1490

Modern & Contemporary Art 05/04/14

Modern & Contemporary Art

Auction

Exhibitions

Sale 1490 Sunday, May 4, 2014 at 2pm 1808 Chestnut Street, Philadelphia PA 19103

Thursday, May 1 and Friday, May 2 10am-5pm Saturday, May 3 12pm-5pm

Catalogue

$37 in the gallery $42 domestic mail $47 international mai Inside Front Cover: Lot 90 (detail) Inside Back Cover: Lot 13 (detail) Visit www.freemansauction.com/catalogues or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.

Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

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Freeman’s is not responsible for errors or failure to execute bids.

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Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

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Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

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Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

Modern & Contemporary Art Department

Anne Henry Vice President, Head of Department ahenry@freemansauction.com 267.414.1220

Alasdair Nichol Vice Chairman anichol@freemansauction.com 267.414.1211

Aimee Pflieger Senior Specialist apflieger@freemansauction.com 267.414.1221

Client Services

Shannon Jeffers Department Administrator sjeffers@freemansauction.com 267.414.1231

Mary Maguire Carroll Director, Client Services mmaguire@freemansauction.com 267.414.1236

Cara Bishoff Bids Department cbishoff@freemansauction.com 267.414.3008

Modern & Contemporary Art LOTS 1-165

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1 148003/10 ARMAND GUILLAUMIN (french, 1841-1927) “LES RUINS DU CHATEAU DE CROZANT” Signed bottom left, oil on canvas.

Executed ca. 1898 23 3/8 x 28 3/4 in. (59.1 x 73cm) provenance: Private Collection.

Christie’s Paris, Art Impressionniste et Moderne, May 24, 2006, lot 60.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. note: This lot will be accompanied by a certificate of authenticity from Dominique Fabiani and Philippe Cazeau and will be included in the forthcoming catalogue raisonné. $15,000-25,000

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2 148003/16 CAMILLE PISSARRO (french, 1830-1903) “ÉTUDES D’ÂNES” With the artist’s estate stamp bottom left, black chalk on paper.

Executed ca. 1852-1854 9 3/4 x 12 1/2 in. (24.8 x 31.8cm) provenance: The estate of the artist.

Ray Kisber Art + Design, Quebec.

Christie’s New York, Impressionist and Modern Art, February 22, 2005, lot 106.

Private Collection, Asheville, North Carolina. note: This lot will be accompanied by a copy of a letter of authenticity from Joachim Pissarro. It will also be included in the forthcoming catalogue raisonné of works on paper. $2,500-3,500

3 148003/17 CAMILLE PISSARRO french, (1830-1903) “ÉTUDE DES FIGURES: FEMME DEBOUT” With the artist’s estate stamp bottom right, pencil on paper.

Executed ca. late 1880’s to early 1890’s 8 1/4 x 4 3/4 in. (21 x 12.1cm) Accompanied by a graphite drawing of a woman carrying a basket verso. provenance: Max Bodner, New York.

Christie’s New York, Impressionist and Modern Art, February 22, 2005, lot 5.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. note: This lot will be accompanied by a copy of a letter of authenticity from Joachim Pissarro. It will also be included in the forthcoming catalogue raisonné of works on paper. $2,000-3,000

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4 148003/14 CAMILLE PISSARRO (french, 1830-1903) “ÉTUDE DES FIGURES: FEMME AVEC CORBEILLE” With artist’s estate stamp bottom right, black chalk on paper.

6 1/4 x 3 7/8 in. (15.9 x 9.8cm) Executed ca. late 1880’s to early 1890’s With a geometric drawing verso. provenance: Max Bodner, New York.

Christie’s New York, Impressionist and Modern Art, February 22, 2005, lot 5.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. note: This lot will be accompanied by a copy of a letter of authenticity from Joachim Pissarro. It will also be included in the forthcoming catalogue raisonné of works on paper. $2,000-3,000

5 148003/15 CAMILLE PISSARRO (french, 1830-1903) “ÉTUDE DES FIGURES: FEMME AU TRAVAILLE” With the artist’s estate stamp bottom left, pencil on paper.

Executed ca. late 1880’s to early 1890’s 6 1/4 x 4 1/4 in. (15.9 x 10.8cm) provenance: Max Bodner, New York.

Christie’s New York, Impressionist and Modern Art, February 22, 2005, lot 5.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. note: This lot will be accompanied by a copy of a letter of authenticity from Joachim Pissarro. It will also be included in the forthcoming catalogue raisonné of works on paper. $2,000-3,000

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6 141129/21 JAMES ENSOR (belgian, 1860-1949) “LE POT CHINOIS” Pencil signed, indistinctly dated and inscribed ‘Ostende’ bottom right, inscribed ‘un vase de chine’ and ‘crayon’ in pencil verso, charcoal on paper.

7 15/16 x 5 5/8 in. (20.1 x 14.2cm) provenance: Gabriel Van Thienen, Brussels.

Marlborough Fine Art Ltd., London.

Delphic Arts, New York.

The Breuning Collection (purchased from the above in 1968).

By descent in family to current owner. exhibited: “James Ensor, 1860-1949, Retrospective Centenary Exhibition,” Marlborough Fine Art Limited, London, April 27 - May 28, 1960, exhibition catalogue no. 84. $2,000-3,000

7 141192/24 PIERRE-AUGUSTE RENOIR (french, 1841-1919) “MATERNITÉ, GRANDE PLANCHE” Ca. 1912, Delteil’s second (final) state, from the edition of 200, with wide margins; Ambroise Vollard, Paris, publisher. Lithograph on Arches laid paper. image: 19 1/2 x 19 1/2 in.

(49.5 x 49.5cm) sheet: 25 5/8 x 19 5/8 in.

(65 x 49.8cm) [Delteil/Stella, 50] $2,000-3,000

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8 141129/20 FÉLIX EDOUARD VALLOTTON (swiss, 1865-1925) “LE CHAPEAU VERT” from “études de femmes” 1896, signed in blue crayon bottom right, from the edition of 100, with margins; L’Estampe originale, Paris, publisher. Color lithograph on China paper. image:15 1/4 x 10 1/2 in.

(38.7 x 26.7cm) sheet: 18 5/8 x 13 3/8 in.

(47.3 x 34cm) [Goerg, 54] $1,200-1,800

9 148003/4 MAXIMILIEN LUCE (french, 1858-1941) “TWO NUDES” Stamp-signed bottom right, oil on paper laid to canvas.

9 x 5 5/8 in. (22.9 x 14.3cm) provenance: Christie’s Paris, “Art Impressioniste et Moderne,” December 12, 2005, lot 42.

Private Collection, Asheville, North Carolina. note: Madame Denise Bazetoux, who together with Jean Bouin-Luce published a catalogue raisonné of the works of Maximilien Luce in 1986, has authenticated this work. $1,200-1,800

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10 141129/13 OSKAR KOKOSCHKA (german, 1886-1980) “SEATED NUDE�

Pencil signed, inscribed and dated 1921 bottom right, Chinese ink on paper.

27 1/2 x 20 3/8 in. (74.3 x 51.8cm) provenance: La Boetie, New York.

The Breuning Collection (purchased directly from the above in 1969).

By descent in family to current owner. note: Accompanied by a certificate of authenticity and signed note from the artist. $10,000-15,000

11 141107/2 RAOUL DUFY (french, 1877-1953) NUDE Pencil signed bottom right, ink on paper.

21 1/2 x 25 in. (54.6 x 63.5cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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14 132571/1 HENRI MATISSE (french, 1869-1954) “ALGUE BLANCHE SUR FOND ROUGE ET VERT” 1947, signed and numbered 83/200, with wide margins. Color pochoir on Arches. image: 18 3/4 x 14 3/8 in.

(47.6 x 36.5cm) sheet: 29 3/4 x 24 3/4 in.

(75.6 x 62.9cm) Unframed $3,000-5,000

15 132349/8 GEORGE GROSZ (german, 1893-1959) NUDE Signed bottom right, inscribed and dated verso “George Grosz Pictor Douglaston 1940 November”, oil on artist board.

20 x 16 in. (50.8 x 40.6cm) provenance: Private Collection, New York. note: Ralph Jentsch has reviewed this painting which will be included in the forthcoming catalogue raisonné. A letter of authenticity may be obtained by the successful bidder. $15,000-25,000

12 141129/4 HENRI MATISSE (french, 1869-1954) “GRAND NU” 1950, pencil signed with initials bottom right, inscribed ‘Bon à tirer 25 ex + 5’ (according to Duthuit, one of a few trial proofs, no edition was printed), with wide margins.

Aquatint on Marais Pur Fil. image: 21 x 16 1/2 in.

(53.3 x 41.9cm) sheet: 26 x 16 1/4 in. (66 x 41.3cm) [Duthuit, 816] $25,000-40,000

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13 141107/1 HENRI MATISSE (french, 1869-1954) “ODALISQUE ÉTENDUE” Signed bottom right, ink on paper.

10 x 13 1/8 in. (25.4 x 33.3cm) provenance: Makler Gallery, Philadelphia.

Private Collection, Pennsylvania. $100,000-150,000

Odalisques were Matisse’s primary subject during the period in which the artist kept a studio in Nice from 1917-30. His principal model during the period, Henriette Darricarrère, was depicted over and over again, posed in specially staged areas filled with exotic pillows, objets d’art, embroidered cushions, screens, carpets and furniture evocative of a harem setting.

Although obviously lacking the lush, bright colors of his oils and pastels of this period, Matisse’s drawings and prints are no less expressive; rather, the monochromatic medium allows his facility with pen and ink to shine. Various marks, textures and shading suggest patterns found in exotic,

Moroccan inspired furnishings, while the figure itself, with its sensual, relaxed curves, is rendered with only a few dynamic lines.

With her arm draped langorously overhead and dressed in an exotic blouse and loose, draped pants, the subject is dressed in attire typical of the women the artist had seen during his travels in Morocco and Algeria.

As in so many of his sculptures, paintings and drawings of this period, Matisse’s reclining female subject is presented here as cooly confident, elegant and theatrically seductive.

We are grateful to Wanda de Guébriant for her assistance in confirming the authenticity of this work.

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16 141129/18 GEORGES ROUAULT (french, 1871-1958) “ENFANT DE LA BALLE” (PLATE 10) from “cirque de l’étoile filante” Ca. 1935, from the edition of 250 (there was also an edition of 35 on Japan), with wide margins; Ambroise Vollard, Paris, publisher.

Color aquatint on Montval. image: 12 1/4 x 8 1/8 in.

(31.1 x 20.6cm) sheet: 17 1/2 x 13 1/4 in.

(44.5 x 33.7cm) [Chapon/Rouault, 249] $1,000-2,000

17 141129/19 GEORGES ROUAULT (french, 1871-1958) “LA PETITE ECUYÈRE” from “cirque de l’étoile filante” Ca. 1935, from the edition of 250 (there was also an edition of 35 on Japan), with wide margins; Ambroise Vollard, Paris, publisher.

Color aquatint on wove paper. image: 12 x 8 in. (30.5 x 20.3cm) sheet: 17 3/8 x 12 5/8 in.

(44.1 x 32.1cm) [Chapon/Rouault, 245] $1,500-2,500

18 141129/17 GEORGES ROUAULT (french, 1871-1958) “AMAZONE” (PLATE 11) from “cirque” 1930, from the edition of 160 (there were also 110 on Montval), with wide margins; Ambroise Vollard, Paris, publisher. Color aquatint on wove paper. image: 11 3/4 x 9 in. (29.8 x 22.7cm) sheet: 17 3/8 x 13 3/4 in. (44.1 x 34.9cm) [Chapon/Rouault, 198] $2,500-4,000

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19 141129/12 GEORGES BRAQUE (french, 1882-1963) “GÉLINOTTE (GROUSE)” 1960, pencil signed and numbered 48/75, with wide margins; Maeght, Paris, publisher. Color lithograph on Arches. image: 9 1/2 x 14 in. (24.1 x 35.6cm) sheet: 18 3/4 x 25 5/8 in.

(47.6 x 65cm) [Vallier, 149] $3,000-5,000

20 148017/1 MARC CHAGALL (french/russian, 1887-1985) “L’ARC-EN-CIEL” 1969, pencil signed and numbered 72/75 (there were also an unknown number of artist’s proofs), with wide margins; Éditions des Musée Nationaux, Paris, publisher. Color lithograph on Arches. image: 27 3/8 x 27 3/8 in.

(69.5 x 69.5cm) sheet: 36 1/8 x 28 1/2 in.

(91.8 x 72.4cm) [Mourlot, 596] $15,000-25,000

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21 141258/1 MARC CHAGALL (french/russian, 1887-1985) ONE PRINT from “bible” 1958, pencil signed with initials bottom right and numbered 13/100, with margins; Tériade Editeur, Paris, publisher. Etching with hand coloring on Arches. image: 11 5/8 x 9 3/8 in.

(29.34 x 23.8cm) sheet: 21 x 15 3/8 in. (53.3 x 38cm) [see Cramer books, 30] $3,000-5,000

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21 22 141222/1 AFTER MARC CHAGALL (french/russian, 1887-1985) “THE TRIBE OF ZABULON” from “twelve maquettes of stained glass windows for jerusalem” by charles sorlier 1964, pencil signed, dated and numbered LIX/LXXV (there was also an edition of 150 in Arabic numerals plus 25 artist’s proofs), with wide margins; Editions F. Mourlot, Paris, publisher and with their ink-stamp verso. Color lithograph on Arches. image: 24 3/8 x 18 1/4 in. (61.9 x 46.4cm) sheet: 29 3/8 x 20 3/4 in. (74.6 x 52.7cm) [Sorlier, 16] $4,000-6,000

23 132441/1 MARC CHAGALL (french/russian, 1887-1985) “WHAT IS LIFE...” one print from “in the land of the gods” 1967, pencil signed and numbered 59/75 (there were also 20 on Japan in Roman numerals and 25 lettered artist’s proofs), with wide margins; A.C. Mazo, Paris, publisher.

Color lithograph on Arches. image: 19 1/2 x 15 1/2 in. (49.3 x 39.4cm) sheet: 25 3/8 x 19 1/2 in. (64.5 x 49.5cm) [Mourlot, 533] $10,000-15,000

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24 148003/12 JOAN MIRÓ (spanish, 1893-1983) “BRONZES” hayward gallery, london exhibition poster 1972, pencil signed and numbered 95/150, with full margins; Arts Council, London, publisher. Color lithograph on wove paper (Mourlot calls for Arches). image: 30 1/2 x 22 in. (77.5 x 55.9cm) sheet: 35 x 24 1/2 in. (88.9 x 64.3cm) [Mourlot, 846] $3,000-5,000

25 132587/1 JOAN MIRÓ (spanish, 1893-1983) “JOAN MIRÓ GRAPHICS” philadelphia museum of art exhibition poster 1966, signed and numbered 130/150 (before the poster edition with printed text), with wide margins; Philadelphia Museum of Art, Philadelphia, publisher. Color lithograph on Arches. image: 28 x 21 in. (78.1 x 53.3cm) sheet: 30 x 22 1/4 in. (76.2 x 56.5cm) [Mourlot, 502] $2,000-3,000

26 148007/2 two prints JOAN MIRÓ (spanish, 1893-1983) “MARAVILLAS CON VARIACIONES EN EL JARDIN DE MIRÓ” 1975, both from the unsigned edition of 315, the full sheets; Ediciones Polígrafa, Barcelona, publisher. Two color lithographs on wove paper (one with Guarro watermark). both sheets: 19 1/2 x 13 3/4 in. (49.5 x 34.9cm) both unframed [Cramer books, 211; Mourlot, 1064 and 1072] [2] $800-1,200

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27 141129/11 JOAN MIRÓ (spanish, 1893-1983) “FIGURE” 1955, pencil signed, dated and numbered 3/50 bottom right, the full sheet; Maeght, Paris, publisher.

Color lithograph on Arches. sheet: 22 x 30 in. (55.9 x 76.2cm) [Mourlot, 212] $3,000-5,000

28 148003/7 JOAN MIRÓ (spanish, 1893-1983) “UNTITLED” plate 5 from “oda à joan miró” 1973, pencil signed and numbered VII/XXV (there were also 75 in Arabic numerals without margins), with full margins; Ediciones Polígrafa, Barcelona, publisher. Color lithograph on Guarro. image: 33 x 24 1/2 in. (83.8 x 62.2cm) sheet: 41 x 30 3/8 in. (104 x 77.1cm) [Mourlot, 907; see Cramer books, 175] $4,000-6,000

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29 141081/1 SALVADOR DALÍ (spanish, 1904-1989) “THE TWELVE SIGNS OF THE ZODIAC” the complete set of thirteen color lithographs 1967, twelve pencil signed, each numbered 247/250 (there were also 50 in Roman numerals on Japan), all with wide margins; Léon Amiel, Paris, publisher. The complete set of 12 signed and numbered color lithographs and one numbered lithograph as frontispiece (all loose, as issued) on Arches. Title, folded text folders and justification contained within original buckram-covered portolio with printed label. each image (approx.): 28 3/4 x 20 1/2 in. (73 x 52.1cm) each sheet: 25 1/4 x 19 in. (64.1 x 48.3cm) [Michler & Löpsinger, 1181-92] [13] $4,000-6,000

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30 141251/1 four prints PABLO PICASSO (spanish, 1881-1973) “LES METAMORPHOSES D’OVIDE” 1930-1931, each from the unsigned edition of 145, all with full margins; Albert Skira, Lausanne, publisher.

Four etchings on Arches à la main. all images: 9 x 6 3/4 in. (22.8 x 17 cm) all sheets: 12 3/4 x 10 1/8 in.

(32.4 x 25.7cm) [Bloch 100, 122, 124, 126] [4] $3,000-4,000

31 138168/5 PABLO PICASSO (spanish, 1881-1973) “LE MODÈLE NU” 1927 (printed after 1932), pencil signed and numbered 38/40 (the total edition was 150), Baer’s stage 11c (of 11d) with wide margins; Société des Amateurs d’Art et des Collectionneurs, Paris, publisher.

Etching on imitation Japan. image: 11 x 7 5/8 in. (27.9 x 19.4cm) sheet: 14 5/8 x 11 1/4 in.

(37.1 x 28.6cm) [Bloch, 78; Baer, 119] $8,000-10,000

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32 141129/22 PABLO PICASSO (spanish, 1881-1973) “ILLUSTRATION, FEMME AU FICHU” plate xvi from “vingt poëmes” by luis de góngora y argote 1947-8, pencil signed, a rare signed proof aside from the total unsigned book edition of 275 (Baer allows for two signed proofs inscribed ‘B.A.T.’), with wide margins; Les Grands Peintres Modernes et le Livre, Paris, publisher. Aquatint on wove paper. image: 12 x 8 in. (30.4 x 20.2cm) sheet: 15 x 11 1/4 in. (38.1 x 28.6cm) [Bloch, 491; Baer, 753; see Cramer books, 51] note: This lot will be sold accompanied by a letter signed by Maurice Jardot of Galerie Louise Leiris and dated November 27th, 1969, stating that the signature on this print is authentic. $6,000-8,000

33 131194/1 PABLO PICASSO (spanish, 1881-1973) “COLOMBE VOLANT” 1952, pencil signed and numbered 132/200 (the total edition was 238), with wide margins; Mourlot, Paris, publisher. Color lithograph on Arches. image: 20 x 25 3/4 in.

(50.8 x 65.4cm) sheet: 21 1/2 x 30 1/8 in.

(64.8 x 76.5cm) [Bloch, 712; Mourlot, 214] $3,000-5,000

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34 141351/1 PABLO PICASSO (spanish, 1881-1973) “FEMME TORERO, I (DERNIER BAISER?)” 1934, pencil signed, bears inscription ‘1ier état’ (a trial proof before the intended edition of 50 which was never released), with full margins, printed by Lacourière, Paris in 1939. Etching on Montval laid paper. image: 19 1/2 x 27 1/4 in. (49.5 x 69.2cm) sheet: 22 5/16 x 30 3/8 in. (56.7 x 77cm) [Bloch, 1329; Baer, 425c] provenance: The artist.

Buchholz Gallery, New York.

Private Collection, Princeton New Jersey (purchased directly from the above ca. 1940). note: We are grateful to Emmanuel Benador for his assistance in researching this work. $40,000-60,000

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35 131898/1 PABLO PICASSO (spanish, 1881-1973) “JACQUELINE AUX CHEVEUX FLOUS, EN BUSTE” 1962, pencil signed and numbered 32/50 (there were also an unknown number of artist’s proofs), with trimmed margins; Galerie Louise Leiris, Paris, publisher.

Linoleum cut on wove paper. image: 13 7/8 x 10 1/2 in. (35.2 x 26.7cm) sheet: 16 9/16 x 12 9/16 in. (42 x 31.8cm) [Bloch, 1091; Baer, 1295] $4,000-6,000

36 148017/2 AFTER PABLO PICASSO (spanish, 1881-1973) “DAME ASSISE” 1955, pencil signed and numbered 7/100, with wide margins; Mourlot, Paris, printer. Color lithograph on BFK Rives. image: 36 1/4 x 23 5/8 in.

(92 x 59.9cm) sheet: 41 x 27 3/8 in.

(104.1 x 69.5cm) [Czwiklitzer, 104] $15,000-25,000

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37 148031/1 PABLO PICASSO (spanish, 1881-1973) “CLOCK WITH TONGUE” 1956, numbered 42/100 and with the ‘MADOURA PLEIN FEU’ and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps verso, white earthenware clay plate. diameter: 16 1/2 in. (41.8cm) [Ramié, 327] $8,000-12,000

38 148031/2 PABLO PICASSO (spanish, 1881-1973) “GEOMETRIC FACE” 1956, numbered 63/100 and with the ‘MADOURA PLEIN FEU’ and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps verso, white earthenware ceramic plate. diameter: 14 1/2 in. (36.8cm) [Ramié, 344] $8,000-12,000

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39 141123/2 GASTON SÉBIRE (french, 1920-2001) “LES VILLAGES” Signed bottom right, oil on canvas.

19 1/2 x 20 1/2 in. (48.3 x 52.1cm) provenance: Private Collection. $1,500-2,500

40 148003/2 MAURICE BRIANCHON (french, 1899-1979) “PÊCHEURS PRÈS DE L’ÎLE DE LA JATTE” Signed bottom left, oil on canvas.

25 1/2 x 31 3/4 in. (64.8 x 80.6cm) provenance: Michel Fontaine, Paris.

Christie's Paris, "Art Impressionniste et Moderne," 24 May 2006, lot 182.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. note: Monsieur Pierre-Antoine Brianchon has confirmed the authenticity of this work. $4,000-6,000

41 141129/6 GEORGES DAYEZ (french, 1907-1991) “NATURE MORTE A LA FIASQUE DE CHIANTI” Signed bottom left, signed, titled and dated 60 verso, oil on canvas.

21 1/4 x 25 3/4 in. (54 x 65.4cm) provenance: The Breuning Collection.

By descent in family to current owner. $1,200-1,800

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42 132403/6 YOLANDE ARDISSONE (french, b. 1927) “QUAIS A AURAY” Signed bottom left, titled on the stretcher verso, oil on canvas.

19 1/2 x 24 in. (49.5 x 61cm) provenance: Private Collection, Virginia. $1,500-2,000

43 148003/5 ANTOINE BLANCHARD (french, 1910-1988) “QUAI DES GESVRES, LE THÉÂTRE DU CHATEL” Signed bottom right, oil on canvas.

13 x 18 in. (33 x 45.2cm) provenance: Heritage Auctions, Texas, "American and European Paintings, Sculpture, Photography and Illustration Art," May 03, 2006, lot 23057.

Private Collection, Asheville, North Carolina. $3,000-5,000

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44 141258/4 CAMILLE HILAIRE (french, 1916-2004) RIVAGE MÉDITERRANÉEN Signed bottom right, oil on canvas.

25 1/2 x 31 1/2 in. (64.8 x 80.1cm) provenance: The Robbins Collection. $5,000-8,000

45 141258/3 JEAN MARZELLE (french, b. 1916) MOUNT SAINT VICTOIRE Signed and dated 60 bottom right, oil on canvas.

29 x 36 1/2 in. (73.7 x 92.7cm) provenance: The Robbins Collection. $1,000-2,000

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46 141129/14 WILLY MUCHA (french, 1905-1995) UNTITLED (ABSTRACT) Signed bottom right, signed again and dated 1965 twice verso, oil on canvas.

21 5/8 x 13 in. (54.8 x 33cm) provenance: The Breuning Collection.

By descent in family to current owner. $1,200-1,800

47 141129/5 WILLY MUCHA (french, 1905-1995) “LE MIRADOU” Signed bottom right and signed, titled and dated 1955/56 verso, oil on canvas.

23 1/2 x 32 in. (59.7 x 81.3cm) provenance: The Breuning Collection.

By descent in family to current owner. exhibited: “Ecole de Paris,” Galerie Charpentier, Paris, 1956. $1,200-1,800

32 www.freemansauction.com

48 141129/32 ANTOINE PONCET (swiss, b. 1928) UNTITLED Signed on base, unique pink marble sculpture on green marble base.

Executed in 1972 height: 19 3/8 in. (49.2cm) width: 16 in. (40.6cm) depth: 9 in. (22.9cm) dimensions include base provenance: The Breuning Collection.

By descent in family to current owner. note: This lot will be sold with a photo-certificate signed by the artist and dated May 4, 1972. $6,000-10,000

49 141129/31 ANTOINE PONCET (swiss, b. 1928) “ET PASSE MONTAGNE” Bronze with black patina. height: 19 1/4 in. (48.8cm) width: 8 3/4 in. (22.2cm) provenance: The Breuning Collection.

By descent in family to current owner. note: See Christie’s, Paris, “Collection de Madame Darthea Speyer, une Américaine à Paris (Vente Sans Prix de Réserve),” July 7, 2010 (lot 32) for a smaller example. $2,000-3,000

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50 138125/1 EDMONDO BACCI (italian, 1913- 1978) “AVUENIMENTO #264” Signed bottom right, titled and signed verso, oil on canvas.

29 1/2 x 29 1/2 in. (74.9 x 74.9cm) provenance: Private Collection, Virginia. $6,000-10,000

51 138125/2 ARBIT BLATAS (lithuanian, 1908-1999) CIRCUS PERFORMERS Signed bottom left, oil on paper laid down to canvas.

21 x 25 1/2 in. (53.3 x 64.8cm) provenance: Private Collection, Virginia. $3,000-5,000

34 www.freemansauction.com

52 141058/1 BERNARD BUFFET (french, 1928-1999) “BOUQUET AU VASE CHINOIS I�

Signed and dated 67 upper right, oil on canvas.

52 x 32 in. (132.1 x 81.3cm) provenance: Wally Findlay Galleries, Palm Beach, Florida.

Private Collection, Hollywood, Florida. note: We are grateful to Galerie Maurice Garnier for its assistance in confirming the authenticity of this work. A certificate of authenticity may be obtained by the successful bidder. $100,000-150,000

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53 141178/1 HARRY SEFARBI (american, b. 1917) “GAME BOARD” Signed bottom right and again verso, oil on masonite.

20 x 23 2/3 in. (50.8 x 60.1cm) provenance: The artist.

Jay Raymond, Pennsylvania (acquired directly from the above ca.

2001). $1,000-1,500

54 141178/2 HARRY SEFARBI (american, b. 1917) “THROUGH THE WINDOW” Signed and dated 64 bottom right, oil on masonite.

17 7/8 x 24 in. (45.4 x 61cm) provenance: Jay Raymond, Pennsylvania. $1,000-1,500

55 141083/1 HARRY SEFARBI (american, b. 1917) UNTITLED (BEACH SCENE) Signed twice bottom right, oil on canvas in artist’s frame.

Executed ca. 1955 20 x 16 in. (50.8 x 40.6cm) provenance: The artist.

Jane G. Adriance, Princeton, New Jersey. $1,000-2,000

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56 141083/2 HARRY SEFARBI (american, b. 1917) “GENTLEMAN CALLER” Signed bottom right and again verso, oil on masonite in artist’s frame.

Executed in 1962 24 x 24 in. (61 x 61cm) provenance: The artist.

Jane G. Adriance, Princeton, New Jersey. $1,000-2,000

57 141083/3 HARRY SEFARBI (american, b. 1917) “BOUQUET” Signed bottom right and signed, titled and inscribed ‘01’ verso, oil on masonite in artist’s frame.

18 x 14 in. (45.7 x 35.6cm) provenance: The artist.

Jane G. Adriance, Princeton, New Jersey. $1,000-2,000

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58 141053/2 CLAUDE C.F. CLARK (american, 1915-2001) “WEATHERED WARRIOR” Signed bottom left, titled and dated 1954, inscribed ‘Northeast Yoroba, Nigeria’ verso, oil on board.

16 x 12 in. (40.6 x 30.5cm) provenance: The artist.

By descent in family to current owner.

Private Collection, Atlanta, Georgia. $2,000-3,000

59 141053/1 CLAUDE C.F. CLARK (american, 1915-2001) “LIFEGUARD” Signed bottom right and dated 1956 verso, oil on board.

12 x 16 in. (30.5 x 40.6cm) provenance: The artist.

By descent in family to current owner.

Private Collection, Atlanta, Georgia. $2,000-3,000

60 10-1970/1 BLANCHE LAZZELL (american 1878-1956) TULIPS Signed (signature reinforced in another hand) and dated 1920 bottom left, with margins. Color woodcut on wove paper. image: 12 x 14 in. (30.5 x 35.6cm) sheet: 15 3/8 x 14 1/8 in.

(39.1 x 35.9cm) Unframed $1,500-2,500

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61 132510/3 DOX THRASH (american, 1893-1965) “OLD BARNS” 1937-1938, pencil signed and titled, with wide margins. Etching and aquatint on wove paper. image: 9 x 12 in. (22.9 x 30.5cm) sheet: 11 1/8 x 13 3/4 in. (28.3 x 34.9cm) [Ittmann, 53] $2,500-3,500

62 132510/2 DOX THRASH (american, 1893-1965) UNTITLED (WOMAN READING) Signed bottom right, watercolor. approx. 13 5/8 x 11 1/8 in. (34.6 x 28.3cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

63 132510/4 DOX THRASH (american, 1893-1965) MORNING Signed bottom right, watercolor, gouache and ink on illustration board.

15 1/4 x 12 1/8 in. (38.7 x 30.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

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64 132533/6 JULIUS SCHMIDT (american, b. 1923) UNTITLED Signed and dated 58 center right, cast iron. height: 6 1/2 (16.5cm) width: 20 in. (50.8cm) depth: 7 1/2 in. (19.1cm) provenance: Private Collection. $2,000-3,000

65 141258/2 BYRON BROWNE (american, 1907-1961) ABSTRACT FIGURE Pencil signed, dated 1948 and inscribed ‘Provincetown, Cape Cod’, mixed media on paper.

26 x 20 3/8 in. (66.4 x 51.8cm) provenance: The Robbins Collection. $1,000-2,000

66 131640/239 PAVEL TCHELITCHEW (russian, 1898-1957) TWO FIGURES Signed and dated 32 bottom right, pen and ink on paper.

10 1/2 x 8 1/4 in. (26.7 x 21cm) provenance: From the Collection of Vincent SmithDurham, Hav-A-Mil House. $1,000-1,500

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67 132594/3 STANLEY BATE (american, b. 1903) “MEDIEVAL CITY” Signed bottom right, titled and signed verso, oil on canvas.

42 x 40 in. (106.7 x 101.6cm) provenance: Private Collection. $800-1,200

68 148011/3 LOUISE NEVELSON (american 1899-1988) NUDE Pencil signed bottom right, graphite and ink on paper.

18 x 11 3/4 in. (45.7 x 29.8cm) provenance: The artist.

Diana MacKown, New York.

Private Collection, Florida (purchased directly from the above ca. 1989). $2,000-3,000

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69 132234/1 MILTON AVERY (american, 1885-1965) “LAMB” 1954, pencil signed, dated and numbered 6/20, with wide margins. Color woodcut on Japan. image: 9 7/8 x 14 1/8 in. (25.1 x 35.9cm) sheet: 11 3/4 x 18 in. (29.8 x 45.7cm) [Owens, 53; Lunn, 58] $2,000-3,000

71 141129/9 MARY CASSATT (american, 1843-1926) “SARAH WEARING HER BONNET AND COAT” Ca. 1904, signed in plate, with full margins.

Lithograph on MBM (France) Ingres d’Arches laid paper with countermark ‘MBM.’ image: 19 1/2 x 15 in. (49.5 x 38.1cm) sheet: 24 3/4 x 18 3/4 in. (62.9 x 47.6cm) [Breeskin, 198] $2,500-4,000

70 132234/2 MILTON AVERY (american, 1885-1965) “TWISTED TREE” 1943, pencil signed, dated and numbered 45/60, with wide margins.

Drypoint etching on heavy wove paper. image: 5 1/8 x 6 3/4 in. (13 x 17cm) sheet: 13 x 14 3/4 in. (33 x 37.5cm) [Owens, 22; Lunn, 25] $2,000-3,000

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72 148003/19 MILTON AVERY (american, 1885-1965) “THREE NUDES” Ink signed and dated 1956 bottom right, pencil and lithocrayon on paper.

13 7/8 x 16 3/4 in. (35.2 x 42.5cm) provenance: Adam Meckler Gallery, Los Angleles.

The Estate of Alica L. Smith, Santa Cruz, California Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. $4,000-6,000

73 132562/6 MILTON AVERY (american, 1885-1965) “CLOTHED AND UNCLOTHED” Pencil signed bottom right, titled and signed verso, graphite and crayon on paper.

Executed ca. 1935 11 x 8 1/2 in. (27.9 x 21.6cm) provenance: Obelisk Gallery, Boston.

Private Collection. $6,000-10,000

74 132562/5 MILTON AVERY (american, 1885-1965) “DOUBLE NUDE” Pencil signed bottom right, graphite on paper.

Executed ca. 1939 11 x 8 1/2 (27.9 x 21.6cm) provenance: Obelisk Gallery, Boston.

Private Collection. $6,000-10,000

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75 141023/2 HUMBERT HOWARD (american, 1915-1992) “STRAWBERRIES” Signed and dated 68 bottom right, oil on masonite.

9 x 11 1/4 in. (22.9 x 28.6cm) provenance: Private Collection. $1,200-1,800

76 141237/4 HUMBERT HOWARD (american, 1915-1992) FLORAL STILL LIFE Signed and indistinctly dated upper left, oil on board.

17 x 14 in. (43.2 x 35.6cm) provenance: The artist.

Private Collection, Philadelphia.

By descent in family.

Private Collection. $1,000-1,500

77 141263/1 HUMBERT HOWARD (american, 1915-1992) FLORAL STILL LIFE Signed and dated 69 upper right, pastel on masonite.

24 x 31 1/2 in. (61 x 80cm) provenance: Bruce Palmer Galleries, New York. $1,500-2,500

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78 141237/3 HUMBERT HOWARD (american, 1915-1992) TWO FIGURES WITH CHECKERBOARD Signed and dated 64 upper left, oil on board.

14 x 17 in. (43.2 x 35.6cm) provenance: The artist.

Private Collection, Philadelphia.

By descent in family.

Private Collection. $1,200-1,800

79 141237/2 HUMBERT HOWARD (american, 1915-1992) RED FLOWERS IN A VASE Signed and dated 82 upper right, oil on masonite.

20 x 14 in. (50.8 x 35.6cm) provenance: The artist.

Private Collection, Philadelphia.

By descent in family.

Private Collection. $1,500-2,500

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80 141097/52 SALLY MICHEL AVERY (american, 1902-2003) “TIGHTROPE WALKER” Signed and dated 1982 bottom right and signed, titled and dated again in red crayon verso, oil on canvas.

40 x 50 in. (101.6 x 127cm) provenance: The artist.

Private Collection. $6,000-8,000

81 141097/58 SALLY MICHEL AVERY (american, 1902-2003) “BY THE RIVER” Pencil signed and dated 1985 bottom right, signed again, titled and dated in crayon verso, oil on artist’s board.

14 x 18 in. (35.6 x 45.7cm) provenance: The artist.

Private Collection. $2,500-3,500

82 141257/1 MARCH AVERY (american, b. 1932) “QUIET TIME - EMILY + MARTHA” Signed, dated 77 bottom left, signed, titled and dated on stretcher verso, oil on canvas.

50 x 62 in. (127 x 157.5cm) provenance: Private Collection, Philadelphia. $4,000-6,000

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83 141255/3 HERMAN CHERRY (american, 1909-1992) “SEASCAPE NO. 35, MARTHA’S VINEYARD” Pencil signed, titled and dated ‘Jul-56’ bottom left, annotated ‘35’ bottom right, oil on rag paper.

22 3/4 x 18 in. (57.8 x 45.7cm) provenance: Gary Snyder Fine Art, New York. $1,500-2,500

84 141255/2 HERMAN CHERRY (american, 1909-1992) “ARRANGEMENTS NO. 4, MARTHA’S VINEYARD” Pencil signed, titled, annotated ‘4’ and dated ‘Aug-56’ bottom left, oil on rag paper.

18 x 22 1/2 in. (45.7 x 57.2cm) provenance: Gary Snyder Fine Art, New York. $1,500-2,500

85 141255/1 HERMAN CHERRY (american, 1909-1992) “ARRANGEMENTS NO. 6, MARTHA’S VINEYARD” Pencil signed, titled and dated ‘Aug-56’ bottom left, oil on rag paper.

18 7/8 x 22 1/2 in. (47.9 x 57.2cm) provenance: Gary Snyder Fine Art, New York. $1,500-2,500

48 www.freemansauction.com

86 132599/3 CHUCK CLOSE (american, b. 1940) UNTITLED Signed and dated 60 upper left, oil on canvas.

30 x 24 in. (76.2 x 61cm) provenance: The artist.

Lee Dalton.

By descent in family to current owner. $60,000-100,000 In the early 1960s, Chuck Close was an art student at the University of Washington in Seattle. Frequent trips with friends to San Francisco would expose him not only to music, theater and film but also to the work of First Generation Bay Area artists such as Richard Diebenkorn, Elmer Bischoff, and David Park.

Additionally influenced by instructor Alden Mason, Close would adopt an early style that utilized the gestural, figurative style of these artists.

Close was chosen to attend Yale Summer School and subsequently the Yale MFA program. Faculty in these programs included Bernard Chaet, Philip Guston, Jack Tworkov, and Al Held. Their criticism and instruction, (as well as exposure to the work of fellow classmates Richard Serra, Vija Celmins, Brice Marden, Nancy Graves and Robert Mangold) would continue to have an impression on his output during this time.

The two works shown here bookmark the period between when Close was studying in Washington and New Haven. Close’s large canvases of the early 1960’s combine Abstract Expressionist and Bay Area styles in his use of figures within an abstract structure, utilization of bright colors and painterly brushwork. Also notable is the use of text, which would be a prominent and important element a year later in his provocative 1961 mixed media piece “Betsy Ross Revisited.”

These works are from the collection of Lee Dalton, a childhood friend of the artist.

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87 132599/4 CHUCK CLOSE (american, b. 1940) UNTITLED Signed and dated ‘9/10/63’ bottom right, charcoal on tissue mounted to paperboard.

19 x 23 3/4 in. (48.3 x 60.3cm) provenance: The artist.

Lee Dalton.

By descent in family to current owner. $6,000-10,000

88 141203/1 PHILIP GUSTON (american, 1913-1980) NUDE Signed bottom right, charcoal on tracing paper.

21 3/4 x 17 3/4 in. (55.2 x 45.1cm) Unframed provenance: The artist.

H.W. Janson.

By descent in family to current owner. $6,000-8,000

50 www.freemansauction.com

89 132562/2 RICHARD POUSETTE-DART (american, 1916-1992) UNTITLED Pencil signed and dated ‘June 78’ verso, graphite and acrylic on paper.

22 3/4 x 30 1/4 in. (57.8 x 76.8cm) provenance: Obelisk Gallery, Boston.

Private Collection. $30,000-50,000

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90 132562/1 RICHARD POUSETTE-DART (american, 1916-1992) UNTITLED Ink signed verso, pencil signed again with initials and dated ‘May 79’ verso, graphite and acrylic on paper.

22 3/4 x 30 1/4 in. (57.8 x 76.8cm) provenance: Obelisk Gallery, Boston.

Private Collection. $30,000-50,000

52 www.freemansauction.com

91 131194/335 AFTER ALEXANDER CALDER (american, 1898-1976) “SERPENT AU VITRAIL NO. 20” Ca. 1970, numbered 3/6 on woven label affixed verso with the Art Vivant and Tapisserie d’Aubusson Penton fabric labels affixed verso; Art Vivant, Inc., New Rochelle, publisher. Woven wool Aubusson tapestry.

77 1/2 x 54 in. (196.9 x 137.2cm) provenance: Art Vivant Inc., New Rochelle, New York.

Christie’s East, New York, Modern & Contemporary Paintings, Watercolors Drawings & Sculpture, February 27, 1992, lot 165.

Private Collection, New York. exhibited: “Alexander Calder Tapestries,” Whitney Museum of American Art, New York, Oct.-Nov. 1971, no. 18 (another example).

“Aubusson Tapestries by Calder,” Leonard Hutton Galleries, New York, April-May 1972, no. 16 (another example). $10,000-15,000

92 141129/3 PAUL JENKINS (american, 1923-2012) “PHENOMENA AUDUBON’S FIND” Signed in ink bottom right, watercolor on Arches.

Executed in 1974.

42 x 30 in. (106.7 x 76.2cm) provenance: The artist.

Gimpel Fils Ltd., London.

The Breuning Collection (purchased from above in 1976).

By descent in family to current owner. exhibited: “Paul Jenkins: Paintings and Watercolours,” Gimpel Fils, London, April 30-May 24, 1974. $6,000-10,000

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93 132562/3 ALEXANDER CALDER (american, 1898-1976) “DESCENDING DISCS” Signed and dated 1972, gouache on paper.

30 x 44 in. (76.2 x 111.8cm) provenance: Perls Gallery, New York.

Harcus Krakow Gallery, Boston (acquired from the above in 1974).

Obelisk Gallery, Boston.

Private Collection. note: This work is registered in the archives of the Calder Foundation under identification number A06929. $80,000-120,000

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94 141231/1 ABDUR RAHMAN CHUGHTAI (pakistani, 1894-1975) “VILLAGE GIRL” Pencil signed and titled, with wide margins.

Etching on wove paper. image: 8 1/4 x 8 3/8 in. (21.2 x 21.4cm) sheet: 12 1/8 x 12 in. (30.8 x 30.5cm) $2,000-3,000

95 141251/2 JEAN CHARLOT (american/french, 1898-1979) RECLINING WOMAN Signed and dated 30 bottom left, oil on board.

6 x 8 in. (15.3 x 20.3cm) provenance: Galería Iturbe, Mexico City.

Eugene and Margaret Geise.

Margaret Geise Camp.

By descent in family to current owner. note: This painting is recorded in Charlot’s checklist as No. 208 and is a smaller version of another painting made around the same time (Charlot No. 170). We are grateful to John Charlot for his assistance in researching this painting. $1,000-1,500

96 141129/2 FRANCISCO ZÚÑIGA (mexican, 1912-1998) “DOS MUJERES” Signed and dated 1975 bottom left, charcoal and pencil.

19 5/8 x 25 1/2 in. (49.8 x 64.8cm) provenance: The artist.

Sindin Galleries, New York (acquired directly from the above).

The Breuning Collection (purchased from the above in 1976).

By descent in family to current owner. $4,000-6,000

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97 132391/6 CARLOS OROZCO ROMERO (mexican, 1898-1984) PORTRAIT OF A WOMAN WITH CLAY POT Signed bottom left, oil on canvas.

23 x 19 1/4 in. (58.4 x 48.9cm) provenance: The Estate of Ernestyna Schenker, New York. $5,000-8,000

98 132391/7 ROBERTO MONTENEGRO (mexican, 1887-1968) MUJER Ink signed, dated 1935 and inscribed ‘Mex.’ bottom right, watercolor on heavy paper.

24 3/4 x 15 in. (62.9 x 38.1cm) provenance: The Estate of Ernestyna Schenker, New York. $3,000-5,000

56 www.freemansauction.com

99 148011/8 RUFINO TAMAYO (mexican, 1899-1991) “AFFICHE AVANT LETTRE” from “mujeres” 1969, pencil signed and numbered 27/150, the full sheet; Touchstone, New York, publisher. Lithograph on wove paper. sheet: 33 1/4 x 24 1/4 in.

(84.5 x 61.6cm) [Pereda, 122] $1,000-2,000

100 141258/6 RUFINO TAMAYO (mexican, 1899-1991) “HOMBRE ROJO” 1973, pencil signed bottom right and numbered ‘P de A 19/20’ (the edition was 100), the full sheet; Fibracel de México, Mexico City, publisher. Color lithograph on Rives BFK. sheet: 28 5/8 x 22 5/8 in.

(72.7 x 57.5cm) [Pereda, 154] $1,000-2,000

101 141258/5 RUFINO TAMAYO (mexican, 1899-1991) “HOMBRE EN FONDO VERDE” 1980, pencil signed bottom right and numbered XIII/XXV (there were also an unrecorded number of artist’s proofs), the full sheet. Color lithograph on wove paper. sheet: 30 1/4 x 22 3/8 in. (76.8 x 56.8cm) [Pereda, 287] $1,000-2,000

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102 141129/25 RUFINO TAMAYO (mexican, 1899-1991) “EL BRINDIS” 1957, signed, numbered, dedicated and numbered 11/100 (there were also 10 artist’s proofs), with wide margins. Color lithograph on Rives BFK. image: 15 x 20 3/4 in. (38.1 x 52.7cm) sheet: 17 3/4 x 23 3/4 in. (45.1 x 60.3cm) [Pereda, 48] $1,500-2,500

103 132246/1 ANGEL BOTELLO (puerto rican, 1913-1986) “OLGA” Signed bottom right, oil on panel in artist’s frame.

Executed ca. 1955 32 x 36 in. (81.3 x 91.4cm) (including frame) provenance: Private Collection, Pennsylvania. note: We are grateful for the assistance of Juan Botello who has kindly verified the authenticity of this work. $10,000-15,000

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104 132391/1 MIGUEL COVARRUBIAS (mexican, 1904-1957) “OLD LADY AND GIRL IN EVERYDAY DRESS” Signed bottom right, oil on panel.

23 3/4 x 19 5/8 in. (9.4 x 7.7cm) provenance: The Estate of Ernestyna Schenker, New York. literature: Susan Kellog, Weaving the Past: A History of Latin America’s Indigenous Women From the Prehispanic Period to the Present,” Oxford University Press, Oxford, 2005 (similar example illustrated p. 104).

Vogue, January 15, 1942, similar example illustrated. note: We are grateful to Adriana Williams for her assistance in researching this painting. $80,000-120,000

Miguel Covarrubias (1904-1957), the 20th century caricaturist, illustrator, painter, writer, anthropologist and archeologist, was Mexico’s Renaissance man. His accomplishments in these arts, as well as his revelation through images and words, give us an understanding and appreciation for the art and cultural life of Mexico.

Mexico South: The Isthmus of Tehuantepec, was published in 1946.

It is a comprehensive portrayal of his native land southeast of Veracruz and of the pre-Hispanic and contemporary inhabitants. The book is copiously illustrated with drawings and gouaches by Covarrubias, as well as ninety-six photographs taken by his wife, Rosa.

that gives her a quiet dignity in contrast to the flair and stateliness of the younger girl. She is dressed in a ruffled full skirt in bright lemonyellow cotton and a geometric chain-stitch embroidered huipil with a pink ribbon bow in her hair. In the background is the Tehuantepec River with bathers and the Oaxaca mountains beyond.

One of the regions to attract Covarrubias’ attention was the Isthmus of Tehuantepec in Mexico.

He spent several years visiting and studying the diverse people of the area and learned the Zapotec language in order to better communicate with his native informants.

Examining the paintings in Mexico South, one perceives the sensual aspects of Covarrubias’ art, which was always bright and lively because of his use of euphoric colors and luminous greens reminiscent of tropical landscapes.

To view this painting and the other paintings from the book as solely decorative works of art is to ignore their ideological and anthropological value and Covarrubias’ exceptional genius as a gifted documentary artist.

“Old Lady and Girl in Everyday Dress” is similar to the gouache found in Mexico South, which first appeared in Vogue Magazine in January 1942, in an article titled “Women of Fashion in Tehuantepec, Mexico.” In the foreground is an older woman dressed conservatively in a wrapped skirt and a black shawl, who carries a lacquered bowl with painted flowers on her head

In a New York Times review of the book, Diego Rivera wrote:

Nothing escaped Covarrubias’ interest. He researched everything from history, archeology, ethnology and economics to folklore, literature, music, art, religion, sexual customs and family life. What’s more, he participated in the excavation of ancient cultural sites from Veracruz to Oaxaca.

“Mexico South’s author is an artist of great value so deeply in love with the subjects which he sketches and paints, that, in order to know them more and, thus to paint them better, he has entered with devotion and intelligence and humor into everything

concerning the land which he has painted, and which is a part of his own country." [1]

[1] Rivera, Diego, “Covarrubias Captures the Mood of Mexico, review of Mexico South. New York Times.

.

Adriana Williams, granddaughter of former Mexican president Plutarco Elías Calles, wrote the definitive biography of Miguel and Rosa Covarrubias (Covarrubias, University of Texas Press, 1994).

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105 132580/40 RENÉ PORTOCARRERO (cuban, 1912-1985) UNTITLED (SURREAL LANDSCAPE) Signed and dated 1946 bottom right, pastel on paper.

13 1/4 x 15 in. (5.2 x 5.9cm) provenance: Ben Wolf, Philadelphia.

Clarence Wolf.

University of Michigan William Clements Library, Ann Arbor, Michigan. $8,000-12,000

106 132580/39 RENÉ PORTOCARRERO (cuban, 1912-1985) UNTITLED (HEADS) Pastel on paper.

5 1/4 x 13 1/4 in. (13.3 x 33.7cm) provenance: Ben Wolf, Philadelphia.

Clarence Wolf.

University of Michigan William Clements Library, Ann Arbor, Michigan. $4,000-6,000

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107 132580/41 RENÉ PORTOCARRERO (cuban, 1912-1985) UNTITLED (ABSTRACT FIGURES) Signed and dated 1946 bottom left, pastel on paper.

20 1/4 x 13 1/4 in. (51.4 x 33.7cm) provenance: Ben Wolf, Philadelphia.

Clarence Wolf.

University of Michigan William Clements Library, Ann Arbor, Michigan. $10,000-15,000

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108 132560/1 MARIANO RODRÍGUEZ (cuban, 1912-1990) “RETRATO DE ANÍBAL” Signed ‘Mariano’ and dated 39 bottom left, oil on canvas.

Executed ca. 1939 23 x 18 in. (58.4 x 45.7cm) provenance: Private Collection. exhibited: “Exhibition of Painting and Drawing,” Lyceum, Havana, Cuba, 1941. literature: Cisneros Perez, Guy, “Mariano. Sex, Symbol and Landscape,” in El Neuvo Mundo, Havana, Cuba, July 6, 1941 (reproduced in black and white, p.

3).

José Veigas, Mariano: Catálogo Razonado, Ediciones Vanguardia Cubana, 2008, 39.04 (illustrated). note: This painting is a depiction of Aníbal Rodríguez, younger brother of the artist. $30,000-50,000

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109 132560/2 MARIANO RODRÍGUEZ (cuban, 1912-1990) “PAREJA CON BUEYES (BUEYES)” Signed and dated 39 bottom left, oil on canvas.

22 x 19 7/8 in. (55.9 x 50.5cm) Unframed provenance: Private Collection. literature: Espuela de Plata, Havana, Cuba, September, 1939, reproduced in black and white p. 67.

José Veigas, Mariano: Catálogo Razonado, Ediciones Vanguardia Cubana, 2008, 39.14 (illustrated). $25,000-40,000

110 132149/12 DIEGO RIVERA (mexican, 1886-1957) PORTRAIT OF A MAN Signed and dated 1950 bottom left, graphite on paper.

8 1/4 x 5 3/8 in. (21 x 13.8cm) provenance: Main Street Galleries, Kingston, Pennsylvania.

Estate of Mr. and Mrs. A. DeWitt Smith, Wilkes-Barre, PA. $1,200-1,800

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111 148011/6 LOUISE NEVELSON (american, 1899-1988) “SKY GATE II” (DIPTYCH) 1982, pencil signed and dated bottom right of one, inscribed AP on the other (the edition was 90), the full sheet; Pace Editions, Inc., New York, publisher. Cast paper pulp relief, framed separately. each sheet: 33 1/2 x 19 3/4 in. (85.1 x 50.2cm) [2] $3,000-5,000

112 148011/5 LOUISE NEVELSON (american, 1899-1988) “DAWNSCAPE” 1975, pencil signed and dated bottom right, inscribed ‘Archive Proof’ (the edition was 75 plus 15 artist’s proofs), the full sheet; Pace Editions, Inc., New York, publisher. Cast paper pulp relief. sheet: 27 3/4 x 30 3/4 in. (70.5 x 78.1cm) $3,000-5,000

113 141142/4 LOUISE NEVELSON (american, 1899-1988) “SKY PASSAGE” 1976, signed and numbered 26/150 on metal plate affixed verso; Pace Editions, Inc., New York, publisher, for the benefit of the Dalton school. Cast resin multiple. height: 10 in. (25.4cm) width: 5 5/8 in. (14.3cm) depth: 1 3/4 in. (4.4cm) (not including base) provenance: Private Collection, New York. $2,000-3,000

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114 141240/1 THOMAS CHIMES (american, 1921-2009) “UNTITLED” Chrome and steel construction.

18 1/2 x 13 1/2 in. (47 x 34.3cm) provenance: Reese Palley, New York.

Private Collection, Philadelphia. $1,200-1,800

115 132291/1 THOMAS CHIMES (american, 1921-2009) “SKYLANE” Mixed media.

Executed in 1969 21 x 41 in. (53.3 x 104.1cm) provenance: Henri Gallery, Washington, D.C. Private Collection, Massachusetts. exhibited: “Tenth Anniversary. Friends of the Corcoran,” Corcoran Gallery of Art, Washington, D.C., October 22-November 21, 1971, catalogue no. 15. $5,000-7,000

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116 148003/31 TOM WESSELMANN (american,1931-2004) “TV STILL LIFE” from “11 pop artists, volume iii” 1965, pencil signed and inscribed AP (the edition was 200, there were also 50 in Roman numerals and 5 artist’s proofs), the full sheet; Abrams Original Editions, New York, publisher.

Color screenprint on Arches. sheet: 28 7/8 x 38 3/8 in. (73.3 x 97.5cm) $1,000-2,000

117 141033/3 TOM WESSELMANN (american,1931-2004) “STILL LIFE WITH BLONDE” 1999, pencil signed and numbered AP 11/12 (the edition was 100), with full margins; Cooper Square Prints, New York, publisher. Color screenprint on museum board. image: 21 x 28 in. (53.3 x 71.1cm) sheet: 30 x 37 in. (76.2 x 94cm) $4,000-6,000

118 148003/9 TOM WESSELMANN (american,1931-2004) “NUDE” 1980, pencil signed and dated, numbered AP 14/25 (the edition was 100 plus 25 artist’s proofs), with wide margins; Abbeville Press, New York, publisher.

Color aquatint on wove paper. image: 28 x 30 1/2 in. (71.1 x 77.5cm) sheet: 35 1/4 x 37 1/2 in. (89.5 x 95.3cm) $4,000-6,000

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119 148003/13 TOM WESSELMANN (american, 1931-2004) “MONICA LYING ON HER BACK, KNEES UP” 1990, pencil signed and numbered ‘HC 9/12’ (the edition was 100 plus 6 artist’s proofs), the full sheet; Aimee DeLittle for Mémoire de La Liberté, Paris, publisher. Five color lithograph and linoleum cut on Arches. sheet: 39 1/2 x 55 1/2 in.

(100.3 x 141cm) $2,500-4,000

120 148003/8 TOM WESSELMANN (american, 1931-2004) “CYNTHIA IN THE BEDROOM” 1981, pencil signed, dated and numbered PP 2/4 (the edition was 100, plus 25 artist’s proofs), with full margins; Transworld Art, New York, publisher. Color screenprint on wove paper. image: 27 x 30 1/2 in.

(68.6 x 77.4cm) sheet: 33 1/4 x 36 1/2 in.

(84.5 x 92.7cm) $5,000-7,000

68 www.freemansauction.com

121 132289/3 ALEX KATZ (american, b. 1927) “UNFAMILIAR IMAGE” 2001, pencil signed and numbered 71/120 bottom left (there were also 13 artist’s proofs), the full sheet; Alberico Cetti Serbelloni Editore, Milan, publisher. Color screenprint on Hahnemuehle. sheet: 30 x 44 1/8 in.

(76.2 x 112.1cm) Unframed $800-1,200

122 148011/7 ALEX KATZ (american, b. 1927) “AL HELD” 1976, pencil signed and numbered 22/24 (there were also 6 artist’s proofs), the full sheet; Brooke Alexander Inc., New York, publisher.

Color pochoir in watercolor on heavy wove paper. sheet: 15 7/16 x 15 1/2 in.

(39.2 x 39.4cm) $1,500-2,500

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123 141033/2 CLAES OLDENBURG (american, b. 1929) “NOSE AND HANDKERCHIEF” 1968, signed with initials and dated on a ribbon sewn to the lower right corner, numbered 78/150 (there were no artist’s proofs); Documenta Foundation, Kassel, Germany, publisher. Screenprint on silk handkerchief.

19 x 19 in. (48.2 x 48.2cm) [Axsom & Platzker, 53] $600-1,000

124 141171/1 ROBERT INDIANA (american, b. 1928) “LOVE” from “book of love” 1996, signed, dated and numbered 19/200, with full margins; American Image Editions, New York, publisher.

Color silkscreen on A.N.W. Crestwood Museum Edition paper, accompanied by signed and numbered sheet with letterpressed poem and embossed and screenprinted LOVE emblem. image: 18 1/8 x 18 in. (46 x 45.7cm) sheet: 24 x 20 in. (61 x 50.8cm) Unframed [2] $4,000-6,000

70 www.freemansauction.com

125 141033/1 ROY LICHTENSTEIN (american, 1923-1997) “LOBSTER” from “six still lifes” 1974, pencil signed, dated and numbered 67/100 (there were also 10 artist’s proofs), with full margins; the artist, Multiples, Inc. and Castelli Graphics, New York, co-publishers and with their copyright stamps verso. Color lithograph and screenprint on Rives BFK. image: 32 1/4 x 31 in.

(81.9 x 78.7cm) sheet: 38 3/4 x 37 1/2 in.

(98.4 x 95.3cm) [Corlett, 129] $6,000-10,000

126 148003/1 ANDY WARHOL (american, 1928-1987) “COW” 1971, pencil signed, dated 1973 and numbered 6/150 verso, the full sheet; Factory Additions, New York, publisher and with their copyright printed along the right edge. Color screenprint on wallpaper. sheet: 45 1/2 x 29 1/2 in.

(115.5 x 74.8cm) [Feldman & Schellmann, II.12] $8,000-12,000

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127 141233/1 ANDY WARHOL (american, 1928-1987) “GENERAL CUSTER” from “cowboys and indians” 1986, pencil signed and numbered ‘TP 35/36’ (unique trial proof, the regular edition was 250 in a different color combination plus 50 artist’s proofs), the full sheet; the artist and Gaultney, Klineman Art, Inc., New York, co-publishers and with their copyright inkstamp verso.

Unique color screenprint on Lenox Museum Board. sheet: 36 x 36 in. (91.4 x 91.4cm) [Feldman & Schellmann, II.B379] $25,000-40,000

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128 148003/18 RICHARD PETTIBONE (american, b. 1938) “APPROPRIATION PRINT (WITH ANDY WARHOL, FRANK STELLA AND ROY LICHTENSTEIN)” 1974, pencil signed bottom right. Color screenprint on wove paper. image: 11 1/4 x 15 in (28.6 x 38.1cm) sheet: 12 1/8 x 16 in. (30.8 x 40.6cm) $1,200-1,800

129 141290/1 FRANK STELLA (american, b. 1936) “SIDI IFNI” from the “hommage à picasso” portfolio 1973, pencil signed, dated and numbered PP 8/15 (the edition was 120 plus an unknown number of artist’s proofs), with wide margins; Propyläen Verlag, Berlin and Pantheon-Presse, Rome, co-publishers. Color lithograph on wove paper. image: 19 x 18 3/4 in. (48.3 x 47.6cm) sheet: 22 x 30 in. (55.8 x 76.1cm) [Axsom, 91] $2,000-3,000

130 141120/2 BRIDGET RILEY (british, b. 1931) “UNTITLED” from “chicago seven” 1971, pencil signed, dated and numbered 89/150, with wide margins; co-published

by David R. Godine Publishers and The Center for Constitutional Rights, New York, 1971-72. Color screenprint on wove paper. image: 20 3/8 x 15 1/16 in. (51.7 x 38.3cm) sheet: 24 x 18 1/8 in. (61 x 46cm) [Schubert, 15] $2,000-3,000

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131 132576/23 JIM DINE (american, b.1935) “FORTRESS OF THE HEART” 1982, pencil signed and dated bottom right, numbered 8/22 (there were also 5 artist’s proofs), the full sheet; Pace Editions, New York, publisher. Color lithograph on Arches. sheet: 36 x 60 in. (91.4 x 152.4cm) [D’Oench & Feinberg, 111] $6,000-10,000

132 148003/3 JIM DINE (american, b. 1935) “HEART FOR FILM FORUM” 1993, pencil signed with intials and numbered 250/500 (there were also 20 artist’s proofs), with wide margins; The artist and Pace Editions, New York, co-publishers. Color woodcut on wove paper. image: 15 3/16 x 13 1/8 in. (38.6 x 33.3cm) sheet: 23 x 17 1/2 (58.4 x 44.5cm) [Carpenter, 60] $1,000-1,500

133 141142/3 JIM DINE (american, b. 1935) “FIVE HANDPAINTED SHELLS” 1982, pencil signed, dated and numbered 47/50 (there were also 12 artist’s proofs), with full margins; Pace Editions, New York, publisher. Watercolor and etching on wove paper. image: 23 x 31 in. (58.4 x 78.7cm) sheet: 30 x 36 3/4 in. (76.2 x 93.3 cm) [D’Oench & Feinberg, 121] $2,000-3,000

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134 141290/2 KEITH HARING (american, 1958-1990) “FIGHT AIDS WORLDWIDE” 1990, pencil numbered 541/1,000, with full margins; World Federation of the United Nations Associations, New York, publisher and with the artist’s estate stamp verso; also with the Keith Haring Estate instamp certificate of authenticity with pencil signature by Julia Gruen verso. Color lithograph on wove paper. sheet: 11 x 8 5/8 in. (27.8 x 21.9cm) [Littman, 168] Unframed $1,000-1,500

135 148011/4 KEITH HARING (american, 1958-1990) ONE PRINT from “chocolate buddha” 1989, signed, dated and numbered 35/90 (there were 15 artist’s proofs), with full margins; Editions F.B., Paris, publisher. Color lithograph in colors on Arches. image: 19 1/4 x 25 1/4 in. (48.9 x 64.1cm) sheet: 22 x 28 in. (55.9 x 71.1cm) [Littman, 123] $2,500-4,000

136 132414/3 FRIEDENSREICH HUNDERTWASSER (austrian, 1928-2000) SHEET NO. 1 from the “look at it on a rainy day” 1971/1972, stamp-numbered 263/3000, with wide margins; Ars Viva, Zurich, publisher. Color screenprint with metal imprints and varnish on wove paper. image: 17 x 24 3/8 in. (43.2 x 61.9cm) sheet: 19 1/2 x 26 1/2 in. (49.3 x 67.3cm) [Koschatzky, 44] $1,000-1,500

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137 141142/1 HELEN FRANKENTHALER (american, 1928-2011) “RED SEA” 1978-82, pencil signed, dated and numbered 35/58 (there were also 14 artist’s proofs), with full margins; Tyler Graphics Ltd., Bedford Village, New York, publisher. Color lithograph on pink HMP handmade paper. image: 15 3/4 x 20 3/4 in. (40 x 52.7cm) sheet: 23 1/2 x 27 7/8 in. (60 x 70.8cm) [Harrison, 89] $3,000-5,000

138 132510/5 KENNETH NOLAND (american, 1924-2010) “BLUSH” 1978, pencil signed, dated and numbered 48/50 (there were also 25 artist’s proofs), with margins; published by Tyler Graphics, Mount Kisco, New York for the patrons of the Institute of Contemporary Art, Philadelphia. Color lithograph on Rives BFK. image: 35 x 29 in. (88.9 x 73.7cm) sheet: 36 x 30 in. (91.4 x 76.2cm) [Tyler, 462] $2,500-3,500

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139 148003/11 SAM FRANCIS (american, 1923-1994) UNTITLED Pencil signed verso, acrylic on paper.

Executed ca. 1988-1989 19 1/2 x 25 1/2 in. (49.3 x 64.8cm) provenance: Galerie Jean Fournier, Paris.

Private Collection, Paris.

Private Collection, Amsterdam.

Bonhams & Butterfields, Modern, Contemporary and Latin American Art, November 07, 2004, lot 31.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. note: This lot will be accompanied by a Certificate of Archival Documentation from the Sam Francis Estate dated September 27, 2004. $25,000-40,000

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140 148003/29 SAM FRANCIS (american, 1923-1994) UNTITLED from “michel waldberg: poémes dans le ciel” 1986, pencil signed and numbered HC 8/20 (the edition was 176), the full sheet; Philosophie des Arts, Francis Delille, Paris, publisher. Color lithograph on Rives BFK. sheet: 30 x 22 in (76.2 x 55.9cm) [Lembark, L273] $1,500-2,500

141 148003/6 SAM FRANCIS (american, 1923-1994) “TING” 1972, pencil signed and numbered 44/75 (there were also 9 artist’s proofs), the full sheet; Gemini G.E.L, Los Angeles, publisher and with their blindstamp. Color screenprint on Arjomari. sheet: 23 1/2 x 29 1/2 in.

(59.7 x 74.9cm) [Lembark, S8] $1,500-2,500

142 141189/6 PIERRE SOULAGES (french, b. 1919) “LITHOGRAPHIE NO. 24B” 1969, signed and numbered 30/85; the full sheet; Galerie de France, Paris, publisher.

Lithograph in colors on Velin d’Arches. sheet: 31 x 22 in. (78.7 x 55.9cm) [Rivière, 24b] $2,000-3,000

78 www.freemansauction.com

143 132576/30 DANIEL BOTTERO (argentine, b. 1950) “GIRANDO I” Signed and dated bottom right, signed, titled and dated 93 verso, acrylic on canvas.

53 x 53 in. (134.6 x 134.6cm) Unframed provenance: Estate of Fred Stein, New York. $10,000-15,000

145 148003/28 SCHANG HUTTER (swiss, b. 1934) “FIGUREN” Four sculptures of carved wood affixed to individual metal plates.

Executed in 1981 height: all approximately 56 in. (142.2cm) [4] provenance: Galerie Ernst Scheidegger, Zurich.

Josseline Naëf, Montreal.

Ray Kisber Art + Design, Quebec.

Private Collection, Asheville, North Carolina. $3,000-5,000

144 141062/1 PETER BUSA (american, 1914-1985) UNTITLED Signed bottom right, oil on canvas.

32 x 36 in. (81.3 x 91.4cm) provenance: Private Collection. $1,000-2,000

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146 141129/1 STANLEY WILLIAM HAYTER (british, 1901-1988) “ECLIPSE” Signed, titled and dated ‘Nov 23-Dec 6 82’ in white chalk verso, acrylic on canvas.

64 x 51 in. (162.6 x 129.4cm) provenance: Armstrong Gallery, New York.

The Breuning Collection (purchased from the above in 1986).

By descent in family to current owner. note: This lot will be accompanied by a certificate of authenticity signed by the artist and dated February 26, 1986. literature: Martica Sawain, “Stanley William Hayter at 84,” Arts Magazine, January 1986, p. 63 (illustrated). $6,000-10,000

147 141120/4 LARRY ZOX (american, 1937-2006) “DIAGONAL II” Signed, titled and dated 1966 on stretcher verso, liquitex on canvas.

60 x 70 in. (152.4 x 177.8cm) Unframed provenance: Kornblee Gallery, New York. $1,000-2,000

80 www.freemansauction.com

148 141129/16 RICHARD DIEBENKORN (american, 1922-1993) “#17 (BACK VIEW OF STANDING NUDE WOMAN WITH PARTIAL REFLECTION)” from “41 etchings and drypoints” 1964, pencil signed with initials, dated and inscribed ‘a.p.’ (one of 5 artist’s proofs, the edition was 25), with full margins; Crown Point Press, San Francisco, publisher. Aquatint with drypoint on wove paper. image: 12 1/4 x 8 1/2 in.

(31.1 x 21.6cm) sheet: 18 1/2 x 15 in. (47 x 38.1cm) $2,000-3,000

149 148011/2 ROBERT RAUSCHENBERG (american, 1925-2008) “PEOPLE HAVE ENOUGH TROUBLE WITHOUT BEING INTIMIDATED BY AN ARTICHOKE” from “suite of nine prints” 1979, pencil signed, dated and numbered 20/100 (there were also an unrecorded number of artist’s proofs), the full sheet; Multiples Inc., New York, publisher. Color offset lithograph and fabric collage on wove paper. sheet: 30 5/8 x 23 1/4 in.

(77.8 x 59.1cm) $1,500-2,500 150 148011/1 ROBERT RAUSCHENBERG (american, 1925-2008) “BACK OUT” from “suite of nine prints” 1979, pencil signed, dated and numbered 19/100 (there were also an unrecorded number of artist’s proofs), the full sheet; Multiples, Inc., New York, publisher. Color offset lithograph and collage on wove paper. sheet: 30 1/2 x 33 1/8 in.

(77.5 x 84.1cm) $1,500-2,500

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151 141275/1 JACOB LAWRENCE (american, 1917-2000) “CONFRONTATION AT THE BRIDGE” from “not songs of loyalty alone: the struggle for personal freedom” series 1975, pencil signed and dated bottom right, titled center and numbered XLV/V (the regular edition was 125), the full sheet; Transworld Art, New York, publisher, and with their ink stamp verso. Color screenprint on Strathmore. sheet: 19 1/2 x 26 in. (49.4 x 65.9cm) Unframed [Nesbett, L75-2] $3,000-5,000

152 148011/9 two prints JANET FISH (american, b. 1938) “PRESERVED PEACHES” AND “GLASSES” 1975 and 1976, both pencil signed bottom right and numbered 53/75 and 126/150 respectively, with wide margins. Two color lithographs on wove paper. image (peaches): 26 x 19 in. (66 x 48.3cm) image (glasses): 28 x 20 1/4 in. (71.1 x 51.4cm) [2] $800-1,200

153 132576/22 MALCOLM MORLEY (british, b. 1931) “THREE PARROTS” Pencil signed and dedicated bottom right, watercolor.

22 3/4 x 14 1/4 in.(57.8 x 36.2cm) provenance: Estate of Fred Stein, New York. $2,500-4,000

82 www.freemansauction.com

154 132547/2 three multiples from the peter norton family christmas project JIM HODGES (american, b. 1957) “IF THERE HAD BEEN A POOL IT WOULD HAVE REFLECTED US” 1998, dyed 100% wool blanket from an edition of unknown size.

52 x 72 in. (132.1 x 182.9cm) and KARA WALKER (american, b. 1969) “FREEDOM, A FABLE: A CURIOUS INTERPRETATION OF THE WIT OF A NEGRESS IN TROUBLED TIMES” 1997, bound book with offset lithographs and five laser-cut, popup silhouettes on wove paper in full red/brown leather binding as issued, from the edition of 4000.

9 3/8 x 8 3/8 in. (23.8 x 21.3cm)

and BRIAN ENO (american, b. 1948) “OBLIQUE STRATEGIES” 1996, set of playing cards in Pae White designed Corian container, from edition of unknown size. overall: 6 x 5 x 1 1/2 in.

(15.2 x 12.7 x 3.8cm) [3] $1,500-2,500

155 141290/3 KIKI SMITH (american, b. 1954) “UROGENITALS” 1994, pencil signed and dated bottom right, numbered 38/49 (there were also an unknown number of artist’s proofs), with full margins; Thirteen Moons, New York, publisher. Rubber stamp on tissue-thin Japan. image: 26 x 13 in. (66 x 33cm) sheet: 30 7/8 x 19 in. (78 x 48.3cm) Unframed $1,000-1,500

156 141171/2 two prints DONALD SULTAN (american, b. 1951) “NINE OF CLUBS” AND “JACK OF CLUBS” from “playing cards” 1990, both pencil signed with initials, titled, dated and numbered 33/44 (there were also 10 artist’s proofs), with full margins; Parasol Press, New York, publisher. Two aquatints on Twinrocker handmade paper. both images: 11 1/2 x 8 in. (29.2 x 20.3cm) both sheets (approx): 21 x 14 13/16 in.

(37.6 x 53.3cm) Both unframed [2] $1,200-1,800

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157 132289/4 MICHELANGELO PISTOLETTO (italian, b. 1933) “CARTELLA A” the complete set of four prints 1983, the complete set of four color screenprints on polished alumninum foil, signed in ink by the artist and stamp-numbered 120 (of 500) on the title/justification page, text by Germano Celant and table of contents, published by Fratelli Alinari Stamperia d’Arte, Florence, the full sheets, the prints loose in brown paper mounts as issued, within original brown covered boards with printed title. prints: 19 3/4 x 15 3/4 in. (50.2 x 40cm) portfolio: 20 3/8 x 16 in. (51.8 x 40.7cm) [4] $1,200-1,800

158 141189/5 JEFF KOONS (american, b.1955) BALLOON DOG (RED) 1995, numbered 619/2300 and with facsimile signature on label affixed verso; VOICE: Venice Oakwood/Inner City Enterprise for the Museum of Contemporary Art, Los Angeles, publisher. Painted cast porcelain. height: 10 1/2 in. (26.7cm) width: 10 1/2 in. (26.7cm) depth: 5 in. (12.7cm) provenance: An Estate, Berwyn, Pennsylvania. $8,000-12,000

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159 141142/2 JANE HAMMOND (american, b. 1950) “DOUBLE DANCERS” Pencil signed, dated and titled ‘Jane Hammond/1993...’ verso, gouache, ink, paper collage, graphite and lithographic transfer on paper.

38 x 34 in. (96.5 x 86.4cm) provenance: Private Collection, New York. $1,200-1,800

160 132289/1 two prints PETER HALLEY (american, b. 1953) “CONTAMINATION I & II” 2002, both signed, dated and numbered 82/100 (there were also 10 artist’s proofs for both), with full margins; MS Editions, New York, publisher. Two lithographs with color screenprint in colors on wove paper. image (each): 28 x 27 5/8 in. (71.1 x 70.2cm) sheet (each): 32 x 31 1/2 in. (81.3 x 80cm) Unframed [2] $800-1,200

161 132576/32 three prints MENASHE KADISHMAN (israeli, b. 1932) “DOORWAY II” together with TWO UNTITLED PRINTS All pencil signed and numbered AP (all artist’s proofs aside from various edition sizes), with wide margins. Three color silkscreens on wove paper. image (door): 36 3/4 x 18 3/8 in.

(93.3 x 46.7cm) image (cracked earth): 36 x 28 in. (91.4 x 71.1cm) sheet (abstract composition): 41 1/4 x 29 1/4 in.

(104.8 x 74.3cm) [3] $600-900

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162 132562/4 DONALD ROLLER WILSON (american, b. 1938) “BEVERLY STOOD IN FRONT OF MRS. JENKINS’ DOORWAY...”

Signed, titled, inscribed and dated 1989, oil on canvas.

16 x 14 in. (40.6 x 35.6cm) provenance: Coe Kerr Gallery Inc., New York.

Private Collection. $8,000-12,000

163 132619/5 six paintings PAUL KEENE (american, 1920-2009) UNTITLED from “sky windows series” All signed bottom right and one dated 87, all variously signed, dated and titled on stretchers verso, oil on canvas. various sizes, largest: 11 3/4 x 14 1/4 in. (29.8 x 36.2cm) [6] provenance: The artist.

Private Collection. $2,000-3,000

86 www.freemansauction.com

164 132562/7 WOLF KAHN (american/german, b. 1927) “SUNSET IN WEST BRATTLEBORO” Signed and dated 78 bottom right, pastel.

12 x 17 7/8 in. (30.5 x 45.4cm) provenance: Obelisk Gallery, Boston.

Private Collection. $4,000-6,000

165 132363/2 BEN KAMIHIRA (american, 1925-2004) STILL LIFE Signed bottom right, oil on canvas.

30 x 38 in. (76.2 x 96.5cm) provenance: The artist.

Private Collection, New York. $3,000-5,000 END OF SALE

Index Ardissone, Y., 42 Avery, M., 69, 70, 72-74 Avery, March, 82 Avery, S., 80, 81 Bacci, E., 50 Bate, S., 67 Blanchard, A., 43 Blatas, A., 51 Botello, A., 103 Bottero, D., 143 Braque, G., 19 Brianchon, M., 40 Browne, B., 65 Buffet, B., 52 Busa, P., 144 Calder, A., 91, 93 Cassatt, M., 71 Chagall, M., 20-23 Charlot, J., 95 Cherry, H., 83-85 Chimes, T., 114, 115 Chughtai, A., 94 Clark, C., 58, 59 Close, C., 86, 87 Covarrubias, M., 104 Dali, S., 29 Dayez, G., 41 Diebenkorn, R., 148

Dine, J., 131-133 Dufy, R., 11 Eno, B., 154 Ensor, J., 6 Fish, J., 152 Francis, S., 139-141 Frankenthaler, H., 137 Grosz, G., 15 Guillaumin, A., 1 Guston, P., 88 Halley, P., 160 Hammond, J., 159 Haring, K., 134, 135 Hayter, S.W., 146 Hilaire, C., 44 Hodges, J., 154 Howard, H., 75-79 Hundertwasser, F., 136 Hutter, S., 145 Indiana, R., 124 Jenkins, P., 92 Kadishman, M., 161 Kahn, W., 164 Kamihira, B., 165

Katz, A., 121, 122 Keene, P., 163 Kokoschka, O., 10 Koons, J., 158

Renoir, P., 7 Riley, B., 130 Rivera, D., 110 Rodríguez, M., 108, 109 Romero, C.O., 97 Rouault, G., 16-18

Lawrence, J., 151 Lazzell, B., 60 Lichtenstein, R., 125 Luce, M., 9

Schmidt, J., 64 Sebire, G., 39 Sefarbi, H., 53-57 Smith, K., 155 Soulages, P., 142 Stella, F., 129 Sultan, D., 156

Marzelle, J., 45 Matisse, H., 12-14 Miro, J., 24-28 Montenegro, R., 98 Morley, M., 153 Mucha, W., 46, 47

Tamayo, R., 99-102 Tchelitchew, P., 66 Thrash, D., 61,-63

Nevelson, L., 68, 111-113 Noland, K., 138

Vallotton, F., 8.

Oldenburg, C., 123 Pettibone, R., 128 Picasso, P. 30-38 Pissarro, C., 2-5 Pistoletto, M., 157 Poncet, A., 48, 49 Portocarrero, R., 105-107 Pousette-Dart, R., 89, 90

Walker, K., 154 Warhol, A., 126, 127 Wesselman, T., 116-120 Wilson, D.R., 162 Zox, L., 147 Zúñiga, F., 96

Rauschenberg, R. 149, 150

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names

attributed to

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Refers to probably a work by the artist; e.g.

Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g.

Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

signatures & dates

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

American Art & Pennsylvania Impressionists Auction 06/08/14 Exhibition opens Wednesday, June 4 at 10am Alasdair Nichol 267.414.1211 anichol@freemansauction.com David Weiss 267.414.1214 dweiss@freemansauction.com Andrew Huber 267.414.1210 ahuber@freemansauction.com

MAX WEBER (american 1881-1961) "DRAPED FIGURE" (detail) Signed and dated 'MAX WEBER 1910' in pencil bottom right; also signed and dated 'Max Weber 1911' bottom center, watercolor and gouache on paperboard 25 5/8 x 18 7/8 in. (65.1 x 45.6cm) $20,000-30,000 Visit our website or call 267.414.1256 to purchase a catalogue.

www.freemansauction.com

www.freemansauction.com 89

Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date.

Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

The Packaging Store Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 info@atelierartservices.com

UPS Store John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com

Mr. C’s Charles Cohen 267.977.9567 mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 r.gebler@mastroccomovers.com

VG Packaging LLC Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com Furniture & Larger Items For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted. www.plyconvanlines.com www.nwdelivery.com www.freightquote.com

v1.2014

Terms & Conditions All property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the

total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE (Primary)

RESALE

COUNTRY

PHONE (Secondary)

/

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

❑

(signature required to execute your bids)

❑

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

ID CONFIRMED

Directory Officers

Samuel M. Freeman II Chairman

Specialist Departments

Alasdair Nichol Vice Chairman

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com

Margaret D. Freeman Vice Chairman Paul S. Roberts President

American Silver Samuel M. Freeman II beaufreeman@freemansauction.com

Hanna Dougher Chief Operating Officer

Asian Arts Richard A Cervantes rcervantes@freemansauction.com Departments

Appraisals Amy Parenti aparenti@freemansauction.com

Books, Manuscripts, Maps & Ephemera David Bloom dbloom@freemansauction.com

Business Development Thomas B McCabe IV tmccabe@freemansauction.com

English & Continental Furniture & Decorative Arts David Walker dwalker@freemansauction.com

Client Services Mary Maguire Carroll mmaguire@freemansauction.com

European Art & Old Masters David M Weiss dweiss@freemansauction.com

Finance Mark Beckerman mbeckerman@freemansauction.com

Jewelry & Watches Michael Larsen mlarsen@freemansauction.com

Marketing & Communication Tara Theune Davis ttdavis@freemansauction.com

Modern & Contemporary Art Anne Henry ahenry@freemansauction.com

Museum Services Thomas B McCabe IV tmccabe@freemansauction.com

Oriental Rugs & Tapestries Richard A Cervantes rcervantes@freemansauction.com

Photography Elizabeth Field efield@freemansauction.com

Photographs & Photobooks Aimee Pflieger apflieger@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Silver & Objets de Vertu David Walker dwalker@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Representatives

Southeastern Colin Clarke cclarke@freemansauction.com

Mid-West William Rudd wrudd@freemansauction.com

West Coast Michael Larsen mlarsen@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com

Main Line Maya O’Donnell-Shah mshah@freemansauction.com

v2.2014

www.freemansauction.com

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236