Void Acoustic Catalogue 2014 by FRENEXPORT SPA

Catalogue 2014

Profile Void Acoustics designs, manufactures and distributes advanced professional audio systems for the installed and live-sound sectors. The company offers an evolved series of audio solutions that encompass loudspeaker systems, power amplifiers, control electronics and accessories. Void’s commitment to R&D is second to none. Its highly skilled and experienced engineers have successfully united pioneering technologies with ground-breaking design aesthetics, earning Void a worldwide reputation for high-impact products that combine sonic and visual innovation. Established in 2002, Void products are now available in many parts of the world including Europe, North and South America, Russia, the Middle East and most parts of Asia, with a continually evolving distribution network providing ever greater access and support. Customers value Void’s superior sound quality, unique designs, dependability, and the outstanding after-sales service that the company is celebrated for. Void’s passion for excellence encompasses not only its products, people, and services, but a full awareness of environmental issues as well. The use of environmentally friendly materials and practices routinely takes place in the factories and the offices.

Philosophy By Rog Mogale We employ a no-compromise approach when designing and manufacturing our products. This means that we don't set an upper price limit for the components we use, nor do we build to specific budgetary constraints. Simply stated, our goal is to make the finest products possible. We do that through meticulous engineering and by making use of the best components available, many of which we manufacture ourselves. We employ a team of dedicated craftsmen who assemble our products; we maintain aintai ti tight ht tole tolerances and d even en ha hand-wind d- i d our own inductors and assemble our own PCBs. Very little is out-sourced, giving us numerous advantages. The biggest benefit is that we have total control from the design of the complete product down to the smallest part. We use the right component for the job instead of accepting a compromised off-the-shelf component that might happen to fit, or is ‘close enough.’ The next benefit is accountability. We track all stages of the manufacture of all parts and materials. This allows for a greater level of consistency from unit to unit, and from a design point of view, evolutionary improvements occur rapidly. The third major benefit of keeping manufacturing in-house is cost. By using high levels of automation in our manufacturing processes, we keep our overheads down to a minimum and the cost savings are passed on to our customers. We’ve looked at all the options for manufacturing our products and it didn't take us long to realise that control, accountability, and cost savings when taken alone, were each good enough reasons to avoid out-sourcing and using off-the-shelf components. Taken together, these three factors make Void what it is today. Void systems can be found in many of the largest and most prestigious dance clubs and live concert venues in the world. All of us on the Void team feel deeply honoured to have our work sought after by discriminating sound engineers, system design consultants, hire companies, and the many other audio professionals who lead the industry around the globe. We work very closely with distributors and customers alike, to refine our products and develop concepts for new ones. We class the input from those who use our products very highly, and we apply this knowledge to continually improve all that we do. Company-wide, we take after-sales support seriously and are always happy to liaise with customers and end-users to help them get the best from their purchase. A great deal of Void’s income is spent on R&D. Our new 4,000 square meter s ound research laboratory was completed in 2007 and is now fully operational. It implements some of the most advanced test equipment ever seen and allows complex procedures, such as resonance mapping, to be carried out. Few other facilities in the world can offer the same. I feel a tremendous sense of responsibility and honour in being given the task of heading our new R&D department. Although it is a never-ending challenge to design, innovate, test, evaluate, and re-design… until the highest possible standards have been met… it is an exciting and worthy pursuit. Throughout the company, each of us is willing to go just that bit further than what many others might consider to be ‘good enough.’ I believe it is this atmosphere of professional pride that has made Void such a strong player in the industry, within such a short time. As the principal designer for Void, I strongly believe that a great change is occurring in professional audio. A shift in consciousness has started and expectations are increasing exponentially. I've always believed that products should have an impact both sonically and visually. The fact that many venues spend so much time and money on decor has led me to design products that reflect and relate to their surroundings. Why should such venues have to make do with another ‘black box’ getting in the way? With the ever increasing awareness of the society that we live in, products with enlightened visual appeal will soon become the norm. Such products may take the form of visually striking enclosures intended for clubs and theme parks; transparent Plexiglas enclosures that blend with the architecture of the modern concert hall; or perhaps subtle

Ocean Beach Club – Ibiza

design styles that meet the needs of theatres, TV studios, and Houses of Worship. Whatever the challenge, Void will always innovate. By achieving a true blend of sonic excellence with appropriate visual appeal, I am pleased to say that Void can offer solutions, both now and in the future, to all those who wish to break free of traditions.

Recent Installs 4rest - Moscow, Russia 11 : 11 - Istanbul, Turkey 38 41 - Lisbon, Portugal Agni - New Delhi, India Air - Amsterdam, Netherlands Alto - London W1, UK And - Braamfontein, South Africa Aqua - Kolkatta, India Babaloo - Porto Potenza Picena, Italy Barasti - Dubai, UAE Bar House - Chelmsford, UK Bar Mango - Reading, UK Bello Vue - Zurich, Switzerland Bevy - Chicago, USA Bistroen - Norheimsund, Norway Boujis - London, UK Boujis - Hong Kong Broke - London, UK Cafe del Mar - Bari, Italy Cafe Gruyter - Amsterdam, Netherlands Cafe Rouge - Amsterdam, Netherlands

Cara - Phnom Phen, Cambodia Casablanca Club - Sestu, Italy Castle - Chicago, USA Centenary - Wexford, Sou'th Ireland Cirkus - Ljubljana, Slovenia Club Ibiza - Daejeon, South Korea Club Ibiza - Ma’anshan, China Club NYX - Amsterdam, Netherlands Colours Of Music - Poland Corbetts Place - London E1, UK Cosmic Ballroom - Newcastle, UK Crosswinds - Bloomington, USA Crystal - Bucharest, Romania Cube - Mallorca, Spain Cube and Star - Shoreditch, London Damson Diner - Dublin, Ireland Dukes 1 & 2 - Bournemouth, UK DC 10 - Ibiza, Spain Dix Lounge - Tokyo, Japan Eden - Ibiza, Spain Elephants Head - Camden, London ETIC - Lisbon, Portugal Falsterbo - Strandbad, Sweden Fire - London, UK

Fat Lady - Tampere, Finland Four by Azzurro - Amsterdam, Holland Fugazi - Oslo, Norway Gare - Porto, Portugal Halo - Ballycastle, Northen Irelend Hanima - Marche, Italy Harveys - Bedford, UK Nelsons - Dubai, UAE Hop Haus I & II - Chicago, USA Inside Rock Cafe - Bergen, Norway Kismet - Hyderabad, India Kitty Su - New Delhi, India Klar Bar - Bergen, Norway Lasalle Power Co. Club - Chicago, USA Le Duplex - Paris, France Lookal Club - Luanda, Angola Mahiki - Dubai, UAE Matter - London 02 Arena, UK Mezzcallina - Monterrey, Mexico Mode - London, UK Monarch - San Francisco, USA Monasterio - Moscow, Russia Mono - Caserta, Italy Mood - Bergen, Norway

Moon - Mallorca, Spain Nelsons - Dubai, UAE Nikki - Chicago, USA NTT Megaclub - Dongguan, China Oblivion - Waterford City, Sou'th Ireland Ocean Beach Club - Ibiza, Spain Olympics 2012 Coca Cola Beatbox - UK Religion - Leeds, UK Ricks Cafe - Bergen, Norway Rote Sonne - Munich, Germany Pasta Project - Netherlands Pata Negra - Amsterdam, Netherlands PJ's - Wakefield, UK Platform One - Paisley, Scotland Platinum - Dublin, Ireland Playground Nightclub - Liverpool, UK Prestige - St. Julian’s, Malta Primary - Chicago, USA Rogues - Dublin, Ireland Sally's - Omagh, Ireland Sands - Ibiza, Spain Sankeys - Ibiza, Spain Sankeys - New York, USA Secter 11 - zürich, Switzerland

Shock 39 - Bangkok, Thailand Shroom - New Delhi, India Southfields - Wandsworth, London Subsea - Norway Supperclub - Istanbul, Turkey Tantra - Kolkatta, India Tengu Bar - Dublin, Ireland The Alibi - London, UK The Art Academy - Norway The Boileroom - Guildford, UK The Mood - Newcastle, UK The View - Winterthur, Switzerland The Warehouse - Leeds, UK Tresor - Berlin, Germany T Rex - Nanjing, China Twisted Pepper - Dublin, Ireland Toro Toro - Dubai, UAE Veruz - Hasselt, Belgium Walsall Football Club - Walsall, UK White Lotus - Henley On Thames, UK Witness Box - Kilkenny, South Ireland Xango - Sou'th Ireland Zachariasbryggen - Norway Zoo Bar - Copenhagen, Denmark

Product Overview Incubus System Designed with the sole purpose of being the best dance club system money can buy, Incubus is redefining expectations around the world. Already providing levels of control previously thought impossible, its ability to allow both linear frequency and power shading within a single mid top enclosure is ensuring perfect sound for everyone on the dance floor. Incubus is also becoming the number one choice for discerning interior designers, its physical signature cries out for extreme expression. Anyone looking to push both sonic and visual boundaries to the edge whilst raising mankind’s awareness via elevated forms of entertainment needs to audition Incubus. For detailed specifications see Pg 7-9

Nexus Series The Nexus 6 brings the performance and styling of the future to the here and now. It’s radical styling is born from a new approach to delivering the best fidelity and coverage for the club scene of tomorrow. Virtual Arc technology has been implemented in all the midtop enclosures to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array and allows the same experience to be had by all that are in the throw of the Nexus, wherever they are. For detailed specifications see Pg 10

Air Series The ground-breaking Air Series models are one of Void's most distinctive designs. The three-way Air Motion loudspeaker is sought after by ultra-modern dance clubs around the world. Often located directly over the dance floor, Air Motion provides huge sonic impact as well as being a significant visual attraction in its own right. A bigger and more powerful version of the Air Motion, the Tri Motion. Its distinctive form and performance figures proves once again that Void are leading the war on aesthetics. The smallest of the Air Series, the Airten, is the perfect complement to its bigger brothers for use as delay and area fill. All Air series products provide exceptionally high-power output with a non-fatiguing sonic signature that is as irresistible to the ear as their exotic visuals are to the eye. For detailed specifications see Pg 11-12

Cyclone Series The Cyclone series has been developed to raise the levels of audio quality and visual aesthetics for the outside application. The IP44 certified range uses a combination of UV stabilized materials and marine component to ensure a durable and robust product range.

For detailed specifications see Pg 13

Indigo Series The visually stunning Indigo series combines futuristic looks with esoteric audio performance to bring a new level of sophistication every venue will want to be seen with. We believe indigo is the first range of loudspeakers that have been created for the new heightened awareness in style that today’s venue designers aspire too. Boundaries are being pushed in all areas of the entertainment industry, with the visual aspect becoming evermore important. Indigo not only fulfills your quest for the ultimate in styling, it will also bring a new level of sonic richness you never thought possible. For detailed specifications see Pg 14

Xsys Series Continuing Void's odyssey into the world of striking, non-traditional product designs, the four models comprising the Xsys Series not only look like something you'd see on a futuristic starship, but they sound like it as well. Utilising highly-advanced driver technology coupled with the latest developments in construction materials, xsys loudspeakers have a sophisticated appearance that encourages architects and interior designers to place these loudspeakers where they will perform properly, instead of in some out-of-the-way corner of the room where they won't be noticed. Xsys is ideal for clubs, cruise ship lounges, themed attraction parks, and numerous other upscale entertainment venues. For detailed specifications see Pg 15-16

Product Overview Venu Series Consisting of four full range enclosures and two low frequency enclosures, the Venu series has been created to offer everything you could ask for from a range of loudspeakers specifically designed for installation. All products have been moulded by the demands of leading installation contractors and engineers around the world. Our question was simple; tell us the exact requirements needed to design the ideal series of install loudspeakers. After 9 months of research and development, the Venu series was born. More products will be added to the range in the near future. For detailed specifications see Pg 17-19

Arcline Series Once again Void has broken the mould with its highly-versatile line array designs. Offering superb coupling between adjacent enclosures, a smooth and flat frequency response, an exceptionally useful 120° horizontal coverage pattern, plus quick and easy rigging, the Arcline Series begins where others leave off. With their superior pattern control and power output, Arcline loudspeakers will cover most acoustic spaces with fewer units than the competition. Their constant sound intensity over the stated coverage angles, and their exceptional linearity from the near-to-far field transition point, means that all audience members will experience virtually identical sound quality. For detailed specifications see Pg 21-23

Stasys Series Our flagship point source series meets the most stringent requirements for shows, events, and performances of every imaginable genre. Featuring advanced pattern control, ultra-low distortion, and superb acoustic coupling among adjacent units, Stasys loudspeakers are especially effective in large, reverberant spaces because they effortlessly direct the sound where it's needed. They are perfectly suited for use in houses of worship, concert halls, theatres, clubs, outdoor performance venues, sports facilities and more, whether permanently installed… or used for touring and other temporary events such as large AV presentations. Check out the Stasys Series of products and be prepared for them to exceed your expectations! For detailed specifications see Pg 24-27

Power Amplifiers The Armalite series of amplifiers have been created to provide the ultimate power tools for the professional user. Years of comparative listening, evaluation, and pure R&D have resulted in a very robust range of amplifiers. A multitude of different power supply and output stage configurations were rigorously tested until the ultimate sonic accuracy and power-to-weight ratio was arrived upon. Our research definitively determined the sonic importance of a high-current supply, so our engineers designed and built a range of PSU’s capable of delivering a vastly higher amount of current than required. For detailed specifications see Pg 29

Signal Processing Digidrive V2 features 4 Inputs and 6 Outputs, while Livedrive V2 features 6 Inputs and 8 Outputs. Both models offer superlative sound quality, ease of operation and have the necessary features to obtain the best possible results from your Void loudspeakers.

For detailed specifications see Pg 30

Installs Void Acoustics' comprehensive range of installation products have become world renowned for their sonic perfection, reliability, and revolutionary looks. Prominent installations include many of the largest and most prestigious 'super clubs' and venues around the world. Void is proud to be at the cutting edge of aural design, incorporating ground breaking technological advances with visual styling that harmoniously complements your surroundings. Void Acoustics offers the best in contemporary styled loudspeakers that sound as good as they look. Each model is the culmination of elegant styling, innovative design and breath taking performance. Void has perfected a range of products that, for the first time ever, will visually and sonically transform your environment.

Paul Oakenfold - Castle Club Chicago

Versuz - Belgium

Eden - Ibiza

Gare - Potugal

Eden - Ibiza

Installs

Incubus Install At The Castle - Chicago (installed by AIS)

Seeds - Oslo

The Ivy Pool Bar - Sydney

Incubus Overview The five way Incubus Club System has been created to deliver the highest levels of audio performance ever achieved. Already being dubbed the greatest leap in style consciousness since the scene began, Incubus significantly raises the bar delivering phenomenal levels of aural and visual stimulation. Performance, style and status all married into one complete package that no one can refute. Itâ&#x20AC;&#x2122;s a statement akin to owning the most prestigious Italian race car. A dream that until now, was just a dream. To achieve the unrivalled levels of fidelity that Incubus is capable of we turned to the very best European transducer manufactures to develop components worthy of inclusion. Two years were spent developing and honing the superlative transducers that became the heart of the Incubus system. Void would like to thank Beyma, BMS, and Faital Pro for their tireless contribution to the project. Incubus was conceived, designed and styled by Rog Mogale and is a testament of his dedication to the scene. From the early days of disco though to his pioneering work in the mid 80â&#x20AC;&#x2122;s with electro dance music, he has always fought hard to push the boundaries and better mankind though elevated forms of entertainment. Incubus is the pinnacle of his experiences, his ultimate expression for the love of dance.

Incubus Air Array Applications Hi-impact nightclubs, indoor and outdoor dance events

Specification Frequency Response Efficiency Crossover Points Impedance Power Handling Maximum Output Driver configuration Dispersion Connector

90 Hz - 20 kHz -3 dB points LF : 111 dB 1w/1m MF : 114 dB 1w/1m HF : 116 dB 1w/1m Preset via dedicated processor LF 2 x 4 Ω MF 2 x 4 Ω HF 2 x 5.33 Ω LF : 3600 watts RMS MF : 1000 watts RMS HF : 480 watts RMS 143 dB Cont 149 dB Peak 4 x 12” - 4 x 3” CD - 6 x 1” CD 90° h x 45° v 2 x 8 Pole Speakon™

Dimensions Height Width Depth Weight

1240 (mm) 944 (mm) 813(mm) 144.8 (kg)

48.8” 37.1” 32.0” 319 lbs (Includes stand)

The low-mid section consists of two hyperbolic horns fed from a split manifold driven by four very high power 12” transducers. Each transducer also features a heat sink cooling system to reinforce reliability and reduce power compression levels. All this combines to produce insane output levels with the highest definition imaginable.

Construction Enclosure Rigging Finish

Air Array is the mid-hi element of the Incubus Club System and unites many ground breaking technologies to deliver the best high level, hi fidelity sound you will ever experience. Its radical looks are not just for show as its form has taken shape from the need to correctly fuse all its sections together to form a coherent radiation pattern over its stated dispersion angles. Line source behavioural conditions have been met by all sections, allowing both frequency and power shading to be utilised within a single enclosure. Such techniques enable SPLs in the near field to be attenuated and matched with those at greater distances, whilst HF absorption can be corrected with linear frequency shading. By employing a line source configuration, Air Array is the only mid-hi enclosure that can provide constant SPL’s at all distances with all frequencies arriving at the same time, wherever you are within its coverage pattern.

Fibre glass Kevlar composite Stack mounted or proprietary flying system Smooth cellulose

Four devices that use a newly developed 3” exit compression driver handle the midrange frequencies. These devices are driven by a massive 6” diaphragm to comfortably reproduce frequencies down to 500Hz. Path length compensation devices have been applied to the wave guides to seamlessly combine their outputs eliminating all destructive interference and to ensure constant output within the stated coverage angles. The HF section uses six esoteric compression drivers with 1” throat wave guides which are positioned on a physical arc to provide a virtual common feed point. This reduces all forms of destructive interference and maintains an even frequency response within every degree of the stated coverage angles. Path length compensation devices housed within the wave guides marry with the extended upper response of the compression drivers allowing the HF to extend all the way up to 26kHz.

Incubus HyperFold

Incubus Sub

Applications

Hi-impact nightclubs, indoor and outdoor dance events

Specification

Frequency Response 60 Hz - 190 kHz -3 dB points Efficiency 109.5 dB 1w/1m Crossover Points Preset via dedicated processor Impedance 2x4Ω Power Handling 4000 watts RMS Maximum Output 142 dB Cont 148 dB Peak Driver configuration 4 x 15” Dispersion Array dependent Protection N/A Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

738 (mm) 738 (mm) 1218 (mm) 115 (kg)

29.0” 29.0” 47.9” 253.5lbs

Construction Enclosure Finish

A high percentage of the urge to dance comes from the upper bass frequencies. It’s where the kick and finer details of the bass are found. The need for speed and articulation in this critical region calls upon a dedicated enclosure designed with one purpose in mind. Enter the Hyperfold 4 x 15” upper bass enclosure. Quite simply the mother of all kick cabs. Hyperfold’s design has taken many years to conceive and implement. New technologies that have only just arrived have allowed it to exist, because size for size it contains the largest amount of drivers and hence displacement per volume. And it needs all that displacement to keep up with the efficiency of all the other elements that go into making the Incubus System. If the Incubus Sub provides the pulse, Hyperfold is the blood that runs through the entire system. Without it there is no system, no urge to connect with the greater whole, or to become part of the dance.

Frequency Response 29 Hz - 95 kHz -3 dB points Efficiency 105 dB 1w/1m Crossover Points Preset via dedicated processor Impedance 3x8Ω Power Handling 6000 watts RMS Maximum Output 140 dB Cont 146 dB Peak Driver configuration 3 x 21” Dispersion Array dependent Protection N/A Connector 2 x 8 Pole Speakon™

The Incubus Sub’s structurally challenging design consists of three massive 21” transducers in a hybrid horn bandpass enclosure. A combined power handling of 6000 watts RMS and very high sensitivity result in foundation cracking sub all the way down to 30Hz. Designed to work in conjunction with the Hyperfold upper bass enclosure, the Incubus Sub has been tuned with all forms of dance music in mind. A lightning quick impulse response with small levels of group delay and an in ya face style of presentation combine to make it an unforgettable experience. It’s a total connection with the fundamental frequencies that give dance music its pulse. A connection only obtainable by entire submersion in the purest form of reproduction.

Dimensions Height Width Depth Weight

696 (mm) 1476 (mm) 1218 (mm) 136 (kg)

27.4” 58.1” 47.9” 300 lbs

Construction 18mm Birch ply Fibreglass : Kevlar Textured Tour Coat Smooth cellulose

Enclosure Finish

18mm Birch ply Textured Tour Coat

Nexus Nexus 6 Applications Hi-impact nightclubs, indoor and outdoor dance events

Specification Frequency Response Efficiency Crossover Points Impedance Power Handling Maximum Output Driver configuration Dispersion Connector

78 Hz - 21 kHz -3 dB points LF : 105 dB 1w/1m, HF: 110 dB 1w/1m 1.8 kHz active LF : 2 x 5.3 Ω, HF: 2 x 4 Ω LF : 2 x 1350 watts RMS HF : 2 x 320 watts RMS 137 dB Cont 141 dB Peak 12 x 6.5” 8 x 1” 110° h x 50° v 1 x 8 Pole Speakon™

Aimed at the larger venue, the Nexus 6 is the first in a new series of products designed for the club scene of tomorrow.

Dimensions Height Width Depth Weight

1266 (mm) 561 (mm) 430 (mm) 60.5 (kg)

49.9” 22.1” 16.9” 133.4lbs

Construction Enclosure Rigging Finish

Fibreglass Kevlar composite Stack mounted or proprietary flying system Smooth cellulose

The radical styling of the 6 is born from the innovative internal layout of its 20 transducers. Virtual Arc technology has been implemented on every component to form a common acoustic centre that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array of multiple sound sources emitting from different locations. Dispersion, phase, coherency and timing can all be controlled and unified because of the common acoustic feed point and multi-channel access. It allows the same experience to be had by all that are in the throw of the Nexus 6, wherever they are due to its wide and controlled dispersion. Total summation of all the components in each passband can also take place within the Nexus 6, allowing for much higher efficiency, greater output and improved reliability due to reduced component stress. The Nexus 6 offers excellent value for money when compared to the array of enclosures normally required to achieve the same dispersion. Whether placed on LF enclosures to form a dance stack or flown independently, the Nexus 6 brings the performance and styling of the future to the here and now.

Air Series Air Motion V2

Air Ten V2

Applications

Hi-impact nightclubs, indoor and outdoor dance festivals, cruise ships, theme parks, contemporary houses of worship

Specification

Frequency Response 140 Hz - 20 kHz -3 dB points LF: 106dB 1w/1m Efficiency MHF: 108 dB 1w/1m LF: 140 Hz and 500 Hz Crossover Points MHF : 600 Hz Passive 1.7KHz LF/MHF 8Ω Impedance LF : 500 watts RMS Power Handling MHF : 250 watts RMS Maximum Output 134 dB Cont 138 dB Peak Driver configuration 1 x 12” 1 x 8” 1 x 1.5” 50° h x 60° v Dispersion Internal Electronic Protection (HF) control 2 x 4 Pole Speakon™ Connector

Dimensions Height Width Depth Weight

842 (mm) 850 (mm) 760 (mm) 35.4 (kg)

33.1” 33.5” 33.0” 77.9 lbs

Construction Enclosure Rigging Colour

The revolutionary Air Motion sculpted loudspeaker array sets an entirely new standard in audio aesthetics. Never before has so much style and performance been brought together in perfect harmony. Air Motion comprises three transducers, each loaded by an isometric conical horn. For a long time designers have known about the excellent inherent sound quality of the conical horn. Its propagation is based on the spheroid section and allows for solid radiation angles. The benefits are twofold: (1) Tight beamwidth control is possible, giving higher output and a more defined sound quality due to a decrease in early reflections, and (2) Constant directivity is possible across the horn's entire dispersion, allowing for an exceptionally balanced waveform transmission. The short version is that the end result is astonishing! As with other Air Series enclosures, Air Motion is available in a wide range of custom colours.

Frequency Response 56 Hz - 20 kHz -3 dB points Efficiency 99.2 dB 1w/1m Crossover Points Passive 500Hz & 1.6kHz processor Impedance 4Ω Power Handling 500 watts RMS Maximum Output 125 dB Cont 128 dB Peak Driver configuration 2 x 10” 1 x 1” Dispersion 80° h x 80° v Protection (HF) Internal Electronic Control Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

302 (mm) 684 (mm) 320 (mm) 23.8 (kg)

11.9” 26.9” 12.6” 52.5 lbs

Enclosure Rigging Finish

The total elimination of energy robbing enclosure resonance has been achieved through the use of super strong composites that include Kevlar and carbon fibre. In addition to providing desirable acoustical properties, these advanced materials have been instrumental in allowing the Airten’s evolved form to emerge. Airten also employs ‘intake protection’ to accurately control and limit excursion. This unique protection circuit is housed within the enclosure and requires no additional outboard processing or powering. The increased headroom available by monitoring the components at source has produced a system capable of output levels normally associated with enclosures over twice the size of Airten. As with other Air Series enclosures, the Airten is available in a wide range of custom colours.

Construction Fibreglass Kevlar composite. Internal fly mounting system. Can be used on stand of fly bracket. Custom colours available upon request.

The Airten V2 was developed as a smaller member of our highly acclaimed Air Series. The latest acoustic advancements were employed to create a system capable of groundbreaking output levels with unparalleled visual inspiration. Improvements have been made in all areas with the latest 3 way V2 version of the Airten. These include a dual driver LF configuration for greater bass extension and a coax point source element for the mid and HF.

Fibreglass Kevlar composite. Internal Powerdrive type 75 mounting plate. Smooth Cellulose

Air Series Tri Motion

Stasys Xair

Applications

Hi-impact nightclubs, indoor and outdoor dance festivals,cruise ships, theme parks, contemporary houses of worship

medium to large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

Specification

Frequency Response 120 Hz - 20 kHz 3 dB points Efficiency LF : 107 dB 1w/1m, MHF: 110 dB 1w/1m Crossover Points LF : 120 Hz and 500 Hz MHF : 500 Hz Passive 1.4 kHz Impedance LF/MHF : 8 Ω Power Handling LF : 700 watts RMS MHF : 350 watts RMS Maximum Output 135 dB Cont 139 dB Peak Driver configuration 1 x 15” 1 x 8” 1 x 1.5” Dispersion 90° h x 60° v Protection (HF) Internal Electronic Control Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

600 (mm) 800 (mm) 800 (mm) 47.1 (kg)

23.6” 31.5” 31.5” 103.8lbs

Construction Enclosure Rigging Colour

Fibre glass Kevlar composite Internal fly/Mounting system Can be used with stand or fly bracket Custom colour available upon request

The Air Series has become an iconic part of the modern dance scene. Its philosophy has been adopted all around the world in some of the most well-known dance establishments ever. It’s a sign of quality and an insurance of a good night to be had by all. The latest release in the series, the Tri Motion, extends these principles further, allowing an even larger audience to bathe in the Void experience. The design owes its existence to those who wanted a more compact and daring version of the Air Motion. The call for even higher SPLs and more diversified looks were top of the list when it came to creating the Tri Motion. The rethink on form has also allowed for a wider horizontal dispersion with asymmetrical vertical pattern control, giving even more coverage and reducing early reflections from ceilings to provide higher fidelity. Tri Motion’s extra horsepower has been made possible by a larger transducer for the lower frequencies and more efficient mid-hi sections with greater power handling. A 15” driver has been implemented to cover from 500Hz and below, allowing more SPL and a lower crossover point into the bass range. The mid section features a super efficient horn loaded 8” driver with a high compression ratio and asymmetric loading for pattern control, whilst the HF makes use of diffraction slot loading to provide wide and even coverage in the horizontal plane. For the larger venue requiring cutting edge performance married with art gallery worthy aesthetics, Tri Motion is the only answer. Its creation stems from years of pushing both sonic and creative frontiers from the company that still leads the war on aesthetics.

Frequency Response 30 Hz - 180 Hz -3 dB points Efficiency LF : 103.8 dB 1w/1m Crossover Points Hi Pass: 30 Hz 24 dB/oct Lo Pass: 100-145Hz 24 dB/LR Impedance 4Ω Power Handling 3200 watts RMS Maximum Output 138 dB Cont 142 dB Peak Driver configuration 2 x 18” neo Dispersion Array Dependent Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

554(mm) 1218 (mm) 896 (mm) 96 (kg)

21.8” 48.0” 35.3” 211.6 lbs

Construction Enclosure Finish Grill

18mm birch plywood Textured tour coat Perforated steel foam filter

After discovering the new Stasys X V2 works equally as well in a club environment as on tour, we tackled its aesthetics to create a new club friendly version called the Stasys Xair. When the original Stasys X was introduced, it set new standards in the performance possible from a double 18” low frequency enclosure. It has been used on tours, in live venues, and in world-class night venues all around the world since its introduction 5 years ago. But the time has come to move on and use the latest technologies to advance and refine the design further. This is no mean feat as the first version was very well received and phenomenally successful form a sales point of view. So what’s changed, and what are the improvements? A total rearrangement of the internal resonant chambers has improved the cooling to the extent that no external heat sinks are required, which has also led to a significant decrease in power compression. The system’s transient response, phase response and overall timing capabilities have also been vastly improved by the new internal chamber layout. This has led to a more uniform response in relation to distance and greater behavioural predictability when arrayed. The Stasys Xair uses the latest cone materials, keeping the moving mass low enough to allow optimum transfer efficiency to take place, whilst providing the structural rigidity to maintain that form at all times. This advancement has also meant the transducer’s mechanical parameters are ideally matched to the enclosures internal loading requirements, which has lowered the f3 point and improved the attack characteristics. The Xair version sees the inclusion of an ‘Incubus style’ aluminium bracing system and dual front-facing aluminium Void logos.

Cyclone Series Cyclone 55

Cyclone 10

Applications

Beach bars, theme parks, resorts, cruise ships, marine environments, hotels, public spaces

Specification

Frequency Response Efficiency Crossover Points Impedance Power Handling Maximum Output Driver configuration Dispersion IP Rating Connector

75 Hz - 20 kHz 3 dB points 92 dB 1w/1m, Passive 2.2 kHz 8Ω 80 watts RMS 110 dB Cont 115 dB Peak 2 x 5” 2 x 1” Soft dome 120° h x 80° v IP44 1 x Phoenix with link out

Dimensions Height Width Depth Weight

Finish Grille

Other features that allow the Cyclone 55 to raise the bar include, a dedicated Easy Hang bracket, a super quick Phoenix connector with link out and a 120-degree horizontal dispersion to help cover large areas with the Least amount of loudspeakers. The Cyclone 55’s design spec also required very high levels of fidelity and definition from an ultra compact enclosure, so two high power 130mm LF drivers with coaxial 25mm soft dome HF units have be utilised to meet these requirements.

Frequency Response Efficiency Crossover Points Impedance Power Handling Maximum Output Driver configuration Dispersion IP Rating Connector

52 Hz - 22kHz -3 dB points 97 dB 1w/1m, Passive 2.1 kHz 8Ω 350 watts RMS 123dB cont 126dB peak 1 x 10” - 1 x 1” 90° h x 60° v IP44 1 x Phoenix with link out

Cyclone 10 combines unprecedented audio quality with the iconic aesthetics associated with Void speakers, all in an IP44 rated package. Its beautifully sculpted fibreglass enclosure is paired with marine-grade stainless steel hardware and UV stabilised paint, providing the end user with years of great sound and trouble free outdoor use even in difficult environments. The Cyclone 10 utilizes high power 10'' + 1'' drive units to provide high impact audio. Dual Phoenix connectors and our Easy Hang bracket solution make this the perfect cabinet for your outdoor installation.

Dimensions 192 (mm) 309 (mm) 207 (mm) 6.8 (kg)

7.5” 12.1” 8.1” 15.0lbs

Construction Enclosure Rigging

The Cyclone 55 has been developed to raise the levels of audio quality and visual aesthetics for the outside application. The IP44 certified range uses a combination of UV stabilized materials and marine component to ensure a durable and robust product.

Height Width Depth Weight

562 (mm) 344 (mm) 250 (mm) 10 (kg)

22.1” 13.5” 9.8” 22 lbs

Construction Fibre glass Easy Hang bracket plate UV protected smooth cellulose Powder coated stainless steel

Enclosure Rigging Finish Grille

Fibre glass Easy Hang bracket plate UV protected smooth cellulose Powder coated stainless steel

Indigo Series Indigo 6

Indigo Sub

Applications

Aesthetically Advanced Bars, Clubs and Lounges. Surround in 5.1 HT, Home Hi Fi. Cruise Ships, Theme Parks, Contemporary Houses or Worship

Specification

Frequency Response 68 Hz - 21 kHz 3 dB points 93 dB 1w/1m, Efficiency 2.2 KHz Passive Crossover Points 8Ω Impedance 200 watts RMS Power Handling 115 dB Cont Maximum Output 118 dB Peak Driver configuration 1 x 6.5” 1 x 1” Coax 90° h x 90° v Dispersion N/A Protection (HF) Single set of binding Connector post bare wire or 4mm plugs

Dimensions Height Width Depth Weight

273 209 163 5.6

(mm) (mm) (mm) (kg)

10.7” 8.2” 6.4” 12.4lbs

Construction Enclosure Mounting Finish Grille

Fibreglass i6 wall bracket (supplied) High gloss metallic or fine textured matt. Perforated steel foam filter

The Indigo 6 is compact, efficient and oozes style. It’s a must have accessory for any modern visually conscious venue with something to say. An interior designers dream come true and a sound purists heaven all rolled into one. The principles are simple: take highly refined in-house designed components and marry them with a modern day work of art. Combine that in an install friendly package with endless possibilities of enclosure colour and texture to make what we believe is the only choice for those seeking perfection. Uses for the Indigo 6 without a sub includes sound for small bars, lounges, restaurants, home theatre 5.1 surround and area fill when used with a larger main system in clubs. Adding an Indigo Sub expands the possibilities, which include medium sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system. To allow for easy installation in the shortest time possible, each Indigo 6 is supplied with an i6 wall bracket and fixings. And by using the optional i12 bracket, an Indigo 6 can be mounted above an indigo sub at ear height for use as a hi-fi setup in larger rooms.

Frequency Response 38 Hz - 160 kHz 3 dB points Efficiency 92 dB 1w/1m Crossover Points 80 - 160 hz active Impedance 8Ω Power Handling 400 watts RMS Maximum Output 117 dB Cont 120 dB Peak Driver configuration 1 x 12” Dispersion Omni Protection (HF) N/A Connector Single set of Binding Post Bare wire or 4mm plugs

Dimensions Height Width Depth Weight

Construction Enclosure Mounting Finish Grille

517 (mm) 395 (mm) 335 (mm) 21.0 (kg)

20.3” 15.5” 13.2” 46.3lbs

The Indigo Sub is compact, efficient and oozes style. Along with other products in the series it’s a must have accessory for any modern, visually conscious venue. Interior designers will love the fact that they don’t have to hide the subs anymore and can make full use of its stunning looks to enhance the venue. An endless possibility of enclosure colour and textures are available to make what we believe is the best choice in low-frequency reinforcement suitable for a very wide range of applications. Uses for Indigo Sub when partnered with indigo 6s include medium-sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system. Home theatre 5.1 systems can also make use of the indigo Sub to provide earth-shattering lows with very fast response times. And by using the optional i12 bracket, an Indigo 6 can be mounted above an indigo sub at ear height for use as a hi-fi setup in larger rooms.

Fibre glass (optional) i12 bracket to mount Indigo 6 above Indigo Sub High gloss metallic or fine textured matt. Perforated steel foam filter

Xsys Series Xsys 12

Xsys 15

Applications

Small to medium sized clubs, theatres, AV presentation, cruise ships, theme parks, casinos and showrooms

Specification

Frequency Response 56 Hz - 20 kHz -3 dB points 99 dB 1w/1m Efficiency 1.6 kHz Passive Crossover Points 8Ω Impedance 500 watts RMS Power Handling 126 dB Cont Maximum Output 129 dB Peak Driver configuration 1 x 12” 1 x 1.5” neo 90° h x 50° v rotatable Dispersion Internal Electronic Protection (HF) control 2 x 4 Pole Speakon™ Connector

Dimensions Height Width Depth Weight

366 (mm) 696 (mm) 355 (mm) 30.2 (kg)

14.4” 27.4” 14.0” 66.4 lbs

Construction Enclosure Rigging Finish Grille

The Xsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities. The Xsys 12 features a high-power 300 mm LF cone transducer mated with a 100 mm voice coil and 63 mm Titanium/Mylar composite diaphragm HF compression driver on a rotatable horn. A neodymium magnet structure is used to increase the system's efficiency and to reduce weight. It is this combination of very high power components and the latest in diaphragm technology that allows for the extremely high SPLs possible from Xsys 12. Numerous applications will benefit from the Xsys 12's clean, clear high-power output, while its modern appearance positions it as a true leader in cutting-edge industrial design.

Frequency Response 50 Hz - 20 kHz -3 dB points Efficiency LF: 99 dB 1w/1m HF: 108 dB 1w/1m Crossover Points Passive : 1.6kHz Active : 1.6 - 1.9 kHz But or LR 18/24 dB/oct Impedance LF/HF 8 Ω Power Handling LF: 600 watts RMS HF: 100 watts RMS Maximum Output 127 dB Cont 130 dB Peak Driver configuration 1 x 15” 1 x 1.5” neo Dispersion 90° h x 50° v Protection (HF) Internal Electronic Control Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

446 806 462 39

(mm) (mm) (mm) (kg)

17.5” 31.7” 18.2” 85.8 lbs

The Xsys 15 features a high power 380 mm LF cone transducer paired with a 100 mm voice coil and 63 mm titanium / Mylar composite diaphragm HF compression driver on a rotatable horn. Neodymium is used to increase the system's efficiency and reduce weight. It is the combination of these exceptionally high powered components with the latest in diaphragm technology that allows for the extreme SPLs possible from the Xsys 15. Numerous applications will benefit from the Xsys 15's high-power, low distortion output, while its modern appearance positions it as a true leader in cutting-edge industrial design.

Construction wood / aluminium composite. 20 x fly points : Power drive type 100 plate Smooth Polyurethane Performated steel foam filter

Enclosure Rigging Finish Grille

wood / aluminium composite. 20 x fly points : Power drive type 100 plate Smooth Polyurethane Performated steel foam filter

Xsys L2

Point One

Applications

Small to medium sized clubs, theatres, AV presentation, cruise ships, theme parks, casinos and showrooms

DJ monitor in medium to large club installations and portable systems

Specification

Frequency Response 38 Hz - 160 kHz -3 dB points 98 dB 1w/1m Efficiency 34 Hz Hi pass - up to Crossover Points 140 Hz Lo Pass 8Ω Impedance 750 watts RMS Power Handling 126.5 dB Cont Maximum Output 129.5 dB Peak Driver configuration 1 x 18” Omni Dispersion 2 x 4 Pole Speakon™ Connector

Dimensions Height Width Depth Weight

640 (mm) 594 (mm) 630 (mm) 46.8.(kg)

25.2” 23.4” 24.8” 103 lbs

Construction Enclosure Finish Grille

Uniting leading-edge aesthetics with the latest in advanced transducer technology, the Xsys L2 features tremendous power output with a pure sonic quality that is as aurally attractive as its enclosure is visually compelling. Targeted towards modern entertainment and leisure facilities, an Xsys L2 Subwoofer is the ideal companion to the Xsys 12 and Xsys 15 full-range systems. The Xsys L2 Subwoofer features a very high power 460 mm cone transducer with a 100 mm voice coil. The use of such a powerful transducer provides highly accurate transient response and intense output power, especially given the enclosure's deceptively small size. A multi-cavity design was developed to further preserve the transients and maintain the system's high overall efficiency. The Xsys L2 excels at delivering gripping and dramatic low frequency content that keeps music-lovers and dance club patrons coming back for more.

Frequency Response 55 Hz - 20 kHz -3 dB points Efficiency 99 dB 1w/1m Crossover Points Passive : 2kHz Impedance 8Ω Power Handling 500 watts RMS Maximum Output 126 dB Cont 130 dB Peak Driver configuration 1 x 12” 1 x 1” Coax Connector 1 x 4 Pole Speakon™

The highly unique Point One nearfield DJ monitor uses a specially designed 12" low frequency transducer with a coaxially mounted 1" exit compression driver. This arrangement provides a point source transmission pattern that eradicates the phase distortion which normally occurs when the listener is very close to the sound source. An integral stand positions the Point One at the optimum angle for nearfield work, and the careful selection of materials used in the HF unit helps keep listener fatigue to a minimum. As part of our Club-Fi series the Point One is available in a variety of different tints and finishes.

Dimensions Height Width Depth Weight

555 (mm) 368 (mm) 325 (mm) 19 (kg)

21.8” 14.5” 12.8” 41.8 lbs

Construction wood / aluminium composite. Smooth Polyurethane Performated steel foam filter

Enclosure

Clear Perspex

Venu Series Venu Series The Venu Series has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple: tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born. There are many features that make the Venu Series so convenient to install and use. These include: an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, rust-proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Venu 8

Venu 6

Venu 10

Venu 12

Applications

Clubs, Bars, Lounges, Cruise Ships, Theme Parks

Frequency Response Efficiency Crossover point Impedance Power Handling Maximum Output Driver Configuration Dispersion Protection Connector

72 Hz- 22 kHz - 3dB Points 95dB 1w/1m 2.4 kHz passive 8 ohm 200 watts RMS 118dB cont 121dB peak 1 x 6.5” 1 x 1” 90 h x 60 v rotatable HF - Electronic device 1 x phoenix with link out

60 Hz- 22 kHz - 3dB Points 97dB 1w/1m 2.3 kHz passive 8 ohm 300 watts RMS 121dB cont 124dB peak 1 x 8” 1 x 1” 90 h x 60 v rotatable HF - Electronic device 1 x phoenix with link out

52 Hz- 22 kHz - 3dB Points 97dB 1w/1m 2.1 kHz passive 8 ohm 350 watts RMS 123dB cont 126dB peak 1 x 10” 1 x 1” 90 h x 60 v rotatable HF - Electronic device 1 x phoenix with link out

50 Hz- 22 kHz - 3dB Points 98dB 1w/1m 1.9 kHz passive 8 ohm 400 watts RMS 124dB cont 127dB peak 1 x 12” 1 x 1” 90 h x 60 v rotatable HF - Electronic device 1 x phoenix with link out

Height Width Depth Weight

372 239 200 8.5

415 260 233 11.5

469 315 250 14.5

522 385 330 19.5

Enclosure Finish Grille

15 mm birch Plywood Textured Polyurethane Rust-proof grille

(mm) (mm) (mm) (Kg)

14.6” 9.4” 7.9” 18.7 lbs

(mm) (mm) (mm) (Kg)

16.3” 10.2” 8.8” 25.3 lbs

15 mm birch Plywood Textured Polyurethane Rust-proof grille

(mm) (mm) (mm) (Kg)

18.5” 12.4” 9.2” 32.0 lbs

15 mm birch Plywood Textured Polyurethane Rust-proof grille

(mm) (mm) (mm) (Kg)

20.5” 15.1” 13.5” 43.0 lbs

15 mm birch Plywood Textured Polyurethane Rust-proof grille

Venu Series Venu 115

Venu 215

Applications

Clubs, Bars, Lounges, Cruise Ships, Theme Parks

Specification

Frequency Response 38Hz - 160 Hz -3 dB points Efficiency 96 dB 1w/1m Crossover Points 80 - 160 Hz active Impedance 8Ω Power Handling 700 watts RMS Maximum Output 124.5 dB Cont 127.5 dB Peak Driver configuration 1 x 15” Connector 1 x Phoenix with link out

Dimensions Height Width Depth Weight

446 (mm) 448 (mm) 636 (mm) 35.5 (kg)

17.6” 17.6” 25” 78.3 lbs

Construction Enclosure Finish Grille

The Venu 115 has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple: tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born. There are many features that make the Venu 115 so convenient to install and use, these include, a super tough 15" transducer with a long excursion 4" coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 18mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Frequency Response 38Hz - 160 Hz -3 dB points Efficiency 99 dB 1w/1m Crossover Points 80 - 160 Hz active Impedance 4Ω Power Handling 1400 watts RMS Maximum Output 130 dB Cont 133 dB Peak Driver configuration 2 x 15” Connector 1 x Phoenix with link out

Dimensions Height Width Depth Weight

446 (mm) 860 (mm) 636 (mm) 62.5 (kg)

17.6” 33.9” 25” 137.8 lbs

The Venu 215 has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born. There are many features that make the Venu 215 so convenient to install and use, these include, super tough 15" transducers with a long excursion 4" coils. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 18mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Construction 18mm birch plywood Textured polyurethane Rust-proof grille

Enclosure Finish Grille

18mm birch plywood Textured polyurethane Rust Proof grille

Venu Series Venu Bass

Venu X

Applications

Clubs, Bars, Lounges, Cruise Ships, Theme Parks

Specification

Frequency Response 34Hz - 160 Hz -3 dB points Efficiency 96 dB 1w/1m Crossover Points 80 - 160 Hz active Impedance 8Ω Power Handling 600 watts RMS Maximum Output 123 dB Cont 126 dB Peak Driver configuration 1 x 12” Connector 1 x Phoenix with link out

Dimensions Height Width Depth Weight

370 (mm) 490 (mm) 430 (mm) 24.0 (kg)

14.6” 19.3” 16.9” 52.9 lbs

Construction Enclosure Finish Grille

The Venu Bass has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born. There are many features that make the Venu Bass so convenient to install and use, these include, a super tough 12” transducer with a long excursion 4” coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Frequency Response 34Hz - 160 Hz -3 dB points Efficiency 99 dB 1w/1m Crossover Points 80 - 160 Hz active Impedance 4Ω Power Handling 1200 watts RMS Maximum Output 128 dB Cont 131 dB Peak Driver configuration 2 x 12” Connector 1 x Phoenix with link out

Dimensions Height Width Depth Weight

370(mm) 780 (mm) 490 (mm) 44.5 (kg)

14.6” 30.7” 19.3” 98.1 lbs

The Venu X has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born. There are many features that make the Venu X so convenient to install and use, these include, super tough 12” transducers with a long excursion 4” coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood. Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

Construction 15 mm birch plywood Textured polyurethane Perforated steel - foam filter

Enclosure Finish Grille

15mm birch plywood Textured polyurethane Perforated steel - foam filter

Touring Void touring products have become industry standards across the globe. With a countless number of companies prescribing Void as their system of choice, it’s no wonder that our loudspeakers and amplifiers are seen in many of the world’s largest arenas, and on tours of all sizes, shapes, and musical styles. It’s not just the rental sector that’s making use of Void touring products; many prestigious live venues have benefited from permanently installing our systems, gaining much loyalty among their patrons for the consistent sound quality they are now able to achieve. From the largest tours to the smallest working band, Void products are proof that the next generation of sonic weaponry has arrived.

Recent Touring Armin van Buuren - Chicago Animal Bike Tour - Europe AVC - Pier 94, USA Beached Festival - Manchester, UK Bestival - Isle Of Wight, UK British Beach Polo Championships - UK Don Letts - Hyde Park, London, UK Ecoparade 2012 - Brescia, Italy EDM Festival - Chicago, USA Electric Picnic 2012 - Streadbally, Ireland Glade Festival - Norfolk, UK Glastonbury Festival - Somerset, UK North Coast Music Festival - Chicago, USA Outlook Festival - Pula, Croatia Red Bull Clash - Wembly Arena, UK Shambala Festival - Northamptonshire, UK Ultra Music Festival - Miami, USA Viva La Electronica Tour - Italy Westfest - Chicago, USA Winter Music Conference - Miami, USA

Arcline 12 - Wembley UK

BBK & JME (2012 Redbull Clash Winners) - Wembley Arena UK

Ultra Music Festival - Miami

Arcline 6 With Top Danish Chart Act Nephew

Arcline 12 & 6 (2012 Redbull Clash FOH System) - Wembley Arena UK

Arcline Series Overview Arcline has been developed to give hire companies, touring companies, and installation contractors a choice of line array systems that are capable of exceeding the most demanding requirements. The fundamental design of Arcline has been paved out by many years of research into the needs of our ever changing industry. It was determined early on that a line source with a cylindrical wavefront would best serve the requirements demanded of a modern line source system. To accomplish this, all of the components within each enclosure are physically positioned on an arc. This curved baffle arrangement allows for the components to share a common virtual acoustic centre that exists rearward of the physical array, thus equalising the sound path distances. The benefits are significant; they include constant sound intensity over the stated coverage angles, and greater linearity of the near-to-far-field transition point. The normally poor impulse response that is an inherent problem with line source transmission is also greatly improved by minimizing the path length differences, as well as by the use of our exclusive power tapering technology that's carried out in each enclosure. The Arcline family of products provide a range of no-compromise solutions suitable for system designers, sound consultants, and production companies of all types. In the rental market particularly, versatility must be the overriding priority with any new purchases these days, and the Arcline family of products are as versatile as they come.

Arcline Series Arcline 12

Arcline 15

Applications

medium to Large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

Specification

Frequency Response 90 Hz - 20 kHz -3 dB points LF : 105 dB 1w/1m Efficiency MF : 101.5 dB 1w/1m HF : 108 dB 1w/1m 250 Hz and 1.8 kHz Crossover Points active LF/MF : 8 Ω HF : 5.3 Ω Impedance LF : 700 watts RMS Power Handling MF : 900 watts RMS HF : 240 watts RMS 130.5 dB Cont Maximum Output 136.5 dB Peak Driver configuration 1 x 12”neo 4 x 6.5”neo 3 x 1” neo 120° h x 7° v Dispersion 2 x 8 pole Speakon™ Connector

Dimensions Height Width Depth Weight

437(mm) 860 (mm) 600 (mm) 55 (kg)

17.2” 33.8” 23.6” 121.2 lbs

Construction Enclosure Rigging Finish Grill

15mm multi laminate birch plywood 3 point proprietary : tilt angles - 7”, 5.25”, 3.5”, 1.75”, 0” Textured polyurethane Perforated steel foam filter

Aimed at live performance venues and the touring sector, Arcline 12 takes a new approach to combat the inherent problems which compromise most small and medium format line source enclosures. The idea of forming a line array is to produce a cylindrical wavefront which allows sound to disobey the inverse square law, but this can only occur if certain criteria are met. The major criterion is to ensure that a long enough line of enclosures are coupled to produce a cylindrical wavefront down to around 100Hz, as this would then give the lower frequencies the same decay-per-distance rate as the mid and HF frequencies. But this rarely happens when implementing small and medium format line array systems. The outcome of not forming a long enough line to support lower frequencies is the all too familiar thin sound with a lack of low midrange and upper bass, especially as the distance from the source increases. To rectify this problem, Arcline 12 adds a high efficiency horn loaded low-mid section to assist with low-mid projection. As with its smaller brother the Arcline 6, the 12 also physically positions its components on an arc forming a common virtual acoustic centre. This, teamed up with its 120 degree horizontal dispersion, allows for a very wide and uniform sound coverage free from phase and response abnormalities.

Frequency Response 60 Hz - 21 kHz -3 dB points Efficiency LF : 101 dB 1w/1m HF : 106 dB 1w/1m Crossover Points 1.2 kHz active Impedance LF : 4 Ω HF : 5.3 Ω Power Handling LF : 1400 watts RMS HF : 240 watts RMS Maximum Output 131 dB Cont 136 dB Peak Driver configuration 2 x 15” neo 3 x 1” neo Dispersion 120° h x 25° v Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

448 (mm) 988 (mm) 350 (mm) 45.5 (kg)

17.6” 39.3” 13.8” 100.3 lbs

The highly Versatile Arcline 15 is a full range line array enclosure that has been designed with both the touring and installation markets in mind. Its compact dimensions with extended vertical dispersion, wide frequency response and very high output make it a totally unique loudspeaker. With a 25 degree vertical and 120 degree wide dispersion, the Arcline 15 can happily be used in singles and without sub enclosures for many applications including pubs, bars, smaller live venues and clubs. Venues with low ceilings are also a prime candidate for the Arcline 15, its small vertical dimension and controlled dispersion are perfect for such rooms. For the larger live venue, club or theatre, the use of multiple Arcline 15’s with sub enclosures provides a very compact yet high output solution. By adding the touring bumper bar, the Arcline 15 becomes a fully-fledged line source array capable of tacking outside concerts, festival stages, dance events and larger conference productions. Any number of enclosures can be used depending on the output and coverage required. Many smaller events such as acoustics stages etc can use an Arcline 15 array full range and will not need the addition of sub enclosures. By adding subs to an array the possible applications are only limited by your imaginations.

Construction Enclosure Rigging Finish Grill

15mm multi laminate birch plywood 3 point proprietary : tilt angles - 25”, 20”, 15”, 10”, 5”, 0” Textured polyurethane Perforated steel foam filter

Arcline Series Arcline X

Psyco X

Applications

Live sound in medium sized venues. Small to medium scale touring. Theatre, AV presentations, music clubs

Medium to Large sized venues of all types, large scale touring, Arena and stadium sound, dance festivals

Specification

Frequency Response 38 Hz - 250 kHz -3 dB points 105 dB 1w/1m Efficiency 38 Hz Hi-Pass Crossover Points Up to 250 Hz lo-Pass 4Ω Impedance 1500 watts RMS Power Handling 136 dB Cont Maximum Output 140 dB Peak Driver configuration 2 x 15”neo Array Dependent Dispersion 2 x 4 Pole Speakon™ Connector

Dimensions Height Width Depth Weight

860 (mm) 446 (mm) 800 (mm) 64.8 (kg)

33.8” 17.5” 31.5” 142.4 lbs

Construction Enclosure Rigging Finish

18 mm multi laminate birch plywood - Carbon fibre - magnesium Tower winch system, tilt board Textured Tour Coat

Expanding on the multiple resonant chamber concept as found in the Stasys X, the Arcline X takes an even bigger break from tradition by distilling the technology one step further. Each enclosure offers 140dB peak SPL, whilst an array capable of 150dB peaks occupies a frontal area of only 3 sq meters and can be setup in less than 2 minutes by two people. The radical advance of the multiple resonant chamber technology employed by Arcline X additionally allows a sub 40Hz f3 point, which is unprecedented for an enclosure with a volume of just 300 litres. Careful design consideration of the internal horn paths have resulted in an extended upper response that will accurately reproduce up to 250Hz, permitting a higher crossover frequency than is possible with many other subwoofers. When used with the Arcline 6 or Arcline 12, this higher crossover raises their maximum output level capability and allows far greater projection of the important upper bass frequencies that many small line source's fail to reproduce convincingly. Arcline X additionally features HTT (Heat Transference Technology). A side located heat sink is used to transfer heat from both woofer's voice coils and magnet assemblies, significantly decreasing power compression and improving long term reliability.

Frequency Response 27 Hz - 190 Hz -3 dB (4 enclosures) Efficiency (1w/1m) 1 enclosure : 106 dB 2 enclosures : 108.5 dB 4 enclosure s: 112.5 dB Crossover Points Hi-Pass :27hz (24dB/oct) Lo-Pass:80-130Hz Impedance 1 enclosure : 8 Ω Power Handling 1 enclosure : 1600 watts Maximum Output 1 :136.5 Cont-141.1 Peak (dB) 2 :142.5 Cont-148.2 Peak 4 :148.6 Cont-154.3 Peak Driver configuration 1 x 18”neo 4” voice coil Dispersion Array Dependant Connector 2 x 8 Pole Speakon™ 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

554 (mm) 1218(mm) 896 (mm) 96 (kg)

21.8” 48.0” 35.3” 211.6 lbs

Construction Enclosure Finish Grill

18mm multi laminate birch plywood Textured Tour Coat Perforated steel foam filter

Psyco X is the latest addition to Void’s line up of high performance low frequency enclosures. Being the latest has meant it’s got to be special and have some extraordinary specs. A quick glance at its specifications will confirm this. The design features a horn with a length of just over 3.1 meters (10.2 ft), which is about as long as anyone has ever managed to cram into an enclosure with a total volume of just 604 litres. This gives a stack of four enclosures an f3 point of 27Hz with a sensitivity of 112.5dB 1w/1m. Power handling is 6400 watts AES, which equates to a peak output of 154.3dB at 1 meter. The use of such a long horn has given extreme efficiency, a very low f3 with well-behaved transient response and a predictable dispersion pattern when arrayed. Both the predictability and far field projection capabilities of a Psyco X Array have made it the perfect partner for the Arcline 12. These superlative performance specs have only been made possible by a recent development in transducer chassis design that has allowed a sophisticated cooling system to be implemented. All the internal metal chassis parts and magnet structure are bolted to transfer plates and cables that connect to an external heat sink. The transference of heat from the core of the transducer to the outside of the enclosure has led to a world beating reduction in power compression. Measurements taken after a 2 hour test with continuous full power 90% duty cycle source material have confirmed a power compression level of only 1.8dB.

Stasys Series Overview The flagship Stasys Series is the definitive aural arsenal for those with the highest level of audio requirements. Equally at home on the largest tours and in the biggest installations, Stasys always exceeds expectations. With an output-to-size ratio among the highest in the industry, Stasys is fast becoming one of the shrewdest investments you can make. Touring companies using Stasys are discovering they can spec half the size system they normally would, which translates into major savings in transportation and crew costs. Night clubs, music venues and Houses of Worship are all discovering the sonic and economic benefits of installing Stasys. At a time when installation budgets are carefully controlled, investing in products that have the highest levels of output and definition with proven reliability is a top priority. Stasys systems fulfil these criteria and more without breaking the bank. Stasys is characterised by tremendous power output and exceptionally low distortion. The enclosures readily form coherent arrays when used in multiples, retaining their inherently smooth response and musical sonic characteristics. Stasys Series products make use of many of the latest advancements in acoustic design technology. This has only been possible by utilising our extensive R&D facilities and dedicated design team. For example, all X Series products undergo a technique called 'resonance mapping'. Hundreds of small accelerometers are attached to every surface of an enclosure and measurements are taken that allow a 3D colour map of resonant modes and densities to be displayed. This information is then used to determine material selection, pinpoint any problem areas, refine enclosure bracing, and keep structural mass to a minimum while maintaining the highest achievable output with least possible colouration. Stasys loudspeaker systems represent some of the most advanced and refined audio products available in the world today. Audition Stasys and see how it can transform your expectations.

Stasys Series Stasys Prime V2

Stasys 5 Mk2

Applications

Medium to Large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

Specification

Frequency Response 90 Hz - 22 kHz -3 dB points LF : 112 dB 1w/1m Efficiency MF : 115.5 dB 1w/1m HF : 116 dB 1w/1m 2 way 650 Hz - 3 way Crossover Points 650 Hz & 6.5 kHz LF : 4 Ω MF/HF : 8 Ω Impedance LF : 1500 watts RMS Power Handling MF : 150 watts RMS HF : 80 watts RMS 142 dB Cont Maximum Output 146 dB Peak Driver configuration 2 x 15”neo 1 x 1.5”Coax 25° h x 35° v Dispersion 2 x 8 Pole Speakon™ Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

Construction Enclosure Rigging Finish Grill

860(mm) 586 (mm) 775 (mm) 83 (kg)

33.9” 23.1” 30.5” 186.2 lbs

18mm 15 laminate birch plywood 4 x Aero track Proprietary flying system Textured polyurethane Perforated steel foam filter

The new 3 way Stasys Prime V2 takes the point source concept to new levels with its extended low frequency performance, groundbreaking efficiency, and unprecedented output power. Most traditional point source enclosures can only be used above 100Hz and require the addition of LF enclosures that have enough speed and agility to cope with the demanding upper bass band. Stasys Prime negates the need of such LF enclosures, as its extended LF response allows it to be used with true dedicated subwoofers. This has the added benefit of not producing an awkward aural transition from the flown array to the typically ground-stacked subs. Stasys Prime V2 has been designed so that lossless summation between adjacent enclosures takes place effortlessly. This seamless transition from enclosure to enclosure within the array greatly improves intelligibility and phase coherency. Array efficiency is radically increased as well, as Stasys Prime enclosures provide true acoustic addition instead of destructive interference. The maximum continuous output level per enclosure is extremely important with any point source array, as each section of the venue is predominantly covered by a single array element. Each Stasys Prime is capable of a continuous output of 142dB, allowing the total array to be surprisingly small for a given application. The tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces.

Frequency Response 38 Hz - 160 Hz -3 dB points Efficiency LF : 105.6 dB 1w/1m Crossover Points Hi Pass: 38 Hz 24 dB/oct Lo Pass: Up to 160 Hz Impedance 8Ω Power Handling 1200 watts RMS Maximum Output 135 dB Cont 140 dB Peak Driver configuration 1 x 18”neo 125mm(5”) Voice coil Dispersion Array Dependent Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

860(mm) 586 (mm) 775 (mm) 53 (kg)

33.9” 23.1” 30.5” 116.6 lbs

Construction Enclosure Finish Grill

18mm 15 laminate birch plywood Textured polyurethane Perforated steel foam filter

Designed specifically for demanding live performance applications, the Stasys 5 Mk2 expands the boundaries of low frequency sonic bombardment. Suitable for use on the largest tours or in the biggest arenas, the Stasys 5 mk2 utilises numerous innovations to produce low frequency output with previously unheard of impact. One such innovation harnesses some of the energy that would normally be dissipated in the rear chamber; this is accomplished by firing the transducer onto an aluminium pressure plate. The plate's restoring force is then reflected back onto the transducer, resulting in a substantial increase in transient response and efficiency. Using an actively driven element with a passively fed radiator, with gain, has analogies to a bass or kick drum, where one of the two heads is hit whilst the other is tuned to a different frequency. To gain the most from this arrangement a specially designed transducer with an asymmetrical offset suspension has been implemented. As with all premium Void enclosures, the use of resonance mapping has resulted in an extremely rigid structure with very low colouration. The output power-to-weight ratio is near the theoretical limit with the overall weight being one of the lightest in the industry. And finally, the Stasys 5 Mk2 uses Coolwave ™ technology to reduce thermal compression to an absolute minimum while ensuring that consistently high output levels are maintained throughout the longest performances.

Stasys Series Stasys 3 Mk2

Stasys X V2

Applications

medium to Large sized venues of all types, large scale touring, arena and stdium sound, dance festivals

Specification

Frequency Response 120 Hz - 20 kHz -3 dB points Efficiency LF : 108 dB 1w/1m MF : 108 dB 1w/1m HF : 109 dB 1w/1m Crossover Points 2 way 800 Hz - 3 way 800 Hz & 3.2 kHz Impedance LF/MF/HF : 8 Ω Power Handling LF : 500 watts RMS MF : 200 watts RMS HF : 80 watts RMS Maximum Output 134 dB Cont 139 dB Peak Driver configuration 1 x 12” 1 x 6.5” 1 x 1” Dispersion 45° h x 30° v Connector 2 x 8 Pole Speakon™ 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

815(mm) 586 (mm) 773 (mm) 66 (kg)

32.1” 23.1” 30.5” 145.5 lbs

Construction Enclosure Rigging Finish Grill

18mm 15 laminate birch plywood 4 x Aero track Proprietary flying system Textured polyurethane Perforated steel foam filter

The Stasys 3 mk2 mid-hi touring enclosure is designed to give system operators a quick and simple solution to large scale sound reinforcement. Each enclosure comes with a multiple point Aero-track flying system allowing quick system setups and accurate arraying. The design is the distillation of a lifetime's work. Most of the technology incorporated in the Stasys 3 mk2 has never been attempted before and is a radical departure from the norm. At the heart of the design is the 'Waveformer'. Sound waves enter the horn at varying distances from the transducer via the centrally mounted Waveformer. The distance depends on the frequency and also the radiation pattern of the transducer. New types of transducers were developed that emit different frequencies from different locations around their radiation surface. These locations are then channeled to the Waveformer and emitted at a precise distance down the horn. The benefits of Waveforming are enormous. All frequencies reach the horn mouth at exactly the same time so that phase cancellation is virtually eliminated. The result is an extremely flat and uniform response with a very wide bandwidth in each band. Dispersion characteristics are radically improved as well, due to the Waveformer's refraction grid which reduces HF beaming significantly. The well-defined and tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces.

Dimensions Height Width Depth Weight

554(mm) 1218 (mm) 896 (mm) 96 (kg)

21.8” 48.0” 35.3” 211.6 lbs

Construction Enclosure Finish Grill

18mm birch plywood Textured polyurethane Perforated steel foam filter

Stasys X set a new standard in the performance possible from a double 18” low frequency enclosure. It has been used on tours, in live venues, and in world-class night venues all around the world since its introduction 5 years ago. But the time has come to move on and use the latest technologies to advance and refine the design further. This is no mean feat as the first version was very well received and phenomenally successful form a sales point of view. So what’s changed? And what are the improvements? A total rearrangement of the internal resonant chambers has improved the cooling to the extent that no external heat sinks are required, which has also led to a significant decrease in power compression. The systems transient response, phase response and overall timing capabilities have also been vastly improved by the new internal chamber layout. This has led to a more uniform response in relation to distance and greater behavioural predictability when arrayed. The Stasys X V2 uses the latest cone materials keeping the moving mass low enough to allow optimum transfer efficiency to take place, whilst providing the structural rigidity to maintain form at all times. This advancement has also meant the transducers mechanical parameters are ideally matched to the enclosures internal loading requirements, which has lowered the f3 point and improved the attack characteristics. Sprayed with our brand new ‘TourCoat’ polyurea finish, the Stasys X V2 also features new truck pack friendly dimensions and universal location receptors that allow interlocking and mating with adjacent enclosures regardless of their orientation.

Stasys Series Stasys 218

Stasys Phil

Applications

Medium to Large sized venues of all types, large scale touring, arena and stadium sound, dance festivals

Specification

Frequency Response 32 Hz - 200 Hz -3 dB points Efficiency LF : 101 dB 1w/1m Crossover Points 70 - 160 Hz, 24dB/oct Impedance 4Ω Power Handling 2400 watts RMS Maximum Output 134 dB Cont 139 dB Peak Driver configuration 2 x 18” 100mm voice coil Dispersion Array Dependent Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

586 1020 775 89

(mm) 23.0” (mm) 40.1” (mm) 30.5” (kg) 196.2 lbs

Construction Enclosure Finish Grill

18mm birch plywood Textured polyurethane Perforated steel foam filter

In an ever changing financial climate the search for cost effective solutions becomes paramount. Many compromise and turn to more traditional designs to avoid breaking the bank, but traditional doesn’t always have to mean compromise. Enter the Stasys 218, a low frequency enclosure built around traditional principles but designed with Stasys philosophy and attention to detail. To abstract the maximum performance from the design the heart of the 218’s enclosure was subjected to the same resonance mapping procedures as all other Stasys low frequency models. This practice has dictated the type of materials used around the enclosure, optimised the brace positioning and minimised destructive nodal conditions. All of this adds up to a structurally superior housing with minimum mass, the least possible amount of cabinet born coloration and vastly increased output. Transducer selection and integration is also critical when it comes to reflex enclosure design, so months of comparative testing and evaluation led to the birth of a new 18” transducer for the Stasys 218. The sonic properties of differing cone and surround combinations were studied as well as differing coil topographies. Flux intensities and out of band abnormalities were also manipulated until the perfect combination was achieved and our ears were happy. For those that demand state of the art performance at a realistic price level, a new contender has arrived. It’s the marriage of a technologically advanced enclosure with esoteric performing transducers applied with superlative tuning techniques that has resulted in a phenomenal package that has well and truly left tradition behind.

Frequency Response 45 Hz - 21 kHz -3 dB points Efficiency LF : 101 dB 1w/1m HF : 106 dB 1w/1m Crossover Points 1.8kHz active LR 24 dB/oct Impedance LF: 4 Ω HF: 8 Ω Power Handling LF: 1600 watts RMS Maximum Output HF: 100 watts RMS 130.5 dB Cont 134 dB Peak Driver configuration 2 x 15” neo 1 x 1.5” Dispersion 80° h x 50° v Rotatable Connector 2 x 4 Pole Speakon™

Probably the most versatile loudspeaker you could ever have in your arsenal, Stasys Phil sets new standards in extra high output, full range sound reinforcement.

Dimensions

Stasys Phil’s simplicity also allows it to be used with our 4 channel amplifiers using their built-in crossovers. Compact and powerful systems can be created for all types of events using our 4 channel amplifiers, allowing for very fast setup times with the minimum of fuss.

Height Width Depth Weight

1191 586 550 63

(mm) (mm) (mm) (kg)

46.9” 23.0” 21.6” 138.9 lbs

Construction Enclosure Finish Grill

Primarily designed as a side or drum fill for larger setups, Stasys Phil is equally at home at FOH driven fullrange in smaller venues. Other applications include large scale FOH when used as a mid top with suitable LF enclosures and as a monitor for keyboard or percussion players. Dance events can also make use of Phil’s versatility. A pair used as DJ monitors, could surpass the output and quality requirements of the most demanding top level DJ’s. Mobile jocks can also build scalable FOH systems without the need for further LF enclosures due to the extended 45Hz low frequency response of Stasys Phil.

With its ability to tackle any application in its stride, most would agree that if you were ever stranded on a desert island and could only take one type of loudspeaker with you, Stasys Phil would be the one you grab first.

18mm 15 laminate birch plywood Textured polyurethane Perforated steel foam filter

Stage Monitors Stasys 4

Impulse 4t

Applications

Foldback monitor for large scale touring, FOH in small to medium size venues, theatre and stage shows.

Specification

Frequency Response 50 Hz - 20 kHz -3 dB points Efficiency LF : 99 dB 1w/1m HF : 106 dB 1w/1m Crossover Points Passive 1.6 kHz active 1.6 kHz Impedance LF/HF : 8 Ω Power Handling LF : 600 watts RMS HF : 100 watts RMS Maximum Output 126.5 dB Cont 129 dB Peak Driver configuration 1 x 15” 1 x 1.5” neo Dispersion 90° h x 50° v Connector 2 x 4 Pole Speakon™

Dimensions Height Width Depth Weight

750(mm) 440 (mm) 385 (mm) 36.5 (kg)

29.5” 17.3” 15.2” 80.3 lbs

Construction Enclosure Rigging Finish Grill

The Stasys 4 is a versatile enclosure designed to function in more than one role. Equipped with multiple fly points, it is equally at home as a foldback monitor on a large tour, as it is when used for a Front of House application in a smaller venue. The Stasys 4 uses a 1.5" compression driver on a conical waveguide coupled with a very robust 15" woofer. Our research uncovered the limitations in conventional HF horn design. A conical waveguide was found to give the best off-axis rejection and constant coverage within its dispersion; both of these points are critical for high level foldback use. The Stasys 4 can be switched between its high quality internal passive crossover or driven in a two-way active mode, depending on the application requirements. All Stasys enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability. We recommend our Livedrive 4 in 8 out system controller for use with all Stasys products.

Frequency Response 65 Hz - 20 kHz -3 dB points Efficiency 101 dB 1w/1m Crossover Points Passive or active 1.4kHz Impedance 8Ω Power Handling 500 watts RMS Maximum Output 127 dB Cont 130 dB Peak Driver configuration 1 x 12” 1 x 1.5” Dispersion 90° h x 50° v Rotatable Connector 2 x 4 Pole Speakon™

The use of carefully selected components and a well designed crossover gives the Impulse 4t a flat frequency response free from peaks and resonances. This provides higher-than-average output levels before feedback would normally occur, especially valuable when the 4t is used for stage foldback. All Impulse series enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability.

Dimensions Height Width Depth Weight

The Impulse 4t is the ideal solution for small to medium sized system operators. Like its bigger brother, the Impulse 4t comes equipped with multiple flying points and is suitable for use as a foldback monitor, for area fill, or as a Front of House system in smaller venues. The Impulse 4t's high output power and smooth, natural sound quality produce sonic results that are rarely found from such compact dimensions.

620(mm) 370 (mm) 375 (mm) 29 (kg)

24.4” 14.6” 14.7” 63.8 lbs

Construction 18mm 15 laminate birch plywood 6 x Aero track Powerdrive type 100 plate, top hat Textured polyurethane Perforated steel foam filter

Enclosure Rigging Finish Grill

18mm 15 laminate birch plywood 3 x Aero track 1 x Powerdrive type 100 plate, top hat Textured polyurethane Perforated steel foam filter

Armalite Series The Armalite series of amplifiers have been created to provide the ultimate power tools for the professional user. Years of comparative listening, evaluation, and pure R&D have resulted in a very robust range of amplifiers. A multitude of different power supply and output stage configurations were rigorously tested until the ultimate sonic accuracy and power-to-weight ratio was arrived upon. Our research definitively determined the sonic importance of a high-current supply, so our engineers designed and built a range of PSUs capable of delivering a vastly higher amount of current than required. In a professional product, long term reliability is every bit as important as sonic quality, and it is this mandate that led to an intensive search for the best possible components throughout. The result of this lengthy development project is a line of power amplifiers that exhibit unparalleled sound quality with the utmost reliability. By using a state-of-the-art super high-frequency switch modulated power supply, efficiency levels are extremely high, heat dissipation is low, and weight is kept to a minimum. Both Class D and Class H topologies are utilised across the range which increases the configuration possibilities depending on application. Where pure power and efficiency are required, 5th generation class D topology is incorporated with a highly developed and versatile PFC universal 20 KW PSU. For less demanding applications that require high sonic purity class H topology is used but still coupled to an advanced and flexible PFC power unit.

AK5

AK6

AK7

AK8

AQ5

AQ6

AQ7

AQ8

Applications

Medium to large scale touring, outside stage and dance productions, installation, theatre and stage, conference

Channels Output (8Ω) WattsAES Output (4Ω) WattsAES Output (2Ω) WattsAES Bridge (4Ω) WattsAES Freq response

2 400 700 1000 1 x 2000 ±0.5dB 20Hz - 32kHz (-3dB @ 10 Hz-35kHz) 0.005% >105dBA >65dB >5000 32dB 2 XLR balanced 10 kΩ input impedance 2 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 55% (Plug to Plug)

2 700 1200 1700 1 x 3400 ±0.5dB 20Hz - 32kHz (-3dB @ 10 Hz-35kHz) 0.005% >105dBA >65dB >5000 32dB 2 XLR balanced 10 kΩ input impedance 2 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 55% (Plug to Plug)

2 1100 2000 3500 1 x 7000 ±0.5dB 20Hz - 20kHz (-3dB @ 10 Hz-25kHz) 0.05% >110dBA >65dB >500 32dB 2 XLR balanced 10 kΩ input impedance 2 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 85% (Plug to Plug)

2 2500 4000 6000 1 x 12000 ±0.5dB 20Hz - 20kHz (-3dB @ 10 Hz-25kHz) 0.05% >110dBA >65dB >500 32dB 2 XLR balanced 10 kΩ input impedance 2 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 85% (Plug to Plug)

4 400 700 1000 2 x 2000 ±0.5dB 20Hz - 32kHz (-3dB @ 10 Hz-35kHz) 0.005% >105dBA >65dB >5000 32dB 4 XLR balanced 10 kΩ input impedance 4 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 55% (Plug to Plug)

4 700 1200 1700 2 x 3400 ±0.5dB 20Hz - 32kHz (-3dB @ 10 Hz-35kHz) 0.005% >105dBA >65dB >5000 32dB 4 XLR balanced 10 kΩ input impedance 4 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 55% (Plug to Plug)

4 1100 2000 3500 2 x 7000 ±0.5dB 20Hz - 20kHz (-3dB @ 10 Hz-25kHz) 0.05% >110dBA >65dB >500 32dB 2 XLR balanced 10 kΩ input impedance 2 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 85% (Plug to Plug)

4 2200 3500 5000 2 x 10000 ±0.5dB 20Hz - 20kHz (-3dB @ 10 Hz-25kHz) 0.05% >110dBA >65dB >500 32dB 2 XLR balanced 10 kΩ input impedance 2 30A 4 pole Speakon™ 80- 270VAC 50-60Hz Universal Input 85% (Plug to Plug)

88.5 485.1 457.2 12.5

88.5 485.1 457.2 13

88.5 485.1 457.2 16

88.5 485.1 457.2 17

88.5 485.1 457.2 14.5

88.5 485.1 457.2 15

88.5 485.1 457.2 19

88.5 485.1 457.2 20

THD+N (ref 4W 1KHz) S/N (ref full output) CMRR ref. 1KHz Damping factor (<1KHz) Voltage Gain (8W) Inputs + link outs Outputs Power input

Height Width Depth Weight

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 27.55 lbs

'Void Acoustics reserves the right to change these specifications without prior written notice'

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 28.66 lbs

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 35.27 lbs

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 37.47 lbs

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 31.96 lbs

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 33.06 lbs

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 41.88 lbs

(mm) 3.5" (mm) 19.1" (mm) 18" (kg) 44.09 lbs

Processors Digidrive V2

Livedrive V2

Applications

Live sound, touring, fixed install, stage and theatre productions, bars and clubs, conference

Specification Input Output Frequency response Dynamic range THD Digital Processing A/D - D/A Crossover Slopes Crossover Type Output Limiter Equalisation

Input Compressors Delay Time AES/EBU Input Connections Presets Power Input

2 channels, max level +22dBu 6 channels, max level +12dBu 8Hz-40kHz ±0.1dB 5Hz-45kHz ±1.5dB >118 dB (unweighted) 20Hz - 20kHz 0.002% (20-40kHz@+4dBu) 64 bit 24 bit 6, 12, 18, 24 dB Range 20Hz - 20kHz Butterworth, linkwitz-rilley, Bessel HP-LP out Threshold -50 to +12dBu Attack Time predictive Release time 1 - 100ms 10 EQ’s for each output 10 EQ’s for each input Bell filters with Q of 0.20 to 25 Range 20Hz-20kHz Amplittude of ±12dB Hi & lo Shelf filters Fully adjustable Notch and allpass filters. 1 fully adjustable Compressor on each input Input up to 2000ms Outputs up to 2s On inputs C & D, accecpting all clock speeds up to 192kHz Analog XLR : AES/EBU XLR USB PC Link :Ethernet 100 Universal

Dimensions Height Width Depth Weight

44 (mm) 483 (mm) 167 (mm) 2.37 (kg)

1.75” 19” 6.57” 5.22 lbs

The Digidrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Digidrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition. Up to 6 outputs can be derived from either or a sum of the 4 inputs via matrix mixing. This allows any input to be mixed at any level to any output. Inputs A & B are analogue whilst inputs C & D are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison. The Digidrive V2 can be connected to a PC via USB or its Ethernet connection for full external control via the supplied Live Link software. Each Digidrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

Specification Input Output Frequency response Dynamic range THD Digital Processing A/D - D/A Crossover Slopes Crossover Type Output Limiter Equalisation

Input Compressors Delay Time AES/EBU Input Connections Presets Power Input

4 channels, max level +22dBu 8 channels, max level +12dBu 8Hz-40kHz ±0.1dB 5Hz-45kHz ±1.5dB >118 dB (unweighted) 20Hz - 20kHz 0.002% (20-40kHz@+4dBu) 64 bit 24 bit 6, 12, 18, 24, 48 dB Range 20Hz - 20kHz Butterworth, linkwitz-rilley, Bessel HP-LP out Threshold -50 to +12dBu Attack Time predictive Release time 1 - 100ms 10 EQ’s for each output 10 EQ’s for each input Bell filters with Q of 0.20 to 25 Range 20Hz-20kHz Amplittude of ±12dB Hi & lo Shelf filters Fully adjustable Notch and allpass filters. 1 fully adjustable Compressor on each input Input up to 2000ms Outputs up to 2s On inputs C & D, accecpting all clock speeds up to 192kHz Analog XLR : AES/EBU XLR USB PC Link :Ethernet 100 Universal

The Livedrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Livedrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition. Up to 8 outputs can be derived from either or a sum of the 6 inputs via matrix mixing. This allows any input to be mixed at any level to any output. There are 6 inputs, A to D are analogue, the other two inputs are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison. The Livedrive V2 can be connected to a PC via USB or its Ethernet connection for full external control via the supplied Live Link software. Each Livedrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

Dimensions Height Width Depth Weight

44 (mm) 483 (mm) 167 (mm) 2.37 (kg)

1.75” 19” 6.57” 5.22 lbs

Void Acoustics England Tel : +44 (0)844 410 1440 fax : +44 (0)844 410 1439 email : sales@voidaudio.com web : www.voidaudio.com