Modern & Contemporary Art

www.freemansauction.com

Modern & Contemporary Art

1808 Chestnut Street Philadelphia Pennsylvania 19103 T 215.563.9275 | F 215.563.8236

May 1, 2016

MODERN & CONTEMPORARY ART MAY 1, 2016

Modern & Contemporary Art Auction Sale 1542 Sunday, May 1, 2016 at 2:00pm 1808 Chestnut Street, Philadelphia PA 19103 Exhibitions 10:00am-5:00pm Wednesday, April 27 10:00am-5:00pm Thursday, April 28 10:00am-5:00pm Friday, April 29 12:00pm-5:00pm Saturday, April 30 By appointment only on the morning of the sale

Catalogue $35 in the gallery $41 domestic mail $47 international mail Visit www.freemansauction.com/catalogue-subscriptions or call 267.414.1256 to purchase a catalogue.

Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.

Cover Image: Lot 14 Inside Front Cover: Lot 27 Inside Back Cover: Lot 43

Client Services

Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236

Cara Bishoff Client Services cbishoff@freemansauction.com 267.414.1207

Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242

Important Information for Buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms.

Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

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Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale.

Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot.

If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

In writing Bid forms are available in the sale room and at the back of the catalogue.

These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

v2.2016

Modern & Contemporary Art Department

Timothy Malyk Vice President | Head of Department tmalyk@freemansauction.com 646.943.4447

Anne Henry Vice President | Senior Specialist ahenry@freemansauction.com 267.414.1220

F

reeman’s is pleased to present its Spring Auction of Modern and Contemporary Art. Having the distinction of being in operation for over 200 years, Freeman’s has become a trusted and time tested auction institution. Our commitment to offering quality examples of works by art history’s most influential artists is evident in the lists offered in the sale.

This sale installment offers a selection of works that span the globe: from the United States to Cuba, Italy to Australia to South East Asia. At the forefront of our sale is a marvelous unique ceramic object by Lucio Fontana. Created between 1960 and 1963, Fontana’s life-long exploration of materials and their relationships with space and time are evident in the work we are offering. Another standout lot within the sale is Edna Andrade’s “Cross,” executed in 1963. Born in Virginia but choosing Sincerely,

Timothy Malyk, Vice President | Head of Department

Dunham Townend Associate Specialist dtownend@freemansauction.com 267.414.1221

Shannon Jeffers Cataloguer | Department Administrator sjeffers@freemansauction.com 267.414.1231

Pennsylvania as her home, Andrade broke ground as a female artist in her time. With influences ranging from the Bauhaus movement, Constructivism, Futurism, Dadaism to Post Impressionism, her influence and impact on the art world still resonates.

The underlying theme throughout the sale is the universality of art and how it has impacted artists regardless of their geographic location. Whether the work was created in Cuba, Italy, Poland, the Southern United States or in Pennsylvania, similarities and comparisons can be drawn between the artists and the works they are creating. Art has become the great equalizer and unifier whether it be across regional borders, oceans or even across time. We are pleased to present this selection of works to you.

Modern & Contemporary Art lots 1-146

Lot 30 (detail)

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1 160195/4 JOAN MIRÓ (spanish, 1893-1983) “EL MERMA” 1978, pencil signed and numbered HC X/XXV (an hors commerce proof, aside from the regular edition of 75 in Arabic numerals, there were also 20 artist’s proofs in Arabic numerals), with wide margins, Galería Maeght, Barcelona, publisher. Color lithograph on Arches. sheet: 37 13/16 x 29 3/8 in. (96 x 74.6cm) [Mourlot, 1170] $4,000-6,000

2 160195/3 JOAN MIRÓ (spanish, 1893-1983) “ALDEBARAN” 1978, pencil signed and numbered HC XII/XIII (an hors commerce proof, aside from the regular edition of 50), the full sheet, Propyläen, Berlin, publisher. Etching and aquatint on Arches. sheet: 25 3/4 x 19 1/2 in. (65.4 x 49.5cm) [Dupin, 1008] $3,000-5,000

3 160195/2 PABLO PICASSO (spanish, 1881-1973) “VISAGE” 1969, numbered 500/500, inscribed ‘EDITION PICASSO’ and ‘MADOURA’ and ‘R145’ on the underside and also with the ‘MADOURA PLEIN FEU’ and ‘EDITION PICASSO’ stamps on the underside, dated 9.1.69 on the reverse, white earthenware clay, decoration in engobes engraved by knife under partial brushed glaze, grey patina. height: 12 3/8 in. (31.4cm) [Ramie, 611] $5,000-8,000

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4 160309/1 MARC CHAGALL (french/russian, 1887-1985) “CIRQUE” plate 14 1967, pencil signed and numbered 11/24 (from the additional suite, the regular unsigned book edition without margins was 250), with wide margins, Tériade, Paris, publisher. Color lithograph on Arches. image: 16 3/4 x 12 7/8 in. (42.5 x 32.7cm) sheet: 20 7/16 x 14 11/16 in. (51.9 x 37.3cm) [Mourlot, 504; see Cramer books, 68] $20,000-30,000

5 160104/4 MARC CHAGALL (french/russian, 1887-1985) “CIRQUE” plate 27 1967, from the unsigned edition of 250 (there was also a signed and numbered edition of 24 with margins), the full sheet and with the usual central vertical fold (as issued), Tériade, Paris, publisher. Color lithograph on wove paper. sheet: 16 5/8 x 25 1/2 in. (42.2 x 64.8cm) [Mourlot, 517; see Cramer books, 68] $3,000-5,000

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6 160199/2 JIM DINE (american, b. 1935) “DOUBLE VENUS IN THE SKY AT NIGHT” 1984, pencil signed and dated, numbered 6/50 (there were also 6 artist’s proofs), with wide margins, Pace Editions, Inc., New York, publisher and with their label on the support verso. Color lithograph and screenprint on William Morris Nonesuch. image: 39 1/8 x 28 1/4 in. (99.4 x 71.8cm) sheet: 41 1/16 x 30 1/4 in. (104.3 x 76.8cm) [D’Oench & Feinberg, 166] $6,000-8,000

7 160283/1 JIM DINE (american, b. 1935) “SPRAY PAINTED ROBE” 1977, signed and dated, numbered 9/27 in white pencil (there were also 6 artist’s proofs), Pace Editions, Inc., New York, publisher. Color offset lithograph with etching and drypoint on wove paper. sheet: 41 3/8 x 29 1/4 in. (105.1 x 74.3cm) [D’Oench & Feinberg, 6] $3,000-5,000

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8 160211/6 JIRI GEORG DOKOUPIL (czech, b. 1954) UNTITLED Oil, silver metallic paint, velvet, chalk and wood panel construction collage on burlap.

39 3/4 x 147 3/4 in. (101 x 375.3cm) Unframed provenance: The Linde Family Collection, Washington, D.C. $10,000-15,000

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9 160199/1 LOUISE NEVELSON (american, 1899-1998) “FULL MOON” 1980, incised with the artist’s signature, title and date, numbered 48/125 on publisher’s metal plate verso, Pace Editions, Inc., New York, publisher. Polyester resin cast multiple.

18 3/8 x 18 3/8 in. (46.7 x 46.7cm) $3,000-5,000

10 160128/15 HARRY BERTOIA (american, 1915-1978) UNTITLED (SONAMBIENT) Beryllium copper and brass.

Executed circa 1975. height: 12 in. (30.5cm) width: 9 in. (22.9cm) depth: 1 5/16 in. (3.3cm) provenance: The Estate of Maxine Kravitz Eisman. note: We are grateful to Val Bertoia of the BertoiaStudio for confirming the authenticity of this work. $8,000-12,000

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11 152223/18 ARNALDO POMODORO (italian, b. 1926) “DOPPIO RADAR” Signed and dated 65, numbered 02/p.a. on base (the only artist’s proof, aside from the edition of 2), polished bronze. sculpture: 12 1/4 x 12 x 5 5/8 in.

(31.1 x 30.5 x 14.3cm) with base: 13 1/4 x 12 x 11 1/2 in.

(33.7 x 30.5 x 29.2cm) provenance: Marlborough-Gerson Gallery, New York, New York.

Benjamin Gallery, Chicago, Illinois.

The Dr. and Mrs. Harold J. Joseph Collection.

Christie’s, New York, “Contemporary Art (Part II),” November 4, 1987, lot 171.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “Arnaldo Pomodoro,” Marlborough-Gerson Gallery, New York, New York, October 1965, exhibition catalogue no. 23. literature: F. Gualdoni, (ed.), Arnaldo Pomodoro: Catalogo ragionato della scultura, Tomo II, Milan, 2007, no. 365 (illustrated p. 512).

F. Gualdoni, Pomodoro lo turbo e ‘l chiaro, Milan, 1998.

C. Doeleman, “Pomodoro ingrepen in een creatief proces,” in Nieuwe Rotterdamse Courant, June 7, 1969.

A. Pomodoro, Arnaldo Pomodoro. Een overzicht van ziju werk 1959-1969, waarin opgenomen de catalogus van de tentoonstelling, Rotterdam: Museum Boymans-van Beuningen, 1969. note: This work is registered in the Archivio Arnaldo Pomodoro, Milan under no. AP 239. $30,000-50,000

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12 160303/2 HENRY MOORE (british, 1898-1986) “STANDING GIRL” 1981, signed and stamp numbered 9/9 verso, and with the foundry mark ‘Noack Berlin’, bronze with brown patina. height: 8 1/2 in. (21.6cm) width: 2 1/4 in. (5.7cm) depth: 3 5/8 in. (9.2cm) provenance: Marlborough Fine Art Ltd., London, United Kingdom.

Private Collection (acquired directly from the above in 1987).

Christie’s, New York, “Impressionist and Modern Art,” March 1, 2006, lot 135.

Private Collection, Philadelphia, Pennsylvania (acquired directly from the above). literature: A. Bowness, (ed.), Henry Moore, Complete Sculpture 1980-1986, Vol. VI, London: Lund Humphries, 1988, no. 845 (another cast illustrated p. 46). $20,000-30,000

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13 160303/3 HENRY MOORE (british, 1898-1986) “RECLINING FIGURE: HOLES” 1982, signed and stamp numbered 6/9 on base, and with the foundry mark ‘Noack Berlin’, bronze with brown patina. height: 2 5/8 in. (6.7cm) width: 5 in. (12.7cm) depth: 2 3/16 in. (5.6cm) provenance: Marlborough Fine Art Ltd., London, United Kingdom.

Private Collection (acquired directly from the above in 1987).

Christie’s, New York, “Impressionist and Modern Art,” March 1, 2006, lot 136.

Private Collection, Philadelphia, Pennsylvania (acquired directly from the above). literature: A. Bowness, (ed.), Henry Moore, Complete Sculpture 1980-1986, Vol. VI, London: Lund Humphries, 1988, no. 857 (another cast illustrated p. 48). $20,000-30,000

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14 151741/2 LUCIO FONTANA (italian, 1899-1968) “CONCETTO SPAZIALE” Signed upper right, painted terracotta with holes.

Executed 1960-1963. diameter: 19 1/2 in. (49.7cm) provenance: Martha Jackson Gallery, New York, New York.

David Anderson Gallery, New York, New York.

The Estate of Jerome and Elaine Kurtz, New York, New York (acquired directly from the above in 1981). note: This work is registered in the Archivio Lucio Fontana, Milan under no.

3983/1 and is accompanied by a photo-certificate of authenticity issued by the Fondazione Lucio Fontana. $60,000-100,000

Although perhaps best known for his punctured and slashed canvases of the 1950’s, Lucio Fontana also worked extensively with organic materials like terracotta and clay from his earliest days as an artist. Indeed, his father was a sculptor, and the younger Fontana apprenticed in his father’s studio as a child, later opening a studio of his own. His earliest exhibitions of the 1930’s, in fact, were mostly of three dimensional, sculpted works.

After attending art school in Milan, Fontana spent time in Argentina where he founded the Altamira Academy and developed the first foundations of “Spazialismo”, or “Spatialist” movement, which was formally founded upon his return to Milan in 1947. In his various writings defining this new movement, Fontana and others called for an art that embraced science and technology. During this period Fontana worked with neon paint and light, and black light creating spatial environments that can be seen now as some of the earliest examples of installation art. Ever interested in evolving, Fontana soon honed in on concepts of space and matter, and began to pierce and puncture the canvas surface so as to create actual dimensions of space: “Now in space there is no longer any measurement…Now you see infinity....in the Milky Way, now there are billions and billions ....The sense of measurement and of time no longer exists. Before it could be like that...but today it is certain, because man speaks of billions of years, of thousands and thousands of billions

of years to reach, and so, here is the void, man is reduced to nothing...When man realises ....that he is nothing, nothing, that he is pure spirit he will no longer have materialistic ambitions... man will become like God, he will become spirit. This is the end of the world and the liberation of matter, of man ...man will become a simple being like a flower, a plant will only live through his intelligence, through the beauty of nature he will purify himself with blood, because he constantly lives with blood...And my art too is all based on this purity on this philosophy of nothing, which is not a destructive nothing, but a creative nothing.... And the slash, and the holes, the first holes, were not the destruction of the painting...it was a dimension beyond the painting, the freedom to conceive art through any means, through any form.”

(L. Fontana, quoted in Lucio Fontana, exh. cat. Palazzo delle Espsizioni, Rome, 1998, p. 246).

Almost immediately, the artist brought this interest in a third dimension to his ceramic work. The present work, one from the simply titled, ‘Concetto Spaziale’ series, is heavy and substantial asserting its earthly physicality and weight. At the same time, it is also ethereal and delicate with a monochromatic, soft charcoal paint and delicately incised lines and signature. There is no sense of gravity in this work, no top and no bottom.

And yet, three central punctures add depth and dimension with their dark voids.

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15 160128/16 HARRY BERTOIA (american, 1915-1978) UNTITLED (SONAMBIENT) Beryllium copper and brass with monel metal cattails.

Executed circa 1975. height: 19 3/8 in. (49.2cm) width: 8 in. (20.3cm) depth: 2 5/8 in. (6.7cm) provenance: The Estate of Maxine Kravitz Eisman. note: We are grateful to Val Bertoia of the BertoiaStudio for confirming the authenticity of this work. $10,000-15,000

16 160281/1 HENRY MOORE (british, 1898-1986) “RECLINING NUDE” the complete set of one signed and numbered etching, one signed facsimile sketchbook, and one catalogue 1983, pencil signed and numbered 8/75 (there were also 10 artist’s proofs), with wide margins, Raymond Spencer Company for The Henry Moore Foundation, Much Hadham, publisher. The complete set of one etching and aquatint on wove paper, accompanied by a facsimile sketchbook pencil signed and numbered B8/75 on the justification, and an illustrated catalogue by Ann Garrould with the original Solander box covered with Richard de Bas hand-made paper. image: 7 1/4 x 9 1/4 in. (18.4 x 23.5cm) sheet: 14 13/16 x 11 3/4 in. (37.6 x 29.8cm) album: 16 1/8 x 12 3/4 in. (41 x 32.4cm) [Cramer, 670] $2,000-3,000

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17 160096/27 CY TWOMBLY (american, 1928-2011) “UNTITLED” 1983, pencil signed and numbered XL/L (there was also an edition of 150 in Arabic numerals and 12 artist’s proofs), with full margins, Visconti Art Spectrum, Vienna, publisher. Color lithograph with etching and aquatint on heavy wove paper. image: 29 9/16 x 21 7/16 in. (75.1 x 54.5cm) sheet: 36 13/16 x 27 1/8 in. (93.5 x 68.9cm) [Bastian, 76] $8,000-10,000

18 152223/10 ROBERT RAUSCHENBERG (american, 1925-2008) “APRIL’S FOOL V” Signed, titled and dated 86 upper left, solvent transfer on paper.

13 11/16 x 10 in. (34.8 x 25.4cm) provenance: The Artist.

Private Collection, Sanibel, Florida (gifted directly from the above).

Private Collection, Tampa, Florida.

Sotheby’s, New York, “Contemporary Art Part II,” May 3, 1989, lot 316.

Christie’s, New York, “Contemporary Art Part II,” May 6, 1992, lot 316.

Martin Lawrence Limited Editions, Inc., Los Angeles, California.

Corporate Collection, Philadelphia, Pennsylvania. $10,000-15,000

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19 160283/2 ROBERT MOTHERWELL (american, 1915-1991) “HARVEST IN SCOTLAND” from “summer light series” 1973, pencil signed and numbered AP IX (one of 12 artist’s proofs, the regular edition was 69 in Arabic numerals), with wide margins, Gemini, G.E.L., Los Angeles, publisher and with their blindstamp and the artist’s blindstamp. Color lithograph and collage on wove paper. image: 35 7/8 x 17 15/16 in. (91.1 x 45.6cm) sheet: 41 7/8 x 24 in. (106.4 x 61cm) [Engberg & Banach, 144; Belknap, 129] $2,500-4,000

20 160300/2 two works on paper JIMMY LUEDERS (american, 1927-1994) UNTITLED (ABSTRACTIONS) Both signed bottom left, acrylic on paper. both: 28 7/16 x 22 1/2 in. (72.2 x 57.2cm) (2) provenance: The Artist.

Private Collection, Philadelphia, Pennsylvania (acquired directly from the above). $1,000-2,000

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21 160291/1 JOHN HOYLAND (british, 1934-2011) “THE 8TH STREET SERIES #23” Signed and dated 78 bottom right, acrylic on paper.

29 7/8 x 22 in. (75.9 x 55.9cm) provenance: Bernard Jacobson Gallery, New York, New York.

The Estate of Melvin Bernhardt, New York, New York (acquired from the above in 1979). exhibited: “John Hoyland: New Works on Paper,” Bernard Jacobson Gallery, New York, New York, February 3-24, 1979. $10,000-15,000

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22 158144/8 MATSUMI KANEMITSU (american, b. 1922) KANSAS Signed twice (once in Japanese) upper left, watercolor and ink on thick paper board.

Executed in 1969.

30 x 40 in. (76.2 x 101.6cm) provenance: Jules Horelick, Baltimore, Maryland.

By family descent.

Patricia and Allan Horelick, Atlanta, Georgia. $800-1,200

23 158144/9 MATSUMI KANEMITSU (american, b. 1922) UNTITLED Signed bottom left, oil on canvas.

32 x 24 in. (81.3 x 61cm) provenance: Jules Horelick, Baltimore, Maryland.

By family descent.

Patricia and Allan Horelick, Atlanta, Georgia. $1,200-1,800

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24 152223/13 NATHAN OLIVEIRA (american, 1928-2010) “MASK II” Signed and dated 65 bottom right and inscribed with the title and date on stretcher verso, acrylic and collage elements on canvas.

50 x 50 in. (127 x 127cm) provenance: Alan Gallery, New York, New York.

Sotheby’s, New York, “Contemporary Art,” February 20, 1987, lot 27.

Christie’s, New York, “Contemporary Art,” February 14, 1991, lot 18.

Corporate Collection, Philadelphia, Pennsylvania. $25,000-40,000

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25 160359/1 FRANK STELLA (american, b. 1936) “KAY BEARMAN” from “purple series” 1972, pencil signed and dated, numbered 44/100 (there were also 9 artist’s proofs), with full margins, Gemini G.E.L., Ltd., Los Angeles, publisher and with their blindstamps.

Color lithograph on wove paper. image: 9 1/2 x 10 in. (24.1 x 25.3cm) sheet: 16 x 22 in. (40.6 x 55.8cm) [Axsom, 64] Unframed $1,000-2,000

26 160359/2 FRANK STELLA (american, b. 1936) “JASPER’S DILEMMA” from “jasper’s dilemma” 1972, pencil signed and dated 73, numbered 19/100 (there were also 20 artist’s proofs), with wide margins, Petersburg Press, London, publisher. Color lithograph on J. Green mouldmade paper. image: 8 1/2 x 17 in. (21.6 x 43.2cm) sheet: 15 1/8 x 21 13/16 in. (38.4 x 55.4cm) [Axsom, 82] $1,000-2,000

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27 160303/1 EDNA ANDRADE (american, 1917-2008) “CROSS” Signed with initials bottom left and inscribed with the artist’s name, titled and dated 63 verso, oil on canvas.

50 x 50 in. (127 x 127cm) provenance: Locks Gallery, Philadelphia, Pennsylvania.

Private Collection, Philadelphia, Pennsylvania (acquired directly from the above). exhibited: “Cool Waves and Hot Blocks: The Art of Edna Andrade,” The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, September 17, 1993 - January 20, 1994, exhibition catalogue no. 2 (illustrated). $15,000-25,000

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28 160333/2 WOJCIECH FANGOR (polish/american, 1922-2015) “M-62” Signed, titled and dated 1966 verso, oil on canvas.

66 x 66 in. (167.6 x 167.6cm) Unframed provenance: Galerie Chalette, New York, New York.

The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania (acquired from the above in April 1970).

Freeman’s, Philadelphia, “Modern and Contemporary Art,” November 6, 2011, lot 55.

Private Collection, Philadelphia, Pennsylvania (acquired directly from the above sale). $60,000-100,000

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29 160334/1 AFTER ALEXANDER CALDER (american, 1898-1976) UNTITLED (FIGURE OF A WOMAN) 1975, embroidered with the artist’s initials and date, bears numbering 17/100, C.A.C. Publications, New York, publisher. Woven maguey jute fiber tapestry.

85 x 56 3/8 in. (215.9 x 143.2cm) provenance: Private Collection, Moorestown, New Jersey. $4,000-6,000

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30 152400/1 ALEXANDER CALDER (american, 1898-1976) UNTITLED (DRAWINGS OF MOTORIZED PANELS) Signed and dated 74 bottom right, gouache and ink on paper.

23 x 31 in. (58.4 x 78.7cm) provenance: The Artist.

Mr. Edward A. Duckett, Bowling Green, Kentucky (gifted directly from the above in 1974).

Private Collection, Nashville, Tennessee (acquired directly from the above).

By family descent.

Private Collection, Bettendorf, Iowa. note: This work is registered in the archives of the Calder Foundation under the identification no. A27695. $25,000-40,000

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31 160105/6 WAYNE THIEBAUD (american, b. 1920) “CHOCOLATE CAKE” from “seven still lifes and a rabbit” 1971, pencil signed and dated, numbered 18/50 (there were also 10 artist’s proofs), with full margins, Parasol Press, New York, publisher. Lithograph in brown on wove paper. image: 17 5/8 x 13 1/2 in. (44.8 x 34.3cm) sheet: 30 x 22 1/4 in. (76.2 x 56.5cm) $4,000-6,000

32 160105/5 WAYNE THIEBAUD (american, b. 1920) “HALF CAKES” from “seven still lifes and a silver landscape” 1971, pencil signed and dated, numbered 47/50 (there were also 10 artist’s proofs), with full margins, Parasol Press, New York, publisher. Screenprint on Arches. image: 17 7/8 x 16 1/4 in. (45.4 x 41.3cm) sheet: 30 x 22 1/4 in. (76.2 x 56.5cm) $3,000-5,000

33 160105/4 WAYNE THIEBAUD (american, b. 1920) “NINE CANDIED APPLES” 1964, pencil signed and dated, numbered 19/25 (there were also 10 artist’s proofs), with full margins, Crown Point Press, San Francisco, publisher. Etching and aquatint on wove paper. image: 5 x 5 3/4 in. (12.7 x 14.6cm) sheet: 14 7/8 x 11 in. (37.8 x 27.9cm) $4,000-6,000

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34 160105/3 CHUCK CLOSE (american, b. 1940) “GEORGIA/FINGERPRINT II” 1985, pencil signed, dated and inscribed “For Bob on his birthday, love Chuck,” annotated T.P. (a trial proof, aside from the regular edition of 35, there were also 10 artist’s proofs), with full margins, Pace Editions, Inc., New York and Graphicstudio, University of South Florida, Tampa, copublishers. Etching on BFK Rives. image: 22 3/4 x 17 1/2 in. (57.8 x 44.5cm) sheet: 30 x 22 1/8 in. (76.2 x 56.2cm) [Butler Institute, 39] $3,000-5,000

35 160105/2 CHUCK CLOSE (american, b. 1940) “SELF-PORTRAIT” 1988, pencil signed and dated, annotated T.P. (a trial proof, aside from the regular edition of 50, there were also 6 artist’s proofs), with wide margins, Pace Editions, Inc., New York, publisher. Etching and aquatint on wove paper. image: 13 1/2 x 9 1/2 in. (34.3 x 24.1cm) sheet: 19 3/8 x 15 7/8 in. (49.2 x 40.3cm) [Butler Institute, 51] $3,000-5,000

30 www.freemansauction.com

36 160412/1 PAUL JENKINS (american, 1923-2012) “PHENOMENA WIND CHAMBERS/ ANATOMY OF A CLOUD” Signed lower right, signed again, titled and dated 1978 in black marker on stretcher verso. Acrylic on canvas.

76 x 104 in. (193 x 264.2cm) provenance: Private Collection, Florida. $30,000-50,000

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32 www.freemansauction.com

37 160096/18 JOHN BALDESSARI (american, b. 1931) “PALM TREES AND BUILDINGS (WITH VIKINGS)” from “the overlap series” 2001, pencil signed and dated, numbered 4/75 (there were also 10 artist’s proofs), with wide margins, Hamilton Press, Venice, publisher. Iris print on heavy wove paper. image: 14 7/8 x 14 3/4 in. (37.8 x 37.5cm) sheet: 18 7/8 x 18 7/8 in. (47.9 x 47.9cm) Unframed $4,000-6,000

38 160048/5 CLAES OLDENBURG (american, b. 1929) “BROKEN BUTTON” 1981, pencil signed and dated, numbered 19/100 (there were also 14 artist’s proofs), Multiples, Inc., New York, publisher, for the patrons of The Institute of Contemporary Art, Philadelphia. Dyed and cast paper, color screenprint, mat board and wood multiple in Plexiglas box. dimensions (including box): 16 1/4 x 14 1/4 x 6 3/8 in. (41.3 x 36.2 x 16.5cm) [Axsom/Platzker, 175] $4,000-6,000

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39 160096/17 ED RUSCHA (american, b. 1937) “SPONGE PUDDLE” 2015, pencil signed and dated, numbered 40/60 (there were also 12 artist’s proofs), with full margins, Hamilton Press, Venice, publisher and with their blindstamp. Color lithograph on BFK Rives. image: 23 15/16 x 23 15/16 in. (60.8 x 60.8cm) sheet: 29 x 28 in. (73.7 x 71.1cm) Unframed $20,000-30,000

34 www.freemansauction.com

40 160378/2 DANA SCHUTZ (american, b. 1976) TAPESTRY 2005, from the edition of 100. Dyed wool.

96 1/2 x 83 3/4 in. (245 x 212.5cm) provenance: Lorinda Ash Fine Art, New York, New York.

Private Collection. $4,000-6,000

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41 160378/10 RYAN MCGINLEY (american, b. 1977) UNTITLED (MORRISSEY 15) 2006. Cibachrome print.

39 x 28 1/2 in. (99 x 72.4cm) provenance: Team Gallery, New York, New York.

Private Collection. exhibited: “Out of Focus: Photography,” Saatchi Gallery, London, United Kingdom, September 27- November 4, 2012 (illustrated in exhibition catalogue). $7,000-9,000

36 www.freemansauction.com

42 160195/1 ROY LICHTENSTEIN (american, 1923-1997) “BRUSHSTROKE CONTEST” 1989, pencil signed and numbered 31/36 (there were also 12 artist’s proofs), with wide margins, Tyler Graphics Ltd., Mount Kisco, New York, publisher and with their blindstamp. Color lithograph on BFK Rives. image: 47 1/2 x 37 7/8 in. (120.7 x 96.2cm) sheet: 49 7/8 x 39 7/8 in. (126.7 x 101.3cm) [Corlett, 235] note: The image was initially designed for use on a poster for the 24th Olympiad, but it was never used for that purpose. The brushstrokes form the Chinese characters for “contest”. $12,000-18,000

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43 160300/1 ROY LICHTENSTEIN (american, 1923-1997) “SHIPBOARD GIRL” 1965, pencil signed, from the editon of unknown size, with margins, Leo Castelli Gallery, New York, publisher.

Color offset lithograph on wove paper. image: 26 x 19 1/8 in. (66 x 48.6cm) sheet: 27 1/8 x 20 3/16 in. (68.9 x 51.3cm) [Corlett, II.6] provenance: Leo Castelli Gallery, New York, New York.

Private Collection, Philadelphia, Pennsylvania (acquired directly from the above circa 1975). $20,000-30,000

38 www.freemansauction.com

44 160099/1 ANDY WARHOL (american, 1928-1987) “MAO (WALLPAPER)” 1974, printed in 1989, from the edition of unknown size (there was also a signed edition of 100 printed in 1979), published by the Museum of Modern Art, New York as a poster for the 1989 Warhol retrospective and with their stamps, also with the Estate of Andy Warhol copyright stamp. Color screenprint on wove paper. sheet: 33 1/2 x 29 1/2 in. (85.1 x 74.9cm) [see Feldman & Schellmann, III.125a] $1,200-1,800

46 160333/1 SUNDAY B. MORNING (AFTER ANDY WARHOL) “MARILYN PORTFOLIO” the complete set of 10 color screenprints From the editions of unknown sizes, Sunday B. Morning, publisher and with their blue ink-stamp verso. Color screenprints on museum board. each sheet: 35 3/4 x 35 13/16 in. (90.8 x 91cm) (10) $3,000-5,000

45 160359/3 KEITH HARING (american, 1958-1990) “FIGHT AIDS WORLDWIDE” 1990, pencil numbered 499/1,000, with full margins, World Federation of the United Nations Associations, New York, publisher and with the artist’s estate stamp verso; also with the Keith Haring Estate certificate of authenticity with pencil signature

by Julia Gruen verso. Color lithograph on wove paper. sheet: 11 x 8 5/8 in. (27.8 x 21.9cm) [Littman, 168] Unframed $1,500-2,500

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47 160096/28 DAMIEN HIRST (british, b. 1965) “3-METHYLTHYMIDINE” 2014, pencil signed and numbered 94/100 verso, the full sheet, Other Criteria, London and New York, publisher. Color screenprint with glaze and diamond dust on heavy wove paper. sheet: 32 7/8 x 26 7/8 in. (83.5 x 68.3cm).

Unframed $10,000-15,000

48 160096/29 DAMIEN HIRST (british, b. 1965) “METHYLAMINE - 13C” 2014, pencil signed and numbered 94/100 verso, the full sheet, Other Criteria, London and New York, publisher. Color screenprint with glaze and diamond dust on heavy wove paper. sheet: 32 7/8 x 26 7/8 in. (83.5 x 68.3cm) Unframed $10,000-15,000

40 www.freemansauction.com

49 160096/26 YOSHITOMO NARA (japanese, b. 1959) “BACKWARDS FORWARDS” 2012, pencil signed and dated, numbered 32/50 (there were also 12 artist’s proofs), the full sheet, Pace Editions, Inc. and Tomio Koyama Gallery, New York and Tokyo, co-publishers. Ukiyo-e style color woodcut on Japan. sheet: 16 1/2 x 11 7/16 in. (41.9 x 29.1cm) $10,000-15,000

50 160096/25 YOSHITOMO NARA (japanese, b. 1959) “DON’T WANNA CRY” 2010, pencil signed and dated, numbered 1/50 (there were also 12 artist’s proofs), the full sheet, Pace Editions, Inc., New York, publisher. Ukiyo-e style color woodcut on Japan. sheet: 16 1/2 x 11 1/2 in. (41.9 x 29.2cm) $10,000-15,000

51 152223/4 DONALD BAECHLER (american, b. 1956) “PALM” Signed with initials and dated 92 bottom left, gesso, gouache, collage and coffee on paper.

52 3/8 x 40 1/2 in. (133 x 102.8cm) provenance: Paul Kasmin Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “43rd Biennial Exhibition of Contemporary American Painting,” The Corcoran Gallery of Art, Washington, D.C., October 30, 1993 January 2, 1994. $8,000-12,000

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52 160096/1 YOSHITOMO NARA (japanese, b. 1959) UNTITLED Signed and dated 97 bottom left, pencil and crayon on paper.

11 5/8 x 8 1/4 in. (29.5 x 21cm) provenance: Private Collection, New York, New York. $40,000-60,000

42 www.freemansauction.com

53 160096/3 HENRY CODAX UNTITLED (PINK) Acrylic on canvas.

Executed in 2014.

84 x 42 1/2 in. (213.4 x 108cm) Unframed provenance: Private Collection, New York, New York. $7,000-9,000

54 160096/5 LEIF RITCHEY (american, b. 1975) “RIVER BED” Signed, titled and dated 2014 verso, acrylic on canvas.

73 1/2 x 58 1/2 in. (186.7 x 148.6cm) Unframed provenance: Private Collection, New York, New York. $6,000-8,000

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55 160096/4 RETNA (american, b. 1979) “COLOR BALANCES” Signed, titled and dated 2015 verso, acrylic on canvas.

40 x 60 in. (101.6 x 152.4cm) Unframed provenance: Private Collection, New York, New York. $30,000-50,000

44 www.freemansauction.com

56 160378/5 GEDI SIBONY (american, b. 1973) UNTITLED Carpet and tape.

Executed in 2008.

120 x 42 1/8 in. (305 x 107cm) provenance: Green Naftali Gallery, New York, New York.

Private Collection. exhibited: “Abstract American: New Painting and Sculpture,” Saatchi Gallery, London, United Kingdom, May 29, 2009- January 17, 2010. $5,000-7,000

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57 160378/3 TERENCE KOH (canadian/chinese, b. 1977) UNTITLED (MEDUSA) Wood, paint, plaster, urinal, steel, porcelain, mirror, glue, bonding paste, ashes, oil, burnt wood, wiring and light sculpture.

Executed in 2006.

92 1/2 x 42 1/8 x 42 1/8 in. (235 x 107 x 107cm)

provenance: Peres Projects, Berlin, Germany.

Private Collection. exhibited: “USA Today: New American Art from the Saatchi Gallery,” Royal Academy of the Arts, London, United Kingdom, October 6- November 4, 2006 (illustrated in the exhibition catalogue). $12,000-18,000

46 www.freemansauction.com

58 160378/13 SARA VANDERBEEK (american, b. 1976) “CALDER AND JULIA” 2006, from the edition of 3 (there were also 2 artist’s proofs). Digital Cibachrome print.

16 x 20 in. (40.6 x 50.8cm) provenance: D’Amelio Terras, New York, New York.

Private Collection. exhibited: “Out of Focus: Photography,” Saatchi Gallery, London, United Kingdom, September 27- November 4, 2012 (illustrated in exhibition catalogue). $5,000-7,000

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59 160378/11 SARA VANDERBEEK (american, b. 1976) “THE FIELD-GLASS” 2006, from the edition of 3 (there were also 2 artist’s proofs).

Digital Cibachrome print.

16 x 20 in. (40.6 x 50.8cm) provenance: D’Amelio Terras, New York, New York.

Private Collection. exhibited: “Out of Focus: Photography,” Saatchi Gallery, London, United Kingdom, September 27- November 4, 2012 (illustrated in exhibition catalogue). $5,000-7,000

48 www.freemansauction.com

60 160378/4 ELIZABETH NEEL (american, b. 1975) “SUCKED UP” Oil on canvas.

Executed in 2005.

46 x 58 in. (116.8 x 147.3cm) provenance: Sikkema Jenkins & Co, New York, New York.

Private Collection. literature: Saatchi Gallery, Abstract America, London: Jonathan Cape, 2009, p. 112-113 (illustrated). $5,000-7,000

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61 160378/7 IAN DAVIS (american, b. 1972) “AUDIENCE” Acrylic on canvas.

Executed in 2007.

55 x 60 in. (139.7 x 152.4cm) provenance: Leslie Tonkonow, New York, New York.

Private Collection. $2,000-3,000

The work of Ian Davis explores the relationship of man and the world around him. Davis experiments with scale and setting force the viewer to question the nature of reality itself.

In the present lot, he has painted a series of men dressed in identical garb congregated around a group of trees growing inside of a vacuous interior space. A larger congregation of figures can be glimpsed through the windows in the background. The scene itself elicits a number of questions. Is the gathering of onlookers, dressed in somber formal attire, depicting a funeral of sorts -

the slow death of the arboreal giants that have been kept in captivity only to have reached the end of their lifecycle? Their detached and life-less branches lying in the innocuous interior space is the focal point of the gathering. Alternatively, is the group awaiting the first bloom to sprout from the bare appendages; to celebrate their vernal rebirth?

Davis’ efficacy of creating paintings that force the viewer to both appreciate their aesthetic beauty and question the subject matter is what keeps us engaged and wanting more.

50 www.freemansauction.com

62 152223/2 JACK PIERSON (american, b. 1960) NARCISSISM Signed and dated 1991 verso at upper right, printed cut paper collage in a Plexiglas box. collage: 32 1/8 x 27 3/4 in. (81.6 x 70.5cm) Plexiglas box: 42 1/4 x 38 in. (107.3 x 96.5cm) provenance: Lorence Monk Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania (acquired directly from the above in 1991). $4,000-6,000

63 152223/23 DALE CHIHULY (american, b. 1941) SEAFORM SINGLE (SEA) Signed and dated 1984 on the underside, blown glass.

11 1/4 x 12 x 8 1/2 in. (28.6 x 30.5 x 21.6cm) provenance: Corporate Collection, Philadelphia, Pennsylvania. $2,500-4,000

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64 160096/23 MEL BOCHNER (american, b. 1940) “IT DOESN’T GET ANY BETTER THAN THIS” 2014, pencil signed and dated, numbered 5/30 (there were also 8 artist’s proofs), the full sheet, Two Palms, New York, publisher. Color screenprint on heavy wove paper. sheet: 44 1/2 x 54 in. (113 x 137.2cm) Unframed $20,000-30,000

52 www.freemansauction.com

65 160378/12 STEPHEN RHODES (american, b. 1977) “DUALISM #2” 2006, from the edition of 15 (there were also 2 artist’s proofs). Digital Cibachrome print.

20 1/4 x 13 1/4 in. (51.4 x 33.7cm) provenance: Bellwether Gallery, New York, New York.

Private Collection. $3,000-5,000

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66 160378/8 MATTHEW BRANNON (american, b. 1971) “HOW IT ALL ENDS” Unique color screenprint on paper.

29 7/8 x 23 in. (75.9 x 58.5cm) provenance: Jan Winkelmann Galerie, Berlin, Germany.

Private Collection. exhibited: “USA Today: New American Art from the Saatchi Gallery,” Royal Academy of the Arts, London, United Kingdom, October 6November 4, 2006 (illustrated in the exhibition catalogue). $2,000-3,000

54 www.freemansauction.com

Three views of the present lot 67 160378/9 PAUL LEE (british, b. 1974) UNTITLED (CAN SCULPTURE) Soda cans, magnifying glass, string, paint, xerox, socks, coal and light bulb construction.

Executed in 2007.

12 5/8 x 4 3/4 x 7 1/2 in. (32.1 x 12.1 x 19cm) provenance: Peres Projects, Berlin, Germany.

Private Collection. exhibited: “Abstract American: New Painting and Sculpture,” Saatchi Gallery, London, United Kingdom, May 29, 2009- January 17, 2010. literature: Saatchi Gallery, Shape of Things to Come: New Sculpture, London: Jonathan Cape, 2009, p. 426 (illustrated). $2,000-3,000

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68 160378/6 JOHN FINNERAN (american, b. 1979) “OVERPASS REFLECTIONS ONE (3 NOSES, 3 MOUTHS)” Oil and enamel on aluminum with rivets.

Executed in 2008.

88 x 72 in. (223.5 x 182.9cm) provenance: Upstairs Gallery, Berlin, Germany.

Private Collection. $6,000-8,000

56 www.freemansauction.com

69 160362/4 RASHAAD NEWSOME (american, b. 1979) ROMAN’S REVENGE Printed collage on paper.

Executed in 2011.

30 x 22 in. (76.2 x 55.8cm) provenance: Marlborough Gallery, New York, New York.

Private Collection. $5,000-7,000

71 160362/8 BENJAMIN EDWARDS (american, b. 1970) ETHER STUDY (HAVE YOU MET UP WITH MY SISTER HEENA BEFORE?) Signed and dated 2007 bottom right, unique digital inkjet drawing on paper.

23 15/16 x 31 3/8 in. (60.8 x 79.7cm) provenance: Greenberg van Doren Gallery, New York, New York.

Private Collection (acquired from the above in 2008). $1,000-3,000

70 152449/6 IDA RITTENBERG KOHLMEYER (american, 1912-1997) ANOMALY DRAWING #1 Signed and dated 1981 bottom right, acrylic on paper.

16 7/8 x 19 1/4 in. (42.9 x 48.9cm) provenance: Private Collection, California. $3,000-5,000

72 160300/3 MERLE SPANDORFER (american, b. 1934) “ALGOL TRANSLATOR” 1970, pencil signed and titled, numbered 18/20, with full margins.

Lithograph on Arches. image: 22 3/4 x 23 1/8 in. (57.8 x 58.7cm) sheet: 28 3/8 x 28 1/8 in. (72.1 x 71.4cm) Unframed exhibited: “Silkscreen: History of a Medium,” Philadelphia Museum of Art, December 17, 1971-February 27, 1972. $400-600

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73 160379/1 MONDU (american) “QUANTUM FOAM AT ONE PLANCK LENGTH” Mixed media on unstretched canvas.

Executed in 2015.

68 x 83 1/4 in. (172.7 x 211.5cm) Unframed provenance: The Artist.

Private Collection (acquired directly from the above). $5,000-7,000

58 www.freemansauction.com

74 160244/3 NORMAN LEWIS (american, 1909-1979) UNTITLED (THREE FIGURES) Signed and dated 10-24-61 bottom right, watercolor, pastel and ink on paper.

19 3/4 x 23 15/16 in. (50.2 x 60.8cm) Unframed provenance: The Estate of the Artist.

Private Collection, New York, New York.

Swann Galleries, New York, “African American Fine Art,” February 17, 2009, lot 50.

Private Collection, New York, New York. $6,000-10,000

75 160338/1 SAM GILLIAM (american, b. 1933) “LIGHT SHADE” Watercolor and acrylic on fiberglass paper.

Executed in 1967.

23 1/2 x 18 in. (59.7 x 45.7cm) provenance: Collection of a New Hampshire Gentleman. note: We are grateful to The Gilliam Studio for confirming the authenticity of this work. $2,000-3,000

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76 160216/1 SAM GILLIAM (american, b. 1933) UNTITLED Signed and dated 69 on the support bottom right, watercolor, acrylic and aluminum powder on tissue-thin Japanese paper.

24 x 37 1/4 in. (61 x 94.6cm) provenance: Property of a Boston Collector. note: We are grateful to The Gilliam Studio for confirming the authenticity of this work. $5,000-8,000

60 www.freemansauction.com

77 152223/1 WILLIAM L. HAWKINS (american, 1895-1990) “CREAM OF LOVE” Signed along bottom and titled center right, enamel on masonite.

Executed in 1985.

36 x 48 in. (91.4 x 121.9cm) Unframed provenance: Janet Fleisher Gallery, Philadelphia, Pennsylvania.

Ricco Johnson Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “Out of Ohio: Two Visions,” Janet Fleisher Gallery, Philadelphia, Pennsylvania, 1985. $6,000-10,000

78 152223/12 WILLIAM L. HAWKINS (american, 1895-1990) RHINOCEROS (WHITE RHINO) Signed along bottom, enamel on board.

Executed in 1985.

40 x 48 in. (101.6 x 121.9cm) Unframed provenance: Roger R. Ricco American Art, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania. $12,000-18,000

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79 160378/1 BAKER OVERSTREET (american, b. 1981) “HOT MIC” Acrylic on canvas.

Executed 2006-2007.

47 x 40 in. (119.4 x 101.6cm) provenance: Fredericks Freiser Gallery, New York, New York.

Private Collection. exhibited: “Abstract American: New Painting and Sculpture,” Saatchi Gallery, London, United Kingdom, May 29, 2009- January 17, 2010. literature: Saatchi Gallery, Abstract America, London: Jonathan Cape, 2009, p.

272-273 (illustrated). $4,000-6,000

62 www.freemansauction.com

80 152223/16 THORNTON DIAL (american, 1928-2016) “A LITTLE JUNGLE PICTURE (THE BABY TIGER DIDN’T KNOW ABOUT THE WORLD BUT HE’S GOING TO FIND OUT)” Acrylic and metal elements on panel.

Executed in 1989.

11 3/4 x 24 in. (29.8 x 61cm) provenance: Ricco Maresca Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania. $3,000-5,000

81 152223/5 PURVIS YOUNG (american, 1943-2010) THE ANGELS OVER THEM Paint on paper, found wooden elements, masonite, metal and formica with screws and nails as collage elements.

Executed circa 1990.

70 1/2 x 46 in. (179.1 x 116.8cm) provenance: Janet Fleisher Gallery, Philadelphia, Pennsylvania.

Corporate Collection, Philadelphia, Pennsylvania. $1,000-2,000

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82 152223/14 LLYN FOULKES (american, b. 1934) “THAT’S MY BOY” Signed, titled and dated 1977 verso, acrylic on panel with photo and metal collage elements.

18 1/4 x 17 1/2 in. (46.4 x 44.5cm) provenance: Gruenebaum Gallery, Ltd., New York, New York.

Sotheby’s, New York, “Modern and Contemporary Paintings, Drawings and Sculpture,” October 6, 1987, lot 292.

Christie’s, New York, “Contemporary Drawings, Watercolors and Collages,” May 8, 1990, lot 174.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “Llyn Foulkes: New Works 1976-1977,” Gruenebaum Gallery Ltd., New York, New York, 1977 (illustrated in exhibition catalogue). $6,000-10,000

64 www.freemansauction.com

83 160244/4 ROMARE BEARDEN (american, 1911-1988) “THE TRAIN�

1974, pencil signed and numbered II/XXV (one of 25 uniquely hand-colored impressions, the regular edition without hand-coloring was 125 in Arabic numerals), with wide margins, Transworld Art, New York, publisher and with their blindstamp. Color etching and aquatint with handcoloring on Fabriano. image: 17 3/4 x 22 7/8 in. (45.1 x 58.1cm) sheet: 22 x 30 1/8 in. (55.9 x 76.5cm) [Gelburd & Rosenberg, 3] Unframed $6,000-10,000

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84 160244/10 ROMARE BEARDEN (american, 1911-1988) “PINAL POINT” Signed in ink at right vertical edge and titled in pencil verso, presumably the full sheet, unique color monoprint on wove paper. sheet: 29 7/16 x 40 1/2 in. (74.8 x 102.9cm) Unframed provenance: Private Collection, New York, New York. $3,000-5,000

85 160244/7 ROMARE BEARDEN (american, 1911-1988) “CONJUNCTION” 1979, pencil signed and numbered HC 9/25 (an hors commerce proof, aside from the regular edition of 300), with wide margins, Transworld Art Inc., New York, publisher and with their blindstamp. Color lithograph on Arches. image: 18 3/4 x 15 1/8 in. (47.6 x 38.4cm) sheet: 27 13/16 x 20 7/8 in. (70.6 x 53cm) [Gelburd & Rosenberg, 10] $1,500-2,500

66 www.freemansauction.com

86 160244/8 ROMARE BEARDEN (american, 1911-1988) “TENOR SERMON” from “jazz” 1979, pencil signed and numbered 160/175 (there were also 30 artist’s proofs), London Arts Inc., Detroit, publisher. Color lithograph on wove paper. sheet: 24 11/16 x 34 9/16 in. (62.7 x 87.8cm) [Gelburd & Rosenberg, 27] $1,500-2,500

87 160244/1 ROMARE BEARDEN (american, 1911-1988) “SLAVE SHIP” 1977, pencil signed and numbered 10/144, with wide margins. Color screenprint on wove paper. image: 28 1/4 x 18 in. (71.8 x 45.7cm) sheet: 34 3/4 x 23 15/16 in. (88.3 x 60.8cm) [Gelburd & Rosenberg, 52] $2,000-3,000

88 160244/6 ROMARE BEARDEN (american, 1911-1988) “FIREBIRDS” 1979, pencil signed and numbered 74/300, with wide margins,Transworld Art, Inc., New York, publisher and with their blindstamp. Color lithograph on Arches. image: 21 9/16 x 15 in. (75.1 x 38.1cm) sheet: 28 1/16 x 20 7/8 in. (71.3 x 53cm) [Gelburd & Rosenberg, 11] Unframed $2,000-3,000

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89 160244/9 ROMARE BEARDEN (american, 1911-1988) “CONVERSATIONS” 1979, pencil signed and titled, numbered AP 28/30 (an artist’s proof, aside from the regular edition of 175), with wide margins. Color lithograph on Somerset. image: 17 7/8 x 24 15/16 in. (45.4 x 63.3cm) sheet: 21 3/8 x 28 1/8 in. (54.3 x 71.4cm) [Gelburd & Rosenberg, 86] $3,000-5,000

90 160244/11 ROMARE BEARDEN (american, 1911-1988) “MORNING (CAROLINA MORNING)” 1979, pencil signed and numbered 25/30 AP (an artist’s proof, aside from the regular edition of 175), with wide margins. Color lithograph on Somerset. image: 19 3/16 x 24 3/4 in. (48.7 x 62.9cm) sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5cm) [Gelburd & Rosenberg, 62] $2,500-4,000

68 www.freemansauction.com

91 160244/12 WALTER H. WILLIAMS (american, 1920-died after 1998) “HARVEST” 1963, pencil signed, titled, dated and inscribed “imp,” numbered 174/210. Color woodcut on thin wove paper. image: 11 1/2 x 23 7/8 in. (29.2 x 60.6cm) sheet: 15 1/16 x 27 7/8 in. (38.3 x 70.8cm) $1,500-2,500

92 160244/13 JAMES DENMARK (american, b. 1936) THE POET AND HIS WOMAN Signed bottom left, collage of printed papers and fabric on masonite.

Executed circa 1985.

7 x 10 3/4 in. (17.8 x 27.3cm) provenance: Swann Galleries, New York, “African American Art,” February 17, 2009, lot 137.

Private Collection, New York, New York. $1,200-1,800

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93 160244/5 JOHN THOMAS BIGGERS (american, 1924-2001) “THE UPPER ROOM” 1984, pencil signed and inscribed ‘CTP’ (a color trial proof aside from the regular edition of 75), Hand Graphics, Sante Fe, printer and with their blindstamp. Color lithograph on Arches. image: 38 x 26 in. (96.5 x 66cm) sheet: 41 3/4 x 29 1/2 in. (106 x 74.9cm) Unframed $6,000-10,000

70 www.freemansauction.com

94 141097/59 SALLY MICHEL AVERY (american, 1902-2003) “FANCY CHICK” Signed and dated 1981 bottom right and signed, titled and dated again verso, oil on artist’s board.

14 x 10 in. (35.6 x 25.4cm) provenance: The Artist.

Private Collection. $1,500-2,500

95 141097/64 SALLY MICHEL AVERY (american, 1902-2003) RIVER’S EDGE Signed and dated 1987 bottom right, watercolor and crayon on paper.

18 x 24 in. (45.7 x 61cm) provenance: The Artist.

Private Collection. $2,000-3,000

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96 158144/1 HERMAN MARIL (american, 1908-1986) ROAD TO THE DUNES Signed and dated 59 bottom right, oil on canvas.

32 1/8 x 24 in. (81.6 x 61cm) provenance: The Artist.

Jules Horelick, Baltimore, Maryland.

By family descent.

Patricia and Allan Horelick, Atlanta, Georgia. $1,000-1,500

97 158144/2 HERMAN MARIL (american, 1908-1986) CONSTRUCTION STATION Signed and dated 82 bottom right, oil on canvas.

30 x 40 in. (76.2 x 101.6cm) provenance: The Artist.

Jules Horelick, Baltimore, Maryland.

By family descent.

Patricia and Allan Horelick, Atlanta, Georgia. $1,500-2,000

72 www.freemansauction.com

98 160163/2 HARRY SEFARBI (american, 1917-2009) UNTITLED (ABSTRACT FIGURES) Signed bottom right, signed and dated 90 verso, oil on panel.

48 x 36 in. (121.9 x 91.4cm) provenance: The Artist.

Private Collection, Lafayette Hill, Pennsylvania (acquired directly from the above). $1,200-1,800

99 160163/1 HARRY SEFARBI (american, 1917-2009) ALONE IN THE PARK Signed bottom right, signed and dated 1971 verso, oil on panel.

18 x 24 in. (45.7 x 61cm) provenance: The Artist.

Private Collection, Lafayette Hill, Pennsylvania (acquired directly from the above). $1,000-2,000

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100 160108/1 VU CAO DAM (french, 1908-2000) “LES MUSICIENS” Signed and dated 74 bottom right and signed twice (once in Vietnamese), titled, and dated verso, oil on canvas.

32 x 25 3/4 in. (81.3 x 65.4cm) provenance: Private Collection, South Georgia. $18,000-25,000

101 152493/1 VU CAO DAM (french, 1908-2000) “JEUNES ÉPOUX” Signed and dated 64 bottom left and signed twice (once in Vietnamese), titled and dated verso, oil on canvas.

16 x 12 in. (40.6 x 30.5cm) provenance: Wally Findlay Galleries, New York, New York.

Private Collection.

By family descent.

Private Collection, Salem, Massachusetts. $7,000-9,000

74 www.freemansauction.com

102 160169/1 MADHVI PAREKH (indian, b. 1942) “SEA GOD” Signed and titled verso, oil on canvas.

48 x 72 1/4 in. (121.9 x 183.5cm) provenance: Lalit Kala Akademi, New Delhi, India.

Private Collection, Florida (acquired from the above in 1975). $5,000-7,000

103 158130/2 TJUNGURRAYI YALA YALA GIBBS (aborigine, circa 1928-1998) UNTITLED Polymer paint on linen.

35 5/8 x 47 5/8 in. (90.5 x 121cm) provenance: Private Collection, New York, New York (acquired in 1990). $4,000-6,000

www.freemansauction.com 75

104 160104/1 four paintings PHAM AN HAI (vietnamese, b. 1967) THE FOUR SEASONS (“SPRING,” “SUMMER,” “AUTUMN,” “WINTER”) Each signed and dated 04 bottom left (“Summer” at bottom right), each signed, titled and dated verso, oil on canvas. each 10 x 10 in. (25.4 x 25.4cm) (4) provenance: Private Collection, Connecticut. $5,000-8,000

76 www.freemansauction.com

105 160362/2 LUIS GONZÁLEZ PALMA (guatemalan, b. 1957) “MI CAJA DE MUSICA (MY MUSIC BOX)” 1995, pencil signed, titled and dated, numbered 2/7.

Gelatin silver prints, asphaltum and music sheet assemblage.

9 3/4 x 57 5/8 in. (24.8 x 146.4cm) provenance: Sette Gallery, Scottsdale, Arizona.

Private Collection. $5,000-7,000

106 160362/10 MIGUEL RIO BRANCO (spanish, b. 1946) UNTITLED (AMAU) 1983/1988, signed and dated in ink verso.

Cibachrome print. image: 15 1/4 x 23 in. (38.7 x 58.4cm) sheet: 17 3/4 x 23 1/2 in. (45.1 x 59.7cm) provenance: Ursula Gropper, San Francisco, California.

Private Collection. $4,000-6,000

107 160362/9 FREDERIC WEBER (american, b. 1956) “UNTITLED #51” from “memento mori” 1994, dated and numbered 1/10 verso. Ilfochrome (Cibachrome Glossy) print. image: 34 9/16 x 28 in. (86.4 x 71.1cm) sheet: 35 1/4 x 28 9/16 in. (89.5 x 72.6cm) provenance: Yancey Richardson Gallery, New York, New York.

Private Collection. exhibited: “Memento Mori,” Yancey Richardson Gallery, New York, New York, 1996. $1,000-2,000

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108 152650/1 FRANCISCO ZÚÑIGA (mexican, 1912-1998) “MUJER Y NINO” Signed and dated 1963 bottom right, pastel and charcoal on paper.

25 1/2 x 19 11/16 in. (64.8 x 50cm) provenance: Galeria Bryna, Mexico City, Mexico.

Private Collection, Massachusetts. note: We are grateful to Mr. Ariel Zúñiga for his assistance in confirming the authenticity of this work, which is to be included in the forthcoming Volume V of the Artist’s Catalogue Raisonné. $3,000-5,000

109 160280/1 DAMIÁN GONZÁLEZ (cuban, b. 1967) “AFLUENTE EN LA TARDE” Signed and dated 2011 bottom right and signed, titled and dated verso, oil on canvas.

39 x 58 in. (99 x 147.3cm) provenance: The Artist.

Private Collection, Florida (acquired directly from the above). $10,000-15,000

78 www.freemansauction.com

110 158144/3 PAUL JENKINS (american, 1923-2012) “PHENOMENA RICH CONTENDER” Signed bottom center and signed again and inscribed with title and ‘New York 1964’ verso, watercolor and gouache on Arches.

30 3/8 x 22 1/2 in. (77.2 x 57.2cm) provenance: The Artist.

Jules Horelick, Baltimore, Maryland.

By family descent.

Patricia and Allan Horelick, Atlanta, Georgia. $4,000-6,000

111 160005/2 RALPH HUMPHREY (american, 1932-1990) “ESTARDY” Inscribed with the artist’s name, title and date on stretcher verso, acrylic on canvas.

Executed in 1969.

60 x 60 in. (152.4 x 152.4cm) Unframed provenance: Private Collection, Marblehead, Massachusetts. $6,000-10,000

112 158144/4 PAUL JENKINS (american, 1923-2012) BIRD Signed and illegibly dated bottom left, watercolor on paper.

17 3/8 x 23 1/4 in. (44.1 x 59.1cm) provenance: The Artist.

Jules Horelick, Baltimore, Maryland.

By family descent.

Patricia and Allan Horelick, Atlanta, Georgia. $1,000-2,000

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113 152223/21 SAUL STEINBERG (romanian/american, 1914-1999) “WATERCOLOR PYRAMID” Signed and dated 1972 bottom right and inscribed with the title and date verso, watercolor, graphite, ink, rubber stamp and gold embossing on paper.

19 7/8 x 29 3/4 in. (50.5 x 75.6cm) provenance: Sidney Janis Gallery, New York, New York.

Sotheby’s, New York, “Contemporary Art Part II,” May 3, 1989, lot 211.

Galerie Maeght, New York, New York.

Private Collection, Beverly Hills, California.

Margo Leavin Gallery, Los Angeles, California.

Martin Lawrence Galleries, New York, New York.

Christie’s, New York, “Contemporary Art Part II,” May 6, 1992, lot 318.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “Saul Steinberg,” The Whitney Museum of American Art, New York, New York; Hirshorn Museum and Sculpture Garden, Smithsonian Institute, Washington, D.C.; Serpentine Gallery, London, United Kindom; Foundation Maeght, Saint-Paul-de-Vence, France, April 1978-April 1979. $6,000-10,000

80 www.freemansauction.com

114 168008/2 WOLF KAHN (american/german, b. 1927) “FARM AT TWILIGHT” Signed bottom right and dated 1984 verso, oil on canvas.

22 x 44 in. (55.9 x 111.8cm)

115 168008/1 WOLF KAHN (american/german, b. 1927) “EARLY SPRING, TENDER LIGHT” Signed bottom right, pastel on paper.

Executed in 1997.

8 15/16 x 11 15/16 in. (22.7 x 30.3cm) provenance: Reynolds Gallery, Richmond, Virginia.

Private Collection, Charlottesville, Virginia (acquired from the above in 1999). $3,000-5,000

provenance: Jerald Melberg Gallery, Inc., Charlotte, North Carolina.

Reynolds/Minor Gallery, Richmond, Virginia.

Private Collection, Charlottesville, Virginia (acquired from the above in 1986). $12,000-18,000

116 160085/4 WOLF KAHN (american/german, b. 1927) MEADOW NEAR MIDDLETOWN CONNECTICUT Signed bottom left, pastel on paper.

Executed in 1982.

14 7/8 x 20 in. (37.8 x 50.8cm) provenance: The Collection of Helen Yaker, Lexington, Massachusetts.

By family descent.

Private Collection, Massachusetts. $3,000-5,000

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117 160085/1 WOLF KAHN (american/german, b. 1927) “UNQUIET SUMMER” Signed bottom left, oil on canvas.

Executed in 1982.

52 x 66 in. (132.1 x 167.6cm) provenance: The Collection of Helen Yaker, Lexington, Massachusetts.

By family descent.

Private Collection, Massachusetts. $20,000-30,000

118 160085/3 WOLF KAHN (american/german, b. 1927) “GROUND FOG” Signed bottom right, oil on canvas.

Executed in 1982.

30 x 53 in. (76.2 x 134.6cm) provenance: The Collection of Helen Yaker, Lexington, Massachusetts.

By family descent.

Private Collection, Massachusetts. $15,000-20,000

82 www.freemansauction.com

119 152223/20 BO BARTLETT (american, b. 1955) “A GOOD SUMMER” Signed with the artist’s ‘IGN’ inscription bottom right, oil on canvas.

Executed circa 1984.

46 x 60 in. (116.8 x 152.4cm) provenance: Corporate Collection, Philadelphia, Pennsylvania. $6,000-10,000

120 152223/11 JOHN MEYER (american/south african, b. 1942) CAROL Signed bottom left, oil on canvas.

36 x 42 in. (91.4 x 106.7cm) provenance: Corporate Collection, Philadelphia, Pennsylvania. $8,000-12,000

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121 160045/1 BO BARTLETT (american, b. 1955) SELF-PORTRAIT - WINTER 1987 Oil on panel.

Executed in 1987.

13 x 12 in. (33 x 30.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,500-4,000

122 152223/17 JOSEPH HIRSCH (american, 1910-1981) PORTRAIT OF JOHN DOBBS Signed bottom left, oil on canvas.

Executed in 1969.

36 x 16 in. (91.4 x 40.6cm) provenance: Sid Deutsch Gallery, New York, New York.

Forum Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania. $1,500-2,500

84 www.freemansauction.com

123 152223/6 IDA LORENTZEN (american, b. 1951) “INTERLUDIUM (GIRL WITH FLUTE)” Signed with initials and dated 83 bottom right, oil on canvas.

51 1/4 x 59 in. (130.2 x 149.9cm) provenance: Tibor de Nagy Gallery, New York, New York (acquired in 1984).

Dumont-Landis Fine Art, New Brunswick, New Jersey.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “Ida Lorentzen,” Kunstnerforbundet Gallery, Oslo, Norway, 1984. $6,000-10,000

124 152223/9 BENNY ANDREWS (american, 1930-2006) “MISS EMMA” Signed and dated 88 bottom right and signed, titled and dated again verso, oil and collage on two joined canvases (stretched separately, collage overlaps the connecting edges).

79 1/2 x 32 in. (200.7 x 81.3cm) provenance: Gross McCleaf Gallery, Philadelphia, Pennsylvania.

Corporate Collection, Philadelphia, Pennsylvania (acquired directly from the above in 1989). exhibited: Gross McCleaf Gallery, Philadelphia, Pennsylvania, January 25 - February 18, 1989. $6,000-10,000

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125 151908/2 STUART SHILS (american, b. 1954) RIVERSIDE VIEW Signed and dated 84 bottom right and inscribed with the artist’s name and dated ‘March 1984’ verso, oil on masonite.

15 x 13 1/2 in. (38.1 x 34.3cm) provenance: The Artist.

Dr. Benjamin Hammond, Villanova, Pennsylvania (acquired directly from the above circa 1983). $1,500-2,000

126 152367/24 PAUL EMILE PISSARRO (french, 1884-1972) BOUQUET Signed bottom left and signed again verso, oil on canvas.

18 1/4 x 15 1/4 in. (46.4 x 38.7cm) provenance: The Estates of Edward C. Fogg, III and Lisbeth A. Fogg. note: We are grateful to Lelia Pissarro for confirming the authenticity of this work. A certificate may be obtained from her by the successful bidder. $1,200-1,800

86 www.freemansauction.com

127 148106/4 MARK TOBEY (american, 1890-1976) UNTITLED (PORTRAIT OF A WOMAN) Oil on canvas.

17 5/8 x 15 3/4 in. (44.8 x 40cm) Unframed provenance: Private Collection, New York, New York.

Private Collection (purchased from the above circa 1970). $1,200-1,800

128 148106/10 MARK TOBEY (american, 1890-1976) UNTITLED (SELF-PORTRAIT) Oil on canvas.

23 3/4 x 17 1/2 in. (60.3 x 44.5cm) Unframed provenance: Private Collection, New York, New York.

Private Collection (purchased from the above circa 1970). $1,500-2,000

129 148106/8 MARK TOBEY (american, 1890-1976) UNTITLED (SELF-PORTRAIT) Oil on canvas.

23 3/4 x 18 in. (60.3 x 45.7cm) Unframed provenance: Private Collection, New York, New York.

Private Collection (purchased from the above circa 1970). $1,500-2,000

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130 152223/15 WADE SCHUMAN (american, b. 1962) “THE SEPARATE MAN” Signed, titled and dated (twice) 87 verso, oil on shaped linen.

62 x 68 1/2 in. (157.5 x 174cm) provenance: Corporate Collection, Philadelphia, Pennsylvania. $2,500-4,000

131 152223/3 LOUISA MATTHIASDOTTIR (american, 1917-2000) SELF-PORTRAIT Signed bottom left, oil on canvas.

Executed in 1991.

52 x 40 in. (132.1 x 101.6cm) provenance: Robert Schoelkopf Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania (acquired directly from the above in 1991). $5,000-8,000

88 www.freemansauction.com

132 152223/8 BILLY SULLIVAN (american, b. 1942) LACROIX, I Signed and dated 88 verso, oil on canvas.

52 x 68 1/2 in. (132.1 x 174cm) provenance: Fischbach Gallery, New York, New York.

Corporate Collection, Philadelphia, Pennsylvania. exhibited: “Billy Sullivan,” Fischbach Gallery, New York, New York, June 1 - June 28, 1989. $6,000-10,000

133 160362/1 CATHERINE HOWE (american, b. 1959) STIR Signed and dated 2007 twice verso, oil on canvas.

42 x 58 in. (106.7 x 147.3cm) Unframed provenance: Claire Oliver, New York, New York.

Acquired from the above by the present owner. $5,000-7,000

134 160362/3 FERDINANDO SPINA (canadian, b. 1949) FISHERMAN AND THE TWO NYMPHS Signed and dated 88 bottom left, oil on canvas.

16 x 16 in. (40.6 x 40.6cm) provenance: Vorpal Gallery, New York, New York.

Private Collection. $1,000-2,000

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135 152223/22 RICHARD BOSMAN (american, b. 1944) POISON Signed verso, oil on canvas.

Executed in 1982.

54 x 42 in. (132.1 x 106.7cm) provenance: Brooke Alexander, Inc., New York, New York.

Sotheby’s, New York, “Contemporary Art, Part II,” May 7, 1992, lot 215.

Corporate Collection, Philadelphia, Pennsylvania. $1,000-2,000

136 168024/1 ROBERT FAWSETT (american, 1903-1967) FACTORY Signed with initials bottom left, oil on canvas.

16 1/4 x 20 in. (41.3 x 50.8cm) provenance: Private Collection, Virginia. $1,500-2,500

90 www.freemansauction.com

137 160362/14 TOM HUNTER (british, b. 1965) “THE GLASS OF WINE” 1997, 6 from the edition of 10. Cibachrome print mounted on plastic support. image: 23 3/8 x 19 1/2 in. (59.4 x 49.5cm) sheet: 23 7/8 x 19 7/8 in. (60.6 x 50.5cm) provenance: Yancey Richardson Gallery, New York, New York.

Private Collection. $1,000-3,000

138 160362/16 TOM HUNTER (british, b. 1965) UNTITLED Three Cibachrome prints on aluminum panels (triptych). each panel: 22 5/8 x 18 3/16 in. (57.5 x 43.2cm) overall: 22 5/8 x 54 9/16 in. (57.5 x 138.6cm) Unframed (3) provenance: Yancey Richardson Gallery, New York, New York.

Private Collection. $5,000-7,000

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139 160096/10 NOBUYOSHI ARAKI (japanese, b. 1940) “FLOWER, YAMORINSKI AND BONDAGED WOMAN” 2006/2014, signed in ink verso, from the edition of 10.

Cibachrome print. sheet: 55 x 41 1/2 in. (139.7x 105.4cm) Unframed provenance: Private Collection, New York, New York. $15,000-20,000

92 www.freemansauction.com

140 160362/12 LINDA MCCARTNEY (british, 1942-1998) BOY WITH MASK 1986, signed in red ink. Salted paper print on Fabriano image: 10 1/4 x 14 1/2 in. (26 x 36.8cm) sheet: 11 3/8 x 15 1/4 in. (28.9 x 38.7cm) provenance: Bonni Benrubi Gallery, New York, New York.

Private Collection. $4,000-6,000

141 160362/15 YOLANDA ANDRADE (mexican, b. 1950) “EL CABALLITO” 1988, pencil signed, titled and dated verso. Gelatin silver print. image: 18 13/16 x 12 1/6 in. (47.8 x 30.6cm) sheet: 19 7/8 x 15 13/16 in. (50.5 x 40.2cm) provenance: Peter Fetterman Gallery, Santa Monica, California.

Private Collection. $1,000-1,500

142 160362/6 WILLIAM CLAXTON (american, 1927-2008) “HALIMA AND CHET BAKER, REDONDO BEACH, 1955” 1955/1992, pencil signed, titled and dated in photographer’s copyright stamp verso. Gelatin silver print. image: 12 13/16 x 10 3/8 in. (32.5 x 26.4cm) sheet: 13 7/8 x 10 7/8 in. (35.2 x x 27.6cm) provenance: Private Collection. $2,000-3,000

143 160362/7 WILLIAM CLAXTON (american, 1927-2008) “CHET BAKER AND LILI, HOLLYWOOD 1955” 1955/1992, pencil signed, titled and dated in photographer’s copyright stamp verso. Gelatin silver print. image: 10 15/16 x 10 3/8 in. (27.8 x 26.4cm) sheet: 13 7/8 x 10 13/16 in. (35.2 x 27.5cm) provenance: Private Collection. $2,000-3,000

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144 160362/13 CECIL BEATON (british, 1904-1980) PORTRAIT OF NANCY CUNARD Circa 1927, printed later, signed in orange crayon bottom right on mount recto, with his “Cecil Beaton Photograph” hand-stamp on mount verso.

Bromide print sheet: 17 3/8 x 13 1/2 in. (44.1 x 34.3cm) provenance: Peter Fetterman Gallery, Santa Monica, California.

Private Collection. $4,000-6,000

145 160362/11 MARCUS LEATHERDALE (canadian, b. 1952) “SONUNDA - NEW DELHI” from the “bharat tasvir” series 1922, signed, titled and dated, numered 5/10 in pencil, with photographer’s stamp on verso. Gelatin silver print. image: 12 7/16 x 11 11/16 in. (31.6 x 29.7cm) sheet: 18 11/16 x 15 3/4 in. (47.5 x 40cm) provenance: Greenhouse Gallery, New York, New York.

Private Collection. $1,000-2,000

146 160362/5 ANDRÉ KERTÉSZ (american/hungarian, 1894-1985) “SATYRIC DANCER” 1926/1981, signed in pencil bottom right on mount recto, numbered 28/50. Gelatin silver contact print. sheet: 3 3/4 x 3 in. (9.5 x 7.6cm) provenance: Yancey Richardson Gallery, New York, New York.

Private Collection. $5,000-7,000 END OF SALE

94 www.freemansauction.com

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

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Index Andrade, E., 27 Andrade, Y., 141 Andrews, B., 124 Araki, N., 139 Avery, S., 94, 95

Hirst, D., 47, 48 Howe, C., 133 Hoyland, J., 21 Humphrey, R., 111 Hunter, T., 137, 138

Rauschenberg, R., 18 Retna 55 Rhodes, S., 65 Ritchey, L., 54 Ruscha, E., 39

Baechler, D., 51 Baldessari, J., 37 Bartlett, B., 119, 121 Bearden, R., 83-90 Beaton, C., 144 Bertoia, H., 10, 15 Biggers, J. T., 93 Bochner, M., 64 Bosman, R., 135 Branco, M. R., 106 Brannon, M., 66

Jenkins, P., 36, 110, 112

Schuman, W., 130 Schutz, D., 40 Sefarbi, H., 98- 99 Shils, S., 125 Sibony, G., 56 Spandorfer, M., 72 Spina, F., 134 Steinberg, S., 113 Stella, F., 25, 26 Sullivan, B., 132

Calder, A., 29, 30 Chagall, M., 4, 5 Chihuly, D., 63 Claxton, W., 142, 143 Close, C., 34, 35 Codax, H., 53 Damn, V. C., 100-101 Davis, I., 61 Denmark, J., 92 Dial, T., 80 Dine, J., 6, 7 Dokoupil, J. G., 8 Edwards, B., 71 Fangor, W., 28 Fawsett, R., 136 Finneran, J., 68 Fontana, L., 14 Foulkes, L., 82 Gibbs, T. Y. Y., 103 Gilliam, S., 75, 76 Gonzalez, D., 109 Hai, P., 104 Haring, K., 45 Hawkins, W., 77, 78 Hirsch, J., 122

Kahn, W., 114-118 Kanemitsu, M., 22, 23 Kertesz, A., 146 Koh, T., 57 Kohlmeyer, I., 70 Leatherdale, M., 145 Lee, P., 67 Leuders, J., 20 Lewis, N., 74 Lichtenstein, R., 42, 43 Lorentzen, I., 123 Maril, H., 96, 97 Matthiasdottir, L., 131 McCartney, L., 140 McGinley, R., 41 Meyer, J., 120 Miro, J., 1, 2 Mondu 73 Moore, H., 12, 13, 16 Morning, S. B., 46 Motherwell, R., 19 Nara, Y., 49, 50, 52 Neel, E., 60 Nevelson, L., 9 Newsome, R., 69 Oldenburg, C., 38 Oliveira, N., 24 Overstreet, B., 79 Palma, L. G., 105 Parekh, M., 102 Picasso, P., 3 Pierson, J., 62 Pissarro, P. E., 126 Pomodoro, A., 11

Thiebaud, W., 31-33 Tobey, M., 127-129 Twombly, C., 17 Vanderbeek, S., 58, 59 Warhol, A., 44 Weber, F., 107 Williams, W., 91 Young, P., 81 Zuniga, F., 108

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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Freeman’s does not handle packing or shipping.

The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net

Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com

The Packaging Store ‡ Duane Freed 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com

Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts Jennifer Norton 525 W 20th Street New York, NY 10011 212.741.2024 transportation@crozierfinearts.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com

UPS Store ‡ John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 | Fax: 215.629.4992 store4242@theupsstore.com U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com VG Packaging LLC ‡ Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 | Fax: 484.552.8744 quotes@vgpackagingllc.com FURNITURE & LARGE ITEMS For larger pieces when delivery time is not a rush, we suggest: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com ‡ Shippers that can fulfill international deliveries

v2.2016

Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer.

The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency

in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor.

Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania. v2.2016

bidding & registration form sale no

bidder no

name

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com

client no

business name

address city

state

zip code

e-mail

phone (primary)

phone (secondary)

country

fax

resale / tax identification

state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,500 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account no

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

q id confirmed

(signature required to execute your bids) v2.2016

Directory | 215.563.9275 | www.freemansauction.com Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

20th Century Design Tim Andreadis tandreadis@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

Hanna Dougher Chief Operating Officer

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com

Departments

American Silver Samuel M. Freeman II beaufreeman@freemansauction.com

Appraisals Amy Parenti aparenti@freemansauction.com

Asian Arts Richard A. Cervantes rcervantes@freemansauction.com

Business Development Thomas B. McCabe IV tmccabe@freemansauction.com

Books, Maps & Manuscripts Benjamin Truesdale btruesdale@freemansauction.com

Client Services Mary Maguire Carroll mmaguire@freemansauction.com

English & Continental Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com

Finance Mark Beckerman mbeckerman@freemansauction.com Marketing & Communications Tara Theune Davis ttdavis@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Thomas McCabe tmccabe@freemansauction.com

European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Michael Larsen, GIA GG mlarsen@freemansauction.com Virginia B. Salem, GIA GG vsalem@freemansauction.com

Photography Thomas Clark tclark@freemansauction.com

Modern & Contemporary Art Timothy Malyk tmalyk@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Musical Instruments Frederick Oster foster@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Oriental Rugs & Carpets Richard A. Cervantes rcervantes@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu Sarah Blattner sblattner@freemansauction.com

v3.2016

Jewelry & Watches Auction 5/02/16 Department Head

International Specialist

Michael Larsen | 818.205.3608 mlarsen@freemansauction.com

Virginia Salem | 267.414.1233 vsalem@freemansauction.com

www.freemansauction.com Schlumberger for Tiffany and Co. enamel bangle bracelets, $20,000-30,000

www.freemansauction.com

Modern & Contemporary Art

1808 Chestnut Street Philadelphia Pennsylvania 19103 T 215.563.9275 | F 215.563.8236

May 1, 2016

MODERN & CONTEMPORARY ART MAY 1, 2016