. (76.2 x 53.3cm) [Mourlot, 1168] $1,000-1,500

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39 131263/3 SALVADOR DALÍ (spanish, 1904-1989) “PLAYING CARDS: CLUBS” four color lithographs 1970, each pencil signed and numbered 13/150 (there were also 250 on wove paper), with full margins, Reese Palley, New York, New York, publisher. Four color lithographs on Arches. each image (approx.): 14 1/4 x 9 1/2 in.

(36.7 x 24cm) each sheet (approx.): 26 x 20 in.

(65.9 x 50.7cm) Including: Ace, King, Queen, Jack of Clubs.

[Michler & Löpsinger, 1287, 1291, 1295, 1299] Unframed (4) $6,000-8,000

40 131263/4 SALVADOR DALÍ (spanish, 1904-1989) “PLAYING CARDS: SPADES” four color lithographs 1970, each pencil signed and numbered 13/150 (there were also 250 on wove paper), with full margins, Reese Palley, New York, New York, publisher. Four color lithographs on Arches. each image (approx.): 14 1/4 x 9 1/2 in.

(36.7 x 24cm) each sheet (approx.): 26 x 20 in.

(65.9 x 50.7cm) Including: Ace, King, Queen, Jack of Spades.

[Michler & Löpsinger, 1288, 1292, 1296, 1300] Unframed (4) $6,000-8,000

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41 131611/3 SALVADOR DALÍ (spanish, 1904-1989) “LA PERSISTANCE DE LA MÉMOIRE” Signed verso, stamp-numbered 39/350 (there were also 35 artist’s proofs), with the Fonderia Tesconi stamp on the underside of the clock, bronze in two parts plus marble base Executed in 1980 height: 16 3/4 (42.5cm) length: 6 in. (15.2cm) width: 4 in. (10.1cm) (including base) provenance: Private Collection literature: Robert and Nicolas Descharnes, Dalí: The Hard and the Soft, Spells for the Magic of Form - Sculptures and Objects, Azay-le-Rideau 2004, p.246 no. 632 (another cast ill.) $6,000-10,000

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Salvador Dalí created this poster design around 1949 for Don Juan Tenorio, a play written in 1844 by José Zorilla and staged in 1949 by director Luis Escobar. Dalí was commissioned to design backdrops and costumes for the production at the María Guerrero National Theatre Company.

Zorilla’s play is a re-telling of the story of the legendary libertine, Don Juan. The wealthy Don Juan was said to have seduced thousands of women while living a violent lifestyle punctuated by murder and gambling. In Zorilla’s play, Don Juan is eventually spared eternal damnation after asking for a divine pardon for his many sins.

Dalí’s aesthetic fit perfectly with Zorilla’s writing style, which is dreamlike, surreal and features a strange, uneven pace and nonsensical verse forms. For the stage sets, Dalí utilized giant papier-mâché faces, animals and oversized insects.

42 131673/1 SALVADOR DALÍ (spanish, 1904-1989) “BOCETO PARA EL CARTEL DE DON JUAN TENORIO (DESIGN FOR THE POSTER OF DON JUAN TENORIO)” Ca. 1949, signed ‘Dalí’ 6 times (in various places) and inscribed ‘Zorilla Escobar Tenorio Dalí’ upper center, gouache, watercolor, and pen and ink on card 11 x 14 in. (28 x 35.6cm) Unframed provenance: The artist.

Luis Escobar, Spain (gift from the artist circa 1949).

By descent.

Sotheby’s London, 9 February 2012, lot 175.

Corporate Ownership. exhibited: “Luis Escobar y la Vanguardia,” Sala Plaza de España, Madrid, 1991.

“Tres Mitos Españoles - La Celestina - Don Quijote - Don Juan,” Centro Cultural Conde Duque, Madrid, 2004.

“Visiones de Don Juan,” Sala de Exposiciones Santa Ines, Seville, 2009-10, no. 242, illustrated in color in the catalogue.

“A Rebours,” May 9 - June 30, 2012 “Venus Over Manhattan,” New York, New York. literature: Centro Dramático Nacional, Teatro María Guerrero, “Don Juan Tenorio de José Zorilla sobre escenografía y figurines de Salvador Dalí,” Madrid, 2003, illustrated pp. 14-15. $60,000-100,000

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43 131914/2 ANTONI CLAVÉ (spanish, 1913-2005) UNTITLED Signed bottom left, signed and dated 1958 in black crayon verso, oil on canvas 21 3/4 x 18 in. (55 x 45.7cm) provenance: Private Collection $20,000-30,000

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44 138075/2 PABLO PICASSO (spanish, 1881-1973) “BUSTE DE FEMME” OU “JACQUELINE AUX CHEVEUX FLOUS” 1962, pencil signed and numbered 11/50, with wide margins, Galerie Louise Leiris, Paris, publisher.

Linoleum cut on Arches. image: 13 7/8 x 10 1/2 in.

(35.2 x 26.7cm) sheet: 24 3/4 x 17 1/2 in.

(62.9 x 44.5cm) [Bloch, 1091; Baer, 1295] $8,000-10,000

45 131601/4 PABLO PICASSO (spanish, 1881-1973) “AU CIRQUE- PUGILISTES ET ÉCUYÈRE” plate 20 from “la série 156” 1970, stamp signed bottom right, pencil numbered 40/50, Galerie Louise Leiris, Paris, publisher.

Aquatint on BFK Rives. image: 12 1/4 x 16 3/8 in.

(31.1 x 41.6cm) sheet: 17 3/4 x 22 1/2 in.

(45.1 x 57.2cm) [Bloch, 1875; Baer, 1880] $1,500-2,500

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46 131988/36 PABLO PICASSO (spanish, 1881-1973) “PICADOR” 1952, from the edition of 500, inscribed ‘Edition Picasso’ and stamped ‘EDITION PICASSO’ and ‘MADOURA‘ on underside, white earthenware clay turned plate with oxidized paraffin decoration and black paint diameter: 7 3/4 in. (19.7cm) [Ramie, 160] $3,000-5,000

47 131986/2 PABLO PICASSO (spanish, 1881-1973) “VISAGE” 1955, from the edition of 500, inscribed ‘EDITION PICASSO MADOURA’ on underside, white earthenware clay with decoration in engobes under glaze diameter: 5 in. (12.7cm) [Ramie, 290] note: This lot will be sold with original Madoura Galerie card. $1,500-2,500

48 131996/4 PABLO PICASSO (spanish, 1881-1973) “PICADOR” 1952, from the edition of 500, inscribed ‘EDITION PICASSO’ on underside, partially glazed white earthenware clay ashtray with oxidized paraffin decoration and black paint diameter: 6 1/4 in. (15.9cm) [Ramie, 176] $1,200-1,800

49 131986/1 PABLO PICASSO (spanish, 1881-1973) “OISEAU À LA HUPPE” 1952, from the edition of 500, inscribed ‘EDITION PICASSO’ on underside, partially glazed white earthenware clay with oxidized paraffin decoration and black paint diameter: 6 1/4 in. (15.9cm) [Ramie, 173] note: This lot will be sold with original Madoura Galerie card with handwritten invoice. $2,000-3,000

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50 131534/2 ANTONIO QUIRÓS (spanish, 1912-1984) HOMBRE CON SOMBRERO VERDE Signed bottom left, oil on board 26 1/4 x 18 1/2 in. (66.7 x 47cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

51 131365/3 MANUEL MARIN (spanish, 1942-2007) UNTITLED Incised with artist’s name on base, painted and welded iron stabile height: 39 in. (99.1cm) length: 44 in. (111.8cm) width: 16 in. (40.6cm) provenance: The artist.

Monika Rabassa (wife of the artist). $1,500-2,500

52 131365/4 MANUEL MARIN (spanish, 1942-2007) UNTITLED Incised with artist’s name on base, painted and welded iron stabile height: 35 1/2 in. (90.2cm) length: 49 in. (124.5cm) width: 18 in. (45.7cm) provenance: The artist.

Monika Rabassa (wife of the artist). $1,500-2,500

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53 131950/2 ANGEL BOTELLO (puerto rican, 1913-1986) “MUJER SENTADA #18” Signed bottom right, oil on panel Executed circa 1965 48 x 24 1/4 in. (121.9 x 61.6cm) provenance: Private Collection, New Jersey. note: We are grateful to Juan Botello for his assistance in confirming the authenticity of this work. $20,000-30,000

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54 131950/1 ANGEL BOTELLO (puerto rican, 1913-1986) MOTHER AND CHILD Signed bottom right, oil on panel Executed circa 1965 60 x 36 in. (152.4 x 91.4cm) provenance: Newman Gallery, Philadelphia, Pennsylvania.

Private Collection, New Jersey. note: We are grateful to Juan Botello for his assistance in confirming the authenticity of this work. $25,000-40,000

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55 131926/1 ANGEL BOTELLO (puerto rican, 1913-1986) “GIRL DANCING” Signed ‘Botello’ and numbered ‘cast #8’ along bottom edge, bronze Executed ca. 1970 height: 24 in. (60.1cm) length: 10 1/4 in. (26cm) width: 3 1/2 in. (8.9cm) (not including base) provenance: Private Collection. note: We are grateful to Juan Botello for his assistance in confirming the authenticity of this work. $15,000-25,000

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56 132103/2 JOSÉ LUIS CUEVAS (american/mexican, b. 1933) “EL CARNICERO #6” Signed and numbered #6 bottom left, ink and wash on paper 17 1/2 x 22 in. (44.5 x 55.9cm) provenance: Gres Gallery, Washington D.C. Minnie B. Oderoff and Maurice E. Oderoff, Philadelphia, Pennsylvania (Purchased directly from the above in 1957).

By descent in family to the present owner. $1,000-2,000

57 132176/2 double sided drawing JOSÉ LUIS CUEVAS (american/mexican, b. 1933) “HISTORIA DEL DIBUJO” Signed, titled and dated “31-XII-65” in ink on one side, pencil signed and titled (faintly) again verso, ink and watercolor on paper 9 7/8 x 13 1/4 in. (25.1 x 33.7cm) provenance: The artist.

Private Collection, New York, New York.

By descent in family.

Mary Ellen Caffrey, PhD, Philadelphia, Pennsylvania. note: This lot is accompanied by a certificate of authenticity signed by the artist and dated March 2, 1968. $1,500-2,500

58 131544/1 CARLOS PÁEZ VILARÓ (uruguayan, b. 1923) UNTITLED Signed and dated 63 and inscribed ‘Punta Ballena’ bottom right, oil on canvas 27 1/2 x 39 1/2 in. (69.9 x 100.3cm) Unframed provenance: Private Collection, New Jersey. $1,500-2,500

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59 131029/5 FRANCISCO DOSAMANTES (mexican, 1911-1986) SANDIA Signed bottom right and dedicated “para evelyn carinosamente” bottom left, oil on canvas 23 1/2 x 37 1/4 in. (59.7 x 95.4cm) provenance: The artist.

H. Evelyn Meeks (gifted directly from the above).

By descent in family to present owner.

Private Collection, New Jersey. $3,000-5,000

60 131029/4 FRANCISCO DOSAMANTES (mexican, 1911-1986) “LA VICTIMA” Signed bottom right, oil on canvas 71 x 29 1/2 in. (180.3 x 74.9cm) provenance: The artist.

H. Evelyn Meeks (gifted directly from the above).

By descent in family to present owner.

Private Collection, New Jersey. exhibited: Salon de la Plastica Mexicana, Instituto Nacional de Bellas Artes, Mexico City. $5,000-8,000

61 OWNED/704 FRANCISCO DOSAMANTES (mexican, 1911-1986) “CON LOS MANOS VACIAS” Signed bottom left and dedicated “PARA MI AMIGA EVELYN CARIÑOSAMETE,” oil on canvas 64 1/2 x 37 1/2 in. (163.8 x 95.3cm) provenance: The artist.

H. Evelyn Meeks (gifted directly from the above).

By descent in family to the present owner.

Private Collection, New Jersey. exhibited: Instituto Naçional de Bellas Artes, Mexico City; and Museo Naçional de Artes Plàsticas, Mexico. $3,000-5,000

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62 138051/39 RUFINO TAMAYO (mexican, 1899-1991) “CABEZA ROJA” 1975, pencil signed, numbered 1/100 (there were also 10 artist’s proofs), the full sheet, Ferdinand Roten Galleries, Baltimore, Maryland, publisher. Color lithograph on wove paper.

29 x 21 5/8 in. (73.7 x 55cm) [Pereda, 187] $1,200-1,800

63 138075/1 GUSTAVO MONTOYO (mexican, 1905-2003) “NIÑO CON HARPO” Signed bottom right, oil on canvas Executed 1962 21 7/8 x 18 in. (55.6 x 45.7cm) provenance: Galeria Bryna, Palm Beach, Florida.

Private Collection, Charlotte, North Carolina. $6,000-8,000

64 131164/160 FRANCISCO ZÚÑIGA (mexican, 1912-1998) “CHAMULAS” Inscribed ‘ZUNIGA III/VI 82’ bottom right, cast by Remba Foundry, copper relief plaque 21 3/4 x 30 in. (55.2 x 76cm) provenance: The artist.

Private Collection.

By descent in family.

Freeman’s, Fine American & European Paintings, June 21, 2009, lot 55.

Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. literature: Fundación Zúñiga, Francisco Zúñiga: Catálogo Razonado/Catalogue Raisonné (1923-1993), Mexico City, Albedrío/Fundación Zúñiga Laborde, 1999, no. 920, p. 530. $6,000-10,000

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65 131194/200 JAMINI ROY (indian, 1887-1972) THREE GOPIS Signed in Bengali bottom right, gouache on canvas 14 x 24 3/8 in. (35.6 x 61cm) provenance: Acquired before 1946 by Lt. Louis Hageman while flying “The Hump” during World War II. note: “The Hump” was a dangerous route taken by Allied pilots in World War II to the eastern end of the Himalayan Mountains over which they flew military transport aircraft from India to China to resupply the Chinese war effort of Chiang Kai-shek and US Army Air Forces based in China.

By descent in family to current owner. $1,000-2,000

67 131194/198 JAMINI ROY (indian, 1887-1972) CHRIST Gouache on canvas 18 x 11 3/4 in. (45.7 x 27.9cm) note: This lot will be accompanied by two volumes of “Longmans Miscellany,” (published in 1943 and 1944) which include articles and illustrations featuring Roy’s work. provenance: Acquired before 1946 by Lt. Louis Hageman while flying “The Hump” during World War II. $2,000-3,000

66 131194/199 JAMINI ROY (indian, 1887-1972) FOUR MUSICIANS Signed in Bengali bottom right, gouache on canvas 12 x 19 in. (30.5 x 48.3cm) provenance: Acquired before 1946 by Lt. Louis Hageman while flying “The Hump” during World War II. $800-1,200

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68 132006/1 BADRI NARAYAN (indian, b.1929) MAN WITH WATERMELONS Watercolor and ink on laid paper with watercolor sketch of a man and woman verso Executed in 1970 14 7/8 x 14 7/8 in. (37.8 x 37.8cm) provenance: Private Collection, Washington, D.C. $5,000-8,000

69 131538/1 AVINASH CHANDRA (indian, 1931-1991) GOPI IN LANDSCAPE Signed bottom right and signed and dated 84 verso, oil on canvas 36 x 48 in. (91.4 x 121.9cm) provenance: Private Collection. $20,000-30,000

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Freeman’s is pleased to offer here selected works by top Australian artists from the distinguished collection of Domini Morrell. Domini grew up in Perth, Australia and as a young adult moved to Paddington, then known as the artistic center of Sydney. While living there, she befriended many artists of the day. She later met Sydney "Bill" Morrell, a foreign correspondent for the London Daily Express in Vienna, Prague, Budapest and the Middle East.

The two married and began to collect Australian art in the late 1940’s after World War II. Following the war, the couple moved to New York but returned frequently to Sydney, Australia for Bill's work. In 1965 they reconnected with Sydney based art dealer Rudy Komon, a former war journalist from Czechoslovakia who had assisted Bill as a local correspondent in Vienna. The collection took shape under Rudy’s advice, and eventually included works by Robert Juniper, John Bell, Charles Blackman and Robert Dickerson among others. Selected works from the esteemed collection are offered here in lots 70 to 73.

70 138059/3 FREDERICK RONALD WILLIAMS (australian, 1927-1982) “HILLSIDE NO. 5” Signed bottom left, gouache and watercolor on paper Executed in 1964 14 1/4 x 22 1/4 in. (36.2 x 56.5cm) provenance: Rudy Koman Art Gallery.

The Collection of Bill and Domini Morrell, Australia.

Private Collection, Virginia. $30,000-50,000

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71 138059/1 CHARLES BLACKMAN (australian, b. 1928) PORTRAIT OF A WOMAN Pencil signed bottom right, oil on board Executed ca. 1955 34 1/4 x 24 5/8 in. (87 x 62.5cm) provenance: The Collection of Bill and Domini Morrell, Australia.

Private Collection, Virginia. note: We are grateful for the assistance of Christabel Blackman, who has kindly verified the authenticity of this work and suggests that this may be a portrait of the artist’s wife, Barbara, to whom he was happily married for nearly thirty years. $25,000-40,000

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72 138059/2 ROBERT DICKERSON (australian, b. 1924) PORTRAIT OF A MAN Signed bottom right and inscribed ‘Robert Dickerson, the club bar, limed green & white’ verso, oil on board Executed ca. 1952 36 x 23 3/4 in. (91.44 x 60.3cm) provenance: The Collection of Bill and Domini Morrell, Australia.

Private Collection, Virginia. note: We are grateful for the assistance of Sam Dickerson, who has kindly verified the authenticity of this work. $25,000-40,000

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73 138059/4 CHARLES BLACKMAN (australian, b. 1928) MAN WANDERING Signed upper left, oil on canvas Executed ca. 1962 25 x 30 in. (63.5 x 76.2cm) provenance: The Collection of Bill and Domini Morrell, Australia.

Private Collection, Virginia. note: We are grateful for the assistance of Christabel Blackman, who has kindly verified the authenticity of this work. She suggests that the scene may depict Tambourine Mountain, Queensland, Australia where the artist worked and lived for a time in the early 1960s. $30,000-50,000

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74 131611/5 REUBEN NAKIAN (american, 1897-1986) HERALDIC FIGURES Signed verso, numbered 2/9, and with the foundry stamp, bronze with green patina height: 6 1/2 in. (16.5cm) length: 8 in. (20.3cm) width: 4 in. (10.2cm) provenance: Private Collection. $2,000-3,000

75 138107/3 LAMAR DODD (american, 1909-1996) UNTITLED Signed and dated 66 bottom right, oil on canvas in artist’s made frame 8 x 12 in. (20.3 x 30.5cm) provenance: The artist.

Dr. and Mrs. Julian Cave, Jr. , Athens, Georgia (gifted directly from the above circa 1968-75).

Private Collection, Palmyra, Virginia (by family descent). $800-1,200

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76 138107/2 LAMAR DODD (american, 1909-1996) PLANET VIEW from “nasa” series Signed and dedicated ‘for Julian and Lenore-the boys’ bottom right, oil on canvas in artist’s frame 30 x 30 in. (76.2 x 76.2cm) provenance: The artist.

Dr. and Mrs. Julian Cave, Jr. , Athens, Georgia (gifted directly from the above circa 1968-75).

Private Collection, Palmyra, Virginia (by family descent). note: In 1963 Lamar Dodd was named the official artist for NASA's "Mercury Astronaut 9 Project" and continued to work for the agency for 25 years documenting many official launches including Apollo 9 among many others. $1,200-1,800

77 138107/1 LAMAR DODD (american, 1909-1996) THUNDER HOLE, MOUNT DESERT ISLAND, MAINE Signed and dated 48 vertically at right, oil on canvas in artist’s frame 24 x 36 in. (61 x 91.4cm) provenance: Joseph Leyber Galleries, New York, New York.

Dr. and Mrs. Julian Cave, Jr., Athens, Georgia (gifted directly from the above circa 1968-75).

Private Collection, Palmyra, Virginia (by family descent). $5,000-7,000

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David Park’s Untitled is one of a small number of paintings to have survived from an important transitional time for the artist who is known as one of the founding fathers of the Bay Area Figurative Art movement. An instructor at the California School of Fine Art in the late 1940s and 1950s alongside Elmer Bischoff and Richard Diebenkorn, David Park worked for a short time with the idea of ‘non-objective’ painting as a means of enjoying the act of painting and ‘looking for an image’. An echo of the abstract expressionist movement that was gathering momentum in New York (as well as with rival instructors at CSFA like Clyfford Still and Mark Rothko), the abstract works Park was executing from late 1946-1948 are bracketed by years when his painting was grounded first with two dimensional portraits in the style of Picasso, and later, by bold, subjective works of the Bay Area Figurative Movement.

As Nancy Boas notes in her biography, ‘David Park,’ the artist’s work during the transitional time of 1946-1948 seems to strive for abstraction, and yet still seems to hold echoes of subjects. The striped upper area of this work appears in several other works of these years and provide a structural, compositional foundation. Similarly, the white and orange forms at center seem to evoke flowers or birds which hover around an area of rich verdant greens, browns and ochres. Certainly, the rich, lavishly applied paint shows the artist’s love of process and his medium, and foreshadow the purposeful, colorful, figurative compositions that later offered a brave alternative to the abstract expressionist works of the 1950s.

78 131804/1 DAVID PARK (american, 1911-1960) UNTITLED Signed bottom left, oil on canvas Executed in 1948 50 x 34 in. (127 x 86.4cm) provenance: The Artist.

Mrs. William Tickle (formerly Mrs. Elmer Bischoff), Walnut Creek, California.

John Berggruen Gallery, San Francisco, California.

The Estate of Nellie L. Taft, Boston, Massachusetts. exhibited: “David Park 1911-1960,” The Newport Harbor Art Museum, Newport Beach, California, September 16-November 13, 1977. Exhibition traveled to the Oakland Museum, Oakland, California December 9, 1977- January 22, 1978, catalogue no. 46. literature: Nancy Boas, David Park: A Painter’s Life, University of California Press, Berkeley, California, 2012, illus. p. 74. $150,000-250,000

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79 131565/5 ROBERT JAY WOLFF (american, 1905-1978) “ABSTRACT #101” Signed and dated 1940, signed again and inscribed ‘Abstract’ at upper left edge verso, casein on paper 17 1/2 x 23 5/8 in. (44.5 x 60cm) provenance: Snyder Fine Art, New York, New York. $1,000-1,500

80 131565/3 ROSALIND BENGELSDORF (american, 1916-1979) “STUDY FOR OIL” Gouache and graphite on paper Executed in 1938 5 1/4 x 7 1/4 (13.3 x 18.4cm) provenance: The Penny and Elton Yasuna Collection.

Beacon Hill Fine Art, New York, New York. exhibited: “The Second Wave: American Abstraction of the 1930’s and 1940’s, Selections from the Penny and Elton Yasuna Collection,” Worcester Art Museum, Worcester, Massachusetts, September 11 - December 1, 1991, illustrated in catalogue page 25. (Catalogue number 2).

“Provincetown Abstract Painting, 1915-1950, from the Penny and Elton Yasuna Collection.” Provincetown Art Association and Museum, August 5 - September 5, 1994. $2,000-3,000

81 131640/85 LEON KELLY (american, 1901-1982) “ABSTRACT COMPOSITION” Signed upper right, watercolor and crayon on paper laid down to board 14 x 17 3/8 in. (35.6 x 44.1cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania.

From the Collection of Vincent Smith-Durham, Hav-A-Mil House. $800-1,200

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82 131640/236 FRITZ BULTMAN (american, 1919-1985) “SPECTATOR- RED AND BLACK” Signed, titled and dated 1947 on mount verso, tempera on paper laid to board 40 x 32 in. (101.6 x 81.3cm) provenance: Gallery Schlesinger Ltd., New York, New York.

From the Collection of Vincent Smith-Durham, Hav-A-Mil House. exhibited: “Fritz Bultman, a Retrospective,” New Orleans Museum of Art, August 7-October 3, 1993, no. 4 (exhibition traveled to the Greenville County Museum, Greenville, South Carolina, The Art Museum of Western Virginia and the Provincetown Art Association and Museum). $4,000-6,000

86 132180/1 RICHARD POUSETTE-DART (american, 1916-1992) UNTITLED Signed, dated 61 and numbered 127 verso, oil on panel 9 1/2 x 10 1/2 in. (24.2 x 26.7cm) provenance: The artist.

Mr. Israel Katz, Rockland County, New York.

Mr. Arthur Joel Katz, New York, New York (gifted from the above). note: The present work was gifted to the current owner from his uncle upon the occasion of the birth of his first son. The owner’s father, uncle and the artist all had homes in Rockland County, New York at the time this painting was executed, and were close friends who often gathered for games of pinochle. $20,000-30,000

83 131914/1 SOL LEWITT (american, 1928-2007) UNTITLED Signed and dated 1959 upper left, oil on canvas 12 x 12 in. (30.5 x 30.5cm) provenance: Private Collection. $5,000-8,000

84 131995/17 WILLIAM MEYEROWITZ (american, 1887-1981) CLARINET PLAYER Signed bottom right, oil on canvas laid down to board 18 7/8 x 12 in. (47.9 x 30.5cm) (approximately; canvas cut unevenly) provenance: Private Collection, New York. $800-1,200

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The late 1930s and early 1940s were years of dynamic growth for artist Richard Pousette-Dart.

Influenced by the Vorticist sculpture of Henri Gaudier-Brzeska, he created a lexicon of biomorphic and totemic forms that would provide rich visual and symbolic sources for early paintings, and continued to enrich his extended painted repertoire. Deeply interested in the spiritual possibilities of painting (“the dynamic balance, or edge between the conscious and unconscious”) he read Jung, Freud, the Transcendentalists, and Eastern religious texts, as he simultaneously encountered works by European cubists and surrealists being exhibited in New York. Also paramount to the development of Pousette-Dart’s artistic vision was African, Oceanic and Native American primitivism.

The first one-man exhibition of Richard Pousette-Dart’s paintings occurred at the Artists’ Gallery in New York in the fall of 1941. The following year he completed Symphony Number 1, The Transcendental (Collection of the Metropolitan Museum of Art), regarded today as one of the first mural-size canvases of the Abstract Expressionist movement. The present work, “Cathedral,” painted in 1944, is another confident, vibrant example of this important early period, featuring a heavily layered canvas bursting with the colorful forms and shapes that were echoed in the work of fellow New York artists like Gorky and Pollock. In this painting the architectural elements of a cathedral, such as the spire and circular stained glass windows, are defined by insistent outlines and vibrating, bright colors.

Richard Pousette-Dart’s place in the story of twentieth century abstraction is well-secured. Major retrospectives of his art have been held in New York at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Peggy Guggenheim Collection in Venice, Italy, and in 1997-8 at the Metropolitan Museum of Art. We are grateful to the Estate of Richard Pousette-Dart for contributing portions of this note.

85 132174/1 RICHARD POUSETTE-DART (american, 1916-1992) “CATHEDRAL” Oil on canvas Executed in 1944.

27 x 32 in. (68.6 x 81.3cm) provenance: The artist.

Mr. and Mrs. John S. Stokes, Jr., Philadelphia, Pennsylvania (acquired directly from the above).

By descent in family to present owner.

Private Collection, Philadelphia. exhibited: “Philadelphia Collects 20th Century,” Philadelphia Museum of Art, October 3 - November 17, 1963, exhibition catalogue no. 30. $150,000-250,000

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87 131729/3 MILTON AVERY (american, 1885-1965) FIGURES ON BEACH Pencil signed and dated 1968 bottom right, watercolor on Japanese paper 8 1/4 x 18 in. (21 x 45.7cm) provenance: The artist.

Private Collection, New Jersey. $1,500-2,500

88 138085/7 JAMES BROOKS (american, 1906-1992) “BLUE DRAWING” Ink signed and dated 65 bottom right, pencil signed, titled and dated verso, oil on paper 12 x 16 in. (30.5 x 40.6cm) provenance: Eve Benesch Goldschmidt Fine Art, New York, New York.

Private Collection, Charlottesville, Virginia. (Purchased from the above in 1966). $2,000-3,000

89 131757/13 eight drawings PHILIP GUSTON (american, 1913-1980) NORMA MILLMAN, EDWARD MILLMAN, JULIO DE DIEGO, FLETCHER MARTIN, MITCHELL SIPORIN AND PHILIP GUSTON Most titled, signed and inscribed, three with drawings verso, graphite and ink on paper various sizes, largest: 13 5/8 x 10 3/4 in.

(34.6 x 27.3cm) Unframed (8) provenance: H.W. Janson.

By descent in family to present owner. $5,000-8,000

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90 131591/1 LUDWIG BEMELMANS (american, 1898-1962) “RIO” Signed bottom right, titled and dated 1958 bottom left, gouache and watercolor on paper 19 3/4 x 25 3/4 in. (50.2 x 65.4cm) provenance: Property From the Estate of Selma Corn. $3,000-5,000

91 131164/18 PHILIP CAMPBELL CURTIS (american, b. 1907) TREE Signed bottom left, dated 80 bottom right, watercolor sheet: 24 x 18 in. (61 x 45.7cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,000-1,500

92 138051/30 MAKOTO MASUDA (japanese, b. ca. 1905-1989) “HONFLEUR” Signed bottom left, oil on canvas 24 x 28 3/4 in. (61 x 73cm) provenance: Estate of Robert G. Luckie, Tuscon, Arizona. $1,000-2,000

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93 131839/7 HARRY SEFARBI (american, b. 1917) SEATED FIGURE Signed center left, bears artist’s name again verso, oil on board 22 1/2 x 16 1/2 in. (57.2 x 41.9cm) provenance: The Estate of Ann Weisenthal. $1,000-1,500

94 131839/2 HARRY SEFARBI (american, b. 1917) UNTITLED Signed and dated 65 bottom right, oil on board 24 1/2 x 16 1/2 in. (62.2 x 41.9cm) provenance: The Estate of Ann Wiesenthal. $1,000-1,500

95 131850/7 JAN MATULKA (american/czech, 1890-1972) NANNIES IN THE PARK Signed bottom right, watercolor on paper 10 1/4 x 13 1/4 in. (26 x 33.6cm) provenance: Private Collection. $2,000-3,000

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96 131995/24 SAUL STEINBERG (american, 1914-1999) “CHESS GAME” Signed and dated 1968 twice bottom right, titled verso, ink, colored pencil and watercolor on paper 29 x 23 in. (73.6 x 58.4cm) provenance: Sidney Janis Gallery, New York, New York.

Private Collection, New York. note: This work was designed by the artist for the May 4, 1968 cover of the New Yorker Magazine. According to the magazine’s website, Steinberg has created nearly 90 covers and more than 1,200 drawings for the publication since 1942. $6,000-10,000

97 131728/5 ROBERT INDIANA (american, b.1928) “METAMORPHOSIS OF NORMA JEAN” from “the american dream” 1997, pencil signed and numbered 307/395, with full margins, Marco Fine Arts Contemporary Atelier, El Segundo, California, publisher. Color silkscreen on cardboard. image: 14 x 14 in. (35.6 x 35.6cm) sheet: 16 x 16 in. (40.6 x 40.6cm) $600-1,000

98 132169/4 TOM WESSELMANN (american, 1931-2004) “TV STILL LIFE” from “11 pop artists, volume iii” 1965, pencil signed and dedicated (faintly), a proof apart from the edition of 200 (there were also 50 in Roman numerals and 5 artist’s proofs), the full sheet, Abrams Original Editions, New York, publisher. Color screenprint on Arches. sheet: 28 7/8 x 38 3/8 in. (73.3 x 97.5cm) Unframed $1,000-1,500

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99 131737/2 TOM WESSELMANN (american, 1931-2004) “MAQUETTE FOR ‘SEASCAPE WITH CUMULUS CLOUDS’” Signed, titled and dated 1991 on frame verso, Liquitex on Bristol board mounted to board cutout: 4 1/2 x 16 x 1/2 in. (11.4 x 40.6 x 1.27cm) sheet: 12 1/2 x 21 1/2 in. (31 x 54.6cm) provenance: The artist.

Robert Miller Gallery, New York, New York.

Private Collection, Princeton, New Jersey. $10,000-15,000

100 131737/5 TOM WESSELMANN (american, 1931-2004) “SUNSET NUDE WITH YELLOW TULIPS” 2004-6, with the artist’s embossed signature lower right, numbered 64/75 (there were also 8 artist’s proofs), Mixografia, Los Angeles, publisher. Mixografia print on handmade paper. image: 26 x 30 3/8 in. (66 x 77.2cm) sheet: 37 3/4 x 41 3/4 in. (95.9 x 106cm) $6,000-8,000

58 www.freemansauction.com

101 132145/3 three prints EDOUARDO CHILLIDA (spanish, 1924-2002) “HARVARD I-III” 1977, all pencil signed, (I and III) numbered 33/50; (II) numbered 30/50; (there were also an unknown number of artist’s proofs for all), with full margins, Harvard University, Carpenter Center, Cambridge, publisher. Three woodcuts on handmade (Auvergne) paper. all images approx.: 7 x 6 in.

(17.8 x 15.2cm) (two vertical) all sheets: 15 x 12 3/4 in.

(38.1 x 32.4cm) Unframed [Van der Koelen, 77011-13] (3) $2,000-3,000

102 131443/3 ROBERT MOTHERWELL (american, 1915-1991) “AFRICA 5” from “africa suite” 1970, pencil signed with initials and numbered 7/150 (there were also an unrecorded number of artist’s proofs), with wide margins, Marlborough Graphics, Inc, New York, New York, publisher. Screenprint on J. B. Green. image: 31 1/2 x 23 3/4 in. (80 x 60.3cm) sheet: 40 1/2 x 28 in. (102.9 x 71.1cm) [Belknap, 44; Engberg & Banach, 73] $1,500-2,500 103 131996/3 ROBERT MOTHERWELL (american, 1915-1991) “AFRICA 10” from “africa suite” 1970, pencil signed with initials and numbered 55/150 (there were also an unrecorded number of artist’s proofs), with wide margins, Marlborough Graphics, Inc., New York, publisher. Screenprint on J. B. Green. image: 31 5/8 x 23 1/2 in. (80.3 x 59.7cm) sheet: 40 3/4 x 28 1/4 in. (103.5 x 71.8cm) [Belknap, 49; Engberg & Banach, 78] $1,500-2,500

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104 132171/1 ROBERT MOTHERWELL (american, 1915-1991) “RED SEA I” 1976, pencil signed and numbered 98/100 (there were also 20 artist’s proofs), with full margins, Abrams Original Editions, New York, publisher. Color etching and aquatint on Arches Cover. image: 25 1/2 x 19 7/8 in.

(64.8 x 50.5cm) sheet: 41 1/4 x 29 1/4 in.

(104.8 x 74.3cm) [Belknap, 158; Engberg & Banach, 193] $10,000-15,000

60 www.freemansauction.com

105 132145/2 DAVID HOCKNEY (british, b. 1937) “HARVARD ETCHING” 1986, pencil signed, dated, and numbered ‘AP II/VII’ (the edition was 10), the artist, publisher, with full margins. Etching on wove paper. image: 7 x 9 in. (17.8 x 22.9cm) sheet: 30 x 22 in. (76.2 x 55.9cm) $2,000-3,000

106 131728/4 HENRY MOORE (british, 1898-1986) “SCULPTURES, DARK INTERIORS” 1973, signed and numbered 74/75 (there were also 15 artist’s proofs), Curwen Studio, Cambridge, publisher. Lithograph on T.H. Saunders. image: 10 x 13 3/8 in. (25.4 x 34cm) sheet: 17 1/4 x 20 1/2 in. (43.8 x 52.1cm) [Cramer, 373] $800-1,200

107 131640/86 GEORGE RICKEY (american, 1907-2002) IVY Signed and dated 1983 bottom right, graphite on paper 8 1/2 x 13 1/4 in. (21.6 x 33.6cm) (approx.) provenance: The Artist.

From the Collection of Vincent Smith-Durham, Hav-A-Mil House.

(Gifted from the above) $600-1,000

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108 131665/2 BERNARD MANDEVILLE (french, b. 1921) UNTITLED Signed and dated 1992 on the stretcher verso, acrylic on canvas 31 5/8 x 31 5/8 in. (80.3 x 80.3cm) Unframed provenance: The artist.

Private Collection, Philadelphia, Pennsylvania (acquired from the above). exhibited: “Mandeville,” Galerie Victor Sfez, Paris, September 25 - October 25, 1997. note: This lot is accompanied by two books, one signed and dedicated, two fliers for a 1997 exhibition featuring this painting and an issue of “Vernissage” with a front page ad for the same 1997 exhibition featuring this painting. $800-1,200

109 132166/1 ROBINSON FREDENTHAL (american, 1930-2009) UNTITLED Ca. 1985, painted steel height: 48 1/4 in. (122.6cm) length: 17 in. (43.2cm) width: 17 in. (43.2cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia (aquired from the above in 1985). exhibited: Exhibition: “Robinson Fredenthal: Sculpture," Marian Locks Gallery, Philadelphia, April 17- June 10, 1985. $2,500-3,500

62 www.freemansauction.com

110 131640/83 GEORGE RICKEY (american, 1907-2002) WEATHERVANE Incised with the artist’s signature and dated 1976 on base, incised with the artist’s signature, numbered 45/47 and dated 1976 on the central horizontal element, stainless steel kinetic sculpture on marble base height: 25 1/2 in. (64.8cm) length: 34 1/2 in. (87.6cm) width: 8 1/2 in. (21.6cm)(including base) provenance: Mackler Gallery, Philadelphia, Pennsylvania.

From the Collection of Vincent Smith-Durham, Hav-A-Mil House. $8,000-12,000

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111 131520/1 HARRY BERTOIA (american, 1915-1978) SONAMBIENT Beryllium copper and brass height: 41 in. (104.1cm) length: 8 in. (20.3cm) width: 8 in. (20.3cm) (including base) provenance: Private Collection. note: This lot will be accompanied by a certificate of authenticity from Mary Thorp of the Harry Bertoia Research Project, dated September 13, 2013. It will also be included in the forthcoming catalogue raisonné. $25,000-35,000

112 131780/2 HARRY BERTOIA (american, 1915-1978) “STUDY FOR THE PHILADELPHIA CIVIC CENTER FOUNTAIN” 1965, bears artist’s name and titled lower right, ink on tissue-thin Japanese rice paper 23 x 34 3/4 in. (58.4 x 86.3cm) provenance: Private Collection, Philadelphia, Pennsylvania. note: This lot will be accompanied by a certificate of authenticity from Mary Thorp of the Harry Bertoia Research Project, dated September 13, 2013. It will also be included in the forthcoming catalogue raisonné. $1,500-2,500

64 www.freemansauction.com

113 131565/6 HERMAN CHERRY (american, 1909-1992) “SEASCAPE NO. 38, MARTHA’S VINEYARD” Pencil signed, titled and dated ‘July-56’ bottom left, annotated ‘38’ bottom right, oil on rag paper 18 x 23 in. (45.7 x 58.4cm) provenance: Gary Snyder Fine Art, New York, New York. $1,000-1,500

114 131565/7 HERMAN CHERRY (american, 1909-1992) “SEASCAPE NO. 50, MARTHA’S VINEYARD” Pencil signed, titled and dated ‘July-56’ bottom left, annotated ‘58’ bottom right, oil on rag paper 18 x 23 in. (45.7 x 58.4cm) provenance: Gary Snyder Fine Art, New York, New York. $1,000-1,500

115 131995/29 ALEXANDER CALDER (american, 1898-1976) BALLOONS AND CATTAILS Signed with hand-woven initials, dated 74 bottom right and with the woven copyright ‘c’ upper left, numbered 51/100 bottom left, Bon Art, publisher, and with their label affixed verso reading “Woven art hand crafts of Maguey fiber made in Guatamala”. Handwoven maguey jute fiber tapestry.

96 x 72 1/2 in. (943.8 x 184.2cm) Unframed provenance: Private Collection, New York. $3,000-5,000 116 No lot

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117 131995/5 ALEXANDER CALDER (american, 1898-1976) “BALLOONS AND CATTAILS” 1963, signed and dated 63 bottom right, gouache on paper 26 5/8 x 40 3/8 in.

(67.6 x 102.5cm) provenance: Eva Lee Gallery, Great Neck, New York.

Private Collection, New York. $30,000-50,000

66 www.freemansauction.com

118 132073/2 CLAUDE C.F. CLARK (american, 1915-2001) “POST OFFICE” Signed bottom right, titled and dated 1947 on label verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. $2,500-4,000

119 132073/3 CLAUDE C.F. CLARK (american, 1915-2001) “SUMMER PALACE (P.H.)” Signed bottom right, and signed, titled and dated July 1948 verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. $2,000-3,000

120 132073/1 CLAUDE C.F. CLARK (american, 1915-2001) “A DREAMER” Signed bottom right, oil on board Executed in 1938 28 x 22 in. (71 x 55.9cm) provenance: The artist.

By descent in family to present owner.

Private Collection, Atlanta, Georgia. $3,000-5,000

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121 131611/1 CHARLES SEARLES (american, 1937-2004) UNTITLED Signed and dated 8/74 bottom left, oil on canvas 36 x 40 in. (91.4 x 101.6cm) provenance: The artist.

Private Collection. $20,000-30,000

122 131611/2 CHARLES SEARLES (american, 1937-2004) UNTITLED Signed and dated 2/75 bottom right, watercolor on paper 33 3/4 x 21 3/4 in. (85.7 x 55.2cm) provenance: The artist.

Private Collection. $5,000-7,000

68 www.freemansauction.com

123 131729/2 SALLY MICHEL AVERY (american, 1902-2003) “NUDE SEATED” Signed ‘Sally Michel’ and dated 1982 bottom right, signed, titled and dated again verso, acrylic on canvas 39 3/4 x 50 in. (101 x 127cm) provenance: The artist.

Private Collection, New Jersey. $4,000-6,000

124 132175/3 SALLY MICHEL AVERY (american, 1902-2003) “STRIPED DRAPE” Signed and dated 80 bottom right, signed, titled and dated again verso, acrylic on canvasboard 16 x 12 in. (40.6 x 30.5cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

125 131729/1 SALLY MICHEL AVERY (american, 1902-2003) “GOLD IN AUTUMN” Signed ‘Sally Michel’ and dated 1978 bottom right, titled verso, acrylic on canvas 39 3/4 x 50 in. (101 x 127cm) provenance: The artist.

Private Collection, New Jersey. $5,000-7,000

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126 131898/2 NICOLA SIMBARI (italian, 1927-2012) COASTAL COMPOSITION Signed bottom right, oil on canvas 19 3/4 x 23 1/2 in. (50.2 x 59.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

127 131520/2 NICOLA SIMBARI (american, 1927-2012) FIGURE AND BOATS Signed and dated 67 bottom right, oil on canvas 19 3/4 x 23 1/2 in. (50.2 x 59.7cm) provenance: Private Collection. $2,000-3,000

128 138051/42 two works on paper ITZCHAK TARKAY (israeli, b. 1935) “SATURDAY EVENING” AND UNTITLED Signed bottom right and bottom left respectively, watercolor with ink 16 x 12 in. (40.6 x 30.5cm) and 13 1/2 x 9 3/4 in.

(34.3 x 24.8cm) (2) provenance: Chedworth Publishing, Scarsdale, New York, New York.

Estate of Robert G. Luckie, Tuscon, Arizona. $1,000-1,500

70 www.freemansauction.com

129 138051/28 PAUL JENKINS (american, 1923-2012) “PHENOMENA MANDETTE TURN” Signed lower left and signed, titled and dated 1974 verso, acrylic on canvas 30 x 44 in. (76.2 x 111.8cm) provenance: Gimpel & Weitzenhoffer Gallery, New York, New York.

Estate of Robert G. Luckie, Tuscon, Arizona. $12,000-18,000 130 132145/1 FRANK AUERBACH (british, b. 1931) “ST. PANCRAS STEPS” Titled and dated verso, colored ink and colored crayon on paper Executed in 1978-79 10 3/4 x 9 in. (27.5 x 22.7cm) provenance: Marlborough Fine Art (London) Ltd., London.

Property of a Prominent Cambridge, Massachusetts Professor. $4,000-6,000

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131 138051/1 STANLEY WILLIAM HAYTER (british, 1901-1988) “TANGRAM I” Signed and dated 83 bottom right and titled and dated ‘Jan 19 Feb 5, 83’ in white chalk verso, oil on canvas 63 1/2 x 51 in. (161.3 x 129.5cm) provenance: Winifred Breuning Fine Arts, Los Angeles, California.

Estate of Robert G. Luckie, Tuscon, Arizona. $1,500-2,500

132 131780/1 AART ROOS (dutch, 1919-2009) “MONUMENT” Signed and dated 68 bottom right, oil on canvas 29 1/2 x 31 1/2 in. (74.9 x 80cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-2,000

133 132170/1 two prints FRIEDENSREICH HUNDERTWASSER (austrian, 1928-2000) “CRUSADE OF THE CROSSROADERS” AND “EYEBALANCE NUMBER FIVE” from “regentag” 1971-72, (K., 53) ink signed, titled and numbered 272/300, (K., 44) stamp-signed and numbered (from the edition of 3000), both with full margins, Ars Viva, Zurich, Switzerland, publisher. Two color silkscreens with metal imprints on wove paper. images: 17 x 22 3/4 in. (43.2 x 57.8cm) sheets: 19 1/2 x 26 1/2 in. (49.5 x 67.3cm) [Kochatsky, 44 and 53] (2) $2,000-3,000

72 www.freemansauction.com

134 131810/1 RALPH HUMPHREY (american, 1932-1990) “UNTITLED #2” Acrylic on shaped canvas Executed in 1969 38 x 48 in. (96.5 x 121.9cm) Unframed provenance: Dunkelman Gallery, Toronto, Canada.

Property from a Private Cambridge, Massachusetts Collection. $3,000-5,000

135 131995/2 JOSEF ALBERS (american/german, 1888-1976) “EMBOSSED LINEAR CONSTRUCTION 1-A” 1969, pencil signed with initials, titled, dated, and numbered 25/100 (there were also 10 artist’s proofs), with full margins, Gemini G.E.L., Los Angeles, California, publisher, and with their blindstamps. Embossing on Arches. image: 8 x 18 in. (20.3 x 45.7cm) sheet: 20 x 26 in. (50.8 x 66cm) [Danilowitz, 186; Gemini, 134] $800-1,200

136 131995/19 OMAR RAYO (colombian, 1928-2010) “THE MAN IS ABSENT” Circa 1970, pencil signed, titled, and numbered 4/10, with full margins.

Intaglio etching with shoelace collage on wove paper. image: 24 x 6 in. (60.9 x 15.3cm) sheet: 30 1/4 x 21 3/4 in. (76.8 x 55.3cm) $600-1,000

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137 131995/4 ILYA BOLOTOWSKY (american/russian, 1907-1981) “BLUE RHOMB” Signed, titled and dated 1976 on stretcher verso, acrylic on canvas 54 3/4 x 31 3/4 in. (139 x 80.6cm) Unframed provenance: Olympia Galleries, Limited, Philadelphia, Pennsylvania.

Private Collection, New York. exhibited: The Arkansas Art Center, McCarthur Park, Little Rock Arkansas, August 13- December 24, 1976. $20,000-30,000

74 www.freemansauction.com

138 131737/8 ROBERT INDIANA (american, b. 1928) “CLASSIC LOVE” Skein dyed, hand carved and hand tufted archival New Zealand wool on stretched canvas with natural latex backing, signed and numbered 27/150 on the accompanying certificate of authenticity, handcrafted by Master Contemporary Original Artist Rugs.

72 x 72 in. (182.9 x 182.9cm) provenance: Whitney Museum of Art, New York, New York.

Private Collection, Princeton, New Jersey (acquired directly from the above in 2003). $2,500-3,500

139 131737/7 ROBERT INDIANA (american, b. 1928) “FÜR K.V.F.” from “the hartley elegies: the berlin series” 1990, pencil signed, titled, dated and numbered 28/89 (there were also 15 artist’s proofs), with full margins, The Mezzanine Gallery, Metropolitan Museum of Art, New York, publisher. Color screenprint on Rives BFK. image: 30 x 24 in. (76.2 x 61cm) sheet: 40 x 30 in. (101.6 x 76.2cm) [Sheehan, 144] $800-1,200

140 131737/3 ALLAN D’ARCANGELO (american, 1930-1998) “LANDSCAPE ON BUS MIRROR” Signed, dated 70 and numbered 3/100 on the back of the mirror, assembled mixed-media multiple height: 18 1/2 in. (47cm) length: 22 in. (55.9cm) width: 18 3/4 in. (47.6cm) provenance: Craig F. Starr Gallery, New York, New York.

Private Collection, Princeton, New Jersey. $800-1,200

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141 131737/6 ROY LICHTENSTEIN (american, 1923-1997) “TWO PAINTINGS: DAGWOOD” from “paintings” 1984, pencil signed, dated and numbered 60/60 (there were also 11 artist’s proofs), with full margins, Gemini G.E.L., Los Angeles, California, publisher. Color woodblock and lithograph on Arches. image: 50 13/16 x 35 7/8 in.

(129.1 x 91.1cm) sheet: 53 7/8 x 38 15/16 in.

(136.8 x 98.9cm) [Corlett, 207] provenance: Private Collection, Princeton, New Jersey. $20,000-30,000

76 www.freemansauction.com

142 131737/1 MEL RAMOS (american, b. 1935) “CANDY” from “sms, volume v” 1968, from the edition of approximately 2000, Letter Edged in Black Press, Inc., New York, publisher. Three-dimensional color offset lithographic coated paper cutout construction (assembled).

11 x 13 1/2 x 1 in.

(28 x 34.3 x 2.5cm) $500-700

144 131995/26 JIM DINE (american, b. 1935) “8 HEARTS” 1970, unsigned, from the edition of unknown size, the full sheet. Color screenprint with silver spray paint on wove paper. sheet: 25 1/2 x 30 1/2 in.

(64.8 x 77.5cm) $400-600

145 131995/3 two prints GERALD LAING (british, 1936-2011) “SLIDE” from “11 pop artists, volume ii” 1965, signed bottom right and numbered XLI (artist’s proof, the edition was 200), the full sheet, Original Editions, New York, publisher. Color screenprint and metallic collage on Styrene. sheet: 30 x 23 3/4 in. (76.2 x 60.4cm) and “FRANCINE” from “baby baby wild thing” 1968, pencil signed, titled, dated, and numbered 23/200, with wide margins, with the artist’s blindstamp, Richard Feigen, New York, New York, publisher. Color screenprint on wove paper. image: 30 7/8 x 18 1/8 in. (78 x 46cm) sheet: 29 1/2 x 18 3/4 in. (74.8 x 46.6cm) (2) $1,200-1,500

143 131995/13 RICHARD LINDNER (american/german, 1901-1978) “HIT” from “fun city” 1971, pencil signed and numbered 173/175 (there were also 75 in Roman numerals), the full sheet, Shorewood Publishers Inc., New York, New York, publisher. Color lithograph and collage on Rowlux. sight: 25 x 19 1/2 in. (63.5 x 49.5cm) $500-700

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146 132169/3 ANDY WARHOL (american, 1928-1987) “MAO” (WALLPAPER) 1974, printed in 1989, from the edition of unknown size (there was also a signed edition of 100 printed in 1979), the full sheet; poster for the 1989 retrospective at the Museum of Modern Art, New York and with their stamps at right, also with the Estate of Andy Warhol copyright stamp. Color screenprint on wove paper. sheet: 33 3/4 x 29 5/8 in.

(85.7 x 75.2cm) [see Feldman & Schellmann III, 125a] Unframed $1,000-1,500

147 131841/1 ANDY WARHOL (american, 1928-1987) “FLOWERS” 1964, ink signed and dated, from the edition of approximately 300, with margins, Leo Castelli, New York, New York, publisher. Color offset lithograph on wove paper. image: 22 x 22 in.(55.9 x 55.9cm) sheet: 23 x 23 in. (58.4 x 58.4cm) [Feldman & Schellmann, II.6] $12,000-18,000

78 www.freemansauction.com

148 132103/1 NAOTO NAKAGAWA (japanese, b. 1944) “STILL LIFE WITH BUTTER” Signed, titled and dated 1969 verso, acrylic on canvas Unframed 70 x 56 in. (177.8 x 142.2cm) provenance: Gallery Marc, Washington, D.C. Minnie B. Oderoff and Maurice E. Oderoff, Phildadelphia, Pennsylvania.

(Purchased from the above in 1969).

By descent in family to present owner.

Private Collection, Philadelphia. $5,000-8,000

149 132103/3 FRITZ KÖTHE (german, 1916-2005) “JONNY” Signed with initials and dated 67 bottom left, signed, tited and dated 1967 again verso, oil on canvas 35 1/2 x 27 1/2 in. (90.2 x 69.9cm) provenance: Marc Moyens, Washington D.C. Minnie B. Oderoff and Maurice E. Oderoff, Phildelphia, Pennsylvania (Purchased from the above in 1968).

By descent in family to present owner.

Private Collection, Philadelphia. $4,000-6,000

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150 131995/21 JAMES ROSENQUIST (american, b. 1933) “RAINBOW” 1972, pencil signed, titled, numbered A.P. 12/20 (the edition was 75), with full margins, Petersburg Press, New York, publisher. Color lithograph and screenprint on Hodgkinson handmade paper. image: 17 x 21 3/4 in. (43.2 x 55.2cm) sheet: 25 x 30 in. (63.5 x 76.2cm) [Glenn, 48] $600-1,000

151 131995/20 JAMES ROSENQUIST (american, b. 1933) “PAPER CLIP” Signed, titled and dated 1974 and numbered 68/75 (there were also 20 artist’s proofs in Roman numerals), the full sheet, Petersburg Press, New York, publisher. Color lithograph on Arches Cover.

36 1/2 x 69 in. (93 x 175.3cm) [Glenn, 71] $5,000-8,000

150

151

152

152 131665/4 ED RUSCHA (american, b.1937) TEN PHOTOBOOKS “TWENTY SIX GASOLINE STATIONS,” 1962, from the third edition of 3000, “SOME LOS ANGELES APARTMENTS,” 1965, from the second edition of 3000, “EVERY BUILDING ON THE SUNSET STRIP,” 1966, from the first edition of 1000 with the original silver mylar covered slipcase, “THIRTY FOUR PARKING LOTS,” 1967, from the second edition of 2000 copies, “ROYAL ROAD TEST,” 1967, from the third edition of 2000 copies, “NINE SWIMMING POOLS AND A BROKEN GLASS,” 1968, from the first edition of 2400, “REAL ESTATE OPPORTUNITIES,” 1970, from the first edition of 4000, “A FEW PALM TREES,” 1971, from the first edition of 3900, “RECORDS,” 1971, from the first edition of 2000 copies, and “COLORED PEOPLE,” 1972, from the first edition of 4065 copies. various sizes [Engberg B1, B3-6, B8, B12, B13, B15 and B16] (10) literature: Martin Parr and Gerry Badger, The Photobook: A History (Volume II), Phaidon Press, London, 2004, pp.

140-143. $4,000-6,000

80 www.freemansauction.com

153 131995/27 FRANK STELLA (american, b. 1936) “POLAR CO-ORDINATES VIII” from “polar co-ordinates for ronnie peterson” 1980, pencil signed, dated and numbered 88/100 (there were also 20 artist’s proofs), the full sheet, Petersburg Press, New York, New York, publisher. Color offset lithograph and screenprint on Arches Cover.

38 3/8 x 38 in. (97.5 x 96.5cm) [Axsom, 26] $5,000-7,000

154 132169/1 FRANK STELLA (american, b.1936) “SIDI IFNI” from “homage a picasso” 1973, pencil signed, dated, numbered 30/50 (Axsom calls for the edition of 120 plus an unknown number of artist’s proofs), with wide margins, Propyläen Verlag, Berlin and Pantheon-Presse, Rome, copublishers. Color lithograph on wove paper. image: 19 x 18 3/4 in.

(48.3 x 47.6cm) sheet: 22 x 29 3/4 in.

(55.8 x 75.6cm) [Axsom, 91] $2,000-3,000

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155 131995/23 FRANK STELLA (american, b. 1936) “THE PACIFIC” from “the waves i” 1985-1989, pencil signed, dated, and numbered 15/60 (there were also 10 artist’s proofs), the full sheet, Waddington Graphics, London, publisher. Color screenprint with lithograph and linocut, with hand coloring, marbling and collage on T.H. Saunders and Somerset.

74.6 x 54.8 in. (189.5 x 139.3cm) $6,000-10,000

156 131995/25 FRANK STELLA (american, b. 1936) “EXTRACTS” from “moby dick deckle edges” 1993, pencil signed, dated and numbered 3/40 (there were also 8 artist’s proofs), the full sheet, Tyler Graphics, Ltd., Mount Kisco, New York, publisher and with their blindstamp. Color lithograph, etching, aquatint, relief and screenprint on TGL Handmade.

33 3/4 x 42 1/2 in. (85.6 x 108cm) $6,000-10,000

82 www.freemansauction.com

157 132145/5 RICHARD ESTES (american, b. 1932) “SALZBURG” 1982, pencil signed, numbered 96/250 (there were also 15 lettered artist’s proofs), with full margins, Parasol Press, Ltd., New York and V & R Graphics, Long Island, New York, co-publishers. Color silkscreen on Fabriano Cottone paper. image: 20 x 14 5/8 in.

(50.8 x 37.1cm sheet: 27 3/16 x 21 1/8 in.

(69 x 53.6cm) [see Arthur, p. 126] $1,000-1,500

158 131995/8 RICHARD ESTES (american, b. 1932) “GRANT’S” from “urban landscapes” 1972, pencil signed and numbered 68/75 (there were also 25 lettered artist’s proofs), with full margins, Parasol Press, New York, publisher.

Color screenprint on Schoellers Parole wove paper. image: 14 x 20 1/4 in.

(35.5 x 51.4cm) sheet: 19 1/2 x 27 1/2 in.

(49.5 x 69.9cm) [see Arthur, p. 112] $1,000-2,000

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159 138051/48 DOUGLAS CALVERT (canadian, b. 1955) “BROADWAY & 72ND STREET” Signed bottom right and signed, titled and dated 1992 verso, acrylic on board 20 x 40 in. (50.8 x 101.6cm) provenance: Gallery Henoch, New York, New York.

Estate of Robert G. Luckie, Tuscon, Arizona. $600-800

160 131995/16 STEPHEN MAGSIG (american, 20th century) “153 MERCER STREET” Signed, titled and dated 2009 verso, oil on linen 48 x 36 in. (121.9 x 91.4cm) provenance: George Billis Gallery, New York, New York.

Private Collection, New York. $1,500-2,500

161 131995/18 JOHN MOORE (american, b. 1941) “YELLOW LILY” Signed and dated 03 bottom right, oil on canvas 24 x 24 in. (61 x 61cm) provenance: Meredith Long & Company, Houston, Texas.

Hirschl & Adler Modern, Inc., New York, New York.

Private Collection, New York. $1,000-2,000

84 www.freemansauction.com

162 131935/2 RED GROOMS (american, b. 1937) “DEKOONING BREAKS THROUGH” 1987, signed bottom right in blue crayon, numbered T.P. (the edition was 75 plus 10 artist’s proofs), the full sheet, the artist and Shark’s Ink, Boulder, Colorado, co-publisher. 3dimensional color lithograph on Rives BFK, cut out, glued, and mounted in plexiglass case. overall: 47 1/2 x 33 1/2 x 8 3/4 in. (120.7 x 85.1 x 22.2cm) [Knestrick, 112] $5,000-8,000

163 131935/1 two prints RED GROOMS (american, b. 1937) “FRED & GINGER” 1982, pencil signed, dated and numbered 78/100 (there were no recorded artist’s proofs), the full sheet, Senator Howard Metzenbaum’s Re-Election Committee, Washington, D.C., publisher. Color silkscreen on Rives BFK. 40 x 26 in. (101.6 x 66cm) [Knestrick, 92] and “LOOKING UP BROADWAY, AGAIN” 1994, pencil signed, dated and numbered 2/75 (there were also 26 artist’s proofs), the full sheet, Marlborough Graphics, New York, New York, publisher. Color lithograph on Rives BFK. 30 x 20 in. (76.2 x 50.8cm) [Knestrick, 141] (2) $1,500-2,500

164 131686/2 RAY JOHNSON (american, 1927-1995) FAN CLUB LUNCHEON MENU Incised ‘Jock S.’, double-sided collage of printed paper, gouache and wax on paperboard Executed in 1968 9 1/2 x 5 1/2 in. (24.1 x 14cm) provenance: The artist.

Private Collection, New York. $4,000-6,000

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165 131623/1 JONATHAN BOROFSKY (american, b. 1942) UNTITLED (FIGURE WITH LAMP) Inscribed ‘2729814’ bottom right, acrylic on canvas with blue tungsten light bulb Executed in 1981 131 x 101 in. (332.7 x 256.5cm) Unframed provenance: Paula Cooper Gallery, New York, New York.

The Estate of Fredric Roos, Malmö, Sweden.

Christie’s East, Contemporary Paintings, Drawings and Sculpture, November 1, 1994 (lot 201).

In Kahn Gallery, New York, New York.

Private Collection, New York. exhibited: Moderna Museet, Stockholm, Sweden, September 9- October 21, 1984. literature: M. Rosenthal and R. Marshall, Jonathan Borofsky, “Philadelphia” 1984, p. 164, no. 184 (illustrated). $4,000-6,000

166 131686/1 NAM JUNE PAIK (american/korean, 1932-2006) “ROBOT” Signed, dated `90’ and numbered 5/91 in black ink on the feet, constructed from light-bulb, electric and plumbing parts, Edition Mönchehaus-Museum, Goslar, Germany, publisher. height: 20 1/2 in. (52cm) length: 7 in. (17.8cm) width: 5 in. (12.7cm) provenance: Holly Solomon Gallery, New York, New York.

Private Collection, New York. $6,000-10,000

86 www.freemansauction.com

167 132132/1 CHUCK CLOSE (american, b. 1940) “PHIL/FINGERPRINT” 1981, pencil signed, titled, dated and numbered AP IV (one of 7 artist’s proofs, the edition was 36), with full margins, Pace Editions Inc., New York, New York, publisher.

Lithograph on Kuratani Kozo Special Japan. image: 42 x 31 in. (106.7 x 78.7cm) sheet: 50 x 38 in. (127 x 96.5cm) [Sultan, see p.12] $10,000-15,000

168 131995/1 YAACOV AGAM (israeli, b. 1928) “MESSAGE OF PEACE” a complete set of seven prints 1981, all pencil signed, all numbered 165/270 (there were also 20 artist’s proofs and 20 museum proofs in Roman numerals), all with full margins, Todd Brassner Fine Art, New York, New York, publisher, with the original printed black portfolio and title/justification page.

Seven screenprints (five in color) on Arches. all sheets: 15 x 15 in. (38.1 x 38.1cm) (7) $1,800-2,200

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169 131737/4 ALEX KATZ (american, b. 1927) “WEDDING DRESS” 1993, pencil signed and numbered 17/75 (there were also 12 artist’s proofs), with full margins, Simmelink/Sukimoto Editions, Marina del Rey, California, publisher.

Color etching and aquatint on Somerset. image: 40 x 20 in. (101.6 x 50.8cm) sheet: 52 x 22 in. (132.1 x 55.9cm) $5,000-8,000

170 131995/11 JEFF KOONS (american, b. 1955) “PUPPY” 1998, incised with signature and date on the underside, numbered 962/3000, Art of this Century, New York and Paris, publisher, and with their incised stamp. Glazed white ceramic vase. height: 17 1/2 in. (44.5cm) length: 10 7/8 in. (27.5cm) width: 19 in. (48.2cm) $5,000-7,000

88 www.freemansauction.com

171 131995/9 BRYAN HUNT (american, b. 1947) “NAVIGATOR 1” 1988, pencil signed, titled, dated and numbered 19/50 (there were also 10 artist’s proofs), Crown Point Press, San Francisco, publisher. Color etching and aquatint on wove paper. image: 44 1/2 x 27 1/2 in. (113 x69.8cm) sheet: 54 x 36 in. (137.1 x 91.4cm) $1,200-1,800

172 131665/3 BRONLYN JONES (american, b. 1954) UNTITLED Signed and dated 1998 on artist’s painted wood frame verso, graphite on paper sheet: 6 1/2 x 8 in. (16.5 x 20.3cm) overall with frame: 7 5/8 x 9 1/2 in. (19.4 x 24.2cm) provenance: Larry Becker Contemporary Art, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

173 131665/1 LEE BAE (korean, b.1956) UNTITLED Inscribed in Korean, signed and dated 1997 bottom right, charcoal on Arches 26 x 35 in. (66 x 88.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

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174 132014/1 PEGGY PREHEIM (american, b. 1963) UNTITLED (BABY) Signed and dated 93 bottom right, graphite on paper sheet: 11 x 8 1/2 in. (27.9 x 21.6cm) provenance: Private Collection. $1,000-1,500 175 132014/2 PEGGY PREHEIM (american, b. 1963) “GLASS” Titled bottom left, signed and dated 93 bottom right, watercolor on paper sheet: 11 x 8 1/2 in. (27.9 x 21.6cm) provenance: Private Collection. $1,200-1,800

176 131995/14 two paintings CHRIS LONG (american, 20th century) UNTITLED Signed and dated 1984 verso, acrylic on canvas 36 x 48 in. (91.4 x 121.9 cm) and UNTITLED Signed and dated 1984 verso, acrylic on canvas 36 x 48 in. (91.4 x 121.9cm) Both unframed provenance: Private Collection, New York. $1,200-1,800

90 www.freemansauction.com

177 131623/2 ERIC FREEMAN (american, b. 1970) “GOLDEN SANDS II” Signed, titled, dedicated and dated 2009 verso, oil on canvas 36 1/4 x 36 1/4 in. (92.1 x 92.1cm) Unframed provenance: The artist.

Private Collection, New York. (Gifted from the above). $1,500-2,500

178 131804/3 JENNY HOLZER (american, b. 1950) UNTITLED from “the survival series” Executed in 1983-85, numbered 2/10 on Gladstone label affixed verso, cast aluminum plaque 5 3/4 x 9 in. (14.6 x 22.9cm) provenance: Barbara Gladstone Gallery, New York, New York.

The Estate of Nellie L. Taft, Boston, Massachusetts. $8,000-12,000

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179 131640/84 MICHAEL CRAIG-MARTIN (irish, b. 1941) “FOUNTAIN” Acrylic on canvas Executed in 1999 19 x 17 in. (48.3 x 43.2cm) Unframed provenance: Waddington Galleries, London.

From the Collection of Vincent Smith-Durham, Hav-A-Mil House. $6,000-10,000

92 www.freemansauction.com

180 131804/10 GREGORY AMENOFF (american, b. 1948) “VIEW #26” Signed, titled and dated 1998 verso, oil on board 15 3/4 x 15 3/4 in. (40 x 40cm) provenance: Nielsen Gallery, Boston, Massachusetts.

The Estate of Nellie L. Taft, Boston, Massachusetts. $1,000-1,500

181 131728/2 SEAN SCULLY (american/irish, b. 1945) “STANDING II” 1986, pencil signed, dated, titled and numbered 25/35 (there were also 10 artist’s proofs), with wide margins, Diane Villani, New York, publisher. Color woodcut on Okawara homemade paper. image: 40 x 30 1/2 in.

(101.6 x 77.4cm) sheet: 47 1/2 x 36 in.

(120.6 x 91.4cm) $2,500-3,500

182 131804/7 JOHN WALKER (british, b. 1939) UNTITLED 1992, pencil signed and dated 92 bottom right, the full sheet. Color monoprint on laid tissue-thin paper.

21 x 17 1/2 in. (53.3 x 44.5cm) provenance: Nielsen Gallery, Boston, Massachusetts.

The Estate of Nellie L. Taft, Boston, Massachusetts. $800-1,200

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183 131804/6 ELIZABETH MURRAY (american, 1940-2007) “NIGHT AND DAY” 1995, pencil signed, dated and numbered 11/66 bottom right, with full margins, Gemini G.E.L, Los Angeles, California, publisher, and with their blind stamps. Color lithograph and screenprint on wove paper. image: 10 x 9 in. (25.4 x 22.9cm) sheet: 17 x 15 1/2 in.

(43.2 x 39.4cm) provenance: The Estate of Nellie L. Taft, Boston, Massachusetts. $1,000-2,000

184 131999/1 TONY W.H. WONG (chinese/american, 1948-2012) “NURSING” Signed and dated 84 bottom right, oil pastel on black rag paper 29 1/2 x 32 1/2 in. (74.9 x 82.5cm) provenance: Siegel Contemporary Art, New York, New York.

Private Collection, Main Line, Philadelphia, Pennsylvania. $1,500-2,500

185 132084/1 MOE BROOKER (american, b. 1940) ABSTRACTION Signed and dated 86 bottom right, pastel on paper 40 x 30 in. (101.6 x76.2cm) provenance: Property from a Philadelphia Estate. $1,000-1,500

94 www.freemansauction.com

187 131804/8 MICHAEL NAKONECZNY (american, b. 1960) “UPSTAIRS ROOM” Signed bottom right and signed, titled and dated 1988 verso, acrylic and metal on masonite 16 1/2 x 20 in. (41.9 x 50.8cm) provenance: Berta Walker Gallery, Provincetown, Massachusetts.

The Estate of Nellie L. Taft, Boston, Massachusetts. $400-600

186 131995/28 VARUJAN BOGHOSIAN (american, b. 1926) “THE PRISM” Signed with initials bottom right, mixed media collage Executed in 1980 16 1/2 x 16 3/4 in. ( 41.9 x 42.5cm) provenance: Cordier & Eksterom, Inc., New York, New York.

Irving Galleries, Palm Beach, Florida.

Private Collection, New York. $1,200-1,800

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188 131686/3 JUDY PFAFF (american/british, b. 1946) UNTITLED Collaged paper and mixed media elements in artist’s frame overall: 11 x 123 in. (27.9 x 312.4cm) Executed 1998 provenance: Private Collection, New York. exhibited: “Drawings and Prints,” Karen McCready Fine Art, New York, New York, January 14- February 27, 1999. note: The papers used here are 1880’s invoices from an artist’s supply store in Hudson, New York and a supplier in Tribeca, New York, where the artist lived at the time this work was executed. $3,000-5,000

189 131995/22 JONATHAN SANTLOFER (american, b. 1946) FIVE PORTRAITS OF ARTISTS All pencil signed and dated variously 1996-1998, pencil, gouache, wax and acrylic on paper each approx.: 11 3/4 x 11 3/4 in. (29.8 x 29.8 cm) (5) note: Including: Egon Schiele; Adolf Gottlieb; Henri de Toulouse-Lautrec; Piet Mondrian and Constantin Brancusi. provenance: Jim Kempner Fine Art, New York, New York.

Private Collection, New York. $4,000-6,000

96 www.freemansauction.com

190 131995/7 MARC DENNIS (american, b. 1967) “HYBRID #31, FLORIGIUM POPPIUS BELLINIUS” Oil on canvas (diptych) overall: 30 x 60 in. (76.2 x 152.4cm) each unframed provenance: Hirschl & Adler Galleries, Inc., New York, New York.

Private Collection, New York. $800-1,200

191 131804/5 BARNET RUBENSTEIN (american, 1923-2002) “GREEN GRAPES #3” Signed and dated 1989 verso, oil on canvas 12 x 12 in. (30.5 x 30.5cm) provenance: The Alpha Gallery, Boston, Massachusetts.

The Estate of Nellie L. Taft, Boston, Massachusetts. exhibited: “Barnet Rubenstein,” Rose Art Museum, Brandeis University, Waltham, Massachusetts, February 2- March 16,1997. $600-1,000

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192 131804/4 JOAN SNYDER (american, b. 1940) “LITTLE RIPENED FIELDS” Oil, acrylic, paper maché, straw, herbs and ink on wood panel Executed in 2002 18 x 36 in. (45.7 x 91.4cm) Unframed provenance: Nielsen Gallery, Boston, Massachusetts.

The Estate of Nellie L. Taft, Boston, Massachusetts. $1,200-1,800

193 132175/2 STUART SHILS (american, b. 1954) “WORK SITE” Signed and dated 95 bottom left, titled in pencil verso, acrylic on paper 11 3/4 x 13 1/2 in. (29.8 x 34.3cm) provenance: Private Collection, Pennsylvania. $1,000-2,000

194 132175/1 STUART SHILS (american, b. 1954) “MANAYUNK CANAL WITH BRIDGE” Signed and dated 86 bottom left, signed again and titled verso, oil on paper mounted to rag board 4 1/2 x 9 1/4 in. (11.4 x 23.5cm) provenance: Private Collection, Pennsylvania. $1,000-2,000

98 www.freemansauction.com

195 131804/9 MARY HEILMANN (american, b. 1940) “KELLY’S COVE, NY” 2002, pencil signed and dated, numbered 12/25, with full margins, Pace Editions, New York, New York, publisher. Color etching on wove paper. image: 11 7/8 x 12 in.

(30.1 x 30.5cm) sheet: 30 x 22 in. (76.2 x 55.9cm) provenance: School of the Museum of Fine Arts, Boston, Massachusetts.

The Estate of Nellie L. Taft, Boston, Massachusetts. $800-1,200

196 131739/9 JIMMY LUEDERS (american, 1927-1994) FLORAL STILL LIFE Signed and dated 68 bottom left, acrylic on canvas 40 x 30 in. (101.6 x 76.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

197 131739/8 JANE PIPER (american, 1916-1991) UNTITLED (DAISIES) Ca. 1974, signed bottom center, oil pastel and graphite 23 x 29 in. (58.4 x 73.6cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

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198 132172/1 ELIZABETH OSBORNE (american, b. 1936) STILL LIFE Signed and dated 76 in pencil bottom left, watercolor on paper 10 5/8 x 11 7/8 in. (27 x 30.2cm) Unframed provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

199 131739/6 ELIZABETH OSBORNE (american, b. 1936) “TIDEWATER” Acrylic on canvas.

Executed in 1972 50 x 60 in. (127 x 152.4cm) provenance: Marian Locks Gallery, Philadelphia, Pennsylvania.

Westinghouse Art Collection, New York, New York.

Private Collection, Philadelphia, Pennsylvania. $8,000-12,000

100 www.freemansauction.com

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Index Agam, Y., 168 Albers, J., 135 Amenoff, G., 180 Auerbach, F., 130 Avery, M., 87 Avery, S., 123-125 Bae, L., 173 Bengelsdorf, R., 80 Bemelmans, L., 90 Bertoia, H., 111, 112 Blackman, C., 71, 73 Boghosian, V., 186 Bolotowsky, I., 137 Borofsky, J., 165 Botello, A., 53-55 Brooker, M., 185 Brooks, J., 88 Bultman, F., 82 Calder, A., 115, 117 Calvert, D., 159 Chagall, M., 15-20 Chandra, A., 69 Cherry, H., 113, 114 Chillida, E., 101 Clark, C., 118-120 Close, C., 167 Corbusier, L., 33 Craig-Martin, M., 179 Cuevas, J., 56, 57 Curtis, P., 91 Dalí, S., 39-42 D’Arcangelo, A., 140 Dennis, M., 190 Deperthes, J., 27 Dickerson, R., 72 Dine, J., 144

Dodd, L., 75-77 Dosamantes, F., 59-61 Dufy, J., 13, 14 Estes, R., 157, 158 Foujita, L., 22 Fredenthal, R., 109 Freeman, E., 177 Gall, F., 28-30 Grooms, R., 162, 163 Grosz, G., 11, 12 Guillaumin, A., 6 Guston, P., 89 Hayter, S., 131 Heilmann, M., 195 Hockney, D., 105 Holzer, J., 178 Humphrey, R., 134 Hundertwasser, F., 133 Hunt, B., 171

Lebadang, 26 Lewitt, S., 83 Lichtenstein, R., 141 Lindner, R., 143 Loiseau, G., 7 Long, C., 176 Lueders, J., 196 Magsig, S., 160 Mandeville, B., 108 Marin, M., 51, 52 Martin-Ferrières, J., 25 Masson, A., 23, 24 Masuda, M., 92 Matisse, H. (After), 21 Matulka, J., 95 Meyerowitz, W., 84 Miró, J., 34-38 Montoyo, G., 63 Moore, H., 106 Moore, J., 161 Motherwell, R., 102-104 Murray, E., 183

Indiana, R., 97, 138, 139 Jacob, M., 5 Jenkins, P., 129 John, A., 31 Johnson, R., 164 Jones, B., 172 Katz, A., 169 Kelly, L., 81 Köthe, F., 149 Koons, J., 170 Kollwitz, K., 9, 10 Laing, G., 145

Nakagawa, 148 Nakian, R., 74 Narayan, B., 68 Nakoneczny, M., 187

Quirós, A., 50 Ramos, M., 142 Rayo, O., 136 Renoir, P., 3, 4 Rickey, G., 107, 110 Roos, A., 132 Rosenquist, J., 150, 151 Roualt, G., 2 Roy, J., 65-67 Rubenstein, B., 191 Ruscha, E., 152 Santlofer, J., 189 Scully, S., 181 Searles, C., 121, 122 Sefarbi, H., 93, 94 Shils, S., 193, 194 Simbari, N., 126, 127 Snyder, J., 192 Steinberg, S., 96 Stella, F., 153-156 Tamayo, R., 62 Tarkay, I., 128 Valloton, E., 1 Venard, C., 32 Vilaró, C., 58

Osborne, E., 198, 199 Paik, N., 166 Park, D., 78 Pfaff, J., 188 Picasso, P., 44-49 Piper, J., 197 Pissarro, L., 8 Pousette-Dart, R., 85, 86 Preheim, P., 174-175

Walker, J., 182 Warhol, A., 146-147 Wesselmann, T., 98-100 Williams, F., 70 Wolff, R., 79 Wong, T., 184 Zúñiga, F., 64

The Winter Paintings Sale Thursday, 28th November, 2013 33 Broughton Place, Edinburgh EH1 3RR EDGAR DEGAS (FRENCH 1834-1917) ANSEUSE RAJUSTANT L’EPAULETTE DE SON CORSAGE Signed with the studio stamp, charcoal on buff paper 58cm x 45cm (22.75in x 17.75in)

Estimate upon request

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com

Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

Emily Johnston Tel: +44 (0)20 7930 9115 emily.johnston@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

American Art & Pennsylvania Impressionists Auction 12/08/13 Exhibition opens Wednesday, December 4th, 2013 at 10am Alasdair Nichol 267.414.1211 anichol@freemansauction.com

FAIRFIELD PORTER (AMERICAN 1907-1975)

‘MORNING AFTER A STORM’ Signed and dated bottom left, oil on board 18 x 22 in. (45.7 x 55.9cm) $80,000-120,000

David Weiss 267.414.1214 dweiss@freemansauction.com

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14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Mon - Fri, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required.

Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com Mr. C’s Contact: Charles Cohen 267.977.9567 mrcees61@gmail.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com A. Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 mastroccomovers@snip.net Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 info@atelierartservices.com The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

v2.2013

bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE (Primary)

RESALE

COUNTRY

PHONE (Secondary)

/

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

❑

(signature required to execute your bids)

❑

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED

www.freemansauction.com 107

Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii whitney bounty tim lambert American Silver samuel ≤ free≤an ii Asian Arts richard cervantes robert waterhouse (consulting specialist) tianhan gao andrew zajack English & Continental Furniture & Decorative Arts david walker tim andreadis sarah blattner tim lambert Silver & Objet de Vertu david walker sarah blattner Fine Jewelry & Watches samuel ≤ free≤an ii madeline mccauley allia dhody natalie prusich American Art alasdair nichol david weiss andrew huber candace vivian

Prints anne henry david weiss aimee pflieger andrew huber candace vivian fred frederick European Art & Old Masters alasdair nichol david weiss andrew huber candace vivian Photographs & Photobooks aimee pflieger candace vivian fred frederick Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger candace vivian fred frederick Oriental Rugs & Tapestries richard cervantes david weiss Books, Manuscripts, Maps & Ephemera david j bloom christiana scavuzzo

officers

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter amy parenti laura cox

chair≤an samuel ≤ freeman ii

Consignments samuel h cooper james e buckley jeffery miller ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll jessica carter bethany mobbs cara bishoff marianne dages mallory malkasian lauren carpinelli Operations nathan norley herbert drayton derrick drayton gerald davis darryll byram

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss tara theune-davis chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry samuel t. freeman iii matthew wilcox thomas b mccabe iv

Finance mark beckerman karen bajczyk Business Development & ≤arketing tara theune davis melissa geller thomas b mccabe iv christopher browne susannah mcgovern

representatives colin clarke Charlottesville, VA cclarke@freemansauction.com Telephone: 434.296.4096

matthew s wilcox Mid-Atlantic mwilcox@freemansauction.com Telephone: 215.940.9825

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

william rudd Mid-West wrudd@freemansauction.com Telephone: 513.802.0090

maya o’donnell-shah Wayne, PA mshah@freemansauction.com Telephone: 610.254.9700

depart≤ents

Trusts & Estates samuel t freeman iii thomas b. mccabe iv holen miles lewis amy parenti matthew wilcox laura cox jeffrey miller Photography elizabeth field elizabeth schultz thom clark ryan buckwalter

v4.2013

Holiday Sale featuring the Collection of Vincent Smith-Durham, Hav-A-Mil House Auction 12/17/13 Including paintings and sculpture by Fritz Bultman (American, 1919-1985) and a fine selection of studio ceramics by Toshiko Takaezu (American, 1922-2011) Exhibition opens Friday, December 13 at 10am Tim Andreadis 267.414.1215 tandreadis@freemansauction.com

www.freemansauction.com

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236