American Furniture, Folk, and Decorative Arts by Freeman's

AMERICAN FURNITURE, FOLK & DECORATIVE ARTS APRIL 25, 2018

american furniture, folk & decorative arts auction Sale 1600 Wednesday, April 25 at 10am 1808 Chestnut Street, Philadelphia PA 19103 Cover Image: Lot 41, Inside Front Cover: Lot 149 (detail), Inside Back Cover: Lot 9

american furniture, folk & decorative arts department Lynda Cain Vice President | Head of Department lcain@freemansauction.com 267.414.1237

Grace Fitts Administrator gfitts@freemansauction.com 267.414.1254

exhibitions Saturday, April 21 Sunday, April 22 Monday, April 23 Tuesday, April 24

10:00am-5:00pm 12:00pm-5:00pm 10:00am-5:00pm 10:00am-5:00pm

By appointment only on the morning of the sale

client services Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236

Joslyn Moore Bidding Registration jmoore@freemansauction.com 267.414.1207

Melissa Arundel Post-Sale Administrator marundel@freemansauction.com 267.414.1226

Lot 40 (detail)

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rom fashion to theater, music to dance, Gloria G. Einbender (1930-2017) was a passionate lover and supporter of the arts, especially the visual arts. Born in Kansas

City, Missouri, Gloria moved to New York City at the age of twenty to pursue a career in fashion illustration. It was there that she married her longtime beau, Edwin Einbender. In 1964, the couple relocated to the Philadelphia area where Edwin founded the Honeybee clothing store. Gloria worked closely beside him and together, they produced a fashion catalogue that won accolades in the womenâ&#x20AC;&#x2122;s fashion industry; they later expanded their business from one store to fourteen. The Einbenders returned to New York City in the late 1970s to fully participate in and derive inspiration from the cityâ&#x20AC;&#x2122;s vibrant and diverse cultural offerings. Widowed in 1987, Gloria developed an interest in Folk and Outsider Art at the American Folk Art Museum and shortly thereafter began collecting works by Outsider and self-taught artists, with an emphasis on rural Southern artists. Gloria ultimately returned to Philadelphia, where she filled her Rittenhouse Square home with the brilliant color and exuberance of the collection she built over the course of nearly 30 years.

the outsider & folk art collection of gloria g. einbender lots 1-40

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1 Purvis Young (1943-2010) horses Signed, upper right, “Young,” paint on repurposed wood and plywood construction, mounted for hanging. 32 in. x 24 1/4 in. provenance: Gallery 721, Fort Lauderdale, Florida, January 1997. $1,500-2,500

2 Purvis Young (1943-2010) struggle, early 1980s House paint on repurposed wood construction, mounted for hanging. 24 3/4 in. x 27 1/2 in. provenance: Gallery 721, Fort Lauderdale, Florida, January 1997. $1,000-2,000

the collection of gloria g. einbender

3 Vernon Clyde “Clyde Angel” Willets (1920-2006) “a woman and a man in love” Titled on verso, mixed media and repurposed metal. H: 16 1/4 in. L: 22 in. provenance: The Pardee Collection, Iowa City, Iowa, 1995. $400-600

4 Vernon Clyde “Clyde Angel” Willets (1920-2007) upturned head with blue eye Cut signature, lower edge, “Clyde Angel,” and cut inscription, “There’s a Hole in the Sky / Puts the Blue in my Eye / Takes Me All of the Way Up to Heaven,” additional graphite inscripton at top of head, “Enso...H,” mixed media on cut-out metal, mounted for hanging. H: 20 3/4 in. W: 14 in. $300-500

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5 Thornton Dial, Sr. (1928-2016) woman’s head Initialed, lower right, “TD,” watercolor, pastel and graphite on paper, framed. 12 5/8 in. x 9 1/2 in. (sight) provenance: Gallery 721, Fort Lauderdale, Florida, February 1997. $4,000-6,000

6 Thornton Dial, Sr. (1928-2016) woman with full plate Initialed, lower right, “TD,” watercolor, graphite and ink on paper. 12 1/2 in. x 9 1/2 in. (sight) provenance: Gallery 721, Fort Lauderdale, Florida, February 1997. $3,000-5,000

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7 Joe Light (1934-2005) bird on man’s head, 1994 Signed, lower right, “Joe Light,” and dated, lower left, “7-15-94,” oil on wood, framed. 27 in. x 12 3/4 in. (sight) provenance: Vanity Novelty Garden, Miami Beach, Florida, January 1997. $600-800

8 David Butler (1898-1997) fish with two hearts Initialed on verso, “DB,” paint on cut-out metal. L: 20 in. provenance: Leslie Muth Gallery, Santa Fe, New Mexico. $800-1,200

9 Eddie Arning (1898-1993) lark, put some more flavor in your life, circa 1969 Cray-pas and graphite on paper, framed. 25 1/4 in. x 19 1/2 in. (sight) provenance: Verso with label for Fleisher Ollman Gallery, Philadelphia, Pennsylvania, July 1997.

note: The source for many of Arning’s drawings were print advertisements or photographs originally published in popular contemporary magazines. $2,500-3,500

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10 Gold “Stuart crystal” mourning slide england, late 17th century Of oval form, with enameled skull and crossbones set against hairwork ground and under faceted rock crystal, the reverse with loop attachments and engraved initials, “MH,” seemingly unmarked. L: 15/16 in. (overall) provenance: S.J. Phillips, Mayfair, London, England. $600-800

12 Gold “Stuart crystal” mourning slide england, late 17th century Of oval form, with enameled skull and crossbones above gold wire initials, “AH,” all against hairwork ground and under faceted rock crystal, the reverse with loop attachments, seemingly unmarked. L: 1 in. (overall) provenance: S.J. Phillips, Mayfair, London, England. $800-1,200

10 Eddie Arning (1898-1993) “marboro,” 1960s Crayon and graphite on paper, framed. 24 1/2 in. x 18 1/2 in. (sight) provenance: Webb Gallery, Waxahachie, Texas, November 1996. $2,000-3,000

the collection of gloria g. einbender

11 Eddie Arning (1898-1993) five female figures Cray-pas and graphite on paper, framed. 19 1/4 in. x 25 3/4 in. (sight) $1,500-2,500

12 Eddie Arning (1898-1993) potted three-petal orange flower, circa 1970 Cray-pas and graphite on paper, framed. 15 in. x 9 3/4 in. (sight) $1,000-2,000

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13 Two sheet metal quilt patterns and a sheet metal rooster weathervane 19th/20th century H(s): 10 1/2 in., 9 in. and 16 in. $800-1,200

14 Queen Anne two-drawer tavern table pennsylvania, late 18th century H: 30 in. W: 47 1/2 in. $600-800

the collection of gloria g. einbender

15 Pieced and tied child’s quilt possibly new york state, circa 1870 Bearing the signature,”Ida Murphy,” worked with variously printed cotton and wool pieces centering the appliqued figure of an African-American child, mounted for hanging. 53 in. x 53 3/4 in. provenance: John C. Newcomer & Associates, 1990. $3,000-5,000

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16 Classical yellow painted and polychrome stenciled bench pennsylvania, circa 1845, paint refreshed circa 1910 En suite with lot 20. H: 36 in. W: 75 in. provenance: Dorothy & Abby Brooks, Lahaska Antique Court, 1987.

17 George III mahogany tilt-top tea table 18th century With a tapering support on three arched legs ending in pad feet. H: 28 in. Diam: 36 in. provenance: Vartarian’s Antiques, Lambertville, New Jersey, 1981. $250-350

18 Queen Anne walnut tea table with dished top 18th century With a turned and urn-form support on tripod base. H: 25 in. Diam: 24 in. $200-300

the collection of gloria g. einbender

19 Missionary Mary L. Proctor (b. 1960) “this little light of mine i’m going to let it shine everywhere i go” Signed, lower right, “By Missionary Mary L. Proctor,” and titled, upper left, mixed media on board, framed. 6 5/8 in x 4 1/2 in. (sight) $600-800

20 Yellow and polychrome painted and stenciled dining table and six accompanying chairs pennsylvania, circa 18450, paint refreshed circa 1910 The table fitted with a drawer. H: 30 in. L: 90 in. (table); H: 36 in. (chairs) provenance: Dorothy & Abby Brooks, Lahaska Antique Court, 1987. $1,500-2,500

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21 Pierre Merlier (French, 1931-2017) bending figure Base incised, “Merlier,” painted wood. H: 13 1/2 in. $500-800

22 Harriet Wiseman (20th century) five women Signed, upper left, “H. Wiseman 60,” acrylic on board, framed. 36 in. x 41 in. (sight) provenance: Purchased directly from the artist. $600-800

the collection of gloria g. einbender

23 Bertha Leonard (20th century) “leopard negligee with matching shoes” Oil on board, framed. 33 3/4 in. x 36 in. (sight) provenance: Gross McCleaf Gallery, Philadelphia, Pennsylvania. $600-800

24 Painted round top table and seven stenciled and grain-painted Hitchcock chairs 19th century The chairs stenciled, “L. Hitchcock, Hitchcockville, Conn. Warranted.” H: 33 in. Diam: 44 in. (table); H: 34 in. (chairs) $700-1,000

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25 Mose Tolliver (1898-2006) lady in brown dress with earrings Signed, lower left, “Mose T,” oil on wood panel. 23 1/4 in. x 12 3/4 in. $800-1,200

the collection of gloria g. einbender

26 Annie Tolliver (b. 1950) “my ten nephew rolling skate,” dated 2001 Signed along bottom edge, “Annie T.”, the verso with title and date, “9-1-01,” oil on board, mounted for hanging. 15 1/2 in. x 41 1/2 in. $500-700

27 Bernice Sims (1926-2014) children at play Signed, lower left, “B Sims,” acrylic/oil on canvas. 19 7/8 in. x 15 7/8 in. provenance: Downtown Gallery, New Orleans, Louisiana. Stretcher retains label for Lemieux Galleries, New Orleans, Louisiana. $600-800

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28 Reverend Johnnie S. Swearingen (1908-1993) “spring on the farm,” 1970s Initialed, lower right, “J.S.S,” oil on canvas panel, mounted in frame. 17 3/4 in. x 24 in. (sight) provenance: Webb Gallery, Waxahachie, Texas, December 1998. $1,500-2,500

29 Attributed to Reuben Aaron Miller (1912-2006) double-sided painted rooster cutout Paint on metal. L: 13 3/4 in. $300-500 Reverse

the collection collection of of gloria gloria g. g. einbender einbender the

30 Jimmy Lee Sudduth (1910-2007) white rooster Signed, upper left, “Jim Sudduth,” mud, paint and chalk on board, framed. 23 1/2 in. x 23 3/4 in. (sight) provenance: Marcia Weber/Art Objects, Inc., Montgomery, Alabama. $800-1,200

31 Jimmy Lee Sudduth (1910-2007) woman and dog in front of yellow house Signed, upper left, “Jim Sudduth,” mud, paint and graphite on board, mounted for hanging. 24 in. x 24 in. $800-1,200

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32 Mamie Deschillie (1920-2010) arrangement of nine cows with sequins Signed, lower edge, “Mami Deschillie,” oil and sequins on cardboard, mounted in frame. 13 in. x. 19 in. (sight) $800-1,200

33 Mamie Deschillie (1920-2010) black and white cow with red bow cutout Initialed on back leg, “MD,” mixed media on cardboard. H: 13 in. W: 15 in. provenance: Case Trading Post, Santa Fe, New Mexico, November 1995. $300-500

the collection of gloria g. einbender

34 Mamie Deschillie (1920-2010) cow with calf and spotted dog cutout Initialed on calf, “MD,” mixed media on cardboard, mounted in frame. 20 in. x 26 in. (sight) provenance: Folk Art of the Four Corners, Cortez, Colorado, May 1998. $500-800

35 Sam “The Dot Man” McMillan (b. 1926) two works: painted stool and new york view Signed, “Sam,” painted wood. H: 17 3/4 in. and 24 in. x 14 in. provenance: Purchased directly from the artist. $300-500

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36 Tubby (Rutherford) Brown (1929-2003) “the devil’s hot tub” Signed, lower tub, “T. Brown,” painted wood and metal. H: 21 in. provenance: Gilley’s Gallery, Baton Rouge, Louisiana. $300-500

the collection of gloria g. einbender

37 James Howard Jennings (1930-1999) two works: angel and lady in a garden Each signed on verso, “James Howard Jennings,” painted wood. H(s): 13 1/2 in. and 8 3/4 in. provenance: The first: purchased directly from the artist; the second: At Home Gallery, Greensboro, North Carolina. $400-600

38 Woodie Long (1942-2009) new york city Signed, lower left, “Woodie,” oil on paper, framed. 13 1/4 in. x 21 1/2 in. (sight) provenance: Marcia Weber/Art Objects, Inc., Montgomery, Alabama. $1,000-2,000

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39 Roger Lee Ivens aka Ab the Flagman (b. 1964) new york liberty Signed, lower right, “Ab the Flagman,” painted wood construction. H: 34 in. provenance: Marcia Weber/Art Objects Inc., Montgomery, Alabama. $1,500-2,500

40 Roger Lee Ivens aka Ab the Flagman (b. 1964) liberty on american flag Signed, lower right, “Ab the Flagman,” painted wood construction. H: 24 in. $1,000-2,000

end of collection

american furniture, folk & decorative arts lots 41-294

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41 American School 19th century remember that time is money Oil on panel, framed. 10 3/8 in. x 8 1/2 in. (sight) $2,500-3,500

42 Queen Anne maple chest-on-frame new england, circa 1760 With scrolled apron and cabriole legs. H: 58 in. W: 39 1/2 in. D: 19 3/4 in. $4,000-6,000

43 American School 19th century After Joseph-Siffred Duplessis (1725-1802) portrait of benjamin franklin (1706-1790) Oil on canvas, framed. 28 1/2 in. x 23 in. (sight) $4,000-6,000

44 Queen Anne carved walnut dressing table new england, circa 1760 With a blocked and fan-carved center drawer on cabriole legs ending in pad feet. H: 30 1/4 in. W: 36 in. D: 21 1/2 in. $2,000-3,000

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45 Embroidered pocket chester county, pa, 18th century Worked with polychrome silk threads on a finely woven wool ground, backed by polished linen. L: 16 1/4 in. provenance: Accompanied by a typed note, “Work Pocket/ Hoopes-Greenfield family/ Great Grandmother Smith.” Found in Kemblesville, Pennsylvania. $2,000-3,000

46 Group of silver tablewares joseph lownes (1758-1820) and christian wiltberger (1769-1851), philadelphia, pa Including a julep cup, ladle, and twelve teaspoons, all bearing touch of Lownes; together with six urn-back tablespoons with touch of Wiltberger. L: 13 1/4 in. (ladle) Total Weight: 32 1/2 troy oz. $600-800

47 Child’s ribbon-back mahogany side chair 19th century With needleworked seat cover. H: 26 3/4 in. provenance: Collection of a Philadelphia Lady. $500-800 48 Chippendale child’s upholstered mahogany easy chair late 18th century H: 31 3/4 in. provenance: Collection of a Philadelphia Lady. $800-1,200

49 American School 19th century After Benjamin West (1738-1820) “the artist and his family” Watercolor and ink on paper, framed. 6 in. x 9 1/2 in. (sight) $1,000-2,000

50 Chippendale mahogany oxbow chest of drawers boston, ma, circa 1790 A rectangular top with oxbow-shaped molded edge above a conforming case with four graduated drawers, raised on ball and claw feet. H: 33 1/4 in. W: 37 in. D: 21 in. provenance: Property of a Virginia Lady. $4,000-6,000

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52 Needlework sampler “mary power’s work aged 10 years 11th march 1807,” probably philadelphia, pa Figures, animals, parrot, and trees enclosing a building on a hillock with pious verse and potted flowers above, worked with silk threads on a linen ground, retains satin ribbon border, framed. 17 in. x 21 in. (sight)

51 American School 19th century portrait of a quaker lady Oil on canvas, laid on panel, framed. 12 1/4 in. x 10 1/4 in. (sight)

$5,000-8,000

$800-1,200

53 Chippendale mahogany upholstered easy chair 18th century With outscrolled arms on Marlborough legs. H: 44 in. $2,000-3,000

54 Chippendale mahogany looking glass retailed by john elliott, philadelphia, pa circa 1780 Bearing a partial printed Elliott label in German. L: 41 in. $800-1,200

55 Chippendale mahogany corner cupboard philadelphia, pa, circa 1770 In two parts, the upper portion with blind fret-carved frieze above glazed doors, the base with two recessed paneled doors flanked by reeded and canted corners, ogival bracket feet, chalk inscriptions on backboard. H: 90 in. W: 53 in. D: 27 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Gift of Mrs. Russell H. Stafford, 1957, District of Columbia Society of the Colonial Dames. $4,000-6,000

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a profound look into early american life

his remarkable collection relating to prominent Quaker families of Philadelphia, Bucks and Chester Counties is comprised of decorative

objects, furniture, and related manuscripts, printed pamphlets, books, journals and correspondence from the 17th to the 20th centuries . Connected by marriage and often through membership in the Philadelphia Yearly Meeting, families represented in the collection include Richardson, Sharpless, Haines, Cadwallader, Randolph, Eastburn, Moon, Mendenhall, Newlin, Stackhouse, Taylor and Clark. The material descended to the Moon Family of Bucks County and Virginia, to the present consignor who lovingly organized the manuscripts and preserved the early handwritten notes accompanying the decorative objects. “Nothing brings us home to the contributions made by American families to the fabric of American republic life and continent as intimately—and materially—as this collection,” Freeman’s Vice President and Senior Specialist of Books, Maps & Manuscripts, David Bloom said. “They almost seem to form themselves, over several generations, into archives of inexhaustible cultural and historical and even aesthetic interest. This archive, formed out of more than 200 years of the private (even internal) and public lives of the related Quaker families, is richly representative of this principle.”

a quaker legacy lots 56-94

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56 Collection of Quaker textiles 18th and 19th century Many items accompanied by hand-written notes identifying owner and often maker, including sheer cap, silk shoulder shawl, collars, stockings, sleeves, mitt, children’s underpants, fabric scraps of bed curtains, fan and gloves, names in collection include Mary Stackhouse Eastburn, Ann Moon, Mary Cadwallader, Franklin Eastburn, Grandmother Moon, Rachel Moon, Ann Moon, Rachel Burgess Moon, and Jane Haines Moon. Various sizes $250-350

57 Needlework sampler “mary taylor her work 1796” philadelphia, pa Worked with polychrome silk threads on a linen ground, unframed. 8 1/2 in. x 8 1/4 in. note: Probably the work of Mary Taylor (1789-1867), daughter of Samuel Taylor and Mary Richardson (1750-1835). Mary was the granddaughter of Philadelphia silversmith Joseph Richardson and his wife Mary Allen. $400-600

58 William and Mary walnut chest-on-frame philadelphia area, first quarter 18th century Bearing the inscriptions, “A.M. Randolph left to her daughter Jane Randolph Vinieratos,” in ink and paper label hand-written,”This chest in 2 parts & contents is the Property of Edward R. Vinieratos and is loaned to my mother Jane R. Vinieratos...at ‘Woodbourne’ in 1813.” H: 45 1/2 in. (without casters) W: 42 in. D: 24 1/2 in. provenance: By descent in the Moon family of Bucks County, Pennsylvania to the present owner. On January 29, 1749, James Moon, a farmer and nurseryman, purchased from Robert Lucas the 218 acres in Middletown Township known as “Woodbourne.” The property remained in the Moon family until the 20th century. The chest was at “Woodbourne” when Jane Haines (1793-1884) married James Burgess Moon (1782-1855) in 1813. note: The frame’s feet appear to be period and doweled. Furniture historian Adam Bowett has published an early 18th century English joiner’s trade card showing a chest-on-frame with short legs suggesting that such forms may have been made in England and possibly in the American Colonies. $3,000-5,000

a quaker legacy

59 Two needlework samplers worked by sisters, mary (1788-1835) and jane clark (1790-1858), philadelphia, pa, 1798 and 1800 Each worked in the tenth year of her age with polychrome silk threads on a linen ground, framed. 16 3/4 in. x 17 1/2 in. (sight) and 16 1/4 in. x 17 1/4 in. (sight) provenance:

note: Mary and Jane were the daughters of Samuel Clark (17351802) and Hannah Richardson Clark (1749-1817). Their mother, Hannah, was the daughter of the silversmith Joseph Richardson and his second wife Mary Allen, and the sister of silversmiths Nathaniel and Joseph Richardson. Samuel Clark was a board merchant whose shop was next to the family residence at 38 North 5th Street. The family were members of the Philadelphia Monthly Meeting.

By descent in the family to the present owner.

$8,000-12,000

60 Needlework sampler worked by sarah haines (1795-1832), westtown school, dated 1805 Worked with silk threads on a linen ground, unframed, accompanied by a hand-written note, “Grand-mother gave this sampler when I was a girl” and “Sarah Collins nee Haines samplershe was G. Moon’s sister. A.M.R [Anna Moon Randolph]”; together with two spot worked unframed samplers, one worked in wool. 10 1/4 in. x 8 1/2 in. note: Sarah Haines was the daughter of Job Haines (1763-1844) and Sara Carr (1762-1798) of Evesham, Burlington County, New Jersey. Sarah married John Collins. $600-800

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61 Auguste Edouart (French, 1789-1861) silhouettes of members of the randolph family The first, signed and dated, “Augst Edouart, fecit 1843, Philadelphia,” sitter identified on verso as Richard Randolph (1791-1863); the second, unsigned, with cut-out silhouettes on an ink-washed background, identified on verso as “Edward Randolph and his sister Betsy Randolph.” 10 3/4 in. x 7 5/8 in. (sight) and 11 1/2 in. x 14 1/2 in. (sight) $1,000-2,000

62 Group of assorted silver spoons daniel dupuy; joseph richardson, sr. and jr.; joseph shoemaker; and others Including a serving spoon by Dupuy, engraved, “MRM” for Moses & Rachel Moon, married 1776; three teaspoons by Joseph Richardson, Jr., engraved, “JGS” for Jonathan and Grace Stackhouse, married in 1774; and one teaspoon by Joseph Richardson, Sr., engraved, “MK” for Mercy Knowles; together with a serving spoon, tablespoon and five teaspoons by Shoemaker, Whartenby, and C. & P. bearing the initials, “JH” and “JM” for Jane Haines Moon, and a tablespoon by Bard & Son, engraved, “ME” for Mercie or Mary Eastburn. L: 9 1/2 in. (largest) Total weight: 10 troy oz. $200-300

63 Group of silver ladies accessories 19th and early 20th century Including a cloak pin engraved with the initials, “SE,” probably for Sarah Cadwallader Eastburn (1806-1885), with impressed mark of R. & W. Wilson; two hair combs engraved, “MCE,” for Mary Cadwallader Eastburn (18321917) and another comb engraved, “AJM,” for Anna Jennie Moon (1864-1932); and a silver purse engraved, “AMR,” for Dr. Anna Moon Randolph (1864-1932) and inscribed, “Presented by The Newport News Medical Society Elected to Life Honorary Membership July 2nd 1907.” L: 3 1/2 in. (comb) Total Weight: 7 troy oz. $400-600

a quaker legacy

64 Chippendale walnut tall case clock john wood (d. 1760 or 61), philadelphia, pa, circa 1750 The engraved and silvered composite brass dial inscribed, “John Wood, Philadelphia,” a hand-written label affixed to waist door reads, “Grandfather’s clock belonged to Jane Clark see Sampler...”. H: 100 in. provenance: A hand-written note and typed transcription accompany clock. The typed transcription reads: “Copied from original writing of Jane Clark [1790-1858], Great-aunt of my father, Edward Taylor Randolph to whom she bequeathed the clock. This clock was the property of Nathaniel Allen, who died in the year 1757 & left it to his daughter Hannah Allen who also dying in the year 1765 bequeathed it to her niece Hannah Richardson afterwards Hannah Clark [1749-1817] at whose death in 1817 it descended to her daughters Mary & Jane Clark the former of whom dying in the year 1835 the latter became sole proprietor & has thought proper to make this memorandum for the information of succeeding owners...” An additional note was added to the hand-written version in 1937: “Above clock is now in the possession of the 7th generation. Edward Randolph.” $4,000-8,000

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65 The Holy Bible, containing the Old and New Testaments isaac collins, trenton, nj, 1791 With the Apocrypha, Index, Tables, and A Brief Concordance, with separate title page, dated 1790. A Graig and Lea, Stationers & Bookbinders, Wilmington printed ticket on front paste down. Including three pages of manuscript with Cadwallader Family records of births & deaths from 1763-1940 on 2 leaves preceding the New Testament. $500-800

66 A letterpress broadsheet prospectus, “Proposal for Printing by Subscription, By Isaac Collins, in Trenton, The Holy Bible” 1789 Folio, verso with dense ink manuscript, “Receipts from John Wesley’s Primitive Physic.” 16 1/4 in. x 10 3/8 in. $300-500 67 Joseph Besse, “A Collection of the Sufferings of the People called Quakers, for the Testimony of a Good Conscience” luke hind, london, england, 1753 Folio, contemporary calf. provenance: Moon family ink ownerships spanning the years 1760-1932. $200-400

a quaker legacy

68 Two volumes benjamin franklin, 1744, and franklin and hall, 1759, printers Isaac Watts, “A Preserva[tive] from the Sins and Follie[s] of Childhood and Youth, written by way of Question and Answer. To which are added, some Religious and Moral Instructions in Verse,” the Fourth Edition, Franklin advertisements on p. 59. The second volume by John Rutty, “The Liberty of the Spirit and of the Flesh Distinguished, “ B. Franklin and D. Hall, Philadelphia, 1759. Leaf size 5 1/2 x3 1/8 inches provenance: First volume, Ink ownership of Isaac Moon, dated 1745, ink ownership of James Moon, dated 1749, other Moon family ink ownerships, Titled in ink in a contemporary hand (James Moon?) on front wrapper. $1,200-1,800

69 George Keith, “Truth Advanced in the Correction of Many Gross & Hurtful Errors.” william bradford, new york, 1694 Bearing numerical ink calculations, with separate title page, “A Chronological Account...” provenance: Ink ownership of James Moon on inner wrappers. $2,500-4,000

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70 Nine Society of Friends and American Imprints first half of the 19th century Including: “An Epistle to the Members of the Religious Society of Friends, Belonging to the Yearly Meeting of Pennsylvania, New Jersey, Delaware, and the Eastern Parts of Maryland and Virginia,” Solomon W. Conrad, Philadelphia, 1827; second volume, George Fox, “A Declaration of the Christian Faith and Doctrine of the Society of Friend,” Joseph R. A. Skerrett, Philadelphia 1827; third volume, Dr. N. Shoemaker, “Review of a Letter from Elias Hicks,” Thomas Kite, Philadelphia, 1829, unopened; fourth volume, “Epistle of Caution and Advice from the Meeting for Sufferings in Philadelphia,” Joseph and William Kite, Philadelphia, 1844; fifth volume, “Testimony of the Religious Society of Friends, Against Slavery,” S.N. Dickinson, Boston, 1847; sixth volume,” An Appeal for The Ancient Doctrines of the Religious Society of Friends,” Joseph Kite, Philadelphia, 1847; two other copies of the preceeding; and the last “ Epistle from the Yearly Meeting of Friends for New England,” S. N. Dickinson, Boston, 1847. provenance: Several pieces with Moon family ink ownerships. $300-500

71 Two rare Quaker Imprints andrew steuart, philadelphia, pa, 1761 and 1769 The first imprint, “Jerusalem’s Captivities Lamented: Or, A Plain Description O Jerusalem, from Joshua’s Time to the Year of Christ.;” the second imprint, Isaac Watts,”The Reverend Doctor Watt’s vision concerning The Temptations of the Devil, Pardon through Christ, and several other thinkgs, which he saw and heard in a Wonderful Dream.” $200-300

72 Group of American Quaker manuscript material first half 19th century Including spiritual testimonials and accounts, theological extracts, addresses to Friends monthly meetings and copies of letters of prominent Friends, personal letters, verses, documents, includes account of a Native American woman, most relating to the Moon, Taylor and Randolph families approximately 60 pieces. $800-1,200

a quaker legacy 73 American Quaker manuscript material primarily 18th century Including spiritual testimonials and other religious meterials, misc. extracts and copies of works and letters of prominent Friends, wills and other documents, including material relating to Native Americans, a Christian convert from Judaism, many documents relate to the Moon, Randolph, Taylor and related Quaker families, approximately 40 pieces. $800-1,200 74 Four Quaker imprints british isles, 17th and early 18th centuries Including James Alexander, “An Answer to a Book published by Richard Smith of Westchester. Wherein the People of God called Quakers are cleard from the wrong...charged upon them,” probably London, 1677; the second, Thomas Ellwood, “The Foundat[tion] of Tythes Shaken,” 1678; the third, John Whiting, “Early Piety Exemplified in the Life and Death of Mary Whiting...with Two of her Epistles to Friends,” J. Sowle, London, 1711; and the fourth, John Bancroft, “ A Faithful Warning to the Inhabitants of GreatBritian and Ireland, Samuel Fairbrother, Dublin, 1720, bound with Jane Fearson, “Universal Redemption Offered in Christ, In Opposition to That Pernicious and Destructive doctrine of Election,” 1693. provenance: First volume with ink ownership of James Moon, dated 1753. Second volume with ink ownership of James Moon, dated 1745. Third volume with ink ownership to James Moon, dated 1770 $250-450

75 Group of nine Quaker imprints 18th century Including Alice Hayes, “A Legacy, Or Widow’s Mite; Left ... to Her Children and others. Being a Brief Relation of her Life; with an Account of some of her Dying Sayings,” Andrew Steuart, Philadelphia, 1766; Joseph Gough & Joseph Phipps, “ Reasons why The People called Quakers do not pay Tythes,” Joseph Cruikshank, Philadelphia, 1771; Daniel Stanton, “A Journal of the Life Traveld, and Gospel Labours,” Joseph Cruikshank, Philadelphia, 1772- with errata; Stephen Crisp, “A Short History of a Long Travel from Babylon to Bethel “ Joseph Cruikshank, Philadelphia, 1776; two copies of Elizabeth Webb, “A Letter from... to Anthony William Boehm, with His Answer,” Joseph Cruikshank, Philadelphia, 1781; John William Gerar De Brahm, “Time an Apparition of Eternity,” Zachariah Poulson, Philadelphia, 1791 with partly printed presentation leaf, dated “ 7d VII month 1791 signed in ink by John William Gerar de Brahm, untrimmed; “Prophetic Conjectures on the French Revolution,” William Young, Philadelphia, 1794; “ A Further Salutation of Brotherly Love,”... Jacob Johnson, Philadelphia, 1795. provenance: Ink inscriptions of ownership of James Moon and Moses Moon $500-800

76 Group of early American imprints mainly william and andrew bradford, philadelphia, pa, early 18th century Including Robert Hunter, “Answer to What has been offer’d as argument...”Printed and Sold by William Bradford, Philadelphia: Sold also by Andrew Bradford, 1716; “The Charge to the Grand Jury at Burlington, the First Day of May, 1716;” “A Legacy for Children, being Some of the Last Expressions, and Dying Sayings of Hannah Hill, Junr. Of the City of Philadelphia,” Andrew Bradford, Philadelphia, 1717; “The Charge Delivered from the Bench to The Grand Jury, At the Court of Quarter Sessions held for the County of Philadelphia the second day of September 1723,” Andrew Bradford, Philadelphia, 1723- Bound with Lewis Morris, New Jersey, “Messages and Addresses,” etc. provenance: Ink ownership inscriptions of James Moon $500-800

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77 Group of Society of Friends controversial literature, unbound broadsides and letterpress sheets philadelphia, pa, 18th century Including two copies, “An Apology for the People called Quakers, Containing some Reasons for their not complying with human Injunctions and Institutions in Matters relative to the Worship of God,” James Chattin, Philadelphia, 1757- letterpress signature of James Pemberton; a broadside, “From our Meeting for Sufferings, Held in Philadelphia, the 23rd of the Third Month, 1771,” letterpress signature of John Pemberton, clerk; two copies of the broadside: “Testimony of the People called Quakers, given forth by a Meeting of the Representatives of said People, in Pennsylvania and New-Jersey, held at Philadelphia the twenty-fourth of the first Month, 1775,” letterpress signature of James Pemberton, clerk; “The Ancient Testimony and Principles of the People called Quakers, Renewed, with respect to the King and Government; and touching the Commotions now prevailing in these and other Parts of America,” letterpress signature of John Pemberton, clerk; Anthony Benezet, “Serious Reflections affectionately recommended to the Well-disposed of every Religious Denomination...,” ; two copies of “To the President and Executive Council, The General Assemblfy of Pennsylvania, and others whom it may concern; The following Representations on Behalf of the People called Quakers,” letterpress signature of John Drinker, clerk; and two copies of “To the General Asse of Pennsylvania. An Address and Memorial on behalf of the People called Quakers,” letterpress signature of John Drinker, clerk. 12 pieces. 13 x 8 1/4 inches;13 3/16 x 8 1/4 inches; provenance: Moon family 18th & 19th century ink ownerships $500-800

78 Early and rare American Indian Captivity Narrative of Elizabeth Hanson philadelphia, pa, 1728 “God’s Mercy surmounting Man’s Cruelty: exemplified in the captivity and redemption of Elizabeth Hanson, ...of Knoxmarsh at Keacheachy, in Dover township, who was taken captive with her children, and maidservant, by Indians in New England, in the year 1724...” Philadelphia: to be sold by Samuel Keimer in Philadelphia, and by W. Heurtin goldsmith in New York, 1728. provenance: Ink ownership of James Moon note: Elizabeth Hanson (1684-1737), wife of a Quaker farmer in New Hampshire, was captured along with four of her children and a servant in 1724. Her story became a bestseller, owing to the Society of Friends which kept her text in circulation. Hanson’s narrative remains a remarkable document of Native American life. $3,000-5,000

79 John Heckewelder, “A Narrative of the Mission of the United Bretheren Among the Delaware and Mohegan Indians, from...1740 to...1808” m’carty & davis, philadelphia, pa, 1820 First edition, with frontispiece portrait & errata. provenance: Early ink ownerships on title page. $200-300

80 Charles Thomson, “An Enquiry into the Cause of the Alienation of the Delaware and Shawanese Indians from the British Interest” j. wilkie, london, england, 1759 First edition, with folding map. Leaf Size: 8 5/16 x 4 15/16 in. provenance: A few internal pencil annotations, ink ownerships of James Moon, dated 1761 and ink ownership of Charles Moon on front free end paper, back free end paper excised note: Charles Thomson, afterwards secretary of the Continental Congress, was, at the time this was written , an usher in a Quaker grammar-school in Philadelphia. Francis Parkman refers to this tract as “design to explain the cause of the rupture which took place at the French war...” $4,000-8,000 81 Two Slavery items: “An Essay on Slavery, Proving from Scripture its Inconsistency with Humanity and Religion” and a manumition form granville sharp, isaac collins, printer, burlington, nj, 1773 First edition, untrimmed together with a letterpress manumition form , probably Philadelphia, not filled in. 5 1/2 in. x 6 7/8 in. provenance: Contemporary ink ownerships of James Moon dated 1773, $200-300 82 Mathew Carey, “A Short Account of the Malignant Fever, Lately Prevalent in Philadelphia.” printed by the author, philadelphia, pa, 1793 Third Edition, Improved, includes Meterological observations by David Rittenhouse. provenance: Contemporary ink ownership of James Moon $300-500

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83 Susannah Carter, “The Frugal Housewife: or, Complete Woman Cook” james carey, philadelphia, pa, 1796 With two plates, complete. provenance: Ink ownership signature of Elizabeth Richardson, dated 1798, at head of front blank verso, old ink ownership of Mary Taylor at head of title page $600-1,000 84 Group of manuscript culinary and medicinal recipe books 19th century Including culinary manuscript recipe book, circa 1800, belonging to Jane H. Moon; a manuscript culinary and medicinal recipe book, belonging to members of the Randolph family, circa 1800; another manuscript culinary and medicinal recipe book, circa 1840 belonging to the Randolph family, with inserted material. $500-800

85 Medical scale, small boxed microscope, photographs and documents relating to Dr. Anna Moon Randolph (1864-1932) late 19th and early 20th century The scale with weights; the microscope accompanied by assorted botanical and entomological slides, together with two photographs, dated February 1, 1895, showing Anna Moon Randolph in the anatomical laboratory at the Women’s Medical College of Pennsylvania; a State Board of Medical Examiner’s of Virginia certificate issued in 1899 to Dr. Randolph, and several other items. H: 11 1/2 in. (scale) W: 61/2 in. (boxed microscope) note: Born to Mary Cadwallader Eastburn and Charles Moon, Anna Moon married Edward Randolph in 1893 and then attended the Women’s Medical College of Pennsylvania, graduating in 1899. $400-600

a quaker legacy

86 Two travel volumes: George Staunton, “An Authentic Account of an Embassy from Great Brittany to the Emperor of China.” john bioren for robert campbell, philadelphia, pa, 1799 First American edition, with fold table and eight plates; the second volume, William Edward Parry, “Journal of a Voyage for the Discovery of a North-West Passage...with the North Georgia Gazette, and Winter Chronicle,” Abraham Small, Philadelphia: 1821, first American edition. provenance: Parry with old ink ownerships on Vol. 1 title page. $200-300 87 Seven Randolph Family commonplace, journal or travel books 19th century Including Mary Taylor Randolph’s Autograph Manuscript Commonplace Book, circa 1850; Mary Randolph’s Autograph Manuscript notes relating to family history, 1858-1880; Mary Taylor Randolph’s Autograph Manuscript Extract Book, circa 1850 or earlier; Edward T. Randolph’s Autograph Manuscript Journal & Commonplace Book, circa 1834-1870; Edward Randolph, Jr.’s Autograph Manuscript Commonplace Book, circa 1830; Edward Randolph, Jr.’s “Journal of a Voyage from Phila. to Liverpool on board the ship Lancaster... 182[?]; and Edward Randolph’s “Philadelphia, Pennsylvania to San Francisco California [by ship]...1882...1883. 157 days.” $500-800

87A Small archive of manuscript and printed material relating to Quaker families 19th century Including Moon, Randolph, Taylor, Sharpless, Eastburn, Cadwallader, Sellers Haines, and other primarily Pennsylvania families, letters, documents, five volumes of early 20th century printed genealogies, ten assorted 18th and 19th century printed family owned books. $300-500 88 Group of travel journals relating primarily to Richard Randolph 1834-1835 Six volumes recording travel from Philadelphia to Liverpool, Ireland, England, France, Rome and Stockholm, “Notes of Travel in the Old World in the Years 1834, ‘35, ‘36 and ‘37 by a Pennsylvanian.” $600-1,000

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89 One letterpress item on early American zookeeping boston, ma, june 26, 1861 “Boston Aquarial and Zoological Gardens! A Living Whale! in a Communication to the Boston Journal, Professor Agassiz gives the following descriptions of the White Whale. Catalogue, Aquarial Department. Catalogue of the Animals,” sheet folded into 4pp. $100-200

90 Five children’s books early 19th century Including Sarah Trimmer, “The Silver Thimble,” B. & J. Johnson, 1801; S. Hays, “Stories for Little Children,” Johnson & Warner, Philadelphia, 1812., part I (of 2) only; Eliza Robbins, “The New Year Improved: or Eros Corrected,” J. Maxwell, Philadelphia, 1821; Annabella Plumptre, “Stories for Children,” S. King, New York, 1824 with hand-colored frontispiece, five hand-colored plates; Jane and Ann Taylor, “Rhymes for the Nursery,” Harvey & Darton, London, 1825. provenance: Second volume: ink ownership of Edward Randolph, dated 1823. Third volume: ink ownership Juliamina Randolph from her teacher H.J. Gilpin. Fourth volume: with ink ownership to Richard Randolph, dated 1828. Fifth volume: ownership of Mary Randolph, dated 1825. $300-500 91 Two cased hand-tinted ambrotypes of young girls circa 1855 1/4 plate. $150-250

92 Large group of original photographic portraits 1860 to 1900 Including members of the Moon, Randolph, Eastburn, Sharpless and related families, approximately 65 cartes-de-visite, approximately 55 cabinet cards, a large format albumen print of Edward Taylor Randolph and Mary Sharpless Randolph and four children, together with a watercolor drawing of Caroline Wood (18381857) daughter of Julianna Randolph Wood. $300-500

a quaker legacy

93 Eleven cased daguerreotypes 1845-1855 Most hand-tinted, 1/6th plates in leather or gutta percha cases, sitters include: Mary Taylor Cadwallader, Edward T. Randolph, Phoebe Randolph, Mary Randolph, Anne Mendenhall Sharpless, and Robert Sharpless; together with a 1/9th ambrotype. $800-1,200

94 Group of silhouettes and cartes-de-visite 19th century Including silhouettes and cartes-de-visite taken in Trenton, New Jersey of Josiah Comfort and Rachel Cadwallader Comfort (1802-1858), identified and dated 1836, and silhouette of Laetetia Cadwallader (1804-1876) and a carte-de-visite of her son Edward Balderston (1834-1879), unframed. 5 in. x 3 7/8 in. (sight) $250-350

end of collection

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95 American School 19th century portrait of the rev. john showers (1657-1715) The sitter identified on verso, “Rev. John Showers,” oil on canvas, framed. 29 in. x 24 in. (sight) note: Rev. John Showers was an English Puritan preacher. $800-1,200

96 Queen Anne walnut “Octoraro” tavern table chester county, pa, 18th century Rectangular top above two drawers and cabriole legs ending in trifid feet. H: 28 1/8 in. W: 54 in. D: 27 1/2 in. $1,500-2,500

97 Two painted brace-back Windsor side chairs late 18th century With shield-shaped seats. H: 36 in. $1,000-1,500

98 After Benjamin West (1738-1820) william penn’s treaty with the indians, john hall, engraver, published 1775 Engraving, published by John Boydell, London, framed. 18 3/4 in. x 23 2/4 in. (sight) $800-1,200

99 Cherrywood Kas new jersey, circa 1770 Dentil molded cornice above two raised panel doors flanked by applied pilasters on single long drawer flanked by applied stars, raised on ball-turned feet. H: 72 1/2 in. W: 63 1/2 in. D: 23 1/4 in. $3,000-5,000

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100 Attributed to Frederick Buck (Irish, 1771-1839) portrait miniature of a gentleman in a patterned waistcoat, circa 1800 Watercolor on ivory, framed. 2 1/2 in. x 1 7/8 in. (sight) $300-500

101 Fredrick Buck (Irish, 1771-1839) portrait miniature of a gentleman Watercolor on ivory, gilt case with woven hair and entwined gold initials on verso. 2 1/2 in. x 2 in. (sight) $250-350

102 James Jennings (English, active 1763-1793) portrait miniature of an elegant lady Signed, “J.J.,” and dated, “1772,” in a later case. 1 5/8 in. x 1 3/8 in. (sight) $400-600

103 Gilbert Stuart Newton (English, 1795-1835) portrait miniature of james rivington (1724-1802) Inscribed on verso, “Jas Rivington first journalist of New York painted on ivory by G. S. Newton,” watercolor on ivory, framed. 2 3/4 in. x 2 in. (sight) provenance: Property of a New York City Collection. note: English born, James Rivington sailed to Philadelphia in 1760, and then on to New York, opening a print- shop at the foot of Wall Street. Rivington’s newspaper was so extremely loyalist in content that Colonial mobs attacked his press and home, and in 1775 he was forced to return to England. Rivington returned to New York after British troops took control of the city. He opened a coffeehouse where British troops were comfortable and became a significant spy for the Continental cause. His journals are in the collection of the New York Historical Society. $1,500-2,500

104 American School 18th century portrait miniature of a virginia gentleman, circa 1795 Unsigned, watercolor on ivory, gilt locket case, in a red leather case. 2 7/8 in. x 2 1/4 in. (sight) provenance: Property of a Southern Institution. note: By tradition the sitter has been identified as a member of the Page family of Virginia. $1,000-1,500

105 Attributed to John Donaldson (Scottish, 1737-1801) portrait minaiture of a young lady Watercolor on ivory, gilt locket case. 1 3/4 in. x 1 1/4 in. (sight) $600-800

106 Anglo/American School 18th century portrait miniature of a young lady in a lace cap Watercolor on ivory, in a circular case. Diam: 1 1/4 in. provenance: Collection of a Philadelphia Lady. $600-800

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107 Chinese export porcelain blue and white charger 18th century With gilt rim and traces of gilt highlights. Diam: 13 3/4 in. $800-1,200

108 Pair of mahogany carved ribbonback side chairs circa 1800 With overupholstered seat and molded legs. H: 37 in. $800-1,200

109 Chinese export porcelain ‘Tobacco Leaf’ bowl and soup plate third quarter 18th century The soup plate with scalloped rim decorated with standing figure in blue and pink robe. Diam: 8 3/4 in. $600-800

110 Chinese export porcelain famille rose ‘Peacock’ octagonal platter circa 1760 L: 14 in. note: For a similar plate, see: Litzenburg, Jr., Thomas V. Chinese Export Porcelain in the Reeves Center Collection at Washington and Lee University, 2003, p. 70. $600-800

111 Chinese export porcelain lotus small bowl and saucer dish second half 18th century Together with a pair of 19th century Chinese export porcelain famille rose reticulated bowls. Diam(s): 5 1/2 in. (bowl) and 9 7/8 in. (dish) $1,000-1,500

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112 Chinese export porcelain armorial octagonal platter 18th century The rim decorated with trailing flowers and bearing the arms and mermaid crest of the Bonham Family, the central well painted to show women and children in a landscape. L: 16 1/2 in. $1,000-1,500

113 A pair of Chinese export porcelain sauceboats and stands bearing the armorial of the Lousada Family of Jamaica circa 1785 L(s): 7 3/8 in. (sauceboat) and 7 5/8 in. (stand)

note: This coat of arms was depicted on the ornate carriage in Samuel Felsted’s 1778 “North-east View of the House of Mr. Emanuel Lousada, Kingston, Jamaica,” sold in this gallery, April 26, 2017, lot 80. Literature: David S. Howard, Chinese Armorial Porcelain (1974), Vol. 11, p. 483. The arms of D’Aguilar impaling Lousada were granted to Diego De Aguilar, a baron of the Holy Roman Empire, state treasurer and confidant of the Empress of Austria, Maria Theresa, to both illustrious families of Jamaican merchants and sugar planters. $2,000-3,000

114 A St. Croix Government House Chippendale mahogany tassel-back side chair new york, circa 1770 H: 38 1/2 in. provenance: Private Collection. Sotheby’s, Property from the Hascoe Family, January 23, 2011, Lot 93. Sotheby’s, January 28, 1984, Lot 860. note: This chair is from a set originally owned by the Van Rensselaer family of New York, later owned by the Danish government at Christiansted, St. Croix. $8,000-12,000

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115 Chippendale walnut carved side chair philadelphia, pa, circa 1775 Seat rail marked “IIII,” with carved shell at cresting, knees and apron, on pad feet. H: 39 3/4 in. provenance: Collection of a Philadelphia Lady. Sold in this gallery, April 15, 1999, lot 767. Estate of Letitia Martin Pittman, Phoenixville, PA. $3,000-5,000

116 Chippendale mahogany side chair philadelphia, pa, circa 1760 With a solid splat and trifid feet. H: 38 1/4 in. provenance: Collection of a Philadelphia Lady. $1,000-1,500

117 Chippendale mahogany oxbow slant-front desk boston, ma, late 18th century With a fitted interior. H: 44 1/4 in. W: 41 3/4 in. D: 21 1/4 in. $2,500-3,500

note: According to tradition, Stuart painted this copy of his portrait of Captain Locker at the request of Locker’s daughter. Stuart’s original work of 1780 is in the collection of the Maritime Art Museum, Greenwich. William Locker was a career officer in the Royal Navy, serving from 1755-1799 and much admired for his judgment and abilities. Horatio Nelson considered Locker his mentor. A writer of naval history in his later years, Locker was also a patron of the arts who encouraged the creation of a National Gallery of maritime art. $25,000-35,000

118 Gilbert Stuart (1755-1828) portrait of captain william locker (1731-1800) Oil on canvas, framed. 28 in. x 25 1/2 in. (sight) provenance: From the family collection of a Philadelphia Gentleman. Verso with two printed labels from The Vincent Price Collection.

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119 William Jacob Baer (1860-1941) portrait miniature of george washington in uniform, circa 1900 Signed with initials, “W.J.B,” watercolor on ivory, gold locket case in velvet lined leather presentation case. 3 in. x 2 3/4 in. (sight) $1,000-2,000

120 Three sterling silver commemorative Independence Hall keys, marking the 200th Anniversary of the Constitution stieff, baltimore, md, circa 1986 Each marked, “Sterling” and “Stieff,” with the numbers 110, 129 and 181, respectively. L: 7 3/4 in. Total Weight: 41.44 troy oz. $1,000-1,500

121 Brass and lead token for The Mount Carbon Railroad Company stamped, “fletcher & co phila,” 1829-1842 Diam: 4 in. provenance: Property of a New York City Collection. note: Probably made by Thomas Fletcher, a machine maker listed in early Philadelphia directories as being located at 162 Christian Street. The Mount Carbon Railroad Company incorporated in 1829 and later merged with the Philadelphia & Reading Railroad . $600-800

122 American School 19th/20th century independence hall sketch, constitutional convention Graphite, ink and gouache on paper, many participants of the Constitutional Convention identified, framed. 15 1/2 in. x 21 in. (sight) $1,000-2,000

123 Cast iron andirons in the form of George Washington in uniform late 19th century H: 21 1/2 in. $150-250

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124 Thomas Hicks (1823-1890) pair of portraits: abolitionist and women’s rights activist lucretia mott (1793-1880) and her husband james mott (1788-1868) Her portrait inscribed on verso, “Lucretia Mott painted by Thomas Hicks New York 1855,” oil on canvas, framed. 36 in. x 29 in. (sight) $3,000-5,000

125 Carte-de-visite album of Delaware abolitionist John Hunn (1818-1894) and the Jenkins family mid 19th century Embossed morocco album with ferrotype, albumen, cartes-de-visite, some tinted, includes one portrait of African-American school boy, thirtynine images, together with fourteen daguerreotypes of Hunn/Jenkin family members and eight studio and cartesde-visite. 5 1/2 in. x 4 1/2 in.

provenance: From a descendant of the Hunn/Jenkins family to the present owner note: A Quaker farmer from Odessa, New Castle County, Delaware, Hunn was a Station master in the Delaware Underground Railroad. In 1848, Hunn and Wilmington Quaker, Thomas Garrett, were found guilty of aiding runaway slaves and both lost property and businesses. $1,000-2,000

126 Rare cast iron, painted sheet metal and pine hitching post mid to late 19th century The head cast in the form of an AfricanAmerican man, with a stand-up collar on a painted wooden post. H(s): 55 in. (overall) and 9 1/2 in. (head) provenance: Found in Northern Virginia.

note: A similar head, without the standing collar or post, is illustrated in the exhibition catalog, “Horsing Around-19th Century Cast Iron Hitching Posts,” Collection of Phil and Bunny Savino (2008), pp. 54 and 55. It has been suggested that this head represents one of the many famous African-American jockeys of the 19th century. At the running of the first Kentucky Derby in 1874, thirteen of the fifteen jockeys were African American. $3,000-5,000

127 Anti-Slavery Broadside: “Remarks on the Slave Trade, Extracted from the American Museum” printed by matthew carey, philadelphia, pa, may 29, 1789 Letterpress with engraved illustration of “Plan of an African Ship’s Lower Deck...” laid on linen, framed. 10 3/4 in. x 14 in. (sight) note: This graphic broadside introduced many white Americans to the realities of the transatlantic slave trade. The text reads, “Here is presented to our view, one of the most horrid spectacles—a number of human creatures, packed, side by side, almost like herrings in a barrel, and reduced nearly to the state of being buried alive, with just air enough to preserve a degree of life sufficient to make them sensible of all the horror of their situation.” $8,000-12,000

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128 Attributed to James Peale, Sr. (1749-1831) portrait of john dunlap, jr. (1785-1856) of philadelphia Oil on canvas, framed. 35 1/2 in. x 27 1/2 in. (sight) note: Born in Philadelphia, John Dunlap, Jr. (1785-1856) was the son of renowned American printer John Dunlap, Sr. (1747-1812). In 1771, Dunlap, Sr. published the weekly newspaperThe Pennsylvania Packet or The General Advertiser, which later, in 1784, became the successful daily North American and United States Gazette. Dunlap printed much of Pennsylvania’s colonial currency, but his most significant commission came in 1776, when he was asked to print the first broadside copies of the United States Declaration of Independence. He also printed the Journals of the Continental Congress for two years. Dunlap married Elizabeth Hayes Ellison (1746-1836) in 1773. Based on correspondence from John Dunlap, Sr., the landscape in the portrait’s background may represent the 131,000 acres of land in Kentucky purchased by Dunlap in 1788. $3,000-5,000

129 Chippendale mahogany side chair philadelphia, pa, late 18th century With pierced “Gothic” splat, slip seat and squared legs. H: 38 in. provenance: Collection of a Philadelphia Lady. $700-800

130 Pair of Chippendale walnut side chairs circa 1790 Each with a pierced splat and slip seat on square legs joined by a “H” stretcher. H: 38 in. provenance: Collection of a Philadelphia Lady. $700-900

131 Early hand-drawn map of land tracts along the Ohio River below confluence of Tennessee and Redstone Creeks of present-day Paducah george armstrong, jefferson county, kentucky deputy surveyor, circa 1820 Ink and watercolor on paper mounted on linen, inscribed, “Laid down from a scale of 300 poles to an inch Geo. Armstrong,” showing land ownership including that of William Clark (1770-1838) of the Lewis and Clark Expedition, and many of his relatives. 35 3/8 in. x 14 3/4 in. (sight) provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Gift of the Rhode Island Society of the Colonial Dames of America, 1930. note: George Armstrong is recorded in the United States Census of 1820 as living in Jefferson, Kentucky. He married Eliza Query in Jefferson in 1817. Other maps by Armstrong are in the Collection of the Library of Congress. The map shows the future city of Paducah, Kentucky. The city was founded by William Clark in 1827. $1,000-1,500

132 Federal candlestand branded, “j. badger” Squared top with notched corners on a tapering and ball turned shaft on tripod base ending in pad feet. H: 27 in. 15 3/8 in. x 15 3/8 in. (top) $800-1,200

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133 Scrimshawed whale’s tooth late 19th century Incised with view of the Bunker Hill Monument on one side, and with view of Girard College on the other, heightened with green, red and blue. H: 5 1/2 in. provenance: Property of a Philadelphia Estate. $500-800

Reverse

134 Federal inlaid document box with patriotic, marine and masonic devices 19th century The lid inlaid with assorted devices including stars, moon, horseshoe, and striped banding, centering a six pointed star enclosing the intitals “GH,” the front inlaid with American shield flanked by anchors, star and moon. H: 7 1/2 in. W: 17 3/4 in. D: 11 1/2 in. $1,000-1,500

135 Chippendale tiger maple desk 18th century With a fitted interior, bracket base. H: 39 1/2 in. W: 35 3/4 in. D: 19 1/2 in. $800-1,200

136 American School 19th century whaling scene Oil on wood panel, framed. 22 in. x 34 1/2 in. (sight) $2,500-3,500

137 Federal figured maple and mahogany bow-front chest of drawers new england, circa 1800 Bearing brass plaque, “Given by Wisconsin Society 1933.” H: 38 1/2 in. W: 42 in. D: 23 3/4 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Gift of the Wisconsin Society, 1933. $1,500-2,500

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138 Two mounted scrimshawed whale’s teeth and a pipe 19th century The first tooth relief-carved with portrait of George Washington, the second incised with a figure of a goddess, heightened in black; together with a pipe bearing paper label,” John M. Warriner Hawaiian Collection.” H: 6 in. (tallest tooth on stand) $800-1,200

139 Scrimshawed whale’s tooth 19th century With whaling scene on one side; the other side with three masted ship under crossed American flags, heightened with red and green. L: 7 1/4 in. provenance: Property of a Philadelphia Estate. $500-800

Reverse

140 Carved and gilded American eagle mounted on an orb 19th century L: 18 in. W: 29 1/2 in. $600-800

141 Journal of a Cruise of the U.S. Frigate Potomac april 19, 1840 to july 31, 1842 Inscribed, “Lawrence Kearney Esq. Commander and Bearing the Flag of Commander C.G. Ridgely & Beverly Randolph, Midshipman”, the cover inscribed, “B. Randolph,” with watercolor and ink drawing entitled, “United States Frigate Potomac on Shore in the River La Plata off Cape San Gregoria on a bank. December 15th 1840,” on front cover paste down. 10 1/4 in. x 8 1/2 in. $2,000-3,000

142 Engraved powder horn early 19th century Inscribed, “Engraved by M.N.” and “An Exact Prospect of St. Augustine From the Northern Side of the Metropolis of Florida,” with double eagle, mermaid, crowned lion and other devices. L: 12 in. $3,000-5,000

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143 Attributed to John Blake White (1781-1859) After Thomas Sully (1783-1872) portrait miniature of general alexander macomb (1782-1841) Signed, lower right, “White,” and dated, “1834,” watercolor on ivory, framed. 4 in. x 3 in. (sight) provenance: Purchased June 7, 2003, at an auction of the Collection of Richard Miller, Irvington, Virginia, a descendant of Alexander Macomb note: Alexander Macomb was the commanding General of the United States Army from 1828 until his death at age 59 in 1841. He became a much heralded hero after an astounding victory at Plattsburgh in northern New York during the War of 1812. His last active service was in the Seminole War in Florida, 1835. $1,500-2,500

144 Assembled pair of carved and gilded eagles 19th and 20th century Each with outstretched wings, mounted on a turned black plinth. H: 9 1/2 in. (overall) W: 22 in. $1,500-2,500

145 Charles Balthazar Julien Fevret de Saint-Memin (French, 1770-1852) pair of engravings: alexander and janette marshall macomb Inscription on plates, “St. Memin & Valdenuit No. 11. Fair St. N. York” and “St. Memin No. 27 Pine St N. York,” framed. 3 in. x 2 3/4 in. (sight) provenance: Purchased June 7, 2003, at an auction of the Collection of Richard Miller, Irvington, Virginia, a descendant of Alexander Macomb note: Wealthy Detroit fur trader, Alexander Macomb (1748-1831), moved to New York where he became a merchant and land speculator who owned over three million acres of New York state. One of his sons, Alexander Macomb, Jr. became the War of 1812 hero and Commanding General of the U.S. Army from 1828-1841. Janette Marshall Macomb (1761-1849) was Alexander’s second wife. See Ellen G. Miles, Saint-Memin and the Neoclasscial Profile Portrait in America (1994), figs. 549 and 552, pp. 348 and 349. $800-1,200 1 of 2

146 Large group of Staffordshire Historical blue tablewares first half 19th century Patterns include: City of New York, Columbia College, St. Paul’s Church, New York, Landing of Lafayette, New York Battery, two States plates, Hospital Boston, Hobart town, New York from Brooklyn Heights, Exchange Baltimore, Capitol Washington, Court House Baltimore, Marine Hospital Louisville, Boston State House, an oblong small platter in States pattern, open vegetable in Mount Vernon Nr Washington, and a small platter in Louisville. L: 12 1/2 in. (platter) $800-1,200

147 Three “Great Fire of New York of 1835” plates circa 1840 In black, brown and purple, with three different views. Diam: 10 1/4 in. (largest) $300-500 148 Group of ten Staffordshire Historical blue plates of Philadelphia, New York and transportation scenes first half 19th century Views including: The Dam and Waterworks, Bank of the United States, United States Hotel, Fair Mount, A View from Philadelphia, New York States plate, The Baltimore and Ohio railroad, Union Line, Highlands North River and Baltimore and Ohio Level plate. Diam: 10 1/4 in. $1,000-1,500

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149 Rembrandt Peale (1778-1860) portrait of george washington (1732-1799) in presidential costume Oil on canvas, framed. 35 in. x 27 7/8 in. (sight) provenance: From the Estate of former Pennsylvania Governor William W. Scranton and First Lady Mary L. Scranton. note: In 1795, Charles Willson Peale arranged for his 17 year-old son, Rembrandt, to accompany him to a portrait sitting with George Washington. Though never fully satisfied with the portrait that resulted from that sitting, Rembrandt used it as a model for replicas. Twenty five years later, after a tour of France and exposure to the neoclassical style, Rembrandt Peale sought to create a new “standard likeness” of Washington, one that expressed the first President’s “mild, thoughtful & dignified, yet firm and energetic Countenance.” In 1823, he created his first “Porthole” painting, showing Washington within a stone oval window. Rembrandt painted numerous replicas of the “Porthole” George Washington, as well as “Porthole” Martha Washington, until the 1850s. $150,000-250,000

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150 Six pieces Chinese export porcelain decorated with ‘Aupicious Figures’ circa 1820 Including a warming dish, coffee cup, creamer and three saucers. Diam: 10 3/4 in. $500-700

151 Chinese export porcelain rose medallion bowl for the middle eastern market 19th century With Arabic script to bowl interior. H: 6 3/8 in. Diam: 15 3/4 in. $1,000-2,000

152 Set of eight Federal carved mahogany shield-back chairs maryland, 19th century With overupholstered seats on molded tapering legs ending in spade feet. H: 40 1/4 in. $2,000-3,000

153 Chinese export porcelain rose mandarin punch bowl on bronze stand 19th century The bowl with gilt highlights raised on elaborate stand with legs in the form of winged lions. H: 14 3/4 in. (overall) Diam: 16 in. $1,500-2,500

154 Large Chinese export porcelain famille rose punch bowl early 19th century Decorated with floral reserves enclosing baskets of flowers and butterflies and the initials, “VS,” gilt highlights. H: 6 1/2 in. Diam: 15 3/4 in. $1,000-2,000

155 Late Federal mahogany drop-leaf table probably boston, ma, circa 1810 With “D” form leaves, above single working drawer and spiral-turned legs ending in peg feet. H: 28 1/2 in. W: 47 in. D: 36 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. According to Curwen family tradition, the table belonged to Tobias Lear. Gift of Elinor Ewing Curwen, Pennsylvania Society and Mrs. Edward F. McKeen (Alice Osbourne Curwen) of Winterport, Maine, to Dumbarton House, 1963. $500-800

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156 Four piece silver tea service joseph lownes (1758-1820), philadelphia, pa Comprising teapot, creamer, covered sugar bowl, and waste bowl, each piece marked to underside, all with later monograms and engraving. H: 7 in. (teapot) Total Weight: 67 1/2 troy oz. $2,000-3,000

157 Federal mahogany corner washstand massachusetts, circa 1800 H: 50 in. W: 29 in. D: 19 1/4 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Purchased George W. Reynolds, Washington D.C., 1934, Gift of the California Society of the Colonial Dames. $250-350

158 Federal upholstered and cherrywood easy chair new england, circa 1810 H: 44 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Gift of the Wisconsin Society, 1930. $1,500-2,500

159 American School 19th century potrait miniature of a lady in a lace bonnet Watercolor on ivory, gilt locket case. 1 3/4 in. x 1 1/2 in. (sight) $250-350

160 Continental School 19th century portrait miniature of a lady with curls Indecipherable signature, watercolor on ivory, gilt case with aperture with hair at verso. 2 5/8 in. x 2 1/8 in. (sight) $250-350

161 American School 19th century portrait miniature of a young lady in blue Watercolor on ivory, in gilt metal case with aperture on verso with hair. 2 1/2 in. x 2 1/8 in. (sight) $400-600

162 Circle of Edward Greene Malbone (1777-1807) portrait of an elegant young man Watercolor on ivory, velvet case. 2 1/4 in. x 1 5/8 in. (sight) provenance: Collection of a Philadelphia Lady. $600-800

163 William Hudson (English, active 1803-1846) portrait miniature of a blond haired young man Inscribed on verso, “Painted by W. Hudson 17 Cheapside March 1821,” watercolor on ivory, framed. 2 3/4 in. x 1 3/4 in. (sight) provenance: Collection of a Philadelphia Lady. $300-500

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164 American School 19th century portrait of child with dog Oil on canvas, framed. 13 1/2 in. x 9 1/4 in. (sight) $400-600

165 Federal brass, iron and wirework fender circa 1800 Of serpentine form ornamented with three urn-form brass finials. H: 11 in. L: 32 1/2 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Purchased from Caroline Faison Antiques, Greensboro, North Carolina, 1982. $300-500

166 Set of six Federal carved mahogany side chairs circa 1800 With molded and carved square backs. H: 36 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Purchased by the National Society of the Colonial Dames in 1931 for exhibition at Dumbarton House. $1,000-1,500

167 John Christian Rauschner (German-American, 1760-after 1819) wax portrait miniature of charlotte muller of baltimore, circa 1811 Backboard with hand-written note, “This wax miniature belongs to Mr. ...Dr. Camp, 1325 Riggs St., and by her it is very highly valued. It is supposed to have been made in 1811 in Baltimore. It represents Mifs Charlotte Muller, then seventeen years of age. The family had been only three years in this country from Germany. Mrs. Camp has in her pofsession similiar miniature of the latter’s mother,” polychrome wax on paper ground, shadowbox frame. 5 1/2 in. x 3 3/4 in. (sight) $1,500-2,500

168 Federal mahogany sofa early 19th century With reeded cresting continuing to reeded arms, urn-form arm supports and tapering legs. H: 37 in. L: 80 3/4 in. $1,000-1,500

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169 Large pieced “Bar and Star” pattern quilt probably orange county, ny, 19th century Comprised of early copperplate-printed linen and printed cotton patches, backed by homespun linen, heightened by diamond quilting. 87 1/2 in. x 80 in. provenance: The 18th century linen is identified on handwritten paper notes stitched to quilt as the wedding dress fabric of Abbie Forsyth. “Nabby” Foresythe married Daniel Greenleaf, October 3, 1791, in Norwich, Connecticut. The descent of the quilt to five generations also recorded on attached notes. $1,000-1,500

170 Federal carved and inlaid mahogany bedstead charleston, sc, circa 1810 Tapering reeded and urn-carved upper post above inlaid fans on tapering lower post, scrolled headboard enclosed by chamfered head posts. H: 84 in. W: 59 in. D: 77 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Gift of the South Carolina Society, 1935. $1,500-2,500

171 American School 19th century four portrait miniatures, dated 1852 Including a father, mother and two sons, one inscribed, “18 April 1852” and “HA,” watercolor and ink on paper, framed. 3 1/2 in. x 2 1/2 in. (sight) provenance: Property of a Pennsylvania Collection. $800-1,200

172 Federal carved and punch decorated mantel bucks county, pa, circa 1800 H: 58 1/2 in. W: 71 1/2 in. provenance: Francis Purcell, Yardley, Pennsylvania, 1968. The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $1,500-2,500

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173 Assembled set of ten Federal carved mahogany side chairs maryland, circa 1800 Each with molded shield backs centering a sheaf of wheat. H: 37 1/2 in. $1,500-2,500

174 Late Federal two-part mahogany dining table circa 1825 Each part with “D” form top and deep leaf on spiralturned and leaf-carved legs, turned feet on casters. H: 29 5/8 in. W: 42 in. L: 78 5/8 in. (open) note: Length of one piece closed: 20 1/4 in. $600-800

175 American School 19th century pair of portraits: a young couple The lady with inscription on verso, “Mary Ann Jackson’s Portrait October 28, 1847 Aged 20”; the gentleman bears printed label on verso, “Messrs. R. & W. Kerry, Artists,” watercolor and ink on paper, framed. 8 in. x 10 1/4 in. (sight) provenance: Property of a Pennsylvania Collection. Philip Bradley, Downingtown, Pennsylvania. $600-800

176 Federal pillar and scroll mahogany shelf clock eli terry & sons, plymouth, ct, circa 1825 H: 31 in. $500-800

177 Federal leather upholstered mahogany easy chair circa 1800 H: 44 1/2 in. W: 32 in. D: 33 in. $1,000-2,000

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178 Attributed to Anson Dickinson (1779-1852) portrait miniature of a young man Watercolor on ivory, framed. 2 1/2 in. x 2 in. (sight) provenance: Collection of a Philadelphia Lady. $1,000-2,000

179 Attributed to Sarah Goodridge (1788-1853) portrait miniature of john w. rooke Watercolor on ivory, framed. 3 in. x 2 1/2 in. (sight) provenance: Collection of a Philadelphia Lady. $800-1,200

180 Federal mahogany washstand with King of Prussia marble top philadelphia, pa, circa 1810 H: 37 1/4 in. W: 24 1/2 in. D: 15 5/8 in. provenance: Formerly in the Collection of the historic house Upsala, Germantown, Philadelphia. $1,000-1,200

181 American School 19th century view from fishkill on the hudson river Oil on canvas, framed. 17 3/4 in. x 23 1/2 in. (sight) provenance: Kennedy Galleries label on verso. $3,000-5,000

182 An assembled pair of twelve-inch Celestial and Terrestrial library globes samuel sabine edkins and newton & son, london, england, circa 1835 Each mounted on mahogany stand with urn-and-ring support, on splayed legs ending in acorn feet. H: 34 1/2 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Gift of Mrs. Joshua Green, Washington State Society of the Colonial Dames, 1934. $3,000-5,000

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183 Thomas Sully (1783-1872) portrait of annie e. biddle (1822-1908) of philadelphia, pa, 1827 Oil on panel, framed. 18 1/2 in. x 14 1/2 in. (sight) provenance: In the early 20th century, the portrait was owned by Mrs. P. S. Van Rensselaer, Philadelphia, then residing in Paris. note: Literature: Edward Biddle and Mantle Fielding, The Life and Works of Thomas Sully (1783-1872) (1921), no. 125, p. 98: “Portrait painted for her mother who was Mrs. Mary Biddle, a sister of Nicholas Biddle. Painting begun April 3rd 1827, finished April 23rd 1827.” $3,000-5,000

184 Three piece silver tea service garret eoff and john h. connor, new york, ny, circa 1833-1835 Comprising a teapot, lidded sugar bowl, and creamer; decorated with bands of alternating anthemion and acanthus motifs; inscribed with the monogram, “RML” and hallmarked to undersides. H: 11 in. (tallest); Total Weight: 81 1/2 troy oz. $1,200-2,200

185 Silver bread basket with cornucopia handles thibault brothers (active 1810-1835), philadelphia, pa Twice struck, “Thibault.” H: 6 in. W: 15 in. Weight: 43 3/4 troy oz. $2,000-3,000

186 Thomas Sully (1783-1872) portrait miniature of a young lady Signed, “TS,” and dated, “1803,” and inscribed on verso, “Eliza.bt, New Norfolk Virginia 1802,” watercolor on paper, framed. 5 1/2 in. x 3 7/8 in. (sight) provenance: Property of a New York City Collection. $800-1,200

187 Silver covered sugar bowl and a creamer joseph lownes (1758-1820) and john mcmullin (1765-1843), philadelphia, pa H: 8 1/2 in. (covered sugar bowl, tallest) Total Weight: 29 1/2 troy oz. $600-800

188 Three piece silver tea service bearing mark of ball, tompkins & black, new york, circa 1840 Including a teapot, covered sugar bowl and creamer, with repousse floral design and anthemion borders, floral finials. H: 10 1/2 in. (teapot) Total Weight: 83 1/2 troy oz. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. $800-1,200

189 Regency etched brass fender england, circa 1800 Of demilune form pierced with neoclassical devices. H: 6 1/4 in. W: 44 1/4 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. $300-500

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190 American School 19th century After Gilbert Stuart (1755-1828) george washington, after the lansdowne portrait (1796) Oil on canvas, framed. 21 5/8 in. x 15 1/4 in. $1,500-2,500

191 A pair of Classical patinated bronze, etched glass, and cut crystal Argand lamps label of clark colt & cargill, new york, circa 1845 H: 18 1/2, W: 13 in. $1,000-2,000

192 Classical stenciled rosewood veneered pier table with marble top new york, circa 1825 H: 32 3/4 in. W: 44 1/2 in. D: 18 3/8 in. $1,500-2,500

193 Classical girandole looking glass with candlearms circa 1825 Black-painted eagle finial on leafy plinth and molded frame, fitted with scrolling single light candle arms, pendant below. L: 43 in. provenance: Property from a New York City Collection. $2,000-3,000

194 Classical carved mahogany and giltwood breakfast table new york, circa 1820 Rectangular top with shaped leaves on four spiralturned posts, raised on hairy dog paw legs with gilt wing-form brackets. H: 28 1/2 in. W: 24 1/2 in. Leaves: 12 in. D: 37 3/4 in. provenance: Property of a New York City Collection. $3,000-5,000

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195 John Neagle (1796-1865) portrait of john sylvanus heister (1774-1849) Oil on canvas, framed. 26 in. x 21 in. (sight) provenance: New York City collection Berus Gallery, 1984 note: Before relining portrait was inscribed on verso, “J. Neagle, Nov. 10th 1838.” John Sylvanus Heister was the only son of Pennsylvania Governor Joseph Hiester and his wife Elizabeth Witman Hiester. literature: Illustrated Irwin Richman, “Pennsylvania Painters,” (1983) p.11. $1,500-2,500

196 Classical miniature carved mahogany sofa probably philadelphia, pa, circa 1825 With elaborately carved cresting, retaining early, possibly original upholstery. H: 8 1/2 in. L: 17 1/2 in. $2,000-3,000

197 Classical carved mahogany miniature chest of drawers made at sing sing prison, ossinging, new york, dated 1843 Inscribed in graphite on backboard,”To Mifs. Sarah Jane Brewster- Presented to her By Her Grand-Father Wm. G. Burr, March 20, 1843 Made at The Sing Sing State Prison.” H: 15 1/8 in. W: 13 1/2 in. D: 7 in. provenance: Found in Montogmery, Alabama estate.

note: Sarah Jane Brewster (1839-1891) was the daughter of Mary Burr Brewster (1815-1859) and W. H. Brewster of Cazenovia, New York. Census records of 1850 and 1855, reveal that Sarah lived with her grandparents before the death of her mother and for most of her life. William G. Burr, (1790 to 1860) served in the New York Militia during the War of 1812. By trade a cooper, he worked at the New York State Auburn Prison as keeper of the cooperage department and was then sent by State authorities to establish a similar department at Sing Sing. He remained in Ossining as an agent for prison made goods for several years . He spent the last 17 years of his life in Cazenovia. Sarah remained unmarried, living with her grandmother, Polly Burr, and serve as her executrix, in 1871. $3,000-5,000

198 Attributed to Robert Street (1796-1865) portrait of a gentleman holding a book, circa 1830 Oil on canvas, framed. 29 1/2 in. x 25 in. (sight) $1,500-2,500

199 Wesley Elbridge Webber (1841-1914) landscape with sheep Signed, lower right,”Webber” and dated “1853” oil on canvas, framed. 34 1/4 in. x 47 in. (sight) $2,500-3,500

200 Classical carved walnut chest of drawers new england, circa 1825 With glove drawers above chest with bowed front flanked by carved and spiral-turned posts. H: 46 1/2 in. W: 42 1/2 in. D: 23 1/4 in. $800-1,200

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201 Attributed to George Loring Brown (1814-1889) new england landscape Inscription on verso in graphite, “George L. Brown, 1845 bought at artist’s estate,”oil on panel, framed. 15 3/4 in. x 20 3/8 in. (sight) $2,000-3,000

203 George Fisher Daniels (1821-1879) new england landscape Signed, lower edge, “G.F. Daniels,” oil on panel, framed. 5 in. x 11 in. (sight) $1,000-2,000

202 DeWitt Clinton Boutelle (1820-1884) morning on the lehigh Signed lower right “Boutelle” and dated “1859,” and inscribed, “Morning on the Lehigh Broutelle, 1859” on verso, oil on panel, framed. 9 1/2 in. x 15 3/8 in. (sight) $2,000-3,000

204 American School 19th century crossing the river at sunset Of octagonal form, oil on canvas, framed. 9 3/4 in. x 12 1/2 in. (sight) $1,000-1,500

205 J.P. Beaufort American School 19th century falls of niagara as seen from the american side Inscribed with artist and title on label verso, oil on canvas, framed. 28 3/4 in. x 39 7/8 in. (sight) provenance: Private Collection, Virginia. $2,500-3,500

206 Classical carved mahogany sofa probably workshop of anthony g. quervelle, philadelphia, pa, circa 1835. H: 30 1/4 in. W: 86 1/2 in. D: 23 3/4 in. $500-700

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207 Thomas C. Savory (active 1837-1852) new england dragoon militia, circa 1845 Signed, lower right, “Savory,” oil on canvas, ornately carved gilded frame. 30 in. x 72 in. (sight) $10,000-20,000

208 Civil War shadowbox with photograph of Col. William O. Stephens of the 72nd New York Volunteer Infantry with Civil War battle flag fragment mid 19th century Flag fragments indentified by hand- written notes, “Piece of Battle Flag 72nd N.Y. Vol”; “Piece of Battle Flag 139th Reg.”; Piece of Confederate Battle Flag”; “Piece of Michigan Battle Flag”; and “Piece of Flag under which Washington was inaugurated,” framed. 9 3/4 in. x 7 3/4 in. (sight) note: William O. Stephens was commissioned as a Major shortly before being killed, May 3, 1862, at the Battle of Chancellorsville, Virginia . $1,500-2,500

209 Embroidered crazy quilt with political ribbons embroidered, “sallie e. kehoe, 1890” Comprised of various silk, velvet and novelty woven pieces and political ribbons of “Harrison & Morton”, “Plumed Knights and Victory” of James G. Blaine, and a ribbon with pair of American Shields, heightened with embroidery, not backed. 63 1/2 in. x 61 in. $800-1,200

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210 American School 19th century claudius walke murdaugh and eugenia dickson murdaugh and son of portsmouth, virginia, circa 1858 Oil on canvas, framed. 34 1/2 in. x 27 3/8 in. (sight) provenance: By descent in the Murdaugh family to the present owner. note: C.W. Murdaugh (1828-1898) a Portsmouth, lawyer, judge and politician, rose to the rank of Captain in the Confederate army during the Civil War. He was seriously wounded at Chancellorsville. Murdaugh married Eugenia Dickson of Norfolk in 1856 and the child on her lap is probably, C.W Murdaugh, Jr. $2,000-3,000

211 Sarah Miriam Peale (1800-1885) portrait of a gentleman Signed and dated ‘Sarah M. Peale Pixit 1822’ lower right, oil on canvas. 30 1/4 in. x 25 1/8 in. (sight) provenance: Bought directly from the artist, By descent in the family. Private Collection, Florida. $1,000-1,500

212 Sarah Miriam Peale (1800-1885) portrait of a young woman with a lace collar Oil on canvas, framed. 30 1/4 in. x 20 1/4 in. (sight) provenance: Private Collection, Washington, D.C. $1,500-2,500

213 Highly carved rosewood square piano schomacker & co., philadelphia, patent date 1848 Printed paper patent labels under gilt-metal figural candle mounts. H: 38 in. W: 89 1/2 in. D: 44 in. provenance: Estate of Joseph Sorger, Freeman’s, October 5, 2010, lot 88. note: By tradition played by Jenny Lind. $6,000-10,000

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214 Robert Street (1796-1865) portrait of two sisters in red Signed, “Robt. Street,”and dated “1854,” oil on canvas, framed. 35 1/2 in. x 29 1/4 in. (sight) provenance: From a Maryland collection $5,000-8,000

215 American School 19th century portrait of two children with pet dog Oil on canvas, framed. 49 1/2 in. x 39 in. (sight) $3,000-5,000

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216 Portrait miniature in wax of a gentleman probably english, circa 1820 Mounted in a circular shadowbox. 4 1/8 in. diam: $400-600 217 Portrait miniature in wax of a lady in white with a red shawl probably english, circa 1820 Mounted in an oval shadowbox. 5 in. x 4 1/4 in. (sight) $400-600

218 Attributed to Rufus Porter (1792-1884) and Amos Holbrook (active 1830-1831) two portrait miniatures of young men, first half 19th century Both, watercolor and graphite on paper, framed. 4 in. x 3 in. (largest, sight) $800-1,200

219 Daguerreotype of Prior-Hamblin School portrait circa 1845 One-ninth plate, hand-tinted, in an embossed leather case. 2 1/8 in. x 1 1/2 in. (sight) $300-500

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220 Group of nine silhouettes peale museum and others, first half of the 19th century Including one bearing “Museum” impression. three identified as Robert, James and Phineas Paisle, and a lady with hollow-cut head and painted dress. 6 5/8 in. x 9 1/2 in. (largest, sight) $800-1,200

221 American School 19th century hollow-cut silhouette of a girl with painted dress Watercolor and ink on paper, framed. 4 1/8 in. x 2 7/8 in. (sight) provenance: New York City Collection $400-600

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222 English School 19th century pair of portraits of young girls, one holding a cat, circa 1830 Oil on canvas, grained painted frames. L: 16, W: 14 in. $1,500-2,500

223 American School 19th century portrait miniature of an gentleman at table with compass Signed, “F. Bailey” and dated “1841,” watercolor and ink on paper, framed. 6 1/8 in. x 5 1/8 in. (sight) $400-600

224 Plumb and level indicator manufactured by rufus porter (1792-1884), circa 1847 Framed hand-colored engraving inscribed, “Plumb & Level Indicator. Manufactured by R. Porter, New York.” 9 1/2 in. x 9 1/2 in. $1,000-2,000

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225 Group of five cobalt-decorated stoneware crocks and a large cobaltdecorated pitcher mid-atlantic states, mid to third quarter of the 19th century One crock with impressed octagonal reserve enclosing, “R.C.R Phila.” H(s): 7 in. to 10 1/2 in. (crocks); H: 11 in. (pitcher) $1,000-2,000

226 Small cast lead or zinc rooster on a copper orb late 19th century Mounted on a stand. H: 15 3/4 in. provenance: Collection of a Philadelphia Lady. $800-1,200

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227 Full-bodied copper weathervane of a running horse late 19th L: 30 1/2 in. provenance: Collection of Ann Arader, Newtown Square, Pennsylvania. $1,500-2,500

228 Large copper and cast zinc weathervane of running horse “Ethan Allen” late 19th century H: 23 in. L: 37 in. provenance: Collection of Ann Arader, Newtown Square, Pennsylvania. $2,500-3,500

229 American School 19th century portrait miniature of a quaker lady from the reading, pa Watercolor on paper, pressed gilt tin case made in Reading, aperature on verso with hair. 2 7/8 in. x 2 1/4 in. (sight) $250-350

230 American School 19th century portrait miniature of a lady in black, circa 1810 Watercolor on ivory, gilt locket case with aperature at verso with hair. 2 3/4 in. x 2 1/4 in. (sight) $250-350 231 Carved and painted Phoenix rising from flames trade sign 19th century and later H: 18 1/2 in. W: 18 in. provenance: New York City Collection $1,000-2,000

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232 Large applique “Tulip” pattern quilt harriet mulock swartwout (1828-1896), finchville, orange county, ny Worked in printed cotton pieces in red, yellow and green and heightened with conforming quilting. 95 in. x 80 in. provenance: History of quilt typed on paper with letterhead of the United States Bicentennial, “This quilt owned by Harriet E. Space has been handed down from Harriet Emeline Mulock, Daughter of Sally Greenleaf and Joshua Mulock, Residents of Finchville, Orange County, N.Y. Harriet Mulock married Henry Brinkerhoff Swartwout January 30, 1851” $1,000-1,500

233 Appliquéd “Rose of Sharon” Quilt mid 19th century Heightened with conforming quilting. 77 1/2 in. x 78 1/2 in. $800-1,200

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234 Chippendale carved pine corner cupboard late 18th century Molded scrolled cornice with carved terminals above an arched glazed door opening to a painted interior, paneled door below, bracket base. H: 90 in. W: 34 in. D: 22 in. $2,000-3,000

235 Chippendale walnut commode chair circa 1760 H: 39 in. provenance: Collection of a Philadelphia lady $1,000-1,500

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236 Group of ten engine-turned Mocha decorated pottery tablewares england, early 19th century Including two pitchers, one creamer, two mugs, two casters, bowl, covered sugar, and spill vase, variously decorated, incised and turned. H: 7 in. (tallest) provenance: From the Estate of Mary Bert Gutman. Some bear printed labels of Mr. & Mrs. Jerome Blum, Willow Corners Antiques $2,000-3,000

237 Eleven pieces of “Seaweed” decorated Mocha pottery tablewares england, early 19th century Including two pitchers, two creamers, master salt dish, coffee pot with figural spout, covered dish, caster, two bowls and mustard pot. H: 8 in. (tallest) provenance: From the Estate of Mary Bert Gutman. Several items bearing printed paper labels of Mr. & Mrs. Jerome Blum, Willow Corners Antiques. $2,000-3,000

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238 Group of fourteen Mocha-decorated pottery tablewares england, early 19th century Including three small bowls, master salt, cup, and nine mugs variously decorated with “seaweed,” “tobacco leaf” and “marbeling,”and other patterns. H: 5 in. (tallest) provenance: From the Estate of Mary Bert Gutman. $1,500-2,500

239 Group of ten Mocha and slip-decorated pottery tablewares england, early 19th century Including three pitchers, creamer, covered pitcher, two casters, master salt and two small mugs, variously decorated with “earthworm” “cat’s eye,” and “agate” patterns. H: 6 1/4 in. (tallest) provenance: From the Estate of Mary Bert Gutman. $2,000-3,000

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240 Full-bodied copper weathervane of a running horse late 19th/early 20th centuy L: 31 3/4 in. provenance: Collection of Ann Arader, Newtown Square, Pennsylvania. $2,000-3,000

241 Four small glazed and slip-decorated redware plates probably pennsylvania, 19th century One with green and yellow slip decoration. Diam(s): 6 1/2 in. to 9 1/4 in. $600-800

242 Painted black comb back Windsor armchair philadelphia, 18th century H: 45 1/2 in. $2,000-3,000

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243 Reverend Henry Young (1792-1861) fraktur for john william hull, born february 12th, 1846 Inscription on verso, “Mifs Thersa Hull,” watercolor and ink on paper, framed. 9 1/2 in. x 7 3/8 in. (sight) provenance: Property of a Pennsylvania Collection. Christies, Mr. & Mrs. Paul Flack Collection, September 6, 1997, lot 341. Ex- Collection: Emma Thompson, Loganton, PA note: This Frakutr is listed in the “Checklist of Recorded Works by Henry Young,” Bryding Adams, published Fall 1977, Der Reggeboge. $3,000-5,000

245 Fraktur: Decorated songbook bookplate and page pennsylvania, dated 1836 One page double-sided, watercolor and ink on paper, framed. 5 in. x 2 3/4 in. (sight) provenance: Property of a Pennsylvania Collection. $400-600

244 Attributed to David Frey (1759-1841) fraktur: drawing of a bird perched on a branch Watercolor and ink on papers, framed. 3 in. x 3 3/4 in. (sight) provenance: Property of a Pennsylvania Collection. $400-600

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246 Three glazed redware crocks 19th century Two of slightly ovoid form, one with a blue-brown glaze, and a two-handled “gonic” glazed jar. H(s): 10 1/4 in., 10 in. and 6 3/4 in. $1,000-2,000

247 Glazed and slip-decorated redware loaf dish pennsylvania, mid 19th century L: 17 1/2 in. $1,000-2,000

249 Glazed and slip-decorated large charger pennsylvania, mid 19th century Dia: 15 1/4 in. $1,000-2,000

248 Glazed and slip-decorated redware loaf dish and charger pennsylvania, mid 19th century L: 15 3/4 in. and diam: 12 1/2 in. $1,200-2,200

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250 Large glazed and slip-decorated redware loaf dish pennsylvania, mid 19th century L: 18 1/2 in. provenance: Retains a printed paper label from George E, Schoellkoff, New York $1,000-2,000

251 American School 19th century three portraits: husband, wife and child, possibly kentucky, circa 1835 Oil on canvas, framed. 30 in. x 23 in. (sight) provenance: Purchased in Texas. By tradition the sitters are members of the Greenfield family of Kentucky. $15,000-25,000

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252 Gilded full-bodied copper and cast-iron running horse weathervane 19th century H: 17 in. L: 29 3/4 in. provenance: Collection of Ann Arader, Newtown Square, Pennsylvania. $1,000-2,000

253 Full-bodied copper weathervane of a rooster late 19th century H: 18 in. L: 16 1/2 in. provenance: Collection of Ann Arader, Newtown Square, Pennsylvania. $800-1,200

254 Federal step-back cupboard possibly new jersey, circa 1800 With glazed upper doors enclosing a painted interior, recessed panel lower doors on a molded bracket base. H: 80 in. W: 54 3/4 in. D: 20 1/4 in. $2,500-5,000

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255 American School 19th century portrait of a young boy with his pet dog Oil on canvas, framed. 37 in. x 29 3/4 in. (sight) $2,500-3,500

256 American School 19th century portrait of a young girl from new england Oil on canvas, framed. 30 in. x 25 in. (sight) note: Before the 1985 conservation and lining of the work, the stencil, “From/ M.J. Whipple Artist’s Supply Store/ 35 Cornhill/ Boston” was visible on canvas verso. $6,000-10,000

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257 Carved and painted jockey and rider from amusement park game 20th century Mounted on black painted stand. W: 15 1/4 in. $400-600 258 Carved and painted owl early 20th century H: 10 1/8 in. $1,000-1,500

260 Silouetted figure of a black and white spotted dog with red collar 20th century Mounted on a red-painted rectangular base. H: 12 1/2 in. $250-350

261 Large carved and painted figure of a seated black dog early 20th century H: 18 in. $500-800

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259 Carved and painted horse with horsehair tail first half 20th century With leather ears and glass eyes, mounted on a chamfered stand. H: 9 1/4 in. $400-600

262 American School 19th century man and woman in landscape Oil on board, framed. 17 1/2 in. x 23 3/8 in. (sight) $800-1,200

263 Jean Robinson Flemming (1874-1956) driver with horse and buggy Signed “Jean Robinson Flemming” bottom right, oil on canvas, framed. 21 3/8 in. x 17 1/2 in. (sight) $500-700

264 Carved and painted “Military” carousel jumper attributed to daniel c. muller (active 1890-1928) philadelphia, pa, circa 1918 Mounted on a modern base. H: 57 in. W: 62 in. $3,000-5,000

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265 David Y. Ellinger (1913-2003) two theorems: cat in basket and basket of fruit Pigment on velvet ground, maple frames. 18 x 20 1/4 in. (sight) and 11 5/8 in. x 14 1/2 in. (sight) $800-1,200

266 American School 19th/20th century the watch dog or nanny Inscribed on verso, “Given to Patt by Baerry Wald, Jan 30, 1907,”oil on board, framed. 17 3/4 in. x 23 3/4 in. (sight) $1,000-1,500 267 Harry Long (1895-1970) farm scene Signed, lower left, “H. F. Long,” oil on masonite, framed. 11 1/2 in. x 15 1/2 in. (sight) $500-800

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268 Rev. Howard Finster (1916-2001) danger in the valley of gods people, Signed “by Howard Finster, 1000and 509,” enamel on panel, framed. 23 1/2 in. x 18 in. (sight) provenance: Philadelphia Collection Paper label of Calvin-Morris Inc, New York on verso $4,000-6,000

269 Frank Pickle (20th century) vanhelian fowl Titled, signed, dated, ‘85 and numbered 414 on the base, stamped twice on the underside with artist’s name and address, painted wood. H: 10 1/2 in., 27cm provenance: Acquired by the present owner in New York City, circa 2000. note: Frank Pickle was a neighbor of Howard Finster, this lot will be accompanied by a copy of a newspaper artical about Pickle. $200-300

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270 Pacific Northwest Coast carved and painted totem pole early 20th century H: 78 in. W: 57 1/2 in. provenance: Property of a Philadelphia, Pennsylvania Collector $2,000-3,000

271 Northwest Coast carved and painted figure of a flying owl alaska, early 20th century With detachable wings, mounted on a lucite stand. L: 9 1/2 in. Wingspan: 13 in. $800-1,200

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Courtesy of the Smithsonian

272 Carved and painted figure of trapper possibly new jersey, circa 1870 The figure of a man standing on a naturalistically carved base, with arrow quiver at back. H: 62 in. provenance: Property of a Texas Collector. note: Although this figure no longer retains his costume accessories or most of his carved pendants and bosses, it shares numerous characteristics with two iconic Folk Art figures: American Indian Man (1986.65.303) and American Indian Woman (1986.65.384), in the collection of the Smithsonian American Art Museum, formerly in the collection of Herbert Waide Hemphill, Jr. (1929-1998). A January 19, 1987, New York Times article, announcing the Smithsonian’s acquisition of the Hemphill Folk Art collection, notes that the figures were used as shop signs in a New Jersey store. This figure’s proportions, his large bellied posture, the treatment of his hands and the pattern of his pendants are almost identical to both of the Hemphill figures, while his facial features are more closely related to those of the Indian Woman. This figure retains a quiver similar to that on the Indian male, and is carved with similar arms, suspenders, protruding ankle bones, shoes, and naturalistically carved circular base. The similarities strongly suggest that this Trapper figure was carved by the same maker as the two Hemphill figures. $30,000-50,000

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273 C. J. Wells (b. 1952) “white buffalo calf woman” Titled, signed, “Wells,” and dated, “06” on verso, oil on canvas, framed. 47 1/2 in. x 35 1/4 in. (sight) provenance: Property of a Pennsylvania gentleman. $3,000-5,000

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274 C. J. Wells (b. 1952) “stands still and shadow” Signed, upper left, and titled, signed and dated , “Wells 01” on verso, oil on canvas, framed. 31 1/2 in. x 29 1/2 in. (sight) provenance: Property of a Pennsylvania Gentleman. $3,000-5,000

275 Michael Heinrich Horse (b. 1951) two ledger works Signed, watercolor and ink on correspondence, the first from The United States Indian School, Carlisle, PA; the second, a Way-Bill from Malheur Stage Company, framed. 10 1/2 in. x 8 in. (sight) and 14 1/4 in. x 20 in. (sight) $800-1,200

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276 After Prince Paolo Troubetzkoy (Russian, 1866-1938) indian chief standing with staff Bronze with a rich brown patina, signed and dated in cast and inscribed with copyright stamp, on a square marble base. H: 18 in. (overall) $2,000-3,000

277 Charles Henry Humphriss (1837-1934) appeal to the great spirit Inscribed, “CH Humphriss 1906,” with “Gorham Co. Founders” foundry mark to base, bronze. H: 31 in. $8,000-12,000

278 Gothic Revival upholstered mahogany bench circa 1850 Lancet-form back flanked by paneled posts above scrolled arms on paneled supports, raised on tapering squared feet. H: 66 1/2 in. W: 47 1/4 in. D: 25 1/4 in. $2,000-3,000

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279 English School 19th century victorian street scene, circa 1875 Oil on canvas, framed. 17 1/8 in. x 27 5/8 in. (sight) $500-800

280 The College of Physicians of Philadelphia Chippendale-style carved mahogany armchair bearing label, “designed and made by the hayden company, new york” The crest bearing the carved shield of The College of Physicians of Philadelphia flanked by eagle’s heads, blind fret-carved arms and legs. H: 63 1/4 in. note: The oldest private medical society in the United States, The College of Physicians of Philadelphia was founded in 1787, with offices at the Mutter Museum. The Hayden Company was in business from 1846 until 1955. $1,500-2,500

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281 Pair of cast iron urns H: 29 1/2 in. Dia: 22 3/4 in. $300-500 282 Pair of Gothic Revival white painted castiron garden benches 19th/20th century H: 32 3/4 in. W: 53 3/4 in. D: 17 3/8 in. $1,000-2,000

283 Pair of cast iron urns H: 32 3/4 in. Dia: 21 1/2 in. $300-500 284 Free-blown glass trumpet and a Marbriedecorated bellows flask 19th century The trumpet with red, white and blue striping and the flask with pink and white looping. 10 3/4 in. and 11 1/2 in. provenance: New York City Collection $800-1,200

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285 Capiz shell, glass, cast brass and gilt metal chandelier circa 1900 The gilt metal spherical form is set with shells and stained glass “pebbles,” and is suspended from cast brass cap. Overall: 35 in. Diam: 24 in. provenance: The chandelier was installed at 1818 Chestnut St., Philadelphia in 1907 by the Oliver H. Bair Company. It was removed last year in the renovation of the building interior by the current occupant, Boyd’s Philadelphia. $6,000-8,000

286 Six-piece sterling silver Persian-style coffee service tiffany & co., new york, 1907-1947 Comprising kettle-on-stand, coffee pot, creamer, covered hot milk jug, covered sugar, and waste bowl, the bodies heavily repousséworked with flowers and foliage, the handle joins and spout with spiral fluting set with rosettes, the domed covers with bulb finials. H: 10 1/2 in. (coffee pot) Weight: 169 ozt.

note: During the 1876 Centennial Exhibition in Philadelphia, Tiffany & Co. displayed a five-piece tea and coffee service matching this pattern. This service pattern is also mentioned and illustrated in John Loring, Magnificent Tiffany Silver (2001), p.145. $8,000-12,000

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287 Frank Lloyd Wright Foundation designed sterling vase tiffany & co. makers, circa 1988 Marked “925” H: 9 5/8 in. Weight: 42.1 ozt. $1,000-1,500

288 Three sterling silver scalloped nut or bon bon dishes tiffany & co. makers, new york, 20th century Two of flower form, all marked Tiffany & Co. Makers. Diam(s): 5 in. and 5 1/4 in. Weight: 16 troy oz. provenance: From the collection of Ann Ward Spaeth. $400-600

289 Art Deco sterling silver and enameled bowl tiffany & co. makers, new york, circa 1930 With reeded and blue enamel band below rim, bearing mark of directorship of John C. Moore II (1907-1947), together with an English turqoise enameled tray. Diam: 6 1/2 in. tray: 12 1/8 in. Total Weight: 41.86 troy oz. $400-600

290 Sterling silver bowl tiffany & co. makers, new york, 1980s Marked, “Tiffany & Co. Makers Sterling Silver,” together with a Mexican sterling silver shallow oblong center bowl with a beaded foot. Diam.: 9 7/8 in. (Mexican dish) Total Weight: 51.53 troy oz. $500-800 291 A large glazed pottery urn pewabic pottery, detroit, mi, circa 1920 Stamped four times with circular mark: “Pewabic Detroit.” H: 30 in. Diam: 17 in. provenance: From the collection of Ann Ward Spaeth. $800-1,200

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292 Terry Johnson’s Fender precision bass double cut away solid body electric guitar fullerton, ca, 1973 Serial no. 373971, with single coil split pickup, “Fender Precision Bass,” decal on headstock, with original case. L: 46 in. provenance: Terry Johnson (b. 1938), singer, songwriter, arranger, and music producer, is best known as a member of The Flamingos. In 1996, Terry Johnson and the surviving members of the Flamingos were awarded the Rhythm & Blues Foundation’s Pioneer Award. In 2001, Terry Johnson and The Flamingos were inducted into the Rock and Roll Hall of Fame. His classic recording, “ I Only have Eyes for You” of 1973, was inducted into the Grammy Award Hall of Fame in 2003. The Flamingos and Terry Johnson are still recording and have an active performance schedule. $3,000-5,000

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293 James Montgomery Flagg (American, 1877-1960) i want you for the u.s army wwi poster, 1917 or later 40 in. x 29 5/8 in. (sight) provenance: Collection of a Pennsylvania Lady. note: This poster is one of the most iconic images in 20th century American culture. $4,000-6,000

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terms & conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay 5 less than the standard commission rate where Freeman’s or its representative is a successful Unless otherwise announced by the auctioneer at the time of sale, bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s all bids are per lot as numbered in the printed catalogue. Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution Commissions, and all sales are subject to any such interest. of lots. 11 No “buy” bids shall be accepted at any time for any purpose. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale. 8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing 9 and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of No lot may be removed from Freeman’s premises until the buyer has the buyer. paid in full the purchase price therefor including Buyer’s Premium or 16 has satisfied such terms that Freeman’s, in its sole discretion, shall In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of 17 sale and, if not so removed, may be sold by Freeman’s, or sent by No claimed modification or amendment of this Agreement on the part of any party shall Freeman’s to a public warehouse, at the sole risk and charge of the be deemed extant, enforceable or provable unless it is in writing that has been signed by buyer(s), and Freeman’s may prohibit the buyer from participating, the parties to this Agreement. No course of dealing and no delay or omission on the part of directly or indirectly, as a bidder or buyer in any future sale or sales. In Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right addition to other remedies available to Freeman’s by law, Freeman’s or any other right and waiver on any one or more occasions shall not be construed as a bar to reserves the right to impose a late charge of 1.5% per month of the or waiver of any right or remedy of Freeman’s on any future occasion. total purchase price on any balance remaining ten (10) days after the 18 day of sale. If Property is not removed by the buyer within ten (10) These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these days, a handling charge of 1% of the total purchase price per month Conditions of Sale shall be governed by, construed and enforced in accordance with the from the tenth day after the sale until removal by the buyer shall be laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States the total purchase price per month for any property not so removed District Court 131 for the Eastern District of Pennsylvania.

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important information for buyers Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www. freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% therew. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit.

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directory Officers Alasdair Nichol Chairman Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer Samuel T. Freeman III Senior Vice President

Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Micah Dornfeld mdornfeld@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Stephanie Parker sparker@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com

Specialist Departments

Representatives

20th Century Design Tim Andreadis

New England Kelly Wright

tandreadis@freemansauction.com

kwright@freemansauction.com

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com Asian Arts Benjamin Farina bfarina@freemansauction.com Books, Maps & Manuscripts Benjamin Truesdale btruesdale@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Thomas McCabe tmccabe@freemansauction.com

British & European Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Frederick Oster foster@freemansauction.com Oriental Rugs & Carpets Andrew Taggart ataggart@freemansauction.com Prints Anne Henry ahenry@freemansauction.com Silver & Russian Works of Art Nicholas B. A. Nicholson nnicholson@freemansauction.com

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Benefiting Philadelphia Museum of Art and Penn Medicine

THE PHILADELPHIA ANTIQUES ART SHOW APRIL 20-22

The Navy Yard | Philadelphia, PA

TICKETS ON SALE NOW

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