Chinese Works of Art by Freeman's

Tuesday, 31st May, 2016 Hong Kong

lyonandturnbull.com

Freemanâ&#x20AC;&#x2122;s 1808 Chestnut Street Philadelphia, Pennsylvania 19103 freemansauction.com

31 May, 2016

Lyon & Turnbull 33 Broughton Place, Edinburgh, Scotland EH1 3RR

IMPORTANT INFORMATION FOR BUYERS 重要拍賣條款

PRE-REGISTRATION

Clients who wish to bid on lots marked

accept any pre-registration application.

may be requested by Lyon & Turnbull

shall be ﬁnal. Clients are requested to

u in the catalogue ("Premium Lots") to complete the pre-registration

application form and to deliver to Lyon & Turnbull a deposit of 10% of the lower estimate plus any ﬁnancial

references, guarantees and/or such

other security as Lyon & Turnbull may require in its absolute discretion as security for the bid.

Bidders wishing to bid on the Thornhill Stem Cup (lot 84) will be required to

pay a deposit of HK$2,500,000 plus complete the pre-registration

application form and provide any

ﬁnancial references, guarantees and/or such other security as Lyon & Turnbull

may require in its absolute discretion as security for the bid.

Live online bidding service is not

available for Premium Lots or the Stem Cup.

For any lots other than Premium Lots,

regardless of the low pre-sale estimate

for the lot, Lyon & Turnbull reserves the right to request from prospective

bidders a completed pre-registration

application form and to deliver to Lyon & Turnbull a deposit of HK$10,000 plus any ﬁnancial references,

guarantees and/or such other security as Lyon & Turnbull may require in its

absolute discretion, as security for the bid.

Lyon & Turnbull reserves the right to request at any time any additional

deposit, guarantee and/or such other security as Lyon & Turnbull may

determine from any bidder whose total bidding (hammer price plus buyer's

premium) has reached or exceeded ten times the amount of that bidder's

deposit. The amount of the additional deposit, guarantee and/or other

security shall be determined by Lyon & Turnbull at its sole discretion and Lyon & Turnbull reserves the right to reject any further bidding from that bidder

until such additional deposit, guarantee and/or other security has been delivered to Lyon & Turnbull.

Lyon & Turnbull has no obligation to

Lyon & Turnbull decision in this regard contact Lyon & Turnbull at least 3

working days prior to the relevant sale in order to allow Lyon & Turnbull to

process the pre-registration, and to

bear in mind that Lyon & Turnbull is

unable to obtain ﬁnancial references

over weekends or public holidays. Any

required deposits shall be paid in Hong Kong dollars by way of wire transfer or debit card (clients must present their cards in person to Lyon & Turnbull).

If a client is not successful on any lot, Lyon & Turnbull will arrange for a

refund (subject to any right of set oﬀ ) of the deposit amount paid by such client without interest within 14

working days of the date of the sale.

Any exchange losses or fees associated with the refund shall be borne by the client.

Clients may not be allowed to register

預先註冊

我們處理其預先註冊。此

（高端拍品）拍品的客戶

周末和公共假日期間無法

希望參與競拍帶u標記

有可能會被禮昂騰博要求填寫預先註冊表格，交付拍品低估價10%的押金，

以及提供個人財產證明、

擔保和/或任何其他形式的信息以作為安全抵押，

禮昂騰博就此可以自由決定。

希望參與競拍Thornhill先生舊藏高足杯（84號拍

品）的客戶須交付250萬港幣的押金，填寫預先註冊表格，並提供本公司所要求的個人財產證明、擔保

和/或任何其他形式的信息以作為安全抵押，禮昂騰博就此可以自由決定。

高端拍品和Thornhill先生

舊藏高足杯不開通在綫拍賣。

外，也請留意禮昂騰博在獲得客戶財產保證的信

息。所有押金需要以港幣的形式，通過銀行轉賬和銀行卡刷卡的方式支付

（客戶必須親自持卡前來禮昂騰博）。

如果競拍人沒有拍到他所要的拍品，禮昂騰博將在

拍賣結束後的14個工作日內（在銀行抵銷權允許的情況下）不帶利息退還其繳付的押金。所有由於匯率波動以及手續費所造成的損失將由競拍人承擔。如果客戶未能提供完整的預先註冊表格，或未能提供禮昂騰博所要求的個人

財產證明、擔保和/或任何其他形式的信息，或客戶所遞交的預先註冊表格被禮昂騰博拒絕，他都有可

and bid on a lot if Lyon & Turnbull fails

非高端拍品，無論其標價

application form or any ﬁnancial

求競拍人填寫預先註冊表

競拍人將根據其出價權限

並提供禮昂騰博所要求的

競拍牌。競拍人如果不持

to receive a completed pre-registration references, guarantees, deposits or

other security as requested by Lyon & Turnbull or if the pre-registration

application is not accepted by Lyon & Turnbull.

Bidders will be issued with a variant

paddle indicting their approved level

to bid. The auctioneer will not accept

bids on Premium Lots or the Thornhill Stem Cup unless the correct, authorised paddle is shown. COLLECTION & STORAGE

It is the buyer’s responsibility to

ascertain collection procedures. Please note that we do not pack or ship items. All purchased lots not collected from the Liang Yi venue by Thursday 2nd

June will be removed to Michelle Art Services, 1 On Yip Street, Chai Wan,

為多少，禮昂騰博有權要格，交付1萬港幣的押金，個人財產證明、擔保和/或任何其他形式的信息以作為安全抵押，禮昂騰博就此可以自由決定。

Thornhill先生舊藏高足杯的出價。

任。請註意本公司不負責

求競拍人提供額外的押金以及個人財產證明、擔保

和/或任何其他形式的信息以作為安全抵押，禮昂騰博就此可以自由決定。禮昂騰博可自主決定額外押金和擔保的額度，並且在競拍人提供這些材料之

前，保留拒絕他繼續參與競拍的權力。

禮昂騰博就此的決定是無

catalogue for more information.

不會接受他對高端拍品和

的10倍，禮昂騰博有權要

總價值超過了他所交押金

not collected by then, the cost of

responsibility. See page 187 of this

相應的競拍牌，拍賣師將

提貨和儲存

禮昂騰博沒有批準預先註

storage will be the buyer’s

的區別，獲得外形不同的

如果競拍人欲參拍的拍品

Hong Kong. Items will be kept free of charge up until Monday 13th June, if

能失去參與拍賣的權力。

冊申請的義務。

法更改的。客戶需至少在拍賣日期的3個工作日之

前聯係禮昂騰博，以便於

確保拍品提貨是買方的責包裝和發送拍品。

所有在2016年6月2日周四前沒有從兩依藏博物館取走的拍品將會被轉移到美斯藝術品運輸有限公司

(Michelle Art Services，

地址：香港柴灣安業街1

號）。買方如果在6月13日周一前提貨，無須支付倉

儲費， 6月13日之後將需交付倉儲費。

請查看買方須知第187 頁獲取具體信息。

Chinese Works of Art At The Liang Yi Museum, Hong Kong Tuesday, 31st May, 2016 At 6pm HKT

Sale Number LT464 Viewing

Saturday, 28th May | 10am to 5pm Sunday, 29th May | 10am to 7pm

Monday, 30th May | 10am to 7pm Tuesday, 31st May | 10am to 3pm Enquiries

Until Thursday, 26th May

Lyon & Turnbull 33 Broughton Place, Edinburgh, EH1 3RR

Tel: +44 (0) 131 557 8844 | Fax: +44 (0) 131 557 8668 From Friday, 27th May to Thursday, 2nd June Liang Yi Museum, 181-199 Hollywood Road, Sheung Wan, Hong Kong

Tel: +852 800 966 847 | Tel: +852 800 967 508 Email

hk@lyonandturnbull.com Website

www.lyonandturnbull.com www.freemansauction.com/chinese

ABOUT US

TwO COMPANIES | TwO CONTINENTS | FOUR HUNdREd YEARS

LYON & TURNBULL

FREEMAN’S

Established in Edinburgh in 1826, Lyon & Turnbull are Scotland's

Freeman’s holds an esteemed place in America’s history as its

conducted regular auctions in Edinburgh, handling a bewildering

part of the global art market, holding countless, often historically

the Queen's residence at Balmoral.

behalf of private collections, estates, and museums. The company

oldest ﬁrm of auctioneers. In the nineteenth century the ﬁrm

variety of art and antiques including such highlights as furniture from It was during this early period that Lyon & Turnbull ﬁrst began to sell

Asian art. In 1999 Lyon & Turnbull was acquired by a group of

auctioneers previously part of the Phillips team, an auction house

that was the third largest in the world during the 1990s.

Since re-launching, Lyon & Turnbull has become the largest and most successful auction house in Scotland, and has become

respected internationally as a trusted ﬁrm of auctioneers handling

esteemed collections for clients including Lehman Brothers; Deloitte;

famed liqueur house Drambuie; and the U.S. publishing dynasty, the Forbes family.

With Scotland’s historic trade links and maritime tradition, Lyon &

Turnbull often have exclusive access to many of the treasures found

in the private collections of Scottish homes & castles that merchants,

captains and crew brought back from journeys to the Far East. The Lyon & Turnbull team boasts over 300 years collective

experience of handling art and antiques, oﬀering a wealth of

knowledge spanning all aspects of the auction business.

oldest auction house. Since 1805, the ﬁrm has been an integral

signiﬁcant sales of jewelry, ﬁne art, furniture, and antiques on

is built on the experience of its specialists, who possess

international experience, a comprehensive knowledge of market conditions, and a drive to provide unparalleled client service. Within the past ﬁve years, Freeman’s has witnessed its most

signiﬁcant growth with top prices and auction records achieved

for American and European art, Modern and Contemporary art,

Asian arts, and Americana. Recent successes include: The George

D. Horst Collection, a privately owned trove of American and

European paintings by Childe Hassam, Charles François Daubigny,

and Eugène Louis Boudin, among others; The Henry C. Gibson & Family Collection, important works of Chinese art descended

through the family including a large and very rare Imperial Ge-type moon flask from the Yongzheng period and a finely-carved Qianlong white jade circular table screen; and The Safford

Collection, contents of an opulent estate featuring decorative arts

by KPM and the Russian Imperial Porcelain Factory, as well as

furniture and works made for the House of Hanover and Louis XV. In addition to its auction house presence in Philadelphia,

Freeman’s has regional locations throughout the United States,

along with an international presence in London and Edinburgh through its strong alliance with Lyon & Turnbull.

MEET THE SPECIALISTS

Lee Young

Richard Cervantes

lee.young@lyonandturnbull.com

rcervantes@freemansauction.com

Vice President | Freeman’s

International director | Lyon & Turnbull

Dr Ling Zhu

Cong Wang

ling.zhu@lyonandturnbull.com

cwang@freemansauction.com

Specialist | Lyon & Turnbull

Cataloguer & Adminstrator | Freeman’s

Anna Westin

Danielle Beilby

anna.westin@lyonandturnbull.com

danielle.beilby@lyonandturnbull.com

Administrator | Lyon & Turnbull

Consultant Specialist | Lyon & Turnbull

THE AUCTION LOCATION LIANG YI MUSEUM

Liang Yi Museum is Hong Kong’s largest private museum, located on Hollywood Road in the heart of the historic district. Dedicated to appreciating design, craftsmanship and heritage, the museum’s

20,000 square feet of exhibition space house one of the world’s ﬁnest art collections.

Like Hong Kong itself, Liang Yi Museum is a blend of East and West.

For those interested in Chinese antiques, the furniture will enthrall. However, for those curious about European history, the Liang Yi

Museum also houses the world's premier collection of bejewelled clutches, compacts and powder boxes.

Liang Yi also hosts collections from museums around the world, the

current exhibition being Masterpieces of British Silver: Highlights from the Victoria and Albert Museum, running until August 2016.

AddRESS

Liang Yi Museum,

181-199 Hollywood Road, Sheung Wan, Hong Kong ENTRY TO VENUE

Identiﬁcation may be requested upon entry to the Liang Yi Museum

by the museum security team.

CONTENTS Important Information for Buyers Auction Information About Us

Specialists & Auction Location Chinese Works of Art Furniture

page

3 4

Works of Art

Ceramics & Glass

Jade & Hardstones Metalwares Paintings

138

170

Chronology

185

Buyer’s Guide

186

Payment Information

190

Conditions of Sale for Buyers (HK464)

192

Collection and Shipping

Premium Lot Pre-Registration Application Form International Staﬀ Directory

Absentee / Telephone Bidding Form

Front cover: Lot 84

Endpapers: Lot 127 (detail)

191

197

198

199

FURNITURE

LYON & TURNBULL | FREEMAN’S

HE296/46

PAIR OF HUANGHUALI HORSESHOE-BACK ARMCHAIRS, QUANYI

QING dYNASTY

清黃花梨圈椅

with ﬂat and square form hard seat, raised on straight legs with curved aprons, stretchers and foot rest, the curved back and arms unadorned (2) 102cm high, 57cm wide, 72.5cm long

Provenance: Property from a Midwest American collection; purchased in 2005 from Peter L. Rosenberg, Vallin Galleries, Connecticut. HK$600,000-1,000,000 UK£50,000-85,000 | US$80,000-130,000

CHINESE wORKS OF ART

HE296/39

HUANGHUALI SQUARE LOW TABLE MING/QING dYNASTY

明末清初黃花梨炕桌

with square plank top over carved apron, raised on straight legs terminating on hoof feet 48.3cm high, 95.3cm wide

Provenance: Property from a Midwest American collection; previously purchased from Asiatica Ltd., 1979. HK$500,000-1,000,000 UK£45,000-85,000 | US$65,000-130,000

LYON & TURNBULL | FREEMAN’S

HE296/37

FINE HUANGHUALI PAINTING TABLE, PINGTOUAN

MING dYNASTY

明黃花梨平头畫案安思遠舊藏附原始收據

with rectangular top and ice-plate edge, over a shaped apron with round cylindrical legs

83.8cm high, 147.3cm long, 52.1cm wide

Provenance: Property from a Midwest American collection; previously purchased from Ellsworth & Goldie, Ltd. with original receipt. HK$2,000,000-4,000,000 UK£170,000-340,000 | US$260,000- 520,000

CHINESE wORKS OF ART

LYON & TURNBULL | FREEMAN’S

HE296/38

HUANGHUALI COFFER TABLE

MING dYNASTY

明黃花梨二屉闷户厨安思遠舊藏

of rectangular form with inset plank top, over twin drawers and shaped apron, raised on slightly splayed cylindrical legs

80cm high, 95.3cm long, 50.8cm wide

Provenance: Property from a Midwest American collection; previously purchased from Ellsworth & Goldie, Ltd. HK$800,000-1,200,000 UK£70,000-100,000 |

US$105,000-155,000

CHINESE wORKS OF ART

HE296/8

HUANGHUALI SEAL CHEST

QING dYNASTY, 18TH/19TH CENTURY

清十八/十九世紀黃花梨官皮箱

of tall rectangular form, with stylised base apron and original metal hardware and hasp 34.9cm long, 26cm wide, 36.2cm high Provenance: Property from a New York estate. HK$25,000-50,000 UK£2,000-4,000 |

US$3,000-6,000

LYON & TURNBULL | FREEMAN’S

CHINESE wORKS OF ART

LYON & TURNBULL | FREEMAN’S

HD987/3

FINE PAIR OF ZITAN ARMCHAIRS

LATE QING dYNASTY

晚清紫檀西洋花卉紋扶椅一對

each ornately carved in the Rococo style with European inﬂuenced lotus, the vase shaped back splats surmounted by shaped crest rail with fan shaped crestings, the scroll arms supported by acanthus-form pilasters, above rectangular solid seats, with scroll and ruyi head carved apron, raised on four cabriole legs, united by plain peripheral stretcher (2) 68cm wide, 114cm high, 52cm deep Provenance: Private Scottish Collection.

Note: The present pair of chairs exempliﬁes the inﬂuence of Western cabinet-making techniques and decorative motifs on Chinese furniture during the Qing dynasty. Beginning in the early Qing

dynasty, foreign tradesmen and ﬁrms brought European-made items and built trading houses in European styles in China. At the same time, the Jesuits arrived in Beijing and entered the Emperor’s service as court artists. They not only produced western-designed objects but also inﬂuenced architectural design, the most prominent example being the Chang Chun Yuan (Garden of Everlasting Spring) in the Summer Palace. As a result of such commercial and cultural exchange, European-

Illustration of a similar chair from Tian Jiaqing: Classic Chinese Furniture of the Qing Dynasty, p. 42, pl. 26.

inﬂuenced decorative arts objects, in particular furniture, began to appear in and outside the imperial court.

The architectural crest of the two chairs and the Westernized lotus and acanthus motifs of the surface carving are all drawn from the repertoire of Rococo art. The fanned lappet-shaped headrest surmounting the crest-rail clearly resembles a shell, another typical Rocaille motif. These motifs remind one of the identical carved decorations on the European-style complex of buildings in the Garden of Everlasting Spring. We can only imagine what the furniture looked like in the series of palaces, pavilions and terraces of the Yuanmingyuan as it is now only a place of memories. These ornate, pseudo-Rococo designs satisﬁed the self-indulgent taste of the royal household. For similar examples see Tian Jiaqing: Classic Chinese Furniture of the Qing Dynasty, p. 42, pl. 26 (see illustration above); a similar chair from the Qing Court, is in Treasure of the Ming and Qing Dynasty Palace Furniture, Vol. 1, Beijing, 2007, pl. 18 and another Western inﬂuenced chair, pl. 88; Sotheby’s New York, Collection of Lt. Col. Robert Gray Peck, 19th March 2014, lot 400; Christie’s Hong Kong, 2nd December 2008, lot 2508. HK$340,000-560,000 UK£30,000-45,000 |

US$40,000-70,000

CHINESE wORKS OF ART

HD810/5

PAIR OF CARVED ZITAN AND HUALI-WOOD ARMCHAIRS QING dYNASTY, LATE 18TH/EARLY 19TH CENTURY

清十八世紀晚期/十九世紀早期紫檀花梨木扶手椅一對

the shaped crest rails above ornate openwork splats, carved with ruyi motifs, ribbon tied drapery and scrolls, the stepped open frame arms above solid seats, on carved square section legs, joined by peripheral stretchers (2) 59cm wide, 89cm high, 45cm deep Provenance: Private Scottish Collection.

Note: For similar examples, see Christie’s sale in their New York

rooms on 15th September 2009, lot 283 and in their Hong Kong rooms on 3rd December 2008, lot 2269; Tian Jiqiang: Classic Chinese Furniture of the Qing Dynasty, p. 124, pl. 45. HK$120,000-180,000 UK£10,000-15,000 |

US$15,000- 20,000

LYON & TURNBULL | FREEMAN’S

HD810/1

RARE PAIR OF ZITAN AND REVERSE-PAINTED GLASS HANGING LANTERNS QING dYNASTY, 18TH/19TH CENTURY

清十八/十九世紀紫檀玻璃彩繪人物圖四方燈

each exquisitely made of square section with a waisted top and a waisted stand, carved overall in delicate pierce-work with auspicious motifs including lotus ﬂowers, cloud-heads, ruyi and symmetrically arranged scrolls, the centre section with lattice borders framing four inset glass panels reverse-painted with immortals, Chinese boys and foreigners within landscape settings (2) 52cm high

Provenance: Yester House, East Lothian, Scotland; formerly in the collection

of the Italian-American composer and librettist Gian Carlo Menotti (1911-2007), possibly acquired by the previous owner of Yester House, The Marquess of Tweeddale. Menotti won the Pulitzer Prize twice, for The Consul (1950) and for The Saint of Bleecker Street (1955). He founded the noted Festival dei Due Mondi (Festival of the Two Worlds) in Spoleto in 1958 and its American counterpart, Spoleto Festival USA, in 1977. In 1986, he commenced a Melbourne Spoleto Festival in Australia. In 1974, Menotti, persuaded by the ﬁne acoustics of the main room, purchased Yester House, in the village of Giﬀord, East Lothian, in Scotland.

Note: Zitan framed lanterns made use of this precious timber left over from the making of larger pieces of furniture. Detailed with elaborate carving and delicately pierced lattice borders, they are comparable to the architectural latticework found on doors, windows and balustrades of traditional Chinese Palaces. Translucent glass panels are inset into their frames and it is known that in the middle of the Qing dynasty glass replaced paper or silk in windows, so it is highly probable that glass also began to be used in lanterns at that time. In addition to the ﬁne carvings, elaborate pierce-work and pleasant spacing of the design elements, this pair of Zitan lanterns have a metal receptacle plate with a central pierced hole into which lit candles can be inserted. The dark openwork carving would have been silhouetted against the candlelight in an attractive pattern. Zitan and reverse-painted glass lanterns of similar form, bedecked with streamers and fringes, hang within the imperial wedding chamber in the Palace of Earthly Repose at the Forbidden City, see Wan-go Weng/Yang Boda (1982): The Palace Museum: Peking, Treasures of The Forbidden City. p. 56-57. Also refer to similar Zitan lanterns from the Collection of Robert H. Ellsworth (1929-2014), see Christie’s sale in their New York rooms on 17th March 2015, lot 52. Another comparable pair of lanterns can be found in the collection of the Minneapolis Institute of Arts, see R.D. Jacobson, & N. Grindley (1999): Classical Chinese Furniture in the Minneapolis Institute of Arts. p. 170. HK$120,000-180,000 UK£10,000-15,000 |

Yester House, Giﬀord.

US$15,000- 20,000

CHINESE wORKS OF ART

LYON & TURNBULL | FREEMAN’S

HD209/1

HUANGHUALI FOLDING STOOL, JIAO WU LATE QING dYNASTY/EARLY REPUBLIC PERIOd

清晚期/民國早期黃花梨交杌

the slatted seat framed by foliate scroll carved frieze, supported on four legs of rounded section joined at the centre by pins secured with baitong hardware, the legs secured to the horizontal feet with similar hardware and ﬂanking the footrest, set with stylised ruyi mounts with triple-lozenge pattern at the centre 56cm wide, 50cm high, 40cm deep Provenance: Private Dutch Collection.

Note: For a similar example, see Wang Shixiang: Classic Chinese Furniture, p. 72, pl. 32. HK$160,000-260,000 UK£15,000-24,000 |

US$20,000-30,000

CHINESE wORKS OF ART

HC983/1

HUANGHUALI HORSESHOE-BACK FOLDING ARMCHAIR LATE QING dYNASTY

清晚期黃花梨交椅

the curved top rail with outscrolling arms, above a pierced carved splat depicting two qilin amongst clouds, surmounted by a further smaller pierced panel carved with a lotus blossom, the slatted seat over a scroll carved frieze, the slender legs united by a foot rest mounted with huangtong plaque, centred by interlaced lozenges 64cm wide, 112cm high, 43cm deep Provenance: Private Scottish Collection.

Note: Originally used only by the Emperors and princes, hunting chairs became popular among high ranking oﬃcials in the later period who commissioned these ﬁne portable seats for themselves. These chairs accompanied their owners who often rode ahead on horse-back during hunts while male servants carried them upon their back and followed behind on foot.

One of the key features of these chairs is the surface carving. Imbued with traditional Chinese symbols of positive meanings, the chair also indicates the owner’s wealth and status. Running along the façade of the seat are auspicious Chi-dragons, and on the splat are carved fortuitous symbols of good fortune, long life and prosperity which run the gamut from lively qilin (Chinese unicorn), lotus blooms, Buddhist lions among other bears of luck. The hunting chair can be folded with ease, and comes with a handsome attached foot-stool with brass inlay. The brass ﬁttings on the chair lends it a sense of strength whilst providing highlights to the piece. The ageless ﬂowing dense grains of the precious Huanghuali adds greatly to the chair’s grand appeal. For a similar chair, see Christie’s Fine Chinese Ceramics and Works of Art sale in their London rooms on 8th November 2011, lot 273. See also Wang Shixiang: Connoisseurship of Chinese Furniture, p. 56, pl. A93; Wang Shixiang: Classic Chinese Furniture, Ming and Early Qing Dynasty, p. 106, pl. 58. HK$90,000-130,000 UK£8,000-11,000 |

US$10,000-17,000

CHINESE wORKS OF ART

11 u

HD418/1

RARE PAIR OF HUANGHUALI ‘SOUTHERN OFFICIAL’S HAT’ CHAIRS MING dYNASTY, 17TH CENTURY

明十七世紀罕見黃花梨南官帽椅一對

each with shaped top rails above a gently curved splat ﬁnely carved with a ruyi roundel, the hard mat seat within a rectangular frame with ornate shaped and scroll carved aprons, raised on rounded square section legs united by stepped stretchers with a foot rest (2) 56cm wide, 100cm high, 45cm deep

Provenance: The Collection of Mr. J Ritchie; purchased from Martin Fung

Antiques & Furniture Co., Hollywood road, Hong Kong in 1987, accompanied by the original receipt and certiﬁcate of antiquity. HK$900,000-1,300,000 UK£80,000-110,000 |

US$116,000-167,000

LYON & TURNBULL | FREEMAN’S

Note: This pair of armchairs is an excellent and rarely found example known as ‘Southern official’s hat.’ Unlike the Northern type, the ends of the Southern official’s chairs do not protrude. The name ‘official’s hat,’ in Chinese guanmaoyi, derived from the chairs’ resemblance to the winged hat that was part of the formal attire of Ming officials, used exclusively by members of

the elite class. Thus, even today, they are regarded as symbols of status and authority by the Chinese.

These two chairs embody a timelessness in the way they combine linear simplicity with sophistication of detail, loyalty to the traditional canon with a striking sense of modernity. Each is elegantly proportioned, with the narrow top rail supported on gracefully curved rear posts. The S-shaped splat is carved with a delicate ruyi-head medallion. The Huanghuali wood is of an attractive golden yellowish-brown tone with a mesmerizing translucent shimmer. The high-back form of the chairs is typical of the Ming dynasty. With the excellent material and superb craftsmanship, there is no doubt that they are the work of a highly skilled artist and

are of a rare quality.

For similar examples, see Wang Shixiang: Connoisseurship of Chinese Furniture, p. 46, pl. A76; Wang Shixiang: Classic Chinese Furniture, p. 90, pl. 48; Christie’s sale in their New York

rooms on 22nd-23rd March 2012, lot 1735.

WORKS OF ART

LYON & TURNBULL | FREEMAN’S

(reverse)

HD849/30

INSCRIBED BAMBOO BRUSHPOT QING dYNASTY, 18TH CENTURY

清十八世紀竹雕刻詩文筆筒

of natural lobed form, the exterior carved with a poem, mounted on a short hardwood stand of conforming shape 15.5cm high

HK$50,000-70,000 UK£4,500-6,500 |

US$6,000-9,000

HE296/77

CARVED BAMBOO BRUSHPOT QING dYNASTY, 19TH CENTURY

清十九世紀竹雕筆筒

of cylindrical form, sculpted in deep relief to show three scholars playing Go under a pine tree

10cm diam, 12cm high HK$35,000-55,000 UK£3,000-4,500 |

US$4,600-7,000

CHINESE wORKS OF ART

HA466/10

PAIR OF FINELY CARVED BAMBOO VASES QING dYNASTY, 19TH CENTURY

清十九世紀竹雕山水人物瓶一對

of cylindrical shape with waisted neck and three ruyi-shaped feet, well carved around the sides with a continuous scene of scholars in a mountainous landscape, some seen crossing a bridge while others already gathered in pavilions nestled amongst pine trees and craggy rocks, the bamboo of a warm caramel-brown colour (2) 37.5cm high

Provenance: Private English Collection. HK$45,000-65,000

UK£4,000-6,000

US$5,500-8,000

LYON & TURNBULL | FREEMAN’S

(reverse)

HE296/78

FINE BAMBOO BRUSHPOT

CHENG QINwANG MARK ANd OF THE PERIOd (1789-1823)

清成親王題字竹刻筆筒

of straight cylindrical form, carved to show poetic verses to body, bamboo of reddish hue to surface 11cm high, 5cm diam

HK$150,000-250,000 UK£13,000-23,000 |

US$20,000-35,000

CHINESE wORKS OF ART

(reverse)

HD849/8

CARVED AND INSCRIBED ‘BUDAI’ BAMBOO BRUSHPOT QING dYNASTY, 17TH CENTURY

清十七世紀竹雕題詩布袋和尚圖筆筒

the exterior finely carved with the Laughing Buddha playfully holding up a crustacean, his staff hung with a double-gourd flask standing nearby, the reverse inscribed with a poem 15.5cm high

HK$160,000-220,000 UK£14,000-20,000

US$20,000-28,000

LYON & TURNBULL | FREEMAN’S

HD849/28

DREAMSTONE-INSET BLACKWOOD TABLE SCREEN SIGNEd wU dACHENG (1835-1902), dATEd 1892

署吳大澂款黑木鑲雲石桌屏

the creamy pale-grey marble with natural slate-grey and brown inclusions suggestive of clouds over mountains, enclosed within a wood frame and stand, titled, signed, with one seal, dated renchen year (corresponding to 1892) 39cm high overall

HK$25,000-35,000 UK£2,200-3,200 |

US$3,000-4,500

HE296/79

HUANGHUALI RECTANGULAR BOX QING dYNASTY, 19TH CENTURY

清十九世紀黃花梨蓋盒

of rectangular form, with original metal clasps and corners 20 cm long, 11cm wide, 7cm high

HK$40,000-60,000 UK£3,600-5,500 |

US$5,500-7,500

CHINESE wORKS OF ART

HD987/2

PAIR OF RARE AND FINELY CARVED ‘TIXI’ LACQUER BOWLS YUAN dYNASTY

元剔犀如意紋嵌銀膽碗一對

the rounded sides rising from a raised foot to an everted rim, the exterior deeply carved through layers of black and red lacquer with ﬁve ruyi-head shaped pommels, the layers of red lacquer appearing in seven thin lines sandwiched between the black lacquer, the base carved with a trefoil motif, the interior applied with a silver-plated lining, with later ﬁtted wood box (2) 11.2cm diam Provenance:

Private Scottish Collection; formerly in the collection of James Drummond, 8th Viscount Strathallan (1767–1851), who served with the East India Company and later became President of the Select Committee in Canton. The ﬁtted wood box of the present lot bears his initials ‘J.D.’. HK$120,000-160,000 UK£10,000-15,000 |

US$15,000-20,000

CHINESE wORKS OF ART

BONE INLAID BLACK LACQUER DOCUMENT BOX AND HINGED COVER MING dYNASTY, 17TH CENTURY

明十七世紀人物故事黑漆嵌骨雕方盒

finely inlaid in bone on the top depicting scholar-officials and their attendants within a river landscape setting, the sides inlaid with butterflies amongst various scattered fruit and flower sprays, including plum blossom and pomegranate, with bronze mounts 33cm wide

Note: For a comparable black lacquer bone-inlaid document box and cover, ﬁrst half 17th century, from the Sir Harry Garner Collection in the Fitzwilliam Museum, Cambridge, see Catalogue of the Oriental Ceramic Society and British Museum exhibition: Chinese Ivories from the Shang to the Qing, London, 1984, p.195, pl.282. HK$80,000-120,000 UK£7,000-11,000 |

US$10,000-15,000

CHINESE wORKS OF ART

HC469/7

PAIR OF CARVED CINNABAR LACQUER ‘CHRYSANTHEMUM’ BOXES AND COVERS QING dYNASTY, 18TH CENTURY

清十八世紀剔紅雕蓮花紋菊瓣式蓋盒一對

each of cushion-form with thirty-two lobed sides and set on a straight conforming foot, the centre of each top carved with a blossom surrounded by ﬁve registers of decoration, with a further two registers on the box, the registers divided into panels each containing a leafy chrysanthemum blossom, the feet decorated with leiwen, the interiors and bases lacquered black (2) 18.2cm diam

Provenance: Private London Collection; formerly the property of a European private collector resident in China between 1925 and 1931.

Note: For similar examples, see Chen Lihua (ed.): Many Splendors: Yuan, Ming and Qing Lacquerware from the Chao Collection, no. 71, p. 182-3; Hai-wai Yi-chen: Chinese Art in Overseas

Collections, Lacquerware, no. 160, p. 163, in the collection of the Asian Art Museum of San Francisco; Kwan, Chinese Lacquer, no. 116, p. 316-7. HK$220,000-340,000 UK£20,000-30,000 |

US$30,000-40,000

LYON & TURNBULL | FREEMAN’S

HC458/2

CINNABAR LACQUER SCROLL-FORM STAND QING dYNASTY, 18TH CENTURY

清十八世紀剔紅山水人物景小案

the rectangular body gently curving into two scrolls at either end forming the feet, the top ﬁnely carved with two Buddhist arhats, one sailing on a plantain leaf and confronting a dragon emerging from the waters, the other riding and taming a leopard, all set amongst rocks and pine trees, each scrolling end carved with a spray of peonies 33cm long, 13.2cm wide, 8.1cm high Provenance:

Private London Collection.

HK$70,000-90,000 UK£6,000-8,000 |

US$9,000-12,000

CHINESE wORKS OF ART

HD849/21

BAMBOO CARVED ‘BOYS WASHING AN ELEPHANT’ GROUP QING dYNASTY, 18TH CENTURY

清十八世纪竹雕「童子洗象」摆件

modelled as two boys seated atop an elephant, supporting a jar and about to pour the water over the animal, the third boy standing by the side holding a lingzhi-shaped brush 7cm high

HK$50,000-70,000 UK£4,500-6,000 |

US$6,500-9,000

LYON & TURNBULL | FREEMAN’S

24 u

HE296/76

FINE AND RARE CARVED BAMBOO FIGURE OF LAUGHING BUDAI QING dYNASTY, 18TH CENTURY

清十八世紀竹雕彌勒佛

seated with his right hand leisurely placed over his raised knee, holding praying beads, the round stomach revealed, the face with a jovial expression 10.5cm long, 11cm wide, 8cm high HK$400,000-600,000

UK£35,000-55,000

US$52,000-80,000

CHINESE wORKS OF ART

LYON & TURNBULL | FREEMAN’S

HD849/14

CARVED BAMBOO ‘SCHOLARS UNDER PINE’ VESSEL QING dYNASTY, 18TH CENTURY

清十八世紀竹雕鬆林人物圖筆筒

the exterior naturalistically carved with groups of Chinese scholars engaged in various pursuits such as playing Go, the whole scene set within an opening under the shade of an aged pine tree and besides rocks 13cm high

HK$35,000-45,000 UK£3,000-4,000 |

US$4,500-6,000

CHINESE wORKS OF ART

HC458/3

UNUSUAL MARBLED XIPI LACQUER BRUSHPOT, BITONG KANGXI SIX-CHARACTER MARK, 18TH CENTURY

清十八世紀犀皮漆菱形筆筒

of rhomboid section raised on four short feet, the exterior covered with a combination of red, black and ochre lacquers with an abstract marbled eﬀect known in Chinese as xipi, meaning ‘rhinoceros skin’, the interior ﬁnished with black lacquer, the base bearing a possibly later added red lacquer six-character Kangxi mark 13cm high

Provenance: Private London Collection.

Note: For a similar but cylindrical example, see The Complete Collection of Treasures of the Palace Museum, Lacquer Wares of the Qing Dynasty, No.195.

HK$80,000-100,000 UK£7,000-9,000 | US$10,000-13,000

LYON & TURNBULL | FREEMAN’S

HD849/13

WELL-CARVED AND INSCRIBED BAMBOO BRUSHPOT ZHENG FANG MARK, 18TH CENTURY

清十八世紀振芳款竹雕山水人物詩文筆筒

the sides ﬁnely carved with a ﬁgure seated within a rocky landscape view, the reverse inscribed with a poem and signed Zheng fang 11cm high

HK$20,000-30,000 UK£1,500-2,500 |

US$2,500-4,000

HE296/75

CARVED BAMBOO WINE CUP

QING dYNASTY, LATE 18TH CENTURY

清十八世紀晚期竹雕飲酒杯

sculpted in deep relief to show scholars at leisure under pine trees, mountainous scenery to back 8cm high, 8cm long, 4.8cm wide

HK$50,000-70,000 UK£4,500-6,000 |

US$6,500-9,000

CHINESE WORKS OF ART

HC469/8

RARE CARVED CINNABAR LACQUER INGOTSHAPED VESSEL QIANLONG PERIOD

清乾隆剔紅花卉紋茶船

with two short straight sides and two long convex sides ﬂaring from a straight foot of conforming shape, the long exterior sides each carved with a cartouche containing a sword, tied with a ribbon, against a leiwen diaper ground, reserved against leafy prunus, the ends with leafy lotus, the corners with geometric scrolls, the interior carved with leafy prunus and lotus, the well with a hexagonal ﬂoral diaper enclosed by a keyfret band, the foot carved with key-fret, the base lacquered black 21cm long

Provenance: Private London Collection. Bears Maison des Bambous, Paris, trade label

Note: For similar examples, see Chen Lihua (ed.): Many Splendors: Yuan, Ming and Qing Lacquerware from the Chao Collection,

no. 143, p. 324 and Zhu Li, Ming Qing Guwan Zhenshang, p. 200. HK$70,000-90,000 UK£6,000-8,000 |

US$9,000-11,000

LYON & TURNBULL | FREEMAN’S

HD849/25

CINNABAR LACQUER BOX AND COVER QING DYNASTY, 19TH CENTURY

清十九世紀剔紅人物圓盒

the top of the box carved with an older scholar and his young attendant in a mountain landscape with pine trees, the sides of the box and the cover carved with lotus scrolls 10cm diam

HK$30,000-40,000 UK£2,500-3,500 |

US$4,000-5,000

HD849/34

CARVED CINNABAR LACQUER INGOT-SHAPED BOX AND COVER QING DYNASTY, 19TH CENTURY

清十九世紀剔紅元寶形蓋盒

the cover carved with an elderly scholar and his young attendant in a mountain landscape, the sides carved with leiwen 10.5cm wide

HK$20,000-30,000 UK£1,500-2,500 |

US$2,500-4,000

CHINESE WORKS OF ART

HD849/7

FINE BOXWOOD CARVED FIGURAL GROUP OF A FISHERMAN AND A BOY MID-QING DYNASTY

清中期黃楊木雕漁夫童子像

carved as an old long-bearded ﬁsherman holding up a ﬁsh whilst the boy tries playfully to take it from him 15cm high

HK$45,000-65,000 UK£4,000-6,000 |

HD849/12

BAMBOO CARVED FRUIT SHAPED BOX AND COVER QING DYNASTY, 18TH CENTURY

清十八世紀竹雕串葡萄蓋盒

naturalistically carved in the round as a cluster of grapes issuing from leafy vines 10cm wide

HK$55,000-65,000 UK£5,000-6,000 |

US$7,000-8,000

US$6,000-8,000

LYON & TURNBULL | FREEMAN’S

HD849/15

UNUSUAL COCONUT VENEER ‘DRAGONS’ BOWL LATE MING/QING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀椰殻薄雕龍紋碗

the exterior formed of coconut shell carved with quatrefoil panels each containing a writhing dragon amongst swirling clouds, separated by further cloud scrolls, all below a geometrical border 18cm diam

Note: For a comparable carved coconut veneer dish, see Christie’s sale in their New York rooms on 15th September 2011, lot 1271. HK$180,000-240,000 UK£15,000-20,000 |

US$23,000-28000

CHINESE WORKS OF ART

HC469/10

PAIR OF CARVED OCHRE-YELLOW LACQUER JARDINIÈRES QING DYNASTY, 19TH CENTURY

清十九世紀赭地剔彩開光人物紋盆一對

each of rectangular section and supported on four short feet, the everted rim decorated with shou characters at the top and key-fret scroll on the edge, the exterior walls carved with four panels each depicting an elderly scholar and attendants within a landscape, framed by meandering peony scrolls, the interior and the base lacquered black, with wood stands (2) 21.8cm long

Provenance: Private London Collection.

Note: For comparable jardinières, see Kwan, Chinese Lacquer, no. 106, p. 296-7 and Wu, Masterpieces of Chinese Carved Lacquer Ware in the National Palace Museum, no. 50. HK$12,000-16,000 UK£1,000-1,500 |

US$1,500-2,000

LYON & TURNBULL | FREEMAN’S

HC469

RARE EMBROIDERED CIVIL OFFICIAL'S 'WILD GOOSE' RANK BADGE, BUZI KANGXI PERIOD

清康熙三品文官鵝紋刺繡補子

embroidered in satin thread to show a white goose standing on rockwork with one leg raised among ruyi-form clouds and above a turbulent sea, against a gold metallic thread ground, with embroidered border, framed and glazed. 31cm diam.

Provenance: Property of a Pennsylvania Collector.

Note:

For a similar example, see Christie’s Hong Kong, 26 November

2014, Sale 3371, Lot 3414. HK$120,000-150,000 UK£11,000-13,000 |

US$15,000-20,000

CHINESE WORKS OF ART

JADE & HARDSTONES

LYON & TURNBULL | FREEMAN’S

37 u

LARGE PALE CELADON JADE ‘MONKEY AND PEACH’ GROUP QIANLONG PERIOD OR LATER

清乾隆青白玉雕「雙猴獻壽」擺件

skilfully carved to show two playful monkeys, one seated leaning forward with hands encircling a large peach, the other monkey bracing on foot, reaching its body and long arms around the back of its companion, grasping a leafy branch of a peach tree, the stone of even colour with some opaque white and pale brown inclusions, with later dark spinach jade stand 9cm high

HK$400,000-600,000

UK£45,000-50,000

US$55,000-80,000

CHINESE WORKS OF ART

(reverse)

Note: A similar carving but of a single monkey holding a peach was sold at Sothebyâ&#x20AC;&#x2122;s London on 6th November 2013, lot 28. A carving of similar large size and subject matter is illustrated in Robert Kleiner: Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, pl. 188 and sold at Christieâ&#x20AC;&#x2122;s Hong Kong on 27th November 2007, lot 1557.

LYON & TURNBULL | FREEMAN’S

FINE WHITE JADE RECUMBENT QILIN QING DYNASTY

清十八世紀白玉臥麒麟擺件

the beast well-carved with its head over its front paws and tail tickling its chin, swirling clouds carved to the creature’s back and underside, jade of milky white tone with russet inclusions and light pebbling

8.3cm long

Provenance: From an important North American Collector. HK$160,000-180,000 UK£14,000-16,000 |

US$20,000-25,000

CHINESE WORKS OF ART

WHITE JADE BUDDHA’S HAND QIANLONG PERIOD

清乾隆青白玉雕佛手

naturalistically carved, the twisting ‘ﬁngers’ terminating in curled ends with incised veins to stalk, with ﬁtted wood stand

8cm long

Provenance: From an Important North American Collector.

Note: For similar examples, see Sotheby’s sale in their New York rooms on 16th September 2014, lot 272 and on 19th March 2013, lot 271.

HK$30,000-50,000 UK£2,500-4,500 |

US$4,000-6,500

LYON & TURNBULL | FREEMAN’S

40 u

CARVED CELADON JADE ‘HU’ VASE KANGXI PERIOD

清康熙青白玉雙象耳活環獸面紋瓶

of ﬂattened ‘Hu’ form, with twin elephant head and ring handles to sides, carved to body with archaistic reeded strapwork ending in dragon and phoenix heads, wave motif to neck and greek key at mouth rim and foot, the jade of an even celadon tone

22cm high Provenance: From an Important North American Collector; Christie’s London, 16th July 1963: The Collection of Important Chinese Jades formed by Count Primor Alsocernantoni Louis Von Cseh, Lot 22.

Note: For a similar example, see Stanley Charles Nott: Chinese Jade Throughout the Ages, Tokyo, 1936, pl. xxxviii.

HK$500,000-700,000 UK£45,000-60,000 |

US$65,000-90,000

CHINESE WORKS OF ART

LYON & TURNBULL | FREEMAN’S

41 u

CARVED WHITE JADE ‘DRAGON AND PHOENIX’ COVERED VASE QIANLONG/JIAQING PERIOD

清乾隆/嘉慶白玉雕龍鳳纹帶蓋瓶

of ﬂattened, high-shoulder form, carved over porous rockwork, the body ﬂanked by a phoenix to side and a dragon coiled at shoulder, decorated with swirling clouds resembling lingzhi and blossoming peony verso, incised geometric bands at neck, lip, foot and cover, jade of translucent white hue 25cm high

Provenance: From an Important North American Collector; formerly of a Private Honolulu Collection.

Note: A period nephrite vase with similar high-relief ‘dragon and phoenix’ carving can be seen at the Metropolitan Museum of

Art, New York, as part of the Heber R. Bishop Collection (02.18.439) HK$500,000-700,000 UK£45,000-60,000 |

US$65,000-90,000

CHINESE WORKS OF ART

(reverse)

42Y

LYON & TURNBULL | FREEMAN’S

HD640/8

FINE JADE, CORAL AND TURQUOISE-EMBELLISHED SILVER HANGING VASE QING DYNASTY, 19TH CENTURY

清十九世紀銀鏤雕鑲綠鬆石珊瑚嵌青玉蓋壺

the flattened ovoid body inlaid on each side with a white jade circular plaque finely carved in relief with a caparisoned elephant surrounded by Bajixiang, the Eight Treasures, flanked by a pair of chilong dragons clambering up from between two qilin beasts to reach two elephant heads set at the shoulders, the noses of the elephants linked to the jade inset handle suspending the vase from the finial of the wood stand, the filigree silver body inset with coral, turquoise and malachite 39cm high (excluding wood stand)

Provenance: Private English Collection. HK$55,000-85,000 UK£5,000-8,000 |

US$7,000-11,000

CHINESE WORKS OF ART

CARVED JADE ‘MANDARIN DUCKS’ GROUP LATE MING DYNASTY

明晚期玉雕鏤空鴛鴦擺件

carved and pierced depicting two ducks perched on a rock, the stone of a milky white tone with russet inclusions, with a wood stand carved with swirling waves 6cm high (without stand) HK$25,000-35,000 UK£2,200-3,200 |

CELADON AND RUSSET JADE CARVING OF A BIXIE MING DYNASTY

明玉雕貔貅把件

the recumbent mythical beast carved with its head turned backward over its body and legs tucked underneath, its mane and tail ﬁnely detailed, the stone of a greyish celadon tone with russet inclusions 6cm long

Provenance: Private London Collection; Ex-Collection Dr. Van Rossum.

HK$35,000-55,000 UK£3,000-5,000 |

US$4,000-7,000

US$3,000-4,500

LYON & TURNBULL | FREEMAN’S

CHINESE WORKS OF ART

FINE CELADON JADE CARVING OF A BOAT QING DYNASTY, 19TH CENTURY

清十九世紀青白玉雕船人物件

carved in the form of a flat-bottomed boat above swirling waves, the bow covered with a rounded rattan roof, at the prow a seated fisherman angling, two fishing baskets at the stern, the stone of pale celadon colour with a few patches of calcified brown inclusions and russet veins 16cm long, 4.2cm wide, 4.8cm high Provenance: Private Swedish Collection. HK$90,000-120,000 UK£8,000-10,500 |

US$10,000-15,000

LYON & TURNBULL | FREEMAN’S

BURMESE JADE CARVED MINIATURE TRIPOD CENSER AND COVER QING DYNASTY, 19TH CENTURY

十九世紀緬甸翠玉雕雙獸耳活環三足蓋爐

carved in the archaic style with taotie masks and a leiwen band, with a pair of animal mask handles suspending loose rings, with a Japanese silver cover and a carved wood stand, the stone of an olive-green colour suﬀused with darker greenish black speckles 10cm high (including stand) HK$90,000-120,000 UK£8,000-10,500 |

US$10,000-15,000

CHINESE WORKS OF ART

HE296/54

JADEITE, OPAL AND PEARL INSET GOLD NECKLACE AND BRACELET SET EARLY 20TH CENTURY

二十世紀早期翡翠蛋白石珍珠鑲嵌金項鏈手環組

comprising a jadeite and opal inset twenty four karat necklace, and a jadeite, opal and pearl inset twenty four karat gold bracelet

3.26oz (bracelet), 2.71oz (necklace), 21.6cm long (necklace closed)

HK$150,000-250,000 UK£10,000-25,000 |

US$20,000-30,000

LYON & TURNBULL | FREEMAN’S

CARVED WHITE JADE ‘FENGHUANG’ COVERED BOX QING DYNASTY, 18TH CENTURY

清十八世紀白玉凤凰纹方盒

of quadrilobed form, decorated to show twin phoenix to cover top and edge, wrapped with lappet design to the rim, the jade of translucent quality

8.3cm wide

Provenance: Property from a Pennsylvania estate.

Note: For a similar example, see Sotheby’s sale in their London rooms on 27th May 2015, lot 508. HK$35,000-50,000 UK£3,000-4,500 |

RETICULATED WHITE JADE FIGURAL PLAQUE YUAN DYNASTY

元白玉「松下對弈圖」鏤雕牌

carved to show two mythical figures playing Go under a pine tree, flanked by an attendant to left, clouds to figure heads, the jade of a milky white hue 10.2cm wide

Provenance: Property from a Pennsylvania estate.

Note: For a similar white jade plaque from the Song

dynasty, see Sotheby’s sale in their Hong Kong rooms on 4th April 2012, lot 3017. HK$120,000-160,000 UK£10,000-15,000 |

US$15,000-20,000

US$4,500-6,000

CHINESE WORKS OF ART

FINELY CARVED YELLOW JADE HEXAGONAL VASE, GU QING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀黃玉仿古獸麵紋六方觚

of compressed hexagonal section with a splayed foot and a tall ﬂared neck, the midsection carved in shallow relief with taotie masks, the neck and foot with archaistic upright and pendant cicada blades, the stone of a greyish yellow colour with attractive russet inclusions, an incised leiwen band encircling the mouth and the foot rims 16.5cm high

Provenance: Private Swedish Collection.

Note: For a very similar vase, see Sotheby’s sale in their Hong Kong rooms on 8th October 2014, lot 3670. A facetted and lobed white jade gu vase, similarly carved in low relief with a taotie mask, in the De An Tang collection, was included in the exhibition A Romance with Jade, Palace Museum, Beijing, 2004, cat. no. 126. HK$90,000-120,000 UK£8,000-10,500 |

US$10,000-15,000

LYON & TURNBULL | FREEMAN’S

FINE WHITE JADE CARVED ‘MAGPIE’ BOX AND COVER QING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀白玉雕鵲形蓋盒

the cover well carved in the round in the shape of a magpie with a sharp beak and a long striated tail, its feathery wings tucked on the sides, the box with a high oval inner lip, the underside ﬁnely carved with clawed feet, the stone of a greyish milky tone with natural snowﬂake veins and inclusions 17.7cm long

Provenance: Private London Collection.

Note: For a similar example, see Sotheby’s sale in their Hong Kong rooms

on 5th October 2011, lot 2037. HK$170,000-220,000 UK£15,000-20,000 |

US$20,000-30,000

CHINESE WORKS OF ART

PAIR OF CARVED WHITE JADE MAGPIES QING DYNASTY, 18TH CENTURY

清十八世紀白玉喜鵲雕件一对

both sculpted as covered boxes and elegantly carved to show the facing birds in still position, waiting to take ﬂight, the jade of a translucent white hue, over later tiered platform stand (2) 14cm long

Note: For an example of similar form, see Christie’s sale in their London rooms on 6th November 2012, lot 11. HK$150,000-250,000 UK£12,000-22,000 |

US$20,000-30,000

LYON & TURNBULL | FREEMAN’S

JADEITE ARCHAISTIC VASE AND COVER QING DYNASTY, 19TH CENTURY

清十九世紀翡翠雕仿古饕餮紋蓋壺

the sides carved with archaistic taotie masks, the waisted neck applied with a pair of dragon-head and loose-ring handles, the shaped cover surmounted by a Buddhist lion ﬁnial, the stone of an attractive mottled spinach-green tone with a streak of yellow inclusion 16cm high

HK$200,000-300,000 UK£15,000-25,000 |

US$25,000-38,000

CHINESE WORKS OF ART

54Y

FINE YELLOW JADE CARVED ‘BROCADEWRAPPED’ SNUFF BOTTLE QING DYNASTY, 18TH CENTURY

清十八世紀青黃玉包袱紋鼻煙壺

well-hollowed of ﬂattened oval form with a short waisted neck, well-carved in low relief with a brocade sash densely incised with ﬂoral diapers, wrapped around the body of the bottle and gracefully tied to one side, the translucent stone of an attractive greenish-yellow colour, coral stopper 5.5cm high

Provenance: Private London Collection.

HK$80,000-100,000 UK£7,000-9,000 | US$10,000-12,000

FINELY CARVED SPINACH-GREEN JADE SMALL DISH QING DYNASTY

清碧玉雕小碟

the dish raised on a short foot-ring, the interior carved in shallow relief with a large lotus ﬂower encircled by scrolling tendrils bearing further smaller blooms, the stone of characteristic semi-translucent mossy green tone with areas of mottling, the wood stand carved in the shape of a recumbent buﬀalo with mouth issuing ruyi-clouds 6cm diam (dish)

Provenance: Private London Collection. HK$45,000-55,000

UK£4,000-5,000

US$5,500-7,000

LYON & TURNBULL | FREEMAN’S

CELADON AND RUSSET JADE CARVED ‘PEACH AND BAT’ GROUP QING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀青白玉雕「福壽雙全紋」擺件

carved in the form of two peaches borne on a gnarled leafy stalk forming the foot, a bat resting on top of one peach, the stone of a pale celadon tone with russet inclusions 8.6cm long

Provenance: Private London Collection.

HK$90,000-120,000 UK£8,000-10,000 |

CELADON JADE CARVED ‘DUCK’ GROUP QING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀青白玉雕雙鴨擺件

carved with a duck and a duckling swimming on a large curled lotus issuing from a gnarled stem, their wings with ﬁnely detailed plumage, the stone of a greyish-celadon tone with snowﬂake-white and russet inclusions, with wood stand

10.3cm long

Provenance: Private London Collection. HK$120,000-140,000 UK£10,000-14,000 |

US$15,000-18,000

US$11,000-15,000

CHINESE WORKS OF ART

MOTTLED JADE BI DISC ON BLACKWOOD STAND QING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀青玉玉璧

the stone of a mottled spinach-green tone with warm brown inclusions, with reticulated wooden stand 34cm high

HK$35,000-45,000 UK£3,000-4,000 |

US$4,500-6,000

FINE RETICULATED WHITE JADE CIRCULAR PERFUMIER QING DYNASTY, 18TH CENTURY

清十八世紀白玉圓形細雕香筒

each pierced to show bats among scrolling foliage, attached together with period thread, beads, and tassels, padding to interior, the jade of translucent quality 5.7cm diam

Note: For an example of similar form, see Christie’s sale in their

London rooms on 18th May 2012, lot 1007. HK$120,000-150,000 UK£10,000-15,000 |

US$15,000-20,000

LYON & TURNBULL | FREEMAN’S

WHITE JADE ‘HORSE’ CARVING QING DYNASTY, 18TH CENTURY

清十八世紀白玉雕臥馬把件

elegantly carved to show a kneeling horse over swirling waves, the jade of a translucent white hue

5.7cm long

HK$80,000-120,000 UK£7,000-11,000 |

US$10,000-15,000

YELLOW JADE CARVED MODEL OF A RAM QING DYNASTY, 17TH/18TH CENTURY

清十八/十九世紀青黃玉雕卧羊把件

carved in the round in the form of a recumbent ram detailed with grooved horns, his legs tucked underneath the body, the stone of a greenish-yellow tone with one area of russet-brown inclusion 6.1cm long

Provenance: Private London Collection

HK$35,000-55,000 UK£3,000-5,000 |

US$4,000-7,000

CHINESE WORKS OF ART

CELADON JADE CARVED SCHOLAR’S OBJECTS QING DYNASTY, 18TH/19TH CENTURY

清十八/十九世紀青白玉雕書卷紋紙鎮

intricately carved with a book, a pair of scrolls and a leafy bamboo branch gracefully tied to one side with a ribbon, the surface incised overall with complex diaper motifs, with one suspension hole, the stone of a pale greyish tone with slight russet inclusions 5.7cm high

Provenance: Private Swedish Collection. HK$30,000-40,000 UK£2,500-3,000 |

MOTTLED GREY JADE CARVED AND INSCRIBED SCROLL-FORM STAND QING DYNASTY, 19TH CENTURY

清十九世紀灰玉雕題詩文墨床

of rectangular shape with two scroll-form feet, the top incised with the poem Spring Night by Zuo Wei (?-1142), followed by a Wen Wan mark, the pale grey stone with darker grey inclusions 8cm long

Provenance: Private Swedish Collection.

HK$17,000-25,000 UK£1,500-2,500 |

US$2,000-3,200

US$3,500-4,500

LYON & TURNBULL | FREEMAN’S

FINE YELLOW JADE BANGLE QING DYNASTY, 17TH CENTURY

清十七世紀黃玉刻文手環

rendered to show archaic scripts carved in mid relief to wide exterior surface, the jade of a pale yellow hue with some brown russet skin to sides 5.7cm long

Note: For examples of similar form, see Christie’s sale in their New York rooms on 21st March 2013, lot 813 and on 24th March

2011, lot 1169.

HK$65,000-95,000 UK£5,500-8,500 |

JADE CARVED ‘MONKEY’ BOULDER MID-QING DYNASTY

清中期玉雕猴紋山子擺件

of irregular shape and well carved with a monkey climbing over rockworks rendered in varying layers of relief, the stone of a pale celadon tone with russet inclusions, with a naturalistic hardwood stand 7cm high (excluding stand) HK$45,000-65,000 UK£4,500-6,000 |

US$5,500-8,500

US$8,000-12,000

CHINESE WORKS OF ART

RETICULATED CELADON JADE ‘WUFU’ BOULDER QING DYNASTY, 18TH CENTURY

清十八世紀青玉鏤空雕「五蝠」山子

carved in high relief to show five fu bats in flight between scrolling clouds and among weathered rockwork, the jade of a greyish hue with russet to surface, with fitted wood stand

12.7cm long

Provenance: The Estate of Kenneth L. Hallam, Washington D.C. HK$50,000-65,000 UK£4,500-6,200 |

CARVED WHITE AND GREY JADE BOULDER QING DYNASTY, 18TH CENTURY

清十八世紀灰白玉「鳳凰麒麟圖」山子

deeply carved on both sides, depicting a recumbent qilin and phoenix in ﬂight in a mountainous landscape, and steep mountain peaks amidst clouds, pine, and with lingzhi verso, the stone of a milky white hue with dark grey inclusions to body, with ﬁtted wooden stand 15.2cm high

Provenance: The Estate of Kenneth L. Hallam, Washington D.C.

HK$80,000-120,000 UK£7,000-11,000 |

US$10,000-15,000

US$6,000-8,000

LYON & TURNBULL | FREEMAN’S

68 u

PAIR OF JADEITE HANGING BASKETS LATE QING DYNASTY/REPUBLIC PERIOD

清末/民国翠玉雕蓮花吊籃一對

carved in the form of two lotus ﬂower baskets supported from a twin dragon carved yoke by freely-carved, single-piece chains, the jadeite with apple green highlights, with elaborate wooden stands and ﬁtted period boxes (2) 27.3cm high (including chain)

Note: For an example of similar form, see Sotheby’s sale in their New York rooms on 21st March 2015, lot 872. HK$350,000-500,000 UK£30,000-45,000 |

US$45,000-65,000

CHINESE WORKS OF ART

69 u

RARE AND MAGNIFICENT CARVED STONE RELIQUARY TANG DYNASTY

唐石刻舍利石函

of square section with chamfered corners, each of the four wider sides carved with a niche with bas-relief depictions of Shakyamuni Buddha seated in dhysanasana on a lotus blossom at the centre, ﬂanked by bodhisattvas and disciples standing on lotus bases, the narrower sides incised with ﬂoral scrolls 48cm long, 48cm wide, 34.5cm high

Provenance: From the Sze Yuan Tang Collection; acquired in Hong Kong in the 1980s.

Note: With the transmission of Buddhism from India to China, the custom of building pagodas for the sepulchral burial of Buddhist relics also transmigrated to China. The Indian stupa,

which is shaped as an inverted bowl, served as the architectural model for the Chinese pagoda while at the same time coming to adopt Chinese characteristics. Receptacles for Buddhist relics (Sanskrit: sarira) such as the present lot would have been deeply interred in a vaulted crypt in the foundation of pagodas. Among the ones that have been

excavated in China, none can be dated before the 5th century. It was between the Northern Dynasties and the Tang Dynasty that the making of Buddhist reliquaries and their burial under pagodas of monasteries flourished. The traditional Chinese Buddhist reliquary is typically a squareshaped stone chest with a chamfered lid. The stone chest however is only the outermost layer in a nest of three to five containers. The reliquary excavated from Dayunsi monastery in Jingchuan, Gansu Province, for example is comprised of four nested containers: a stone casket with a chamfered lid, a gilt bronze casket, a silver sarcophagus, and finally a gold coffin in which a glass bottle containing grains of sarira was found. Of the stone reliquaries known, most are of plain form with the sides uncarved and only the lid inscribed. Stone reliquaries with bas-relief carvings around the sides, typically depicting scenes from the life of Shakyamuni Buddha, are extremely rare. A stone reliquary with bas-relief carving, also from the Tang Dynasty, is mentioned in P.E.Karetzky: A Scene of the Parinirvana on a Recently Excavated Stone Reliquary of the Tang Dynasty, in East and West, Vol. 38, No. 1/4 (December 1988), pp. 215-230. For further reading, see Hong Yang: Ancient Buddhist Reliquaries in China and Korea, in: Chinese Archaelogy, Vol. 10, Issue 1, 2010. HK$800,000-1,200,000 UK£70,000-100,000 |

US$100,000-155,000

LYON & TURNBULL | FREEMAN’S

RARE AMBER CARVED ‘MOUNTAIN’ GROUP QING DYNASTY

清琥珀雕故蘇城擺件

intricately carved and pierced to the front face with ﬁgures within a landscape of craggy rocks, gnarled trees and a turbulent river, a ﬁgure standing on a rocky edge about to strike the bell of Han Shan Temple outside the city gate of Suzhou 8.6cm high

Provenance:

Private London Collection. HK$35,000-55,000 UK£3,000-5,000 |

US$4,200-8,200

BLUE AGATE SCHOLAR’S SET QING DYNASTY

清藍瑪瑙香爐蓋盒鼻煙壺一套

comprising; a tripod censer and cover with a pair of animal mask handles suspending loose rings; a circular box and cover, the cover carved in low relief with a coiled chilong; a snuff bottle with flattened pear-shaped body and decorated with chilong, with stands and a fitted wood box (3)

censer 9.4cm wide

Provenance: Private English Collection; acquired in Japan. HK$35,000-55,000 UK£3,000-5,000 |

US$4,500-7,000

CHINESE WORKS OF ART

HD849/9

INSCRIBED INKSTONE

QING DYNASTY, 18TH CENTURY

清十八世紀刻詩文硯

the pebble-shaped stone carved on the top and around the sides with the poem ‘Autumn Moon over Dongting Lake’ by Zheng Xie (1693–1765), with a hardwood stand and cover 10.5cm wide

HK$45,000-65,000 UK£4,000-6,000 |

HD849/27

OBSIDIAN INKSTONE QING DYNASTY

清黑曜岩硯

of naturalistic form with a central indentation serving as the ink well 15cm wide

HK$25,000-35,000 UK£2,200-3,200 |

US$3,500-4,500

US$5,500-8,500

CHINESE WORKS OF ART

RECTANGULAR INSCRIBED GREEN DUAN INKSTONE QING DYNASTY, 19TH CENTURY

清十九世紀刻雲蝠紋綠端硯

the upper surface carved around the indentation with ﬁve bats (pun for ‘ﬁve happiness’) amongst cloud scrolls, the underside

carved with a bust of the scholar Wang Shizhen (1634-1711), the sides inscribed with the poem ‘Shang Mei Zhi Jiang Shu’ by Su Shi (1037-1101), bearing the pseudo-signature of Dong Gao (1740-1818) 18.5cm wide

HK$65,000-85,000 UK£5,500-7,500 |

DUAN INKSTONE IN BLACKWOOD BOX AND COVER QING DYNASTY, 18TH CENTURY

清十八世紀刻雲蝠紋端硯

the surface carved in low relief with a playful bat and auspicious clouds, the stone of a black-purple hue, accompanied by wooden stand and cover 17cm wide (including box) HK$25,000-35,000 UK£2,200-3,200 |

US$3,000-4,500

US$8,000-11,000

CeramiCs & Glass

LYON & TURNBULL | FREEMAN’S

76 u

HE296/41

DING-TYPE PERSIMMON GLAZED ‘PHOENIX HEAD’ TEAPOT SOUTHERN SONG DYNASTY

南宋定窯酱釉鳳首壺

of smooth globular form, surmounted by a short spout and a phoenix head neck connected to a straight handle, covered in persimmon brown glaze with striations of metallic black 15cm high

Provenance: Property from a midwest american collection, purchased in 2003 at auction, Detroit, mi.

Note: Persimmon glazed wares were produced at several kilns in North China, mostly from the Ding

and Yaozhou kilns. The Ding variant of the persimmon glaze acquires the colour involving an initial application of bluish-black glaze, followed by another very thin coating of iron oxide. Ding ware with its white body, exudes more metallic sheen and a darker red. For an example of a persimmon glazed Ding bowl, see Christie’s sale in their Hong Kong rooms on 2nd December 2015, lot 2819. HK$500,000-1,000,000 UK£45,000-90,000 | Us$65,000-130,000

CHINESE WORKS OF ART

77 u

HE296/42

YAOZHOU-WARE CELADON GLAZED EWER SOUTHERN SONG DYNASTY

南宋耀州窯执壶

with globular lobed body supported on a spreading foot, surmounted by a cylindrical neck with triplet bow-string lines to bottom and top, set with a curved spout and ﬂat loop handle, covered overall in a translucent crackled pale olivegreen glaze 16cm high

Provenance: Property from a midwest american collection; previously from the collection of a Taiwanese Diplomatic family. Note: For ewer of similar form and glaze, see sotheby’s sale in their

london rooms on 14th may 2014, lot 53.

HK$500,000-1,000,000 UK£45,000-90,000 | Us$65,000-130,000

LYON & TURNBULL | FREEMAN’S

78 u

HE296/43

FINE DING-WARE BROWN-GLAZED TEACUP AND SAUCER SONG/YUAN DYNASTY

宋/元定窯醬釉紫金茶盞

both covered in thick reddish brown glaze, thinning to the rims, the cup raised on a tall unglazed foot to a lightly everted rim, the saucer raised on a partially glazed splayed foot issuing folded, petal-like edge, the centre unglazed 7cm high

Provenance: Property from a midwest american collection, purchased in 1990 from Peter l. rosenberg, Vallin Galleries, Connecticut.

Note: Brown glazes were utilized at several northern Chinese kilns in the song and early Jin periods, including the Ding and Yaozhou kilns, and seem to

have been especially admired on vases and forms associated with the tea ceremony. The Gegu Yaolun, published in aD 1388, notes that ‘purple’ (i.e. brown) and black Ding ware even more expensive than white Ding wares. see sir Percival David, Chinese Connoisseurship - The Ko Ku Yao lun, london, 1971, p. 141. a similarly glazed tea cup and saucer set of a diﬀerent form can be found at the Victoria and albert museum. For a covered tea bowl of similar glaze, see Christie’s sale in their New York rooms on 26th march 2010, lot 1331. HK$900,000-1,600,000 UK£80,000-140,000 |

Us$120,000-210,000

CHINESE WORKS OF ART

LYON & TURNBULL | FREEMAN’S

HE296/44

RARE YUE-WARE OCTAGONAL VASE SOUTHERN SONG DYNASTY

南宋越窯八棱淨手瓶

elegantly potted over a thin foot rim, body in lobed melon form within protruding edges, issuing a long slender neck, covered in translucent crackled olive green glaze 19cm high

Provenance: Property from a midwest american collection.

Note: The Yue kilns flourished since before the Tang dynasty and produced one of the first official

Chinese ceramic ware. Octagonal vases were mainly used as water vessels for washing hands, a similar vase with ringed neck was unearthed in 1987 from the tomb of Famen temple at Fufeng of shaanxi province. another of pale celadon glaze is currently part of the National Palace museum collection. For an earlier period lobed jar from the Yue kiln sold at auction, see sotheby’s sale in their New York rooms on 17th march 2015, lot 56, from the Yang De Tang Collection; a covered box of the period sold at auction, see sotheby’s sale in their New York rooms on 17th march 2015, lot 59. HK$300,000-500,000 UK£25,000-45,000 |

Us$40,000-65,000

CHINESE WORKS OF ART

HE296/45

YAOZHOU-WARE YUHUCHUN VASE SOUTHERN SONG/JIN DYNASTY

南宋/金耀州窯玉壺春瓶

of globular form potted over straight foot, with short neck and an everted rim, incised to body to show chrysanthemums and scrolling foliage, covered in a light olive crackled glaze 22cm high

Provenance: Property from a midwest american collection, purchased in 2003 at auction, Detroit, mi. HK$300,000-500,000 UK£25,000-45,000 |

Us$40,000-65,000

LYON & TURNBULL | FREEMAN’S

CHINESE WORKS OF ART

81 u

HE296/40

FINE GUAN-TYPE CONG VASE SOUTHERN SONG DYNASTY

南宋龍泉窯仿官釉琮式瓶

modelled after the archaic jade cong, the rectangular body supported on a short waisted footring, rising to a ﬂat shoulder and a thick circular neck, each corner carved with eight raised horizontal bands, each within a raised rectangular panel, covered overall in a thick pale celadon glaze 27cm high

Provenance: Property from a midwest american collection, purchased in 1990 from Peter l. rosenberg, Vallin Galleries, Connecticut.

Note: These vases imitate the archaic ritual jade objects in shape and colour, and represent one of the most characteristic types

of song ceramics. This form is known particularly from the Neolithic liangzhu culture. a ﬁne example from the shanghai museum, shanghai, was included in the exhibition Gems of liangzhi Culture, Hong Kong museum of History, Hong Kong, 1992, cat. no. 57. a similarly glazed Cong vase is also situated at the shanghai museum. For an auction example of similar form, see Christie’s sale in their Hong Kong rooms on 28th may 2014, lot 3402. HK$900,000-1,500,000

UK£80,000-130,000

Us$120,000-200,000

LYON & TURNBULL | FREEMAN’S

HE296/72

JIAN-WARE ‘HARE’S FUR’ GLAZED TEA BOWL SOUTHERN SONG DYNASTY

南宋建窯兔毫茶盞

potted with deep rounded sides rising from a short straight foot to a slightly everted rim, covered overall with a dark black glaze suﬀused with brown ‘hare’s fur’ streaks issuing from the rim down to both interior and exterior, the unglazed foot revealing the stoneware interior 12.5cm diam

Provenance: Property from a Pennsylvania estate.

Note: Bowls of this type were made in large quantities in the Fujian province, yet

from literature it is known that the very best quality Jian tea bowls were carefully selected as tribute from Fujian to the court. Jian teabowls were renowned for their unique suitability for tea drinking their dark glaze contrast the colour and foam of tea. The thickness of the glaze helped keep the beverage warm and protected the hands of the drinker against scalding. see similar bowls of this type, including one from the Palace museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace museum. Porcelain of the song Dynasty (ii), Hong Kong, 1996, pl. 204. For a similar example at auction, see sotheby’s sale in their New York rooms on 16th march, 2016, lot 224. HK$80,000-120,000 UK£7,000-10,000 |

Us$10,000-15,000

CHINESE WORKS OF ART

100

LYON & TURNBULL | FREEMAN’S

SV730/104

EXTREMELY RARE BLUE AND WHITE CHARGER YUAN DYNASTY

元極其罕見青花蕉葉紋大盤

the central medallion finely painted in fine shades of cobalt blue with rocks issuing plantain, bamboo leaves and lotus flowers borne on leafy tendrils, surrounded by double rings, the cavetto decorated with a band of scrolling lotus consisting of six flowerheads between double-line borders, alternately upright and pendant, the exterior similarly adorned with a band of scrolling lotus between double-line borders, the base unglazed 39.2cm diam

Provenance: From the collection of the late mr & mrs robertson, edinburgh. HK$120,000-220,000 UK£10,000-20,000 |

Us$12,500-25,000

CHINESE WORKS OF ART

With traces of cobalt evident in the Tang dynasty it is not until the Yuan dynasty that the art of blue and white porcelain became the “most revolutionary technical and decorative innovation of the mongol regime in China, if not the whole of Chinese ceramic History” (m. medley 1969: The Chinese Potter). The Yuan dynasty’s connections with the middle east saw the import of cobalt and spurred the creation of these wares to meet the demands of the middle eastern merchants and subsequently for export. Whilst these merchants provided the stimuli for these types of wares, they were nevertheless painted with Chinese motifs, such as bands of scrolling lotus ﬂowers symbolic of Buddhism. The imported cobalt which was diﬃcult to grind was boldly applied in what is now regarded as an attractive quality of being ‘heaped and piled’, with some

101

cobalt particles frequently seen at the end of each brush stroke. The firing of these new wares took great technical skill to achieve the proper shades of blue by controlling the temperature and reducing effect in the kiln. This skill accompanied by the viscosity of the Yuan glaze prevented the cobalt diffusing, allowing clear, intricate decoration of which this period is renowned (s. J. Vainker 1995: Chinese Pottery and Porcelain: From Prehistory to Present). For a comparable blue and white charger, also from the Yuan Dynasty, see Bonhams’ sale in their Hong Kong rooms on 4th December 2008, lot 216. For another rare blue and white Yuan charger, but with the ‘mandarin ducks’ motif, see Christie’s sale in their Hong Kong rooms on 30th may 2012, lot 4054.

The History of the Thornhill Collection ernest Thornhill lived in Clapham, london and was a British pharmacist registered with the royal Pharmaceutical society from 1890 to 1936. Thornhill is acknowledged as an ardent and knowledgeable collector of asian ceramics, collecting from a number of sources including the renowned ﬁrm of Bluett & sons. Few details are known about his personal life, but he nevertheless has made his mark with the philanthropic legacy he left behind him.

in 1926 and in 1933 Thornhill donated six pieces of his collection to the British museum, however it was not until later, during the london Blitz in World War ii, that he sent the remaining 276 pieces to the then North staﬀordshire Technical College for safekeeping. as a mark of appreciation to the college for their generosity he later bequeathed the entire collection to them for its future study and appreciation. Over time the college merged with a number of institutions to become staﬀordshire University and the collection has

remained at the University ever since. in the 1970s, Professor Flavia swann, Head of art and Design History at North staﬀordshire Polytechnic, ensured that the collection was fully catalogued, thanks to funding from the spode Trust. in addition a scholarly paper describing the Collection was published in the Transactions of the Oriental Ceramics society 1983–1984, Vol.48. in keeping with the wishes of mr Thornhill, all the works were displayed at the University until the early 1990s.

The Thornhill stem Cup

104

LYON & TURNBULL | FREEMAN’S

84 u

HC598/1

HIGHLY IMPORTANT BLUE AND WHITE ‘DRAGON’ STEM CUP

XUANDE SIX-CHARACTER MARK AND OF THE PERIOD

明宣德 Thornhill先生舊藏極其重要《大明宣德年製》六字款青花海水雲龍紋高足杯

the sides finely painted in dark blue tones with two five-clawed dragons chasing the eternal flaming pearl amongst clouds, above a sea with crashing waves tipped in white, with rocks around the base, the interior painted with the six-character reign mark within double lines and circled by double rings repeated on the inside and outside rim, and on the foot 8.7cm high, 9.8cm diam

Provenance: From the ernest Thornhill Collection; bequeathed to staﬀordshire University, 1944-present.

literature: The Thornhill stem Cup is illustrated in Transactions of the Oriental Ceramics society 1983–1984, Vol. 48. HK$22,000,000-44,000,000 UK£2,000,000-4,000,000 |

Us$2,800,000-5,600,000

106

LYON & TURNBULL | FREEMAN’S

(front)

The Thornhill stem Cup is an excellent example of its type, which is virtually unseen outside museum collections. The motif of flying dragons was popular in the Yuan dynasty (12711368), but was revived in the Xuande (1425-1435) as can be seen in this case. The fearsome five-clawed dragon flies amongst flames, chasing the eternally flaming pearl, above a sea with crashing waves tipped in white, with rocks seen around the base. The stem Cup is crowned by the elegantly painted six-character reign mark within the cup, and circled by double rings, repeated on the inside and outside rim, and on the foot. This is a truly remarkable and rare piece, of a type not

seen at auction for many years. The reign of the emperor Xuande commenced when the ming dynasty (1368-1644) had been in power for 60 years, and China

(back)

found herself thriving under new leaders. They had a capable and just government, there were no recent wars or natural disasters, and artistic inspiration was allowed to ﬂourish at the

kilns at Jingdezhen in Jiangxi Province. Xuande was a much respected leader, well read and versed in the classics, and a talented artist in his own right. He was fascinated by porcelain and was a keen collector. The word ming translates as brilliant, and this applies to the treasures produced during the reigns of the triumvirate of emperors; Yongle, Xuande and Chenghua. scholars agree that the reign of the Xuande emperor represents the apogee of blue and white ceramic production

during the ming dynasty. The clay was puriﬁed several times to produce the whitest and ﬁnest porcelain.

CHINESE WORKS OF ART

The wares’ unique qualities include the glaze, which is thick and lustrous, with a buttery softness to it that responds to touch, and a luminosity unsurpassed in later wares. This glaze is untainted by age, and consequently the pieces still give us the same pleasure today as when the emperor Xuande held them in his hands.

Today, The National Palace museum, acknowledged to hold the ﬁnest collection in the world, has a collection of over 2,000 various Xuande

pieces. The British museum and The Percival David Foundation collection (now housed in the British museum) also hold a number of interesting Xuande wares including a small number

107

of stem cups. The museum’s collection consists of three similar stem cups, one with a lotus scroll, one with a phoenix in ﬂight and the last with dragons on a blue wave ground.

The Percival David Foundation has a very similar stem cup, but with a Qilin on the cup rather than the ﬂying dragon. an almost identical cup is found in the National Palace museum in Taiwan, although with a meander border circling the foot [see Catalogue of the special exhibition of selected Hsüan-Te imperial Porcelains of the ming Dynasty, National Palace museum, 1998].

108

LYON & TURNBULL | FREEMAN’S

85 u

HC471/1

MAGNIFICENT BLUE AND WHITE ‘DRAGON’ DISH CHENGHUA SIX-CHARACTER MARK AND OF THE PERIOD

明成化極其珍貴《大明成化年製》六字款青花龍紋盤

well potted with rounded sides resting on a short slightly tapering foot, elaborately painted in soft blue tones with a medallion enclosing a single five-clawed dragon amongst crested waves, his sinuous body with powerful legs and finely detailed scales, surrounded on the cavetto by three striding five-clawed dragons chasing each other amongst ruyi clouds, the exterior decorated with further ruyi clouds and inscribed with a six-character reign mark below a double-ring, the base unglazed 30.1cm diam Provenance:

Private english Collection.

Note: Following the passing of the Chinese emperor Xuande and the empowerment of the empress Dowager as regent, the interregnum period of blank ceramics commenced. With the

implementation of an edict banning the production of blue and white wares, which had flourished in production and use under the emperor Xuande, empress Dowager promoted a new style in ceramics. Following her passing and the succession of Chenghua we encounter not only a revival in the production of blue and white wares but a period where it can be argued that it reached its zenith, as it is considered the main rival to Xuande wares. The earlier pieces, still with the darker imported cobalt remaining from Xuande, show transition into the lighter blues of locally mined cobalt that the period is more known for. The locally mined cobalt was more malleable to prepare and apply, resulting in the replacement of the ‘heaped and piled’ effect to a much softer and even toned greyish blue. Comparatively very few pieces of Chenghua wares bear the reign mark of the period. However, examples such as the present dish with the Chenghua reign mark allow us to understand that it was accorded official approval and intended for imperial use with the dragons all endowed with five claws. For further reading, see D. macintosh (1994): Chinese Blue and White Porcelain. HK$340,000-440,000 UK£30,000-40,000 |

Us$40,000-60,000

CHINESE WORKS OF ART

109

110

LYON & TURNBULL | FREEMAN’S

CHINESE WORKS OF ART

HA466/7

RARE BLUE AND WHITE ‘HUNDRED BOYS’ BALUSTER JAR WANLI SIX-CHARACTER MARK AND OF THE PERIOD

明萬曆青花「百子嬰戲圖」罐

robustly potted with the ovoid body tapering to the base, ﬁnely painted in cobalt blue with boys at play in a continuous garden landscape, some playing musical instruments, others chasing each other, all amongst rocks, peony, bamboo and pine trees, with a lotus pond in the background, the base inscribed in underglaze blue with a six-character reign mark within double rings, the neck ground down 27cm high

Provenance: Private english Collection.

Note: For a very similar Wanli blue and white ‘hundred boys’ jar, see Christie’s sale in their Hong Kong rooms on 27th may 2008, lot

1853.

HK$180,000-220,000 UK£15,000-20,000 |

Us$20,000-30,000

111

112

LYON & TURNBULL | FREEMAN’S

HD849/5

WUCAI SWEETMEAT DISH

WANLI SIX-CHARACTER MARK AND OF THE PERIOD

明萬曆五彩八寶格盤

the circular dish divided into six petal form compartments surrounding a foliate rimmed compartment in the centre, the interior and exterior painted with auspicious symbols amongst ﬂowers, with ﬂying and perched birds, the rim with a later applied Continental silver mount, six-character mark in underglaze blue to the base within double rings 22cm diam Note:

For a similar dish, but painted with ﬂowering branches, from the J.T.Thai & Co Collection, see sotheby’s sale in their New York rooms on 22nd march 2011, lot 300. HK$160,000-220,000 UK£15,000-20,000 |

Us$20,000-30,000

CHINESE WORKS OF ART

113

HA467/1

IMPERIAL COPPER-RED ‘FIVE DRAGON’ BOWL KANGXI SIX-CHARACTER MARK AND OF THE PERIOD

清康熙釉裏紅團龍紋碗

the exterior decorated with ﬁve dragon medallions each in the form of a coiled ﬁve-clawed dragon, the interior with a further dragon medallion to the centre, with six-character underglaze blue Kangxi reign mark within double rings to the base 14.9cm diam

Provenance: Private london Collection.

Note: For very similar samples, see regina Krahl: Chinese Ceramics

from the meiyintang Collection, Vol. 2, london, 1994, no.732 and John ayers: The Baur Collection, Chinese Ceramics, Vol. 4, Geneva, 1974, no. a530. HK$120,000-160,000 UK£10,000-15,000 |

Us$15,000-20,000

114

LYON & TURNBULL | FREEMAN’S

LANGYAO COPPER-RED GLAZED BALUSTER VASE, GUAN YIN PING KANGXI PERIOD

清康熙郎窯紅釉觀音瓶

the slender baluster body rising from a spreading foot to a waisted cylindrical neck with a flared rim, the exterior covered overall with a copper-red glaze suffused with a network of fine crackle throughout, the interior and the base covered with a crackled ivory-coloured glaze 34.5cm high

Provenance: Private london Collection.

Note: The term langyao (‘lang wares’) derives its name from lang

Tingji, supervisor of the oﬃcial kilns at Jingdezhen between

1705-1712, who is credited with the revival of monochrome glazes and particularly copper-red glazes. The copper-red colour is often considered the most

challenging to regulate during the firing process as exactly the right conditions are required within the kiln to achieve the rich tones. although copper-red was used successfully in the ming dynasty, particularly during the Xuande period, the copper-red monochrome glazes seen in the Qing dynasty became even more refined and were of an exceptionally even and vibrant tone. The fine glaze and elegant form of the present vase demonstrates the skill of the Chinese potters under lang Tingji. a similar vase of larger size was sold by Christie’s in their london rooms on 13th may 2014, lot 100. HK$170,000-280,000 UK£15,000-25,000 |

Us$20,000-35,000

CHINESE WORKS OF ART

HA466/6

FLAMBÉ-GLAZED JAR QIANLONG PERIOD

清乾隆窯變釉罐

of globular form rising to a waisted neck decorated with four lotus ﬂowers borne on scrolling leafy tendrils, above a double bow-string band encircling the shoulder, the body covered with a reddish-purple glaze with milky blue streaks

24cm high

Provenance: Private english Collection.

Note: For a ﬂambé jar of similar shape but a truncated neck, see Christie’s sale in their New York rooms on 18th-19th November 2014, lot 800. HK$45,000-65,000 UK£4,000-6,000 |

Us$5,500-8,500

HD849/35

BLANC-DE-CHINE CENSER KANGXI PERIOD

清康熙白瓷雙獅耳爐

of compressed globular form with a pair of moulded lion masks at the shoulders beneath the everted rim and supported on a ﬂared foot 15cm wide

HK$65,000-85,000 UK£5,500-7,500 |

Us$8,500-10,000

115

116

LYON & TURNBULL | FREEMAN’S

(reverse)

92 u HA469/3

FAMILLE ROSE ‘IMMORTAL’ BOWL

YONGZHENG SIX-CHARACTER MARK AND OF THE PERIOD

清雍正粉彩壽老圖小盌

delicately potted with gently curved sides rising from a short footring to an everted rim, the exterior ﬁnely painted with shoulao on a deer, accompanied by an attendant carrying a basket of ﬂowers and other treasures, the base inscribed with a six-character reign mark in underglaze blue within double rings 9.4cm diam

Provenance: Private english Collection; acquired in Japan. HK$340,000-440,000 UK£30,000-40,000 |

Us$40,000-60,000

CHINESE WORKS OF ART

HC469/6

GE-GLAZED VASE YONGZHENG PERIOD

清雍正仿哥窯貫耳瓶

based on the archaic bronze hu form, the rounded body supported on a spreading foot with a recessed base and rising to a waisted neck with an everted lip, the neck ﬂanked on the shorter sides by two tubular handles and encircled by two slightly swollen bands, covered overall apart from the foot rim with a thick pale greyish-blue crackled glaze 18.4cm high

Provenance: Private london Collection; formerly in the Collection of Desmond Gure and Dr Hugh shire.

117

Note: For an example of the song inspiration of this vase in the Collection of sir Percival David, see Catalogue of the international exhibition of Chinese art, 1935-6, no. 876. For related Yongzheng examples, see Catalogue of the special exhibition of K’ang-hsi, Yung-cheng and Chi’en-lung Porcelain ware from the Ch’ing Dynasty in the National Palace museum, no. 63; lam, ethereal elegance: Porcelain Vases of the imperial Qing, The Huaihaitang Collection, no. 39, pp. 160-1; and Tie, The Complete Collection of Porcelain of Jiangxi Province: Porcelain of the Qing Dynasty (i), p. 113. HK$280,000-380,000 UK£25,000-35,000 |

Us$35,000-50,000

118

LYON & TURNBULL | FREEMAN’S

HA467/2

FINE BLUE AND WHITE BOTTLE VASE QIANLONG SEAL MARK AND OF THE PERIOD

清乾隆青花花卉紋瓜棱蒲槌瓶

the tapering cylindrical body rising from a spreading foot to canted shoulders, surmounted by a cylindrical neck, the exterior decorated with ten elongated rectangular panels containing ﬂower-heads on leafy stems, bordered by two bands of scrolling foliage, the shoulders with pendant shaped lappets, the neck with further ﬂoral sprays 30.8cm high

Provenance: From the Collection of edward Cozens-smith, esq. (1834-1925), 16 Kensington square, london; subsequently acquired by the Cozens-smith family at the maple & Co. auction on 26th march 1928.

Note: The present lot belongs to a group of very similar imperial blue and white bottle vases made during the Qianlong period. For a

directly comparable example of nearly the same size, see sotheby’s sale in their New York rooms on 11th september 2012, lot 50. HK$120,000-160,000

UK£10,000-15,000

Us$15,000-20,000

CHINESE WORKS OF ART

HE296/33

UNDERGLAZE RED DECORATED BLUE AND WHITE CONICAL BOWL QIANLONG SEAL MARK AND OF THE PERIOD

清乾隆青花釉裏紅靈芝紋瓷碗

raised on straight foot with wide sides, decorated to show four stems of lingzhi in underglazed red and blue to interior and pomegranates to exterior, double ring to interior and exterior base and rim 22cm diam

Provenance: Property of a european Collection.

Note: For a bowl of similar form, see Christie’s sale in their london rooms on 13th may 2014, sale 1523, lot 298. HK$50,000-70,000 UK£4,500-6,000 |

Us$6,500-9,500

119

120

LYON & TURNBULL | FREEMAN’S

HD480/1

LIVER-RED GLAZED COMPRESSED BOTTLE VASE QIANLONG SEAL MARK AND OF THE PERIOD

清康熙《大清乾隆年製》款紅釉長頸瓶

ﬁnely potted with a compressed globular body supported on a splayed foot, rising to a long cylindrical neck with a slightly ﬂared rim, the exterior covered overall with an even liver-red glaze, the interior and the base covered with a transparent glaze, the base inscribed in underglaze blue with a sixcharacter seal mark 23.5cm high

Provenance: Private london Collection.

HK$120,000-160,000 UK£10,000-15,000 |

Us$12,500-18,750

CHINESE WORKS OF ART

121

HE296/60

GUAN-TYPE CELADON GLAZED ‘HU’ VASE QIANLONG MARK AND OF THE PERIOD

清乾隆《大清乾隆年制》款仿官釉貫耳帶紋方壺

of rounded pear form raised on a spreading foot, mounted with twin handles to neck in between a single and a double bow-string bands to neck, and another double bow-string band to body, covered overall with greenish-grey glaze suﬀused with dark grey craquelures, the unglazed foot ring painted in dark brown 29.8cm high

Provenance: Property of a New York state family.

Note: For an example of similar form, see Christie’s sale in their New

York rooms on 21st september 2000, lot 369. HK$120,000-160,000 UK£10,000-15,000 |

Us$15,000-20,000

122

LYON & TURNBULL | FREEMAN’S

HE296/50

FINE TEA-DUST GLAZED PEAR-SHAPED VASE QIANLONG MARK AND OF THE PERIOD

清乾隆《大清乾隆年制》款茶葉末釉荸薺扁瓶

potted with a compressed globular body raised on a slightly splayed foot, the tall slender neck ﬂaring gently at the mouth rim, covered in an olive green glaze with thin dark speckles throughout 23cm high

Provenance:

Property of a Pennsylvania collector; old Christie’s label to base, formerly from the collection of Vermeer & Griggs.

Note: For an example of similar form, see Christie’s sale in their Hong

Kong rooms on 28th may 2014, lot 2906. a smaller tea-dust bottle vase, also from the collection of michael l. Vermeer, was sold at Christie’s New York, 17-18th september 2015, lot 2201. HK$80,000-120,000 UK£7,000-11,000 |

Us$10,000-15,000

CHINESE WORKS OF ART

123

HE296/47

FAMILLE ROSE SGRAFFIATO YUHUCHUN VASE QIANLONG IRON-RED MARK AND OF THE PERIOD

清乾隆粉彩乳白地軋道玉壺春瓶

elegantly potted over a slightly splayed foot rising to an

everted mouth, sparsely decorated to show peony branches in famille rose enamel over a white sgraﬃato ground 7.5cm high

Provenance: Property from a Pennsylvania collector.

Note: For similar examples, see Christie’s sale in their New York rooms on 3rd June 1988, lot 314A and in their London rooms on 26th November 1974, lot 207. HK$200,000-300,000 UK£15,000-30,000 |

US$25,000-40,000

124

LYON & TURNBULL | FREEMAN’S

100

HD416/2

BLUE AND WHITE MOON FLASK

JIAQING SIX-CHARACTER MARK AND OF THE PERIOD

清嘉慶青花山水人物詩文穿帶扁壺

the flattened body decorated on one of the two wide sides with a circular landscape panel with a fishing boat on a lake surrounded by mountains, trees and cottages, the other wide side inscribed with a poem by Du Fu and signed Qi Qiao Lao Ren, the narrow sides applied with four lug handles and decorated with peony, pomegranate and butterflies, sixcharacter mark to the recessed base 19.8cm high

Provenance: Private Scottish Collection.

HK$45,000-65,000 UK£4,000-6,000 |

101

HD849/10

BLUE AND WHITE SQUARE WATER POT AND COVER MARKED TWENTY-FORTH YEAR OF JIAQING (1819)

清嘉慶二十四年製青花海獸紋罐

the sides painted with mythical beasts amongst clouds and waves, together with a Japanese lacquer cover 19.5cm high

HK$100,000-150,000 UK£9,000-14,000 | US$12,000-20,000

US$5,500-8,500

CHINESE WORKS OF ART

125

Illustration shows front and back of each dish

102

HE296/67

SET OF FOUR FAMILLE ROSE ENAMELLED ‘SHOU’ DISHES JIAQING IRON-RED SEALMARK AND OF THE PERIOD

清嘉慶《大清嘉慶年制》款「萬年甲子」五蝠百壽碟四隻

of shallow form potted over a short footring, decorated in iron red to show ﬁve bats encircling a ‘Shou’ medallion to interior, the exterior depicts gilt decorated ‘Wan Nian Jia Zi’ within ruyi medallions over a ‘shou’ character ground (4) 16cm diam

Note: The characters Wan Nian Jia Zi can be translated ‘ten thousand years of the

jiazi cyclical year.’ Dishes of this pattern, although with slight variations in decoration are well known. A similar pair of dishes with yellow ground exterior and ﬂoral interior designs were sold by Christie’s in their New York rooms on 15th September 2011, lot 1634. HK$200,000-300,000 UK£15,000-30,000 |

US$25,000-40,000

126

LYON & TURNBULL | FREEMAN’S

103 u HC464/1

FINE FAMILLE ROSE OVOID ‘WU ZI DENG KE’ VASE

DAOGUANG MARK AND OF THE PERIOD

清道光粉彩松石綠地「五子登科圖」罐

the ovoid body delicately and skilfully enamelled with a young scholar wearing a red robe and a red cap, holding aloft a large helmet and surrounded by four smaller boys leaping with excitement to reach for the helmet, all set within a garden of

rocks and pines, the reverse decorated with a ﬂowering pomegranate branch bearing three fruits, all between turquoise-ground borders containing meandering lotus scrolls, bats and ruyi-heads 19.1cm high

Provenance: Private English Collection.

Note: The subject of five boys fighting for a helmet is a very popular motif in China. Referring to the five boys competing for distinction, the narrative symbolises the blessing for one’s sons to achieve outstanding results in the civil service examinations. Helmet (kui) is a pun for ‘leader’, which also indicates first place in the imperial examination. For related Daoguang vases, but decorated with a ruby ground around the elongated neck and foot, such as one depicting children in a Dragon Boat Race, and another decorated with fruiting pomegranate trees, see The Complete Collection of Treasures of the Palace Museum: Porcelains with Cloisonné Enamel Decoration and Famille-Rose Decoration, Hong Kong, 1999, pls.189 and 194. For another comparable vase with Daoguang mark and of the period, see Sotheby’s sale in their Hong Kong rooms on 7th October 2010, lot 2162. HK$1,500,000-2,000,000 UK£130,00-180,000 | US$190,000-260,000

(side views)

CHINESE WORKS OF ART

127

128

LYON & TURNBULL | FREEMAN’S

CHINESE WORKS OF ART

104 u

129

HC465/1

IMPERIAL FAMILLE ROSE 'MAGPIES' BOWL DAOGUANG SEAL MARK AND OF THE PERIOD

清道光禦製粉彩「喜鵲登枝紋」碗

of conical form raised on a short foot, delicately painted on the exterior with ten magpies perched amongst branches beside ﬂowering peony, with a further magpie standing on grass, the reverse with a twelfth magpie in ﬂight, six-character mark in underglaze blue to the base 13.7cm diam

Provenance: Private London Collection; Sotheby’s Hong Kong, 15th May 1990, lot 251. Purchased from Marchant, London, 1991.

Note: A Daoguang marked bowl painted in Yongzheng style is illustrated by Van Oort: Chinese Porcelain of the 19th and 20th

Centuries, pl. 12; and a wine cup in Michel Beurdeley: La Céramique Chinoise, vol. 1, pl. 108. A pair of larger shallow bowls in the Shanghai Museum painted with a design of thirty magpies with Shende marks is illustrated in Selected Ceramics from the Collection of Mr. and Mrs. J. M. Hu, pl. 90. A Yongzheng bowl with this rare decoration in the Percival David Foundation of Chinese Art, now at The British Museum, is illustrated in Margaret Medley: The World’s Great Collections, Oriental Ceramics, vol. 6, no. 273, collection no. 888. Marchant, London, exhibition catalogue.

Exhibited: Marchant London, exhibition of 19th century mark and period porcelain, 1991, p. 51. HK$550,000-650,000

UK£50,000-60,000

US$70,000-85,000

130

105

LYON & TURNBULL | FREEMAN’S

HD987/1

FINE PAIR OF FAMILLE ROSE 'WU ZI DENG KE' JARDINIÈRES AND STANDS

LINZHI CHENGXIANG FOUR-CHARACTER MARK, REPUBLIC PERIOD

民國《麟趾呈祥》款粉彩嬰戲圖方形花盤連座一對

of square section raised on four bracket feet, the sides gently flaring towards the everted rim, each finely enamelled in mirror image with scenes of boys accompanied by their attendants holding auspicious symbols, referring to the ‘wu zi deng ke‘ motif (the five sons passing the civil service examination), all between two bands of flowers borne on leafy scrolls, the stands decorated with fruiting branches of peaches, fingered citron and pomegranates, both the jardinières and the stands bearing an ironred four-character mark to the underside, with pierced wood stands (2) 20cm high (excluding wood stand)

Provenance: Private Scottish Collection; formerly in the collection of Sir John

Cowperthwaite, KBE, CMG (1915-2006). Sir Cowperthwaite was the Financial Secretary of Hong Kong from 1961 to 1971. His introduction of free market economic policies are widely credited with turning post-war Hong Kong into a thriving global ﬁnancial centre. The 1976 Nobel Prize Laureate in economics, Milton Friedman, said of him “It would be hard to overestimate the debt Hong Kong owes to Cowperthwaite.” HK$90,000-120,000

UK£8,000-10,500

US$11,000-16,000

132

LYON & TURNBULL | FREEMAN’S

CHINESE WORKS OF ART

106 u

133

HC462/1

MAGNIFICENT PAIR OF LARGE FAMILLE ROSE VASES QING DYNASTY, 18TH/EARLY 19TH CENTURY

清十八/十九世紀胭脂紅地粉彩人物大罐一對

of pear shape supported on a short circular foot, with truncated neck and wide mouth, ﬂanked by a pair of gilt dragon-head loop handles at the shoulder, the exterior elaborately painted with birds perched upon ﬂowering branches and seven young ladies presenting emblems of longevity to Lan Caihe of the Daoist Eight Immortals, symbolizing the Daoist dream of long life and immortality, all on a rose-pink ground densely anke-incised with cloud scrolls and between ruyihead, plantain lappet and petal bands (2) 50.2cm high

Provenance: From the Sze Yuan Tang Collection; acquired at the beginning of the 21st century from Imperial Oriental Art (established in 1993), then located at 790 Madison Avenue, New York.

This pair of vases were exhibited in the Hong Kong Maritime Museum from 2006 to 2015 with the inventory number HKMM2012.0005.0001-2. HK$1,000,000-1,500,000 UK£90,000-130,000 | US$130,000-190,000

134

LYON & TURNBULL | FREEMAN’S

107 u

HD849/36

BLANC-DE-CHINE FIGURE OF SEATED GUANYIN QING DYNASTY, 19TH CENTURY

清十九世紀《博及漁人》款德化白瓷觀音像

the Goddess of Compassion modelled with a serene expression and downcast eyes below an elaborate diadem centred by Amitabha, holding a ruyi sceptre, seated in dhyanasana on a naturalistically modelled lotus throne supported on a short hexagonal plinth, impressed mark of ‘Boji yuren’ (virtue extends to all, even ﬁshermen) 43cm high

Note: Blanc-de-chine ﬁgures bearing the ‘Boji yuren’ mark are often

referred to as ‘ﬁsherman pieces’. This type of commendation mark does not refer to or indicate a speciﬁc potter and sometimes appears on its own, or accompanied by the mark for Dehua. Rose Kerr and John Ayers in their book Blanc de Chine, Porcelain from Dehua, A Catalogue of the Hickley Collection have dated this group to circa 1900. See Marchant: Exhibition of Blanc de Chine, 30th October - 21st November 2014, p. 3. HK$600,000-800,000 UK£50,000-70,000 |

US$70,000-100,000

CHINESE WORKS OF ART

135

136

108

LYON & TURNBULL | FREEMAN’S

HD849/6

PAIR OF CAFÉ-AU-LAIT-GROUND ‘NARCISSUS’ BOWLS DAOGUANG SEAL MARK AND OF THE PERIOD

清道光褐地水仙紋碗一對

each bowl with deep rounded sides and a slightly ﬂaring rim, the exterior painted on the one side with blossoming narcissus, prunus and bamboo, and on the reverse side with a chrysanthemum spray and a butterﬂy, six-character mark in iron-red to the recessed base (2)

17cm diam

Note: For two very similarly decorated café-au-lait ground bowls, also from the Daoguang period, see Christie’s sale in their New York rooms on 19th-20th September, lot 2726.

HK$80,000-120,000 UK£7,000-11,000 |

US$10,000-15,000

109

HD849/3

FAMILLE VERTE SMALL ROULEAU VASE QING DYNASTY, 17TH CENTURY

清十七世紀五彩人物小棒槌瓶

painted on the cylindrical body a scholar seated within a rocky landscape, the waisted neck painted with a bamboo branch, with wood stand 16cm high (excluding stand)

Provenance: Formerly from the Y. C. Chen Collection.

Note: Compare a famille verte vase of similar form and size from the T. Y. Chao Collection sold in Sotheby’s Hong Kong rooms on 19th May 1987, lot 304. HK$120,000-160,000 UK£10,000-15,000 |

US$15,000-20,000

CHINESE WORKS OF ART

110

HD849/20

RUBY-RED GLASS LOBED BOTTLE VASE QING DYNASTY, 19TH CENTURY

清十九世紀紅料瓜棱長頸瓶

with lobed sides, the globular body rising to a tall cylindrical neck supported on a spreading foot 11cm high

HK$35,000-45,000 UK£3,000-4,000 |

US$4,500-6,000

111

HA469/4

EXQUISITE CLEAR GLASS WATER POT, YU

QIANLONG FOUR-CHARACTER MARK AND OF THE PERIOD

清乾隆透明料水盂

of square section with gently rounded sides rising to a slightly everted rim, the sides decorated in shallow relief with a square tiling pattern, the base incised with a four-character mark reading ‘Qian Long Yu Shang’ (for the appreciation of Qianlong) 5.9cm long

Provenance: Private English Collection. HK$35,000-55,000 UK£3,000-5,000 |

US$4,500-7,000

137

METALWARES

CHINESE WORKS OF ART

112 u

HD413/1

RARE AND IMPORTANT IMPERIAL GILT-BRONZE RITUAL BELL, BIANZHONG MING DYNASTY

明重要禦製銅鎏金編鍾

finely cast of slightly flattened barrel form, surmounted with a handle in the shape of swirling clouds above two pairs of cranes and phoenix flying amongst clouds on the top, the sides decorated with five bands of alternating bosses and stylised flames between a frieze of dragon-tortoise and phoenix at the top and a frieze of stylised frames at the bottom, each of the wider sides centred by an empty rectangular panel framed with ruyi clouds and raised on a lotus pedestal, each of the narrower sides decorated with a panel containing a five-clawed dragon amongst swirling clouds 27cm high

Provenance: From the collection of an important military family.

141

Note: Known in Chinese as bianzhong, gilt bronze bells were an exclusive and important part of imperial court rituals and ceremonies. In the Qing dynasty (1644-1911), bianzhong were

commonly played during ceremonies at the Temple of Heaven and the Temple of Agriculture, as well as during imperial banquets and state rites. Bells of this type were usually assembled in graduate sets of sixteen, producing twelve diﬀerent musical tones and four repeated tones of a lower octave. Their respective musical notes were determined by their thickness. As depicted in court paintings, bianzhong would have been suspended in two tiers of eight over tall and elaborate wooden frames. Some of these bells were reputed to have left China during the late 19th and early 20th century. A few of these bells, particularly from the Ming dynasty, have resurfaced at auction over the past decade, including an identical gilt-bronze bell sold at Sotheby’s Paris, 9th June 2010, lot 43. Another similar sample was sold at Freeman’s on 14th March 2015, lot 65. HK$1,700,000-2,700,000 UK£150,000-250,000 | US$220,000-300,000

142

113

LYON & TURNBULL | FREEMAN’S

HC469/2

CHAMPLEVÉ ENAMEL GILT-BRONZE JARDINIÈRE QIANLONG PERIOD

清乾隆銅胎鎏金錘胎蓮紋花盆

with six bracket lobes, a flange rim and steeply flaring sides, supported on six cloud-form feet, the sides decorated in the champlevé technique with cartouches of leafy lotus flowers in turquoise, pale green, lapis-lazuli blue and pink enamels, the top of the rim chased with six cartouches of simple lotus on a granulated ground against a trellis pattern, the side of the rim with a leaf-like design 24.2cm long

Provenance: Private London Collection.

Note: For similar examples in the Palace Museum, see Compendium of Collections in the Palace Museum: Enamels, Vol. 4, no. 24, p. 54 and no. 26, p. 56.

HK$55,000-85,000 UK£5,000-8,000 |

US$7,200-11,200

CHINESE WORKS OF ART

114

SV730/102

BRONZE TRIPOD CENSER AND STAND XUANDE MARK BUT 18TH CENTURY

十八世紀宣德款雙鋬耳三足壓經帶座銅爐

of compressed globular form supported on three conical feet, the shoulder applied with two loop handles, the base bearing an apocryphal six-character Xuande mark within a rectangular cartouche, the matching tripod stand in the form of a mallow ﬂower with overlapping petals 13.8cm high (including stand), 20.8cm wide

Provenance: From the collection of the late Mr & Mrs Robertson, Edinburgh. Note: For a tripod censer of very similar shape and size, see Sotheby’s sale in their Hong Kong rooms on 8th April 2013, lot 173. HK$25,000-35,000 UK£2,000-3,000 |

US$3,000-5,000

115

HC458/5

BRONZE RETICULATED QUATREFOIL BRUSHPOT, BITONG MING DYNASTY

明銅鏤空人物紋筆筒

of quatrefoil section raised on a matching base, the four sides pierced with bamboo, pine and prunus trees under which Chinese scholars are engaged in various leisurely activities including the Go game and calligraphic exercise, the base incised with the signature of Shu Guoying (unknown artist) 15.5cm high

Provenance: Private London Collection. HK$25,000-35,000 UK£2,200-3,200

US$3,000-5,000

143

144

LYON & TURNBULL | FREEMAN’S

116 u

HE296/84

LARGE BRONZE ‘SHOULAO OVER HORSE’ CENSER QING DYNASTY, 18TH CENTURY

清十八世紀銅「壽老」香爐

cast in two parts, with a joyful Shoulao riding a horse, holding a scroll to left hand and a removable ruyi to right hand, the horse with its head leaning toward the ground 56cm high, 91.5cm wide

Provenance: Property of a New England collector.

HK$400,000-600,000 UK£35,000-55,000 |

US$50,000-80,000

CHINESE WORKS OF ART

145

117

BRONZE TWIN-HANDLE TRIPOD CENSER LATE MING/EARLY QING DYNASTY, 17TH CENTURY

明晚期/清早期十七世紀雙鋬耳三足銅爐

the compressed globular body raised on three short conical supports and ﬂanked by a pair of loop handles, the underside cast with a two-character ‘Song Hu’ mark in a rectangular cartouche 20cm wide

HK$180,000-240,000

UK£15,000-20,000

US$20,000-30,000

146

LYON & TURNBULL | FREEMAN’S

118

HD849/1

GOLD AND SILVER-INLAID BRONZE TRIPOD CENSER AND COVER QING DYNASTY, 18TH CENTURY

清十八世紀銅錯金銀三足太極圖紋銅爐

the cylindrical body raised on a bulbous base set on three tall feet, the cover and the sides ﬁnely inlaid in gold and silver with panels enclosing taijitu diagrams reserved on a diaper ground 20cm high

HK$160,000-240,000

UK£15,000-20,000

US$20,000-30,000

148

LYON & TURNBULL | FREEMAN’S

119

HC458/4

HEXAGONAL BRONZE INCENSE HOLDER MING DYNASTY

明六方銅香插

of hexagonal section, raised on three cabriole legs, applied with two dragon handles each ﬂanked by two immortals in ﬂowing robes, the sides decorated with pierced windows in the centre between two bands of densely carved leiwen motif 16.5cm high

Provenance:

Private London Collection. HK$20,000-30,000 UK£2,000-2,500 |

120

HC458/6

HEXAGONAL BRONZE VASE 12TH-14TH CENTURY

十二至十四世紀龍耳獸紋六方銅瓶

the mid-section of the tall neck applied with a pair of dragonhead handles and decorated with a band of incised ﬂoral diaper, the lower body incised with a frieze of stylised mythical beast masks 27.3cm high

Provenance: Private London Collection.

HK$20,000-30,000 UK£2,000-2,500 |

US$2,500-4,000

CHINESE WORKS OF ART

121

149

HC458/7

ARCHAISTIC GOLD AND SILVER-INLAID BRONZE VASE, HU QING DYNASTY

清銅錯金銀仿古「獸麵圖」壺

the exterior cast in shallow relief with two bands of archaistic taotie masks reserved on leiwen grounds above stiﬀ-leaf shaped panels on the lower body containing further taotie masks, the shoulder applied with two mask handles suspending loose rings, the base cast with a diamond grid pattern 31.1cm high

Provenance: Private London Collection. HK$50,000-80,000 UK£4,500-7,000 |

US$6,500-10,500

150

LYON & TURNBULL | FREEMAN’S

122

HD849/32

BRONZE TRIPOD CENSER QING DYNASTY, 18TH CENTURY

清十八世紀銅獅鈕三足熏爐

the pierced cover surmounted by a Buddhist lion, the handles formed as two chilong, the baluster sides cast in low relief with scrolling tendrils

14cm high

HK$45,000-65,000 UK£4,000-6,000 |

123

HA469/2

BRONZE CENSER IN THE SHAPE OF A FINGERED CITRON QING DYNASTY

清銅佛手香爐

naturalistically cast in the form of a ﬁngered citron issuing from a gnarled leafy stem bearing a further smaller fruit, with wood stand 19.8cm long

Provenance: Private English Collection. HK$35,000-55,000 UK£3,000-5,000 |

US$4,500-7,000

US$5,500-8,500

CHINESE WORKS OF ART

124

HE296/71

SILVERY BRONZE CIRCULAR ‘LIONS AND GRAPEVINE’ MIRROR TANG DYNASTY

唐海獸葡萄銅鏡

sculpted to show four lions clambering amidst grapevine, surrounding the beast formed central knob, all within ruyi decorated rim, malachite encrustation to sides and reverse 10.8cm diam

Provenance: Property from a Pennsylvania estate.

Note: For a similarly decorated mirror from the Tang dynasty, see Christie’s sale in their New York rooms on 16th September 2010, sale 2508, lot 915.

HK$95,000-150,000 UK£8,000-14,000 |

US$12,000-20,000

125

HE296/80

SMALL AND RARE PAKTONG ‘EROTIC’ MEDICINE BOX QING DYNASTY, LATE 19TH CENTURY

清十九世紀晚期白銅「春宮圖」藥盒

of rectangular form, the exterior etched to show a ﬁgural scene and the interior section displaying erotic encounters 3.5cm long, 3cm wide, 5.3cm high

HK$40,000-60,000 UK£3,500-5,500 |

US$5,500-8,000

151

CHINESE WORKS OF ART

126 u

HE296/83

RARE PAIR OF CHINESE GILT-BRONZE ‘DRAGON’ BEAKER VASES QING DYNASTY, 17TH/18TH CENTURY

清十七 /十八世紀銅鎏金雲龍趕珠紋花觚一對

with the globular central bulb ﬁnely cast to show a dragon chasing the ﬂaming pearl, the splayed lower section with raised brackets and overlapping petal formed lappets, the trumpet neck cast with upright leaves and overlapping lappets and acanthus leaves (2) 33.2cm high

Provenance: Sotheby’s New York, 19th September 2015, sale n09437, lot 730. HK$1,200,000-1,500,000

UK£100,000-130,000

US$150,000-200,000

153

154

LYON & TURNBULL | FREEMAN’S

127

RARE GILT-BRONZE ‘DRAGON’ STAND QING DYNASTY, 17TH/18TH CENTURY

清十七/十八世紀罕見鎏金雙龍器座

heavily cast as a pair of striding five-clawed dragons whose sinuous bodies entwine, each creature finely detailed with powerful legs, scaly bodies and spiky dorsal fins, the face with bulging eyes showing a ferocious expression, the mouth agape at a ball held in its left forepaw 24cm wide

Provenance: Private London Collection.

Note: Compare similar pieces in: Sidney L. Moss Ltd., The Second Bronze

Age, Later Chinese Metalwork, London 1991, no. 15, and Sidney L. Moss, The Literati Mode, no 141; a probably later pair of such stands is housed in the Palace Museum in Beijing. For another comparable piece, see Sotheby’s sale in their Paris rooms on 12th December 2013, lot 10. HK$130,000-180,000 UK£10,500-15,000 |

US$15,500-23,500 See detail on front and back endpapers

CHINESE WORKS OF ART

128

HD782/1

RARE GILT-METAL ENAMELLED PRESENTATION SNUFF BOX AND HINGED COVER GUANGZHOU WORKSHOPS, 19TH CENTURY

清十九世紀廣州鎏金琺琅彩繪金屬鼻煙盒

the cover painted finely in a central circular panel with a Chinese immortal seated holding a peach in a garden, flanked by engraved floral sprigs, the front and back sides each engraved with a spray of flowers surrounded by hexagrams, all on a translucent blue enamel ground, the base compartment opening to reveal an abacus with blue glass beads 9.6cm long, 7.3cm wide, 5.2cm high

Provenance: Private Scottish Collection.

HK$22,000-34,000 UK£2,000-3,000 |

US$2,500-4,500

155

156

LYON & TURNBULL | FREEMAN’S

129 u

HE296/49

SILVER-INLAID DECORATED GILT BRONZE RUYI SCEPTRE QING DYNASTY, 17TH/18TH CENTURY

清十七/十八世纪鎏金銅如意

of thinly formed shaft slightly bent from underside, decorated to show chilong and archaic script to shaft handle, the ruyi head depicting a coiled chilong to centre over silver-inlaid ground 48cm long

Provenance:

Previously the property from the estate of Fong Chow; Christie’s New York, 2nd-3rd April 2013, Sale 2690, Lot 188. HK$400,000-550,000 UK£30,000-50,000 |

US$50,000-70,000

CHINESE WORKS OF ART

130

157

HA469/6

GILT-SILVER ‘DOUBLE-GOURD’ DOUBLE SNUFF BOTTLE QING DYNASTY, 18TH/19TH CENTURY

清銀鎏金雙聯葫蘆紋鼻煙壺

cast as two conjoined double-gourds, intricately decorated to the exterior with small double-gourds hanging from scrolling tendrils between ruyi-head borders, each base bearing a stylised shou character 6.8cm high

Provenance: Private English Collection. HK$22,000-34,000 UK£2,000-3,000 |

131

HA466/8

BRONZE FIGURE OF AVALOKITESHVARA MING DYNASTY, 17TH CENTURY

明十七世紀銅自在觀音坐像

cast seated in dhyanasana on a double lotus base, the figure dressed in flowing robes and elaborate beaded jewellery, the right hand held in varada mudra and the left hand raised in abhaya mudra, each arm entwined with a leafy stem rising to the shoulders and surmounted by a bird on one side and a vase on the other, the face with a serene expression and a rock crystal third eye, crowned with a tiara centred by a figure of Amitabha Buddha, the back engraved with an inscription 27cm high

Provenance: Private English Collection. HK$45,000-65,000 UK£4,000-6,000 |

US$5,500-8,500

US$2,500-4,500

158

LYON & TURNBULL | FREEMAN’S

132 u

HA469/1

SUPERB GILT-BRONZE FIGURE OF VA JRAPANI YONGLE INCISED MARK AND OF THE PERIOD

明《大明永樂年施》款銅鎏金金剛手菩薩坐像

the bodhisattva ﬁnely cast seated in dhyanasana on a doublelotus base, his raised right arm holding a vajra and the other held up in tarjani mudra, wearing a long ﬂowing dhoti tied at waist and gathered in folds around his feet, the slightly tilted face in a serene expression with downcast eyes and smiling lips, framed by an elaborate diadem, the front of the base incised with a six-character mark reading ‘Da Ming Yong Le Nian Shi’ (bestowed in the Great Ming Yongle period), the base plate incised with a double vajra with remains of red lacquer 25cm high

Provenance: Private English Collection.

Note: For a very similar gilt-bronze ﬁgure from the Xuande period, see Christie’s sale in their Hong Kong rooms on 26th

November 2014, lot 3107.

HK$2,200,000-3,400,000 UK£200,000-300,000 | US$280,000-440,000

160

LYON & TURNBULL | FREEMAN’S

133

HC466/3

GILT-BRONZE FIGURE OF PALDEN LHAMO TIBET, 18TH CENTURY

藏十八世紀銅鎏金吉祥天母像

the fierce-looking Goddess seated sideways atop a mule, the right arm raised, the left holding a skull cup now lost, the face with bulging eyes and a third eye flanked by flame-like brows, wearing a skull diadem and a necklace of severed human heads over her shoulders 10.9cm high

Provenance: Private London Collection. HK$90,000-120,000 UK£8,000-10,500 |

US$11,500-15,500

CHINESE WORKS OF ART

161

162

LYON & TURNBULL | FREEMAN’S

CHINESE WORKS OF ART

134

HD849/11

PARCEL-GILT BRONZE MELON FORM EWER AND COVER QING DYNASTY, EARLY 18TH CENTURY

清十八世紀早期銅鎏金執壺

with a naturalistic handle and a S-shaped spout, the sides ﬁnely incised with ﬁgures and exotic birds amongst a lush mountainous landscape 19cm high

Note: For a similar parcel-gilt bronze ewer from the 17th century, see Christie’s sale in their London rooms on 13th November 2015, lot 1211. HK$160,000-220,000 UK£14,000-20,000 |

US$20,000-30,00

163

164

135

LYON & TURNBULL | FREEMAN’S

HA466/9

FINE EMBELLISHED BRONZE TRIPOD CENSER AND COVER QING DYNASTY, 18TH/EARLY 19TH CENTURY

清十八/十九世紀「太平有象」象耳三足熏爐

the inverted bell-shaped body ﬂanked by a pair of elephanthead handles and raised on three prominent caparisoned elephant-head feet inset with coloured glass, the sides cast in relief with scrolls bearing lotus blossoms and foliage, the cover reticulated with lotus scrolls and surmounted by a recumbent caparisoned elephant supporting a bowl with rhinoceros horns, fruit and precious objects 35.5cm high

Provenance: Private English Collection.

Note: For a very similar tripod censer and cover, see Christie’s sale in

their New York rooms on 15th September 2011, lot 1156. HK$60,000-90,000 UK£5,000-8,000 |

US$7,500-11,500

CHINESE WORKS OF ART

136

HA466/4

SILVER INLAID BRONZE SHAFT GRIP WARRING STATES PERIOD OR LATER

戰國或後銅錯銀車馬飾

of tubular form and closed at one end with one raised band at mid-section, cast in low relief and inlaid in silver with scrolling clouds 16.4cm long

Provenance: Private English Collection.

Note: This shaft grip was most likely part of chariot ﬁttings typical of

late Eastern Zhou dynasty, the late Warring States period and early Western Han dynasty. As such it would have been used to connect and prolong the handle of the umbrella. For a similar sample but decorated with dragons, see AC1994.29.1, Los Angeles County Museum of Art. HK$25,000-35,000 UK£2,200-3,200 |

137

HD849/26

SILVER WIRE-INLAID BRONZE TRIPOD CENSER SHI SOU MARK, 18TH CENTURY

十八世紀石叟款衝天耳回紋嵌銀三足銅爐

supported on three cylindrical legs and applied with a pair of loop handles rising from the mouth rim, the exterior ﬁnely inlaid in silver wire with archaistic taotie masks and scrolling tendrils, the underside bearing a Shi Sou mark 14cm high

HK$80,000-120,000 UK£7,000-10,500 |

US$10,500-15,500

US$3,500-4,500

165

166

138

LYON & TURNBULL | FREEMAN’S

HE296/70

LARGE SILVERY BRONZE CIRCULAR MIRROR HAN DYNASTY

漢銅鏡

decorated with twelve bosses near central knob within an octagonal star design, surrounded by a ring of archaic characters, malachite encrustation to side and reverse of mirror 18.4cm diam

Provenance: Property from a Pennsylvania estate. HK$65,000-95,000

UK£5,000-8,500

US$8,000-12,000

139

HE296/59

PARCEL-GILT BRONZE ‘LION AND GRAPEVINE’ MIRROR SUI/TANG DYNASTY

隋/唐海獸葡萄鏡

cast in high relief to show ﬁve lion-like animals amidst grapevine to surface, light malachite encrustation sides and reverse

9.5cm diam

Provenance: Previously the property of a private New York state collector; Christie’s London, 16th November 1999, Sale 6213, Lot 141.

HK$50,000-70,000 UK£4,500-6,500 |

US$6,500-9,000

CHINESE WORKS OF ART

140

167

HC469/1

CLOISONNÉ ENAMEL BEEHIVE-SHAPED WASHER JINGTAI MARK, MING DYNASTY

明景泰款掐絲琺瑯蓮紋洗

of domed shape raised on three short feet, the exterior decorated with large lotus blooms picked out in blue, red, white and yellow and borne on meandering leafy tendrils, all below a lappet band, the base incised with a two-character mark within double rings

20.3cm diam

Provenance: Private London Collection. HK$70,000-90,000 UK£6,000-8,000 |

US$8,500-11,500

168

LYON & TURNBULL | FREEMAN’S

141

HD190/40

CLOISONNÉ ENAMEL MOON FLASK MING DYNASTY, 17TH CENTURY

明十七世紀掐絲琺琅龍紋扁壺

the compressed globular body supported on a short oval foot, rising to a cylindrical neck flanked by two lobed handles decorated with billowing clouds, enamelled on each side with a coiling dragon at the centre surrounded by eight large lotus flowerheads borne on leafy scrolls, a further lotus flowerhead on each side of the neck, all picked out in green, red, yellow and aubergine reserved on a turquoise ground 32.5cm high (excluding stand) Provenance: Private American Collection.

Note: For very similar cloisonné enamel ﬂasks, also from the Ming Dynasty, see Brown, Chinese Cloisonné: The Clague Collection,

pl. 12, pp. 40–1; and Spink & Son, The Minor Arts of China III, no. 89, p. 74. HK$330,000-440,000 UK£30,000-40,000 |

US$40,000-60,000

CHINESE WORKS OF ART

169

PAINTINgS

172

142

LYON & TURNBULL | FREEMAN’S

HC192/1

RARE PAIR OF POLYCHROME TEMPLE FRESCOES MING DYNASTY

明彩繪菩薩壁畫兩幅

each painted in a mainly iron-red and green palette with Xi Wangmu and a female attendant, both wearing flowing robes and jewelled headpieces, the Queen Mother of the West sitting in the first fresco atop a lion-dog and holding a white rabbit in her hands, in the second atop a horse and holding a ruyi sceptre in her left hand, a flaming pearl in her right, all above swirling clouds, wood frame (2) 80.6cm high, 45.1cm wide (excluding frame)

Provenance: Private Scottish Collection.

HK$120,000-160,000 UK£10,000-15,000 |

US$15,000-20,000

CHINESE WORKS OF ART

143

173

HE296/74

CHINESE SCHOOL (18TH CENTURY) EMPEROR GAOZONG AND EMPRESS WU

十八世紀《宋高宗吳皇後侍女圖》

four mounted album leaves, ink and colour on silk, two with gourd shaped seal (4) 30.5cm high, 34.3cm wide (sight)

Provenance: Property of a Chester County, PA lady; purchased at New York Armory Show, 1970s, from the Litchﬁeld Collection, Oxford, Connecticut; reputedly from the Bahr Collection. HK$65,000-100,000 UK£6,000-9,000 | US$8,000-13,000

174

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LYON & TURNBULL | FREEMAN’S

HE296/65

HUANG YANTONG (B. 1942) HOMETOWN

黃延桐《故鄉》布面油畫

oil on canvas, mounted on wooden frame, unsigned

120cm high, 120cm wide (sight)

Provenance: Property of an Iowa collector; purchased from guang Dong Arts House by the current owner in 2002.

Note: For similar sized work sold at auction, see International Huashang Auction’s sale on 6th January 2014, lot 3036.

HK$65,000-95,000 UK£6,000-8,500 |

US$8,000-12,000

CHINESE WORKS OF ART

145

175

HE296/68

HUA ZIYOU (19TH CENTURY) LUOHAN OVER LION

華子宥《羅漢圖》十九世纪

framed, ink and colour on paper, signed in gilt with artist seal 84cm high, 46cm wide (sight)

Provenance: Previously from the collection of george Subkoﬀ, Westport, CT.

Note: For an example of similar subject and size, see guangzhou Chongzheng Auction’s sale on

18th December 2013, lot 0647. HK$65,000-95,000 UK£6,000-8,500 |

US$8,000-12,000

176

LYON & TURNBULL | FREEMAN’S

146 u

HE296/66

EMPRESS DOWAGER CIXI (1835-1908) PLUM BLOSSOMS, DATED 1894

清慈禧太後《墨梅》設色紙本立軸一八九四年作

hanging scroll, ink on paper, inscribed and signed by the artist, with three seals; colophon by Wu Shumei (1845-1912), with one seal, dated jiawu year of the guangxu era (1894), one collector’s seal of Reverend Isaac Taylor Headland (1859-1942)

44cm high, 22cm wide (sight)

Provenance: Previously from the collection of Reverend Isaac Taylor Headland and Dr. Miriam Sinclair Headland; Christie’s New

York, 15th March 2015, Sale 3718, Lot 3741.

Literature: Isaac Taylor Headland, Court Life in China, New York, 1909,

unnumbered plate.

HK$700,000-900,000 UK£60,000-80,000 |

US$90,000-120,000

CHINESE WORKS OF ART

177

178

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HE296/62

WU SHANMING (B. 1941)

LISTENING TO THE SOUND OF SPRING, DATED 2001

吳山明《聽泉》設色紙本二零零一年作

unmounted, ink on paper, with inscription and seals of the artist, four seals total 68.5cm high, 68.5cm wide (sight)

Provenance: Property of an Iowa collector; purchased directly from Wu Shanming’s family by the current owner in 2002.

Note: For a piece by the artist produced in 1999, see Shandong Hengchang’s sale on 16th November 2014, lot 179; a work of

similar subject and similar size was sold at China Liutong Auction’s sale on 13th-14th December 2013. HK$160,000-300,000 UK£14,500-27,000 |

US$20,000-40,000

CHINESE WORKS OF ART

148

179

HE296/61

WU SHANMING (B. 1941)

MONK KNOCKING ON THE GATE, DATED 1996

吳山明《僧人叩門圖》水墨紙本一九九六年作

unmounted, ink on paper, with inscription and seals by the artist, three seals total 68cm high, 68cm wide (sight)

Provenance: Property of an Iowa collector; purchased directly from Wu Shanming’s family in 2002.

Note: For a similar example, see guardian Beijing’s sale on 15th May 2004, lot 758. HK$160,000-300,000 UK£14,500-27,000 |

US$20,000-40,000

180

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LYON & TURNBULL | FREEMAN’S

HE296/63

CHEN KENG (B. 1962)

CHILD AT PLAY, DATED 1999

陳铿《過家家》布面油畫一九九九年作 mounted on wooden frame, unsigned, dated to back, oil on canvas 153cm high, 92cm wide (sight)

Provenance: Property of an Iowa collector; purchased from guang Dong Arts House by the current owner in 2002. Note: For paintings by the artist of similar size, see

Christie’s sale in their Hong Kong rooms on 24th November 2013, lot 288.

HK$80,000-160,000 UK£7,000-14,000 |

US$10,000-20,000

CHINESE WORKS OF ART

150

181

HE296/64

CHEN KENG (B. 1962) PICKING RICE, DATED 1998

陳铿《粒粒皆辛苦》布面油畫一九九八年作

oil on canvas, mounted on wooden frame, unsigned, dated to back 81cm high, 120cm wide (sight)

Provenance: Property of an Iowa collector; purchased from guang Dong Arts House by the current owner in 2002.

Note: For paintings by the artist of similar size, see Christie’s sale in

their Hong Kong rooms on 24th November 2013, lot 288. HK$80,000-160,000 UK£7,500-14,500 |

US$10,000-20,000

182

LYON & TURNBULL | FREEMAN’S

151 u

HE296/58

CHEN QIKUAN (1921-2007) FUJI MOUNTAIN

陳其寬《富士山》設色紙本

ink and colour on paper, with artist’s seal, framed 180cm high, 29.2cm wide (sight)

Provenance: Property of a Virginia lady; formerly from the Mi Chou gallery Collection, Madison Avenue, New York. HK$500,000-600,000 UK£40,000-50,000 |

END OF SALE

US$60,000-80,000

CHINESE WORKS OF ART

183

Illustrated: A selection of

Chinese vases from the 21 June Fine Asian Works of Art auction

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• Tap-through links for additional photos, condition reports and bidding options on individual lots

CHRONOLOGY NEOLITHIC CULTURES Cishan-Peiligang

c. 6500-5000 BC

Gansu Yangshao

c. 3000-1500 BC

Central Yangshao Hamadu Daxi

c. 5000-3000 BC

c. 5000-3000 BC c. 5000-3000 BC

Majlabang

c. 5000-3500 BC

Songze

c. 4000-2500 BC

Dawenkou Hongshan Llanzhu

Longshan

Qijia

EARLY DYNASTIES Shang

WesternZhou Eastern Zhou

Spring & Autumn Warring States

IMPERIAL CHINA

Qin

Han

Sui

589-618

Five Dynasties

907-960

Tang Liao

Song

c. 4300-2500 BC

Jin

c. 3800-2700 BC

Ming

c. 3300-2250 BC

185

Northern Song

Southern Song

Yuan

c. 2250-1900 BC

1403-1424 1425

1426-1435

1436-1449

Lianshun

1457-1464

Hongzhi

Zhengde Jiajing

221-207 BC

1399-1402

Zhengtong

Chenghua

475-221 BC

1115-1234

Yongle

Jingtai

770-475 BC

1127-1279

1368-1308

Xuande

c. 1046-771 BC

960-1126

Hongwu

Hongxi

c. 1500-1050 BC

907-1125

1279-1368

Jianwen

c. 3000-1700 BC

618-906

Longqing

1450-1456

1465-1487

1488-1505

1506-1521

1522-1566 1567-1572

Western Han

206 BC-AD 9

Wanli

1573-1620

Eastern Han

AD 25-220

Tianqi

1621-1627

Xin

Three Kingdoms

Shu (Han)

221-253

222-280

Wei

Taichang

AD 9-25

220-265

Southern Dynasties (Six Dynasties)

Qing

Chonqzhen

1644-1661

Yongzheng

1723-1735

Kangxi

Qianlong

253-316

Liu Song

420-479

Daoguang

502-557

Tongzhi

Southern Qi Liang Chen

Northern Dynasties

Northern Wei

317-420

479-502

557-589 380-535

Eastern Wei

534-550

Northern Qi

550-577

Western Wei Northern Zhou

535-557

557-581

1628-1644

Shunzhi

Western Jin Eastern Jin

1620

1662-1722

1736-1795

Jiaqing

1796-1820

Xianfeng

1851-1861

Guangxu

Xuantong

REPUBLICAN CHINA Republic

Peopleâ&#x20AC;&#x2122;s Republic

1821-1850

1862-1874

1875-1908

1909-1911 1912-1949

1949-

186

BUYERâ&#x20AC;&#x2122;S GUIDE č˛ˇć&#x2013;šé &#x2C6;ç&#x;Ľ

LANGUAGE

Live online bidding service is not

in Hong Kong Dollars (HK$) and all

Thornhill Stem Cup.

Please note that all transactions will be printed material/ correspondence will be in English. Some basic translation assistance may be available. BUYERâ&#x20AC;&#x2122;S PREMIUM

For each lot purchased a Buyer's

Premium will be added to the hammer price and is payable by the buyer as

part of the total purchase price. For this sale a buyerâ&#x20AC;&#x2122;s premium of 25% is

payable on the ďŹ rst HK$800,000 of the hammer price, 20% on any

amount in excess of HK$800,000 up

to and including HK$15,000,000 and

ďŹ nally 12% on any amount thereafter. TAX

The Hammer Price and the Buyerâ&#x20AC;&#x2122;s Premium payable by the Buyer is

exclusive of any goods or service tax or other tax (whether imposed by Hong

Kong law or otherwise). If any such Tax was to be paid under Hong Kong laws or any other laws, the Buyer shall be

solely responsible to pay such Tax and

at the rate and time as required by the

relevant law, or if such Tax is to be paid

by Lyon and Turnbull we may add such tax to the purchase price payable by the Buyer. DEPOSIT

Clients who wish to bid on lots marked u in the catalogue ("Premium Lots")

may be requested by Lyon & Turnbull to complete the pre-registration

application form and to deliver to Lyon & Turnbull a deposit of 10% of the lower estimate plus any ďŹ nancial

references, guarantees and/or such

other security as Lyon & Turnbull may require in its absolute discretion as security for the bid.

available for Premium Lots or the For any lots other than Premium Lots,

regardless of the low pre-sale estimate

for the lot, Lyon & Turnbull reserves the right to request from prospective bidders to complete the pre-

registration application form and to

deliver to Lyon & Turnbull a deposit of HK$10,000 plus any ďŹ nancial

references, guarantees and/or such

other security as Lyon & Turnbull may require in its absolute discretion, as security for the bid.

Any required deposits shall be paid in Hong Kong dollars by way of wire

transfer or debit card (clients must

present their cards in person to Lyon &

such other security as Lyon & Turnbull

may require in its absolute discretion as security for the bid.

ĺ&#x201C; /äżĄäťśäş¤ć?&#x203A;ĺ&#x2030;&#x2021;ĺ°&#x2021;äťĽč&#x2039;ąć&#x2013;&#x2021;

é&#x20AC;˛čĄ&#x152;ă&#x20AC;&#x201A;ć&#x153;Źĺ&#x2026;Źĺ?¸ĺ°&#x2021;ć??äž&#x203A;ä¸&#x20AC;äş&#x203A; ĺ&#x;şć&#x153;Źç&#x161;&#x201E;çżťčŻĺ?&#x201D;ĺ&#x160;Šă&#x20AC;&#x201A; č˛ˇć&#x2013;šĺ&#x201A;é&#x2021;&#x2018;

č˛ˇć&#x2013;šć&#x201D;Żäť&#x2DC;ç&#x161;&#x201E;é&#x2021;&#x2018;éĄ?ç&#x201A;şč?˝ć§&#x152;ĺ&#x192;š ĺ&#x2019;&#x152;ĺ&#x201A;é&#x2021;&#x2018;ç&#x161;&#x201E;ç¸˝éĄ?ă&#x20AC;&#x201A;ć&#x153;ŹćŹĄć&#x2039;?čłŁ ç&#x161;&#x201E;ĺ&#x201A;é&#x2021;&#x2018;ćŻ&#x201D;ç&#x17D;&#x2021;ĺŚ&#x201A;ä¸&#x2039;ďź&#x161;č?˝ć§&#x152;ĺ&#x192;š

80č?Źć¸ŻĺšŁäťĽĺ&#x2026;§ç&#x161;&#x201E;ć&#x2039;?ĺ&#x201C; ĺžľć&#x201D;ś 25%ç&#x161;&#x201E;ĺ&#x201A;é&#x2021;&#x2018;ďź&#x203A;č?˝ć§&#x152;ĺ&#x192;ščś&#x2026;é &#x17D;

80č?Źć¸ŻĺšŁç&#x161;&#x201E;ć&#x2039;?ĺ&#x201C; ďź&#x152;čś&#x2026;é &#x17D;ç&#x161;&#x201E; é&#x192;¨ĺ&#x2C6;&#x2020;ć&#x201D;śĺ?&#x2013;20%ç&#x161;&#x201E;ĺ&#x201A;é&#x2021;&#x2018;ďź&#x203A;č?˝

ć§&#x152;ĺ&#x192;ščś&#x2026;é &#x17D;1ĺ?&#x192;5ç&#x2122;žč?Źć¸ŻĺšŁç&#x161;&#x201E; ć&#x2039;?ĺ&#x201C; ďź&#x152;čś&#x2026;é &#x17D;ç&#x161;&#x201E;é&#x192;¨ĺ&#x2C6;&#x2020;ć&#x201D;śĺ?&#x2013; 12%ç&#x161;&#x201E;ĺ&#x201A;é&#x2021;&#x2018;ă&#x20AC;&#x201A;

ĺ&#x2022;&#x2020;ĺ&#x201C; ĺ?&#x160;ć&#x153;?ĺ&#x2039;&#x2122;ç¨&#x2026;ĺ&#x2019;&#x152;äťťä˝&#x2022;éŚ&#x2122;ć¸Ż

By registering for the sale, the bidder

acknowledges that he or she has read, understood and accepted our Conditions of Sale (HK464). ENTRY TO VENUE

IdentiďŹ cation may be requested upon entry to the Liang Yi Museum by the museum security team.

č?˝ć§&#x152;ĺ&#x192;šĺ&#x2019;&#x152;č˛ˇć&#x2013;šĺ&#x201A;é&#x2021;&#x2018;ä¸?ĺ&#x152;&#x2026;ć&#x2039;Ź ĺ&#x2019;&#x152;äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;ç&#x203A;¸é&#x2014;&#x153;ćł&#x2022;ĺž&#x2039;ć&#x2030;&#x20AC;čŚ? ĺŽ&#x161;çšłç´?ç&#x161;&#x201E;ç¨&#x2026;ă&#x20AC;&#x201A;ĺŚ&#x201A;ć&#x17E;&#x153;éŚ&#x2122;ć¸Żĺ&#x2019;&#x152; äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;ç&#x203A;¸é&#x2014;&#x153;ćł&#x2022;ĺž&#x2039;ĺžľć&#x201D;ść¤ éĄ&#x17E;ç¨&#x2026;ĺ&#x2039;&#x2122;ďź&#x152;č˛ˇć&#x2013;šĺ°&#x2021;ć&#x152;&#x2030;ç&#x2026;§ć¤ćł&#x2022; ĺž&#x2039;čŚ ćą&#x201A;ç&#x161;&#x201E;éĄ?ĺşŚĺ&#x2019;&#x152;ć&#x2122;&#x201A;é&#x2013;&#x201C;ďź&#x152;ç?¨ č&#x2021;Şć&#x2030;żć&#x201C;&#x201D;çšłç´?ç&#x161;&#x201E;çžŠĺ&#x2039;&#x2122;ă&#x20AC;&#x201A;ĺŚ&#x201A;ć&#x17E;&#x153; ć¤ćł&#x2022;ĺž&#x2039;čŚ ćą&#x201A;çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;äş¤äť&#x2DC; ć¤ç&#x2030;ç¨&#x2026;ĺ&#x2039;&#x2122;ďź&#x152;ć&#x153;Źĺ&#x2026;Źĺ?¸ĺ°&#x2021;ĺ°&#x2021;ĺ&#x2026;ś č˝&#x2030;ç§ťĺ&#x2C6;°č˛ˇć&#x2013;ščşŤä¸&#x160;ă&#x20AC;&#x201A;

PRE-SALE ESTIMATES

ć&#x160;źé&#x2021;&#x2018;

guide for prospective buyers. Any bid

ďź&#x2C6;éŤ&#x2DC;çŤŻć&#x2039;?ĺ&#x201C; ďź&#x2030;ć&#x2039;?ĺ&#x201C; ç&#x161;&#x201E;ĺŽ˘ć&#x2C6;ś

Pre-sale estimates are intended as a between the high and low pre-sale

estimates would, in our opinion, oďŹ&#x20AC;er a

chance of success. However, all lots can realise prices above or below the pre-

sale estimates. It is advisable to consult us nearer the time of sale as estimates can be subject to revision. The

estimates printed in the auction

catalogue do not include the buyer's premium.

you may see inside this catalogue.

ďŹ nancial references, guarantees and/or

čłŁă&#x20AC;&#x201A;

REGISTRATION

pay a deposit of HK$2,500,000 plus application form and provide any

ĺšŁĺ˝˘ĺź?é&#x20AC;˛čĄ&#x152;ďź&#x152;ć&#x2030;&#x20AC;ć&#x153;&#x2030;ç&#x161;&#x201E;ĺ?°ĺ&#x2C6;ˇ

čŤ&#x2039;č¨ťć&#x201E;?ć&#x2030;&#x20AC;ć&#x153;&#x2030;äş¤ć&#x2DC;&#x201C;é&#x192;˝ĺ°&#x2021;äťĽć¸Ż

ç¨&#x2026;

SYMBOL KEY

complete the pre-registration

éŤ&#x2DC;çŤŻć&#x2039;?ĺ&#x201C; ĺ&#x2019;&#x152;Thornhillĺ&#x2026;&#x2C6;ç&#x201D;&#x;

Turnbull).

Bidders wishing to bid on the Thornhill Stem Cup (lot 84) will be required to

čŞ&#x17E;č¨&#x20AC;

The following key explains the symbols u = A premium lot, subject to pre-

registration and deposit procedures. Y = lots that may contain restricted materials and be subject to

endangered species regulations.

ĺ¸&#x152;ć&#x153;&#x203A;ĺ?&#x192;č&#x2C6;&#x2021;çŤść&#x2039;?ĺ¸śď łć¨&#x2122;č¨&#x2DC;

ć&#x153;&#x2030;ĺ?Żč&#x192;˝ć&#x153;&#x192;č˘ŤçŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;čŚ ćą&#x201A; ĺĄŤĺŻŤé ?ĺ&#x2026;&#x2C6;č¨ťĺ&#x2020;&#x160;ç&#x201D;łčŤ&#x2039;čĄ¨ďź&#x152;

äş¤äť&#x2DC;ć&#x2039;?ĺ&#x201C; ä˝&#x17D;äź°ĺ&#x192;š10%ç&#x161;&#x201E;ć&#x160;ź

é&#x2021;&#x2018;ďź&#x152;äťĽĺ?&#x160;ć??äž&#x203A;ĺ&#x20AC;&#x2039;äşşč˛Ąç&#x201D;˘č&#x2030; ć&#x2DC;&#x17D;ă&#x20AC; ć&#x201C;&#x201D;äż?ĺ&#x2019;&#x152;/ć&#x2C6;&#x2013;äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;

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ĺ¸&#x152;ć&#x153;&#x203A;ĺ?&#x192;č&#x2C6;&#x2021;çŤść&#x2039;?Thornhillĺ&#x2026;&#x2C6;

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čĄ¨ç&#x161;&#x201E;ć&#x201E;?ć&#x20AC;?ĺŚ&#x201A;ä¸&#x2039;ďź&#x161;

ĺ&#x201C; ďź&#x2030;ç&#x161;&#x201E;ĺŽ˘ć&#x2C6;śé &#x2C6;äş¤äť&#x2DC;250č?Ź

ĺ&#x2020;&#x160;čĄ¨ć źďź&#x152;ä¸Ść??äž&#x203A;ć&#x153;Źĺ&#x2026;Źĺ?¸ć&#x2030;&#x20AC; čŚ ćą&#x201A;ç&#x161;&#x201E;ĺ&#x20AC;&#x2039;äşşč˛Ąç&#x201D;˘č&#x2030;ć&#x2DC;&#x17D;ă&#x20AC; ć&#x201C;&#x201D; äż?ĺ&#x2019;&#x152;/ć&#x2C6;&#x2013;äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;ĺ˝˘ĺź?ç&#x161;&#x201E; äżĄć ŻäťĽä˝&#x153;ç&#x201A;şĺŽ&#x2030;ĺ&#x2026;¨ć&#x160;ľć&#x160;źďź&#x152;

çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ĺ°ąć¤ĺ?ŻäťĽč&#x2021;Şç&#x201D;ąćąş ĺŽ&#x161;ă&#x20AC;&#x201A;

ĺ&#x153;¨ć&#x153;Źĺ&#x153;&#x2013;é&#x152;&#x201E;ä¸ĺ&#x2021;şç?žç&#x161;&#x201E;çŹŚč&#x2122;&#x;äťŁ uď&#x20AC; çŹŚč&#x2122;&#x;čĄ¨ç¤şčŠ˛ć&#x2039;?ĺ&#x201C; ç&#x201A;şéŤ&#x2DC;

çŤŻć&#x2039;?ĺ&#x201C; ďź&#x152;çŤść&#x2039;?äşşé&#x153;&#x20AC;čŚ ĺ&#x153;¨ć&#x2039;? čłŁć&#x153;&#x192;ĺ&#x2030;?é&#x20AC;˛čĄ&#x152;é ?ĺ&#x2026;&#x2C6;č¨ťĺ&#x2020;&#x160;ĺ&#x2019;&#x152;çšł ç´?ć&#x160;źé&#x2021;&#x2018;ă&#x20AC;&#x201A;

Y çŹŚč&#x2122;&#x;čĄ¨ç¤şčŠ˛ć&#x2039;?ĺ&#x201C; ĺ¸ść&#x153;&#x2030;

ĺ?&#x2014;é&#x2122;?ć&#x2C6;?ĺ&#x2C6;&#x2020;ďź&#x152;ĺ?&#x2014;ĺ&#x2C6;°ç&#x20AC;&#x2022;ĺ?ąĺ&#x2039;&#x2022;ç&#x2030;Š äż?čˇćł&#x2022;ç&#x161;&#x201E;ç´&#x201E;ć?&#x;ă&#x20AC;&#x201A;

187

PREMIUM LOTS

the condition of a lot in the catalogue

u in the catalogue ("Premium Lots")

is free from faults or imperfections.

Clients who wish to bid on lots marked may be requested by Lyon & Turnbull to complete the pre-registration

application form and to deliver to Lyon & Turnbull a deposit of 10% of the lower estimate plus any ďŹ nancial

references, guarantees and/or such

other security as Lyon & Turnbull may require in its absolute discretion as security for the bid.

Bidders wishing to bid on the Thornhill Stem Cup (lot 84) will be required to

pay a deposit of HK$2,500,000 plus complete the pre-registration

application form and provide any

ďŹ nancial references, guarantees and/or such other security as Lyon & Turnbull

may require in its absolute discretion as security for the bid.

Live online bidding service is not

available for Premium Lots or the Thornhill Stem Cup.

Bidders will be issued with a variant

paddle indicting their approved level to

bid. The auctioneer will not accept bids on Premium Lots or the Thornhill Stem Cup unless the correct, authorised paddle is shown.

RESTRICTED MATERIALS

Lots with this symbol (Y) have been

identiďŹ ed at the time of cataloguing as

containing organic material which may be subject to restrictions regarding

import or export. The information is

made available for the convenience of

Buyers and the absence of the Symbol is not a warranty that there are no

restrictions regarding import or export of the Lot; Bidders should refer to

Condition 12 of the Conditions of Sale

(HK464) for Buyers. Please also refer to the section on Endangered Species in this Buyerâ&#x20AC;&#x2122;s Guide.

CONDITION OF LOTS

Prospective buyers are encouraged to inspect the property at the pre-sale

viewing. Solely as a convenience, Lyon & Turnbull may provide condition

reports. The absence of reference to

description does not imply that the lot Please refer to Condition 10 of the

Conditions of Sale (HK464) for Buyers printed in this catalogue.

Please note due to logistics and storage restrictions we are unable to begin the

condition report process until the items have arrived at the auction venue. All

condition reports will be issued the few days prior to the auction. BIDDING IN THE SALE BIDDINg AT AUCTION

Bids may be executed in person by

paddle during the auction, in writing

prior to the sale, by telephone or live online (powered by Invaluable â&#x20AC;&#x201C; with the exception of Premium Lots).

Auction speeds vary, but average

between 50 and 100 lots per hour. The bidding steps are generally in

increments of approximately 10% of the previous bid. Please refer to

Conditions 4 of the Conditions of Sale (HK464) for Buyers printed in this catalogue.

ABSENTEE BIDS

If you cannot attend the auction, we will be happy to execute written bids on your behalf. A bidding form can be

found at the back of this catalogue. This service is free and conďŹ dential. Lots will always be bought as cheaply as is

consistent with other bids, the reserves and Lyon & Turnbull commissions. In

the event of identical bids, the earliest received will take precedence.

Always indicate a "top limit" - the

hammer price to which you would bid if you were attending the auction

yourself. "Buy" and unlimited bids will not be accepted. Please refer to

Condition 3 of the Conditions of Sale

éŤ&#x2DC;çŤŻć&#x2039;?ĺ&#x201C;

ćŹžďź&#x2C6;HK464ďź&#x2030;ç&#x161;&#x201E;çŹŹ10ć˘?ă&#x20AC;&#x201A;

ďź&#x2C6;éŤ&#x2DC;çŤŻć&#x2039;?ĺ&#x201C; ďź&#x2030;ć&#x2039;?ĺ&#x201C; ç&#x161;&#x201E;ĺŽ˘ć&#x2C6;ś

äťśç&#x161;&#x201E;é&#x2122;?čŁ˝ďź&#x152;ć&#x2C6;&#x2018;ĺ&#x20AC;&#x2018;ç&#x201E;Ąćł&#x2022;ĺ&#x153;¨ć&#x2030;&#x20AC;

ĺ¸&#x152;ć&#x153;&#x203A;ĺ?&#x192;č&#x2C6;&#x2021;çŤść&#x2039;?ĺ¸śď łć¨&#x2122;č¨&#x2DC;

ć&#x153;&#x2030;ĺ?Żč&#x192;˝ć&#x153;&#x192;č˘Ťć&#x153;Źĺ&#x2026;Źĺ?¸čŚ ćą&#x201A;ĺĄŤ ĺŻŤé ?ĺ&#x2026;&#x2C6;č¨ťĺ&#x2020;&#x160;ç&#x201D;łčŤ&#x2039;čĄ¨ďź&#x152;äş¤äť&#x2DC; ć&#x2039;?ĺ&#x201C; ä˝&#x17D;äź°ĺ&#x192;š10%ç&#x161;&#x201E;ć&#x160;źé&#x2021;&#x2018;ďź&#x152;

äťĽĺ?&#x160;ć??äž&#x203A;ĺ&#x20AC;&#x2039;äşşč˛Ąç&#x201D;˘č&#x2030;ć&#x2DC;&#x17D;ă&#x20AC; ć&#x201C;&#x201D;äż?ĺ&#x2019;&#x152;/ć&#x2C6;&#x2013;äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;ĺ˝˘ĺź?

ç&#x161;&#x201E;äżĄć ŻäťĽä˝&#x153;ç&#x201A;şĺŽ&#x2030;ĺ&#x2026;¨ć&#x160;ľć&#x160;źďź&#x152;

limited, it is necessary to make

arrangements for this service 24 hours before the sale. We also suggest that

ć&#x2014;Ľĺ&#x2030;?ĺšžĺ¤Šç&#x2122;źć&#x201D;žă&#x20AC;&#x201A;äť˝č&#x2030;ć&#x2DC;&#x17D;ďź&#x152; ć&#x2030;?ĺ&#x2026; č¨ąäť&#x2013;é&#x20AC;˛ĺ&#x2026;Ľć&#x2039;?čłŁĺ ´ĺ&#x153;°ă&#x20AC;&#x201A;

ĺŽ˘ć&#x2C6;śĺ?ŻäťĽĺ&#x153;¨ç?žĺ ´č&#x2C6;&#x2030;ç&#x2030;&#x152;çŤś

ç&#x201D;&#x;č&#x2C6;&#x160;č&#x2014;?éŤ&#x2DC;čśłć?Żďź&#x2C6;č&#x2122;&#x;ć&#x2039;?ĺ&#x201C; ďź&#x2030; ç&#x161;&#x201E;ĺŽ˘ć&#x2C6;śé &#x2C6;äş¤äť&#x2DC;250č?Źć¸ŻĺšŁ

ç&#x161;&#x201E;ć&#x160;źé&#x2021;&#x2018;ďź&#x152;ĺĄŤĺŻŤé ?ĺ&#x2026;&#x2C6;č¨ťĺ&#x2020;&#x160;čĄ¨ ć źďź&#x152;ä¸Ść??äž&#x203A;ć&#x153;Źĺ&#x2026;Źĺ?¸ć&#x2030;&#x20AC;čŚ ćą&#x201A; ç&#x161;&#x201E;ĺ&#x20AC;&#x2039;äşşč˛Ąç&#x201D;˘č&#x2030;ć&#x2DC;&#x17D;ă&#x20AC; ć&#x201C;&#x201D;äż?ĺ&#x2019;&#x152; /ć&#x2C6;&#x2013;äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;ĺ˝˘ĺź?ç&#x161;&#x201E;äżĄć Ż

äťĽä˝&#x153;ç&#x201A;şĺŽ&#x2030;ĺ&#x2026;¨ć&#x160;ľć&#x160;źďź&#x152;çŚŽć&#x2DC;&#x201A;é¨° ĺ?&#x161;ĺ°ąć¤ĺ?ŻäťĽč&#x2021;Şç&#x201D;ąćąşĺŽ&#x161;ă&#x20AC;&#x201A;

éŤ&#x2DC;çŤŻć&#x2039;?ĺ&#x201C; ĺ&#x2019;&#x152;Thornhillĺ&#x2026;&#x2C6;ç&#x201D;&#x; č&#x2C6;&#x160;č&#x2014;?éŤ&#x2DC;čśłć?Żä¸?é&#x2013;&#x2039;é&#x20AC;&#x161;ĺ&#x153;¨çśŤć&#x2039;? čłŁă&#x20AC;&#x201A;

çŤść&#x2039;?äşşĺ°&#x2021;ć šć&#x201C;&#x161;ĺ&#x2026;śĺ&#x2021;şĺ&#x192;šćŹ&#x160;é&#x2122;? ç&#x161;&#x201E;ĺ?&#x20AC;ĺ&#x2C6;Ľďź&#x152;ç?˛ĺž&#x2014;ĺ¤&#x2013;ĺ˝˘ä¸?ĺ?&#x152;ç&#x161;&#x201E; çŤść&#x2039;?ç&#x2030;&#x152;ă&#x20AC;&#x201A;çŤść&#x2039;?äşşĺŚ&#x201A;ć&#x17E;&#x153;ä¸?ć&#x152; ç&#x203A;¸ć&#x2021;&#x2030;ç&#x161;&#x201E;çŤść&#x2039;?ç&#x2030;&#x152;ďź&#x152;ć&#x2039;?čłŁĺ¸Ťĺ°&#x2021; ä¸?ć&#x153;&#x192;ć&#x17D;Ľĺ?&#x2014;äť&#x2013;ĺ°?éŤ&#x2DC;çŤŻć&#x2039;?ĺ&#x201C; ĺ&#x2019;&#x152;

Thornhillĺ&#x2026;&#x2C6;ç&#x201D;&#x;č&#x2C6;&#x160;č&#x2014;?éŤ&#x2DC;čśłć?Ż ç&#x161;&#x201E;ĺ&#x2021;şĺ&#x192;šă&#x20AC;&#x201A; ĺ?&#x2014;é&#x2122;?ć&#x2C6;?ĺ&#x2C6;&#x2020;

ĺ¸ść&#x153;&#x2030;(Y)çŹŚč&#x2122;&#x;ç&#x161;&#x201E;ć&#x2039;?ĺ&#x201C; ĺ?Ťć&#x153;&#x2030;ć&#x153;&#x2030; ćŠ&#x;ć&#x2C6;?ĺ&#x2C6;&#x2020;ďź&#x152;ä¸&#x20AC;ç&#x203A;´ĺ&#x2C6;°ć&#x153;Źĺ&#x153;&#x2013;é&#x152;&#x201E;čŁ˝ ä˝&#x153;é &#x17D;ç¨&#x2039;ä¸ďź&#x152;é&#x20AC;&#x2122;äş&#x203A;ć&#x2C6;?ĺ&#x2C6;&#x2020;é&#x192;˝ć&#x153;&#x2030; ĺ?Żč&#x192;˝ĺ&#x153;¨ĺ&#x2021;şĺ?Łĺ&#x2019;&#x152;é&#x20AC;˛ĺ?Łä¸&#x160;ĺ?&#x2014;ĺ&#x2C6;° ćł&#x2022;ĺž&#x2039;é&#x2122;?čŁ˝ă&#x20AC;&#x201A;ć&#x153;Źĺ&#x2026;Źĺ?¸ç&#x201A;şäş&#x2020;ć?? é&#x2020;&#x2019;č˛ˇć&#x2013;šč&#x20AC;&#x152;ç&#x2030;šĺ&#x2C6;Ľć¨&#x2122;č¨ťé&#x20AC;&#x2122;äş&#x203A;ć&#x2039;? ĺ&#x201C; ďź&#x152;ä˝&#x2020;ć˛&#x2019;ć&#x153;&#x2030;ć¨&#x2122;č¨ťç&#x161;&#x201E;ć&#x2039;?ĺ&#x201C; äš&#x; ä¸Śä¸?ä¸&#x20AC;ĺŽ&#x161;ä¸?ĺ?&#x2014;ĺ&#x2C6;°é&#x20AC;˛ĺ&#x2021;şĺ?Łç&#x161;&#x201E; é&#x2122;?čŁ˝ă&#x20AC;&#x201A;çŤść&#x2039;?äşşé &#x2C6;ĺ?&#x192;ç&#x153;&#x2039;ć&#x2039;?

čłŁć˘?ćŹžďź&#x2C6;HK464ďź&#x2030;ç&#x161;&#x201E;çŹŹ12 ć˘?ďź&#x152;ć¤ĺ¤&#x2013;äš&#x;čŤ&#x2039;ĺ?&#x192;ç&#x153;&#x2039;č˛ˇć&#x2013;š

é &#x2C6;ç&#x;Ľä¸ç&#x161;&#x201E;ă&#x20AC;&#x160;ç&#x20AC;&#x2022;ĺ?ąç&#x2030;Šç¨Žă&#x20AC;&#x2039;ć?ż ĺĄ&#x160;ă&#x20AC;&#x201A;

ĺ?&#x192;ĺ&#x160; é ?ĺą&#x2022;čŚŞč&#x2021;ŞćŞ˘éŠ&#x2014;ć&#x2039;?ĺ&#x201C; ç&#x161;&#x201E;

the number of telephone lines is

ç&#x161;&#x201E;ĺ&#x201C; ç&#x203A;¸ĺ ąĺ&#x2018;&#x160;ĺ°&#x2021;é Šć&#x2122;&#x201A;ĺ&#x153;¨ć&#x2039;?čłŁ

ĺ¸&#x152;ć&#x153;&#x203A;ĺ?&#x192;č&#x2C6;&#x2021;çŤść&#x2039;?Thornhillĺ&#x2026;&#x2C6;

ĺŽ&#x161;ă&#x20AC;&#x201A;

BIDDINg BY TELEPHONE

possible to bid on the telephone. As

é&#x2013;&#x2039;ĺ§&#x2039;čŁ˝ä˝&#x153;ĺ&#x201C; ç&#x203A;¸ĺ ąĺ&#x2018;&#x160;ă&#x20AC;&#x201A;ć&#x2030;&#x20AC;ć&#x153;&#x2030;

ĺ?&#x192;č&#x2C6;&#x2021;çŤść&#x2039;?

ć&#x2039;?ĺ&#x201C; ĺ&#x201C; ç&#x203A;¸

If you cannot attend the auction, it is

ć&#x153;&#x2030;ć&#x2039;?ĺ&#x201C; ĺ&#x2C6;°é &#x201D;ć&#x2039;?čłŁĺ ´ĺ&#x153;°äš&#x2039;ĺ&#x2030;?

çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ĺ°ąć¤ĺ?ŻäťĽč&#x2021;Şç&#x201D;ąćąş

(HK464) for Buyers printed in this catalogue.

čŤ&#x2039;č¨ťć&#x201E;?ç&#x201D;ąć&#x2013;źç&#x2030;Šćľ ĺ&#x2019;&#x152;ĺ&#x201E;˛č&#x2014;?ć˘?

ć&#x2C6;&#x2018;ĺ&#x2026;Źĺ?¸éź&#x201C;ĺ&#x2039;ľć&#x201E;&#x;č&#x2C6;&#x2C6;čśŁç&#x161;&#x201E;č˛ˇć&#x2013;š ĺ&#x201C; ç&#x203A;¸ă&#x20AC;&#x201A;ć&#x153;Źĺ&#x2026;Źĺ?¸ć??äž&#x203A;ç&#x161;&#x201E;ĺ&#x201C; ç&#x203A;¸ ĺ ąĺ&#x2018;&#x160;čĄšć&#x2DC;Żç&#x201A;şäş&#x2020;çľŚč˛ˇć&#x2013;šć??äž&#x203A; ć&#x2013;šäžżă&#x20AC;&#x201A;ć&#x2039;?čłŁĺ&#x153;&#x2013;é&#x152;&#x201E;ç&#x161;&#x201E;ć??čż°ä¸ ć˛&#x2019;ć&#x153;&#x2030;ć??ĺ?&#x160;ć&#x2039;?ĺ&#x201C; ç&#x161;&#x201E;ĺ&#x201C; ç&#x203A;¸ä¸Śä¸? ć&#x201E;?ĺ&#x2018;łč&#x2018;&#x2014;ĺŽ&#x192;ć˛&#x2019;ć&#x153;&#x2030;çźşé&#x2122;ˇć&#x2C6;&#x2013;ć??ĺŁ&#x17E; č&#x2122;&#x2022;ă&#x20AC;&#x201A;čŤ&#x2039;ĺ?&#x192;ç&#x153;&#x2039;ć&#x153;Źĺ&#x153;&#x2013;é&#x152;&#x201E;ć&#x2039;?čłŁć˘?

çŤść&#x2039;?ć&#x2013;šĺź?

ć&#x2039;?ďź&#x152;äš&#x;ĺ?ŻäťĽć&#x203A;¸éşľçŤść&#x2039;?ďź&#x152;é&#x203A;ť čŠąçŤść&#x2039;?ć&#x2C6;&#x2013;ĺ&#x153;¨çśŤçŤść&#x2039;?ďź&#x2C6;ĺ&#x153;¨çśŤ çŤść&#x2039;?ĺšłč&#x2021;şç&#x201D;ąInvaluableĺ&#x2026;Ź

ĺ?¸ć??äž&#x203A;ďź&#x152;ć&#x153;ŹćŹĄć&#x2039;?čłŁéŤ&#x2DC;çŤŻć&#x2039;? ĺ&#x201C; ä¸?ć&#x201D;Żć&#x152; ĺ&#x153;¨çśŤçŤść&#x2039;?ďź&#x2030;ă&#x20AC;&#x201A; ć&#x2039;?čłŁé&#x20AC;˛čĄ&#x152;ç&#x161;&#x201E;é&#x20AC;&#x;ĺşŚć&#x153;&#x192;ć&#x153;&#x2030;ćł˘

ĺ&#x2039;&#x2022;ďź&#x152;ä˝&#x2020;ä¸&#x20AC;č&#x2C6;Źć&#x192;&#x2026;ćł ä¸&#x2039;ä¸&#x20AC;ĺ&#x20AC;&#x2039;ĺ°? ć&#x2122;&#x201A;ć&#x2039;?čłŁ50-120äťść&#x2039;?ĺ&#x201C; ă&#x20AC;&#x201A; ć&#x2039;?čłŁĺ?Ťĺ&#x192;šç&#x161;&#x201E;é &#x17E;ĺ?&#x2021;ä¸&#x20AC;č&#x2C6;Źć&#x2DC;Ż

ć&#x152;&#x2030;ç&#x2026;§ĺ&#x2030;?ä¸&#x20AC;ĺ?Łĺ&#x2021;şĺ&#x192;š10%ç&#x161;&#x201E;ćŻ&#x201D;

ç&#x17D;&#x2021;ă&#x20AC;&#x201A;čŤ&#x2039;ĺ?&#x192;ç&#x153;&#x2039;ć&#x153;Źĺ&#x153;&#x2013;é&#x152;&#x201E;ć&#x2039;?čłŁć˘? ćŹžďź&#x2C6;HK464ďź&#x2030;ç&#x161;&#x201E;çŹŹ4ć˘?ă&#x20AC;&#x201A; ç?žĺ ´çŤść&#x2039;?

ćŹ˛ĺ?&#x192;č&#x2C6;&#x2021;ç?žĺ ´çŤść&#x2039;?ç&#x161;&#x201E;ĺŽ˘ć&#x2C6;śé &#x2C6; ĺ&#x153;¨ć&#x2039;?čłŁé&#x2013;&#x2039;ĺ§&#x2039;ĺ&#x2030;?é&#x20AC;˛čĄ&#x152;č¨ťĺ&#x2020;&#x160;ç?˛ ĺž&#x2014;çŤść&#x2039;?ç&#x2030;&#x152;ďź&#x152;ä¸Śé &#x2C6;ĺ&#x2021;şç¤şčşŤäť˝ č&#x2030;ć&#x2DC;&#x17D;ă&#x20AC;&#x201A;ĺŚ&#x201A;ć&#x201A;¨ć&#x192;łĺ?&#x192;č&#x2C6;&#x2021;éŤ&#x2DC;çŤŻć&#x2039;? ĺ&#x201C; ç&#x161;&#x201E;çŤść&#x2039;?ďź&#x152;čŤ&#x2039;ĺ?&#x192;ç&#x153;&#x2039;ä¸&#x160;éşľç&#x161;&#x201E; ć˘?ćŹžă&#x20AC;&#x201A;

Thornhillĺ&#x2026;&#x2C6;ç&#x201D;&#x;č&#x2C6;&#x160;č&#x2014;?éŤ&#x2DC;čśłć?Ż ç&#x161;&#x201E;ĺ&#x2021;şĺ&#x192;šă&#x20AC;&#x201A;

ĺŚ&#x201A;ć&#x17E;&#x153;ć&#x201A;¨çŤść&#x2039;?ć&#x2C6;?ĺ&#x160;&#x;ďź&#x152;čŤ&#x2039;ĺ&#x2039;&#x2122;ĺż&#x2026; ĺ&#x2021;şç¤şçŤść&#x2039;?ç&#x2030;&#x152;čŽ&#x201C;ć&#x2039;?čłŁĺ¸Ťč&#x192;˝ĺ¤ ç&#x153;&#x2039;ć¸&#x2026;ďź&#x152;ä¸Śä¸&#x201D;äż?č&#x2030;ć&#x2039;?čłŁĺ¸Ťĺ ą ĺ&#x2021;şç&#x161;&#x201E;ć&#x2DC;Żć&#x201A;¨ç&#x161;&#x201E;ç&#x2030;&#x152;č&#x2122;&#x;ă&#x20AC;&#x201A;ĺŚ&#x201A;ć&#x17E;&#x153;ć&#x201A;¨ ĺ°?č?˝ć§&#x152;ĺ&#x192;šĺ&#x2019;&#x152;čŞ°ć&#x2DC;Żć&#x2C6;?ĺ&#x160;&#x;çŤść&#x2039;? äşşć&#x153;&#x2030;ç&#x2013;&#x2018;ĺ&#x2022;?ďź&#x152;čŤ&#x2039;çŤ&#x2039;ĺ&#x2C6;ťç&#x2022;śĺ ´ć&#x203A;? ć&#x2039;?čłŁĺ¸Ťć??ĺ&#x2021;şă&#x20AC;&#x201A;

ć&#x2039;?čłŁčłŹĺ&#x2013;Žĺ°&#x2021;é&#x2013;&#x2039;ĺ&#x153;¨çŤść&#x2039;?ç&#x2030;&#x152;ć&#x152; ć&#x153;&#x2030;äşşć&#x153;Źäşşç&#x161;&#x201E;ĺ§&#x201C;ĺ??ĺ&#x2019;&#x152;ĺ&#x153;°ĺ?&#x20AC;

ä¸&#x2039;ďź&#x152;ä¸?č&#x192;˝č˝&#x2030;ç§ťĺ&#x2C6;°ĺ&#x2026;śäť&#x2013;äşşç&#x161;&#x201E; ĺ§&#x201C;ĺ??ĺ&#x2019;&#x152;ĺ&#x153;°ĺ?&#x20AC;ä¸&#x2039;ă&#x20AC;&#x201A;čŤ&#x2039;ĺ&#x2039;żé&#x161;¨ć&#x201E;? ć&#x201D;žç˝ŽçŤść&#x2039;?ç&#x2030;&#x152;ďź&#x203A;ĺŚ&#x201A;ć&#x17E;&#x153;é&#x20AC; ć&#x2C6;?ä¸&#x; ĺ¤ąç&#x161;&#x201E;ć&#x192;&#x2026;ćł ďź&#x152;čŤ&#x2039;çŤ&#x2039;ĺ&#x2C6;ťč Żäż&#x201A;ć&#x2039;? čłŁĺˇĽä˝&#x153;çľ&#x201E;äşşĺ&#x201C;Ąă&#x20AC;&#x201A;

ć&#x2039;?čłŁçľ?ć?&#x;ĺž&#x152;ďź&#x152;čŤ&#x2039;ĺ&#x2C6;°č¨ťĺ&#x2020;&#x160;č&#x2021;ş ć¸é&#x201A;&#x201E;çŤść&#x2039;?ç&#x2030;&#x152;ă&#x20AC;&#x201A;

188

BUYERâ&#x20AC;&#x2122;S GUIDE č˛ˇć&#x2013;šé &#x2C6;ç&#x;Ľ

you leave a maximum bid which we can

Cheques and drafts should be made

are unable to reach you by telephone.

Limited. Although personal and

execute on your behalf in the event we Multi-lingual staďŹ&#x20AC; are available to

execute bids for you. Please refer to

Condition 3 of the Conditions of Sale (HK464) for Buyers printed in this catalogue.

LIVE ONLINE BIDDINg VIA INVALUABLE

If you cannot attend the auction, it may be possible to bid live online via

Invaluable. This service is subject to bid limit restrictions and an additional 3% premium charge. Live online bidding service is not available for Premium Lots or the Thornhill Stem Cup. THE AUCTION

CONDITIONS OF SALE (HK464) The auction is governed by the

Conditions of Sale for Sellers and

Buyers (HK464). These apply to all

aspects of the relationship between Lyon & Turnbull and actual and

prospective bidders and buyers.

Anyone considering bidding in the

auction should read them carefully. They may be amended by way of

notices posted in the saleroom or by way of announcement made by the auctioneer. PAYMENT

Payment is due in Hong Kong Dollars (HK$) immediately after the sale and may be made by the following

methods: Cash, Cheque, Wire Transfer, Debit/ Credit Card (Union Pay, MasterCard, Visa).

It is against Lyon & Turnbull general policy to accept single or multiple

related payments in the form of cash or cash equivalents in excess of HK$80,000.

It is Lyon & Turnbull policy to request

any new clients or buyers preferring to

make a cash payment to provide proof of identity (by providing some form of government issued identiďŹ cation

containing a photograph, such as a passport, identity card or driver's

licence) and conďŹ rmation of permanent address.

payable to Lyon & Turnbull Hong Kong company cheques drawn in HK dollars

on Hong Kong banks are accepted, you are advised that property will not be released until such cheques have cleared.

If you wish to pay for any purchase with your Mastercard, Union Pay or Visa,

you must present the card in person to

Lyon & Turnbull. All charges are subject to acceptance by Lyon & Turnbull and by MasterCard, Union Pay or Visa, as

the case may be. In the case a charge is not approved, you will nevertheless be liable to Lyon & Turnbull for all sums

incurred by you. Credit card purchases

may not exceed HK$1,000,000. Please note that card transactions may incur an additional transaction fee

dependent on the card used.

Please note that Lyon & Turnbull

reserves the right to decline payments received from anyone other than the

registered buyer and that clearance of

such payments will be required. Please contact our Accounts Department if you have any questions concerning clearance.

COLLECTION AND STORAgE

It is the buyerâ&#x20AC;&#x2122;s responsibility to

ascertain collection procedures. Please see below and page187 of this

catalogue for more information. Please

note that we do not pack or ship items. All purchased lots not collected from the Liang Yi venue by Thursday 2nd June will be removed to: Michelle Art Services

25th Floor, Sino Favour Centre

1 On Yip Street, Chai Wan, Hong Kong (852) 2897 1080

info@michelle-art.com www.michelle-art.com

Michelle Art Client Services Contact: Thomas Yuen

Items will be available for collection

from this address from Monday 6th June onwards.

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äżĄç&#x201D;¨ĺ?Ąć&#x201D;Żäť&#x2DC;ć šć&#x201C;&#x161;ç&#x2122;źĺ?Ąé&#x160;&#x20AC;čĄ&#x152; ç&#x161;&#x201E;ä¸?ĺ?&#x152;ďź&#x152;ć&#x153;&#x2030;ĺ?Żč&#x192;˝ć&#x153;&#x192;é&#x20AC; ć&#x2C6;?éĄ? ĺ¤&#x2013;ç&#x161;&#x201E;ć&#x2030;&#x2039;çş&#x152;č˛ťă&#x20AC;&#x201A;

čŤ&#x2039;č¨ťć&#x201E;?çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ĺ&#x2026;Źĺ?¸ć&#x153;&#x2030;ćŹ&#x160; ć&#x2039;&#x2019;çľ&#x2022;äťťä˝&#x2022;ä¸?ć&#x2DC;Żäž&#x2020;č&#x2021;Şč¨ťĺ&#x2020;&#x160;çŤś ć&#x2039;?ç&#x161;&#x201E;č˛ˇć&#x2013;šć&#x153;Źäşşç&#x161;&#x201E;çŹŹä¸&#x2030;ć&#x2013;šäť&#x2DC; ćŹžďź&#x152;ć¤éĄ&#x17E;äť&#x2DC;ćŹžé&#x153;&#x20AC;čŚ çś&#x201C;é &#x17D;ĺŻŠ ć ¸ă&#x20AC;&#x201A;é&#x2014;&#x153;ć&#x2013;źçŹŹä¸&#x2030;ć&#x2013;šĺ&#x152;ŻćŹžĺŻŠć ¸ čŤ&#x2039;č Żäż&#x201A;ĺŽ˘ć&#x153;?é&#x192;¨ă&#x20AC;&#x201A;

189

Items will be kept free of charge up

the cancellation of the sale or any delay

by then, the cost of storage will be the

due. Lyon & Turnbull recommends that

until Monday 13th June, if not collected buyerâ&#x20AC;&#x2122;s responsibility.

Removal and storage for uncollected lots will be charged at the following rates:

Storage charges from Friday 10th

June (per item): HK$650 per month or part thereof.

Handling fee for collection (per item): HK$650

Lots will be removed and stored by

Michelle Art Services subject to their

Conditions of Business. Release of lots

to the buyer/ authorised representative (with appropriate photographic

identiďŹ cation) can only be undertaken upon receipt of full settlement of all

outstanding charges and the provision of a release note by Lyon & Turnbull. LOSS OR DAMAgE

Buyers are reminded that Lyon &

Turnbull accepts liability for loss or

damage to lots for a maximum period of thirty (30) calendar days after the date of the auction. Please refer to

Condition 8 of the Conditions of Sale (HK464) for Buyers printed in this catalogue. SHIPPINg

For international shipping advice

contact the below, or an alternative

professional art courier of your choice. Michelle Art Services

25th Floor, Sino Favour Centre

1 On Yip Street, Chai Wan, Hong Kong (852) 2897 1080

info@michelle-art.com www.michelle-art.com

Please note that Lyon & Turnbull do

not pack, ship or oďŹ&#x20AC;er export advice. It is the buyerâ&#x20AC;&#x2122;s responsibility to make all arrangements. EXPORT

The export of any lot from Hong Kong or import into any other country may be subject to one or more export or

import licences being granted. It is the buyer's responsibility to obtain any

relevant export or import licence. The denial of any licence required or delay

in obtaining such licence cannot justify

in making payment of the total amount

you retain all import and export papers, including licences, as in certain

countries you may be required to produce them to governmental authorities.

ENDANgERED SPECIES (Y)

Items made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone,

tortoiseshell, etc., irrespective of age or value, may require a licence or

certiďŹ cate prior to exportation and require additional licences or

certiďŹ cates upon importation to any country outside Hong Kong. Please

note that the ability to obtain an export licence or certiďŹ cate does not ensure

the ability to obtain an import licence or certiďŹ cate in another country, and vice versa. For example, it is illegal to

import African elephant ivory into the

United States. Lyon & Turnbull suggests that buyers check with their own

government regarding wildlife import

requirements prior to placing a bid. It is the buyer's responsibility to obtain any export or import licences and/or certiďŹ cates as well as any other

required documentation (please refer to Condition 12 of the Conditions of

Sale (HK464) for Buyers printed in this catalogue).

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äťťä˝&#x2022;ĺ&#x2026;śäť&#x2013;ć&#x2030;&#x20AC;é&#x153;&#x20AC;ć&#x2013;&#x2021;äťść&#x2DC;Żč˛ˇć&#x2013;š ç&#x161;&#x201E;č˛Źäťťďź&#x2C6;čŤ&#x2039;ĺ?&#x192;ç&#x153;&#x2039;ć&#x153;Źĺ&#x153;&#x2013;é&#x152;&#x201E;ć&#x2039;?

čłŁć˘?ćŹžďź&#x2C6;HK464ďź&#x2030;ç&#x161;&#x201E;çŹŹ12 ć˘?ă&#x20AC;&#x201A;ďź&#x2030;

190

PAYMENT äť&#x2DC;ćŹž

Payment is due in Hong Kong Dollars (HK$) immediately after the sale and may be made by the following methods: Cash, Cheque, Wire Transfer, Debit/ Credit Card (Union Pay, MasterCard, Visa). WIRE TRANSFER

Account details are included on any invoices issued or upon request from our accounts department. DEBIT/ CREDIT CARD

If you wish to pay for any purchase with your Mastercard, Union Pay or Visa, you must present the card in person to Lyon & Turnbull. All charges are subject to

acceptance by Lyon & Turnbull and by MasterCard, Union Pay or Visa, as the case may be. In the case a charge is not approved, you will nevertheless be liable to Lyon & Turnbull for all sums incurred by you. Credit card purchases may not

exceed HK$1,000,000. Please note that card transactions may incur an additional transaction fee dependent on the card used. CASH

It is against Lyon & Turnbull general policy to accept single or multiple related payments in the form of cash or cash equivalents in excess of HK$80,000.

It is Lyon & Turnbull policy to request any new clients or buyers preferring to make a cash payment to provide proof of identity (by providing some form of

government issued identiďŹ cation containing a photograph, such as a passport, identity card or driver's licence) and conďŹ rmation of permanent address. CHEQUES

Cheques and drafts should be made payable to Lyon & Turnbull Hong Kong

Limited. Although personal and company cheques drawn in HK dollars on Hong

Kong banks are accepted, you are advised that property will not be released until such cheques have cleared. CLEARANCE

Please note that Lyon & Turnbull reserves the right to decline payments received from anyone other than the registered buyer and that clearance of such

payments will be required. Please contact our Client Accounts Department if you have any questions concerning clearance.

Please note that no items will be released for collection until full payment is

received and cleared, leading to the issue of a Lyon & Turnbull release note.

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ć&#x2C6;&#x2018;ĺ&#x2026;Źĺ?¸čłŹć&#x2C6;śäżĄć Żĺ°&#x2021;ĺ&#x153;¨ćŻ?ĺźľć&#x2039;?čłŁčłŹĺ&#x2013;Žä¸&#x160;ć¨&#x2122;ć&#x2DC;&#x17D;ďź&#x152;ć&#x201A;¨äš&#x;ĺ?ŻäťĽ č Żäż&#x201A;ć&#x2C6;&#x2018;ĺ&#x20AC;&#x2018;ç&#x161;&#x201E;č˛Ąĺ&#x2039;&#x2122;é&#x192;¨é&#x2013;&#x20AC;ç?˛ĺ?&#x2013;ă&#x20AC;&#x201A; ĺ&#x20AC;&#x;č¨&#x2DC;ĺ?Ą/äżĄç&#x201D;¨ĺ?Ąć&#x201D;Żäť&#x2DC;

ĺŚ&#x201A;ć&#x17E;&#x153;ć&#x201A;¨ĺ¸&#x152;ć&#x153;&#x203A;ç&#x201D;¨Mastercardďź&#x152;é&#x160;&#x20AC;č Żĺ?Ąć&#x2C6;&#x2013; Visaĺ?Ąć&#x201D;Żäť&#x2DC;ďź&#x152;ć&#x201A;¨ é&#x153;&#x20AC;čŚ ć&#x153;Źäşşć&#x152; ĺ?Ąĺ&#x2030;?äž&#x2020;ć&#x153;Źĺ&#x2026;Źĺ?¸ć&#x201D;Żäť&#x2DC;ă&#x20AC;&#x201A;ć&#x201A;¨ç&#x161;&#x201E;äť&#x2DC;ćŹžé&#x153;&#x20AC;čŚ ć šć&#x201C;&#x161;ĺ&#x2026;ˇ

éŤ&#x201D;ć&#x192;&#x2026;ćł ďź&#x152;č˘ŤçŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ć&#x2C6;&#x2013;Mastercardďź&#x152;é&#x160;&#x20AC;č Żĺ?Ąć&#x2C6;&#x2013; Visaé&#x20AC;&#x161; é &#x17D;ă&#x20AC;&#x201A;ĺ&#x153;¨äť&#x2DC;ćŹžä¸?ć&#x2C6;?ĺ&#x160;&#x;ç&#x161;&#x201E;ć&#x192;&#x2026;ćł ä¸&#x2039;ďź&#x152;ć&#x201A;¨é&#x153;&#x20AC;čŚ ć&#x2030;żć&#x201C;&#x201D;ć&#x2030;&#x20AC;

ć&#x153;&#x2030;ć&#x201A;¨ĺ°?çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;é&#x20AC; ć&#x2C6;?ç&#x161;&#x201E;ćŹžé &#x2026;ă&#x20AC;&#x201A;äżĄç&#x201D;¨ĺ?Ąć&#x201D;Żäť&#x2DC;é&#x2021;&#x2018;éĄ?ä¸?č&#x192;˝čś&#x2026; é &#x17D;1ç&#x2122;žč?Źć¸ŻĺšŁă&#x20AC;&#x201A;čŤ&#x2039;č¨ťć&#x201E;?äżĄç&#x201D;¨ĺ?Ąć&#x201D;Żäť&#x2DC;ć šć&#x201C;&#x161;ç&#x2122;źĺ?Ąé&#x160;&#x20AC;čĄ&#x152;ç&#x161;&#x201E;ä¸? ĺ?&#x152;ďź&#x152;ć&#x153;&#x2030;ĺ?Żč&#x192;˝ć&#x153;&#x192;é&#x20AC; ć&#x2C6;?éĄ?ĺ¤&#x2013;ç&#x161;&#x201E;ć&#x2030;&#x2039;çş&#x152;č˛ťă&#x20AC;&#x201A; ç?žé&#x2021;&#x2018;ć&#x201D;Żäť&#x2DC;

ć&#x17D;Ľĺ?&#x2014;čś&#x2026;é &#x17D;8č?Źć¸ŻĺšŁä¸&#x20AC;ćŹĄć&#x20AC;§ć&#x2C6;&#x2013;ĺ¤&#x161;ćŹĄć&#x20AC;§ç&#x161;&#x201E;ç?žé&#x2021;&#x2018;ć&#x201D;Żäť&#x2DC;ďź&#x152;é &#x2022;ĺ?? çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ĺ&#x2026;Źĺ?¸ç&#x161;&#x201E;ć˘?ćŹžă&#x20AC;&#x201A;

ć šć&#x201C;&#x161;çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ç&#x161;&#x201E;ć˘?ćŹžďź&#x152;ć&#x2013;°ç&#x161;&#x201E;ĺŽ˘ć&#x2C6;śĺ&#x2019;&#x152;č˛ˇć&#x2013;šĺŚ&#x201A;ć&#x17E;&#x153;ĺ¸&#x152;ć&#x153;&#x203A;äťĽç?ž é&#x2021;&#x2018;ć&#x201D;Żäť&#x2DC;ďź&#x152;é&#x153;&#x20AC;čŚ ć??äž&#x203A;čşŤäť˝č&#x2030;ć&#x2DC;&#x17D;ďź&#x2C6;ć&#x201D;żĺş&#x153;ć??äž&#x203A;ç&#x161;&#x201E;ĺ¸śç&#x2026;§ç&#x2030;&#x2021;ç&#x161;&#x201E;č&#x2030; äťśďź&#x152;ĺŚ&#x201A;čˇç&#x2026;§ă&#x20AC; čşŤäť˝č&#x2030;ĺ&#x2019;&#x152;é§&#x2022;ç&#x2026;§ďź&#x2030;äťĽĺ?&#x160;ĺ¸¸ä˝?ĺ&#x153;°ĺ?&#x20AC;ç&#x161;&#x201E;č&#x2030;ć&#x2DC;&#x17D;ă&#x20AC;&#x201A; ć&#x201D;ŻçĽ¨ć&#x201D;Żäť&#x2DC;

ć&#x201D;ŻçĽ¨é&#x153;&#x20AC;ć&#x201D;Żäť&#x2DC;çľŚçŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;éŚ&#x2122;ć¸Żć&#x153;&#x2030;é&#x2122;?ĺ&#x2026;Źĺ?¸ă&#x20AC;&#x201A;ć&#x2C6;&#x2018;ĺ&#x20AC;&#x2018;é&#x203A;&#x2013;ç&#x201E;ść&#x17D;Ľĺ?&#x2014; éŚ&#x2122;ć¸Żĺ&#x2026;Źĺ?¸ć&#x2030;&#x20AC;é&#x2013;&#x2039;ĺ&#x2026;ˇç&#x161;&#x201E;ç§ äşşć&#x2C6;&#x2013;ĺ&#x2026;Źĺ?¸ç&#x161;&#x201E;ć¸ŻĺšŁć&#x201D;ŻçĽ¨ďź&#x152;ä˝&#x2020;ć&#x2C6;&#x2018;ĺ&#x20AC;&#x2018;é &#x2C6; ć??é&#x2020;&#x2019;ć&#x201A;¨ç&#x203A;´ĺ&#x2C6;°ć&#x201D;ŻçĽ¨ĺ&#x2026;&#x152;ç?žäš&#x2039;ĺ&#x2030;?ďź&#x152;ć&#x2C6;&#x2018;ĺ&#x20AC;&#x2018;ç&#x201E;Ąćł&#x2022;ć&#x203A;?ć&#x201A;¨ç&#x2122;źć&#x201D;žć&#x2039;?ĺ&#x201C; ă&#x20AC;&#x201A; ç&#x2122;źč˛¨

čŤ&#x2039;č¨ťć&#x201E;?çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ĺ&#x2026;Źĺ?¸ć&#x153;&#x2030;ćŹ&#x160;ć&#x2039;&#x2019;çľ&#x2022;äťťä˝&#x2022;ä¸?ć&#x2DC;Żäž&#x2020;č&#x2021;Şč¨ťĺ&#x2020;&#x160;çŤść&#x2039;? ç&#x161;&#x201E;č˛ˇć&#x2013;šć&#x153;Źäşşç&#x161;&#x201E;çŹŹä¸&#x2030;ć&#x2013;šäť&#x2DC;ćŹžďź&#x152;ć¤éĄ&#x17E;äť&#x2DC;ćŹžé&#x153;&#x20AC;čŚ çś&#x201C;é &#x17D;ĺŻŠć ¸ă&#x20AC;&#x201A; é&#x2014;&#x153;ć&#x2013;źç&#x2122;źč˛¨ć&#x153;&#x2030;äťťä˝&#x2022;ĺ&#x2022;?éĄ&#x152;ďź&#x152;čŤ&#x2039;č Żäż&#x201A;ĺŽ˘ć&#x153;?é&#x192;¨ă&#x20AC;&#x201A;

čŤ&#x2039;č¨ťć&#x201E;?çŚŽć&#x2DC;&#x201A;é¨°ĺ?&#x161;ĺ&#x2026;Źĺ?¸čĄšć&#x153;&#x2030;ĺ&#x153;¨ć&#x2030;&#x20AC;ć&#x153;&#x2030;ć&#x2039;?čłŁćŹžé &#x2026;ĺ&#x2026;¨é&#x192;¨çľ?ć¸&#x2026;ĺ&#x2019;&#x152; ĺ&#x2C6;°čłŹĺž&#x152;ďź&#x152;ć&#x2030;?č&#x192;˝ć&#x203A;?č˛ˇĺŽść??äž&#x203A;ć??č˛¨ĺ&#x2013;Žć&#x17D;&#x2C6;ćŹ&#x160;äť&#x2013;ć??č˛¨ă&#x20AC;&#x201A;

COLLECTION & SHIPPING ć??č˛¨ĺ&#x2019;&#x152;ç&#x2122;źč˛¨ Please note that we do not pack or ship items. The following suggested carrier will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

All purchased lots not collected from the Liang Yi venue by Thursday 2nd June by 5pm will be removed to: Michelle Art Services

25th Floor, Sino Favour Centre

1 On Yip Street, Chai Wan, Hong Kong

(852) 2897 1080 | info@michelle-art.com www.michelle-art.com

Items will be available for collection from this address from Monday 6th June onwards.

Items will be kept free of charge up until Monday 13th June, if not collected by then, the cost of storage will be the buyerâ&#x20AC;&#x2122;s responsibility.

Removal and storage for uncollected lots will be charged at the following rates:

Storage charges from Friday 10th June (per item): HK$650 per month or part thereof.

Handling fee for collection (per item): HK$650

Lots will be removed and stored by Michelle Art Services subject to their

Conditions of Business. Release of lots to the buyer/ authorised representative (with appropriate photographic identiďŹ cation) can only be undertaken upon

receipt of full settlement of all outstanding charges and the provision of a release note by Lyon & Turnbull.

191

čŤ&#x2039;č¨ťć&#x201E;?ć&#x2C6;&#x2018;ĺ&#x2026;Źĺ?¸ä¸?č˛ č˛Źĺ&#x152;&#x2026;čŁ?ĺ&#x2019;&#x152;ć´žç&#x2122;źć&#x2039;?ĺ&#x201C; ă&#x20AC;&#x201A;ĺŚ&#x201A;ä¸&#x2039;ç&#x2030;Šćľ ĺ&#x2026;Źĺ?¸ ĺ°&#x2021;č&#x192;˝ĺ?&#x201D;ĺ&#x160;Šć&#x201A;¨ĺ&#x152;&#x2026;čŁ?ĺ&#x2019;&#x152;é &#x2039;čź¸ć&#x201A;¨čłźĺž&#x2014;ç&#x161;&#x201E;ć&#x2039;?

ĺ&#x201C; ă&#x20AC;&#x201A;čŤ&#x2039;ç&#x203A;´ć&#x17D;Ľč&#x2C6;&#x2021;äť&#x2013;ĺ&#x20AC;&#x2018;č Żäż&#x201A;ç?˛ĺ?&#x2013;ĺ ąĺ&#x192;šďź&#x152;ć&#x2C6;&#x2013;č Żäż&#x201A;ĺ&#x2026;śäť&#x2013;ç&#x161;&#x201E;ç&#x2030;Šćľ ĺ&#x2026;Źĺ?¸ă&#x20AC;&#x201A;

ć&#x2C6;Şč&#x2021;łĺ&#x2C6;°2016ĺš´6ć&#x153;&#x2C6;2ć&#x2014;Ľĺ&#x2018;¨ĺ&#x203A;&#x203A;ć˛&#x2019;ć&#x153;&#x2030;ĺ?&#x2013;čľ°ç&#x161;&#x201E;ć&#x2039;?ĺ&#x201C; ĺ°&#x2021;ć&#x153;&#x192;č˘Ťč˝&#x2030; ç§ťĺ&#x2C6;°ďź&#x161;

çž&#x17D;ć&#x2013;Żč&#x2014;?čĄ&#x201C;ĺ&#x201C; é &#x2039;čź¸ć&#x153;&#x2030;é&#x2122;?ĺ&#x2026;Źĺ?¸Michelle Art Services ć&#x2013;°č?Żčą?ä¸ĺż&#x192;äş&#x152;ĺ? äş&#x201D;ć¨&#x201C; éŚ&#x2122;ć¸Żć&#x;´ç ŁĺŽ&#x2030;ćĽčĄ&#x2014;1č&#x2122;&#x;

(852) 2897 1080 | info@michelle-art.com www.michelle-art.com

2016ĺš´6ć&#x153;&#x2C6;6ć&#x2014;Ľĺ&#x2018;¨ä¸&#x20AC;äťĽĺž&#x152;ďź&#x152;č˛ˇć&#x2013;šĺ?Żĺ&#x153;¨ć¤ĺ&#x153;°ĺ?&#x20AC;ć??č˛¨ă&#x20AC;&#x201A;

č˛ˇć&#x2013;šĺŚ&#x201A;ć&#x17E;&#x153;ĺ&#x153;¨6ć&#x153;&#x2C6;13ć&#x2014;Ľĺ&#x2030;?ć??č˛¨ďź&#x152;ç&#x201E;Ąé &#x2C6;ć&#x201D;Żäť&#x2DC;ĺ&#x20AC;&#x2030;ĺ&#x201E;˛č˛ťďź&#x152; 6ć&#x153;&#x2C6; 13ć&#x2014;Ľäš&#x2039;ĺž&#x152;ĺ°&#x2021;é&#x153;&#x20AC;äş¤äť&#x2DC;ĺ&#x20AC;&#x2030;ĺ&#x201E;˛č˛ťă&#x20AC;&#x201A;

ć&#x153;Şĺ?&#x160;ć&#x2122;&#x201A;ć??čľ°ç&#x161;&#x201E;ć&#x2039;?ĺ&#x201C; ç&#x161;&#x201E;é &#x2039;čź¸ĺ&#x2019;&#x152;č˝&#x2030;ç§ťč˛ťç&#x201D;¨ć&#x201D;śč˛ťć¨&#x2122;ćş&#x2013;ĺŚ&#x201A;ä¸&#x2039;ďź&#x161; ĺ&#x2018;¨äş&#x201D;6ć&#x153;&#x2C6;10ć&#x2014;Ľčľˇďź&#x161;ćŻ?äťść&#x2039;?ĺ&#x201C; ćŻ?ć&#x153;&#x2C6;650ć¸ŻĺšŁĺ&#x201E;˛ĺ&#x2DC;č˛ť ć??č˛¨ć&#x2030;&#x2039;çş&#x152;č˛ťďź&#x161;ćŻ?äťść&#x2039;?ĺ&#x201C; 650ć¸ŻĺšŁ

ć&#x2039;?ĺ&#x201C; ç&#x161;&#x201E;č˝&#x2030;ç§ťĺ&#x2019;&#x152;ĺ&#x201E;˛ĺ&#x2DC;ĺ°&#x2021;ć&#x152;&#x2030;ç&#x2026;§çž&#x17D;ć&#x2013;Żč&#x2014;?čĄ&#x201C;ĺ&#x201C; é &#x2039;čź¸ć&#x153;&#x2030;é&#x2122;?ĺ&#x2026;Źĺ?¸ç&#x161;&#x201E; ĺ&#x2022;&#x2020;ćĽć˘?ćŹžă&#x20AC;&#x201A;č˛ˇć&#x2013;šć&#x2C6;&#x2013;č˛ˇć&#x2013;šć&#x17D;&#x2C6;ćŹ&#x160;ç&#x161;&#x201E;äťŁčĄ¨äşşďź&#x2C6;é&#x153;&#x20AC;ĺ¸śä¸&#x160;é&#x2122;&#x201E;ç&#x2026;§ç&#x2030;&#x2021; ç&#x161;&#x201E;č&#x2030;äťśďź&#x2030;čĄšć&#x153;&#x2030;ĺ&#x153;¨č&#x192;˝ĺ&#x2021;şç¤şć&#x2030;&#x20AC;ć&#x153;&#x2030;ćŹžé &#x2026;äť&#x2DC;ć¸&#x2026;ç&#x161;&#x201E;č&#x2030;ć&#x2DC;&#x17D;äťĽĺ?&#x160;çŚŽć&#x2DC;&#x201A; é¨°ĺ?&#x161;ć??äž&#x203A;ç&#x161;&#x201E;ć??č˛¨ĺ&#x2013;Žç&#x161;&#x201E;ć&#x192;&#x2026;ćł ä¸&#x2039;ć&#x2030;?č&#x192;˝ć??č˛¨ă&#x20AC;&#x201A;

192

CONDITIONS OF SALE FOR BUYERS (HK464)

The Auctioneer carries on business with Bidders, Buyers and all

â&#x20AC;&#x153;Youâ&#x20AC;?, â&#x20AC;&#x153;Yourâ&#x20AC;? means the Buyer, the person who makes the highest

sale on the following General Conditions and on such other terms,

person's principal where bidding as agent; and

those present in the auction room prior to, or in connection with, a conditions and notices as may be referred to herein. 1. DEFINITIONS

In these Conditions of Sale for Buyers (HK464):

"Auctioneer" means Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, United Kingdon, EH1 3RR) or its authorised auctioneer, as appropriate;

"Bidder" means a person who bids at an auction organised by the Auctioneer;

"Buyer's Premium" is the commission payable by the Buyer on the Hammer Price at the rates set out in the Sale Catalogue Buyerâ&#x20AC;&#x2122;s Guide;

â&#x20AC;&#x153;Freemanâ&#x20AC;&#x2122;sâ&#x20AC;? means Samuel T. Freeman & Co, Lyon & Turnbullâ&#x20AC;&#x2122;s marketing partner, registered address 1808 Chestnut Street, Philadelphia, Pennsylvania, USA, 19103;

"Hammer Price" means the highest bid accepted by the Auctioneer

possible bid or oďŹ&#x20AC;er accepted by the Auctioneer, and/or such

â&#x20AC;&#x153;Usâ&#x20AC;?, â&#x20AC;&#x153;Ourâ&#x20AC;?, â&#x20AC;&#x153;Weâ&#x20AC;? etc. refers to Lyon and Turnbull Hong Kong Ltd along with Lyon and Turnbull Ltd.

The singular includes the plural and vice versa as appropriate.

2. AGENCY

Lyon & Turnbull acts as agent solely for and in the interests of the

Seller. We do not act for Buyers in this role and do not give advice to Buyers. When Lyon & Turnbull makes a statement about a Lot it is doing so on behalf of the Seller of the Lot.

Please note Lyon & Turnbull are the principal. All information

however will be shared with Freemanâ&#x20AC;&#x2122;s. By registering for this sale

you hereby agree for information to be shared with Freemanâ&#x20AC;&#x2122;s who will be acting as an agent for Lyon & Turnbull only and have no liability due to any other party other than Lyon & Turnbull;

The Auctioneer normally acts as agent only and disclaims any responsibility for default by Sellers or Buyers.

by the fall of the hammer or in the case of a post-auction sale, the

3. PRE-REGISTRATION, BIDDING PROCEDURES AND THE BUYER

"HK$" or "Hong Kong Dollars" means the lawful currency of Hong

complete a pre-registration application form and to deliver to Lyon &

agreed sale price; Kong;

"Hong Kong" means the Hong Kong Special Administrative Region of the People's Republic of China;

"Item" means each and every item consigned for sale following

express written agreement between Lyon & Turnbull and the Seller; "Lot" means each Item oďŹ&#x20AC;ered for sale by Lyon & Turnbull;

"Lower Estimate" means the low estimate provided by Lyon &

Turnbull to the Seller in relation to each Item, or in relation to any Item which Lyon & Turnbull holds on behalf of the Seller;

"Lyon & Turnbull" means the company which has its registered oďŹ&#x192;ce at 33 Broughton Place, Edinburgh, United Kingdom EH1 3RR registered in Scotland No. 191166 along with its Hong Kong company, Lyon and Turnbull Hong Kong Limited;

â&#x20AC;&#x153;Premium Lotâ&#x20AC;? means a lot which has a Lower Estimate above HK$300,000

"Proposed Sale" means the intended sale through which the Items will be sold on;

"Purchase Price" is the Hammer Price and applicable Buyer's Premium;

"Reserve" means the lowest price below which an Item cannot be sold;

"Seller" means the person who owns the Lot or the person who is duly authorised by the owner of the Lot to sell it; "Tax" has the meaning provided in Clause 6;

"Total Amount Due" means the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes

chargeable and any additional charges payable by a defaulting Buyer under these Conditions;

(a) Pre-registration and Deposits: All Bidders are required to

Turnbull a deposit of HK$10,000 and any Bidders wishing to bid on Premium Lots should also pay a deposit of 10% of the Lower

Estimate of speciďŹ c lots in addition. Bidders wishing to bid on the

Stem Cup (lot 84) will be required to pay a deposit of HK$2,500,000. You may also be asked for ďŹ nancial references, guarantees, and/or such other security as Lyon & Turnbull may require in its absolute discretion.

Lyon & Turnbull reserves the right to request at any time any

additional deposit, guarantee and/or such other security as Lyon &

Turnbull may determine from any Bidder whose total Purchase Price has reached or exceed ten times the amount of that Bidderâ&#x20AC;&#x2122;s

deposit. The amount of an additional deposit shall be determined by Lyon & Turnbull at their sole discretion and Lyon & Turnbull reserves the right to reject any further bidding from that Bidder until such

additional deposit has been delivered to Lyon & Turnbull. Lyon &

Turnbull has no obligation to accept any pre-registration application. Lyon & Turnbullâ&#x20AC;&#x2122;s decision in this regard shall be ďŹ nal.

Bidders are requested to contact Lyon & Turnbull at least three

working days prior to the relevant sale in order to allow processing of the pre-registration. Deposits shall be paid in Hong Kong Dollars by way of bank transfer or debit card (cards must be presented in person).

Should you not be successful in bidding, Lyon & Turnbull will arrange for a refund (subject to any right of set oďŹ&#x20AC;) of the deposit amount paid by the Bidder without interest within 14 working days of the date of the sale. Any exchange losses or fees associated with the refund shall be borne by the Bidder.

Bidders may not be allowed to register for/bid on any Lot if Lyon &

Turnbull fail to receive a completed pre-registration application form

193

or any ďŹ nancial reference or deposits as requested by Lyon &

4. INCREMENTS/CONDUCT OF THE AUCTION

(b) The maker of the highest bid accepted by the Auctioneer

Auctioneer has absolute discretion at any time to refuse or accept

Turnbull;

conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer's absolute discretion.

(c) Once made, no bid may be withdrawn after the bid is accepted following the fall of the Auctioneerâ&#x20AC;&#x2122;s hammer or other customary action as conďŹ rmed by the Auctioneer.

(d) Our right to bid on behalf of Sellers is expressly reserved up to

the amount of any Reserve.

(e) The right to refuse any bid is also reserved.

(f) Commission/Absentee Bids: While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have

carefully inspected and satisďŹ ed themselves as to its condition. We

shall use reasonable eďŹ&#x20AC;orts to, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our

employees nor agents shall be responsible for any failure to do so.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the ďŹ rst bid so made.

(g) Telephone Bids: If a prospective Buyer makes arrangements with us prior to the commencement of the sale we will use reasonable

eďŹ&#x20AC;orts to contact them to enable them to participate in bidding by

telephone. We do not accept liability for failure to do so or for errors and omissions in connections. As the number of telephone lines is limited, it is necessary to make arrangements for this service a

minimum 24 hours before the sale. Lyon & Turnbull suggest that you

Bidding increments shall be at the Auctioneer's sole discretion. The any bid, withdraw any Lot, reoďŹ&#x20AC;er a Lot for sale (including after the fall of the hammer, but before payment has been received) and take such other action as he reasonably thinks ďŹ t.

The Auctioneer will start and continue the bidding levels and

increments he considers appropriate and is entitled to place a

bid/bids on behalf of the Seller up to the Reserve on the Lot, and whether or not other bids are being placed.

A currency converter may be used at the sale. This equipment is

provided as a general guide as to the equivalent amount in certain

currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter.

We hereby give you notice that we may use video cameras to record the sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the sale.

We may use screens to project images of the Lots for sale. This

service is provided solely to assist with viewing of the sale. The image on the screen is only an indication of the current Lot. It should be noted that all bids tendered will relate to the actual lot number

announced by the Auctioneer. Lyon & Turnbull do not accept any responsibility for any errors which may occur in the use of the screen.

Any post-auction sale of Lots shall incorporate these terms and conditions as if they had been sold in the auction.

also leave a maximum bid (a covering bid) which we can execute on

5. THE PURCHASE PRICE

Please note that conďŹ rmation of telephone bids should be made in

Hammer Price and is payable by the Buyer as part of the total

your behalf in the event we are unable to reach you by telephone. writing.

(h) Online Bidding: We will use reasonable eďŹ&#x20AC;orts to carry out online bids and do not accept liability for equipment failure, inability to

access the internet or software malfunctions related to execution of online bids/ live bidding. Please note that online bidding will not be accepted for Premium Lots. Please note any online bidding will be subject to an additional transaction charged by the online bidding provider.

For each Lot purchased a Buyer's Premium will be added to the Purchase Price. For this sale a Buyerâ&#x20AC;&#x2122;s premium of 25% is payable on the ďŹ rst HK$800,000 of the Hammer Price, 20% on any amount in

excess of HK$800,000 up to and including HK$15,000,000 and ďŹ nally 12% on any amount thereafter.

Live online bidding is subject to an additional 3% premium on the Hammer Price (charged by the live bidding service provider Invaluable).

(i) Bidding in person: To bid in person you will need to register for and

6. TAX

identity will be required. Bidders must complete a paddle registration

service tax or other tax (whether imposed by Hong Kong law or

collect a numbered paddle before the auction begins. Proof of

form and supply any information as requested by Lyon & Turnbull. Bidders act as principal unless they have prior written consent by

Lyon & Turnbull to bid as an agent. Bidders are personally liable for

their bid and jointly and severally liable with their principal if bidding as an agent.

(j) All Lots sold will be invoiced to the name and address in which the paddle has been registered and cannot be transferred to other

names and addresses. Please do not mislay your paddle and ensure that it is returned at the end of the auction. In the event of loss, inform the Lyon & Turnbull staďŹ&#x20AC; immediately.

The Purchase Price payable by the Buyer is exclusive of any goods or otherwise) (â&#x20AC;&#x153;Taxâ&#x20AC;?). If any such Tax was to be paid under Hong Kong

laws or any other laws, the Buyer shall be solely responsible to pay

such Tax and at the rate and time as required by the relevant law, or if such Tax is to be paid by Lyon & Turnbull we may add such tax to the Purchase Price payable by the Buyer. 7. PAYMENT

(1) Payment is due unless agreed otherwise, immediately in Hong

Kong Dollars on conclusion of the sale. Any requirements for export, import or any such other permit will not impact on payment being due immediately.

194

CONDITIONS OF SALE FOR BUYERS (HK464)

(a) Pay to us the Total Amount Due by such payment method as is

9. REMEDIES FOR NONÂˇPAYMENT

debit cards and Visa or MasterCard credit cards. Please note

(1) If any Lot is not paid for in full and taken away in accordance with

agreed by us. We accept cash, bank transfer (details on request),

single/multiple or linked cash payments in excess of HK$80,000 will not be accepted. There is a cap on payment by credit card of

HK$1,000,000. Should you wish to pay by card, the card must be presented in person to Lyon & Turnbull.

Please note that when paying by bank transfer, the amount received after the deduction of any bank fees and or conversion of the

currency of payment to Hong Kong Dollars must not be less than the Hong Kong Dollars amount payable, as set out on the invoice. Invoices will be issued within two days of the sale.

(b) Please note there will be a surcharge when using credit cards, the amount of which will depend on the type of credit card.

(c) Any Lots purchased and paid for by cheque will not be authorised for collection until payment has fully cleared. Should funds not be

fully cleared by the two working days following the day of the auction then the Buyer must accept that storage charges may be incurred. Please refer to our sale information.

(d) Any payments by you to us may be applied by us towards any

sums owing by you to us howsoever incurred and without agreement by you or your agent, whether express or implied. 8. TITLE AND COLLECTION OF PURCHASES

(1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due.

Payment is understood to mean cleared funds. Lyon & Turnbull is not obliged to release a Lot to the Buyer until the title has passed and appropriate identiďŹ cation has been provided. Should earlier

release occur this will not aďŹ&#x20AC;ect any obligation of the Buyer to make

OR FAILURE TO COLLECT PURCHASES

these Conditions or if there is any other breach of these Conditions,

we, as agent for the Sellers and on their behalf, shall at our absolute

discretion and without prejudice to any other rights we may have, be

entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract;

(b) to rescind the contract for sale of that Lot and/or any other Lots sold by us to you;

shall be responsible for any resulting deďŹ ciency in the total amount

due (after crediting any part payment and adding any resale costs).

(d) to remove, store and insure the lot in the case of storage, either at our premises or elsewhere and the risk and expense being with you.

Lyon & Turnbull will be entitled to recover from you all costs incurred in respect thereof;

(e) to charge interest at a rate not exceeding 1.5% per month above the current base rate on all sums outstanding for more than 5 working days after the sale;

(f) to retain that or any other Lot sold to you until you pay the Total

Amount Due;

(g) to reject or ignore bids from you or your agent at future auctions

or to impose conditions before any such bids shall be accepted; and (h) to apply any proceeds of sale of other Lots due or which become due to you towards the settlement of the Total Amount Due by you

and to exercise a lien over any of your property in our possession for any purpose until the debt due is satisďŹ ed.

payment nor aďŹ&#x20AC;ect the title passing.

10. DESCRIPTIONS AND CONDITION

you have purchased and paid for. Please be advised collection from

for us to carry out exhaustive due diligence on each Lot. Prospective

(2) You shall at your own risk and expense take away any Lots that

the sale venue will not be possible after 2 working days following the day of the auction.

(3) No purchase can be claimed or removed until it has been paid for. (4) Collection must be made by Thursday 2nd June at 5pm. It is the

Buyerâ&#x20AC;&#x2122;s responsibility to ascertain collection procedures. Any Lot not collected will be shipped to Michelle Art Services, 1 On Yip Street,

Chai Wan, Hong Kong for subsequent storage and the cost will be the liability of the Buyer.

(5) Risk is with the Buyer at the earliest of: (i) Collection or

(ii) Thirty ďŹ rst calendar day after the auction.

(6) Export of goods: Buyers intending to export goods should

ascertain (a) whether an export licence is required and (b) whether

there is any speciďŹ c prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or

rhino horn. It is the Buyerâ&#x20AC;&#x2122;s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in

obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the Lot.

(1) Whilst we seek to describe Lots accurately, it may be impractical

Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must

satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that,

inevitably, representations or statements by us as to authorship,

genuineness, origin, date, age, provenance, condition or estimated

selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept

liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no

warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that

photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot.

(2) Condition reports: Condition reports are provided on our website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and

administration will endeavour to respond to all requests although we

195

oďŹ&#x20AC;er no guarantee. Any statement in relation to the Lot is merely an

restorations. Most clocks and watches will have been repaired during

be relied upon as an inducement to bid on the Lot. Lots are available

parts. Furthermore, Lyon & Turnbull makes no representation or

expression of opinion of the Seller or Lyon & Turnbull and should not for inspection prior to the sale and you are strongly advised to

examine any Lot in which you are interested prior to the sale. Our condition reports are not prepared by professional conservators, restorers or engineers. Our condition report does not form any

contract between Lyon & Turnbull and the Buyer. The Condition Reports do not aďŹ&#x20AC;ect the Sellerâ&#x20AC;&#x2122;s obligations in any way.

(3) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyerâ&#x20AC;&#x2122;s Premium or Tax. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to

change and are for guidance only and should not be relied upon. (4) Catalogue Alterations: Lot descriptions and estimates are

prepared in advance of the sale and may be subject to change. Any alterations will be announced on the catalogue alteration sheet,

made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

Alterations may also be made at any time by notice orally or in writing before or during a sale. The Lot is available for inspection and you

must form your own opinion in relation to it. You are strongly advised

their normal lifetime and may now incorporate additional/newer

warranty that any clock or watch is in working order. As clocks and

watches often contain ďŹ ne and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that Lyon & Turnbull cannot guarantee

a watch will remain waterproof if the back is removed. Buyers should

be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the United States and only imported personally.

12. ENDANGERED SPECIES

Please be aware that all lots marked with the symbol Y may be

subject to CITES regulations or other regulations. These regulations may be found at

https://www.afcd.gov.hk/english/conservation/con_end/con_end.html

Lyon & Turnbull accepts no liability for any Lots which may be subject to CITES but have not be identiďŹ ed as such.

to examine any Lot or have it examined on your behalf by an

13. SALE BY PRIVATE TREATY

(5) Electrical goods: are sold as â&#x20AC;&#x153;works of artâ&#x20AC;? only and if bought for

sales by private treaty.

independent party before the sale.

use must be checked over for compliance with safety regulations by

a qualiďŹ ed electrician ďŹ rst. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given.

(6) Upholstered items: are sold as â&#x20AC;&#x153;works of artâ&#x20AC;? only and if bought for use must be checked over for compliance with current safety

regulation. Use of such goods is entirely at the risk of the Buyer and

(a) The same Conditions of Sale for Buyers (HK464) shall apply to (b) Private treaty sales made under these Conditions are deemed to

be sales by auction and subject to our agreed charges for Sellers and Buyers.

no warranties as to safety of the goods are given. Lyon & Turnbull

14. THIRD PARTY LIABILITY

contained within the item.

own risk and must note the lay-out of the accommodation, safety

provide no guarantee as to the originality of any wood/material

(7) Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms etc.) in

which case the descriptions must be interpreted in accordance with

any glossary appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 11. BOOKS, CLOCKS AND WATCHES

(1) Books-Collation: If on collation any NAMED item in the sale

catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing. This, however, shall not apply in the case of

unnamed items, periodicals, autographed letters, music M.M.S.,

maps, drawings NOR in respect of damage to bindings, stains, foxing,

All members of the public on sale/storage premises are there at their and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale. 14. THIRD PARTY LIABILITY

All members of the public on sale/storage premises are there at their own risk and must note the lay-out of the accommodation, safety

and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

marginal worm holes or other defects not aďŹ&#x20AC;ecting the

15. GENERAL

catalogue, or at the time of sale, NOR in respect of Lots sold for less

sale/storage premises or attendance at our auctions by any person

completeness of the text NOR in respect of Defects mentioned in the than ÂŁ300.

(2) Clocks and Watches: All Lots are sold â&#x20AC;&#x153;as seenâ&#x20AC;?, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or

(a) We shall have the right at our discretion, to refuse admission to without explanation.

(b) Any notice to any Buyer, Seller, Bidder or viewer may be given by email if not available then by registered post or registered airmail; if

sent by registered post, it shall be deemed to have been received by

196

CONDITIONS OF SALE FOR BUYERS (HK464)

the addressee 48 hours after posting and if by registered airmail, ďŹ ve

16. DATA PROTECTION

and the marketing and supply of Lyon & Turnbull's services, or as

days from the date of posting.

the Managing Director at 33 Broughton Place, Edinburgh, United

Kingdom EH1 3RR, quoting the reference number speciďŹ ed at the beginning of the sale catalogue.

(d) Should any provision of these Conditions of Sale be held

unenforceable for any reason, the remaining provisions shall remain in full force and eďŹ&#x20AC;ect.

(e) These Conditions of Sale are not assignable by either party

without the other's prior written consent. No act, omission or delay by Lyon & Turnbull in exercising a right, power or remedy shall be

deemed a waiver or release of any of its rights, power or remedy. If

Lyon & Turnbull waives a breach of any provision of these Conditions of Sale this shall not operate as a waiver of a subsequent breach of that provision, or as a waiver of a breach of any other provision of these Conditions of Sale.

(f) The contract between the parties may be varied by the parties by agreement and in writing.

(g) Any person who damages a Lot will be held liable for the loss caused.

(h) Part of this catalogue is published in both Chinese and English. If there is any dispute in its interpretation, the English version will prevail.

(i) We will not be liable in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation

Ordinance (Chapter 284 of the Laws of Hong Kong) or in any other way for lack of conformity with or any inaccuracy, error,

misdescription in any description of the lot or any entry or estimate

in respect of it, made by us or on our behalf or by or on behalf of the Seller and regardless of whether made before/after this agreement

In connection with the management and operation of our business required by law, we may ask the Buyer to provide personal

information about themselves or obtain information about the Buyer from third parties (e.g. credit information).Â We will use your personal data for marketing purposes unless we receive your express wishes not to do so.Â

Lyon & Turnbull may transfer information to Freeman's to allow the

eďŹ&#x20AC;ective operation of this sale. The information will be used to allow registration, sale participation, credit control and any other function

related to the eďŹ&#x20AC;ective running of the auction. Freemanâ&#x20AC;&#x2122;s will use this information for the auction along with retaining the information for marketing purposes for future auctions held by them (unless we received your express wishes not to do so). Lyon & Turnbull and Freemanâ&#x20AC;&#x2122;s will not give out personal information to third parties except as may be required by law.

If you would like further information on Lyon & Turnbull policies on

personal data, or to access or make corrections to your information, please contact us on +44 131 557 8844. Please email

laura.henderson@lyonandturnbull.com OďŹ&#x192;ce Manager for more information.

17. FORCE MA JEURE

Lyon & Turnbull shall be under no liability if they shall be unable to

carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God,

legislation, war, ďŹ re, ďŹ&#x201A;ood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or

furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

or prior/during the sale.

18. LAW AND JURISDICTION

Lyon & Turnbull, including the Seller, the Bidder, the Buyer and all

matters, transactions or disputes to which they relate or apply shall

(j) All parties participating in the Hong Kong auction organised by

other related parties (including but not limited to the agents of the Seller, the Bidder and the Buyer) shall be deemed to accept in full and be bound by both Conditions of Sale (for Buyers and Sellers

HK464), and shall comply with them in said auction, enjoy the rights and perform the obligations provided herein.

(k) The rights, powers and remedies provided in this Conditions of Sale are cumulative and shall not be deemed or construed to be exclusive of any rights, powers and remedies provided by law, or otherwise.

(l) Except where expressly stated in this Conditions of Sale to the

contrary, this Conditions of Sale is not intended for the beneďŹ t of, and shall not be enforceable under the Contracts (Rights of Third

Parties) Ordinance (Chapter 623 of the Laws of Hong Kong) by any other person who is not a party to this Conditions of Sale.

(a) governing Law: These Conditions of Sale and all aspects of all

be governed by, and interpreted in accordance with, Hong Kong law. (b) Jurisdiction: The Buyer agrees that the Courts of Hong Kong are to have exclusive jurisdiction to settle all disputes arising in

connection with all aspects of all matters or transactions to which

these Conditions of Sale relate or apply. All parties agree that Lyon &

Turnbull retain the right to bring proceedings in any court other than the Hong Kong Courts.

(c) Service of Process: All Bidders and Sellers irrevocably consent to service of process of any documents in connection with any court proceedings by personal service, and delivery by email, or in any

other manner permitted by Hong Kong law, the law of the place of

service or the law of jurisdiction where proceedings are being held, at the last address of the Buyer known to Lyon & Turnbull or any other usual address.

PREMIUM LOT & STEM CUP PRE-REGISTRATION APPLICATION FORM CHINESE WORKS OF ART (HK464) 31 MAY 2016 AT 6PM HKT

Premium Lots Please enter below the lots that you would like to register for (marked with u in catalogue)

YOUR INFORMATION (* required) Title*

Surname*

Initials*

Client No (if Known)

Address* Tel*

Tel 2

Email* Have you registered with us before?

Yes

APPLICATION SUBMISSION

If you plan to attend the sale and bid on a lot, please ﬁll out this form and email it to

Accompanying Documents [government issued photographic ID required (ID card or Passport)*]

hk@lyonandturnbull.com or mail to the

I hereby conﬁrm my intention and application to bid on the above lot(s). I agree to deliver to Lyon & Turnbull

following address in either case to reach Lyon &

Turnbull no later than 3 working days prior to the

such necessary ﬁnancial references, guarantees, deposits and/or such other security as Lyon & Turnbull

day of sale: Lyon & Turnbull, 33 Broughton Place,

Buyers" and "Buyer’s Guide" for details of the requirement. I agree that Lyon & Turnbull has no obligation to

Tel: HK +852 800 966 847 or

may in its absolute discretion require as security for my bid. Please refer to the "Important Notice for

accept this pre-registration application and that Lyon & Turnbull’s decision in this regard shall be ﬁnal. I shall not assume Lyon & Turnbull acceptance of my pre-registration application unless I have received a written

conﬁrmation from Lyon & Turnbull to that eﬀect or a bidding paddle.

You authorise Lyon & Turnbull to request a ﬁnancial reference from your bank.

Please note that it is mandatory for you to provide personal data marked with asterisks. In the event you do

not provide such personal data, we may not be able to provide you with a registration.

I do not wish to receive future direct marketing material from Lyon & Turnbull and its business

partners (eg: promotional materials and event invitations). Please tick box.

It is against Lyon & Turnbull general policy to accept single or multiple related payments in the form of cash

Edinburgh, EH1 3RR, UK

Tel: UK +44 (0)131 557 8844

The contract between the buyer and the seller is

concluded on the striking of the auctioneer's

hammer, and payment of the purchase price for any lot and any buyer's expenses is due

immediately in Hong Kong Dollars on the conclusion of the auction.

or cash equivalents in excess of HK$ 80,000. It is Lyon & Turnbull policy to request any new clients or

purchasers preferring to make a cash payment to provide: proof of identity (by providing some form of government issued identiﬁcation containing a photograph, such as a passport, identity card or driver's

licence) and conﬁrmation of permanent address. We reserve the right to seek identiﬁcation of the source of

funds received.

Lyon & Turnbull’s live online bidding service is not available for premium lots or the Stem Cup.

By signing below, I agree to be bound by the Conditions of Sale for Buyers (HK464) as printed in the

catalogue. If Lyon & Turnbull so requests, I agree to provide proof of identity and permanent address.

Signature: Oﬃce Use Only

Date: Received by:

Date / Time:

Documents: Deposit:

Approved by:

Tel HK: +852 800 966 847

Tel UK: +44 (0)131 557 8844

Email hk@lyonandturnbull.com www.lyonandturnbull.com

Lyon & Turnbulll Hong Kong Ltd Registered

Number: 65740732 | UK Registered Address: 33 Broughton Place Edinburgh EH1 3RR

198

INTERNATIONAL STAFF DIRECTORY

PICTURES, WATERCOLOURS & PRINTS

Nick Curnow nick.curnow@lyonandturnbull.com

Charlotte Riordan charlotte.riordan@lyonandturnbull.com Iain Gale iain.gale@lyonandturnbull.com

Carly Shearer carly.shearer@lyonandturnbull.com FURNITURE, CLOCKS & WORKS OF ART

Douglas Girton douglas.girton@lyonandturnbull.com

John Mackie john.mackie@lyonandturnbull.com

Theodora Burrell theo.burrell@lyonandturnbull.com

Hannah Willetts hannah.willetts@lyonandturnbull.com

SILVER, COINS & MEDALS

Trevor Kyle trevor.kyle@lyonandturnbull.com Ruth Davis ruth.davis@lyonandturnbull.com

AMERICAN ART & PENNSYLVANIA IMPRESSIONISTS

Alasdair Nichol +1 267.414.1211 anichol@freemansauction.com EUROPEAN ART & OLD MASTERS

David Weiss +1 267.414.1214 dweiss@freemansauction.com MODERN & CONTEMPORARY ART

Timothy Malyk +1.646.943.4447 tmalyk@freemansauciton.com

Anne Henry +1 267.414.1220 ahenry@freemansauction.com JEWELRY & WATCHES

Michael Larsen +1 267.414.1227 mlarsen@freemansauction.com Virginia Salem +1 267.414.1233 vsalem@freemansauction.com

ASIAN ART

Colin Fraser (consultant) colin.fraser@lyonandturnbull.com

Richard Cervantes +1 267.414.1219 rcervantes@freemansauction.com

Lee Young lee.young@lyonandturnbull.com

Lynda A Cain +1 267.414.1237 lcain@freemansauction.com

ASIAN WORKS OF ART

Ling Zhu ling.zhu@lyonandturnbull.com

Danielle Beilby danielle.beilby@lyonandturnbull.com

AMERICAN FURNITURE, FOLK & DECORATIVE ART

Whitney Bounty +1 267.414.1254 wbounty@freemansauction.com ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS

RUGS & CARPETS

Nicholas B.A. Nicholson +1.267.265.1798 nnicholson@freemansauction.com

OLD MASTERS

SILVER & OBJETS DE VERTU

JEWELLERY

ORIENTAL RUGS & CARPETS

Gavin Strang gavin.strang@lyonandturnbull.com Nick Curnow nick.curnow@lyonandturnbull.com

Trevor Kyle trevor.kyle@lyonandturnbull.com Ruth Davis ruth.davis@lyonandturnbull.com

Kier Mulholland kier.mulholland@lyonandturnbull.com

DECORATIVE ARTS & DESIGN

John Mackie john.mackie@lyonandturnbull.com

Theodora Burrell theo.burrell@lyonandturnbull.com EUROPEAN CERAMICS & GLASS

Douglas Girton douglas.girton@lyonandturnbull.com

Campbell Armour campbell.armour@lyonandturnbull.com ARMS & ARMOUR

Colin Fraser (consultant) colin.fraser@lyonandturnbull.com

John Batty (consultant) john.batty@lyonandturnbull.com

RARE BOOKS, MAPS, MANUSCRIPTS & PHOTOGRAPHS

Simon Vickers simon.vickers@lyonandturnbull.com

Cathy Marsden cathy.marsden@lyonandturnbull.com ENQUIRIES & COMMISSION BIDS

Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668

info@lyonandturnbull.com

Tessa Laney +1.215.940.9826 tlaney@freemansauction.com

Nicholas B.A. Nicholson +1.267.265.1798 nnicholson@freemansauction.com Richard Cervantes +1 267.414.1219 rcervantes@freemansauction.com

RARE BOOKS, MAPS & MANUSCRIPTS

Benjamin Truesdale +1.267.414.1246 btruesdale@freemansauction.com 20TH CENTURY DESIGN

Tim Andreadis +1 267.414.1215 tandreadis@freemansauction.com CLIENT SERVICES & BIDS

Mary Maguire +1 267.414.1236 mmaguire@freemansauction.com

TRUSTS & ESTATES

Samuel T. Freeman III +1 267.414.1222 sfreeman@freemansauction.com Matthew S. Wilcox +1 215.940.9825 mwilcox@freemansauction.com

APPRAISALS

Amy Parenti +1 267.414.1223 aparenti@freemansauction.com MUSEUM SERVICES

Thomas B. McCabe IV +1 267.414.1235 tmccabe@freemansauction.com

GENERAL INFORMATION

Tel +1.215.563.9275 Fax +1.215.599.2240 info@freemansauction.com

ABSENTEE / TELEPHONE BIDDING FORM

IMPORTANT

CHINESE WORKS OF ART (HK464) 31 MAY 2016 AT 6PM HKT

YOUR INFORMATION (* required) Title*

First Name*

Client No (if known)

Please note that Lyon & Turnbull will the utmost

to ensure all commission and telephone bids are executed, however this can not be guaranteed

and is a service oﬀered at the bidders risk. Lyon &

Turnbull therefore cannot accept liability for

Initials*

failure to place such bids, whether through negligence or otherwise.

Please note that we may contact new clients to

Surname*

request a bank reference.

The contract between the buyer and the seller is

Address*

concluded on the striking of the auctioneer's

hammer, and payment of the purchase price for any lot and any buyer's expenses is due

Tel*

immediately in Hong Kong Dollars on the conclusion of the auction.

Tel 2

FOR WRITTEN/FIXED BIDS

Email* Have you registered with us before?

Yes

Have you completed the Premium Lot & Stem Cup Pre-Registration Application Form?

Yes

Accompanying Documents [government issued photographic ID required (ID card or Passport)*]

Lot No.

• Bids will be executed for the lowest price as is permitted by other bids or reserves.

• "Buy" or unlimited bids will not be accepted.

Please place bids in the same order as in the

catalogue.

Description

HK$ excluding premium

• Alternative bids can be placed by using the word "or" between lot numbers.

• Where appropriate your written bids will be rounded down to the nearest amount

consistent with the auctioneer's bidding increments.

FOR TELEPHONE BIDS

• Please clearly specify the telephone number on which you may be reached at the time of

the sale, including the country code. We will

call you from the saleroom shortly before your lot is oﬀered.

IMPORTANT - PREMIUM LOTS AND THE THORNHILL STEM CUP (w)

In order to bid on "Premium Lots" or The Thornhill Stem Cup (marked with u in the catalogue) you must

complete the required pre-registration application and deliver to Lyon & Turnbull such necessary ﬁnancial

references, guarantees, deposits and/or such other security as Lyon & Turnbull may in its absolute discretion

require for your bid. Lyon & Turnbull’s decision whether to accept any pre-registration application shall be ﬁnal. We recommend you complete and return the pre-registration form in this catalogue in the manner

required therein or contact Lyon & Turnbull at least 3 working days prior to the sale in order to process the

pre-registration. Please bear in mind that we are unable to obtain ﬁnancial references over weekends or

public holidays. Lyon & Turnbull’s live online bidding service is not available for premium lots or the Stem Cup.

By signing below, I agree to be bound by the Conditions of Sale for Buyers (HK464) as printed in the

catalogue. If any bid is successful, I agree to pay the published Buyer's Premium on the hammer price.

I consent to the use of this information and any other information obtained by Lyon & Turnbull in

accordance with the Conditions of Sale (HK464). I am aware that all telephone bid lines may be recorded.

Please note that it is mandatory for you to provide personal data marked with asterisks. In the event you do

not provide such personal data, we may not be able to provide you with a registration.

I do not wish to receive future direct marketing material from Lyon & Turnbull and its business partners (eg: promotional materials and event invitations). Please tick box.

Signature: Oﬃce Use Only

Date / Time:

Documents: Deposit:

Payment is due in HK dollars immediately after the sale and may be made the following

methods: Cash, Bank transfer, Cheque, and

Credit/Debit card (MasterCard, Union Pay and

Visa).

It is against Lyon & Turnbull general policy to

accept single or multiple related payments in the

form of cash or cash equivalents in excess of HK$ 80,000. It is Lyon & Turnbull policy to request any

new clients or purchasers preferring to make a cash payment to provide: proof of identity (by providing some form of government issued

identiﬁcation containing a photograph, such as a passport, identity card or driver's licence) and

conﬁrmation of permanent address. We reserve

the right to seek identiﬁcation of the source of funds received.

If you wish to pay for any purchase with your

MasterCard, Union Pay or Visa, you must present

Date: Received by:

ARRANGING PAYMENT

Approved by:

the card in person.

Tel HK: +852 800 966 847

Tel UK: +44 (0)131 557 8844

Email hk@lyonandturnbull.com www.lyonandturnbull.com

Lyon & Turnbulll Hong Kong Ltd Registered

Number: 65740732 | UK Registered Address: 33 Broughton Place Edinburgh EH1 3RR

Tuesday, 31st May, 2016 Hong Kong

lyonandturnbull.com

Freemanâ&#x20AC;&#x2122;s 1808 Chestnut Street Philadelphia, Pennsylvania 19103 freemansauction.com

31 May, 2016

Lyon & Turnbull 33 Broughton Place, Edinburgh, Scotland EH1 3RR