CRAFT + DESIGN MARCH 19, 2017
www.freemansauction.com CRAFT + DESIGN
1808 Chestnut Street Philadelphia Pennsylvania 19103
MARCH 19, 2017
CRAFT + DESIGN
AUCTION Sale 1566 Sunday, March 19, 2017 at 12 pm 1808 Chestnut Street, Philadelphia PA 19103
DESIGN DEPARTMENT Tim Andreadis Head of Department tandreadis@freemansauction.com 267.414.1215
EXHIBITIONS Wednesday, March 15
10:00am-5:00pm
Thursday, March 16
10:00am-5:00pm
Friday, March 17
10:00am-5:00pm
Saturday, March 18
10:00am-5:00pm
Sunday, March 19
10:00am-12:00pm
CLIENT SERVICES Joslyn Moore Bidding Registration jmoore@freemansauction.com 267.414.1207
Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236
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03
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LOT 01
HARVEY ELLIS (AMERICAN, 1852-1904) AND GUSTAV STICKLEY (AMERICAN, 1858-1942) INLAID SIDE CHAIR, CRAFTSMAN WORKSHOPS, EASTWOOD, NEW YORK, CIRCA 1904 Oak, copper, pewter, fruitwood Signed with red decal mark H: 47 1/2, W: 18 1/2, D: 19 1/2 in. provenance: Property from a Private Collection Found in Plymouth, Massachusetts, circa 1978 literature: David Cathers and Alexander Vertikoff, Stickley Style: Arts and Crafts Homes in the Craftsman Tradition, New York, 1999, p. 172 Kevin Tucker, Gustav Stickley and the American Arts & Crafts Movement, Dallas, 2010, pp. 152-153
$4,000-6,000
04
05
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WHARTON ESHERICK lots 2-8
LOT 02
WHARTON ESHERICK (american, 1887-1970) CHERRY COFFEE TABLE, PAOLI, PENNSYLVANIA, 1961 Signed and dated: “W.E. 1961” H: 18 1/2, W: 68, D: 26 in. provenance: Property from a Private Family Collection, Philadelphia Acquired directy from the artist Thence by descent literature: Mansfield Bascom, Wharton Esherick: The Journey of a Creative Mind, New York, 2010, p. 208 (for an illustration of a related form)
$30,000-50,000
06
07
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LOT 03
WHARTON ESHERICK (american, 1887-1970) FAIRHOPE, ALABAMA LANDSCAPE, CIRCA 1920 Watercolor Signed and dated bottom right: “Fairhope 2?, Wharton Harris Esherick” H: 13, W: 9 in. (sight), H: 20 3/4, W: 16 1/4 in. (frame) provenance: Property from a Private Family Collection, Pennsylvania Acquired directly from the artist Thence by descent literature: Mansfield Bascom, Wharton Esherick: The Journey of a Creative Mind, New York, 2010, pp. 38-39
$2,000-3,000
LOT 05
WHARTON ESHERICK (american, 1887-1970) WOODCUT, “STORM AT SEA” FROM SONG OF THE BROAD AXE, CIRCA 1924 Signed in impression: “WHE” Pencil signed and numbered lower right: “36/38 Wharton Harris Esherick” H: 10, W: 9 1/8 in. (sight), H: 16 3/4, W: 15 3/8 in. (frame) provenance: Property from a Private Family Collection, Pennsylvania Acquired directly from the artist Thence by descent literature: Mansfield Bascom, Wharton Esherick: The Journey of a Creative Mind, New York, 2010, pp. 50-51
$800-1,200
LOT 04
LOT 06
WHARTON ESHERICK (american, 1887-1970) THREE-LEGGED STOOL, 1964 Walnut, hickory Signed and dated: “WE 1964” H: 19 1/2, W: 12 1/2, D: 13 in.
WHARTON ESHERICK (american, 1887-1970) WALNUT CUTTING BOARD, 1962/63 Signed and dated: “W.E. 62” Inscribed: “TO SUE - BOB, VIRGINIA, MIMA - W.E., 1963” L: 13, W: 9, D: 5/8 in.
provenance: Property from a Private Family Collection, Pennsylvania Acquired directly from the artist Thence by descent literature: Mansfield Bascom, Wharton Esherick: The Journey of a Creative Mind, New York, 2010, pp. 184-185
provenance: Property from a Private Family Collection, Pennsylvania Acquired directly from the artist Thence by descent literature: Mansfield Bascom, Wharton Esherick: The Journey of a Creative Mind, New York, 2010, p. 184
$3,000-5,000
$1,500-2,500
08
09
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LOT 07
WHARTON ESHERICK (american, 1887-1970) WALNUT SIDE TABLE WITH SLIDING DRAWERS, PAOLI, PENNSYLVANIA, 1963 Walnut and red paint Signed and dated: “W.E. 1963” H: 20 1/2, W: 18 1/2, D: 31 in. provenance: Property from a Private Family Collection, Philadelphia Acquired directy from the artist Thence by descent
$10,000-15,000
LOT 08
WHARTON ESHERICK (american, 1887-1970) WALNUT SIDE TABLE, PAOLI, PENNSYLVANIA, 1962 Signed and dated: “W.E. 1962” H: 21, W: 37, D: 36 in. provenance: Property from a Private Family Collection, Philadelphia Acquired directy from the artist Thence by descent literature: Mansfield Bascom, Wharton Esherick: The Journey of a Creative Mind, New York, 2010, p. 219 (for an illustration of a related form)
$15,000-20,000
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11
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PIERRE JEANNERET lots 9-14
LOT 09
PIERRE JEANNERET (swiss, 1896-1967) PAIR OF “OFFICE” ARMCHAIRS FOR THE ADMINISTRATIVE BUILDINGS, CHANDIGARH, FRANCE/INDIA, CIRCA 1955 Teak, cane, upholstery H: 32 1/2, W: 19 3/4, D: 20 in. provenance: Property from a Private Collection, New York Chandigarh, India literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, pp. 191, 343, 562-563
$5,000-7,000
LOT 10
PIERRE JEANNERET (swiss, 1896-1967) FILE RACK FOR THE ADMINISTRATIVE BUILDINGS, CHANDIGARH, FRANCE/INDIA CIRCA 1957 Teak Painted mark: “3B-08” H: 28, W: 48, D: 14 1/2 in. provenance: Property from a Private Collection, New York Administrative Buildings, Chandigarh, India literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure – Design-ArtArchitecture, Paris, 2010, pp. 596-597 Galerie Patrick Seguin, Le Corbusier, Pierre Jeanneret, Chandigarh, India, 1951-66, Paris, 2014, pp. 269, 289
$7,000-9,000
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LOT 11
PIERRE JEANNERET (swiss, 1896-1967) JUDGE’S TABLE FOR THE HIGH COURT AND “OFFICE” ARMCHAIR FOR THE ADMINISTRATIVE BUILDINGS, CHANDIGARH, FRANCE/INDIA, CIRCA 1955 Teak, cane, upholstery H: 28 3/4, W: 45, D: 27 in. (table), H: 32, W: 19 1/2, D: 22 in. (chair) provenance: Property from a Private Collection, New York Chandigarh, India literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 586 (table) pp. 191, 343, 562-563 (chair)
$6,000-8,000
LOT 12
PIERRE JEANNERET (swiss, 1896-1967) SET OF SIX LIBRARY CHAIRS FOR THE CENTRAL LIBRARY, PUNJAB UNIVERSITY, CHANDIGARH, FRANCE/INDIA, CIRCA 1959 Teak, cane, upholstery Four chairs marked: “4-A”, “6-A”, “2-A”, “3-A” H: 30, W: 19, D: 18 in. provenance: Property from a Private Collection, New York Central Library, Punjab University, Chandigarh, India literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 569
$7,000-9,000
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15
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LOT 13
PIERRE JEANNERET (swiss, 1896-1967) PAIR OF STOOLS FOR PUNJAB UNIVERSTIY, CHANDIGARH, FRANCE/INDIA, CIRCA 1965 Teak, steel H: 24, Dia: 13 in. provenance: Property from a Private Collection, New York Punjab University, Chandigarh, India literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 560
LOT 14
PIERRE JEANNERET (swiss, 1896-1967) LOUNGE CHAIR FROM CHANDIGARH, FRANCE/INDIA, CIRCA 1955 Teak, cane, upholstery H: 27 1/2, W: 21, D: 29 in. provenance: Property from a Private Collection, New York Chandigarh, India literature: Eric Touchaleaume and Gerald Moreau, Le Corbusier, Pierre Jeanneret: The Indian Adventure – Design-Art-Architecture, Paris, 2010, p. 563
$5,000-7,000
$4,000-6,000
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17
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GEORGE & MIRA NAKASHIMA lots 15-41
LOT 15
GEORGE NAKASHIMA (american, 1905-1990) EXCEPTIONAL SLAB COFFEE TABLE, NEW HOPE, PENNSYLVANIA, 1961 American black walnut, rosewood Signed with client’s name: “KINE” H: 14, W: 67, D: 50 1/2 in. provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by the original carbon copy receipt and photocopy of the original order card from George Nakashima Woodworker.
$20,000-30,000
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19
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LOT 16
LOT 17
GEORGE NAKASHIMA (american, 1905-1990) SPECIAL LOUNGE CHAIR WITH ARM, NEW HOPE, PENNSYLVANIA, 1972 Walnut, maple burl, hickory Signed with client’s name: “KRAMER” H: 33 1/2, W: 31, D: 27 in.
MIRA NAKASHIMA (b. 1942) SPECIAL MYRTLE BURL “Q” BENCH, NEW HOPE, PENNSYLVANIA, 2010 Myrtle burl, walnut Signed and dated: “Mira Nakashima September 7, 2011” Signed with client’s name: “STUTZMAN” H: 17, W: 90, D: 23 in.
provenance: Property of a Philadelphia Lady Acquired directly from the artist note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker.
provenance: Property from a Private Collection, Philadelphia Acquired directly from the artist note: This lot is accompanied by the original pencil drawing, signed and dated by Mira Nakashima, the original invoice, and letter of correspondence from George Nakashima Woodworker.
$5,000-7,000
$4,000-6,000
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LOT 18
GEORGE NAKASHIMA (american, 1905-1990) CONOID DINING TABLE, NEW HOPE, PENNSYLVANIA, 1975 American black walnut, rosewood H: 29, W: 60, D: 43 in. provenance: Property from a Private Collection, Williamsburg, Virginia Acquired directly from the artist Thence by descent note: This lot is accompanied by the carbon copy of the original drawing signed and dated by George Nakashima, the original invoice, and a carbon copy of the original receipt from George Nakashima Woodworker.
$15,000-25,000
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LOT 19
GEORGE NAKASHIMA (american, 1905-1990) SET OF FOUR CAPTAIN’S CHAIRS, NEW HOPE, PENNSYLVANIA, 1960 American black walnut, hickory One chair signed: “Nakashima” H: 28 1/2, W: 24, D: 20 in. provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by two original carbon copy receipts from George Nakashima Woodworker.
$4,000-6,000
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LOT 20
LOT 21
GEORGE NAKASHIMA (american, 1905-1990) CHERRY WEPMAN TABLE, 1964 H: 14, W: 25 1/2, D: 16 in. provenance: Property from the Collection of Linda M. Abegglen Acquried directly from the artist note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker and a letter of authentication from Mira Nakashima.
$2,000-3,000
GEORGE NAKASHIMA (american, 1905-1990) DOUBLE SLIDING DOOR CABINET, NEW HOPE, PENNSYLVANIA, 1979 American black walnut Signed with client’s name: “ANDERSON” H: 32, W: 60, D: 21 1/2 in. provenance: Property from a Private Collection, Williamsburg, Virginia Acquired directly from the artist Thence by descent note: This lot is accompanied by the original pencil drawing signed and dated by George Nakashima, the original invoice from George Nakashima Woodworker, and letters of correspondence.
$8,000-12,000
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25
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LOT 22
GEORGE NAKASHIMA (american, 1905-1990) LONG CHAIR, NEW HOPE, PENNSYLVANIA, 1968 Walnut, cotton webbing H: 31 1/2, W: 34 1/2, D: 64 in. provenance: Property from a Private Family Collection, Florida Acquired directly from the artist note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker and a letter of authentication from Mira Nakashima.
$30,000-50,000
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LOT 23
GEORGE NAKASHIMA (american, 1905-1990) EXCEPTIONAL HANGING WALL CASE, NEW HOPE, PENNSYLVANIA, 1972 American black walnut, pandanus cloth, oak Signed with client’s name: “KRAMER” H: 18 1/4, W: 103 3/4, D: 19 1/4 in. provenance: Property of a Philadelphia Lady Acquired directly from the artist note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker.
$30,000-50,000
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LOT 24
GEORGE NAKASHIMA (american, 1905-1990) FULL-SIZE PLANK HEADBOARD, NEW HOPE, PENNSYLVANIA, 1976 American black walnut H: 37 1/2, W: 76 1/2 in. provenance: Property from a Private New England Collection Mr. and Mrs. Edgar Rogier, Minnetonka, Minnesota, 1976 note: This lot is accompanied by a photocopy of the original sketch, signed and dated by George Nakashima and a photocopy of the original invoice and correspondence from George Nakashima Woodworker.
$4,000-6,000
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LOT 25
GEORGE NAKASHIMA (american, 1905-1990) PAIR OF END TABLES, NEW HOPE, PENNSYLVANIA, 1973 American black walnut H: 21, W: 21 1/2, D: 28 in. provenance: Property from a Private Collection, Williamsburg, Virginia Acquired directly from the artist Thence by descent note: This lot is accompanied by the original invoice from George Nakashima Woodworker.
$4,000-6,000
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LOT 26
GEORGE NAKASHIMA (american, 1905-1990) HIGH MIRA CHAIR, circa 1960s Walnut, hickory H: 33 1/2, W: 19, D: 16 1/2 in. provenance: Property of a Philadelphia Collector Acquired directly from the artist Thence by descent note: This lot is accompanied by a letter of authentication from Mira Nakashima.
$1,000-1,500
LOT 27
GEORGE NAKASHIMA (american, 1905-1990) SIDE TABLE, NEW HOPE, PENNSYLVANIA, 1973 American black walnut Signed with client’s name: “Gendziey” H: 21, W: 28, D: 28 in. provenance: Property from a Private Family Collection, New England Acquired directly from the artist Thence by descent note: This lot is accompanied by a photocopy of the original receipt from George Nakashima Woodworker.
$2,000-3,000
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LOT 28
GEORGE NAKASHIMA (american, 1905-1990) DOUBLE SLIDING DOOR CABINET, NEW HOPE, PENNSYLVANIA, 1967 American black walnut, oak Marked with studio notation: “3430” H: 32, W: 88, D: 22 1/2 in. provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by the original carbon copy drawing signed and dated by George Nakashima, and original carbon copy receipt from George Nakashima Woodworker.
$15,000-25,000
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LOT 29
GEORGE NAKASHIMA (american, 1905-1990) MINGUREN I COFFEE TABLE, NEW HOPE, PENNSYLVANIA, 1986 American black walnut, rosewood Signed with client’s name: “ANDERSON” H: 15, W: 48, D: 26 1/2 in. provenance: Property from a Private Collection, Williamsburg, Virginia Acquired directly from the artist Thence by descent note: This lot is accompanied by the original pencil drawing signed and dated by George Nakashima, the original invoice, three letters of correspondence, and a carbon copy of the original receipt from George Nakashima Woodworker.
LOT 30
GEORGE NAKASHIMA (american, 1905-1990) SOFA, MODEL 3251 W, WIDDICOMB, USA, CIRCA 1958 Walnut, upholstery H: 25, W: 87, D: 34 in. provenance: Property from a Private Family Collection, New England Guy Millo Company, New York, NY, 1958 note: This lot is accompanied by a photocopy of the original receipt from Guy Millo Company Fine Furniture, 1958. literature: Widdicomb, Manufacturer’s Catalog, unpaginated
$6,000-8,000
$10,000-15,000
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35
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LOT 31
GEORGE NAKASHIMA (american, 1905-1990) SET OF FOUR GRASS-SEATED CHAIRS, NEW HOPE, PENNSYLVANIA, 1975/86 American black walnut, woven seat grass. H: 27 1/2, W: 23, D: 19 in. provenance: Property from a Private Collection, Williamsburg, Virginia Acquired directly from the artist Thence by descent note: This lot is accompanied by a photocopies of the original invoices and receipts from George Nakashima Woodworker.
$4,000-6,000
36
LOT 32
GEORGE NAKASHIMA (american, 1905-1990) SET OF FOUR GRASS-SEATED CHAIRS, NEW HOPE, PENNSYLVANIA, 1960/68 American black walnut, woven sea grass. H: 27 1/2, W: 23, D: 19 in. provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by photocopies of the original receipts from George Nakashima Woodworker.
$4,000-6,000
37
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LOT 33
GEORGE NAKASHIMA (american, 1905-1990) FINE AND RARE CROSS-LEGGED DINING TABLE, NEW HOPE, PENNSYLVANIA, 1960 American black walnut, rosewood, hickory H: 28 1/2, W: 84, D: 48 in. provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by the original receipt, a photocopy of the original order card and a photocopy of the refinish order from George Nakashima Woodworker.
$30,000-50,000
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39
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LOT 35
GEORGE NAKASHIMA (american, 1905-1990) LOUNGE CHAIR WITH ARM, NEW HOPE, PENNSYLVANIA, 1968 Walnut, hickory H: 33, W: 31, D: 28 1/2 in. provenance: Property from a Private Family Collection, Florida Acquired directly from the artist note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker and a letter of authentication from Mira Nakashima.
$5,000-7,000
LOT 34
LOT 36
GEORGE NAKASHIMA (american, 1905-1990) HANGING WALL CASE, NEW HOPE, PENNSYLVANIA, 1976 American black walnut H: 14 1/4, W: 69, D: 15 1/4 in. provenance: Property from a Private Collection, Williamsburg, Virginia Acquired directly from the artist Thence by descent note: This lot is accompanied by the original pencil drawing signed and dated by George Nakashima, the original invoice from George Nakashima Woodworker, and four letters of correspondence.
MIRA NAKASHIMA (b. 1942) GREENROCK OTTOMAN, NEW HOPE, PENNSYLVANIA, 1994 Walnut, upholstery Signed and dated: “Nakashima 3.2.94” H: 15, W: 19 in. sq. provenance: Property of a Philadelphia Lady Acquired directly from the artist note: This lot is accompanied by a photocopy of the original receipt from George Nakashima Woodworker.
$8,000-12,000
$1,000-1,500
40
41
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LOT 37
LOT 38
GEORGE NAKASHIMA (american, 1905-1990) SETTEE, NEW HOPE, PENNSYLVANIA, 1960 Walnut, upholstery H: 30 1/2, W: 48, D: 34 in.
GEORGE NAKASHIMA (american, 1905-1990) SETTEE, NEW HOPE, PENNSYLVANIA, 1960 Walnut, upholstery H: 30 1/2, W: 48, D: 34 in.
provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by a photocopy of the original receipt from George Nakashima Woodworker.
provenance: Property from a Private Collection, Wilmington, Delaware Acquired directly from the artist note: This lot is accompanied by a photocopy of the original receipt from George Nakashima Woodworker.
$4,000-6,000
$4,000-6,000
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43
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LOT 39
GEORGE NAKASHIMA (american, 1905-1990) MIRA CHAIR, NEW HOPE, PENNSYLVANIA, 1958 Walnut, hickory H: 27 1/2, W: 17, D: 18 in. provenance: Property from a Private Family Collection, New England Acquired directly from the artist Thence by descent note: This lot is accompanied by a photocopy of the original receipt and parts order from George Nakashima Woodworker.
$800-1,200
LOT 40
44
GEORGE NAKASHIMA (american, 1905-1990) WOHL TABLE, NEW HOPE, PENNSYLVANIA, 1972 American black walnut H: 21, W: 26, D: 22 in.
LOT 41
GEORGE NAKASHIMA (american, 1905-1990) UNUSUAL ENGLISH WALNUT COFFEE TABLE / BENCH, NEW HOPE, PENNSYLVANIA 1955 H: 14, W: 84, D: 18 in.
provenance: Property of a Philadelphia Lady Acquired directly from the artist note: This lot is accompanied by a photocopy of the original receipt from George Nakashima Woodworker.
provenance: Propety from the Collection of Linda M. Abegglen Acquired directly from the artist note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker and a letter of authentication from Mira Nakashima.
$3,000-5,000
$12,000-18,000
45
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LOT 42
PHILIP (AMERICAN, 1907-1987) AND KELVIN (AMERICAN, B. 1937) LAVERNE WALL PLAQUE “TWO CHILDREN”, NEW YORK, 1960s Patinated bronze Signed: “P Kelvin LaVerne” H: 29, W: 27, D: 1 1/2 in. provenance: Property from a Private Family Collection, Georgia
$1,000-1,500
LOT 43
PAUL EVANS (american, 1931-1987) DINING TABLE, MODEL PE-24, DIRECTIONAL, USA, CIRCA 1969 Patinated steel, brass, glass H: 29, W: 80, D: 42 in. provenance: Property from a Private Collection, Maryland literature: Directional, Manufacturer’s Catalog, unpaginated
$7,000-9,000
46
47
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LOT 44
LOT 45
PIA MANU (belgian, 20th century) SCULPTED CABINET, BELGIUM, CIRCA 1970 Stainless steel, sculpted and painted resin, glass Impressed signature to panel: “PIA MANU” H: 35 1/2, W: 79 1/2, D: 19 in.
TAPIO WIRKKALA (finnish, 1915-1985) TWO BRONZE VESSELS, KULTAKESKUS OY, FINLAND, 1960S/70s Both stamped: “KULTAKESKUS OY MADE IN FINLAND DESIGN: TAPIO WIRKKALA” H: 3 3/8, Dia: 9 3/4 in. (bowl), H: 2 1/4, W: 5 1/8 in. sq. (ashtray) provenance: Property from a Private Collection, Philadelphia literature: Marianne Av, Tapio Wirkkala: Eye Hand and Thought, Helsinki, 2000, pp. 368-369
provenance: Property from a Private Collection, Maryland
$10,000-15,000
$1,000-1,500
48
49
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LOT 46
CARLO NASSON (italian, b. 1935) PAIR OF FLOOR LAMP, MAZZEGA, ITALY, CIRCA 1969 Glass, patinated metal H: 55, W: 9 1/2 in. sq. provenance: Property from a Private Collection, Philadelphia literature: Mazzega, Manufacturer’s Catalog, unpaginated
$3,000-5,000
LOT 47
EDWARD WORMLEY (american, 1907-1995) LOUNGE CHAIR AND OTTOMAN, MODEL 5761, DUNBAR, BERNE, INDIANA, 1957 Mahogany, upholstery H: 39, W: 30, D: 39 in. (chair), H: 13, W: 23 1/2, D: 18 in. (ottoman) provenance: Property from a Private Family Collection, Georgia literature: Edward J. Wormley Designs for Dunbar, Manufacturer’s Catalog, unpaginated Judith Gura et al, Edward Wormley: The Other Face of Modernism, New York, 1997, p. 44
$3,000-5,000
50
51
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LOT 48
EDWARD WORMLEY (american, 1907-1995) SOFA, MODEL 5407, DUNBAR, BERNE, INDIANA, CIRCA 1960 Applied rectangular brass manufacturer’s tag: “Dunber Berne Indiana” H: 24 1/2, W: 101, D: 36 1/2 in. provenance: Property from Private Family Collection, Philadelphia literature: Leslie A. Pina, Dunbar: Fine Furniture of the 1950s, Atglen, PA, 2000, pp. 22, 174
$4,000-6,000
LOT 49
EDWARD WORMLEY (american, 1907-1995) LA GONDOLA SOFA, MODEL 5719, DUNBAR, BERNE, INDIANA, 1957 Mahogany, upholstery H: 31, W: 111, D: 30 in. provenance: Property from a Private Family Collection, Georgia literature: Edward J. Wormley Designs for Dunbar, Manufacturer’s Catalog, unpaginated
$6,000-8,000
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53
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LOT 50
EDWARD WORMLEY (american, 1907-1995) PAIR OF LOUNGE CHAIRS, MODEL 5000, DUNBAR, BERNE, INDIANA, 1950 Mahogany, upholstery Applied rectangular brass manufacturer’s tag: “Dunbar Berne Indiana” H: 32, W: 23, D: 32 in. provenance: Property from a Private Family Collection, Georgia literature: Edward J. Wormley Designs for Dunbar, Manufacturer’s Catalog, unpaginated Judith Gura et al, Edward Wormley: The Other Face of Modernism, New York, 1997, p. 63 Leslie A. Pina, Dunbar: Fine Furniture of the 1950s, Atglen, PA, 2000, pp. 67, 180-181
$1,500-2,500
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55
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LOT 51
TOMMI PARZINGER (german/american, 1903-1981) SET OF EIGHT DINING CHAIRS, PARZINGER ORIGINALS, USA, CIRCA 1952 Stained mahogany, upholstery H: 42, W: 17 1/2, D: 23 in. provenance: Property from a Private Collection, Maryland literature: Virginia Frankel, Interior Space, Interior Design, New York, 1973, p. 33 (for an illustration of the model)
$4,000-6,000
56
57
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LOT 52
LOT 53
MASSIMO VIGNELLI (italian, 1931-2014) SET OF THREE HANGING PENDANT LAMPS, VENINI, ITALY, CIRCA 1954 Glass, brass H: 20, Dia: 7 in. (shades), L: 30 in. (rods) provenance: Property from a Private Collection, New York literature: Anna Venini Diaz de Santillana, Venini : catalogue raisonne´, 1921-1986, New York, 2000, pp. 179, 227
$3,000-5,000
58
PAUL MCCOBB (american, 1917–1969) SET OF THREE BENCHES, DIRECTIONAL, USA, CIRCA 1954 Brass, upholstery H: 15 1/2, W: 19 1/2 in. sq.
LOT 54
MELCHIORRE BEGA (italian, 1898-1976) SET OF EIGHT DINING CHAIRS, ITALY, CIRCA 1950 Walnut, upholstery H: 37, W: 23, D: 23 in.
provenance: Property from a Private Collection, New York literature: Directional, Print Advertisement, 1950s
provenance: Property from a Private Collection, New York literature: Roberto Aloi, Esempi di arredamento moderno di tutto il mondo, Milan, circa 1950, fig. 40
$1,500-2,500
$6,000-8,000
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LOT 55
MILO BAUGHMAN (american, 1923-2003) SECTIONAL SOFA, THAYER COGGIN, HIGH POINT, NORTH CAROLINA, CIRCA 1970 Chromed-steel, upholstery Applied paper label: “Thayer Coggin designed by Milo Baughman” H: 33 1/2, W: 166 1/2, D: 93 in. provenance: Property from a Private Collection, Philadelphia
LOT 56
$7,000-9,000
POUL KJAERHOLM (danish, 1929–1980) PK 33 STOOL, E. KOLD CHRISTENSEN, DENMARK, 1959 Leather, matte-chromed steel Signed with impressed manufacturer’s mark: “Denmark” H: 14, Dia: 22 in. provenance: Property from a Private Collection, Philadelphia Thence by descent literature: Michael Sheridan, The Furniture of Poul Kjærholm: Catalogue Raisonné, New York, 2007, pp. 114-117
$1,000-1,500
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You’re Invited A panel presentation & discussion
“Trends in Contemporary Craft & Design”
To be offered 4/6/17: Albert Paley (american, b. 1944), Patinated, Forged and Fabricated Coffee Table (detail)
Wine & Cheese
Wednesday, March 15, 6pm
LOT 57
POUL KJAERHOLM (danish, 1929–1980) PK 54 DINING TABLE, E. KOLD CHRISTENSEN, DENMARK, 1963 Flint-rolled Cippolino marble, matte-chromed steel, maple Signed twice with impressed manufacturer’s mark: “Denmark” H: 26, Dia: 55 in. (leaves extend table top to Dia: 83 in.) provenance: Property from a Private Collection, Philadelphia Thence by descent literature: Michael Sheridan, The Furniture of Poul Kjærholm: Catalogue Raisonné, New York, 2007, pp. 128-131
$7,000-9,000
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Elisabeth Agro The Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts Philadelphia Museum of Art
Steven Learner Founder and Creative Director, Creative Design, New York Judith Schaechter Stained-Glass Artist, Philadelphia
Abraham Thomas The Fleur and Charles Bresler Curator-in-Charge Renwick Gallery, Smithsonian American Art Museum, D.C.
Evan Snyderman Owner and Co-founder, R & Company, New York
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TERMS & CONDITIONS All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale. 8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed
within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.
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IMPORTANT INFORMATION FOR BUYERS Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www. freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.
On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-ofpearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.
In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.
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DIRECTORY Officers
Specialist Departments
Representatives
Samuel M. Freeman II Chairman
20th Century Design Tim Andreadis
New England Kelly Wright
tandreadis@freemansauction.com
kwright@freemansauction.com
Alasdair Nichol Vice Chairman
American Art & Pennsylvania
Margaret D. Freeman
Impressionists
Director Emeritus
Alasdair Nichol
Paul S. Roberts President Hanna Dougher Chief Operating Officer
anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com
Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Susannah McGovern smcgovern@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Stephanie Parker sparker@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com
Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com
Asian Arts
Departments
Mid-Atlantic
Benjamin Farina
Main Line
bfarina@freemansauction.com
Thomas McCabe
Books, Maps & Manuscripts
tmccabe@freemansauction.com
Benjamin Truesdale btruesdale@freemansauction.com British & European Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com
Oriental Rugs & Carpets
Modern & Contemporary Art
Michael Farmer mfarmer@freemansauction.com
Auction 05/16/17
Musical Instruments Frederick Oster foster@freemansauction.com
Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu
PABLO PICASSO (spanish, 1881-1973) “PICASSO THEATRE” Signed, dated ‘le 10.11.67’ and dedicated ‘pour mon cher ami Feld,’ India ink, wash and chalk on paper. 11 11/16 x 21 1/4 in. (29.7 x 54cm) $150,000-250,000
Dunham Townend | 267.414.1221 dtownend@freemansauction.com
Nicholas B. A. Nicholson nnicholson@freemansauction.com
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1,000 Years of Collecting: PABLO PICASSO (spanish, 1881-1973) The Jeffrey& M. Kaplan Collection Modern “PICASSO THEATRE” Auction 04/06/17 Contemporary Art
Signed, dated ‘le 10.11.67’ and dedicated ‘pour mon cher ami Feld,’ india ink, wash and chalk on paper. 11 11/16 x 21 1/4 in. (29.7 x 54cm) $150,000-250,000
Auction 05/16/17
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KYOHEI FUJITA (japanese, 1921-2004) “Red & White Plum Blossoms” glass box