European Art & Old Masters by Freeman's

European Art & Old Masters 01/28/14

Auction

Exhibitions:

Bidding:

Sale 1481

Thursday, January 23 and

Cara Bishoff

Tuesday, January 28, 2014 at 11am

Friday, January 24

267.414.1208 fax: 215.599.2240 cbishoff@freemansauction.com

10am-5pm

Inquiries: David Weiss

Saturday, January 25 12 noon-5pm

267.414.1214 dweiss@freemansauction.com

Sunday, January 26 By appointment only

Alasdair Nichol

Monday, January 27 10am-5pm

267.414.1211 anichol@freemansauction.com

Andrew Huber 267.414.1210 ahuber@freemansauction.com

Catalogue: $35 in the gallery $42 domestic mail $47 international mail

Inside Front Cover: Lot 27 (detail) Inside Back Cover: Lot 138 (detail) Color images of every lot are available at www.freemansauction.com Printing by Brilliant Studio Exton, Pennsylvania

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

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Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

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Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Old Masters Tuesday January 28, 2014 at 11am lots 1-50

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1 131610/5 ALBRECHT DÜRER (german 1471-1528) “THE ANNUNCIATION” from ‘THE LIFE OF THE VIRGIN’ After the Latin text edition of 1511. Woodcut 11 3/4 x 8 5/16 in. (29.8 x 21.1cm) [Bartsch 83] provenance: Private Collection, Princeton, New Jersey. $800-1,200

2 132505/1 ALBRECHT DÜRER (german 1471-1528) “LAST JUDGMENT” & “THE ANNUNCIATION OF THE VIRGIN” from ‘THE SMALL PASSION’ c. 1511. Woodcuts Each: 5 x 3 3/4 in. (12.7 x 9.5cm) [Bartsch 19; Bartsch 52] (2) provenance: Private Collection, Oklahoma. $1,000-1,500

3 132055/1 JEAN FRANÇOIS MILLET (french 1814-1875) “LE SEMUER” 1851. Lithograph on thin laid paper 7 7/16 x 6 1/8 in. (18.9 x 15.8cm) [Delteil 22, ii/ii] provenance: Private Collection, Philadelphia, Pennsylvania. $2,500-4,000 Opposite: lot 37 (detail)

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4 138059/13 FRANCISCO DE GOYA (spanish 1746-1828) SIX ETCHING AND AQUATINTS (later impressions) “Disparate de Carnabal,” from Los Proverbios, plate 14 [Delteil 215] “No se Puede Mirar,” from Desastres de la Guerre, plate 26 [Delteil 26] “Que Alboroto es Este?,” from Desastres de la Guerre, plate 65 [Delteil 184] “Los Moros hacen otro Capeo en Plaza con su Albornoz,” from La Tauromachie, plate 6 [Delteil 229] “Le Fameux Martincho Posant des Banderilles en Donnant le Quiebro,” from La Tauromachie, plate 15 [Delteil 238] “Temerite de Marincho dans la Place de Saragosse,” from La Tauromachie, plate 18 [Delteil 241] Various sizes. (6) provenance: Private Collection, Virginia. $1,000-1,500

5 132430/15 FOLLOWER OF MICHELANGELO (italian 1475-1564) SATYR FROM BEHIND Black chalk on paper; with Robert Mond [Lugt 2813a] collector’s mark on mat and verso 12 x 7 7/8 in. (30.5 x 20cm) provenance: Robert Ludwig Mond, London. Private Collection, Princeton, New Jersey. note: The drawing is very close in style to figures in Michelangelo’s Last Judgment fresco in the Sistine Chapel. $1,000-1,500

6 132430/17 ATTRIBUTED TO BERNARDINO BARBARELLI POCCETTI (italian 1548-1612) THE SEVEN SAINTLY FOUNDERS Pen and brown ink, brown wash heightened with white on paper 10 x 15 5/8 in. (25.4 x 39.7cm) provenance: Private Collection, Princeton, New Jersey. $1,000-1,500

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7 132430/18 ATTRIBUTED TO LUCA CAMBIASO (italian 1527-1585) AGONY IN THE GARDEN Pen and brown ink, gray wash with touches of red chalk on paper 11 5/8 x 7 5/8 in. (29.5 x 19.4cm) provenance: Private Collection, Princeton, New Jersey. $800-1,200 8 132158/3 ATTRIBUTED TO JEAN-CHARLES DELAFOSSE (french 1734-1789) ARMAMENTS Inscribed ‘La Barbier’ on mount, pen, black ink, gray wash and watercolor on paper 13 x 9 in. (33 x 22.8cm) together with: AFTER CARLO MARATTA (italian 1625-1713) MADONNA AND CHILD Pen and brown ink with brown washes on paper; with unidentified German collector’s stamp 6 11/16 x 5 3/8 in. (17 x 13.5cm) (2) provenance: Private Collection, Maryland. $1,000-1,500

9 132430/12 FRENCH SCHOOL (18th century) MOSES AND THE BRAZEN SERPENT Pen, dark grey ink & sanguine wash on paper 10 1/4 x 9 in. (26 x 22.9cm) provenance: Sotheby’s sale of January 30, 1982, lot 130. Private Collection, Princeton, New Jersey. $800-1,200

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10 132505/4 VENETIAN SCHOOL (c. 1700) AENEAS AND ANCHISES FLEEING TROY Black chalk, brown washes with remnant red chalk on paper, with: CLASSICAL HEAD STUDIES verso 10 1/4 x 15 in. (25.8 x 38cm), lunette, unframed together with: ITALIAN SCHOOL (18th century) THE BETRAYAL OF CHRIST Pen and brown ink, brown washes over black chalk 6 x 8 in. (15.2 x 20.2cm) (2) provenance: Private Collection, Oklahoma. $1,000-1,500

11 132430/13 CIRCLE OF CARLO DOLCI (italian 1616-1686) PORTRAIT OF A YOUNG MAN, POSSIBLY LORENZO DE MEDICI Red and black chalks on paper 11 1/16 x 9 1/4 (28.1 x 23.4cm) provenance: Richard Day, Bond Street, London. Purchased from the above, 1982. Private Collection, Princeton, New Jersey. $1,000-1,500

12 132497/4 TOBIAS VERHAECHT (flemish 1561-1631) FORTRESS IN A MOUNTAINOUS LANDSCAPE Pen and brown ink, brown wash on paper 7 3/4 x 10 3/8 in. (19.6 x 26.4cm) provenance: ‘Old Master Drawings’, Sotheby’s New York, January 28, 1998, lot 151. Private Collection, Massachusetts. $2,000-3,000

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13 132430/21 JOSEPH DIONYSIUS ODEVAERE (belgian 1778-1830) VIEW OF ROME WITH THE COLOSSEUM Inscribed lower left ‘au Palais des EMP: ROME 1808’ also signed and dated ‘J. Odevaere 1808’ on support, pen, brown ink, brown washes over pencil, heightened with white, two attached pieces of paper laid down to card 17 x 26 1/4 in. (43 x 66.2cm) provenance: Private Collection, Paris. Acquired from the above, November 5, 1986. Private Collection, Princeton, New Jersey. note: A similar drawing is illustrated in Denis Coekelberghs’ Les Peintres Belges À Rome De 1700 À 1830’. 1976. $1,000-1,500

14 132158/1 ADAM BUCK (british 1759-1833) PORTRAIT OF A LADY Signed and dated ‘A. Buck 1824’ bottom right, watercolor over black chalk on paper, unframed 8 x 6 3/4 in. (20.3 x 17.1cm) together with: FRENCH SCHOOL (18th century) PORTRAIT OF A LADY Red and black chalks on paper 6 3/4 x 6 1/2 in. (17.2 x 16.3cm)

together with: ENGLISH SCHOOL (18th century) SPANISH VILLAGE IN THE MOUNTAINS (MONTIJO) Pen and brown ink and wash on a faded blue paper 8 1/4 x 11 3/4 in. (20.8 x 29.6cm) (3) provenance: Private Collection, Maryland. exhibited: City Art Museum, St. Louis, Missouri, 1915. (Adam Buck). $1,000-1,500

15 132430/19 ATTRIBUTED TO CHARLES-ANTOINE COYPEL (french 1694-1752) HALF LENGTH PORTRAIT OF A SEATED WOMAN Inscribed ‘Boucher’ lower right, red chalk with traces of black and white chalks on paper 11 x 7 1/4 in. (27.9 x 18.3cm) provenance: Private Collection, Princeton, New Jersey. $800-1,200

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16 132497/3 NICOLAS LANCRET (french 1690-1743) KNEELING MAN WITH TWO SEATED WOMEN Red chalk on paper 6 11/16 x 8 1/4 in. (16.9 x 20.9cm) provenance: Private Collection, Massachusetts. $4,000-6,000

17 132430/16 ANTON RAPHAEL MENGS (german 1728-1779) STUDY FOR THE TRIUMPH OF HISTORY OVER TIME Signed ‘Mengs’ lower left, black chalk heightened with white and notes of color on blue paper 18 7/8 x 10 7/8 in. (47 x 29.8cm) provenance: Sotheby’s (n.d.) Private Collection, Princeton, New Jersey. note: This drawing is a study for Meng’s important ceiling fresco in the Vatican Library, The Triumph of History Over Time (Allegory of the Museum Clementinum) in the Camera dei Papiri, completed in 1772. For similar drawings see Steffi Roettgen’s Anton Raphael Mengs 1728-17792 vols, Munich 2003, vol 1. Kat no. 307. $2,000-3,000

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18 122038/2 MANNER OF GIOVANNI DI PAOLO (italian active circa 1420-1482) A TRIPTYCH: THE CENTRAL PANEL, VIRGIN AND CHILD WITH GOD THE FATHER ABOVE, CENTERED BY THE VIRGIN ANNUNCIATE; THE LEFT PANEL, SAINT PETER; THE RIGHT PANEL, SAINT PAUL Tempera on panel with gold ground 25 1/4 x 14 in. (64.1 x 35.6cm) (center panel) 27 7/8 x 8 1/8 in. (70.8 x 20.6cm) (left panel) 27 7/8 x 7 5/8 in. (70.8 x 19.4cm) (right panel) 27 7/8 x 32 13/16 in. (70.8 x 83.3cm) (overall, including space created between panels with later hardware) provenance: Private Collection, Pennsylvania. $3,000-5,000

19 132403/5 EGBERT VAN HEEMSKERCK THE ELDER (dutch 1634-1704) THREE MEN IN AN INTERIOR Signed with monogram and dated ‘1697’ upper left, oil on panel 6 1/2 x 5 1/2 in. (16.5 x 14cm) provenance: Private Collection, Virginia. $1,500-2,500

20 132538/2 LEIDEN SCHOOL (18th century) THE ALCHEMIST Oil on canvas 22 5/8 x 27 3/8 in. (57.5 x 69.5cm) provenance: An Estate, Rittenhouse Square, Philadelphia, Pennsylvania. $2,000-3,000

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21 132533/2 FOLLOWER OF MATHYS SCHOEVAERDTS (flemish 1665-1723) A RIVER LANDSCAPE WITH FIGURES ALONG THE SHORE AND IN BOATS Oil on canvas 11 1/4 x 16 in. (28.6 x 40.6cm) provenance: Private Collection, Washington DC. $2,000-3,000

22 132533/4 FLEMISH SCHOOL (16th century) ADAM AND EVE with: CHRIST ON THE COLUMN verso, oil on copper, unframed 9.5 x 7.5 in. (24.1 x 19.1cm) provenance: Private Collection, Washington DC $1,500-2,500

23 132329/1 CIRCLE OF FRANS FLORIS THE ELDER (flemish c. 1519-1570) JEPHTHAH KEEPS HIS VOW TO JEHOVAH Oil on cradled panel, unframed 28 5/8 x 48 3/8 in. (72.7 x 122.9cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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24 132446/4 DUTCH SCHOOL (17th century) PORTRAIT OF A LADY, PROBABLY MARGARETHA RERINCK Inscribed and dated ‘CA DN* 1620 ÆTATIS SUÆ 47’ top right, oil on wood panel 38 x 28 3/4 in. (96.5 x 73cm) provenance: Private Collection. Venduehuis der Notarissen, The Hague, November 10, 1966. Private Collection, Pennsylvania. note: We would like to thank Fred Meijer and the Rijksbureau voor Kunsthistorische Documentatie for their identification of this work. This painting is number 149631 in their online database. $2,500-4,000

25 132446/2 ANGLO FLEMISH SCHOOL (17th century) PORTRAIT OF A WOMAN Oil on canvas 46 x 37 1/2 in. (116.8 x 95.3cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

26 132541/1 MANNER OF LUCAS HORENBOUT (british c. 1490-1544) ANNE BOLEYN Oil on panel 38 x 31 in. (96.5 x 78.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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27 131652/1 ATTRIBUTED TO GASPAR VAN WITTEL (flemish c.1653-1736) THE COLOSSEUM AND THE ARCH OF CONSTANTINE Signed and located ‘Gasparo Van Witel Roma’ bottom center on column, oil on canvas 22 3/16 x 43 1/8 in. (56.4 x 109.5cm) Set within a later trumeau. provenance: Private Collection, New York, New York. By descent in the family. Private Collection, New York, New York. note: Also known as Vanvittelli, Gaspar van Wittel was the preeminent painter of 18th century Italian Veduta scenes. Briganti publishes numerous versions of this composition (G. Briganti, Gaspar Van Wittel, Milan, 1996. pp 151-155, numbers 54-60), which depicts the Colosseum from the gardens of the Friars of Santa Francesca Romana. Another version sold ‘Important Old Master Pictures’ Christie’s, London. December 16, 1996, lot 69. $25,000-40,000

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28 132252/1 CIRCLE OF OTTAVIO VANNINI (italian 1585-1643) CHRIST HEALING THE BLIND Oil on canvas 68 x 88 1/2 in. (172.7 x 224.8cm) provenance: Private Collection, New Jersey. $3,000-5,000

29 138042/25 NORTHERN ITALIAN SCHOOL (17th-18th century) DANAE Oil on canvas 33 1/4 x 47 1/4 in. (84.5 x 120cm) provenance: An Estate, Florida. $1,200-1,800

30 132292/1 FOLLOWER OF JACOPO DA PONTE BASSANO (italian c.1510-1592 ) YOUNG WOMAN OFFERING FLORAL GARLAND Oil on canvas 47 x 65 in. (119.4 x 165cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

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31 132403/2 ITALIAN SCHOOL (17th-18th century) FIGURES IN AN EXTENSIVE LANDSCAPE Oil on canvas 21 1/2 x 26 in. (54.6 x 66cm) provenance: Private Collection, Maryland. $2,000-3,000

32 131892/5 MANNER OF GIOVANNI PAOLO PANINI (italian 1691-1765) CAPRICCIO WITH FIGURES Oil on canvas 17 1/4 x 23 7/8 in. (43.8 x 60.6cm) provenance: Private Collection, New York, New York. $1,200-1,800

33 132338/6 ROMAN SCHOOL (17th-18th century) THE CONVERSION OF ST. PAUL Oil on canvas 31 7/8 x 41 7/8 in. (81 x 106.4cm) provenance: Private Collection, Florida. $1,500-2,500

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34 132336/2 FOLLOWER OF JAKOB BOGDANI (hungarian 1660-1724) PHEASANT AND MIXED FLOWERS IN A LANDSCAPE Oil on canvas laid to board 26 x 34 3/4 in. (66 x 82.3cm) provenance: Private Collection, Massachusetts. $3,000-5,000

35 132403/3 ITALIAN SCHOOL (17th century) STILL LIFE OF FLOWERS, BIRDS AND WATERMELON Oil on canvas 27 7/8 x 41 in. (70.8 x 104.1cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

36 132403/4 ITALIAN SCHOOL (18th century) STILL LIFE OF GRAPES IN A LANDSCAPE; A PAIR Pair oils on canvas Each: 19 3/8 x 27 7/8 in. (49.2 x 70.8cm) (2) provenance: Private Collection, Maryland. $3,000-5,000

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37 132446/1 ADRIAEN VAN OOLEN (dutch 1651-1694) A HEN AND CHICKS WITH A PIGEON IN A LANDSCAPE Signed ‘Adriaenus van Oolen’ bottom center right, oil on canvas 35 x 29 3/8 in. (88.9 x 74.5cm) provenance: Reverend Theodore Pitcairn, Philadelphia, Pennsyvlania. Acquired by the above in Amsterdam in the 1950’s. By descent to the present owner. ‘Old Master Paintings’ Christie’s New York. January 28, 2009, lot 252. $6,000-10,000

38 132240/4 CIRCLE OF HIERONYMOUS (DEN DANSER) JANSSENS (flemish 1639-1693) AN ELEGANT PARTY ON THE TERRACE WITH A PALACE IN THE BACKGROUND Pair oils on canvas Each: 40 3/4 x 37 in. (103.5 x 94cm) (2) provenance: Private Collection, Ohio. note: The two paintings are nearly identical to the composition of a single painting by Hieronymus Janssens. We would like to thank Fred Meijer and the Rijksbureau voor Kunsthistorische Documentatie for their identification of this work. Please see number 122952 in their online database for the painting by Janssens. $4,000-6,000

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39 132336/3 ROMAN SCHOOL (17th century) MADONNA AND CHILD Oil on canvas, unframed 32 x 28 1/4 in. (81.3 x 71.8cm) provenance: Private Collection, Massachusetts. $2,000-3,000

40 131854/3 AFTER BERNARDINO LUINI (italian 1475-1532) “VANITY AND MODESTY” Oil on canvas 27 7/8 x 30 7/8 in. (70.8 x 78.4cm) provenance: Private Collection, Delaware. $1,000-1,500

41 132494/1 FLORENTINE SCHOOL (16th century) PORTRAIT OF BLANCA CAPPELLO, GRAND DUCHESS OF TUSCANY Oil on panel 27 1/2 x 22 1/4 in. (69.9 x 56.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,500-4,000

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42 132488/2 FOLLOWER OF ANTON RAPHAEL MENGS (german 1728-1779) SALVATOR MUNDI Oil on canvas 9 x 7 3/8 in. (22.9 x 18.7cm) provenance: Private Collection, South Carolina. $1,000-1,500

43 131023/15 CONTINENTAL SCHOOL (18th century) PORTRAIT OF A LADY Oil on canvas 30 x 25 in. (76.2 x 61cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

44 132224/1 AFTER JEAN MARC NATTIER (french 1685-1766) FLORA (MARQUISE DE BAGLION) Oil on canvas 38 1/2 x 31 1/4 in. (97.8 x 79.4cm) provenance: Private Collection, Florida. note: This painting resembles Nattierâ&#x20AC;&#x2122;s masterwork The Maquise de Baglion as Flora painted in 1746 and now found in the Alte Pinakothek, Munich. $2,000-3,000

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45 138158/1 CIRCLE OF MICHIEL (CARRﾃ右) CARRE (dutch 1657-1747) CATTLE, SHEEP, GOAT AND DONKEY IN A WOODED LANDSCAPE Oil on canvas, unframed 17 3/8 x 16 in. (44.1 x 40.6cm) provenance: Private Collection, Virginia. $1,000-1,500

46 132357/2 AFTER SIR PETER PAUL RUBENS (flemish 1577-1640) INFANT CHRIST WITH JOHN THE BAPTIST AND TWO ANGELS Oil on canvas 33 1/2 x 50 in. (85.1 x 127cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

47 132217/3 ATTRIBUTED TO MICHELANGELO MAESTRI (italian died c. 1812) TRIUMPH OF LOVE Oil on canvas 12 3/4 x 18 1/2 in. (32.4 x 47cm) provenance: Private Collection, New York, New York. $1,000-1,500

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48 132510/1 NORTHERN ITALIAN SCHOOL (c. 2nd half 16th century) ALLEGORY OF POVERTY AND VENGEANCE Tempera on arch form panel, in the lunette 45 1/2 x 51 in. (115.6 x 129.5cm) In period gessoed, craved & gilded frame. provenance: Private Collection, Milan. Acquired from the above, c. 1980. Private Collection, Pennsylvania. $10,000-15,000

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49 138103/3 SPANISH COLONIAL SCHOOL (18th century) VIRGIN AND CHILD ENCIRCLED BY SCENES FROM THE LIFE OF CHRIST WITH KNEELING SAINTS Oil on canvas, unframed 47 1/2 x 35 in. (120.6 x 88.9cm) provenance: Private Collection, Virginia. $2,000-3,000

50 132497/2 FRENCH SCHOOL (18th century) PILGRIMMAGE TO THE ISLE OF CYTHERA Pair oils on canvas laid to board Each: 12 3/4 x 8 in. (30.5 x 20.3cm) (2) provenance: Private Collection, Massachusetts. $1,000-1,500

European Art Tuesday January 28, 2014 lots 51-155

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51 132354/1 SIR JOHN HOPPNER (british 1758-1810) RICHARD, FIRST LORD GROSVENOR Oil on canvas 36 x 27 1/2 in. (91.4 x 69.9cm) provenance: The Sitter. Possibly the Erle-Drax Collection, Kent. Possibly with Arthur Tooth, London, 1933. Private Collection, The Main Line, Pennsylvania. note: The sitter was a patron of Hoppner’s best friend, the essayist and poet William Gifford and supported Hoppner as well. Hoppner honored the Grosvenor patronage by naming his second child Richard Belgrave Hoppner. We would like to thank Dr. John Wilson for his authentication of this work on the basis of an electronically transmitted image as well as for his assistance in cataloguing the work. We would also like to thank Paul Cox and the National Portrait Gallery, London for their assistance with the portrait's provenance. $6,000-10,000

52 132452/1 FOLLOWER OF THOMAS LAWRENCE (british 1769-1830) FREDERICK WILLIAM HARVEY, 5TH EARL OF BRISTOL Stamped ‘306 NP’ verso, oil on canvas 50 1/2 x 40 3/8 in. (128.3 x 102.5cm) provenance: Private Collection, Washington DC. note: After the original composition in Ickworth, Suffolk. A portrait of Harvey, given to Thomas Lawrence, sold at Christie’s, March 31, 1964, lot 12. The present painting may or may not be the above referenced portrait. $2,000-3,000

Opposite: lot 73 (detail)

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53 131892/2 BRITISH SCHOOL (19th century) TWO YOUNG GIRLS Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: An Estate, Philadelphia, Pennsylvania. $2,000-3,000

54 132185/1 BRITISH SCHOOL (late 18th century) PORTRAITS OF CHILDREN Each signed with initials and dated ‘AW 1796’, pair oils on panel, oval Each: 6 5/8 x 5 3/8 in. (16.8 x 13.7cm) (2) provenance: Private Collection, New York, New York. $1,000-1,500

55 133035/29 CIRCLE OF JOHANN JOSEPH ZOFFANY (british 1733-1810) PORTRAIT OF A GENTLEMAN Oil on canvas, framed in the oval 29 5/8 x 24 5/8 in. (75.2 x 62.5cm) provenance: An Estate, Delaware. $2,000-3,000

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56 131812/2 FOLLOWER OF SIR JOHN HOPPNER (british 1758-1810) PORTRAIT OF A GENTLEMAN SAID TO BE JOHN HARVEY Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, New Jersey. $1,000-1,500

57 131812/3 MANNER OF THOMAS GAINSBOROUGH (british 1727-1788) PORTRAIT OF A LADY SAID TO BE LADY FITZGERALD Oil on canvas 29 1/8 x 24 in. (74 x 61cm) provenance: Private Collection, New Jersey. $1,000-1,500

58 132240/3 ANGLO DUTCH SCHOOL (18th century) PORTRAIT OF NOBLE BOY Oil on canvas laid to board 44 1/2 x 36 in. (113 x 91.4cm) provenance: Private Collection, Ohio. $2,000-3,000

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59 132545/2 FREDERICK GOODALL (british 1822-1904) “A BEDOUIN ENCAMPMENT NEAR SAKARA” Signed with monogram and dated ‘189*’ bottom left, also with handwritten stretcher label and London preparer’s stencil verso, oil on canvas 15 x 36 in. (38.1 x 91.4cm) provenance: Private Collection, New York, New York. $4,000-6,000

60 132456/1 HENRY PERLEE PARKER (british 1795-1873) “PAYING OFF THE SMUGGLERS” Signed ‘H.P. Parker pinx’ bottom right, oil on canvas laid to panel 24 3/4 x 19 3/8 in. (62.9 x 74.6cm) provenance: Frank S. Schwarz & Son Gallery, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. literature: ‘Philadelphia Collection XV’. Frank S. Schwarz & Son. Philadelphia. May 1982, plate 29, illustrated. $1,500-2,500

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61 132357/1 WILLIAM SHAYER THE ELDER (british 1787-1879) TRAVELLERS AT REST Signed and dated ‘WM Shayer 1887’ on rock center left; with unidentified label verso, oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

62 132351/6 DANIEL SHERRIN (british 1868-1940) ALONG THE CANAL Signed ‘D. Sherrin’ bottom left, oil on canvas 24 1/2 x 36 in. (62.2 x 91.4cm) provenance: Private Collection, Ohio. $1,000-1,500

63 132421/1 ALFRED AUGUSTUS GLENDENING SR. (british 1840-1910) “STRATFORD-ON-AVON” Signed and dated ‘A.A. Glendening 01’ bottom right, oil on canvas 18 1/4 x 15 1/4 in. (46.4 x 38.7cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

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64 132213/1 CHARLES JOHNSON PAYNE (SNAFFLES) (british 1884-1967) “GOT HIM BATE” Signed ‘Snaffles’ lower left, watercolor on paper Sight size: 11 3/4 x 12 1/4 (29.8 x 31.1cm) provenance: Malcolm Innes Gallery, Edinburgh. Private Collection, Pennsylvania. $1,000-1,500

65 132487/7 ATTRIBUTED TO JOHN MARTIN (british 1789-1854) BEFORE THE TEMPLE Watercolor over traces of pencil on paper 9 3/4 x 13 9/16 in. (24.8 x 34.4cm) provenance: Appleby Brothers, London. Private Collection, Scotland. $2,000-3,000

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66 132217/2 GEORGE ARMFIELD (british c. 1808-1893) A PICNIC WITH THE DOGS Signed and dated ‘G. Armfield 1873’ bottom right, oil on canvas 14 1/2 x 17 1/2 in. (36.8 x 44.5cm) provenance: Private Collection, New York, New York. $1,000-1,500

67 132411/2 JOHN CHARLES MAGGS (british 1819-1895) THE BATH-LONDON MAIL COACH, WINTER Signed, located and dated ‘’J C Maggs / Bath 1882’ bottom left, oil on canvas 24 1/4 x 36 in. (61.6 x 91.4cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $2,500-4,000

68 132411/1 JOHN CHARLES MAGGS (british 1819-1895) “THE LIVERPOOL LONDON ROYAL MAIL” Signed, located and dated ‘J C Maggs/Bath 1878’ bottom right, oil on canvas 25 1/4 x 30 in. (64.1 x 76.2cm) provenance: Property from Ditchley, the Colonial house formerly the Virginia seat of Jessie Ball and Alfred I. DuPont. $2,500-4,000

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69 131825/1 CHARLES JOHN DE LACY (british 1856-1936) BOATS IN HARBOR Signed ‘C.J. de Lacy’ bottom left, oil on canvas 17 7/8 x 32 in. (45.4 x 81.3cm) provenance: Private Collection, Florida. $1,200-1,800

70 131825/2 THOMAS ROSE MILES (british fl. 1869-1910) ROUGH SEAS Signed ‘T. R. Miles’ bottom left, oil on canvas 24 x 42 in. (61 x 106.7cm) provenance: Private Collection, Florida. $1,500-2,500

71 131825/3 E. DE LACY BARNETT (british 19th - 20th century) “A RAMSGATE TRAWLER” Signed and dated ‘E. De Lacy Barnett 1904’ bottom left; with Royal Academy London exhibition label verso, oil on canvas 12 x 24 in. (30.5 x 61cm) provenance: Private Collection, Florida. $1,200-1,800

72 132325/2 BRITISH SCHOOL (early 19th century) “MAN-O-WAR SHIPPING IN A BREEZE” Oil on canvas; with two Frost & Reed gallery labels verso 20 x 28 in. (50.8 x 71.1cm) provenance: Frost & Reed, London. Private Collection, Haverford, Pennsylvania. $3,000-5,000

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73 132466/1 MONTAGUE DAWSON (british 1890-1973) “NEARING HOME; THE HELICON” Signed ‘Montague Dawson’ bottom left; also titled and inscribed verso, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $40,000-60,000

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74 138060/2 EDWARD BURNE-JONES (british 1833-1898) PSYCHE Signed with initials and dated ‘EBJ 1896’ lower right, gouache and gold chalk on paper 13 7/8 x 8 5/16 in. (35.2 x 21.1cm) provenance: Private Collection, Virginia. note: The present work is a study of Psyche for The Wedding of Psyche, a larger composition that was completed in 1896 and now resides in the collection of the Musées Royaux des Beaux-Arts Belgique in Brussels. We would like to thank Dr. Elisa Korb for her assistance in cataloguing this work. $10,000-15,000

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75 132423/1 EDOUARD MANET (french 1832-1883) “CHAT ET SON OMBRE” Signed ‘E. Manet’ lower right, pen and ink heightened with blue and brown wash on paper 4 11/16 x 2 3/4 in. (12 x 7cm) c. 1880. [Wildenstein 622] provenance: Nicolas Makeev, Paris. The Wright Family, New Jersey. Acquired from the above, 1973. Private Collection, New Jersey. exhibited: Ecole des Beaux-Arts, Paris, 1884, no.179 as “Cadre” (part of a larger group of works framed together). literature: Étienee Moreau-Nélaton, Manet: Raconté Par Lui-Meme. Henri Laurens, Paris. 1926. no. 179, Fig. 353 (as “Cadre”). Adolphe Tabarant, Manet: Et Ses Oeuvres. Gallimard. 1947. pg 393, no. 651 (illus). Alain De Leiris, The Drawings of Edouard Manet. University of California Press. 1969. no 554. Denis Rouart & Daniel Wildenstein, Edouard Manet: Catalogue Raisonné. La Bibliothèque Des Arts, Lausanne-Paris. Tome II, 1975. pp 220-221, no. 622 (illus). Juliet Wilson-Bareau, Division and Revision: Manet’s Reichschoffen Revealed. Paul Holberton Publishing, London. 2008. pp 54; 85. no. 37, fig. 41. (as “Cadre”). note: It has been suggested that the present work was framed with eleven other works on paper to form the work known only as "Cadre," lent by Alphonse Dumas to the Manet memorial exhibition at the Ecole des Beaux-Arts in 1884. The piece was captured in a photograph by Jules-Michel Godet. "Chat Et Son Ombre" is believed to have been in the bottom center register, furthest to the right. $12,000-18,000

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76 132327/2 PAUL CÉSAR HELLEU (french 1859-1927) PORTRAIT OF A LADY SAID TO BE MADAME SINGER Signed ‘Helleu’ lower left, titled verso, charcoal and colored chalk on paper 30 1/8 x 23 in. (76.5 x 58.4cm) provenance: Private Collection, Pennsylvania. $10,000-15,000

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77 132314/2 JEAN JACQUES HENNER (french 1829-1905) MYSTERIOUS WOMAN Signed ‘JJ HENNER” center left; with Julius O*HME, New York gallery label verso, oil on canvas 16 1/2 x 13 1/2 in. (41.9 x 34.3cm) provenance: Julius O*hme Gallery, New York, New York. Private Collection, Washington DC. $1,000-1,500

78 131812/4 JEAN JACQUES HENNER (french 1829-1905) AUBURN BEAUTY Signed ‘JJ Henner’ top right, oil on canvas 13 x 9 1/2 in. (33 x 24.1cm) provenance: Private Collection, New Jersey. $1,000-1,500

79 131812/5 JEAN JACQUES HENNER (french 1829-1905) YOUNG WOMAN IN PROFILE Signed ‘HENNER’ bottom center left, oil on panel 10 5/8 x 8 1/2 in. (27 x 21.6cm) provenance: G. Blair Lang, Ltd. Toronto, Ontario. Private Collection, New Jersey. $1,000-1,500

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80 132433/1 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) LA VALLÉE DE L’OISE Signed ‘Daubigny’ bottom right, oil on cradled panel 17 9/16 x 26 15/16 in. (44.6 x 68.4cm) provenance: Private Collection, New York, New York. $12,000-18,000

81 131739/2 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) PAYSAGE Signed ‘C. Daubigny’ bottom right, oil on paper laid to board 7 3/4 x 15 3/4 in. (19.7 x 40cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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82 132406/1 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) LAVANDIERES, ILE DE VAUX Signed ‘Daubigny’ bottom left, oil on panel 7 1/2 x 15 1/8 in. (19.1 x 38.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

83 132336/1 JULES DUPRÉ (french 1811-1889) COTTAGE BY THE SEA Signed ‘Jules Dupre’ bottom left, oil on canvas 13 x 16 in. (33 x 40.6cm) provenance: Estate of Mrs. Harold S. Greenan, Boston, Massachusetts & Landaff, New Hampshire. Private Collection, Massachusetts. $2,500-4,000

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84 132336/4 GEORGES LAUGÉE (french 1853-1937) BEARING THE HARVEST Signed ‘Georges Laugée’ bottom left, oil on canvas 24 x 32 in. (61 x 81.3cm) provenance: Estate of Mrs. Harold S. Greenan, Boston, Massachusetts & Landaff, New Hampshire. Private Collection, Massachusetts. $10,000-15,000

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85 131618/345 CESARE MACCARI (italian 1840-1919) “MUSIC HATH CHARMS” Signed, inscribed and dated ‘MACCARI ROMA 1876’ top right, inscribed with title on stretcher verso, inscribed on label verso, oil on canvas 44 3/4 X 35 3/4 in. (113.7 X 90.8 cm). With a companion. (2) provenance: Private Collection, Pennsylvania. ‘Fine American & European Paintings.’ Freeman’s, Philadelphia. June 23, 2002, lot 13. The Collection of Robert and Barbara Safford, Vaux Hill. $10,000-15,000

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86 131984/1 HERMAN FREDERIK CAREL TEN KATE (dutch 1822-1891) TAVERN BRAWL Signed ‘Herman ten Kate ft.’ bottom left, oil on panel 17 1/2 x 25 1/2 in. (44.5 x 64.8cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. By descent in the family. Private Collection, North Carolina. $5,000-8,000

87 131984/2 HERMAN FREDERIK CAREL TEN KATE (dutch 1822-1891) A DRINK FOR THE CAVALIERS Signed ‘Herman ten Kate ft.’ bottom right, oil on panel 11 7/16 x 15 15/16 in. (29.1 x 40.5cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. By descent in the family. Private Collection, North Carolina. $1,500-2,500

88 132544/1 CORNELIS KOPPENOL (dutch 1865-1946) MATERNAL CARES Signed ‘C. Koppenol’ bottom right, oil on canvas 32 x 39 3/4 in. (81.3 x 101cm) provenance: Private Collection, New York, New York. $2,000-3,000

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89 132336/8 CHARLES LOUIS KRATKE (french 1848-1921) COURTING SCENE Signed and dated ‘C. KRATKÉ 1878’ bottom left, oil on panel, 10 5/8 x 8 1/2 in. (27 x 21.6cm) provenance: Private Collection, Massachusetts. $2,000-3,000

90 132224/3 EMIL RAU (german 1853-1937) ENTERTAINED IN THE TAVERN Signed, located and dated ‘E. Rau Munchen 1900’ bottom left, oil on canvas 39 x 31 1/2 in. (99.1 x 80cm) provenance: Private Collection, Florida. $2,000-3,000

91 131812/6 CONTINENTAL SCHOOL (19th century) CONCERTO Oil on canvas 18 1/4 x 18 3/8 in. (46.4 x 46.7cm) provenance: Private Collection, New Jersey. $1,000-1,500

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92 131164/8 CESARE AUGUSTE DETTI (italian 1847-1914) NEWS FROM HOME Signed ‘C. Detti’ lower left, oil on canvas 16 1/4 x 10 3/8 in. (41.3 x 26.4cm) provenance: Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,000-1,500

93 138042/27 LAVAILLE DE LAMEILLERE (french 19th century) THE GENTLEMAN’S PROPOSAL Signed and dated ‘L de Lameillere 1884’ lower right, oil on canvas 32 x 23 in. (81.3 x 58.4cm) provenance: An Estate, Florida. $3,000-5,000

94 131164/13 FRANÇOIS NICOLAS AUGUSTIN FEYEN-PERRIN (french 1826-1888) FRUITS DE MER Signed ‘Feyen-Perrin’ bottom left, oil on canvas 27 3/8 x 35 in. (67.7 x 88.8cm) provenance: Freeman’s sale of American & European Paintings, June 4, 2000, lot 26. Estate of Ann B. Ritt, Haverford, Pennsylvania & Scottsdale, Arizona. $1,000-1,500

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95 132534/1 ANSELMO GIANFANTI (italian 1857-1903) “LA GOURMANDISE” Signed in ligature ‘A. Gianfanti’ bottom right; inscribed ‘property of Shirley Mason’ on stretcher verso, oil on canvas 56 x 44 in. (142 x 112cm) provenance: Briest, Scp. Sale of March 21, 1990, lot 129. ‘Nineteenth Century European Art,’ Christie’s, New York. May 1, 2000, lot 70. Private Collection, New Jersey. $20,000-30,000

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96 132336/6 GIUSEPPE COSTANTINI (italian 1844-1894) AN IMPROMPTU CONCERT Signed ‘G. Costantini’ bottom right, oil on panel 11 5/8 x 14 3/4 in. (29.5 x 37.5cm) provenance: Private Collection, Massachusetts. $2,000-3,000

98 131827/2 (ALFRED LOUIS VIGNY) JACOMIN (french 1842-1913) FAUST AND MEPHISTOPHELES Signed and dated ‘A. Jacomin 1869’ bottom left, oil on canvas laid to board 39 x 31 in. (99.1 x 78.7cm) provenance: Private Collection, New York. $5,000-8,000

97 131827/1 GIOVANNI SANDRUCCI (italian 1828-1897) DELIVERING THE NEWS Signed ‘G. Sandrucci’ bottom left, oil on canvas 32 3/4 x 43 1/2 in. (83.2 x 110.5cm) provenance: Private Collection, New York. $2,000-3,000

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99 132488/1 MAX NONNENBRUCH (german 1857-1922) YOUNG BEAUTY Signed, located and dated ‘M. Nonnenbruch. Munchen. 1920’ bottom left, oil on canvas 43 1/4 x 27 9/16 in. (109.9 x 70cm) provenance: Adrian Brugger, Munich. Private Collection, South America, c. 1940. By descent in the family. Private Collection, South Carolina. $15,000-25,000

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100 132486/1 ANDREA LANDINI (italian 1847-1935) THE CARDINAL’S CATCH Signed ‘A. Landini’ bottom left, oil on cradled panel 18 1/4 x 15 in. (46.4 x 38.1cm) provenance: John Krol, Cardinal of Philadelphia. Private Collection, Cincinnati, Ohio. $15,000-25,000

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101 132536/1 GIULIO ROSATI (italian 1858-1917) A GAME OF BACKGAMMON Signed ‘Guilio Rosati’ upper left, watercolor on card 20 15/16 x 14 1/2 in. (53.2 x 36.8cm) provenance: Private Collection, Delaware. $6,000-10,000

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102 132534/3 JOSEPH (JEF) LEEMPOELS (belgian 1867-1935) “A MORNING MISSIVE” Signed ‘Jef Leempoels’ bottom left, oil on canvas 51 1/2 x 44 in. (130.7 x 111.8cm) provenance: ‘Nineteenth Century European Art,’ Christies, New York. May 1, 2000, lot 92. Private Collection, New Jersey. $15,000-25,000

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104 132349/2 JOHN FRANK KELLY (irish 1885-1958) “THE VIOLINIST” Signed and dated ‘John F. Kelly 1942’ bottom right, oil on panel 20 x 16 in. (50.8 x 40.6cm) provenance: Scottish Art Heritage, Glasgow, Scotland. Purchased from the above October, 1994. Private Collection, New York, New York. $1,500-2,500

103 132534/2 MARIA (PHILIPS-WEBER) WEBER (german c.1845-c.1942) “A LULL IN THE BALLET” Signed ‘M. Weber’ bottom right, oil on canvas 26 x 35 1/2 in. (66 x 90cm) provenance: Kurt E. Schon, New Orleans, Louisiana, 1993. ‘Nineteenth Century European Art,’ Christies, New York. May 1, 2000, lot 100. Private Collection, New Jersey. $5,000-8,000

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105 132321/6 CONTINENTAL SCHOOL (19th century) FULL LENGTH PORTRAIT OF A LADY IN A GOWN Signed indistinctly top right, oil on canvas 46 1/4 x 26 1/4 in. (117.5 x 66.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

107 138112/1 CONTINENTAL SCHOOL (19th century) PORTRAIT OF CHRISTINE BOYER Signed ‘DAVID’ bottom right, oil on canvas 39 1/2 x 29 1/4 in. (100.3 x 74.9cm) provenance: Private Collection, Virginia. $1,000-1,500

106 132453/1 CONTINENTAL SCHOOL (19th century) PORTRAIT OF A WOMAN Signed and dated ‘JM 1875’ bottom right, oil on board 24 1/4 x 17 in. (61.6 x 43.2cm) provenance: Schwarz Gallery, Philadelphia, Pennsylvania. Acquired from the above, 2000. Private Collection, Philadelphia, Pennsylvania. literature: ‘Philadelphia Collects LXVII’ Schwarz Gallery, Philadelphia. Plate 28. $1,000-1,500

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108 132456/5 JAN JACOB COENRAAD SPOHLER (dutch 1837-1923) WINTER SKATING SCENE Signed ‘JJC Spohler’ bottom right, oil on canvas 17 x 26 1/2 in. (43.2 x 67.3cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. literature: 'Philadelphia Collections XV,' Frank S. Schwarz & Son, Philadelphia. May 1982, plate 9 (illus). $4,000-6,000

109 132287/2 PIETER GERARDUS VERTIN (dutch 1819-1893) ENTRANCE TO ENKHUIZEN FROM THE SEASIDE Signed ‘P.G. Vertin f. 1856’ bottom left, oil on canvas 21 x 27 7/8 in. (53.3 x 70.8cm) provenance: Acquired in Amsterdam, late 1940s. Private Collection. By descent in the family. Private Collection, Pennsylvania. $2,000-3,000

110 132287/1 PIETER GERARDUS VERTIN (dutch 1819-1893) ENKHUIZEN IN SNOW Signed and dated ‘P.G. Vertin 1855’ bottom right, oil on canvas 20 1/2 x 27 7/8 in. (52.1 x 70.8cm) provenance: Acquired in Amsterdam, late 1940s. Private Collection. By descent in the family. Private Collection, Pennsylvania. $2,000-3,000

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111 131892/6 E. DUCAT (continental 19th century) CHILDREN IN SNOW Signed ‘E. Ducat’ bottom left, and stamped ‘Rob’t Fullerton Art Dealer’ verso, oil on canvas 13 1/2 x 17 5/8 in. (34.3 x 44.8cm) provenance: Private Collection, New York, New York. $1,000-1,500

112 132456/6 ALEXANDRE-LOUIS LELOIR (french 1843-1884) THE LUTE PLAYER Signed and dated ‘Louis Leloir 1872’ bottom right, oil on canvas 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

113 131826/1 JOHANN WILHELM LINDLAR (german 1816-1896) VILLAGE IN WINTER Signed ‘JW Lindlar’ bottom right, oil on canvas 35 3/4 x 43 1/2 in. (90.8 x 110.5cm) provenance: Guido Marx, the former mayor of Toledo, Ohio (by repute). Private Collection, Ohio. $3,000-5,000

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114 131812/11 HENDRIK BAREND KOEKKOEK (dutch 1849-c. 1885) FISHERFOLK ALONG THE SHORE Signed ‘H.B. Koekkoek’ bottom left, oil on panel 13 5/8 x 20 1/8 in. (34.6 x 51.1cm) provenance: Private Collection, New Jersey. $1,200-1,800

115 132533/3 JACQUES FRANÇOIS CARABAIN (belgian 1834-1933) A VIEW OF THE DANUBE Signed ‘J. Carabain’ bottom left; also inscribed verso, oil on panel 7 1/4 x 9 3/8 in. (18.4 x 23.8cm) provenance: Private Collection, Washington DC. $1,200-1,800

116 138135/1 ULPIANO CHECA SANZ (spanish 1860-1916) VIEW OF THE ARC DE TRIOMPHE Signed ‘U. Checa’ bottom left, oil on panel 10 x 16 1/16 in. (25.4 x 40.6cm) provenance: Private Collection, Virginia. $2,000-3,000

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117 132361/1 JEAN FERDINAND MONCHABLON (french 1854-1904) QUIET DAY IN THE VILLAGE Signed and dated ‘Jean Monchablon 1888’ bottom right; also inscribed ‘CE XXXII’ bottom right, oil on canvas 15 x 22 in. (38.1 x 55.9cm) provenance: Private Collection, New York, New York. By descent in the family. Private Collection, Boston, Massachusetts. $3,000-5,000

118 132545/1 ERNEST DE LANDERSET (french 1832-1907) GATHERING FLOWERS Signed and dated ‘DE LANDERSET 18**’ bottom left; also indistinctly inscribed and dated ‘1875’ bottom right, pastel on paper laid to canvas 39 1/8 x 31 3/4 in. (99.4 x 80.6cm) provenance: Private Collection, New York, New York. $2,500-4,000

119 1380104/4 ALFRED VICTOR FOURNIER (french 1872-1924) SEDAN CHAIR RIDE Signed ‘Alfred Victor Fournier’ bottom left, oil on canvas 18 x 15 in. (45.7 x 38.1cm) provenance: Private Collection, Florida. $1,500-2,500

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120 132456/4 ARMAND GUILLAUMIN (french 1841-1927) “ROCHERS SUR LA COTE MÉDITERRANÉENNE” Signed 'Guillaumin' bottom right; also with 'M. Charles Durand-Ruel' label and two unidentified gallery labels attached verso, oil on canvas 18 x 21 1/2 in. (45.7 x 54.6cm) c. 1915 provenance: M. Charles Durand-Ruel, Paris. Private Collection, Philadelphia, Pennsylvania. $12,000-18,000

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121 132336/7 ANTHONIE JACOBUS VAN WIJNGAERDT (dutch 1808-1887) COWS IN A MEADOW Signed ‘AJ v Wijngaerdt fe’ bottom right, oil on panel 7 7/8 x 13 3/8 in. (20 x 34cm) provenance: Private Collection, Massachusetts. $2,500-4,000

122 138172/3 WILLIAM RAYMOND DOMMERSEN (dutch active 1850-1927) PEASANTS ON A ROAD ALONG THE COAST Signed ‘W. Dommersen’ bottom right; located ‘Modena Italy’ verso, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, Virginia. $1,000-1,500

123 132336/5 FRANÇOIS HENRI NAZON (french 1821-1902) FIGURES ON A HILLSIDE Signed ‘Nazon’ bottom left, oil on canvas 13 x 21 1/2 in. (33 x 54.6cm) provenance: Doll and Richards, Boston, Massachusetts. Private Collection, Massachusetts. $2,500-4,000

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124 132224/2 WILLIAM DIDIER POUGET (french 1864-1959) “BRUYÈRES EN FLEURS” Signed ‘Didier-Pouget’ bottom right; titled verso, oil on canvas 36 x 29 in. (91.4 x 73.7cm) provenance: Private Collection, Florida. $1,000-1,500

125 132036/3 JULES DIDIER (french 1831-1892) “AMAZONE ET LA CAVALIER EN LA CHASSE” Signed ‘Jules Didier’ bottom left, oil on canvas 22 x 18 1/4 in. (55.9 x 46.4cm) provenance: ‘The House Sale,’ Christie’s New York. December 20, 2006, lot 56. Private Collection, Massachusetts. $2,000-3,000

126 131763/4 MARIE DIETERLE (french 1856-1935) COWS WATERING Signed, located and dated ‘M.E. Dieterle, Paris, 9*’ bottom right, oil on canvas 22 x 30 in. (55.9 x 76.2cm) provenance: Private Collection, Washington DC. $1,500-2,500

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127 132456/3 ALBERT RAOUX (french 19th century) FLORAL STILL LIFE Indistinctly signed bottom center left, oil on canvas laid to board 38 1/2 x 31 in. (97.8 x 78.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

128 132469/1 JAKOB LEHNEN (german 1803-1847) “STILL LIFE WITH HARE AND GAME BIRD” Signed in ligature and dated ‘18 JHehlen 39’ bottom right; also inscribed and located ‘M. Rodert Guersnel’ ‘J. Lehnen’ and ‘Dusseldorf’ on stretcher verso, oil on canvas 28 x 22 3/4 in. (71 x 57.8cm) In original Biedermeier frame. provenance: Private Collection, Greenwich, Connecticut. $5,000-8,000

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129 132295/2 MANTOVANI (italian 19th century) ROOSTERS AND DUCKS IN FARMYARD Signed, located and dated ‘Mantovani Roma 18*9’ bottom left, oil on canvas 50.5 x 73.5 in. (128.3 x 186.7cm) provenance: Private Collection, New Jersey. $4,000-6,000

130 132300/1 ANTOINE VOLLON (french 1833-1900) TABLETOP STILL LIFE Signed ‘Vollon’ bottom right, oil on canvas 21 3/4 x 18 3/16 in. (55.2 x 46.2cm) provenance: Private Collection, New Jersey. $4,000-6,000

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131 132224/4 RAOUL MAUCHERAT DE LONGPRÉ (french 1855-1911) ROSES Signed ‘Raoul M. de Longpre fils’ bottom right, gouache Sight Size: 28 1/4 x 36 3/8 in. (71.8 x 92.4cm) provenance: Private Collection, Florida. $2,000-3,000

132 131739/3 LOUIS ROBERT CARRIERBELLEUSE (french 1848-1913) LOOKING OUT TO SHORE Signed ‘Louis Carrier Belleuse’ bottom center right along top rail, oil on canvas 19 7/8 x 28 7/8 in. (50.3 x 73.3cm) provenance: Private Collection, Pennsylvania. $1,200-1,800

133 132533/5 JOHANN GEORG MEYER VON BREMEN (german 1813-1886) YOUNG GIRL AT THE WELL Signed and dated ‘Meyer von Bremen 1843’ bottom left, oil on panel 6 3/8 x 4 3/4 in. (16.2 x 12.1cm) provenance: Private Collection, Washington DC $1,000-1,500

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134 132534/4 FRANZ LEFFLER (czech 1831-1898) AN ALLEGORY OF THE ARTS Signed ‘F. Leffler’ bottom right, oil on canvas 37 3/4 x 49 1/2 in. (95.9 x 125.7cm) provenance: ‘19th Century European Paintings, Drawings and Watercolors.’ Christie’s New York. February 28, 1991, lot 68 (one of a pair). Private Collection, New Jersey. $3,000-5,000

135 132534/5 FRANZ LEFFLER (czech 1831-1898) CHERUBS AT PLAY Signed ‘F. Leffler’ bottom right, oil on canvas 37 3/4 x 49 1/2 in. (95.9 x 125.7cm) provenance: ‘19th Century European Paintings, Drawings and Watercolors.’ Christie’s New York. February 28, 1991, lot 68 (one of a pair). Private Collection, New Jersey. $3,000-5,000

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136 131812/1 RAIMUNDO DE MADRAZO Y GARRETA (spanish 1841-1920) PORTRAIT OF A LADY Signed ‘R. Madrazo’ top left; with Julius Lowy, NY label verso, oil on cradled panel 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, New Jersey. $10,000-15,000

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137 132403/1 RAIMUNDO DE MADRAZO Y GARRETA (spanish 1841-1920) ELEGANT LADY Signed ‘Madrazo’ lower right; painted in the oval, oil on canvas 32 x 28 in. (81.3 x 71.1cm) provenance: Private Collection, Maryland. $3,000-5,000

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138 132391/2 JOSEF VON BRANDT (polish 1841-1915) ON THE LOOKOUT Signed, dated and located ‘Jozef Brandt 1881 Warszawy Monachium’ bottom left; with Parrish Art Museum label (detached), oil on canvas 39 3/8 x 35 in. (100 x 88.9cm) provenance: The Estate of Ernestyna Schenker, New York, New York. $70,000-100,000

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139 132391/4 JULIAN FALAT (polish 1853-1929) ON THE HUNT Signed and located 'J. Falat Bystra' bottom left; with an exhibition and an unidentified label verso, oil on board 23 1/2 x 57 1/4 in. (59.7 x 145.4cm) provenance: The Estate of Ernestyna Schenker, New York, New York. exhibited: 'Artists in Krakow,' Polish Art Society, (n.d.) $12,000-18,000

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140 132391/3 ROMAIN KRAMSTYK (polish 1885-1942) GENTLEMAN FEASTING ON SHELLFISH Signed ‘Kramstyk’ top right, with: ‘DOG STUDY’ verso, oil on canvas 33 x 23 in. (83.8 x 58.4cm) provenance: The Estate of Ernestyna Schenker, New York, New York. $20,000-30,000

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141 132456/2 ANTON KOZAKIEWICZ (polish 1841-1929) HUNTERS IN WINTER Signed ‘A. Kozakiewicz’ and indistinctly inscribed and dated ‘1872 (?)’ bottom left, oil on canvas 19 x 23 in. (48.3 x 58.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

142 132391/5 CONTINENTAL SCHOOL (19th century) FISHERMAN Signed indistinctly bottom right, oil on canvas 33 3/4 x 21 1/4 in. (85.7 x 54cm) provenance: The Estate of Ernestyna Schenker, New York, New York. $2,000-3,000

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143 131812/9 JAN HOYNCK VAN PAPENDRECHT (dutch 1858-1933) CAVALRY PROCESSION Signed ‘J Hoynck Van Papendrecht’ bottom left, oil on canvas 25 3/8 x 39 3/8 in. (64.4 x 100cm) provenance: Private Collection, New Jersey. $6,000-10,000

144 132285/1 WOICIECH (ALDABERT) RITTER VON KOSSAK (polish 1857-1942) HORSEMAN WITH TRAVELERS Signed ‘Wojciech Kossak’ bottom left, oil on board 11 3/8 x 19 in. (28.9 x 48.3cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

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145 131712/1 PETR IVANOVICH PETROVICHEV (russian 1874-1947) AUTUMN LANDSCAPE Signed in Cyrillic and dated 1922(?) bottom right, oil on canvas laid to board 21 x 31 5/8 in.(53.3 x 80.3cm) provenance: Purchased in Moscow in 1934. John Finley Williamson and Rhea Parlette Williamson, Princeton, New Jersey. By descent in the family. Private Collection, Tennessee. note: This painting was purchased by John Finley Williamson and Rhea Parlette Williamson, co-founders of the Westminster Choir College, Princeton, while the choir was on their second European tour in 1934, invited by the government of the Soviet Union. $5,000-8,000

146 131712/2 KONSTANTIN YAKOVLEVICH KRYZHITSKY (ukrainian 1858-1911) FOOTSTEPS TO THE BOAT Signed in Cyrillic, dated ‘89’ and inscribed ‘A.A. BMMB.’ bottom right, oil on board 9 3/4 x 7 3/4 in. (24.8 x 19.7cm) provenance: Purchased in Moscow in 1934. John Finley Williamson and Rhea Parlette Williamson, Princeton, New Jersey. By descent in the family. Private Collection, Tennessee. note: This painting was purchased by John Finley Williamson and Rhea Parlette Williamson, co-founders of the Westminster Choir College, Princeton, while the choir was on their second European tour in 1934, invited by the government of the Soviet Union. $2,000-3,000

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147 132270/1 ANDRÁS MARKÓ (austrian 1824-1895) SHEPHERD BOY LEADING THE HERD Signed and dated ‘Andras Marko 1881’ bottom left, oil on canvas 45 1/2 x 33 in. (115 x 83.8cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

148 132013/1 OTTO EDUARD PIPPEL (german 1878-1960) FIGURES AT LEISURE Signed ‘Otto Pippel’ bottom right; also signed and inscribed ‘Ausflug der Kunstler’ verso, oil on canvas 24 5/8 x 19 7/8 in. (62.5 x 50.5cm) provenance: Private Collection, New Jersey. By desecent in the family. Private Collection, New Jersey. $4,000-6,000

149 132013/2 OTTO EDUARD PIPPEL (german 1878-1960) PIANO BY CANDLELIGHT Signed and dated ‘Otto Pippel 41’ bottom right; inscribed ‘Prof Fischer in Schloss’ on stretcher verso, oil on canvas 23 7/8 x 19 in. (60.6 x 48.3cm) provenance: Private Collection, New Jersey. By descent in the family. Private Collection, New Jersey. $3,000-5,000

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150 131988/61 CHARLES CLEMENT FRANCIS PERRON (french 1893-1958) “LE POT BLEU” Signed ‘C. Perron’ bottom right; unidentified gallery label verso, oil on board 5 1/2 x 7 1/4 in. (14 x 18.4cm) provenance: Private Collection, New York, New York. $1,200-1,800

151 132419/1 LUCIEN ADRION (french 1889-1953) “OLYMPIC MARATHON 1924” Signed ‘Adrion’ bottom right; also inscribed ‘Adrion’ on stretcher verso, oil on canvas 25 1/2 x 32 in. (64.8 x 81.3cm) provenance: An Estate, New Jersey. $1,500-2,500

152 132027/1 LUIGI PAOLILLO (italian 1864-1934) SUNSET ON THE LAKE Signed ‘L. Paolillo’ bottom right, oil on canvas 28 x 36 in. (71.1 x 91.4cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

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153 131812/10 DIETZ EDZARD (german 1893-1963) “PLACE DE LA CONCORDE” Signed ‘D. Edzard’ bottom right; also signed and titled verso, oil on canvas 23 5/8 x 36 1/4 in. (60 x 92.1cm) provenance: Private Collection, New Jersey. $1,500-2,500

154 132203/8 RENÉ CHARLES EDMOND HIS (french 1877-1960) WATER LILLIES IN A STREAM Signed ‘E. Rene His’ bottom left, oil on canvas 32 x 46 in. (81.3 x 116.8cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

155 132365/1 HUGHES CLAUDE PISSARRO (french b. 1935) “LE HAMEAU DU PONT” Signed ‘H. Claude Pissarro’ bottom right, also inscribed ‘H. Claude Pissarro le petit fils’ and titled verso, oil on canvas 25 1/2 x 32 in. (64.8 x 81.3cm) provenance: Acquired in Chicago, 1990. Private Collection, Philadelphia, Pennsylvania. $8,000-12,000 END OF SALE

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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Index Adrion, L., 151 Anglo Dutch School, 58 Anglo Flemish School, 25 Armfield, G., 66 Bassano, J.D.P., 30 Bogdani, J., 34 British School, 53, 54, 72 Buck, A., 14 Burne-Jones, E.C., 74 Cambiaso, L., 7 Carabain, J.F., 115 Carre, M., 45 Carrier-Belleuse, L.R., 131 Checa Sanz, U., 116 Continental School, 43, 91, 105, 107, 142 Costantini,G., 96 Coypel, C.A., 15 Daubigny, C.F., 80, 81, 82 Dawson, M. 73 Delafosse, J.C., 8 de Lacy, C.J., 69 de Lacy Barnett, E., 71 de Lameillere, L., 93 de Landerset, E., 118 de Longpre, R.M., 131 de Madrazo Y Garreta, R., 136, 137 Detti, C.A., 92 Didier, J., 125 Dieterle, M., 126 Di Paolo, G. 18 Dolci, C., 11 Dommersen, W.R., 122 Ducat, E., 111 Dupré, J., 83 Dürer, A., 1, 2 Dutch School, 24 Edzard, D., 153 English School, 14 Falat, J., 139 Feyen-Perrin, F.N.A., 94

Flemish School, 22 Florentine School, 41 Floris The Elder, F., 23 Fournier, A.V., 119 French School, 9, 14, 50, 106 Gainsborough, T. 57 Gianfanti, A., 95 Glendening Sr., A.A., 63 Goodall, F., 59 Goya, F.D., 4 Guillaumin, A. 120 Helleu, P.C., 76 Henner, J.J., 77, 78, 79 His, R.C.E., 154 Hoppner, J., 51, 56 Horenbout, L., 26

Maestri, M., 47 Maggs, J.C., 67, 68 Manet, E., 75 Mantovani, 129 Maratta, C., 8 Markó , A., 147 Martin, J. 65 Mengs, A.R., 17, 42 Michelangelo, 5 Miles, T.R., 70 Millet, J.F., 3 Monchablon, J.F., 117

van Heemskerck The Elder, E., 19 van Papendrecht, J.H., 143 van Oolen, A., 37 van Wijngaerdt, A.J., 121 van Wittel, G., 27 Vannini, O., 28 Venetian School, 10 Verhaect, T., 12 Vertin, P.G., 109, 110 Vollon, A., 130 Von Brandt, J., 138 Von Bremen, J.G.M., 133

Nattier, J.M., 44 Nazon, F.H., 123 Nonnenbruch, M., 99 Northern Italian School, 29, 48

Weber, M.P., 103

Odevaere,J.D., 13 Italian School, 10, 31, 35, 36 Jacomin, A.L.V., 98 Janssens, H., 38 Kelly, J.F., 104 Koekkoek, H.B., 114 Koppenol, C., 88 Kossak, W.A., 144 Kozakiewicz, A., 141 Kramstyk, R., 140 Kratke , C.L., 89 Kryzhitsky, K.Y., 146 Lawrence, T., 52 Lancret, N., 16 Landini, A., 100 Laugée, G., 84 Leempoels, J.J., 102 Leffler, F., 134, 135 Lehnen, J., 128 Leiden School 20 Leloir, A.L., 112 Lindlar, J.W., 113 Luini, B., 40

Panini, G.P., 32 Paolillo, L., 152 Parker, H.P., 60 Payne (Snaffles), C.J., 64 Perron, C.C.F., 150 Petrovichev, P.I., 145 Pippel, O.E., 148, 149 Pissarro, H.C., 155 Poccetti, B.B., 6 Pouget, W.D., 124 Raoux, A., 127 Rau,E., 90 Roman School, 33, 39 Rosati, G., 101 Rubens, P.P., 46 Sandrucci, G., 97 Schoevaerdts , M., 21 Shayer The Elder, W., 61 Sherrin, D., 62 Spanish Colonial School, 49 Spohler, J.J.C., 108 Ten Kate, H.F.C., 86, 87

Maccari, C., 85

Zoffany, J.J., 55

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Mon - Fri, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com Mr. C’s Contact: Charles Cohen 267.977.9567 mrcees61@gmail.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com A. Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 mastroccomovers@snip.net Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 info@atelierartservices.com The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

v2.2013

bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

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MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

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I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

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(signature required to execute your bids)

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PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED

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Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii whitney bounty tim lambert American Silver samuel ≤ free≤an ii Asian Arts richard cervantes robert waterhouse (consulting specialist) tianhan gao andrew zajack English & Continental Furniture & Decorative Arts david walker tim andreadis sarah blattner tim lambert Silver & Objet de Vertu david walker sarah blattner Fine Jewelry & Watches samuel ≤ free≤an ii madeline mccauley allia dhody natalie prusich American Art alasdair nichol david weiss andrew huber candace vivian

Prints anne henry david weiss aimee pflieger andrew huber candace vivian fred frederick European Art & Old Masters alasdair nichol david weiss andrew huber candace vivian Photographs & Photobooks aimee pflieger candace vivian fred frederick Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger candace vivian fred frederick Oriental Rugs & Tapestries richard cervantes david weiss Books, Manuscripts, Maps & Ephemera david j bloom christiana scavuzzo

officers

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter amy parenti laura cox

chair≤an samuel ≤ freeman ii

Consignments samuel h cooper james e buckley maya shah-o’donnell ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll marianne dages cara bishoff whitney long maya shah-o’donnell bethany mobbs fran nicosia lauren carpinelli Operations nathan norley herbert drayton derrick drayton isaac crawford gerald davis darryll byram

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss tara theune-davis chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry samuel t. freeman iii matthew wilcox thomas b mccabe iv

Finance mark beckerman karen bajczyk Business Development & ≤arketing tara theune davis melissa geller thomas b mccabe iv christopher browne susannah mcgovern

representatives colin clarke Charlottesville, VA cclarke@freemansauction.com Telephone: 434.296.4096

matthew s wilcox Washington, DC mwilcox@freemansauction.com Telephone: 215.940.9825

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

william rudd Cincinnati, OH wrudd@freemansauction.com Telephone: 513.802.0090

maya o’donnell-shah Wayne, PA mshah@freemansauction.com Telephone: 610.254.9700

depart≤ents

Trusts & Estates samuel t freeman iii thomas b. mccabe iv holen miles lewis amy parenti matthew wilcox laura cox Photography elizabeth field elizabeth schultz thom clark ryan buckwalter v6.2013

The George D. Horst Collection of Fine Art Auction 03/30/14 From Garber and Hassam to Corot and Boudin, this rare collection of paintings has been privately owned and unseen for nearly 100 years. Alasdair Nichol 267.414.1211 anichol@freemansauction.com

JEAN BAPTISTE CAMILLE COROT (french 1796-1875) "GARDEN GATE" Signed 'Corot' bottom left, with partial label verso oil on canvas 13 x 18 1/4 in. (33 x 46.4cm) $60,000-80,000 (detail)

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Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236