Design by Freeman's

design 12.10.18

design

auction Sale 1621 Monday, December 10 at 2 pm 1808 Chestnut Street, Philadelphia PA 19103 Cover Image: Lot 64 (detail), Inside Front Cover: Lot 32 (detail), Inside Back Cover: Lot 53 (detail)

design department Tim Andreadis Vice President | Head of Department tandreadis@freemansauction.com 267.414.1215

exhibitions Wednesday, December 05

10:00 am - 5:00 pm

Thursday, December 06

10:00 am - 5:00 pm

Friday, December 07

10:00 am - 5:00 pm

Saturday, December 08

12:00 pm - 5:00 pm

Sunday, December 09

12:00 pm - 5:00 pm

By appointment only on the morning of the sale

client services Joslyn Moore Bidding Registration jmoore@freemansauction.com 267.414.1207

Lot 93 (detail)

Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236

Melissa Arundel Post-Sale Administrator marundel@freemansauction.com 267.414.1226

RENÉ LALIQUE (FRENCH, 1860-1945) “SAUTERELLES” VASE, FRANCE, DESIGNED 1912 Clear glass with green and blue patina Engraved script signature: “R. Lalique France No. 888” H: 10 7/8, Dia: 10 1/4 in. $3,000-5,000

RENÉ LALIQUE (FRENCH, 1860-1945) “POISSONS” VASE, FRANCE, DESIGNED 1921 Emerald green glass with white patina Engraved script signature: “R. Lalique No. 925” Raised, molded block signature to body: “R. LALIQUE” H: 9 3/8, Dia: 10 1/2 in. $6,000-8,000

RENÉ LALIQUE (FRENCH, 1860-1945) “ALICANTE” VASE, FRANCE, DESIGNED 1927 Clear glass with blush patina Engraved script signature: “R. Lalique France” H: 10 1/4, Dia: 9 1/2 in. $3,000-5,000

RENÉ LALIQUE (FRENCH, 1860-1945) “MARISA” VASE, FRANCE, DESIGNED 1927 Opalescent glass Engraved script signature: “R. Lalique France” H: 9 1/8, Dia: 9 1/2 in. $2,000-3,000

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RENÉ LALIQUE (FRENCH, 1860-1945)

7 RENÉ LALIQUE (FRENCH, 1860-1945)

“MURES” VASE, FRANCE, DESIGNED 1930

“DOMREMY” VASE, FRANCE, DESIGNED 1926

“PIRIAC” VASE, FRANCE, DESIGNED 1930

Opalescent glass Block, acid-etched signature: “R LALIQUE FRANCE” H: 7 3/8, Dia: 8 1/8 in.

Opalescent glass with blue-green patina Molded block signature: “R. LALIQUE” Scratched: “France” H: 8 3/8, Dia: 8 in.

Clear glass with blue patina Acid-etched block signature: “R. LALIQUE FRANCE” H: 7 1/8, Dia: 8 in.

$800-1,200

$400-600

$500-700

RENÉ LALIQUE (FRENCH, 1860-1945)

RENÉ LALIQUE (FRENCH, 1860-1945) “MUGET” BOWL, FRANCE, DESIGNED 1931

“PERRUCHES” BOWL, FRANCE, DESIGNED 1931

Clear glass with blue patina Acid-etched block signature: “R. LALIQUE FRANCE” H: 4 1/8, Dia: 9 1/2 in.

Clear glass with blue patina Acid-etched block signature: “R. LALIQUE FRANCE” H: 4 1/4, Dia: 9 1/2 in.

$800-1,200

$2,500-3,500

10 RENÉ LALIQUE (FRENCH, 1860-1945)

11 RENÉ LALIQUE (FRENCH, 1860-1945)

“RONCES” VASE, FRANCE, DESIGNED 1921

“SAUGE” VASE, FRANCE, DESIGNED 1923

Butterscotch-cased opalescent glass Engraved script signature: “R. Lalique” Scratched: “France” H: 9 3/8, Dia: 4 7/8 in.

Red amber glass with white patina Block molded signature: “R. LALIQUE” H: 10, Dia: 6 1/4 in. $2,000-3,000

$800-1,200

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12 RENÉ LALIQUE (FRENCH, 1860-1945) “AIGRETTES” VASE, FRANCE, DESIGNED 1926 Clear glass with blue patina Block engraved signature: “R. LALIQUE FRANCE” Script engraved: “No. 988” H: 9 3/4, Dia: 9 in. $3,000-5,000

13 RENÉ LALIQUE (FRENCH, 1860-1945) “PERRUCHES” VASE, FRANCE, DESIGNED 1919 Amber red glass with white patina Engraved script signature: “R. Lalique N. 876” H: 10 1/2, Dia: 9 1/2 in. $5,000-7,000

14 RENÉ LALIQUE (FRENCH, 1860-1945) “DAMIERS” VASE, FRANCE, DESIGNED 1935 Clear glass with Sienna brown patina Acid-etched block signature: “R. LALIQUE FRANCE” H: 9 1/8, Dia: 8 1/8 in. $1,500-2,500

15 RENÉ LALIQUE (FRENCH, 1860-1945) “LANGUEDOC” VASE, FRANCE, DESIGNED 1929 Frosted, opalescent glass Acid-etched block signature: “R. LALIQUE” H: 8 7/8, Dia: 12 1/2 in. $3,000-5,000

16 RENÉ LALIQUE (FRENCH, 1860-1945) “DRUIDE” VASE, FRANCE, DESIGNED 1924 Opalescent white glass with brown patina Molded block signature: “R LALIQUE” H: 7 1/8, Dia: 7 1/4 in. $400-600

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17 RENÉ LALIQUE (FRENCH, 1860-1945) “CINQ CHEVEAUX” HOOD ORNAMENT, FRANCE, DESIGNED 1925 Clear and frosted glass, nickeled metal, ebonized wood Molded block signature: “R. LALIQUE” Engraved: “FRANCE” H: 6 1/4, W: 6 3/4, Dia: 4 3/8 in. provenance: Ted von Hemert Antiques Acquired from the above, 1979 The Carmichael/Pelsinger Collection, San Francisco, California $3,000-5,000

18 RENÉ LALIQUE (FRENCH, 1860-1945) “SERPENT” VASE, FRANCE, DESIGNED 1924 Ruby red glass Molded block signature: “R. LALIQUE” H: 9 3/4, Dia: 10 1/4 in. $15,000-25,000

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19 CLAUDE LEVY (FRENCH, 20TH C.) CHARGER WITH WOMAN AND SEA MONSTER, PRIMAVERA, LONGWY, FRANCE, CIRCA 1925 Glazed and gilt earthenware Signed: “Claude Levy” with Primavera Longwy mark. H: 3, Dia: 15 in. provenance: Ken Dane Acquired from the above, 1991 The Carmichael/Pelsinger Collection, San Francisco, California literature: Art Deco Style, Brunhammer, p. 140 (for an illustration of a related model) La Céramique Art Déco, Pelichet, p. 123 fig. 86 (for an illustration of the model) $800-1,200

20 RENÉ BUTHAUD (FRENCH, 1886-1986) WOMAN AND BUTTERFLY VASE, FRANCE, CIRCA 1925 Glazed earthenware Painted signature: “RB” H: 10 3/4, Dia: 5 3/4 in. provenance: By repute, The Estate of Templeton Crocker California Zephyr Moderne, Oakland, California Acquired from the above, 1974 The Carmichael/Pelsinger Collection, San Francisco, California $3,000-5,000

21 JEAN LUCE (FRENCH, 1895-1964)

22 JEAN LUCE (FRENCH, 1895-1964)

VASE, FRANCE, CIRCA 1930

Etched and gilt enameled glass Acid-etched artist’s mark. H: 7 1/2, Dia: 5 1/4 in.

Etched and gilt enameled glass Acid-etched artist’s mark. H: 5 3/4, Dia: 3 3/8 in.

provenance: Paul Tiberio Acquired from the above, 1970s The Carmichael/Pelsinger Collection, San Francisco, California

$4,000-6,000

$3,000-5,000

23 DAUM TALL SCENIC VASE WITH WOODED LANDSCAPE, FRANCE, CIRCA 1898 Internally decorated, acid-etched and enameled glass Enameled signature: “Daum Nancy” with Cross of Lorraine. H: 17 7/8, Dia: 6 in. $3,000-5,000

24 DAUM TWO “PAYSAGE D’HIVER” VASES, FRANCE, CIRCA 1900 Acid-etched and enameled glass Each with enameled signature: “Daum Nancy” and Cross of Lorraine. H: 4 1/2, W: 5 3/4, D: 4 3/4 in. (larger) H: 4, Dia: 4 in. (smaller) $3,000-5,000

25 DAUM TWO DECORATED BOWLS, FRANCE, CIRCA 1910 Acid-etched and enameled glass Each with enameled signature: “Daum Nancy” with Cross of Lorraine. H: 3 1/2, Dia: 7 1/2 (orchids), H: 3, Dia: 7 3/4 in. (berries) $1,200-1,800

26 DAUM TALL FLORAL VASE, FRANCE, CIRCA 1925 Internally decorated, acid-etched and enameled glass Etched and enameled signature: “Daum Nancy” with Cross of Lorraine. H: 14, Dia: 4 3/8 in. $2,000-3,000

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27 DAUM

28 DAUM

FLORAL VASE, FRANCE, CIRCA 1900

“FREESIA” VASE, FRANCE, CIRCA 1910

Internally decorated and wheel-carved glass Wheel-carved signature: “Daum Nancy” with Cross of Lorraine. H: 10 1/2, Dia: 3 in.

Internally decorated and wheel-carved glass Wheel-engraved signature to body: “Daum Nancy” with Cross of Lorraine. H: 13 3/8, Dia: 3 1/2 in.

$1,500-2,500

$3,000-5,000

29 DAUM “ROSES ET LIBELLULES” VASE, FRANCE, CIRCA 1900 Acid-etched, enameled and gilt with applied glass “jewels” Gilt signature: “Daum Nancy” with Cross of Lorraine. H: 9 7/8, Dia: 3 1/2 in. $6,000-8,000

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30 DAUM CRANE VASE, FRANCE, CIRCA 1905 Acid-etched, enameled and gilt glass Gilt signature: “Daum Nancy” with Cross of Lorraine. H: 11 1/2, Dia: 7 3/4 in. $8,000-12,00

31 DAUM BLACKBIRD VASE, FRANCE, CIRCA 1905 Acid-etched, enameled and gilt glass Gilt enameled signature: “Daum Nancy” with Cross of Lorraine. H: 11 5/8, Dia: 8 1/4 in. $8,000-12,000

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32 JEAN PUIFORCAT (FRENCH, 1897-1945) PAIR OF LOOP-FORM CANDLE HOLDERS, MEXICO, 1942-1945 Sterling silver, white onyx Marked: “JEAN PUIFORCAT MADE IN MEXICO STERLING” with maker’s mark. H: 6 1/2, L: 8 1/4 in. Total Weight: 53.25 oz. t. provenance: Ed Forcum, Berkeley, California Purchased from the above, 1994 The Carmichael/Pelsinger Collection, San Francisco, California literature: Jean Puiforcat, Bonneville, pp. 166-167 (for illustrations of a related model) $1,500-2,500

33 JEAN PUIFORCAT (FRENCH, 1897-1945) PAIR OF SHALLOW DISHES, FRANCE, CIRCA 1930 Silver Marked: “Jean E. Puiforcat Made in France” with Emile Puiforcat and French export marks. H: 1 1/2, W: 9 3/4, D: 8 in., Total Weight: 33.94 oz. t. provenance: John Favor Acquired from the above, 1992 The Carmichael/Pelsinger Collection, San Francisco, California $1,200-1,800

34 JEAN PUIFORCAT (FRENCH, 1897-1945) PAIR OF CIRCULAR DISHES, MEXICO, 19421945 Sterling silver Marked: “STERLING MADE IN MEXICO JEAN PUIFORCAT” with maker’s mark. H: 3/4, Dia: 6 3/4 in. Total Weight: 29.14 oz. t. provenance: Ken Dane Purchased from the above, 1994 The Carmichael/Pelsinger Collection, San Francisco, California literature: Jean Puiforcat Orfevre Sculpteur, Flammarion, p. 38 (for an illustration of the model) $500-700

35 JEAN PUIFORCAT (FRENCH, 1897-1945) OPEN CAVIAR SERVER WITH INSET STRAINER, FRANCE, CIRCA 1930 Silver Marked: “JEAN E. PUIFORCAT” with maker’s mark and French guarantee mark. H: 3 1/2, Dia: 7 1/2 in. Weight: 44.86 oz. t. provenance: By repute, formerly in the Collection of Mrs. A. Conan Doyle Richard J. Peters, Inc., Briar Cliff Manor, New York Purchased from the above, 1977 The Carmichael/Pelsinger Collection, San Francisco, California $500-700

36 JEAN PUIFORCAT (FRENCH, 1897-1945) ICE PAIL, FRANCE, CIRCA 1925 Sterling silver Marked: “STERLING SILVER JEAN PUIFORCAT PARIS FRANCE” with maker’s mark and French export mark. H: 4 3/8, Dia: 5 1/2 in. Weight: 30 oz. t. provenance: John Favor Purchased from the above, 1991 The Carmichael/Pelsinger Collection, San Francisco, California $600-800

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37 JEAN PUIFORCAT (FRENCH, 1897-1945) LIDDED PITCHER AND SAUCE BOAT, MEXICO/ FRANCE, 1925-1945 Sterling silver, rosewood The pitcher marked: “JEAN PUIFORCAT STERLING” with maker’s mark. The sauce boat with scratched numbers: “31113” and French export mark. H: 5 3/4, W: 4 1/4, D: 2 3/4 in. (pitcher), H: 2, W: 5 3/4, D: 4 1/4 in. (sauce boat) Total Weight: 19.19 oz. t. provenance: Dennis Gallion Purchased from the above, 1991 The Carmichael/Pelsinger Collection, San Francisco, California $600-800

38 JEAN PUIFORCAT (FRENCH, 1897-1945) ASSEMBLED “CANNES” PATTERN FLATWARE SERVICE, FRANCE, DESIGNED 1928 Including seventeen dinner forks, thirty salad forks, eighteen soup spoons, sixteen teaspoons, seventeen dinner knives, three serving spoons, three serving forks, nine butter knives, and four demitasse spoons Variously marked: “FRANCE PUIFORCAT STERLING” with firm’s mark and French poinçon. Total weight: 210 oz. t. (excluding dinner knives) provenance: Acquired from 1990-1992 The Carmichael/Pelsinger Collection, San Francisco, California $10,000-15,000

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39 JEAN PUIFORCAT (FRENCH, 1897-1945) CHILD’S CUP, MEXICO, 1942-1945 Sterling silver Marked: “STERLING JEAN PUIFORCAT MADE IN MEXICO” H: 2 1/4, Dia: 2 3/8 in. Weight: 4.64 oz. t. provenance: Argentum Silver Purchased from the above, 1993 The Carmichael/Pelsinger Collection, San Francisco, California literature: Jean Puiforcat Orfevre Sculpteur, Flammarion, unpaginated (for an illustration of the model) $200-300

40 JEAN PUIFORCAT (FRENCH, 1897-1945) COUPE, MEXICO, 1942-1945 Sterling silver Marked: “STERLING JEAN PUIFORCAT MADE IN MEXICO” with maker’s mark. H: 5 1/2, Dia: 2 3/4 in. Weight: 9.24 oz. t. provenance: Ed Forcum Purchased from the above The Carmichael/Pelsinger Collection, San Francisco, California literature: Jean Puiforcat Orfevre Sculpteur, Flammarion, unpaginated (for an illustration of the model) $600-800

41 JEAN PUIFORCAT (FRENCH, 1897-1945) BONBONNIÈRE, FRANCE, CIRCA 1925 Sterling silver, jadeite, glass Marked: “JEAN E. PUIFORCAT MADE IN FRANCE” with maker’s mark and French guarantee mark. H: 5, Dia: 4 5/8 in. Total weight: 17.18 oz. t. provenance: Harvey Clars Estate Auction Gallery, Oakland, California Acquired from the above, 2003 The Carmichael/Pelsinger Collection, San Francisco, California $1,000-1,500

42 JEAN PUIFORCAT (FRENCH, 1897-1945) BEADED COUPE, MEXICO, 1942-1945 Sterling silver, vermeil, white onyx Marked: “STERLING JEAN PUIFORCAT MADE IN MEXICO” with maker’s mark. H: 6 1/2, Dia: 4 1/2 in. Weight: 20 oz. t. provenance: Historical Design Purchased from the above, 1991 The Carmichael/Pelsinger Collection, San Francisco, California literature: Jean Puiforcat Orfevre Sculpteur, Flammarion, unpaginated (for an illustration of the model) Jean Puiforcat, Bonneville, p. 214 (for an illustration of the model) $600-1,200

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43 JEAN PUIFORCAT (FRENCH, 1897-1945) COVERED TUREEN, FRANCE, CIRCA 1925 Silver, flourite Marked: “Jean Puiforcat France” H: 5 1/4, Dia: 8 1/4 in. Total weight: 44.04 oz. t. provenance: California Zephyr Moderne Acquired from the above, 1974 The Carmichael/Pelsinger Collection, San Francisco, California $10,000-15,000

44 JEAN PUIFORCAT (FRENCH, 1897-1945) COVERED SOUP TUREEN, MEXICO, CIRCA 19421945 Sterling silver, onyx Marked: “Sterling Jean Puiforcat Made in Mexico” with maker’s mark. H: 7 1/2, W: 12, Dia: 9 1/2 in., Total Weight: 96.05 oz. t. provenance: Frederick’s, San Francisco, California Acquired from the above, 1974 The Carmichael/Pelsinger Collection, San Francisco, California $8,000-12,000

45 TIFFANY STUDIOS “DAFFODIL” TABLE LAMP, NEW YORK, CIRCA 1915 Leaded glass, patinated bronze Shade with applied tag: “TIFFANY STUDIOS NEW YORK” Base impressed: “TIFFANY STUDIOS NEW YORK 9509” H: 23, Dia: 20 1/2 in. provenance: Lilian Nassau, New York Acquired from the above, 2000 Private Collection, Philadelphia, Pennsylvania note: We would like to thank Paul Crist Studios for their review and assistance in the cataloguing of this lot. $30,000-50,000

46 TIFFANY STUDIOS GEOMETRIC CHANDELIER WITH TURTLE-BACK TILE, NEW YORK, CIRCA 1915 Leaded glass, patinated bronze H: 24 in. (to cap), Dia: 14 in. H: 7 1/2 in. (shade only) provenance: Minna Rosenblatt Acquired from the above, 1989 Private Collection, Radnor Township, Pennsylvania note: We would like to thank Paul Crist Studios for their review and assistance in the cataloguing of this lot. $15,000-25,000

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47 TIFFANY STUDIOS “FLORAL BOUQUET” CHANDELIER, NEW YORK, CIRCA 1910 Leaded glass, patinated bronze Shade with applied tag: “TIFFANY STUDIOS NEW YORK” H: 52 3/4 (to canopy) Dia: 29 in. H: 16 in. (shade) provenance: Minna Rosenblatt Acquired from the above, 1989 Private Collection, Radnor Township, Pennsylvania note: We would like to thank Paul Crist Studios for their review and assistance in the cataloguing of this lot. $100,000-150,000

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48 GEORGE NAKASHIMA (AMERICAN, 1905-1990) SET OF SIX NEW CHAIRS, NEW HOPE, PENNSYLVANIA, 1969 American black walnut, hickory Signed with client’s name: “PLESCIA” H: 36, W: 18 1/2, D: 20 in. provenance: Acquired directly from the artist Private Collection, Osterville, Massachusetts note: This lot is accompanied by the a photocopy of the original invoice and carbon copy receipt from George Nakashima Woodworker. $7,000-9,000

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49 GEORGE NAKASHIMA (1905-1990) FINE CONOID DINING TABLE, NEW HOPE, PENNSYLVANIA, 1969 American black walnut, rosewood Two leaves Signed with client’s name: “PLESCIA” H: 28 1/2, L: 117 1/4, W: 45 in. (with leaves, as shown) provenance: Acquired directly from the artist Private Collection, Osterville, Massachusetts note: This lot is accompanied by the a photocopy of the original invoice and carbon copy receipt from George Nakashima Woodworker. $20,000-30,000

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50 GEORGE NAKASHIMA (AMERICAN, 1905-1990) SET OF THREE PLANK STOOLS, NEW HOPE, PENNSYLVANIA, 1989 English walnut, American black walnut All signed and dated: “George Nakashima June 23, 1989” All signed with client’s name: “Nagamatsu” H: 12, W: 16, D: 21 in. (largest) provenance: Acquired directly from the artist Private Collection, Los Angeles, California $6,000-8,000

51 GEORGE NAKASHIMA (AMERICAN, 1905-1990) CUSHION CHAIR, NEW HOPE, PENNSYLVANIA, 1964 American black walnut, upholstery H: 31, W: 24, D: 31 in. provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $4,000-6,000 52 GEORGE NAKASHIMA (AMERICAN, 1905-1990) SETTEE, NEW HOPE, PENNSYLVANIA, 1964 American black walnut, upholstery H: 30 1/2, W: 48, D: 31 in. provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $6,000-8,000

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53 GEORGE NAKASHIMA (AMERICAN, 1905-1990) FINE CONOID BENCH, NEW HOPE, PENNSYLVANIA, 1989 English walnut, American black walnut, hickory, rosewood Signed and dated: “George Nakashima July 5 1989” H: 33, L: 84 1/2, D: 29 in. provenance: Acquired directly from the artist Private Collection, Los Angeles, California exhibited: George Nakashima: Nature, Form & Spirit. Japanese American National Museum, Los Angeles, CA, 12 September 2004 - 2 January 2005 note: This lot is accompanied by a photocopy of the original sketch signed by Mira Nakashima Yarnall and programming material featuring the lot from the Nature, Form & Spirit exhibition. $50,000-70,000

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54 ROBERT WHITLEY (AMERICAN, B. 1924) SLAB TOP CABINET, NEW HOPE, PENNSYLVANIA, 2008 Walnut Signed and dated: “Robert Whitley February 2008” H: 31 1/2, W: 52, D: 18 1/2 in. provenance: Acquired directly from the artist Private Collection, Meadowbrook, Pennsylvania note: This lot is accompanied by a photocopy of a signed photograph of the artist with the present lot.

55 ROBERT WHITLEY (AMERICAN, B. 1924) STOOL, NEW HOPE, PENNSYLVANIA, 2008 Walnut Signed and dated: “Robert Whitley New Hope, Pa January 2008” H: 23 1/2, W: 14, D: 15 in. provenance: Acquired directly from the artist Private Collection, Meadowbrook, Pennsylvania note: This lot is accompanied by a photocopy of a signed photograph of the artist with the present lot. $800-1,200

$4,000-6,000

56 PAUL EVANS (AMERICAN, 1931-1987) AND PHILLIP LLOYD POWELL (AMERICAN, 1919-2008) CENTER TABLE, NEW HOPE, PENNSYLVANIA, CIRCA 1961 Polychrome and gilt-steel, American black walnut, slate H: 28, Dia: 42 in. provenance: Acquired directy from the artist Thence by descent to Private Collection, Gladwyne, Pennsylvania literature: Paul Evans Crossing Boundaries and Crafting Modernism, Kimmerle, pp. 19, 23-24, 140, 143, 151 (for illustrations of tables of related design) note: We would like to thank Dorsey Reading for his assistance in the review and cataloguing of this lot. $15,000-25,000

57 PAUL EVANS (AMERICAN, 1931-1987) SET OF SIX SCULPTURED METAL DINING CHAIRS MODEL PE-104 AND PE-105, USA, CIRCA 1965 Bronze-patinated composite over steel, upholstery H: 32 1/2, W: 26 1/2, D: 23 in. (armchair) provenance: Private Collection, Gladwyne, Pennsylvania literature: Paul Evans Designer & Sculptor, Head, pp. 91, 93 (for period illustrations of the model in the Directional catalogue, 1960s) Paul Evans Crossing Boundaries and Crafting Modernism, Kimmerle, p. 171 (for an illustration of the model) note: We would like to thank Dorsey Reading for his assistance in the review and cataloguing of this lot. $8,000-12,000

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58 IN THE BAUHAUS STYLE RUG, CIRCA 1930 Woven wool L: 11 ft. 10 in., W: 9 ft. 1 in. provenance: The Carmichael/Pelsinger Collection, San Francisco, California $1,000-1,500

59 PAUL EVANS (AMERICAN, 1931-1987) CUSTOM PATCHWORK COFFEE TABLE, NEW HOPE, PENNSYLVANIA, CIRCA 1965 Patinated steel, giltwood, slate H: 18 1/2, Dia: 36 in. provenance: Private Collection, Bucks County, Pennsylvania literature: Paul Evans Designer & Sculptor, Head, pp. 74, 82-83 (for illustrations of related designs) Paul Evans Crossing Boundaries and Crafting Modernism, Kimmerle, pp. 19 (for a period photograph of the Evans and Powell showroom ca. 1960 showing a table of related design), 173-174 (for illustrations of related designs) note: We would like to thank Dorsey Reading for his assistance in the review and cataloguing of this lot. $4,000-6,000

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60 CLAIRE RADO (FRENCH, 20TH C.) TAPESTRY, FRANCE, CIRCA 1960s Wool Woven signature: “CR” Applied fabric label to reverse signed and numbered: “Cl. Rado 1/3” H: 32 1/2, W: 59 1/2 in. provenance: Private Collection, New York, New York $1,000-2,000

61 PHILLIP LLOYD POWELL (AMERICAN, 1919-2008) FINE CUSTOM CABINET, NEW HOPE, PENNSYLVANIA, EARLY 1960s American black walnut, giltwood, slate H: 32, L: 120, W: 20 in. provenance: Acquired directy from the artist Thence by descent to Private Collection, Gladwyne, Pennsylvania literature: Paul Evans Crossing Boundaries and Crafting Modernism, Kimmerle, pp. 148-149 (for illustration of a related design) $20,000-30,000

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62 WHARTON ESHERICK (1887-1970) HESSIAN HILLS SCHOOL CHAIR, PAOLI, PENNSYLVANIA, 1931 Maple, leather H: 26 1/2, W: 15, D: 26 1/2 in. provenance: Brimfield Antiques Flea Market, Brimfield, Massachusetts Acquired from the above, May, 2018 Private Collection, New York State literature: Homes of the Master Wood Artisans, Skinner and Whitsitt, p. 40 (for an illustration of the 1924 prototype for this chair in the permanent Collection of the Wharton Esherick Museum.) Wharton Esherick and the Birth of the American Modern, Eisenhauer and Farrington, pp. 108-109 Wharton Esherick: The Journey of a Creative Mind, Bascom, pp. 66, 101, 120 note: We would like to thank Mark Sfirri for his review and assistance in the cataloguing of this lot. This lot is accompanied by photocopies from Wharton Esherick’s ledger book reflecting the order for these chairs. $6,000-8,000

“education, i feel, is of no value if it destroys the spirit and character of the child.” - Wharton Esherick

In 1924, Wharton Esherick created a prototype for a child’s chair, now in the permanent Collection of the Wharton Esherick Museum, of which he would make six the following year. These chairs were made in lieu of tuition payment for his then 9-year-old daughter Mary, to accompany her to the newly minted progressive school for children in Croton, New York, known as the Hessian Hills School. In the fall of 1930 the School suffered a fire which took with it the chairs Esherick had delivered in 1925. Funded by insurance money, Esherick made fifteen replacement chairs in 1931. Around the time Esherick completed his chairs, William Lescaze and George Howe were selected to design a new school building. The outfitting of the classrooms with tubular chrome furniture may have led Esherick’s chairs to find new homes or uses. Three of the Hessian Hills School chairs are known to be extant, the present lot and two others in the permanent Collection of the Modernism Museum Mount Dora. Another example of the chair, made at the same time for Helene Koerting Fischer, is now in the Collection of Mansfield (Bob) Bascom.

63 GEORGE NAKASHIMA (1905-1990) SET OF FOUR NEW CHAIRS, NEW HOPE, PENNSYLVANIA, 1964 American black walnut, hickory Signed with client’s name: “HABER” H: 36, W: 18 1/2, D: 20 in. provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $5,000-7,000

64 GEORGE NAKASHIMA (AMERICAN, 1905-1990) CROSS-LEGGED DINING TABLE, NEW HOPE, PENNSYLVANIA, 1964 With two leaves American black walnut, hickory, rosewood Leaves signed with client’s name: “HABER” H: 28 1/2, L: 89 1/4, W: 37 in. (with leaves, as shown) provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $15,000-25,000

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65 GEORGE NAKASHIMA (1905-1990) PAIR OF CONOID CUSHION CHAIRS, NEW HOPE, PENNSYLVANIA, 1984 American black walnut, hickory, upholstery Both signed: “George Nakashima” Respectively dated: “July 19, 1984” and “Aug 3, 1984” H: 33 1/2, W: 34, D: 34 in. provenance: Acquired directly from the artist Thence by descent to Private Collection, Lincoln County, Maine $15,000-25,000

66 PAUL FRANKL (AMERICAN, BORN AUSTRIA, 1886-1958)

67 GEORGE NAKASHIMA (1905-1990)

COFFEE TABLE MODEL 5021, JOHNSON FURNITURE CO., USA, CIRCA 1948

CONOID CUSHION CHAIR, NEW HOPE, PENNSYLVANIA, 1984

Lacquered cork, stained wood Stenciled manufacturer’s numbers: “5021-343” H: 14, Dia: 47 1/4 in.

American black walnut, hickory, upholstery Signed and dated: “George Nakashima April 2, 1984” H: 33 1/2, W: 34, D: 34 in.

provenance: Denis Gallion, San Francisco Acquired from the above, 1978 The Carmichael/Pelsinger Collection, San Francisco, California

provenance: Acquired directly from the artist Thence by descent to Private Collection, Lincoln County, Maine

$2,000-3,000

$7,000-9,000

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68 GEORGE NAKASHIMA (AMERICAN, 1905-1990)

69 GEORGE NAKASHIMA (AMERICAN, 1905-1990)

CONOID CHAIR, NEW HOPE, PENNSYLVANIA, 1974

WOHL TABLE, NEW HOPE, PENNSYLVANIA, 1974

American black walnut, hickory Signed with client’s name: “Vesley” H: 35 1/4, W: 20 3/4, D: 22 in.

English walnut Signed with client’s name: “VESLEY” H: 21, L: 31, W: 24 in.

provenance: Acquired directly from the artist Private Collection, New Jersey

note: This lot is accompanied by a photocopy of the original sketch, signed and dated by George Nakashima.

$3,000-5,000

70 GEORGE NAKASHIMA (1905-1990) RARE MINGUREN DESK, NEW HOPE, PENNSYLVANIA, 1974 American black walnut Signed with client’s name: “Vesley” H: 28 1/2, W: 84, D: 36 in. provenance: Acquired directly from the artist Private Collection, New Jersey note: This lot is accompanied by a photocopy of the original sketch, signed and dated by George Nakashima. $15,000-25,000

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71 MIRA NAKASHIMA (AMERICAN, B. 1942) SET OF FOUR NEW CHAIRS, NEW HOPE, PENNSYLVANIA, 1994 American black walnut, hickory Signed and dated: “Nakashima September 24, 1994” with client’s name: “Weber” H: 36, W: 18 3/4, D: 21 in. provenance: The Collection of Dr. Steven J. Weber & Pati DoyleWeber note: This lot is accompanied by a photocopy of the original invoice from George Nakashima Woodworker. $3,000-5,000

72 GEORGE NAKASHIMA (AMERICAN, 1905-1990) DOUBLE CABINET, NEW HOPE, PENNSYLVANIA, 1969 Walnut, pandanus cloth Signed with client’s name: “PLESCIA” H: 32, W: 72, D: 23 1/2 in. provenance: Acquired directly from the artist Private Collection, Osterville, Massachusetts note: This lot is accompanied by the a photocopy of the original invoice and carbon copy receipt from George Nakashima Woodworker. $15,000-25,000

73 GEORGE NAKASHIMA (AMERICAN, 1905-1990)

74 GEORGE NAKASHIMA (AMERICAN, 1905-1990)

DOUBLE CABINET, NEW HOPE, PENNSYLVANIA, 1962

NEW LOUNGE CHAIR WITH ARM, NEW HOPE, PENNSYLVANIA, 1964

American black walnut Signed with client’s name and studio notation: “Larsen #176” H: 32, W: 71, D: 21 3/4 in.

American black walnut, hickory Signed with client’s name: “HABER” H: 32 1/2, W: 30, D: 30 in.

provenance: Acquired directly from the artist Property of a Gentleman, New Hope, Pennsylvania note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $8,000-12,000

provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $6,000-8,000

75 GEORGE NAKASHIMA (AMERICAN, 1905-1990) SET OF THREE FOUR-LEGGED HIGH CHAIRS, NEW HOPE, PENNSYLVANIA, 1964 American black walnut Signed with client’s name and studio notation: “HABER 24”“ H: 34, W: 19, D: 16 in. provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $4,000-6,000

76 GEORGE NAKASHIMA (AMERICAN, 1905-1990) STRAIGHT BACK CHAIR, NEW HOPE, PENNSYLVANIA, 1959 American black walnut, hickory Signed with client’s name: “Haber” H: 30 1/4, W: 22 1/4, D: 17 1/2 in. provenance: Norbert Haber, Andes, New York Acquired from the above Private Collection, New York note: This lot is accompanied by a photocopy of the original order card from George Nakashima Woodworker. $1,000-1,500

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American

cera m ic s Lots 77-86

77 PETER VOULKOS (AMERICAN, 1924-2002) VESSEL, USA, 1973 Hand-built, carved, slashed and glazed stoneware and porcelain Signed and dated: “VOULKOS 73” Applied paper gallery label: “Bryce Bannatyne Gallery 1.124.5” H: 10 1/4, W: 9, D: 5 1/2 in. provenance: Bryce Bannatyne Gallery, Santa Monica, California Acquired from the above, 1993 The Carmichael/Pelsinger Collection, San Francisco, California $6,000-8,000

78 PETER VOULKOS (AMERICAN, 1924-2002) EARLY VASE, LOS ANGELES, CALIFORNIA, 1950s Thrown, incised and glazed stoneware Incised signature: “Voulkos” H: 10 1/4, W: 5 3/4, D: 5 1/2 in. provenance: John Favor Acquired from the above, 1992 The Carmichael/Pelsinger Collection, San Francisco, California $3,000-5,000

79 PAUL SOLDNER (AMERICAN, 1921-2011) UNTITLED VESSEL, CLAREMONT, CALIFORNIA, CIRCA 1970 Hand-built, glazed and Raku fired earthenware Signed with impressed marks. H: 9 3/4, W: 6 1/2, D: 5 in. provenance: Steven Stoops, Stevens Fine Art, Phoenix, Arizona Acquired from the above, 1993 The Carmichael/Pelsinger Collection, San Francisco, California $1,000-2,000

80 JOHN MASON (AMERICAN, B. 1927) LARGE EARLY VESSEL, LOS ANGELES, CALIFORNIA, 1950s Thrown, faceted and ribbed glazed stoneware Signed: “MASON” Applied paper gallery label: “Bryce Bannatyne Gallery 1.124.7” H: 8, W: 10 1/2, D: 9 1/2 in. provenance: Bryce Bannatyne Gallery, Santa Monica, California Acquired from the above, 1993 The Carmichael/Pelsinger Collection, San Francisco, California $800-1,200

81 KEN PRICE (AMERICAN, 1935-2012) EARLY VASE WITH FACES, LOS ANGELES, CALIFORNIA, 1956 Thrown, incised and glazed stoneware Signed and dated: “Price ‘56” Applied paper gallery label: “Bryce Bannatyne Gallery 1.124.8” H: 9, Dia: 7 in. provenance: Bryce Bannatyne Gallery, Santa Monica, California Acquired from the above The Carmichael/Pelsinger Collection, San Francisco, California $2,000-3,000

82 BEATRICE WOOD (AMERICAN, 1893-1998) FOOTED BOWL, OJAI, CALIFORNIA, CIRCA 1960s Thrown earthenware with frothy aubergine volcanic glaze Signed: “BEATO” H: 3 5/8, Dia: 4 5/8 in. provenance: Gregory Nacozy Acquired from the above, 1994 The Carmichael/Pelsinger Collection, San Francisco, California $400-600

83 GERTRUD NATZLER (AMERICAN, BORN AUSTRIA, 1908-1971) AND OTTO NATZLER (AMERICAN, BORN AUSTRIA, 1908-2007) FOOTED BOWL, LOS ANGELES, CALIFORNIA, CIRCA 1960 Thrown earthenware in iridescent mirror black glaze Signed: “NATZLER” Applied typed paper label: “M799” H: 3 1/2, Dia: 4 3/8 in. provenance: Dane Cloutier Acquired from the above The Carmichael/Pelsinger Collection, San Francisco, California $1,000-1,500

84 ROBERT ARNESON (AMERICAN, 1930-1992) UNTITLED POT, CALIFORNIA, 1961 Thrown and hand-built stoneware with salt and colored oxide glazes Incised signature and dated: “Arneson 61” H: 5 5/8, W: 6 3/4, D: 4 1/2 in. provenance: The Carmichael/Pelsinger Collection, San Francisco, California $1,000-2,000

85 ROBERT ARNESON (AMERICAN, 1930-1992) LARGE UNTITLED POT, CALIFORNIA, 1961 Thrown and hand-built stoneware with salt and colored oxide glazes Incised signature and dated: “Arneson 61” H: 9, W: 12, D: 7 1/2 in. provenance: Butterfield & Butterfield, San Francisco Acquired from the above, April, 1991 The Carmichael/Pelsinger Collection, San Francisco, California $1,500-2,500

86 RICHARD DEVORE (AMERICAN, 1933-2006) LARGE PINCHED VESSEL WITH OPENING, COLORADO, USA, CIRCA 1980 Glazed stoneware Pen inscribed numbers to base: “1078” H: 13 1/8, W: 15 1/2, D: 11 1/2 in. provenance: Collection of Frederick R. McBrien III, San Marino County, California and Reading, Pennsylvania Gifted from the above Collection of Elizabeth Osborne, Philadelphia, Pennsylvania $3,000-5,000

British & Japanese

cera m ic s Lots 87-121

87 JENNIFER LEE (SCOTTISH, B. 1956) DARK OLIVE VESSEL WITH UMBER BANDS, LONDON, CIRCA 2005 Stoneware Signed with artist’s mark Applied paper label with number: “2” H: 6 1/8, Dia: 6 1/2 in. provenance: Collection of Frederick R. McBrien III, San Marino County, California and Reading, Pennsylvania Gifted from the above Collection of Elizabeth Osborne, Philadelphia, Pennsylvania $4,000-6,000

88 HANS COPER (BRITISH, BORN GERMANY, 1920-1981) BELL FORM WITH DISC, LONDON, CIRCA 1966 Thrown earthenware in manganese glaze Impressed artist’s seal. H: 3 1/4, Dia: 6 1/2 in. provenance: The Carmichael/Pelsinger Collection, San Francisco, California literature: Hans Coper, Birks, p. 127 (for an illustration of the form) $6,000-8,000

89 HANS COPER (BRITISH, BORN GERMANY, 1920-1981) COMPOSITE FORM WITH VERTICAL IMPRESSION, FROME, ENGLAND, 1970 Stoneware with porcelain slip, engobes and manganese glaze Impressed artist’s seal. H: 6 1/2, W: 4 3/4, D: 4 1/4 in. provenance: Peter Dingley Gallery, Stratford-upon-Avon, England Acquired from the above, 1970 Thence by descent to Private Collection, Glen Mills, Pennsylvania literature: Hans Coper, Birks, cover, pp. 67, 143-145 (for illustrations of the form) Lucie Rie / Hans Coper: Masterworks by Two British Potters, O’Neill, title page (for an illustration of the form) $6,000-8,000

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90 BRITISH SCHOOL

91 JOANNA CONSTANTINIDIS (BRITISH, 1927-2000)

92 DEREK DAVIS (BRITISH, 1926-2008)

OVOID VASE, CIRCA 1960s

UNTITLED ENVELOPE FORM, ESSEX, ENGLAND, 1970

SPROUTING POT, SUSSEX, ENGLAND, 1970

Thrown earthenware in Robin’s egg blue glaze Impressed artist’s seal Incised: “4.63” H: 7 1/4, Dia: 6 in.

Slab-built stoneware with white slip Impressed artist’s seal. H: 4, W: 11 1/2, D: 1 in.

Glazed stoneware Signed “Davis” Applied paper gallery label: “Peter Dingley Gallery Stratford-Upon-Avon made by: D. Davis” H: 5 3/4, Dia: 7 1/4 in.

provenance: Private Collection, Glen Mills, Pennsylvania $200-300

provenance: Peter Dingley Gallery, Stratford-upon-Avon, England Acquired from the above, 1970 Thence by descent to Private Collection, Glen Mills, Pennsylvania $400-600

provenance: Peter Dingley Gallery, Stratford-upon-Avon, England Acquired from the above, 1970 Thence by descent to Private Collection, Glen Mills, Pennsylvania $200-300

93 LUCIE RIE (AUSTRIAN/BRITISH, 1902-1995) SMALL FOOTED BOWL, LONDON, CIRCA 1980 Thrown stoneware with turquoise glaze and golden manganese lip Signed with impressed artist’s seal. H: 1 1/2, Dia: 3 1/2 in. provenance: The Carmichael/Pelsinger Collection, San Francisco, California literature: Lucie Rie, Houston and Cripps, pp. 86-89 (for illustrations of related forms) Lucie Rie / Hans Coper: Masterworks by Two British Potters, O’Neill, p. 8 (for illustration of a related form) Modern Pots: Hans Coper, Lucie Rie & their Contemporaries, pp. 124, 127 (for illustrations of related forms) $2,000-3,000

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94 LUCIE RIE (AUSTRIAN/BRITISH, 1902-1995) FOOTED BOWL, LONDON, CIRCA 1978 Thrown porcelain with vertical sgraffito lines, glazed in pink and manganese bands with blue ring Signed with impressed artist’s seal. H: 3 3/8, Dia: 4 3/4 in. provenance: The Carmichael/Pelsinger Collection, San Francisco, California literature: Lucie Rie, Houston and Cripps, pp. 50, 76, 88 (for illustrations of related forms) $2,000-3,000

95 LUCIE RIE (AUSTRIAN/BRITISH, 1902-1995) HANDLED DISH, LONDON, LATE 1950s Stoneware with white glaze and manganese oxide lip Signed with impressed artist’s seal. H: 1 3/8, W: 10, Dia: 7 1/8 in. provenance: Private Collection, Washington, D.C. $1,000-1,500

96 SHOJI HAMADA (JAPANESE, 1894-1978) CHARGER, CIRCA 1960s Stoneware with wax resist kaki glaze With signed box. H: 1 3/4, Dia: 10 3/4 in. provenance: Private Collection, Washington, D.C. $700-900

97 MICHAEL CARDEW (BRITISH, 1901-1983) SLIPWARE BOWL, WINCHCOMBE POTTERY, GLOUCESTERSHIRE, ENGLAND, CIRCA 1930 Glazed earthenware with combed decoration Impressed artist’s seal and Winchcombe Pottery mark. H: 4 1/4, Dia: 10 1/2 in. provenance: Private Collection, Washington, D.C. $300-500

98 BERNARD LEACH (BRITISH, BORN HONG KONG, 1887-1979) CHARGER WITH BANDED DECORATION, ST. IVES, UNITED KINGDOM, CIRCA 1960s Glazed stoneware Impressed artist’s seal and St. Ives mark. H: 2 1/4, Dia: 12 3/8 in. provenance: Ken Dane Acquired from the above, circa 1990 The Carmichael/Pelsinger Collection, San Francisco, California $500-700

99 BERNARD LEACH (BRITISH, BORN HONG KONG, 1887-1979) SLIPWARE PLATE, ST. IVES, UNITED KINGDOM, CIRCA 1960s Glazed earthenware Impressed artist’s seal. H: 1 3/4, Dia: 9 in. provenance: The Carmichael/Pelsinger Collection, San Francisco, California $400-600

100 CLIVE BOWEN (BRITISH, B. 1943) SQUARE DISH, DEVON, ENGLAND, CIRCA 2010 Glazed earthenware with slip decoration Applied paper label numbered: “2656” H: 1 1/4, W: 5 7/8, D: 5 3/4 in. provenance: Private Collection, Washington, D.C. $80-120

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101 TATSUZO SHIMAOKA (JAPANESE, 1919-2007) GROUP OF ELEVEN PLATES, JAPAN, 1958 Glazed stoneware with rope-impressed and inlaid slip decoration H: 2, Dia: 10 1/2 in. provenance: Acquired by Jackie Bernstein, a student of Shoji Hamada Gifted from above, 1958 Thence by descent to Private Collection, Ithaca, New York $1,500-2,500

102 TATSUZO SHIMAOKA (JAPANESE, 1919-2007) GROUP OF TEN TEA CUPS, JAPAN, 1958 Glazed stoneware with rope-impressed and inlaid slip decoration H: 3 3/4, Dia: 3 1/4 in. provenance: Acquired by Jackie Bernstein, a student of Shoji Hamada Gifted from above, 1958 Thence by descent to Private Collection, Ithaca, New York literature: Ceramics of Tatsuzo Shimaoka, Longenecker, p. 32, 38-39, 44 (for related examples) $500-700

103 ATTRIBUTED TO SHOJI HAMADA (JAPANESE, 1894 -1978) BOTTLE FORM VASE, CIRCA 1960s Stoneware with kaki over tenmoku glaze H: 8 3/4, W: 6, D: 5 in. $3,000-5,000

104 PHIL ROGERS (WELSH, B. 1951) TEA BOWL, RHAYADER, WALES, UNITED KINGDOM, CIRCA 2005 Thrown and faceted stoneware with cream glaze Impressed artist’s seal. H: 3 3/4, Dia: 5 1/8 in. provenance: Private Collection, Washington, D.C. $100-200

105 BERNARD LEACH (BRITISH, BORN HONG KONG, 1887-1979) SQUARE FORM BOTTLE VASE, ST. IVES, UNITED KINGDOM, CIRCA 1957 Stoneware in mottled dark, olive-green glaze Impressed with artist’s seal and St. Ives mark. H: 7 1/4, W: 5, D: 3 1/8 in. provenance: Beaux Arts Gallery, Bath, England Acquired from the above, 1984 The Carmichael/Pelsinger Collection, San Francisco, California literature: British Studio Ceramics, Rice, p. 31 (for an illustration of the form) $2,000-3,000

Ia n Godfr e y ea rly works f ro m a pr ivate u. s. c o l l e c tio n

106 IAN GODFREY (BRITISH, 1942-1992) TWO SGRAFFITO BOWLS AND FIGURE, LONDON, CIRCA 1965 Earthenware with manganese glaze Figure with metal stand Bowls with applied paper labels numbered: “38” and “39” corresponding to gallery price list. H: 9 1/4, W: 1 1/2, D: 1 in. (figure) provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $700-900

107 IAN GODFREY (BRITISH, 1942-1992) BIRD FIGURE, LONDON, CIRCA 1965 Stoneware with pooled glaze H: 7 1/2, W: 11, D: 2 3/4 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $100-150

108 IAN GODFREY (BRITISH, 1942-1992) THREE CONICAL BOWLS, LONDON, CIRCA 1965 Glazed stoneware and earthenware Applied paper labels numbered: “36”, “55” and “56” corresponding to gallery price list. H: 5, W: 6 1/2, Dia: 5 in. (handled bowl) provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $400-600

109 IAN GODFREY (BRITISH, 1942-1992) KING & QUEEN IN COURT, LONDON, CIRCA 1965 Glazed stoneware Applied paper label numbered: “52” corresponding to gallery price list. H: 5, W: 13, D: 9 1/4 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $800-1,200

110 IAN GODFREY (BRITISH, 1942-1992) OVOID LIDDED JAR, LONDON, CIRCA 1965 Stoneware with sgraffito carving and cream glaze H: 6, W: 3 1/2, D: 2 3/4 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $80-120

111 IAN GODFREY (BRITISH, 1942-1992) LIDDED BOX, LONDON, CIRCA 1965 Stoneware with cream and pooled crackle glaze H: 3 1/4, W: 7 1/2, D: 4 1/4 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $300-500

112 IAN GODFREY (BRITISH, 1942-1992) THREE CHALICE FORMS, LONDON, CIRCA 1965 Pierced, carved and glazed earthenware H: 8 1/2, Dia: 5 3/8 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $600-800

113 IAN GODFREY (BRITISH, 1942-1992) COLLECTION OF ELEVEN CUPS, LONDON, CIRCA 1965 Nine with lids Glazed stoneware Two cups with applied paper labels numbered: “37” and “40” corresponding to gallery price list. H: 4 1/8, Dia: 3 1/2 in. (largest) provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $800-1,200

114 IAN GODFREY (BRITISH, 1942-1992) BOWL WITH WHEEL DESIGN, LONDON, CIRCA 1965 Glazed stoneware Applied paper label numbered: “48” corresponding to gallery price list. H: 3 1/2, Dia: 8 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $200-300

115 IAN GODFREY (BRITISH, 1942-1992) CHARIOT WITH FIGURES, LONDON, CIRCA 1965 Glazed stoneware, metal H: 6, W: 12, D: 7 1/2 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $600-800

116 IAN GODFREY (BRITISH, 1942-1992)

117 IAN GODFREY (BRITISH, 1942-1992)

118 IAN GODFREY (BRITISH, 1942-1992)

TALL FIGURE WITH CONCAVE BASE, LONDON, CIRCA 1965

TALL TOTEM FIGURE, LONDON, CIRCA 1965

FIGURE WITH CRESCENT BASE, LONDON, CIRCA 1965

Earthenware H: 16 3/4, W: 5 3/4, D: 1 3/8 in.

Earthenware H: 15 1/8, W: 2 1/8, D: 1 1/2 in.

Carved and incised stoneware with manganese glaze H: 13 1/2, W: 10 1/4, D: 2 1/2 in.

provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York

$300-500

$250-350

$400-600

119 IAN GODFREY (BRITISH, 1942-1992) KING & QUEEN WITH BIRD AND PALACE, LONDON, CIRCA 1965 Glazed stoneware Applied paper label numbered: “53” corresponding to gallery price list. H: 11, W: 15 1/2, D: 4 in. provenance: British Contemporary Pottery by Ian Godfrey, an exhibition and sale held by the Graham Gallery, New York, 26 September - 30 October, 1987 Acquired from the above Private Collection, New York, New York $600-800

120 IAN GODFREY (BRITISH, 1942-1992)

121 IAN GODFREY (BRITISH, 1942-1992)

FIGURE WITH WHEEL, LONDON, CIRCA 1965

DONKEY AND FIGURE, LONDON, CIRCA 1965

Glazed stoneware H: 10 1/8, W: 11 1/2, D: 1 in.

Earthenware H: 4 7/8, W: 7 1/2, D: 1 3/4 in.

$400-600

$80-120

George Nakashima’s storied career as a woodworker and guru was punctuated through the decades following the Second World War with periods of great creation, but perhaps none more poignant than his encounter with a superlative and unusually large slab of walnut in 1984. As the story goes, Nakashima had a revelation as he awoke from the anesthesia that accompanied a surgical procedure. From that slab of wood he would create “The most extraordinary piece of furniture ever made…a symbiosis of nature and man in the deepest spiritual sense.” From this idea, he developed the design and concept for an “Altar for Peace,” the first of six such tables he sought to install on every continent. In 1986 his first Altar was indeed completed and brought to St. John the Divine in New York City, where it remains today. The Peace Altar project begun in 1984 ran concurrently, of course, to Nakashima’s domestic furniture commissions. That year, he was approached by a D.C. architect, David A. Holtz, to create a dining table to serve as a truly spectacular piece of art in Mr. Holtz’s Potomac, Maryland home. For the project, Nakashima selected a “very fine slab of Claro walnut,” thick and heavily figured. To support the large, triangular piece of Claro walnut, Nakashima turned to his “Minguren”-type base, named after the association of designer-craftsmen in Japan. The same base design was then also being modified for use in his Peace Altar, a shaped, single support previously found only on Nakashima’s “Minguren” desks. Correspondence with David Holtz and a series of sketches completed through the winter of 1985, reveal modifications in the design of the table top, most notably three prominent rosewood butterfly keys, opened knots, bark pockets and a unique, fitted and removable Claro walnut panel to fit within the natural recess of the tree’s dividing branches, thus expanding the table’s seating area. The extraordinary table was unlike any Nakashima had completed up to that date, save his Peace Altar completed the same year. As a result, the Nakashima catalogue has named all future tables of the same design, “Holtz,” for the original table’s owner. George Nakashima Woodworker estimates no more than six such tables have ever been created. The present lot was the first.

The Original

h o l t z dinin g t a ble Lot 122

“i feel that this will be quite an extraordinary table…” - George Nakashima

122 GEORGE NAKASHIMA (AMERICAN, 1905-1990) THE IMPORTANT HOLTZ DINING TABLE, NEW HOPE, PENNSYLVANIA, 1986 Claro walnut, American black walnut, rosewood H: 29, L: 92, W: 65 in. literature: Nature Form & Spirit, Mira Nakashima, pp. 236-242 (for a discussion of the Peace Altar forms) note: This lot is accompanied by photocopies of a series of sketches from and correspondence with George Nakashima, beginning in March of 1984. $150,000-250,000

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123 MIRA NAKASHIMA (AMERICAN, B. 1942)

124 MIRA NAKASHIMA (AMERICAN, B. 1942)

SPECIAL QUEEN SIZE HEADBOARD, NEW HOPE, PENNSYLVANIA, 2002

SPECIAL Q BENCH, NEW HOPE, PENNSYLVANIA, 2011

Myrtle burl, American black walnut Signed and dated: “Mira Nakashima 2002” H: 59 1/4, W: 85 1/2 in.

Curly maple, walnut, rosewood Signed with client’s name: “Nagamatsu” H: 17, L: 122, W: 22 in.

provenance: Commissioned from the artist Private Collection, Southern California

provenance: Acquired directly from the artist Private Collection, Los Angeles, California

note: This lot is accompanied by the original sketch by Mira Nakashima and the original invoice from George Nakashima Woodworker.

note: This lot is accompanied by a photocopy of the original sketch signed and dated by Mira Nakashima. $5,000-7,000

$6,000-8,000

125 MIRA NAKASHIMA (AMERICAN, B. 1942) SPECIAL SPLAY LEG LOW TABLE FOR JAPANESE-STYLE DINING, NEW HOPE, PENNSYLVANIA, 2002 Maple burl, American black walnut, rosewood Signed and dated: “Mira Nakashima April 3 2002” Signed with client’s name: “Holta” H: 12, W: 39, D: 28 in. note: This lot is accompanied by photocopies of the original sketches for this work and photocopies of the original invoices from George Nakashima Woodworker. $6,000-8,000

126 MIRA NAKASHIMA (AMERICAN, B. 1942) SPECIAL DISPLAY TABLE, NEW HOPE, PENNSYLVANIA, 1995 With two drawers Maple burl, maple, rosewood Signed, dated, and inscribed: “To Bernice + Harold Steinbaum with love, Mira Nakashima 2.10.95” H: 41, L: 162 1/2, D: 21 1/2 in. provenance: Acquired directly from the artist Private Collection, Monterey, California note: This lot is accompanied by a photocopy of the original sketch, signed and dated by Mira Nakashima-Yarnall. $15,000-25,000

100

101

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127 HANS WEGNER (DANISH, 1914-2007)

128 FINN JUHL (DANISH, 1912-1989)

PAPA BEAR CHAIR AND OTTOMAN, A.P. STOLEN, DENMARK, 1950

BENCH, BOVIRKE, DENMARK, 1959 Rosewood, enameled steel, brass, upholstery Branded mark: “Bovirke Made in Denmark” Pencil inscription: “BO. 101” H: 16, L: 72, W: 19 in.

Teak, upholstery Chair and ottoman both signed with stamped marking: “Made in Denmark Design Hans J. Wegner AP Stolen Denmark” and applied Danish control tag. H: 39, W: 35 1/2, D: 34 in. (chair), H: 16, W: 27 1/2, D: 16 in. (ottoman)

provenance: Private Collection, Philadelphia, Pennsylvania literature: Finn Juhl: Furniture, Architecture, Applied Art, Hiort, p. 57

provenance: Private Collection, Glen Mills, Pennsylvania

$3,000-5,000

$7,000-9,000

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129 HANS OLSEN (DENMARK, 1912-1992) SETTEE, JØRGEN JØRGENSEN, DENMARK, CIRCA 1956 Teak, wool H: 27 1/2, W: 50, D: 26 in. provenance: Wright, Chicago: Scandinavian Design, 8 May 2015, Lot 307 Private Collection, New York, New York $3,000-5,000

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130 GUY DILL (AMERICAN, B. 1946) “EVENCROSS”, LOS ANGELES, CALIFORNIA, 2003 Patinated bronze Welded signature. H: 29, Dia: 13 1/2 in. provenance: Private Collection, Los Angeles, California $4,000-6,000

PURCHASE REMOVAL, SHIPPING AND OFFSITE STORAGE INFORMATION To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email Jake Gravelding at loadingdock@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property. Annie Hauls Michael Topley Lambertville, NJ 08530 609.577.5133 annie@anniehauls.com *East Coast deliveries only

Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com

Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net

Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.842.3500 | Fax: 215.235.0421 estimates@atelierfas.com

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com

The Packaging Store ‡ Alex Long 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com

Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts Catherine Erickson New York, NY 10011 212.741.2024 / Fax: 212.741.5513 shipping@crozierarts.com

U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com FURNITURE & LARGE ITEMS For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.freightquote.com

‡ Shippers that can fulfill international deliveries

IMPORTANT INFORMATION FOR BUYERS Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

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TERMS & CONDITIONS All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency

in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

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DIRECTORY Officers

Specialist Departments

Representatives

Alasdair Nichol Chairman

20th Century Design Tim Andreadis tandreadis@freemansauction.com

New England Darren Winston dwinston@freemansauction.com

Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer Samuel T. Freeman III Senior Vice President

Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Micah Dornfeld mdornfeld@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Jake Gravelding jgravelding@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com Antiquities & Tribal Art Grace Fitts gfitts@freemansauction.com Asian Arts Benjamin Farina bfarina@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Sarah Riley, GG sriley@freemansauction.com

Books, Maps & Manuscripts Darren Winston dwinston@freemansauction.com British & European Furniture & Decorative Arts Tessa Laney tlaney@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Sawyer Thomson sthomson@freemansauction.com Oriental Rugs & Carpets Tessa Laney tlaney@freemansauction.com Prints Dunham Townend dtownend@freemansauction.com Silver & Objets de Vertu Nicholas B. A. Nicholson nnicholson@freemansauction.com

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Lot 56 (detail)

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