European Art & Old Masters by Freeman's

From Distant Lands

www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 T 215.563.9275 | F 215.563.8236

European Art & Old Masters June 14, 2016

EUROPEAN ART & OLD MASTERS JUNE 14, 2016

European Art & Old Masters Auction Sale 1547 Tuesday, June 14, 2016 at 10am 1808 Chestnut Street, Philadelphia PA 19103 Exhibitions Friday, June 10 10:00am-5:00pm Saturday, June 11 12:00pm-5:00pm Sunday, June 12 12:00pm-5:00pm Monday, June 13 10:00am-5:00pm By appointment only on the morning of the sale Catalogue $32 in the gallery $38 domestic mail $44 international mail Catalogues are always available on our website and now through the app. Download it for free at the iPad App Store. Cover Image: Lot 265 Inside Front Cover: Lot 151 Inside Back Cover: Lot 38

Client Services

Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236

Melissa Arundel Bids Department marundel@freemansauction.com 267.414.1208

Stephanie Parker Post Sale Administrator sparker@freemansauction.com 267.414.1206

Important Information for Buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

v3.2016

European Art & Old Masters Department

David Weiss Senior Vice President | Department Head dweiss@freemansauction.com 267.414.1214

Alasdair Nichol Vice Chairman | Head of Fine Arts anichol@freemansauction.com 267.414.1211

he present auction of European Art and Old Masters features paintings, prints, sculpture, and works on paper from Britain and the Continent. In addition to a select number of noteworthy Israeli, Russian, and Indian artworks, highlightsin this sale include an excellent assemblage of Old Master drawings and watercolors, along with a group of works on paper from a North Carolina collector. Purchased from London-based auction houses and top-tier London galleries in the late 1970s and the 1980s, this collection features paintings by Giovanni Cariani, Stefano Maria Legnani, Giovanni Bernardino Azzolino, and Allan Ramsay. A number of exceptional paintings and watercolors offered in this sale originate from the Richard Scaife Collection and include a major Heywood Hardy golf-themed painting and a large “Epsom Derby” oil by Geoffrey Douglas Giles. Other notable nineteenth century artists represented are Hermann David Salomon Corrodi, Isaac Israels, Pierre Puvis de Chavannes, Rosa Bonheur, and a group of French soldier

Sincerely,

David Weiss, Senior Vice Chairman | Head of Department

Molly Morrow Cataloguer | Department Administrator mmorrow@freemansauction.com 215.940.9827

Lily Liu Cataloguer | Department Administrator lliu@freemansauction.com 267.414.1253

oils by Étienne Prosper Berne-Bellecour, Louis Narcisse Grolleron, and Eugene Van Mieghem. Also featured are select twentieth century paintings with works by Edward Cucuel, Montague Dawson, and Amos Yaski. Two of the more interesting paintings in the sale are Moisei Levovich Maimon’s “The 18th of April in the Turenchen Mountains,” an apparently heretofore unknown version of Maimon’s monumental painting of 1905, depicting the Battle of the Yalu River, and “The Coquette,” a major work by Raja Ravi Varma, one of India’s most renowned artists of the nineteenth century. Each is privately consigned and to our knowledge, have not been offered previously at auction. The large and varied selection of artworks on offer here will appeal to a broad and diverse array of buyers of European and international art. We very much look forward to seeing you during our exhibition and auction.

European Art & Old Masters lots 1-278

Lot 122 (detail)

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1 160348/1 REMBRANDT VAN RIJN (dutch 1606-1669) “THE AGONY IN THE GARDEN” c. 1652. An early 19th century impression (c. 1816); second state of three, etching and drypoint 4 3/8 x 3 1/4 in. (11.1 x 8.3cm) [Bartsch; Hollstein 75] provenance: Taylor Clark Gallery, Baton Rouge, Louisiana. Private Collection, Baton Rouge, Louisiana. $1,500-2,500

3 160517/5 HENRI-JOSEPH VAN BLARENBERGHE (french 1741-1826) FIGURES BEFORE A HARBOR Signed and dated ‘Van Blarenberghe 1766’ bottom edge, gouache on paper, tondo 2 1/8 x 2 1/8 in. (5.4 x 5.4cm) provenance: Private Collection, Maryland. $1,500-2,500

2 160506/11 GIOVANNI BATTISTA PIRANESI (italian 1720-1778) “VEDUTA DEGLI AVANZI DEL FORO DI NERVA”; “VEDUTA DELL ANTIFEATEATRO FLAVIO DETTO IL COLOFEO”; ‘VEDUTA INTERNE DI UNA DELL TRE SALE SEPOLERALI CREDUTO DELLA FAMIGLIA DE AUGUFTO”; and “VEDUTA INTERNA DELLA CAMERA SEPOLCRATE NELLA VIGNA CAFATI A PORTA S. SEBASTIANO’ Four etchings, various sizes (4) provenance: Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,000-1,500

4 160481/2 JACQUES FRANÇOIS JOSEPH SWEBACH-DESFONTAINES (french 1769-1823) SOLDIER ON HORSE IN LANDSCAPE Prepared grey ground, black chalk and white gouache on off white laid paper, tondo in fine gilded period frame Diameter: 2 5/8 in. (6.7cm) provenance: Ex-Collection, John Koch. Private Collection, New Jersey. exhibited: “European Paintings, Drawings and Sculpture: 19th and Early 20th Century” (Winter Exhibition), Shepherd Gallery, New York, New York, 1991. $1,000-1,500

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5 160375/1 LOUIS DE BOULOGNE THE YOUNGER (french 1654-1733) A STUDY OF A MAN HOLDING A STAFF Signed with initials ‘LB’ bottom left, black chalk heightened with white chalk on brown paper 20 x 12 1/2 in. (50.8 x 31.5cm) provenance: Private Collection, California. $5,000-7,000 6 160375/2 LOUIS DE BOULOGNE THE YOUNGER (french 1654-1733) A NUDE MAN STANDING AMONG TREES Signed and dated ‘Louis de Boullogne 1692’ bottom center, black and white chalk on brown paper 22 x 14 in. (56.3 x 35.6cm) provenance: Private Collection, Switzerland. Acquired from the above. The collection of Jan Krugier. Private Collection, California. exhibited: “Linie, Licht und Schatten, Meisterzeichnungen und Skulpturen der Sammlung Jan und Marie-Anne Krugier-Poniatowski”, Berlin, 1999, (illustrated in exhibition catalogue, p. 396). $5,000-7,000

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7 160471/4 ISAAC VAN OSTADE (dutch 1621-1649) PEASANTS PLAYING CARDS IN A BARN Bears signature ‘A.V. Ostade’ bottom left; also bears attribution in chalk verso, pen and brown ink and brown and gray wash and watercolor over traces of black chalk 6 1/16 x 8 7/8 in. (15.4 x 22.5cm) provenance: Sotheby’s, New York, sale of January 14, 1987, lot 159. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,500-4,500

8 160481/4 THEODORE MATTIAS VON HOLST (british 1810-1844) STANDING KNIGHT Signed ‘T von Holst’ bottom left, pen and brown ink over traces of pencil on laid paper 8 7/8 x 6 5/8 in. (22.5 x 16.8cm) together with: THOMAS DE THOMON (french 1754-1813) FIGURES IN A ROCKY COVE Watercolor on paper, tondo Diameter: 14 5/8 in. (33.6 x 15.2cm) together with: AUGUSTE RAFFET (french 1804-1860) “LE PORTE DRAPEAU” Signed with initial ‘R’ bottom center right, pencil on paper, tondo 3 1/2 x 3 5/8 in. (9 x 9.2cm) (3) provenance: Curator’s Choice for exhibition, Minneapolis Museum of Art, 1976, (not exhibited) (De Thomon). Private Collection, New Jersey. $1,500-2,500

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9 160471/1 ATTRIBUTED TO GIOVANNI BATTISTA PIAZZETTA (italian 1682-1754) STUDY OF A MAN AND A WOMAN, THE MAN WEARING A PLUMED HAT Black and white chalk on paper 16 1/16 x 12 7/8 in. (40.8 x 32.7cm) provenance: Sotheby’s, New York, sale of January 8, 1991, lot 216. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $7,000-9,000

10 160471/19 ANDREA (ANDREA VICENTINO) MICHIELI (italian c. 1542-1617) SEMIRAMIS HEARING THE NEWS OF A REVOLT IN BABYLON Bears inscription ‘Semiramis’ at left and ‘M. Benedetto...ms. Andrea Vicentino/Passa…sta enchontro il largo della Farina’ at right margin; also bears inscription in ink verso, pen and brown ink and wash over black chalk on paper 7 1/2 x 11 1/16 in. (19.1 x 28.1cm) provenance: Doge Nicolo Sagredo, Venice, by c. 1654. By descent in the family to his brother, Stefano Sagredo, Venice. By descent in the family to his nephew, Zaccaria Sagredo, Venice (L.2103a, inscription, verso: S.V. no. 147). By descent in the family to his wife, Cecilia Sagredo, until sold, c. 1743. Sotheby’s, New York, sale of January 14, 1989, lot 269. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $7,000-9,000

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11 160143/8 ATTRIBUTED TO PERINO DE VAGA (italian 1501 1547) DESIGN FOR A CEILING CARTOUCHE Pen and brown ink with brown and gray washes on paper laid to card; also with unidentified collector’s seal 7 5/8 x 10 15/16 in. (19.4 x 27.8cm) provenance: Vivant-Denon sale, Paris, 1826, I, p. 107, no. 268. Property from the Estate of Kenneth L. Hallam, Washington, D.C. $1,000-1,500

12 160471/20 ATTRIBUTED TO JEAN HONORÉ FRAGONARD (french 1732-1806) FIGURES IN A WOODED LANDSCAPE Pen and brown ink with gray washes on paper 8 1/2 in 6 1/2 in. (21.6 x 16.5cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $1,000-1,500

13 160375/3 GUILLAUME COURTOIS (french 1628-1679) KNEELING BEFORE THE MAGISTRATE Indistinctly inscribed upper center; also inscribed ‘Andrea del Sarto’ and ‘Scola Veneziana’ verso, red chalk on laid paper 12 7/16 x 16 5/8 in. (31.6 x 42.2cm) provenance: Private Collection, California. $1,000-2,000

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14 160471/21 FRANÇOIS BOUCHER (french 1703-1770) LA BOHÉMIENNE Inscribed ‘Boucher’ bottom right, black chalk on paper 8 5/8 x 6 1/2 in. (21.9 x 16.5cm) provenance: The Collection of Madame d’Azaincourt. Baron Schwiter (L.1768), his sale, Hotel Drouot, Paris, April 20, 1883, lot 13 (as ‘Les Mendiants’). With Schaeffer Galleries, New York. Acquired from the above by Elizabeth Park Firestone. Elizabeth Parke Firestone, her sale, Christie’s, New York, March 23, 1991, lot 607. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. literature: A. Michel, François Boucher, Paris: 1906, no. 1330. P. Jean-Richard, L’Oeuvre grave de François Boucher dans la Collection Edmond de Rothschild, Paris: 1978, p. 174, no. 611. $10,000-15,000

15 160471/2 GIOVANNI BATTISTA BUSIRI (italian 1698-1757) A LANDSCAPE WITH FIGURES RESTING BY A RIVER Gouache on paper 9 3/8 x 12 in. (23.8 x 30.5cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,000-5,000

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(part lot) 16 160050/17 ITALIAN SCHOOL (17th century) HEAD OF A CHERUB; STUDY OF A CHERUB; STUDY OF AN ARM; STUDY OF A FOOT Four red chalk drawings on paper, each unframed Largest: 4 9/16 x 3 7/8 in. (11.6 x 9.8cm) (4) provenance: Private Collection, Washington, D.C. $1,000-1,500

18 160408/1 ENRICO ROMOLO (italian 19th century) CHERUBIAN ALLEGORY Signed and located ‘E. Romolo Milano’ bottom left, watercolor on paper, oval 14 5/8 x 18 1/4 in. (37.1 x 46.4cm) provenance: Schwarz Gallery, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

17 160471/23 BIAGIO PUPINI (italian act. 1530-1540) THE BIRTH OF THE VIRGIN Inscribed ‘Ecole de Raphael’ and numbered ‘12’ bottom left; also inscribed extensively on the mount, in part, ‘école de Raphael’, brush and brown wash heightened with white over traces of blue chalk on faded blue paper 12 5/8 x 8 1/4 in. (32.1 x 21cm) provenance: Bears unidentified collector’s mark (L. 366). Baron de Malaussena (L. 1886). Comte A. Marquet de Vasselot (L. 2499). With P & D Colnaghi & Co., London, by 1984. Sotheby’s, New York, sale of January 13-14, 1989, lot 244. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $6,000-8,000

19 160536/3 FOLLOWER OF ROSALBA CARRIERA (italian 1675-1757) YOUNG WOMAN WITH BASKET OF MIXED FRUIT Pastel on paper laid to canvas 27 1/2 x 21 in. (69.9 x 53.3cm) provenance: Private Collection, Connecticut. $1,000-2,000

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20 160506/1 CORNELIS PIETERSZ BEGA (dutch c. 1631-1664) WOMAN WITH DOG ON A PATHWAY Signed ‘Bega’ bottom right, charcoal on paper, unframed 11 x 15 in. (28 x 38cm) provenance: Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

21 160471/24 CORNELIS DUSART (dutch 1660-1704) A PEASANT COUPLE OUTSIDE A HOUSE Signed and dated ‘Corn. dusart. Fe 1689’, watercolor and pencil on vellum laid to card 10 5/8 x 9 3/8 in. (27 x 23.8cm) provenance: Christie’s, London, sale of July 2, 1996, lot 291. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $12,000-18,000

22 160471/22 ANTHONIE WATERLOO (flemish c. 1610-1690) UTRECHT, WITH ROAD RUNNING THROUGH A VILLAGE Signed ‘A. Waterloo’ bottom left, pen and brown ink and brown and grey wash on two joined sheets of paper 3 9/16 x 11 1/8 in. (9 x 28.3cm) provenance: H. Lempertz, Cologne (L. 1337). Jacobus A. Klaver, Amsterdam, his sale, Sotheby’s, Amsterdam, May 10, 1994, lot 32. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $7,000-9,000

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23 160506/10 HORACE VERNET (french 1789-1863) FULL GALLOP Signed ‘H. Vernet’ bottom left, watercolor heightened with white on paper Sight size: 7 1/2 x 14 in. (19.1 x 35.6cm) provenance: Sotheby’s, London, sale of Sepember 6, 1979, lot 60. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

24 160083/29 SYDENHAM TEAST EDWARDS (british 1768-1819) OTTERS; AND BEAVERS Each signed ‘Sydenham Edwards del’ bottom left, pair- pencil, pen, ink, and watercolor on paper Each: 8 3/4 x 7 in. (22.2. x 17.8cm) (2) provenance: Christopher Wood Gallery, London. The Estate of Richard M. Scaife. $1,000-1,500

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25 160342/2 NICOLAS STRUYK (dutch 1687-1769) BUTTERFLIES AND INSECTS Pen and black ink, watercolor, and pencil on paper Sight size: 17 1/4 x 11 in. (43.8 x 28cm) provenance: Hill-Stone, New York, New York. Private Collection, Philadelphia, Pennsylvania. $1,200-1,800

26 160471/3 LEONARD BRAMER (dutch 1596-1674) THE CIRCUMCISION OF CHRIST Signed ‘Leonard Bramer’ verso; also bears inscription on mount, watercolor and gouache on vellum 4 5/8 x 3 5/8 in. (11.7 x 9.2cm) provenance: With C.G. Boerner, Dusseldorf, 1973. F.C. Butot, Sankt Gilgen, his sale, Sotheby’s, Amsterdam, November 16, 1993, lot 53. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,000-5,000

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27 160506/5 ANGELICA KAUFFMANN (swiss 1741-1807) WOMAN READING, LEANING ON A LYRE Inscribed ‘A. Kaufmann’ on the mount, pen and brown ink on paper, unframed, tondo 7 9/16 x 7 5/8 in. (19.2 x 19.4cm) provenance: Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,500-3,500

28 160506/6 ANGELICA KAUFFMANN (swiss 1741-1807) TWO WOMEN AWAKENING A SLEEPING BOY Watercolor over pencil laid to backing sheet, unframed 8 7/8 x 11 7/8 in. (22.5 x 30.2cm) provenance: Sotheby’s, London, sale of January 24, 1980, lot 38. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,500-2,000

29 160471/25 THIERRY BELLANGE (french 1594-1638) NOAH’S ARK Signed ‘bellange f’ bottom center left, black and red chalk on vellum within black framing lines 9 7/8 x 13 1/16 in. (25.1 x 33.2cm) provenance: Sotheby’s, New York, sale of January 9, 1996, lot 41. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $10,000-15,000

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30 160060/2 LOMBARD SCHOOL (17th century) DREAM OF SCIPIO Oil on canvas, unframed 67 x 111 in. (170.2 x 281.9cm) provenance: Private Collection, New Jersey. $10,000-15,000

31 160060/1 ATTRIBUTED TO CLEMENTE BOCCIARDO (IL CLEMENTONE) (italian 1620-1658) CORPUS DOMINI Inscribed ‘MENS/ARDVS (?)’ and dated illegibly bottom left, oil on canvas, unframed 121 x 76 in. (307.3 x 193cm) provenance: Private Collection, New Jersey. $15,000-25,000

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32 160471/12 GIOVANNI CARIANI (italian c. 1485 - after 1547) PORTRAIT OF A GENTLEMAN, HALF-LENGTH, HOLDING A PORTRAIT OF A LADY Oil on canvas 27 1/2 x 23 1/4 in. (69.9 x 59.1cm) provenance: M. Nierwenhump, 1833. Christie’s, London, sale of May 10, 1833, lot 33 (as by Giorgione, to Norton). Captain E. Spencer-Churchill, Northwick Park. Christie’s, London, sale of May 28, 1965, lot 20 (to Brod). With Brod Gallery, London, 1965. With Galerie Fischer, Lucerne, 1967. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. literature: A Catalogue of the Pictures, Works of Art, etc. at Northwick Park, Blockley: 1864, cat. no. 61 (as Nicolo Casa). B. Berenson, Italian Pictures of the Renaissance; Venetian School, London: 1957, p. 55. B. Berenson, Pitture Italiani del Rinascimento; La scuola veneta, Florence: 1958, p. 57. P. Dessy, Giovanni Busi detto Cariani, University of Padua Theses, Padua: 1960-1, p. 158. A. Ballarin, “Pittura veneziana nei musei de Budapest, Dresda, Praga, Varsavia”, Arte Veneta magazine, 22, 1968, p.57. G. Bolaffi et al., Cariani Giovanni, in Dizionario enciclopedico Bolaffi dei pittori e degli incisori italiani, Turin: 1972, p. 60. R. Pallucchini, F. Rossi, Giovanni Cariani, 0 133, cat. no. 60, fig. 4 . note: Cariani was active in Bergamo and Venice, and may have trained with Giorgione (c. 1477-8 -1510) and was strongly influenced by Palma Il Vecchio (c. 1479-1528) and Titian (1485-1576). Bernard Berenson first proposed the attribution to Cariani in 1957. Alessandro Ballarin agreed with Berenson, suggesting a date for this portrait of 1510-15, and referenced the portrait’s Giorgionesque character. $25,000-35,000

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33 160519/1 ATTRIBUTED TO LUCA GIORDANO (italian 1634-1705) MOSES HOLDING THE TEN COMMANDMENTS Oil on canvas 27 1/2 x 21 1/4 in. (70 x 54cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

34 160517/3 CIRCLE OF IGNAZ STERN (german 1679-1748) VIRGIN AND CHILD Oil on canvas, unframed 31 x 22 7/8 in. (78.7 x 58.1cm) provenance: Private Collection, Maryland. $1,500-2,500

35 160471/7 ATTRIBUTED TO CARLO SARACENI (italian 1579–1620) JUDITH WITH THE HEAD OF HOLOFERNES Oil on canvas 36 1/4 x 29 1/8 in. (92.1 x 74cm) provenance: Christie’s, South Kensington, sale of July 12, 2002, lot 184, (as After Carlo Saraceni). The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. note: The prime version of this composition is in the Kunsthistorisches Museum, Vienna (see A. Cavina, Carlo Saraceni, 1968, pp. 125-6, fig. 70). $4,000-6,000

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36 160471/9 ATTRIBUTED TO ANNIBALE CARRACCI (italian 1560-1609) HEAD OF YOUTH LOOKING UPWARDS TO THE RIGHT Oil on canvas laid on aluminum 10 7/8 x 9 3/8 in. (27.6 x 23.6cm) provenance: Acquired in Italy in the 18th century by an ancestor of the previous owner. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,500-4,500

37 160342/1 ATTRIBUTED TO ANNIBALE CARRACCI (italian 1560-1609) PORTRAIT OF A LADY WITH A CORAL NECKLACE Oil on paper laid to canvas 14 3/4 x 12 1/2 in. (37.5 x 31.8cm) provenance: Lori Bookstein Fine Art, New York, New York (as by Annibale Carracci). Private Collection, Philadelphia, Pennsylvania. exhibited: “Old Master paintings and Drawings, Fourth Annual Old Master Exhibition”, Berry Hill Galleries, New York, New York, January 24 - March 3, 2001, (as by Annibale Carracci). $12,000-18,000

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38 160471/11 GIOVANNI BERNARDINO AZZOLINI (italian c. 1572-1645) CHRIST IN THE HOUSE OF MARY AND MARTHA Oil on canvas 48 3/4 x 69 in. (123.8 x 175.3cm) provenance: J.W. Brett, 1833. E. Dwight, 1837, by whom given to an institution where it remained until the early 1990s. Sothebyâ&#x20AC;&#x2122;s, New York, sale of January 11, 1996, lot 174 (as by Pietro Novelli). The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. exhibited: Boston Athenaeum, Boston, Massachusetts, 1833, no. 9; and 1837, no. 116, (each time as by Caravaggio). literature: R. F. Perkins and W. J. Gain, eds., Boston Athenaeum Art Exhibition Index, 1827-1874, Cambridge: 1980, pp. 30, 285. S. Causa, La strategia dellâ&#x20AC;&#x2122;attenzione: pittori a Napoli nel primo Seicento, Naples: 2007, p. 41, fig. 7 (as by Azzolino).

note: Azzolini was a native of Sicily and is recorded as being in Naples from 1594. He later settled in Genoa where he was elected to the Accademia di San Luca. Trained as a sculptor as well as a painter, his chief influences were his Neapolitan contemporaries Belisario Corenzio (c. 1558-1643) and Fabrizio Santafede (c. 1560-1635). Azzolini also worked with his son-in-law Jusepe de Ribera (1591-1652) on several commissions. We are grateful to Nicola Spinosa, who has identified this painting to be the work of Azzolini based on an electronically transmitted photograph. $25,000-35,000

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39 160060/3 SPANISH SCHOOL (18th-19th century) “SAN PEDRO”, “SAN PABLO” AND “SAN ANDRES” Three tempera with gold ground paintings on cradled panel; each also identified along top Each (approx.): 33 x 21 in. (83.8 x 53.3cm) (3) provenance: Private Collection, New Jersey. $3,000-5,000

40 160143/7 NORTHERN ITALIAN SCHOOL (mid 17th century) PORTRAIT OF A GENTLEMAN IN HIS STUDY, THREE-QUARTER LENGTH Inscribed ‘Aetatis Svae LIII 1642’ upper center right; also inscribed ‘fundatio Stipendis Moseriani de Anno 1676’ bottom left, oil on canvas 39 x 30 in. (99.1 x 76.2cm) provenance: Property from the Estate of Kenneth L. Hallam, Washington, D.C. $1,500-2,500

41 160471/8 ANDREA (ANDREA VICENTINO) MICHIELI (italian 1542-1617) DAVID AND GOLIATH Inscribed ‘Sketch by Tintoretto’ verso, oil on canvas 18 1/4 x 24 in. (46.4 x 61cm) provenance: Galerie Charles Brunner, Paris, no. 7090. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,500-4,500

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42 160386/3 VENETIAN SCHOOL (17th century) SAINT JEROME IN THE WILDERNESS Oil on canvas 39 7/8 x 32 5/8 in. (101.3 x 82.9cm) provenance: Private Collection, Pennsylvania. $3,000-4,000

43 160471/5 STEFANO MARIA LEGNANI (italian 1661-1713) ADORATION OF THE SHEPHERDS Oil on canvas 23 x 37 5/8 in. (58.3 x 95.6cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. note: We are grateful to Alessandro Morandotti for suggesting the attribution to Legnani. $6,000-8,000

44 168027/1 CONTINENTAL SCHOOL (17th century) PORTRAIT OF A GENTLEMAN, THREE-QUARTER LENGTH, POSSIBLY SIR ROBERT VYNER Oil on canvas 35 3/4 x 30 1/2 in. (90.8 x 77.5cm) provenance: Private Collection, North Carolina. $2,000-3,000

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45 160512/1 ATTRIBUTED TO SIR JAMES THORNHILL (british 1675-1734) PORTRAIT OF A GENTLEMAN BELIEVED TO BE SIR WILLIAM WYNDHAM IN HIS STUDY, HALFLENGTH Oil on canvas 36 x 28 1/2 in. (91.4 x 72.4cm) provenance: Private Collection, Maryland. note: Sir William Wyndham was 3rd Baronet, Chancellor of the Exchequer in 1713, and head of the treasury in 1714. $2,500-3,500

46 160386/5 MANNER OF JAN ANTHONISZ VAN RAVESTEYN (dutch c. 1570-1657) PORTRAIT OF A LADY WITH WHITE RUFF AND CAP, HOLDING A FLOWER, THREE-QUARTER LENGTH Oil on canvas 41 x 33 in. (104.1 x 83.8cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

47 160400/5 JOHN VANDERBANK THE YOUNGER (british 1694-1739) PORTRAIT OF THE NINTH DUCHESS OF NORFOLK, THREEQUARTER LENGTH Oil on canvas 50 x 39 7/8 in. (127 x 101.3cm) provenance: Christie’s, London, n.d. The Estate of Dr. William N. Coughlin, Springfield, Illinois. $4,000-6,000

48 160164/3 CIRCLE OF JOHN MICHAEL WRIGHT (scottish c. 1617-1694) PORTRAIT OF A GENTLEMAN IN ARMOR, THREE-QUARTER LENGTH Oil on canvas 51 3/8 x 38 3/4 in. (130.5 x 98.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

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49 168027/5 ATTRIBUTED TO BARTHOLOMEW DANDRIDGE (british 1691-1755) PORTRAIT OF A YOUNG NOBLEMAN, THREE-QUARTER LENGTH Oil on canvas 53 1/4 x 43 in. (135.3 x 109.2cm) provenance: Private Collection, North Carolina. $3,000-5,000

50 160400/6 ALLAN RAMSAY (scottish 1713-1784) PORTRAIT OF SIR WILLIAM TEMPLE, THREE-QUARTER LENGTH Oil on canvas 49 7/8 x 39 7/8 in. (126.7 x 101.3cm) provenance: With Sir Robert Hatfield, 22 Carlton House Terrace. The Cooling Galleries, London. The Estate of Dr. William N. Coughlin, Springfield, Illinois. $10,000-15,000

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51 160471/18 ATTRIBUTED TO MICHIEL VAN MUSSCHER (dutch 1645-1705) THE LOVESICK WOMAN VISITED BY A DOCTOR With remnants of a signature and date bottom left, oil on canvas 25 3/4 x 21 in. (65.4 x 53.3cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $1,800-2,400

53 160471/17 FOLLOWER OF ADRIAEN PIETERSZ VAN DE VENNE (dutch 1589-1662) “HET SYN STERCKE BEENE DIE WEELDE KUNNE DRAGEN” (ONLY THE STRONG LEGS CARRY WEALTH) Oil on panel 23 1/2 x 19 1/4 inches (59.7 x 48.9cm) provenance: Christie’s, New York, sale of January 11, 1989, lot 67 (as by Adriaen Pietersz van de Venne). The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. note: This composition derives from Van de Venne’s ‘De Belacchend Werald (The Laughable World)’, a series of 42 grisailles. A pendant, entitled ‘Only Strong Legs can Carry Poverty,’ is in the Fogg Art Museum, Boston. $2,500-3,500

52 160164/1 CIRCLE OF DAVID VINCKBOONS (flemish 1576-1632) VILLAGERS IN AN EXTENSIVE LANDSCAPE Oil on panel 5 3/8 x 7 3/4 in. (13.7 x 19.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

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54 160517/4 DUTCH SCHOOL (probably 18th century) THE BETRAYAL OF CHRIST; and LADY WITH ATTENDANT Two oils on copper The former: 13 7/8 x 11 in. (35.2 x 27.9cm) The latter: 4 1/2 x 3 7/8 in. (11.4 x 9.8cm) (2) provenance: Private Collection, Maryland. $1,000-2,000

(part lot)

55 160471/14 JAN BAPTIST LAMBRECHTS (flemish 1680-c. 1731) A CAT JUDGED BY MONKEYS Oil on canvas 15 x 18 in. (38.1 x 45.7cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,500-4,500 56 160523/4 MANNER OF GASPAR PIETER VERBRĂ&#x153;GGEN THE ELDER (flemish 1635-1681) MIXED FLOWERS Pair oils on canvas Each (approx.): 16 1/2 x 13 1/2 in. (41.9 x 34.3cm) (2) provenance: Private Collection, Pennsylvania. $1,000-2,000 (part lot)

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57 160520/2 ATTRIBUTED TO PAUL BRIL (flemish 1554-1626) HILLY LANDSCAPE WITH TRAVELLER Oil on canvas laid on cradled panel 6 3/4 x 8 13/16 in. (17.2 x 22.4cm) provenance: Dorotheum, ca. 1965. The Collection of Gretel Mayer. Acquired from the above. Private Collection, Maryland. $1,500-2,000

58 160471/15 CIRCLE OF JAN HACKAERT (dutch 1629-c. 1700) ROCKY LANDSCAPE WITH FIGURES AND MILL Oil on canvas 22 1/2 x 30 1/4 in. (57.2 x 77cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $3,500-4,500

59 160386/10 MANNER OF FRANS FRANCKEN THE YOUNGER (flemish 1581-1642) CHRIST AND THE WOMAN TAKEN IN ADULTERY With wax seal verso, oil on panel, unframed 5 3/4 x 9 13/16 in. (14.6 x 24.9cm) provenance: Private Collection, Pennsylvania. note: The present painting follows a portion of the original oil of the same subject by Francken the Younger. We are grateful to Fred G. Meijer of the RKD for confirming the attribution. $1,000-2,000

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60 160471/16 FOLLOWER OF CORNELIS VAN POELENBURGH (dutch 1586-1667) FEAST OF DIANA Oil on panel 23 1/4 x 33 in. (59 x 84cm) provenance: The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $1,200-1,800

61 160539/1 CHRISTIAN WILHELM ERNST DIETRICH (german 1712-1774) FÊTE CHAMPÊTRE Signed and dated ‘Dietricÿ fec. 1740’ bottom right, oil on canvas laid to board 33 x 28 in. (83.8 x 71.1cm) provenance: C. Perry Scull, St. Petersburg, Florida. Acquired from the above. Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. $4,000-6,000

62 160471/26 AERT SCHOUMAN (dutch 1710-1792) A MANDOLIN PLAYER AND TWO PEASANTS DANCING IN A STREET Signed, inscribed, and dated, ‘A: Schouman, na Carel du Jardijn. 1748’ verso, gouache on paper within black chalk framing lines 11 3/8 x 9 3/8 in. (28.9 x 23.8cm) provenance: With C.G. Boerner, Dusseldorf, by 1984. Christie’s, Amsterdam, sale of November 12, 1990, lot 183. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. literature: J.M. Kilian, The Paintings of Karel du Jardin 1626-1678, Catalogue Raisonné, Amsterdam: 2005, p. 136, no. 17. $5,000-7,000

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63 160471/10 CIRCLE OF JEAN HONORÉ FRAGONARD (french 1732-1806) ARTIST AND MODEL Oil on canvas laid down on Plexiglas 7 1/2 x 8 1/8 in. (19.1 x 20.6cm) provenance: Christie’s, sale of April 16, 1986, lot 109 (as Attributed to Fragonard). The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $2,500-3,500

64 160392/1 FOLLOWER OF NICOLAS LANCRET (french 1690-1743) FÊTE GALANTE; AND A COMPANION Pair oils on canvas Each: 21 1/2 x 36 in. (54.6 x 91.4cm) (2) provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-7,000

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65 160138/3 FOLLOWER OF JAN WYCK (dutch 1640-1700) EQUESTRIAN PORTRAIT Indistinctly inscribed on partial stretcher label verso, oil on canvas 40 3/4 x 31 5/8 in. (103.5 x 80.3cm) provenance: Private Collection, New York, New York. $2,000-3,000

66 160471/6 JAN JOSEF HOREMANS THE ELDER (flemish 1682-1759) THE MUSSEL SELLER Signed ‘J.Horemans’ bottom left, oil on canvas 18 x 14 3/4 inches (45. 7 x 37.5cm) provenance: Sir Edmond Ovey. Christie’s, New York, sale of January 31, 1997, lot 177. Acquired from the above. The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. $7,000-9,000

67 160471/13 AFTER JAN STEEN (dutch 1626-1679) THE PROPOSAL Oil on canvas 14 1/4 x 12 in. (36.2 x 30.5cm) provenance: J. P. Wierman, Amsterdam, sale of August 18, 1762. Angelberts en Tersteeg, Amsterdam, sale of June 13, 1808 (purchased by Spaan). C. Buys, Amsterdam, sale of April 4, 1827. A.H.H., v.d. Burgh uit Den Haag, Amsterdam, sale of September 21, 1904 (purchased by Kunsthandel Hamburger). Jos Monchen, Amsterdam, sale of April 30, 1907 (purchased by Van Arkel). With Colnaghi, London.

Acquired from the above by Markus Kappel, Berlin. “New York Private Collector,” New York, Parke-Bernet Galleries, sale of November 12, 1952, lot 46 (as ‘The Declaration of Love’). Christie’s, New York, sale of June 3, 1987, lot 100 (as by Jan Steen). The Collection of Dr. Hilary Koprowski and Dr. Irena Koprowska. literature: C. Hofstede de Groot, A Catalogue Raisonné of the Most Eminent Dutch Painters of the Seventeenth Century, London: 1908, vol. I, p. 221, translator’s note to cat., no. 822. K. Braun, Jan Steen, Rotterdam: 1983, pp. 176, cat. no. B. 227, p. 177, (illustrated). $4,000-6,000

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68 151469/803 THOMAS ROWLANDSON (british 1756-1827) A DREADFUL FRIGHT Signed ‘T. Rowlandson’ bottom left, ink and watercolor on paper laid to card 11 13/16 x 9 5/8 in. (30 x 24.5cm) provenance: The Estate of Mrs. Helen T. Madeira. $1,000-2,000

69 151469/802 THOMAS ROWLANDSON (british 1756-1827) “METHODISM DISPLAYED” Signed ‘Rowlandson’ bottom left; also inscribed with title verso, ink and watercolor on paper laid to card 10 3/16 x 8 3/4 in. (25.9 x 22.2cm) provenance: The Estate of Mrs. Helen T. Madeira. $1,000-2,000

70 160506/24 ALFRED EDWARD CHALON (british 1780-1860) JOSEPH AND POTIPHAR’S WIFE Inscribed ‘Chalon’ twice on backing paper, pencil and brown ink with wash over traces of pencil on paper laid on paper, unframed 11 1/2 x 15 in. (29.2 x 38.1cm) provenance: Sotheby’s, London, sale of January 24, 1980, lot 14. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,000-1,500

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71 160506/27 WILLIAM POWELL FRITH (british 1819-1909) AT BOULOGNE Watercolor and gouache on paper together with: JOHN HENRY MOLE (british 1814-1886) THE RESTING PLACE watercolor on card, unframed Larger (sight size): 10 x 14 in. (25.4 x 35.6cm) (2)

provenance: Bonham’s, London, sale of January 31, 1973, lot 127 (Frith). Bonham’s, London, sale of May 21, 1980, lot 36 (Mole). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,000-2,000

72 160083/15 HELEN ALLINGHAM (british 1848-1926) “THE OLD MEN’S GARDEN, CHELSEA HOSPITAL” Signed and dated ‘H. Allingham 1870’ bottom right; also inscribed with title on label verso, watercolor, bodycolor, and Chinese white on paper 15 x 24 in. (38.1 x 61cm) provenance: Christopher Wood, London. The Estate of Richard M. Scaife. note: The present lot is one of a number of artworks in this auction from the collection of Richard M. Scaife, owner of the Trib Total Media publishing company and other media properties. Scaife was a dedicated philanthropist who donated millions of dollars for public improvement and restoration projects to foundations and individuals throughout the country. However, it was collecting fine art that was his other great passion. He began to amass a major collection of largely American paintings with the influence of his mother, Sarah, which ultimately led to the creation of the Sarah Mellon Scaife Gallery, Carnegie Museum of Art, Pittsburgh, in 1974. He

would later donate a commissioned portrait of Andrew Carnegie by Andrew Wyeth to the Carnegie Museum, and a rare John James Audubon painting to the National Gallery of Art. Scaife donated more art to the Westmoreland Museum of American Art in Greensburg, Pennsylvania, and to the Brandywine River Museum of Art in Chadds Ford, Pennsylvania, than to any other institutions. He focused his

collecting efforts on mid to late 19th century American landscapes, bequeathing his collection of paintings and works on paper - mainly American - to those two museums. Freeman's is very pleased to include a fine selection of nonAmerican works of art from the core of Scaife's collection in this auction. $3,000-5,000

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73 160083/34 BRITISH SCHOOL (19th century) “UNFINISHED VIEW OF THE VILLA”; “FINISHED VIEW OF THE VILLA”; MY DANCING DAYS ARE OVER”; “I WISH I HAD A PARTNER” Each titled at the bottom, group of four pen and ink drawings on paper; the latter two with watercolor Largest (sight size): 9 3/8 x 5 3/4 in. (23.8 x 14.6cm) (4) provenance: Charles Plante Fine Art, Washington, D.C. (the former two). The Estate of Richard M. Scaife. $1,000-2,000

(part lot)

74 160506/19 JOHN JOSEPH COTMAN (british 1814-1878) FIGURES BY RUINS Pencil on paper together with: ANTHONY VAN DYKE COPLEY FIELDING (british 1787-1855) TRAVELLERS IN A LANDSCAPE Signed and dated ‘C. Fielding 1809’ bottom left, pen and ink on paper together with: EDWARD LEAR (british 1812-1888) STONE WALL AND FENCE pencil on paper Largest (sight size): 10 1/4 x 7 1/4 in. (26 x 18.4cm) (3)

(part lot) provenance: Christie’s, London, sale of May 25, 1976, lot 110 (Cotman). Phillip’s, London, sale of May 10, 1976, lot 72 (Fielding). Bonham’s, London, sale of August 1, 1976, lot 26 (Lear). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

75 160506/16 JAMES ROBERTSON (british fl. 1815-1836) “WARWICK CASTLE”; AND FOUR COMPANIONS INCLUDING “ELIZABETH CASTLE” Group of five pen and ink drawings with wash on paper, each unframed Largest: 7 x 9 7/8 in. (17.8 x 20.1cm) (5) (part lot)

provenance: Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

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76 160506/15 JAMES ROBERTSON (british fl. 1815-1836) FIGURES IN A LANDSCAPE watercolor on paper together with: “BEAUCHIEF ABBEY”; “COTTAGE NEAR BROMLY”; AND A COMPANION Pen and ink with wash drawings on paper, each unframed Largest: 9 3/8 x 12 7/8 in. (23.8 x 32.7cm) (4)

provenance: Christie’s, London, sale of May 25, 1976, lot 105 (‘Figures in a Landscape’). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,200-1,800

(part lot)

77 160506/3 GEORGE BRYANT CAMPION (british 1796-1870) A CLUMP OF TREES BESIDE A LAKE Black chalk and watercolor heightened with white on paper together with: ON A SWISS LAKE; and A CARTER NEAR THE COAST Watercolors over pencil, each unframed Largest (sight size): 10 x 14 3/8 in. (25.4 x 36.5cm) (3)

(part lot)

78 160506/4 GEORGE BRYANT CAMPION (british 1796-1870) HASTINGS; AND A COMPANION Watercolors heightened with gouache on paper, each unframed Larger: 10 x 14 1/4 in. (25.4 x 36.2cm) (2)

provenance: Sotheby’s, London, sale of January 24, 1980, lot 14 (part lot). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,500-2,000

(part lot)

provenance: Christie’s, London, sale of May 25, 1976, lot 196 (part lot). Sotheby’s, London, sale of January 24, 1980, lot 14 (part lot). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,500-2,000

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79 160506/17 ARTHUR BAYLIS ALLEN (british b. 1889) HARBOR AT NIGHT Watercolor on paper together with: T*W*O* (act. early 19th century) CLUNIE CASTLE, PERTHSHIRE Signed with initials ‘T.W.O’, inscribed ‘Del.’ and dated ‘1829’ bottom left, watercolor on paper together with: THOMAS COLLIER (british 1840-1891) A ROCKY LANDSCAPE Watercolor on paper Largest (sight size): 9 3/4 x 13 3/4 in. (24.8 x 34.9cm) (3)

(part lot)

provenance: Richard Icor, London (Allen). Sotheby’s London, sale of January 24, 1980, lot 182 (‘Clunie Castle, Perthshire’). Bonham’s, London, August 1, 1980 (Collier). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,500-2,000

80 160506/18 JOHN CROME (british 1768-1821) A WOODED GLADE Pen and ink with wash on paper, 4 9/16 x 8 3/16 in. (11.6 x 20.8cm) provenance: Christie’s, London, sale of May 25, 1976, lot 78 (part lot). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,000-1,500

(part lot)

81 160506/20 AUGUSTUS CHARLES PUGIN (french c. 1762-1832) FIGURES ON A STREET Colored washes heightened with bodycolor and white on brown paper together with: WILLIAM LEIGHTON LEITCH (british 1804-1883) A HIGHLAND LANDSCAPE watercolor on paper together with: JOSEPH STANNARD (british 1797-1830) ROCKY COASTLINE WITH FIGURES black chalk heightened with white on gray paper Largest (sight size): 8 3/4 x 11 5/8 in. (22.2 x 29.5cm) (3)

provenance: Hampton Hill Gallery, Middlesex, United Kingdom (Pugin). Phillip’s, London, sale of September 4, 1979, lot 114 (Pugin). Christie’s, London, sale of May 25, 1976, lot 103 (Leitch). Sotheby’s, London, sale of January 18, 1973, lot 171 (Stannard). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,500-2,000

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82 160506/21 HENRY GASTINEAU (british 1791-1876) OLD MALTON PRIORY, YORKSHIRE, WITH CATTLE GRAZING Indistinctly signed with initials bottom left, watercolor on paper together with: GEORGE GRAHAM (british 1882-1949) A HILLTOP CASTLE Signed ‘George Graham’ bottom right, watercolor on paper together with: JAMES ROBERTSON (british fl. 1815-1836) EXTENSIVE LANDSCAPE; AND A COMPANION Pen and brown in with wash, both unframed Largest (sight size): 8 x 14 in. (20.3 x 35.5cm) (4)

83 160506/23 HENRY BRIGHT (british 1814-1873) A RUINED CHURCH TOWER Pencil and gray wash on paper together with: JOSHUA CRISTALL (british 1767-1847) EXTENSIVE LANDSCAPE, SCOTLAND Pencil with colored washes on pape together with: HENRY COURTNEY SELOUS (british 1811-1890) LANDSCAPE WITH CHURCH AND FIGURES; and A DEVONSHIRE VILLAGE The former signed with initials bottom right; the latter signed with initials and located bottom left, two pencil on paper drawings Largest (sight size): 10 1/2 x 14 1/4 in. (26.7 x 36.2cm) (4) provenance: Sotheby’s, London, sale of January 18, 1973, lot 197 (Bright). Phillip’s, sale of September 3, 1979, lot 75 (Cristall).

(part lot) provenance: Sotheby’s, London, sale of January 24, 1980, lot 139 (Gastineau). Barker & Pitchers, Bradford, United Kingdom (Graham). Sotheby’s, London, sale of January 24, 1980, lot 154 (Graham; part lot).

Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,200-1,800

(part lot) Sotheby’s, London, sale of January 24, 1980, lot 206 (Selous, ‘Landscape with Church and Figures’). Richard Ivor, 1979 (Selous, ‘A Devonshire Village’). Sotheby’s London, sale of January 24, 1980, lot 206 (Selous, ‘A Devonshire Village’).

Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,200-1,800

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84 160083/33 GEORGE SAMUEL ELGOOD (british 1851-1943) “THE GARDEN, LEVENS HALL” Signed and dated ‘Geo. S. Elgood 1892’ bottom left, watercolor on paper 15 1/2 x 24 1/4 in. (39.4 x 61.6cm) together with: “BULWICK, THE GATEWAY” Signed and dated ‘George S. Elgood 1893’ bottom left, watercolor on paper 12 1/2 x 19 3/4 in. (31.8 x 50.2cm) (2) provenance: Lord Henry Grosvenor. Christopher Wood, London. The Estate of Richard M. Scaife. literature: Gertrude Jekyll and George S. Elgood, Some English Gardens, 1910, plate opposite p. 12 (Bulwick, The Gateway). $1,500-2,000 85 160083/13 ROBERT PONSONBY STAPLES (irish 1853-1943) “MANOR HOUSE AND GARDEN, COUNTY TYRONE” Signed and dated ‘R. Ponsonby Staples 1926’ bottom right, watercolor on paper 15 x 25 in. (38.1 x 63.5cm) together with: LILIAN STANNARD (british 1877-1944) “SUMMER BOARDERS” Signed ‘Lilian Stannard’ bottom left, watercolor on paper 20 x 33 1/2 in. (50.8 x 81.5cm) (2) provenance: Christopher Wood, London (Stannard, “Summer Boarders”). The Estate of Richard M. Scaife. $2,000-3,000 86 160083/37 BEATRICE E. PARSONS (british 1870-1955) FOUR WATERCOLORS ON PAPER Each signed ‘Beatrice Parsons’ “QUEEN MARY’S GARDEN, REGENT’S PARK, LONDON” 11 1/2 x 15 3/4 in. (29.2 x 40cm) together with: “GARDEN PATHWAY” 11 x 15 1/4 in. (27.9 x 38.7cm) together with: “RAINBOWS” 8 5/8 x 11 1/2 in. (21.9 x 29.2cm) together with: “GARDEN FOUNTAIN” 7 x 9 7/8 in. (17.8 x 25.1cm) (4) provenance: The Estate of Richard M. Scaife. $1,500-2,000

(part lot)

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87 160083/35 ERNEST ARTHUR ROWE (british 1863-1922) “THE ROSE PERGOLA, BLACKHURST HOUSE, TURNBRIDGE WELLS, KENT” Signed ‘E.A. Rowe’ bottom right, watercolor on paper 9 5/8 x 13 5/8 in. (24.4 x 34.6cm) together with: ERNEST ALBERT CHADWICK (british b. 1876) “THE POND AT THE HILL, HAMPSTEAD” Signed ‘E.A. Chadwick’ bottom right, watercolor on paper 14 x 10 in. (35.6 x 25.4cm) together with: LILIAN STANNARD (british 1877-1944) “FLOWER GARDEN” Signed ‘Lilian Stannard’ bottom center right, watercolor on paper 13 1/2 x 19 1/2 in. (34.3 x 49.5cm)

(part lot) together with: HELEN ALLINGHAM (british 1848-1926) “IN A FLOWER GARDEN” Signed ‘H. Allingham’ bottom left; also inscribed with title verso, watercolor on paper 7 1/4 x 4 1/2 in. (18.4 x 11.4cm) (4)

provenance: Mallett, London (Rowe). Christopher Wood Gallery, London (Chadwick; Allingham). Arthur Ackermann & Son, Inc., New York (Stannard). The Estate of Richard M. Scaife. $2,000-3,000

88 160083/1 BEATRICE E. PARSONS (british 1870-1955) FOUR WATERCOLORS ON PAPER Each signed ‘Beatrice Parsons’ “A BOARDER IN SUMMER WITH LILIES AND DEPHINIUMS” 7 x 5 1/2 in. (17.8 x 14cm) together with: “QUEEN MARY’S GARDEN, REGENTS PARK, LONDON” 4 3/4 x 6 3/4 in. (12.1 x 17.1cm) together with: “SUNSET, MARYLAND, VILLEGRANCHE” 6 x 9 in. (15.2 x 22.9cm)

(part lot)

together with: “AZELEAS” 6 1/2 x 9 1/2 in. (16.5 x 24.1cm) (4) provenance: Christoper Wood, London (‘A Boarder in Summer with Lilies and Delphiniums’). Oscar and Peter Johnson Limited, London (‘Queen Mary’s Garden, Regent Park, London’). Mallett, London (‘Sunset, Maryland, Villefranche’ and ‘Azeleas’). The Estate of Richard M. Scaife. $1,500-2,000

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89 168016/1 ALBERT GOODWIN (british 1845-1932) “OVER THE HORSESHOE FALL, NIAGARA” Signed and dated ‘Albert Goodwin 1912’ bottom right; also with inscribed with title and indistinctly dated bottom left, watercolor and bodycolor over traces of pencil on paper laid to card Image size: 10 1/16 x 14 in. (25.6 x 35.6cm) Sheet size: 10 1/4 x 14 3/16 in. (26 x 36cm) provenance: Private Collection, Virginia. $3,000-5,000

90 160506/7 SIR LAWRENCE ALMA-TADEMA (british 1836-1912) PORTRAIT OF A LADY Watercolor on paper together with: FIGURAL STUDY verso, pencil on paper, unframed 21 x 15 1/2 in. (53.3 x 39.4cm) provenance: Bonham’s, London, sale of August 1, 1979, lot 7. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. note: Alma-Tadema was amongst the most successful and important artists of the Victorian era, known for his depictions of classical antiquity and historical scenes, including themes of life in ancient Egypt and Pompeii. Strongly influenced by the artist Louis (Lodewijk) Jan de Taeye’s courses in history and historical costume at the Royal Academy of Antwerp, he went on to work with the painter Baron Jan August Hendrik Leys (1815-1869), during which time he painted his first major work, ‘The Education of the Children of Clovis’ in 1861 to great critical acclaim. In later years, he favored subject matter depicting classical women on marble terraces overlooking the sea, which reveal his technical ability to capture the physical characteristics of marble, flowers and pottery in brilliant color. Alma Tadema was above all a perfectionist who reveled in painting his compositions with exacting detail in elaborate settings. $6,000-10,000

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91 158162/7 JOHN FAULKNER (irish 1835-1894) “ELAGH BAY” Inscribed and signed ‘Elagh Bay/ near S*****/ John Faulkner’ bottom left, watercolor on paper 20 1/8 x 37 in. (51.1 x 94cm) provenance: Private Collection, Florida. $2,000-3,000

92 160083/36 GUSTAVUS ELLINTHORPE SINTZENICH (british d. 1856) VIEWS OF OLD GROVE HOUSE, MIDDLESEX One signed and dated ‘Sintzenich 1840’, pair watercolors with bodycolor on paper, framed together Larger: 8 3/4 x 17 1/4 in. (22.2 x 43.8cm) together with: BRITISH SCHOOL (c. 1840) FIGURES BEFORE A NEOCLASSICAL MONUMENT Watercolor on paper 11 x 9 in. (27.9 x 22.9cm) (3) provenance: Charles Plante Fine Art, Washington, D.C. The Estate of Richard M. Scaife. $1,000-2,000

(part lot)

93 160462/1 FLORA H. MITCHELL (irish 1890-1973) “ON THE QUAYS-DUBLIN” Signed in pencil and with title at bottom right and left, watercolor over ink on paper Image size: 9 7/8 x 14 in. (25.1 x 35.6cm) Sheet size: 12 7/8 x 16 1/2 in. (32.7 x 41.9cm) together with: HOWARD KNEE (irish 1889-1971) “RAINSTORM OVER CLARE ISLAND” Signed ‘Howard Knee’ bottom right; also with title verso, watercolor on illustration board 10 9/16 x 15 in. (26.8 x 38.1cm) (2) provenance: Private Collection, Delaware. $1,500-2,000 (part lot)

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94 160254/1 JACK BUTLER YEATS (irish 1871-1957) STAGECOACH Signed ‘JACK B. YEATS’ bottom left, watercolor on card 10 1/2 x 14 1/4 in. (26.7 x 36.2cm) provenance: Private Collection, Maryland. $5,000-7,000

95 160254/2 JACK BUTLER YEATS (irish 1871-1957) FIGURES GATHERED Signed ‘JACK B. YEATS’ bottom right, watercolor on heavy card 10 5/16 x 14 1/4 in. (26.2 x 36.2cm) provenance: Private Collection, Maryland. $7,000-10,000

96 160254/3 AN IVORINE FAN (c. early 20th century) Signed by various artists and figures of notoriety, including Jack Yeats, George William Russell, John Hughes, George Moore, Sir Horace Plunkett, Thomas William Hazen Rolleston and Edward Martyn. Height: 7 7/8 in. (20cm) Width: 14 1/8 in. (35.9cm). provenance: Private Collection, Maryland. $1,000-1,500

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97 160083/17 BRITISH SCHOOL (19th century) SCULLING Oil on canvas 24 x 40 1/4 in. (61 x 102.2cm) provenance: The Estate of Richard M. Scaife. $3,000-5,000

98 168038/1 RICHARD WILSON (british 1714-1782) TRAVELLERS IN AN EXTENSIVE LANDSCAPE Signed with initials and dated ‘RW 79’ bottom right, with ‘Izon & Son’ stretcher label, oil on canvas 24 1/4 x 26 15/16 in. (61.6 x 43cm) provenance: Property of an Estate, Louisiana. $8,000-12,000

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99 158106/29 ATTRIBUTED TO CHARLES TOWNE (british 1763-1840) A LANDSCAPE WITH GOATS, SHEEP AND RUINS; AND A COMPANION Pair oils on canvas Each: 4 7/8 x 6 7/8 in. (12.4 x 17.5cm) (2) provenance: Bonham’s, Knightsbridge, sale of October 31, 1991, lot 183 (as by Charles Towne). Private Collection, Virginia. $1,000-1,500

(part lot)

100 160330/1 CIRCLE OF JOHN BERNEY CROME (british 1794-1842) MOONLIT RIVERSCAPE Oil on canvas 19 7/8 x 24 in. (50.5 x 61cm) provenance: Private Collection, New Jersey. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

101 160347/1 ERNEST PARTON (british/american 1846-1933) “SPRINGTIME” Signed ‘Ernest Parton’ bottom left, oil on canvas 28 1/8 x 36 in. (71.4 x 91.4cm) provenance: Frost & Reed, London. Private Collection, Pennsylvania. $2,500-3,500

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102 152622/3 ALBERT EDWARD ALDIS (australian/new zealand 1865-1921) TROPICAL LANDSCAPE Signed and dated ‘A.E. Aldis 1897’ bottom right, oil on canvas 12 x 18 in. (30.5 x 45.7cm) together with: RUSHING RIVER Signed ‘A.E. Aldis’ bottom left, oil on canvas 12 x 18 in. (30.5 x 45.7cm) (2) provenance: Private Collection, Delaware $2,000-3,000

(part lot)

103 160336/4 JOHN BARRETT (british 19th century) ON THE CORNISH COAST Signed and dated ‘J. Barrett 1871’ bottom right, oil on canvas 28 1/4 x 46 in. (71.8 x 116.8cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

104 160258/2 CHARLES HENRY PASSEY (british 19th cetury) GATHERING HAY Signed and dated ‘CH Passey 1878’ bottom right, oil on canvas 29 7/8 x 49 7/8 in. (75.9 x 103.8cm) provenance: Private Collection, Virginia. $2,000-3,000

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105 160083/4 EVA ROOS (british b. 1872) HAIL BRITANNIA Signed ‘Eva Roos’ bottom right, oil on canvas 26 3/4 x 64 in. (67.9 x 162.6cm) provenance: The Estate of Richard M. Scaife. $7,000-10,000

106 160083/6 THOMAS MUSGRAVE JOY (british 1812-1866) OFF TO SCHOOL Signed with monogram and dated ‘1860’ bottom right, oil on canvas 36 1/8 x 24 in. (91.8 x 61cm) provenance: Christopher Wood, London. The Artist’s sale, Christie’s, June 18, 1866, lot 19. The Estate of Richard M. Scaife. $5,000-7,000

107 168031/1 JOHN PHILLIP (british 1817-1867) “DOLORES” Signed with artist’s monogram and dated ‘1864’ bottom right, oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection, Virginia. $2,000-3,000

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108 160083/18 CHARLES SPENCELAYH (british 1865-1958) “SUNSHINE AND SHADOW” Signed ‘C. SPENCELAYH’ bottom left; also with title verso, oil on canvas 18 x 12 in. (45.7 x 30.5cm) provenance: The Estate of Richard M. Scaife. $4,000-6,000

109 160083/26 JOHN WOOD (british 1801-1870) PORTRAIT OF A BOY OF THE DA BATHE FAMILY, IRELAND Signed and dated ‘June 1844’ (according to label verso), oil on canvas, painted in the oval, in a fine carved and gilded antique period frame Image size: 34 5/8 x 33 1/2 in. (87.9 x 85.1cm) Canvas size: 37 x 35 3/4 in. (94 x 90.8cm) provenance: Christopher Wood Gallery, London. The Estate of Richard M. Scaife. $4,000-6,000

110 160165/1 SOPHIA BEALE (british act. 1860-1889) MIDDAY TASKS Signed ‘Sophia Beale’ bottom right, oil on panel 18 x 13 5/8 in. (45.7 x 34.6cm) provenance: Private Collection, Florida. $2,000-3,000

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111 160083/22 GEORGE SHERINGHAM (british 1884-1937) “THE PARLOUR, JUDGES’ LODGINGS AT WELLS, SOMERSET” Signed with initials ‘G.S.’ bottom left; also inscribed on stretcher label verso, oil on canvas 24 x 29 in. (61 x 73.7cm) provenance: Christopher Wood, London. The Estate of Richard M. Scaife. $2,000-3,000

112 160083/30 THOMAS LEWIS (british act. 1835-1864) “THE INSIGNIA AND DRUMS OF THE HOUSEHOLD CAVALRY” Signed ‘Thomas Lewis’ bottom left and dated ‘1864’ bottom right, oil on canvas with an arched top 34 x 27 in. (86.4 x 68.6cm) provenance: Christopher Wood Gallery, London. Bonham’s, n.d. The Estate of Richard M. Scaife. $3,000-5,000

113 160083/27 DUDLEY HARDY (british 1866-1922) TEA TIME ON THE TERRACE Signed ‘Dudley Hardy’ bottom right, oil on canvas 18 x 22 in. (45.7 x 55.9cm) provenance: The Estate of Richard M. Scaife. $3,000-5,000

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114 160083/32 G*** C*** (british 19th century) COUNTRY ESTATE Signed with initials and dated ‘G.C. 1833’ bottom left, oil on canvas 20 x 24 1/8 in. (50.8 x 61.3cm) provenance: The Estate of Richard M. Scaife. $1,000-1,500

115 152491/1 ALOYSIUS C. O’KELLY (irish/american 1850-1928) HORSE CART ALONG THE SHORE Signed ‘Aloysius O’Kelly’ bottom right, oil on canvas 20 x 32 in. (50.8 x 81.3cm) provenance: Louis Antoville, New York. Private Collection, Massachusetts. $5,000-7,000

116 160113/1 WILLIAM JOSEPH SHAYER (british 1811-1892) WINTER TIME Signed ‘W.J.S.’ bottom right (on log), oil on canvas 30 x 49 3/4 in. (76.2 x 126.4cm) provenance: Private Collection, Montana. $5,000-7,000

117 160458/1 LOUIS BOSWORTH HURT (british 1856-1929) HIGHLAND CATTLE Signed ‘Louis B. Hurt’ bottom left, oil on canvas 24 x 40 in. (61 x 101.6cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

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118 160083/12 JOHN FREDERICK HERRING THE YOUNGER (british 1815-1907) OVER THE FENCES Signed ‘JF Herring’ bottom left, oil on canvas 15 13/16 x 30 in. (40.2 x 76.2cm) provenance: Arthur Ackermann and Son, London. The Estate of Richard M. Scaife. $4,000-6,000

119 158162/9 BRITISH SCHOOL (19th century) HOUND IN A LANDSCAPE Oil on canvas 13 x 18 in. (33 x 45.7cm) provenance: Private Collection, Florida. $1,000-1,500

120 158106/32 PAMELA EDWARDS (canadian b. 1917) TWO GREAT DANES Signed and dated ‘Pamela Edwards/ 1969’ bottom right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) provenance: Private Collection, Virginia. $1,000-1,500

121 160336/3 EDMOND VAN DER MEULEN (belgian 1841-1905) BLOODHOUNDS Signed ‘Edm. van der meulen’ bottom right, oil on canvas 19 3/8 x 25 3/4 in. (49.2 x 65.4cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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122 160083/3 HEYWOOD HARDY (british 1842-1933) LORD WEMYSS OF ELCHO GOLFING AT NORTH BERWICK, THE ISLAND OF CRAIGLEITH IN THE DISTANCE Signed and dated â&#x20AC;&#x2DC;Heywood Hardy 1900â&#x20AC;&#x2122; bottom right, oil on canvas 39 7/8 x 70 1/2 in. (101.3 x 179.1cm) provenance: The Estate of Richard M. Scaife. note: Heywood Hardy is best known for his paintings of sporting subjects and horsemen pausing to engage with local villagers, stopping at a home or an inn along their travels. The present largescale golfing painting stands apart within Hardy's oeuvre, although Sir Francis Grant (c. 1803-1878) did paint a more formal golfer's portrait of Sir John WhyteMelville of Bennochy and Strathkiness, depicted holding a golf club (see Christie's, London, sale of May 30, 2012, lot 204). One of the best known 19th century golf paintings related to the present work is Grant's 'Golf at North Berwick,' c. 1832-3. 'The Golfers' by Charles Lees (1800-1880), painted in 1847, is generally considered one of the most iconic large scale golfing paintings

(National Galleries of Scotland, Edinburgh). Known as the "High Green," North Berwick, along with St. Andrews were the preeminent golf courses of their day, favored amongst the Scottish aristocracy. Along with Lord Wemyss, there are two women depicted in Hardy's painting; they are said to be the Misses Grant-Suttie, leading golfers of their day. Played on ice, the early Dutch game of 'kolf' is thought to be a forerunner of the game of golf, with commercial ties between the Netherlands and Scotland helping to bring the game to the east coast of Scotland in the 15th century. While King James II discouraged the game of 'gouff' due to its interference with another game - archery, King James IV and Mary Queen of Scots were early proponents of the sport. With the ascension of James VI of Scotland to the English throne, Scottish exiles outside of London are known to have been golfers. While the official rules of golf were not drawn up until 1744, golf in its current format was developed in the second half of the 19th century. $40,000-60,000

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123 160083/2 GEOFFREY DOUGLAS GILES (british 1857-1923) “EPSOM DERBY” Signed and dated ‘G. D. Giles/ 1894’ bottom left, oil on canvas 60 1/2 x 108 1/2 in. (153.7 x 275.6cm) provenance: The Estate of Richard M. Scaife. note: The Epsom Derby of 1894 was run on June 6th and won by Ladas, a British thoroughbred racehorse and sire owned by Lord Rosebery. Trained by Mathew Dawson, Ladas won the race by one and a half lengths. He went on to win the ‘2000 Guineas’ at Newmarket to complete the first two legs of the English Triple Crown that year. $20,000-30,000

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124 160083/9 ATTRIBUTED TO HENRY ALKEN (british 1785-1851) FULL CRY Oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: The Estate of Richard M. Scaife. $2,000-3,000

125 158106/55 JOHN EMMS (british 1843-1912) “A BOY’S COMPANIONS” Signed and dated ‘John Emms/ 89’ bottom left; also with artist and title on label verso, oil on canvas 36 1/4 x 28 in. (92.1 x 71.1cm) provenance: The Tryon Gallery, Ltd., London. Private Collection, Virginia. $15,000-20,000

126 160484/1 WILLIAM WEBB (british 1780-1846) A FOX BREAKING COVER Signed and dated ‘Wm. Webb 1824’ bottom center, oil on canvas 34 1/2 x 44 in. (87.6 x 111.8cm) provenance: Sotheby’s, New York, sale of November 29, 2007, lot 64. Private Collection, London. Private Collection, Pennsylvania. $10,000-15,000

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127 160007/2 WILLIAM R.C. WATSON (british 1831-1921) “ON THE MOORS-JAY VALLEY-PERTHSHIRE” Signed and dated ‘W. Watson 1901’ bottom right; also with artist and title verso, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: The Collection of Minnie Ware Harpur (Mrs. Ernest), Belfast, Ireland. By descent in the family. The Collection of Mabelle Andrews Ware, 1950. Private Collection, New Hampshire. $3,000-5,000

128 160083/24 JOHN E. FERNELEY (british 1782-1860) DEPARTING Signed and dated ‘J. Ferneley/ Pinxt 1808’ bottom right, oil on canvas 34 x 43 in. (86.4 x 109.2cm) provenance: The Estate of Richard M. Scaife. $10,000-15,000

129 160083/25 JOHN E. FERNELEY (british 1782-1860) BAY HUNTER WITH GROOM Inscribed in pencil ‘Painted by/ J. Ferneley/ Melton Mowbray’ verso, oil on board 7 1/2 x 10 in. (19.1 x 25.4cm) provenance: The Estate of Richard M. Scaife. $1,500-2,500

130 160138/10 HENRY HERBERT SANDS (british fl. 1886-1906) PACK HORSES Signed and dated ‘H. H. Sands ‘03’, oil on canvas 16 x 12 in. (40.6 x 30.5cm) provenance: Private Collection, New York, New York. $1,000-1,500

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(part lot) 131 160083/11 HENRY ALKEN (british 1785-1851) “THE MEET”; “FULL CRY”; “BREAKING COVER”; and “THE DEATH” Two signed ‘H. Alken’, four oils on canvas Each: 10 x 14 in. (25.4 x 35.6cm) (4) provenance: The Estate of Richard M. Scaife. $2,000-4,000

132 152626/2 GEORGE WRIGHT (british 1860-1942) TAKING A SPILL Signed ‘G. Wright’ bottom right, oil on canvas 8 x 12 in. (20.3 x 30.5cm) provenance: Private Collection, New Jersey. $1,000-1,500

133 160083/10 MICHAEL LYNE (british 1912-1989) BEFORE THE RACE Signed and dated ‘Michael Lyne 1948’ bottom left, watercolor Image size: 13 5/8 x 20 9/16 in. (34.6 x 52.2cm) Sheet size: 15 15/16 x 22 7/8 in. (40.5 x 58.1cm) provenance: Arthur Ackermann and Son, New York. The Estate of Richard M. Scaife. $1,200-1,800

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134 158106/43 SIR ALFRED MUNNINGS (british 1878-1959) THE HORSE STABLES Signed ‘A J Munnings’ bottom left, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Virginia. note: An outspoken critic of modernism, Sir Alfred Munnings was one of England’s most important equine painters of the first half of the 20th century. He was associated with the Newlyn School of painters and was highly successful as a painter of commissioned horse portraits. A Knight Commander of the Royal Victorian Order and President of the Royal Academy, he was represented by agents Frost & Reed during his lifetime. $40,000-60,000

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135 160346/1 MONTAGUE DAWSON (british 1890-1973) “DEPARTING DAY” Signed ‘Montague Dawson’ bottom left; also with title on partial label on stretcher verso, oil on canvas 24 x 44 1/4 in. (61 x 112.4cm) provenance: Frost & Reed, London. The Collection of K.W. Kerr, Toronto, Canada. Acquired from the above. The Collection of Arthur C. Jensen, Montreal, Canada. By descent in the family. Private Collection, Toronto, Canada. note: Known for his vast output of ship portraits, Montague Dawson remains one of the most commercially successful marine artists of the 20th century. While he never attended art school, Dawson’s father and grandfather were both marine painters, and around the age of twenty, Dawson joined a commercial London art studio, and thereafter the Royal Navy at the inception of World War I. He regularly exhibited at the Royal Academy and the Royal Society of Marine Artists. His work is characterized by his vast knowledge of all manner of ships, including clippers, frigates, warships, racing cruisers, tankers, U-boats and packets. He painted these vessels with technical accuracy and in great detail, as in the present work. $30,000-50,000

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136 160083/21 MONTAGUE DAWSON (1890-1973) “A FLOWING SEA” Signed ‘Montague Dawson’ bottom left; also with title in pencil on verso, watercolor and gouache on card 20 1/16 x 29 3/4 in. (51 x 75.6cm) provenance: The Estate of Richard M. Scaife. $4,000-6,000

137 160138/14 HAROLD MOCKFORD (british b. 1932) “CLIFF WALK” Signed ‘H. Mockford’ three times; also inscribed ‘’31 Milton Road Eastbourne’ and ‘3/75 Cliff Walk’ verso, oil on board 48 x 48 in. (121.9 x 121.9cm) provenance: Private Collection, New York, New York. $3,000-5,000

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138 160506/2 GIOVANNI BOLDINI (italian 1842-1931) LE RENCONTRE Signed and dated ‘Boldini 1875’ bottom right, pen and brown ink over traces of pencil on paper, unframed 9 3/8 x 9 1/4 in. (23.8 x 23.5cm) provenance: Sotheby’s, London, sale of June 29, 1979. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

139 160386/4 GIUSEPPE GABANI (italian 1846-1899) A PAUSE AT THE WELL Signed and located ‘G. Gabani Roma’ bottom right, watercolor on paper 19 1/2 x 26 1/4 in. (49.3 x 66.7cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

140 160559/1 GIUSEPPE GABANI (italian 1846-1899) CAVALRY GATHERING, SOUNDING THE TRUMPET Signed and located ‘G. Gabani/ Roma’ bottom right, oil on canvas 17 5/8 x 20 3/8 in. (44.8 x 51.8cm) provenance: Private Collection, New Jersey. $8,000-12,000

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141 160517/2 FELICE BARUCCO (italian 1830-1906) WOMAN WITH FLOWERS Signed and dated ‘F. Barucco 1856’ bottom left, oil on canvas 61 1/4 x 37 1/2 in. (155.6 x 95.3cm) provenance: Private Collection, Maryland. $4,000-6,000

142 160050/15 ADRIANO CECCHI (italian 1850-1936) ELEGANT LADY Signed ‘A Cecchi’ upper left, oil on canvas 13 x 9 1/8 in. (33 x 23.2cm) provenance: Private Collection, Washington, D.C. $1,200-1,800

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143 160437/1 NATALE SCHIAVONI (italian 1777-1858) ARTIST AND MODEL Signed ‘N. Schiavoni’ center right (on table); also inscribed illegibly on label verso, oil on panel 27 11/16 x 21 1/4 in. (70.3 x 54cm) provenance: E. Clifford, St. James’s, London. John Wanamaker Fine Arts Gallery, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $3,000-5,000

144 168000/2 ATTILIO SIMONETTI (italian 1843-1925) SEEKING ALMS Signed, located, and dated ‘Attilio Simonetti/ Roma 71’ bottom left; also with Parisian stencil verso, oil on panel 13 7/8 x 10 5/8 in. (35.2 x 27cm) provenance: Private Collection, Virginia. $2,000-3,000

145 160386/2 A. PAGANI (italian 19th-20th century) ELEGANT FIGURES ALONG A BALCONY, VENICE Signed and dated ‘A. Pagani 93’ bottom left, watercolor and gouache on paper 13 15/16 x 18 in. (35.4 x 45.7cm) provenance: Private Collection, Pennsylvania. $1,500-2,000

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146 160460/3 EMMANUELE COSTA (italian 1875-1959) MOTHER AND CHILD AT PLAY Signed ‘E. Costa’ bottom right, oil on canvas 21 1/2 x 26 3/8 in. (54.6 x 67cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

147 159999/3 HERMANN DAVID SALOMON CORRODI (italian 1844-1905) MOONLIGHT ALONG THE COAST Signed and located ‘H. Corrodi London’ bottom right, oil on canvas 21 3/4 x 39 1/8 in. (55.2 x 99.4cm) provenance: Thomas Agnew and Sons, London. Private Collection, New York. $6,000-9,000

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149 160083/23 RENÉ (RIBET) BERTI (italian 1884-1939) “UN DEPART” Signed ‘R. Berti’ bottom right; also signed and with title and inscription on label verso, oil on panel 18 3/16 x 38 1/16 in. (46.2 x 96.7cm) provenance: The Estate of Richard M. Scaife. $1,500-2,500

148 168039/1 MICHELE FELICE CORNÈ (italian/american 1752-1845) VENUS AND ADONIS Oil on canvas 32 x 60 inches (81.3 x 152.4cm) provenance: Sotheby’s, New York, sale of January 16, 1999, lot 437. Private Collection, Virginia. $10,000-15,000

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150 152463/3 RAJA RAVI VARMA (indian 1848-1906) “THE COQUETTE” Signed ‘R. C. Tumbooran’ bottom center right; also inscribed with title bottom left outside the painted oval, and inscribed ‘by Revi Varma Coil Tumbooran/Travancore’ bottom right outside the painted oval, oil on canvas, painted in the oval 30 1/4 x 23 in. (76.8 x 58.4cm) provenance: Private Collection, New York, New York since circa 1960s. note: Varma is regarded as the most famous academic artist of India during the last quarter of the 19th and early part of the 20th century. A minor prince from Kerala, Varma was one of a group of talented Indian artists who gained fame during the British Raj. He was the first Indian artist to employ European techniques and aesthetics to depict scenes from Indian epics. Though he had no technical training, he was an early Indian landscapist but more importantly, a portraitist who often worked on commission on behalf of British and Indian aristocracy. Varma’s brother, C. Raja Raja Varma was Raja Ravi’s co-worker and business manager. They were known as the ‘Ram’ and ‘Laxman’ of Indian art. Together, the two established the “Ravi Varma Fine Arts Lithographic Press” in Bombay in 1984. It was regarded as the most technically innovative Indian commercial press of its day, and prints produced by the Press had a strong influence on modern day Indian aesthetics. For related paintings by Varma, please see Rupika Chawla, Raja Ravi Varma, Painter of Colonial India, Ahmedabad: 2010, fig. 6.2 (“The Coquette”) and fig. 6.3 (“Lady with Fruit”), (each illustrated p. 247). $100,000-150,000

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151 160524/1 ISAAC ISRAELS (dutch 1856-1934) RABBI IN AMSTERDAM Signed ‘Isaac Israels’ bottom right, oil on canvas 19 1/2 x 15 3/4 in. (49.5 x 40cm) provenance: Private Collection, Pennsylvania. note: The son of Dutch genre painter Joseph Israels, Isaac Israels was an artistic prodigy, making his debut at the Salon des Artistes Françaises in 1862. Two decades later, Israels, along with his colleague and friend George Hendrik Breitner (18571923) joined the avant-garde group call the ‘Tachtigers’ (Eighties Movement), coinciding with Israels’s shift to a bolder, more expressive style that emphasized solid forms in brushed blocks of color, often cropping his subjects to convey the sense of a snapshot. Israels painted quotidian subject matter in the streets of Amsterdam, including depictions of the lives of working people and café scenes. By the early 20th century, Israels shifted his interests to depicting shop girls, models, seamstresses, dance halls, couples, the nightlife in Montmartre and a series of women seated alone in cafés and restaurants. $20,000-30,000

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152 160524/2 ISAAC ISRAELS (dutch 1856-1934) SEATED WOMAN WITH CIGARETTE Signed ‘Isaac Israels’ bottom left, oil on panel 9 3/8 x 7 in. (23.8 x 17.8cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

153 160524/3 ISAAC ISRAELS (dutch 1856-1934) CAFÉ SCENE Signed ‘Isaac Israels’ bottom right, oil on canvas 15 3/4 x 19 3/4 in. (40 x 50.2cm) provenance: Private Collection, Pennsylvania. $25,000-35,000

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154 160536/7 PHILIP LODEWIJK JACOB FREDERIK SADÉE (dutch 1837-1904) “TERUGKEER VAN DE VISCHAFSLAG” (AFTER THE CATCH) Signed ‘Ph. Sadee’ bottom right, oil on canvas 28 5/8 x 38 3/4 in. (72.7 x 98.4cm) provenance: Private Collection, Connecticut. note: For a nearly identical painting by Sadée, see Christie’s, Amsterdam, sale of November 17, 2009, lot 23. $8,000-12,000

155 160465/3 EVERT PIETERS (dutch 1856-1932) MOTHER AND CHILD KNITTING Signed ‘E. Pieters’ bottom left, oil on canvas 36 x 31 in. (91.4 x 78.7cm) provenance: Property of an Estate, Pennsylvania. $3,000-5,000

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156 160230/6 ANTON MAUVE (dutch 1838-1888) OPENING THE GATE Signed ‘A. Mauve’ bottom left, watercolor and gouache on paper Sight size: 19 3/4 x 15 5/8 in. (50.2 x 39.7cm) provenance: Private Collection, Canada. $3,000-5,000

157 158138/1 BERNARDUS JOHANNES BLOMMERS (dutch 1845-1914) MOTHER AND CHILDREN IN INTERIOR Signed ‘Blommers’ upper right, watercolor on paper laid on cardboard 19 x 22 in. (48.3 x 55.9cm) provenance: Private Collection, Virginia $2,000-3,000

158 160083/28 INDIAN SCHOOL (early 20th century) FIGURE ON MULE IN A LANDSCAPE Gouache on paper 6 x 7 3/4 in. (15.2 x 19.7cm) provenance: The Estate of Richard M. Scaife. $1,000-1,500

159 160304/9 THÉOPHILE DE BOCK (dutch 1851-1904) TREE LINED PATHWAY WITH CATTLE Signed ‘de Bock’ bottom left, oil on canvas 19 1/4 x 12 in. (48.9 x 30.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

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160 160083/31 NIEK VAN DER PLAS (dutch b. 1954) BEACH SCENES Each signed ‘Van der Plas’ bottom right, three oils on panel Largest: 7 x 9 3/8 in. (17.8 x 23.8cm) (3) provenance: The Estate of Richard M. Scaife. $1,000-2,000

(part lot)

161 160483/1 ALOYS (WACHLMAYR) WACH (austrian 1892-1940) WOMAN IN A CAFÉ Signed ‘Wach’ bottom left, oil on canvas 23 5/8 x 18 in. (60 x 45.7cm) provenance: The Artist. Acquired from the above by the present owner’s aunt. By descent in the family. Private Collection, Philadelphia, Pennsylvania. $2,500-3,500

162 168033/2 ADOLF FREY-MOOCK (german 1882-1954) PORTRAIT OF A LADY SAID TO BE THE ARTIST’S WIFE Signed ‘A. Frey Moock’ bottom right, oil on board 17 1/8 x 15 3/8 in. (43.5 x 39cm) provenance: Private Collection, Virginia. $2,000-3,000

163 168033/1 ADOLF FREY-MOOCK (german 1882-1954) PAN WITH MAIDEN Signed ‘A. Frey Moock’ bottom right, oil on board 23 9/16 x 19 11/16 in. (60 x 50cm) provenance: Private Collection, Virginia. $2,000-3,000

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164 160517/1 ANTON HÜBNER (austrian 1818-1892) HARBOR SCENE Signed ‘A. Hübner’ bottom left, oil on canvas 29 x 39 1/2 in. (73.7 x 100.3cm) provenance: Private Collection, Maryland. $2,000-3,000

165 160494/1 TINA BLAU-LANG (austrian 1845-1916) “KANAL IM FRANEKER” Signed ‘Tina Blau’ bottom left; also signed with title, located ‘Wien’ and dated ‘1910’ verso, oil on panel 9 7/16 x 15 5/8 in. (24 x 39.7cm) provenance: Private Collection, Seattle, Washington. $5,000-7,000

166 160050/16 JOSEPH WOPFNER (austrian 1843-1927) VIEW ALONG THE RIVER Signed and dated ‘1e Juli 90/ J. Wopfner’ bottom left, oil on paper laid to panel 13 1/8 x 18 5/8 in. (33.3 x 47.3cm) provenance: Private Collection, Washington, D.C. $2,000-3,000

167 160221/1 ALOIS ARNEGGER (austrian 1879-1967) AUTUMN LANDSCAPE Signed ‘A Arnegger’ bottom left, oil on canvas 29 1/4 x 39 in. (74.3 x 99cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

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168 160083/5 EMIL VOLKERS (german 1831-1905) GATHERING BEFORE THE HORSE RACE Signed and dated ‘Emil Volkers 18**’ bottom left, oil on canvas 24 3/4 x 47 1/4 in. (62.9 x 104.8cm) provenance: The Estate of Richard M. Scaife. $4,000-6,000

169 160050/12 AUGUST SEIDEL (german 1820-1904) LANDSCAPE Signed ‘A. Seidel’ bottom right, oil on canvas, unframed 19 3/8 x 32 1/2 in. (49.2 x 82.6cm) provenance: Private Collection, Washington, D.C. $1,500-2,000

170 160404/9 MICHAEL ZENO DIEMER (german 1867-1939) ON THE HIGH SEAS Signed ‘M. Zeno Diemer’ bottom right, oil on canvas 33 x 44in. (83.8 x 111.7cm) provenance: Sotheby’s, English Country House sale, April 15, 2000, lot 92. Private Collection, North Carolina. $2,500-3,500

171 160147/2 WILHELM ALEXANDER MEYERHEIM (german 1815-1882) THE FROZEN POND Signed and dated ‘W. Meyerheim 187*’ bottom left, oil on canvas 26 7/8 x 38 3/8 in. (68.3 x 97.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,500-2,000

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172 OWNED/507 FRANZ HECKENDORF (german 1888-1962) MIXED FLOWERS Signed and dated ‘F. Heckendorf 32’ bottom right, oil on canvas 29 1/2 x 39 1/4 in. (74.9 x 99.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

173 158084/2 BERNARD UHLE (german/american 1847-1930) PORTRAIT OF A MOOR Signed ‘B. Uhle’ and indistinctly inscribed bottom right, oil on canvas 46 x 34 3/4 in. (116.8 x 88.2cm) provenance: Private Collection, Virginia. $5,000-7,000

174 160342/4 EDUARD VON GRÜTZNER (german 1846-1925) THE MONK’S REPAST Signed ‘E. Grutzner’ bottom right, oil on canvas 27 1/16 x 21 15/16 in. (69 x 55.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

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175 160285/1 EDWARD CUCUEL (german/american 1879-1954) “EAST WIND” Signed ‘Cucuel’ bottom right; also signed and inscribed with title on stretcher verso, oil on canvas 27 3/4 x 20 in. (70.5 x 50.8cm) provenance: Freeman’s, sale of December 8, 2002, lot 66. Freeman’s, sale of June 27, 2004, lot 112. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. note: Edward Cucuel studied under the Orientalist painter Jean-Léon Gérôme (1824-1904). A member of the Société Nationale des BeauxArts and exhibitor with the Salon d’Automne, Cucuel worked in a generally impressionist style and concentrated on figural subject matter, along with landscapes. He is best known for his oils of elegant women rendered with rich impasto and vibrant, highly-keyed colors in sun dappled settings or interiors. $50,000-80,000

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176 160051/2 EUGENE VAN MIEGHEM (belgian 1875-1930) FIGURES ALONG THE DOCK Signed ‘Eug van Mieghem’ bottom right, oil on board 26 7/16 x 21 3/8 in. (67.2 x 54.3cm) provenance: Private Collection, Arizona. $10,000-15,000

177 160217/3 EDMOND VAN DER MEULEN (belgian 1841-1905) STILL LIFE WITH ELEPHANT STATUETTE AND MIXED FRUITS Signed ‘Edm. van der Meulen’ bottom right, oil on canvas 26 x 21 1/2 in. (66 x 54.6cm) provenance: Private Collection, New York, New York. $1,500-2,000

178 160050/18 PIERRE OLIVIER JOSEPH COOMANS (belgian 1816-1889) CLASSICAL INTERIOR Signed and dated ‘P. Coomans 83’ bottom right, oil on panel 6 1/8 x 8 5/8 in. (15.6 x 21.9cm) provenance: Private Collection, Washington, D.C. $1,000-1,500

179 160255/2 EUGÈNE VERBOECKHOVEN (belgian 1799-1881) SHEEP IN A MEADOW Signed ‘Eugene Verboeckhoven’ bottom center; also with (partial) label verso, oil on panel 9 1/2 x 14 1/16 in. (24.1 x 35.7cm) provenance: Private Collection, Washington, D.C. $2,000-3,000

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180 151597/12 GEORGES ROUAULT (french 1871-1958) “ENFANT DE LA BALLE” (FROM ‘CIRQUE DE L’ETOILE FILANTE’) c. 1935. Color aquatint. 12 13/16 x 8 1/4 in. (32.5 x 21cm) Plate 10 from Cirque de L’Etoile Filante. Ambroise Vollard, publisher. [Chapon/Roualt 249] provenance: Coleman Art Gallery, Philadelphia, Pennsylvania. Private Collection, Pennsylvania. $1,000-1,500

183 152563/1 JAMES JACQUES JOSEPH TISSOT (french 1836-1902) “ENTRE LES DEUX MON COEUR BALANCE” 1877. Etching and drypoint, unframed 9 15/16 x 14 in. (25.2 x 35.6cm) [Wentworth 30] provenance: Private Collection, Virginia. $1,000-1,500

181 160480/1 GEORGES ROUAULT (french 1871-1958) “CLOWN ET ENFANT” (FROM ‘CIRQUE’) 1930. Edition of 270. Color aquatint. 12 1/8 x 8 5/16 in. (30.8 x 21.1cm) Ambroise Vollard/Maurice Potin, publisher. [Rouir 201] provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

182 160547/34 GEORGES ROUAULT (french 1871-1958) “FLEURS DÉCORATIFS” c. 1940. Edition of 175; numbered ‘131’ bottom left, color aquatint Roger Lacouriere, publisher. 22 x 15 in. (55.9 x 38.2cm) [Wofsy 287] provenance: From the Estate of Gary M. Bloom, to benefit the Lehigh University Art Galleries Teaching Museum, Bethlehem, Pennsylvania. $1,500-2,000

184 160506/22 EUGÈNE DELACROIX (french 1798-1863) HEAD STUDIES Pencil on paper Sight size: 7 3/4 x 7 in. (19.7 x 17.8cm) provenance: David-Ellis Jones, London, May, 1976. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,000-1,500

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185 160506/8 JEAN FRANÇOIS MILLET (french 1814-1875) STANDING SPINNER With stamped initials ‘JFM’ bottom right, crayon on paper 10 x 6 1/4 in. (25.4 x 15.9cm) provenance: David Ellis-Jones, London, September 1978. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. note: The present work is a study for Millet’s painting ‘La Fileuse’ in the Museum of Fine Arts, Boston. $3,000-4,000

187 160506/9 FÉLIX EDOUARD VALLOTTON (swiss 1865-1925) FEMALE NUDE Signed with initials ‘fv’ bottom right, pen and ink with grey wash on paper 9 x 7 1/4 in. (22.9 x 18.4cm) provenance: Sotheby’s, London, sale of June 29, 1977, lot 305. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

(part lot) 186 160506/25 EDME ALEXIS ALFRED DEHODENCQ (french 1822-1882) JEUNE NOIR RETENANT UN CHEVAL; and STUDY OF AN OLD MAN Inscribed ‘fier mais insensible’, pencil on paper; the companion signed ‘Dehodencq’ bottom right, pen and ink with wash on paper together with: PAUL HUET (french 1803-1869) GOATHERD IN REPOSE With artist’s stamp, pencil paper Largest (sight size): 13 1/4 x 6 in. (33.6 x 15.2cm) (3) provenance: Sotheby’s, London, sale of November 20, 1979, lot 58 (Dehodencq, Jeune Noir Retenant un Cheval). Sotheby’s, London, sale of September 6, 1979, lot 58 (Dehodencq, Study of an Old Man). David Ellis-Jones, London, February 1983 (Huet). Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $2,000-3,000

188 160508/1 PAUL CÉSAR HELLEU (french 1859-1927) MOTHER AND CHILD Signed ‘Helleu’ bottom left, colored chalks on paper 21 1/2 x 16 in. (54.6 x 40.6cm) provenance: With Newman Galleries, Philadelphia, Pennsylvania. $3,000-4,000

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(part lot) 189 160506/28 LOUIS GEORGES BRILLOUIN (french 1817-1893) “NARME ROUPART SUR LA NERA” Titled bottom left, pencil heightened with white on blue paper together with: ANTOINE-VICTOR-EDMOND JOINVILLE (french 1801-1849) VILLA MEDICI, ROME With artist’s stamp, watercolor heightened with gouache on paper Larger: 10 x 17 3/8 in. (25.4 x 44.1cm) (2) provenance: David Ellis-Jones, London, 1979 (Brillouin). David Ellis-Jones, London, October 1979 (Joinville). The Estate of the Artist, Vente Joinville, Paris, November 25, 1872. A. Stein, Paris. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,500-2,000

190 160506/26 NICOLAS LOUIS CABAT (french 1812-1893) TREES IN A PARK With ‘L. Cabat’ stamp bottom right, pastel on woven paper 12 7/8 x 18 13/16 in. (32.7 x 47.7cm) [Lugt 423] provenance: Shepherd Gallery, New York, New York, December 1981. Ms. Hildegard Ryals and Professor Clyde Ryals, Durham, North Carolina. By descent in the family to the present owner. Private Collection, Maryland. $1,000-1,500

191 160083/14 RAOUL MAUCHERAT DE LONGPRÉ (french 1855-1911) PINK ROSES Signed ‘Raoul M. de Longpre fils’ bottom right, gouache on paper 20 1/4 x 28 1/4 in. (51.4 x 71.8cm) provenance: The Estate of Richard M. Scaife. $2,000-3,000

192 160536/4 EMILE-LOUIS MINET (french 1850-1920) “PONT DES ARCHES” Signed ‘E. Minet’ and inscribed with title and dates ‘1902’ bottom right, pastel on board 12 1/2 x 19 1/2 in. (31.8 x 49.5cm) provenance: Private Collection, Connecticut. $2,000-3,000

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193 152626/1 VICTOR PIERRE HUGUET (french 1835-1902) HORSEMAN STOPPING AT A STREAM Signed ‘V. Huguet’ bottom right, oil on panel 12 1/4 x 15 7/8 in. (31.1 x 40.3cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, New Jersey. $5,000-7,000

194 160342/3 EVREMOND DE BERARD (french 1824-1881) ELEPHANT CARAVAN Signed ‘E de Berard’ bottom right, oil on canvas 31 1/2 x 45 1/4 in. (80 x 115cm) provenance: Private Collection, Philadelphia, Pennsylvania. $4,000-6,000

195 160536/6 PAUL EMMANUEL PÉRAIRE (french 1829-1893) BORDS DE LA SEINE Signed ‘Peraire’ bottom right, oil on canvas 15 3/4 x 25 3/8 in. (40 x 64.5cm) provenance: Private Collection, Connecticut. $4,000-6,000

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196 160433/1 JACQUES HENRI DELPY (french 1877-1957) RIVERSCAPE AT TWILIGHT Signed ‘H.J. Delpy’ bottom right, oil on panel 16 1/4 x 27 7/8 in. (41.3 x 70.8cm) provenance: Private Collection, Maryland. $3,000-4,000

197 160536/2 PIERRE EMMANUEL EUGÈNE DAMOYE (french 1847-1916) FRENCH COUNTRYSIDE Signed and dated ‘E. Damoye *8’ bottom left, oil on panel 12 3/4 x 23 9/16 in. (32.4 x 59.9cm) provenance: Private Collection, Connecticut. $2,000-3,000

198 160536/8 ADRIEN LOUIS DEMONT (french 1851-1928) AUTUMN LANDSCAPE AT DAWN Signed ‘Adrien Demont’ bottom left, oil on canvas 12 x 20 in. (30.5 x 50.8cm) provenance: Private Collection, Connecticut. $3,000-4,000

199 160138/12 JULES DUPRÉ (french 1811-1889) “L’ABREUVOIR” Signed ‘Dupré’ bottom right, oil on canvas 13 3/4 x 17 7/8 in. (34.9 x 45.4cm) provenance: Metropolitan Galleries, New York, New York, 1945. Maria Antoville Galleries, New York. Private Collection, New York, New York. $2,000-3,000

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200 160452/1 CHARLES FRANÇOIS DAUBIGNY (french 1817-1878) LANDSCAPE WITH HORSECART ON A PATHWAY Signed ‘Daubigny’ bottom right, pencil on paper together with: ATTRIBUTED TO THÉODORE ROUSSEAU (french 1812-1867) LANDSCAPE WITH TREES BY A STREAM Watercolor over brown ink on paper 3 3/8 x 5 in. (8.6 x 12.7cm) (2) provenance: Cottier & Co., New York (part lot). Private Collection, Pennsylvania. $1,000-1,500

(part lot)

201 160536/5 EUGÈNE GALIEN-LALOUE (french 1854-1941) SPRING LANDSCAPES Each signed ‘L. Dupuy’ bottom left, pair oils on panel Each: 6 1/8 x 8 5/8 in. (15.6 x 21.9cm) (2) provenance: Private Collection, Connecticut. note: Dupuy was a pseudonym used by the artist. $2,000-3,000

(part lot) 202 160194/2 JEAN JACQUES HENNER (french 1829-1905) AUBURN BEAUTY Signed ‘J. J. Henner’ bottom left, oil on canvas 18 3/8 x 13 1/8 in. (46.7 x 33.3cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

203 160481/1 JEAN-LOUIS BEZARD (french b. 1799) “HEAD OF A MAN - A SKETCH” Oil on canvas 7 1/2 x 6 3/8 in. (19.1 x 16.2cm) provenance: Private Collection, New Jersey. exhibited: “French 19th Century Paintings”, Shepherd Gallery Associates and Jan G. Milner, Alpine Club Gallery, London, March 23-April 6, 1977. $1,000-1,500

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204 159999/2 EUGÈNE ACCARD (french 1824-1888) THE CAVALIER’S PROPOSAL Signed E. Accard’ bottom right, oil on canvas 32 x 25 1/2 in. (81.3 x 64.8cm) provenance: Private Collection, New York. $3,000-5,000

205 160217/1 CONTINENTAL SCHOOL (19th century) FEMALE NUDE IN A WOODED GLEN Oil on canvas 78 3/4 x 43 1/4 in. (100 x 109.9cm) provenance: Ex-Collection, Tyner. Private Collection, New York, New York $3,000-4,000 206 160536/1 HENRY LÉON JACQUET (french b. 1856) GENTLEMAN ON HORSEBACK IN A FRENCH VILLAGE Signed ‘H. Jacquet’ bottom right; also signed and inscribed verso, oil on panel 18 x 14 5/8 in. (45.7 x 37.1cm) provenance: Private Collection, Connecticut. $2,000-3,000

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207 160341/1 LOUIS AUGUSTE GEORGES LOUSTAUNAU (french 1846-1898) REVERIES Signed ‘ALoustaunau’ bottom left, oil on panel 13 5/8 x 18 1/8 in. (34.6 x 46cm) provenance: Private Collection, Houston, Texas. $2,000-3,000

208 158106/41 ALFRED DE DREUX (french 1810-1860) “LE STEEPLECHASE”; AND A COMPANION Signed ‘Alfred de Dreux’ bottom left; the companion signed and inscribed ‘Alfred de Dreux 3024’ bottom left, pair watercolors on paper 7 1/4 x 12 1/2 in. (18.4 x 31.8cm) (larger) (2) provenance: Private Collection, Virginia. note: For a nearly identical version of “Le Steeplechase”, see Sotheby’s, New York, sale of June 1, 2000, lot 32. $2,000-3,000

(part lot)

209 158106/57 CIRCLE OF THÉODORE GÉRICAULT (french 1791-1824) “DEUX CHEVAUX A L’ECURIE, VUS PAR LA CROUPE” Oil on paper laid to canvas 12 1/4 x 14 3/4 in. (31 x 37.3cm) provenance: R. Longa. M. Gobin. Christie’s, London, sale of November, 1992, lot 9. Private Collection, Virginia. exhibited: “Géricault dans les collections privées Françaises”. Galerie Claude Aubry, Paris, 1964, no. 17. literature: M. Gobin, Géricault, Paris, 1959, no. 59, (illustrated). P. Grunchec, Géricault, Paris, 1978, no. A7, (illustrated). G. Bazin, Géricault, Paris, 1989, III, p. 21, no. 645, (illustrated). $2,000-3,000

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210 158106/27 ROSA BONHEUR (french 1822-1899) THREE SHEEP IN A LANDSCAPE Signed ‘Rosa Bonheur’ bottom left; also with ‘Vente Rosa Bonheur 1900’ red wax seal on stretcher verso, oil on canvas 18 1/4 x 25 1/2 in. (46.4 x 64.8cm) provenance: Private Collection, Virginia. $2,000-3,000

211 158106/24 ROSA BONHEUR (french 1822-1899) “SOUVENIR” (ANIMAL STUDIES) With stamped signature bottom right; also with ‘Vente Rosa Bonheur’ red wax seal on stretcher verso, oil on paper laid on canvas 8 x 13 1/2 in. (20.3 x 34.3cm) provenance: Private Collection, Virginia. $1,500-2,000

212 158106/129 ROSA BONHEUR (french 1822-1899) HORSES IN A FIELD Signed and dated ‘Rosa Bonheur/ 1890’ bottom left, oil on canvas 25 x 39 5/8 in. (63.5 x 100.5cm) provenance: Thomas M. Lean, London. MacConnal-Mason Gallery, London. Sotheby’s, New York, sale of June 4, 1993, lot 74. Private Collection, Virginia. $15,000-25,000

note: The present three lots are by Rosa Bonheur, best known as the preeminent female horse painter of the 19th century. Her most iconic work is 'The Horse Fair,' painted in 1853 and which has been copied and reproduced endlessly. Taught by

her father Oscar-Raymond Bonheur (1796-1849), a trained painter, Rosa was from an early age intrigued by the study of farm animals. In an effort to better understand the anatomy of horses, she visited slaughter houses as well as horse fairs, learning to paint with great

attention to detail. She was widely admired, and first exhibited at the Paris Salon in 1841. She received numerous awards, including The Paris Exposition Universelle, and the medal of Officeur de la Legion d'Honneur - the first woman to do so.

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213 160465/1 FÉLIX ZIEM (french 1821-1911) “TRABUCCO ET GONDOLE SUR LA GIUDECCA, VENISE” Signed ‘Ziem’ bottom left, oil on panel 23 5/16 x 35 1/4 in. (59.2 x 89.5cm) provenance: Property of an Estate, Pennsylvania. note: Though a French citizen, it is Venice with which Felix Ziem’s paintings are synonymous. He produced a prodigious quantity of work, traveling to Venice annually until 1892. In addition, he painted views of Constantinople, Cagnessur-Mer and Martigues. His compositions are highly realistic, but also absorb the romantic trends prevalent in art during that time. His paintings are generally rendered in a horizontal format, with an often brilliant blue sky occupying the upper two thirds or three quarters of the composition. He was made Chevalier of the Legion of Honor and officer of that order, as well as an active participant in the Paris Salons. We are grateful to L’Association Félix Ziem, represented by Mr. David Pluskwa and Mr. Mathias Ary-Jan, who have confirmed the authenticity of this work. The present lot will be accompanied by a certificate of authenticity from the aforementioned Association. $20,000-30,000

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214 160254/5 PIERRE PUVIS DE CHAVANNES (french 1824-1898) “LA FOI, L’ESPÉRANCE ET LA CHARITÉ” Oil on canvas 30 x 29 11/16 in. (76.2 x 75.4cm) provenance: Private Collection, Maryland. literature: Aimée Brown Price, Pierre Puvis de Chavannes: A Catalogue Raisonné of the Painted Work, New Haven and London: 2010, vol. II, p. 212, no. 236, (illustrated). note: Pierre Puvis de Chavannes was the foremost French muralist of the second half of the 19th century. He favored a pale palette that imitated the effect of fresco, employing rhythmic line and flat, simplified forms. His carefully balanced compositions and classicizing style reflect the idealized influence of Hellenistic Greece and antiquity. He was president and co-founder of the Société Nationale de Beaux-Arts in Paris in 1890. He briefly studied with Eugene Delacroix (1798-1863) and Thomas Couture (1815-1879), exhibiting regularly at the Paris Salons from the 1860s on. The present work is an autograph replica of one of de Chavannes’s upper register murals on the life of Saint Genviève in the Panthéon, Paris. Three other replicas for the upper register of the church are in the collection of the Philadelphia Museum of Art. $20,000-30,000

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215 160341/10 PAUL (LOUIS NARCISSE) GROLLERON (french 1848-1901) FALLEN SOLDIER Signed ‘P. Grolleron’ bottom right, oil on canvas 32 x 24in. (91.3 x 61cm) provenance: Private Collection, Houston, Texas. $6,000-9,000

217 160341/12 PAUL (LOUIS NARCISSE) GROLLERON (french 1848-1901) SOUNDING THE TRUMPET Signed ‘P. Grolleron’ bottom right, oil on canvas 19 5/8 x 14 in. (50 x 35.6cm) provenance: Private Collection, Houston, Texas. $3,000-5,000

216 160341/11 PAUL (LOUIS NARCISSE) GROLLERON (french 1848-1901) “L’HEURE DU CAFE” Signed ‘P. Grolleron’ bottom right; also inscribed with title verso, oil on panel 14 3/16 x 10 1/2 in. (36 x 26.7cm) provenance: Private Collection, Houston, Texas. $2,500-3,500

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218 160341/13 PAUL (LOUIS NARCISSE) GROLLERON (french 1848-1901) SHARING A SMOKE Signed and dated ‘P. Grolleron 83’ bottom right, oil on panel 10 9/16 x 7 3/8 in. (26.8 x 18.7cm) provenance: Private Collection, Houston, Texas. $1,200-1,800

219 160341/2 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) THREE CUIRASSIERS ON HORSEBACK Signed and dated ‘E. Berne-Bellecour 1902’ bottom left, oil on cradled panel 17 3/4 x 13 1/4 in. (45.1 x 33.7cm) provenance: Private Collection, Houston, Texas. $1,500-2,000

220 160341/3 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) THE SOLDIER’S RESPITE Signed and dated ‘E. BerneBellecour/ 1894’ bottom left, oil on cradled panel 15 3/4 x 11 3/4 in. (40 x 30cm) provenance: Private Collection, Houston, Texas. $1,200-1,800

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221 160341/6 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) TENDING TO THE WOUND Signed ‘E. Berne-Bellecour 1890’ bottom right, oil on cradled panel 13 3/8 x 18 1/2 in. (34 x 47cm) provenance: Private Collection, Houston, Texas. $2,000-3,000

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222 160341/7 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) WHITTLING A TWIG Signed and dated ‘E. Berne-Bellecour 1910’ bottom right, oil on cradled panel 14 1/8 x 10 3/8 in. (35.9 x 26.4cm) provenance: Private Collection, Houston, Texas. $1,500-2,000

223 160341/8 ÉTIENNE PROSPER BERNEBELLECOUR (french 1838-1910) A MIDDAY DRINK Signed and dated ‘E. Berne-Bellecour 1895’ bottom left, oil on cradled panel 14 9/16 x 10 3/8 in. (37 x 26.4cm) provenance: Private Collection, Houston, Texas. $1,200-1,800

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224 160341/4 ALPHONSE CHIGOT (french 1824-1917) SOLDIER Signed ‘A. Chigot’ bottom right, oil on canvas 21 x 15 in. (53.3 x 38.1cm) provenance: Private Collection, Houston, Texas. $1,000-1,500

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225 160294/2 PIERRE BONCOMPAIN (french b. 1938) “FRUITS AU TAPIS PERSAN” Signed ‘Boncompain’ bottom right; also titled on stretcher verso, oil on canvas 24 x 19 3/4 in. (61 x 50.2cm) provenance: Private Collection, California. $1,000-1,500

226 160214/1 WLADYSLAW SLEWINSKI (polish 1854-1918) VASE OF FLOWERS Signed ‘W. Slewinski’ bottom right, oil on board 22 x 17 in. (55.9 x 43.2cm) provenance: Private Collection, New York, New York. $6,000-8,000

227 160434/1 EUGENE PETIT (french 1839-1886) WILD FLOWERS; AND A COMPANION Each signed ‘Petit’ bottom right, oil on canvas Each: 8 5/8 x 6 1/4 in. (21.9 x 15.9cm) (2) provenance: Private Collection, Pennsylvania. $2,000-2,500 (part lot)

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228 160304/10 THERESE DE CHAMP-RENAUD (french 1861-1921) OUTDOOR STILL LIFE WITH PEACHES AND GRAPES Signed and dated ‘Tse de Champrenaud 86’ upper right, oil on canvas 18 1/8 x 25 3/4 in. (46 x 65.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-4,000

229 158151/1 BLAISE ALEXANDRE DESGOFFE (french 1830-1901) STILL LIFE WITH EWER AND ACCOUTREMENTS ON GILT MOUNTED BUREAU PLAT Signed and dated ‘Blaise Desgoffe 1896’ bottom left, oil on panel 20 x 13 1/4 in. (50.8 x 33.7cm) provenance: Private Collection, Virginia. $5,000-7,000

230 160197/3 JEAN RIGAUD (french 1912-1999) “LA SOUPIÈRE BLANCHE” Signed ‘Jean Rigaud’ bottom left; also with signature, title and date ‘’65’ verso, oil on canvas 39 3/8 x 31 7/8 in. (100 x 81cm) provenance: Vera Lazuk Gallery, Long Island, New York. Private Collection, Pennsylvania. $2,000-3,000

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231 160386/8 LOUIS GARIN (french 1888-1959) BOATS ALONG THE COAST Signed ‘Louis Garin’ bottom right, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: Private Collection, Pennsylvania. $2,000-3,000 232 160255/1 GILBERT PAJOT (french 1902-1956) “JOUET DES FLOTS” Signed ‘Gilbert Pajot’ and with title and inscription in margin, gouache on paper together with: “LES SABLES D’OLONNE” Signed ‘Gilbert Pajot’ and with title and inscription in margin, gouache on paper Image size (approx; each): 15 1/4 x 21 3/4 in. (38.7 x 55.2cm) Sheet size (each): 19 1/8 x 25 in. (48.6 x 63.5cm) (2) provenance: Private Collection, Washington, D.C. $1,500-2,500 233 160386/7 ÉLISÉE MACLET (french 1881-1962) “LA TURBIE” Signed ‘E. Maclet’ bottom right and located ‘La Turbie’ bottom center, oil on canvas 18 x 21 5/8 in. (45.7 x 53.9cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

234 158106/50 GUY CAMBIER (french b. 1923) THREE OILS “NEIGE” Signed and dated ‘Guy Chambier 58’ bottom left; also signed, titled, and dated ‘Oct 58’ verso, oil on board 8 3/4 x 10 5/8 in. (22.2 x 27cm) together with: “MANEGE AU VILLAGE” Signed ‘Guy Chambier’ bottom left; also signed, titled, and dated ‘Oct 58’ verso, oil on panel 8 3/4 x 10 5/8 in. (22.2 x 27cm) together with: “LA PLAGE” Signed ‘G. Chambier’ bottom left; also signed, titled, and dated ‘Oct 58’ verso, oil on panel 8 3/4 x 10 5/8 in. (22.2 x 27cm) (3) provenance: Private Collection, Virginia. $1,000-1,500 235 158162/6 ANDRÉ BAUCHANT (french 1873-1958) LANDSCAPE WITH FIGURES Signed and dated ‘A. Bauchant 1929’ bottom left, oil on canvas 25 5/8 x 31 1/4 in. (65.1 x 79.4cm) provenance: Private Collection, Florida. $3,000-5,000

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236 152454/1 JEAN DUFY (french 1888-1964) “CALÈCHES ET CAVALIERS” Signed ‘Jean Dufy’ bottom right, oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, Maryland. note: Related to the work of his older brother and fellow artist Raoul Dufy (18771953), Jean Dufy’s color depictions of post-war Parisian society are distinctive for their bright palettes and rhythmic, fluid style. Common themes include all manner of Parisian views and landmarks, along with horse races, jazz musicians and orchestras, country scenes and circuses. Dufy also served as a porcelain painter in the workshops of Theodore Haviland in Limoges for over 30 years, painting decorative designs that featured animals and flowers. The present lot will be accompanied by a certificate of authenticity by Mr. Jacques Bailly, dated November 27, 2015 and numbered 4532. The painting will be included in the forthcoming Catalogue Raisonné. $40,000-60,000

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237 152367/8 THÉOPHILE ALEXANDRE STEINLEN (french/swiss 1859-1923) “CHAT ALLONGÉ” Signed ‘Steinlen’ on base, bronze with dark brown patina and golden brown highlights Height: 1 3/4 in. (4.4cm) Length: 5 3/16 in. (13.2cm) provenance: From the collection of the Estates of Edward C. Fogg, III and Lisbeth A. Fogg. $1,500-2,500

238 152234/2 THÉOPHILE ALEXANDRE STEINLEN (french/swiss, 1859-1923) “CHAT ASSIS” Signed ‘Steinlen’ on base, bronze with golden brown patina Height: 2 1/2 in. (6.4cm) Length: 2 3/4 in. (7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-2,000

239 152234/1 THÉOPHILE ALEXANDRE STEINLEN (french/swiss, 1859-1923) “CHAT ABYSSINIAN” Signed ‘Steinlen’ on base, bronze with golden brown patina Height: 5 1/4 in. (13.5cm) Length: 3 5/8 in. (9.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $3,000-5,000

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240 160304/11 JEAN-JACQUES FEUCHÈRE (french 1807-1852) “AMAZONE DOMPTANT UN CHEVAL” Signed and dated ‘Feuchere 1843’ on base, bronze with rich brown patina Height: 16 1/2 in. (41.9cm) Length: 19 1/2 in. (49.5cm) provenance: Shepherd Galleries, New York, New York. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. exhibited: “French 19th Century Watercolors, Drawings, Pastels, Paintings and Sculpture”, Shepherd Galleries, New York, New York, Spring, 1983. note: Another cast of this model is in the collection of the Musée du Louvre, Paris, France. $2,500-3,500

241 160137/2 MAX KLINGER (german 1857-1920) “BADENDE” (BATHER) Signed with initials ‘MK’ (conjoined) on stump; also with ‘Garantirt Echte Bronce’ foundry stamp, bronze with black patina, on marble base Height: 24 3/8 in. (61.9cm) Length: 10 in. (25.4cm) provenance: Property of an Estate, Florida. $5,000-7,000

242 158144/5 ÉMILE ANTOINE BOURDELLE (french 1861-1929) “L’ARLEQUIN” 1905. Signed ‘E.A. Bourdelle’ and with artist’s monogram on base; also inscribed ‘Susse Fondeur Paris No 6’ and ‘© EA Bourdelle’ along base, bronze with greenish brown patina Height: 15 3/4 in. (40cm) Length: 16 in. (40.6cm) provenance: Private Collection, Georgia. literature: I Jianou and M. Dufet, Bourdelle, Paris, 1975, p. 96, no. 317 (another cast illustrated). $4,000-6,000

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243 160336/2 FEDERICO JIMÉNEZ FERNÁNDEZ (spanish b. 1841) FAMILY OF DUCKS Signed ‘F. Jimenez’ bottom right, oil on canvas 34 x 47 in. (86.4 x 119.4cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

245 160400/4 ANTONIO MARÍA DE REYNA MANESCAU (spanish 1859-1937) A VENETIAN LAGOON Signed and located ‘A. Reyna/Venezia’ bottom left, oil on board 13 7/8 x 25 5/8 in. (35.2 x 65.1cm) provenance: Ansorena, Madrid, sale of January 17, 2013, lot 74. Leslie Hindman, Chicago, sale of October 23, 1996, lot 293. The Estate of Dr. William N. Coughlin, Springfield, Illinois. $4,000-6,000

244 160386/6 JOSÉ JIMÉNEZ Y ARANDA (spanish 1837-1903) THE LETTER Signed ‘J. Jimenez’ bottom right, oil on panel 8 1/2 x 6 1/8 in. (21.6 x 15.6cm) provenance: Private Collection, Pennsylvania. $2,500-3,500

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246 160050/1 JOHANNES MARTIN GRIMELUND (norwegian 1842-1917) WINTER LANDSCAPE Signed and dated ‘J. Grimelund 1916’ bottom left, oil on canvas, unframed 35 x 51 in. (88.9 x 129.5cm) provenance: Private Collection, Washington, D.C. $2,500-4,000

248 160336/1 KILLIAN CHRISTOFFER ZOLL (swedish 1818-1860) VILLAGERS GATHERING, WINTER Signed and dated ‘K.C. Zoll 1855’ bottom left, oil on canvas 37 1/2 x 47 5/8 in. (95.3 x 121cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

247 160386/1 HANS FREDERICK GUDE (norwegian 1825-1903) “VOM DEM HAFEN VON CHRISTIENSEN” Signed with monogram, inscribed ‘Xiania.....’ and dated ‘’72’ bottom right; also inscribed with title and stamped ‘Naclass Hans Gude’ verso; oil on canvas laid to card 10 3/8 x 16 9/16 in. (26.4 x 42.1cm) provenance: Private Collection, Pennsylvania. $5,000-7,000

249 160217/2 MARTHA TYNELL (swedish 1865-1930) “BOULEVARD DE CLICHY” Signed and dated ‘M. Tynell 1889’ bottom left; also with title and date ‘Fevrier 1889’ verso, oil on panel 16 x 12 5/8 in. (40.6 x 32.1cm) provenance: Private Collection, New York, New York. $1,000-1,500

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250 152622/2 JOSEF NAVRATIL (czech 1798-1865) MOUNTAIN LANDSCAPE WITH FIGURE ON ROCK BY RUSHING RIVER Signed and dated ‘J* Navratil 1878’ bottom left, oil on canvas 24 x 31 7/16 in. (61 x 79.9cm) provenance: Private Collection, Delaware. $5,000-8,000

251 160050/14 JÁNOS KMETTY (hungarian 1889-1975) LANDSCAPE Signed and dated ‘Kmetty 1932’ bottom right, oil on canvas 19 3/4 x 23 5/8 in. (50.2 x 60cm) provenance: Private Collection, Washington, D.C. $2,500-4,000-

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252 160051/1 JÓZSEF EGRY (hungarian 1883-1951) MAN AT REST Signed ‘Egry Jozsef’ bottom left, oil on board 22 1/8 x 17 1/8 in. (56.2 x 43.5cm) provenance: Private Collection, Arizona. $5,000-7,000

253 160138/15 OSZKÀR GLATZ (hungarian 1872-1958) PORTRAIT OF A GIRL Signed and dated ‘Glatz 1934’ bottom center left, oil on canvas laid on board 23 15/16 x 17 13/16 in. (60.8 x 45.2cm) provenance: Maria Antoville Galleries, New York. Private Collection, New York, New York. $1,500-2,000

254 160051/3 JÓZSEF EGRY (hungarian 1883-1951) FIGURE IN A LANDSCAPE Signed ‘Egry Jozsef’, inscribed indistinctly and dated ‘(1)930’ bottom right, oil on board 26 7/16 x 21 3/8 in. ( 67.2 x 54.3cm) provenance: Private Collection, Arizona. $5,000-8,000

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255 160050/5 AMOS YASKIL (israeli b. 1935) VIEW OF HAIFA Signed ‘A Yaskil’ and indistinctly dated bottom left; also signed in Hebrew bottom right; also inscribed with artist, title, and date ‘1955’, and with Hebrew signature verso, oil on canvas 21 3/16 x 25 1/2 in. (79.7 x 64.8cm) provenance: Private Collection, Washington, D.C. $3,000-4,000

256 160050/4 YOSL BERGNER (israeli b. 1920) FIGURES IN AN INTERIOR Signed ‘Yosl Bergner’ bottom left; also signed in Hebrew and indistinctly dated bottom left, oil on canvas 15 x 21 11/16 in. (38.1 x 55.1cm) provenance: Private Collection, Washington, D.C. $3,000-4,000

257 160050/6 SAUL RASKIN (israeli/american 1878-1966) BUILDERS Signed in Hebrew bottom right, oil on board 9 5/8 x 11 1/4 in. (24.4 x 28.6cm) provenance: Private Collection, Washington, D.C. $1,000-1,500

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258 258 160050/7 SAUL RASKIN (israeli/american 1878-1966) YESHIVA STUDENT Signed in Hebrew bottom right, oil on canvasboard Sight size: 11 9/16 x 7 1/2 in. (29.4 x 19.1cm) provenance: Private Collection, Washington, D.C. $1,000-1,500

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259 160050/2 MOSHE MOKADY (israeli 1902-1975) “TWO FIGURES” Signed in Hebrew bottom left; also inscribed ‘Figural Study’; and ‘No 8/ oil/ Two Figures’ on label verso, oil on board 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, Washington, D.C. $1,000-1,500

260 160050/8 SHMUEL CHARUVI (israeli 1897-1965) ISRAELI LANDSCAPES Each signed in Hebrew bottom left, one also inscribed in Hebrew bottom right; each also signed in English and Hebrew, located ‘Israel’ and dated ‘1935’ verso, pair watercolors on paper One: 3 11/16 x 3 7/8 in. (9.4 x 9.8cm) One: 2 3/16 x 3 1/16 in. (5.6 x 7.8cm) (2) provenance: Private Collection, Washington, D.C. $1,000-1,500

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261 160050/9 VLADIMIR LAZAREV (russian b. 1904) THE WAILING WALL Signed in reverse ‘VERAZAL V’ bottom right, oil on canvas 35 3/4 x 23 13/16 in. (90.8 x 6035cm) provenance: Private Collection, Washington, D.C. $1,200-1,800

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262 160050/3 JAN RAUCHWERGER (israeli b. 1942) STILL LIFE OF APPLES Signed ‘Jan Rauchwerger’ and indistinctly dated top left, oil on canvas laid to board 7 7/8 x 14 7/8 in. (20 x 37.8cm) provenance: Private Collection, Washington, D.C. $1,000-1,500

263 160050/11 ZVI MAIROVICH (israeli 1911-1973) STILL LIFE WITH FLOWERS; AND A COMPANION One signed ‘Mairovich’ bottom center right; one signed in Hebrew bottom center, pair oils on canvas Each: 24 x 20 in. (61 x 50.8cm) (2) provenance: Art Gallery Hadassa, Tel Aviv. Private Collection, Washington, D.C. $1,000-1,500

(part lot)

264 160050/13 THANOS TSINGOS (greek 1914-1965) COMPOSITION Signed ‘Tsingos’ bottom right, oil on canvas 13 x 21 1/2 in. (33 x 54.6cm) provenance: Private Collection, Washington, D.C. $1,500-2,000

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265 160159/1 MOISEI LEVOVICH MAIMON (russian 1860-1924) THE 18TH OF APRIL IN THE TYURENCHEN MOUNTAINS Signed ‘M. Maimon’ bottom right, oil on canvas 23 1/2 x 39 1/4 in. (59.7 x 100cm) provenance: Private Collection, New Jersey. note: The prototype for the present work was painted by Maimon in 1905 and shown to great acclaim in Saint Petersburg, where he was a noted Jewish member of the Imperial Academy of Fine Arts. This heretofore unknown work was likely painted by Maimon between 1914-1917, when the work was at the height of its popularity. The location of the original painting had been lost until its rediscovery in Russia in 1987. The composition depicts a patriotic scene of heroic resistance to the Japanese troops by the forces under the command of General Zasulich which took place during the Battle of the Yalu River in April, 1904. The troops commander, Colonel N.A. Laiming leads his Cossack soldiers in attack. Behind him,

the wounded regimental priest Stepan Scherbakovsky raises his cross as he is supported by two members of the Jewish military band playing the regimental battle march. As reported by Ogonyok magazine in 1914: ‘On the 18 of April, 30 battalions of the Japanese broke through the line of our seven regiments and occupied the Yalu river. The heroic valor of our troops had forced the Japanese to abandon the attack of one of the East Siberian regiments, but they were (suddenly)...surrounded by the Japanese. Astride his horse, commander Laiming’s regiment set forth headed by a wounded priest with a cross, banners and musicians leading the regiment in attack, and was finally killed himself. The commander of the battery (Laiming), having lost all of his troops, grabbed his weapon and refused to leave. He was hacked to death by the Japanese.” $8,000-12,000

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266 160544/3 SAVINOV GLEB ALEXANDROVICH (russian (1915–2000) FISHING SHIPS, KLAIPEDA Signed and tilted in Cyrillic and dated ‘1981’ verso, oil on canvas 23 1/2 x 31 3/8 in. (59.7 x 79.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

267 160544/4 VIKTOR MIKHAILOVICH NECHAEV (russian 1904-c. 1970) ON A POULTRY FARM Signed and titled in Cyrillic and dated ‘1963’ verso, oil on canvas 27 1/2 x 39 1/4 in. (69.8 x 99.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

268 160544/19 VASILI AKIMOVICH ARLASHIN (russian 1923-1998) WARRIOR Signed and inscribed in Cyrillic and dated ‘1960’ verso, oil on canvas 22 1/2 x 20 3/4 in. (57.2 x 52.7cm) provenance: Leonid Shishkin Gallery, Moscow, Russia. Private Collection, Pennsylvania. $1,000-1,500

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269 160544/6 VASILY ALEKSANDROVICH MINYAEV (russian 1903-1993) “AT THE BLUE FOREST” Signed in Cyrillic and dated ‘1979’ bottom left, oil on board 34 1/4 x 24 in. (87 x 61cm) provenance: Leonid Shishkin Gallery, Moscow, Russia. Private Collection, Pennsylvania. $6,000-8,000

270 160544/52 IRINA VITMAN (russian b. 1916) SCORING A PERFECT GRADE Signed, titled, and inscribed in Cyrillic and dated ‘1949’ verso, oil on canvas, unframed 46 x 39 1/4 inches (91.4 x 99.7cm) provenance: NB Gallery, Moscow, Russia. Private Collection, Pennsylvania. $3,000-5,000

271 160544/53 VALERY KOSHLYAKOV (russian b. 1962) MAYAKOVSKY SQUARE Signed in Cyrillic verso, oil on canvas 47 1/4 x 47 1/4 in. (120 x 120cm) provenance: Private Collection, Pennsylvania. $15,000-20,000

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272 152578/1 JERZY KOSSAK (polish 1886-1955) POLISH CAVALRY, CALL TO ARMS Signed and dated ‘Jerzy Kossak 1938’ bottom right, oil on canvas laid on board 12 11/16 x 35 3/8 in. (32.2 x 89.6cm) provenance: Auction, aboard Polish Ship M/S Pilsudski, New York, 1939. By descent in the family to the present owner. Private Collection, North Carolina. $3,000-4,000

274 160544/22 D. BOROVSKII (russian 20th century) QUAIL HUNTING; AND A COMPANION The former inscribed ‘I.S. TURGENEV’ and with title in Cyrillic upper right, pair watercolors on paper Sight size (each): 10 1/2 x 16 7/8 in. (26.7 x 42.9cm) (2) provenance: Private Collection, Pennsylvania. note: Ivan Sergeyevich Turgenev (1818-1893) was a Russian playwright and novelist. The present works appear to be illustrations for a book by Turgenev. $1,000-2,000

273 160544/25 DIMITRI NALBANDIAN (russian 1906-1993) IN THE FOREST Signed and titled in Cyrillic and dated ‘1948’ verso, oil on canvasboard 27 3/4 x 19 3/8 in. (70.5 x 49.2cm) provenance: Leonid Shishkin Gallery, Moscow, Russia. Private Collection, Pennsylvania. $2,000-3,000

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275 168016/2 ALEXEY TERENIN (russian b.1969) ARCHERY LESSONS Inscribed ‘Uprazhneniya y strel’be’, signed ‘Alexy Terenin’ and signed in Cyrillic at bottom, gouache on paper 35 7/8 x 24 in. (91.1 x 61cm) provenance: Private Collection, Virginia. $2,000-3,000

276 160552/1 VASSYL KHMELUK (ukrainian 1903–1986) YOUNG WOMAN, BELIEVED TO BE A PORTRAIT OF MARIE Signed in Cyrillic bottom right, oil on panel 13 1/4 x 8 1/4 in. (33.7 x 21cm) provenance: Sotheby’s, Parke Bernet Eighty-Four, n.d. The Collection of Joseph Shulman. Wadsworth Atheneum Museum of Art, Hartford, Connecticut. Private Collection, New York. $1,000-1,500

277 152616/24 VYTANTAS KASIULIS (lithuanian 1918-1995) GENTLEMAN READING Signed ‘Kasiulis’ and indistinctly dated bottom right, oil on canvas 24 x 19 3/4 in. (60.1 x 50.2cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

278 160544/11 VASILY ALEKSANDROVICH MINYAEV (russian 1903–1993) “SKETCH FOR MURAL PANO” (1968) Oil on paper Sight size: 19 x 30 in. (48.3 x 76.2cm) provenance: Leonid Shishkin Gallery, Moscow, Russia. Private Collection, Pennsylvania. $2,500-3,500 END OF SALE

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

Index Accard, E., 204 Aldis, A.E., 102 Alexandrovich, S.G., 266 Alken, H., 124, 131 Allen, A.B., 79 Allingham, H., 72, 87 Alma-Tadema, L., 90 Aranda, J.J.Y., 244 Arlashin, V.A., 268 Arnegger, A., 167 Azzolini, G.B., 38 Barrett, J., 103 Barucco, F., 141 Bauchant, A., 235 Beale, S., 110 Bega, C.P., 20 Bellange, T., 29 Bergner, Y., 256 Berne-Bellecour, E.P., 219, 220, 221, 222, 223 Berti, R., 149 Bezard, J.L., 203 Blau-Lang, T., 165 Blommers, B.J., 157 Bocciardo (il Clementone), C., 31 Boldini, G., 138 Boncompain, P., 225 Bonheur, R., 210, 211, 212 Borovskii, D., 274 Boucher, F., 14 Bourdelle, E.A., 242 Bramer, L., 26 Bright, H., 83 Bril, P., 57 Brillouin, L.G., 189 British School, 73, 92, 97, 119 Busiri,G.B., 15 Cabat, N.L., 190 Cambier, G., 234 Campion, G.B., 77, 78 Cariani, G., 32 Carracci, A., 36, 37 Carriera, R., 19 Cecchi, A., 142 Chadwick, E.A., 87 Chalon, A.E., 70 Charuvi, S., 260 Chigot, A., 224 Collier, T., 79 Continental School, 44, 205 Coomans, P.O.J., 178 Cornè, M.F., 148 Corrodi, H.D.S., 147 Costa, E., 146 Cotman, J.J., 74 Courtois, G., 13 Cristall, J., 83 Crome, J., 80 Crome, J.B., 100 Cucuel, E., 175 Damoye, P.E.E., 197 Dandridge, B., 49 Daubigny, C.F., 200 Dawson, M., 135, 136 de Berard, E., 194 de Bock, T., 159 de Boulogne the Younger, L., 5, 6 de Champ-Renaud, T., 228

de Chavannes, P.P., 214 de Dreux, A., 208 de Longpré, R.M., 191 de Reyna Manescau, A.M., 245 de Thomon, T., 8 de Vaga, P., 11 Dehodencq, E.A.A., 186 Delacroix, E., 184 Delpy, J.H., 196 Demont, A.L., 198 Desgoffe, B.A., 229 Diemer, M.Z., 170 Dietrich, C.W.E., 61 Dufy, J., 236 Dupré, J., 199 Dusart, C., 21 Dutch School, 54

Khmeluk, V., 276 Klinger, M., 241 Kmetty, J., 251 Knee, H., 93 Koshlyakov, V., 271 Kossak, J., 272

Edwards, P., 120 Edwards, S.T., 24 Egry, J., 252, 254 Elgood, G.S., 84 Emms, J., 125

Maclet, E., 233 Maimon, M.L., 265 Mairovich, Z., 263 Mauve, A., 156 Meyerheim, W.A., 171 Michieli, A., 10, 41 Millet, J.F., 185 Minet, E.L., 192 Minyaev, V.A., 269, 278 Mitchell, F.H., 93 Mockford, H., 137 Mokady, M., 259 Mole, J.H., 71 Munnings, A., 134

Faulkner, J., 91 Fernández, F.J., 243 Ferneley, J.E., 128, 129 Feuchère, J.J., 240 Fielding, C., 74 Fragonard, J.H., 12, 63 Francken the Younger, F., 59 Frey-Moock, A., 162, 163 Frith, W.P., 71 Gabani, G., 139, 140 Galien-Laloue, E., 201 Garin, L., 231 Gastineau, H., 82 Géricault, T., 209 Giles, G.D., 123 Giordano, L., 33 Glatz, O., 253 Goodwin, A., 89 Graham, G., 82 Grimelund, J.M., 246 Grolleron, P.L.N., 215, 216, 217, 218 Gude, H.F., 247 Hackaert, J., 58 Hardy, D., 113 Hardy, H., 122 Heckendorf, F., 172 Helleu, P.C., 188 Henner, J.J., 202 Herring, the Younger, J.F., 118 Horemans the Elder, J.J., 66 Hübner, A., 164 Huet, P., 186 Huguet, V.P., 193 Hurt, L.B., 117 Indian School, 158 Israels, I., 151, 152, 153 Italian School, 16 Jacquet, H.L., 206 Joinville, A.V.E., 189 Joy, T.M., 106 Kasiulis, V., 277 Kauffmann, A., 27, 28

Lambrechts, J.B., 55 Lancret, N., 64 Lazarev, V., 261 Lear, E., 74 Legnani, S.M., 43 Leitch, W.L., 81 Lewis, T., 112 Lombard School, 30 Loustaunau, L.A.G., 207 Lyne, M., 133

Nalbandian, D., 273 Navratil, J., 250 Nechaev, V.M., 267 Northern Italian School, 40 O'Kelly, A.C., 115 Pagani, A., 145 Pajot, G., 232 Parsons, B.E., 86, 88 Parton, E., 101 Passey, C.H., 104 Péraire, P.E., 195 Petit, E., 227 Phillip, J., 107 Piazzetta, G.B., 9 Pieters, E., 155 Piranesi, G.B., 2 Pugin, A.C., 81 Pupini, B., 17 Raffet, A., 8 Ramsay, A., 50 Raskin, S., 257, 258 Rauchwerger, J., 262 Rigaud, J., 230 Robertson, J., 75, 76, 82 Romolo, E., 18 Roos, E., 105 Rouault, G., 180, 181, 182 Rousseau, T., 200 Rowe, E.A., 87 Rowlandson, T., 68, 69 Sadée, P.L.J.F., 154 Sands, H.H., 130 Saraceni, C., 35 Schiavoni, N., 143

Schouman, A., 62 Seidel, A., 169 Selous, H.C., 83 Shayer the Elder, W., 116 Sheringham, G., 111 Simonetti, A., 144 Sintzenich, G.E., 92 Slewinski, W., 226 Spanish School, 39 Spencelayh, C., 108 Stannard, J., 81 Stannard, L., 85, 87 Staples, R.P., 85 Steen, J., 67 Steinlen, T.A., 237, 238, 239 Stern, I., 34 Struyk, N., 25 Swebach-Desfontaines, J.F.J., 4 Terenin, A., 275 Thornhill, J., 45 Tissot, J.J.J., 183 Towne, C., 99 Tsingos, T., 264 Tynell, M., 249 Uhle, B., 173 Vallotton, F.E., 187 van Blarenberghe, H-J., 3 van de Venne, A.P., 53 van der Meulen, E., 121, 177 van der Plas, N., 160 van Mieghem, E., 176 Van Musscher, M., 51 Van Ostade, I.,7 van Poelenburgh, C., 60 van Ravesteyn, J.A., 46 van Rijn, R., 1 Vanderbank the Younger, J., 47 Varma, R.R., 150 Venetian School, 42 Verboeckhoven, E., 179 Verbrüggen The Elder, G.P., 56 Vernet, H., 23 Vinckboons, D., 52 Vitman, I., 270 Volkers, E., 168 von Grützner, E., 174 von Holst, T.M., 8 Wach, A.W., 161 Waterloo, A., 22 Watson, W.R.C., 127 Webb, W., 126 Wilson, R., 98 Wood, J., 109 Wopfner, J., 166 Wright, G., 132 Wright, J.M., 48 Wyck, J., 65 Yaskil, A., 255 Yeats, J.B., 94, 95 Ziem, F., 213 Zoll, K.C., 248

A selection of works from the John A. Shrader sculpture collection, Haverford, PA Estimates from $1,000-$10,000

Matthew S. Wilcox | +1 215.940.9825 mwilcox@freemansauction.com

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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net

Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com

Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com

Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

Brooks Fine Art Services Christopher Rossello 155 Rose Lane Haverford, PA 19041 610.420.5774 info@brooksfas.com Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts Jennifer Norton 525 W 20th Street New York, NY 10011 212.741.2024 transportation@crozierfinearts.com

The Packaging Store ‡ Duane Freed 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com UPS Store ‡ John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 | Fax: 215.629.4992 store4242@theupsstore.com U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com FURNITURE & LARGE ITEMS For larger pieces when delivery time is not a rush, we suggest: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com ‡ Shippers that can fulfill international deliveries

v3.2016

Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency

in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania. v2.2016

bidding & registration form sale no

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1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com

client no

business name

address city

state

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country

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A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,500 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

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I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

q id confirmed

(signature required to execute your bids) v2.2016

Directory | 215.563.9275 | www.freemansauction.com Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

20th Century Design Tim Andreadis tandreadis@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

Hanna Dougher Chief Operating Officer

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com

Departments

American Silver Samuel M. Freeman II beaufreeman@freemansauction.com

Appraisals Amy Parenti aparenti@freemansauction.com

Asian Arts Richard A. Cervantes rcervantes@freemansauction.com

Business Development Thomas B. McCabe IV tmccabe@freemansauction.com

Books, Maps & Manuscripts Benjamin Truesdale btruesdale@freemansauction.com

Client Services Mary Maguire mmaguire@freemansauction.com

English & Continental Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com

Finance Mark Beckerman mbeckerman@freemansauction.com Marketing & Communications Tara Theune Davis ttdavis@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Thomas McCabe tmccabe@freemansauction.com

European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Michael Larsen, GIA GG mlarsen@freemansauction.com Virginia B. Salem, GIA GG vsalem@freemansauction.com

Photography Thomas Clark tclark@freemansauction.com

Modern & Contemporary Art Timothy Malyk tmalyk@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Musical Instruments Frederick Oster foster@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Oriental Rugs & Carpets Richard A. Cervantes rcervantes@freemansauction.com Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu Sarah Blattner sblattner@freemansauction.com

v4.2016

From Distant Lands

www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 T 215.563.9275 | F 215.563.8236

European Art & Old Masters June 14, 2016

EUROPEAN ART & OLD MASTERS JUNE 14, 2016