American Art & Pennsylvania Impressionists | June 4 by Freeman's

American art & pennsylvania Impressionists june 4, 2017

american art & pennsylvania impressionists

Auction Sale 1575 Sunday, June 4, 2017 at 2:00pm 1808 Chestnut Street, Philadelphia PA 19103 Cover Image: Lot 36, Inside Front Cover: Lot 12 (detail), Inside Back Cover: Lot 75 (detail)

American Art & Pennsylvania Impressionists Department Alasdair Nichol Vice Chairman | Head of Department anichol@freemansauction.com 267.414.1211

David Weiss Senior Vice President | Specialist dweiss@freemansauction.com 267.414.1214

Exhibitions Wednesday, May 31

10:00am-5:00pm

Thursday, June 1

10:00am-5:00pm

Friday, June 2

10:00am-5:00pm

Saturday, June 3

12:00pm-5:00pm

By appointment only on the morning of the sale

Client Services Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236

Joslyn Moore Bidding Registration jmoore@freemansauction.com 267.414.1207

Lily Liu Cataloguer | Department Administrator lliu@freemansauction.com 267.414.1253

American art lots 1-47

Lot 9 (detail) 5

1 MARTIN LEWIS (american 1881-1962) “RAINY DAY, QUEENS” 1931. Edition of 70. Pencil signed in the margin, drypoint 10 5/8 x 11 7/8 in. (27 x 30.2cm) Sheet size: 13 13/16 x 15 15/16 in. (35.1 x 40.5cm) [McCarron 94] provenance: Private Collection, Massachusetts.

note: The present lot is a highly notable and distinguished print from Lewis’s oeuvre, and is one of the many scenes of New York City for which the artist is so renowned. A nostalgic look into New York’s lively past, the work presents a view of historical urban architecture as well as a vignette of the city’s inhabitants engaging in quotidian activities. The composition of the street cutting through the center of the image leads the eye into the scene, and the ephemeral and moody depiction of a rainy day coupled with Lewis’s masterful representation of light and shadow make the print atmospheric and engaging. $20,000-30,000

2 MARTIN LEWIS (american 1881-1962) “THE TREE, MANHATTAN” 1930. Edition of 91, including 10 trial proofs. Pencil signed in the margin, drypoint Image size: 12 7/8 x 9 7/8 in. (32.7 x 25.1cm) Sheet size: 16 3/8 x 13 in. (41.6 x 33cm) [McCarron 87] provenance: Sessler’s, Philadelphia, Pennsylvania. Property of an Estate, Philadelphia, Pennsylvania. $6,000-10,000

3 THOMAS HART BENTON (american, 1889-1975) “SLOW TRAIN THROUGH ARKANSAS” 1941. Edition of 250. Pencil signed in the margin, lithograph, unframed Image size: 10 x 12 3/4 in. (25.4 x 32.4cm) Sheet size: 12 x 16 in. (30.5 x 40.6cm) Associated American Artists, publisher. [Fath 46] provenance: Private Collection, South Carolina. $3,000-5,000

4 THOMAS HART BENTON (american, 1889-1975) “LETTER FROM OVERSEAS” 1943. Edition of 250. Pencil signed in the margin, lithograph, unframed Image size: 9 5/8 x 13 1/8 in. (24.4 x 33.3cm) Sheet size: Sheet: 11 1/2 x 15 7/8 in. (29.2 x 40.3cm) Associated American Artists, publisher. [Fath 59] provenance: Private Collection, South Carolina. $2,000-3,000

5 DANIEL GARBER (american 1880-1958) “IMPROVIDENCE” (OLD BARN) c. 1926. Edition of 50. Pencil signed ‘Daniel Garber’ in the margin; also inscribed with title bottom center; also indistinctly inscribed and numbered ‘#26’ on bottom left of sheet, etching and drypoint on laid paper Plate size: 7 7/8 x 11 13/16 (20 x 30cm) Sheet size: 9 5/8 x 13 5/8 in. (24.4 x 34.6cm) provenance: The Artist. Collection of John Franklin Garber, son of Daniel Garber. Collection of Madelaine B. Garber, wife of John Franklin Garber, and the Estate of John Franklin Garber (in 1993). James A. Michener Art Museum, Doylestown, Pennsylvania (a gift from the above in 1994). Private Collection, Pennsylvania. literature: Artist’s Etching register, p. 7 (entry marked plate destroyed). Henry C. Pitz, Daniel Garber, The Studio: London, 96, April, 1928, p. 256. “Daniel Garber Canvases on View: One-Man Exhibition at Chester Springs Presents 50 Works by Painter,” Evening Bulletin: Philadelphia, August 11, 1934. Kathleen A. Foster, Daniel Garber: 1880-1958, Philadelphia: Pennsylvania Academy of the Fine Arts, 1980, p. 73. Sam Hunter, American Impressionism: The New Hope Circle, Fort Lauderdale, Florida: The Museum of Art, 1985, p. 71. Lance Humphries, Daniel Garber: Catalogue Raisonné, Volume II, Hollis Taggart Galleries, 2006, p. 412, E 17 (illustrated). $2,000-3,000 6 THOMAS HART BENTON (american 1889-1975) “SHALLOW CREEK” 1939. Edition of 250. Pencil signed in the margin, lithograph Image size: 14 5/16 x 9 7/16 in. (37.9 x 23.9cm) Sheet size: 16 x 11 3/8 in. (40.6 x 28.9cm) [Fath 32] provenance: Private Collection, New York. $2,000-3,000

7 HARRIET WHITNEY FRISHMUTH (american 1880-1980) “THE VINE” Signed and dated ‘© 1921/Harriet W. Frishmuth’ on base; also with ‘Gorham Co. Founders QBWS’ foundry mark, bronze with brown patina Height (excluding base): 11 1/2 in. (29.2cm) Height (with base): 12 3/8 in. (31.4cm) provenance: Weatherspoon Art Museum, University of North Carolina, Greensboro, North Carolina. Private Collection, North Carolina. $6,000-10,000

8 REMBRANDT PEALE (american 1778-1860) GEORGE WASHINGTON Oil on canvas 26 1/4 x 22 1/4 in. (66.7 x 56.5cm) provenance: Collection of Eleanor Parke Custis (1779-1852), granddaughter of Martha Washington (1731-1802) and Daniel Parke Custis (d. 1757). By descent in the family. Collection of Edward Parke Custis Lewis (1767-1839), grandson of Eleanor Parke Custis and Lawrence Lewis (1767-1839, son of George Washington’s sister, Betty Washington), Hoboken, New Jersey. By descent in the family. Collection of Charles Merrill Chapin (1871-1932). By descent in the family. Collection of Charles Merrill Chapin, Jr. (b. 1898). Schwarz Gallery, Philadelphia, Pennsylvania. Collection of the Truland Foundation (purchased from the above in 1998). exhibited: National Trust for Historic Preservation, Woodlawn Plantation, Alexandria, Virginia, on loan by the Truland Foundation from 1998-2003.

literature: Robert Schwarz, Philadelphia Collection LXIII: American Paintings, Frank S. Schwarz & Son: Philadelphia, June, 1998. note: A Pennsylvania native, Rembrandt Peale was born in Bucks County and grew up in Philadelphia. Along with his brothers and sisters, he was taught to paint by his father and famous artist, Charles Willson Peale. When he was merely seventeen years old, Peale painted a life portrait of George Washington, the first of many portraits he would paint of America’s president and founding father. In his career he would receive many more commissions of this popular subject, and so painted a number of iterations of his portrait. The present lot is one of Peale’s famed representations of our nation’s first President. $150,000-250,000

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9 WILLIAM TROST RICHARDS (american 1833-1905) SEASCAPE Signed and dated ‘Wm. T. Richards. 95’ bottom left, oil on canvas 20 x 35 in. (50.8 x 88.9cm) provenance: Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina. Private Collection, North Carolina.

note: A Philadelphia native, William Trost Richards first exhibited his work at the Pennsylvania Academy of the Fine Arts. Having studied and traveled in both the United States and Europe, he became familiar with the Hudson River School artists, as well as the Pre-Raphaelites. Today he is regarded as one of the finest 19th century American landscape artists, as well as an accomplished watercolorist and draughtsman, best known for his seascapes. The present lot is an excellent example of a quintessential Trost Richards seascape, exhibiting serene skies, frothy sea foam, a green hue to the ocean, and large rocks onto which the waves crash dramatically. $25,000-40,000

10 WILLIAM TROST RICHARDS (american 1833-1905) WAVES AT DAWN Signed ‘Wm. T. Richards’ bottom left, oil on canvas 19 3/4 x 32 1/4 in. (50.2 x 81.9cm) provenance: Weatherspoon Art Gallery, University of North Carolina, Greensboro, North Carolina. Private Collection, North Carolina. $10,000-15,000

11 JOHN SINGER SARGENT (american 1856-1925) “STUDIES OF A SPANISH DANCER” (STUDY FOR “EL JALEO”) 1880-81. Inscribed ‘Anna Marguetti/14 Rue de Lambre(?)’ upper left, graphite on paper Sheet size: 10 3/16 x 13 3/4 in. (25.9 x 34.9cm) provenance: Ex-collection of Charles Sargeant Jagger (a gift from Emily Sargent). Private Collection, London, United Kingdom. exhibited: “Spring ‘88,” The Fine Art Society, London, May-June 1988, cat. no. 29b. literature: The Fine Art Society, Spring 1988, London: May 3-June 3, 1988, exhibition catalogue, p. 36, no. 29b. Stephanie L. Herdrich, John S. Sargent, H B. Weinberg, and Marjorie Shelley, American Drawings and Watercolors in the Metropolitan Museum of Art: John Singer Sargent, New York: Metropolitan Museum of Art, 2000, p. 168, fig. 69 (illustrated).

note: According to the 1988 exhibition catalogue entry prepared by the Fine Art Society in collaboration with Richard Ormond, the artist’s great-nephew and scholar of his work: The present drawing is from a series of studies that Sargent made for his later and celebrated painting, El Jaleo: Danse des gitanes, currently hanging in the Isabella Stewart Gardner Museum in Boston, Massachusetts. Having visited Spain in 1879 and continuing to work there in the early part of 1882, Sargent was preoccupied with themes of Spanish dance, enthralled by its music and costumes. He attended many live dance performances and sketched numerous dancers in various poses and states of movement. The sketches are quickly executed and highly intuitive, and many were used as preparations for oil paintings. He later returned to Paris and continued working on the subject, exhibiting El Jaleo at the Paris Salon of 1882. A leading portrait and figure painter of international society during the Gilded Age era, as well as an established impressionist painter of landscape and genre scenes executed en plein air, Sargent’s works are known for expressing tremendous energy. The present lot is a testament to the artist’s style, and his habitual compulsions to sketch the events happening around him as he saw them. We would like to thank the members of the John Singer Sargent Catalogue Raisonné for confirming the authenticity of this work. $25,000-40,000

12 OTTO HENRY BACHER (american 1856-1909) ALONG THE GRAND CANAL Inscribed, signed and dated ‘To my friend Miss Devereux/with my compliments from Otto H. Bacher. 1887’ bottom right; also inscribed with artist and date verso, oil on panel 13 3/16 x 18 1/16 in. (33.5 x 45.9cm) provenance: Christie’s, New York, sale of December 7, 1984, lot 114. Private Collection, Maryland.

note: Born in Ohio, Bacher studied briefly in Philadelphia at the Pennsylvania Academy of the Fine Arts but spent most of his early career studying and working in Cleveland with fellow artists Willis Seaver Adams and Frank Duveneck. He and Duveneck also travelled to Italy, first to Florence, and later to Venice where they set up studios at the Casa Jankovitz. By this time Bacher was a skilled printmaker, and began teaching Duveneck and others in his circle the process of etching and making prints. It was during this time that he became acquainted with James Abott McNeill Whistler, who began visiting his studio often. Bacher spent much of 1880 with Whistler, and the two artists shared etching techniques with each other. Whistler informed Bacher on line graduation and tone, while Bacher showed Whistler various procedures including more efficient ways of using the acid bath. Bacher continued to visit Whistler in the coming years, and in 1908 published the book “With Whistler in Venice,” his famous recollections of his time with the great artist. Bacher’s works rarely appear at auction, and the present lot is an excellent example of the paintings he executed while residing in Venice, featuring a recognized and celebrated Venetian landmark. $25,000-40,000

13 ALEXANDER HEDWIG WYANT (american 1836-1892) “A SHADY GROVE” Signed ‘A.H. Wyant’ bottom right, oil on canvas 16 7/16 x 22 3/8 in. (41.8 x 56.8cm) provenance: The Clark Collection, Maryland. $4,000-6,000

14 FREDERICK DEBOURG RICHARDS (american 1822-1903) “SUNSET ON THE MARSHES” Signed ‘DeB. Richards’ bottom left, oil on canvasboard 11 x 25 1/2 in. (27.9 x 31.8cm) provenance: The Clark Collection, Maryland. exhibited: “The Legacy of the Hudson River School; American Landscapes, 1860-1880,” Adams Davidson Galleries, Washington D.C., October 15-November 21, 1981. $4,000-6,000

15 HUGH BOLTON JONES (american 1848-1927) “THE OLD ROAD TO THE RIVER” Signed ‘H. Bolton Jones’ bottom left; (also with artist and titles on labels verso), oil on canvas laid to board 37 3/4 x 59 7/8 in. (70.5 x 152.1cm) provenance: David David Gallery, Philadelphia, Pennsylvania. The Clark Collection, Maryland. $8,000-12,000

16 HUGH BOLTON JONES (american 1848-1927) “THE ROAD TO THE FARM” Signed ‘H. Bolton Jones’ bottom right, oil on canvas 22 1/2 x 28 1/4 in. (57.2 x 71.8cm) provenance: Frank S. Schwarz & Son, Philadelphia, Pennsylvania. Property from a Merion, Pennsylvania Estate. exhibited: Annual Exhibition, American Art Society, 1907. literature: Schwarz, Robert, Philadelphia Collection VI: American Paintings & Decorative Arts, Frank S. Schwarz & Son: Philadelphia, Nov. 1978, no. 28. $3,000-5,000

17 CHARLES HAROLD DAVIS (american 1856-1933) “IN AFTERNOON SUNSHINE” Signed ‘C.H. Davis’ bottom left; also signed and inscribed with title on stretcher verso, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Private Collection, Maryland. $3,000-5,000

18 WILLIAM MORRIS HUNT (american 1824-1879) SUMMER LANDSCAPE Signed with artist’s initials ‘WMH (conjoined)’ bottom left, oil on canvas 34 x 54 1/8 in. (86.4 x 137.5cm) provenance: Property from a Merion, Pennsylvania Estate. $4,000-6,000

19 LEONARD OCHTMAN (american 1854-1935) “POOL AT GRAYLEDGE, COS COB CONNECTICUT” Signed and dated ‘Leonard Ochtman/192*’ bottom left, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Greenwich Historical Society, Greenwich, Connecticut, sale of December, 1992. $2,000-3,000

20 JOHN FRANCIS MURPHY (american 1853-1921) DUSK TONALIST LANDSCAPE Signed indistinctly bottom left, oil on canvas 14 1/4 x 19 1/8 in. (36.2 x 48.6cm) provenance: Private Collection, New York. $2,000-3,000

21 JOHN JOSEPH ENNEKING (american 1841-1916) SPRING FIELDS Signed ‘Enneking’ bottom left, oil on canvas laid to board 10 x 14 in. (25.4 x 35.6cm) provenance: Private Collection, New York. $1,000-1,500

22 EVERETT LLOYD BRYANT (american 1864-1945) THE BATHERS Signed ‘E.L. Bryant’ bottom right, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Private Collection, Washington, D.C. $3,000-5,000

23 ADOLPHE BORIE (american 1877-1934) LADY WITH APPLE Signed ‘Adolphe Borie’ upper left, oil on canvas 30 1/8 x 25 1/8 in. (76.5 x 63.8cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

24 FERNAND LUNGREN (american 1859-1932) CANYON PATH Signed indistinctly bottom left; also inscribed with artist and title on label verso, oil on canvas 30 1/8 x 20 1/8 in. (76.5 x 51.1cm) provenance: Ex-Collection of Richard S. Schumacher (c. 1974, by descent in the family, per label verso). Newman Galleries, Philadelphia, Pennsylvania. Private Collection, New York, New York. exhibited: “International Exposition of Art and History at Rome”, Rome, Italy, 1911 (per partial label verso). $3,000-5,000

25 MARK DAWSON (american 19th-20th century) WINDMILL ON A MARSH Signed and dated ‘Mark Dawson. 1889’ bottom left, oil on canvas 18 1/4 x 32 1/8 in. (46.4 x 81.6cm) provenance: The Clark Collection, Maryland. $2,000-3,000

26 FRANK WESTON BENSON (american 1862-1951) “FLOODED PINES” Signed and dated ‘F.W. Benson/’22’ bottom left, watercolor on paper Sheet size: 16 1/8 x 20 1/8 in. (41 x 51.1cm) provenance: The Artist. Ex-Collection of Stephen C. Clark (per Sylvia P. Benson’s list of watercolors records). Ex-Private Collection. F.W. Bayley & Son Copley Gallery, Boston, Massachusetts. Eldred’s, East Dennis, Massachusetts, sale of July 23, 1998, lot 319. Private Collection, Washington, D.C. exhibited: Frank Weston Benson, Gage Gallery, Cleveland, Ohio, October 2-November 1, 1922, no. 22. “Paintings: Including the Collection of the Late Charles Donnelly and the Collection of the Late William A. Slater,” American Art Association, American Art Galleries, New York, New York, November 24-30, 1928, lot 39. literature: Sylvia P. Benson., List of Frank W. Benson watercolors, no. 52. American Art Association, Paintings: Including the Collection of the Late Charles Donnelly and the Collection of the Late William A. Slater, New York: 1928, exhibition catalogue, p. 27, cat no. 39.

note: Frank Weston Benson was a highly prominent and successful American Impressionist, best known for his landscapes and scenes of nature executed en plein air, and for his elegant portraiture. His watercolors were often favorably compared to those of Winslow Homer’s, and described to convey the beauty and serenity of life in the great outdoors. Said one critic: “The love of almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes - these also characterize Benson’s work. The solitude of the northern woods is very much like Homer’s.” The present work, a wonderful example of Benson’s love of the solitude of nature, is number 52 in Sylvia P. Benson’s list of watercolors records. Sylvia was Benson’s youngest child and his secretary. “Flooded Pines” may well have been painted in Cape Cod, and was done in only the second year of the artist’s use of watercolor as a medium. First owned by the collector Stephen C. Clark, who owned at least three of Benson’s watercolors, “Flooded Pines” was most likely purchased at the Gage Gallery exhibition of the artist’s work in 1922, which comprised of 23 oils and watercolors, along with 160 prints. We are grateful to Benson scholar, Faith Andrews Bedford, author of the biography Frank W. Benson: American Impressionist, The Sporting Art of Frank Benson, and Impressionist Summers: Frank W. Benson’s North Haven, for assistance with this essay. $10,000-15,000

27 EANGER IRVING COUSE (american 1866-1936) SHEEP IN THE WOODS Signed ‘E.I. Couse’ bottom right; also signed twice and inscribed on stretcher verso, oil on canvas 35 3/4 x 40 1/4 in. (88.9 x 102.2cm) provenance: Private Collection, Georgia. $5,000-8,000

28 FRANZ ARTHUR BISCHOFF (american 1864-1929) “THE VACANT HOUSE IN THE ARROYA” Signed ‘Franz A. Bischoff’ bottom right; also signed and inscribed with title verso, oil on canvas laid to board 14 1/2 x 18 5/8 in. (36.8 x 47.3cm) provenance: Private Collection, New Jersey. $4,000-6,000

29 ALLEN TUCKER (american 1866-1939) “WINTER LANDSCAPE” Dated and signed ‘1920 Allen Tucker’ bottom left; also inscribed with title and dated on stretcher verso, oil on canvas 30 1/2 x 25 in. (77.5 x 63.5cm) provenance: Private Collection, Florida. $6,000-10,000

30 ALLEN TUCKER (american 1866-1939) “WINDY RIDGE (GREEN FIELDS)” Signed ‘A. Tucker’ bottom left; also inscribed ‘Painted by Allen Tucker/*** A.W. Tucker’ on canvas verso, oil on canvas 25 x 30 1/4 in. (63.5 x 76.8cm) provenance: The Milch Galleries, New York, New York. Private Collection, Florida. $5,000-8,000

31 ANDREW WYETH (american 1917-2009) “HICKORY SMOKED” Signed ‘Andrew Wyeth’ bottom right, watercolor on paper 21 1/4 x 29 3/4 in. (54 x 75.6cm) provenance: The Artist. Knoedler Gallery, New York, New York (for the above). From the Estate of former Pennsylvania Governor William W. Scranton and First Lady Mary L Scranton (acquired from the above in 1966). exhibited: “Twelfth Exhibition of Contemporary American Painting and Sculpture,” Krannert Art Museum, University of Illinois, Champaign, Illinois, March 7-April 11, 1965. “Work by Newly Elected Members and Recipients of Honors and Awards,” American Academy of Arts and Letters and the National Institute of Arts and Letters, New York, New York, May 20-August 29, 1965. “Two Worlds of Andrew Wyeth: Olsons and Kuerners,” Metropolitan Museum of Art, New York, New York, October 16, 1976-February 6, 1977. literature: Betsy James Wyeth, Wyeth at Keurners, Boston: Houghton Mifflin, 1976, (illustrated). Thomas Hoving, Two Worlds of Andrew Wyeth - A Conversation with Andrew Wyeth, Boston: Houghton Mifflin, 1976, (illustrated). note: The current lot is a study for the artist’s drybrush work ‘Below the Kitchen,’ and depicts the foundation arch of the kitchen fireplace in Karl Kuerner’s cellar, where a smoked ham and side of bacon hang from a ceiling hook. The Kuerner Farm in Chadds Ford, Pennsylvania, is notable for its association with the Wyeths, and became the subject and inspiration for a vast portion of Andrew Wyeth’s work over the course of seven decades. The present painting is to be included in the forthcoming Catalogue Raisonné of the artist’s work. © 2017 Andrew Wyeth / Artists Rights Society (ARS), New York. $50,000-70,000

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32 JOHN W. MCCOY (american 1910-1989) LANDSCAPE Signed ‘John W. McCoy’ bottom right, watercolor and gouache on board 22 x 29 1/2 in. (55.9 x 74.9cm) provenance: Private Collection, New York, New York. $2,000-3,000

33 JOHN WHORF (american 1903-1959) “DRIFT WOOD” Signed ‘John Whorf’ bottom left; also inscribed in pencil with number and title ‘34/ Drift Wood’ verso, watercolor on heavy paper Sheet size: 20 x 25 3/4 in. (50.8 x 65.4cm) provenance: Private Collection, Massachusetts. $3,000-5,000

34 JOHN FABIAN CARLSON (american 1875-1947) “WINTER MORNING” Signed ‘J.F. Carlson’ bottom right; also signed and inscribed with title verso, oil on canvas laid to board 7 1/2 x 10 in. (19.1 x 25.4cm) provenance: Private Collection, New Jersey. $1,200-1,800

35 WERNER DREWES (american/german 1899-1985) GREENHOUSE BY THE RIVER Dated and signed ‘32/Drewes’ and inscribed with artist’s device bottom right; also dated and inscribed with artist’s device verso, oil on board 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, New Jersey. $2,000-3,000

36 GIL ELVGREN (american 1914-1980) “BIRD’S-EYE VIEW” 1942, oil on canvas 28 1/8 x 23 1/8 in. (71.4 x 58.7cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. literature: Charles G. Martignette, and Louis K. Meisel, Gil Elvgren: His Glamorous American Pin-Ups, Taschen: 2013, p. 44, fig. 110 (illustrated).

note: Known as one of the most skilled and talented illustrators of the 20th century, Elvgren is best known for his pin-up portraits of the mischievous ‘girl next door.’ His works were featured in magazines and calendars, including the Louis F. Dow Calendar Company and later the Brown & Bigelow Calendar Company. Because his work was so proficiently executed and had such aesthetic and commercial appeal, his advertising accounts included Coca-Cola, Sylvania, Orange Crush, Schlitz Beer, Horlacher Brewery, General Electric, and Napa Auto Parts. Gil Elvgren’s ability to capture the spirit and sensuality of American feminine beauty was second to none, and the classic nostalgia emulating from his works harkens back to a charming, mid-century United States. $7,000-10,000 32

37 GIL ELVGREN (american 1914-1980) “WHAT’S COOKING?” 1944, oil on canvas 29 1/8 x 23 1/8 in. (74 x 58.7cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. literature: Charles G. Martignette, and Louis K. Meisel, Gil Elvgren: His Glamorous American Pin-Ups, Taschen: 2013, p. 44, fig. 111 (illustrated). $7,000-10,000

38 GIL ELVGREN (american 1914-1980) “BLIND DATE” c. 1944-1947, oil on canvas 29 x 23 in. (73.7 x 58.4cm) provenance: Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania.

literature: Charles G. Martignette, and Louis K. Meisel, Gil Elvgren: His Glamorous American Pin-Ups, Taschen: 2013, p. 34, fig. 76 (illustrated). note: According to the above book, the present lot is a re-paint of the artist’s work titled “Going Up” (fig. 75), which was painted in 1944. $3,000-5,000

39 LAURENCE A. CAMPBELL (american b. 1939) “EARLY SPRING ON CHESTNUT STREET” Signed ‘L.A. Campbell’ bottom left; also signed, located and inscribed ‘1st Version/Early Spring on Chestnut St./Philadelphia/Laurence Campbell’ verso, oil on board 15 7/8 x 12 in. (40.3 x 30.5cm) provenance: Private Collection, New Jersey. $10,000-15,000

40 ARTHUR BEECHER CARLES (american 1882-1952) “NOTRE DAME” With artist and title on label verso, oil on canvas 39 1/2 x 32 in. (100.3 x 81.3cm) provenance: Freeman’s, sale of December 5, 2004, lot 170. Private Collection, Connecticut. $10,000-15,000

41 ARTHUR BEECHER CARLES (american 1882-1952) STILL LIFE OF COPPER POT WITH LEMONS Signed ‘Carles’ bottom right; also inscribed and dated ‘A.B. Carles 1904’ verso, oil on canvas 20 3/4 x 28 7/8 in. (52.7 x 73.3cm) provenance: Freeman’s, sale of December 5, 2004, lot 199. Private Collection, Connecticut. $6,000-10,000

42 ARTHUR BEECHER CARLES (american 1882-1952) “ITALIAN LANDSCAPE” Signed ‘Arthur B. Carles’ and inscribed verso, oil on panel 12 3/4 x 15 in. (32.4 x 38.1cm) provenance: Private Collection, Connecticut. exhibited: “Gertrude Stein: The American Connection,” Sid Deutsch Gallery, New York, New York., 1990, no. 7. $4,000-6,000

43 JOHANN BERTHELSEN (american 1883-1972) “RIVERSIDE CHURCH, LOOKING NORTH ON RIVERSIDE DRIVE” Signed ‘Johann Berthelsen’ bottom right; also inscribed with title verso, oil on canvasboard 11 5/8 x 15 7/8 in. (29.5 x 40.3cm) provenance: Private Collection, Massachusetts. $3,000-5,000

44 JOSEPH MCGURL (american b. 1958) VINALHAVEN, MAINE Signed ‘Joseph McGurl’ bottom right, oil on panel 24 x 24 in. (61 x 61cm) provenance: Private Collection, Massachusetts. $4,000-6,000

45 FRANK EARLE SCHOONOVER (american 1877-1972) “MONROE HELLER HOME” Signed and inscribed ‘Frank E. Schoonover/B. Sep. 1907’ bottom right and dated ‘’47’ bottom right corner; alo inscribed with title, located ‘Pike Co./Bushkill, PA’ and dated ‘September 1947’ verso, oil on canvas 21 1/4 x 28 in. (54 x 71.1cm)

provenance: The Artist. Ex-Private Collection (acquired from the above, per copy of page of Artist’s Paybook attached verso). Private Collection, Delaware. $8,000-12,000

41 41

46 MARTHA WALTER (american 1875-1976) “LISTENING TO THE CALL OF NAMES TO BE RELEASED, ELLIS ISLAND NO. 15” Signed ‘Martha Walter’ bottom right; also signed, inscribed with title and inscribed ‘Box 1-Sec 3-7’ verso, oil on canvas laid to board 15 3/4 x 19 3/4 in. (40 x 50.2cm) provenance: David David Gallery, Philadelphia, Pennsylvania. Private Collection, Canada. $3,000-5,000

47 WALTER STUEMPFIG (american 1914-1970) AT THE BEACH Signed ‘Stuempfig’ bottom right, oil on canvas 32 x 40 1/8 in. (81.3 x 101.9cm) provenance: Property from the Estate of Gainor Ingersoll Miller, Philadelphia, Pennsylvania. $2,500-4,000

pennsylvania impressionists lots 48-102

Lot 63 (detail) 45

48 WALTER EMERSON BAUM (american 1884-1956) “QUAKERTOWN” Signed ‘W. E. Baum’ bottom left; also signed and inscribed with title verso, oil on canvasboard 13 3/16 x 14 7/8 in. (33.5 x 37.8cm) provenance: Private Collection, Pennsylvania. $2,500-4,000

49 RANULPH BYE (american 1916-2003) RANULPH BYE BARN Signed ‘Ranulph Bye’ bottom right, oil on canvas 32 1/4 x 38 in. (81.9 x 96.5cm) provenance: Private Collection, New Jersey. $3,000-5,000

50 HARRY LEITH-ROSS (american 1886-1973) “THE WHITE STALLION” Signed ‘Leith-Ross’ bottom left, oil on board 8 1/4 x 10 1/8 in. (21 x 25.7cm) provenance: Ferargil Galleries, New York, New York. Private Collection, New Jersey. $3,000-5,000

51 GEORGE WILLIAM SOTTER (american 1879-1953) CREEK IN WINTER Signed ‘George Sotter’ bottom right, oil on canvas 22 x 26 in. (55.8 x 66cm) provenance: Private Collection, Pennsylvania. $25,000-40,000

52 DANIEL GARBER (american 1880-1958) “ISLAND ON THE DELAWARE” Signed ‘Daniel Garber’ bottom center right, charcoal on paper Sight size: 18 x 23 in. (45.7 x 58.4cm) provenance: The Artist. The Estate of the Artist (in 1958). Collection of John Franklin Garber, son of Daniel Garber (from the above, by 1964). Collection of Dana Applestein, daughter of John F. Garber and granddaughter of David Garber. Hollis Taggart Galleries, New York, New York. Private Collection, Pennsylvania (acquired from the above).

literature: “Garber Catalogue Raisonné Nearing Completion,” Art Market Report, Hollis Taggart Galleries, Fall-Winter 2001, p. 9, (illustrated). Lance Humphries, Daniel Garber: Catalogue Raisonné, Volume II, Hollis Taggart Galleries, 2006, p. 372, D 316 (illustrated). note: According to the Catalogue Raisonné: The origin of this work’s title is unknown. It may have been given to the work by John Franklin Garber some time in the 1960s. $8,000-12,000

53 JOHN FULTON FOLINSBEE (american 1892-1972) STUDY FOR SHAG ROCK Signed ‘John Folinsbee’ bottom left, oil on board 20 x 29 7/8 in. (50.8 x 75.9cm) provenance: Private Collection, Maine. Freeman’s, Philadelphia, sale of December 12, 1996, lot 748. Private Collection, Pennsylvania. note: The present painting will be included in the artist’s Catalogue Raisonné prepared by Dr. Kirsten Jensen. $5,000-8,000

54 WALTER EMERSON BAUM (american 1884-1956) “LOCUST VALLEY” Signed ‘Baum’ bottom left; also signed and inscribed with title verso, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

55 ANTONIO PIETRO MARTINO (american 1902-1989) “WINTER” Signed ‘Antonio P. Martino’ bottom center right, also signed and inscribed with title on upper stretcher verso, oil on canvas 9 1/16 x 14 7/8 in. (23 x 37.8cm) provenance: The Little Gallery, East Newark, New Jersey. Private Collection, Pennsylvania. exhibited: Annual Exhibition and Auction Sale, Salmagundi Club, New York, New York, 1948. note: According to the plaque on the frame recto, this work was awarded “Honorable Mention” by the Salmagundi Club. $1,500-2,500

56 HARRY LEITH-ROSS (american 1886-1973) “INDIAN HARBOR, NOVA SCOTIA” With artist and title on labels verso; also with label signed ‘Emily Leith-Ross’ and confirming authenticity of the work, oil on canvas laid to board 8 1/8 x 10 1/8 in. (20.6 x 25.7cm) provenance: Avery Galleries, Haverford, Pennsylvania. Private Collection, Pennsylvania. exhibited: “Poetry in Design: The Art of Harry Leith-Ross,” James A. Michener Art Museum, Doylestown, Pennsylvania, May 12, 2006-October 1, 2006 (Doylestown), and October 28, 2006-February 18, 2007 (New Hope). $5,000-8,000

57 WALTER EMERSON BAUM (american 1884-1956) “EAST TEXAS, PENNSYLVANIA” Signed ‘W.E. Baum; bottom left; also inscribed with title verso, oil on canvasboard 12 x 15 7/8 in. (30.5 x 40.3cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, New Jersey. $2,500-4,000

58 JOHN FULTON FOLINSBEE (american 1892-1972) “TREE AND BUILDINGS, BUCKS COUNTY” Signed ‘John Folinsbee’ bottom right, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: The Artist. The Estate of the Artist. Ex-Collection of Paul and Bette Saul. Vose Galleries, Boston, Massachusetts. Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Pennsylvania.

literature: Kirsten M. Jensen, and John F. Folinsbee, Folinsbee Considered, Easthampton, Hudson Hills Press: 2013, p. 261. note: The present painting is number 1478 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen and is dated to 1935. $20,000-30,000

59 WALTER ELMER SCHOFIELD (american 1867-1944) “WOOD’S COVE, LAGUNA BEACH” OR “THE LITTLE COVE, LAGUNA BEACH” Signed ‘Schofield’ bottom right, oil on canvas 25 x 30 in. (63.5 x 76.2cm) provenance: Peterson Galleries, Beverly Hills, California. The Irvine Museum, Irvine, California. Bonham’s, San Francisco, sale of April 7, 2009, lot 75. Private Collection, New Jersey. exhibited: “Summertime in Laguna Beach: Selections from the Irvine Museum,” Laguna Art Museum, Laguna Beach, California, July 29-October 7, 2001. $12,000-18,000

60 ROBERT SPENCER (american 1879-1931) “FLOTSAM” Signed ‘Robert Spencer’ bottom right; also signed and inscribed with title verso, oil on canvas 30 x 26 in. (76.2 x 66cm) provenance: Purchased from the Spencer family (per label verso). Private Collection, New Jersey. $20,000-30,000

61 WILLIAM LANGSON LATHROP (american 1859-1938) “MONTAUK, 1938” Signed ‘Lathrop’ bottom left; also inscribed and dated ‘Montauk ‘38’ bottom right, oil on board 16 x 18 in. (40.6 x 45.7cm) provenance: Shannon’s, sale of October 23, 2003, lot 69. Private Collection, New Jersey. $5,000-8,000

62 JOHN FULTON FOLINSBEE (american 1892-1972) “DOWN AT THE DOCK” Signed ‘John Folinsbee’ bottom right, oil on canvasboard 10 x 13 3/4 in. (25.4 x 34.9cm) provenance: Shannon’s, sale of May 6, 2005, lot 242. Sloans & Kenyon, sale of April 27, 2006, lot 1557. Private Collection, New Jersey. note: The present painting is number 248 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen. $4,000-6,000

63 FERN ISABEL COPPEDGE (american 1883-1951) “PIGEON COVE” Signed ‘Fern I. Coppedge’ bottom left; also inscribed with artist and title on upper stretcher verso, oil on canvas 32 x 36 1/8 in. (81.3 x 91.8cm)

provenance: The Patricia Weiner Gallery, Montgomery, Ohio. Private Collection, Connecticut. exhibited: Annual Art Exhibition, The University Club, Cincinnati, Ohio, 1937. $40,000-60,000

55 55

64 DANIEL GARBER (american 1880-1958) “LONE SYCAMORE” Signed ‘Daniel Garber’ bottom right; also signed and inscribed with title verso, oil on canvas 56 x 52 in. (142.2 x 132.1cm) In a Badura frame. provenance: The Artist. The Estate of the Artist (in 1958). Harold D. Saylor, Philadelphia, Pennsylvania (acquired from the above in June, 1960). Private Collection, Philadelphia, Pennsylvania (acquired from the above in 1981). By descent in the family (c. 1996). Private Collection, Philadelphia, Pennsylvania. exhibited: 136th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1941, cat. 144 (illustrated). “Exhibition of Paintings, Drawings and Prints by Daniel Garber,” Woodmere Art Gallery, Philadelphia, Pennsylvania, November 1-22, 1942, cat. 45. “Daniel Garber,” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, April 3-29, 1945, cat. 106. “Fine Paintings by Daniel Garber,” Bailey, Banks & Biddle, Philadelphia, Pennsylvania, October, 1957.

literature: Artist’s Record Book I, p. 69, lines 31-32. Kathleen A. Foster, Daniel Garber: 1880-1958, Pennsylvania Academy of the Fine Arts, Philadelphia, 1980, p. 11. Page Talbott and Patricia T. Sydney, The Philadelphia Ten: A Women’s Artist Group, 1917-1945, Galleries at Moore, Moore College of Art and Design, Philadelphia, 1998, p. 159, plate 74. Kathleen A. Foster, Daniel Garber’s Trees, Kresge Art Museum, Bulletin 8, 1999, no. 18. Lance Humphries, Daniel Garber: Catalogue Raisonné, Volume I, Hollis Taggart Galleries, 2006, p. 136, cat. P 726 (illustrated). Lance Humphries, Daniel Garber: Catalogue Raisonné, Volume II, Hollis Taggart Galleries, 2006, p. 257, P 726 (illustrated). note: According to the Catalogue Raisonné: The present lot was exhibited at PAFA in 1945 and received the show’s Popular Prize, also the last of the artist’s paintings to win a popular vote at a major exhibition. Possibly painted as early as 1940, “Lone Sycamore” is the last of a series by Garber depicting this particular tree, beginning with “The Sycamore” executed in March of 1925 (cat. P 505). An etching based on this painting (cat. E 56), which was never taken beyond the proof stage, was also based on a drawing made from the oil (cat. D 325). Daniel Garber is a leading figure of the Pennsylvania Impressionist group, best known and loved for his large-scale landscapes of the areas surrounding Bucks County, Pennsylvania and the Delaware River Valley. His work has garnered many awards and recognition both locally and internationally, including several gold medals from the Pennsylvania Academy of the Fine Arts, where he also came to have a celebrated career as an art educator for forty-one years. Here in the present painting, the artist’s mastered rendering of a panoramic landscape is deeply indicative of his reverence of the relationship between nature and light. $400,000-600,000

65 JOHN FULTON FOLINSBEE (american 1892-1972) “UNTITLED, DIRT ROAD” With artist and title on labels verso, oil on canvas 16 x 24 in. (40.6 x 61cm) provenance: Property of John F. Folinsbee Art Trust. Newman Galleries, Philadelphia, Pennsylvania. Art in Embassies Program, courtesy of Newman Galleries, care of Mr. William J. Burns, Embassy of USA, Amman, Jordan. Private Collection, New Jersey. note: According to a letter accompanying the painting attached verso and dated to February 22, 2000: The present work was part of the U.S.A. State Department’s ‘Art in Embassies’ program, and resided for a time in the Embassy of the Unites States of America in Amman, Jordan, home of Ambassador Mr. William J. Burns. Mr. Burns adds that this work by Folinsbee in particular provided a wonderful means of sharing with the people of Jordan “a taste of the richness and beauty of the American landscape.” The present painting is number 1437 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen. $6,000-10,000

66 WALTER EMERSON BAUM (american 1884-1956) TOWN IN WINTER Signed ‘W.E. Baum’ bottom left, oil on board 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, Pennsylvania. $6,000-10,000

67 FERN ISABEL COPPEDGE (american 1883-1951) BUCKS COUNTY IN THE SNOW Signed ‘Fern I. Coppedge’ bottom left, oil on canvas 25 1/4 x 30 in. (64.1 x 76.2cm) In a Harer frame with incised signature ‘HARER’. provenance: Pedersen Gallery, Lambertville, New Jersey. Private Collection, New Jersey. $40,000-60,000

68 WALTER EMERSON BAUM (american 1884-1956) “PENNA. PIKE VILLAGE” Signed ‘Baum’ bottom left; also signed and inscribed with title verso, oil on canvasboard 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, New Jersey. $3,000-5,000

69 WALTER EMERSON BAUM (american 1884-1956) A STREAM IN WINTER Signed ‘W.E. Baum’ bottom right, oil on canvasboard 15 3/4 x 19 3/4 in. (40 x 50.2cm) provenance: Freeman’s, sale of June 22, 2008, lot 128. Private Collection, New Jersey. $5,000-8,000

70 ARTHUR MELTZER (american 1893-1989) “POQUESSING AT TREVOSE” Signed ‘Arthur Meltzer’ bottom right, oil on canvas 25 x 30 in. (63.5 x 76.2cm) In a Meltzer frame incised with artist’s device. provenance: The Artist. Private Collection, Omaha, Nebraska (acquired from the above, per label verso). Private Collection, California.

note: The present painting will be accompanied by a hand-written note by the artist, which describes the Poquessing River near Meltzer’s home in Trevose, Pennsylvania, and which he refers to as “the inspiration of many of my paintings.” Meltzer and his wife, fellow artist Paulette Van Roekens, often painted views of the scenic Huntingdon Valley and other counties surrounding their home. A leading Pennsylvania Impressionist, Meltzer studied at the Pennsylvania Academy of the Fine Arts under artists such as Daniel Garber and Robert Vonnoh. He is considered part of the final generation of the New Hope School, and was an accomplished and prolific artist whose adept skill made him capable of mastery over landscapes, still lifes, and figural compositions. $25,000-40,000

71 SAMUEL GEORGE PHILLIPS (american 1890-1965) “WEEPING WILLOWS” Signed ‘S. George Phillips’ bottom right, oil on canvas 24 x 32 in. (25 x 81.3cm) provenance: Private Collection, Pennsylvania. $6,000-10,000

72 ANTONIO PIETRO MARTINO (american 1902-1989) “THE ROCKY STREAM” Signed and dated ‘A.P. Martino ‘30’ bottom left; also signed, inscribed with title and dated ‘1930’ on upper stretcher verso, oil on canvas 36 x 40 in. (91.4 x 101.6cm) provenance: Shannon’s, sale of October 25, 2001, lot 218. Private Collection, New Jersey. $8,000-12,000

73 ELIZABETH FISHER WASHINGTON (american 1871-1953) “SPRING, VILLAGE BY THE CREEK” Signed ‘Elizabeth F. Washington’ bottom right, oil on canvas 25 x 30 1/8 in. (63.5 x 76.5cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, New Jersey. $4,000-6,000

74 HARRY LEITH-ROSS (american 1886-1973) “SPRING FROLIC” Signed ‘Leith-Ross’ bottom right, oil on board 8 x 16 in. (20.3 x 40.6cm) provenance: Private Collection, New Jersey. exhibited: Phillips Mill Community Association, New Hope, Pennsylvania, n.d. $3,000-5,000

75 FERN ISABEL COPPEDGE (american 1883-1951) MILL BY A STREAM Signed ‘Fern. I. Coppedge’ bottom left, oil on canvas 18 x 20 in. (45.7 x 50.8cm) provenance: The Artist. Ex-Collection of Edna Paxson Funk, New Hope, Pennsylvania (acquired from the above). Private Collection, Maryland. $25,000-40,000

76 JOHN FULTON FOLINSBEE (american 1892–1972) “WESTERN PENNSYLVANIA, FALL” Signed ‘John Folinsbee’ bottom right, oil on canvas 12 x 20 in. (30.5 x 50.8cm)

provenance: Property of John F. Folinsbee Art Trust. Newman Galleries, Philadelphia, Pennsylvania. Richard Stuart Gallery, Pipersville, Pennsylvania. Private Collection, New Jersey. note: The present painting will be included in the artist’s Catalogue Raisonné prepared by Dr. Kirsten Jensen. $5,000-8,000

77 ANTONIO PIETRO MARTINO (american 1902-1989) HOUSES ALONG A ROAD Signed and dated ‘A.P. Martino/1929’ bottom left, oil on canvas 20 1/8 x 24 1/4 in. (51.1 x 61.6cm) provenance: Private Collection, Pennsylvania. $6,000-8,000

78 WALTER ELMER SCHOFIELD (american 1867-1944) A ROCKY COASTLINE Signed and dated ‘Schofield ‘21’ bottom left, oil on canvas 26 x 30 in. (66 x 76.2cm) provenance: Private Collection, New Jersey. $12,000-18,000

79 JOHN WELLS JAMES (american 1873-1951) VILLAGE SCENE Inscribed with artist verso, oil on canvasboard 13 x 15 3/4 in. (33 x 40cm) provenance: Private Collection, New Jersey. $3,000-5,000

80 JOHN WELLS JAMES (american 1873-1951) HOUSE BY THE CANAL Signed ‘John Wells James’ bottom right, oil on canvasboard 12 x 15 3/4 in. (30.5 x 40cm) provenance: Weschler’s, sale of September 15, 2007, lot 643. Private Collection, New Jersey. $3,000-5,000

81 GEORGE WILLIAM SOTTER (american 1879-1953) MOONLIT RIVER Signed ‘G.W. Sotter’ bottom right, oil on canvas 10 x 12 in. (25.4 x 30.5cm) provenance: Private Collection, New Jersey. $12,000-18,000

82 DANIEL GARBER (american 1880-1958) “PORTRAIT OF HERVEY ALLEN” Signed and dated ‘Daniel Garber/1935’ bottom center, oil on canvas 42 1/8 x 46 1/8 in. (107 x 117.2cm) provenance: Commissioned from the Artist (1935). Collection of Hervey Allen, Oxford, Maryland. Collection of Ann Hyde Andrews Allen, wife of Hervey Allen, Miami, Florida and Phoenix, Arizona. Collection of Richard F. Allen, son of Ann Hyde Andrews Allen (c. 1970s). Private Collection, California. literature: Artist’s letter file, Theodore Van Soelen to Daniel Garber, c. 1935. Artist’s letter file, Hervey Allen to Daniel Garber, April 30, 1935. Lance Humphries, Daniel Garber: Catalogue Raisonné, Volume II, Hollis Taggart Galleries, 2006, p. 239, P 663, (illustrated). note: Garber painted landscapes almost exclusively throughout the 1930s and 40s. A unique work of portraiture for the time period, the present lot was commissioned from Garber, along with a companion portrait of Mrs. Hervey Allen and her daughters. The works were executed at the family’s estate on the eastern shore of Maryland. The sitter, Mr. Allen, was a successful author, most well known for his novel “Anthony Adverse” which was adapted into a film and won four Academy Awards in 1936. The artist portrays Allen at work in his study, making the estate visible behind him through the windows in the room. His treatment of light and shadow illuminates the view, but keeps the sitter in more muted light, giving the feeling of quiet contemplation. Garber seldom painted outside Pennsylvania, so this painting is a rare piece, depicting part of the Choptank river, which is a tributary of the Chesapeake Bay. $100,000-150,000

83 JOSEPH THURMAN PEARSON JR. (american 1876-1951) “WATERSIDE” With ‘Estate of Joseph T. Pearson Jr.’ stamp on canvas and stretcher verso, oil on canvas 24 1/4 x 28 in. (61.6 x 71.1cm) provenance: The Artist. The Estate of the Artist. Bianco Gallery, Buckingham, Pennsylvania. Private Collection, New Jersey. exhibited: “Joseph T. Pearson: A Painter in the Grand Manner,” Woodmere Art Museum, Philadelphia, Pennsylvania, April 8-July 8, 2001. $2,000-3,000

84 WALTER EMERSON BAUM (american 1884-1956) “SCENE FROM HELLERTOWN” Signed ‘W.E. Baum’ bottom right; also signed and inscribed with title verso, oil on masonite 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, New Jersey $2,500-4,000

85 ANTONIO PIETRO MARTINO (american 1902-1989) “WINTER DAWN” Signed ‘Antonio P. Martino’ bottom right; also signed, inscribed with title and dated ‘1928’ on upper stretcher verso, oil on canvas 30 x 26 in. (76.2 x 66cm) provenance: Walter Baum Galleries, Sellersville, Pennsylvania (per label verso). Ex-collection of Harry O. Eichlay, Addingham, Pennsylvania (acquired from the above from gallery director Mr. Robert “Bert” Baum, son of Walter Baum, per label verso). Private Collection, New Jersey. $8,000-12,000

86 HARRY LEITH-ROSS (american 1886-1973) “STONY BROOK” Signed ‘Leith-Ross’ bottom left, watercolor on paper Sheet size: 22 1/2 x 30 1/4 in. (57.2 x 76.8cm) provenance: Coryell Gallery at the Porkyard, Lambertville, New Jersey. Property from the Collection of a Bucks County Lady. $1,500-2,500

87 JOHN FULTON FOLINSBEE (american 1886-1973) “LEITH-ROSS PAINTING” Signed ‘John Folinsbee’ bottom right, oil on board 8 1/4 x 10 1/4 in. (21 x 26cm) provenance: Private Collection, New Jersey. note: The present painting is number 245 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen and is dated to the 1930s. $2,000-3,000

88 FERN ISABEL COPPEDGE (american 1883-1951) “CLEARING OFF GLOUCESTER HARBOR” Signed ‘Fern I. Coppedge’ bottom left; also inscribed with title on upper stretcher verso, oil on canvas 14 1/8 x 16 1/8 in. (35.9 x 41cm) provenance: Private Collection, Missouri. $12,000-18,000

89 ROBERT SPENCER (american 1879-1931) “MEADOWLAND” Signed ‘Robert Spencer’ bottom right; also signed and inscribed with title on upper stretcher verso, oil on canvas 12 x 14 in. (30.5 x 35.6cm) In a Harer frame with incised signature ‘HARER’ provenance: Private Collection, New Jersey. $15,000-25,000

90 RICHARD GIBSON WEDDERSPOON (american 1889-1976) ROOM INTERIOR WITH A VIEW Signed ‘R.G. Wedderspoon’ bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

91 FERN ISABEL COPPEDGE (american 1883-1951) “THE QUARRY, POINT PLEASANT” Signed ‘Fern I. Coppedge’ bottom left; also inscribed with title in pencil on upper stretcher verso; also inscribed ‘Fern I. Coppedge of/Lucy Blair Pidcock home-Pt. Pleasant, Pa.’ on upper stretcher verso, oil on canvas 14 x 20 in. (35.6 x 50.8cm) In an Albert Milch frame. provenance: The Artist. Ex-Private Collection, New Hope, Pennsylvania (a gift from above). Private Collection, New Jersey (acquired from the above). $30,000-50,000

92 EDWARD WILLIS REDFIELD (american 1869-1965) “RAVEN ROCK WING DAM” Signed and dated ‘E.W. Redfield ‘98’ bottom left, oil on canvas 23 1/4 x 32 1/4 in. (59.1 x 81.9cm) provenance: C.G. Sloan & Co., sale of October 20, 1997, lot 874. Private Collection, New Jersey. note: The present painting will be accompanied by a letter of authenticity from Dr. Thomas Folk, and will be included in the artist’s forthcoming Catalogue Raisonné. $30,000-50,000

93 W* S* NICHOLS (american 20TH CENTURY) “AT LOCK 15-16, SMITHTOWN, BUCKS COUNTY” Signed ‘W.S. Nichols’ bottom left; also inscribed, located and dated ‘At Lock 15-16/Smithtown/Bucks County - PA/Lehigh Coal &/ Navigation/Canal/August 1932’ on canvas verso, oil on canvas 18 1/4 x 25 1/4 in. (46.4 x 64.1cm) provenance: Private Collection, New Jersey. $3,000-5,000

94 VIRA B. MCILRATH SCHEIBNER (american 1889-1956) LAMBERTVILLE ROUTE 179 Signed ‘V. Scheibner’ bottom right, oil on canvas 24 x 20 1/4 in. (61 x 51.4cm) provenance: Private Collection, Delaware. Rago Arts, sale of November 15, 2014, lot 126. Private Collection, Pennsylvania. $2,000-3,000

95 JOHN FULTON FOLINSBEE (american 1892-1972) SEABIRD OVER STORMY SEAS Signed ‘John Folinsbee’ bottom right, oil on board 16 x 24 in. (40.6 x 61cm) provenance: Private Collection, New Jersey. note: The present painting will be included in the artist’s Catalogue Raisonné prepared by Dr. Kirsten Jensen. $6,000-10,000

96 WALTER EMERSON BAUM (american 1884-1956) “THE ROAD ALONG THE RIVER” Signed ‘W.E. Baum’ bottom right; also signed, inscribed with title and dated ‘1927’ on upper stretcher verso, oil on canvas 35 3/4 x 40 1/4 in. (90.8 x 102.2cm) provenance: Private Collection, Georgia. $6,000-10,000

97 GEORGE WILLIAM SOTTER (american 1879-1953) CARVERSVILLE AT NIGHT Signed ‘Sotter’ bottom left, oil on canvas 22 x 26 in. (55.9 x 66cm) provenance: George W. Sotter Studios, Bucks County, Pennsylvania (per label verso). Ex-Private Collection, New Jersey. Freeman’s, sale of October 10, 1996, lot 1018. Private Collection, New Jersey. $70,000-100,000

98 ELIZABETH FISHER WASHINGTON (american 1871-1953) IN THE GARDEN Signed ‘Elizabeth F. Washington’ bottom right, oil on canvas 25 1/4 x 30 in. (64.1 x 76.2cm) provenance: James D. Julia, sale of August 22, 2001, lot 1116. Private Collection, New Jersey. $4,000-6,000

99 RANULPH BYE (american 1916-2003) “BIRCHES” Signed ‘Ranulph Bye’ bottom right; also inscribed with title and dated ‘May ‘93’ on upper stretcher verso, oil on canvas 10 x 11 in. (25.4 x 27.9cm) provenance: Freeman’s, sale of October 5, 2007, lot 204. Private Collection, New Jersey. $1,000-1,500

100 GEORGE WILLIAM SOTTER (american 1879-1953) “GLOUCESTER” Signed ‘G.W. Sotter’ bottom right, oil on canvasboard 15 3/4 x 20 in. (40 x 50.8cm) provenance: Private Collection, New Jersey. $10,000-15,000

101 GEORGE WILLIAM SOTTER (american 1879-1953) “VILLAGE LANE” Signed ‘George Sotter’ bottom right, oil on board 7 1/2 x 9 1/4 in. (19.1 x 23.5cm) provenance: Cincinnati Art Galleries, Cincinnati, Ohio. Private Collection, New Jersey. $8,000-12,000

102 FERN ISABEL COPPEDGE (american 1883-1951) “LITTLE HOUSE AT LAMBERTVILLE” (VILLAGE ROAD) Signed ‘Fern I. Coppedge’ bottom center; also inscribed with title verso, oil on canvas 12 x 12 in. (30.5 x 30.5cm) provenance: Private Collection, Pennsylvania. $25,000-40,000

index Bacher, H.B. Baum, W.E. Benson, F.W. Benton, T.H. Berthelsen, J. Bischoff, F.A. Borie, A. Bryant, E.L. Bye, R. Campbell, L.A. Carles, A.B. Carlson, J.F, Coppedge, F.I. Couse, E.I. Davis, C.H. Dawson, M. Drewes, W. Elvgren, G. Enneking, J.J. Folinsbee, J.F. Frishmuth, H.W. Garber, D. Hunt, W.M. James, J.W. Jones, H.B. Lathrop, W.L. Leith-Ross, H. Lewis, M.

12 48, 54, 57, 66, 68, 69, 84 26 3, 4, 6 43 28 23 22 49, 99 39 40-42 34 63, 67, 75, 88, 91, 102 27 17 25 35 36-38 21, 53, 58, 62, 65, 76, 87, 95, 96 7 5, 52, 64, 82 18, 79, 80 15, 16 61 50, 56, 74, 86 1, 2

Lungren, F. Martino, A.P. McCoy, J.W. McGurl, J. Meltzer, A. Murphy, J.F. Nichols, W.S. Ochtman, L. Peale, R. Pearson Jr., J.T. Phillips, S.G. Redfield, E.W. Richards, F.D. Richards, W.T. Sargent, J. S. Scheibner, V.B.M. Schofield, W.E. Schoonover, F.E. Sotter, G.W. Spencer, R. Stuempfig, W. Tucker, A. Walter, M. Washington, E.F. Wedderspoon, R.G. Whorf, J. Wyant, A.H. Wyeth, A.

24 55, 72, 77, 85 32 44 70 20 93 19 8 83 71 92 14 9, 10 11 84 59, 78 45 51, 81, 97, 100, 101 60, 89 47 29, 30 46 73, 98 90 33 13 31

glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a state of opinion and is not to be taken as a statement or representation of face. freeman’s reserves that right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. names

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school of

Forename(s) and surname of painter is in our

School accompanied by the name of a place or country

opinion a work by that artist; e.g. Charles Willson

and a date means that we believe the picture was

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studio of

circle of

Refers to a work from the studio of the artist which

or a date and/or an inscription means that we believe

may or may not have been executed under his

the artist’s name and/or date and/or inscription have

direction; e.g. Studio of Charles Willson Peale.

been added by another hand.

Circle of..... refers to a work of the period of the

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Dimensions are given height before width.

Purchase removal, shipping and offsite storage information

Important Information for Buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email Darren Joyner at djoyner@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property.

Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property. Annie Hauls Jules Smith Doylestown, PA 18901 215.230.8123 email@anniehauls.com Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts Catherine Erickson New York, NY 10011 212.741.2024 / Fax: 212.741.5513 shipping@crozierarts.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com

Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

The Packaging Store ‡ Alex Long 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

UPS Store 3263 ‡ Colin McCarry Philadelphia, PA 19103 auctionpackship@gmail.com 484.879.6678

Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com

Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

FURNITURE & LARGE ITEMS For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.freightquote.com ‡ Shippers that can fulfill international deliveries

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Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency

in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

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bidding & registration form sale no

bidder no

name

1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com

client no

business name

address city

state

zip code

e-mail

phone (primary)

phone (secondary)

country

fax

resale / tax identification

state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,500 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account no

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed (signature required to execute your bids)

q id confirmed

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Directory Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

20th Century Design Tim Andreadis tandreadis@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer

Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Micah Dornfeld mdornfeld@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Stephanie Parker sparker@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

Southeast Colin Clarke cclarke@freemansauction.com

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com

West Coast Michael Larsen mlarsen@freemansauction.com

Asian Arts Benjamin Farina bfarina@freemansauction.com

Main Line Thomas McCabe tmccabe@freemansauction.com

Books, Maps & Manuscripts Benjamin Truesdale btruesdale@freemansauction.com British & European Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Frederick Oster foster@freemansauction.com Oriental Rugs & Carpets Andrew Taggart ataggart@freemansauction.com Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu Nicholas B. A. Nicholson nnicholson@freemansauction.com

92 v3.2016