1499

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Photographs & Photobooks 09/16/14



Photographs & Photobooks 09/16/14

Auction

Sale 1499 Tuesday, September 16, 2014 at 11am 1808 Chestnut Street, Philadelphia PA 19103

Exhibition

Friday September 12 10am–5pm Saturday September 13 12pm–5pm Sunday Closed Monday September 15 10am–5pm

Catalogue

$25 in the gallery

Inquiries

Aimee Pflieger 267.414.1221 apflieger@freemansauction.com Shannon Jeffers 267.414.1231 sjeffers@freemansauction.com

Inside Front Cover: Lot 102 Inside Back Cover: Lot 35 Color images of every lot are available at www.freemansauction.com


Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $75,000 of the hammer price of each lot, 20% on the portion from $75,001 through $1,500,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

v1/2014

Payment

Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.


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Photographs & Photobooks Department

Aimee Pflieger Specialist, Head of Department 267.414.1221 apflieger@freemansauction.com

Shannon Jeffers Department Administrator 267.414.1231 sjeffers@freemansauction.com

Client Services

Mary Maguire Carroll Director, Client Services mmaguire@freemansauction.com 267.414.1236

Cara Bishoff Bids Department cbishoff@freemansauction.com 267.414.1208

Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242



Photographs lots 1-115

Lot 12



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1 UNKNOWN PHOTOGRAPHER BLIND MAN 1850’s. Sixth plate daguerreotype in thermoplastic case. $1,000-1,500


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2 UNKNOWN PHOTOGRAPHER FAMILY IN PLAID Half plate daguerreotype in full leatherette case, ca. 1850. $700-1,000 3 UNKNOWN PHOTOGRAPHER MOTHER AND CHILDREN DRESSED IN MILITARY OUTFITS Half plate daguerreotype with handcoloring in full leatherette case. $500-800 4 FELIX MOISSENET (BORN CA. 1814, ACTIVE 1849-61) MOTHER AND CHILDREN, NEW ORLEANS Quarter plate daguerreotype in full leatherette case, ca. 1851. With ‘F. MOISSENET / DAG.TYPIST / NO. 1 CAMP STREET, N.O.’ on velvet pad. $400-800


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5 UNKNOWN PHOTOGRAPHER SEATED BOY WITH FEATHER HAT AND DOG Fourth plate ambrotype in full leatherette case. $500-800 6 UNKNOWN PHOTOGRAPHER LITTLE GIRL STANDING BY A CHAIR Half plate daguerreotype with handcoloring in full leatherette case, ca. 1850. $1,000-1,500 7 UNKNOWN PHOTOGRAPHER SITTING DOG Sixth plate ambrotype in full leatherette case. $300-600


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8 UNKNOWN PHOTOGRAPHER FIVE MEN Sixth plate daguerreotype in half leatherette case, ca. 1850. $300-600

9 UNKNOWN PHOTOGRAPHER GENTLEMAN Half plate daguerreotype in full book-style velvet case, ca. 1850. $500-800


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10 UNKNOWN PHOTOGRAPHER MR. GEORGE HOOD AND HIS CLOTHES WRINGER INVENTION Fourth plate ambrotype in full leatherette case. $1,000-1,500


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11 ABRAHAM BOGARDUS (AMERICAN, 1822-1908) THREE SISTERS Half plate daguerreotype on original mount. $700-1,000


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12 THIRTY PRINTS

FREDERICK GUTEKUNST (AMERICAN, 1831-1917) VARIOUS LANDSCAPES IN AND AROUND PHILADELPHIA Unsigned, mounted albumen prints, ca. 1888. Many with location notation in unknown hand. sizes of images: 6 x 8 3/8 in. (15.2 x 21.3cm) or the inverse. Unframed (30) INCLUDING: Glen Fern Mills, Wissahickon, Ormistan (sic) Glen Road to Quakertown, Bucks Co Untitled (cows) Three Mile Run Road, Bucks Co. Log House, Delaware Co. Wheat Field (2 different scenes) Taking in the Hay, 4th of July West Point, New York Delaware Co. Meadow Old Farm 17th & Dauphin Sts. 17th & Dauphin Sts. (Winter) (4 different scenes) Log House, Delaware Co. Delaware Co. Delaware Co. Dairy Untitled (tree alongside road) Untitled (Wintery Path) Old Mill, Bucks Co. Mary’s Cottage, Bucks Co. Untitled (rowboat) Untitled (goats) Untitled (Man with horse-drawn cart) Untitled (House) Untitled (River- possibly Wissahickon Creek) Untitled (Two children in a garden)

NOTE:

Frederick Gutekunst was born in the Germantown section of Philadelphia. While studying to be a druggist, he became interested in photography and after mastering ambrotypes and daguerreotypes, with the help of his brother, he opened a studio at 706 Arch Street in 1856. Gutekunst photographed many notable personalities of the late 19th century, including poets, presidents and Civil War generals such as Grant, Sherman and Longstreet, earning him the title “The Civil War Photographer.” In addition to his portraits, Gutekunst photographed many scenes in and around the Philadelphia, Bucks County and Delaware areas, the battlefield of Gettysburg and the Centennial International Exhibition of 1876 (including a widely reproduced panorama). By 1882, Gutekunst was reported to be the leading photographer in Philadelphia. In 1893, Gutekunst opened a large portrait studio at 1700 North Broad Street, which is a mere eight blocks from 17th & Dauphin, the area pictured in 5 of the photographs in this lot. $2,500-3,500


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13 FRANCIS FRITH (BRITISH, 1822-1898) “THE STATUES OF THE PLAIN, THEBES” 1857/8. Mammoth plate albumen print with printed title bottom center on mount. image: 17 3/4 x 24 in. (45.1 x 61cm) mount: 21 x 27 in. (53.3 x 68.6cm) $8,000-12,000

14 TWO PRINTS

FRANCIS FRITH (BRITISH, 1822-1898) “LINCOLN CATHEDRAL CHOIR, LOOKING WEST” Ca. 1890. With photographer’s embossed stamp bottom left. Albumen print. image: 11 1/4 x 9 1/8 in. (28.6 x 23.2cm) Unframed and; “HIGH STREET, OXFORD” Ca. 1890. With photographer’s embossed stamp bottom left. Albumen print. image: 6 x 10 1/8 in. (15.2 x 25.7cm) Unframed (2) $1,000-1,500


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15 EIGHT PRINTS RAIMUND VON (BARON) STILLFRIED-RATHENITZ (AUSTRIAN, 1839-1911) ASSORTED STUDIO PORTRAITS AND PHOTOGRAPHS OF LABORERS Handcolored albumen prints. images: 7 3/4 x 8 5/8 in. (19.7 x 21.9cm) mounts: 12 x 15 in. (30.5 x 38.1cm) INCLUDING: Weaving, Grinding Corn, Carpenter, A Greengrocer’s Shop, A Jinrikisha, the Carriage of Japan, A Merchant, “Betto” or a Groom, and Untitled (Geisha) and; EIGHT PRINTS KUSAKABE KIMBEI (JAPANESE, 1841-1934) JAPANESE SCENES Ca. 1880. Handcolored albumen prints mounted to card. each approx.: 8 x 10 1/2 in. (20.3 x 26.7cm) INCLUDING: Miyanoshita (2), Atami (2), Tonosawa (2), Hakone (2) Each unframed (16) $3,000-5,000


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16 THREE PRINTS

EADWEARD MUYBRIDGE (AMERICAN/BRITISH, 1830-1904) PLATES 349, 593 and 331 FROM “ANIMAL LOCOMOTION” 1887. Each with photo credit, series title, plate numbers, copyright and date. Collotypes. each image approx.: 7 x 15 in. (17.8 x 38.1cm) each sheet: 18 3/4 x 23 3/4 in. (47.6 x 60.3cm) Unframed (3) NOTE: This lot will be accompanied by an artist signed and inscribed copy of the 1883 subscription prospectus for “The Attitudes of Man, the Horse and other Animals in Motion.” $1,500-2,500


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17 TWO CRIME PHOTOGRAPHS

UNKNOWN ARTISTS “GERALD CHAPMAN” Gelatin silver print and collage. 9 x 7 1/2 in. (22.9 x 19.1) and; “DROPPED IN HIS TRACKS” Gelatin silver print with collaged photograph and applied graphite crop marks, ink and paint. 8 x 10 in. (20.3 x 25.4cm) (2) NOTE: Each collage was created for an issue of American Crime Magazine between 1920–1935. Both were exhibited in 1987 at Pace/MacGill Gallery, New York, New York. Gerald Chapman was an early Prohibition-era gang member who was the first criminal to be dubbed “Public Enemy Number One” by the press. $800-1,200


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18 ANDREW JOSEPH RUSSELL (AMERICAN, 1830-1902) “DEVIL’S GATE, WEBER CANYON (PLATE 40)” 1869/1869. Albumen print from wet plate negative. image: 12 x 9 in. (30.5 x 22.9cm) mount: 18 1/8 x 12 3/4 in. (46 x 32.4cm) Unframed NOTE: From the exceedingly rare “Great West Illustrated in a Series of Photographic Views across the Continent; Taken along the Line of the Union Pacific Railroad, West from Omaha, Nebraska, Vol. 1.” These prints were later copied in a reduced size to provide illustrations for F.V. Hayen’s “Sun Pictures of Rocky Mountain Scenery.” $2,000-4,000

19 EADWEARD MUYBRIDGE (AMERICAN/BRITISH, 1830-1904) “SEAL ROCKS, CALIFORNIA” Ca. 1870. Albumen print from wet plate negative on original mount with Italian printed title pasted under image. image: 15 x 21 in. (38.1 x 53.3cm) Unframed $2,000-4,000


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20 WILLIAM HENRY JACKSON (AMERICAN, 1843-1942) “CHURCH OF SAN MIGUEL, SANTA FE, NM” 1880s/1880s. With photographer’s name and title in negative at bottom left and right. Albumen print from wet plate negative. image: 17 x 21 1/4 in. (43.2 x 53.4cm) mount: 21 3/4 x 27 1/4 in. (55.3 x 69.2cm) Unframed $3,000-5,000

21 WILLIAM HENRY JACKSON (AMERICAN, 1843-1942) “RAINBOW FALLS, MANITOU, CO” 1880-1881. Title and photographer’s credit in negative at bottom of image. Albumen print from a wet plate negative. image: 13 1/2 x 10 in. (34.3 x 25.4cm) mount: 17 x 14 in. (43.2 x 35.6cm) Unframed $1,000-2,000


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22 EDWARD STEICHEN (AMERICAN, 1879-1973) “EDWARD STEICHEN: THE EARLY YEARS: 1900-1927” An incomplete portfolio of 8 photogravures contained within Indian tussah silk wrapped slip case. With essays by Beaumont Newhall and Mary Steichen Calderone. Numbered 413 (of 500). New York: Aperture, Inc. 1981. each sheet: 20 x 16 in. (50.8 x 40.6cm) (8 of 12 prints included in portfolio) INCLUDING: GRAND PRIX AT LONGCHAMP: AFTER THE RACES, 1907. SELF-PORTRAIT WITH SISTER, 1900. TORSO, PARIS, 1902. MOONRISE, MAMARONECK, NEW YORK, 1904. IN MEMORIAM, 1902. STEICHEN AND WIFE CLARA ON THEIR HONEYMOON, 1903. RICHARD STRAUSS, 1905. THREE PEARS AND AN APPLE, ca. 1921. $1,000-2,000

23 THREE COPIES OF “CAMERA WORK” SPECIAL SUPPLEMENTS

EDITED BY ALFRED STIEGLITZ NUMBER 37 (1912) Includes two articles by Gertrude Stein and 14 reproductions of the work of Picasso and Matisse (2 copies included in lot) and; NUMBER 38 (1913) Contains several articles (Gertrude Stein, Mabel Dodge, Oscar Bluemner) and reproductions of paintings by Cezanne, Van Gogh, Picasso and more. (3) $500-800


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24 ARTHUR WESLEY DOW (AMERICAN, 1857-1922) DANDELION LEAVES 1895-1910/1895-1910. Cyanotype. 7 15/16 x 5 in. (20.2 x 12.7cm) Unframed $3,000-5,000


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26 ALFRED STIEGLITZ (AMERICAN, 1864-1946) “THE SWIMMING LESSON” 1906/1911. Photogravure. image: 5 7/8 x 9 in. (14.9 x 22.9cm) SEE: “Camera Work,” October 1911, vol. 36, plate 41. $400-600 25 OSCAR GUSTAVE REJLANDER (BRITISH, 1813-1875) “ADELINE SOMERS-COCKS AT FRESHWATER” Ca. 1863-65. Signed bottom right. Albumen print. image: 4 3/8 x 3 5/8 in. (11.1 x 9.2) sheet: 6 x 6 3/4 in. (15.2 x 17.2cm) Unframed NOTE: Adeline Somers was the niece of Julia Margaret Cameron. SEE: “A Victorian Album,” Julia Margaret Cameron and Her Circle, Ovenden, 1975, p. 104 (uncropped version). $1,000-1,500

27 ALFRED STIEGLITZ: (AMERICAN, 1864-1946) “MISS S. R.” 1904/1905. Photogravure. image: 9 1/16 x 5 1/2 in. (23.1 x 14cm) sheet: 11 5/8 x 7 7/8 in. (29.5 x 20cm) Unframed SEE: Camera Work, October 1905, vol. 12, plate 7. $500-1,500


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28 ALFRED STIEGLITZ (AMERICAN, 1864-1946) GEORGIA O’KEEFFE 1918/ca. 1950. Gelatin silver print. 9 5/8 x 7 3/4 in. (24.4 x 19.7cm) PROVENANCE: Mitchell A. Wilder, first director of the Amon Carter Museum, Fort Worth, Texas. By descent in family. $6,000-10,000

29 TODD WEBB (AMERICAN, 1905-2000) “ALFRED STIEGLITZ AT AN AMERICAN PLACE” 1946/ca. 1946. Signed, titled and dated verso. Gelatin silver print. image: 6 3/4 x 4 5/8 in. (17.2 x 11.8cm) sheet: 7 1/2 x 5 in. (19.1 x 12.7cm) PROVENANCE: Mitchell A. Wilder, first director of the Amon Carter Museum, Fort Worth, Texas. By descent in family. $1,000-2,000


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30 SEVENTY PRINTS

EDWARD SHERIFF CURTIS (AMERICAN, 1868-1952) SELECTED IMAGES FROM “THE NORTH AMERICAN INDIAN” 1924. 70 large format photogravures, printed on Holland Van Gelder with the title, plate number, copyright and printer’s credit. image: each approx. 12 x 16 in. (30.5 x 40.6cm) sheet: each approx. 17 1/2 x 21 3/4 in. (44.5 x 55.3cm) Unframed PROVENANCE: Sold to benefit the Fallbrook, California Historical Society. $10,000-15,000


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31 EDWARD STEICHEN (AMERICAN, 1879-1973) “LOTUS, MOUNT KISCO, NEW YORK, 1915” 1915, 1981/2. Signed on label by Joanna Steichen and George Tice. Gelatin silver print. 13 1/4 x 10 1/2 in. (33.7 x 26.7cm) $800-1,200


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32 NATHAN LERNER (AMERICAN, 1913-1997) “THE SWIMMER” 1935/1980’s. Signed and dated under image in margin and titled, dated and with artist’s address ink stamp and reproduction limitation stamp verso. Gelatin silver print. sheet: 11 x 14 in. (27.9 x 35.6cm) Unframed PROVENANCE: The artist. Ted Hartwell, former curator of the Minneapolis Institute of Arts. $1,000-2,000


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33 BARBARA MORGAN (AMERICAN, 1900-1992) “SPRING ON MADISON SQUARE” 1938, printed later. Signed and dated bottom right corner and titled bottom left corner. Gelatin silver print. 18 1/8 x 22 1/4 in. (46 x 56.5cm) PROVENANCE: Howard Greenberg Gallery, New York, New York. The Avon Collection, New York, New York. EXHIBITED: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $2,500-3,500

34 THEODORE J. ROSZAK (AMERICAN/POLISH, 1907-1981) UNTITLED (PHOTOGRAM) Ca. 1937. With Sara Jane Roszak’s signature verso. Gelatin silver print. 8 x 4 7/8 in. (20.3 x 12.4cm) Unframed NOTE: This photograph will be sold together with a copy of “Theodore Roszak,” published by Zabriskie Gallery in 1984. $800-1,200


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35 FOUR PRINTS

GYORGY KEPES (AMERICAN/HUNGARIAN, 1906-2001) UNTITLED ABSTRACTIONS Each signed on window mat and again on mount under photo. Gelatin silver prints. images: 9 3/4 x 7 3/4 in. (24.8 x 19.7cm) sheets: 10 x 8 in. (25.4 x 20.3cm) (4) $1,500-2,500


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36 KATI HORNA (HUNGARIAN, 1912-2000) PUPPET Gelatin silver print. sheet: 9 3/8 x 7 5/8 in. (23.8 x 19.4cm) Unframed $3,000-5,000

37 VIOLA URETZ UNTITLED PHOTOGRAM 1950s/1950s. Gelatin silver print. image: 4 1/2 x 6 3/4 in. (11.4 x 17.2cm) mount: 10 1/8 x 7 3/4 in. (25.7 x 19.7cm) Unframed NOTE: Uretz was an instructor at the Institute of Design in Chicago. $500-800


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38 BARBARA MORGAN (AMERICAN, 1900-1992) “CORN STALK” 1945/1972. Signed, titled and dated under print in margin and with photograher’s ink stamp verso. Gelatin silver print. image: 16 1/2 x 12 1/2 in. (41.9 x 31.8cm) sheet: 20 x 16 in. (50.8 x 40.6) Unframed $1,000-2,000

39 BARBARA MORGAN (AMERICAN, 1900-1992) ‘TREES IN FOG” 1941/1980. Signed, titled and dated under print in margin and signed, titled and dated verso and with photograher’s ink stamp verso. Gelatin silver print. image: 17 1/2 x 13 1/8 in. (44.5 x 33.3cm) sheet: 20 x 16 in. (50.8 x 40.6) Unframed $1,000-2,000


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40 BARBARA MORGAN (AMERICAN, 1900-1992) “MARTHA GRAHAM, LAMENTATION” 1935/1981. Signed, titled and dated by artist under image in margin and with photographer’s copyright inkstamp verso. Gelatin silver print. image: 15 1/2 x 17 3/16 in. (39.4 x 43.7cm) sheet: 16 x 20 in. (40.6 x 50.8cm) Unframed $1,000-2,000

41 BARBARA MORGAN (AMERICAN, 1900-1992) “EXSTASIS” Signed, titled and with photographer’s copyright stamp verso. Gelatin silver print. image 9 1/2 x 7 1/4 in. (24.1 x 18.4cm) sheet: 9 7/8 x 7 3/4 in. (25.1 x 19.7cm) PROVENANCE: Mitchell A. Wilder, first director of the Amon Carter Museum, Fort Worth, Texas. By descent in family. $800-1,200


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42 BARBARA MORGAN (AMERICAN, 1900-1992) “TOSSED CATS” 1942/1972. Signed, titled and dated under image in margin and with photograher’s ink stamp verso. Gelatin silver print. image: 11 3/4 x 15 1/8 in. (29.9 x 38.4cm) sheet: 20 x 16 in. (50.8 x 40.6) Unframed $1,000-2,000

43 INGE MORATH (AUSTRIAN, 1923-2002) “VITRINE, VALLADOLID” 1960/1960s. With title in pencil (in unknown hand) and artist’s Magnum Photos stamp verso. Gelatin silver print. image: 14 x 9 1/4 in. (35.6 x 23.5cm) mount: 13 3/4 x 11 3/4 in. (34.9 x 29.9cm) Unframed $400-600


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44 HERMAN LEONARD (AMERICAN, 1923-2010) “MARILYN MONROE, RINGLING BROTHERS, BARNUM & BAILEY CIRCUS, NYC, 1953” 1953, printed later. Signed and titled under print in margin. Gelatin silver print. image: 17 x 14 in. (43.2 x 35.6cm) sheet: 20 x 16 in. (50.8 x 90.4cm) Unframed PROVENANCE: The artist. Private Collection. $1,000-1,500

45 HERMAN LEONARD (AMERICAN, 1923-2010) “FRANK SINATRA-NYC-1956” 1956, printed later. Signed, titled and numbered 21/50 under print in margin. Gelatin silver print. image: 17 1/8 x 14 3/8 in (43.5 x 36.5cm) sheet: 20 x 16 in. (50.8 x 40.6cm) Unframed PROVENANCE: The artist. Private Collection. $1,000-1,500


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46 GEORGE ZIMBEL (AMERICAN, B. 1929) “AT THE BAR, BOURBON STREET” 1955/ca. 1983. Signed, titled and dated under image in margin and signed, titled and dated again verso. Gelatin silver print. image: 12 1/8 x 18 1/16 in. (30.8 x 45.9cm) sheet: 20 x 16 in. (50.8 x 40.6cm) Unframed $1,500-2,500

47 CHARLES HARBUTT (AMERICAN, B. 1935) SUBWAY AT FORT HAMILTON PARKWAY STATION, NEW YORK, NY 1963/1963. With various notations verso by photographer including date, as well as his copyright ink stamp. Gelatin silver print. image: 9 1/8 x 13 1/2 in. (23.2 x 34.3cm) sheet: 9 1/2 x 13 1/4 in. (24.1 x 33.7cm) Unframed $1,500-3,000


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48 HERMAN LEONARD (AMERICAN, 1923-2010) “BILLIE HOLIDAY, NYC 1949” 1949, printed later. Signed, titled, inscribed ‘Special Edition 1/1’ under image in margin, and numbered and inscribed ‘To Glenn / From ‘Lady Day’ and me / All the best, Herman’ verso. Unique gelatin silver print. image: 22 1/2 x 19 1/2 in. (57.2 x 49.5cm) PROVENANCE: The artist. Private Collection. $12,000-18,000


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49 LOUIS FAURER (AMERICAN, 1916-2001) “LOOKING AT R.C.A. BUILDING AT ROCKEFELLER CENTER, NYC, 1949” 1947/1990. Signed, titled, dated and inscribed ‘P.P.’ verso. Gelatin silver print. image: 12 x 8 in. (30.5 x 20.3cm) sheet: 14 x 11 in. (35.6 x 27.9cm) Unframed PROVENANCE: Acquired directly from artist. SEE: Anne Wilkes Tucker, “Louis Faurer,” Merrell Publishers Limited, London, England, in association with The Museum of Fine Arts, Houston, Texas, 2002, p.121. $1,000-2,000

50 LOUIS FAURER (AMERICAN, 1916-2001) “ORCHARD STREET, N.Y.C.” 1947, printed later. Signed and dated 1947 under print in margin. Gelatin silver print. image: 8 1/8 x 12 1/8 in. (20.6 x 30.8cm) sheet: 11 x 14 in. (27.9 x 35.6cm) PROVENANCE: Acquired directly from artist. $1,000-2,000


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51 ANDRÉ KERTÉSZ (AMERICAN/HUNGARIAN, 1894-1985) “FISH SIGN, NEW YORK CITY, NY” 1963/1960s. Signed, titled, dated and with Manchester Collection number and artist’s ink stamp verso. Gelatin silver print. image: 9 1/4 x 7 3/4 in. (23.5 x 19.7cm) sheet: 10 x 8 in. (25.4 x 20.3cm) Unframed PROVENANCE: The Manchester Collection. $3,000-5,000

52 TODD WEBB (AMERICAN, 1905-2000) “TYPICAL STUDIO STORE, PARIS” 1951/1951. With photographer’s name, title, ‘#EF.52’ and ‘Photo Researchers, Inc., NYC’ sticker and stamps verso. Gelatin silver print. image: 9 3/8 x 7 3/8 in. (23.8 x 18.7cm) mount: 10 3/8 x 8 1/2 in. (26.4 x 21.6cm) Unframed $1,000-2,000


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53 EDWARD WESTON (AMERICAN, 1886-1958) “CHURCH DOOR, HORNITOS” 1940, printed later. Titled, dated and inscribed ‘Negative by Edward Weston/Print by Cole Weston’ on mount verso. Gelatin silver print. 7 5/8 x 9 1/2 in. (19.4 x 24.1cm) Unframed $3,000-5,000

54 DAVID MICHAEL KENNEDY (AMERICAN, B. 1951) “CLOUDSCAPES OF NEW MEXICO” 1991. 10 palladium prints contained within a linen covered portfolio box. Signed and numbered IV/XX on cover image. Signed on dedication page, numbered on index sheet. Each print titled, signed and numbered under each image in margin and with photographer’s stamp and numbering verso. each print: 5 1/2 x 7 in. (14 x 17.8cm) $1,000-1,500


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55 W. EUGENE SMITH (AMERICAN, 1918-1978) “LORENZA CURIEL IN WHITE FIRST COMMUNION DRESS WAITING FOR HER MOTHER TO LOCK DOOR” FROM “SPANISH VILLAGE” 1950-51/ca. 1975. With inscription on mount verso that reads ‘The W. Eugene Smith Estate Seal is on the back of this photograph. Maggie Smith.’ Gelatin silver print. image: 13 x 10 in. (33 x 25.4cm) mount: 20 x 16 in. (50.8 x 40.6cm) Unframed PROVENANCE: The artist. Margery Smith. SEE: “This Spanish Village,’ Life, vol. 30, no. 15, April 9, 1951, p. 120. $5,000-8,000


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56 FIVE PRINTS

BARRY THUMMA (AMERICAN, 1947-2003) SCENES FROM AMISH LIFE, CENTRAL PENNSYLVANIA 1970s/1970s. Each titled verso, four wtih NPPA/MU Pictures of the Year labels and one with 30th Annual Photo Competition, School of Journalism, University of Missouri. Gelatin silver prints on original mounts. images: (largest): 14 1/8 x 18 7/8 in. (35.9 x 47.9cm) mounts: 16 1/4 x 20 in. (41.3 x 50.8cm) Each unframed (5) INCLUDING: FILL IT UP & CHECK THE WATER & HAY AMISH WALK WITH NATURE THREE LITTLE PIGGIES WENT TO A FIRE AMISH FINAL FAREWELL DEATH OF AN AMISH MAN NOTE: Thumma began his career in 1967 as a part-time photographer for the Lancaster New Era. He joined the Associated Press in 1973 in Cincinnati, where he covered the Reds and the Bengals. After two years as the Ohio photo editor, Thumma moved to Washington, D.C. to cover the White House. $1,000-2,000


57 THREE PRINTS

HENRI CARTIER-BRESSON (FRENCH, 1908-2004) PARK SCENES Contact sheet and two gelatin silver prints, the two prints with the artist’s Magnum Photo stamp and various numerical inscriptions verso. 2 prints on 5 x 7 in. (12.7 x 17.8cm) paper and the contact print on 8 1/2 x 11 in. (21.6 x 27.9cm) paper Unframed (3) $3,000-5,000


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58 GEORGE TICE (AMERICAN, B. 1938) “WHITE CASTLE, ROUTE NO. 1, RAHWAY, NEW JERSEY” 1973/1980. Signed under image on mount, titled and dated verso. Gelatin silver print. image: 15 x 19 1/2 in. (38.1 x 49.5cm) $3,000-5,000


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59 PHOTOGRAPH, BOOKS AND LETTERS

O. WINSTON LINK (AMERICAN, 1914-2001) “MAIN LINE ON MAIN STREET, NORTHFOLK, WEST VIRGINIA” Signed and dated 4-84 in pencil, stamped 1982 and with photographer’s copyright limitation ink stamp verso. Gelatin silver print. image: 15 1/2 x 19 1/2 in. (39.4 x 49.5cm) sheet: 16 x 20 in. (40.6 x 50.8cm) TO BE SOLD TOGETHER WITH:

Signed calendar (1990), “Railfan” magazine, 3 signed copies of “Night Trick” by Link, “Steam, Steel and Stars” signed and inscribed, packet of letters to/from Link, 2 exhibition pamphlets from MoMA, 1 pamphlet adverising Sounds of Steam recording and a group of proof prints with annotations. PROVENANCE: The artist. Clarence “Korky” Korker (color printer for the artist). $6,000-10,000


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60 TWO PRINTS

NASA APOLLO 15 ORBITAL METRIC SURVEY MOON SHOT (HADLEY RILLE) 1971/ca.1971. Gelatin silver print. image: 17 x 19 in. (43.2 x 48.3cm) and; “ORBITER IV MOON SHOT (CRUGER, DE VICO, RIMAE DARWIN, RIMAE SIRSALIS AND SIRSALIS)” 1967/ca.1967. With ‘IV-161H2’ and ‘NASA-LRC’ printed under image. Gelatin silver print. image: 21 x 15 1/2 in. (53.3 x 39.4cm) Each unframed (2) NOTE: Original vintage prints from NASA orbiter moon flight with penciled Apollo number, distributed to employees. The Hadley Rille area was where the Apollo 15 crew landed on the moon. $1,000-3,000

61 JERRY UELSMANN (AMERICAN, B. 1934) “RITUAL GROUND” 1964/ca. 1964. Signed, titled and dated under image on mount and signed, titled, dated and with artist’s address sticker verso. Gelatin silver print. image: 12 3/8 x 9 3/4 in. (31.4 x 24.8cm) mount: 20 x 16 in. (50.8 x 40.6cm) Unframed $2,000-4,000


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62 JERRY UELSMANN (AMERICAN, B. 1934) “FORGOTTEN HERITAGE” 1969/1969-72. Initialed and dated under image on mount and titled, signed and dated verso. With ‘Jerry N. Uelsmann Portfolio’ sticker verso, numbered 6/25, published April 1972 by Witkin-Berley Ltd., Roslyn Heights, New York. Gelatin silver print. image: 13 3/4 x 10 3/4 in. (34.9 x 27.3cm) mount: 16 x 20 in. (40.6 x 50.8cm) Unframed $2,000-4,000

63 JAMES FEE (AMERICAN, 1949-2006) UNTITLED (FEMALE NUDE AND LANDSCAPE) 1970s/1970s. Signed, inscribed ‘San Francisco’ and dated verso. Gelatin silver print. image: 13 1/2 x 9 4/5 in. (34.6 x 25.1cm) sheet: 13 5/8 x 9 7/8 in. (34.6 x 25.1cm) Unframed $700-1,000


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64 LUCIEN CLERGUE (FRENCH, B. 1934) UNTITLED (NUDE) 1966. Signed, dated, dedicated indistinctly and inscribed ‘Ep. d’artiste’ (the edition was 20) and with artist’s ink stamp verso. Gelatin silver print. 17 3/4 x 24 in. (45.1 x 61cm) $1,000-1,500

65 EDWARD PFIZENMAIER (AMERICAN, B.1926) “FLEXED FIGURE” Ca. 1956, printed later. Signed, titled and inscribed ‘U.S. Camera (1957) page 207’ in pencil with the artist’s copyright stamp verso. Gelatin silver print. 12 1/2 x 12 1/2 in. (31.8 x 31.8cm) Unframed PROVENANCE: The artist. SEE: U.S. Camera, p. 207, 1957. $1,000-1,500


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66 PATRICK MORIN (1928-2002) “BRIGETTE BARDOT BETWEEN SHOTS FOR ‘VIE PRIVÉE’” 1961, printed later. With red Galerie Radziwill stamp and with stamp and signature from the Estate of Patrick Morin verso, 22/50. Gelatin silver print. 28 1/4 x 17 1/4 in. (71.8 x 43.8cm) Unframed $1,500-2,500

67 TWO PRINTS

EDWARD PFIZENMAIER (AMERICAN, B.1926) “ANTONIO LOPEZ AND CATHEE DAHMEN” 1967. Signed, dated, titled and inscribed and with artist’s stamp verso. Gelatin silver print. image: 13 3/8 x 10 1/2 in. (34 x 26.7cm) sheet: 14 x 11 in. (35.6 x 27.9cm) and; “GIORGIO SANT’ ANGELO AND ELSA PERETTI” 1968. Signed, dated, titled, numbered 1/10, inscribed ‘SCHEHEREZADE ENSEMBLE (COTY AWARD)’ and with artist’s stamp verso. Gelatin silver print. image: 13 3/8 x 10 1/2 in. (34 x 26.7cm) sheet: 14 x 11 in. (35.6 x 27.9cm) Unframed (2) $1,500-2,500


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68 IRVING PENN (AMERICAN, 1917-2009) “SCULPTOR’S MODEL, PARIS 1950” 1950/1976. Pencil signed, initialed, titled, dated and numbered 29/35 verso, with Penn and Condé Nast copyright credit reproduction limitation and edition stamps. Platinum palladium print. image: 16 1/4 x 11 3/4 in. (41.3 x 29.9cm) sheet: 22 1/4 x 22 1/2 in. (56.5 x 57.2cm) Unframed $20,000-25,000


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69 IRVING PENN (AMERICAN, 1917-2009) “CAMEL PACK” 1975. Pencil signed, initialed, titled, dated and numbered 32/68 verso, with Penn and Condé Nast copyright credit reproduction limitation and edition stamps. Platinum palladium print. sheet: 29 3/4 x 22 1/4 in. (75.6 x 56.5cm) $18,000-25,000


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70 AARON SISKIND (AMERICAN, 1903-1991) “CHICAGO, 1957” 1957, printed later. Signed on mount and signed, dated and titled verso. Gelatin silver print. image: 13 3/8 x 10 1/2 in. (34 x 26.7cm) mount: 18 3/4 x 15 1/8 in. (47.6 x 38.4cm) Unframed $1,000-1,500

71 AARON SISKIND (AMERICAN, 1903-1991) “JEROME, ARIZONA, 1949” 1949. Titled and dated in unknown hand verso and with photographer’s stamp. Gelatin silver print. image: 13 1/2 x 8 3/4 in. (34.3 x 22.2cm) sheet: 13 7/8 x 9 1/2 in. (35.2 x 24.1cm) Unframed $1,500-2,500


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72 AARON SISKIND (AMERICAN, 1903-1991) “CHICAGO” 1948. Titled, dated and with photographer’s name in unknown hand verso. Gelatin silver print. image: 12 1/2 x 16 3/4 in. (31. 8 x 42.6cm) mount: 14 x 17 in. (35.6 x 43.2cm) Unframed $2,000-3,000


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73 AARON SISKIND (AMERICAN, 1903-1991) “F102� 1957, printed later. Titled, dated and signed in margin and titled and dated again verso. Gelatin silver print. image: 10 7/8 x 8 7/8 in. (27.6 x 22.5cm) sheet: 13 15/16 x 10 15/16 in. (35.4 x 27.8cm) Unframed $1,000-1,500


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74 AARON SISKIND (AMERICAN, 1903-1991) “ROME 1, 1963” 1963. Signed, titled and dated verso on mount. Gelatin silver print. image: 19 3/8 x 15 1/16 in. (49.2 x 38.3cm) mount: 27 x 22 in. (68.6 x 55.9cm) Unframed $2,000-3,000


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75 WYNN BULLOCK (AMERICAN, 1902-1975) “POINT LOBOS” 1970. Signed and dated under print on mount and titled and dated in unknown hand verso. Gelatin silver print. 6 1/2 x 9 1/2 in. (16.5 x 24.1cm) Unframed $1,000-2,000


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76 MINOR WHITE (AMERICAN, 1908-1976) “IT’S ALL IN THE MIND, #10” Signed at bottom right under image on mount, titled verso on mount. Gelatin silver print. image: 8 3/8 x 12 3/4 in. (21.3 x 32.4cm) mount: 15 x 20 in. (38.1 x 50.8cm) Unframed $3,000-5,000


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77 ANSEL ADAMS (AMERICAN 1902-1984) “HALF DOME AND MOON, YOSEMITE NATIONAL PARK, CALIFORNIA” 1960. Pencil initialed bottom right on mount and with ink stamp verso that reads ‘Special Edition / Photographs of Yosemite by Ansel Adams’ and bears title verso. Gelatin silver print. 9 3/4 x 7 1/2 in. (24.8 x 19.1cm) $1,000-2,000

78 ADAM JAHIEL (AMERICAN, B. 1956) “REMUDA #1, STATELINE CAMP, YP RANCH” Signed and numbered 73/500. Gelatin silver print. image: 9 1/4 x 9 1/8 in. (24.1 x 23.2cm) sheet: 13 3/4 x 10 7/8 in. (34.9 x 27.6cm) $400-600


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79 HENRY GILPIN (AMERICAN, 1922-2011) “US HIGHWAY ROUTE 1” 1965/1988. Signed under print on mount and with artist’s copyright ink stamp verso. Gelatin silver print. image: 10 1/2 x 13 1/2 in. (26.7 x 34.3cm) $800-1,200

80 TWO PRINTS

RYUIJIE (JAPANESE, B. 1950) “GARAPATA BEACH” 1999. Signed bottom right under image on mount, and titled, dated, numbered 7/25 and with artist’s stamp verso. Gelatin silver print. image: 10 1/2 x 13 3/8 in. (26.7 x 33.9cm) and; ARTHUR POPOV (20TH CENTURY) “MONTEREY” 1997. Signed, titled and dated under image on mount. Gelatin silver print. image: 11 x 14 in. (27.9 x 35.6cm) (2) $500-800


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81 TWO PRINTS

PAUL CAPONIGRO (AMERICAN, B.1932) “IRELAND #1” Signed bottom right under image on mount. Gelatin silver print. image: 8 7/8 x 12 1/8 in. (22.5 x 30.8cm) mount: 16 x 20 in. (40.6 x 50.8cm) Unframed and; “REDDING WOODS (MOVING RIVER)” 1968. Signed and dated under image on mount, titled verso on mount. Gelatin silver print. image: 6 3/4 in. x 10 1/2 in. (17.2 x 26.7cm) mount: 14 x 17 in. (35.6 x 43.2cm) Unframed (2) $2,000-3,000

82 PAUL CAPONIGRO (AMERICAN, B.1932) “KNOCKNAREA, SLIGO, IRELAND” 1969. Signed, titled and dated verso on mount. Gelatin silver print. image: 7 7/8 x 13 1/2 in. (20 x 34.3cm) mount: 14 7/8 x 20 in. (37.8 x 50.8cm) Unframed $1,000-1,500


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83 PAUL CAPONIGRO (AMERICAN, B.1932) MEGALITHS Signed bottom right under image on mount. Gelatin silver print. image: 9 1/2 x 13 3/8 in. (24.1 x 34cm) mount: 16 1/2 x 20 5/8 in. (41.9 x 52.4cm) Unframed $1,500-2,500

84 PAUL CAPONIGRO (AMERICAN, B.1932) “STONEHENGE” 1967. Signed on mount under image and signed, titled and dated verso. Gelatin silver print. image: 8 x 13 3/8 in. (20.3 x 34cm) mount: 15 1/4 x 20 3/8 in. (38.7 x 51.8cm) Unframed $1,500-2,500


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85 THREE PRINTS

YASUHIRO ISHIMOTO (AMERICAN/JAPANESE, B. 1921) UNTITLED (CAN) Ca. 1989. Signed bottom right under image in margin and with artist’s embossed stamp bottom left margin. Gelatin silver print. image: 7 7/8 x 11 1/8 in. (20 x 28.3cm) sheet: 11 x 14 in. (27.9 x 35.6cm) and; UNTITLED (LEAF) Ca. 1989. Signed bottom right under image in margin and with artist’s embossed stamp bottom left margin. Gelatin silver print. image: 8 x 11 in. (20.3 x 27.9cm) sheet: 11 x 14 in. (27.9 x 35.6cm) and; UNTITLED (DECAYING PAPER) Ca. 1989. Signed bottom right under image in margin and with artist’s embossed stamp bottom left margin. Gelatin silver print. image: 8 3/8 x 11 1/8 in. (21.3 x 28.3cm) sheet: 11 x 14 in. (27.9 x 35.6cm) Unframed (3) $1,000-1,500


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86 KENNETH JOSEPHSON (AMERICAN, B. 1932) “WISCONSIN” 1980/1980. Signed, titled, dated, numbered 1/50 and inscribed ‘80-35-26-23’ verso. Gelatin silver print. image: 8 x 12 in. (20.3 x 30.5cm) sheet: 11 x 14 in. (27.9 x 35.6cm) Unframed $1,500-3,000


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87 DIANE ARBUS (AMERICAN, 1923-1971) “UNTITLED (8)” 1970-71/1980. Signed by Neil Selkirk and numbered 54/75 verso. Gelatin silver print. image: 14 1/2 x 14 1/4 in. (36.8 x 36.2cm) sheet: 20 x 16 in. (50.8 x 40.6cm) $10,000-15,000


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88 DIANE ARBUS (AMERICAN, 1923-1971) “MASKED WOMAN IN WHEELCHAIR, PA” 1970/1972. Signed by Doon Arbus verso, 35/75. Gelatin silver print. image: 15 1/2 x 14 1/2 in. (38.1 x 36.8cm) sheet: 20 x 16 in. (50.8 x 40.6cm) $10,000-15,000


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89 LARRY FINK (AMERICAN, B. 1941) “SANTE AND KARA’S WEDDING, NYC,” 1991/1991. Signed, titled and dated verso. Gelatin silver print. image: 15 x 14 5/8 in. (38.1 x 37.1cm) sheet: 20 x 16 in. (50.8 x 40.6cm) $800-1,200

90 LARRY FINK (AMERICAN, B. 1941) “NEW YEAR’S EVE PARTY, AMERICAN LEGION, BANGOR, DECEMBER 1979” 1979/ca. 1979. Signed, titled and dated verso in blue pencil. Gelatin silver print. image: 8 1/2 x 8 1/2 in. (21.6 x 21.6cm) $800-1,200


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91 LARRY FINK (AMERICAN, B. 1941) “STUDIO 54” 1977/ca. 1977. Signed, titled and dated verso. Gelatin silver print. image: 9 3/4 x 10 in. (24.8 x 25.4cm) $800-1,200

92 LARRY FINK (AMERICAN, B. 1941) “RUSSIAN BALL” 1977/1977. Signed and dated under image in margin and titled, signed, dated and inscribed ‘Unlimited edition PTD 1/2 PTG 1/97’ verso. Gelatin silver print. image: 14 1/2 x 15 in. (36.8 x 38.1cm) $800-1,200


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93 MARK COHEN (AMERICAN, B. 1943) “GIRL COMING OUT OF OCEAN, SEASIDE, NJ” 1980/1980. Signed, titled and dated in pencil verso. Gelatin silver print. image: 10 5/16 x 15 1/2 in. (26.2 x 39.4cm) Unframed $1,500-2,000


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94 GARRY WINOGRAND (AMERICAN, 1928-1984) “WOMEN, BEVERLY HILLS, CALIFORNIA” Ca. 1980/ca. 1980. Signed verso. Gelatin silver print. image: 8 15/16 x 13 5/16 In. (22.7 x 33.8cm) sheet: 11 x 14 in. (27.9 x 35.6cm) Unframed $2,000-4,000

95 NAN GOLDIN (AMERICAN, 1953) “LYNETTE & DONNA AT MARION’S RESTAURANT. NYC. 1991.” 1991. Signed, titled, dated and numbered 26/100 and with inkstamp that reads ‘SPECIAL EDITION PRINTED FOR MOTHER JONES.’ C-print. image: 9 x 13 1/2 in. (22.9 x 34.3cm) sheet: 11 x 14 in. (27.9 x 35.6cm) $1,000-1,500


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96 SEBASTIÃO SALGADO (BRAZILIAN, B. 1944) “CAST OF THOUSANDS, SERRA PELADA, IN THE GOLD MINE OF PARÁ, BRASIL” 1986/printed later. With photographer’s embossed stamp in margin at bottom right and signed and dated verso. Gelatin silver print. image: 9 1/2 x 14 1/4 in. (24.1 x 36.2cm) sheet: 11 7/8 x 15 3/4 in. (30.2 x 40cm) $3,000-5,000


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97 SALLY MANN (AMERICAN, B. 1951) UNTITLED 2001/2003. Edition 1/5. Gelatin silver enlargement print from the original wet plate collodion negative. 48 x 38 in. (121.9 x 96.5cm) PROVENANCE: The artist. Edwynn Houk Gallery, New York, New York. Private Collection. $15,000-25,000


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98 NORINNE BETJEMANN “OUR LADY” Ca. 1991. Signed and titled recto. Gelatin silver print with handcoloring. sheet: 50 x 41 in. (127 x 104.1cm) $1,500-2,500


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99 NORINNE BETJEMANN “HEGIRA” 1991. Signed, titled and dated recto. Gelatin silver print with handcoloring. sheet: 41 x 45 in. (104.1 x 114.3cm) $1,500-2,500


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100 JOEL-PETER WITKIN (AMERICAN, B. 1939) “UN SANTO OSCURO” 1987. Signed, titled, dated and numbered 14/15 verso. Gelatin silver print. image: 14 1/2 x 15 in. (36.8 x 38.1cm) sheet: 19 3/4 x 15 7/8 in. (50.2 x 40.3cm) SEE: “Gods of Earth and Heaven,” Twelvetrees Press, 1989. “Joel-Peter Witkin” (Exhibition catalogue, Centro de Arte Reina Sofía), Centro Nacional de Exposiciones D.L., 1988, p. 59. (A copy of both catalogues will be sold in this auction as lot 127) $2,500-3,500


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101 JOEL-PETER WITKIN (AMERICAN, B. 1939) “ART DECO LAMP” 1986/1986. Numbered 8/15. Hand-colored gelatin silver print. image: 14 3/4 x 14 5/8 in. (37.5 x 37.1cm) sheet: 20 x 16 in. (50.8 x 40.6cm) SEE: “Gods of Earth and Heaven,” Twelvetrees Press, 1989. “Joel-Peter Witkin” (Exhibition catalogue, Centro de Arte Reina Sofía), Centro Nacional de Exposiciones D.L., 1988, p. 100. (A copy of both catalogues will be sold in this auction as lot 127) $2,500-3,500


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102 TWO PRINTS

JUDITH HAROLD-STEINHAUSER (AMERICAN, 20TH CENTURY) “EDGE WOMAN” AND “TRIANGLE MAN” 1990 and 1992. Each signed and titled recto. Gelatin silver prints. sheet: 14 x 11 in. (35.6 x 27.9cm) (2) $600-1,000


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103 ROGER BALLEN (AMERICAN, B. 1950) UNTITLED 2000/2001. Signed, titled, dated and numbered 6/35 verso. Selenium toned gelatin silver print. image: 14 1/4 x 14 1/4 in. (36.2 x 36.2cm) sheet: 15 1/2 x 15 1/8 in. (39.4 x 38.4cm) Unframed $2,000-3,000

104 RUTH THORNE-THOMSEN (AMERICAN, B. 1943) “ZEBRA MAN” FROM “‘PRIMA MATERIA’, N.M. 1987” 1987. Signed, titled, dated and numbered 4/25 verso. Gelatin silver print. sheet: 4 3/8 x 5 3/8 in. (11.1 x 13.7cm) Unframed $600-800


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105 EILEEN NEFF (AMERICAN, B.1945) “LIKE/REPEL” 1984. Photograph printed on ortho film in plexi box. overall: 18 3/4 x 23 3/4 in. (47.6 x 60.3cm) PROVENANCE: The artist. Private Collection. NOTE: This maquette was produced as a commission; the original, larger work was exhibited in the exhibition “Made in Philadelphia” in 1984 at the Insitute of Contemporary Art. $1,500-2,500

106 EILEEN NEFF (AMERICAN, B. 1945) “THE RIVER & ITS CURVE” 1981. Each image signed and dated verso. Nine gelatin silver prints with handcoloring framed together. Images mounted to board, approx. 5 1/2 x 5 1/2 in. (14 x 14cm) each $1,000-1,500


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107 EILEEN NEFF (AMERICAN, B. 1945) “SUMMER (THE COUPLE)” 2007. Signed and numbered 1/7 verso. C-print mounted to aluminum. 40 x 64 1/4 in. (101.6 x 163.2cm) Unframed $2,500-3,500

108 EILEEN NEFF (AMERICAN, B. 1945) “WINTER (THE COUPLE)” 2007. Signed and numbered 1/7 verso. C-print mounted to aluminum. 40 x 65 in. (101.6 x 165cm) Unframed $2,500-3,500


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110 ROSAMOND PURCELL (AMERICAN, B. 1942) “VOLUTES ON A BOOK” 1996. Signed and dated verso. Silver dye bleach print. sight: 14 1/2 x 16 3/4 in. (36.8 x 42.5cm) PROVENANCE: The Avon Collection, New York, New York. EXHIBITED: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $500-800

109 KATE MORAN (AMERICAN, 20TH CENTURY) UNTITLED Gelatin silver print. sheet: 46 x 23 1/4 in. (116.8 x 59.1cm) $1,000-2,000


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111 LORNA SIMPSON (AMERICAN, B. 1960) “DETAILS” 1996. 21 photogravures on Somerset with text, 14/40 (there were 9 artist’s proofs); published by Sean Kelly, New York, New York and Karen McCready Fine Art, New York, New York. Title page signed by artist. each sheet: 10 x 8 in. (25.4 x 20.3cm) PROVENANCE: The Avon Collection, New York, New York. EXHIBITED: International Center of Photography, New York, “Eye of the Beholder: Photographs from the Avon Collection,” September 12-November 16, 1997. $4,000-6,000


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112 RIMMA GERLOVINA AND VALERIY GERLOVIN (AMERICAN, B. 1951 AND 1945) UNTITLED (FACE) FROM “PHOTOGLYPHS” 1990. Signed by both artists, dated and numbered 3/15 under image in margin. C-print. image: 26 1/2 x 26 in. (67.3 x 66cm) sheet: 30 x 29 3/4 in. (76.2 x 75.6cm) Unframed $1,500-2,500

113 RIMMA GERLOVINA AND VALERIY GERLOVIN (AMERICAN, B. 1951 AND 1945) UNTITLED (EYES/HOURGLASS) FROM “PHOTOGLYPHS” 1990. Signed by both artists, dated and numbered 1/10 under image in margin. C-print. image: 26 x 14 1/2 in. (66 x 36.8cm) sheet: 30 x 20 in. (76.2 x 50.8cm) Unframed $1,500-2,500


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114 DOUG AND MIKE STARN (AMERICAN, B. 1961) UNTITLED 1989-1990. Plywood, toned silverprint on paper and ortho film, and glue. overall: 67 x 48 in. (170.2 x 121.9cm) Unframed PROVENANCE: Leo Castelli Gallery, New York, New York. $4,000-6,000

115 MARK KLETT (AMERICAN B. 1952) “STEPH BENEATH THE GREAT SANDSTONE ARCH” 1982/1983. Titled and dated recto and again verso. Dye transfer print. 15 1/4 x 19 5/8 in. (38.7 x 49.8cm) Unframed $400-600



Photobooks lots 116-130

Lot 125


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116 “MASTERPIECES OF MEDICAL PHOTOGRAPHY: SELECTIONS FROM THE BURNS ARCHIVE” First edition. Red cloth covered with dust jacket. From the edition of 3000. Pasadena, Twelvetrees Press, 1987. $100-200

117 JOSEF SUDEK (CZECH, 1896-1976) “THE PHOTOGRAPHS OF JOSEF SUDEK- A PORTFOLIO OF 13 PRINTS” 1977. First edition. 12 prints plus text pamphlet in silver printed paper portfolio, one of 3000 copies. $400-600


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118 9 CZECH PHOTOBOOKS “JAROMÍR FUNKE, PRAZSKE KOSTELY,” Prague: Miroslav Stejska. 1946. “JAN LUKAS, ZEME A LIDÉ: KNIHA FOTOGRAFII,” Prague: Melantrich. 1946. “JOSEF SUDEK: PRAG PANORAMATISCH,” Prague: Odeon. 1992. “JAROMÍR FUNKE: FOTOGRAFIE,” Prague: Odeon. 1970. “CESKOSLOVENSKÁ FOTOGRAFIE,” Prague: Odeon. 1967. “ZDENKO FEYFAR,” Prague: Odeon. 1980. VÁCLAV JÍRU,” Prague: Odeon. 1971. FOTOGRAF JOSEF SUDEK,” Prague: Vytiskla Polygrafia. 1976. “JOSEF SUDEK: MOSTECKO / HUMBOLDTKA,” Portfolio of 11 postcard photographs. (9) $300-500

119 JAROMÍR FUNKE & LADISLAV SUTNAR “FOTOGRAFIE VIDÍ POVRCH: LA PHOTOGRAPHIE REFLÈTE L’ASPECT DES CHOSES” First edition, softbound quarto. Prague: Vydala Státni grafická škola v Praze, 1935. $300-500


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120 FIVE BOOKS

“CITY STILLS” First edition. Maroon cloth cover with dust jacket. Munich: Prestel Verlag. 1999. and; “RAY K. METZKER: SAND CREATURES” Softcover. New York: Aperture Foundation. 1979. and; “RAY K. METZKER: COMPOSITES” Softcover. New York: Laurence Miller Gallery. 1990. and; “RAY K. METZKER: EARTHLY DELIGHTS” Softcover. New York: Laurence Miller Gallery. 1988. and; “SPACES” Softcover exhibition catalogue. Signed by Aaron Siskind, Joseph Jachna, Kenneth Josephson, William Larson and Ray Metzger. From the edition of 1500 copies. Providence, RI: Museum of Art, Rhode Island School of Design. 1978. (5) $80-120

121 RICHARD AVEDON “IN THE AMERICAN WEST” First edition softcover. New York: Harry N. Abrams, Inc. 1985. Sold together with exhibition pamphlet from the Whitney Museum of American Art exhibition of 1994. $60-100


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122 SIGNED LETTER AND THREE BOOKS

ROBERT FRANK Signed 1971 letter on Sweeney Films stationery to Gerald Lang, who was an instructor at the time in the Department of Art at The Pennsylvania State University, University Park, PA. He later founded the Digital Photography Studio at Penn State. and; “ROBERT FRANK: COME AGAIN” First edition, softcover with paper slipcase. Göttingen: Steidl. 2006. and; “ROBERT FRANK AND AMERICAN POLITICS” Softcover exhibition catalogue. Akron, OH: Akron Art Museum. 1985. and; “ROBERT FRANK: NEW YORK TO NOVA SCOTIA” First edition. Published on the occasion of exhibition with the same title. Dark blue cloth cover. Houston, TX: Museum of Fine Arts, Houston. 1986. (4) $80-120

123 NANCY HELLEBRAND “WRITING” Softcover with plastic binding. With essay on Nancy Hellebrand by Charles Hagen. Published on occasion of exhibition at Pace/MacGill Gallery. New York: Pace/ MacGill Gallery. 1989. $100-200


88 www.freemansauction.com

124 FIVE BOOKS

SALLY MANN “IMMEDIATE FAMILY” First edition, signed and dedicated on title page. Gray cloth cover with dust jacket. New York: Aperture Foundation. 1992. and; “MOTHER LAND” Signed on title page. Softcover. New York: Edwynn Houk Gallery. 1997. and; “SALLY MANN: STILL TIME” Softcover. Clifton Forge, VA: Alleghany Highlands Arts and Crafts Center, Inc. 1988. and; “SALLY MANN: SWEET SILENT THOUGHT” Softcover. Durham, NC: North Carolina Center for Creative Photography. 1987. and; “AT TWELVE: PORTRAITS OF YOUNG WOMEN” Softcover. New York: Aperture Foundation. 1988. (5) $200-300

125 EMMET GOWIN “MARIPOSAS NOCTURNAS: EDITH IN PANAMA” Signed and inscribed ‘For Judith Taylor in friendship/2.XI’ on dedication page. Softcover with printed cover. 63 pages. New York: Pace/MacGill Gallery. 2006. $100-200


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126 JOEL PETER WITKIN “JOEL-PETER WITKIN: PHOTOGRAPHS” First edition, dedicated and signed on title page. Large square black cloth, casebound quarto, with dust jacket. From the edition of 4000. Pasadena: Twelvetrees Press, 1985. $200-300

127 TWO BOOKS

JOEL-PETER WITKIN “GODS OF EARTH AND HEAVEN” First edition, signed on title page. Large casebound quarto with black cloth cover, gilt lettering and dust jacket, from the edition of 5000. Altadena: Twelvetrees Press. 1989. and; “JOEL-PETER WITKIN” (EXHIBITION CATALOGUE, CENTRO DE ARTE REINA SOFÍA) First edition, dedicated and signed on title page. Black embossed cloth cover. Madrid: Centro Nacional de Exposiciones D.L. 1988. (2) $400-600

128 ADAM FUSS “MY GHOST” Casebound with dark blue cloth embossed cover with dust jacket. From the edition of 3000. Santa Fe, NM: Twin Palms Publishers. 2002. $60-80


90 www.freemansauction.com

129 MASAO YAMAMOTO “É” Hardbound with maroon cloth covered and cream dust jacket, with a double 2-page gatefold and 49 reproductions. From the edition of 2500. Tucson, AZ: Nazraeli Press. 2005. $150-250


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130 FOUR BOOKS

MIKE & DOUG STARN “TO FIND GOD NOT THE DEVIL’S INSIDES” Signed by both artists. Published to accompany an exhibition at The Print Center, Philadelphia. Four color, 51 page accordion bound book, hand bound with clear tape and with 7 page pamphlet with essay. On each page is a reproduction of a segment of ‘Black Pulse 3,’ an artwork 12’ in height. The artists/ The Print Center, Philadelphia, PA, co-publishers. 2007. and; “MIKE & DOUG STARN: ATTRACTED TO LIGHT” First edition. Oversized hardback with illustrated board cover, issued without dust jacket. One of 3000 copies. New York, NY: Powerhouse Books. 2004. and; “ALLEVERYTHINGTHATISYOU” Portfolio printed in association with the 2007 Wetterling Gallery exhibition. Unbound sheets with white embossed cover sheet, inkjet reproductions of 19 images from the snowflake series and fold out, oversized sheet with illustrations of each image compiled into a poster (30 x 24 in.), with white rubber band. From the edition of 2500. Aperture Foundation, New York/Wetterling Gallery, Stockholm. 2007. and; “EXPOSURES” MAGAZINE, SPRING 2008 Containing lengthy article with Mike & Doug Starn. (4) $150-250


92 INDEX OF ARTISTS

Adams, A., 77 Arbus, D., 87-88 Avedon, R., 121 Ballen, R., 103 Betjemann, N., 98-99 Bogardus, A., 11 Bullock, W., 75 Burns, S., 116 Caponigro, P., 81-84 Cartier-Bresson, H., 57 Ceskoslovenska Fotografie, 118 Clergue, L., 64 Cohen, M., 93 Curtis, E.S., 30 Dow, A.W., 24 Faurer, L., 49-50 Fee, J., 63 Feyfar, Z., 118 Fink, L., 89-92 Frank, R., 122 Frith, F., 13-14 Funke, J., 118, 119 Fuss, A., 128 Gerlovina/Gerlovin, R. & V., 112-113 Gilpin, H., 79 Goldin, N., 95 Gowin, E., 125 Gutekunst, F., 12 Harbutt, C., 47 Harold-Steinhauser, J., 102 Hellebrand, N., 123 Horna, K., 36 Ishimoto, Y., 85 Jackson, W.H., 20-21 Jahiel, A., 78 Jiru, V., 118 Josephson, K., 86 Kennedy, D., 54 Kepes, G., 35 KertĂŠsz, A., 51 Klett, M., 115

Leonard, H., 44-45, 48 Lerner, N., 32 Link, W., 59 Lukas, J., 118 Mann, S., 97, 124 Metzger, R., 120 Moissenet, F., 4 Moran, K., 109 Morath, I., 43 Morgan B., 33, 38-42 Morin, P., 66 Muybridge, E., 16, 19 Nasa, 60 Neff, E., 105-108 Penn, I., 68-69 Pfizenmaier, E., 65, 67 Purcell, R., 110 Rejlander, O.G., 25 Roszak, T., 34 Russell, A.J., 18 Ryuijie, 80 Salgado, S., 96 Simpson, L., 111 Siskind, A., 70-74 Smith, W.E., 55 Starn, M. & D., 114, 130 Steichen, E., 22, 31 Stieglitz, A., 23, 26-28 Stillfried-Rathenitz, R., 15 Sudek, J., 117, 118 Sutnar, L., 119 Thorne-Thomsen, R., 104 Thumma, B., 56 Tice, G., 58 Uelsmann, J., 61-62 Uretz, V., 37 Webb, T., 29, 52 Weston, E., 53 White, M., 76 Winogrand, G., 94 Witkin, J., 100-101, 126-127 Yamamoto, M., 129 Zimbel, G., 46


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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 Fax: 718.361.8569 info@aistonart.com

The Packaging Store Duane Freed 2333 West Main Street Lansdale, PA 19446 215.361.6940 Fax: 215.361.6941 hello@packandshipnow.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500 info@atelierartservices.com

UPS Store John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 Fax: 215.629.4992 store4242@theupsstore.com

Mr. C’s Charles Cohen 267.977.9567 mrcees61@gmail.com Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 718.706.7999 Fax: 718.707.2847 michael@cadogantate.com A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 Fax: 215.444.9327 r.gebler@mastroccomovers.com

VG Packaging LLC Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 Fax: 484.552.8744 quotes@vgpackagingllc.com Furniture & Larger Items For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted. www.plyconvanlines.com www.nwdelivery.com www.freightquote.com


Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale. 8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing,

all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $75,000 of the hammer price of each lot, 20% on the portion from $75,001 through $1,500,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

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bidding & registration form SALE NO

BIDDER NO

CLIENT NO

NAME

BUSINESS NAME

ADDRESS

CITY

STATE

ZIP CODE

E - MAIL

PHONE

PHONE

(Primary)

(Secondary)

RESALE

/

COUNTRY

FAX

TAX IDENTIFICATION

STATE

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $.,,000 of the hammer price of each lot, 20% on the portion from $.,,001 through $1,,00,000, and 12% on that portion of the hammer price exceeding $1,000,000. All lots must be paid for and removed within 10 days.

LOT NO

DESCRIPTION

MAXIMUM BID

please adhere to the bidding increments $10 UNTIL $200 IS REACHED

$25 UNTIL $500 IS REACHED

$50 UNTIL $1,000 IS REACHED

$100 UNTIL $3,000 IS REACHED

$250 UNTIL $5,000 IS REACHED

$500 UNTIL $10,000 IS REACHED

$1,000 UNTIL $30,000 IS REACHED

$2,000 UNTIL $50,000 IS REACHED

$5,000 UNTIL $100,000 IS REACHED

OVER $100,000 AUCTIONEER ’ S DISCRETION

bank reference

BANK NAME

ACCOUNT NO

CONTACT NAME

TELEPHONE

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

SIGNED

ID CONFIRMED

(signature required to execute your bids)

PLEASE SEND ME INFORMATION TO SUBSCRIBE TO FREEMAN ’S CATALOGS

Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: info@freemansauction.com www.freemansauction.com

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Rare Books, Manuscripts & Maps Auction 10/16/14 Exhibition opens Wednesday, October 14 at 10am David Bloom 267.414.1246 dbloom@freemansauction.com Christiana Scavuzzo 267.414.1247 cscavuzzo@freemansauction.com

(UNITED STATES CONTINENTAL CONGRESS.) JOURNALS OF CONGRESS. Philadelphia & New York, 1777-1779; 1781; 1783-84; 1786-87; 1800. 11 volumes, uncut and in original bindings. Including the Declaration of Independence and the Constitution. $5,000-8,000 (detail)

www.freemansauction.com


Modern & Contemporary Art Auction 11/02/14 Exhibition opens Wednesday, October 30 at 10am Anne Henry 267.414.1220 ahenry@freemansauction.com

JEAN DUBUFFET "SITE DE MEMOIRE II" Edition 9/10. Screenprint on canvas. Executed in 1979. 84 x 58 in. (213.4 x 147.3cm) $30,000-50,000 (detail)

Aimee Pflieger 267.414.1221 apflieger@freemansauction.com

www.freemansauction.com


American Art & Pennsylvania Impressionists Auction 12/07/14 Now Accepting Consignments Alasdair Nichol 267.414.1211 anichol@freemansauction.com David Weiss 267.414.1214 dweiss@freemansauction.com

DANIEL GARBER (AMERICAN 1880–1958) “UP JERICHO” Signed ‘Daniel Garber’ lower right, oil on canvas 22 x 18 in. (55.9 x 45.7cm) $150,000–250,000 (detail)

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Notes


Directory Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

Southeastern Colin Clarke cclarke@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com

Hanna Dougher Chief Operating Officer

American Silver Samuel M. Freeman II beaufreeman@freemansauction.com

Departments

Asian Arts Richard A Cervantes rcervantes@freemansauction.com

Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Mark Beckerman mbeckerman@freemansauction.com

Books, Manuscripts, Maps & Ephemera David Bloom dbloom@freemansauction.com English & Continental Furniture & Decorative Arts David Walker dwalker@freemansauction.com European Art & Old Masters David M Weiss dweiss@freemansauction.com

Marketing & Communication Tara Theune Davis ttdavis@freemansauction.com

Jewelry & Watches Michael Larsen mlarsen@freemansauction.com Virginia B. Salem vsalem@freemansauction.com

Museum Services Thomas B McCabe IV tmccabe@freemansauction.com

Modern & Contemporary Art Anne Henry ahenry@freemansauction.com

Photography Elizabeth Field efield@freemansauction.com

Oriental Rugs & Tapestries Richard Cervantes rcervantes@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Photographs & Photobooks Aimee Pflieger apflieger@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Silver & Objets de Vertu David Walker dwalker@freemansauction.com

New England Kelly Wright kwright@freemansauction.com Mid-West William Rudd wrudd@freemansauction.com Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Gabrielle Aruta garuta@freemansauction.com



www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236


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