European Art & Old Masters | 06/16/15

European Art & Old Masters 06/16/15

European Art & Old Masters

Auction

Exhibitions

Catalogue

Sale 1521 Tuesday, June 16, 2015 at 10am 1808 Chestnut Street, Philadelphia PA 19103 Friday, June 12 Saturday, June 13 Sunday, June 14 Monday, June 15

$32 in the gallery $38 domestic mail $44 international mail

10:00am-5:00pm 12:00pm-5:00pm 12:00pm-5:00pm 10:00am-5:00pm By appointment only on the morning of the sale

Inside Front Cover: Lot 96 Inside Back Cover: Lot 152 Visit www.freemansauction.com/catalogue-subscriptions or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.

Important Information for Buyers

Registration All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter.

Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible.

These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

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Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions.

Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

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On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid.

Freeman’s is not responsible for errors or failure to execute bids.

v2.2015

European Art & Old Masters Department

Alasdair Nichol Vice Chairman | Head of Department anichol@freemansauction.com 267.414.1211

David Weiss Senior Vice President | Specialist dweiss@freemansauction.com 267.414.1214

Molly Morrow Department Administrator mmorrow@freemansauction.com 267.414.1253

Whitney Long Bids Department wlong@freemansauction.com 267.414.1207

Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242

Client Services

Mary Maguire Carroll Director | Client Services mmaguire@freemansauction.com 267.414.1236

European Art & Old Masters lots 1-186

Lot 51 (detail)

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1 151554/1 ALBRECHT DÜRER (german 1471-1528) “KNIGHT, DEATH, AND THE DEVIL” 1513. Engraving. Meder B impression.

9 5/8 x 7 7/16 in. (24.3 x 19.1cm) [Anthonie 1513] [Bartsch 98] [Meder 74] provenance: Private Collection, Buffalo, New York.

By descent in the family.

Private Collection, Pennsylvania. $7,000-10,000

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2 151449/2 REMBRANDT VAN RIJN (dutch 1606-1669) “JAN UYTENBOGAERT, THE GOLDWEIGHER” Etching. Baillie impression, ca. 17001720.

9 7/8 x 8 in. (25 x 20.3cm) [Bartsch 281] provenance: Private Collection, New Jersey. $1,000-1,500

3 151109/1 REMBRANDT VAN RIJN (dutch 1606-1669) “SELF PORTRAIT IN VELVET CAP WITH PLUME” Ca. 1700. Etching. Late Basan impression, unframed.

4 x 4 1 1/16 in. (10.2 x 12cm) [Bartsch 20] provenance: Private Collection, New Jersey. $1,000-1,500

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4 151449/3 REMBRANDT VAN RIJN (dutch 1606-1669) “JACOB HAARINGH” Etching. Basan impression ca. 18001840.

4 1 1/16 x 4 1/16 in. (11.8 x 10.3cm) [Bartsch 275] provenance: Private Collection, New Jersey. $1,000-1,500

6 142312/300 PARMIGIANINO (italian 1503-1540) STANDING SHEPHERD Etching. Inscribed ‘Parmigianino/ superb impression/ B12/ from the Marshall Collection’ in pencil verso, unframed 4 1/2 x 2 1 5/16 in. (11.4 x 7.5cm) [Bartsch 12] provenance: The Marshall Collection.

Private Collection, New Jersey. $1,000-1,500

5 141754/16 REMBRANDT VAN RIJN (dutch 1606-1669) “SELF PORTRAIT IN VELVET CAP AND PLUME” Etching. Later impression, ca. 18201840.

5 5/16 x 4 1/16 in. (13.4 x 10.3cm) [Bartsch 20] provenance: Private Collection, New York, New York. $1,000-1,500

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7 15150 1/4 FRANCISCO DE GOYA (spanish 1746-1828) “TAN BÁRBATA LE SEGURIDAD COMO EL DELITO” (THE LITTLE PRISONER) 1867. Etching.

4 1/4 x 3 3/8 in. (10.8 x 8.6cm) Printed by Delátre.

Gazette des Beaux-Arts (with the letters below the image), publisher.

[Harris 26] provenance: Private Collection, Pennsylvania. $1,000-1,500

8 151148/24 SALVATOR ROSA (italian 1615-1673) “SAINT WILLIAM OF MALEVAL” 1661. Etching and drypoint.

13 1/2 x 9 1/16 in. (34.3 x 22.9cm) [Bartsch 1] together with: FRANCISCO DE GOYA (spanish 1746-1828) “SI SABRÁ MAS EL DISCUPULO” Plate 37 from “Los Caprichos”. 19th C. Impression. Etching and aquatint.

8 3/8 x 6 1/16 in. (21.5 x 15.3cm) [Harris 72 III/III] (2) provenance: The Estate of Hilary and Irena Koprowski. $1,000-1,500

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9 151454/14 FRANÇOIS BOUCHER (french 1703-1770) SAINT ANTHONY OF PADUA AND THE FINDING OF THE MISER’S HEART Inscribed ‘Carrache’ bottom right; also inscribed ‘dessein de Boucher, d’après le dessein original de Louis Carach, chez M. Croisat/ original est passé en Suède avec beaucoup d’autres, par le retour de Mn Le Conte de Tessin,/ ambassadeur de Suède en France, Lors de La Vente du Cabinet de Mn Crosat, il était très/ bon Connoisseur. * & * ce dessein n’est guère inferieur à l’original que j’ay veu’ verso; also stamped ‘81383’ and initialed ‘EKB/SKB’ verso, pen and brown ink, brown wash over black chalk, heightened with white on paper, lunette 9 3/8 x 15 7/8 in. (23.7 x 40.3cm) provenance: Ignace-Joseph de Claussin, collector’s mark [Lugt 485].

The Estate of Theodore and Aristea S. Halkedis, New York, New York.

note: The present drawing was executed between 1730 and 1740, and is after a drawing by Lodovico Carracci. It was purchased by Count Carl Gustaf Tessin, ambassador to France from 1739-1742, from the Pierre Crozat sale of 1740. Count Tessin purchased many drawings for Queen Christina, which later became the collection at the Nationalmuseum in Stockholm. For more, see drawing attributed by Phillip Pouncey to Allesandro Tiarini in Per Bjurström, Drawings from the age of the Carracci: Seventeenth century Bolognese drawings from Nationalmuseum, Oxford (Ashmolean Museum), 2002, no. 83.

The attribution to Boucher has been kindly confirmed by Mr. Alastair Lang via use of a digital image, who dates the present work to the 1730s. After the aforementioned Crozat sale in 1740, Tessin returned to Sweden in 1742. $8,000-12,000

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10 151542/3 PIER FRANCESCO MAZZUCHIELLE, CALLED MORAZZONE (italian 1573-1626) ANGELS IN FLIGHT Inscribed ‘Morazzone’ bottom right, pen and brown ink heightened with white on blue paper 8 3/4 x 8 in. (22.2 x 20.3cm) provenance: Binoche-Renaud-Giquello & Accociés, sale of March 9, 2007, lot 9.

Private Collection, France. $1,000-1,500

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11 14258 1/2 NEAPOLITAN SCHOOL (17th century) CHRISTIAN ALLEGORY Inscribed ‘Boucher inv.’ bottom left; also with indisctinct watermark, pen and brown ink and gray wash over traces of charcoal 10 9/16 x 7 7/8 in. (28.6 x 20cm) provenance: Private Collection, New Jersey. note: The female figure with chalice and cross in the present drawing represents a personification of Christ and the Eucharist. At her feet lie discarded objects including ewer and plates and a ram with a knife, both of which are symbolic of pagan or Jewish sacrifice. The floating lamb represents the Lamb of the Apocalypse. $1,000-1,500

13 151422/5 PIETRO DE GOTTARDO GONZAGA (italian 1751-1831) SCENE DESIGN FOR A RUSTIC BUILDING Executed ca. 1790, pen and gray ink with gray wash on paper Image size: 13 3/16 x 20 3/16 in. (33.53 x 51.31cm) Sheet size (with border): 13 7/8 x 20 7/8 in. (35.3 x 53.1cm) provenance: Kyle Fletcher, 1966.

Private Collection, New York, New York. $1,500-2,000

12 151422/2 ATTRIBUTED TO GIUSSEPPE VALERIANI (italian 1708-1762) “GRAN FREGIO DI SALA” Inscribed with title bottom center, pen and brown ink and brown wash over charcoal on paper 7 1/2 x 9 3/8 in. (19.1 x 23.8cm) provenance: Duke G.N. Leuchtenberg and Edmond Fatio (with the latter’s stamp at bottom right corner).

Edmond Fatio, collector’s mark [Lugt 3472].

Private Collection, New York, New York. exhibited: St. Petersburg, Russia, 1912. literature: A. N. Benois, Starye Gode (magazine), 1912. $1,000-1,500

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14 151542/9 CHARLES MONGINOT (french 1825-1900) FOUR FIGURE DRAWINGS Three signed with initials ‘C.M.’, black and white chalk on paper Each: 17 1/4 x 11 1/2 in.

(43.8 x 29.2cm) (4) provenance: Private Collection, New York, New York. $1,000-1,500

15 15150 1/8 ITALIAN SCHOOL (late 18th-early 19th century) STANDING WOMAN WITH BASKET OF FLOWERS Pen and gray ink with gray wash on laid paper 16 x 11 1/8 in. (40.5 x 28.1cm) together with: STANDING WOMAN WITH SHEATHE OF WHEAT AND SCYTHE Pen and gray ink with gray wash on paper 16 x 10 1/2 in. (40.6 x 26.7cm) Both with collection stamps ‘Kunstammlung Kasimir Hagen Köln Nummer’ (2) provenance: Private Collection, Pennsylvania. $1,000-1,500

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16 151209/2 ATTRIBUTED TO EUGÈNE DELACROIX (french 1798-1863) MAN ATTACKED BY TWO LIONS Pen and brown ink and brown washes over charcoal 9 7/8 x 11 3/4 in. (23.8 x 29.8cm) provenance: Private Collection, New Jersey $1,000-1,500

17 151209/3 GIUSEPPE BERNARDINO BISON (italian 1762-1844) MAN SEATED UNDER A LARGE STATUE OF A LION Signed ‘Bison’ bottom right, pen and brown ink and brown wash over charcoal on laid paper 10 1/4 x 8 1/4 in. (25.9 x 21cm) provenance: Private Collection, New Jersey. $1,000-1,500

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18 151422/3 MANNER OF GIACOMO GUARDI (italian 1764-1835) GRAND CANAL, VENICE Brush and black ink with gray wash on laid paper 8 9/16 x 12 3/16 in.

(21.6 x 30.8cm) provenance: Private Collection, New York, New York. note: While it is drawn on old paper, the present work notes an eighteenth century date, but may have been executed as late as the nineteenth or early twentieth century. $1,000-1,500

19 142250/27 FULVIO CRIVELLI (italian early 19th century) “VUE D’UNE PARTIE DU JARDIN CRIVELLI” Signed and dated ‘Fulvie Crivelli fecit 1821’, inscribed with title bottom left; also inscribed ‘Souvenir de la Maison Crivelli, en attestation du desir qu’elle a de n’être jamais oubliée par Lady Kinnard’, pen and black and gray ink with black and gray washes on paper Image size: 7 3/8 x 10 1/2 in. (19 x 26.7cm)

together with: CONTINENTAL SCHOOL (early 19th century) LOUIS XVIII Signed with co-joined initials ‘TG’ and dated ‘1815’ bottom left, pen and black ink, black wash, and black chalk heightened with white on paper Image size: 10 3/16 x 7 7/8 in. (25.9 x 19.8cm) (2) provenance: Private Collection, Maryland. $1,000-1,500

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20 151449/1 CIRCLE OF FRANÇOIS BOUCHER (french 1703-1770) YOUNG SHEPHERDESS WITH BASKET Charcoal and white chalk highlighted with red chalk on brown laid paper Sheet size: 17 3/4 x 11 3/4 in. (45.1 x 29.9cm) provenance: The Estate of Hilary and Irena Koprowski. $2,000-3,000

21 151148/23 UBALDO GANDOLFI (italian 1728-1821) MALE SAINT Ca. 1760s. Inscribed ‘Gandolfi’ and stamped ‘00401’ verso, pen and brown ink with brown wash on laid paper, oval 4 3/16 x 4 3/4 in. (10.6 x 12cm) together with: GENOESE SCHOOL (late 17th century) ANGEL KNEELING OVER FALLEN YOUTH Pen and brown ink heightened with white on paper 4 7/8 x 7 1/4 in. (12.3 x 18.3cm)

together with: DOMINICO FIASELLA, CALLED IL SARZANA (italian 1589-1664) THREE CLERICAL FIGURES Inscribed ‘Bernasconi 1977’ verso, red chalk on paper 7 1/8 x 4 7/16 in. (180 x 11.1cm) together with: ATTRIBUTED TO JEAN ANTOINE WATTEAU (french 1684-1721) A MAN SMOKING, SEATED AT A TABLE Red chalk on paper 10 1/2 x 5 1 3/16 in. (26.5 x 14.4cm) (4)

provenance: Carlo Prayer collector’s mark, [Lugt 2044] (Il Sarzana).

Bernasconi Collection, (Il Sarzana).

L. F. Anderson (Watteau).

The Estate of Hilary and Irena Koprowski. note: The drawing attributed to Watteau is annotated ‘Attribution confirmed by Jacques Mathey (1970), who compares it to drawings nos. 351 and 363 in K.T. Parker and J. Mathey, Antoine Watteau: Catalogue Complet de son oeuvre dessiné, 1957’ verso. $3,000-5,000

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22 151534/1 * LIBERTI (italian 19th century) FEMALE ALLEGORICAL FIGURES One signed ‘Liberti’ bottom right, four oils on paper Each (sight size): 11 x 9 in.

(27.9 x 22.8cm) (4) provenance: Private Collection, Maryland. $1,200-1,800

24 151202/3 DUTCH (UTRECHT) SCHOOL (17th century) LUTE PLAYER Oil on canvas 44 1/8 x 38 1/8 in. (112.1 x 97cm) provenance: Nagel Auktionen, Germany, sale of March 27, 2003, lot 783 (as "Die Straßensanger").

Acquired from the above.

Private Collection, Maryland. $3,000-4,000

23 151204/4 ITALIAN SCHOOL (18th century) AN ALLEGORY OF THE ARTS Oil on canvas, oval 32 1/8 x 42 1/4 in.

(81.6 x 107.3cm) provenance: Sotheby’s, New York, sale of November 3, 1999, lot 13.

Private Collection, New York, New York. $2,000-3,000

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25 151534/3 CONTINENTAL SCHOOL (18th-19th century) TABLETOP STILL LIFES WITH MIXED FLOWERS AND FRUIT Four gouaches on paper Each (sight size): 4 3/8 x 5 in.

(11.1 x 12.7cm) (4) provenance: Shreve, Crump, & Low, Inc., Boston, Massachusetts.

Private Collection, Maryland. $1,000-1,500

26 151460/1 ATTRIBUTED TO JACOB VAN DER KERCKHOVEN (flemish ca. 1637-1712) ROOSTERS WITH BASKETS AND EARTHENWARE VESSEL Oil on canvas, unframed 29 7/8 x 37 1/2 in. (76 x 95.3cm) provenance: Property of an Estate, New Jersey. $2,000-3,000

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27 151460/2 ITALIAN SCHOOL (18th century) TABLETOP STILL LIFES WITH ASSORTED FRUITS AND BIRDS Pair oils on canvas laid to masonite Each: 18 1/2 x 23 7/8 in.

(47 x 60.6cm) (2) provenance: Property of an Estate, New Jersey. $2,000-3,000

28 151202/9 FOLLOWER OF TITIAN (TIZIANO VECELLI) (italian ca. 1485-1576) RECLINING VENUS WITH SATYR Oil on canvas 46 1/4 x 75 1/8 in.

(117.5 x 190.8cm) provenance: Sotheby's, Olympia, sale of July 6, 2004, lot 424 (as Follower of Titan, 17th Century).

Private Collection, Maryland. $3,000-5,000

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29 151202/5 AFTER TITIAN (TIZIANO VECCELLI) (italian ca. 1485-1576) THE BACCHANAL OF THE ANDRIANS Oil on canvas 32 3/4 x 24 in. (83.2 x 61cm) provenance: Sotheby’s, Olympia, sale of October 31, 2002.

Acquired from the above.

Private Collection, Maryland. note: The present painting is after the original by Titian in the Museo del Prado, Madrid, Spain. $2,000-3,000

30 141174/1 AFTER CARLO DOLCI (italian 1616-1686) THE MARTYRDOM OF ST. ANDREW Oil on canvas 49 1/2 x 40 in. (125.7 x 101.6cm) provenance: Private Collection, Pennsylvania. note: The present painting is after the original painted by Dolci in 1646 at the Palazzo Pitti, Florence, Italy. $1,000-1,500

31 151108/112 MANNER OF RAPHAEL (italian 1428-1520) HOLY FAMILY Signed ‘Benelli’ bottom center, oil on canvas, in a fine, antique carved and gilded frame 28 1/8 x 29 in. (71.5 x 73.7cm) provenance: Private Collection, New Jersey. $1,200-1,800

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32 15146 1/2 CIRCLE OF VINCENZO CAMPI (italian 1532-1591) ANGEL WITH PRAYING CHRIST IN GETHSEMANE GARDEN Oil on canvas 72 x 51 in. (182.8 x 129.5cm) provenance: Auctionhaus Michael Zeller, Lindau, Germany, sale of October 1994, lot 1384.

Private Collection, Delaware. $4,000-6,000

33 151461/1 EMILIAN SCHOOL (17th-18th century) THE PENITENT MAGDALENE Oil on canvas 19 1/8 x 15 1/4 in. (48.6 x 38.7cm) provenance: Private Collection, Delaware. $2,000-3,000

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34 151527/1 FOLLOWER OF JEAN BAPTISTE STOUF (french 1742-1826) “L’APPARITION D’UN FANTÔME À BRUTUS” Bears signature ‘Stouf’ bottom left, oil on canvas 14 3/4 x 18 in. (37.5 x 45.7cm) provenance: Christie’s, New York, sale of October 31, 1980, lot 28.

Jan Milner Collection, London.

Salander O’Reilly Galleries, New York, New York.

Christie’s, New York, sale of June 9, 2010, lot 119.

Private Collection, New Jersey. literature: P. Grunchec, Le Grande Prix de Peinture, Les concours des Prix de Rome de 1797 à 1863, Paris, 1983, pp. 156-157, pl. 1.

Shepherd Gallery and J.G. Milner, French 19th Century Paintings, London, 1977, p. 88. note: The present painting was executed in 1814 for the Prix de Rome. $3,000-5,000 35 158029/6 FOLLOWER OF HYACINTHE RIGAUD (french 1659-1743) PORTRAIT OF PHILIP V OF SPAIN WEARING THE ORDER OF SAINT ESPRIT Oil on canvas 36 x 29 1/8 in. (91.4 x 188cm) provenance: Private Collection, Virginia. note: For a nearly identical portrait, see Christie's, New York, sale of October 5, 1995, lot 87. $2,000-3,000 36 14198 7/16 FOLLOWER OF PHILIP MERCIER (british 1689-1760) LADY BLOWING BUBBLES WITH ATTENDANT Oil on canvas 36 1/4 x 28 1/8 in. (92.1 x 71.4cm) provenance: Property of a New Jersey estate. $2,000-3,000

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37 141774/24 CIRCLE OF ANTOINE CARON (french 1520-1599) ARMIDA AND EUSTACHIO BEFORE GOFFREDO (GERUSALEMME LIBERTA, CANTO IV) Inscribed ‘Goffredio’, ‘Eustachio’, and ‘Armida’ bottom center left, oil on canvas 38 x 52 1/4 in. (96.5 x 132.7cm) provenance: Christie’s, London, sale of June 27, 1975, lot 68 (As Ambroise Dubois).

Sotheby’s, London, sale of December 19, 1985, lot 60 (As Attributed to Antoine Caron).

Sotheby’s, Monaco, sale of November 30, 1986, lot 464 (As Attributed to Antoine Caron).

Christie’s, New York, sale of May 23, 1997, lot 78.

Private Collection, New Jersey. $8,000-12,000

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38 151462/1 FOLLOWER OF JACOB DE BACKER (flemish ca. 1540-before 1600) LAST JUDGMENT Oil on copper, stamped with the palm symbol (symbol of the city of Antwerp) on unidentified heart symbol verso; also stamped with date ‘1605’ and ‘PAV DELAH’ verso 17 3/4 x 13 5/8 in. (45.1 x 34.4cm) provenance: Private Collection, Waterbury, Connecticut. $5,000-7,000

39 142541/1 CIRCLE OF ANTHONIE JANSZ VAN DER CROOS (dutch 1606-1662) LANDSCAPE WITH FIGURES Signed with indecipherable monogram bottom left, oil on cradled panel 11 1/4 x 13 1/4 in. (28.6 x 33.7cm) provenance: Mr. M. B. Berman, New York, New York.

By descent in the family.

Private Collection, Maryland. note: We wish to thank Ms. Ellis Dullaart of the RKD for her kind assistance in cataloguing this painting on the basis of digital photographs. $3,000-5,000

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40 158037/5 MANNER OF GASPAR VAN WITTEL (flemish ca. 1653-1736) A VIEW OF THE TIBER RIVER WITH CASTEL SANT’ ANGELO AND SAINT PETER’S IN THE DISTANCE; AND A COMPANION Pair oils on canvas; one inscribed ‘Gasparo degli Occhiali/ called the Roman/ Cannaletti’ verso One: 18 5/8 x 24 7/8 in.

(47.3 x 63.2cm) One: 18 3/4 x 24 3/4 in.

(47.6 x 62.9cm) (2) provenance: Private Collection, Virginia. $3,000-5,000

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41 151202/6 FOLLOWER OF REINER NOOMS, CALLED ZEEMAN (dutch 1623-1664) SHIPPING IN A CALM Oil on panel 22 3/8 x 31 1/4 in. (56.8 x 79.4cm) provenance: Sotheby’s, Olympia, sale of December 9, 2013.

Acquired from the above.

Private Collection, Maryland. $3,000-5,000

42 151148/20 ATTRIBUTED TO PIETER JACOBSZ VAN LAER (dutch 1599-ca. 1642) TOWNSCAPE WITH FIGURES AT LEISURE Oil on canvas 26 3/4 x 32 3/4 in.

(69.9 x 83.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

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43 43 142570/3 LEIDEN SCHOOL (late 18th century) ELEGANT LADY IN AN INTERIOR Oil on canvas 23 7/8 x 18 1/4 in.

(60.7 x 46.4cm) provenance: Private Collection, Pennsylvania. $2,500-3,500

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44 151108/84 AFTER SIR PETER PAUL RUBENS (flemish 1577-1640) MELEAGER AND ATALANTA Oil on canvas 55 x 42 in. (139.7 x 106.7cm) provenance: Private Collection, New Jersey. note: The present painting is after the original by Rubens in the Alte Pinakothek, Munich. $1,500-2,500

45 151462/6 CIRCLE OF AELBERT CUYP (dutch 1620-1691) TENDING THE CATTLE Oil on cradled panel 24 3/4 x 32 1/2 in.

(62.9 x 82.6cm) provenance: Private Collection, Florida. $2,000-3,000

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46 151202/2 AFTER SIR ANTHONY VAN DYCK (flemish 1599-1641) PORTRAIT OF PRINCE CHARLES LOUIS, ELECTOR PALATINE (1617-1680) AND HIS BROTHER, PRINCE RUPERT (16191692) Oil on canvas 49 x 49 in. (124.5 x 124.5cm) provenance: Victoria Fine Art, St. Albans, England.

Acquired from the above.

Private Collection, Maryland. note: The present painting is after the original

by Van Dyck in the MusĂŠe du Louvre, Paris. $2,000-3,000

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47 151542/6 ODLION REDON (french 1840-1916) “COLLOQUE” Signed ‘Od. R’ bottom right; also numbered and inscribed ‘7659’ bottom left, pencil on paper 9 5/16 x 11 1 3/16 in. (23.6 x 29.9cm) provenance: Jan Krufier, Geneva.

Lucien Goldschmidt, New York, New York.

Collection of Mr. and Mrs. Edward Powis Jones, since 1967. exhibited: “Exposition d’oeuvres d’Odilon Redon (1840-1916), peintures, pastels, aquarelles, dessins, lithographes, eauxfortes, art décoratif,” Galerie Druet, Paris, June 11-30, 1923, no. 263.

“Suite 13, exposition Odilon Redon,” Galerie Krugier, Geneva, 1967, no. 36, (illustrated). literature: “The Temptation of St. Anthony by Odilon Redon,” Amherst, Mead Museum Monographs, vol. 2, 1980, p. 25 (illustrated).

Alec Wildstein and Marie-Christine Decroocq, Odilon Redon: Catalogue Raisonné de l’oeuvre peint et Dessiné, Paris, 1988, vol.

IV (études et grandes décorations, supplement), p. 127, cat.

2374, (illustrated). $5,000-7,000

48 151449/4 MAX LIEBERMANN (german 1847-1935) SEATED WOMAN Signed ‘M. Liebermann’ upper right, charcoal on paper with: FIGURAL STUDIES verso, pencil on paper Sheet size: 11 x 8 3/8 in. (27.9 x 21.3cm) (2) provenance: Private Collection, New Jersey. $1,000-1,500

49 151542/10 THÉODORE ROUSSEAU (french 1812-1867) SKETCH OF PLANTS, TREES, AND FIGURES With stamped signature ‘TH. R’ bottom right, pencil on paper 7 x 12 in. (17.8 x 30.5cm) [Lugt 2436] provenance: Private Collection, New York, New York. $1,000-1,500

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50 151454/12 AFTER DAVID ROBERTS (scottish 1796-1864) “THE TEMPLE OF ABOO SIMBEL” Watercolor, gouache, wash, and pencil on paper 32 3/4 x 46 1/4 in.

(83.2 x 117.5cm) provenance: Robert Brier, New York, New York.

Acquired from the above.

The Estate of Theodore and Aristea S. Halkedis, New York, New York. $4,000-6,000

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51 DAVID ROBERTS (scottish 1796-1864) “BAZAAR OF THE SILK MERCERS, CAIRO” Signed, dated, and located ‘David Roberts. R.A./ Cairo Decr 31st 1838.‘ bottom left, pencil, watercolor and bodycolor on paper 21 x 13 1/4 in. (53.3 x 33.7cm) provenance: Christie, Manson and Woods, “Catalogue of the Pictures, Drawings, and Sketches, in WaterColours and Oil, of the late David Roberts, R.A.,” May 13 and 15, 1865, lot 84 (as “Bazaar of the silkmercers, with figures”).

Acquired from the above by Agnew’s.

Collection of John Pender.

Christie, Manson and Woods, sale of May 29, 1897, lot 225.

Acquired from the above by Agnew’s.

Acquired from the above by C.M. Agnew.

Private Collections.

Bonham’s, Knightsbridge, sale of June 20, 1990, lot 41.

Acquired from the above by Mathaf Gallery, Ltd., London.

Purchased from the above for Theodore and Aristea S. Halkedis, New York, New York (The Thalassic Collection, Ltd.). exhibited: “David Roberts Studio Exhibition,” Conduit Street, London, 1865, no.

321.

literature: “Visits to Private Galleries: The Collection of John Pender, Esq. M.P. Arlington Street,” Art Journal, 1872, p.10.

Pictures, Drawings and Sculpture forming the Collection of Sir John Pender, GCMG, MP, from 10 Arlington Street, SW & Foot’s Cray Place, Kent, 1894. p. 181, no. 208.

Bob Brier, “A revealing painting by David Roberts,” The British Art Journal, November, 2004, vol. V, no. 2, p. 71, fig. 7 (illustrated). note: When David Roberts returned to Cairo in December 1838, after his long journey up the Nile, he was determined to augment his already valuable portfolio of sketches of ancient Egyptian monuments with views of the Islamic city. “Subjects of another class of equal interest remain yet at Cairo- and equally untrodden ground…. I think much may be made of the splendid mosques, the tombs of the Mamalooks, Caliphs etc.”

(December 20, 1838, MS Eastern Journal, National Library of Scotland, Acc.7723/1). It was not an easy task, since a European sketching openly in the crowded streets was an object of curiosity, if not hostility: he was “jostled and stared at until I came home quite sick,” but he was hopeful that his sketches would “add to the general knowledge already acquired of the general styles of Architecture existing in different ages” (January 1, 1839, MS Eastern Journal) . Despite the difficult conditions and his bewilderment at the “extraordinarily picturesque nature of the streets and buildings

of this most wonderful of all cities” (December 28, 1838, MS Eastern Journal) he made a visual survey of many of the Islamic monuments, changing into Ottoman dress and observing local proprieties in order to draw inside the mosques. He made the sketch on which the present watercolor is based (present location unknown) on December 31st, recording in his journal: “Made one drawing today of the principal Bazaar, the best drawing I have yet taken in Cairo.”

The Ghuriya, or mosque complex of Sultan Qansuh al-Ghuri, built 15031505, remains one of the most impressive Mamluk ensembles in Cairo, with the madrasa-mosque on the western side, and the khanqahmausoleum-sabil-kuttab on the eastern (see Caroline Williams, Islamic Monuments in Cairo: the Practical Guide, The American University in Cairo Press, Cairo and New York, 2008, pp. 166-168). In Ottoman times, the two were linked by a wooden roof (now restored), covering the Sharia al Mu’izz li-Din Allah, the site of the Silk Market, hence the name given to the lithograph made from this watercolor. The lithograph was included in the third volume of Egypt & Nubia, part of the Holy Land series comprising 248 tinted lithographs in total, and one of the most ambitious and successful publishing ventures of the nineteenth century.

We are grateful to Ms. Briony Llewellyn for preparing this catalogue entry. $25,000-40,000

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52 DAVID ROBERTS (scottish 1796-1864) “GREEK CHURCH OF THE HOLY SEPULCHRE, JERUSALEM” Signed ‘David Roberts R.A.‘ bottom right; also titled, located, and dated ‘Greek Church of the Sepul[chre]/ Jerusalem/ April 11th 1839.‘ bottom left, pencil, watercolor, and bodycolor on paper 12 13/16 x 19 1/16 in.

(32.5 x 48.4cm) provenance: Collection of Lord Francis Egerton (1st Earl of Ellesmere).

Dowager Countess of Ellesmere, by 1857.

Christie, Manson and Woods, “Catalogue of the Celebrated Drawings of the Holy Land, by David Roberts, R.A. (...) From the Collection of the late Rt. Hon. Francis, 1st Earl of Ellesmere (...)”, April 2, 1870, lot 3 (as “Greek Church of the Holy Sepulchre: Palm Sunday, 1839”).

Acquired from the above by Agnew’s.

Collection of Sir Thomas Brassey (cr.

Lord Brassey 1886, and 1st Earl Brassey 1911).

By descent to his son, 2nd Earl Brassey.

Christie, Manson and Woods, sale of November 28, 1919, lot 39.

Acquired from the above by Boydell Galleries, Liverpool.

Christie, Manson and Woods, sale of March 7, 1924, lot 99.

Acquired from the above by Boydell Galleries, Liverpool.

Kunsthay Lempertz, Cologne, sale of June 23, 1988, lot 349.

Acquired from the above by The Fine Art Society, London.

Mathaf Gallery Ltd., London.

Purchased from the above by Theodore and Aristea S. Halkedis, New York, New York (The Thalassic Collection, Ltd).

exhibited: “Art Treasures Exhibition,” Manchester, Section 7 (Drawings in Water-Colours), 1857, no. 762.

“Spring 1989,” The Fine Art Society, London, 1989, no. 11 (as “Interior of the Church of the Holy Sepulchre, Jerusalem”). lithographed: Holy Land, 1842, vol. 1, pl. 4 (as “Greek Church of the Holy Sepulchre, Jerusalem“).

Holy Land, 1855, vol. 1, pl. 4. note: Roberts and his companions reached Jerusalem on March 28, 1839, by great good luck, the day that the quarantine, which had been imposed on it by a plague epidemic, had been lifted. A couple of days later they visited the Church of the Holy Sepulchre, containing chapels of different Christian sects, including the Greek Orthodox catholicon, which, Roberts described in his journal as “by far the richest and is one mass of gold and carving very much in the style of that of St Catharine’s of Mount Sinai but in bad taste, the style that is usually assigned to the middle ages or more properly Byzantium. In the centre,” he continued, “is an elegant chandelier of polished steel and brass presented to them by the present Emperor Nicholas…. Immediately behind this is the chapel covering the site of the crucifixion” (March 30, 1839, MS Eastern Journal, National Library of Scotland, Acc. 7723 / 2). The following day he witnessed the Palm Sunday procession into the Church during which the Greek bishops “seating themselves on two gilded thrones on each side of the Chapel distributed a basketful of consecrated bread.” Roberts has represented the elaborate iconostasis, on the east side of the catholicon and, to the north and south, the thrones of the Greek Orthodox patriarchs. Below the

chandelier, he has also depicted the omphalos or votive vase, then thought to stand upon the spiritual and cosmological centre of the world.

The next day, Roberts and his companions left to visit Jericho, the Dead Sea and Bethlehem, returning to Jerusalem on April 8.

Roberts then spent several days making sketches in the city, among them the one on which this watercolor is based (now in the Harris Museum and Art Gallery, Preston, Lancashire), but he found the ruined state of the buildings distressing: “Even the Holy Sepulchre itself comes under this head, the fire in 1810 [in fact, 1808] having destroyed everything like architecture about it and it is now replaced by the most monstrous jumble of walls, arches and domes that could be put together by people just emerging from Barbarism” (April 13, 1839, MS Eastern Journal).

Roberts finally left the city on April 15 to continue his journey northwards towards Lebanon.

We are grateful to Ms. Briony Llewellyn for preparing this catalogue entry. $15,000-25,000

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53 151454/8 AFTER DAVID ROBERTS (scottish 1796-1864) “GENERAL VIEW OF THE ISLAND OF PHILAE, NUBIA” Watercolor and bodycolor over pencil on paper, 1838 34 3/8 x 56 3/8 in.

(87.3 x 143.2cm) provenance: Robert Brier, New York, New York.

Acquired from the above.

The Estate of Theodore and Aristea S. Halkedis, New York, New York. literature: “The Collector’s Eye: Masterpieces of Egyptian Art from the Thalassic Collection, Ltd.”, Michael C. Carlos Museum, Emory University, Atlanta, Georgia, fig. 1, p. XXVIII, (illustrated). $4,000-6,000

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54 151454/9 HOWARD CARTER (british 1873-1939) “PORTRAIT OF SHEPSUT (HATSCHEPSUT) FROM TIBETAN TOMB NO. 51” Signed and dated ‘Howard Carter 1910’ bottom right; also inscribed ‘A lady.../ from the mural painting/ Sheikh abd el Qurna/ Thebes/ by Howard Carter/ 1910’ verso, watercolor on paper in fine architectural frame Sight size: 23 1/2 x 11 3/4 in.

(59.7 x 29.9cm) provenance: Henry J. Murcott, London.

Rupert Wace Ancient Art Limited, London.

Acquired from the above for The Estate of Theodore and Aristea S. Halkedis, New York, New York. literature: “The Collector’s Eye: Masterpieces of Egyptian Art from the Thalassic Collection, Ltd.”, Michael C. Carlos Museum, Emory University, Atlanta, Georgia, 2001, figure M, p. XXXXI, (illustrated). note: Howard Carter, the subject of Daniel Meyerson’s recent major publication In the Valley of the Kings, is, of course, best known as an important British Egyptologist and archaeologist whose discovery of the tomb of Tutankhamen propelled him to international fame. An accomplished artist in his own right, his early twentieth century watercolors of Near Eastern pyramids, temples and - as in the present work - Pharaohs, reveal his ability as an accomplished draughtsman - a skill that he perfected in the 1890s serving as Principle Artist to the Egyptian Exploration Fund for the excavations of Deir el Babri. $5,000-8,000

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55 151462/7 EDMUND JOHN NIEMANN (british 1813-1876) “EAST GATE ROW, CHESTER” Signed ‘Niemann f’ bottom right (on window ledge), oil on canvas 44 x 34 1/4 in. (111.8 x 87cm) provenance: Frost and Reed, London.

Private Collection, Darien, Connecticut. exhibited: (Possibly) Royal Academy, London, 1944. $8,000-12,000

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56 151422/4 WILLIAM PARS (british 1742-1782) IRISH LANDSCAPE WITH FIGURES Watercolor, ink, and wash on paper 10 1/16 x 14 in. (25.5 x 35.6cm) provenance: Bill Thompson, Albany Gallery, London.

Private Collection, New York, New York. $2,000-3,000

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57 158029/1 AUGUSTUS EDWIN JOHN (british 1878-1961) DORELIA MCNEILL Black chalk on paper 10 x 12 1/2 in. (25.4 x 31.8cm) provenance: Joan and Lester Avnet Collection, inventory no. EL 70.668, (n.d.).

Private Collection, Virginia. exhibited: Museum of Modern Art, New York, New York. $1,000-1,500

58 151480/2 GEORGE ROMNEY (british 1734-1802) MOTHER AND CHILD WITH THREE FIGURES Pen and brown ink with brown wash over traces of pencil on paper, unframed Sheet size: 10 x 10 3/8 in.

(25.4 x 26.4cm) provenance: Private Collection, Sweden.

By descent in the family.

Private Collection, New York, New York. $1,000-1,500

59 151402/1 ATTRIBUTED TO JOHN CONSTABLE (british 1776-1837) BATTLESHIPS OF MIDWAY Pencil on Bristol paper 3 7/8 x 6 1/2 in. (9.9 x 16.5cm) provenance: Collection of R. Howitt.

Private Collection, Ohio.

Acquired from the above.

Private Collection, Ohio. note: The present drawing is thought to have been executed ca. 1816. $2,000-3,000

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60 151204/1 FREDERICK GOODALL (british 1822-1904) “RETURNING FROM THE LABOUR OF THE DAY, EGYPT” Signed with monogram ‘FG’ bottom left; also inscribed with title and dated ‘May 21, 1901’ on stretcher bar, and ‘G. Rowney & Co., London’ preparer’s stencil verso, oil on canvas 24 1/8 x 50 3/8 in. (61.5 x 128cm) provenance: Christie’s, New York, sale of December 16, 2009, lot 164.

Acquired from the above.

Private Collection, New York, New York. $4,000-6,000

61 151202/7 EDMUND THORNTON CRAWFORD (british 1806-1885) ON THE FRENCH COAST Signed ‘E.T. Crawford’ and indistinctly dated bottom left, oil on canvas 36 x 49 7/8 in. (91.4 x 126.7cm) provenance: Dixon and Dixon, New Orleans, Louisiana.

Acquired from the above, May, 1996.

Private Collection, Maryland. $7,000-10,000

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62 151498/1 JOHN WAINWRIGHT (british 19th century) OUTDOOR STILL LIFE WITH MIXED FLOWERS Signed ‘J. Wainwright’ upper left, oil on canvas 21 1/8 x 17 in. (53.7 x 43.2cm) provenance: Sotheby’s Arcade, sale of July 23, 1993, lot 577.

Private Collection, Philadelphia, Pennsylvania. $8,000-12,000

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63 151454/11 WILLIAM CLARK (scottish 1803-1883) THE EAST INDIA MAN ‘ZEMINDAR’ LEAVING THE CLYDE Signed and dated ‘W**** Clark 1841’ bottom left, oil on canvas 29 3/4 x 43 3/4 in. (75.6 x 111.1cm) provenance: Paul Mellon Collection with Richard Green, London.

The Estate of Theodore and Aristea S. Halkedis, New York, New York. literature: A.S. Davidson, Marine Art and The Clyde, 100 Years of Sea, Sail, & Steam, Jones-Sands publishing, 2000, p. 50. $10,000-15,000

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64 151158/9 NEAPOLITAN SCHOOL (19th century) “HIS MAJESTY’S SHIP ST. FIORENZO ENGAGING THE LA PIÉMONTAISE, MARCH 1808” Four oils on canvas, unframed Each: 18 1/4 x 23 3/4 in. (46.4 x 60.3cm) (4) provenance: Private Collection, London.

Acquired from the above, 1970.

Private Collection, Maryland. note: Commanded by Captain George Nicholas Hardinge, the ship St. Fiorenzo encountered Piémontaise, a French frigate that had been raiding British shipping off the Indian coast. After intermittent fighting, the St. Fiorenzo defeated the Piémontaise in the Gulf of Mannar on March 8, 1808. $3,000-4,000

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65 151047/3 J.W. WEBB (british 19th century) SHIPPING OFF A JETTY Signed ‘JW Webb’ bottom left, oil on canvas 29 1/2 x 50 in. (74.9 x 127cm) provenance: Christie’s, New York, sale of July 25, 2007, lot 165.

Acquired from the above.

Private Collection, Connecticut. $3,000-5,000

66 151047/7 JAMES WEBB (british 1825-1895) FISHER BOAT IN ROUGH SEAS Oil on canvas 30 3/4 x 53 in. (78.3 x 134.6cm) provenance: Collection of Bernard Winters, Armonk, New York.

By descent in the family.

Private Collection, Connecticut. $1,500-2,500

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67 158027/1 BENJAMIN WILLIAMS LEADER (british 1831-1923) PASTORAL SCENE WITH FIGURES AND COWS WATERING Signed ‘B.W. Leader’ bottom left, oil on canvas 25 x 41 1/8 in. (63.5 x 104.5cm) provenance: Private Collection, Virginia. $4,000-6,000

68 148115/1 JAMES BAKER PYNE (british 1800-1870) TIVOLI Signed and dated ‘J.B. Pyne 643 1850’ bottom center left, oil on canvas 25 1/8 x 40 1/8 in.

(63.8 x 101.9cm) provenance: Sotheby Parke Bernet, sale of April 2, 1976.

Private Collection, Virginia. $2,500-3,500

69 158029/3 EDWARD STEEL HARPER (british 1878-1951) “RADNOR FOREST” Signed and dated ‘E.S. (HARP)ER/ 1923’ bottom right, oil on canvas 20 x 26 in. (50.8 x 66cm) provenance: The Royal Institute of Painters, London.

The Fine Art Society, Ltd., London.

Private Collection, Virginia. $2,000-3,000

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70 142243/9 WILLIAM POWELL FRITH (british 1819-1909) SCENE FROM WALTER SCOTT’S “THE BRIDGE OF LAMMERMOOR” Signed ‘W.P. Frith’ bottom left, oil on panel 17 7/8 x 13 7/8 in. (45.5 x 35.3cm) provenance: David Price, Esq. L. Butters, Esq. Roland Hilary, Esq. Private Collection, Virginia. exhibited: Royal Academy Exhibition, 1854.

Royal Academy Winter Exhibition, 1911.

International Exhibition, 1962. $3,000-5,000

71 151314/1 WILLIAM POWELL FRITH (british 1819-1909) PORTRAIT OF A LADY Signed ‘W.P. Frith’ bottom right, oil on canvas, oval 22 3/8 x 19 3/8 in. (57.1 x 49.4cm) provenance: Private Collection, New Jersey. $2,000-3,000

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72 15153 1/2 JOSEPH SEVERN (british 1793-1879) MAIDENS SPIED ON BY SHEPHERD Signed, located, and dated ‘J. Severn/ Rome 184*’ bottom right, oil on canvas laid to masonite 31 1/4 x 42 in. (79.4 x 106.7cm) provenance: Private Collection, Philadelphia, Pennsylvania.

By descent in the family.

Private Collection, Maryland. $3,000-5,000

73 151531/1 BRITISH SCHOOL (19th century) READING THE LETTER; POSSIBLY MALVIOLO AND OLIVIA FROM SHAKESPEARE’S TWELFTH NIGHT With partial preparer’s label verso; also with unidentified label inscribed ‘der’ verso, oil on panel 30 1/2 x 41 in. (77.5 x 104.1cm) provenance: Private Collection, Philadelphia.

By descent in the family.

Private Collection, Maryland. $2,000-3,000

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74 158037/2 BRITISH SCHOOL (19th century) ALBERT, PRINCE CONSORT, WITH HIS HORSE AND HUNTING DOGS Oil on canvas 40 1/4 x 50 3/8 in.

(102.2 x 128cm) provenance: Private Collection, Virginia. $2,000-3,000

75 141613/3 JAMES BARENGER, THE YOUNGER (british 1780-1831) “LOST HIM” Signed ‘Barenger’ bottom center right, oil on canvas 20 1/8 x 27 in. (51.1 x 68.6cm) provenance: Newhouse Galleries, New York, New York.

Private Collection, Virginia. $1,500-2,000

76 151204/2 JOHN FREDERICK HERRING, THE YOUNGER (british 1815-1907) FARMYARD SCENES One signed and dated ‘J.F. Herring 1854’ bottom center left; one signed ‘J.F. Herring’ bottom right, pair oils on canvas Each: 16 x 14 1/2 in.

(40.6 x 36.8cm) (2) provenance: Frost and Reed, London.

Doyle, New York, sale of June 6, 2012, lot 29.

Acquired from the above.

Private Collection, New York, New York. $3,000-5,000

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77 142295/13 MARIA L. ANGUS (british fl.1887-1910) “OUT OF MISCHIEF” Signed and dated ‘M.L. Angus 1891’ bottom left, oil on canvas 20 x 27 in. (50.8 x 68.6cm) provenance: Doyle, New York, sale of May 20, 1998, lot 161.

Private Collection, New York, New York. $5,000-8,000

78 148108/3 WILLIAM H. HOPKINS (british 1853-1890) SPOILS OF THE HUNT Signed and dated ‘ W. H. Hopkins 1871’ bottom left, oil on canvas, unframed 36 x 30 in. (91.4 x 76.2cm) provenance: Private Collection, Florida. $1,000-1,500

79 151346/1 HENRY CLOWES (british 1799-ca. 1871) COCK FIGHTS Each signed and dated ‘Henry Clowes pinx 1826’ bottom center right, pair oils on canvas Each: 9 1/2 x 7 3/4 in.

(24.1 x 19.7cm) (2) provenance: Private Collection, Delaware. $1,200-1,800

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80 151101/1 WILLIAM R.C. WATSON, JR. (british 1831-1921) HIGHLAND CATTLE Signed and dated ‘W. Watson 1884’ bottom right, oil on canvas 36 x 24 in. (91.4 x 61cm) provenance: Sotheby’s Arcade, sale of July 19, 1990, lot 399.

Private Collection, Maine. $4,000-6,000

81 151437/3 ALFRED HOLST TOURRIER (british 1836-1892) THE SUITOR Signed ‘A.H. Tourrier’ bottom left, oil on board 10 7/8 x 6 3/4 in. (27.6 x 17.2cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

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82 151266/2 BRITISH SCHOOL (18th-19th century) FIVE PORTRAITS OILS LADY WITH BOOK SEATED IN INTERIOR and GENTLEMAN SEATED IN INTERIOR Pair ovals Each: 9 7/8 x7 3/4 in.

(25.1 x 19.7cm)

83 151266/1 BRITISH SCHOOL (18th-19th century) FOUR THREE-QUARTER LENGTH PORTRAITS Each: Oil on canvas, oval A LADY WITH WHITE GLOVES SEATED IN A BUTTON TUFTED CHAIR and A GENTLEMAN COMPANION Each:14 3/4 x 11 3/4 in. (37.5 x 29.9cm) together with: A LADY SEATED, LANDSCAPE IN THE DISTANCE 14 7/8 x 12 in. (37.8 x 30.5cm) together with: GENTLEMAN SEATED WITH A BOOK 14 1/2 x 11 1/2 in. (36.8 x 29.2cm) (4) provenance: Private Collection, Florida. $1,000-1,500

together with: ATTRIBUTED TO JOHN DOWNMAN (british 1750-1824) HALF-LENGTH PORTAIT OF A LADY WITH HEADDRESS Oil on canvas, oval 11 3/8 x 9 1/4 in. (28.9 x 23.5cm) together with: HALF-LENGTH PORTRAIT OF A GENTLEMAN IN HIS STUDY Inscribed on a portion of backing paper verso, oil on panel, oval 8 5/8 x 7 1/8 in. (14.3 x 18.1cm)

together with: HALF-LENGTH PORTRAIT OF A LADY WITH BONNET Oil on panel, oval 5 3/8 x 4 1/4 in. (13.7 x 10.8cm) (5) provenance: The Former Two: R. Cribb & Son, High Holborn.

Private Collection, Florida. $2,000-3,000

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84 151202/8 SIR MARTIN ARCHER SHEE (irish 1769-1850) PORTRAIT OF JOHN REID Oil on canvas 50 x 40 in. (127 x 101.5cm) provenance: Sotheby’s, London, sale of May 22, 1995, lot 19.

Acquired from the above.

Private Collection, Maryland. $5,000-7,000

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85 151202/4 BRITISH SCHOOL (late 18th/early 19th century) PORTRAIT OF A GENTLEMAN, THREE-QUARTER LENGTH, LANDSCAPE BEYOND Oil on canvas 36 x 27 7/8 in. (91.4 x 70.6cm) provenance: Dixon and Dixon, New Orleans, Louisiana.

Acquired from the above, May, 1995.

Private Collection, Maryland. $2,000-3,000

86 151422/10 MARK SENIOR (british 1864-1927) BRUGES MARKET Signed and titled ‘M. Senior Co***r Market, Bruges’ bottom right, oil on canvas 19 3/4 x 24 in. (50.2 x 61cm) provenance: Private Collection, New York, New York. $1,500-2,000

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87 151333/2 MAURICE CANNING WILKS (irish 1911-1984) “MULROY BAY, COUNTY DONEGAL” Signed ‘Maurice C. Wilks’ bottom right; also titled on stretcher verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Frost and Reed, London.

Private Collection, Connecticut. $2,000-3,000

88 151333/1 MAURICE CANNING WILKS (irish 1911-1984) “EARLY AUTUMN, MULROY BAY, COUNTY DONEGAL” Signed ‘Maurice C. Wilks’ bottom left; also titled on stretcher verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Frost and Reed, London.

Private Collection, Connecticut. $2,000-3,000

89 151501/9 WILLIAM BLANDFORD FLETCHER (british 1866-1936) OLD WHITBY, FISHING VILLAGE ALONG YORKSHIRE COAST, ENGLAND Signed ‘Blanford Fletcher’ bottom right, oil on canvas 20 x 16 in. (50.8 x 40.6cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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90 151331/1 DONALD GRANT (british 1930-2001) HIPPOPOTAMI Signed ‘Donald Grant’ bottom right, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: MacConnal-Mason & Son, Ltd., London.

Private Collection, South Carolina. $2,000-3,000

91 151331/3 DONALD GRANT (british 1930-2001) WILDEBEEST Signed ‘Donald Grant’ bottom right, oil on canvas 20 1/4 x 30 in. (51.4 x 76.2cm) provenance: MacConnal-Mason & Son, Ltd., London.

Private Collection, South Carolina. $2,000-3,000

92 15133 1/4 DONALD GRANT (british 1930-2001) WATER BUFFALOES Signed ‘Donald Grant’ bottom right, oil on canvas 26 x 36 in. (66 x 91.4cm) provenance: MacConnal-Mason & Son, Ltd., London.

Private Collection, South Carolina. $2,000-3,000

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93 151331/6 DONALD GRANT (british 1930-2001) ELEPHANT WITH EGRETS Signed ‘Donald Grant bottom right, oil on canvas 30 x 40 in. (76.2 x 101.6cm) provenance: MacConnal-Mason & Son, Ltd., London.

Private Collection, South Carolina. $2,500-3,500

94 151331/5 DONALD GRANT (british 1930-2001) WATER BUFFALOES WITH EGRETS Signed ‘Donald Grant’ bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: MacConnal-Mason & Son, Ltd., London.

Private Collection, South Carolina. $2,000-3,000

95 15133 1/2 DONALD GRANT (british 1930-2001) PELICANS IN FLIGHT Signed ‘Donald Grant’ bottom right, oil on canvas 16 x 22 in. (40.6 x 55.9cm) provenance: MacConnal-Mason & Son, Ltd., London.

Private Collection, South Carolina. $2,000-3,000

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96 151177/1 LAURENCE STEPHEN LOWRY (british 1887-1976) “PEEL PARK, SALFORD” Signed ‘L.S. Lowry’ and indistinctly dated bottom right, oil on canvas 16 1/8 x 12 in. (41 x 30.5cm) provenance: The Lefevre Gallery, London.

Acquired from the above.

Private Collection, Pennsylvania. exhibited: “New Paintings by L.S. Lowry”, The Lefevre Gallery, London, October, 1961, no. 21. note: One of the undisputed favorite twentieth century British painters, L.S. Lowry’s northern industrial landscapes populated by half-unreal ‘matchstick men’ have been endlessly documented and dissected. His paintings are housed in numerous important royal, private, and public collections, most prominently in The Lowry, a gallery devoted to his work and located in Salford, where he was born, and also the site of the present painting. Iconic and easily identifiable in style, Lowry’s paintings featuring factories and textile mills populated by working men and women in a state of comingand-going are nowhere as naïve or simplistic as they appear on first examination. While he described himself as “a man who paints” rather than an artist, Lowry studied at the Manchester School of Art and the Salford Royal Technical College, ultimately developing his very own unique style.

The throngs of ‘matchstick men’ that haunt Lowry’s canvases were, according to the artist, “[...] part of a private beauty that haunted (me). I loved them and the houses in the same way: as part of a vision.” Peel Park, Salford was one of his best loved subjects, and is here treated in the artist’s straightforward but dreamlike manner. Acquired by the present owner’s family directly from the Lefevre Gallery, it is presented at auction here for the first time.

The present painting will be accompanied by a copy of The Lefevre Gallery catalogue, “New Paintings by LS Lowry,” October, 1961, featuring this work (illustrated). $250,000-350,000

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97 151108/153 V. P. DE CASORATI (italian 19th century) THE CONNOISSEUR Signed, dated, and located ‘Vna P. de Casorati/ Roma/ 1899’ bottom center right, oil on canvas 59 x 29 1/2 in. (149.9 x 74.9cm) provenance: Private Collection, New Jersey. $3,000-5,000

98 151108/15 ACHILLE GUERRA (italian 1832-1903) POPE JULIUS II RECEIVING RAPHAEL Signed and dated ‘Guerra 1878’ bottom left, oil on canvas 39 1/4 x 53 3/4 in.

(99.7 x 136.5cm) provenance: Private Collection, New Jersey. note: For a related painting by Guerra, please see Sotheby’s, South Kensington, sale of October 12, 2000, lot 209. $4,000-6,000

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99 151206/3 POMPEO MASSANI (italian 1850-1920) WOMAN WITH PEARLS Signed ‘P. Massani’ upper right, oil on canvas 18 1/8 x 25 5/8 in. (46.1 x 64.9cm) provenance: Private Collection, New York, New York. $2,500-3,500

100 151063/3 A. FOLLI (italian 19th century) YOUNG GIRL WITH HER PARAKEET Signed ‘A. Folli 89’ and indisctinctly dated center right, oil on canvas 36 x 28 in. (91.4 x 71.1cm) provenance: Private Collection, New York, New York. $2,000-3,000

101 151104/3 CLAUDIO RINALDI (italian b. 1852) A PINCH OF SNUFF Signed and located ‘Rinaldi/ Firen(ze)’ upper left, oil on canvas 21 x 17 in. (53.3 x 43.2cm) provenance: Private Collection, Maryland. $1,000-1,500

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102 151501/3 GIORGIO LUCCHESI (italian 1855-1941) STILL LIFE WITH SUNFLOWERS IN A FAIENCE VASE AND DAMASK DRAPERY Signed ‘G. Lucchesi’ upper right, oil on canvas 45 1/4 x 21 3/8 in. (114.9 x 54.3cm) provenance: McClees Galleries, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. $6,000-9,000

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103 15150 1/2 RICCARDO PELLIGRINI (italian 1863-1934) THE VEGETABLE SELLER Signed ‘Riccardo Pellegrini’ bottom left, oil on canvas 25 1/2 x 15 1/4 in. (64.8 x 38.7cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

104 151437/1 FRANÇOIS BRUNERY (italian 1849-1926) A KNOCK AT THE DOOR Signed and dated ‘F. Brunery 77’ bottom right, oil on panel 12 3/4 x 9 5/8 in. (32.4 x 24.5cm) provenance: Private Collection, Pennsylvania. $1,500-2,000

105 142254/2 FEDERICO ANDREOTTI (italian 1847-1930) THE SUITOR Signed and located ‘F. Andreotti/ Firenze’ bottom right, oil on canvas 16 1/2 x 23 in. (41.9 x 58.4cm) provenance: Private Collection, New Jersey. $3,000-5,000

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106 151465/1 GIUSEPPE CADENASSO (italian/american 1858-1918) SPRING LANDSCAPE WITH MARSH Signed ‘G. Cadenasso’ bottom left, oil on canvas 18 1/8 x 16 1/8 in. (46.1 x 41cm) provenance: McClees Galleries, Haverford, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

107 151422/12 GIOVANNI PANZA (italian 1894-1989) PULLING THE CANOE ASHORE Signed ‘G. Panza’ bottom right, oil on canvas 27 x 39 in. (68.6 x 99.1cm) provenance: Private Collection, New York, New York. $2,500-3,500

108 151496/4 EMILIO ALVAREZ MOYA (spanish 19th century) “ALCALÁ DE GUADAÍRA” Signed and located ‘A/ Moya/ Alcalá de Guadaíra’ bottom right, oil on canvas 14 1/8 x 27 5/8 in. (35.9 x 70cm) provenance: J.J. Gillespie and Co., Pittsburgh, Pennsylvania.

Private Collection, New England. $5,000-7,000

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109 151358/1 PIERRE FRÉDÉRIC DE LA CROIX (french/dutch 1709-1782) PRINCESS CAROLINA FREDERICA OF SAXE-COBERG; KARL WILHELM FREDERICK OF BRANDENBERG; LOUISA AUGUSTA WILHELMINA AMALIA OF PRUSSIA; FREDERICK WILHELM I, KING OF PRUSSIA Set of four pastels on laid paper affixed to panel, each signed and dated ‘P.F. de la Croix/ Fecit 1753’ upper right; two with partial labels verso Each: 12 7/8 x 10 1/4 in. (32.7 x 26 cm) (4) provenance: Dr. van Laer Collection, Utrecht, The Netherlands, 1889.

Private Collection, New Jersey. $4,000-6,000

110 151542/5 VICTOR MAREC (french 1862-1920) SELF PORTRAIT Signed, dated, and inscribed ‘F. Villet/ 03(?)/ Victor Marec 1904’ bottom right, oil on canvas 21 5/8 x 18 1/4 in. (55 x 46.5cm) provenance: Private Collection, New York, New York. $1,000-1,500

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111 151462/5 AIMÉ PERRET (french 1847-1927) “PREMIER AVEU” Signed ‘Aimé Perret’ bottom right; also inscribed with artist and title on label verso, oil on canvas 25 1/4 x 32 in. (64.1 x 81.3cm) provenance: Edward Brandus Gallery, New York, New York.

Private Collection, New York. $7,000-9,000

112 141894/1 CHARLES EDOUARD FRÈRE (french 1837-1894) GENTLEMEN IN AN INTERIOR Signed and dated ‘Ed Frere 64’ bottom left; also with Parisian stencil verso, oil on canvas 9 3/4 x 13 1/4 in. (24.8 x 33.7cm) provenance: Private Collection, Maryland. $1,000-1,500

113 151542/2 JEAN JULES ANTOINE LECOMTE DU NOÜY (french 1842-1923) “LES ALPES ET LE DAUPHINE VUES DU MONT-PILAT (RHÖNEALPS)” Titled on stretcher verso, oil on canvas 8 1/4 x 12 1/4 in. (21 x 31cm) provenance: The Artist.

By descent in the family.

Private Collection, New York, New York.

exhibited: “From Homer to the Harem: The Art of Jean Lecomte du Noüy,” Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004. literature: “From Homer to the Harem: The Art of Jean Lecomte du Noüy,” Dahesh Museum of Art, New York, New York, June 22 - September 19, 2004, Exhibition Catalogue, p. 154, cat. no.

62, fig. 35, p. 33 & 35, (illustrated). $1,500-2,500

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114 151335/1 PIERRE-AUGUSTE RENOIR (french 1841-1919) “BAIGNEUSES” Signed with initial ‘R.’ bottom right, watercolor, gouache, and traces of oil on paper 11 1/8 x 19 1/4 in. (28.3 x 49cm) provenance: Possibly Ambroise Vollard, Paris.

Henri M. Petiet, Paris.

Hotel Druot, Paris, Estate Sale, 2000.

Christie’s, New York, sale of May 5, 2005, lot 110.

Private Collection, New York, New York. literature: A. Vollard, Tableaux, pastels et dessins de Pierre-Auguste Renoir, Paris, 1918, vol. II, p.121, (illustrated). note: Shunned by the official Parisian art establishment, Renoir and his peers, which included Edgar Degas, Claude Monet, and Alfred Sisley amongst others, exhibited their then-radical ‘Impressionist’ paintings at the Salon des Refusés. A reaction to

realist painting, the Impressionists were thus born in the 1870s, the name deriving from a comment directed at Monet’s ‘Impressionism Sunrise’ (1873) by art critic Louis Leory in Le Charivari. Between 1874 and 1886 the Impressionists mounted eight shows - their canvases continuing to elicit criticism from critics and the public alike, who considered the vibrant, bold, plein-air paintings filled with strokes of strong color

by Renoir and the other group members to be unfinished, lacking in skill and not the works of serious artists. In addition to his rich treatment of elegant figures in sundappled parks, still lifes, and landscapes, one of Renoir’s favored themes was female nudes, a subject whose depiction he did not treat humbly, including, as in the present example, bathers. It was a subject he turned to repeatedly, in oil, pastel, etching, and lithography.

The present work will be included in the Berheim-Jeune archive of authentic works

by Pierre-Auguste Renoir authored by Guy Patrice and Michael Dauberville. $50,000-70,000

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115 151462/4 VICTOR PIERRE HUGUET (french 1835-1902) TRAVELERS AND HORSES AT REST Signed ‘V. Huguet’ bottom right, oil on panel 15 x 18 1/8 in. (38.1 x 46.1cm) provenance: Galerie Bai D’Urfe, Quebec.

Private Collection, Naples, Florida. $6,000-8,000

116 151542/8 AUGUSTE (FRANÇOIS AUGUSTE) BONHEUR (french 1824-1884) LANDSCAPE WITH VIEW OF LOW LYING MOUNTAINS Stamped ‘Bonheur’ bottom left, oil on paper laid to canvas, unframed 7 1/4 x 13 in. (18.4 x 33cm) provenance: Studio of the Artist, Magny-lesHameux, near Versailles.

Private Collection, New York, New York. $1,000-1,500

117 151542/7 AUGUSTE (FRANÇOIS AUGUSTE) BONHEUR (french 1824-1884) LANDSCAPE WITH MOUNTAIN IN DISTANCE Stamped ‘Bonheur’ bottom left, oil on paper laid to canvas, unframed 6 x 12 1/8 in. (15.2 x 20.3cm) provenance: Studio of the Artist, Magny-les-Hameux, near Versailles.

Private Collection, New York, New York. $1,000-1,500 118 151542/11 CHARLES CAIUS RENOUX (french 1795-1846) ITALIAN CLOISTER Signed and dated ‘Renoux 1825’ bottom right, oil on canvas 13 x 9 1/2 in. (32 x 24cm) provenance: Private Collection, New York, New York. $1,000-1,500

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119 151501/1 EDOUARD LÉON LOUIS EDYLEGRAND (french 1892-1970) “GIRL IN GREEN DRESS” Signed and dated ‘Edy Legrand/ 29’ bottom right, oil on canvas 39 1/2 x 32 in. (100.3 x 81.3cm) provenance: Marie Sterner Gallery, New York.

Private Collection, Pennsylvania. exhibited: Lawrence Rill Schumann Art Foundation, Boston, Massachusetts, n.d.

California Palace Legion of Honor, n.d. $6,000-8,000

120 151542/4 EUGÈNE FROMENTIN (french 1820-1876) “BOULEAUX À MONTOIRE, PRÈS DE BLOIS, 1865” Signed, inscribed, and dated ‘Pour Marguerite F/ son père Eug. Fromentin/ 1865’ bottom left, oil on panel 15 3/4 x 11 1/2 in. (40 x 29.5cm) provenance: Gift of the Artist to his daughter, Marguerite.

By descent in the family.

Sotheby’s, Paris, sale of June 19, 2007, lot 123.

Private Collection, New York, New York. exhibited: “Fromentin, le peintre et l’écrivan (18201876),” La Rochelle, Bibliothèque Municipale et Musée des Beaux Arts, (probably) no. 24, (as “Arbres à Montoire”). literature: James Thompson and Barbara Wright, Eugène Fromentin, ACR, Paris, 1987, p.

210, (illustrated).

(Probably) Eugène Fromentin au Musée des Beaux-Arts de la Rochelle, 1988, p.45.

note: A highly accomplished writer as well as a painter, Eugène Fromentin worked closely in the style of his countryman Eugène Delacroix, and was a major figure associated with the nineteenth century French Romantics. While his oeuvre is comprised of a large number of views of North Africa - with a particular emphasis on Algeria Fromentin also depicted scenes of his native France, including Neuilly, influenced by his mentor, the landscapist Louis Cabat. Deftly executed, this elegant view of a figure at leisure in the central French countryside is a testament to the artist’s skills, with the bright palette of the present work being in contrast to many of the artist’s more somber pictures. $6,000-8,000

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121 151358/2 JULES-SALLES WAGNER (french 1814-1898) “LA MAISON DES CARTES” Signed ‘Salles Wagner’ bottom left, oil on canvas 28 3/4 x 21 1/4 in. (73 x 54cm) provenance: Dr. van Laer Collection, Utrecht, The Netherlands, 1889.

Private Collection, New Jersey. $1,200-1,800

122 15110 1/2 JACQUES WEISMANN (french b.1878) DRUMMER BOY Signed ‘Jacques Weismann’ upper right, oil on canvas 32 x 21 1/4 in. (81.3 x 54cm) provenance: Sotheby’s, New York, sale of July 19, 1990, lot 328.

Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Maine. $2,000-3,000

123 151437/2 HENRI JULIEN DUMONT (french 1859-1921) THE MUSIC LESSON Signed ‘H. Dumont’ bottom right, oil on canvas 31 1/8 x 24 7/8 in. (79.12 x 63.1cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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124 151206/1 GASTON BUSSIÈRE (french 1862-1929) AN EXOTIC BEAUTY Signed ‘Gaston Bussiere’ bottom left, oil on canvas 23 1/2 x 28 1/4 in. (59.7 x 71.8cm) provenance: Christie’s, New York, sale of June 2, 2005, lot 134.

Acquired from the above.

Private Collection, New York, New York. $6,000-8,000

125 151206/2 A. GUIBERT (french 19th century) EXOTIC DANCER Signed ‘A. Guibert’ bottom left, oil on canvas 32 1/4 x 19 5/8 in. (81.9 x 49.7cm) provenance: Private Collection, New York, New York. $3,000-5,000

126 151501/6 ANTOINE CALBET (french 1860-1944) JEUNE FILLE AUX FLEURS Signed and dated ‘A. Calbet 1920’ bottom left; also inscribed with ‘Emballeur Exposition de...’ on stretcher label verso, oil on canvas 27 x 36 1/4 in. (68.6 x 92.1cm) provenance: Private Collection, Pennsylvania. note: For a related painting by Calbet, please see Cornette de Saint-Cyr, Paris, sale of June 14, 2006, lot 37. $2,000-3,000

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127 151417/1 GEORGES D’ESPAGNET (french 1870-1950) “FLEURS” Signed with initials ‘G d E’ bottom right, oil on panel 18 x 14 1/4 in. (45.7 x 36.2cm) provenance: Wally Findlay Galleries, New York, New York.

Sotheby’s, New York, sale of September 29, 2007, lot 130.

Acquired from the above.

Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

128 151148/26 LEONOR FINI (argentine/french 1908-1996) PORTRAIT OF HILARY KOPROWSKI Signed ‘Leo*** Fini’ bottom right; also with ‘Blanchet Paris’ preparer’s stencil verso, oil on canvas 13 3/4 x 10 5/8 in. (34.9 x 26.8cm) provenance: The Artist.

Acquired from the above.

The Estate of Hilary and Irena Koprowski. $2,000-3,000

129 15106 3/4 EDOUARD JEAN DAMBOURGEZ (french 1844-1931) CHEZ UN AMI Signed and dated ‘E. Dambourgez 1882’ bottom right, oil on canvas 31 3/4 x 46 in. (81 x 116.8cm) provenance: Private Collection, New York.

Christie’s East, sale of May 23, 1995, lot 296.

Private Collection, New York. $4,00-6,000

130 14254 1/2 FOLLOWER OF JEAN FRANÇOIS MILLET (french 1814-1875) BOY WITH FLUTE Bears initials ‘JFM’ lower left, oil on canvas 16 1/4 x 13 in. (41.3 x 33cm) provenance: Mr. M. B. Berman, New York, New York.

By descent in the family.

Private Collection, Maryland. $2,000-3,000

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131 151504/4 RAOUL DUFY (french 1877-1953) “CHAMP DE COURSES À CHANTILLY” Signed ‘Raoul Dufy’ bottom right, watercolor on paper 19 5/8 x 25 5/8 in. (50 x 65cm) provenance: Palais Galleria, sale of June 17, 1976.

Briest, Paris, sale of December 15, 2000, lot 65.

Sotheby’s, New York, sale of November 8, 2001, lot 164A. Christie’s, London, sale of June 28, 2001, lot 444.

Galerie Fabien Boulakia, Paris.

Acquired from the above, 2004.

Private Collection, Washington, DC. exhibited: “12 Aquarelles de Courses de Raoul Dufy”, Hôtel Georges V, Paris, 1972. literature: Fanny Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des Aquarelles, Gouaches et Pastels, Paris, 1981, vol. 1, p. 324, no. 889. $40,000-60,000

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132 151496/3 ANDRÉ CLAUDOT (french 1892-1982) “DANS LA VIGNE (LE MATIN)” Signed ‘A Claudot’ bottom right, oil on canvas 25 1/2 x 32 in. (64.8 x 81.3cm) provenance: Galerie Cardo, Paris.

Private Collection, New England. $5,000-7,000

133 151504/3 JEAN MIOTTE (b. 1926) UNTITLED (ABSTRACT COMPOSITION) Signed ‘Miotte’ bottom right, oil on canvas 39 1/2 x 32 in. (100.3 x 81.3cm) provenance: Galerie Frédéric Gollong, Saint-Paul-de-Vence, France.

Acquired from the above, 1986.

Private Collection, Washington, DC. $2,500-3,500

134 151492/1 JEAN JANSEM (french 1920-2013) PORTRAIT OF A WOMAN WITH HEAD SCARF Signed ‘Jansem’ bottom left, oil on canvas 25 3/4 x 18 1/4 in. (65.4 x 46.4cm) provenance: Private Collection, Washington, DC. $2,500-3,500

135 151101/3 JEAN KEVORKIAN (french b.1933) “CHEMIN EN AUTOMNE” Signed ‘Jean Kevorkian’ bottom right, oil on canvas 23 3/8 x 28 1/2 in. (59.6 x 72.4cm) provenance: Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Maine. $1,000-1,500

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136 151422/13 SERGE SHART (french 1927-2011) “LA NEIGE À GONESSE” Signed and dated ‘Shart 62’ bottom left; also inscribed on artist’s stretcher label verso, oil on canvas 39 1/4 x 28 3/4 in. (99.7 x 73cm) provenance: Private Collection, New York, New York. $1,200-1,800

137 142364/2 JULES PASCIN (french 1885-1930) “HERMINE” Signed ‘Pascin’ bottom right, crayon, watercolor, and pencil on paper 10 5/8 x 7 7/8 in. (26.5 x 19.5cm) provenance: Makler Gallery, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. literature: Yves Hemin, et al, Catalogue Raisonné of the Paintings, Watercolors, Pastels and Drawings, Paris, 19842010, vol. 1, no. 322, p. 165 (illustrated). $1,000-1,500

138 151501/7 MAXIME MAUFRA (french 1861-1918) LANDSCAPE AT DAWN Signed ‘Maufra’ bottom right, watercolor and charcoal on paper Sight size: 9 x 11 1/4 in.

(22.9 x 28.6cm) provenance: Brooks Reed Gallery, Boston, Massachusetts.

Private Collection, Pennsylvania. $1,000-1,500

139 142364/1 ARISTIDE MAILLOL (french 1861-1944) “NU” Signed with monogram bottom center right, charcoal on brown paper 12 1/2 x 8 1/2 in. (31.8 x 21.6cm) provenance: Makler Gallery, Philadelphia, Pennsylvania.

Perls Gallery, New York, New York.

Private Collection, Pennsylvania. $1,000-1,500

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140 151386/2 LUCIEN ADRION (french 1889-1953) STREET IN BIÈVRES Signed ‘Adrion’ bottom right, oil on canvas 18 x 21 5/8 in. (45.7 x 54.8cm) provenance: The Artist.

Acquired from the above.

By descent in the family.

Private Collection, New York, New York. $2,500-4,000

141 151386/1 LUCIEN ADRION (french 1889-1953) APPARTEMENT PARISIEN Signed, dated, and inscribed ‘à Mme. Garvin en toute sympathie/ Adrion 25.5.49’ bottom right, oil on canvas, unframed 21 1/4 x 25 5/8 in. (54 x 65cm) provenance: The Artist.

Acquired from the above via Artist’s commission, 1949.

By descent in the family.

Private Collection, New York, New York. $4,000-6,000

142 151384/1 LUCIEN ADRION (french 1889-1953) RIVER PAYSAGE Signed ‘Adrion’ bottom right, oil on canvas 13 1/8 x 16 1/8 in. (33.4 x 41cm) provenance: Private Collection, Utah. $1,500-2,000

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143 151432/1 ANTOINE (ANTO) CARTE (belgian 1886-1954) “L’ENFANT ROI” Signed and dated ‘Anto Carte/ 1919’ bottom right; also inscribed with artist on label verso, watercolor on paper 30 x 16 1/4 in. (76.2 x 41.3cm) provenance: The Collection of Madame A. Neyrinck, Brussels.

By descent in the family.

Private Collection, New York, New York. exhibited: “Anto Carte.” Société Auxiliaire des Expositions du Palais des Beauxarts, Brussels, 1959. note: Belgian artist Antoine (Anto) Carte’s works are unique in that they include characteristics of symbolism, naturalism, and expressionism. His subjects are inspired by the lives of laborers such as miners, farmers, and fishermen.

The son of a furniture maker and carpenter, he attended the Academy of Mons and Brussels from 1897 to 1908, where he studied with artists such as Constant Montald, Émile Fabry, and Jean Delville. These important Symbolist painters profoundly influenced his practice and his style. From 1912 to 1913 Carte traveled to Paris on a scholarship to work for the Ballets Russes, and came into contact with Russian artists such as Léon Bakst, Pierre Puvis de Chavannes, and Maurice Denis. After having several exhibitions in Brussels, Paris, and other European cities, a major retrospective of his work was held at the Carnegie Institute Pittsburgh in 1925, which ensured long-term success with the American public.

A teacher, scholar, and successful artist, Carte founded an expressionist style group with his friends in 1928. He also produced drawings, engravings, book illustrations, posters, lithographs, banknotes, stamps, fresco design, sculpture, stained glass windows, and carpets. $10,000-15,000

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145

144 151501/5 HENRI VAN SEBEN (belgian 1825-1913) GATHERING WOOD Signed and dated ‘H van Seben 1866’ bottom right, oil on canvas 21 7/8 x 28 1/8 in. (55.6 x 71.4cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

147

145 158029/5 PETRUS PAULUS SCHIEDGES, THE ELDER (dutch 1812-1876) GRAIN BARGES OFF THE COAST OF EAST ANGLIA Signed and dated ‘Schiedges 61’ bottom left, oil on panel 9 5/8 x 13 3/8 in. (24.4 x 334cm) provenance: Private Collection, Virginia. $1,500-2,500

146 141287/15 JACOB JAN VAN DER MAATEN (dutch 1820-1879) COWS IN A MEADOW Signed ‘JJ vd MAATEN f ‘ bottom left, oil on canvas 13 5/8 x 19 7/8 in. (34.3 x 50cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

147 151202/1 EDGARD FARASYN (belgian 1858-1938) THE PRINCESS IN THE TOWER (EDWARD V AND THE DUKE OF YORK) Signed ‘Farasyn’ and indistinctly dated bottom left, oil on canvas 31 x 37 3/8 in. (78.7 x 95.2cm) provenance: Sotheby’s, London, sale of July 17, 2002, lot 338.

Private Collection, Maryland. note: The present work follows Paul Hippolyte Delaroche’s (French 17971856) painting in the Historic Royal Palaces, Tower of London. $2,000-3,000

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149

148 151462/3 EUGENE RÉMY MAES AND JAN DAVID COL (belgian 1849-1931) and (belgian 1822-1900) FARMYARD Signed ‘E.R. Maes/D. Col’ bottom right; also inscribed ‘The undersigned declares that this picture has been painted by himelf/ to the order of A. DH (?) of Antwerp/ E.R. Maes/ Je declare avoir peint les figures ci contre/ David. Col. Antwerp’ verso, oil on canvas 17 x 26 in. (43.2 x 66cm) provenance: Private Collection, New York. $3,000-5,000 149 142418/2 EUGENE RÉMY MAES AND JAN DAVID COL (belgian 1849-1931) and (belgian 1822-1900) OFFICER AND MAIDEN Signed ‘E. R. Maes/ D. Col’ center right; also inscribed ‘Je soussigné declare que le tableau ei contre cot original et peint par mei, E. R. Maes/ Je déclare avoir peint les figures eicontre, David Col. Antwerp.’ verso, oil on canvas 31 1/2 x 25 5/8 in. (80 x 64.9cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

150 150 151455/1 FLORENT WILLEMS (belgian 1823-1905) THE DAY’S LABORS Inscribed with artist on label verso, oil on panel 22 x 16 1/4 in. (55.9 x 41.3cm) provenance: Private Collection, Vermont. $3,000-5,000

151 151 151422/11 F. DE WIT (belgian 19th-20th century) FLORAL STILL LIFE WITH TILED WALL Signed, dated, and indistinctly inscribed ‘F. De Wit/ Richmond (?)/ 1884’ bottom center left, oil on panel 24 3/4 x 20 5/8 in. (62.9 x 52.2cm) provenance: Private Collection, New York, New York. $2,000-3,000

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152 151451/3 RUDOLF ERNST (austrian 1854-1932) SPINNING YARN IN THE HAREM Signed and dated ‘R. Ernst 86’ bottom right, oil on panel 24 x 20 1/8 in. (61 x 51.2cm) provenance: Frederick Thom Gallery, Toronto.

Acquired from the above.

The collection of Dr. and Mrs. L.S. Morgan.

By descent in the family.

Private Collection, Midwest. note: Rudolf Ernst was one of the leading second generation Orientalist painters, following in the tradition of earlier painters such as Horace Vernet, Eugène Delacroix, Alexandre-Gabriel Decamps and Théodore Chasseriau. Well before the late eighteenth and early nineteenth centuries when those artists painted romanticized scenes of life in North Africa, prominent Renaissance, Baroque and Rococo artists included figures in Middle Eastern dress in many of their compositions. Reaching its zenith in the nineteenth century, Orientalism as a recognized art movement coincided with European fascination with antiquity and the Near East. Practitioners of Orientalist art tended to focus their attention on genre scenes, including sumptuous interiors replete with recumbent odalisques, hookahs, oriental and tiger skin rugs, decorative tiles and all manner of accoutrements. Ernst began depicting Orientalist themes in the 1880s following his travels to Constantinople, Tunis, Egypt, Morocco and Spain. In an interesting example of life imitating art, Ernst is said to have not only decorated his home in an Ottoman style but to have painted while wearing an Eastern tasseled cap. $100,000-150,000

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153 OWNED/507 FRANZ HECKENDORF (german 1888-1962) MIXED FLOWERS Signed and dated ‘F. Heckendorf 32’ bottom right, oil on canvas 29 1/2 x 39 1/4 in. (74.9 x 99.7cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

154 151024/1 ROBERT SCHIFF (austrian 1869-1935) THE NEW BABY Signed and located ‘Robert Schiff Wien’ bottom left; also dated and inscribed ‘1915/ 2090’ on stretcher bar label verso 28 x 23 5/8 in. (71.1 x 60cm) provenance: Sotheby’s, New York, sale of October 24, 1996, lot 410.

Private Collection, Virginia. $3,000-5,000

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155 141987/21 RUDOLPH EPP (german 1834-1910) PORTRAIT OF A LADY Signed ‘R. Epp’ bottom center right, oil on panel 8 5/8 x 6 1/4 in. (21.6 x 15.9cm) together with: BARBIZON SCHOOL (19th century) INTÉRIEUR DE FORÊT With Parisian stencil verso, oil on board 9 5/8 x 12 3/4 in. (24.2 x 32.4cm) (2) provenance: Property of a New Jersey estate. $1,200-1,800

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157 141774/27 JULIUS HERMANN KUMMER (german 1817-1872) EXTENSIVE LANDSCAPE WITH BOATERS Signed ‘J. Kummer’ bottom left, oil on canvas 30 1/4 x 40 1/8 in. (76.8 x 101.9cm) provenance: Private Collection, New Jersey. $1,500-2,000 158 141458/2 NEL (NELIUS) GRÖNLAND (german 1859-1918) AFTER THE HUNT Signed and dated ‘Nel Grönland 1899’ bottom left, oil on canvas 26 x 46 in. (66 x 116.8cm) provenance: Private European Collection.

Acquired from the above, ca. 1920s.

By descent in the family.

Private Collection, Virginia. $1,500-2,000

156 151535/1 WILHELM (WILLI) LORENZ (german 1901-1981) STAGS IN A CLEARING Signed ‘Willi Lorenz’ bottom right; also signed ‘Willi Lorenz’ verso, oil on canvas 23 7/8 x 31 3/4 in. (60.6 x 80.6cm) provenance: Kunst Schaefer, Wiesbaden, Germany.

Private Collection, Maryland. $1,000-1,500

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159 151272/4 SÁNDOR BRODSZKY (hungarian 1819-1901) DEER WATERING Signed and dated ‘A. Brodszky 1855’ bottom left; also with ‘MUNCHEN’ preparer’s stamp verso, oil on canvas 25 1/2 x 23 1/4 in. (64.8 x 59.1cm) provenance: Private Collection, New Jersey. $3,000-5,000

160 151493/1 GEORGI ALEXANDROVICH LAPCHINE (russian 1885-1950) FLOWER MARKET, PARIS Signed ‘G. Lapchine’ bottom right, oil on canvas 8 5/8 x 10 3/4 in. (21.9 x 27.3cm) together with: PARISIAN BRIDGE VENDORS WITH NOTRE DAME CATHEDRAL IN THE DISTANCE Signed ‘G. Lapchine’ bottom left, oil on canvas 8 3/4 x 10 5/8 in. (22.2 x 27cm) (2) provenance: Private Collection, Texas. $2,000-3,000

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161 151148/21 FELIKS TOPOLSKI (polish 1907-1989) FIVE DRAWINGS; INCLUDING WINSTON CHURCHILL, BERTRAND RUSSELL AND HYDE PARK, SUMMER Four signed ‘Feliks Topolski,’ also with inscriptions; three dated: ‘1940’, ‘1942’, and ‘1946’, pen and ink and pencil on paper Largest, sight size: 9 3/4 x 7 3/8 in. (24.8 x 19cm) (5) provenance: J. Davey & Sons, Manchester, (“Hyde Park” drawing).

The Estate of Hilary and Irena Koprowski. $1,000-1,500

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162 151376/1 LÉON BAKST (russian 1866-1924) LA COEUR DE LA MARQUISE Inscribed in Cyrillic, signed, and dated ‘L Bakst/ 1900’ bottom right, pencil, ink, watercolor, and gouache on paper laid to card 12 x 9 in. (30.5 x 22.9cm) provenance: Private Collection, Massachusetts.

Acquired from the above.

Private Collection, New York, New York. $4,000-6,000

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163 142505/2 LUDOLF LIBERTS (latvian/american 1895-1959) THE TOWER BRIDGE, LONDON Signed ‘L. Liberts’ bottom right, oil on canvasboard 22 1/2 x 17 1/4 in. (57.2 x 43.8cm) provenance: Marquand Gallery, New York & Paris.

Presumably acquired from the above.

Private Collection, New York, New York.

By descent in the family.

Private Collection, New York, New York. $3,000-5,000

164 141458/1 DIMITRI EMIL’EVICH MARTEN (russian 1860-1918) BLACK FOREST Signed in Cyrillic and dated ‘1901’ bottom left, oil on canvas 36 x 61 in. (91.4 x 154.9cm) provenance: Private European Collection.

Acquired from the above, ca. 1920s.

By descent in the family.

Private Collection, Virginia. $20,000-30,000

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(front)

165 151392/1 IVAN FEDOROVICH CHOULTSÉ (russian 1877-1932) MOUNTAIN SUNRISE Signed ‘Iw. F. Choultsé’ bottom left with: LANDSCAPE AT DUSK and LANDSCAPE AT DAWN verso, oil on board 9 1/2 x 12 1/4 in. (24.1 x 31.1cm) provenance: Private Collection, New York, New York. note: For a similar painting by Choultsé, please see Shapiro Auctions, New York, sale of February 16, 2013, lot 94. $12,000-18,000

(back)

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166 151204/3 VICTOR VULCOV (russian 19th century) TROIKA IN WINTER Signed ‘V. Wulkow’ bottom left, oil on canvas 19 3/4 x 32 1/8 in. (50.2 x 81.6cm) provenance: Doyle, New York, sale of December 7, 2010, lot 83.

Private Collection, New York, New York. $2,000-3,000

167 151090/4 MANNER OF VASILI VASILIEVICH VERESHCHAGIN (russian 1842-1904) COSSACK ON HORSEBACK Bears signature ‘Vereshchagin’ bottom right, oil on copper 9 1/8 x 7 in. (23.2 x 17.8cm) provenance: The Estate of Dr. Philip Mouer, York, Pennsylvania. $1,200-1,800

168 141360/2 CONSTANTIN ALEKSANDROVICH WESTCHILOFF (russian 1877-1945) SNOW COVERED BRIDGE Signed ‘C. Westchiloff’ bottom left, oil on canvas 21 3/8 x 25 9/16 in.

(53.9 x 64.9cm) provenance: Private Collection, New Jersey. $2,500-3,500

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169 151108/64 FRANCISZEK ZMURKO (polish 1859- 1910) LADY IN HER BOUDOIR Signed and dated ‘F Zmurko/ 18’ bottom right, oil on canvas 63 x 77 3/4 in. (160 x 197.5cm) provenance: Private Collection, New Jersey. $6,000-9,000

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170 151542/1 HEINRICH HENSEN (danish 1821-1890) THE SPANISH SHEPHERD Signed with initials ‘H.H.’ bottom left; located and dated ‘Granada 50’ bottom right; also signed ‘Heinrich Hensen’ and inscribed ‘N.10’ verso, oil on board 10 x 8 5/8 in. (25.5 x 22cm) provenance: Private Collection, New York, New York. $2,000-3,000

171 141360/7 PHILIP BARLAG (norwegian 1840-1913) SKIPPING STONES ALONG THE LAKE Signed 'Barlag' and indistinctly dated bottom right, oil on canvas 37 x 54 in. (94 x 137.2cm) provenance: Georg Mørch, Ramme Og Kunsthandel.

Private Collection, New Jersey. $3,000-5,000

172 141360/4 MORTEN MÜLLER (norwegian 1828-1911) VIEW ACROSS THE VALLEY Signed and dated ‘M. Müller 1851’ bottom right, oil on canvas 13 1/2 x 18 3/4 in. (34.3 x 47.6cm) provenance: Georg Mørch, Ramme Og Kunsthandel.

Private Collection, New Jersey. $1,000-1,500

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173 141360/5 CARL WILHELM BARTH (norwegian 1847-1919) BOATING ON A CALM LAKE Signed with initials ‘C.W.B.’ bottom left, oil on canvas 16 3/8 x 24 3/4 in. (41.8 x 60.3cm) provenance: Georg Mørch, Ramme Og Kunsthandel.

Private Collection, New Jersey. $2,000-3,000

174 141360/6 CHRISTIAN ERIKSEN SKREDSVIG (norwegian 1854-1924) HUNTERS SETTING OFF Signed and dated ‘Skredsvig 92’ bottom right; also inscribed ‘Skredsvig 1892’ on stretcher verso, oil on canvas 20 1/8 x 39 3/4 in. (51.1 x 101cm) provenance: Georg Mørch, Ramme Og Kunsthandel.

Private Collection, New Jersey. $3,000-5,000

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175 151422/15 MOSHE CASTEL (israeli 1909-1992) PORTRAIT OF A YOUNG MAN Signed ‘Castel’ bottom left, oil on canvas 15 x 18 1/8 in. (38.1 x 46.1cm) provenance: Private Collection, New York, New York. $2,000-3,000

176 151542/12 TOSHIO BANDO (japanese/french 1895-1973) 5 HERRINGS ON A PLATE Signed ‘Bando’ and ‘Toshio’ (in Japanese) bottom right, oil on canvas 9 7/16 x 13 in. (24 x 33cm) provenance: Millon & Associés, sale of March 28, 2008, lot 52.

Private Collection, New York, New York. exhibited: Galerie Chéron, Paris, ca. 1925. $3,000-5,000

177 151496/5 HENRI RONDEL (french 1857-1919) ELEGANT INTERIOR Signed ‘H. Rondel’ bottom right, oil on canvas 24 1/4 x 13 3/8 in. (61.6 x 34.2cm) provenance: Private Collection, New England. $4,000-6,000

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178 151335/2 FRANCISCO ZÚÑIGA (mexican 1912-1998) “DOS MUJERES SENTADAS” Signed and dated ‘Zgà 1970’ bottom left, blue and brown conte crayon on paper 19 5/8 x 25 1/2 in. (50 x 64.8cm) provenance: The Artist.

Acquired from the above.

Bonham's, San Francisco, sale of May 1, 2005, lot 158.

Private Collection, Pennsylvania. note: The authenticity of the present drawing has been kindly confirmed by the Artist’s son, Mr. Ariel Zúñiga. $3,000-5,000

179 151185/5 FEVZI KARAKOC (turkish, b. 1947) COMPOSITION (FIGURES ON HORSEBACK) Signed and dated ‘Fevzi Karakoc 89’ bottom right, watercolor on paper 20 7/8 x 15 3/8 in. (52.8 x 39.3cm) provenance: Tem Sanat Galerisi, Istanbul.

Private Collection, South Africa. $1,000-1,500

180 151543/1 HANS ERNI (swiss 1909-2015) NUDE Signed ‘Erni’ bottom right, charcoal on paper 19 3/4 x 27 1/2 in. (50.2 x 69.9cm) provenance: Private Collection, Maryland. $1,000-1,500

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181 158042/2 MARIO URTEAGA ALVARADO (peruvian 1875-1957) WOMEN MAKING TEXTILES Signed and dated ‘M. Urteaga 1939’ bottom right, oil on canvas 17 1/2 x 23 1/8 in. (44.5 x 58.8cm) provenance: Private Collection, North Carolina. $3,000-5,000

182 158042/1 IGNACIO AGUIRRE (mexican 1900-1990) LANDSCAPE WITH HUTS ‘Signed and dated ‘I. Aguirre 47’ bottom right, oil on cavas laid to board 19 5/8 x 25 1/2 in. (49.1 x 64.8cm) provenance: Private Collection, North Carolina. $2,500-3,500

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183 151208/1 GIORGIO DE CHIRICO (italian 1888-1978) “CONVERSAZIONE MISTERIOSA” FROM “MYTHOLOGIE” 1934. Pencil signed and numbered ‘87/120’ in the margin, lithograph 9 1/2 x 7 1/16 in. (24.1 x 17.9cm) Quatre Chemins, publisher.

[Ciranna 91] provenance: Private Collection, New Jersey. $1,000-1,500

184 151504/2 ALBERTO GIACOMETTI (swiss 1901-1966) “NU DEBOUT II” 1961. Edition of 75. Signed ‘Alberto Giacometti’ bottom right and numbered ‘56/75’ bottom left, lithograph 29 7/8 x 22 1/8 in.

(75.9 x 56.2cm) Maeght Editeur, Paris, publisher.

[Lust 36] provenance: Private Collection, Washington, DC. $3,000-5,000

185 142581/1 ANDRÉ MASSON (french 1896-1987) “LE MORT” 1964. Set of nine color etchings and aquatint. Each pencil signed and numbered ‘29/60’ in the margin, each unframed.

Au Vent d’Arles, Paris, publisher.

Each: 9 1/8 x 13 in. (23.2 x 33cm) [Saphire/Cramer 66] (9) provenance: Swann Galleries, sale of March 3, 2011, lot 605.

Private Collection, New Jersey. $1,500-2,000

184

183

186 151313/1 PIERRE BONNARD (french 1867-1947) “PLACE LE SOIR” FROM “QUELQUES ASPECTS DE LA VIE DE PARIS” 1899. Edition of 100. Color lithograph.

10 7/8 x 15 3/16 in. (27.7 x 38.6cm) Ambroise Vollard, Paris, publisher.

[Bouvet 64] provenance: Ferdinand Roten Galleries, Inc., Baltimore, Maryland.

Private Collection, Pennsylvania. $2,000-3,000

185 (one of nine)

END OF SALE

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Index Adrion, L., 140, 141, 142 Aguirre, I., 182 Alvarado, M.U., 181 Andreotti, F., 105 Angus, M.L., 77 Bakst, L., 162 Bando, T., 176 Barbizon School, 155 Barenger, J., 75 Barlag, P., 171 Barth, C.W., 173 Bison, G.B., 17 Bonheur, A., 116, 117 Bonnard, P., 186 Boucher, F., 9, 20 British School, 73, 74, 82, 83, 85 Brodszky, S., 159 Brunery, F., 104 Bussière, G., 124 Cadenasso,G., 106 Calbet, A., 126 Campi, V., 32 Caron, A., 37 Carte, A., 143 Carter, H., 54 Castel,M., 175 Choultsé, I.F., 165 Clark, W., 63 Claudot, A., 132 Clowes, H., 79 Constable, J., 59 Continental School, 19, 25 Crawford, E.T., 61 Crivelli, F., 19 Cuyp, A., 45 d'Espagnet, G., 127 Dambourguez, E.J., 129 de Backer, J., 38 de Casorati, V. P., 97 de Chirico, G., 183 de Goya, F., 7, 8 de la Croix, P.F., 109 de Wit, F., 151 Delacroix, E., 16 Dolci, C. 30 Dufy, R., 131 Dumont, H.J., 123

Dürer, A., 1 Dutch School, 24 Edy-Legrand, E.L.L., 119 Emilian School, 33 Epp, R., 155 Erni, H., 180 Ernst, R., 152 Farasyn, E., 147 Fiasella, D. (Called Il Sarzana), 21 Fini, L., 128 Fletcher, W.B., 89 Folli, A., 100 Frère, C.E., 112 Frith, W.P., 70, 71 Fromentin, E., 120 Gandolfi, U., 21 Genoese School, 21 Giacometti, A., 184 Gonzaga, P.D.G., 13 Goodall, F., 60 Grant, D., 90, 91, 92, 93, 94, 95 Grönland, N., 158 Guardi, G., 18 Guerra, A., 98 Guibert, A., 125 Harper, E.S., 69 Heckendorf, F., 153 Hensen, H., 170 Herring, J.F., 76 Hopkins, W.H., 78 Huguet, V.P., 115 Italian School, 15, 23, 27 Jansem, J., 134 John, A.E., 57 Karakoc,F., 179 Kevorkian, J., 135 Kummer, J.H., 157 Lapchine, G.A., 160 Leader, B.W., 67 Lecomte Du Noüy, J.J.A., 113 Leiden School, 43 Liberti, 22

Liberts, L., 163 Liebermann, M., 48 Lorenz, W., 156 Lowry, L.S., 96 Lucchesi, G., 102

Severn, J., 72 Shart, S., 136 Shee, M.A., 84 Skredsvig, C.E., 174 Stouf, J.B., 34

Maes E.R. & Col, J.D., 148, 149 Maillol, A., 139 Marec, V., 110 Marten, D.E., 164 Massani, P., 99 Masson, A., 185 Maufra, M., 138 Mazzuchielle, P.F. (Called Morazzone), 10 Mercier, P., 36 Millet, J.F., 130 Miotte, J., 133 Monginot, C., 14 Moya, E.A., 108 Müller, M., 172

Titian, 28, 29 Topolski, F., 161 Tourrier, A.H., 81

Neapolitan School, 11, 64 Niemann, E.J., 55 Nooms, R., (Called Zeeman), 41

Wagner, J.S., 121 Wainwright, J., 62 Watson, W.R.C., 80 Watteau, J.A., 21 Webb, J., 66 Webb, J.W., 65 Weismann, J., 122 Westchiloff, C.A., 168 Wilks, M.C., 87, 88 Willems, F., 150

Panza, G., 107 Parmigianino, 6 Pars, W., 56 Pascin, J., 137 Pelligrini, R., 103 Perret, A., 111 Pyne, J.B., 68 Raphael, 31 Redon, O., 47 Renoir, P.A., 114 Renoux, C.C., 118 Rigaud, H., 35 Rinaldi, C., 101 Roberts, D., 50, 51, 52, 53 Romney, G., 58 Rondel, H., 177 Rosa, S., 8 Rousseau, T., 49 Rubens, P.P., 44 Schiedges,P.P., 145 Schiff, R., 154 Senior, M., 86

Valeriani, G., 12 van der Croos, J., 39 van der Kerckhoven, J., 26 van der Maaten, J.J., 146 van Dyck, A. 46 van Laer, P.J., 42 van Rijn, R., 2, 3, 4, 5 van Seben, H., 144 van Wittel, G., 40 Vereshchagin, V.V., 167 Vulcov, V., 166

Zmurko, F., 169 Zúñiga, F., 178

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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date.

Collection hours are Monday–Friday, 9:30am–4:30pm.

For larger items, please email bmobbs@freemansauction. com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com

The Packaging Store ‡ Duane Freed 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com

Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com

UPS Store ‡ John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 | Fax: 215.629.4992 store4242@theupsstore.com

Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com VG Packaging LLC ‡ Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 | Fax: 484.552.8744 quotes@vgpackagingllc.com FURNITURE & LARGE ITEMS For larger pieces when delivery time is not a rush, we suggest: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com ‡ Shippers that can fulfill international deliveries

v1.2015

Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency

in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor.

Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania. v1.2015

bidding & registration form sale no

bidder no

name

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com

client no

business name

address city

state

zip code

e-mail

phone (primary)

phone (secondary)

country

fax

resale / tax identification

state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of hammer price of each lot, 20% on the hammer from $100,001 through $2,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account no

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

q id confirmed

(signature required to execute your bids)

q please send me information to subscribe to freeman’s catalogs v1.2015

Directory Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President Hanna Dougher Chief Operating Officer

Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Mark Beckerman mbeckerman@freemansauction.com Marketing & Communication Tara Theune Davis ttdavis@freemansauction.com

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com American Silver Samuel M. Freeman II beaufreeman@freemansauction.com Asian Arts Richard A. Cervantes rcervantes@freemansauction.com Books, Manuscripts, Maps & Ephemera David Bloom dbloom@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Thomas B. McCabe IV tmccabe@freemansauction.com

English & Continental Furniture & Decorative Arts David Walker dwalker@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Michael Larsen, GIA GG mlarsen@freemansauction.com Virginia B. Salem, GIA GG vsalem@freemansauction.com

Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com

Modern & Contemporary Art Anne Henry ahenry@freemansauction.com

Photography Elizabeth Field efield@freemansauction.com

Musical Instruments Frederick Oster foster@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Oriental Rugs & Tapestries Richard A. Cervantes rcervantes@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Photographs & Photobooks Christiana Scavuzzo cscavuzzo@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu David Walker dwalker@freemansauction.com

v2.2015

www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 | Fax-215.563.8236