International Sale Old Master Paintings, Drawings and Prints by Freeman's

The International Sale Old Master Paintings, Drawings & Prints

Lyon & Turnbull Edinburgh 28th September 2011 Freemanâ&#x20AC;&#x2122;s Philadelphia 7th October 2011

The International Sale Old Master Paintings, Drawings & Prints

Wednesday, September 28th 2011 11am

Friday, October 7th, 2011 11am

Sale Number LT329

Sale Number 1411

33 Broughton Place Edinburgh EH1 3RR Tel. +44(0) 131 557 8844 Fax. +44(0) 131 557 8668 www.lyonandturnbull.com

1808 Chestnut Street Philadelphia PA 19103 Tel. +1 215.563.9275 Fax. +1 215.563.8236 www.freemansauction.com

Catalogue: ÂŁ15 / $35 See page 2 for viewing and enquiriy details Inside Front Cover: Lot 107 Inside Back Cover: Lot 9 Printing by Brilliant Studio Exton, Pennsylvania

Viewing and Enquiries

Auction Wednesday, September 28th, at 12 noon

Auction Friday, October 7th, at 11am

Exhibition Sunday September 25th 12 noon - 4pm Monday September 26th 10am - 5pm Tuesday September 27th 10am - 5pm Morning of sale strrictly by appointment only

Exhibition Friday September 30th 10am - 4.:30pm Saturday October 1st 12 noon - 4pm Monday October 3rd 10am - 4:30pm Tuesday October 4th 10am - 4:30pm Wednesday 5th October 5th 10am - 4:30pm Thursday October 6th 10am - 4:30pm Limited viewing on morning of the sale

Specialists Nick Curnow nick.curnow@lyonandturnbull.com Charlotte Riordan charlotte.riordan@lyonandturnbull.com Enquiries and Commission Bids Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 email: info@lyonandturnbull.com www.lyonandturnbull.com

Please note that the the Conditions of Sale and Buyers’ Information vary between Lyon & Turnbull and Freeman’s - information for both can be found in this catalogue. Bidding will be in GB£ for Lyon & Turnbull and US$ for Freeman’s - the equivalent rate is given for each lot at £1 = $1.60 but should be treated as a guide only.

Specialists David Weiss direct tel: 267.414.1214 dweiss@freemansauction.com Maya O’Donnell-Shah direct tel: 267.414.1210 mshah@freemansauction.com Commission Bids Bridgette Bonner tel: 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com 1808 Chestnut Street Philadelphia PA 19103 Tel. +1 215.563.9275 Fax. +1 215.563.8236 www.freemansauction.com

The International Sale Old Master Paintings, Drawings & Prints

Session One Wednesday, September 28th 2011 at 11am Lyon and Turnbull 33 Broughton Place Edinburgh EH1 3RR

Important Information for Buyers at Lyon & Turnbull

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you. Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling. Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct. Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon. Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 17.5% All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale). VAT The symbol * by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price. The symbol † by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price and the buyer’s premium. No VAT is payable on the hammer price or premium for books bought at auction. Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. Under this legislation, we are

required to collect a royalty payment for all qualifying works of art, where the artist is still living. This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale). Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations. Bidding At the Sale To bid at the sale all potential buyers must be registered with us on or before the day of sale. We will need proof of identification and residence, and may require a bank reference. Potential buyers must collect a bidding number before the sale begins, and show that number if successful in purchasing a lot. Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately. If you have not been successful please leave the number at the Registration or Reception desks. In writing Bid forms are available at the sale and at the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. They must be received at the very latest at least an hour before the sale. We will do our utmost to execute these bids but we offer this service entirely at the bidder’s risk.

By telephone Bids submitted by telephone must be confirmed in writing. Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. Methods of Payment Goods purchased will not be released until we have received full payment. Cash Cash payments can be made at the accounts desk during or after a sale. Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Switch or Credit Cards Payment can be made by Switch, Mastercard or Visa cards. There is a surcharge on credit card payments. Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

1 FB367/2 FOLLOWER OF SIR ANTHONY VAN DYCK HALF LENGTH PORTRAIT OF KING JAMES II IN ARMOUR Oil on canvas 76cm x 63.5cm (30in x 25in)

£1,500-2,000

$2,400-3,200

2 FB367/4 MANNER OF ANTONIO DAVID HALF LENGTH PORTRAIT OF JAMES EDWARD FRANCIS STUART THE OLD PRETENDER IN ARMOUR Oil on canvas, feigned oval 76cm x 63cm (30in x 25in)

£1,500-2,000

$2,400-3,200

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

3 FB367/1 AFTER SIR PETER LELY HALF LENGTH PORTRAIT OF KING WILLIAM III IN ARMOUR Oil on canvas, feigned oval 76cm x 63cm (30in x 25in)

and a companion his wife Queen Mary mounted within the same frame (2) Note: The portrait of King William is based on an original in Syon House, that of Queen Mary on an original in the Queen’s Collection

£3,000-5,000

$4,800-8,000

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

4 FB367/3 FOLLOWER OF SIR GODFREY KNELLER HALF LENGTH PORTRAIT OF KING CHARLES II Oil on canvas, in shaped cartouche 75cm x 63cm (30in x 25in)

£1,500-2,000

$2,400-3,200

5 FB367/5 AFTER LOUIS TOCQUE HALF LENGTH PORTRAIT OF CHARLES EDWARD STUART THE YOUNG PRETENDER IN ARMOUR Oil on canvas 76cm x 63cm (30in x 25in)

£1,000-1,500

$1,600-2,400

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

6 FA230/2 MANNER OF JAN VAN DE MEER TENDING THE FLOCK Indistinctly signed and dated, oil on canvas laid down 13cm x 17cm (5in x 17.5in)

and a companion a pair (2) ÂŁ800-1,200

$1,280-1,920

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

7 FB347/2 FOLLOWER OF FRANCIA BIGIO MADONNA AND CHILD WITH ST.JOHN Oil on canvas, with the seal of the House of Savoy, Seal of Emmanuel verso, unframed 117cm x 89cm (46in x 35in) Note: This is a period variant without the figures around the well of the original in the Kunsthistoriches Museum in Vienna no.208 Provenance: Royal Scottish Academy The Veitch Bequest 1875 Note: The Veitch Bequest was a substantial acquisition of an Edinburgh collection of mostly non-British paintings generally described as Old Masters.

ÂŁ6,000-8,000

$9,600-12,800

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

8 FA161/9 AFTER HANS HOLBEIN HALF LENGTH PORTRAIT OF HENRY VIII Oil on panel, feigned oval 19cm x 15cm (7.5in x 6in)

£500-800

9 FB674/1 16TH CENTURY ENGLISH SCHOOL HEAD OF CHRIST Inscribed extensively: “THIS PRESENT FIGURE IS THE SIMILITUDE OF OUR LORDE IHV OUR SAVIOUR IMPRINTED IN AMIRALD BY THE PREDECESSORS OF THE GRETE TURKE AND SENT TO POPE INNOSENT THE VIII AT THE COST OF THE GREAT TURKE FOR A TOKEN FOR THIS CAUSE TO REDEME HIS BROTHER THAT WAS TAKEN PRISONER”,

oil on panel

27.5cm x 20cm (10.75in x 8in)

Note: This depiction of Jesus in profile is derived from an image engraved on the Emerald Vernicle in the collection of the Vatican. Like St.Veronica’s Veil and the Mandylion Edessa, the Emerald Vernicle, though not claimed as miraculous, was accepted as a portrait of Christ. Around 1429, Sultan Bajazet 11 of Constantinople, The Great Turk, gave the emerald, carved with the profile of Jesus, to Pope Innocent VIII. Bajazet proffered the emerald to ensure that his brother would remain in Papal custody, thus securing his own unhindered accession to the throne. The inscription below the portrait relates to this story, although the painter has changed the intention behind the gift.

£800-1,200

$1,280-1,920

$800-1,280

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

10 FB678/1 FOLLOWER OF SIR GODFREY KNELLER FULL LENGTH PORTRAIT OF KING WILLIAM III IN CEREMONIAL ROBES Oil on canvas 218.5cm x 142cm (86in x 56in) Note: A German-born pupil of Bol and Rembrandt, Godfrey Kneller became the leading portrait painter in the court of England in the late 17th and early 18th centuries. The present work is related to several other examples of Kneller’s portrait of William III (or “King Billy” as he was colloquially known amongst his Scots and Irish subjects), including that held in the Royal Collection. The work differs from the Royal Collection version in William’s choice of footwear, depicting him in red-heeled shoes. A traditional symbol of status which survives in the Louboutins of today, this sartorial choice echoes the Parisian fashions of his elegant foe, Louis XIV, whom Kneller also painted. For many years it has hung in an historic Irish household, where its elaborate crown-topped frame would have attested to the household’s loyalty to the throne.

£12,000-18,000 $19,200-28,800

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

11 FB207/1 17TH CENTURY GERMAN SCHOOL VIEW OF A FARMYARD WITH A CASTLE IN THE DISTANCE Oil on oak panel 18cm x 24.5cm (7in x 9.5in)

£1,500-2,000

12 FB54/1 FOLLOWER OF MATHYS SCHOEVAERDTS A BUSY COASTAL SCENE WITH FIGURES AND BOATS IN A HARBOUR Oil on panel 20cm x 24cm (8in x 9.5in)

£1,000-1,500

$1,600-2,400

$2,400-3,200

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

13 FB347/13 CIRCLE OF CARLO MARATTA THE ASSUMPTION OF THE VIRGIN Oil on canvas, unframed 133.5cm x 97.5cm (52.5in x 38.5in) Provenance: Royal Scottish Academy The Veitch Bequest 1875

ÂŁ3,000-4,000

$4,800-6,400

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

14 FB211/1 FOLLOWER OF ADAM FRANS VAN DER MEULEN THE SIEGE OF VIENNA Oil on canvas 48cm x 56cm (19in x 22in)

£1,000-1,500

$1,600-2,400

15 FB594/2 CIRCLE OF ORAZIO GREVENBROECK A BUSY PORT AT SUNSET Oil on canvas, unframed 33cm x 69cm (13in x 27in)

£600-800

16 FB54/2 MANNER OF VAN KESSEL MONKEY CARD PLAYERS Oil on card 18cm x 28cm (7in x 11in)

£400-600

$640-960

$960-1,280

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

17 FB347/9 17TH CENTURY ROMAN SCHOOL AN ITALIANATE LANDSCAPE WITH FIGURES AND ANIMALS BY RUINS Oil on canvas 50.5cm x 65cm (20in x 25.5in) Provenance: Royal Scottish Academy The Veitch Bequest 1875

£4,000-6,000

$6,400-9,600

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

18 FB589/1 REMBRANDT VAN RIJN (DUTCH 1606-1669) PEASANT CALLING OUT Etching, only state, Bartsch 177, stamped with a collector’s mark 11.2cm x 4.3cm (4.4in x 1.7cm)

and a pair ‘Peasant Replying’ (2) Provenance: ‘Peasant Calling Out’ bears the collector’s mark of Richard Houlditch died 1736, ‘Peasant Replying’ was in the collection of Rev. J.Burleigh James 1850

£8,000-12,000 $12,800-19,200

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

19 FA267/5 REMBRANDT VAN RIJN (DUTCH 1606-1669) SECOND ORIENTAL HEAD Etching 11/11,Bartsch 287 15.2cm x 12.7cm (6in x 5in) Note: A label attached to the print states that the etching was inspected by A.M.Hind of the British Museum

£5,000-7,000

$8,000-11,200

20 FB464/3 REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST DISPUTING WITH THE DOCTORS Etching, 65, Bartsch 13cm x 21.5cm (5in x 8.5in)

£2,000-3,000

$3,200-4,800

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

21 FB672/3 AFTER PIETER BRUEGHEL THE ELDER (FLEMISH c. 1525-1569) INVIDIA, FROM THE SEVEN DEADLY SINS Engraving, by P. van der Hayden, only state, with engraver's monogram and flower watermark 24cm x 29.2cm (9.4in x 11.5in) (plate size) 24cm x 33cm (9.5in x 13in) (sheet size)

£800-1,200

22 FB672/2 AFTER PIETER BRUEGHEL THE ELDER (FLEMISH c. 1525-1569) THE DEATH OF THE VIRGIN Engraving, by P. Galle, second state, with partially identifiable watermark 31cm x 41.6cm (12.2in x 16.4in) (plate size) 38cm x 49.4cm (15in x 19.25in) (sheet size) Note: Inscription reads 'Thus Philipp Galle copied the archetype by Pieter Bruegel', and 'Abraham Ortelius and his friend attended to its making', accompanied by three Latin quatrains.

£800-1,200

$1,280-1,920

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

23 FB672/1 AFTER PIETER BRUEGHEL THE ELDER (FLEMISH c. 1525-1569) SAINT JAMES VISITING THE MAGICIAN HERMOGENES Engraving, 1565, by P. van der Hayden, first state, with flower watermark 22cm x 29.3cm (8.7in x 11.5in) (plate size) 22.5cm x 30cm (8.75in x 12in) (sheet size) Note: Published by Hieronymous Cock 1565, inscription translated 'St James by devilish arts is placed before the magician'.

ÂŁ800-1,200

$1,280-1,920

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

24 FB347/15 ATTRIBUTED TO JAN FRANS VAN BLOEMEN FIGURES BY RUINS Oil on canvas 48cm x 37.5cm (19in x 14.75in) Provenance: Royal Scottish Academy The Veitch Bequest 1875

£2,000-3,000

25 FB347/14 ATTRIBUTED TO JAN FRANS VAN BLOEMEN FIGURES AND DOG BY RUINS Oil on canvas 43cm x 33.5cm (17in x 13.25in) Provenance: Royal Scottish Academy The Veitch Bequest 1875

£2,000-3,000

$3,200-4,800

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

26 FB270/1 AFTER LOUIS GABRIEL BLANCHET HALF LENGTH PORTRAIT OF BONNIE PRINCE CHARLIE Oil on canvas 71cm x 58cm (28in x 22.75in)

£6,000-8,000

$9,600-12,800

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

27 FA415/2 17TH CENTURY ANTWERP SCHOOL FOUR ELDERS OF THE CHURCH Oil on panel 55cm x 46cm (21.75in x 18in)

£1,000-1,500

28 FA415/1 JOHAN YKENS (17TH CENTURY FLEMISH) ALLEGORICAL FIGURE ALONGSIDE A BUST OF HOMER Signed, oil on panel, unframed (a fragment) 51cm x 23cm (20in x 9in)

£600-800

$960-1,280

$1,600-2,400

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

29 FB596/1 SIR HENRY RAEBURN R.A., R.S.A. (SCOTTISH 1756-1823) THREE-QUARTER LENGTH PORTRAIT OF GOVERNOR HENRY HAMILTON Oil on canvas 127cm x 101.5cm (50in x 40in) Note: This portrait dates circa 1785. It has been suggested that the sitter could be Colonel Henry Hamilton, whose portrait by James Tassie, dating from 1786, is in the Scottish National Portrait Gallery. Provenance: McCormick Sale, American Art Association, New York, 15th April 1920 With Knoedler, 1922 Mr and Mrs van Horn Ely, by whom given to the Phoenix Art Museum Anon. sale, Sotheby’s, 8th November 1995, lot 53 Exhibited: Chicago, The Art Institute, 1895 and 1919 Pittsburgh, Carnegie Institute, 1898 Boston, Copley Hall, 1900 Boston Art Students Association, no. 33

£15,000-20,000 $24,000-32,000

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

30 FB54/3 MANNER OF THOMAS PATCH AN ITALIANATE COASTAL VIEW WITH FISHERMEN UNLOADING THEIR CATCH Oil on canvas 61cm x 74cm (24in x 29.25in)

£1,500-2,000

31 FB347/10 CIRCLE OF JAN BOTH A WOODED LANDSCAPE WITH SHEPHERD BOY AND ANIMALS Oil on panel 58..5cm x 80cm (23in x 31.5in) Provenance: Royal Scottish Academy The Veitch Bequest 1875

£1,500-2,000

$2,400-3,200

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

32 FB347/1 18TH CENTURY FOLLOWER OF VERONESE THE TRIUMPH OF VENICE Oil on canvas, feigned oval 114.5cm 73.5cm (45.25in x 29cm) Note: The original of this painting hangs in the Palazzo Ducale, Venice. The ‘Ricci’ colouration suggests a late 17th/early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only “Veroneses and no more Riccis” Provenance: Royal Scottish Academy The Veitch Bequest 1875

£6,000-8,000

$9,600-12,800

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

33 EAA391/62 ATTRIBUTED TO JOHN HAYLS HALF LENGTH PORTRAIT OF A YOUNG MAN IN ARMOUR AND WHITE CRAVAT Oil on canvas 76cm x 63.5cm (30in x 25in)

£2,000-3,000

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

34 EAA567/3 STUDIO OF SIR GODFREY KNELLER (BRITISH 1646-1723) THREE-QUARTER LENGTH PORTRAIT OF THE DUKE OF SCHOMBERG Oil on canvas 127cm x 101cm (50in x 40in) Note: The Duke of Schomberg (1616-1690) is spectacular subject matter for a formal portrait, depicting one of the great professional soldiers and military leaders of 17th century Europe, the ‘Ablest Soldier of his Age’, as Matthew Glozier has sub-titled his recent biography of the Heidelberg-born Mashal Schomberg. An orphan from an early age, he began his career in the service of Frederick Henry, Prince of Orange, eventually serving Sweden, France, the Dutch Republic, Brandenburg and Britain in their military endeavours. He was a Marshal of France and a General in the English and Portuguese armies, was awarded the title of Count of Mértola by the King of Portugal, the Order of the Garter and created Duke of Schomberg in the English Peerage. As historians have noted, Schomberg was one of the last international soldiers and military leaders, prospering at a time when borders in Europe were more permeable and there was a constant need for experienced military leaders. That became less the case towards the end of the seventeenth century when different governments took more control of their armies. An inflexible Protestant, Schomberg married a French Huguenot woman and eventually led William II’s armies against the Jacobite supporters of James II in Ireland, second-in-command to the Prince of Orange. He died at the Battle of the Boyne on 1st July 1690 whilst crossing the Boyne river and rallying his men and is buried in St Patrick’s Cathedral.

£2,500-4,000

$4,000-6,400

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

35 FB673/1 ANDRIES DE CONINCK (FLEMISH fl. 1643-1659) A STILL LIFE OF LOBSTER, FRUIT AND OBJETS ON A TABLE-TOP WITH A VIEW THROUGH A WINDOW BEYOND Oil on canvas 113.5cm x 159cm (44.75in x 62.5in ) Note: In a letter of 2007 Dr. Fred Meier of RKD confirmed the attribution to Andries de Coninck on the basis of a transparency and it is recorded on their database no.71824

ÂŁ18,000-25,000 $28,800-40,000

LYON & TURNBULL old master paintings, drawings & prints wednesday, september 28th, 2011

36 EAA560/2 AFTER RAPHAEL THE CONESTABILE MADONNA Oil on panel, circular 20cm (8in) diameter Note: The original is in the Hermitage.

£800-1,200

$1,280-1,920

37 FB594/1 AFTER RAPHAEL THE TRANSFIGURATION Oil on canvas 131cm x 88cm (51.5in x 34.5in) Note: The original painting was Raphael’s last and is in the Pinoteca Vaticana

£1,500-2,000

38-50 No lots

END OF DAY ONE

$2,400-3,200

Lyon & Turnbull Standard Terms & Conditions of Sale

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

1. DEFINITIONS

(a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 1.5% (VAT included) when using credit cards). We do not accept American Express.

In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 17.5%. All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax

6. PAYMENT (1) Immediately a lot is sold you will:

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract;

in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

GENERAL 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

13. TERMS OF SALE

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

(1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot.

(d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(2) If a vendor wishes to withdraw a lot consigned for sale, a withdrawal fee will apply; this will be charged at 15% of the mid estimate with any photography charges incurred and all subject to VAT at the current rate.

(h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

(c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

12. AGENCY

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT)

(f) to retain that or any other lot sold to you until you pay the total amount due;

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

10. COMMISSION BIDS

(b) to rescind the sale of that lot and/or any other lots sold by us to you;

(e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale;

price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

Fine Paintings Thursday 1st December, 2011 33 Broughton Place, Edinburgh EH1 3RR

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823) THREE-QUARTER LENGTH PORTRAIT OF ELIZABETH DOUGLAS Oil on canvas 125cm x 100cm (49in x 39.5in)

£15,000-20,000 (£24,00-32,000)

SIR HENRY RAEBURN R.A. (SCOTTISH 1756-1823) THREE-QUARTER LENGTH PORTRAIT OF JAMES DOUGLAS Oil on canvas 125cm x 100cm (49in x 39.5in)

£15,000-20,000 (£24,00-32,000)

Further entries invited until October 20th

Viewing times Sunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pm Morning of Sale by appointment only

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

www.lyo nandturnbull.co m

Upcoming at Freeman’s Auction Sunday December 4th at 2pm Exhibitions Wednesday November 30th Thursday December 1st Friday December 2nd Saturday December 3rd Please contact the department or www.freemansauction.com for further details

Fine American & European Paintings & Sculpture 12/04/11 Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com david weiss direct tel: 267-414-1214 dweiss@freemansauction.com

EDWARD WILLIS REDFIELD (american 1869-1965) "CANAL AT LAMBERTVILLE" (detail) Signed 'E.W. REDFIELD' lower left, oil on canvas 32 1/4 x 39 1/2 in. (81.9 x 100.3cm) $150,000-250,000 (£93,750-156,250)

maya o’donnell-shah direct tel: 267-414-1210 mshah@freemansauction.com Catalogue $35

w w w.f re e m a n s a u c t i o n .co m

The International Sale Old Master Paintings, Drawings & Prints

Session Two Friday, October 7th 2011 at 11am Freemanâ&#x20AC;&#x2122;s 1808 Chestnut Street Philadelphia PA 19103

Important Information for Buyers at Freeman’s

Registration

Buyer’s Premium

Sales Tax

All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment

Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed by October 14th at 3pm. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

51 11-1537/39 ANTHONY VAN DYCK (FLEMISH 1599-1641)

“CHRIST CROWNED WITH THORNS” Circa 1631. Etching 10 5/16 x 8 5/16 in. (26.2 x 21.1cm)

[Hollstein, 20] Provenance: Colnaghi, London (according to a handwritten note on verso of framing).

$500-700

£310-440

52 11-1857/3 TWO ETCHINGS

ANTHONY VAN DYCK (FLEMISH 1599-1641)

“FRANS SNYDERS” Circa 1622-1625. Etching 9 11/16 x 6 1/8 in. (24.6 x 15.6cm)

[Hollstein, 11] and “ADAM VAN NORT” Circa 1645. Etching 9 5/8 x 6 3/16 in. (24.5 x 15.7cm)

[Hollstein, 8] (2) $1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

53 11-1537/37 ANTONIO CANAL, CALLED CANALETTO (ITALIAN 1697-1768)

“PAESAGGIO CON TORRE E DUE PILASTRI IN ROVINA” Circa 1740. Etching 5 11/16 x 8 3/16 in. (14.4 x 20.8cm)

[Bromberg, 28 II/II] $500-700

£310-440

54 11-1537/3 ATTRIBUTED TO ANTONIO VISENTI (ITALIAN 1688-1782)

PALAZZO DELL’BORI, VENEZIA Located and inscribed at lower right and lower center, ink and gray wash on paper 14 1/4 x 20 3/4 in. (36.2 x 52.7cm) Provenance: Lucien Goldschmidt, Inc., New York.

$1,000-1,500

£625-940

55 11-1537/36 ANTONIO CANAL, CALLED CANALETTO (ITALIAN 1697-1768)

“PRÀ DELLA VALLE” Circa 1740. Etching 11 7/8 x 17 1/8 in. (30.2 x 43.5cm)

[Bromberg, 8 I/III] Provenance: Lucien Goldschmidt Inc., New York.

$1,500-2,000

£940-1,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

56 11-1537/186 FOUR PRINTS

GIOVANNI BATTISTA VINCENTINO PITTONI, THE ELDER (ITALIAN 1520-1583) FOUR ETCHINGS

FROM “PRAECIPUA ALIQUOT ROMANAE ANTIQUITATIS RUINARUM MONIMENTA” 1561 (4) (plate 2) 9 1/16 x 12 1/4 in. (23 x 31.1cm) (plate 10) 9 1/8 x 13 in. (23.2 x 33cm) (plate 12) 8 1/2 x 12 11/16 in. (21.6 x 32.2cm) (plate 27) 8 3/16 x 12 5/16 in. (20.8 x 31.3cm)

$1,200-1,800

57 11-1857/4 SEVEN PRINTS

AEGIDUS SADELER II (FLEMISH CIRCA 1570-1629)

“VIRGIN AND CHILD ON A GRASSY BANK” (AFTER ALBRECHT DURER) Circa 1660. Engraving [Hollstein, 72] together with six portrait etchings AFTER SIR ANTHONY VAN DYCK "CAESAR ALEXANDER SCAGLIA", "CLARISSIMUS DIODORUS TULDENUS", "GASPAR DE CRAYER", "JOHANNES SNELLINEX", "JOHANNES VAN MILDER" and "PETRUS DE IODE JUNIOR"

each unframed (7) various sizes

$800-1,200

£500-750

£750-1,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

58 11-1857/1 ALBRECHT DURER

59 11-1857/2 REMBRANDT VAN RIJN

(GERMAN 1471-1528)

(DUTCH 1606-1669)

“VIRGIN SURROUNDED BY MANY ANGELS” 1518. Woodcut, unframed 11 7/8 x 8 1/2 in (30.2 x 21.6cm)

“JAN CORNELIS SYLVIUS, PREACHER” 1633. Etching, drypoint and engraving, unframed

[Bartsch, 101; Hollstein, 101]

6 1/2 x 5 9/16 in. (16.5 x 14.1cm)

$600-800

£375-500

[Bartsch, 266; Hollstein 266; Usticke’s second state (of three)] $2,000-3,000

60 11-1852/1 GEORG PENCZ (GERMAN 1500-1550)

“JOSEPH ERZÄHLT SEINE TRAUME” PLATE 1 FROM “DIE GESCHICHTE JOSEPHS”

1544. Engraving 4 3/8 x 2 15/16 in. (11.1 x 7.5cm)

[Bartsch, 91] (2) $500-700

£310-440

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

61 11-1775/4 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“THE FLIGHT INTO EGYPT: A NIGHT PIECE” 1651. Etching 5 1/16 x 4 5/16 in. (12.9 x 11cm)

[Bartsch, 53; Hollstein, 53; Usticke’s sixth state (of nine) (Basan impression)] $1,200-1,800

£750-1,125

62 11-1009/2 REMBRANDT VAN RIJN

63 11-1775/19 REMBRANDT VAN RIJN

(DUTCH 1606-1669)

“THE PANCAKE WOMAN” 1635. Etching, in an antique saltwood, elm and mohogany frame with decorated bone inlay

“THE FIRST ORIENTAL HEAD” Etching

4 3/8 x 3 1/8 in. (11.1 x 7.9cm)

[Bartsch, 124; Hollstein, 124; Usticke’s second state (of six)] $3,000-5,000

£1,875-3,1255

5 3/16 x 4 15/16 in. (13.2 x 12.5cm)

[Bartsch, 286; Hollstein, 286; Usticke’s only state (l) (from the Swedish plate)] $1,500-2,500

£938-1,563

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

64 11-1775/8 REMBRANDT VAN RIJN

65 11-1775/16 REMBRANDT VAN RIJN

(DUTCH 1606-1669)

“THE GOLDSMITH” 1655. Etching

“THE LITTLE JEWISH BRIDE (SASKIA AS SAINT CATHERINE)” 1638. Etching

3 x 2 3/16 in. (7.6 x 5.6cm)

[Bartsch, 123; Hollstein, 123; Usticke’s second state (e) (of 3) (Basan impression)] $1,200-1,800

£750-1,125

4 3/8 x 3 1/16 in. (11.1 x 7.8cm)

[Bartsch, 342; Hollstein, 342; Usticke’s only state] $1,000-2,000

66 11-1775/9 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“CHRIST CRUCIFIED BETWEEN TWO THIEVES: AN OVAL PLATE” Circa 1641. Etching 5 5/16 x 3 15/16 in. (13.5 x 10cm)

[Bartsch, 79; Hollstein, 79; Usticke’s second state (of three)] $2,000-3,000

£1,250-1,875

£625-1,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

67 11-1775/3 REMBRANDT VAN RIJN

68 11-1775/10 REMBRANDT VAN RIJN

(DUTCH 1606-1669)

“NUDE MAN SEATED, ANOTHER STANDING WITH A WOMAN AND A BABY” Circa 1646. Etching

“THE ARTIST DRAWING FROM A MODEL” Circa 1646. Etching

7 5/8 x 5 in. (19.4 x 12.7cm)

[Bartsch, 192; Hollstein, 192; Usticke’s second state (of two) (Basan impression)]

[Bartsch, 194; Hollstein, 194; Usticke’s seventh state (of seven) (Bernard impression)] $1,000-1,500

9 1/8 x 7 1/4 in. (23.2 x 18.4cm)

$2,000-3,000

£1,250-1,875

£625-940

69 11-1775/11 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“THE CIRCUMSICION IN THE STABLE” 1654. Etching 3 3/4 x 5 11/16 in. (9.5 x 14.4cm)

[Bartsch, 47; Hollstein, 47; Usticke’s second state (of two) (Basan impression)] $1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

70 11-1775/13 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“BEGGARS RECEIVING ALMS AT THE DOOR” 1648. Etching 6 3/8 x 5 1/16 in. (16.2 x 12.6cm)

[Bartsch, 176; Hollstein, 176; Usticke’s fifth state (of six) (Basan impression)] $1,500-2,000

71 11-1775/7 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“THE STONING OF ST. STEPHEN” 1635. Etching 3 3/4 x 3 3/8in. (9.5 x 8.6cm)

[Bartsch, 97; Hollstein, 97; Usticke’s second state (of four) (Basan impression)] $1,000-1,500

£625-940

£940-1,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

72 11-1775/14 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“THE BAPTISM OF THE EUNUCH” 1641. Etching 7 1/8 x 8 3/8 in. (18.1 x 21.3cm)

[Bartsch, 98; Hollstein, 98; Usticke’s fourth state (of four) (Basan impression)] $2,000-3,000

73 11-1775/15 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“OLD MAN WITH BEARD, FUR CAP & VELVET CLOAK” 1632. Etching 4 1/4 x 3 3/16 in. (10.8 x 8.1cm)

[Bartsch, 262; Hollstein, 262; Usticke’s third state (of three) (from the ‘Collection of 200 Etchings’ 1816)] $1,000-1,500

£625-940

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

74 11-1506/12 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“CHRIST AND THE WOMAN OF SAMARIA AMONG RUINS” 1634. Etching 4 7/8 x 4 5/16 in. (12.4 x 11cm)

[Bartsch, 71; Hollstein, 71; Usticke’s second state (i) (of four) (Basan impression)] $3,000-5,000

75 11-1775/17 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“WOMAN AT A DOOR HATCH TALKING TO A MAN AND CHILDREN” 1641. Etching 3 11/16 x 2 7/16 in. (9.4 x 6.2cm)

[Bartsch, 128; Hollstein, 128; Usticke’s second state (of three) (Basan impression)] $1,500-2,500

£938-1,563

£1,875-3,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

76 11-1775/6 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“THE CARD PLAYER” 1641. Etching 3 7/16 x 3 1/8 in. (8.7 x 7.9cm)

[Bartsch, 136; Hollstein, 136; Usticke’s fourth state (of four) (Basan impression)] $1,200-1,800

£750-1,125

77 11-1775/12 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“THE CRUCIFIXION: SMALL PLATE” Circa 1635. Etching 3 3/4 x 2 5/8 in. (3.8 x 2.6cm)

[Bartsch, 80; Hollstein, 80; Usticke’s first state (l) (of four) (Basan impression)] $700-1,000

£438-625

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

78 11-1779/1 REMBRANDT VAN RIJN (DUTCH 1606-1669)

“NAKED WOMAN SEATED ON A MOUND” Circa 1631. Etching with Powderhorn watermark and inscribed ‘Pm 1681’ in ink verso, unframed 7 x 6 5/16 in. (17.8 x 16cm)

[Bartsch, 198; Hollstein, 198; Usticke’s fourth state (of five)] Provenance: (ex-collection) Pierre Mariette.

$6,000-10,000

£3,750-6,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

79 10-2295/1 CLAUDE-FÉLIX-THÉODORE ALIGNY, KNOWN AS THÉODORE CAROUELLE D’ALIGNY (FRENCH 1798-1871)

GORGES D’APREMONT Inscribed lower left, ink on paper 11 1/4 X 17 1/2 in. (28.6 x 44.5cm) Note: We wish to thank Alexandra Murphy for her assistance in cataloguing this lot. This lot will be accompanied by a letter of authenticity signed by Ms. Alexandra Murphy and dated March 7, 2001.

$1,000-1,500

£625-940

80 10-2295/3 JEAN-FRANCOIS MILLET (FRENCH 1814-1875)

STUDY OF A NUDE FOR ‘LES CONFIDENCES’ Executed circa 1846-8, crayon noir on paper, with ‘J.F.M.’ studio stamp lower left 3 1/8 X 6 1/2 in. (7.9 x 16.5cm) Note: The present drawing is thought to be a preparatory study for the larger, more finished Millet drawing in the Cabinet des Dessins, Museé du Louvre. We wish to thank Alexandra Murphy for her assistance in cataloguing this lot. This lot will be accompanied by a letter of authenticity signed by Ms. Alexandra Murphy and dated March 7, 2001.

$2,000-3,000

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

81 11-1694/2 TWO WORKS ON PAPER

ITALIAN SCHOOL 17TH-18TH CENTURY

THE CRUCIFIXION, WITH SKETCHES VERSO Red chalk on paper 11 5/16 x 8 7/16 in. (28.7 x 21.4cm)

and CIRCLE OF ROTTENHAMMER (GERMAN 1564-1625)

THE BEHEADING OF SAINT JOHN THE BAPTIST Inscribed in part ‘Rottenhammer’ in pencil verso, and with ‘A.V. Wurzbach’ stamp and exhibition sticker verso, brown ink with gray washes on laid paper (2) 4 15/16 x 3 1/4 in. (12.5 x 10.8cm) Provenance: (ex-collection) A.V. Wurzbach.

$1,000-1,500

82 11-1793/1 ITALIAN SCHOOL 17TH-18TH CENTURY

FEEDING THE LIVESTOCK Signed with indecipherable monogrammed signature lower right, sepia ink and wash on paper 12 1/2 x 18 in. (31.8 x 45.7cm)

$600-800

£375-500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

83 11-1504/1 FRANCESCO ZUCCARELLI (ITALIAN 1702-1788)

STANDING MALE NUDE WITH HIS ARM ON A LEDGE Inscribed ‘P.H.’ lower left, and with unidentified stamp lower right, sepia ink and wash heightened with white on brown paper 8 3/4 x 6 1/16 in. (22.2 x 15.4cm) Provenance: Sotheby’s New York, sale of January 25, 2002, lot 110. (according to label verso) Colnaghi & Co. Ltd. London.

$2,500-3,500

£1,560-2,200

84 10-8108/37 JEAN-MICHEL MOREAU, CALLED MOREAU LE JEUNE (FRENCH 1741-1814)

THE FOUR CONTINENTS WITH BENJAMIN FRANKLIN AS THE PERSONIFICATION OF AMERICA BEFORE AN ALLEGORY OF RELIGION, ERMENONVILLE AND THE TOMB OF ROUSSEAU SEEN BEYOND Black and sepia ink, wash and pencil on paper 7 1/8 x 10 7/8 in. (18.1 x 27.6cm) Provenance: Christie’s, New York, sale of January 25, 2007, lot 85. Note: Engraved by André Macret (1775-1789) in 1785, with numerous differences.

$3,000-4,000

£1,875-2,500

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

85 10-8107/1 CIRCLE OF CARLO MARATTA (ITALIAN 1625-1713)

ANTIOPE AND CUPID Oil on canvas 25 1/2 x 19 1/4 in. (64.8 x 48.9cm)

$4,000-6,000

86 10-2035/1 FOLLOWER OF VINCENZO MANNOZZI (ITALIAN D. 1657)

OLYMPIA ABANDONED BY BIRENO Oil on canvas 66 7/8 x 89 in. (169.9 x 226.1cm) Provenance: Sotheby’s, New York, sale of January 29, 2010, lot 725.

$2,000-4,000

£1,250-2,500

£2,500-3,750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

87 11-1566/2 ATTRIBUTED TO GIOVANNI BATTISTA BEINASCHI (ITALIAN 1636–1688)

DIOGENES SEATED IN HIS BARREL DISCUSSING PHILOSOPHY WITH TWO DISCIPLES Oil on canvas 72 x 48 in. (182.9 x 121.9cm) Provenance: Sotheby’s, New York, sale of October 17, 1997, lot 126.

$8,000-12,000

£5,000-7,500

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

88 11-1952/3 FOLLOWER OF FRANCESCO SOLIMENA (ITALIAN 1657-1747)

HOLY FAMILY Oil on canvas 14 3/8 x 11 1/2 in. (36.5 x 29.2cm)

$1,500-2,500

89 11-1792/8 GIOVANNI DOMENICO VALENTINO (ITALIAN ACT. 1661-1681)

FIGURES READING IN A KITCHEN INTERIOR Signed with initials ‘G.D.V.R.’ on pot at lower right, oil on canvas 19 x 25 in. (48.3 x 63.5cm)

$2,500-3,500

£1,560-2,200

£938-1,563

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

90 11-1850/1 NORTHERN ITALIAN SCHOOL 17TH CENTURY

PUTTI Oil on canvas, in an architectural frame 28 x 25 in. (71.1 x 63.5cm) Provenance: (according to typed and printed label verso) Olive P. Eggleston, Philadelphia, 1936, purchased as Alonzo Miquel de Lahar (Torar), ‘Infants at Play’.

$4,000-6,000

£2,500-3,750

91 09-1958/1 FOLLOWER OF CARLO SARACENI (ITALIAN CIRCA 1579-1620)

THE MADONNA AND CHILD WITH SAINT ANNE AND AN ANGEL Oil on canvas laid on panel 30 3/4 x 42 7/8 in. (78.1 x 108.9cm) Literature: For an autograph version of this composition, please see Anna Ottani Cavina, ‘Saraceni: tre dipinti, qualche dato’ in Scritti in Onore di Giuliano Briganti,’ Milan, 1990, pp. 160-7, fig. 2.

$2,000-3,000

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

92 07-8003/8 MANNER OF MARCO D’OGGIONO

93 11-5035/9 CIRCLE OF CARLO CERESA

(ITALIAN 1470-1549)

CHILD WITH DOG IN INTERIOR Oil on canvas

(ITALIAN 1609-1679)

MADONNA AND CHILD Oil on cradled panel, painted in the oval 14 1/2 x 13 1/4 in. (36.8 x 33.7cm)

$800-1,200

£500-750

94 11-1692/3 FOLLOWER OF MATTIA PRETI (ITALIAN 1613-1699)

HEAD OF A MALE SAINT Inscribed ‘Anibale Caracci Bologniese’, (sic) verso, oil on canvas, unframed 14 x 10 5/8 in. (35.6 x 27cm)

$500-700

£310-440

26 1/4 x 19 1/2 in. (66.7 x 49.5cm)

$1,200-1,800

£750-1,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

95 11-8051/13 AFTER TITIAN (ITALIAN CIRCA 1485-1576)

PORTRAIT OF A KNIGHT OF MALTA Oil on canvas, unframed 35 x 59 in. (88.9 x 73.7cm) Note: After the original by Titian in the Uffizi Gallery, Florence.

$800-1,200

£500-750

97 09-1380/23 ITALIAN SCHOOL 19TH CENTURY

PORTRAIT OF A SEATED BOY IN THREE-QUARTER PROFILE Oil on canvas, framed in the oval 11 1/2 x 9 3/8 in. (29.2 x 23.8cm)

$1,000-1,500

£625-940

96 11-8051/9 FOLLOWER OF POMPEO BATONI (ITALIAN 1708-1787)

PORTRAIT OF A GENTLEMAN IN A GREY COAT Oil on canvas, unframed 30 x 25 in. (76.2 x 63.5cm)

$1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

98 11-1792/2 FOLLOWER OF GIUSEPPE LAVAGNA (ITALIAN CIRCA 1684-CIRCA 1723)

OUTDOOR STILL LIFE WITH MIXED FLOWERS, FIGURES AND BIRDS Pair of shaped oils on canvas, in gilded, polychrome Venetian style architectural frames (2) 17 1/4 x 42 3/4 in. (43.8 x 108.6cm) (each)

$5,000-7,000

£3,125-4,375

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

99 11-1792/1 NEAPOLITAN SCHOOL 18TH CENTURY

MIXED FLOWERS IN AN URN Oil on canvas, unframed 29 5/8 x 23 5/8 in. (75.2 x 60cm)

$1,200-1,800

£750-1,125

100 11-1792/4 MANNER OF GENNARO GRECO, CALLED ‘IL MASCACOTTA’ (ITALIAN 1663-1714)

CAPRICCIO WITH TRAVELERS Oil on canvas, unframed 11 1/8 x 31 7/8 in. (28.6 x 81cm)

$1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

101 11-1798/8 VENETIAN SCHOOL 18TH CENTURY

A MUSICAL TRIO and MAIDEN WITH TAMBOURINE Pair oils on canvas laid on panel, ovals (2) 13 3/4 x 18 5/8 in. (34.9 x 47.3cm) (each) Provenance: M. Fiorillo, Philadelphia, Pennsylvania.

$6,000-8,000

£3,750-5,000

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

102 11-1792/3 NEAPOLITAN SCHOOL 18TH CENTURY

STILL LIFE WITH MIXED FLOWERS and a companion, pair oils on canvas (2) 17 3/8 x 29 1/2 in. (44.1 x 74.9cm) (each)

$3,000-5,000

£1,875-3,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

103 11-8050/1 CIRCLE OF PIETER COECK VAN AELST THE ELDER (FLEMISH 1502-1550)

VIRGIN AND CHILD Oil on panel, in a period polychrome and parcel gilt frame, inscribed with 'OH GLORIOSA DOMINA / EXCELSA SUPER SYDERA / LACTASTI SACRO UBERE / QUI TE CREAVIT, PROVIDE' 23 1/2 x 17 1/4 in. (56.7 x 43.8cm)

$12,000-18,000 £7,500-11,250

FREEMANâ&#x20AC;&#x2122;S old master paintings, drawings & prints friday, october 7th, 2011

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

104 11-1803/103 CIRCLE OF JAN ANTHONISZ VAN RAVESTEYN

105 11-1697/2 FOLLOWER OF ARTUS WOLFAERTS

(DUTCH CIRCA 1570-1657)

(FLEMISH 1581-1641)

PORTRAIT OF A WOMAN WEARING A WHITE RUFF AND LACE COLLAR Oil on panel, unframed

MALE SAINT Oil on cradled panel 25 1/4 x 19 3/8 in. (64.1 x 49.2cm)

$1,000-1,500

£625-940

21 1/2 x 19 7/8 in. (54.6 x 35.2cm) Note: Panel in two unjoined sections.

$2,000-3,000

£1,250-1,875

106 11-1000/8 FOLLOWER OF GERRIT VON HONTHORST (DUTCH 1590-1656)

PORTRAIT OF A GENTLEMAN, POSSIBLY PRINCE RUPERT OF THE RHINE, IN AN ERMINE ROBE Oil on canvas 27 3/4 x 22 3/4 in. (70.5 x 57.8cm)

$1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

107 11-1855/2 SCHOOL OF ANTHONY VAN DYCK (FLEMISH 1599-1641)

THOMAS WENTWORTH, FIRST EARL OF STRAFFORD, IN ARMOR Oil on canvas 49 1/4 x 39 in. (125.1 x 99cm) Provenance: David Cooke, United Kingdom. Note: The present composition directly relates to Van Dyck’s portrait of Wentworth in the Collection of the National Trust, Petworth House, Sussex.

$5,000-7,000

£3,125-4,375

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

108 11-1798/5 CIRCLE OF JUSTUS SUSTERMANS (FLEMISH 1597-1681)

DUCHESS OF TUSCANY Oil on canvas 25 3/4 x 19 1/4 in. (65.4 x 48.9cm) Provenance: (according to label Inscribed in Italian on verso, and typed label verso) Grand Duchess of Tuscany. Presented to the above on July 15, 1661 by the Marquis Colui. The family of the Count of C***oi.

$2,500-3,500

109 11-1858/1 ATTRIBUTED TO CLAUDE LEFEBVRE (FRENCH 1632-1675)

LADY WITH PEARLS AND PINK SATIN DRESS Oil on canvas 25 1/2 x 19 3/4 in. (64.8 x 50.2cm) Provenance: Anonymous sale, Christie’s, New York, circa 1978.

$8,000-12,000

£5,000-7,500

£1,563-2,200

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

110 10-1993/5 CONTINENTAL SCHOOL CIRCA 1840

YOUNG MAN WITH VIOLIN BEFORE A CASEMENT Oil on canvas 25 1/2 x 21 3/8 in. (64.8 x 54.3cm) Provenance: (according to inventory label verso) Le Garde Meuble Public, Bedel & Cie., Paris under inventory number 7778. Note: The present painting is likely based on, or influenced by, Dutch 17th Century painters, notably the ‘Leidse Fijnechilders’ (Leiden Fine Painters).

$10,000-15,000

£6,250-9,375

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

111 11-1787/1 ATTRIBUTED TO SIR PETER LELY (BRITISH 1618-1680)

AN ELEGANT LADY, BELIEVED TO BE COUNTESS ANNE, SEATED IN A LANDSCAPE Oil on canvas 50 3/8 x 39 15/16 in. (128 x 101.4cm)

$7,000-10,000

£4,375-6,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

112 11-1797/1 CIRCLE OF ADRIAEN HANNEMAN (DUTCH CIRCA 1601-1671)

YOUNG MAN IN INTERIOR, THE VIRGIN, CHRIST CHILD AND SAINT PETER IN THE DISTANCE Oil on canvas 42 x 44 in. (106.7 x 111.8cm)

$12,000-18,000 £7,500-11,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

113 05-1071/1 FOLLOWER OF DAVID TENIERS, THE YOUNGER (DUTCH 1610-1690)

INTERIOR OF AN INN WITH PEASANTS MERRYMAKING Oil on canvas. 16 x 23 in. (40.6 x 58.4cm)

$1,000-1,500

£625-940

114 11-8051/20 FOLLOWER OF ADRIAEN JANSZ VAN OSTADE (DUTCH 1610-1685)

PEASANTS IN AN INTERIOR Oil on panel, unframed 8 3/4 x 12 3/8 in. (22.2 x 31.4cm)

$800-1,200

£500-750

115 11-1163/58 FOLLOWER OF CORNELIS VAN ESSEN (DUTCH CIRCA 1690-CIRCA 1710)

VILLAGE SCENE WITH PRISONERS IN STOCKADE AND ONLOOKERS Oil on cradled panel 24 1/8 x 28 5/8 in. (61.3 x 72.7cm)

$800-1,200

£500-750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

116 11-1396/1 FOLLOWER OF GERARD TER BORCH THE YOUNGER (DUTCH 1617-1681)

WOMAN DRINKING Oil on panel 13 1/8 x 10 in. (33.3 X 25.4cm) Note: The present painting derives from Ter Borch’s ‘Woman Drinking’ in the Frankfurt Museum.

$1,500-2,000

£940-1,250

117 11-1799/1 MANNER OF QUENTIN METSYS (MASSYS) THE ELDER (FLEMISH 1466-1530)

LAMENTATION OF CHRIST Oil on cradled panel 35 3/8 x 31 1/8 in. (89.9 x 79.1cm)

$3,000-5,000

£1,875-3,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

118 11-1950/1 FOLLOWER OF SIR PETER PAUL RUBENS (FLEMISH 1577-1640)

THE FALL OF MAN WITH A SURROUND OF SEVEN GREEK GODS Oil on canvas 32 x 25 in. (81.3 x 63.5cm)

$6,000-8,000

£3,750-5,000

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

119 11-1952/2 MANNER OF GERRIT DOU (DUTCH 1613-1675)

SAINT JEROME Oil on canvas 16 7/8 x 13 1/2 (42.9 x 34.3cm)

$2,500-3,500

£1,560-2,200

120 11-1697/1 CIRCLE OF HENDRICK FRANS VAN LINT (FLEMISH 1684-1763)

COLOSSEUM, ROME Oil on canvas 11 1/8 x 15 1/2 in. (28.3 x 39.4cm)

$5,000-7,000

£3,125-4,375

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

121 11-1792/5 MANNER OF ADRIEN DE GRYEF (FLEMISH 1657-1715)

STILL LIFE WITH HARE AND GAME BIRDS and STILL LIFE WITH PHEASANT AND WOODCOCK Pair oils on panel (2) 7 7/8 x 9 7/8 in. (20 x 25.1cm) (each)

$1,000-1,500

£625-940

122 11-1566/1 FOLLOWER OF JAN FYT (FLEMISH 1611-1661)

STILL LIFE WITH HARE Oil on canvas laid on panel 31 1/8 x 24 1/4 in. (79.1 x 61.6cm)

$1,000-1,500

£625-940

123 11-1854/1 FOLLOWER OF PAUL DE VOS (FLEMISH 1595-1678)

DOGS AND CATS FIGHTING IN A LANDSCAPE Oil on canvas 26 x 33 1/4 in. (66 x 84.5cm)

$2,000-3,000

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

124 11-1495/1 FOLLOWER OF JAN-BAPTISTE BOSSCHAERT (BELGIAN 1677- CIRCA 1746)

STILL LIFE WITH TULIPS, PEONIES, AND CONVOLVULUS IN A CLASSICALLY DECORATED BOWL UPON A LEDGE Oil on canvas 18 3/4 x 14 1/2 in. (47.6 x 36.8cm)

$2,500-3,500

£1,560-2,200

125 11-1792/6 FOLLOWER OF THOMAS WYCK (DUTCH CIRCA 1616-1677)

LANDSCAPES WITH TRAVELERS Six oils on canvas, framed together 2 3/4 x 4 1/2 in. (7 x 11.4cm) (each) 9 1/4 x 9 1/2 in. (23.5 x 24.1cm) (overall, sight)

$2,500-3,500

£1,560-2,200

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

126 11-1699/1 ATTRIBUTED TO GASPAR PIETER VERBRUGGEN THE YOUNGER (FLEMISH 1664-1730)

FLORAL GARLANDS ADORNING AN URN UPON A LEDGE Oil on canvas 52 1/2 x 39 1/2 in. (133.4 x 102cm)

$20,000-30,000 £12,500-18,750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

127 11-8051/4 MANNER OF JAN VAN HUYSUM (DUTCH 1682-1749)

MIXED FLOWERS IN AN URN WITH BIRD’S NEST, ALL UPON A STONE LEDGE Oil on panel, unframed 23 9/16 X 18 3/4 in. (59.8 x 47.6cm)

$800-1,200

£500-750

128 11-1782/2 FOLLOWER OF SIMON PIETERSZ VERELST (DUTCH 1644-1721)

ROSES, CHRYSANTHEMUMS, BLUEBELLS AND OTHER FLOWERS IN A GLASS VASE UPON A STONE LEDGE WITH HOVERING BUTTERFLY, HOUSEFLIES AND LADYBUG Oil on canvas 17 5/8 x 13 5/8 in. (44.8 x 34.6cm)

$3,000-5,000

£1,875-3,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

129 11-1338/1 CIRCLE OF ABRAHAM JANSZ STORCK (DUTCH 1644-1708)

SHIPS IN A MEDITERRANEAN PORT Oil on canvas 24 3/4 x 33 1/4 in. (62.9 x 84.5cm)

$3,000-5,000

130 11-1856/1 JOHANNES CHRISTIAAN SCHOTEL (DUTCH 1787-1838)

SHIP IN DISTRESS Signed ‘J.C. Schotel’ lower right, oil on canvas 21 3/4 x 27 3/4 in. (55.2 x 70.5cm) Provenance: Sotheby’s New York, sale of January 29, 2005, lot 119.

$7,000-10,000

£4,375-6,250

£1,875-3,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

131 11-8031/1 FOLLOWER OF JAN PORCELLIS (DUTCH 1584- CIRCA 1632)

SHIPS IN A STORMY ESTUARY Oil on panel 17 3/4 x 29 3/4 in. (45.1 x 75.6cm)

$4,000-6,000

£2,500-3,750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

132 11-8041/5 MANNER OF ROSE ADELAÏDEDUCREUX (FRENCH 1761-1802)

A YOUNG WOMAN HOLDING A BOOK Oil on canvas, inscribed ‘Mlle Duthe by Vigée Le Brun’ in a fine, period carved and gessoed giltwood frame 23 x 18 1/8 (58.4 x 46cm)

$3,000-5,000

£1,875-3,125

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

133 11-1797/2 CIRCLE OF CHARLES BEAUBRUN (FRENCH 1604-1692)

PORTRAIT OF A NOBLE WOMAN Inscribed indistinctly upper left, oil on cradled panel 12 x 9 1/2 in. (30.5 x 24.1cm)

$2,500-3,500

£1,560-2,200

134 11-1141/1 AFTER ALEXIS-SIMON BELLE (FRENCH 1674-1734)

PORTRAIT OF A LADY, SAID TO BE PRINCESS LOUISA MARIA THERESA STUART Inscribed ‘Maria di Este / Queen Consort of James 2d (sic) / Godmother of Charles Bodenham’ lower left, oil on canvas 30 x 25 in. (76.2 x 63.5cm)

$1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

135 11-1777/1 HUBERT ROBERT (FRENCH 1733-1808)

LAVANDIÈRES AT A STREAM, IN A CLASSICAL LANDSCAPE WITH RUINS Oil on canvas 29 7/8 x 32 3/4 in. (75.6 x 83.2cm) Note: This painting is to be included in the catalogue critique of the oil paintings of Hubert Robert being prepared at The Wildenstein Institute, Paris. An Avis d’Inclusion (Statement of Inclusion) from The Wildenstein Institute will accompany this lot.

$60,000-80,000 £37,500-50,000

FREEMANâ&#x20AC;&#x2122;S old master paintings, drawings & prints friday, october 7th, 2011

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

136 10-9011/1 ATTRIBUTED TO GASPARD DUGHET, CALLED ‘GASPARD POUSSIN’ (FRENCH 1615-1675)

FIGURES IN AN EXTENSIVE CLASSICAL LANDSCAPE Painted circa 1660, oil on canvas 9 x 12 1/2 in. (22.9 x 31.8cm) Provenance: Collection of the Marquis of Bath (according to label verso). Phillips, London, sale of December 10, 1996, lot 104 as ‘Gaspard Dughet’. Didier Aaron, Inc.

$7,000-9,000

£4,375-5,625

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

137 11-1073/145 MANNER OF NICOLAS LANCRET (FRENCH 1690-1743)

THE SKATERS Oil on tin 19 13/16 x 25.5 in. (50.3 x 64.8cm) Provenance: Sotheby’s New York, sale of February 6, 1997, lot 78 as ‘After Nicolas Lancret’

$800-1,000

£500-625

138 11-1163/56 CLAUDE MICHEL DUPLESSIS (FRENCH CIRCA 1770-AFTER 1799)

A MILITARY ENCAMPMENT Signed and dated ‘M.h. Duplessis 1791’ lower right; also inscribed ‘57’ lower left, oil on canvas 22 3/4 x 35 1/2 in. (57.8 x 90.2cm) Provenance: Sotheby’s New York, sale of June 13, 2007, lot 162

$4,000-6,000

£2,500-3,750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

139 11-1798/10 CIRCLE OF NICOLAS-RENÉ JOLLAIN (FRENCH 1732-1804)

BACCHUS AND ARIADNE Oil on canvas 45 1/4 x 63 3/4 in. (114.9 x 161.9cm)

$8,000-12,000

£5,000-7,500

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

140 11-8051/16 FOLLOWER OF JEAN-BAPTISTE MONNOYER (FRENCH 1634-1699)

STILL LIFE OF PARROT TULIP, ROSES, CHRYSANTHEMUMS AND OTHER FLOWERS IN A GILT BRONZE URN, UPON A LEDGE WITH DRAPED CLOTH Oil on canvas, unframed 34 1/4 x 38 5/8 in. (87 x 98.1cm)

$3,000-5,000

£1,875-3,125

141 11-1792/7 FOLLOWER OF ANDREAS SCACCIATI (ITALIAN 1642-1704)

STILL LIFE OF FLOWERS INCLUDING PARROT TULIPS, CARNATIONS AND WITH POMEGRANATES IN A GLASS VASE UPON A STONE LEDGE; And a companion, pair oils on canvas, unframed (2) 25 1/2 x 18 3/4 in. (64.8 x 47.6cm) 25 1/2 x 19 in. (64.8 x 48.3cm)

$4,000-6,000

£2,500-3,750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

142 10-1993/8 JEAN-BAPTISTE GARNIER (FRENCH FL. CIRCA 1748-1759)

“ABRICOTS ET PRUNES” Signed with initials ‘JB. (cojoined) G.f’ bottom center, oil on panel 9 7/8 x 13 1/8 in. (25.2 x 33.3cm) Provenance: Kunsthandel P. De Boer, Amsterdam. Private Collection, Paris. Acquired from the above, 1955. Thence by descent in the family. Literature: Michel Fare, Le Grand Siècle de la Nature Morte en France, Fribourg, 1974, p. 252 illus.

$30,000-50,000

£18,750-31,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

143 11-1798/12 NORTHERN EUROPEAN SCHOOL 18TH CENTURY

CAPPRICCIO WITH FIGURES ON A TRACK Oil on canvas 33 x 52 1/8 in. (83.8 x 132.4cm)

$2,000-3,000

£1,250-1,875

144 11-8041/3 ATTRIBUTED TO FRANCIS COTES

145 11-8041/2 FOLLOWER OF ALLAN RAMSAY

(BRITISH 1726-1770)

(SCOTTISH 1713-1784)

AND

DOUGLAS HAMILTON

PORTRAIT OF A LADY, SAID TO BE LADY SARAH BUNBURY Oil on canvas

(BRITISH 1740-1808)

36 x 28 in. (91.4 x 71.1cm)

PORTRAIT OF A LADY Oil on canvas, oval 11 3/4 x 9 3/4 in. (29.8 x 24.8cm)

$800-1,200

£500-750

$2,000-3,000

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

146 11-8041/1 FOLLOWER OF SIR WILLIAM BEECHEY (BRITISH 1753-1839)

PORTRAIT OF A GIRL WITH BONNET, SAID TO BE MISS ALICE DOWNMAN Oil on canvas 22 1/2 x 18 in. (56.2 x 45.7cm)

$1,000-1,500

147 10-2026/2 FOLLOWER OF SIR GODFREY KNELLER (BRITISH 1646-1723)

PORTRAIT OF A NOBLEMAN IN ERMINE ROBE, SAID TO BE LOUIS XIV Oil on canvas 33 x 27 in. (83.8 x 68.6cm) Provenance: Freeman’s, sale of November 24, 1952, lot 159.

$1,000-1,500

£625-940

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

148 11-1855/1 CIRCLE OF SIR PETER LELY (BRITISH 1618-1680)

PORTRAIT OF A NOBLE LADY, BELIEVED TO BE MARY OF MODENA Oil on canvas 50 3/8 x 40 1/4 in. (128 x 102.2cm)

$5,000-7,000

£3,125-4,375

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

149 11-1691/1 SIR HENRY RAEBURN (BRITISH 1756-1823)

PORTRAIT OF A YOUNG INDIAN WOMAN Oil on canvas 30 x 25 in. (76.2 x 63.5cm) Provenance: (according to notations on verso) Parke-Bernet Galleries Inc., anonymous sale, February 1, 1940. Sir John Marjoribanks, purchased from the above sale. R.L. Cawood. Note: We are grateful to Duncan Thomson for confirming the attribution to Raeburn on the basis of a photograph.

$6,000-10,000

£3,750-6,250

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

150 11-1782/1 FOLLOWER OF ALONSO CANO (SPANISH 1601-1667)

CRUCIFIXION Oil on canvas 35 1/8 x 27 7/8 in. (89.2 x 70.8cm)

$2,000-3,000

£1,250-1,875

151 11-1363/13 AFTER DIEGO RODRÍGUEZ DE SILVA Y VELÁZQUEZ (SPANISH 1599-1660)

THE INFANTA MARGARITA TERESA IN A BLUE DRESS Signed with indecipherable monogrammed signature verso, oil on canvas 50 1/8 x 42 3/8 in. (127.3 x 107.6cm) Note: After the original painting by Velásquez painted circa 1659, Kunsthistoriches Museum, Vienna.

$2,000-3,000

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

152 09-1380/43 FRANCO-GERMAN SCHOOL 18TH-19TH CENTURY

THESEUS AND THE MINOTAUR Oil on canvas 50 1/4 x 39 5/8 in. (127.6 x 151.4cm)

$4,000-6,000

£2,500-3,750

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

153 11-1556/1 JOHANN BERNARD BAPTISTE SCHEFFER (GERMAN 1765-1809)

GENTLEMAN WITH A DRINK AT A CASEMENT Signed and dated ‘J.B. Scheffer 1794’ lower left, oil on canvas 18 3/4 x 15 3/8 in. (47.6 x 39.1cm)

$3,000-4,000

£1,875-2,500

154 11-1952/1 FOLLOWER OF JOHANN KARL LOTH (GERMAN 1632-1698)

BACCHUS Oil on canvas 25 3/4 x 21 1/4 in. (65.4 x 54cm)

$2,000-3,000

£1,250-1,875

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

155 11-8063/1 FRANZ XAVER PETTER (AUSTRIAN 1791-1866)

STILL LIFE WITH ROSES AND TULIPS WITH PARROT IN A BRASS VASE Signed and dated ‘Franz Xav. Petter 1834’ lower right, oil on canvas 27 x 22 in. (71.1 x 58.4cm) Provenance: Frost & Reed Ltd., London.

$30,000-50,000

END OF SALE

£18,750-31,250

FREEMANâ&#x20AC;&#x2122;S old master paintings, drawings & prints friday, october 7th, 2011

Freeman’s Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions. 1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of .1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase

price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid. 13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

The International Sale Edinburgh 28th September, 2011 Philadelphia 7th October, 2011 Auctions EDINBURGH Wednesday September 28th Inquiries: Lee Young lee.young@lyonandturnbull.com Douglas Girton douglas.girton@lyonandturnbull.com

Viewing Please contact the department at www.freemansauction.com or www.lyonandturnbull.com for exhibition/viewing details

PHILADELPHIA Friday October 7th Inquiries: David Walker direct tel: 267-414-1216 dwalker@freemansauction.com Benjamin Fisher direct tel: 267-414-1215 bfisher@freemansauction.com

Fine Louis XV gilt bronze mounted bureau plat and cartonnier stamped migeon The cartonnier dial signed ‘Masson’ $15,000-20,000 (£9,375-12,500)

www.lyo nandturnbull.co m www.fre e mansauctio n.com

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. lyon & turnbull and freeman’s reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

FREEMAN’S old master paintings, drawings & prints friday, october 7th, 2011

Index to Artists Adelaïde-Ducreux, R., 132 Aligny, C-F-T. (known as Théodore Carouelle D'Aligny), 79 Antwerp School, 27

Hayls, J., 33 Holbein, H., 8 Italian School, 81, 82, 97, 99

Schoevaerdts, M., 12 Schotel, J.C., 130 Solimena, F., 88 Storck, A.J., 129 Sustermans, J., 108

Joullain, N-R., 139 Batoni, P., 96 Beaubrun, C., 134 Beechey, Sir W., 146 Beinaschi, G.B., 87 Belle, A-S., 133 Bigio, F., 7 Blanchet, L., 26 Bosschaert, J-B., 124 Both, J., 31 Brueghel, P., the Elder, 21, 22, 23 Canal, A. (called Canaletto), 53, 55 Cano, A., 150 Ceresa, C., 93 Continental School, 110 Cotes, F., 144 D'Oggiono, M., 92 David, A., 2 de Coninck, A., 35 de Gryef, A., 121 de Vos, P., 123 Dou G., 119 Dughet, G. (called Gaspard Poussin), 136 Duplessis, C.M., 138 Durer, A., 58 English School, 9 French-German School, 152 Fyt, J., 122 Garnier, J-B., 142 German School, 11 Greco, G. (called Il Masacotta), 100 Grevenbroeck, O., 15 Hanneman, A., 112

Kneller, Sir G., 4, 10, 34, 147 Lancret, N., 137 Lavagna, G., 98 Lefebvre, C., 109 Lely, Sir P., 3, 111, 148 Loth, J.K., 154 Mannozzi, V., 83 Maratta, C., 13, 85 Metsys, Q. (Massys), the Elder, 117 Millet, J-F., 80 Monnoyer, J.B., 140 Moreau, J-M. (called Moreau le Jeune), 84 Neapolitan School, 99, 102 Northern European School, 143 Northern Italian School, 90 Patch, T., 30 Pencz, G., 60 Petter, F.X., 155 Pittoni, G.B.V., the Elder, 56 Porcellis, J., 131 Preti, M., 94 Raeburn, Sir H., 29, 149 Ramsay, A., 145 Raphael, 36, 37 Robert, H., 135 Roman School, 17 Rottenhammer, 81 Rubens, Sir P.P., 118

Teniers, D., the Younger, 113 ter Borch, G., the Younger, 116 Titian, 95 Tocque, L., 5 Valentino, G.D., 89 van Aelst, P.C., the Elder, 103 van Bloemen, J.F., 24, 25 van de Meer, J., 6 van der Meulen, A.F., 14 van Dyck, Sir A., 1, 51, 52, 107 van Essen, C., 115 van Huysum, J., 127 van Kessel, 16 van Lint, H.F., 120 van Ostade, A.J., 114 van Ravesteyn, J.A., 104 van Rijn, R., 18, 19, 20, 59, 61-78 Venetian School, 101 Verbruggen, P., the Younger, 126 Verelst, S.P., 128 Veronese, 32 Visenti, A., 54 von Honthorst, G., 106 Wolfaerts, A., 105 Wyck, T., 125 y Veláquez, D.R. de S., 153 Ykens, J., 28 Zuccarelli, F., 83

Sadeler II, A., 57 Saraceni, C., 91 Scacciati, A., 141 Scheffer, J.B.B., 153

Artists are listed by surname and initials; for actual attribution and authorship please refer to the individual lots and the glossary of terms opposite.

Upcoming at Freeman’s

American Furniture, Folk & Decorative Arts 11/19/11 The 6th Annual Pennsylvania Sale 11/20/11

Auctions: Saturday November 19th and Sunday November 20th Exhibitions Wednesday November 16th Thursday November 17th Friday November 18th Please contact the department or www.freemansauction.com for further details

Inquiries: lynda cain direct tel: 267.414.1237 lcain@freemansauction.com amy parenti direct tel: 267.414.1223 aparenti@freemansauction.com Catalogue $30

Attributed to Reuben Rowely (active 1820-1836) a young couple seated in painted windsor chairs Oil on canvas provenance: A Philadelphia Collection $15,000-$25,000 (£9,375-15,625) FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275 126 Garrett Street Charlottesville, VA 22902 Telephone: 434.296.4096 45 School Street Boston MA 02108 Telephone: 617.367.3400 www.freemansauction.com

w w w.f re e m a n s a u c t i o n .co m

The Forbes Collection at Old Battersea House To be sold on Tuesday 1st November, 2011 at 33 Broughton Place, Edinburgh EH1 3RR

Viewing times Freemanâ&#x20AC;&#x2122;s, Philadelphia (highlights only) From September 24th please contact Freemanâ&#x20AC;&#x2122;s for details

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com

Old Battersea House, London Tuesday 15th October and Wednesday 16th October 10am to 5pm

Lee Young Tel: +44 (0)131 557 8844 Email: lee.young@lyonandturnbull.com

Lyon & Turnbull, Edinburgh Monday 28th October to Wednesday 30th October 10am - 5pm

Douglas Girton Tel: +44 (0)131 557 8844 Email: douglas.girton@lyonandturnbull.com John Mackie Tel: +44 (0)131 557 8844 Email: john.mackie@lyonandturnbull.com

www.lyo nandturnbull.co m

International Auction Calendar SEPTEMBER

OCTOBER

Rare Books, Maps & Manuscripts Lyon & Turnbull, Edinburgh

Fine English Furniture, Silver & Decorative Arts Freeman’s, Philadelphia

Fine Asian Arts Freeman’s, Philadelphia

Fine Continental Furniture & Decorative Arts to include The Loren Gardner Collection Freeman’s, Philadelphia

The International Sale Freeman’s, Philadelphia

Old Master & British Paintings & Prints Freeman’s, Philadelphia

Jewellery & Silver Lyon & Turnbull, Edinburgh

Saturdays @ L&T Lyon & Turnbull, Edinburgh

Photographs & Photobooks Freeman’s, Philadelphia

Rare Books, Manuscripts & Posters Coins, Currency & Medals Freeman’s, Philadelphia

Old Master & British Paintings & Prints Lyon & Turnbull, Edinburgh

The International Sale Lyon & Turnbull, Edinburgh

Fine Antiques Lyon & Turnbull, Edinburgh

NOVEMBER 01

The Forbes Collection at Old Battersea House Lyon & Turnbull, Edinburgh

Modern & Contemporary Art Freeman’s, Philadelphia

Decorative Arts & Design Lyon & Turnbull, Edinburgh

American Furniture, Folk & Decorative Arts Freeman’s, Philadelphia

To be offered in the English & Continental Furniture & Decorative Arts sale on October 06 at Freeman’s.

JANUARY 2012 19

Rare Books, Manuscripts & Ephemera Freeman’s, Philadelphia

The Pennsylvania Sale Freeman’s, Philadelphia

Coins, Currency & Medals Freeman’s, Philadelphia

Fine Jewellery & Silver Lyon & Turnbull, Edinburgh

Fine English & Continental Furniture, Decorative Arts & Silver Freeman’s, Philadelphia

DECEMBER

To be offered in The International Sale sale on October 07 at Freeman’s.

Fine Paintings Lyon & Turnbull, Edinburgh

Fine American & European Paintings & Sculpture Freeman’s, Philadelphia

Fine Jewelry & Watches Freeman’s, Philadelphia

Holiday Sale Freeman’s, Philadelphia

Fine Antiques Lyon & Turnbull, Edinburgh

To be offered in the Fine Jewellery & Watches sale on December 05 at Freeman’s.

International Staff Directory PICTURES, WATERCOLOURS & PRINTS Nick Curnow nick.curnow@lyonandturnbull.com

JEWELLERY, SILVER, COINS & MEDALS Trevor Kyle trevor.kyle@lyonandturnbull.com

RARE BOOKS, MAPS, MANUSCRIPTS & PHOTOGRAPHS Simon Vickers simon.vickers@lyonandturnbull.com

Charlotte Riordan charlotte.riordan@lyonandturnbull.com

Colin Fraser colin.fraser@lyonandturnbull.com

Alex Dove alex.dove@lyonandturnbull.com

OLD MASTERS Nick Curnow nick.curnow@lyonandturnbull.com

DECORATIVE ARTS & DESIGN John Mackie john.mackie@lyonandturnbull.com

ANTIQUE SALES Lee Young lee.young@lyonandturnbull.com

FURNITURE, CLOCKS & WORKS OF ART Lee Young lee.young@lyonandturnbull.com

EUROPEAN & ASIAN CERAMICS Campbell Armour campbell.armour@lyonandturnbull.com

Douglas Girton douglas.girton@lyonandturnbull.com RUGS & CARPETS Gavin Strang gavin.strang@lyonandturnbull.com

ARMS & ARMOUR John Batty (consultant) john.batty@lyonandturnbull.com

Douglas Girton douglas.girton@lyonandturnbull.com ENQUIRIES & COMMISSION BIDS Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 info@lyonandturnbull.com

Telephone: +44 (0)131 557 8844 – www.lyonandturnbull.com

AMERICAN, FURNITURE, DECORATIVE & FOLK ART Lynda A Cain (+1 267.414.1237) lcain@freemansauction.com Amy Parenti(+1 267.414.1223) aparenti@freemansauction.com ENGLISH & CONTINENTAL FURNITURE, SILVER & DECORATIVE ARTS David Walker (+1 267.414.1216) dwalker@freemansauction.com Benjamin Fisher (+1 267.414.1215) bfisher@freemansauction.com ASIAN ARTS Robert Waterhouse (+1 267.414.1226) rwaterhouse@freemansauction.com Richard Cervantes (+1 267.414.1219) rcervantes@freemansauction.com OLD MASTERS David Weiss (+1 267.414.1214) dweiss@freemansauction.com

FINE JEWELRY & WATCHES Kate Waterhouse (+1 267.414.1230) kwaterhouse@freemansauction.com Madeline McCauley (+1 267.414.1227 mmccauley@freemansauction.com) FINE PAINTINGS & SCULPTURE Alasdair Nichol (+1 267.414.1211) anichol@freemansauction.com David Weiss (+1 267.414.1214 dweiss@freemansauction.com) MODERN & CONTEMPORARY ART Anne Henry (+1 267.414.1220) ahenry@freemansauction.com Aimee Pflieger (+1 267.414.1221) apflieger@freemansauction.com PHOTOGRAPHS Aimee Pflieger (+1 267.414.1221) apflieger@freemansauction.com Kate Molets (+1 267.414.1228) kmolets@freemansauction.com

POP CULTURE (consultant) Simeon Lipman (+1 267.414.1213) slipman@freemansauction.com ORIENTAL RUGS & TAPESTRIES David Weiss (+1 267.414.1214) dweiss@freemansauction.com Richard Cervantes (+1 267.414.1219) rcervantes@freemansauction.com RARE BOOKS, MANUSCRIPTS & EPHEMERA David J Bloom (+1 267.414.1246) dbloom@freemansauction.com Joe Huenke (+1 267.414.1247) jhuenke@freemansauction.com BIDS DEPARTMENT Bridgette Bonner (+1 267.414.1208) fax: (+1 215.599.2240) bbonner@freemansauction.com

Maya O’Donnell-Shah (+1 267.414.1210) mshah@freemansauction.com

Main Switchboard +1 215.563.9275 – www.freemansauction.com

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