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European Art & Old Masters
1808 Chestnut Street Philadelphia Pennsylvania 19103 T 215.563.9275 | F 215.563.8236
January 25, 2016
EUROPEAN ART & OLD MASTERS JANUARY 25, 2016
European Art & Old Masters
Auction
Exhibitions
Sale 1536 Monday, January 25, 2016 at 10am 1808 Chestnut Street, Philadelphia PA 19103 Thursday, January 21 Friday, January 22 Saturday, January 23 Sunday, January 24
10:00am-5:00pm 10:00am-5:00pm 12:00pm-5:00pm 12:00pm-5:00pm
By appointment only on the morning of the sale Catalogue
$32 in the gallery $38 domestic mail $44 international mail Front Cover: Lot 203 Inside Front Cover: Lot 161 Inside Back Cover: Lot 82 Visit www.freemansauction.com/catalogue-subscriptions or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.
Important Information for Buyers
Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.
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v1.2016
European Art & Old Masters Department
David Weiss Senior Vice President | Department Head dweiss@freemansauction.com 267.414.1214
Alasdair Nichol Vice Chairman | Head of Fine Arts anichol@freemansauction.com 267.414.1211
Molly Morrow Department Administrator mmorrow@freemansauction.com 267.414.1253
Melissa Arundell Bids Department marundell@freemansauction.com 267.414.1208
Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242
Client Services
Mary Maguire Carroll Director | Client Services mmaguire@freemansauction.com 267.414.1236
European Art & Old Masters lots 1-257
Lot 138 (detail)
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1 152358/3 REMBRANDT VAN RIJN (dutch 1606-1669) THE FOURTH ORIENTAL HEAD C. 1635. Etching. 4 15/16 x 4 3/16 in. (12.5 x 10.6cm) [Bartsch 289; Hind 134] provenance: Private Collection, New Jersey. $4,000-6,000
2 158133/1 REMBRANDT VAN RIJN (dutch 1606-1669) THE PERSIAN C. 1632. Etching, Basan impression 4 1/4 x 3 1/16 in. (10.8 x 7.8cm) [Bartsch 152; Hind 93] provenance: Private Collection, Virginia. $1,000-1,500
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3 151742/3 GIOVANNI BENEDETTO CASTIGLIONE (italian 1609-1664) TOBIT BURYING THE DEAD C. 1650. Etching, unframed 8 x 11 3/4 in. (20.3 x 29.8cm) [Bartsche 5; Percy 20] provenance: Private Collection, Massachusetts. $1,000-1,500
4 151560/1 LUCAS VAN LEYDEN (dutch 1494-1533) ECCE HOMO Engraving on laid paper with coat of arms watermark, unframed 11 1/4 x 17 9/16 in. (28.6 x 44.6cm) [Bartsch 71; Hollstein 71] provenance: Private Collection, New Jersey. $1,000-1,500
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5 151986/2 NORTHERN ITALIAN SCHOOL (16th century) STUDIES FOR SAMSON AND DELILAH With encircled anchor watermark (close to Briquet 578, Treviso/Venice c. 1506), red and black chalk on buff wove paper 9 x 10 1/8 in. (22.7 x 26.8cm) provenance: Private Collection, Washington, D.C. $1,000-2,000
6 152496/5 WORKSHOP OF RAPHAEL (italian 16th century) ABRAHAM WITH THREE ANGELS Pen and brown ink with grayish-brown washes on paper, laid down on an old mount 8 x 11 3/4 in. (20.2 x 27.1 cm) provenance: Private Collection, Massachusetts. note: The present lot is a copy after a lost drawing by Giovanfranceso Penni depicting an earlier phase of the design for the fresco on the vault of the fourth bay of ‘Raphael’s Loggia,’ Vatican Palace, Rome. Raphael designed the entire interior of the Loggia, but the artists in the workshop (especially Giulio Romano and G.F Penni) executed many drawings and execution of frescoes after Raphael’s death. See N. Dacos, The Loggia of Raphael. A Vatican Art Treasure, New York, 2008, pl, 113 (fresco) and pl. 156 (drawing, Albertina, Vienna), p. 219, (illustrated). $2,000-3,000
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7 152348/3 ANTONIO MARIA ZANETTI, THE YOUNGER (italian 1706-1778) TWO FEMALE NUDES FROM TITIAN’S “FONDACO DEI TEDESCHI” C. 1755-1760. Inscribed ‘5’ top left; also inscribed ‘5’ bottom right, pencil on laid paper with unidentified fleur-de-lys watermark Image size: 6 1/4 x 7 1/4 in. (15.9 x 18.4cm) Sheet size: 8 3/4 x 11 1/2 in. (22.2 x 29.2cm) provenance: The Collection of Dr. Karl Ewald Hasse (1810-1902; Collector’s stamp at bottom right corner [Lugt 860]. Collection sale of Professor Ernst Ehlers of Gottingen, Leipzig, May 9 - 10, 1930, lot 549. Herbert E. Feist Gallery, New York, New York, sale of March 6, 1976. The Collection of William J. Williams, Washington, D.C. Private Collection, Maryland. exhibited: Herbert E. Feist Gallery, New York, New York, Spring 1976 (as “Two Figures after a Damaged Fresco by Titian”). “The First Fifty Years: Drawings from the University Collection and Promised Gifts”, University of Minnesota, Minneapolis, 1984-1985. literature: David Alan Brown, “A Drawing by Zanetti after a Fresco on the Fondaco dei Tedeschi [extract of a paper]”, Tiziano e Venezia: 1976 (colloquium presentation), Universita degli Studi di Venezia, Convegno di Studi (Neri Pozza Editore, 1976), pp. 533522. David Alan Brown, “A Drawing by Zanetti after a Fresco on the Fondaco dei Tedeschi”, Master Drawings, (XVI, 1: Spring 1978), pp. 73-77. Nicholas Turner, “Letter to the Editor”, Master Drawings, (XVI: 1, Spring 1978), pp. 68-68. note: The present lot is after a remnant of Titian’s fresco on the Fondaco de’ Tedeschi, Venice from a series of etchings published in Varie pitture a fresco de’ principali maestri Veneziani, published 1760, plate 5. $1,000-1,500
8 158078/106 ITALIAN SCHOOL (17th - 18th century) HERCULES IN THE GARDEN OF THE HESPERIDES Pen and ink with grey washes, heightened with brown ink on paper 12 13/16 x 9 7/8 in. (32.5 x 25.1cm) provenance: Private Collection, Virginia. $2,000-3,000
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9 152449/10 ATTRIBUTED TO GIUSEPPE NOGARI (italian 1699-1763) A FEMALE HEAD Black chalk heightened with white on blue paper; octagonal form 6 3/8 x 4 7/8 in. (16.2 x 12.4cm) provenance: The Collection of Agnes Morgan, Cambridge, Massachusetts. Private Collection, California. exhibited: Fogg Art Museum, Cambridge, Massachusetts, n.d. $1,000-1,500
10 151754/15 CARLO RANDONI (italian 1762-1822) VIEW OF ITALIAN GATEHOUSE Signed and inscribed ‘Carlo Randoni Arch fece’ bottom center left, pen, ink, and gray wash on paper 16 1/2 x 23 1/4 in. (42 x 59.1cm) provenance: Private Collection, New York, New York. $2,000-3,000
11 152496/3 SPANISH SCHOOL (18th century) LANDSCAPE WITH FIGURES; AND A COMPANION Pair pen and ink drawings with brown washes on paper One: 8 1/2 x 12 1/4 in. (21.5 x 30.8 cm); One: 8 1/2 x 12 in. (21. 5 x 30.5cm) (2) provenance: Swann Galleries, sale of January 23, 2003, lot 388. Private Collection, Massachusetts. $1,000-1,500 (part lot)
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12 152496/1 ATTRIBUTED TO GIUSEPPE BARTOLOMEO CHIARI (italian 1654-1724) SEATED MALE NUDE Inscribed ‘Guiseppe Chiari’ bottom right; also dated and inscribed ‘1713 27, 27/28’ bottom left and inscribed ‘No. L’ upper left; with oval shapes of various sizes in red chalk and inscribed ‘No. 1’ in black chalk verso; with encircled Fleur-de-Lys surmounted by a ‘V’ watermark, red chalk weighted with white chalk on a beige laid paper 13 3/4 x 9 in. (35 x 22.9cm) provenance: Bonham’s, New York, sale of October 11, 2011, lot 40 (As ‘Attributed to Chiari’). Private Collection, Massachusetts. $2,000-3,000
13 151754/10 ITALIAN SCHOOL (18th century) RUINS OF THE PALATINE SEEN FROM THE COLOSSEUM Pen, ink, and watercolor heightened with gouache on paper 17 x 28 in. (43.2 x 71.1cm) provenance: Private Collection, New York, New York. $2,000-3,000 14 151754/11 ATTRIBUTED TO HENDRIK GOLTZIUS (dutch 1558-1617) VENUS AND LOVE IN A LANDSCAPE Signed ‘H. Goltzius’ bottom left, Black stone and brown ink on beige paper 9 x 5 in. (22.9 x 12.7cm) provenance: Collection Bon Lanna (L.2773). Private Collection, New York, New York. $2,000-3,000
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15 151986/5 AFTER SIR ANTHONY VAN DYCK (flemish 1599-1641) PORTRAIT OF JOHANNES SNELLINCK Inscribed ‘Johannes Snellinc pictor’ bottom center, with Vryheyt (Dutch Lion) (close to Churchill 84, c. 1746) watermark, pen and gray ink with gray washes on laid paper 11 1/4 x 7 3/4 in. (28.5 x 19.7cm) provenance: Private Collection, Washington, D.C. note: An almost identical engraving/etching of Snellinck was executed by Pieter de Jode and published in Van Dyck’s Iconography in 1645. The Iconography was series of 100 half-length portraits of eminent contemporaries. Van Dyck executed drawings for eighteen of the portraits, c. 1630 in Antwerp, after his return from Italy. $1,000-1,500
16 151754/19 JACOB VAN STRY (dutch 1756-1815) MAN LEANING ON A BRICK WALL Signed ‘J. Van Stry’ upper right, black chalk on paper, unframed 14 1/2 x 9 in. (36.8 x 22.9cm) provenance: Private Collection, New York, New York. $1,200-1,800
17 158078/102 CIRCLE OF JACOB JORDAENS (flemish 1539-1678) STUDY FOR THE TRANSFORMATION OF DAPHNE Red chalk with a framing line in brown ink, laid down 9 1/8 x 11 1/4 in. (23.1 x 28.6cm) provenance: Private Collection, Virginia. $1,000-1,500
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18 152496/4 ATTRIBUTED TO JAN FRANS VAN BLOEMEN, CALLED L’ORIZZONTE (flemish 1662-1749) TRAVELERS IN AN ITALIAN LANDSCAPE Inscribed ‘E.I’ verso; also with an old attribution to Giovanni Francesco Grimaldi verso, pen and sepia ink on laid paper 6 7/8 x 9 5/16 in. (17.8 x 23.6 cm) provenance: Private Collection, Massachusetts. $1,000-1,500
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19 152496/6 ITALIAN SCHOOL (17th century) TWO BOYS BEING DISCIPLINED Pen and brown ink with gray wash 5 3/16 x 7 1/16 in. (13.2 x 17.9cm) provenance: The Collection of Hermine Popper, Germany, 1906, (according to label on old mount). Private Collection, Massachusetts. $1,000-1,500
20 151754/1 JACQUES-FRANÇOIS JOSEPH SWEBACH-DESFONTAINES (french 1769-1823) BATTLE SCENE Pen and ink on paper 6 x 8 1/4 in. (15.2 x 21cm) provenance: Private Collection, New York, New York. $1,000-1,500
21 151754/9 ATTRIBUTED TO LAURENT DE (LAHYRE) LAHIRE (french 1606-1656) UNEARTHING THE STONE TABLET Black pencil on paper, unframed 17 x 14 in. (43.2 x 35.6cm) provenance: Private Collection, New York, New York. $1,500-2,000
22 152348/4 PIERRE MAXIMILIEN DELAFONTAINE (french 1774-1860) “PORTRAIT OF MADAME DELAFONTAINE” Titled, signed, and dated ‘PM Delafontaine 1851’ bottom left, pencil on tan paper 16 1/2 x 13 1/4 in. (41.9 x 33.7cm) provenance: Private Collection, Maryland. $1,000-1,500
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23 151754/3 GABRIEL HIPPOLYTE LEBAS (french 1812-1880) PROJECT FOR MONUMENT FOR THE GLORY OF MALESHERBES Pen, ink, and watercolor on paper 24 x 18 3/4 in. (61 x 47.6cm) provenance: Private Collection, New York, New York. $1,000-1,500
24 151469/402 * PRUDHOMME (french 18th century) STUDY FOR A CEILING DESIGN Signed, inscribed and dated ‘Prudhomme inv. *** Ma*****e anno 1757’ bottom right, pen and brown ink on paper 11 5/16 x 11 5/16 in. (28.7 x 28.7cm) provenance: Private Collection, Philadelphia. $1,200-1,800
25 151754/17 FRANÇOIS RUDE (french 1784-1855) STUDY OF AN ANGEL (A MASK) Signed ‘F. RUDE’ bottom left, pen and ink on paper 8 1/2 x 10 in. (21.5 x 25.4cm) provenance: Private Collection, New York, New York. $1,000-1,500
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26 151754/12 CLAUDE-LOUIS CHÂTELET (french 1753-1794) VIEW OF AGRIGENTO Ink and watercolor on paper, unframed 9 x 13 in. (22.9 x 33cm) provenance: Private Collection, New York, New York. $1,500-2,000
27 158078/104 CIRCLE OF FRANÇOIS BOUCHER (french 1703-1770) “LA BOUGUELIÈRE” Inscribed ‘La Bouguelière’ verso, red chalk with touches of black chalk on paper 12 1/2 x 9 3/8 in. (31.8 x 23.8cm) provenance: Private Collection, Virginia. $1,000-1,500
28 152467/1 CLEMENT PIERRE MARILLIER (french 1740-1808) LA MUSIQUE ET LA DANSE Inscribed with artist’s name in drawn cartouche on overmat and inscribed extensively verso; also with unidentified collector’s stamp bottom left, pen and gray ink with gray and light brown washes on laid paper 6 5/8 x 4 5/8 in. (16.8 x 11.7cm)
provenance: The Collection of Eugène Rodigues, with possible collection inventory number ‘CJ 3355/55000’ on backing (Lugt 897). Private Collection, New Jersey. note: Marillier was a draughtsman whose drawings were engraved primarily for illustrated books. This is an exceptionally good example of his work, possibly done for a frontispiece. $1,200-1,800
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29 151754/4 PIERRE CONTANT D’IVRY (french 1697-1777) CANDELABRA Pen and ink on paper 27 1/4 x 12 1/4 in. (69.2 x 31.1cm) provenance: Private Collection, New York, New York. $1,000-1,500
30 151754/5 FRENCH SCHOOL (c. 1800) PROJECT FOR COMMEMORATIVE COLUMN Pen and ink on paper 33 x 20 in. (83.8 x 50.8cm) provenance: Private Collection, New York, New York. $2,000-3,000
31 151754/2 ATTRIBUTED TO GUSTAVE TARAVAL (french 1738-1794) PROJECT FOR A FACADE OF A THEATRE Inscribed ‘Elevation de la principale façade de la sale de spectacle’ bottom center, pencil, pen and wash on paper 12 1/2 x 17 in. (31.8 x 43.2cm) provenance: Private Collection, New York, New York. $1,000-1,500
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32 151754/16 JEAN FRANÇOIS JANINET (french 1752-1814) PAIR OF FIGURE STUDIES One signed and dated ‘Janinet Del. 1791’ bottom right and inscribed ‘Elude d’apres Nature’ bottom center, pen, ink, and gray wash laid down on original mounts 12 x 8 in. (30.5 x 20.3cm) (2) provenance: Private Collection, New York, New York. $1,500-2,500
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33 151754/7 JEAN PIERRE LOUIS HOUEL (french 1735-1813) PRESUMED SELF PORTRAIT IN THE GROTTO OF CAUMONT Black and white chalk on paper 10 5/8 x 13 in. (27 x 33cm) provenance: Private Collection, New York, New York. $3,000-5,000
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34 152349/9 FOLLOWER OF GIOVANNI STANCHI (italian 1608-1673) TULIPS, A PEONY, A CARNATION, AND OTHER FLOWERS IN A GILT BRONZE MOUNTED URN Oil on canvas 27 15/16 x 21 1/8 in. (71 x 53.7cm) provenance: Property of a Private Southern Collection. $3,000-5,000
35 152167/15 ITALIAN SCHOOL (18th century) MIXED FLOWERS IN A VASE ON A STONE LEDGE; AND A COMPANION Oil on canvas Each: 16 3/4 x 10 in. (42.5 x 25.4cm) (2) provenance: Private Collection, New York, New York. $1,200-1,800
36 152349/15 FOLLOWER OF CORNELIS VAN SPAENDONCK (dutch 1756-1840) STILL LIFE WITH GRAPES AND QUINCE Oil on panel 9 5/8 x 13 5/8 in. (24.4 x 34.6cm) provenance: Property of a Private Southern Collection. $1,000-1,500
37 152349/4 MANNER OF MATTHIAS WITHOOS (dutch 1627-1703) OUTDOOR LANDSCAPE WITH CHRYSANTHEMUMS, CASTLE IN DISTANCE Oil on canvas laid to masonite 35 3/4 x 15 5/8 in. (90.8 x 39.7cm) provenance: Sargent Estate, Natick, Massachusetts. Property of a Private Southern Collection. $1,000-1,500
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(part lot)
38 151799/5 NORTHERN ITALIAN SCHOOL (probably 19th century) NOBLEMAN IN ARMOR, HALF-LENGTH Oil on tin 8 3/8 x 6 5/8 in. (21.3 x 16.8cm) together with: ITALIAN SCHOOL (18th-19th century) VIRGIN AND CHILD Oil on panel 7 3/4 x 5 3/4 in. (19.7 x 14.6cm) (2) provenance: Private Collection, Pennsylvania. $1,000-2,000
39 152113/2 FOLLOWER OF FRANCESCO TREVISANI (italian 1656-1746) PENITENT MAGDALENE Oil on copper, in a fine, antique gilded and carved frame 11 3/8 x 8 7/8 in. (28.9 x 22.5cm) provenance: Private Collection, Tennessee. $2,000-3,000
40 152398/11 FOLLOWER OF JAN DIRKSZ BOTH (dutch 1618-1652) TRAVELERS IN AN ITALIANATE LANDSCAPE Oil on canvas, laid on board 23 3/8 x 28 3/4 in. (59.4 x 73cm) provenance: Private Collection, New York, New York. $2,000-4,000
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41 152398/14 FOLLOWER OF NICOLAES BERCHEM (dutch 1620-1683) HORSEMAN Oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, New York, New York. $1,500-2,000
42 152349/10 ATTRIBUTED TO SIMONE DEL TINTORE (italian 1630-1708) STILL LIFE AFTER THE HUNT Signed with conjoined initials ‘TS’ bottom center right, oil on canvas, unframed 24 1/4 x 36 in. (61.6 x 91.4cm) provenance: Property of a Private Southern Collection. $3,000-4,000
43 152584/5 CIRCLE OF MELCHIOR DE HONDECOETER (dutch 1636-1695) ROOSTERS, DUCKS, AND CHICKS Oil on canvas, unframed 38 x 50 in. (96.5 x 127cm) provenance: Private Collection, New Jersey. $4,000-6,000
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44 152132/2 SPANISH COLONIAL SCHOOL (17th-18th century) JOSEPH AND THE JESUITS Oil on canvas 21 1/2 x 13 1/2 in. (54.6 x 34.3cm) provenance: Private Collection, Pennsylvania. $1,200-1,800
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45 152398/9 NORTHERN ITALIAN SCHOOL (17th - 18th century) JUPITER AND ANTIOPE Oil on canvas 34 5/8 x 28 in. (87.9 x 71.1cm) provenance: Private Collection, New York, New York. $1,000-2,000
46 152349/1 MANNER OF PIETER BRUEGHEL THE ELDER (flemish c. 1525-1569) GATHERING HAY Oil on canvas 5 1/4 x 13 1/2 in. (13.3 x 34.3cm) provenance: Property of a Private Southern Collection. $1,000-1,500
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47 152349/7 ATTRIBUTED TO JAN HACKAERT (dutch 1629-c. 1700) MOUNTAINOUS LANDSCAPE WITH FIGURES Oil on canvas 27 1/8 x 20 3/4 in. (68.9 x 52.7cm) provenance: Property of a Private Southern Collection. note: A similar painting by Hackaert, ‘Mountainous Landscape’ in the Rijksmuseum, Amsterdam, may relate to the present painting. The RKD references two drawings by Hackaert that have some connection to the present painting: ‘Mountain Landscape with covered bridge and rapids,’ (Stiftung Weimarer collection), and ‘Valley in the Swiss Alps,’ (Private collection, London). We wish to thank the RKD for their assistance in cataloguing this lot. $5,000-7,000
48 152449/3 NEAPOLITAN SCHOOL (17th century) TABLETOP STILL LIFE WITH WATERMELON, POMEGRANATES, PEARS, DATES, GRAPES, AND BASKET Oil on canvas 24 x 32 5/8 in. (61 x 82.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,500-3,500
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49 49 152349/13 MANNER OF GIOVANNI PAOLO PANINI (italian 1691-1765) AN ARCHITECTURAL CAPRICCIO WITH FIGURES Oil on canvas 13 5/8 x 18 3/8 in. (34.6 x 46.7cm) provenance: Property of a Private Southern Collection. $1,000-1,500
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50 152449/5 FOLLOWER OF ANDREA DOMENICO REMPS (italian c. 1620-1699) A TROMPE L’OEIL STILL LIFE Oil on canvas 26 3/4 x 25 in. (67.9 x 63.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-4,000
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51 152364/2 EDUARD KAISER (austrian 1820-1895) SAINT JOHN AND SAINT BENEDICT Signed and inscribed ‘Eduard Kaiser Nach Perugino’ bottom left, watercolor with gold on paper 25 1/2 x 17 1/2 in. (64.8 x 44.5cm) provenance: Galerias de Madeira. Private Collection, New Jersey. note: The present composition follows the right hand portion of Pietro Perugino’s fresco ‘Crucifixion and Saints’ in Santa Maria Maddalena dei Pazzi, Florence, Italy. $1,000-1,500
52 OWNED/506 ITALIAN SCHOOL (19th century) FIGURES IN AN EXTENSIVE LANDSCAPE Oil on canvas 21 1/2 x 26 in. (54.6 x 7cm) provenance: Private Collection, Maryland. $1,000-1,500
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53 152349/2 FLEMISH SCHOOL (17th century) ADORATION OF THE SHEPHERDS Indistinctly inscribed on label verso, oil on panel 9 1/2 x 11 3/8 in. (24.1 x 28.9cm) provenance: Property of a Private Southern Collection. $1,000-1,500
54 158085/1 ITALIAN SCHOOL (18th - 19th century) THE CORONATION OF A BOY EMPEROR Oil on canvas 40 1/2 x 62 in. (102.9 x 157.5cm) provenance: Plaza Art Auction, New York, sale of November 18-19, 1932, Lot 327, (as Manner of Guilio Romano). Private Collection, Virginia. $4,000-6,000
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55 152349/3 NORTHERN ITALIAN SCHOOL (16th - 17th century) PORTRAIT OF A NOBLEMAN WITH RUFF COLLAR, THREEQUARTER LENGTH Oil on canvas, laid on board 41 x 36 1/8 in. (104.1 x 91.8cm) provenance: Property of a Private Southern Collection. $3,000-5,000
57 152349/6 DUTCH SCHOOL (17th century) PORTRAIT OF A GENTLEMAN IN A LANDSCAPE, THREE-QUARTER LENGTH Dated ‘16(*)5’ bottom right corner, oil on panel 18 1/4 x 14 7/8 in. (46.4 x 37.8cm) provenance: Property of a Private Southern Collection. $1,000-1,500
56 152496/2 DUTCH SCHOOL (c. 1650) PORTRAIT OF A YOUNG MAN, HALF-LENGTH, HOLDING GLOVES Oil on panel 13 1/4 x 10 1/2 in. (33.7 x 26.7cm) provenance: With A. Preyer, The Hague. With K.W. Bachstitz, The Hague. Nikodem Caro (1871-1935) Berlin. Christie’s, New York, sale of June 5, 2015, lot 67. Private Collection, Massachusetts. note: The present painting was believed by Dutch and Flemish painting scholars Abraham Bredius and Wilhelm Bode to have been painted by Aelbert Cuyp. $3,000-4,000
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(part lot) 58 148077/1 ATTRIBUTED TO JAN DAEMEN COOL (dutch 1589-1660) PORTRAIT OF A GENTLEMAN, BUST LENGTH, IN A BLACK DOUBLET AND WHITE RUFF COLLAR; PORTRAIT OF A LADY, BUST LENGTH, IN A BLACK DRESS AND RUFFLED LACE HEADDRESS Pair oils on panel Each: 16 1/4 x 12 in. (41.3 x 30.5cm) (2) provenance: Private Collection, Florida. note: We wish to thank the RKD for their assistance in suggesting the attribution to Cool. $2,500-3,500 60 152349/18 CIRCLE OF MICHAEL SWEERTS (flemish 1618-1664) COMPOSING A LETTER Oil on copper, unframed 6 7/16 x 4 3/4 in. (16.3 x 12.1cm) provenance: Property of a Private Southern Collection. $1,000-1,500
59 152482/3 MANNER OF JEAN RANC (french 1674-1735) SEATED GENTLEMAN HOLDING A QUILL PEN Oil on canvas, oval 26 5/8 x 22 in. (67.6 x 55.9cm) provenance: Property of Philadelphia Hospitality Partners, LLC. $1,000-1,500
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(part lot) 61 152349/11 FRENCH SCHOOL (early 19th century) FRENCH OFFICER IN A LANDSCAPE Oil on tin 16 x 13 in. (40.6 x 33cm) provenance: Property of a Private Southern Collection. $1,000-1,500
62 152349/16 MANNER OF JEAN BAPTISTE GREUZE (french 1725-1805) PORTRAIT OF A YOUNG LADY; AND A COMPANION Pair oils on canvas Each: 10 1/2 x 8 1/2 in. (26.7 x 21.6cm) (2) provenance: Private Collection, Little Rock, Arkansas. $1,000-1,500
63 152349/17 CIRCLE OF PIAT JOSEPH SAUVAGE (flemish 1744-1818) PUTTI Oil on panel, octagonal form, unframed 6 3/4 x 9 in. (17.1 x 22.9cm) provenance: Property of a Private Southern Collection. $1,000-1,500
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64 152349/5 NORTHERN ITALIAN SCHOOL (17th century) CHERUB WITH CHERRY AND GOLDFINCH Oil on canvas, unframed 26 1/2 x 42 in. (67.3 x 106.7cm) provenance: Property of a Private Southern Collection. $2,000-3,000
65 158078/112 NEAPOLITAN SCHOOL (17th-18th century) CHERUBIC ALLEGORICAL SCENE Oil on canvas 38 1/8 x 50 1/4 in. (96.8 x 127.6cm) provenance: Private Collection, Virginia. $2,500-3,500
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66 152349/12 CIRCLE OF CARLO MARATTA (italian 1625-1713) HEAD OF A MAN Oil on slate Overall: 13 1/2 x 11 13/16 in. (34.3 x 30cm) Painted area: 10 1/4 x 10 1/2 in. (26 x 26.7cm) provenance: Property of a Private Southern Collection. $3,000-4,000
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67 151711/1 FRENCH SCHOOL (18th century) SCENES FROM THE LIFE OF SAINT FRANCIS DE SALES Four oils on canvas, octagonal form Each: 34 x 29 in. (86.4 x 73.7cm) (4) provenance: Private Collection, Alabama. $5,000-7,000
(part lot)
68 152349/14 CIRCLE OF GIACINTO BRANDI (italian 1623-1691) MALE SAINT Inscribed ‘2473’ and ‘8791’ verso, oil on canvas, unframed 29 3/4 x 24 in. (75.6 x 61cm) provenance: Property of a Private Southern Collection. $1,000-1,500
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69 152584/6 MANNER OF FRANÇOIS BOUCHER (french 1703-1770) CHERUBS Oil on canvas, oval 19 1/2 x 17 1/4 in. (49.5 x 43.8cm) provenance: Private Collection, New Jersey. $1,500-2,500
70 152584/7 FRENCH SCHOOL (19th century) ELEGANT FIGURES IN A NEOCLASSICAL INTERIOR Oil on canvas 34 1/2 x 53 in. (87.6 x 134.6cm) provenance: Private Collection, New Jersey. $4,000-6,000
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71 152586/1 MANNER OF HANS ROTTENHAMMER, THE ELDER (german 1564-1625) MINERVA AND THE MUSES Oil on canvas 44 3/4 x 37 3/8 in. (113.7 x 94.9cm) provenance: Private Collection, Massachusetts. $4,000-6,000
72 152566/1 CONTINENTAL SCHOOL (19th century) ADAM STYLE INTERIOR WITH PYRE SET WITHIN WALL NICHE Oil on canvas 39 3/4 x 43 in. (101 x 109.2cm) provenance: Private Collection, New Jersey. $3,000-5,000
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73 151922/5 CIRCLE OF SIR PETER LELY (british 1618-1680) PORTRAIT OF A LADY; PORTRAIT OF A GENTLEMAN Pair oils on canvas Each approximately 49 1/2 x 40 in. (125.7 x 101.6cm) (2) provenance: Private Collection, Maryland. $8,000-12,000
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74 151625/87 BRITISH SCHOOL (18th - 19th century) PORTRAIT OF A LADY HOLDING A FLOWER BEFORE A COLUMN Oil on canvas, in an ornate carved and gilded period frame 30 x 24 7/8 in. (76.2 x 63.3cm) provenance: The Estate of Adele Lebowitz, McLean, Virginia. $1,200-1,800
75 152482/4 CIRCLE OF SIR GODFREY KNELLER (british 1646-1723) KATHERINE HERBERT, DAUGHTER TO THE HONORABLE EDWARD RUSSELL Inscribed bottom right, oil on canvas 50 x 40 7/8 in. (127 x 101.6cm) provenance: Old Hall Gallery, Ltd., Sussex, England. Property of Philadelphia Hospitality Partners, LLC. $2,000-3,000
76 152351/84 COSMO ALEXANDER (scottish/american 1724-1772) PORTRAIT OF A SEATED LADY, HALF LENGTH; AND PORTRAIT OF A GENTLEMAN, HALF LENGTH Each signed and dated ‘C. Alex. pingebot A.D. 1763’; the lady signed bottom left; the gentleman signed and indistinctly inscribed and located ‘Rotterdam’ at center right, oil on canvas Each: 34 3/8 x 27 in. (87.3 x 68.6cm) (2) provenance: Property of an Estate, Washington, DC. $1,500-2,500 (part lot)
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77 152482/5 BRITISH SCHOOL (18th century) PORTRAIT OF A GENTLEMAN WITH FLINTLOCK GUN, AFTER THE HUNT, THREE-QUARTER LENGTH Oil on canvas 50 x 40 in. (127 x 101.6cm) provenance: Property of Philadelphia Hospitality Partners, LLC. $4,000-6,000
78 152351/79 CIRCLE OF GEORGE KNAPTON (british 1698-1778) ELEGANT CHILDREN WITH THEIR DOG IN A LANDSCAPE Oil on canvas 48 x 39 1/8 in. (121.9 x 99.4cm) provenance: Property of an Estate, Washington, DC. $2,000-4,000
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79 152482/1 FRENCH SCHOOL (17th - 18th century) PORTRAIT OF A GENTLEMAN, BELIEVED TO BE JAMES SCOTT, FIRST DUKE OF MONMOUTH AND BUCCLEUCH, THREEQUARTER LENGTH Oil on canvas 44 x 34 in. (111.8 x 86.4cm) provenance: Property of Philadelphia Hospitality Partners, LLC. $3,000-5,000
80 152349/8 BRITISH SCHOOL (18th - 19th century) PURGATORY Oil on canvas, unframed 18 1/2 x 20 1/4 in. (47 x 51.4cm) provenance: Property of a Private Southern Collection. $1,000-1,500
81 152482/2 AUSTRIAN SCHOOL (18th century) PORTRAIT OF A NOBLEMAN, THREE QUARTER LENGTH Oil on canvas 50 1/4 x 37 7/8 in. (127.6 x 96.2cm) provenance: Property of Philadelphia Hospitality Partners, LLC. $3,000-5,000
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82 152501/1 OSCAR NEMON (british 1906-1985) SIGMUND FREUD Signed ‘Nemon’ with ‘Morris Singer Founders London’ foundry stamp, bronze with dark brown patina, on wooden plinth Height: 15 1/2 in. (39.4cm); 21 1/2 in. (54.6cm) (including base) provenance: Private Collection, Pennsylvania $8,000-12,000
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83 152512/1 JOHN WILLIAM GODWARD (british 1861-1922) “SUMMER DAY” Signed and dated ‘J.W. Godward 97’ upper right, oil on canvas 21 7/8 x 17 7/8 in. (55.6 x 45.4cm) provenance: Messrs. E. Permain, London, until November 1916. Christie’s, London, sale of November 24, 1916, lot 91 (as “Summer Time”). Sir Merton Russell-Cotes, Bournemouth, England. Freeman’s, 1960. Acquired from the above. Private Collection, New Jersey. By descent in the family. Private Collection, New Jersey. note: According to Mr. Vern Swanson, “The painting’s model is one of the Pettigrew sisters, Hetty, Rose, or Lily. They modeled for Godward during the late 1890s, but became too expensive for him by 1898 as they became increasingly famous. He turned to a younger, lesser known model Ethel Warwick shortly hereafter (1898-1900). The title, “Summer-Time”, date, and size of the picture speak in favor of it being the painting of the dark haired Pettigrew model. She is wearing a country straw hat and white blouse with a broach. This half-length figures gazes directly to the spectator with an easy country manner.” The present lot will be included and illustrated in the forthcoming new edition of Mr. Swanson’s book, John William Godward and the Eclipse of Classicism. $20,000-40,000
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84 152584/4 FREDERICK MORGAN (british 1856-1927) THE BERRY PICKERS Signed with initials ‘F.M.’ bottom left, oil on canvas 36 3/4 x 29 in. (93.3 x 73.7cm) provenance: Private Collection, New Jersey. $3,000-5,000
85 152483/3 ALFRED ROBERT HAYWARD (british 1875-1971) “LA PETITE MODISTE” Signed and dated ‘Alfred Hayward 09’ bottom left, oil on canvas 10 x 8 in. (25.4 x 20.3cm) provenance: With Maas Gallery, London. $3,000-5,000
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86 152511/1 JOHN FAED (scottish 1820-1902) “THE FISHERMAN’S SATURDAY NIGHT”; AND A COMPANION Signed and dated ‘John Faed 1879’ bottom left; also titled upper left corner; the companion signed and dated ‘John Faed 1879’ bottom right, also titled ‘Droped (sic) xxx’ upper left corner, pair oils on canvas Each: 17 x 13 in. (43.2 x 33cm) (2) provenance: Private Collection, Indiana. $4,000-6,000 87 158099/3 FOLLOWER OF JOHN FAED (scottish 1820-1902) THE WAPPENSHAW: A SHOOTING MATCH Inscribed ‘Examd/by John Faed/R.S.A’ bottom right; also with ‘James McClure and Son’ Glasgow frame label, oil on canvas 18 x 30 in. (45.5 x 76cm) provenance: Private Collection, Virginia. note: The original version of “The Wappenshaw” is one of Faed’s best known compositions. It is in the collection of The National Trust of Scotland. Two smaller versions are recorded: one in the Atkinson Art Gallery, Southport; and one sold at Christie’s, London, sale of December 12, 2012, lot 22. The present work would appear to be an accomplished copy of this composition that presumably met with Faed’s approval. $3,000-5,000
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88 152483/5 ETHELINE DELL (british fl. 1885-1891) “WE FOUND A BABE LEFT IN THE SWATHES FORLORN MIDSUMMER FAIRIES” Inscribed on label verso, watercolor on paper Sight size: 5 1/2 x 4 7/16 in. (14 x 11.3cm) provenance: With Maas Gallery, London. $2,000-3,000
90 152483/4 ALEXANDER M. ROSSI (british 1840-1916) PORTRAIT OF A YOUNG BEAUTY Signed indistinctly, oil on panel 10 x 7 7/8 in. (25.4 x 20cm) provenance: With Maas Gallery, London. $3,000-4,000
89 152113/1 BRITISH SCHOOL (19th century) CHILDREN PLAYING BADMINTON Inscribed illegibly on stretcher label verso, oil on canvas 24 3/4 x 29 3/4 in. (62.9 x 75.6cm) provenance: Private Collection, New Jersey. $2,000-3,000
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91 152584/1 ADAM EDWIN PROCTOR (british 1864-1913) IN THE GARDEN Signed ‘Adam E. Proctor’ and indistinctly inscribed bottom right, oil on canvas 26 x 17 3/4 in. (66 x 45.1cm) provenance: Private Collection, New Jersey. $2,000-3,000
92 151922/3 FREDERICK GOODALL (british 1822-1904) PORTRAIT OF THE ARTIST’S DAUGHTER, RICA Signed with monogram and dated ‘1894’ bottom left, oil on canvas 60 3/16 x 36 in. (152.9 x 91.4cm) provenance: Owen Edgar Gallery, London. Private Collection, Maryland. exhibited: Royal Academy, London, 1894, no. 99. literature: “Royal Academy Pictures” (exhibition catalogue), 1894, p. 9. “The Reminiscences of Frederick Goodall, R.A.”, 1902, p. 389. $6,000-8,000
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93 152483/1 WILLIAM KAY BLACKLOCK (british b. 1872) THE LESSON Signed ‘W. Kay Blacklock’ bottom center, watercolor heightened with bodycolor on paper Sight size: 28 1/4 x 20 3/4 in. (71.8 x 52.7cm) provenance: With Maas Gallery, London. exhibited: Summer Exhibition, Royal Academy, London, 1908. $6,000-9,000
94 152449/4 MARTIN MOONEY (irish b. 1960) “CLANDEBOYE PARKLAND” Inscribed on verso of framing 7 7/8 x 15 3/4 in. (20 x 40cm) provenance: The Collection of Mr. C. Norman. Waterman Fine Art Ltd., London. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500
95 152584/3 JERRY BARRETT (british 1814-1947) THE LACE TABLECLOTH Signed ‘Jerry Barrett’ bottom right, oil on canvas 20 x 15 in. (50.8 x 38.1cm) provenance: Private Collection, New Jersey. $2,000-3,000
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96 OWNED/515 ROBERT WALKER MACBETH, A.R.A. (british 1848-1910) IN A CIDER ORCHARD Inscribed, signed and dated ‘O. W.’ and ‘R. M./ 1896’ bottom right, bodycolor on paper laid to card 8 3/8 x 10 7/16 in. (21.3 x 26.5cm) provenance: Leggatt Brothers, London. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500
97 151902/1 JACK BUTLER YEATS (irish 1871-1957) “THE LATE WAGER” (RACE DAY) Signed ‘Jack B. Yeats’ upper left; also faintly inscribed ‘Race Day’ in pencil at bottom left (in margin), pen and ink on card Image size: 8 1/8 x 5 3/8 in. (20.6 x 13.7cm) Card size: 9 15/16 x 6 5/8 (25.2 x 16.8cm) provenance: Waddington Galleries, London. The Collection of Mr. Clem Hoopes. Private Collection, Delaware. $2,000-3,000
98 151986/1 JOHN LINNELL (british 1792-1882) ELEVEN DRAWINGS Each signed with initials ‘J.L.’, three also dated 1806-7, pencil on paper, two heightened with white chalk Various sizes, some unframed largest (sheet): 5 7/8 x 10 1/2 in. (14.9 x 26.7cm) (11) provenance: Private Collection, Washington, DC. $1,500-2,000
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99 158099/1 LOUIS BOSWORTH HURT (british 1856-1929) “MOUNTAIN PASTURES” Signed ‘Louis B. Hurt’ bottom left; also titled on stretcher label verso, oil on canvas 13 x 19 in. (33 x 48.3cm) provenance: Private Collection, Virginia. $2,000-3,000
100 152570/1 JOHN GIFFORD (british d. 1900) HIGHLAND SHEEP WITH DOG Signed ‘J. Gifford’ bottom right, oil on canvas laid on masonite 46 3/4 x 36 3/4 in. (118.7 x 93.3cm) provenance: Private Collection, Pennsylvania. $4,000-6,000
101 158099/2 LOUIS BOSWORTH HURT (british 1856-1929) “EARLY MORNING” Signed ‘Louis B. Hurt’ bottom right; also titled and inscribed on stretcher label verso, oil on canvas 13 x 19 in. (33 x 48.3cm) provenance: Private Collection, Virginia. $2,000-3,000
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102 158106/29 ATTRIBUTED TO CHARLES TOWNE (british 1763-1840) A LANDSCAPE WITH GOATS AND SHEEP, A RUIN AND A MOUNTAINOUS RIVER LANDSCAPE BEYOND; AND A COMPANION Pair oils on canvas Each: 4 7/8 x 6 7/8 in. (12.4 x 17.5cm) (2) provenance: Bonham’s, Knightsbridge, sale of October 31, 1991, lot 183 (as by Charles Towne). Private Collection, Virginia. $1,500-2,000
(part lot)
103 151796/4 JESSIE MACGREGOR (british 1847-1919) THE NEW PET Signed and dated ‘Jessie MacGregor 1875’ bottom left, oil on canvas 30 x 40 in. (76.2 x 101.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
104 151795/2 ALFRED FONTVILLE DE BREANSKI, JR. (british 1877-1955) “BEN LEDI FROM THE TEITH AT CALLANDER, PERTHSHIRE” Signed ‘A de Breanski Jr’ bottom right, also inscribed with artist and title verso, oil on canvas 24 1/8 x 36 1/4 in. (61.3 x 92.1cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $6,000-8,000
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105 151689/5 GEORGE HENRY JENKINS (british 1843-1914) “DEVONSHIRE RIVER LANDSCAPE NEAR HAY TOR, DARTMOOR” Signed ‘C.H. Jenkins’ bottom left; also with artist and title on label verso, oil on canvas 22 x 36 in. (55.9 x 91.4cm) provenance: Property of an American Corporation. $1,000-1,500
106 152134/1 GEORGE PARSONS NORMAN (british 1840-1914) BY THE POND Signed ‘Parsons Norman’ bottom left; also with ‘Dimmock & Son’ frame label verso, oil on canvas 24 3/8 x 34 1/4 in. (61.9 x 87cm) provenance: Private Collection, Pennsylvania. $5,000-7,000
107 151689/8 ATTRIBUTED TO CHARLES DEANE (british d. 1851) VIEW OF SAINT PAUL’S AND THAMES Oil on canvas 32 1/2 x 41 3/8 in. (82.6 X 105.1cm) provenance: Property of an American Corporation. $2,000-3,000
108 151689/6 DANIEL SHERRIN (british 1868-1940) “WAY FARM - MINISTER, KENT” Signed ‘D. Sherrin’ bottom left; also with artist and title on label verso, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: J.J. Gillespie Fine Art Galleries, Pittsburgh, Pennsylvania. Property of an American Corporation. $1,000-1,500
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109 152367/29 BERNARD EMMANUEL FINNIGAN GRIBBLE (british 1872-1962) AT THE DOCK Signed ‘B.F. Gribble’ bottom right, oil on canvas 24 x 20 in. (61 x 50.8cm) provenance: From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. $3,000-4,000
110 152483/2 GEORGE MANCHESTER (british 1922-1996) “MURANO FROM FONDA-MENTE NUOVA” Signed with initials and dated ‘GM 56’ bottom right, oil on panel 9 x 23 1/2 in. (22.9 x 59.7cm) provenance: The Redfern Gallery, Ltd., London. Bonhams, Knightsbridge, sale of September 25, 2007, lot 169. With Maas Gallery, London. $2,000-3,000
111 152445/1 WILLIAM STOTT (british 1857-1900) “SUMMER MOONLIGHT” Signed ‘William Stott Of Oldham’ bottom left; also inscribed ‘II/Summer Moonlight/£250/William Stott Of Oldham/66’ ‘Adelaine’/London/For Oldham’ on label verso, oil on canvas, unframed 34 7/8 x 44 7/8 in. (88.6 x 114cm) provenance: Private Collection, Pennsylvania. $10,000-15,000
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112 151768/1 HAROLD SPEED (british 1892-1957) RAINBOW Signed ‘Harold Speed’ bottom right, oil on canvas 20 x 25 in. (50.8 x 63.5cm) provenance: Private Collection, Pennsylvania. $2,000-3,000
113 152483/6 DAVID JAMES (british 1853-1904) “PORTHCRESSA BAY, SICILY” Signed and dated ‘D. James 84’ bottom right; also titled on stretcher label verso, oil on canvas 12 x 20 in. (30.5 x 50.8cm) provenance: With Maas Gallery, London. $3,000-5,000
114 152483/7 DAVID JAMES (british 1853-1904) “A GROUND SWELL” Signed and dated ‘D. James 86’ bottom right; also signed, dated, and titled verso, oil on canvas 12 x 20 in. (30.5 x 50.8cm) provenance: With Maas Gallery, London. $3,000-5,000 115 152491/1 ALOYSIUS C. O’KELLY (american/irish 1850-1928) HORSE CART ALONG THE SHORE Signed ‘Aloysius O’Kelly’ bottom right, oil on canvas 20 x 32 in. (50.8 x 81.3cm) provenance: Louis Antoville, New York . Private Collection, Massachusetts. $10,000-15,000
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116 152367/30 PRINCE PAOLO TROUBETZKOY (russian 1866-1938) RODEO RIDER Signed and dated ‘Paul Troubetzkoy 1929’ and with ‘Cire A. Valsuani Perdue’ foundry stamp, bronze with dark brown patina, on wooden base Height, 19 1/8 in. (48.6cm) Length, 17 5/8 in.; (with base), 20 7/8 in. (53cm) provenance: From the Collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. $6,000-8,000
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117 152522/11 HENRYK SIEMIRADZKI (polish/ukranian 1843-1902) TWO GREEK WOMEN AT A FOUNTAIN Signed ‘H. Siemiradzki’ bottom right, oil on panel 12 5/8 x 9 3/8 in. (32 x 23.8cm) provenance: Lempertz, sale of November 21, 2009, lot 1355. Private Collection, New York, New York. $15,000-20,000
118 151900/2 NICOLAI KONSTANTINOVICH KAZAKEVICH (russian b. 1934) “ALES PETROVICH THE AGRONOMIST” Signed in Cyrillic bottom left; also inscribed with artist, title, and date ‘1953’ verso, oil on canvas 31 1/4 x 23 1/4 in. (79.4 x 59.1cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $2,500-3,500
119 151900/6 OXANA D. SOKOLOVSKAYA (russian b. 1917) “AT THE THEATRE” Inscribed and dated ‘56’ bottom right; also inscribed with artist, title, and date verso, oil on board 23 1/2 x 13 3/4 in. (59.7 x 34.9cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $2,000-3,000
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120 152522/8 LUKIAN VASILIEVICH POPOV (russian 1873-1914) PEASANT GIRL WITH CHILD AND BASKET Signed in Cyrillic bottom right, oil on canvas 23 x 14 in. (58.4 x 35.6cm) provenance: Christie’s, New York, sale of April 18, 2007, lot 42. Private Collection, New York, New York. $40,000-60,000
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121 151900/9 ANATOLI STEPANOVICH KARYAKIN (russian 1923-1999) “PORTRAIT OF A WOMAN” Inscribed with artist and title verso, oil on board 15 3/8 x 11 3/4 in. (39.1 x 29.8cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $1,000-1,500
122 151900/7 ANATOLI VLADIMIROVICH KOKORIN (russian b. 1908) “VILINUS” Inscribed with artist, title, and date ‘1956’ on label verso, oil on board 13 3/8 x 19 5/8 in. (34 X 49.8cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $1,000-1,500
123 151900/8 VICTOR F. LETYANIN (russian b. 1921) “A VILLAGE STREET” Signed in Cyrillic and dated ‘1975’ bottom right; also inscribed with artist and title on label verso, oil on board 13 5/8 x 19 5/8 in. (34.6 x 49.8cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $1,000-1,500
124 152522/3 ALEKSANDR YAKOVELVICH GOLOVIN (russian 1863-1930) SLAVIC COUNT AND FEMALE CAPTIVE Signed in Cyrillic bottom left, oil on board 11 1/2 x 14 in. (29.3 x 35.5cm) provenance: Martin-Chausselat, Paris, sale of July 2, 2006, lot 6. Private Collection, New York, New York. $5,000-7,000
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125 151900/3 SERGEI PETROVICH TKACHEV (russian b. 1922) “AN EVENING ON THE LAKE” Inscribed with artist, title, and date ‘1995’ verso, oil on board 8 3/4 x 17 in. (22.2 X 43.2cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $2,000-3,000
126 151900/4 ALEXEI M. GRITSAI (russian 1914-1998) “ROAD IN THE GRAINS” Signed in Cyrillic bottom right; also with artist, title and date ‘1952’ on label verso, oil on board 7 x 9 7/8 in. (17.8 x 25.1cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $1,500-2,500
127 No lot
128 152522/7 IVAN ALEKSEEVICH VLADIMIROV (russian 1869-1947) HORSECARTS IN WINTER Signed in Cyrillic bottom right; also inscribed on verso, oil on cardboard 19 1/2 x 27 1/2 in. (49.5 x 69.9cm) provenance: Private Collection, New York, New York. $3,000-5,000
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129 151900/5 GUERMAN TATARINOV (russian b. 1925) “EVENING IN PSKOV COUNTY” Signed ‘Tatarinov’ and indistinctly dated bottom right; also with artist and title on label verso, oil on board 19 9/16 x 27 11/16 in. (49.7 x 70.3cm) provenance: Overland Gallery, Scottsdale, Arizona. Acquired from the above. Private Collection, Pennsylvania. $2,000-3,000
130 152522/6 KONSTANTIN ALEKSANDROVICH TRUTOVSKY (ukranian 1826-1893) UKRANIAN VILLAGERS ALONG THE SHORE Signed in Cyrillic bottom right, oil on canvas, unframed 22 3/4 x 35 in. (57.8 x 89cm) provenance: Hampel Fine Art Auctions, sale of March 25, 2006, lot 746. Private Collection, New York, New York. $10,000-15,000
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131 152522/2 FRANZ ROUBAUD (ukrainian 1856-1928) HUNTING SCENE Signed ‘F. Roubaud’ bottom left, oil on canvas 14 3/16 x 25 7/8 in. (36 x 65.7cm) provenance: Galerie Bassenge, sale of November 30, 2007, lot 6345. Private Collection, New York, New York. $10,000-15,000
132 152522/12 KONSTANTIN IVANOVICH GORBATOV (russian 1876-1945) FISHING BOATS Signed in Cyrillic and dated 1913 bottom right, oil on canvas 19 13/16 x 27 9/16 in. (50.3 x 70cm) provenance: Private Collection, New York, New York. $25,000-35,000
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133 152522/9 KONSTANTIN IVANOVICH GORBATOV (russian 1876-1945) BOATS ON CALM WATERS Signed in Cyrillic bottom left, oil on canvas 18 5/8 x 13 1/8 in. (47.3 x 33.3cm) provenance: Hampel Fine Art Auctions, sale of March 23, 2007, lot 201. Private Collection, New York, New York. $10,000-15,000
134 152522/5 ANATOLI KAPLAN (russian 1902-1980) TULIPS IN A VASE Signed and dated ‘A. Kaplan 38’ bottom right, oil on canvas 28 3/4 x 23 5/8 in. (73 x 60cm) provenance: Private Collection, New York, New York. $3,000-5,000
135 152451/1 FEODOR ZAKHAROV (russian 1882-1967) SEVRES TEA SERVICE ON SILVER TRAY WITH CARNATIONS Signed ‘Feodor Zakharov’ bottom right, oil on canvas, in Heydenryk frame 23 1/4 x 28 in. (59 x 71.1cm) provenance: Private Collection, New Jersey. $2,500-3,500
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136 152522/10 ADOLPHE AIZIK FEDER (ukranian 1886-1943) STILL LIFE WITH FLOWERS Signed ‘Feder’ bottom left, oil on canvas 24 x 18 1/8 in. (61 x 46cm) provenance: Private Collection, New York, New York. $4,000-6,000
137 152522/4 ALEKSANDR YAKOVLEVICH GOLOVIN (russian 1863-1930) STILL LIFE WITH PORCELAIN VASES AND FLOWERS Signed in Cyrillic bottom left, gouache on paper laid on cardboard 34 1/2 x 26 1/4 in. (87.6 x 66.7cm) provenance: Private Collection, New York, New York. $25,000-35,000
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138 152522/1 PETR PETROVICH VERESHCHAGIN (russian 1836-1886) PANORAMIC VIEW OF KREMLIN, MOSCOW Signed in Cyrillic bottom right; also located ‘Moskau’ bottom left 20 3/8 x 47 in. (51.5 x 119.5cm) provenance: Hampel Fine Art Auctions, March 23, 2007, lot 210. Private Collection, New York, New York. $30,000-50,000
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139 (part lot)
140 (part lot)
141 (part lot)
139 152272/23 FRANK MILTON ARMINGTON (canadian 1876-1941) “BOWLING GREEN, NEW YORK” (1930); UNTITLED (WOMAN IN LANDSCAPE); “NOTRE DAME AU SOLEIL COUCHANT, PARIS” (1926PAIR); “FERME A BIZY” (1923) Each pencil signed in the margin, five prints (four etchings, one lithograph) Various sizes (5) provenance: Private Collection, Toronto, Canada. $1,000-1,500 143 (part lot)
142 (part lot)
140 152272/21 FRANK MILTON ARMINGTON (canadian 1876-1941) “PENICHES SUR LA SEINE, PARIS” (1915); “BOULEVARD ST. DENIS, PARIS” (1925); “WOOLWORTH BUILDING” (1930); “LE DEJEUNER” (1923); “NOTRE-DAME-DE-PARIS” (1908); “NOTRE-DAME-DE-PARIS” (1927) Each pencil signed in the margin, six prints (one photolithograph, one lithograph, four etchings) Various sizes (6) provenance: Private Collection, Toronto, Canada. $1,000-1,500
141 152272/22 FRANK MILTON ARMINGTON (canadian 1876-1941) “PONT ROYALE, PARIS (LE SOIR)” (1923); “PORTAL IN ROTHAUSHOF, ROTHENBOURG, O.I.” (1909); “QUAI VERT, BRUGES” (1908); “NOTRE-DAME-DE-PARIS” (1907); “WHITEHALL, LONDON”; “UN SENTIER A MABOUD” (1924) Each pencil signed in the margin, six prints (four etchings, two lithographs) Various sizes (6) provenance: Private Collection, Toronto, Canada. $1,000-1,500
142 152272/24 CAROLINE HELENA ARMINGTON (american 1875-1939) TEN PRINTS; INCLUDING “JERUSALEM FROM THE MOUNT OF OLVIES” (1936) Each pencil signed in the margin, etchings Various Sizes (10) provenance: Private Collection, Toronto, Canada. $1,000-1,500
143 152272/25 CAROLINE HELENA ARMINGTON (american 1875-1939) NINE PRINTS; INCLUDING “ZION GATE, JERUSALEM” (1936) Each pencil signed in the margin, etchings Various sizes (9) provenance: Private Collection, Toronto, Canada. $1,000-1,500
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144 (part lot)
144 152272/26 CAROLINE HELENA ARMINGTON (american 1875-1939) NINE PRINTS; INCLUDING “THE WHITE HOUSE” (1924) Each pencil signed in the margin, eight etchings; one photolithograph Various sizes (9) provenance: Private Collection, Toronto, Canada. $1,000-1,500 145 152272/17 FRANK MILTON ARMINGTON (canadian 1876-1941) “DANSEUSE ET LA POUPÉE” (1920); “DANSEUSE SE PONDRANT” (1920); “DANSEUSE ET LE PARAVENT ROUGE” (1920); SELF PORTRAIT (1913) Each signed and dated, three watercolors; one charcoal and pastel Largest (sight size): 14 1/2 x 12 in. (36.8 x 30.5cm) (4) provenance: Private Collection, Toronto, Canada. $1,000-2,000
145 (part lot)
146 152272/18 FRANK MILTON ARMINGTON (canadian 1876-1941) “OLD HOUSE OF 1767, BRUGES” (1910); “QUAI DU LOUVRE, PARIS” (1916); “LE OILIVIER A MONTE CARLO” (1918); “NOTRE DAME DE PARIS” (1910); “LA TURBIE” (1918) Each signed, five watercolors Largest (sight size): 15 x 11 1/2 in. (38.1 x 29.2cm) (5) provenance: Private Collection, Toronto, Canada. $1,500-2,000
146 (part lot)
147 152272/19 FRANK MILTON ARMINGTON (canadian 1876-1941) “LA TERASSE A MONTE CARLO” (PAIR-1919); GEESE NEAR A STREAM BANK; “THE FRAME AT DORCHESTER” (1927); Each signed, four watercolors Largest (sight size): 15 x 12 in. (38.1 x 30.5cm) (4) provenance: Private Collection, Toronto, Canada. $1,200-1,800
147 (part lot)
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148 152272/20 HENRI-PAUL ROYER (french 1869-1938) HEAD STUDIES OF FRANK ARMINGTON Signed and dated ‘Henri Royer 1907’ bottom left, charcoal with red and white chalks on tan paper Sight size: 14 3/4 x 20 5/8 in. (37.5 x 52.4cm) provenance: Private Collection, Toronto, Canada. $1,000-1,500
149 152272/1 FRANK MILTON ARMINGTON (canadian 1876-1941) PEONIES IN A VASE Signed and dated ‘Frank M. Armington 1931’ bottom left, oil on canvas 24 x 19 3/4 in. (61 x 50.2cm) provenance: Private Collection, Toronto, Canada. $6,000-8,000
150 152272/3 FRANK MILTON ARMINGTON (canadian 1876-1941) “EFFET DU MATIN À BIZY” Signed ‘Frank M. Armington’ bottom left; also inscribed with artist and title verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Toronto, Canada. note: The present painting was executed on Armington’s honeymoon before World War I. For that reason, the artist would never agree to sell the painting during his lifetime. $8,000-12,000
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151 152272/2 FRANK MILTON ARMINGTON (canadian 1876-1941) “ROUTE ALLANT À LA MER, ST. JEAN DU DOIGT” Signed and dated ‘Frank M. Armington 1927’ bottom right; also inscribed with artist and title verso, oil on canvas 24 x 19 3/4 in. (61 x 50.2cm) provenance: Private Collection, Toronto, Canada. $7,000-10,000
152 152272/6 FRANK MILTON ARMINGTON (canadian 1876-1941) COWS WATERING Signed and dated ‘Frank M. Armington 1927’ bottom right, oil on canvas 28 3/4 x 36 1/4 in. (73 x 92.1cm) provenance: Private Collection, Toronto, Canada. $12,000-18,000
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153 152272/8 FRANK MILTON ARMINGTON (canadian 1876-1941) “CANAL DE BOURGOGNE” Signed and dated ‘Frank M. Armington 1940’ bottom right; also with inscribed with artist and title verso, oil on canvas 29 x 36 1/4 in. (73.7 x 92.1cm) provenance: Private Collection, Toronto, Canada. $15,000-20,000
154 152272/14 FRANK MILTON ARMINGTON (canadian 1876-1941) “CLOCK TOWER, LONDON” Signed and dated ‘Frank M. Armington/ 1927’ bottom right; also inscribed with artist and title verso, oil on canvas 36 1/4 x 28 3/4 in. (92.1 x 73cm) provenance: Private Collection, Toronto, Canada. $20,000-30,000
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155 152272/5 FRANK MILTON ARMINGTON (canadian 1876-1941) “WINDSOR CASTLE” Signed and dated ‘Frank M. Armington 1940’ bottom left; also inscribed with artist and title verso, oil on canvas 29 x 36 1/4 in. (73.6 x 92.1cm) provenance: Private Collection, Toronto, Canada. $12,000-18,000
156 152272/11 FRANK MILTON ARMINGTON (canadian 1876-1941) “DORCHESTER, DORSET” Signed and dated ‘Frank M. Armington 1927’ bottom right; also inscribed with artist and title verso, oil on canvas 29 x 36 1/4 in. (73.7 x 92.1cm) provenance: Private Collection, Toronto, Canada. $15,000-25,000
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157 152272/4 FRANK MILTON ARMINGTON (canadian 1876-1941) “PLACE DE LA CONCORDE, PARIS” Signed and dated ‘Frank M. Armington 1925’ bottom right; also inscribed with artist and title verso, oil on canvas 24 x 20 in. (61 x 50.8cm) provenance: Private Collection, Toronto, Canada. $10,000-15,000
158 152272/9 FRANK MILTON ARMINGTON (canadian 1876-1941) “LA SEINE, PARIS” Signed and dated ‘Frank M. Armington 1927’ bottom left; also inscribed with artist and title verso, oil on canvas 28 3/4 x 36 in. (73 x 91.4cm) provenance: Private Collection, Toronto, Canada. $15,000-25,000
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159 152272/12 FRANK MILTON ARMINGTON (canadian 1876-1941) “JARDIN DU LUXEMBOURG, PARIS” Signed and dated ‘Frank M. Armington 1926’ bottom left; also inscribed with artist and title verso, oil on canvas 36 1/4 x 28 3/4 in. (92.1 x 73cm) provenance: Private Collection, Toronto, Canada. $15,000-25,000
160 152272/10 FRANK MILTON ARMINGTON (canadian 1876-1941) “PONT NEUF, PARIS” Signed and dated ‘Frank M. Armington/ 1928’ bottom right; also inscribed with artist and title verso, oil on canvas 30 x 37 1/4 in. (76.2 x 94.6cm) provenance: Private Collection, Toronto, Canada. $15,000-25,000
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161 152272/16 FRANK MILTON ARMINGTON (canadian 1876-1941) “PLACE DE L’OPERA, PARIS” Signed and dated ‘Frank M. Armington 1926’ bottom center right; also inscribed with artist and title verso, oil on canvas 38 1/4 x 51 1/2 in. (97.2 x 130.8cm) provenance: Private Collection, Toronto, Canada. $25,000-35,000
162 152272/7 FRANK MILTON ARMINGTON (canadian 1876-1941) “THE VALLEY OF HINON, JERUSALEM” Signed and dated ‘Frank M. Armington 1937’ bottom left; also inscribed with artist and title verso, oil on canvas 28 3/4 x 36 1/4 in. (73 x 92.1cm) provenance: Private Collection, Toronto, Canada. $15,000-20,000
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163 152272/15 FRANK MILTON ARMINGTON (canadian 1876-1941) “LES PINS, CONSTANTINE” Signed and dated ‘Frank M. Arminton 1931’ bottom right; also inscribed with artist and title verso, oil on canvas 38 x 51 1/4 in. (96.5 x 130.2cm) provenance: Private Collection, Toronto, Canada. $25,000-35,000
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164 151552/2 LESSER URY (german 1861-1931) EVENING STREET SCENE WITH FIGURES, BERLIN Signed ‘L. Ury’ bottom left; also with ‘Leopold Hess’ stretcher stamp verso, oil on canvas 20 3/8 x 14 1/4 in. (51.5 x 36.2cm) provenance: Ex-Collection, Mr. and Mrs. James and Vivian Tyrrell, Los Angeles, California. Private Collection, California, since 1991. By descent in the family to the present owner. note: The authenticity of this work has kindly been confirmed by Dr. Sibylle Gross. $100,000-150,000
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165 151552/3 LESSER URY (german 1861-1931) “IN THE WOODS” Signed and dated ‘L. Ury 1895’ bottom left; also with (Goldenberg) catalogue entry affixed to verso of framing, as “In the Woods,” lot 83; also with two labels affixed to verso of framing: ‘NACHLASS LESSER URY,’ inscribed ‘661’ in blue crayon; and printed artist’s label, numbered ‘205’ verso, pastel on paper 18 7/8 x 13 3/5 in. (47.9 x 34.5cm) provenance: Ex-Collection, Mr. and Mrs. James and Vivian Tyrrell, Los Angeles, California. Roy J. Goldenberg Galleries, Beverly Hills, California, exhibition and sale, December 7, 1949, no. 83. Private Collection, California, by descent in the family to the present owner. note: The authenticity of this work has kindly been confirmed by Dr. Sibylle Gross. This lot will be accompanied by the original catalogue for the 1949 Goldenberg Galleries exhibition. $15,000-25,000
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166 152367/44 ADOLF SCHREYER (german 1828-1899) COSSACKS ON HORSEBACK Signed ‘Ad. Schreyer’ bottom left, oil on canvas 34 x 28 1/4 in. (86.4 x 71.8cm) provenance: Christie’s, New York, sale of May 22, 1991, lot 48. From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. note: The authenticity of this painting has been confirmed by Dr. Christoph Andreas. $6,000-9,000 167 151849/2 ATTRIBUTED TO EMANUEL LEUTZE (german/american 1816-1868) THE DIET OF WORMS; and JAN HUS AT THE COUNCIL OF CONSTANCE (AFTER KARL FRIEDRICH LESSING, GERMAN 1808-1880) Pair oils on canvas Each approximately 19 x 27 3/4 in. (48.3 x 70.5cm) (2) provenance: Property of a Philadelphia Institution. $2,500-3,500
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168 152463/2 AUGUST ZIMMERMANN (german 19th century) MATERNAL CARES Signed ‘Aug Zimmermann’ bottom left, oil on canvas 19 7/8 x 14 in. (50.5 x 35.6cm) provenance: Private Collection, New York, New York. $1,000-2,000 168 169 151836/1 VICTOR ZIPPENFELD (german 1834-1871) CHRISTMAS TIME Signed and dated ‘V. Zippenfeld 1864’ bottom right; also inscribed with artist on label verso, oil on canvas 23 1/2 x 20 in. (59.7 x 50.8cm) provenance: Private Collection, Philadephia, Pennsylvania. $1,500-2,500
169
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170 (part lot) 170 152571/1 HUGO HODIENER (HODINA) (austrian 1856-1945) MOUNTAINS IN SPRING; AND A COMPANION Each signed ‘Hodiener’; one bottom left, one bottom right, two gouaches Largest: 28 3/4 x 25 in. (73 x 63.4cm) (2) provenance: Private Collection, Philadelphia, Pennsylvania. $1,200-1,800
171 152571/2 HUGO HODIENER (HODINA) (austrian 1856-1945) “AUS DEM KARWENDEL” Signed and located ‘Hondiener Munchen’ bottom right; also with signature and title on stretcher, oil on canvas, unframed 27 3/8 x 55 1/4 in. (69.5 x 140.3cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
1172 (part lot)
172 152351/83 JULIUS SCHEUERER (german 1859-1913) BARNYARD SCENE WITH CHICKENS AND PEACOCKS Signed ‘Jul. Scheuerer’ center right, oil on panel 8 3/4 x 12 1/4 in. (22.2 x 31.1cm) together with: ROOSTERS AND CHICKS Signed ‘Jul. Sheuerer’ bottom left, oil on panel 7 1/2 x 9 5/8 in. (19.1 x 24.4cm) (2) provenance: Property of an Estate, Washington, DC. $1,200-1,800
173 152351/85 MAX OTTO BEYER (german 1863-1902) TABLETOP STILL LIFE WITH ASSORTED FRUITS, VASE OF FLOWERS, AND OYSTERS Signed, located, and dated ‘M.O. Beyer Dld 89’ bottom left, oil on canvas 31 1/2 x 50 in. (80 x 127cm) provenance: Property of an Estate, Washington, D.C. $1,000-1,500
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174 152367/43 DEITZ EDZARD (german 1893-1963) MIXED FLOWERS Signed ‘D Edzard’ bottom right, oil on canvas 21 5/8 x 18 1/8 in. (54.9 x 46cm) provenance: Arthur, Lénars, and Cie, Paris. From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. $2,000-3,000
175 152367/25 DEITZ EDZARD (german 1893-1963) RED AND WHITE ROSES Signed ‘D. Edzard’ bottom right, oil on canvas 21 5/8 x 18 1/8 in. (54.9 x 46cm) provenance: Arthur, Lénars, and Cie, Paris. From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. $2,000-3,000
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176 158134/5 GEORGE HENDRIK BREITNER (dutch 1857-1923) DUTCH STREET WITH HORSE CART Signed ‘G.H. Breitner’ bottom right, oil on panel 12 3/16 x 9 3/16 in. (31 x 23.3cm) provenance: Private Collection, Virginia. $2,000-3,000
177 158134/6 GEORGE HENDRIK BREITNER (dutch 1857-1923) DUTCH STREET WITH CART SELLER Signed ‘G.H. Breitner’ bottom left, oil on panel 12 3/16 x 9 3/16 in. (31 x 23.3cm) provenance: Private Collection, Virginia. $2,000-3,000
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178 151813/3 ALBERT FIKS (dutch 1908-1945) NUDE; AND A COMPANION Each signed and dated ‘A. Fiks 27’, one bottom right; one bottom left, pair oils on canvas Sight size (each): 10 x 6 3/8 in. (25.4 x 16.2cm) (2) provenance: Private Collection, California. $1,200-1,800
(part lot)
179 158134/4 GERHARD ARIJ LUDWIG MORGENSTJERNE MUNTHE (dutch 1875-1927) BOATS AND FISHERWOMAN ALONG THE COAST Signed ‘G.M. Munthe’ bottom left, oil on panel 7 15/16 x 11 7/8 in. (20.1 x 30.1cm) provenance: Private Collection, Virginia. $1,000-1,500
180 151922/1 ARNOLD MARC GORTER (dutch 1866-1933) SPRING LANDSCAPE Signed and dated ‘A.M. Gorter 1915’ bottom right, oil on canvas 39 5/8 x 53 1/2 in. (100.6 x 135.9cm) provenance: Private Collection, Maryland. $6,000-9,000
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181 158099/4 JAN HENDRIK WEISSENBRUCH (dutch 1824-1903) “THE THREE WILLOWS” Signed and dated ‘J.H. Weissenbruch f 75’ bottom left, oil on canvas 7 7/8 x 9 3/4 in. (20 x 24.7cm) provenance: Private Collection, Virginia. $2,000-3,000
182 152549/1 WILLEM CORNELIS RIP (dutch 1856-1922) “IN ITALIEN” Signed ‘W.C. Rip’ bottom left; also signed and titled verso, oil on panel 8 1/2 x 12 1/2 in. (21.6 x 31.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500
183 151908/3 FRANS LANGEVELD (dutch 1877-1939) COWS IN A LANDSCAPE, STORM CLEARING Signed ‘Frans Langeveld’ bottom right, oil on canvas 18 5/8 x 15 3/4 in. (47.3 x 40cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500
184 152525/1 PETRONELLA WOENSEL (dutch 1785-1839) STILL LIFE OF GRAPES, A ROEMER, AND VINE BRANCH Signed ‘P. Van Woensel’ bottom right, oil on panel 20 x 23 in. (50.8 x 58.4cm) provenance: Sotheby’s, London, sale of June 22, 1988, lot 456. Property of Florida Corporation. $3,000-5,000
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185 151970/5 GÉRARD JOZEF PORTIELJE (belgian 1856-1929) CHESS MATCH Signed and located ‘Gerard Portielje Antwerp’ bottom right, oil on canvas 18 1/4 x 23 in. (46.4 x 58.4cm) provenance: Private Collection, New Jersey. $2,000-4,000
186 152548/1 HENRI DE BEUL (belgian 1845-1900) SHEEP IN A MEADOW Signed and dated ‘Henri de Beul 1891’ bottom left; also inscribed ‘H. De Beul/ Schaerbeck/ Bruxelles/ 1891/ Belgique/ Rue de Robiano No. 9’ verso, oil on canvas 34 1/4 x 51 1/2 in. (87 x 130.8cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $2,000-3,000
187 152218/4 FRANS VAN LEEMPUTTEN (belgian 1850-1914) HORSES IN A PARK Signed and dated ‘Frans Van Leemputten 1891’ bottom left, oil on canvas 8 x 17 in. (20.3 x 43.2cm) provenance: Private Collection, Michigan. $2,500-3,500
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188 151900/1 GEORGES BÄRWOLF (belgian 1872-1935) PLACE DE CLICHY Signed ‘G Barwolf’ bottom left, oil on canvas 18 1/2 x 21 3/4 in. (47 x 55.2cm) provenance: Galerie J.C. Lefèvre, Paris. Acquired from the above. Private Collection, Pennsylvania. $2,000-3,000
189 151552/1 ALBERT SAVERYS (belgian 1886-1964) SNOW IN FLANDERS Signed ‘Saverys’ bottom right, oil on canvas, in a fine period frame 39 1/2 x 47 1/2 in. (100.3 x 120.7cm) provenance: Private Collection, California. exhibited: Golden Gate Exhibition, San Fransisco, California, 1939. $10,000-15,000
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190 151796/2 JEAN FRANCOIS XAVIER ROFFIAEN (belgian 1820-1898) ALPINE LANDSCAPES: DAWN WITH BIRD IN FLIGHT; MIDDAY WITH HEARD OF GOATS The former signed and dated ‘F. Roffiaen 1860’ bottom center right; the latter signed and dated ‘F. Roffiaen 1862’ bottom right, pair oils on canvas Each: 28 3/8 x 46 1/2 in. (72.1 x 118.1cm) (2) provenance: Sotheby’s sale of December 3, 2002, lot 247. Private Collection, Pennsylvania. $10,000-15,000
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191 158106/49 BELA PALLIK (hungarian 1845-1908) SHEEP AND LAMBS Signed and dated ‘Pallik Bela 1890’ bottom left, oil on canvas 29 1/8 x 23 1/4 in. (74 x 59.1cm) provenance: Private Collection, Virginia. $1,200-1,500
192 152309/1 LASZLO NEOGRADY (polish 1896-1902) WOODLAND STREAM, WINTER Signed ‘Neogrady Laszlo’ bottom right, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
193 152398/5 G. PISTORI (italian 19th century) A GAME OF CARDS Signed ‘G. Pistori’ bottom right; also inscribed on partial stretcher label verso, oil on canvas 32 x 50 3/4 in. (81.3 x 128.9cm) provenance: Private Collection, New York, New York. $2,000-3,000
194 158064/1 CLETO LUZZI (italian 1884-1952) A MISHAP AT TEA TIME Signed and located ‘Cleto Luzzi Roma’ bottom left, oil on canvas 28 1/2 x 41 1/2 in. (72.4 x 105.4cm) provenance: Private Collection, Florida. $3,000-5,000
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195 152562/1 FABIO FABBI (italian 1861-1946) IN THE HAREM Signed ‘F. Fabbi’ bottom left, oil on canvas 28 1/4 x 36 1/4 in. (71.8 x 92.1cm) provenance: Private Collection, California. $25,000-35,000
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196 151604/1 PIETRO GABRINI (italian 1856-1926) FISHING IN A CALM Signed, located, and dated ‘P. Gabrini Roma 1909’ bottom left, watercolor on paper Sight size: 24 1/2 x 38 1/2 in. (62.2 x 97.8cm) provenance: Private Collection, Massachusetts. $1,000-1,500
197 152469/1 SCIPIONE SIMONI (italian 1853-1918) STREET SCENE, ROME Signed, inscribed and located, ‘Scipione Simoni/Patricia/Roma’ bottom right, watercolor on paper laid on card 39 11/16 x 26 3/4 in. (100.8 x 67.9cm) provenance: Private Collection, Delaware. $1,000-1,500
199 151592/4 ITALIAN SCHOOL (19th - 20th century) VILLAGE SCENE WITH FIGURES AND CART Signed and dated ‘****ieri’ (1)901’ bottom right, oil on canvas 23 3/8 x 43 1/2 in. (59.4 x 110.5cm) provenance: Private Collection, New Jersey. $2,000-3,000
198 152584/2 ULGI LIEGI (LUIGI LEVI) (italian 1858-1939) LANDSCAPE WITH FARMHOUSE Signed ‘Ulgi Liegi’ bottom left, oil on panel 6 5/8 x 11 1/8 in. (16.8 x 28.3cm) provenance: Private Collection, New Jersey. $2,000-3,000
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200 142342/17 EUROPEAN SCHOOL (19th century) LEAVING FOR HOLIDAY Signed with initials ‘E.B.’ (?) bottom right, oil on canvas laid on panel 24 1/4 x 16 3/4 in. (61.6 x 42.5cm) provenance: Private Collection, New Jersey. $3,000-5,000 201 151986/4 ANTONIO DE BRUGADA VILA (spanish 1804-1863) TOPOGRAPHICAL VISTA AT DAWN Signed ‘A de Brugada’ bottom right, oil on canvas 12 1/4 x 17 3/4 in. (31.1 x 45.1cm) provenance: Private Collection, Washington, D.C. $1,500-2,000
202 151796/1 CONTINENTAL SCHOOL (19th century) CATHEDRAL INTERIOR Signed illegibly bottom left, oil on canvas 31 3/4 x 45 1/4 in. (80.6 x 114.9cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
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203 151922/2 FRANZ RICHARD UNTERBERGER (austrian 1838-1902) THE BACINO DI SAN MARCO, VENICE, LOOKING EAST Signed ‘F.R. Unterberger’ bottom left; also inscribed ‘Venice/ F.R. Unterberger Bruxelles’ verso, oil on canvas 43 3/4 x 40 in. (111.25 x 101.6cm)
provenance: Sotheby’s Parke Bernet, London, sale of May 20, 1970, lot 115. Christie’s, London, sale of October 3, 1975, lot 98. Private Collection, Maryland. literature: Sybille Karin Moser, F.R. Unterberger und die salonfähige Landschaftsmalerei im 19. Jahrhunerd, Innsbruck, 1986, no. 128.
note: The authenticity of this work has kindly been confirmed by Dr. Sybille Karin Moser-Ernst, who dates the painting circa 1898. The present lot will be accompanied by a letter of authenticity from Dr. Moser-Ernst. $50,000-70,000
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204 152562/2 RUDOLF ERNST (austrian 1854-1932) HONORING THE TIGER Signed ‘R. Ernst’ bottom right, oil on panel 29 1/8 x 39 1/2 in. (74 x 100.3cm) provenance: Private Collection, California. $30,000-50,000
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205 158134/2 LEO PUTZ (austrian 1869-1940) GENTLEMAN IN PROFILE Signed ‘Leo Putz’ bottom right, oil on canvas 21 1/2 x 17 1/2 in. (54.6 x 44.5cm) provenance: Private Collection, Virginia. $2,000-3,000
207 152325/1 ADAM BRENNER (austrian 1800-1891) BEAUTY AT THE SLAVE MARKET Signed ‘Adam Brenner’ bottom left, oil on canvas 29 1/4 x 39 in. (74.3 x 99.1cm) provenance: Freeman’s, sale of April 19, 1997, lot 627. Private Collection, Pennsylvania. $1,500-2,000
206 152132/1 HANS PINGGERA (austrian b. 1900) SCENE FROM OTHELLO WITH DESDEMONA, BRABANTIO AND THE MOOR OTHELLO Signed ‘H. Pinggera’ bottom right, oil on canvas 29 1/4 x 39 5/8 in. (74.3 x 100.6cm) provenance: Private Collection, Pennsylvania. $3,000-5,000
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208 151754/14 CARLO BOSSOLI (swiss 1815-1884) A ROMAN STREET BY NIGHT Gouache on paper 6 1/2 x 8 1/2 in. (17 x 21.5cm) provenance: Private Collection, New York, New York. $2,000-3,000
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209 152455/4 LOUIS-AIMÉ GROSCLAUDE (french c. 1784-1869) PORTRAIT OF AGLAE MASSON Signed ‘L. Grosclaude’ bottom right, oil on canvas 38 1/2 x 32 1/16 in. (97.8 x 81.4cm) provenance: Sotheby’s, New York, sale of October 25-26, 2007, lot 202. Private Collection, Virginia. $6,000-8,000
210 151922/6 JULES JAMES ROUGERON (french 1841-1880) IN THE GARDEN Signed ‘J. Rougeron’ bottom right, oil on canvas 24 x 15 3/4 in. (61 x 40cm) provenance: Private Collection, Maryland. $5,000-8,000
211 151908/5 GUSTAVE DORÉ (french 1832-1883) GIOACHINO ROSSINI ON HIS DEATH BED Signed and inscribed ‘Monsieur le Dr. Evans/ G doré’ bottom right, pencil on paper laid to paper, oval Image size: 14 3/8 x 12 in. (36.5 x 30.5cm) Sheet size: 17 1/2 x 14 1/2 in. (44.5 x 36.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000
212 151754/6 ISIDORE PILS (french 1813-1875) PORTRAIT OF A WOMAN Charcoal and pastel on paper, unframed 11 1/2 x 9 in. (29.2 x 22.9cm) provenance: Private Collection, New York, New York. $1,000-1,500
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213 151754/13 GEORGE JULES VICTOR CLAIRIN (french 1843-1919) AN ELEGANT LADY Signed, inscribed, and dated ‘à Madmoiselle Bear/ son aun(?)/ G. Clairin 1888’, pencil and white chalk on brown paper Sight size: 9 1/4 x 14 in. (23.5 x 35.6cm) provenance: Private Collection, New York, New York. $1,000-1,500 214 151591/6 JEAN-BAPTISTE-LOUIS GUY (french 1824-1888) MOORISH WOMAN WITH JUG Signed and dated ‘L. Guy 1862’ bottom right, oil on board 8 3/4 x 6 1/8 in. (22.2 x 15.6cm) provenance: Private Collection, New York. $1,000-1,500 215 151754/18 THÉODORE VALERIO (french 1819-1879) STUDY OF A MAN With ‘Vente Valerio’ stamp bottom left, watercolor over traces of pencil on paper 18 1/2 x 11 1/2 in. (47 x 29.2cm) provenance: Private Collection, New York, New York. $1,000-1,500
216 216 151591/5 LOUIS GEORGES BRILLOUIN (french 1817-1893) GENTLEMAN IN CONTEMPLATION Signed ‘Georges Brillouin’ bottom left, oil on canvas 10 9/16 x 8 1/2 in. (26.8 x 21.6cm) provenance: Private Collection, New York. $1,000-1,500
217 217 151754/8 HENRI FÉLIX EMMANUEL PHILIPPOTEAUX (french 1815-1884) STUDY FOR THE FIGURE OF ARMAND GENSONNÉ Inscribed ‘**grande Jeannette/Caroline Léon/Leilere Ruge/***dupont’ upper right, pencil heightened with white on blue paper 9 x 7 1/2 in. (22.9 x 19.1cm) provenance: Private Collection, New York, New York. $1,000-1,500
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218 158093/2 FERDINAND VICTOR LÉON ROYBET (french 1840-1920) CAVALIER Signed ‘F. Roybet’ upper right, oil on panel 31 3/4 x 25 in. (80.6 x 63.5cm) provenance: Braus Galleries, Inc., New York, New York. Private Collection, Virginia. $2,000-3,000
219 152216/1 MAURICE LOUIS TÊTE (french 1880-1948) WOMAN READING IN INTERIOR Signed ‘Tête’ bottom right, oil on canvas 45 1/4 x 57 3/4 in. (114.9 x 146.7cm) provenance: Private Collection, Michigan. $12,000-18,000
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220 152509/1 ANTOINE BOUVARD (french 1870-1956) VENETIAN CANAL WITH GONDOLIER Signed ‘Bouvard’ bottom right, oil on canvas 19 3/4 x 25 5/8 in. (50.2 x 65.1cm) provenance: Nash Galleries, London, Ontario. Private Collection, Pennsylvania. $5,000-7,000
221 OWNED/509 HIPPOLYTE CAMILLE DELPY (french 1842-1910) COIN DE VILLERVILLE Signed and dated ‘H.C. Delpy *7’ bottom right, oil on panel 10 3/8 x 15 3/4 in. (26.6 x 40cm) provenance: Goupil Gallery, New York, New York. Private Collection, Pennsylvania. $2,000-3,000
222 158056/34 ANTOINE BOUVARD (french 1870-1956) VENETIAN VIEW Signed ‘Bouvard’ bottom right, oil on canvas 19 3/4 x 25 5/8 in. (50.2 x 65.1cm) provenance: Private Collection, Florida. $5,000-7,000
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223 158106/36 CHARLES ÉMILE JACQUE (french 1813-1894) SHEEP IN A FARMYARD Signed ‘Ch. Jacque’ bottom left, oil on panel 7 1/16 x 15 1/4 in. (17.9 x 38.7cm) provenance: Christie’s New York, sale of May 27, 1992, lot 173. Private Collection, Virginia. $3,000-5,000
224 152412/1 ANTOINE CONTY (french b. 1818) OUTDOOR STILL LIFE OF MIXED FLOWERS, PINEAPPLE, MELON AND GRAPES Signed ‘De Conty’ bottom right, oil on canvas 41 1/2 x 27 5/8 in. (105.4 x 70.2cm) provenance: Private Collection, Montana. $5,000-7,000
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225 152392/2 EDGAR MAXENCE (french 1871-1954) STILL LIFE WITH VASE OF FLOWERS Signed ‘Edgard Maxence’ bottom right, oil on panel 28 5/8 x 19 5/8 in. (72.7 x 49.8cm) provenance: Private Collection, New Jersey. exhibited: Carnegie Institute, Pittsburgh, Pennsylvania, n.d. $1,500-2,000 225
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226 151908/6 GUSTAVE BARRIER (french 1871-1953) “NATURE MORTE AVEC SUCRIER” Signed ‘G. Barrier’ bottom right, oil on panel 7 3/8 x 9 7/16 in. (18.7 x 24cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500
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227 158106/106 ROSA BONHEUR (french 1822-1899) PORTRAIT OF A DONKEY Signed ‘Rosa Bonheur’ bottom right; also with ‘Vente Rosa Bonheur 1900’ red wax seal on stretcher verso, oil on canvas 39 1/2 x 32 in. (100.3 x 81.3cm) provenance: Private Collection, Virginia. $10,000-15,000
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228 158106/130 ROSA BONHEUR (french 1822-1899) RAM With stamped signature bottom right; also with ‘Vente Rosa Bonheur 1900’ red wax seal on stretcher verso, oil on canvas 6 3/8 x 7 in. (16.4 x 17.8cm) provenance: Private Collection, Virginia. $1,000-1,500
229 158106/21 ROSA BONHEUR (french 1822-1899) STAG IN THE WOODS Signed ‘Rosa Bonheur’ bottom right, oil on panel 12 x 8 7/8 in. (30.5 x 22.4cm) provenance: Private Collection, Virginia. $3,000-5,000
230 158106/23 ROSA BONHEUR (french 1822-1899) “OVEJAS” (TWO SHEEP) With stamped signature ‘Rosa Bonheur’ bottom right, oil on canvas 13 x 17 in. (33 x 43.2cm) provenance: Private Collection, Virginia. $2,500-3,500
231 158106/27 ROSA BONHEUR (french 1822-1899) THREE SHEEP IN A LANDSCAPE Signed ‘Rosa Bonheur’ bottom left; also with ‘Vente Rosa Bonheur 1900’ red wax seal on stretcher verso, oil on canvas 18 1/4 x 25 1/2 in. (46.4 x 64.8cm) provenance: Private Collection, Virginia. $4,000-6,000
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232 158106/26 ROSA BONHEUR (french 1822-1899) “SOUVENIR” (CALVES) With stamped signature bottom left; also with ‘Vente Rosa Bonheur 1900’ red wax seal on stretcher verso, oil on canvas 14 5/8 x 18 1/8 in. (37.1 x 46.1cm) provenance: Private Collection, Virginia. $1,500-2,500
233 158106/105 ROSA BONHEUR (french 1822-1899) WATCHING OVER THE FLOCK With faint stamped signature and date ‘1860’ bottom left, oil on panel 13 x 21 in. (33 x 53.3cm) provenance: Sotheby’s, New York, sale of June 8, 1990, lot 283. Sotheby’s, New York, sale of December 5, 2008, lot 112. Private Collection, Virginia. $1,000-1,500
234 158106/22 ROSA BONHEUR (french 1822-1899) COWS WATERING Signed faintly ‘Rosa Bonheur’ bottom left, oil on canvas 24 x 42 1/8 in. (60.9 x 107cm) provenance: Private Collection, Virginia. $2,500-4,000
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235 158106/28 AUGUSTE (FRANÇOIS AUGUSTE) BONHEUR (french 1824-1884) CATTLE WATERING IN A STREAM Signed ‘Auguste Bonheur’ bottom right, oil on canvas 23 5/8 x 31 3/4 in. (59.9 x 80.6cm) provenance: Christie’s, New York, sale of May 27, 1992, lot 192. Private Collection, Virginia. $1,500-2,000
236 158106/19 ROSA BONHEUR (french 1822-1899) STAGS IN A WOOD Signed ‘Rosa Bonheur’ bottom left; also with ‘Vente Rosa Bonheur 1900’ red wax seal on stretcher verso, oil on canvas 18 1/8 x 22 in. (46 x 55.9cm) provenance: Private Collection, Virginia. $10,000-15,000
237 158106/50 GUY CAMBIER (french b. 1923) three oils “NEIGE” Signed and dated ‘Guy Chambier 58’ bottom left; also signed, titled, and dated ‘Oct 58’ verso, oil on board 8 3/4 x 10 5/8 in. (22.2 x 27cm) together with: “MANEGE AU VILLAGE” Signed ‘Guy Chambier’ bottom left; also signed, titled, and dated ‘Oct 58’ verso, oil on panel 8 3/4 x 10 5/8 in. (22.2 x 27cm)
(part lot)
together with: “LA PLAGE” Signed ‘G. Chambier’ bottom left; also signed, titled, and dated ‘Oct 58’ verso, oil on panel 8 3/4 x 10 5/8 in. (22.2 x 27cm) (3) provenance: Private Collection, Virginia. $1,500-2,000
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238 152218/3 MICHEL KIKOÏNE (french 1892-1968) LANDSCAPE Signed ‘Kikoine’ bottom right, oil on canvas 13 1/2 x 9 in. (34.3 x 22.9cm) provenance: James D. Julia, sale of August 26-28, 2008, lot 3231. Acquired from the above. Private Collection, Michigan. $3,000-5,000
239 152444/12 AUGUSTE ELISÉE CHABAUD (french 1882-1955) “LE TROUPEAU SORT APRÈS LA PLUIE” Signed ‘A. Chabaud’ bottom left, oil on board 29 1/2 x 41 in. (74.9 x 104.1cm) provenance: The Collection of John Quinn, 1913. Private Collection, Pennsylvania. exhibited: “Auguste Chabaud”, Galerie Bernheim Jeune, Paris, March 11 - 13, 1912, no. 14 (illustrated). “Second Post-Impressionist Exhibition”, Grafton Galleries, London, October 5 - December 31, 1912, no. 54 (illustrated). “Armory Show” (International Exhibition of Modern Art), Armory of the Sixty-Ninth Regiment, New York, New York, February 17 March 15, 1913, no. 583.
“Armory Show”, Art Institute of Chicago, Chicago, Illinois, March 24 - April 15, no. 52, (as “The Flock After the Rain”). “Armory Show”, Copley Hall (Copley Society of Boston), Boston, Massachusetts, April 28 - May 18, 1913, no. 26, (as “The Flock After the Rain).
literature: Donald E. Gordon, Modern Art Exhibitions 19001916, Munich: Prestel-Verla, 1974, vol. 1, p. 213, no. 919, (illustrated). $5,000-8,000
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240 152519/2 JEAN HUGO (french 1894-1984) “PAYSAGE DU CONTENIN” Signed ‘Jean Hugo’ bottom right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) provenance: Galerie Lucie Weill, Paris. Makler Gallery, Philadelphia, Pennsylvania. Private Collection, Main Line, Philadelphia, Pennsylvania. $3,000-5,000
242 152311/1 ANTOINE BLANCHARD (french 1910-1988) NOTRE DAME Signed ‘Antoine Blanchard’ bottom right, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000
241 152519/3 JEAN HUGO (french 1894-1984) “JOSEPH ET LA RECHERECHE DE SES FRÈRES” Signed ‘Jean Hugo’ bottom right, oil on canvas 8 5/8 x 13 5/8 in. (21.9 x 34.6cm) provenance: Galerie Lucie Weill, Paris. Makler Gallery, Philadelphia, Pennsylvania. Private Collection, Main Line, Philadelphia, Pennsylvania. $1,500-2,500
243 152311/2 ANTOINE BLANCHARD (french 1910-1988) BOULEVARD DE LA MADELEINE Signed ‘Antoine Blanchard’ bottom right, oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000
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244 152048/1 EDOUARD LÉON CORTÈS (french 1882-1969) PLACE SAINT-MICHEL ET NOTRE DAME Signed ‘Edouard Cortes’ bottom left, oil on canvas 18 1/4 x 22 in. (46.4 x 55.9cm) provenance: Private Collection, Florida. $20,000-30,000
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245 152367/27 JEAN DUFY (french 1888-1964) PARIS, LE PONT ALEXANDRE III Signed ‘Jean Dufy’ bottom right, oil on canvas 9 x 11 in. (22.9 x 27.9cm) provenance: Arthur, Lénars, and Cie, Paris. From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. note: The present lot will be accompanied by a certificate of authenticity by Mr. Jacques Bailly, dated November 27, 2015 and numbered 4516. The painting will be included in the forthcoming Catalogue Raisonné. $10,000-15,000
246 152367/2 JEAN DUFY (french 1888-1964) LES MOISSONNEURS Signed ‘Jean Dufy’ bottom right, oil on canvas 13 x 16 1/8 in. (33 x 41cm) provenance: Arthur, Lénars, and Cie, Paris. From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. note: The present lot will be accompanied by a certificate of authenticity by Mr. Jacques Bailly, dated November 27, 2015 and numbered 4515. The painting will be included in the forthcoming Catalogue Raisonné. $15,000-20,000
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247 152367/3 JEAN DUFY (french 1888-1964) RUE ROYALE Signed ‘Jean Dufy’ bottom left, oil on canvas 13 1/2 x 16 5/8 in. (34.3 x 42.2cm) provenance: From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. note: The present lot will be accompanied by a certificate of authenticity by Mr. Jacques Bailly, dated November 27, 2015 and numbered 4514. The painting will be included in the forthcoming Catalogue Raisonné. $20,000-30,000
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248 152398/10 LE PHO (french/vietnamese 1907-2001) “COMPOSITION” Signed ‘Le Pho’ and inscribed bottom right; also with signature and title on stretcher, oil on canvas 28 3/4 x 21 1/4 in. (73 x 54cm) provenance: Private Collection, New York, New York. $5,000-8,000
249 152393/2 JORGE GONZÁLEZ CAMARENA (mexican 1908-1980) OCEAN WAVE Signed ‘J Gonzlz Camarena’ bottom right, oil on canvas 30 x 54 7/8 in. (76.2 x 139.4cm) provenance: Private Collection, North Carolina. $20,000-30,000
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250 (part lot) 250 152398/18 MORDECHAI AVNIEL (israeli 1900-1989) LANDSCAPES Signed ‘M. Avniel’ and inscribed in Hebrew bottom right, watercolor on paper Sight size: 13 1/2 x 19 (34.3 x 48.3cm) together with: JOSEPH KOSSONOGI (israeli 1908-1981) DOCK SCENE Signed in Hebrew bottom right, watercolor on paper, 14 1/4 x 17 7/8 in. (36.2 x 45.4cm) (2) provenance: Private Collection, New York, New York. $1,000-1,500
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251 251 152398/19 NACHUM GUTMAN (israeli 1898-1978) VILLAGE SCENE Signed in Hebrew bottom right, watercolor on paper 18 x 23 in. (45.7 x 58.4cm) provenance: Private Collection, New York, New York. $1,500-2,000
252 152218/8 ABOLGHASSEM SAIDI (iranian b. 1926) “INTERIOR SCENE” Signed ‘Saidi’ bottom right; also titled verso, oil on masonite 30 x 24 in. (76.2 x 61cm) provenance: Karl Mann Associates, New York, New York. Private Collection, Michigan. $4,000-6,000
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253 152519/1 NICOLA SIMBARI (italian 1927-2012) MEDITERRANEAN LANDSCAPE Signed and dated ‘Simbari 66’ bottom right, oil on canvas 19 7/8 x 23 3/4 in. (50.5 x 60.3cm) provenance: Private Collection, Main Line, Philadelphia, Pennsylvania. $1,500-2,500
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254 152088/1 FERNANDO CUETO AMORSOLO (filipino 1892-1972) LAVANDERAS Signed, located, and dated ‘F. Amorsolo/ Manila 1930’ bottom left, oil on canvasboard 16 x 19 3/4 in. (40.6 x 50.2cm) provenance: Private Collection, Maine. By descent in the family of the present owner since circa 1970s. $15,000-25,000
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255 158112/1 LOUIS JOHN ENDRES (american/act. morocco 1896-1989) ODALISQUE Signed and located ‘L. Endres/Moroc’ upper left, oil on canvas 25 1/2 x 19 in. (64.8 x 48.3cm) provenance: Private Collection, Virginia. $1,200-1,800
256 152398/15 LÉONARD TSUGUHARU FOUJITA (french/japanese 1886-1968) DREAM OF THE OPERA (FROM LA RIVIERE ENCHANTEE) 1951. Etching on Japon. Pencil signed and numbered 8/50 in the margin 9 5/16 x 11 7/16 in. (23.7 x 29.1cm) [Buisson II.51.176] provenance: Private Collection, New York, New York. $1,500-2,500
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257 152508/54 PIERRE-AUGUSTE RENOIR (french 1841-1919) ENFANTS JOUANT À LA BAILLE 1900. Edition of 200. Color lithograph, published by Ambroise Vollard, Paris, on Arches laid paper with ‘MBM’ watermark Image size: 23 3/8 x 20 1/16 in. (59.4 x 51cm) Sheet size: 28 3/16 x 24 5/8 in. (71.6 x 62.5cm) [Delteil 32; Stella 32] provenance: Sessler’s Book Shop, Philadelphia, Pennsylvania. The Estate of Jane C. Ballard, Philadelphia, Pennsylvania. exhibited: Philadelphia Museum of Art, n.d. $30,000-50,000 END OF SALE
Index Alexander, C., 76 Amorsolo, F.C., 254 Armington, C.H., 142, 143, 144 Armington, F.M., 139, 140, 141, 145, 146, 147, 149-163 Austrian School, 81 Avniel, M., 250 Barrett, J., 95 Barrier, G., 226 Bärwolf, G., 188 Berchem, N., 41 Beyer, M.O., 173 Blacklock, W.K., 93 Blanchard, A., 242, 243 Bonheur, A., (François Auguste), 235 Bonheur, R., 227-236 Bossoli, C., 208 Both, J.D., 40 Boucher, F., 27, 69 Bouvard, A., 220, 222 Brandi, G., 68 Breitner, G.H., 176, 177 Brenner, A., 207 Brillouin, L.G., 216 British School, 74, 77, 80, 89 Brueghel the Elder, P., 46 Camarena, J.G., 249 Cambier, G., 237 Castiglione, G.B., 3 Chabaud, A.E., 239 Châtelet, C.L., 26 Chiari, G.B., 12 Clairin, G.J.V., 213 Continental School, 72, 202 Conty, A., 224 Cool, J.D., 58 Cortès, E.L., 244 de Beul, H., 186 de Breanski, Jr., A.F., 104 de Brugada Vila, A., 201 de Hondecoeter, M., 43 Deane, C., 107 del Tintore, S., 42 Delafontaine, P.M., 22 Dell, E., 88 Delpy, H.C., 221 d'Ivry, P.C., 29 Doré, G., 211 Dufy, J., 245, 246, 247 Dutch School, 56, 57 Edzard, D., 174, 175 Endres, L.J., 255
Ernst, R., 204 European School, 200 Fabbi, F., 195 Faed, J., 86, 87 Feder, A.A., 136 Fiks, A., 178 Flemish School, 53 Foujita, L.T., 256 French School, 30, 61, 67, 70, 79 Gabrini, P., 196 Gifford, J., 100 Godward, J.W., 83 Golovin, A.Y., 124, 137 Goltzius, H., 14 Goodall, F., 92 Gorbatov, K.I., 132, 133 Gorter, A.M., 180 Greuze, J.B., 62 Gribble, B.E.F., 109 Gritsai, A.M., 126 Grosclaude, L.A., 209 Gutman, N., 251 Guy, J.B.L., 214 Hackaert, J., 47 Hayward, A.R., 85 Hodiener, (Hodina), H., 170, 171 Houel, J.P.L., 33 Hugo, J., 240, 241 Hurt, L.B., 99, 101 Italian School, 8, 13, 19, 35, 52, 54, 199 Jacque, C.E., 223 James, D., 113, 114 Janinet, J.F., 32 Jenkins, G.H., 105 Jordaens, J., 17 Kaiser, E., 51 Kaplan, A., 134 Karyakin, A.S., 121 Kazakevich, N.K., 118 Kikoïne, M., 238 Knapton, G., 78 Kneller, G., 75 Kokorin, A.V., 122 Lahire (Lahyre), L., 21 Langeveld, F., 183 Lebas, G.H., 23 Lely, P., 73 Letyanin, V.F., 123 Leutze, E., 167
Liegi, (Luigi Levi), U., 198 Linnell, J., 98 Luzzi, C., 194 Macbeth, R.W., 96 Macgregor, J., 103 Manchester, G., 110 Maratta, C., 66 Marillier, C.P., 28 Maxence, E., 225 Mooney, M., 94 Morgan, F., 84 Munthe, G.A.L.M., 179 Neapolitan School, 48, 65 Nemon, O., 82 Neogrady, L., 192 Nogari, G., 9 Norman, G.P., 106 Northern Italian School, 5, 38, 45, 55, 64 O'kelly, A.C., 115 Pallik, B., 191 Panini, G.P., 49 Philippoteaux, H.F.E., 217 Pho, L., 248 Pils, I., 212 Pinggera, H., 206 Pistori, G., 193 Popov, L.V., 120 Portielje, G.J., 185 Proctor, A.E., 91 Prudhomme, 24 Putz, L., 205 Ranc, J., 59 Randoni, C., 10 Raphael, 6 Remps, A.D., 50 Renoir, P.A., 257 Rip, W.C., 182 Roffiaen, J.F.X., 190 Rossi, A.M., 90 Rottenhammer, The Elder, H., 71 Roubaud, F., 131 Rougeron, J.J., 210 Roybet, F.V.L., 218 Royer, H.P., 148 Rude, F., 25 Saidi, A., 252 Sauvage, P.J., 63 Saverys, A., 189 Scheuerer, J., 172 Schreyer, A., 166
Sherrin, D., 108 Siemiradzki, H., 117 Simbari, N., 253 Simoni, S., 197 Sokolovskaya, O.D., 119 Spanish Colonial School, 44 Spanish School, 11 Speed, H., 112 Stanchi, G., 34 Stott, W., 111 Swebach-Desfontaines, J.F.J., 20 Sweerts, M., 60 Taraval, G., 31 Tatarinov, G., 129 Tête, M.L., 219 Tkachev, S.P., 125 Towne, C., 102 Trevisani, F., 39 Troubetzkoy, P.P., 116 Trutovsky, K.A., 130 Unterberger, F.R., 203 Ury, L., 164, 165 Valerio, T., 215 van Bloemen, J.F., 18 van Dyck, A., 15 van Leemputten, F., 187 van Leyden, L., 4 van Rijn, R., 1, 2 van Spaendonck, C., 36 van Stry, J., 16 Vereshchagin, P.P., 138 Vladimirov, I.A., 128 Weissenbruch, J.H., 181 Withoos, M., 37 Woensel, P., 184 Yeats, J.B., 97 Zakharov, F., 135 Zanetti, A.M., 7 Zimmermann, A., 168 Zippenfeld, V., 169
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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
names
Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
attributed to
Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.
studio of
Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.
circle of
Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.
follower of
Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.
manner of
Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.
school of
School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.
after an artist
signatures & dates
After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.
measurements
Dimensions are given height before width.
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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction. com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.
Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net
A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net
Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com
The Packaging Store ‡ Duane Freed 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com
Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com
UPS Store ‡ John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 | Fax: 215.629.4992 store4242@theupsstore.com
Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com
U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com VG Packaging LLC ‡ Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 | Fax: 484.552.8744 quotes@vgpackagingllc.com FURNITURE & LARGE ITEMS For larger pieces when delivery time is not a rush, we suggest: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com ‡ Shippers that can fulfill international deliveries
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Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.
1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency
in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.
13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania. v1.2016
bidding & registration form sale no
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1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com
client no
business name
address city
state
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phone (primary)
phone (secondary)
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A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of hammer price of each lot, 20% on the hammer from $100,001 through $2,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.
lot no
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maximum bid
please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion
bank reference bank name
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I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.
signed
q id confirmed
(signature required to execute your bids)
q please send me information to subscribe to freeman’s catalogs v1.2016
Directory | 215.563.9275 | www.freemansauction.com Officers
Specialist Departments
Representatives
Samuel M. Freeman II Chairman
20th Century Design Tim Andreadis tandreadis@freemansauction.com
New England Kelly Wright kwright@freemansauction.com
Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President
American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com
Hanna Dougher Chief Operating Officer
American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com
Departments
American Silver Samuel M. Freeman II beaufreeman@freemansauction.com
Appraisals Amy Parenti aparenti@freemansauction.com
Asian Arts Richard A. Cervantes rcervantes@freemansauction.com
Business Development Thomas B. McCabe IV tmccabe@freemansauction.com
Books, Maps & Manuscripts David Bloom dbloom@freemansauction.com
Client Services Mary Maguire Carroll mmaguire@freemansauction.com
English & Continental Furniture & Decorative Arts Veronica Renton vrenton@freemansauction.com
Finance Mark Beckerman mbeckerman@freemansauction.com Marketing & Communications Tara Theune Davis ttdavis@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com
Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Thomas McCabe tmccabe@freemansauction.com
European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Michael Larsen, GIA GG mlarsen@freemansauction.com Virginia B. Salem, GIA GG vsalem@freemansauction.com
Photography Elizabeth Field efield@freemansauction.com
Modern & Contemporary Art Timothy Malyck tmalyck@freemansauction.com
Press & Media Melissa Geller mgeller@freemansauction.com
Musical Instruments Frederick Oster foster@freemansauction.com
Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com
Oriental Rugs & Carpets Richard A. Cervantes rcervantes@freemansauction.com
Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com
Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu Sarah Blattner sblattner@freemansauction.com
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