International Sale: Fine Antiques & Decorative Arts

Page 1

01/29/14

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

international sale: fine antiques & decorative arts

International Sale: Fine Antiques & Decorative Arts 01/29/14



International Sale: Fine Antiques & Decorative Arts 01/29/14

Auction

Exhibitions:

Bidding:

Sale 1482

Thursday January 23 and

Cara Bishoff

Wednesday January 29, 2014

Friday January 24

at 10am

10am-5pm

267.414.1208 fax: 215.599.2240 cbishoff@freemansauction.com

Inquiries:

Saturday January 25 12 noon-5pm

David Walker 267.414.1256 dwalker@freemansauction.com

Tim Andreadis 267.414.1215 tandreadis@freemansauction.com

Sarah Blattner 267.414.1225 sblattner@freemansauction.com

Sunday January 26 By appointment only Monday January 27 10am-5pm Tuesday January 28 and Wednesday January 29 Limited viewing

Catalogue: $35 in the gallery $42 domestic mail $47 international mai

Inside Front Cover: Lot 217 (detail) Inside Back Cover: Lot 25 (detail)

Printing by Brilliant Studio Exton, Pennsylvania

Color images of every lot are available at www.freemansauction.com


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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment

Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


International Sale: Fine Antiques & Decorative Arts Wednesday January 29, 2014 at 10am lots 1-223


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1 138140/3 Egyptian bronze figure of Osiris late period to ptolemaic period, 664-30 b.c. Modelled seated, on custom wood base. H: 7 3/8, W: 2 1/2, D: 3 1/2 in. $2,000-3,000 2 138140/4 Egyptian bronze figure of Sekhmet late period, 664-525 b.c. On custom wood base. H: 6 1/2, W: 1 1/4 in, D: 1 3/8 in. (figure only) $1,000-1,500

3 138140/9 Egyptian bronze figure of Isis and Horus late period to ptolemaic period, 66430 b.c. Modelled seated, on custom wood base. H: 7 3/4, W: 2 1/8, D: 3 3/4 in. (figure only) $2,000-3,000

4 138140/35 Egyptian bronze Aegis of Sakhmet or Bastet third intermediate to ptolemaic period, 1069-30 b.c. On later custom stand. H: 4 1/4, W: 4 1/4, D: 1 1/4 in. (aegis only) $2,000-3,000


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5 131671/3 Rare Ancient Greek bronze model of a dolphin sicily, 5th century b.c. Black and verdigris partina with well-cast beak, dorsal fin and tail flukes, mounted on a custom three-piece bronze and composite base. H: 2, L: 3 1/2 in. provenance: Purchased Gallery 38, London, 1981 The Collection of the late Edwin P. Rome, Philadelphia, Pennsylvania $6,000-8,000

6 138140/1 Four Egyptian bronze figures third intermediate to ptolemaic period, 1069-30 b.c. Depicting Nefertum, Osiris, Atum, and Amun, two on custom wood bases. H: 6 1/4, W: 1, D: 1 1/2 in. (Amun) $2,000-3,000

7 138140/2 Three Egyptian bronze figures late period to ptolemaic period, 650-30 b.c. Depicting Bastet, Harpokrates, and an unidentified female, on custom bases. H: 4 3/4, W: 1, D: 1 3/4 in. (Harpokrates, figure only) provenance: Harpokrates figure purchased from Susette Khayat, Ancient Arts Gallery, New York $2,000-3,000


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8 138140/5 Five Egyptian faience figures and amulets third intermediate period to ptolemaic period, 1069-30 b.c. Depicting a Shabti, Thoth, Babi, Anubis, and Ptaichos, three on custom wood or marble bases. H: 4 1/2, W: 1 1/2, D: 3/4 in. (shabti) provenance: The Shabti, Anubis, Ptaichos purchased from Susette Khayat, Ancient Arts Gallery, New York $1,000-1,500

9 138140/8 Three Egyptian figures third intermediate period to ptolemaic period, 1070-30 b.c. Depicting Pataikos in faience, Horus Falcon bronze, and Apis Bull, on custom wood or marble bases. H: 3 3/8, W: 1 1/8, D: 1 5/8 in. (Horus Falcon, figure only) $2,000-3,000

10 138140/17 Egyptian faience figure of Ushabtis new kingdom to late period, 1550-332 b.c. Together with stone tablet carved with hieroglyphics. H: 5 1/2, W: 1 3/8, D: 1 in. (Ushabtis, figure only) provenance: The tablet purportedly unearthed at Deir el Kakrie, Upper Egypt Both pieces purchased from Susette Khayat, Ancient Arts Gallery, New York $800-1,200

11 138140/18 Egyptian granite figure of Babi or Baba probably new kingdom, 1550-1069 b.c. On custom wood base. H: 3 1/2, W: 2 1/8, D: 2 1/4 in. (figure only) $1,000-1,500


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12 138140/19 Egyptian alabaster vessel early dynastic period, 2920-2649 b.c. Together with a Middle Kingdom terracotta bowl, pre-Columbian carved stone fragment, horn spoon, and Roman iron spoon. (5). H: 2 3/4, W: 2 5/8, D: 2 1/8 in. (alabaster vessel) provenance: The terracotta bowl purportedly excavated by the Metropolitan Museum of Art at El Lisht, circa 1929 and purchased from Aladdin House, Ltd. The bronze spoon purchased from Susette Khayat, Ancient Arts Gallery, New York $600-800

13 138140/21 Three Egyptian wooden figures probably second intermediate period to third intermediate period, 1650-664 b.c. Depicting seated boatman, Wadjet, and unidentified female. H: 7 1/2, W: 2 1/4, D: 2 1/4 in. (boatman, figure only) provenance: Wadjet and unidentified female purchased from M. Hassani Abd-elGaleel, Luxor $600-800

14 138140/31 Collection of six prehistoric flints paleolithic period, 5,000-10,000 b.c. and later Together with three Egyptian faience charms, two carved stone scarabs, an ancient Iranian bronze arrow-head, and a Roman/Egyptian bronze coin. (13). L: 2 3/4 in. (longest flint). provenance: The flints and arrowhead purchased from Aladdin House Ltd, New York $600-800


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15 132415/18 Egyptian polychrome and giltwood mummy mask ptolemaic to early roman period, circa 332 b.c.-641 a.d. On custom acrylic stand. H: 14 1/2, W: 15 1/2, D: 5 in. (mask only) $3,000-5,000

16 132415/17 Egyptian Revival polychrome and giltwood replica of King Tutankhamen’s throne chair The square back decorated to show the young Pharoah in a palace setting as his Queen attends him, issuing four rods surmounted with cobra and sun (wadjet) finials, flanked by winged sides and square seat, raised on feline legs surmounted by lion’s heads and terminating in paw feet. H: 65, W: 22 1/2, D: 24 1/2 in. $2,000-3,000


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17 131988/80 Four sets of ancient Egyptian semi-precious stone and glass necklace beads Comprising a string of approximately sixty garnet beads; a rock crystal, small gold bead, chalcedony and garnet necklace, approximately fifty beads; and two iridesced glass strands of approximately fifty beads each. (4). L: 16 in. (last two mentioned) provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $600-800

18 132415/24 Collection of nine Roman glass vessels circa 3rd-4th century a.d. Of various forms and sizes. H: 5 1/4, W: 2 1/2 in. (largest) $1,000-1,500

(two of four shown)

19 131988/79 Four Greco-Roman iridesced glass bangles circa 1st-3rd century bc Together with two Middle Eastern enameled glass armlets. (6). D: 3 1/4 in. (largest) provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $300-500

20 131988/59 Etruscan agate and silvered metal scarab ring Together with a bloodstone and gilt-metal ring. (2). provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $400-600

21 131988/81 Nine Arabic iridesced glass tokens or Dirham weights circa 11th-13th century Comprising two large discs, and seven smaller with impressed marks. D: 3 in. (largest) provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN. Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $400-600


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22 Large Raqqa pottery ewer syria, 13th century Pear-shape body decorated with foliage bands in turquoise, cobalt blue and black on a white ground, the surface iridesced. H: 9 1/2, W: 7 in. provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $4,000-6,000


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(reverse side)

23 Iznik pottery jug ottoman turkey, circa 1600-1650 Pear-form decorated to the neck and body with figures of birds in cobalt blue, green and black, with banded designs at neck, waist, and foot rim. H: 9, W: 5 1/2 in. provenance: With Hagop Kevorkian Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection note: See Atasoy & Raby, Iznik: Pottery of Ottoman Turkey, pl. 661 p.282 for related example. $10,000-15,000


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(reverse side)

24 Fine Iznik pottery jug ottoman turkey, circa 1590 Baluster form, painted with a pattern of alternating saz leaves and roses in green, cobalt blue, rust red and black. H: 8 1/4, W: 5 3/4 in. provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $10,000-15,000


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25 Iznik pottery plate ottoman, turkey, circa 1590 The circular dished form decorated with carnations, tulips and saz in green, cobalt blue and rust red, the rim with trefoil and lozenge pattern, the reverse with circular alternating motifs in green and blue, on shallow foot rim. H: 2 3/8, W: 12 1/4 in. provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $2,000-3,000

26 Hispano Moresque lustreware charger possibly valencia, 16th century The tin-glazed earthenware charger with copper lustre, the raised central well surrounded by an alternating blue and sienna design to the border, bearing the remnants of a Walker Art Center and a Kelekian inventory label to underside. D: 16 in. provenance: With Dikran Kelekian. Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $3,000-5,000


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27 131988/5 Safavid blue and white bottle vase iran, mid to late 16th century Pear-form decorated with floral sprays in the round, the rim with metal mount. H: 11, W: 6 1/2 in. provenance: Deaccessioned from the Walker Art Center, Minneapolis, MN Sold by Gimbel’s Hammer Galleries, NYC, circa 1942 From a prominent Philadelphia collection $3,000-5,000

28 132323/8 Qajar silver and gold-damascened shield iran, 19th century Circular dished form with four bosses applied to center, decorated overall with florals and arabesques, the lipped border with calligraphic script, the reverse with four loop handles. W: 20, D: 3 in. $1,500-2,500


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29 131839/27 Mamluk style brass and silver inlay Kursi probably syrian, 19th century The hexagonal top over conforming sides with elaborate pierced, chased and inlay of inscriptions, geometric and foliate designs, one side with two doors opening to interior compartment, above shaped arched skirt raised on baluster feet. H: 33, D: 18 in. $5,000-7,000


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30 132323/9 Pair of Austrian J. & L. Lobmeyr Alhambra style gilt and ‘jewel’ painted glass vases vienna, circa 1900 Faceted urn form with twin handles, gilt painted to depict a repeating pattern of floral designs, the central cartouche showing a winged maiden within a gilt strapwork and white ‘jewel’ painted design, each signed with Lobmeyr monogram to underside. H: 17, W: 8 in. $8,000-12,000


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31 132323/12 Fine pair of French Mamluk style gilt and enameled glass mosque lamps in the style of brocard, 19th/20th century The compressed ovoid body with exaggerated flaring rim above short circular foot, the neck painted with Thuluth script calligraphy between foliate banding on blue enamel ground, the shoulder with polychrome floral pastilles on a gilt foliate ground, the body with six loop handles and an elaborate polychrome enamel Thuluth script calligraphy, the underside of basin similarly decorated, unsigned. H: 12 3/4, W: 10 3/4 in. provenance: Private collection $12,000-18,000


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32 132323/11 Brocard Mamluk style enameld glass bottle vase paris, circa 1871 The bottle-form with elongated neck and flaring foot ring, painted with polychrome enameled arabesques on a densely gilt and foliate painted ground, the top of the foot with script signature “Brocard Paris 1871”. H: 18 1/2, W: 10 1/2 in. provenance: Private collection $4,000-6,000

33 132323/13 Brocard Mamluk style gilt and enameled amber glass footed bowl paris, circa 1891 The compressed ovoid bowl form with flaring rim and pedestal foot, the rim and shoulder painted with oval medallions of an eagle and arabesques on a blue or red ground, the body with a banding of blue ‘jewel’ dots above alternating medallions of arabesque and floral blossoms all against a floral and grape bough painted ground, the foot with an inscription in cream enamel framed by bands of blue “jewel” dots, the underside of basin with painted script signature “Brocard Paris 1891 Exposition de Londres”. H: 9, W: 11 3/4 in. provenance: Private collection $6,000-8,000

34 132323/14 Austrian J. & L. Lobmeyr enamel and gilt painted glass goblet vienna, circa 1900 The bowl-form cup over compressed knop and flaring base, the body painted with Thuluth script calligraphy in white against a cobalt, sky blue, and gilt painted background of florals and arabesques, the underside with painted white enamel JLL monogram. H: 5 3/4, W: 3 in. provenance: Private collection. $1,000-1,500


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35 132417/2 Austrian cold-painted bronze lamp franz bergman, circa 1900 Cast and painted to depict an Arab man with rifle, shield and hookah pipe, seated under a tent, the reverse with impressed amphora mark. H: 16 1/2, W: 7 1/2, D: 7 1/2 in. $3,000-5,000

36 132443/1 Austrian cold-painted bronze table lamp anton chotka, circa 1910 Depicting a Middle Eastern man reclining in a carpet filled tent smoking a pipe, another man stands at the entrance holding a rifle, a palm tree above them, signed “Chotka” to rock beside tree trunk. H: 14, W: 12 3/4, D: 8 in. $3,000-5,000

37 132323/15 Austian cold painted figure of a Moorish hunter emile guillemin (french, 1842-1907) Modelled with deer, the circular base signed “E le Guillemin”. H: 22, W: 10 1/2, D: 8 in. $1,500-2,000


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38 131988/55 Italian white marble and mosaic inlaid tomb or altar fragment 15th century One side inlaid with IHS and sunburst icon, the other carved to depict a crusader, supported on later base. W: 11, D: 2 1/2 in. (fragment only) provenance: Samuel T. Freeman Co.: Penhurst: The Percival Roberts Jr. Collection, 1939, Lot 100 From a prominent Philadelphia collection $1,000-1,500

(reverse side)

39 131812/22 Fine Limoges gilt and grisaille enamel basin adam naming the animals, 19th century Oval, centrally decorated to show the scene from Gen. 2:19, 20, depicting God with Adam and numerous animals in a garden, the cavetto painted with gilt scrolls, the rim decorated with strapwork and winged cherub masks, the underside centrally enameled to show infant Cupid strumming a lute flanked by two birds, within a strapwork border incorporating fruits, grotesque and putto masks, the underside of the rim showing interlaced scrolls, masks and leaves. H: 7, W: 18 1/2 in. $2,000-3,000

(reverse side)


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40 132386/1 Italian majolica albarello early 16th century Cylindrical form, painted in cobalt blue “dia.callameto” in gothic script, between orange and green bands. H: 8, D: 6 in. provenance: Emil Dreyfuss; Galerie Fidcher, Luzern, November 30th 1967, lot 100. With Cyril Humpris, London. Christie’s New York, Important Majolica from the Sackler Collections (part III), June 1st 1994, lot 20. exhibited: San Francisco, CA, The Fine Arts Museum of San Francisco, Palace of the Legion of Honor, Italian Maiolica from the Arthur M. Sackler Collections, 5 July 1986-1988. $3,000-5,000

41 132386/8 Two Italian majolica alberello savona, 18th century Both of double-lobed and waisted form, one bearing the inscription “V. PETORALE”, the other “Emp d’H-Seliloto” H: 8, W: 5 in. (taller) $600-800


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42 132386/3 Continental blue and white faience charger 19th century The dished oval form with raised central reserve depicting two female nudes and central tree with yellow-painted bees and other insects, the shoulder and rim with vingnettes of birds, foliage and town scenes, against a ground of foliage springs. H: 1 1/2, W: 19, D: 15 1/2 in. $1,500-2,000

43 132399/5 Dutch Delft blue and white five-piece garniture 18th century Including three baluster vases with covers surmounted by bird finials and two beaker vases, each of octagonal form, painted to one side with figures in an idyllic landscape against a floral and dot ground, enclosed within raised C- and S-scroll border, the reverse with foliate sprigs, one covered vase illegibly marked to base. H: 15 1/4, W: 6 1/2, D: 5 3/8 in. (taller) $2,000-3,000


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44 131621/87 Matched pair of German polychrome, parcel gilt and black lacquered Chinoiserie decorated mirrors circa 1725 The shaped crest above a molded frame, with raised gesso, polychrome, and gilt-painted landscapes in the Chinese taste against a black ground, the frame enclosing a beveled mirror plate. H: 62, W: 38 in. (overall) $8,000-12,000


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45 132402/1 Pair of South German walnut, marquetry and parquetry corner cupboards mid 18th century Each with architectural cornice above marquetry inlaid frieze, over single door marquetry inlaid with three scenes, the central scene depicting a man in a landscape playing a horn, the scenes above and below depicting a courtly gentleman riding a horse, all framed by parquetry inlay of intertwined bands, the door opening to five fixed shelves, the corners of the cabinet with similar parquetry inlay and grotesque-headed acanthus leaves. H: 71, W: 38, D: 26 in. $3,000-5,000


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46 132550/3 Italian walnut and olivewood chest of drawers late 18th century The rectangular top with thumbnail edge over three long drawers, raised on short cabriole legs. H: 36 1/2, W: 50, D: 22 in. $2,000-3,000

47 132386/2 Tall pair of Continental brass pricket candlesticks 17th/18th century The hexagonal drip pan above faceted baluster column supported on tripartite base. H: 26, W: 7 in. $1,000-1,500

48 132550/2 Baroque style steel and bronze chair 19th century The square back between spiral cast supports surmounted by faceted brass spheres, square seat, raised on straight legs united by stretchers, upholstered in old frayed silk. H: 55, W: 27, D: 22 in. $1,500-2,000


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(detail)

49 131671/6 Rare suite of six Louis XIV painted silk panels circa 1700 Each tall rectangular woven gold silk damask panel finely painted with courtly figures in idyllic and fanciful landscapes incorporating birds and flowers, scenes of courting couples engaging in various pursuits, and the goddess Hera in a peacock drawn chariot amongst the clouds. H: 52 1/2, W: 15 3/4 in. provenance: The Collection of the late Edwin P. Rome, Philadelphia, Pennsylvania. note: The six panels in the present lot may have been cut from a larger composition, perhaps a larger wall hanging. The images painted on them are derived from contemporary French engravings of French nobility produced circa 1689-1694 by A. Trouvain, C.A. de Berey, R. Bonnard, J. Mariette, and others. In the first panel, the lady seated on a canape bears a likeness of the Duchesse de Bourgogne as depicted in an engraving by Berey published around 1698, and the gentleman depicted next to her could be her husband who she married in 1697. Another female likeness in the painting is similar to an engraving of the Duchesse d’Aumont published in 1695, now in the Pierpoint Morgan library. However, it is possible that the paintings on these panels are generic costume depictions rather than intended likenesses of actual persons. The set is related to a set that was with Bernard Steinitz in the 1970s. $10,000-15,000


(detail)

(detail)

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50 132120/35 Italian polychrome and gilt painted icon of St John the Evangelist 18th century Within a later custom frame. H: 10 1/2, W: 8 1/4 in. $1,000-1,500

51 138144/1 Large Italian polychrome and giltwood statue of St. John the Baptist 17th/18th century H: 40 1/2, W: 16, D: 11 1/2 in. $3,000-5,000

52 138130/2 North Italian rosewood and tulipwood marquetry commode circa 1800, in the manner of giuseppe maggiolini The rectangular overhang top centered by marquetry florette medallion over single-drawer frieze of vine and leaf marquetry, above two long drawers with sans parti floral medallion inlay, the sides with inlay of a trophy issuing floral sprig, supported on square tapering legs. H: 34, W: 49 1/2, D: 22 in. $2,500-3,500

53 138130/1 Italian bow front walnut chest of drawers 18th century The thumbnail molded bow front top over two short drawers and two long drawers, over shaped apron, raised on short cabriole legs. H: 35 1/2, W: 49, D: 22 1/2 in. $1,000-1,500


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54 132506/1 North Italian parquetry and fruitwood inlaid commode early 19th century The shaped quarter-veneered top with molded edge and canted fore-corners over a conforming case of three long drawers, each with parquetry worked panels, terminating in short square tapering feet. H: 36 1/2, W: 50 1/2, D: 25 1/2 in. provenance: Property of a Lady. $3,000-5,000

55 132323/10 Indo-Portuguese rosewood and bone-inlaid table cabinet 17th/18th century Typical rectangular form with twin iron loop handles to sides, the top and front inlaid with a central florette motif and a series of repeating pastilles, the drop-front opening to reveal a series of ten small drawers behind which are concealed a number of hidden compartments. H: 9, W: 14 1/2, D: 10 1/2 in. $6,000-8,000

56 132473/1 Continental polychrome painted coffret early 19th century The lidded box painted in cream and red florals on black ground, the lid painted with a bird above two clasped hands and a heart flanked by twin foliate scrolls. H: 4 1/2, W: 10 3/4, D: 7 3/4 in. $1,000-1,500

57 132473/2 Continental polychrome painted coffret early 19th century The rectangular casket painted with fruit baskets of pears and oranges, framed by a textured border and foliate spandrels on a cream ground. H: 4 3/4, W: 10 1/2, D: 7 1/2 in. $1,000-1,500


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58 132473/3 Continental polychrome painted coffret late 18th/early 19th century The lidded rectangular casket painted with florals on a green and red ground, the lid painted with a wedding scene of a couple in court dress, above them a banner with an illegible inscription and spurious date 1576, possibly created in memoriam, the interior with elaborate floral decoration and a lidded till box, supported on shaped skirt and bracket feet. H: 5, W: 8 1/2, D: 5 3/4 in. $1,000-1,500

59 132473/4 Continental polychrome painted coffret early 19th century The rectangular box painted with blue, red and black florals on a cream ground, the lid centered by a motif of two clasped hands and two hearts within an elaborate foliate and scroll design on a green ground. H: 4 3/4, W: 10 1/2, D: 7 3/4 in. $1,000-1,500

60 132473/5 Continental polychrome painted coffret early 19th century The rectangular box with raised gesso and painted decoration of central star to lid, the front with double-arch design of two stars, all on a red ground, the interior with lidded till box. H: 4 1/2, W: 9 5/8, D: 6 in. $1,000-1,500

61 132473/6 Continental polychrome painted coffret circa 1800 The lid painted to depict an angel thwarting an execution above a German inscription dated 1779, the casket painted with red florals on a green ground. H: 4, W: 11, D: 7 in. $1,000-1,500


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62 132457/1 Unusual Continental carved wood and brèche violette de Serravezza marble top console table 18th century The elongated D-shape brèche violette de Serravezza marble top over foliate and scroll-carved frieze centered by a cartouche flanked by twin masks, the caryatid headed scroll and acanthus leaf-carved legs terminating in block feet. H: W: 66, D: 19 1/2 in. $6,000-8,000

63 132483/10 Louis XV provincial walnut and wool tapestry games table mid-18th century The square top with rounded corners, inset with wool tapestry woven to depict playing cards, enclosed within a raised molded edge, above a conforming frieze with a short drawer to each side, supported on square tapering cabriole legs. H: 28, W: 28 in. sq. provenance: Blanche Vere Guest, Countess Bessborough, wife of 8th Earl of Bessborough, Stansted House, Hampshire Thence by descent. $800-1,200


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64 132415/16 Continental walnut and iron mounted storage chest 17th century Casket-form domed cover surmounted by iron handle, punched to the angles with continuous rows of crosses, opening to a vacant interior, iron strap hinge and lock plate, the case sides carved to show basket weave panels over molded edge, raised on sledge feet. H: 15, W: 20, D: 16 in. $1,500-2,500

65 132415/1 Continental silver armored knight on horseback late 19th century Finely modeled, cast, and incised in the form of a knight in full armor on horseback carrying his standard, his trotting horse also clad in armor with silver ribbon tail and plume, raised on a stepped marble base, fleur-de-lis hallmark to standard and horse’s croupiere. H: 21 1/2, W: 12 1/2, D: 9 in. (including base). H: 17 1/2 in. (excluding base). $3,000-5,000

66 132412/1 Pair of Continental carved ivory knight figures 19th century Each modelled in armor with flag and sword, above ebonized wood socle. H: 12 1/2, W: 4 1/4 in. (overall). $2,000-3,000


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67 132532/2 Fine and large Italian gilt bronze and micromosaic cross on stand early 20th century Centered by a depiction of Jesus within a circle and with winged angel heads at the corners, each of the four ends of the cross inlaid to show one of the four Gospels within a circle, the rest of the cross inlaid to show doves and Greek symbols within yellow lozenges, surrounded by yellow, blue, and gold tesserae arranged to show stars, set into a gilt bronze base, on marble plinth. H: 37 3/4, W: 18, D: 6 1/2 in. $3,000-5,000

68 132522/22 Regence brass line inlaid ebonised bureau plat The rectangular top with gilt edge, inset with tooled leather writing surface, over two brass line inlaid drawers, raised on slender cabriole legs terminating in sabots. H: 29 1/2, W: 46 1/2, D: 24 1/2 in. $4,000-6,000

69 132550/5 Pair of French silvered bronze campana form garniture urns 19th century Cast to show Classical figures in woodland settings, fluted socle, raised on chamfered square rouge griotte marble base. H: 10 3/4 in. $1,000-1,500


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70 131671/74 Important Louis XVI lacquerwork, featherbanded kingwood, and gilt bronze mounted side table martin carlin, circa 1770-80, possibly incorporating earlier japanese lacquer The rectangular lacquered top with gilt foliate designs framed in featherbanding of kingwood inlays and gilt bronze egg and dart molding, the sides mounted with gilt bronze guilloche inset panels within featherbanded borders, one side enclosing a drawer, over four square tapering inlaid legs, underside stamped JME M.CARLIN. H: 26, W: 14 1/2, D: 8 1/2 in. provenance: The Collection of the late Edwin P. Rome, Philadelphia, Pennsylvania. note: Martin Carlin, maître in 1766. Though probably best known for his exceptionally high quality Sèvres porcelain and hardstone inset furniture, particularly small tables, by the late 1770s Martin Carlin began incorporating Japanese lacquer into his work, and is documented to have supplied marchands-merciers, particularly the Darnault brothers and Dominique Daguerre, with Japanese lacquer inset furniture. This change of style reflected the change in fashion in the late 18th century towards Japanese lacquer, with William Beckford, for example, being one of the most well-known collector’s, acquiring the duc de Bouillon’s lacquer collection in 1801, and having two of the Mazarin coffers in his collections at Fonthill. $10,000-15,000

71 132483/14 Louis XVI style gilt bronze cartel clock 19th century, raingo freres, paris The circular porclain dial with Roman hours and Arabic minutes under domed glass door flanked by twin goat’s mask mounted torches joined by laurel swag, all below an urn and flame finial-mounted top, the brass eight-day movement marked with Raingo Freres pastille and stamped 832, the finial and pendulum stamped 832. H: 30 1/2, W: 16, D: 5 in. provenance: Blanche Vere Guest, Countess Bessborough, wife of 8th Earl of Bessborough, Stansted House, Hampshire Thence by descent. $1,000-1,500


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72 138090/1 Fine pair of Louis XVI style gilt bronze sconces henry dasson, paris, dated 1878 Modelled as a bow and quiver issuing three foliate-cast candlearms, signed Henry Dasson 1878. H: 26, W: 12 1/2, D: 8 1/4 in. $8,000-12,000

73 132513/9 Fine Louis XVI champlevé enameled floral painted gold snuff box paris, circa 1785, maker’s mark indistinct, with henry clavel charge marks, 1782-1789 Rectangular form, enameled in deep blue with gold flakes to imitate lapis lazuli, the cover set centrally with a painted oval panel of a floral still life, white guilloché border. The inside of the cover and body struck with interlaced L for Clavel, maison commune mark, and maker’s mark, the rim struck with two eagle heads for guarantee, 1837-1847, also stamped with the number 17 on the rim near hinge. H: 3/4, W: 3 1/4, D: 2 in. provenance: Private collection, CT. note: A comparable snuff box with enamel in imitation of lapis lazuli by Pierre François Mathias de Beaulieu is in the Wallace Collection, London. $12,000-18,000


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74 132499/7 French Sevres style porcelain gilt bronze champlevé enameled three-piece garniture late 19th/early 20th century Comprising a tazza champlevé enameled in various colors to show foliate scrolls, and two twin-handled cups well-painted to show a male and female figure in bucolic settings on one side and watery landscapes on the other, all raised on circular champlevé enameled feet on onyx bases. (3). H: 8 1/4, W: 5 in. (cup). $2,000-3,000

75 132446/11 Louis XV style parquetry, kingwood, and gilt bronze mounted bureau plat late 19th century The rectangular leather-inset top over three lattice parquetry frieze drawers, the side panels with similar inlay and centered by bacchic masks, the reverse with three dummy drawers, supported on espagnolette-headed square tapering cabriole legs terminating in acanthus and paw-cast sabots. H: 29 3/4, W: 71, D: 35 in. $2,000-3,000

76 132446/7 A Louis XV Louis XVI Transitional gilt bronze cartel clock circa 1770, the dial and movement signed for charlesnicolas du tertre, paris The circular porcelain dial with Roman hours and Arabic minutes signed “CH LES DU TERTRE A PARIS”, enclosed within domed glass door, the vasiform case with twin caryatid and acanthus plume mounts to shoulder above an acanthus and oak leaf and acorn base, the case surmounted by a twin-handled urn with vegetable form finial, the urn issuing a laurel garland, the brass silk-hung suspension movement engraved “Ch’les Dutertre Paris”. H: 26 1/2, W: 13, D: 6 in. note: Charles-Nicolas Dutertre, maître in 1758, son of NicolasCharles and in his father’s workshop until 1772. $2,000-3,000


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77 132442/4 French malachite veneered and gilt bronze centerpiece bowl 19th century, le maire demouy à paris The low malachite veneered bowl with flaring rim supported on strapwork cast circular ring and hairy paw feet above a shaped base with textured reserves and malachite oval cabochons, the base engraved “LE MAIRE DEMOUY à PARIS”. H: 6, W: 11 3/8 in. $4,000-6,000

78 132442/3 Pair of large malachite veneered obelisks 20th century H: 30 1/2, W: 6 in. $6,000-8,000

79 132442/1 Three-piece ormolu mounted Chinese export rose medallion porcelain clock garniture late 19th century The baluster form vase decorated in the Rose Medallion palette, mounted with a French 8-day brass clock movement marked LM PARIS 1413, the engine-turned dial with open escapement and breguet hands, the porcelain calendar ring with Roman numerals, the vase mounted with socle and octagonal base, together with pair of conforming vases on gilt bronze bases. H: 22 1/2, W: 10 in. (clock, overall). $6,000-8,000


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80 132442/2 Fine pair of Italian gilt bronze and pietra dura six-light candelabra early 19th century, signed p. barranti & figlio, firenze The standard cast with three satyr or faun figures, separated by three framed oval pietra dura panels, two depicting fruit clusters, the third with a bird, the standard issuing six foliate-cast candlearms joined by a pineapple finial at center, above hexagonal base framing a series of pietra dura panels with inlay of botanical specimens, supported on mask-mounted paw feet, one candelabra engraved with script signature “P. Barranti & figlio Firenze�. H: 30, W: 14 in. (overall) $15,000-20,000


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81 132436/2 Pair of French gilt bronze and marble five-branch six-light candelabra late 19th century The urn-form standard issuing central nozzle and five scroll candlearms, above plume-cast socle supported on tripartite scroll legs and circular marble base three cast feet. H: 25 1/2, W: 12, D: 8 in. $1,500-2,500

82 132290/8 Louis XV style mahogany and kingwood marquetry, gilt-bronze mounted marble top bombĂŠ commode late 19th century The shaped marble top over conforming case with two long drawers faced in sans traverse floral marquetry, the sides also bearing floral marquetry inlay, supported on square tapering cabriole legs terminating in sabots. H: 34 1/2, W: 60, D: 22 1/2 in. $1,500-2,000

83 132364/4 Fine Louis XVI style mahogany, kingwood parquetry and gilt bronze mounted bed in the style of françois linke, late 19th century The head and foot-board with three cube parquetry panels within a molded frame, the headboard surmounted by a laurel leaf trophy mounted crest, the fluted rails and footboard centered by carved Vitruvian scroll, raised on fluted toupie feet. H; 46 1/2, W: 62, D: 84 1/2 in. (approx). $1,500-2,500


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84 132364/5 Fine Louis XVI style mahogany, kingwood parquetry, and gilt bronze mounted armoire in the style of françois linke, late 19th century The stepped cornice with interlaced laurel leaf trophy mount, over mirrored breakfront cupboard door flanked by twin cube parquetry panels, raised on fluted tapering legs. H: 94 1/2, W: 58, D: 20 in. (approx). $2,000-3,000

85 132290/1 Pair of Royal Vienna hand-painted, gilt-decorated, ‘jeweled’ enamel cobalt ground porcelain urns 19th century Twin-handled baluster form, one side painted with oval medallions of female goddesses amongst the clouds with putti, one depicting Hebe above Jupiter’s eagle, the other with Roman armor, both signed K. Weh, the obverse painted with roundel vignettes of musical putti, against a rich cobalt ground with raised gilt scrolls and white dots, supported on socle and square plinth, later mounted as lamps, the underside marked with blue underglaze beehive mark, overglaze script mark Austria, signed “Die Luft”. H: 18, W: 8 in. (excluding fittings) $1,500-2,500

86 132259/3 French Louis XVI style white marble and gilt bronze clock garniture late 19th century, dial and movement signed planchon a paris The circular enamel dial with Roman numerals and Arabic minutes, surmounted by a dove, quiver and torch finial, atop a garland draped socle, supported on a rectangular trophy mounted plinth with figure of Cupid and floral basket, the movement stamped 01551 PLANCHON A PARIS, circular Medaille D’Argent stamp, impressed 69, pendulum stamped 01551, together with pair of goat mask mounted urn-form cassolettes. H: 11 3/4, W: 8 1/2, D: 4 1/8 in. (clock) provenance: Formerly the property of Russian banker and industrialist Aleksei Ivanovich Putilov (1860 - 1940, Paris). Acquired in Paris after 1917. By descent. $1,000-1,500


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87 132259/1 Fine French gilt and patinated bronze and marble clock garniture ferdinand barbedienne, paris, circa 1900 The circular white enamel dial with Arabic numerals, signed “F. Barbedienne AParis”, the movement bearing Vincenti Medaille d’Or pastille, the square verde antico marble case with banded edge and bronze anthemion mounts raised on fluted tapering legs; surmounted by a bronze model of Hebe atop Jupiter’s Eagle, signed George Bareau (Georges Marie Valentin Bareau, French, 1886-1931), and inscribed F. Barbedienne foundeur; together with a pair of conforming gilt bronze and verde antico marble six-branch seven-light candelabra, well-cast to show flowerheads, anthemion, and scrolls, raised on paw feet; the candelabra fitted and wired for electricity, but not drilled. H: 32 1/2, W: 19, D: 12 in. (clock, with bronze). H: 25, W:11, D: 8 1/2 in. (candelabra). provenance: Formerly the property of Russian banker and industrialist Aleksei Ivanovich Putilov (1860 - 1940, Paris). Acquired in Paris after 1917. By descent to the current vendor. $8,000-12,000

88 131812/43 Fine Louis XV style mahogany, cube parquetry and gilt bronze mounted bombé commode francois linke, early 20th century The shaped serpentine cube parquetry top over bombe case with cube parquetry front and sides, the front with sans traverse marquetry of rococo cartouche, six drawers mounted by handles with angels, well cast espagnolettes at shoulders continuing to cabriole legs and terminating in sabots, reverse of lockplates stamped CT LINKE SERRURERIE PARIS 1405. H: 34 1/2, W: 48, D: 21 in. $6,000-8,000


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89 132159/1 Large Dresden porcelain hand-painted and gilt figural group late 19th century Modeled with musicians and dancing couples in a lively courtyard fete, unmarked. H: 18 1/2, W; 23, D: 15 in. $1,000-1,500

90 131760/1 Pair of Meissen porcelain figural seven-light candelabra 19th century Reticulated lattice-form floral and vine-encrusted base with seated putti modeled as the four seasons, issuing central acanthus molded nozzle and six scroll-form floralencrusted candlearms, supported on conforming floral-encrusted undertier on Cscroll feet, underglaze blue double crossed swords over asterisk mark. H: 24, W: 9 in. sq. provenance: From the Maurer-Turner collection, Philadelphia, Pennsylvania. $2,000-3,000

91 132539/3 Collection of sixteen Meissen porcelain figures late 19th/early 20th century Including “Cupid Forging Heart” (L114) modelled by Heinrich Schwabe ca. 1878; “Cupid bound in Garlands” (R123) modelled by Paul Helmig ca. 1898; “Je les ramène” (F12); lady with floral garland (F67); four putti emblematic of the arts (1684); lady with apples (17); and a series of figures emblematic of the seasons including putti with shovel (C100); two putti with column (H36); three putti with fire (A5); putti with sickle and grapes (2716); putti with sickle and sheaf of wheat (A67); putti with floral basket (F164); putti on ice skates (A71); boy with rose bush (25); boy with grapes and hoe (30); and girl with apple basket and bird (30); all marked to underside with underglaze blue crossed swords mark and incised or impressed numbers. H: 7 1/2 in. (tallest) provenance: Property of a Main Line lady $3,000-5,000


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92 131997/2 Fine pair of French bronze urns late 19th century, f. barbedienne fondeur Mounted with twin ram’s masks, the body with sacrificial scene in relief, supported on reeded black marble bases, mounted as lamps, signed “F. BARBEDIENNE FONDEUR” to base of socle. H: 13 1/2, W: 7 1/2, D: 6 1/2 in. note: Berman # 1847 $800-1,200

93 131892/12 Louis XVI style gilt bronze and marble portico clock 19th century, dial signed pochon à paris The circular porcelain dial with Roman hours and Arabic minutes, within a grey and white marble case surmounted by lovebirds over cavetto-form cap, the upper gallery with four bud finials over column supports, the shaped undertier centered by floral urn, the front with trophy mount showing putti at play, raised on toupie feet. H: 21 1/2, W: 12, D: 6 1/4 in. $2,000-3,000

94 132532/4 Continental 18 karat gold and enamel statuette of the Virgin Mary early 20th century Modelled crowned within a frame of rays, standing on a crescent and serpent above a square wooden base. H: 6 1/2, W: 3, D: 2 3/4 in. $8,000-12,000


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95 132548/1 French gilt bronze, onyx, and champlevĂŠ enameled casket late 19th/early 20th century Rectangular form onyx body with gilt bronze champlevĂŠ enameled mounts in various colors, hinged cover surmounted by handle, raised on four gilt bronze scroll feet, with red velvet lined interior. H: 7 1/2, W: 8 3/4, D: 5 1/4 in. $1,500-2,500

96 132483/8 Directoire style mahogany and brass mounted ladies writing desk 19th century The rectangular top with three-quarter pierced brass gallery above a single drawer, over two glazed doors backed with silk curtains, over brass edged table top with turreted corners above a long frieze drawer opening to sliding writing surface supported on round tapering legs terminating in brass sabots. H: 46, W: 28, D: 18 in. provenance: Blanche Vere Guest, Countess Bessborough, wife of 8th Earl of Bessborough, Stansted House, Hampshire Thence by descent. $1,000-1,500

97 132549/6 Charles X gilt bronze mounted breche violette marble centerpiece circa 1825 The urn-form breche violette marble with twin intertwined serpent handles, surmounted by bud-form finial, raised on socle and square base. H: 13 1/2, W: 18, D: 9 in. $1,500-2,500


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98 132522/18 Russian Empire gilt bronze mounted mahogany wine cooler 19th century Drum-form, removable tin liner supported by removable and rotating wooden basin, the sides with four panels: two with well-cast handles, the others with mounts depicting baskets of fruit, raised on four muscular carved animal form legs headed by slender vasiform gilt metal mounts, and terminating in hoof feet. H: 28 3/4, D: 24 in. $2,500-3,000

99 132522/8 Empire gilt metal mounted parcel gilt mahogany center table The circular gilt metal banded top over tripartite base, each side mounted with cast figure of a Classical maiden, the three corners with carved and gilt swans terminating in paw feet raised on castors. H: 30, D: 48 1/2 in. $5,000-7,000

100 132538/1 Pair of Biedermeir parcel gilt chests circa 1825 The rectangular top above conforming single drawer frieze over two long bowfront drawers, flanked by twin polychrome and parcel gilt dolphin mounts terminating in paw feet. H: 38 1/2, W: 49 1/2, D: 24 in. $2,000-3,000


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101 137500/17 French Empire gilt bronze mounteed mahogany wardrobe circa 1820 The cabinet in three sections joined by an architectural cornice: the central section of recessed profile with two short drawers over six graduating long drawers, flanked by twin sections comprising domed panelled doors with intertwined foliate mounts below a star and twin foliate-cast spandrels, supported on conforming plinth base. H: 78 3/4, W: 75 1/2, D: 24 1/2 in. (approx). $2,000-4,000

102 132449/1 Two Royal Vienna hand-painted and gilt porcelain cabinet plates ‘ruth’ and ‘louise’, 19th century Each painted with fair maidens to the center, signed “Wagner”, within a gilt border of floral and scroll panels against a deep maroon ground, the reverse with underglaze blue beehive marks, each inscribed with titles, impressed numbers. W: 9 1/2 in. (each) $1,500-2,000


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103 132516/1 Continental hand-painted porcelain plaque ‘young girl holding fruit tray’, after titian (c.1485-1576), early 20th century Apparently unsigned, within contemporary textured gilt mat and giltwood frame, McClees Galleries retailer’s label verso, unexamined out of frame. H: 8 1/2, W: 6 1/2 in. (plaque). $1,200-1,800

104 132539/1 Sevres style porcelain Louis XVI royal family six-piece portrait and gilt painted tea service 19th century Including a tray, teapot, lidded sugar bowl, creamer, and two teacups and saucers, all painted with portraits of the French royal family including Louis XVI, his wife Marie Antoinette, their son Louis Joseph and daughter Marie Thérèse, each with blue painted Sevres mark to underside. D: 14 in. (tray), H: 15 1/2, W: 7, D: 4 1/2 in. (teapot) provenance: Purchased Golden Art Gallerie, Monte Carlo, 1996 Property of a Main Line lady $3,000-5,000

105 132532/8 Large French hand-painted Barluet & cie porcelain charger, in fine contemporary mother of pearl inlaid frame second half 19th century, the porcelain signed m. demonceaux Well painted to show two eighteenth century couples beside an urn in a wooded garden, a dog reclines in the foreground, within a contemporary mother of pearl, parcel gilt and marquetry inlaid frame, impressed marks to underside of porcelain. D: 17 1/2 (charger); H: 34, W: 34 (frame) $3,000-5,000


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106 132532/3 Fine Vienna style (Hass & Czeck) claret ground porcelain charger depicting Countess BruennerEnkovirth as the ‘Jewish Bride’ late 19th century, signed o. schröbel, after the painting by rembrandt Finely painted to show the lady in magenta velvet hat and green velvet sleeves, her long dark hair trailing over her shoulders, surrounded by fine gilt scrolls on a claret ground, the outer border composed of finely painted flowers and scrolls in various colors in yellow ground panels, surrounded by gilt raised dots on blue and gilt, blue beehive mark, impressed marks, remnants of old O.Lawson label, and titled in German to reverse. D: 16 3/4 in. $1,500-2,500

107 132539/2 Large Limoges hand-painted and gilt porcelain charger circa 1900, signed dubois Centrally painted with a scene of a courtly couple and their newborn baby, framed by raised gilt painting of rococo scrolls, dolphins, and scrolls on a pink, sky blue and lemon ground, the bottom right signed Dubois, the reverse with red Wm Guerin Limoges France mark. H: 2, W:15 3/4 in. provenance: Property of a Main Line lady $1,000-1,500

108 132548/2 Fine KPM hand painted porcelain plaque late 19th century, ‘st. cecilia at the organ’ painted by henry bucker after the painting by carlo dolci The reverse with impressed KPM and sceptre mark and partial paper label for Henry Bucker, within a custom giltwood frame. H: 10 7/8, W: 8 3/4 in. (plaque) $5,000-8,000


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110 132361/7 Mathurin Moreau (French, 1822-1912) ‘hunter’, 19th century Bronze, mid-bronze patina, depicting a hunter mid-stride with animal carcass, horn and club, atop base with oak tree stump, base signed Moreau in script. H: 22, W: 7, D: 6 1/2 in. provenance: Private Collection, Boston, MA $1,000-1,500

109 132259/8 After Alfred-Emilien, Comte de Nieuwekerke (French, 1811-1892) and Charles Cumberworth (French, 1811-1852) ‘la mort de duc de clarence’ cast by susse freres Pewter garniture, the central group cast to depict the death of the Duke of Clarence modelled on a rectangular gothic plinth bearing a French inscription, reading in part, “Death of his Lordship the Duke of Clarence, brother of the English King Henry V, killed at the Battle of Beauge”, the two knight figures modelled by Charles Cumberworth, each piece marked with Susse Freres pastille and impressed M. H: 21 1/2, W: 26, D: 8 1/2 in. (central) H: 27, W: 6 3/8 in. (flanking) provenance: Formerly the property of Russian banker and industrialist Aleksei Ivanovich Putilov (1860 1940, Paris). Acquired in Paris after 1917. By descent to the current owner. note: A bronze example is in the Royal Collection Trust, recorded at Barton Manor (Osborne House estate) by 1901. We have been unable to trace another example in pewter. $3,000-5,000

111 132361/8 Maurice Bouval (French, 1863–1916) ‘hunter’, late 19th century Bronze, black patina, depicting a nude male hunter with pheasant and sling peering into the distance, on naturalistically-cast base, base signed M Bouval in script, Goldscheider foundry mark. H: 28, W: 13, D: 14 in. (overall) provenance: Private Collection, Boston, MA $1,200-1,800


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112 132549/4 After the Borghese Gladiator ferdinand barbedienne (french, 1810-1892), founder Bronze, black patina, modelled nude on rectangular base, base signed “F.Barbedienne. Fondeur” with A. Collas Reduction Mechanique pastille. H: 19, W: 15, D: 17 in. (overall) $1,500-2,000

113 132378/28 Gerhard Janensch (German, 1860-1933) man with sledgehammer, circa 1920 Bronze, dark-brown patina, modeled to depict an athletic male nude wielding a sledgehammer, on a crescent-shape base, the base signed “G. Janensch, 1920”. H: 40 1/2, W: 18, D: 17 in. (overall) $2,000-3,000

114 132378/12 Aimé-Jules Dalou (French, 1838-1902) ‘antoine-laurent lavoisier’, circa 1901 Bronze, dark brown patina, signed DALOU, and inscribed “SUSSE Frs Paris Edt” and “cire perdue” in cast, also stamped with “Susse freres editeurs” pastille. H: 20, W: 12, D: 12 in. note: Antoine-Laurent Lavoisier (1743-1794), is considered one of the fathers of modern chemistry. His work included some of the first truly quantitative chemical experiments. He named both oxygen and hydrogen, and proved that they were the two components of water. He was guillotined in 1794 but was posthimously exonerated by the French government a year and a half later. This figure of Lavoisier, shown seated and in contemplation, was commissioned in 1886 to decorate the Grand Amphitheatre in the New Sorbonne. It was exhibited in plaster at the Salon of 1890, with the bronze models appearing in 1901. $3,000-4,000


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115 132532/1 Edouard Drouot (French, 1859-1945) joueuse de pipeaux Bronze, mid-brown patina with reddish highlights, signed “drouot” in cast, raised on integral chamfered square base. H: 33 in. $3,000-5,000

116 132290/7 Henri Louis Levasseur (French, 1853-1934) ‘woman with book’, early 20th century Bronze, mid-brown patina, cast to depict a woman with holy book and rosary, starring pensively at the ground, the base signed “H LEVASSEUR”, impressed “5” to back of base, the underside incised “DB”. H: 32, W: 10, D: 8 3/4 in. $1,500-2,000

117 132549/3 Eugene Aizelin (French 1821-1902) ‘penelope’ Bronze, mid-brown patina, modelled standing with her hand at her chest, the other holding bow and quiver, the base titled “Penelope” and signed “ E ne. AIZELIN. SCULP.” H: 24, W: 7 3/4, D: 6 1/2 in. $1,000-1,500


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118 132259/7 Continental bronze figure of a young girl early 20th century, signed p. baur Modelled standing with flowers gathered in her arms, a broken pot hung over her arm, signed “P. Baur” in cast. H: 28 in. provenance: Formerly the property of Russian banker and industrialist Aleksei Ivanovich Putilov (1860 - 1940, Paris). Acquired in Paris after 1917. By descent to the current vendor. $1,000-1,500

119 132504/1 Jean-Alexandre-Joseph Falguière, (French, 1831-1900) patinated and gilt bronze bust ‘goddess isis’, paris, mid 19th century, georges emile henri servant (french, 1828-1890), founder Mid-brown and gilt patina, modelled partially nude with peacock and feather headdress, wearing a beaded necklace centered by winged amulet on square plinth, the base signed ‘A. Falguiere’ in script, the back of the base impressed ‘2, G&S, MÉDAILLE D’OR 1867’. H: 27 1/2, W: 17 1/2, D: 9 3/4 in. (overall) note: Jean-Alexandre-Joseph Falguière was born in Toulouse in 1831, the son of a cabinetmaker. He received a scholarship from the city of Toulouse to attend the École des Beaux-Arts in Paris where he studied with the sculptor François Jouffroy (18061882). Falguière’s work was first seen at the Salon in 1857. Two years later, he and fellow sculptor Léon Cugnot (1835-1894) received the Prix de Rome. Falguière was heavily influenced by Jean-Baptiste Carpeaux (1827-1875) with whom he worked at the Académie Française in Rome, but Falguière continued to exhibit at the Paris Salon until 1899. He received the medal of honor in 1868 for his marble rendering of Tarcisius. In addition to his city-commissioned monuments, Falguière became known for his representations of female mythological figures. In 1882, he was appointed as a professor and member at the École des Beaux-Arts. $5,000-7,000


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120 132549/7 Emile Herbert (French, 1828-1893) semiramis, georges emile henri servant, founder Bronze, mid-brown patina, signed EMILE HERBERT, and with G S Medaille d’Or 1867 foundry mark. H: 15 1/2 in. note: Semiramis was a mythological Assyrian queen, renowned for her beauty and strength. She was the daugter of the Syrian fish goddess Dekarto, but was abandoned by her mother and weaned instead by doves. She was the wife of King Ninus, and when he died, she ruled for forty-two years. She conquered much of Asia, restored ancient Babylon, and built monuments and palaces, with numerous astounding works of antiquity in Iran or along the Euphrates being ascribed to her. Legend has it that when she abdicated in favor of her son Ninyas, she became a dove and vanished towards the heavens. $3,000-5,000

121 132259/6 Henri Honoré Plé (French, 1853 - 1922) ‘echo des bois’, paris, late 19th century, cast by e colin & cie paris, retailed by tiffany & co. Warm greenish mid-brown patina, the nude maiden with hands cupped behind her ears on a naturalistically modeled ground, the base titled to front in relief “Echo des Bois,” the tope of the base signed Henri Ple, impressed marks for E COLIN & Cie PARIS and TIFFANY & Co. impressed to edge of base. H: 28, W: 13, D: 12 in. (overall) provenance: Formerly the property of Russian banker and industrialist Aleksei Ivanovich Putilov (1860 - 1940, Paris). Acquired in Paris after 1917. By descent to the current vendor. note: Henri Honoré Plé (1853 - 1922) was trained in the academic style and worked with Gérault and Mathurin Moreau. The movement of his work reflects his experience as a painter. Plé exhibited at the Salon beginning in 1877, eventually winning honourable mention in 1879. At the Paris 1900 Exposition Universelle he received the bronze medal. literature: For a smaller casting of the present model, see Bermann, no. 4283 (19 1/2 in.) $3,000-5,000


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122 132467/1 Francois-Raoul Larche (French, 1860-1912) gourmande, siot, paris, founder Large bronze, dark brown patina, modelled to depict a young nude girl and goat with grapes, signed “RAOUL LARCHE” to base, impressed 2434 SIOT-PARIS. H: 36, W: 17 1/2, D: 13 in. note: Francois-Raoul Larche is one of the most celebrated French sculptors of the Art Nouveau style, praised for his public as well as commercial works. Larche entered the Ecole Nationale des Beaux-Arts in 1878 and began exhibting at the salons in 1884. In 1886, Large was awarded the silver medal for sculpture at the Grand Prix in Rome. He also received the gold medal at the Universal Exhibition of 1900 and a medal of honor in 1910. Gourmande (trans: “greedy”), shows a young girl withdrawing her grapes from a curious and hungry goat. The ability to represent movement in a static casting is a hallmark of his style. For a smaller casting of this model, see Bermann no. 4408 (17 1/2 in) $8,000-12,000


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123 132405/3 Louis-Auguste Hiolin, (French 1846-1910) au loup!! Bronze, brown patina, the oval base with two plaques, one titled “Au Loup!! / Par Hiolin / hors Concours”, the other “SALON 1888 / ACQUIS / PAR LA VILLE DE PARIS”, also signed in cast “Hiolin”. H: 31 1/4 in. provenance: Property from the Estate of Rochelle Sepenuk, sold Sotheby’s October 21st 2008. note: Hiolin studied under Viollet de Duc, Jouffroy, and Aimé Perrey, was a member of the Artistes Français, and received four medals for his work, the last in 1900. “Au Loup!!” depicts a young shepherd running with his dog in pursuit of the wolf that has just slain one of his sheep, and is possibly Hiolin’s best known work. It was exhibited at the Salon in 1897, and bought by the city of Paris in that year for Les Parc de Buttes Chaumont. Among Hiolin’s other notable works are the monument to the dead of 1870 at Soissons, his statue of the dramatist Jean Racine at La Ferté-Milon, and the sculptures he produced for the Château de Pierrefonds. Berman vol. 4 no. 4373 $8,000-12,000


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124 132378/1 Antonio Giovanni Lanzirotti (Italian, 1839-1921) bronze bust of a Maiden late 19th/early 20th century Golden and mid-brown patina, the maiden cast with flowing hair and gently draped bust on socle base, signed “G. LANZIROTTI”. H: 24, W: 12 1/2, D: 10 1/2 in. $1,000-1,500

125 132259/4 Charles Raphael Peyre (French, 1872-1949) ‘three putti’, circa 1900 Bronze, brown patina, depicting three putti playing amongst sheaves of wheat, on a rosso antico marble base, the bronze signed “R.C. Peyre”. H: 13 1/2, W: 9 1/2, D: 7 1/2 in. provenance: Formerly the property of Russian banker and industrialist Aleksei Ivanovich Putilov (1860 1940, Paris). Acquired in Paris after 1917. By descent to the current owner. $800-1,200


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126 132446/3 Giovita Lombardi (Italian, 1837-1876) chien maltais, 19th century Bronze, mid-brown patina with gilt and red highlights to coat, modelled as a Maltese dog at play, on felted wood base with brass plaque inscribed “Chien Maltais Par G. Lombardi Exp on des Beaux Arts (Vienne)”, the underside with stenciled paper label for retailer? “E. Levieil 18 Rue Lafayette Paris”, the bronze apparently unmarked. H: 12 1/2, W: 19 1/2, D: 9 in. (bronze only) $2,000-3,000

127 132415/5 After Thomas Francois Cartier (French, 1879-1943) hound on the scent Bronze, mid-brown patina, modelled with nose to the ground and leg raised, the base signed “CARTIER”. H: 12 1/2, W: 27, D: 9 in. (overall) $1,000-1,500


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128 131870/25 Fine French gilt bronze and ivory figure circa 1900 Modelled to depict a fair maiden with a book and rose in hand, descending an onyx staircase, signed ‘D. Alonso”, to back of dress. H: 9 1/2 in. $1,000-1,500

129 132415/3 Fine French gilt bronze and ivory figure circa 1900 Modelled to depict a fair maiden with a book and rose in hand, descending a granite staircase, signed to back of dress “ET. Watrin editeur”. H: 13 1/2, W: 5 1/2, D: 5 3/4 in. $2,000-3,000

131 132549/8 Antonio Frilli (Italian, 19th/20th century) beatrice, circa 1900 Carved white marble bust, signed “A. Frilli Firenze”. H: 18, W: 18, D: 10 in. $1,000-1,500 132 132534/10 Italian carved white marble bust of a young woman and amphora late 19th century Sensitively carved to depict a young woman holding a vase, unsigned. H: 19 1/2, W: 15, D: 13 in. $800-1,200

130 132415/2 Louis Ernest Barrias (French, 1841-1905) joan of arc Fine chryselephantine gilt bronze, depicting Joan of Arc in full armor with her hands chained raised on circular base inscribed “E. Barrias”, and “Susse Fres. Edt.”, and with Susse freres cache, also inscribed “Vous avez pu m’enchainer vous n’enchainerez jamais la Fortune de France” to edge of base. H: 20 in. $3,000-5,000


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133 132532/5 Pair of Italian carved marble wall brackets 19th century Each modelled with twin angel heads amongst grapes and leaves. H: 15, W: 16, D: 9 1/2 in. $800-1,200

134 132378/36 G. Colin (French, 19th/20th century) 19th century White marble depicting a partially nude male seated at the helm of a ship, signed ‘G. COLIN’. H: 25, W: 20, D: 14 1/2 in. $3,000-5,000

135 132307/1 Luigi Pampoli (Italian, 1791-1847) early 19th century White marble, sensitively carved to depict a young girl seated, signed “L GI PAMPALONI. F.” to base. H: 15, W: 13 3/4, D: 10 in. $3,000-5,000


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136 132120/24 Large framed, polychrome and gilt Russian icon ‘the joy of all who sorrow’, 20th century in earlier frame The rectangular icon within a grape bough carved and giltwood frame, enclosed within a conforming mahogany veneered and glazed frame with inset eglomise crest. H: 16, W: 14 in. (icon) H: 34, W: 26, D: 5 1/2 in. (case) $2,000-3,000

137 132120/29 Russian polychrome and gilt painted panel icon ‘christ almighty’, late 19th/early 20th century Within a custom giltwood frame. H: 14, W: 12 in. $1,000-1,500

138 132120/28 Russian polychrome and gilt painted panel icon ‘mother and child’, 18th century Within a later giltwood frame. H: 13 1/2, W: 12 in. $1,000-1,500

139 132120/27 Russian framed, polychrome and gilt painted panel icon ‘the baptism’, 19th century Within a carved and giltwood frame. H: 12, W: 10 in. (icon), H: 14 1/4, W: 12 1/2 in. (framed) $1,500-2,500


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140 132120/26 Eastern Orthodox framed, polychrome and gilt painted panel icon ‘john the evangelist’, 20th century with earlier frame Framed by a floral carved and giltwood frame enclosed within a conforming ebonized and glazed case. H: 12 1/4, W: 10 1/2 in. (icon) H: 26, W: 20, D: 4 1/2 in. (case) $2,000-3,000

141 132120/25 Russian embroidered silk tapestry ‘the entombment’, early 20th century Embroidered in metallic thread against a red silk ground depicting the entombment of Christ, the border embroidered with a Cyrillic inscription on green silk ground. H: 24 1/4, W: 27 3/4 in. $1,000-1,500

142 131988/78 Russian Imperial gold and silver thread brocade fragment 19th century, framed circa 1935 Centered by the Romanov eagle from tight gold coils, surrounded by sequins and a lacey border of silver and gold thread, mounted onto circular gold silk and within conforming glazed frame, gilt Hammer Galleries insignia and “Made of Imperial Russian Brocade from the Hammer Collection” verso. D: 9 3 /4 in. (sight). provenance: From a prominent Philadelphia collection. $800-1,200


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143 131959/11 Russian Gardner ‘Order of St Vladimir’ painted porcelain dinner plate moscow, circa 1785 The center painted to show the star of the order, within a ribbon painted border and undulating rim, blue underglaze mark and incised 00 to underside. D: 9 in. provenance: Private collection, Boston, MA. note: Three of the Gardner porcelain ‘Order’ services were commissioned by Catharine II in 1777, and the last, the Order of St. Vladimir, in 1783. The St. Vladimir service was the most expensive of the four, having cost 15,000 roubles. Her commissions were inspired by the great Meissen and Berlin porcelain services gifted to her shortly earlier. In her desire to emulate these great German services, she created porcelain that was of exceptional quality but also uniquely Russian. The services were used once a year, on their named Saints feast days. $5,000-7,000

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144 131959/14 Russian Gardner ‘Order of St George’ painted porcelain dinner plate moscow, circa 1785 The center painted to show the star of the order, within a ribbon and foliate painted border and undulating rim, blue underglaze and impressed marks to underside. D: 9 1/4 in. $5,000-7,000 145 131959/13 Russian Gardner ‘Order of St George’ painted porcelain dinner plate moscow, circa 1785 The center painted to show the star of the order, within a ribbon and foliate painted border and undulating gilt-edged rim, blue underglaze and impressed mark to underside. D: 9 1/4 in. $5,000-7,000

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146 131959/12 Russian Gardner ‘Order of St Vladimir’ painted porcelain dinner plate moscow, circa 1785 The center painted to show the star of the order, within a ribbon painted border and undulating rim, blue underglaze mark and incised 110 to underside. D: 9 1/8 in. provenance: Private collection, Boston, MA. $5,000-7,000

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147 132409/13 Russian Imperial bisque porcelain figure of a peasant woman gardner porcelain manufactory, moscow, circa 1890 Depicting a woman in work clothes, wringing out a dish towel, the underside with red Gardner factory stamp, red painted number 16. H: 8, W: 3 3/4, D: 3 3/4 in. (overall) $1,500-2,000

148 132409/19 Russian Imperial porcelain cobalt cache pot with swallows reign of alexander iii, circa 1889 With flaring rim, the body raised with a series of swallows on a cobalt blue ground, supported on three rounded feet, the underside with green imperial cypher for Alexander III over 89. H: 7 3/4, W: 10 in. $3,000-5,000

149 132409/18 Russian Imperial porcelain Easter egg imperial porcelain factory, st. petersburg, circa 1850 Well painted on one side to show a male saint, the other side finely gilded. H: 4 1/2 in. $3,000-5,000


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150 132409/1 Russian Imperial porcelain vase imperial porcelain manufactory, st petersburg, period of nicolas i, circa 1840 Baluster form, the finely gilt scroll handles to neck flanking the relief molded Imperial eagle on either side, the body painted on one side to show a boyar at the entrance to a monastery conversing, as a beggar and attendant look on, on the other side with a boyarina with her daughter and attendant, the rim and lower body with a series of applied harpie motifs interspersed with raised gilt floral scrolls, the whole raised on circular foot, blue cypher mark to underside. H: 26 in. $60,000-80,000


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(reverse side)


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151 131576/1 Fine and Important Fabergé gold, silver, guilloché enameled, and seed pearl frame enclosing a portrait miniature on ivory of a young boy workmaster henrik wigström, st. petersburg, circa 1908-1917 miniature by vasilii zuev, the sitter possibly tsarevich alexei or prince wilhelm of prussia Rectangular form with white opalescent enamel over sunburst engineturned ground, the oval aperture with pearl set bezel framing a portrait of a young boy in white gown, signed lower center, with ivory back and silver strut. H: 3 1/2, W: 3 in. provenance: Private collection, NJ. note: Henrik Wigström (Finnish, 1862-1923) succeeded one of Fabergé’s most remarkable workmasters, Michael Perchin. Perchin was the firm’s principal master goldsmith, or chief workmaster, from 1886 until his death in 1903. Vasilii Zuev (Russian, born 1870) was the court miniaturist for the Office of His Imperial Majesty from 1904. Additionally, Zuev was recruited to work for the firm of Fabergé and painted miniatures for a number of Imperial presentation snuff boxes and Easter eggs, many of which were produced in the workshop of Henrik Wigström. $30,000-50,000


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(larger than actual size)


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152 132409/2 Fabergé rose and green gold mounted guilloché enameled silver cigarette case workmaster henrik wigström, st. petersburg, 1908-1917 Rounded rectangular form with red engine-turned enamel ground within rose and green gold mounted leaf-tip border, the hinged lid with rose gold clasp centered by emerald cabochon, giltwashed interior, 88 zolotnik. H: 1/2, W: 3 1/2 in. D: 2 1/2 in. 5 oz. $12,000-18,000

153 133035/40 Fine Fabergé 14k rose and yellow gold mounted nephrite cane handle workmaster henrik wigström, st. petersburg, 1908-1917 The right-angled cylindrical nephrite handle terminating in a yellow gold collar with leafy scrolls and anthemion on a matte ground, between two rose gold rings, the lower bearing hallmarks, all surrounding the threaded brass interior bearing scratch number ?10598, together with three canes, malacca, ebony and curly maple, all with rose and yellow gold terminals stamped 14k. (4). H: 3 1/2, W: 2 3/4 in. (handle); L: 33 in. (cane) provenance: Purchased M.S. Rau antiques, New Orleans, LA. $6,000-8,000


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154 132409/16 Fabergé guilloché enameled silver vodka cup assaymaster alexandra romanova, anders nevalainen, st. petersburg, 1896-1908 Cylindrical form, the body enamelled in translucent green over an engine-turned guilloché ground, gilt-washed interior, 88 zolotnik. H: 2, Dia: 1 1/2 in. 1 oz. $2,000-3,000

155 132409/17 Large Russian silver and cloisonné enameled beaker late 19th/early 20th century Tapering cylindrical form over knop raised on circular foot with scrolling floral design in shades of blue, pink, purple, red, and green enamels on a stippled ground, apparently unmarked. H: 8 1/4, Dia: 3 1/2 in. 15 oz. $8,000-10,000

156 132405/1 Fine Russian shaded cloisonné enameled silver sugar casket gustav klingert, moscow, circa 1900 Rectangular form with domed lid, the body with pale pink stylized lilies and purple and blue violet flowers in shaded enamels, framed by a border with red, pink, and white bellflowers and turquoise dots on a cobalt blue ground, gilt-washed interior, with polish import mark struck to underside. H: 4, W: 3 1/2, D: 3 1/2 in. 13 oz. $25,000-30,000


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157 132409/15 Russian silver-gilt and cloisonné enameled kovsh pavel ovchinnikov, moscow, 1908-1926 The body of varicolored pastel-toned floral and pineapple-form designs in shaded enamel, beneath a register of scrolling flowers on a white ground with beaded details that extends down the hook handle, 84 zolotnik. H: 2 3/4, W: 6 in. 7 oz. $6,000-8,000

158 132409/14 Russian silver-gilt and cloisonné enameled tea caddy gustav klingert, assaymaster lev fridrikhovitch oleks, moscow, 1894 Square-form with sloping shoulders, each side panel decorated with periwinkle, turquoise, red, and purple enameled medallion on a stippled gilt ground upon a turquoise enameled field bordered with white enameled beading, the lift off domed cover over stopper with conforming decoration, 84 zolotnik. H: 5 1/2, W: 3 1/4, D: 3 1/4 in. 15 oz. $10,000-15,000

159 132409/6 Russian silver and cloisonné enameled sugar basket pavel ovchinnikov, assay master anatoly apollonovich artsybashev, moscow, 1894 Swing handle basket decorated with white, green, and red flowers within cobalt blue circles, edges with blue dot border, gilt-washed interior, raised on circular foot, 84 zolotnik. H: 2 1/4, Dia: 3 3/4 in. 6 oz. $3,000-5,000

160 132409/5 Russian silver and cloisonné enameled cigarette case 6th moscow artel, circa 1915 Rectangular form with varicolored shaded geometric and scrolling foliate and floral motifs on a cream, olive green, and cobalt blue ground, giltwashed interior, 84 zolotnik. L: 4, W: 3 in. 5 oz. $4,000-6,000


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161 132409/4 Russian silver and cloisonnĂŠ enameled cigarette case n. zverez, moscow, early 20th century Rectangular form with intricate scrolling floral and foliate shaded enamels on a dark green ground within a light blue ground enclosed by border of red, orange, blue, and pink enamels, gilt-washed interior, 84 zolotnik. L: 4 1/4, W: 3 1/4 in. 7 oz. $4,000-6,000

162 132409/3 Russian silver and cloisonnĂŠ enameled cigarette case maria semenova, moscow, 1908-1926 Rectangular form with scrolling floral and foliate pink, blue, purple, green, and orange shaded enamels on a textured matte ground, surrounded by a cobalt enamel ground border, gilt-washed interior, 84 zolotnik. L: 4, W: 3 1/2 in. 7 oz. $5,000-7,000

163 132507/1 Russian cloisonnĂŠ enameled silver beaker moscow, 1908-1926, makers mark mc Tapering cylindrical form on circular foot, with scrolling floral and foliage in shades of pink, green, blue, purple, and yellow enamels on a grey ground below a light pink latticework and floral design, all above white and green flowerheads within a deep red enameled ground, 84 zolotnik. H: 5 1/4, Dia: 2 1/2 in. 5 oz. $1,000-1,500

164 132409/7 Russian silver-gilt kovsh yevdokia sazikov, st. petersburg, 1873 Typical form with hook handle, body with applied Romanov Imperial eagle and reeded rim, scrolling motif to handle on a textured ground, raised on oval-form foot, 84 zolotnik, with Imperial Warrant to underside. H: 2 1/4, W: 7, D: 3 1/4 in. 6 oz. $5,000-7,000


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165 132499/8 Pair of Russian silver four-branch four-light candelabra Modelled as a standing bogatir in full armor holding a standard issuing four scrolling candlearms from a corona, hung with silver pendant drops and surmounted by four flowerheads and finial, marked for Sazikov with non corresponding later kokoshnik mark. (2). H: 22 in. Total weight: 235 oz. $20,000-30,000

166 132415/8 Russian red marble, diamond, silver-gilt and guilloché enameled dresser box spurious marks for fabergé and assaymaster alexander syeviyer, st. petersburg, 1896 Rectangular form and hinged lid, with silver-gilt underside and mounts, the lid centered with crowned shield-form cartouche surrounding the Romanov Imperial eagle, clasp and mounts with diamonds and red guilloché enamel, front side with anniversary dates “1613” and “1913”, each side with two gilt swans and diamond circular handles. H: 1 3/4, W: 4, D: 2 1/8 in. $1,000-1,500


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167 132409/11 Russian gilt bronze mounted nephrite frame circa 1917 Shaped rectangular frame topped with winged mask with feather plume issuing laurel leaf swags, arched frame to center flanked by twin masks, with commemorative dates “1914” and “1916” and cyrillic inscription, easel back. H: 8, W: 10 1/2 in. $6,000-8,000

168 132120/21 Vasily Grachev (Russian, 1831-1905) ‘cossack and lover’, felix chopin, founder Bronze, dark brown patina, depicting a cossack man on horseback, in romantic embrace with a maiden, above naturalistically-cast base, the base signed in cyrillic, F. Chopin, and circular stamp with cyrillic inscription. H: 15 1/2, W: 13, D: 5 3/4 in. $2,000-3,000

169 132499/1 Continental rhodonite and gilt bronze five-piece desk set late 19th/early 20th century Comprising an inkwell with gilt bronze ram’s head mounts and hinged cover, pen tray, ink blotter, stamp case, and nib tray. (5). H: 5 1/2 in. (ink well) $3,000-5,000


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170 132499/4 A Russian malachite veneered and silver-handled tray Dished-oval form with twin laurel-cast handles, raised on ball feet, spuriously marked for Grachev. H: 3, W: 14 1/2, D: 10 in. $2,500-3,500

171 132499/3 After A.M. Bonegor (Russian, 19th/20th century) two cossacks riding horseback Bronze, mid-brown patina, depicting a Cossack couple travelling on horseback, on a naturalisticallymodelled base, the base signed “A.M. Bonegor”. H: 11 1/2, W: 8 1/4, D: 5 1/2 in. $2,500-3,500

172 132499/2 Fine Russian champlevé enameled, engraved, and turquoise set bronze frame enclosing portraits of Alexandra Feodorovna and her children early 20th century, marked in cyrillic In the form of a pair of a monastery doors engraved with lattice and stars with two lion’s mask handles surrounded by an architectural arch incorporating champlevé enameled panels, surmounted by a pierced gallery interspersed with turquoise cabochons, the two doors opening to reveal a circular hand-embellished portrait of Alexandra and two oval portraits of two of her five children below, stamped to underside, easel back. H: 10, W: 8 in. $3,000-5,000


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173 132499/6 Chinese export porcelain polychrome and gilt painted vase for the russian market, circa 1905 The baluster form with double-eagle and St. George crest to each side, the rim, neck and base with banded decoration, unmarked. H: 16, W: 8 in. $2,000-3,000

174 132442/11 Pair of Chinese export porcelain famille rose armorial platters 18th century Octagonal dished form, the central reserve painted with coat of arms within a circular floral border, the rim painted with floral swags. H: 1 1/2, W: 13, D: 9 1/2 in. $2,000-3,000

175 132442/7 Rare Chinese export famille rose porcelain Masonic armorial soup tureen circa 1780 The oblong domed cover with canted corners surmounted by a gilt painted flower finial, painted with Masonic devices, monograms, well-rendered insects, etc., the conforming body similarly decorated, and with hare’s head handles. H: 8 1/2, W: 14, D: 9 1/2 in. $2,500-3,000


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176 132442/6 Chinese export armorial porcelain tureen circa 1780, with the arms of bradway, co. gloucester The oval domed cover painted with the arms, and surrounded by bunches of grapes, surmounted by red and gilt painted handles, the waisted body similarly decorated with two red and gilt handles to sides, the cover and body both with narrow bands of gilt stars on a cobalt ground around rims. H: 9 1/4, W: 12, D: 8 in. $2,000-3,000

177 132442/12 Chinese export porcelain wucai charger kangxi period Circular form with scalloped rim, the shallow reserve painted with a floral bouquet in a basket, within a border depicting floral-painted vignettes against a green ground, the rim with similar panels alternating between a patterned ground, blue Buddhistic symbol within double ring mark to underside. H: 2 1/4, W: 15 in. $3,000-5,000 178 132328/113 Collection of Chinese export armorial porcelain tablewares circa 1800 Including large tray, two lidded tureens and one undertray, small sauce tureen with undertray, lidded mustard pot and saucer, all blue and gilt painted with vine and leaf pattern to rim, each painted with “GC� monogram�. H: 14 1/2, W: 17 1/2, D: 2 1/2 in. provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $2,000-3,000


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179 131621/27 Chinese export porcelain armorial famille rose plate bearing the Okeover coat of arms circa 1743 The circular dished form with a border of four cartouches between springs of floral blossoms, two cartouches bearing the monogram LMO, the others with the ducal crown and dragon flanked by twin dolphins, the central reserve with elaborate rococo cartouche with Okeover coat of arms, quartering Byrmingham and Leake and impaling Nichol, flanked by twin hipocampe and flags. D: 9 in. note: For a similar example see Sargent, Treasures of Chinese Export Ceramics from the Peabody Essex Museum, pl. 198, p. 368 $4,000-6,000

180 132328/107 Large pair of Chinese export armorial chargers 18th century Circular form, painted to reserve with an armorial of wings and gulls over chevron and snake, enclosed within shield of three gilt stars on blue ground, all enclosed within elaborate gilt foliage, the cavetto painted with foliate sprigs in the famille verte palette, between two rust red and gilt borders. H: 2 1/2, W: 15 in. provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $4,000-6,000


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181 132378/5 Chinese export porcelain Mandarin palette punch bowl late 18th century Finely polychrome and gilt painted with court figures against a gilt and rust red diaper ground, the center painted with a circular medallion of figures in a landscape. H: 4 1/4, W: 10 1/4 in. $1,000-1,500

183 132328/64 Four Chinese export porcelain fu-dog candlesticks 18th century Modelled as a recumbent dog issuing a candle nozzle on its back, painted with florals in the famille rose palette against a gilt and rust red ground. H: 2 1/2, W: 5 1/4, D: 2 1/4 in. provenance: Christie’s: Ravenscliff Sale, May 6, 1978, Lots 651 and 652. Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $1,500-2,000

184 138143/2 Pair of Chinese export porcelain rose medallion vases 19th century Baluster form with twin gilt fu-dog mask and ring “handles”, the neck and body similarly painted on both sides to show a central motif of a bat holding a circular medallion with blossoms and butterflies, framed by a pair of birds, against an elaborate foliate and rust red “dot” ground. H: 18, W: 9 in. $1,500-2,500

182 132378/4 Chinese export porcelain Mandarin palette punch bowl 18th century Finely polychrome and gilt painted with scenes of figures in courtyards, against rust red and gilt diaper ground, the central medallion similarly painted, the interior rim with elaborate scroll and foliate decoration. H: 4 3/4, W: 11 1/4 in. $1,200-1,800


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185 132442/8 Pair of Chinese export famille rose porcelain vases 18th century The flattened baluster forms with twin lion handles, the neck and body with raised panels painted with florals and butterflies on a basketweave ground, the base with sepia painted landscape panels. H: 11, W: 7 3/4, D: 2 3/4 in. $3,000-5,000

187 132378/14 Large Sumidagawa vase with monkeys meiji period The ovoid form with ruffled and twisted rim of purple flambe and mottled seafoam against mirrored black drip glaze, the ribbed body profusely modeled with monkeys against a blood red ground, underglaze blue four-character signature to body. H: 18, W: 12 in. $1,000-1,500

186 132378/9 Four Chinese export porcelain teapots late 18th/early 19th century Including a double-gourd form pot with applied leaves; a cylindrical-form example with intertwined strap handles painted in the famille verte palette; and two ovoid-form examples painted with figures in a landscape, one in famille rose, the other in famille verte palette. H: 6 1/2 in. (tallest) $1,500-2,000


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188 131743/1 Set of five rare Japanese Arita porcelain imperial teacups and saucers seiji kaisha, meiji period, circa 1879-1890 The cups and matching saucers finely painted and gilt with alternating bands of pink and gold grounds, the pink bands centered by gilt oval medallion of a floral bouquet issuing beaded swags, one band centered by an oval with the imperial chrysanthemum mon painted in gold and red, the gold bands with textured gilt ground of repeating dots, centered with a garland of blue and white violets suspended from a bow, the underside of the cup and saucer signed in red enamel Japanese characters “Seiji Kaisha Kinsei” (respectfully made by the Seiji Company). (10). H: 3 1/2, D: 5 1/2 in. (overall) provenance: Purportedly acquired by a member of General MacArthur’s staff during the American military’s occupation of Japan following World War II. Private Hawaiian Collection. note: Seiji Kaisha was the purveyor of fine porcelains to the Japanese Imperial Household. Pieces produced for the Japanese Imperial Household are uniquely marked Seiji Kaisha (Seiji Company) Kinsei (Respectfully Made). The design for this set of cups and saucers is a copy of an earlier Minton design, also for the Imperial Household. A related set of porelain tablewares produced by the Seiji Company of Arita were exhibited in “Imperial Feasts- Modern Table Art,” a special exhibition organized by the Japanese Imperial Household Agency as part of a series of exhibtions celebrating the 10th anniversary of the enthronement of the Emperor Akihito (1/15/2000 - 2/06/2000). $6,000-8,000


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189 138151/2 Queen Anne floral marquetry inlaid mahogany settee 18th century and later The shaped crestrail over vasiform splats with marquetry inlay of an urn issuling blossoming florals, flanked by scroll carved arms above cabriole supports, the shaped drop-in seat cushion over carved apron raised on cabriole legs terminating in paw feet. H; 46, W: 58, D: 22 in. $1,000-2,500

190 132290/2 Queen Anne gilt and red lacquer secretaire bookcase circa 1720 and later The double-domed cornice above twin mirrored cabinet doors opening to an arrangement of document and ledger partitions above twin candle slides, the lower section with slant front writing surface opening to similarly decorated interior with an arrangement of drawers and pigeon holes, above two short and over three long graduated drawers raised on bracket feet. H: 90, W: 39, D: 24 in. provenance: Property of a lady. $4,000-6,000


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191 132328/91 George I style chinoiserie painted and black lacquered tall case clock william farrer, pontefract, west yorkshire, 19th century The circular silvered dial with Roman hours and foliate and angel pierced spandrals, the dial signed “Wm Ferrer Pontefract�, the flat dentil-molded hood with square glazed door, the case with long panelled door and single glazed porthole flanked by twin triangular moldings to sides, above conforming plinth base, the whole case polychrome and gilt painted to show chinoiserie scenes and floral sprigs on a black lacquered ground. H: 71 1/2, W: 16 1/2, D: 11 in. provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $2,000-3,000

192 132326/2 Fine pair of George III mahogany and satinwood inlaid knife boxes circa 1790 The case with satinwood and mahogany crossband inlay, the hinged sloping lid opening to a line-inlaid fitted interior, the underside of the lids inlaid to show a star, original shield-form silver escutcheon and oval pull, raised on ball feet. H: 15, W: 9, D: 11 in. $2,000-3,000


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193 132446/8 Pair of George I style giltwood and green marble console tables 19th century The rectangular marble top over lozenge and acanthus leaf carved frieze centered by a mask against a diaper ground, supported on acanthus leaf carved cabriole legs and pad feet, the fore-legs joined to frieze by S-scroll knee brackets. H: 30, W: 36, D: 21 in. $2,500-3,500

194 132479/1 Pair of George II walnut side chairs circa 1730 The raised crest centered by shell carving over vasiform splat and shaped stiles, above compass slip seat, the front rail with inverted shell, raised on shell-carved cabriole legs terminating in ball and claw feet. H: 39, W: 21 1/2, D: 20 in. provenance: Ex Collection Alfred R. Glancy, Jr., sold July 21st and 22nd 1963, lot 57 Property of a lady $10,000-15,000


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195 132328/72 Continental armorial etched amber glass garniture Comprising a pair of tall candlesticks and a navette form centerpiece bowl with silver socle, all etched with armorials depicting a pair of rampant dogs flanking a shield surmounted by a crown. H: 18 1/2 in. (candlestick) provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $2,000-3,000

196 132328/98 George III fret carved mahogany games table circa 1780 The rectangular top with rounded edges opening to leather gaming surface and carved oblong and square recesses, above a fret carved frieze with gadrooned lower edge and C-scroll knee brackets, raised on fret carved square tapering legs and block feet. H: 28 1/4, W: 35 3/4, D: 16 1/2 in. (closed). H: 27 1/2, W: 32 3/4 in. (open). provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $1,500-2,000


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197 131808/6 Fine pair of George III ormolu and glass candlesticks william parker ‘patent’ bases, circa 1790 The four-sided cavetto form base in green glass, each side centered by ormolu paterae mounts issuing gilt swags, the bottom corners mounted with ormolu ram’s masks, issuing an inverted foliate-cast mount supporting cut crystal candlecup and drip pan (only one present, lacking suspended drops), above a conforming ormolu base supported on hairy ball and claw feet. H: 11, W: 6 1/2 in. (taller, overall). H: 8, W: 5, D: 6 1/2 in. (base only). provenance: Blanche Vere Guest, Countess Bessborough, wife of 8th Earl of Bessborough, Stansted House, Hampshire Thence by descent. note: William Parker patented the design for these candelabra bases on March 28, 1781. A nearly identical pair to the present lot, also in gilt and green glass, but with ball feet, were supplied circa 1783 to Chatsworth House. Other similar examples by Parker in blue glass and Wedgwood jasperware are also known. Parker’s son partnered with Perry to become Parker & Perry circa 1803 and later Perry & Co. around 1820. literature: Mortimer, The English Glass Chandelier, Woodbridge, Suffolk, 2000, p. 97, pl. 43. $4,000-6,000


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198 132470/1 Fine George III mahogany silver table circa 1760 The rectangular single-board top with fret carved gallery, above a pierced frieze supported on tri-column legs joined by fret carved X-frame stretcher terminating in block feet and brass castors. H: 30, W: 32, D: 22 in. $8,000-12,000


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199 132328/140 Pair of George III giltwood eagle-form wall brackets 18th century The underside of the demilune shelf carved with acanthus leaf and C-scrolls, over eagle perched on S-scroll and acanthus leaf support. H: 13 1/2, W: 11, D: 7 in. provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $3,000-5,000

200 132338/2 George III mahogany secretaire bookcase circa 1790 In two sections: the upper case with dentil-molded cornice above twin astragal glazed doors, opening to two adjustable shelves over a bay of four short drawers and twin candle slides, the lower section with fall-front writing surace opening to arrangement of drawers and pigeonholes over four long graduating drawers, raised on ogee bracket feet. H: 88, W: 44 1/2, D: 24 in. $1,500-2,500


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201 138131/1 George III mahogany and satinwood inlaid tallcase clock george moss, carlisle, circa 1800 The circaular painted dial with Roman hours and Arabic minutes below moon phase dial painted with bucolic landscape within twin hemispheres, the spandrels floral painted, the dial signed Geo Mofs, Carlisle, within bonnet-top with broken arch pediment terminating in pinwheel inlays, the glazed dial door flanked by twin columns headed by conch inlays, over rectangular case with chamfered corners, over dquare base with circular inlay, supported on square feet. H: 86, W: 21, D: 10 1/2 in. $1,500-2,500

202 132552/1 Fine George III mahogany secretaire bookcase circa 1770 The molded top over fret carved frieze over two astragal glazed doors opening to shelves, the lower section with drop-down writing surface opening to an arrangement of pigeon holes and drawers, some with concealed fronts, over two short and three long cockbeaded drawers flanked by fluted quarter columns, raised on bracket feet. H: 90. W: 48, D: 24 in. $2,000-3,000


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203 132328/62 Spode “Tumbledown Dick” pattern green and magenta painted partial dessert service circa 1820 Including nine dessert plates, two sauce tureens (one with ladle) and undertrays, two scallop-form bowls and two oval bowls, all transfer-printed, hand-painted, and gilt with a bird perched on a branch of peony blossoms, all marked “3086”, the dessert plates impressed “SPODE”, the scallop-form bowls impressed “SPODE 31”, the others impressed “SPODE 43”. (18). W: 8 in. (dessert plates) provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $1,000-1,500

204 132500/4 George III mahogany serving table circa 1770 The rectangular top over plain frieze with arched fret knee brackets raised on square legs and block feet. H: 30 1/2, W: 59 3/4, D: 29 in. $1,000-1,500


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205 138143/1 Pair of George III giltwood and eglomise inset demi-lune pier tables circa 1800 The D-shaped grey veined white marble top over conforming frieze, the front with florette medallions within roundels alternating with acanthus plumes, the sides with floral garlands, supported on square tapering legs with floral and leaf decoration headed by rectangular eglomise panels of gilt ribbon and vines on a black ground. H: 37, W: 45, D: 20 in. provenance: According to family history, the tables were originally acquired from Point Breeze, the Bordentown, NJ estate of Joseph Bonaparte Acquired by James Moses, President of Mercer Pottery Co., Trenton, NJ, after 1870 Thence by descent $6,000-8,000

206 132328/123 Pair of Derby porcelain hand-painted and gilt hare’s head stirrup cups circa 1820 Molded and painted as a hare’s head with loop handles, reeded neck and oval rim, unmarked. H: 3 5/8, W: 3 1/4, D: 6 3/4 in. provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $1,000-1,500


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207 132328/106 Regency mahogany, satinwood inlaid and leather top drum table circa 1810 The circular drum top with inset tooled green leather top above a frieze of four drawers alternating between four false drawer fronts, raised on four turned column supports and quadrapartite base issuing four square-tapering S-curve legs, the locks stamped “secure hand made double lever.” H: 28 3/4, W: 46 1/2 in. provenance: Property of Mrs. William R. Wister, removed from Runnymeade Farm, Coatesville, PA. $3,000-5,000

208 132338/1 Regency rosewood and gilt bronze mounted desk circa 1820 The rectangular top inset with tooled and gilt leather writing surface and framed by pierced gallery, above three-drawer frieze with lion’s mask pulls, supported on sphinx mask-mounted caryatid form square tapering legs, terminating on blocks, the lock stamped CHUBB’S NEW PATENT, St. Paul’s CH YD 41603 LONDON. H: 30, W: 52, D: 25 in. $3,000-5,000

209 132550/6 Regency mahogany side cabinet circa 1810 The superstructure composed of a single shelf over mirrored glazed back, behind bold S-scroll supports, over rectangular top with pronounced forcorners, over bold volute form supports, raised on conforming plinth base. H: 40, W: 37, D: 20 in. $1,000-1,500


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210 137500/11 Two Copeland porcelain Black Basalt and Parian Ware baptismal fonts, after the 12th century model at Winchester Cathedral, Hampshire stoke-on-trent, circa 1882 Depicting scenes from the life of St. Nicholas along with lion and bird medallions, the base inscribed “font in the Cathedral of Winchr”, both examples impressed “COPELAND” to underside, the parian example bearing the impressed date mark “O82”, the basalt example painted with some numbers and letters in red. H: 5 3/4, W: 5 in. (larger) $800-1,000

212 138096/1 Regency mahogany and ebony lineinlaid sideboard circa 1805 The rectangular top section with three-quarter brass gallery over serpentine case, the frieze with three long drawers flanked by two bow-front drawers with lion’s mask pulls, supported on square tapering legs. H: 58, W: 90 1/2, D: 30 1/2 in. provenance: Purportedly deaccessioned from the National Trust, Washington, DC J.L. Barta Antiques, Talladega, AL, 1954 Purchased in New Orleans, LA, circa 1975 $3,000-5,000

211 138054/2 Fine hand-painted portrait miniature on ivory probably english, early 19th century Painted to depict a seated young woman in a black dress and white lace, her feet perched upon a pillow, beside a draped table with an open book, bouquet of flowers, and string of beads, within a carved and giltwood frame, unsigned. H: 6, W: 4 1/2 in. (painting) H: 11 1/2, W: 10 in. (frame) $2,000-3,000


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213 132525/1 Pair of walnut black forest wall plaques with pheasant and snipe 19th century Carved to depict two pheasants and a snipe after the hunt, framed by a shaped backboard with molded edge. H: 34 1/2, W: 19 1/2, D: 3 1/2 in. (each) $2,000-3,000

214 132550/1 Fine Edwardian line inlaid satinwood secretaire breakfront bookcase early 20th century, harris lebus The stepped cavetto cornice over a pair of central astragal glazed cupboard doors flanked by a cupboard door to each side, opening to glass shelves, the lower section with drop-down secretaire drawer opening to a fan inlaid prospect drawer and an arrangement of pigeon holes and drawers, over pull-out slide inset leather surface, and three graduated drawers, flanked by two drawers and a cupboard door on each side, raised on shaped apron and bracket feet, the lockplates stamped ‘LEBUS’. H: 93 3/4, W: 90 1/2, D: 21 3/4 in. note: Harris Lebus was born in Hull, England, in 1852, the son of Louis Lebus, the German cabinetmaker who moved to England in the 1840s. The family moved to London in 1857. By 1889, the family’s furniture company, ran by Harris Lebus and his younger brother Sol, was the largest in England, employing around 1000 men and keeping a staff of 45. They supplied furniture to a variety of private clients, hotels, and institutions, including the Sultan of Zanzibar, the Cunard liner the Aquitania, and other furniture makers including Waring and Gillow. $3,000-5,000


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215 132025/1 Good Sheraton Revival inlaid and painted satinwood display cabinet circa 1900 In two parts; the upper section with a molded breakfront cornice above a frieze painted with entwined wreaths and flowerheads, above four glazed doors opening to shelves; the lower section of similar outline painted with a torchere flanked by gryphons and scrolls, above a pair of cupboard doors painted with bellflower trails and musical trophies, raised on square tapered legs ending in spade feet. H: 85, W: 59 3/4, D: 19 3/4 in. $4,000-6,000

216 132025/5 Early Victorian mahogany and rosewood banded breakfast table circa 1840 The circular crossbanded top over a plain frieze, supported by an hexagonal baluster column on a shaped circular base raised on three carved paw feet. H: 29, Diam: 50 in. $1,500-2,000


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217 132442/14 Fine and rare Copeland ‘jeweled’ porcelain sevenpiece presentation tea service after the model presented to queen victoria, circa 1854 Including teapot, lidded sugar bowl, creamer and two cups and saucers, all with raised gilt foliate designs embellished with cream, sky blue and green ‘jewels’ on a pink ground, within a silk lined, mirrored, tooled and gilt leather box, the top bearing the inscription “Duplicate service of one designed and manufactured by Mr. Alderman Copeland, M.P. expressly for Her Majesty Queen Victoria and presented to the Queen by her Grace the Duchess of Bedford, on her Majesty’s birthday May 24, 1854, purchased by Sir Francis Graham Moon, Bart.” H: 5 3/4, W: 14 1/4, D: 15 1/4 in. (box). H: 4 1/2, W: 7, D: 4 in. (teapot). $10,000-12,000


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218 138149/1 Fine and Large English stained glass window circa 1920, james powell & sons, whitefriars, london Composed of four panels combining to form an image of two musical angels with haloes and multicolored wings, stood below a chandelier hung from a cupola, underneath the banner motto “ Praise God in His Sanctuary”. H: 9 ft, W; 3 1/2 ft. (approx). provenance: Commissioned in March 1920 for the Westminster Presbyterian Church at Bloomfield, Essex County, New Jersey, order number 5323/164. Private collection. note: In 1834 James Powell, a London entrepreneur, purchased the Whitefriars glass company, which had existed since circa 1680. Much of their early output consisted of producing windows for the numerous Victorian churches that were being built across Great Britain and Ireland. Towards the end of the nineteenth century, they worked with the leading designers of the period, including Henry Holiday, Edward Burne Jones, William de Morgan and Philip Webb who designed glass for William Morris. A pre-Raphaelite influence can be seen in the present lot and the following one, particularly in the angels, which are derived from designs drawn by E. Penwarden, the studio’s angel specialist, around 1900. In 1919 James Powell & Sons changed its name to Powell & Sons (Whitefriars) Ltd. and in 1923 they moved to Wealdstone in West London. The stained glass department closed in 1973 and the company folded in 1980. We are grateful to Dr. Dennis Hadley for his assistance in cataloguing this lot. $8,000-10,000


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219 138149/2 Fine and Large English stained glass window circa 1920, james powell & sons, whitefriars, london Composed of four panels combining to form an image of two musical angels with haloes and multicolored wings, stood beneath a mulberry bush and six doves, and the banner motto “Praise Ye The Name of the Lord� H: 9 ft, W; 3 1/2 ft. (approx) provenance: Commissioned in March 1920 for the Westminster Presbyterian Church Bloomfield, Essex County, New Jersey, order number 5323/164. Private collection. $8,000-10,000


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220 132417/1 Pair of Doulton Burslem Jester wall pockets charles noke, circa 1920 Modeled as a lady jester and sorceress, with gilt floral details, the reverse with green crowned mark and ‘England’, the back of sorceress signed illegibly “Noke?” H: 10, W: 11 1/2, D: 4 1/2 in. provenance: Freeman’s: July 18, 2009, Lot 79 $3,000-5,000

221 132511/1 Collection of Royal Copenhagen “Flora Danica” porcelain tablewares 20th century Including five dinner plates (20-3549), two reticulated dinner plates (203553), four salad plates (20-3573), six teacups and saucers (20-3597), triangular salad bowl (20-3509), square plate (20-3564), pickle dish (203543), triangular covered custard cup (20-3575) and undertray (20-3576), covered sugar bowl (20-3624), creamer (20-3626), covered mustard pot (20-3589), demitasse cup and saucer (20-3618), covered mustard cup (203514) and undertray (20-3515), reticulated luncheon plate (20-3554), bread and butter plate (20-3552), and caviar dish (20-3501), all marked to underside with the names of botanical species in Latin, green Royal Copenhagen mark over blue underglaze wave mark and green painted model numbers. (29). D: 11 1/2 in. (largest) $5,000-8,000


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222 132400/1 Elizabeth II silver stirrup cup asprey & co ltd, london, 1987-88 Realistically modelled in the form of an English bulldog, naturalistically chased to simulate fur, with textured collar around neck, gilt-washed interior. H: 4 1/2, Dia: 3 in. 19 oz. $2,000-3,000

223 132493/1 Hans Wegner, Valet chair johannes hansen, denmark, 1953 Oak, teak, brass, leather, unmarked. H: 37, W: 20, D: 20 in. $3,000-5,000 END OF SALE


Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.


www.freemansauction.com 101

Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Mon - Fri, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com Mr. C’s Contact: Charles Cohen 267.977.9567 mrcees61@gmail.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com A. Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 mastroccomovers@snip.net Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 info@atelierartservices.com The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

v2.2013


bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE (Primary)

RESALE

COUNTRY

PHONE (Secondary)

/

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

(signature required to execute your bids)

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED


www.freemansauction.com 103

Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii whitney bounty tim lambert American Silver samuel ≤ free≤an ii Asian Arts richard cervantes robert waterhouse (consulting specialist) tianhan gao andrew zajack English & Continental Furniture & Decorative Arts david walker tim andreadis sarah blattner tim lambert Silver & Objet de Vertu david walker sarah blattner Fine Jewelry & Watches samuel ≤ free≤an ii madeline mccauley allia dhody natalie prusich American Art alasdair nichol david weiss andrew huber candace vivian

Prints anne henry david weiss aimee pflieger andrew huber candace vivian fred frederick European Art & Old Masters alasdair nichol david weiss andrew huber candace vivian Photographs & Photobooks aimee pflieger candace vivian fred frederick Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger candace vivian fred frederick Oriental Rugs & Tapestries richard cervantes david weiss Books, Manuscripts, Maps & Ephemera david j bloom christiana scavuzzo

officers

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter amy parenti laura cox

chair≤an samuel ≤ freeman ii

Consignments samuel h cooper james e buckley maya shah-o’donnell ≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll marianne dages cara bishoff whitney long maya shah-o’donnell bethany mobbs fran nicosia lauren carpinelli Operations nathan norley herbert drayton derrick drayton isaac crawford gerald davis darryll byram

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss tara theune-davis chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry samuel t. freeman iii matthew wilcox thomas b mccabe iv

Finance mark beckerman karen bajczyk Business Development & ≤arketing tara theune davis melissa geller thomas b mccabe iv christopher browne susannah mcgovern

representatives colin clarke Charlottesville, VA cclarke@freemansauction.com Telephone: 434.296.4096

matthew s wilcox Washington, DC mwilcox@freemansauction.com Telephone: 215.940.9825

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400

william rudd Cincinnati, OH wrudd@freemansauction.com Telephone: 513.802.0090

maya o’donnell-shah Wayne, PA mshah@freemansauction.com Telephone: 610.254.9700

depart≤ents

Trusts & Estates samuel t freeman iii thomas b. mccabe iv holen miles lewis amy parenti matthew wilcox laura cox Photography elizabeth field elizabeth schultz thom clark ryan buckwalter v6.2013


The George D. Horst Collection of Fine Art Auction 03/30/14 From Garber and Hassam to Corot and Boudin, this rare collection of paintings has been privately owned and unseen for nearly 100 years. Alasdair Nichol 267.414.1211 anichol@freemansauction.com

JEAN BAPTISTE CAMILLE COROT (french 1796-1875) "GARDEN GATE" Signed 'Corot' bottom left, with partial label verso oil on canvas 13 x 18 1/4 in. (33 x 46.4cm) $60,000-80,000 (detail)

www.freemansauction.com



01/29/14

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236

international sale: fine antiques & decorative arts

International Sale: Fine Antiques & Decorative Arts 01/29/14


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