European Art & Old Masters (Sale 1510) by Freeman's

European Art & Old Masters 01/27/15

Auction

Exhibitions

Sale 1510 Tuesday January 27, 2015 at 10:00am 1808 Chestnut Street, Philadelphia PA 19103

Thursday January 22 10:00am-5:00pm Friday January 23 10:00am-5:00pm Saturday January 24 12:00pm-5:00pm Monday January 26 10:00am-5:00pm Limited viewing on morning of sale

Catalogue

$37 in the gallery $42 domestic mail $47 international mail Inside Front Cover: Lot 179 (detail) Inside Back Cover: Lot 209 (detail) Visit www.freemansauction.com/catalogues or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.

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Important Information for Buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

European Art & Old Masters Department

David Weiss Senior Vice President, Specialist dweiss@freemansauction.com 267.414.1214

Alasdair Nichol Vice Chairman anichol@freemansauction.com 267.414.1211

Andrew Huber Associate Specialist ahuber@freemansauction.com 267.414.1210

Whitney Long Bids Department wlong@freemansauction.com 267.414.1208

Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242

Client Services

Mary Maguire Carroll Director, Client Services mmaguire@freemansauction.com 267.414.1236

Molly Morrow Department Administrator mmorrow@freemansauction.com 267.414.1253

European Art & Old Masters lots 1-297

Lot 202 (detail)

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1 GIOVANNI BATTISTA PIRANESI (italian 1720-1778) six etchings “VEDUTA DEL TEMPIO DE GIOVE TONATE” 1756. 15 7/8 x 23 9/16 in. (40.4 x 59.8cm) [Focillon 819; Hind 44] together with: “VEDUTA DEL PANTHEON D’AGRIPPAA OGGI CHIESA DI S. MARIA AD MARTYRES” 1761. 18 5/8 x 27 1/4 in. (47.1 x 69.2cm) [Focillon 761; Hind 60]

together with: “VEDUTA DELL’ ANTITEATRO FLAVIO, DETTO IL COLOSSEO” 1766. 17 1/4 x 27 1/4 in. (43.8 x 27.5cm) [Focillon 760; Hind, 78] together with: “VEDUTA DELL’ ISOLA TIBERINA” 1775. 18 1/2 x 28 in. (47 x 71.1cm) [Focillon 836; Hind 121] together with: “AVANZI DEGL’ AQUEDOTTI NERONIANI…” 1775. 19 3/8 x 28 in. (49.4 x 71.1cm) [Focillon 850; Hind 118]

together with: “VEDUTA DELLA VILLA ESTENSE IN TIVOLI” 1773. 18 3/8 x 27 1/2 in. (46.9 x 69.8cm) [Focillon 826; Hind 105] (6) provenance: Property of a New Jersey estate. $2,000-3,000

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2 REMBRANDT VAN RIJN (dutch 1606-1669) “REMBRANDT IN VELVET CAP AND PLUME” 1638. Etching 5 5/16 x 4 1/16 in. (13.4 x 10.3cm) [Bartsch 20] provenance: Private Collection, New York, New York. $1,000-1,500

3 REMBRANDT VAN RIJN (dutch 1606-1669) “THE RETURN OF THE PRODIGAL SON” 1636. Etching and drypoint 6 1/8 x 5 3/8 in. (15.6 x 13.8cm) [Bartsch 91] provenance: Private Collection, New York, New York. $1,000-1,500

4 REMBRANDT VAN RIJN (dutch 1606-1699) “ABRAHAM AND ISAAC” 1645. Etching 6 3/16 x 5 1/16 in. (15.8 x 12.8cm) [Bartsch 34] provenance: Private Collection, New York, New York. $1,000-1,500

5 REMBRANDT VAN RIJN (dutch 1606-1669) “THE ARTIST’S MOTHER SEATED, IN WIDOW’S DRESS AND BLACK GLOVES” ca. 1632. Etching and drypoint 5 3/16 x 4 9/16 in. (13.2 x 11.5cm) [Bartsch 344] provenance: Private Collection, New York, New York. $1,000-1,500

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6 REMBRANDT VAN RIJN (dutch 1606-1669) CHRIST HEALING THE SICK (THE HUNDRED GUILDER PRINT) Etching, engraving, and drypoint 11 1/16 x 15 11/16 in. (28 x 40cm) ca. 1700 [Bartsch 74] provenance: Private Collection, Pennsylvania. note: Rembrandt’s most famous etching, “Christ Healing the Sick,” is an amalgamation of episodes from chapter 19 of the Gospel of St. Matthew, in which the essence of Christ’s ministry is conveyed. Likely completed in 1649, the print features a diversity of printmaking styles and techniques, a result of Rembrandt working on the print over several years. The rich areas of black on the right part of the composition contrast severely with the delicate handling of line on the left. Rembrandt also varied the papers and amount of ink used on each impression, making each print genuinely unique. The print is most commonly known as “The Hundred Guilder Print” and has been since the 18th century. There are various origin stories to the name, with a popular one being that Rembrandt himself paid this princely sum at auction for one of his own impressions. While the present work is a posthumous print done shortly after the artists death, the print was made before the plate was acquired by the Irish printmaker known as “Captain William Baillie,” who altered the composition. $20,000-30,000

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7 FRANCISCO DE GOYA (spanish 1746-1828) “LOS DESASTRES DE LA GUERRA” Album of 80 etchings with aquatint, drypoint, and engraving on laid paper, bound in original cloth covered album with cover inscribed ‘Goya/ I Disastri Della Guerra, Acqueforti, N. 80’ Fourth Edition, Printed in Calcografia for Real Academia, 1906 Edition of 275. [Delteil 120-199] Each (sheet size): 10 1/16 x 13 9/16 in. (25.5 x 34.4cm) provenance: Private Collection, Pennsylvania. $8,000-12,000

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8 8 FOLLOWER OF ALESSANDRO MAGNASCO (CALLED IL LISSANDRINO) (italian 1667-1749) LIBERATION OF SAINT PETER FROM PRISON Pen and brown ink with brown washes on paper 8 1/16 x 11 1/16 in. (20.3 x 29.3cm) provenance: Christie’s, London, sale of July 3, 1990, part of lot 177. Private Collection, New Jersey. note: The Liberation of Saint Peter is an event described in the Acts of the Apostles, Chapter 12, in which Saint Peter is rescued from prison by an angel. Acts 12:3-19 state that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter’s chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. $800-1,200 9 MANNER OF FRANCESO GUARDI (italian 1712-1793) VIEW ALONG THE ADRIATIC Pen and ink, brown ink and gray washes on paper 18 x 12 1/4 in. (45.7 x 31.1cm) provenance: Mrs. Mary (née Alexander) Whitehouse, New York, New York. The Crocker Family, San Francisco, California. exhibited: Springfield Museum of the Fine Arts, Springfield, Massachusetts, 1937, no. 44, as Francesco Guardi. $2,000-3,000

10 AFTER SIR PETER PAUL RUBENS (flemish 1577-1640) ASSUMPTION OF THE VIRGIN Red chalk on paper 9 7/16 x 13 3/4 in. (23.9 x 34.9cm) provenance: Private Collection, New Jersey. note: The present drawing resembles the Sir Peter Paul Rubens’s altarpiece (1620) currently in the Hermitage, St. Petersburg, Russia. $800-1,200

11 GENOESE SCHOOL (17th century) MADONNA AND CHILD WITH SAINTS Inscribed ‘Taverone’ bottom right; also inscribed ‘9’ and ‘Taverone’ and with two unidentified collectors’ stamps verso, pen and brown ink with brown washes on paper, unframed 7 3/4 x 5 5/8 in. (19.6 x 14cm) provenance: G. Locarno, (collector’s mark), Milan, sale ca. 1868. [Lugt 1691] Pacini, (collector’s mark), Florence, sale at his domicile, Via dei Fossi, April 25,1892, no.25. [Lugt 2011] Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

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12 DUTCH SCHOOL (late 17th-early 18th century) SUSANNA AND THE ELDERS Pen and brown ink, brush and brown ink and brown washes on paper laid down 5 1/4 x 5 1/8 in. (13.3 x 13cm) [Lugt 1812] provenance: Dr. N. Meyer, 1775-1855. W. Drugulin, Leipzig, May 12, 1862. Private Collection, New Jersey. $1,000-1,500

14 VENETIAN SCHOOL (18th century) ARCHANGEL MICHAEL With faint, illegible pencil notation bottom right (in margin), pen and brown ink on laid paper Image size: 8 x 6 1/4 in. (20.3 x 15.9cm) Sheet size: 10 5/8 x 7 3/4 in. (26.8 x 19.7cm) provenance: Private Collection, New Jersey. $800-1,200

13 GIOVANNI RAGGI (italian 1712-1792) STUDY FOR A WEDDING AT CANA Inscribed ‘Tiepolo’ bottom left, black chalk, pen, brown ink and brown wash over black chalk on paper 13 3/8 x 10 in. (34.1 x 25.3cm) provenance: Marcel Puesch. G. Vallardi [Lugt 1223] (partial watermark). Christie's, sale of January 30, 1997, lot 94. Private Collection, New Jersey. note: The present drawing is comparable to drawings by Raggi in the exhibition “Tiepolo: A Bicentenary Exhibition,” at Cambridge, Fogg Art Museum, 1970, nos. 16-22, (illustrated). $2,000-3,000

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15 141987/31 STEFANO DELLA BELLA (italian 1610-1664) STUDY FROM THE ETCHING SERIES DESSINS DE QUELQUES CONDUITS DE TROUPES AND VARII CAPRICCI MILITARY With Charles Gasc collector’s mark bottom center left, pen, brown ink and pencil on paper 3 x 4 3/16 in. (7.6 x 10.7cm) [Lugt 544] together with HIPPOLYTE LECOMTE (french 1781-1859) SHEPHERDESS WITH CATTLE AND SHEEP Signed and dated ‘1823 H. Lecomte’ bottom right, pen and brown ink on paper 15 3/8 x 7 3/8 in. (39.3 x 19cm) together with ATTRIBUTED TO JEANNE RONGIER (french fl. 1869-1900) WOMAN WITH A BOOK ON A BALCONY Signed ‘Jean (?) Rongier’ on the mount, pencil on paper 8 5/16 x 6 1/8 in. (21 x 15.6cm) together with ITALIAN SCHOOL (19th-20th century) NAPLES Signed with indecipherable monogram bottom left, gouache on paper, tondo 3 1/8 x diameter (8cm) (4) provenance: Cabinet Paignon-Dijonval (Della Bella). Acquired from the above. Samuel Woodburn (Art Dealer 1786-1853) (Della Bella). Acquired from the above. Thomas Dimsdale (1758-1823) (Della Bella). Charles Gasc Collection. Property of a New Jersey estate. $1,000-1,500

16 141682/23 ATTRIBUTED TO MARCO BENEFIAL (italian 1684-1764) THE ARCHANGEL MICHAEL FIGHTING OVER THE BODY OF MOSES Inscribed ‘18’ upper right corner, black chalk with white chalk highlights on pale blue-gray paper 11 1/8 x 7 3/4 in. (28.3 x 19.7cm) provenance: Private Collection, New Jersey. $1,000-1,500

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17 142250/11 CIRCLE OF FELICE GIANI (italian 1758-1823) MUCIUS SCAEVOLA THRUSTING HIS RIGHT HAND INTO THE FLAMES BEFORE LARS PORSENNA Double sided drawing; pen, brown ink, and wash over traces of pencil on paper (recto) with: NEOCLASSICAL FEMALE NUDE STUDY WITH PUTTO verso, charcoal 13 x 18 3/4 in. (33 x 47.6cm) provenance: Private Collection, Maryland. $1,000-1,500 18 141682/26 FLORENTINE SCHOOL (16th-17th century) A CAVALRY ENGAGEMENT Pen and ink with gray wash and white on paper, unframed 6 15/16 x 6 1/4 in. (17.7 x 15.9cm) provenance: Sotheby Parke Bernet, sale of June 3, 1980, lot 29. Private Collection, New Jersey. $800-1,200

19 142250/13 PIETRO DANDINI (italian 1646-1712) STUDY FOR CEILING FRESCO Double sided drawing; inscribed ‘P.D.’ bottom center (recto), graphite on paper with: STUDY OF CLASSICAL BUILDINGS verso, graphite 11 7/8 x 10 13/16 in. (29.9 x 27.8cm together with: LOMBARD SCHOOL (italian ca. 1630-1650) HEAD STUDIES Bears signature ‘G.Gandolfi’ bottom left, pen and brown ink on paper 5 1/4 x 3 1/2 in. (13.3 x 8.9cm) (2) provenance: Private Collection, Maryland. $1,000-1,500

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20 142349/1 JAN VAN GOYEN (dutch 1596-1656) BOATERS ON A CANAL Signed with initials ‘VG’ in ligature and dated ‘1640’ bottom right; also with stamp ‘J. Fred B’ verso, pencil on laid paper 4 5/8 x 6 5/8 in. (11.5 x 16.6cm) provenance: Dr. Albert Weckler [Lugt 2793c] J. Fred Bianchi. Paul Brandt, Amsterdam, sale of November 23-27, 1964, lot 244 (as Jan Van Goyen). Private Collection, Belgium. Private Collection, Memphis, Tennessee. $2,000-3,000

21 141682/22 ATTRIBUTED TO THEODOR VAN THULDEN (flemish 1606-1669) NYMPHS Inscribed ‘10’ bottom left; also inscribed ‘50’ on album page, charcoal and red chalk on paper 4 3/8 x 7 5/16 in. (11.3 x 18.6cm) provenance: Private Collection, New Jersey. $800-1,200

22 141682/20 FRENCH SCHOOL (18th century) STUDY WITH ANGELS Charcoal on paper, laid down 7 3/8 x 7 3/8 in. (19 x 19cm) provenance: Private Collection, New Jersey. $1,500-2,000

23 142243/12 LOUIS-AUGUSTE BRUN (swiss 1758-1815) RENDEZ-VOUS Signed and dated ‘L. Brun px 1785’ bottom right, gouache on paper laid to paperboard 10 5/8 x 13 9/16 in. (26.9 x 34.4cm) provenance: Private Collection, Virginia. $1,000-1,500

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24 142394/19 ATTRIBUTED TO NOËL NICOLAS COYPEL (french 1690-1734) STANDING FIGURE VIEWED FROM BEHIND Signed ‘Noël Coypel’ bottom left, charcoal and white chalk on blue/gray paper 17 7/8 x 11 13/16 in. (45.4 x 29.9cm) provenance: Private Collection, New Jersey. $1,000-1,500 25 141682/16 CIRCLE OF FRANCOIS BOUCHER (french 1703-1770) TWO BOYS RESTING Black chalk on paper, laid down 5 5/8 x 5 1/8 in. (14 x 13.1cm) provenance: Private Collection, New Jersey. $1,000-1,500 26 142316/4 CHARLES PARROCEL (french 1688-1752) HAWKING PARTY Brush and black ink with gray washes heightened with white gouache on tan paper, 6 3/4 x 9 1/4 in. (17.1 x 23.5cm) together with: ATTRIBUTED TO GABRIEL JACQUES DE SAINT AUBIN (french 1724-1780) GIRL WRITING A LETTER Pencil on paper 5 3/4 x 5 1/8 in. (14.6 x 13cm) (2) provenance: Mrs. Mary (née Alexander) Whitehouse, New York, New York. The Crocker Family, San Francisco, California. $1,500-2,000

27 142316/2 CIRCLE OF FRANCOIS BOUCHER (french 1703-1770) ELEGANT WOMAN WITH HEAD TURNED TO RIGHT Inscribed ‘764, Ecole Française XVIIIe, Ecole de Boucher’ and ‘764, Ecole XVIIIe’ verso, charcoal heightened with white and red chalks on tan paper, laid down to a mount 12 15/16 x 10 3/8 in. (32.9 x 26.5cm) provenance: Mrs. Mary (née Alexander) Whitehouse, New York, New York. The Crocker Family, San Francisco, California. $1,500-2,000

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28 141691/13 EUROPEAN SCHOOL (early 19th century) VIEW OF CORDOBA, SPAIN Bears watermark ‘Crown with Plumes ‘MJL1806’’, pen and brown ink with brown washes on paper 7 1/8 x 8 13/16 in. (18.1 x 22.3cm) provenance: C. Keoning Collection, Vienna, Austria, 1945. Private Collection, Pennsylvania. literature: C. Koenig Collection catalogue, no.175 (illustrated). note: The present drawing may be a depiction of the Forth Bridhe (Bridge) in Cordoba, Spain $800-1,200 28 29 132580/12 EUGENE DELACROIX (french 1798-1863) HORSE STUDIES Signed ‘Eug Delacroix’ bottom right, pencil on paper 8 x 5 3/16 in. (20.3 x 13.2cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. Clarence Wolf. University of Michigan, William Clements Library, Ann Arbor, Michigan. $1,000-1,500 30 132580/15 GUSTAVE DORÉ (french 1832-1883) FIGURAL STUDY With ‘ATELIER G. Doré’ stamp bottom right, pencil on card 16 1/2 x 13 1/2 in. (41.91 x 34.29cm) provenance: Ben Wolf, Philadelphia, Pennsylvania. By descent in the family. Clarence Wolf. University of Michigan, William Clements Library, Ann Arbor, Michigan. $1,000-1,500

31 142353/1 EDOUARD VUILLARD (french 1868-1940) “VAN RYSSELBERQUE” ca. 1898. Etching 3 5/16 x 5 1/4 in. (8.4 x 13.3cm) [Roger-Marx 61] together with PIERRE AUGUSTE RENOIR (french 1841-1919) “LE CHAPEAU ÉPINGLÉ (3E PLANCHE)” ca. 1894. Etching 4 3/4 x 3 3/8 in. (12.1 x 8.8cm) [Delteil 8, II/II] together with PIERRE AUGUSTE RENOIR (french 1841-1919) “BERTHE MORISOT” ca. 1892. Etching 4 1/2 x 3 3/4 in. (11.4 x 9.5cm) [Delteil 4] (3) provenance: Private Collection, Pennsylvania. $1,000-1,500

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34 32 142131/5 PAUL KLEINSCHMIDT (german 1883-1949) “IN DER METZGEREI” 1923. Pencil signed and numbered ‘I/X’ in the margin, drypoint on J.W. Zanders paper, unframed 12 1/8 x 14 7/16 in. (30.8 x 36.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

35 33 141374/1 HEINRICH CAMPENDONK (german 1889-1957) “SITZENDER HARLEKIN” 1922. Edition of 35-40. Pencil signed in margin, woodcut, unframed 14 15/16 x 11 1/2 in. (38 x 29.2cm) [Engels/Söhn 59] provenance: Private Collection, Pennsylvania. $1,000-1,500

34 142131/6 OTTO DIX (german 1891-1969) “HALBAKT” 1924. Edition of 55. Pencil signed in the margin, lithograph 23 3/4 x 19 5/16 in. (60.3 x 49cm) [Karsch 125] provenance: Private Collection, Pennsylvania. $1,000-1,500

35 142131/7 MAX BECKMANN (german 1884-1950) “SARIKA” 1922. Pencil signed in the margin, lithograph 12 x 8 9/16 in. (30.5 x 21.7cm) R. Piper & Co., publisher. [Hofmaier 233] provenance: Private Collection, Pennsylvania. $1,500-2,500

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36 141987/24 ATTRIBUTED TO CARLO CIGNANI (italian 1628-1719) SAINT CECELIA Oil on canvas 26 1/2 x 20 in. (67.3 x 50.8cm) provenance: Collection of George Peabody. Fanny Peabody Mason, acquired from the above by descent in the family. The property of a New Jersey estate. $3,000-5,000 37 142070/4 NEAPOLITAN SCHOOL (17th century) THE APOSTLE PAUL Oil on canvas, unframed 37 1/2 x 30 in. (95.3 x 76.2cm) provenance: Private Collection, Pennsylvania. $1,500-2,000 36

38 148022/3 AFTER IGNAZ STERN (german 1680-1748) MADONNA AND CHILD Oil on canvas 16 1/4 x 14 1/2 in. (41.3 x 36.8cm) provenance: Private Collection, Virginia. note: Please see Christieâ&#x20AC;&#x2122;s, South Kensington, sale of Dec. 5, 2007, lot 91 for a related composition. $1,200-1,800

39 142329/2 ANTWERP SCHOOL (17th-18th century) VIRGIN AND CHILD WITH CATHERINE OF ALEXANDRIA Oil on canvas 33 x 26 in. (33.8 x 66cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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40 142243/10 AFTER RAPHAEL (italian 1483-1520) MADONNA DELLA SEDIA Oil on canvas, framed as a tondo 15 1/4 x 15 in. (38.7 x 38.1cm) provenance: Private Collection, Virginia. note: This painting is after the original painting in the Palazzo Pitti, Florence, Italy. $2,000-3,000 41 142445/2 FRENCH SCHOOL (17th century) VIRGIN ANNUNCIATE Oil on canvas, painted in a feigned oval 10 3/8 x 7 3/4 in. (26.5 x 19.7cm) provenance: Private Collection, Massachusetts. $1,000-1,500

42 148083/1 CIRCLE OF JACQUES-LOUIS DAVID (french 1748-1825) PORTRAIT OF A GENTLEMAN, POSSIBLY A REVOLUTIONARY Oil on canvas, oval 29 1/2 x 24 1/2 in. (74.9 x 62.2cm) provenance: Private Collection, Virginia. $4,000-6,000

43 141931/4 ATTRIBUTED TO ALEXIS GRIMOU (swiss 1678-1733) PORTRAIT OF A RABBI Oil on canvas 29 x 23 in. (73.7 x 58.4cm) provenance: Ex-collection, Edwin A. Ulrich Museum of Art, Wichita State University. Private Collection, Massachusetts. “Old Master Paintings, Drawings and Prints” Freeman’s, Philadelphia, October 11, 2012, lot 166. Private Collection, Philadelphia, Pennsylvania.

related literature: The present work closely follows a portrait formerly attributed to Rembrandt. Please see Cornelis Hofstede de Groot, Die Handzeichungen Rembrandts, HdG 425, as “A Rabbi Seen in Full Face,” 1642; and Horst Gerson, Rembrandt Paintings, 1968, no. 220, “A Rabbi.” $5,000-7,000

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44 142329/3 ITALIAN SCHOOL (probably 16th - 17th century) PROFILE PORTRAIT OF A GENTLEMAN Oil on canvas 25 1/2 x 20 1/8 in. (64.8 x 51.1cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

45 141997/1 NORTHERN ITALIAN SCHOOL (late 16th century) PROFILE PORTRAIT OF SAINT CATHERINE Inscribed ‘ISABELLA D’ARAGNA’ verso, oil on thick braced panel 22 3/4 x 18 in. (57.8 x 45.7cm) provenance: Private Collection, Maryland. $3,000-5,000

46 142349/5 CIRCLE OF JACOPO PALMA IL GIOVANE (italian c. 1548-1628) CHRIST AND THE WOMAN TAKEN INTO ADULTERY Oil on canvas 17 1/4 x 21 1/8 in. (43.8 x 53.7cm) provenance: Private Collection, Memphis, Tennessee. $2,000-3,000

47 145500/12 SIENNESE OR FLORENTINE SCHOOL SAINT JOHN THE EVANGELIST; SAINT PETER Pair temperas on gold ground on panel Each: 27 x 10 in. (68.6 x 25.4cm) (2) provenance: Private Collection, New Jersey. note: Proceeds to benefit the Vineland Historical and Antiquarian Society, Vineland, New Jersey. $2,000-3,000

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48 141799/12 MANNER OF FRA ANGELICO (italian c. 1400-1455) MUSICAL ANGELS Set of four oils with gold ground on panel; set in architectural frames Two: 12 1/4 x 5 1/8 in. (31.1 x 13cm) Two: 11 x 4 1/4 in. (27.9 x 10.8cm) (4) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

49 149003/93 MANNER OF FRA ANGELICO (italian 1400-1455) TRUMPETING ANGELS Pair oils on gold ground on panel; set in architectural frames Each: 6 5/8 x 6 1/2 in. (42 x 15.2cm) (2) provenance: Private Collection, Virginia. $1,000-1,500

50 142299/2 JAN MIENSE MOLENAER (dutch 1610-1668) PEASANTS SAYING GRACE Signed ‘Molenaer’ bottom left, oil on panel 11 1/4 x 9 in. (28.2 x 22.5cm) provenance: Christie’s, New York, Sale of April 4, 1990, lot 70. Private Collection, Pennsylvania. $2,000-3,000

51 141931/3 AMALIE KAERCHER (german act. 1860-1926) STILL LIFE OF MIXED FLOWERS AND INSECTS ON A MOSSY BANK Signed ‘Amalie Kaercher’ bottom center left, oil on canvas 15 3/4 x 12 7/8 in. (40 x 33cm) provenance: Private Collection, Pennsylvania. “International Sale: Old Masters Paintings, Drawings, and Prints.” Freeman’s, Philadelphia, October 11, 2012, lot 186. Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

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52 142237/5 GILLIS MOSTAERT, THE ELDER (flemish 1528-1598) THE CRUCIFIXION Oil on panel 12 1/16 x 7 7/8 in. (30.6 x 20.1cm) provenance: Sotheby Parke Bernet, sale of June 11, 1987, lot 103. Phillipâ&#x20AC;&#x2122;s, London, sale of December 14, 1999, lot 161. Private Collection, Maryland. note: We are grateful to Dr. Robert Simon for confirming the attribution to Mostaert, the Elder, on the basis of firsthand inspection. Dr. Simon also points out that the present work relates to a black chalk Michelangelo drawing of the same subject in The British Museum, executed circa 1538-1541. $6,000-10,000

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53 142349/3 SALOMON VAN RUYSDAEL (dutch c. 1602-1670) LANDSCAPE WITH RIVER AND FIGURES ON BANK Signed with initials ‘SVR’ (conjoined) and dated ‘163*’ bottom left, oil on cradled panel 14 1/8 x 24 1/8 in. (35.9 x 61.3cm) provenance: Private Collection, Memphis, Tennessee. note: One of the preeminent landscapists of the Dutch ‘Golden Age,’ Salomon van Ruysdael was part of a family of landscape painters, including his brother Isaack van Ruisdael, his son, Jacob Salomonszoon and his nephew, Jacob van Ruisdael. While Salomon traveled throughout the Netherlands, painting scenes in Utrecht, Dordrecht, Rhenen, Leiden and Arnheim, he spent his entire career in Haarlem. He entered the Haarlem Guild of St. Luke in 1623 and became the head of the Guild in 1648. His first river views were painted circa 1628, with early works characterized by a thinly painted, restrained and somewhat monochromatic palette. Later works are bolder and more brilliant in color. Though van Ruysdael painted a small number of still lifes, he remains best known for his landscapes, townscapes and riverscapes – as typified by the present painting. $10,000-15,000

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54 142409/1 MANNER OF OCTAVIANUS MONFORT (italian 1646-1696) STILL LIFE WITH FIGS; AND A COMPANION Pair of temperas on thin card with canted corners Each: 7 1/16 x 9 3/16 in. (17.8 x 23.4cm) (2) provenance: Private Collection, Delaware. By descent to the present owner, 1998. Private Collection, Pennsylvania. Newman Galleries, Philadelphia, Pennsylvania. $1,000-1,500

55 142394/1 CIRCLE OF JEAN BAPTISTE PILLEMENT (french 1728-1808) CHINOISERIES Pair oils on canvas, both unframed Each: 63 1/8 x 24 in. (160.4 x 63.2cm) (2) provenance: Private Collection, New Jersey. $3,000-5,000

56 142267/1 EMILIAN SCHOOL (17th century) MARY MAGDALENE Inscribed ‘Guido Reni’ in pencil verso, oil on panel 12 5/8 x 9 3/4 in. (31.9 x 24.8cm) provenance: Private Collection, Virginia. $2,000-3,000

57 142459/1 CIRCLE OF GIUSEPPE ANTONIO PETRINI (italian 1677-1759) SAINT IN ECSTASY Oil on canvas, with raised letters ‘DSDSV’ and ‘GSMSG’ 37 3/4 x 29 1/16 in. (95.9 x 73.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

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58 141808/2 JEAN-FRANÇOIS ELIAERTS (belgian 1761-1848) STILL LIFE OF MIXED FLOWERS IN AN URN WITH BIRDS NEST, MOUSE, AND BUTTERFLY ON A LEDGE Signed and dated ‘Eliaerts 1814’ bottom right, oil on canvas 38 9/16 x 28 1/2 in. (97.9 x 72.4cm) provenance: Private Collection, Pennsylvania. note: Working in the tradition of an earlier generation of Dutch and Flemish artists who specialized in painting highly ornate still lifes of exotic mixed flowers - such as Jan van Huysum and Jan Philip van Thielen Eliaerts was one of the premier next generation painters of this highly decorative and refined genre. Working in Paris, he was Professor of the Institute of the Legion d’ Honneur at Saint-Denis and exhibited regularly at the Paris Salons and also created cartoons for the famed Gobelin factory. $20,000-30,000

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59 142250/20 CONTINENTAL SCHOOL (late 18th-early 19th century) NEOCLASSICAL ARCHITECTURAL DESIGN WITH PAIR OF GRIFFINS Oil on cradled panel 23 7/8 x 36 5/8 in. (60.7 x 92.8cm) provenance: Private Collection, Maryland. $1,200-1,800

60 141792/1 MANNER OF FEDERICO ZUCCARO (italian 1533-1603) “ROBERT DUDLEY, EARL OF LEICESTER” Inscribed ‘Robert Dudley, Earl of Leicester’ upper left; also inscribed ‘Anno Dovi 1678’ upper right, oil on panel 18 1/8 x 11 9/16 in. (46.1 x 29.3cm) provenance: Private Collection, New York, New York. $1,500-2,000

61 142342/15 NORTHERN ITALIAN SCHOOL (17th century) SUSANNA AND THE ELDERS Oil on canvas 47 5/8 x 42 in. (120.7 x 106.7cm) provenance: Private Collection, New Jersey. $1,500-2,000

62 141945/1 ITALIAN SCHOOL SAINT SEBASTIAN Oil on canvas 50 x 30 in. (127 x 76.2cm) provenance: Private Collection, Pennsylvania. $1,500-2,000

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63 63 142349/6 FOLLOWER OF DOMENICO REMPS (italian c.1620-c.1699) TROMPE L’OEIL WITH PORTRAIT OF AN ELDERLY MAN Oil on canvas, unframed 20 7/8 x 15 7/8 in. (53 x 40.3cm) provenance: Private Collection, Memphis, Tennessee. $1,000-1,500

64 142342/13 MANNER OF CLAUDE FRANÇOIS VIGNON (french 1633-1703) PROFILE PORTRAIT OF A CHILD oil on canvas 15 x 13 1/4 in. (38.1 x 33.7cm) together with: NORTHERN ITALIAN SCHOOL (i17th-18th century) PORTRAIT OF A YOUNG MAN Oil on canvas 18 x 13 1/4 in. (45.7 x 33.7cm) (2) provenance: Private Collection, New Jersey. $1,500-2,500 65 141922/6 FRENCH SCHOOL (early 19th century) MILITARY OFFICER WITH SWORD AND SEASCAPE BEYOND Oil on canvas, oval 9 3/8 x 7 1/2 in. (24 x 19.1cm)

together with: AFTER ELISABETH VIGÉE LE BRUN (french 1755-1842) SELF PORTRAIT Inscribed ‘Elisabeth Vigée le Brun from the **** portrait by herself in the Uffizi Gallery Florence/ copied by G. Maraschini’ verso, oil on board, oval, in an ornate Florentinestyle frame 8 1/2 x 6 7/8 in. (21.6 x 17.4cm) (2) provenance: From a Chestnut Hill, Philadelphia estate. $1,200-1,800

66 142250/9 FRENCH SCHOOL (late 18th-early 19th century) VILLAGE SCENE With label ascribing the painting to Charles Barberi (French/Italian 1756-1830) on stretcher bar verso, oil on canvas 12 1/2 x 16 1/2 in (31.75 x 41.9cm) provenance: Au Vieux St. Jacques, Cannes, France. Private Collection, Maryland. $1,500-2,500

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67 148084/1 AUSTRIAN SCHOOL (18th century) PORTRAIT OF A GIRL HOLDING A FLORAL GARLAND; PORTRAIT OF A SEATED BOY AND HIS DOG Pair oils on canvas Each: 38 x 33 in. (96.5 x 83.8cm) (2) provenance: An estate, Peru, circa 1940s (By repute). Private Collection, Virginia. $8,000-12,000

68 142329/1 MANNER OF GIOVANNI BILIVERT (italian, b. 1585) THE ARCHANGEL REFUSES TOBIAS’S OFFERINGS Oil on canvas 72 x 57 1/4 in. (182.9 x 145.4cm) provenance: Private Collection, Pennsylvania. note: The present painting is after the original currently in the Palazzo Pitti, Florence, Italy. $6,000-8,000

69 142243/16 FOLLOWER OF JEAN BAPTISTE JOSEPH DUCHESNE (french, 1770-1856) NAPOLEON, WEARING UNIFORM WITH GOLD ÉPAULETTES, BREAST STAR AND BADGE Oil on canvas 28 1/2 x 22 7/8 in. (72.4 x 58.2cm) provenance: Private Collection, Virginia. $2,000-3,000

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70 141614/1 JAN ANTON GAREMYN (flemish 1712-1799) ALLEGORY OF SUMMER; ALLEGORY OF FALL Pair oils on canvas Allegory of Summer signed and dated lower center ‘J. Garemyn inv. et pinx. 1783’ Allegory of Summer: 35 x 40 in. (89 x 101.6cm); Allegory of Fall: 36 1/4 x 42 1/2 in. (92.7 x 108 cm) (2) provenance: Sotheby’s, New York, sale of June 5, 2008, lot 104. Private Collection, New York. note: Jan Anton Garemyn’s depictions of picturesque landscapes and townscapes made the 18th-century Flemish artist highly sought after for both public and private commissions. Garemyn’s career coincided with the stylistic shift from late Baroque classicism to Rococo frivolity. The present pair of allegorical paintings are clearly presented in the light hearted style of the Rococo—pastoral landscapes populated by lively putti and rendered in a delicate palette. The iconography for “Allegory of Fall” is quite clear, as representations of of autumn were invariably associated with the vine from the 15th well into the 18th-century. “Allegory of Summer” features putti playing the lute and flute, while another records the verse. $40,000-60,000

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71 142243/13 AUSTRIAN SCHOOL (late 18th-early 19th century) HALF LENGTH PORTRAIT OF A YOUNG LAWYER IN HIS STUDY Oil on canvas 21 1/4 x 17 in. (54 x 43.2cm) provenance: Private Collection, Virginia. $1,200-1,800 72 141535/1 SPANISH SCHOOL 18th century SAINT IN PRAYER Oil on Copper 18 1/2 x 14 3/8 in. (47 x 36.5cm) provenance: Private Collection, Pennsylvania. By decent in the family. Private Collection, Pennsylvania. $3,000-5,000 73 142267/2 ATTRIBUTED TO FRANCESCO MENESES OSORIO (spanish 1630-1705) SAINT ANTHONY OF PADUA Oil on canvas 46 1/4 x 30 1/2 in. (117.5 x 77.5cm) provenance: Private Collection, Pennsylvania, ca. early 1960s. By descent. Private Collection, Virginia. note: This present painting follows the composition by Bartolomé Esteban Murillo in the Museo de Bellas Artes, Seville, Spain $5,000-7,000

74 142063/1 FOLLOWER OF ANDRÉS LÓPEZ POLANCO (spanish d. 1641) PORTRAIT OF A NOBLEMAN WEARING A RUFF COLLAR, BELIEVED TO BE PHILIP III OF SPAIN Oil on canvas, oval 73 23 x 18 in. (58.4 x 45.7cm) provenance: McClees Gallery, Haverford, Pennsylvania. Acquired from the above by the present owner’s grandfather, circa 1930’s. Private Collection, The Main Line, Philadelphia, Pennsylvania. $2,000-3,000

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75 141987/18 FOLLOWER OF ANTONIO CALZA (italian 1653-1725) BATTLE SCENE Oil on canvas 20 x 28 7/8 in. (50.8 x 73.6cm) provenance: Property of a New Jersey estate. $1,000-1,500

76 141881/1 FOLLOWER OF JACQUES COURTOIS, IL BORGOGNONE (french 1621-1676) MILITARY SKIRMISH Oil on canvas 37 3/8 x 52 in. (95.2 x 132.1cm) provenance: Private Collection, Maryland. $5,000-7,000

77 141987/27 FOLLOWER OF FREDERICK DE MOUCHERON (dutch 1633-1686) EXTENSIVE LANDSCAPE WITH SHEPHERD AND FLOCK Oil on canvas 29 x 48 3/8 in. (73.7 x 123.1cm) provenance: Property of a New Jersey estate. $2,000-3,000

78 141719/1 FOLLOWER OF ANTONIO FRANCESCO PERUZZINI (italian 1646-1724) EXTENSIVE LANDSCAPE WITH FIGURES, CATTLE, AND GOATS Oil on canvas, unframed 34 1/4 x 48 3/8 in. (87 x 123.1cm) provenance: Private Collection, New Jersey. $2,000-3,000

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79 141415/28 ITALIAN SCHOOL (17th-18th century) WEDDING AT CANA Oil on canvas 49 x 58 1/2 in. (124.5 x 148.6cm) provenance: Private Collection, New Jersey. $1,000-1,500

80 141774/22 HENDRICH VAN MINDERHOUT (dutch 1632-1696) ITALIANATE LANDSCAPE WITH COOPERS, HUNTERS, AND OTHER FIGURES BY A HARBOR Oil on canvas 34 x 45 in. (86.4 x 114.3cm) provenance: Sotheby’s, New York, sale of May 22, 1997, lot 63. Private Collection, New Jersey. $10,000-15,000

81 142299/1 FLEMISH SCHOOL (17th century) THE FALL OF MAN Oil on copper 14 1/4 x 11 in. (36.2 x 28cm) provenance: Christie’s, New York, sale of April 4, 1990, lot 42. Private Collection, Pennsylvania. $4,000-6,000

82 (NO LOT)

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83 141987/15 FOLLOWER OF NICOLAES BERCHEM (dutch 1620-1683) ARCADIAN LANDSCAPE WITH FIGURES AT REST AND CATTLE Oil on canvas 30 x 36 5/8 in. (76.2 x 92.8cm) provenance: Property of a New Jersey estate. $1,200-1,800

84 142318/1 FOLLOWER OF MELCHOIR DE HONDECOETER (dutch 1636-1695) EXOTIC FOWL Oil on canvas 30 x 40 3/4 in. (76.2 x 103.5cm) provenance: Private Collection, New York, New York. $1,000-1,500

85 142295/14 CIRCLE OF PIETER CASTEELS III (flemish 1684-1749) WATERFOWL IN A LANDSCAPE Pair oils on canvas Each: 23 3/4 x 34 1/2 in. (60.3 x 87.6cm) (2) provenance: Sotheby’s, New York, sale of May 21, 1998, lot 192. Private Collection, New York, New York. $3,000-5,000

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86 141987/23 FOLLOWER OF DOMENICO BRANDI (italian 1683-1736) GOAT AND CATTLE HERD IN A PASTORAL LANDSCAPE Oil on canvas 26 3/8 x 28 3/4 in. (59.6 x 73cm) provenance: Property of a New Jersey estate. $1,500-2,000

87 142349/4 FOLLOWER OF CLAUDE LOUIS CHÂTELET (french 1753-1794) WATERFALLS AT TERNI Oil on panel 10 1/8 x 13 1/8 in. (25.7 x 33.4cm) provenance: Private Collection, Memphis, Tennessee. $1,000-1,500

88 148151/1 CIRCLE OF NICOLAES ELIASZ PICKENOY (dutch ca. 1588-ca. 1655) PORTRAIT OF A LADY, THREE-QUARTER LENGTH, WITH MOLENSTEENKRAAG, WHITE LACE COLLAR AND WHITE LACE HEADDRESS Oil on cradled panel 40 1/4 x 31 1/2 in. (102.2 x 80cm) provenance: Private Collection, New York, New York. Acquired from the above, circa 1975. Private Collection, Virginia. $12,000-18,000 88

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89 141987/25 MANNER OF MICHIEL JANSZOON VAN MIEREVELT (dutch 1567-1641) PORTRAIT OF A LADY, HALF LENGTH, IN A BLACK DRESS WITH LACE Oil on cradled panel 29 1/8 x 23 1/4 in. (73.8 x 59.1cm) provenance: Property of a New Jersey estate. $1,000-1,500

90 148077/1 ATTRIBUTED TO JAN DAEMEN COOL (dutch 1589-1660) PORTRAIT OF A LADY, BUST LENGTH, IN A BLACK DRESS AND RUFFLED LACE HEADDRESS; PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A BLACK DOUBLET AND WHITE RUFF COLLAR Pair oils on panel Each: 16 1/4 x 12 in. (41.3 x 30.5cm) (2) provenance: Private Collection, Florida. $5,000-7,000

91 142243/5 MANNER OF JACOB CORNELISZ VAN OOSTANEN (dutch 1477-1533) DOUBLE PORTRAIT: URSULA VAN EGMONT AND OTTO VAN EGMONT OF DELFT Inscribed extensively verso, oil on panel with arch top set in a polychrome frame Sight size 11 3/8 x 8 in. (29.1 x 20.3cm) provenance: Private Collection, Virginia. $2,000-3,000

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92 142471/3 NETHERLANDISH SCHOOL (18th-19th century) SCENES FROM THE LIFE OF CHRIST Set of four oils on copper Each: 11 x 7 7/8 in. (27.9 x 20.2cm) provenance: Private Collection, Toronto, Canada. $5,000-8,000

93 142349/2 CIRCLE OF SEBASTIANO CONCA (italian c. 1676-1764) SAINT CECELIA ACCOMPANIED BY AN ANGEL Oil on canvas 33 3/4 x 27 3/4 in. (85.7 x 70.5cm) provenance: Private Collection, Memphis, Tennessee. $2,000-3,000

94 142342/12 NORTHERN ITALIAN SCHOOL (17th century) SYBIL LIBICA Oil on canvas 43 1/2 x 30 7/8 in. (110.5 x 78.4cm) provenance: Ford Art and Antiques, Sarasota, Florida. Private Collection, New Jersey. $2,000-3,000

91 142349/2 DUTCH SCHOOL (17th century) SAINT CECELIA Oil on canvas 33 3/4 x 27 3/4 in. (85.7 x 70.5cm) provenance: Private Collection, Memphis, Tennessee. $3,000-5,000

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95 141473/3 FLEMISH SCHOOL (late 16th-early 17th century) WOUTER VAN DER NOOT, HIS WIFE DYMPHNA DE GRIMBERGEN, AND THEIR CHILDREN KNEELING BEFORE THE VIRGIN AND CHILD Oil on canvas, unframed 31 5/8 x 53 9/16 in. (80.3 x 136cm) provenance: Private Collection, New York, New York.

note: The present work repeats, in part, the composition in the Fries Museum, Leeuwarden, The Netherlands. The latter, (133 x 181 cm) is larger than the present work, its composition extending further in each direction and with a lengthy inscription along the bottom edge. Van der Noot was lord of Westwesel; ambassador chevalier; counsel and

chamberlain of the Burgundian duke Philip the Good. The family can be located in the northern part of Flanders. Van der Nootâ&#x20AC;&#x2122;s heraldic sign consists of a black scallop on gold. We would like to thank the Rijksbureau voor Kunsthistorische Documentatie for their assistance in cataloguing this painting. $5,000-7,000

96 141822/24 AFTER GERRIT DOU (dutch 1613-1675) ELDERLY COUPLE IN INTERIOR Oil on cradled canvas, painted with a shaped top 21 7/8 x 17 7/8 in. (55.8 x 45.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

97 141822/17 AFTER GERRIT DOU (dutch 1613-1675) MOTHER AND CHILDREN IN INTERIOR With two unidentified wax seals verso, oil on panel painted with a shaped top 27 1/8 x 20 3/4 in. (68.7 x 52.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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98 141774/24 CIRCLE OF ANTOINE CARON (french 1520-1599) ARMIDA AND EUSTACHIO BEFORE GOFFREDO (GERUSALEMME LIBERTA, CANTO IV) Inscribed ‘Goffredio’, ‘Eustachio’, and ‘Armida’ bottom center left, oil on canvas 38 x 52 1/4 in. (96.5 x 132.7cm) provenance: Christie’s, London, sale of June 27, 1975, lot 68 (As Ambroise Dubois). Sotheby’s London, sale of December 19, 1985, lot 60 (As Attributed to Antoine Caron). Sotheby’s, Monaco, sale of November 30, 1986, lot 464 (As Attributed to Antoine Caron). Christie’s, New York, sale of May 23, 1997, lot 78. Private Collection, New Jersey. $12,000-18,000

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99 141563/1 ATTRIBUTED TO ANTIVEDUTO GRAMMATICA (italian 1571-1626) TWO MUSICIANS Oil on canvas 41 3/8 x 31 5/8 in. (105.3 x 80.1cm) provenance: Baron Grundherr, Vienna, Austria (as by Artemesia Gentileschi) Schaeffer Galleries, New York, New York (as by Gentileschi) Hammer Galleries, New York, New York (as by Gentileschi) Gimbel Brothers, New York, New York (as by Gentileschi) Private collection, Washington, D.C., ca. 1950s.. exhibited: Vassar College, Poughkeepsie, New York, Taylor Hall, 1938 (as by Gentileschi) Oberlin College, Oberlin, Ohio, 1939, no. 38 (as by Gentileschi) "Old Master Paintings." Portland Art Museum, Portland, Oregon, July -September, 1940 (as by Gentileschi) "Exhibition of Italian Baroque Painting/17th and 18th Centuries." California Palace of the Legion of Honor, San Francisco, California, May 16 - June 15, 1941, no. 41 (as by Gentileschi) "Gems of Baroque Painting." New York, New York, February 1942 (as by Gentileschi) Berkshire Museum, Pittsfield, Massachusetts, June 1942, no. 13 (as by Gentileschi) "Music in Art." Berkshire Museum, Pittsfield, Massachusetts, August 1942, no. 8 (as by Gentileschi) note: Since being owned by Baron Grundherr, the present work has been given to Artemisia Gentileschi (Italian 1593-1652), including throughout its exhibition history. Traditionally known as "Girl with a Viol da Gamba," the present work featured only the female figure at right - probably the Muse Erato, muse of lyric poetry. A later cleaning revealed the male figure at left. It is worth noting that the present painting is also very closely related to two paintings ascribed to Joseph Heintz the Elder (German/Swiss 1564-1609) recently offered at auction, each smaller in size than the present painting and with the figures depicted in slightly different

poses (see Van Ham Kunstauktionen, sale of May 17, 2013, lot 479, as Follower of Joseph Heintz the Elder, and Dorotheum, sale of October 17, 2012, lot 526 as Joseph Heintz the Elder). literature: R. Ward Bissell, "Artemisia Gentileschi and the Authority of Art," 1999, footnote 46, p. 405, where the painting is given to Gramatica. Referencing the Gentileschi-Gramatica confusion, Bissell notes: "In 1941 a Girl with a Viol da Gamba, then the property of the Schaeffer Galleries of New York, was exhibited in San Francisco under Artemisia's name (Italian Baroque Painting, Palace of the Legion of Honor, May 16-June 15,

1941, pp. 17 no. 41, 37). In all probability representing the Muse Erato, this canvas is absolutely characteristic of Antiveduto Gramatica, by whom the remains of two series of Muses, both in Turin, have been recognized." (One in the Circolo Ufficiali di Presidio, the other in the Palazzo Chiablese). "The style of the ex-Schaeffer picture (at 1.05 x .807 m. somewhat smaller in size than the other examples) is more closely related to the remaining works in the first-named series than to those in the second, yet speaks of an earlier moment still in Antiveduto's career, specifically between 1610 and 1615." $15,000-20,000

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100 141688/1 ATTRIBUTED TO SIR GODFREY KNELLER (british 1646-1723) JOHN PENN (THE AMERICAN) Oil on canvas 49 3/4 x 37 in. (125.9 x 94cm) provenance: Mrs. Admiral Lardner, Philadelphia, Pennsylvania. Mifflin Large Family, Pennsylvania, ca. 18th century. By descent in the family. Private Collection, Pennsylvania. exhibited: “Exhibition of Portraits: Presented by the National Society of the Colonial Dames of America in the Commonwealth of Pennsylvania.” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, December 8, 1958 - January 11, 1959. literature: Howard M. Jenkins, “The Family of William Penn, Founder of Pennsylvania, Ancestry and Descendents,” Philadelphia, 1899, p. 73, (illustrated). note: John Penn (1729-1795) was the son of William Penn, and was the only one of Penn’s children born in America, in Philadelphia. John Penn was also the last governor of Colonial Pennsylvania and a signer of the Declaration of Independence. $6,000-10,000

101 141754/13 CIRCLE OF GEORGE ROMNEY (british 1734-1802) PORTRAIT OF A GENTLEMAN WITH RIGHT ARM EXTENDED Oil on canvas 32.5 x 26 in. (82.6 x 66cm) provenance: Private Collection, New York. $1,000-1,500

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102 141987/26 CIRCLE OF THOMAS HUDSON (british 1710-1799) PORTRAIT OF A LADY, HALF LENGTH, IN A FEIGNED OVAL Oil on canvas 30 1/8 x 25 1/2 in. (76.3 x 64.8cm) provenance: Property of a New Jersey estate. $2,000-3,000

103 142386/2 ATTRIBUTED TO ISAAC WHOOD (british c. 1688-1752) PORTRAIT OF A YOUNG GIRL, TRADITIONALLY IDENTIFIED AS ESTHER TURPIN, SEATED WITH A TOY SPANIEL Oil on canvas, 45 x 40 1/2 in. (114.3 x 102.9cm) Ca. 1730. provenance: Christie’s, London, sale of June 8, 2006, lot 37. Christie’s, South Kensington, sale of September 6, 2006, lot 22. Private Collection, New England. $7,000-10,000

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104 141878/1 ARTHUR RACKHAM (british 1867-1939) three illustrations “THE STRULDBRUGS” Signed ‘A. Rackham’ bottom right, ink and watercolor on paper 8 1/2 x 5 in. (21.6 x 12.7cm) together with: “THE QUESTING BEAST” (FROM KING ARTHUR AND HIS KNIGHTS) Signed with initials ‘AR’ bottom right, ink on paper 7 x 10 in. (17.8 x 25.4cm) together with: “PROCESSION OF WITCHES” Signed ‘A. Rackham’ bottom right, ink on paper 4 3/8 x 10 in. (11.4 x 25.4cm) (3) provenance: Sotheby’s New York, sale of December 12, 1995, lot 144 (“The Struldbrugs”) Private Collection, Pennsylvania. exhibited: “Illustration to Gulliver,” Loan Exhibition of Modern Illustration, Victoria and Albert Museum, London, 1900, no. 862 (“The Struldbrugs”). $4,000-6,000

105 142249/5 SIR WILLIAM RUSSELL FLINT (british 1880-1969) “PALL MALL” Signed and dated ‘W. RUSSELL FLINT / 1907’ bottom right, watercolor and gouache en grisaille 6 x 10 in. (15.2 x 25.4cm) provenance: Frost & Reed, London. “Fine American and European Paintings.” Freeman’s, Philadelphia, sale of December 3, 2006, lot 32. Private Collection, Maryland. $2,000-3,000

104

106 141893/1 CIRCLE OF JOSEPH MALLORD WILLIAM TURNER (british 1775-1851) STORMY SEAS Bears initials bottom right, watercolor with scratching out on card Image size: 1 5/8 x 4 3/8 in. (3.9 x 11.3cm) Card size: 4 3/16 x 7 3/8 in. (10.7 x 18.9cm) provenance: Private Collection, The Main Line, Pennsylvania. $2,000-3,000

105

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107

107 142250/25 CHARLES SILLEM LIDDERDALE (british 1831-1895) PEASANT GIRL IN A WOODED LANDSCAPE Signed with initials ‘CSL’ and dated ‘ ‘78’ bottom left, oil on canvas 22 1/8 x 15 3/4 in. (56.2 x 40cm) provenance: Private Collection, Maryland. $1,000-1,500

108 142123/2 WILLIAM FREDERICK WITHERINGTON (british 1785-1865) GIRL AT STILE Inscribed on unidentified label on stretcher bar verso, oil on canvas 36 x 28 in. (91.4 x 71.1cm) provenance: Wunderly Galleries, Pittsburgh, Pennsylvania. Private Collection, New Jersey. $2,000-3,000

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109 142386/3 ISAAC POCOCK (british 1782-1835) PORTRAIT OF THE ARTIST’S DAUGHTER, ANNE POCOCK Inscribed on label verso, oil on canvas 24 x 19 7/8 in. (61 x 50.5cm) together with: PORTRAIT OF THE ARTIST’S SON, ISAAC JOHN INNES POCOCK Inscribed on label verso, oil on canvas 21 x 17 3/4 in. (53.3 x 45.1cm) (2) provenance: Sotheby’s, London, sale of November 25, 2004, lot 47. Sotheby’s, Olympia, sale of sale of July 13, 2005, lot 17. Private Collection, New England. $2,500-4,000

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110 141631/1 FOLLOWER OF SIR JOHN HOPPNER (british 1758-1810) PORTRAIT OF A LADY WITH BONNET Oil on canvas 29 7/8 x 24 5/8 in. (75.8 x 62.4cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

111 142295/19 GEORGE RICHMOND (british 1809-1896) STUDY OF THOMAS KNYVETT AGED THREE Inscribed and signed ‘Thos. K. Richmond aged 3 years/ G. R. pinxt Underriver 1836’ bottom center, oil on board, framed as a tondo 15 1/8 x 13 7/8 in. (38.4 x 35.3cm) provenance: Sotheby’s, London, sale of July 4, 2001, lot 141. Christie’s, New York, sale of September 5, 2007, lot 64. Private Collection, New York, New York. $3,000-5,000

112 142243/17 G. SHIPLEY (british, active late 18th century) “UNA AND HER LION”; “GOATHERD” Pair watercolors on paper “Una and Her Lion” inscribed and dated ‘from Sir J. Reynolds/ drawn by G. Shipley/ 1782’ verso 14 3/4 x 11 1/16 in. (37.5 x 28.1cm) “Goatherd” inscribed and dated ‘From Bloemaert/ drawn by G. Shipley/ 1783’ verso 14 5/8 x 11 in. (37.1 x 28cm) (2) provenance: Samuel Jennings, London, England. “Holmhurst,” Baldslow, St. Leonard’s-On-Sea, sale of October 13, 1908, lots 750-751 respectively. Private Collection, Virginia. $1,000-1,500

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113 142250/4 THOMAS FAED (scottish 1826-1900) THE HUNTERS’ MEAL Signed and dated ‘Faed 1857’ bottom right, watercolor on paper 17 3/16 x 23 1/8 in. (43.7 x 58.6cm) provenance: Private Collection, Maryland. $3,000-5,000

114 142038/1 WILLIAM WATSON (scottish 1831-1921) HIGHLAND SHEEP Signed ‘W. Watson’ bottom right, oil on canvas 16 1/4 x 14 3/8 in. (41.3 x 36.8cm) provenance: Private Collection, Ohio. $4,000-6,000 113 115 142243/3 JAMES CHRISTIE (scottish, 1847-1914) SCOTTISH TRIO Signed and dated ‘James * Christie 187*’ bottom left, oil on canvas 31 3/8 x 24 in. (79.9 x 61cm) provenance: Campo & Campo, Antwerp, Belgium. Private Collection, Virginia. $2,500-4,000

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116 141849/103 BRITISH SCHOOL (19th century) MOTHER AND CHILDREN OUTSIDE A COTTAGE Oil on canvas 25 x 25 in. (63.5 x 63.5cm) provenance: G. W. Knight, London, England. From the Collection of Debra and I. Michael Coslov, Haverford, Pennsylvania. $1,000-1,500

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117 141614/3 NORMAN M. MACDOUGALL (scottish 1852-1939) CHILDREN AT PLAY IN A CARMUNNOCK LANDSCAPE Signed ‘Norman M. Macdoug***’ bottom left, oil on canvas 23 7/8 x 36 in (60.6 x 91.4cm) provenance: Private Collection, New York, New York. $3,000-5,000

118 141754/12 WILLIAM JAMES MÜLLER (british 1812-1845) NORTH AFRICAN SCENE Signed and dated ‘W. Müller 18**’ bottom right, oil on panel 14 9/16 x 10 5/8 in. (36.8 x 27cm) provenance: Private Collection, New York. $1,200-1,800

119 141822/21 CONTINENTAL SCHOOL (early 19th century) ARCADIAN LANDSCAPE WITH HOOKAH SMOKERS Oil on canvas 15 1/8 x 21 in. (38.4 x 53.3cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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120 142318/8 ALFRED AUGUSTUS GLENDENING, SR. (british 1840-1910) THE MEETING PLACE Signed with monogram and dated ‘f (?) 87’ bottom left, oil on canvas 15 x 8 in. (38.1 x 20.3cm) provenance: Private Collection, New York. $1,000-1,500

121 142243/9 WILLIAM POWELL FRITH (british 1819-1909) SCENE FROM WALTER SCOTT’S “THE BRIDGE OF LAMMERMOOR” Signed ‘W.P. Frith’ bottom left, oil on panel 17 7/8 x 13 7/8 in. (45.5 x 35.3cm) provenance: David Price, Esq. L. Butters, Esq. Roland Hilary, Esq. Private Collection, Virginia. exhibited: Royal Academy Exhibition, 1854. Royal Academy Winter Exhibition, 1911. International Exhibition, 1962. $3,000-5,000

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122 142243/1 CLAUDE ANDEW CALTHROP (british 1845-1893) THE COURT JESTER Signed with monogram and dated ‘1871’ bottom left, oil on panel 21 x 16 5/8 in. (53.3 x 42cm) provenance: Sotheby’s, New York, sale of November 29, 1999, lot 76. Private Collection, Virginia. $5,000-7,000

123 142243/2 SIR JAMES DROMGOLE LINTON (british 1840-1916) ST. VALENTINE’S DAY Signed ‘J.D. Linton’ bottom right, oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: Private Collection Virginia. $2,000-3,000

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124 142243/14 GEORGE GOODWIN KILBURNE (british 1839-1924) UNWILLING TO SIGN Signed ‘G. G. Kilburne’ bottom left, watercolor on paper laid to card 18 7/8 x 24 1/4 in. (48 x 61.6cm) provenance: Private Collection, Virginia. $1,000-1,500

125 142211/4 CECIL LAWSON (british 19th century) A NIGHT AT THE CARNIVAL Signed ‘Cecil P. Lawson’ bottom left, oil on panel 10 x 13 3/4 in. (25.4 x 34.9cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

126 148137/22 DAVID FULTON (british 1848-1930) ALONG THE LAKEBANK Signed ‘David Fulton RSW’ bottom left, oil on canvas 14 x 21 in. (35.6 x 53.3cm) provenance: Private Collection, Florida. $1,000-1,500

127 141415/38 ALFRED POLLENTINE (british 1836-1890) GRAND CANAL, VENICE Signed ‘A Pollentine’ bottom right, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, New Jersey. $1,000-1,500

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128 142240/1 ALFRED POLLENTINE (british 1836-1890) DOGE’S PALACE, VENICE Signed in ligature ‘A Pollentine’ bottom right; also inscribed ‘The Doges/A Pollentine’ verso, oil on canvas 13 7/8 x 24 in. (35.2 x 61cm) provenance: Private Collection, New York, New York. Private Collection, Pennsylvania. $1,000-1,500

129 148115/1 JAMES BAKER PYNE (british 1800-1870) TIVOLI Signed and dated ‘J.B. Pyne 643 1850’ bottom center left, oil on canvas 25 1/8 x 40 1/8 in. (63.8 x 101.9cm) provenance: Sotheby Parke Bernet, sale of April 2, 1976. Private Collection, Virginia. $3,000-5,000

130 148115/2 WILLIAM SHAYER, THE ELDER (british 1787-1879) VIEW AT BRIGHTLINGSEA ON THE RIVER COLNE Signed ‘Wm Shayer’ on the rock at bottom center right, oil on canvas 24 x 33 in. (61 x 83.8cm) provenance: Parke Bernet Galleries, Inc., 1969. Private Collection, Virginia. $4,000-6,000

131 141754/3 ALFRED DE BREANSKI, SR. (british 1852-1928) “SNOWDON” Signed 'Alfred de Breanski' bottom left; also inscribed 'Snowdon / Alfred de Breanski' verso, oil on canvas 24 3/8 x 36 1/4 in. (62.2 x 92.1cm) provenance: Private Collection, New York. $3,000-5,000

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132 142451/1 STUART LLOYD (british 1875-1929) “CHRIST CHURCH, OXFORD” Signed and dated 'Stuart Lloyd 1905' bottom right, oil on canvas 30 1/4 x 50 1/8 in. (76.8 x 127.6cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

133 142033/1 CHARLES WILLIAM WYLLIE (british 1853-1923) “WHERE THE ECHOING OARS OR ARGE FIRST STARTLED AN UNKNOWN SEA” Signed ‘Charles W. Wyllie’ bottom right; also inscribed verso, oil on canvas 30 x 54 in. (76.2 x 137.2cm) provenance: London, sale of March 29, 1983, lot 165. Private Collection, Florida. exhibited: Royal Academy, London, 1915. $2,500-4,000

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134 142249/2 SIR JOHN ALFRED ARNESBY BROWN (british 1866-1955) COWS WATERING IN A MEADOW Signed ‘ARNESBY BROWN’ bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Maryland. $3,000-5,000

135 142295/13 MARIA L. ANGUS (british fl.1887-1910) “OUT OF MISCHIEF” Signed and dated ‘M.L. Angus 1891’ bottom left, oil on canvas 20 x 27 in (50.8 x 68.6cm) provenance: Doyle, New York, sale of May 20, 1998, lot 161. Private Collection, New York, New York. $8,000-12,000

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136 142386/1 PHILIP MERCIER (british 1689-1760) A SCHOOL FOR BOYS Signed and dated ‘Ph Mercier fecit ano 1738’ bottom center left, also engraved , oil on canvas 40 x 50 in. (101.6 x 127cm) provenance: R. Robeson. Christie’s, sale of May 24, 1902, lot 51. Purchased from the above by Mr. Parsons. Messrs, Laurie & Co. Christie’s, sale of January 28, 1905, lot 66. Purchased from the above by Mr. Schroeder. Dr. Felix Graf, Heppenheim, Germany, c. 1922. Private Collection, Britain. Sotheby’s, London, sale of November 14, 1993, lot 97. Christie’s, London, sale of July 11, 1997, lot 9. Christie’s East, sale of May 29, 2001, lot 74. Sotheby’s, New York, sale of June 6, 2008, lot 39. Private Collection, New England. engraved: J. Farber (II), 1739. exhibited: “600 Years of British Painting: The Berger Collection.” Denver Art Museum, Denver, Colorado, October 10, 1998-March 28, 1999. literature: J. R. Green, “The Short History of the English People,” 1894, IV, p. 1617, (illustrated). John Ingamells, “A Catalogue of the Paintings, Drawings, and Etchings of Philip Mercier,” Walpole Society, 1976-1978, vol. XLVI, p. 61, no. 261. “600 Years of British Painting: The Berger Collection” exhibition catalogue, Denver Art Museum, Denver, Colorado. pp. 166-167. $7,000-10,000

137 142406/1 WILLIAM LANGLEY (british 1852-1922) HIGHLAND CATTLE BY A LOCH Signed ‘William Langley’ bottom right, oil on canvas 19 7/8 x 30 in. (50.5 x 76.2cm) provenance: Freeman’s, Philadelphia, sale of February 25, 2000, lot 57. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

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138 142342/11 HENRI LE JEUNE (british 1820-1904) CONTEMPLATION Inscribed ‘Painted by Hy Le Jeune A.R.A.’ on frame verso, oil on panel 24 x 19 13/16 in. (61 x 50.3cm) provenance: Hayward & Leggatt, H. Smith Esq., York. Sotheby’s, New York, sale of October 27, 1988, lot 122B. Private Collection, New Jersey. exhibited: “Exhibition and Fancy Fair.” York Institute, York (n.d.) $6,000-10,000

139 141308/1 JOHN EVERETT MILLAIS (british 1829-1896) LANDSCAPE AND FIGURES Signed with monogram lower right, oil on panel 9 1/4 x 13 1/4 in. (23.5 x 33.7cm) provenance: From the Collection of Mrs. H. J. Lay, Surrey, England. Freeman’s, Philadelphia, sale of October 19, 1933. By descent in the family, 1952. The Honorable Lawrence Meredith Clemson Smith, Former Board of Trustees President of the American Federation of Arts, 1948-1951. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $6,000-10,000

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140 142256/1 FRANK BRAMLEY (british 1857-1915) ROCKY COAST Signed ‘Frank C. Bramley’ bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

141 141614/2 JOSEPH HENDERSON (british 1832-1908) CHILDREN ALONG THE SHORE Signed ‘J. Henderson’ bottom right, oil on canvas 28 x 44 in. (71.1 x 111.8cm) provenance: Private Collection, New York. $6,000-10,000

142 142408/1 GEORGE BLACKIE STICKS (british 1843-1938) MARSDEN BAY BEACH, SOUTH SHIELDS, ENGLAND Signed and dated ‘GB Sticks 1873’ bottom right, oil on canvas 24 x 41 in. (61 x 104.1cm) provenance: Private Collection, Princeton, New Jersey. $2,000-3,000

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143 142243/11 G. BALL HUGHES (british 19th century) HUNTSMAN WITH CHESTNUT Signed ‘G. Ball Hughes’ bottom left, also inscribed ‘J. Dixon of Astel/ Picture done for the Cheshire Hunt picture/ G. Ball Hughes/ 29 Montague Place/ Ru.. Square’ verso, oil on canvas 25 x 20 in. (63.5 x 50.8cm) provenance: Private Collection, Virginia. $2,500-4,000

145 142199/2 JOHN FRANCIS SARTORIOUS (british 1775-1831) JOCKEY UP Signed with initials and dated ‘1778’(?) bottom right; also inscribed on stretcher verso, oil on canvas 24 3/4 x 35 in. (62.9 x 88.9cm) provenance: Captain N. Heywood, Jones Sale, Lark Hill. (n.d.) Private Collection, New Jersey. $3,000-5,000

144 141593/5 THOMAS WEAVER (british 1774-1843) “GROUSE” Signed and dated ‘T. Weaver Pinxt 18*3’ bottom center left; also inscribed ‘GROUSE/ The Property of David Pugh, Esqr/ Won in two matches of John Beck Esqr. 1823/ 190_ Sovereigns’ bottom right, oil on canvas 27 7/16 x 36 1/8 in. (69.8 x 91.5cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

146 141613/3 JAMES BARENGER, THE YOUNGER (british 1780-1831) “LOST HIM” Signed ‘Barenger’ bottom center right, oil on canvas 20 1/8 x 27 in. (51.1 x 68.6cm) provenance: Newhouse Galleries, New York, New York. Private Collection, Virginia. $5,000-7,000

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147 141593/1 JOHN ARNOLD ALFRED WHEELER (british 1821-1903) “FULL CRY” Signed with conjoined initials bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

148 142199/4 ATTRIBUTED TO SAMUEL HENRY GORDON ALKEN (british 1810-1894) “EPSOM DERBY” Oil on canvas 15 7/8 x 20 in. (40.4 x 50.8cm) provenance: Private Collection, New Jersey. $3,000-5,000

149 141613/1 WILLIAM HENRY HAMILTON TROOD (british 1848-1899) “TALLY HO”; “OVER THE FENCE” Pair oils on canvas, one signed with initials ‘W. H. T.’ Each: 8 x 11 in. (20.3 x 27.9cm) (2) provenance: Private Collection, Virginia. $2,000-3,000

150 141613/2 ATTRIBUTED TO DAVID DALBY OF YORK (british 1780-1849) “THE FRESH TEAM” Oil on canvas 15 x 24 in. (38.1 x 61cm) provenance: Chapman Brothers, England. Private Collection, Virginia. $2,000-3,000

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151 141593/7 ATTRIBUTED TO LAMBERT MARSHALL (british 1810-1870) ON THE TRAIL Oil on canvas 12 1/2 x 14 1/2 in. (31.8 x 36.8cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

154 152 148108/3 WILLIAM H. HOPKINS (british 1853-1890) SPOILS OF THE HUNT Signed and dated ‘ W. H. Hopkins 1871’ bottom left, oil on canvas, unframed 36 x 30 in. (91.4 x 76.2cm) provenance: Private Collection, Florida. $1,000-1,500

153 141593/6 HENRY FREDERICK LUCAS LUCAS (british 1848-1943) SKETCH OF WALNUT Titled and signed with initials ‘by H.F.L.L’ bottom left, oil on panel 8 7/8 x 12 in. (22.8 x 30.5cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

154 141593/3 BRITISH SCHOOL (19th century) LORD WITH DARK BAY AND GREY; AND A COMPANION Pair oils on canvas Each 21 x 27 in. (53.3 x 68.6cm) (2) provenance: Private Collection, Pennsylvania. $3,000-5,000

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156 157 155 141593/8 BRITISH SCHOOL (19th century) “SAINT SIMON” Oil on canvas 15 x 21 in. (38.1 x 53.3cm) provenance: Private Collection, Pennsylvania. $2,500-4,000 156 142199/5 BRITISH SCHOOL (19th century) “LORD FALMOUTH’S SKYLARK”; “LORD FALMOUTH’S LADY GOLIGHTLY” Pair oils on canvas, one with partial label on stretcher bar verso Each 17 1/8 x 21 1/8 in. (43.5 x 53.7cm) (2) provenance: Private Collection, New Jersey. $3,000-5,000

157 142452/1 RICHARD ANSDELL (british 1815-1885) A CHESTNUT AND A DARK BAY Signed and dated ‘R. Ansdell 1836’ bottom right, oil on canvas 25 x 30 1/8 in. (63.5 x 76.5cm) provenance: An Estate, Delaware. $4,000-6,000 158 141808/1 ROSA BONHEUR (french 1822-1899) HORSE IN A LANDSCAPE Signed ‘Rosa Bonheur’ bottom right; also with ‘VENTE ROSA BONHEUR 1000’ red wax seal on stretcher verso, oil on canvas 19 3/8 x 24 1/4 in. (49.2 x 61.6cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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160 159 141593/9 ALFRED SHELDON WILLIAMS (british 1841-1880) “BLAZONRY”; “UNLIKELY” Pair oils on canvas, each signed with conjoined initials ‘SW’ bottom right Each: 12 x 16 in. (30.5 x 40.6cm) (2) provenance: Private Collection, Pennsylvania. $2,000-3,000

162 160 141603/1 C.T. STRODE (european 19th century) “HALLALI D’UN RENARD SUR UN TOIT” Signed and dated ‘C.T. Strode 1893’ bottom right; also titled verso, oil on canvas 16 x 24 in. (40.6 x 61cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

161 148108/2 BRITISH SCHOOL (19th century) “FROM BELVOIR HILL IN THE GRASSLANDS COUNTRY/ A VIEW ACROSS VALE TOWARDS BACHELORS HALL”; “GONE A WA-WA-WAY FROM LONGVIEW BIG BOTTOMS/ A QUICK ‘UN IN THE GRASSLANDS COUNTRY/ THE FIELD WERE SPURRING TO BE IN IT” Pair oils on canvas Each: 20 1/4 x 30 1/8 in. (51.4 x 76.5cm) (2) provenance: Private Collection, Florida. $3,000-5,000

162 148133/2 PETER SMITH (british b. 1949) “MAKE A LINE, JOCKEYS” Signed ‘ P.A. Smith’ bottom left, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Frost and Reed Gallery, London. Private Collection, Virginia. $1,500-2,000

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163 142199/3 JOHN FREDERICK HERRING, THE YOUNGER (british 1815-1907) GROOMS WITH BAYS, A GREY, AND A HUNTER IN THEIR STALLS Signed ‘J. F. Herring’ bottom right, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, New Jersey. $5,000-7,000

164 148133/1 JOHN FREDERICK HERRING, THE YOUNGER (british 1815-1907) FARMYARD FRIENDS Signed ‘J.F. Herring’ bottom right, oil on canvas 12 x 18 in. (30.5 x 45.7cm) provenance: Richard Green Fine Paintings, London. Private Collection, Virginia. $4,000-6,000

165 148108/1 JOHN FREDERICK HERRING, THE YOUNGER (british 1815-1907) HORSES WATERING Signed ‘J.F. Herring’ bottom right, oil on canvas laid to board, framed as a tondo 23 3/8 x 23 1/4 in. (59.6 x 59.1cm) provenance: Private Collection, Florida. $5,000-7,000

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166 141849/92 JULES-BERTRAND GELIBERT (french 1834-1916) WAITING FOR THEIR MASTER Signed ‘Jules-Bd Gelibert’ bottom left, oil on canvas 9 5/8 x 12 3/4 in. (24.2 x 32.4cm) provenance: From the Collection of Debra and I. Michael Coslov, Haverford, Pennsylvania. $1,200-1,800

167 141415/42 CHARLES OLIVIER DE PENNE (french 1831-1897) HOUNDS AT REST Signed ‘Ol. de Penne’ bottom left, oil on panel, unframed 16 1/8 x 11 5/16 in. (41 x 28.7cm) provenance: Private Collection, New Jersey. $2,000-3,000

168 141593/2 BRITISH SCHOOL (19th century) BEAGLE IN A LANDSCAPE Oil on canvas 27 1/4 x 38 in. (69.2 x 96.5cm) provenance: Kentshire Galleries. Private Collection, Pennsylvania. $4,000-6,000

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171 (1 of 5) 169 141287/18 R. DAVID DIGBY (british b. 1936) FIVE WATERCOLORS Each: signed ‘R. David Digby’ and dated “LESSER PRAIRIE CHICKEN” together with: “CHUKAR” together with: “GREATER PRAIRIE CHICKEN” together with: “SCALED QUAIL” together with: “CALIFORNIA QUAIL” Each: 14 3/4 x 19 5/8 in. (37.5 x 49.6cm) (5) provenance: Private Collection, Pennsylvania. $2,000-3,000

170 141287/24 R. DAVID DIGBY (british b. 1936) FIVE WATERCOLORS Each: signed ‘R. David Digby’ and dated “NORTHERN BOBWHITE” together with: “RUFFLED GROUSE (RED PHASE)” together with: “SAGE GROUSE” together with: “MOUNTAIN QUAIL” together with: “SPRUCE GROUSE” Each: 14 3/4 x 19 5/8 in. (37.5 x 49.6cm) (5) provenance: Private Collection, Pennsylvania. $2,000-3,000

171 141287/25 R. DAVID DIGBY (british b. 1936) FOUR WATERCOLORS Each: signed ‘R. David Digby’ and dated “RING NECKED PHEASANT” together with: UNTITLED together with: “WHITE PTARMIGAN” together with: “MONTEZUMA QUAIL” Each: 14 3/4 x 19 5/8 in. (37.5 x 49.6cm) together with: EDWIN PENNY (british b. 1930) RED DEER Signed ‘Edwin Penny’ bottom left, watercolor on paper 20 x 28 in. (50.8 x 71.1cm) (5) provenance: Frost and Reed Gallery, London (Penny). Private Collection, Pennsylvania. $2,000-3,000

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172 142318/10 GEORG HAUSDORF (german/american 1888-1959) TRAIN IN THE SNOW Signed 'Georg Hausdorf' bottom right, oil on canvas 27 7/8 x 34 7/8 in. (71 x 88.7cm) provenance: Private Collection, Long Island, New York. $3,000-5,000

173 142074/2 F. MAJEWSKI (polish 19th century) GOLD TRANSPORTING IN SIBERIA Signed ‘F. Majewski’ bottom left, oil on canvas 20 3/4 x 39 3/8 in. (52.7 x 100.2cm) provenance: Private Collection, California. $4,000-6,000

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174 142074/1 GEORGI ALEXANDROVICH LAPCHINE (russian 1885-1950) LILACS Signed ‘ G Lapchine’ bottom left, oil on canvas 29 1/4 x 35 1/2 in. (74.3 x 90.2cm) provenance: Private Collection, California. $6,000-10,000

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175 142450/2 BORIS IVANOVICH PASTOUKHOFF (russian 1894-1974) FLORAL BOUQUET Signed ‘Boris Pastoukhoff’ bottom left, oil on canvas 20 x 16 in. (50.8 x 40.6cm) provenance: Private Collection, Washington, DC. $1,000-1,500

176 142471/1 NINA AIZENBERG (russian 1902-1974) “PROJECT DE COSTUMES POUR UN MARIN TRANSFORMABLE EN HOOLIGAN” Pair gouaches on paper, framed together Each: 6 7/8 x 4 3/8 in. (17.5 x 11.3cm) provenance: Le Minotaure, Paris. M. Lissnevsky (The Artist’s Nephew), Jerusalem. Private Collection, Toronto, Canada. $3,000-5,000

177 141674/9 MICHAEL SIMONIDY (romlanian 1870-1933) THREE WOMEN BEFORE A FOUNTAIN Signed ‘Simonidy’ bottom right, oil on canvas 39 3/4 x 32 1/4 in. (101 x 81.9cm) provenance: Collection of Dr. Daniel Lovette. $3,000-5,000

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178 142238/1 KONSTANTIN MEFODEVICH MAKSIMOV (russian 1913-1993) “GRADUATE” Signed in Cyrillic bottom right, oil on canvas 1960 40 x 25 1/4 in. (101.6 x 64.1cm) provenance: Overland Gallery, Scottsdale, Arizona. Private Collection, Pennsylvania. exhibited: “Historic Treasures-Utopian Spirit.” Fleischer Museum, Scottsdale, Arizona, February 3-April 30, 1998. Evansville Museum of Arts and Science, Evansville, Indiana, September 5-October 31, 1999. “Russian Realism: Paintings from behind the Iron Curtain “ Tennessee State Museum, Nashville, Tennessee, March 3-May 31, 2000. The Museum of Russian Art, Bloomington, Minnesota, May 29July 27, 2003. note: Born near Moscow in 1913, Konstantin Maksimov studied under the renowned painter Geogi Ryazhski at Surikov Art institute in Moscow. There, he garnered his first public recognition in the “All Union Art Exhibition of Young Painters” in 1939. One of the most influential painters of the Soviet Union, Maksimov was awarded the Stalin prize, the most prestigious national award, two times during the 1950s. The artist enjoyed a long teaching career from 1942 to 1989, during which he was granted the rare permission to travel out of his country. From 1955-1957, he spent a sabbatical in China, assisting with the organization of the Chinese Academy of Arts in Peking. He is most famous for his portrait “Sasha, the Tractor Driver”, now in the Tretyakov Museum, which was painted in 1954. $50,000-80,000

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179 141912/2 IVAN FEDOROVICH CHOULTSÉ (russian 1877-1932) “SOIR D’AUTOMNE (BOIS DE BOULOGNE)” Signed ‘Iw F. Choultsé’ bottom right; also titled in pencil on stretcher verso, oil on canvas 25 1/2 x 25 1/2 in. (64.8 x 64.8cm) provenance: Private Collection, New Jersey.

note: Choultsé was born in St. Petersburg before establishing residency in Paris following the Russian Revolution in 1917. One of Russia’s most revered painters of the late 19th and early 20th centuries, he is best known for his ability to capture the effects of sunlight and shadow, as seen in the present work. Receiving his first formal training from the celebrated miniature

painter Konstantin Krijitski, he exhibited at the Académie des Beaux-Arts, Petrograd, while still in his twenties, going on to exhibit at the Salon des Artistes Français, Galérie Gerald Frères and the Universal Exposition in Paris. Chief amongst his many accolades was his election to serve as Czar Nicholas II’s Court Painter. $30,000-50,000

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180 141835/2 ROBERT RAFAILOVICH FALK (russian 1886-1958) STREET SCENE Signed ‘R. Falk.’ bottom left, watercolor and gouache on paper 14 7/8 x 19 9/16 in. (38 x 49.6cm) provenance: The Artist. Gifted to the present owner’s parents, ca. 1950. By descent in the family. Private collection, Pennsylvania. $10,000-15,000

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181 141835/1 ROBERT RAFAILOVICH FALK (russian 1886-1958) BOATS ON THE SHORE Signed ‘R. Falk.’ bottom right, watercolor and gouache on paper 16 x 21 3/16 in. (40.6 x 53.9cm) provenance: The Artist. Gifted to the present owner’s parents, ca. 1950. By descent in the family. Private collection, Pennsylvania. $10,000-15,000

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182 148136/1 LUDWIG HERMANN (german 1812-1881) TOWN ALONG THE RHINE Signed and dated ‘L. Hermann 78 (?)’ bottom right, oil on canvas 26 7/8 x 38 3/16 in. (68.5 x 97.1cm) provenance: Private Collection, West Virginia. $3,000-5,000

183 141761/1 FRANZ RICHARD UNTERBERGER (austrian 1838-1902) NEAPOLITAN SHORELINE WITH VIEW OF MT. VESUVIUS Signed ‘FR Unterberger’ bottom right, oil on canvas 20 1/2 x 29 3/4 in. (52.1 x 75.6cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. note: The authenticity of this work has kindly been confirmed by Dr. Karin-Sybille Moser-Ernst, who dates the painting circa 1866 when Unterberger moved from Dusseldorf to Brussels. She notes that it is one of the earliest Italian views known to her. $3,000-5,000

184 141761/2 FRANZ RICHARD UNTERBERGER (austrian 1838-1902) FIGURES REGALING AT DUSK, NAPLES Signed ‘FR Unterberger’ bottom right, oil on wood panel 19 1/8 x 29 1/4 in. (48.6 x 74.3cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. note: The authenticity of this work has kindly been confirmed by Dr. Karin-Sybille Moser-Ernst, who dates the painting circa 1866 when Unterberger moved from Dusseldorf to Brussels. $3,000-5,000

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185 141757/1 CONTINENTAL SCHOOL (19th century) LANDSCAPE WITH FIGURES ALONG A RIVERBANK Oil on canvas 27 x 38 in. (68.6 x 96.5cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

186 142122/7 THEODORE ALEXANDER WEBER (german 1838-1907) OFF THE QUAY Signed ‘Th. Weber’ bottom left, oil on canvas 21 7/8 x 33 1/2 in. (55.6 x 85.2cm) provenance: Private Collection, Indiana. $2,000-3,000

187 142243/6 J. G. BIJLERMAN (danish 19th century) SHIP OFF THE SHORE Signed ‘J. G. Bijlerman fe’ bottom left, oil on paper laid to panel 13 13/16 x 16 7/8 in. (35 x 42.9cm) provenance: Private Collection, Virginia. $1,000-1,500

188 141774/23 NORTHERN EUROPEAN SCHOOL 19th century BREEZING UP Indistinctly signed and dated ‘A.*** 1870’ bottom left, oil on canvas laid to panel 18 x 31 1/2 in. (45.7 x 80cm) provenance: Sotheby’s, lot 508 (n.d.) Private Collection, New Jersey. $1,200-1,800

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189 142040/1 BENGT NORDENBERG (swedish 1822-1902) A FESTIVE GATHERING Signed and dated â&#x20AC;&#x2DC;B. Nordenberg 1850â&#x20AC;&#x2122; bottom center left, oil on canvas 30 x 39 3/8 in. (76.2 x 100.2 cm) provenance: Private Collection, Ohio. note: Nordenburg was a Swedish painter who settled in Dusseldorf, German, in the 1850s - roughly contemporaneous with the time the present work was executed - and became of a member of the Dusseldorf School of Painting.

Combining the linearism of the Neoclassicists with the gesture of the Romantics, the Dusseldorf School of artists included Andreas and Oswald Achenbach, Karl Friedrich Lessing and Adolf Schrodter. At its height, the School was under the direction of Wilhelm von Schadow, and ultimately included many prominent American artists, including Worthington Whittredge, Albert Bierstadt, and George Caleb Bingham. Nordenburg studied under Theodor Hildebrandt and Adolph Tidemand, and briefly with Thomas Couture. $10,000-15,000

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190 148149/1 HEINRICH JOHANN VON ZÜGEL (german 1850-1941) SHEEP IN A MEADOW Signed and dated ‘H. Zügel 18**’ bottom right, oil on canvas 19 5/8 x 27 3/4 in. (49.8 x 70.5cm) provenance: Private Collection, Virginia. note: A founding member of the Munich Seccession - an association of artists who broke away from the conservative Munich Artists’ Association - von Zügel specialized in painting what he termed ‘heavy work’ themed paintings: horses and plowing oxen. Working into his eighties, his paintings first acquired

by museums while in his thirties, von Zügel’s prodigious output also features a large number of sheepthemed paintings, as typified by the present work. After study at the art school in Stuttgart and the Academy of Fine Arts, Munich, it was his fellow countryman, animal painter Anton Braith, who was von Zügel’s was his most important member. Sheep in a Meadow is highly typical of von Zügel’s best paintings: a depiction of a group of farm animals with a concentration worked in heavy impasto, the concern with the effects of light and shadow revealing the strong influence of Impressionism. $8,000-12,000

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191 142250/8 NORTHERN EUROPEAN SCHOOL (19th century) SHIPPING ON ROUGH SEAS Oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Private Collection, Maryland. $2,000-3,000

192 141537/2 * SCHWENIGR (autrian/german 19th century) MOUNTAIN LANDSCAPE WITH FIGURES Signed ‘Schwenigr’ bottom right, oil on canvas 27 x 41 3/8 in. (68.6 x 105.3cm) provenance: Private Collection, South Carolina. $1,500-2,000

193 141888/4 J. G. CLAIRMONT (continental 19th century) HARBOR SCENE Signed ‘J.G. Clairmont’ bottom right, oil on canvas 21 3/4 x 26 3/4 in. (55.2 x 67.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,500-2,000

194 141774/27 JULIUS HERMANN KUMMER (german 1817-1872) EXTENSIVE LANDSCAPE WITH BOATERS Signed ‘J. Kummer’ bottom left, oil on canvas 30 1/4 x 40 1/8 in. (76.8 x 101.9cm) provenance: Private Collection, New Jersey. $3,000-5,000

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195 141849/104 EDMOND VAN COPPENOLLE (belgian 1846-1914) MIXED FLOWERS Signed ‘Coppenolle’ bottom right, oil on canvas 36 1/4 x 28 5/8 in. (92.1 x 72.4cm) provenance: Collection of Debra and I. Michael Coslov, Haverford, Pennsylvania. $1,200-1,800

197 142243/15 MICHAEL STOHL (austrian, 1813-1881) FAMILIEN PORTRAIT Signed and dated ‘M. Stohl 1836’ bottom right, watercolor 19 1/4 x 22 1/2 in. (48.9 x 57.2cm) provenance: Neumeister Kunstauktionen, sale of July 1, 1992, lot 261. Private Collection, Virginia. $1,000-1,500

196 145500/11 PETER JOSEPH WILMS (german 1814-1892) STILL LIFE WITH CHAMPAGNE FLUTE AND MIXED FRUITS ON A MARBLE LEDGE Signed and dated ‘i WiLMS 1863’ bottom right; also inscribed on (partial) stretcher bar label verso, oil on canvas 15 7/8 x 13 3/8 in. (40.5 x 34.2cm) provenance: Private Collection, New Jersey. note: Proceeds to benefit the Vineland Historical and Antiquarian Society, Vineland, New Jersey. $1,500-2,000

198 142445/1 MAX LIEBERMANN (german 1847-1935) WOMEN ON HORSEBACK Signed ‘M Liebermann’ bottom right, pencil on paper, unframed 5 5/16 x 7 5/8 in. (13.4 x 44.6cm) provenance: Private Collection, Massachusetts $1,000-1,500

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199 142250/2 EUROPEAN SCHOOL (late 19th century) A NORTH AFRICAN MAN Oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Maryland. $1,000-1,500

200 142418/5 I.G. HELLER (continental 19th century) HORSECART DEPARTING Signed, dated and located ‘I.G. Heller/ 1875 Munchen’ bottom left, oil on panel 11 x 18 7/8 in. (27.9 x 48.1cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

201 141761/3 JOSEPH URBAN (austrian 1872-1933) THE POACHER Signed ‘J. Urban’ bottom right, oil on panel 18 1/2 x 12 1/4 in. (47 x 31.1cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

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202 142295/16 FERNAND BLONDIN (swiss 1887-1967) TEA IN THE GARDEN Signed and dated ‘F. Blondin/ 17’ top left, oil on canvas 33 x 40 in. (109 x 129.5cm) provenance: Habsburg, Geneva, sale of June 26, 1988, lot 7. Private Collection, New York, New York. $10,000-15,000

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203 142122/5 OSZKAR GLATZ (hungarian 1872-1958) GIRL AND HER DOLL Signed ‘Glatz’ bottom right, oil on canvas 20 x 16 in. (50.8 x 40.6cm) provenance: Private Collection, Indiana. $2,000-3,000

204 141987/19 LOUIS WILLEMS (belgian 1820-1889) A LOCKET FOR THE CAT Signed ‘ L. Willems’ bottom right, oil on panel 15 3/8 x 12 1/2 in. (39.3 x 31.8cm) provenance: Property of a New Jersey estate. $1,000-1,500

205 142030/3 FRANZ HECKENDORF (german 1888-1962) MIXED FLOWERS Signed and dated ‘F. Heckendorf 32’ bottom right, oil on canvas 29 1/2 x 39 1/4 in (74.9 x 99.7cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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206 142284/1 KARL VIKAS (austrian 1875-1934) MEDITERRANEAN VIEW Signed ‘K. Vikas.’ bottom right, oil on canvas 22 3/4 x 31 1/8 in. (57.8 x 79.1cm) provenance: Private Collection, Washington. $1,000-1,500

207 142030/2 FRANZ HECKENDORF (german 1888-1962) LAKE SIDE VIEW WITH FIGURES signed and dated in pencil ‘F. Heckendorf 34’ bottom right, watercolor on paper 15 9/16 x 19 in. (39.5 x 48.3cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

208 142427/1 JAKOB STEINHARDT (israeli 1887-1968) JACOB’S DREAM Signed ‘Steinhardt’ bottom left; also signed, inscribed in Hebrew, dated ‘1949’, and located ‘Jerusalem’ verso, oil on canvas 12 5/8 x 18 1/4 in. (31.9 x 46.4cm) provenance: Private Collection, Connecticut. $4,000-6,000

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209 142183/1 ISIDOR KAUFMANN (austian/hungarian 1853-1921) THE ZEALOT (YOUNG RABBI) Signed â&#x20AC;&#x2DC;Isidor Kaufmannâ&#x20AC;&#x2122; bottom right, oil on panel 16 x 11 in. (40.6 x 27.9cm) provenance: Private Collection, Vienna, Austria. By descent in the family, ca. 1920. Private Collection, East Coast. note: Isidor Kaufmann is arguably the most important painter of Rabbis and other Jewish figures - often with shtreimel, tallit, peyot, and Talmud in hand - of late 19th and early 20th century Eastern Europe. His sitters, whether from Poland, Hungary or Silesia, are rendered in a highly realistic manner, typically depicted in half-length format, and reveal the personalities of the sitters. Kaufmann began painting at age 14, studying under Joseph Matthaus Aigner and Joseph Trenkwald in Vienna, where he settled in 1876. He was awarded the Baron Konigswarter Kunstler-Preis and a gold medal at the International Exhibition, Munich amongst his other honors. $100,000-150,000

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210 142427/2 YOSL BERGNER (israeli b. 1920) KING AND THE BIRDS Signed in Hebrew bottom left, oil on canvas 31 3/4 x 45 5/8 in. (80.6 x 115.7cm) provenance: Clarkâ&#x20AC;&#x2122;s Auctioneers, Sherman Oaks, California, sale of September 15, 2012, lot 18. Private Collection, Connecticut. note: A well-traveled painter, Yosi Bergner was born in Vienna, grew up in Warsaw, emigrated to Australia in 1937 - where he studied at The National Gallery School, Melbourne - moved to Israel, and has exhibited widely in Montreal, New York, and Paris. A highly prolific artist, he has also designed costumes and scenery for Yiddish theaters and illustrated books. The present painting is related to a number of his canvases featuring figures, and sometimes birds, peering out from rectangular and arch top windows. $20,000-30,000

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211 142371/1 FRITZ WAGNER (german 1872-1939) “EIN INTERESSANTE BRIEF” Signed ‘Fritz Wagner Mch’ bottom left, oil on canvas 25 3/4 x 31 1/2 in. (65.4 x 80cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

212 142371/2 FRITZ WAGNER (german 1872-1939) READING THE DOCUMENT Signed ‘Fritz Wagner Mch’ bottom right, oil on canvas 31 1/2 x 27 5/8 in. (80 x 69.9cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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213 141076/2 JOHANNES HUIBERT (HENDRIC) PRINS (dutch 1757-1806) TOWN SCENE WITH FIGURES Oil on canvas 24 3/8 x 30 in. (61.9 x 76.2cm) provenance: The Architect, Clarence Mack, Palm Beach, Florida. Given as a gift to the present owners. Private Collection, Florida. note: We would like to thank the Rijksbureau voor Kunsthistorische Documentatie for lending their opinion to the attribution of this painting on the basis of an electronically transmitted image. $4,000-6,000

214 142418/1 ANTON MAUVE (dutch 1838-1888) WAITING Signed ‘A. Mauve’ bottom right, oil on board laid to panel 6 7/8 x 9 7/8 in. (17.5 x 25.1cm) together with: COW GRAZING Signed ‘A. Mauve’ bottom left, oil on canvas 6 x 9 3/8 in. (15.2 x 24cm) (2) provenance: Private Collection, Pennsylvania. $2,000-3,000

215 142345/1 CORNELIS WESTERBEEK, SR. (dutch 1844-1903) TENDING THE SHEEP Signed and dated ‘C. Westerbeek 99’ bottom right, oil on canvas 23 5/8 x 39 7/16 in. (59.8 x 100.2cm) provenance: “Fine Paintings and Sculpture.” Freeman’s, Philadelphia, sale of December 7, 2003, lot 15. Private Collection, Philadelphia, Pennsylvania. $2,500-4,000

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216 142249/1 HERMAN JOHANNES VAN DER WEELE (dutch 1852-1930) SHEEP WATERING Signed ‘H. J. v.d. Weele’ bottom left, oil on canvas, unframed 26 7/8 x 35 1/16 in. (68.1 x 89cm) provenance: Private Collection, Maryland. $1,500-2,000

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217 142393/2 GERARDUS HENDRICKS (dutch 1804-1859) COWS IN LANDSCAPE Signed ‘G. Hendricks fe’ bottom center, oil on canvas 27 1/4 x 35 1/2 in. (69.2 x 90.2cm) provenance: Private Collection, Pennsylvania. $2,000-3,000 218

218 141694/1 ANTHONIE JACOBUS VAN WIJNGAERDT (dutch 1808-1887) LANDSCAPE WITH COWS Signed ‘A. J. V(?). Wijngaerdt fe’ bottom right, oil on panel 10 5/8 x 17 in. (26.8 x 43.2cm) provenance: Kunstveilinger, Amsterdam, June 1970. Acquired from the above. Private Collection, Pennsylvania. $1,000-1,500

219 142198/1 JAN JACQUES MATTHYS DAMSCHROEDER (dutch 1825-1905) WOMAN IN INTERIOR Signed ‘J. Damschroeder’ bottom right, oil on canvas laid to panel 19 x 15 7/8 in. (48.3 x 40.4cm) provenance: Private Collection, Pennsylvania. $1,500-2,000

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222 220 142250/1 BERNARDUS JOHANNES BLOMMERS (dutch 1845-1914) A PAUSE IN THE DAY Signed ‘Blommers’ bottom right, watercolor on paper laid to card 14 3/4 x 14 3/4 in. (37.5 x 37.5cm) provenance: Private Collection, Maryland. $2,000-3,000

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221 142418/9 WILLEM JACOBUS BOOGAARD (dutch 1842-1887) STABLE SCENE Signed and dated ‘W. J. Boogaard’ bottom left; also inscribed ‘The undersigned declared that this picture has been painted by himself to the order of A. d’Huyoeffer (?) Jr. of Antwerp/ WJ Boogaard’ verso, oil on canvas 27 3/8 x 23 3/8 in. (69.8 x 59.6cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

222 142418/2 EUGENE REMY MAES AND JAN DAVID COL (belgian 1849-1931) and (belgian 1822-1900) OFFICER AND MAIDEN Signed ‘E. R. Maes/ D. Col’ center right; also inscribed ‘Je soussigné declare que le tableau ei contre cot original et peint par mei, E. R. Maes/ Je déclare avoir peint les figures eicontre, David Col. Antwerp.’ verso, oil on canvas 31 1/2 x 25 5/8 x 80 x 64.9cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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223 142466/1 FRANS VAN LEEMPUTTEN (belgian 1850-1914) THE RETURN HOME Signed ‘Frans van Leemputten’ bottom left, oil on canvas 31 5/8 x 25 3/4 in. (80.3 x 65.4cm) provenance: Private Collection, New Jersey. $3,000-5,000

224 142418/3 JOHANN GEORG MEYER VON BREMEN (german 1813-1886) THE SEWING LESSON Signed and dated ‘Meyer von Bremen 186*’ bottom right, oil on canvas 18 3/4 x 14 15/16 in. (47.6 x 38cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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225 142418/8 HERMANN BETHKE (german 1825-1895) WOMAN SEWING Signed ‘H. Bethke pt’ bottom right, oil on canvas 28 1/2 x 23 in. (72.4 x 58.4cm) provenance: Sotheby’s, New York, sale of January 31, 2009, lot 216. Private Collection, Pennsylvania. $4,000-6,000

226 142243/4 REINIER CRAEYVANGER (dutch, 1812-1880) CONTEMPLATIVE MOMENT Signed ‘R. Craeyvanger’ bottom right, oil on canvas 21 3/8 x 17 in. (54.4 x 43.2cm) provenance: Weschler’s, Washington, DC, sale of May 22, 1993, lot 10. Private Collection, Virginia. $2,000-3,000

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227 142393/1 DUTCH SCHOOL (19th century) EXTENSIVE LANDSCAPE WITH HORSEMAN AND MAIDEN ON A TRACK Bears signature and date ‘BC Koekkoek 1833’ bottom center right, oil on cradled panel 14 x 17 1/8 in. (35.6 x 43.4cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

228 141980/1 ATTRIBUTED TO VALENTIN DE ZUBIAURRE (spanish 1879-1963) LANDSCAPE WITH FIGURES Bears signature 'Zubiaurre' bottom right, oil on canvas, unframed 31 3/4 x 45 1/2 in. (80.6 x 115.6cm) provenance: Private Collection, Pennsylvania. note: For a related composition by Valentin de Zubiarre, please see Fernando Durán Subastas de Arte, Madrid, sale of March 21, 1995, lot 314 $3,000-5,000

229 142393/4 UMBERTO CACCIARELLI (italian 1880-1910) HAREM Signed and located ‘U. Cacciarelli Roma’ bottom left, watercolor on paper laid to heavy card 21 1/2 x 29 13/16 in. (54.6 x 75.7cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

230 142451/2 BELISSARIO GIOJA (italian 1829-1906) THE SUITOR'S PROPOSAL Signed and located 'B. Gioja Roma' bottom right, watercolor on paper 21 13/16 x 14 3/4 in. (55.3 x 37.4cm) together with: GUERRINO GUARDABASSI (italian 1841-1893) THE RETURN HOME Signed 'G. Guardabassi' bottom right, watercolor on paper 19 x 14 7/8 in. (48.3 x 37.9cm) (2) provenance: Private Collection, Pennsylvania. $1,200-1,800

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231 142250/19 ARTURO RICCI (italian 1854-1919) THE DRAWING ROOM Signed ‘A. Ricci’ bottom left, oil on panel 7 1/16 x 9 7/8 in. (18.3 x 25cm) provenance: Private Collection, Maryland. $2,000-3,000

232 142254/2 FEDERICO ANDREOTTI (italian 1847-1930) THE SUITOR Signed and located ‘F. Andreotti/ Firenze’ bottom right, oil on canvas 16 1/2 x 23 in. (41.9 x 58.4cm) provenance: Christie’s East, sale of May 20, 1986, lot 41. Private Collection, Virginia. $3,000-5,000

233 142295/15 LIONELLO BALESTRIERI (italian 1872-1958) DEVANT L’OPERA, PARIS Signed ‘L. Balestrieri’ bottom left; also with partial unidentified label on stretcher verso, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Shannon’s Auction, Milford, Connecticut, sale of October 27, 2011, lot 99. Private Collection, New York. $3,000-5,000

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234 148053/1 EUGENIO ZAMPIGHI (italian 1859-1944) THE HAPPY FAMILY Signed â&#x20AC;&#x2DC;E. Zampighiâ&#x20AC;&#x2122; bottom left, oil on canvas 22 x 30 in. (55.9 x 76.2cm) provenance: Private Collection, Virginia. note: A prodigy who entered The Modena Academy at 13, Eugenio Zampighi delighted in the portrayal of everyday domestic interior scenes of common Italian families. His 'slice of life' paintings typically feature numerous family members spanning generations - from infants to grandparents, engaged in play, courtship, mealtime or storytelling, delighting the viewer with their ebullient expressions and animated gestures. He typically worked on a commission basis, appealing to the Italian middle class as well as collectors abroad. $10,000-15,000

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235 142250/6 CAMILLO INNOCENTI (italian 19th century) LADY AT HER DRESSING TABLE Signed ‘Innocenti’ upper left, oil on panel 9 5/8 x 4 1/2 in. (24.3 x 11.4cm) provenance: Private Collection, Maryland. $1,000-1,500

236 121077/2 GIOVANNI COSTA (italian 1833-1893) REVERIE Signed ‘G. Costa’ bottom right, oil on canvas 44 1/2 x 27 in. (112.4 x 70.5cm) provenance: Private Collection, Newport, Rhode Island. $3,000-5,000

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237 141987/30 ITALIAN SCHOOL (19th century) “TEMPI DI PESTO;” AND TWO COMPANIONS Three gouaches on paper Largest image size: 10 3/4 x 16 3/16 in. (27.3 x 41.2cm) (3) provenance: Property of a New Jersey estate. $1,500-2,000

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238 142250/22 ITALIAN SCHOOL (19th century) THE FLOODING OF AN ITALIAN TOWN Signed with indecipherable conjoined initials and dated ‘18**’ bottom left; also inscribed extensively in Italian verso, oil on canvas, unframed 34 5/16 x 57 in. (87 x 144.8cm) provenance: Private Collection, Maryland. $3,000-5,000

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239 142436/2 EUGENIO CECCHINI PRICHARD (italian 1831-1896) SEA COAST IN BRITTANY Signed ‘Eugenio P. Cecchini’ bottom right, oil on canvas 31 1/2 x 51 1/2 in. (80 x 130.8cm) provenance: Doll & Richards, Boston. Private Collection, Massachusetts. exhibited: Royal Academy, Venice, (n.d.) $2,000-3,000

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240 141771/11 TOMMASO DE SIMONE (italian 1805-1888) SHIPPING IN THE BAY OF NAPLES Signed and dated ‘De Simone 1863’ bottom right, oil on canvas 12 1/2 x 18 1/2 in. (31.8 x 47cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

241 141634/10 ATTILIO PRATELLA (italian 1856-1949) NEAPOLITAN SCENE Signed ‘A. Pratella’ bottom right, oil on canvas 17 x 21 in. (43.2 x 53.3cm) provenance: Private Collection, New Jersey. $2,500-4,000

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242 142295/17 FELICE CASTEGNARO (italian 1873-1935) A VENETIAN CANAL Signed ‘F. Castegnaro’ bottom right; also signed and located ‘F Castegnaro Venezia’ verso, oil on panel 12 1/8 x 10 in. (30.8 x 25.4cm) provenance: Bonham's, New York, sale of June 28, 2007, lot 125. Private Collection, New York, New York. $2,000-3,000

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243 131619/1 ANTONIO MARÍA DE REYNA MANESCAU (spanish 1859-1937) VENICE Signed and located ‘A. Reyna Venezia’ bottom right, oil on canvas 13 1/2 x 29 1/2 in. (34.3 x 74.9cm) provenance: Private Collection, New York. $4,000-6,000

244 142458/1 ZOE (SUZI) ACTYPI (greek 1927-1996) LANDSCAPE WITH ROW OF TREES Signed and dated ‘S. Actypi 63’ bottom right, oil on canvas, unframed 18 1/8 x 24 in. (46.1 x 61cm) provenance: Private Collection, New Jersey. $3,000-5,000

245 141875/1 ROBERT WAKEHAM PILOT (canadian 1898-1968) DRYING SAILS Signed and dated ‘R. Pilot 22’ bottom right, oil on panel 12 3/8 x 17 1/4 in. (31.7 x 43.8cm) provenance: Private Collection, North Carolina. exhibited: Watson Art Galleries, Montreal, Canada, 1928, no. 40. $4,000-6,000

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246 142318/4 BRUNO COTE (canadian 1940-2010) “FIN DE JOURNÉE” Signed ‘bruno cote’ bottom right; also signed and titled verso, oil on board 19 7/8 x 24 in. (50.5 x 61cm) provenance: Kastel Gallery, Quebec, Canada. Private Collection, New York. $2,000-3,000

247 142318/5 BRUNO COTE (canadian 1940-2010) “PRINTEMPS AGUANISH” Signed ‘bruno cote’ bottom right; also signed and titled verso, oil on board 19 7/8 x 24 in. (50.5 x 61cm) provenance: Kastel Gallery, Quebec, Canada. Private Collection, New York. $2,000-3,000

248 142318/6 BRUNO COTE (canadian 1940-2010) “BIENTÔT L’HIVER” Signed ‘bruno cote’ bottom right; also signed and titled verso, oil on board 35 7/16 x 39 11/16 in. (90.1 x 100.9cm) provenance: Kastel Gallery, Quebec, Canada. Private Collection, New York. $3,000-5,000

249 142318/7 BRUNO COTE (canadian 1940-2010) “RIVIÈRE MANICOUAGAN” Signed ‘bruno cote’ bottom center right; also signed and titled verso, oil on board 25 1/2 x 39 1/2 in. (90.2 x 100.3cm) provenance: Kastel Gallery, Quebec, Canada. Private Collection, New York. $3,000-5,000

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250 142239/1 GERARD SEKOTO (south african 1913-1993) TWO BOYS IN CHECKERED SHIRTS WITH A BLACK CAT Signed ‘G. Sekoto’ bottom left, oil on canvas 13 x 16 1/4 in. (33 x 41.3cm) provenance: Private Collection, Pennsylvania. $30,000-50,000 251 142239/2 GERARD SEKOTO (south african 1913-1993) TWO CHILDREN FACING THE SUN Signed with initials ‘G.S.’ bottom right; also inscribed ‘Best wishes for 1951/ to Mr. and Mrs. M.H. Purcell/ Sincerely Gerard Sekoto’ bottom center, ink and watercolor with traces of pencil on wove paper 6 x 4 5/8 in. (15.2 x 11.5cm) provenance: Private Collection, Pennsylvania $1,000-1,500

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252 148031/4 MAURICE DENIS (french 1870-1943) PROFIL DE JEUNE FILLE Signed ‘MAUD’ bottom left, watercolor over pencil on paper 4 1/2 x 2 7/16 in. (11.4 x 6.3cm) provenance: Private Collection, Norfolk, Virginia. $3,000-5,000

253 141808/4 JEAN FRANCOIS RAFFAELLI (french 1850-1924) “LE PETIT CHIFFONIER” Signed ‘J F Raffaelli’ bottom right; also with Durand-Ruel label verso, oil on panel 9 x 4 1/16 in. (22.9 x 10.3cm) provenance: Durand-Ruel, Paris, no. 2289. Private Collection, Pennsylvania. $5,000-7,000

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254 142318/9 VICTOR GILBERT (french 1847-1933) HAVING A DRINK Signed ‘V. Gilbert’ bottom right, oil on panel 18 x 14 7/16 in. (45.7 x 36.7cm) provenance: Private Collection, New York. $3,000-5,000

255 141601/2 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) IN WAIT Signed and dated ‘Berne-Bellecour 1908’ bottom right, oil on cradled panel 13 3/4 x 10 1/4 in. (34.9 x 26cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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256 142198/3 E. HÜNTER (continental school 19th century) CAVALRYMAN Signed ‘E. Hünter’ bottom left, oil on canvas 16 5/8 x 13 5/8 in. (42 x 34.4cm) provenance: Private Collection, Pennsylvania. $1,500-2,000

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257 142342/10 HENRI PIERRE PICOU (french, 1824-1895) “MOLIÈRE À VERSAILLES” Signed and dated ‘Henry Picou 1868’ bottom right, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Sotheby’s, New York, sale of October 27, 1988, lot 214. Private Collection, New Jersey. $4,000-6,000

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258 142295/18 HIPPOLYTE CAMILLE DELPY (french 1842-1910) COIN DE VILLERVILLE Signed and dated ‘H.C. Delpy *7’ bottom right, oil on panel 10 3/8 x 15 3/4 in. (26.6 x 40cm) provenance: Goupil Gallery, New York, New York. Private Collection, Pennsylvania. $3,000-5,000

259 142198/2 VICTOR PIERRE HUGUET (french 1835-1902) CARAVAN AT REST Signed ‘V. Huguet’ bottom left, oil on panel 18 1/16 x 14 7/8 in. (45.8 x 37.8cm) provenance: Private Collection, Pennsylvania. $7,000-10,000

260 141192/71 CIRCLE OF GUSTAVE COURBET (french 1819-1877) MONKS AND A TRAVELER ON A TRACK IN A LANDSCAPE Bears signature and date ‘G. Courbet 6*’ bottom center; also with Parisian preparer’s stencil verso, oil on canvas 16 1/8 x 26 in. (41 x 66cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $2,000-3,000

261 141192/43 ATTRIBUTED TO LOUIS GABRIEL EUGÈNE ISABEY (french 1803-1886) SHIPWRECK Oil on canvas 56 x 78 1/4 in. (142 x 198.8cm) provenance: Property of a Delancey Place, Philadelphia, Pennsylvania Estate. $4,000-6,000

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262 142450/1 A. FOURNIER (french 19th century) FISHING ALONG A STREAM Signed ‘A. Fournier’ bottom right, oil on panel 10 5/8 x 14 9/16 in. (26.8 x 36.9cm) provenance: Private Collection, Washington, DC. $1,000-1,500

263 141894/1 CHARLES EDOUARD FRÈRE (french 1837-1894) GENTLEMAN IN AN INTERIOR Signed and dated ‘Ed Frere 64’ bottom left; also with Parisian stencil verso, oil on canvas 9 3/4 x 13 1/4 in. (24.8 x 33.7cm) provenance: Private Collection, Maryland. $1,200-1,800

264 141849/100 EMILE GEORGES (GÉO) WEISS (french 1861-1929) FISHING Signed ‘Geo Weiss’ bottom left; also with Parisian preparer’s stencil verso, oil on canvas 19 3/4 x 25 9/16 in. (50.2 x 64.8cm) provenance: From the Collection of Debra and I. Michael Coslov, Haverford, Pennsylvania. $1,000-1,500

265 142418/4 CHARLES ÉMILE JACQUE (french 1813-1894) SHEEP AND ROOSTER IN A BARN Signed ‘Ch. Jacque’ bottom left, oil on panel 4 1/16 x 5 3/8 in. (10.3 x 13.9cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

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266 141650/3 CHARLES ÉMILE JACQUE (french 1813-1894) SHEEP IN A STABLE Signed ‘Ch. Jacque’ bottom right, oil on canvas 18 5/8 x 15 1/2 in. (47 x 39.4cm) provenance: Private Collection, Massachusetts. $3,000-5,000

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267 142418/7 CHARLES ÉMILE JACQUE (french 1813-1894) SHEEPFOLD WITH SHEPHERDESS Signed ‘Ch. Jacque’ bottom left, oil on canvas 12 1/2 x 18 1/4 in. (31.8 x 46.4cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

267 142418/6 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) WASHERWOMAN Signed ‘Daubigny’ bottom left; also with ‘Vente Daubigny’ stamp verso and inscribed ‘Je garantes cette comme étant (?) un original de mon père/ Karl Daubigny’, oil on panel 8 9/16 x 15 in. (21.7 x 38.1cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

269 142393/3 CHARLES EUPHRASIE KUWASSEG (french 1838-1904) VIEW ACROSS THE VALLEY Signed and dated ‘C. Kuwasseg (Pere) 1875’ bottom right, oil on canvas 12 3/4 x 23 5/8 in. (32.4 x 59.7cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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270 148110/4 CHARLES CLEMENT CALDERON (french 1870-1906) VENICE Signed ‘C. Calderon’ bottom right, oil on canvas 25 5/8 x 31 7/8 in. (64.9 x 81.1cm) provenance: Private Collection, Georgia. $4,000-6,000

271 142444/1 HENRI ALPHONSE BARNOIN (french 1882-1940) FRENCH CANAL Signed ‘H. Barnoin’ bottom left, pastel on paper Sight size: 25 x 20 1/2 provenance: Mrs. Arthur Hagen, New York, New York. Private Collection, New York, New York. exhibited: Galerie Georges Petit, Paris, France, February 2-15, 1928. $3,000-5,000

272 148110/3 CHARLES MALFROY (french 1862-1918) BOATS ON THE SHORE Signed ‘Malfroy’ bottom left, oil on canvas 18 1/8 x 25 3/4 in. (45.8 x 65.4cm) provenance: Private Collection, Georgia. $1,500-2,000

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273 273 142295/20 EDOUARD JEAN DAMBOURGEZ (french 1844-1931) CHEZ UN AMI Signed and dated ‘E. Dambourgez 1882’ bottom right, oil on canvas 31 3/4 x 46 in. (81 x 116.8cm) provenance: Private Collection, New York. Christie’s East, sale of May 23, 1995, lot 296. Private Collection, New York. $7,000-10,000

274 142342/16 FRANCOIS MARTIN-KAVEL (french 1861-1931) RECUMBANT NUDE ON TIGER SKIN RUG Signed ‘Martin-Kavel’ bottom right, oil on canvas 18 3/8 x 36 3/8 in. (46.8 x 92.5cm) provenance: Private Collection, New Jersey. $3,000-5,000

275 142122/8 JULES TAVERNIER (french b. 1879) RECLINING NUDE Signed and dated ‘Jules Tavernier 1925’ bottom left, also inscribed in pencil on stretcher verso, oil on canvas 21 1/4 x 25 1/2 in. (54 x 64.8cm) provenance: Private Collection, Indiana. $1,000-1,500

276 142342/14 JEAN-BAPTISTE (JAMES) BERTRAND (french 1823-1887) CHRÉTIENS RETIRANT DU TIBRE LES CORPS DES MARTYRS Signed ‘James Bertrand’ bottom right, oil on canvas 38 1/4 x 58 in. (97.2 x 147.3cm) provenance: Private Collection, New Jersey. note: A painting of the same subject by Bertrand is in the Musée des BeauxArts, Lyon, France. $3,000-5,000 275

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277 142237/2 JULES WORMS (french 1832-1914) “THE PROPOSAL” Signed ‘J. Worms’ bottom left, oil on panel 14 3/8 x 10 1/8 in. (36.6 x 25.7cm) provenance: Christie’s, South Kensington, sale of October 14, 1999, lot 242. Private Collection, Maryland. note: Best known for his often light-hearted, sometimes comedic depictions of courtship in 19th century Spain following his visit there in 1861, Jules Worms’s highly detailed paintings earned him numerous accolades as one of the leading realists of his generation. Following study at the École des Beaux-Arts in 1849, he debuted at The Paris Salon in 1859, going on the become a member of the Society of French Artists in 1883. $3,000-5,000

278 142237/3 JULES WORMS (french 1832-1914) “THE MORNING OUTING” Signed ‘J. Worms’ bottom left, oil on canvas 19 3/4 x 23 5/8 in. (50.2 x 59.8cm) provenance: D.G. Dery, American Art Association, New York 1923 (as “Spanish Street Scene, Valencia"). Eli B. Springs, American Art Association, New York, sale of November 23, 1934, lot 16. Schweizer Gallery, New York, New York. Sotheby Parke Bernet, sale of June 8, 1982, lot 91. Phillip's, London, sale of June 14, 2000, lot 18. Private Collection, Maryland $6,000-10,000

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279 142342/17 EUROPEAN SCHOOL (19th century) LEAVING FOR HOLIDAY Signed with initials ‘E.B.’ (?) bottom right, oil on canvas laid on panel 24 1/4 x 16 3/4 in. (61.6 x 42.5cm) provenance: Private Collection, New Jersey. $3,000-5,000

280 141774/25 HENRI RIVIÈRE (french 1864-1951) A COMPENDIUM OF ANCIENT MYTHS AND LEGENDS Signed and dated ‘H Rivière 1923’ bottom right, oil on canvas 55 1/2 x 42 in. (141 x 106.7cm) provenance: Sotheby’s, New York, sale of October 12, 1994, lot 283. Private Collection, New Jersey. $5,000-7,000

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281 141781/2 ARMAND GUILLAUMIN (french 1841-1927) “PAYSAGE” Signed ‘Guillaumin’ bottom right; also inscribed ‘“Paysage” /Guillaumin Armand (1841...)’, with Durand-Ruel label verso, oil on board 21 5/8 x 25 7/8 in. (54.8 x 65.7cm) provenance: Durand-Ruel, Paris. Simpson Galleries, Houston, Texas. A Kentucky Estate. Private Collection, Alabama. $15,000-25,000

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282 148110/7 JEAN JACQUES ROUSSEAU (french 1861-1911) BASTILLE DAY Inscribed, signed and dated ‘a.m...le Docture le.../J.J. Rousseau 1887’ bottom right, oil on canvas 18 1/8 x 24 1/4 in. (45.8 x 61.6cm) provenance: Private Collection, Georgia. $3,000-5,000

283 148110/5 JOSEPH VICTOR COMMUNAL (french 1876-1962) CHAMBRAY Signed ‘J Communal’ bottom left; also inscribed in pencil verso, oil on cradled panel 24 x 19 9/16 in. (61 x 49.6cm) provenance: Frances Aronson Gallery, Atlanta, Georgia. Acquired from the above. Private Collection, Georgia. $1,000-1,500

284 142322/1 CHARLES HENRY CONTENCIN (french 1898-1955) LAC LERIE ET LA MEIJE Signed ‘C.H. Contencin’ bottom right, oil on canvas 21 3/8 x 28 3/4 in. (54.4 x 73cm) provenance: Private Collection, Illinois. $5,000-7,000

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285 142295/21 A. DUBOIS (french 19th century) STILL LIFE OF FLOWERS ON A LEDGE Signed and dated ‘A. Dubois 1860’ bottom right, oil on canvas 18 1/8 x 15 in. (46.1 x 38.1cm) provenance: Sotheby’s, New York, sale of July 20, 1994, lot 344. Private Collection, New York, New York. $3,000-5,000

286 142237/4 ANGE LOUIS GUILLAUME LESOURD-BEAUREGARD (french 1800-1873) GRAPES, PEACHES, AND PLUMS ON A STONE LEDGE Signed ‘Lesourd Beauregard’ bottom left, oil on canvas 15 x 18 1/16 in. (38.1 x 45.8cm) provenance: Christie’s East, sale of November 2, 1999, lot 88. Private Collection, Maryland. note: A pupil of Gerard van Spaendonck and a successor to the famed flower watercolorist Pierre Joseph Redoute, Lesourd-Beauregard regularly exhibited at the Paris Salons.. $6,000-10,000

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287 142266/1 SUZANNE EISENDIECK (french 1908-1998) “FÊTE À SAINT JEAN” Signed ‘Suzanne Eisendieck’ bottom right; also titled verso, oil on canvas 21 1/4 x 25 5/8 in. (54 x 64.9cm) provenance: Private Collection, Sarasota, Florida. Private Collection, Maryland. $3,000-5,000

288 141754/18 JOSEPH B. B. FAVEROT (french 1862-1946) LES SALTIMBANQUES Signed ‘J. Faverot’ bottom right, oil on canvas 27 7/8 x 43 7/8 in. (71 x 111.6cm) provenance: Private Collection, New York. $1,000-1,500

289 142030/1 LUCIEN ADRION (french 1889-1953) ALONG THE PROMENADE Signed ‘Adrion’ bottom right, oil on canvas 25 x 29 3/8 in. (63.5 x 74.8cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

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290 142471/2 GEORGES D’ESPAGNAT (french 1870-1950) “FEMME ET ENFANT DANS UN HAMAC” Signed with initials ‘G d E’ bottom left, oil on canvas 18 1/4 x 21 3/4 in. (46.4 x 55.2cm) provenance: Estimations & Ventes aux Enchères, EVE, Paris, sale of June 20, 2007, lot 74. Private Collection, Toronto, Canada. $10,000-15,000

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291 142168/8 HUGHES CLAUDE PISSARRO (french b. 1935) “LE CHEMIN FLEURI DE LA FERME DE PLACY” Signed ‘Claude Pissarro’ bottom center left; also titled and inscribed verso, oil on canvas 18 1/8 x 21 5/8 in. (45.9 x 54.8cm) provenance: The Masters Gallery of Scottsdale, Ltd., Scottsdale, Arizona. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. $5,000-7,000

292 142471/4 CAMILLE BOMBOIS (french 1883-1970) DEUX PECHEURS SUR UNE BARQUE Signed ‘Bombois C.lle’ bottom left, oil on panel 7 x 10 in. (17.8 x 25.4cm) provenance: Christie’s, Paris, sale of December 1, 2006, lot 237. Galerie Dina Vierny, Paris. Acquired from the above. Private collection, Paris. Christie’s, New York, sale of September 20, 2011, lot 140. Private Collection, Toronto, Canada. $3,000-5,000

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293 142471/5 CAMILLE BOMBOIS (french 1883-1970) “PAYSAGE PRÈS DE NANTES” Signed ‘Bombois C.lle’ bottom left, oil on canvas 7 1/2 x 10 3/4 in. (19.1 x 27.3cm) provenance: Soufer Gallery, New York, New York. Millon & Associés, Paris, sale of November 27, 2013, lot 357. Private Collection, Toronto, Canada. $3,000-5,000

294 142448/1 ANTOINE BLANCHARD (french 1910-1988) “RUE ROYALE, MADELEINE” Signed ‘Antoine Blanchard’ bottom right, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Leopold Landsberger, New York, New York. O’Shea Gallery, Tulsa, Oklahoma. Private Collection, Oklahoma. note: The present painting is #MDRR1318.0009 in the Antoine Blanchard Catalogue Raisonné prepared by Rehs Gallery, New York, New York. $3,000-5,000

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295 142505/2 LUDOLF LIBERTS (latvian/american 1895-1959) THE TOWER BRIDGE, LONDON Signed ‘L. Liberts’ bottom right, oil on canvasboard 22 1/2 x 17 1/4 in. (57.2 x 43.8cm) provenance: Marquand Gallery, New York & Paris. Presumably acquired from the above. Private Collection, New York, New York. By descent in the family. Private Collection, New York, New York. $5,000-7,000

296 142505/1 LUDOLF LIBERTS (latvian/american 1895-1959) “PARIS MADELEINE” Signed ‘L. Liberts’ bottom right, oil on canvasboard 16 x 20 in. (40.6 x 50.8cm) provenance: Marquand Gallery, New York & Paris. Acquired from the above. Private Collection, New York, New York. By descent in the family. Private Collection, New York, New York. $5,000-7,000

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297 142238/2 EDOUARD LÉON CORTÈS (french 1882-1969) PLACE DE LA RÉPUBLIQUE Signed ‘Edouard Cortes’ bottom left, oil on canvas 10 3/4 x 14 in. (27.3 x 35.6cm) provenance: Private Collection, Pennsylvania. $12,000-18,000

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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Index Actypi, Z., 244 Adrion, L., 289 Aizenberg, N., 176 Alken, S.H.G., 148 Andreotti, F., 232 Angelico, F., 48, 49 Angus, M.L., 135 Ansdell, R., 157 Antwerp School, 39, 71 Balestrieri, L., 233 Barenger, The Younger, J., 146 Barnoin, H.A., 271 Beckmann, M., 35 Beneficial, M., 16 Berchem, N., 83 Bergner, Y., 210 Berne-Bellecour, E.P., 255 Bertrand, J.B., 276 Bethke, H., 225 Bijlerman, J. G. , 187 Bilivert, G., 68 Blanchard, A., 294 Blommers, B.J., 220 Blondin, F., 202 Bombois, C., 292, 293 Bonheur, R., 158 Boogaard, W.J., 221 Boucher, F., 25, 27 Bramley, F., 104 Brandi, D., 86 British School, 116, 154, 155, 156, 161, 168 Brown, J.A.A., 134 Brun, L.A., 23 Cacciarelli, U., 229 Calderon, C.C., 270 Calthrop, C.A., 122 Calza, A., 75 Campendonk, H., 33 Caron, A., 98 Casteels Iii, P., 85 Castegnaro, F., 242 Châtelet, C.L., 87 Choultsé, I.F., 179 Christie, J., 115 Cignani, C., 36 Clairmont, J. G., 193 Col, J.D., 222 Communal, J.V., 283

Conca, S., 93 Contencin, C.H., 284 Continental School, 19, 59, 79, 119, 185 Cool, J.D., 90 Cortès, E.L., 297 Costa, G., 236 Cote, B., 246, 247, 248, 249 Courbet, G., 260 Courtois, Il Borgognone, J., 76 Coypel, N.N., 24 Craeyvanger, R., 226 Crivelli, F., 19 Dalby Of York, D., 150 Dambourgez, E.J., 273 Damschroeder, J.J.M., 219 Dandini, P., 19 Daubigny, C.F., 268 David, J.L., 42 de Breanski, Sr., A., 131 de Goya, F., 7 de Hondecoeter, M., 84 de Moucheron, F., 77 de Penne, C.O., 167 de Reyna Manescau, A.M., 243 de Saint Aubin, G.J., 26 de Simone, T., 240 de Zubiaurre, V., 228 Delacroix, E., 29 Della Bella, S., 15 Delpy, H.C., 258 Denis, M., 252 D'espagnat, G., 290 Digby, R.D., 169, 170, 171 Dix, O., 34 Doré, G., 30 Dou, G., 96, 97 Dubois, A., 285 Duchesne, J.B.J., 69 Dutch School, 12, 227 Eastern European School, 172 Eisendieck, S., 287 Eliaerts, J., 58 Emilian School, 56 European School, 28, 199, 279 Faed, T., 113 Falk, R.R., 180, 181 Faverot, J.B.B., 288

Flemish School, 81, 95 Flint, W.R., 105 Florentine School, 18, 47 Fournier, A., 262 French School, 22, 41, 65, 66 Frère, C.E., 263 Frith, W.P., 121 Fulton, D., 126 Garemyn, J.A., 70 Gelibert, J.B., 166 Genoese School, 11 Giani, F., 17 Gilbert, V., 254 Gioja, B., 230 Glatz, O., 203 Glendening, Sr., A.A., 120 Gonzalez Y Serano, B., 74 Grammatica, A., 99 Grimou, A., 43 Guardabassi, G., 230 Guardi, F., 9 Guillaumin, A., 281 Heckendorf, F., 205, 207 Heller, I.G., 200 Henderson, J., 141 Hendricks, G., 217 Hermann, L., 182 Herring, The Younger, J.F., 163, 164, 165 Hopkins, W.H., 152 Hoppner, J., 110 Hudson, T., 102 Hughes, G.B., 143 Huguet, V.P., 259 Hünter, E., 256 Il Giovane, J.P., 46 Innocenti, 235 Isabey, L.G.E., 261 Italian School, 15, 44, 62, 237, 238 Jacque, C.E., 265, 266, 267 Kaercher, A., 51 Kaufmann, I., 209 Kilburne, G.G., 124 Kleinschmidt, P., 32 Kneller, G., 100 Kummer, J.H., 194

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Kuwasseg, C.E., 269 Langley, W., 137 Lapchine, G.A., 174 Lawson, C., 125 Le Jeune, H., 138 Lecomte, H., 15 Lesourd-Beauregard, A.L.G., 286 Liberts, L., 295, 296 Lidderdale, C.S., 107 Liebermann, M., 198 Linton, J.D., 123 Lloyd, S., 132 Lombard School, 19 Lucas, H.F.L., 153 Macdougall, N.M., 117 Maes, E.R., 222 Magnasco, A., 8 Majewski, F., 173 Maksimov, K.M., 178 Malfroy, C., 272 Marshall, L., 151 Martin-Kavel, F., 274 Mauve, A., 214 Mercier, P., 136 Millais, J.E., 139 Molenaer, J.M., 50 Monfort, O., 54 Mostaert, The Elder, G., 52 Müller, W.J., 118 Neapolitan School, 37 Netherlandish School, 92 Nordenburg, B., 189 Northern European School, 188, 191 Northern Italian School, 45, 61, 64, 94 Osorio,F.M., 73 Parrocel, C., 26 Pastoukhoff, B.I., 175 Penny, E., 171 Peruzzini, A.F., 78 Petrin, G.A., 57 Pickenoy, N.E., 88 Picou, H.P., 257 Pillement, J.B., 55 Pilot, R.W., 245 Piranesi, G.B., 1

Pissarro, H.C., 291 Pocock, I., 109 Pollentine, A., 127, 128 Pratella, A., 241 Prichard, E.C., 239 Prins, J.H., 213 Pyne, J.B., 129 Rackham, A., 104 Raffaelli, J.F., 253 Raggi, G., 13 Raphael, 40 Remps, D., 63 Renoir, P.A., 31 Ricci, A., 231 Richmond, G., 111 Rivière, H., 280 Romney, G., 101 Rongier, J., 15 Rousseau, J.J., 282 Rubens, P.P., 10 Sartorious, J.F., 145 Schwenigr, 192 Sekoto, G., 250, 251 Shayer, The Elder, W., 130 Shipley, G., 112 Siennese School, 47 Simonidy, M., 177 Smith, P., 162 Spanish School, 72 Steinhardt, J., 208 Stern, I., 38 Sticks, G.B., 142 Stohl, M., 197 Strode, C.T., 160 Tavernier, J., 275 Trood, W.H.H., 149 Turner, J.M.W., 106 Unterberger, F.R., 183, 184 Urban, J., 201 van Coppenolle, E., 195 van der Myn, H., 67 van der Weele, H.J., 216 van Goyen, J., 20 van Leemputten, F., 223 van Mierevelt, M.J., 89 van Minderhout, H., 80

van Oostanen, J.C., 91 van Rijn, R., 2, 3, 4, 5, 6 van Ruysdael, S., 53 van Thulden, T., 21 van Wijngaerdt, A.J., 218 Venetian School, 14 Vignon, C.F., 64 Vikas, K., 206 von Bremen, J.G.M., 224 von Zügel, H.J., 190 Vuillard, E., 31 Wagner, F., 211, 212 Watson, W., 114 Weaver, T., 144 Weber, T.A., 186 Weiss, E.G., 264 Westerbeek, Sr., C., 215 Wheeler, J.A.A., 147 Whood, I., 103 Willems, L., 204 Williams, A.S., 159 Wilms, P.J., 196 Witherington, W.F., 108 Worms, J., 277, 278 Wyllie, C.W., 133 Zampighi, E., 234 Zuccaro, F., 60

American Art & Pennsylvania Impressionists Auction 06/07/15 Now accepting consignments Alasdair Nichol | 267.414.1211 anichol@freemansauction.com Andrew Huber | 267.414.1210 ahuber@freemansauction.com

Visit our website or call 267.414.1256 to purchase a catalogue.

EDWARD WILLIS REDFIELD (american 1869-1965) “THE ROAD TO CENTER BRIDGE” Signed ‘E.W. Redfield’ bottom left, oil on canvas 38 x 50 in. (96.5 x 127cm) $150,000-250,000 (detail)

to preview, bid or consign visit us at

www.freemansauction.com

www.freemansauction.com 117

Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com

The Packaging Store ‡ Duane Freed 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com

Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com

UPS Store ‡ John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 | Fax: 215.629.4992 store4242@theupsstore.com

Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com VG Packaging LLC ‡ Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 | Fax: 484.552.8744 quotes@vgpackagingllc.com FURNITURE & LARGE ITEMS For larger pieces when delivery time is not a rush, we suggest: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com ‡ Shippers that can fulfill international deliveries

v3.2014

Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the

total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

bidding & registration form sale no

bidder no

name

client no

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com

business name

address city

state

zip code

e-mail

phone (primary)

phone (secondary)

country

fax

resale / tax identification

state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of hammer price of each lot, 20% on the hammer from $100,001 through $2,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account no

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

T id confirmed

(signature required to execute your bids)

T please send me information to subscribe to freeman’s catalogs

v1.2014

Directory Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President Hanna Dougher Chief Operating Officer

Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Mark Beckerman mbeckerman@freemansauction.com

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com American Silver Samuel M. Freeman II beaufreeman@freemansauction.com Asian Arts Richard A. Cervantes rcervantes@freemansauction.com Books, Manuscripts, Maps & Ephemera David Bloom dbloom@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com Mid-West William Rudd wrudd@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Gabrielle Aruta garuta@freemansauction.com

English & Continental Furniture & Decorative Arts David Walker dwalker@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Michael Larsen, GIA GG mlarsen@freemansauction.com

Marketing & Communication Tara Theune Davis ttdavis@freemansauction.com

Virginia B. Salem, GIA GG vsalem@freemansauction.com

Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com

Modern & Contemporary Art Anne Henry ahenry@freemansauction.com

Photography Elizabeth Field efield@freemansauction.com

Oriental Rugs & Tapestries Richard A. Cervantes rcervantes@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Photographs & Photobooks Christiana Scavuzzo cscavuzzo@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Silver & Objets de Vertu David Walker dwalker@freemansauction.com

v6.2014

www.freemansauction.com

1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 Fax-215.563.8236