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J’adore

(pronounced Jah-Door)

contents

th e m usic Issue

Features

cover images BY: Derek Blanks Grooming: Tierra Burrell Styling: Betrice Benbow Location: Highland Cigar Company Tailor: Carl Bowen Tuxedos- Savvi Formalwear, www.besavvi.com Shoes- Tagotti Shoes/www.tagottishoes.com Hats- J's Hats Accessories-Savvi Formalwear,Carl Bowen

Cover

Ocean's 7 so much swag

Stacked with so much talent that collectively has sold millions of records, supergroup Ocean’s 7 is set to take over the music game.

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stevie Wonder:

Smiling for 60 Years

J’Adore talks with music icon Stevie Wonder after one of his greatest and dangerous performances in recent years.

Auto-Tune:

Is Auto-Tune Finally Tuning Out? Let’s talk about the history and current phenomenon regarding this money making voice-changer, the Auto-Tune. Is it dying or just getting started?

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Jeremih:

It's Your 'Birthday' His name is Jeremih and he is making ladies melt with his hit ‘Birthday Sex.’ But who is he and what’s next? He answers in an exclusive interview.

Wale:

Even with the passing of his partner Pimp C, Bun B confirms that the legacy of UGK lives on.

Attention: Deficit D.C.’s most prolific rapper finally focuses on his debut album, Attention: Deficit. Find out what else is crackin’.

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Bun B:

Still on the Grind

ron browz: 'Know the Business' Harlem native, rapper and producer Ron Browz a.k.a. Etherboy has major hits and schools us on how he deals with them in this shady music biz.

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J’adore

contents

th e m usic Issue

Departments image BY: Laretta Houston

Real Life

14 Down By Law 15 Do’s and Don’ts of Internet marketing for the music artist 16 Big Jon Platt: The Power of Publishing 17 Twitter: Fly Technology 18 A General Definition of a 360/Multiple Rights Deal 18 Who To Listen Out For: Esperanza Spalding 20 Outspoken Word: Hip-Hop: What's Next 22 Hood Estate

life & style

24 Health & Fitness: Tera Patrick 25 The Scent of a Woman 26 Escapism: The French Riviera 28 The Dish: Chef Jamika Pessoa 30 Hip Sips 32 Cold One…01 34 Gifts For Your Special Lady 35 Smell Goods 36 Beauty & Grooming 38 Guilty Pleasures 39 The Ultimate Soundtrack for Sex

mODEL CITIZENS

40 Leila Depina: Cape Verde Beauty 42 Misconceptions of Tila Tequila 44 Heather Crawford: Heaven's Love Child 46 Crème De La Crème: Courtney Jane 48 The Casting Couch: Benjamin Jimerson

entertainment

50 The Noisettes: Bring the Noise! 52 On the Scene: From Jazz to Jaspects 54 On the Scene: The Karriem Riggins Experience 56 The Girls Next Door: Richgirl and Electrick Red 58 The Breakdown on the Breakup: D. Woods 60 Go DJ! 62 On the Rise: Big Doty 63 Did You Know?

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HAUTE FASHION

84 Fashion How To 85 Watch This 86 Man Canvas 88 Martin Ksohoh: Seeing 'Red' 90 Optic Nerve 92 Denim 94 Black Magic

x-tras

98 Flawless Victory 100 The Tech Side 102 Hugging The Road 104 2009 NFL Top 10 Power Rankings 106 On the Reel 107 Guess That Music Style 107 Who to Listen Out for: Keke J. 108 Book Reviews: Falling Into Destiny 110 The Last Page

opticnerve image by: Le'Ticia F., Wayne Grace II

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J’adore

staff

CEO & PUBLISHER Courtney Francis & Taneish Leslie President Leon Minott Vice President David Gilmore EDITORIAL Executive Editor - Dennis Malcolm Byron Editorial Director - Jasana Alleyne Editor At Large - Jay Glover Deputy Editor - Shawn Jackson Associate Editor - Lauryn Boone Fashion Director - Linh Nguyen Beauty Director - Alex LaMarsh STAFF & CONTRIBUTING WRITERS Dawn Alicia Montgomery, Evita Robinson, Lakeisha Williams, DeWayne Rogers, Montayne Farrar, Kathy Harris, Simeon Gant, D. Kevin McNeir, Angela P. Moore-Thorpe, Ginger Halliwell, Tera Thomas, Ty Reynolds, Laura Turner, Robert Littal, Robert J Mair, Tashir J. Lee, Ale Sharpton, Andrea Janise marketing/ADVERTISING Dante Simpson, DSA MEDIA GROUP dsimpson@dsamediaonline.com, 646.417.8198 ext. 704 ARCHITECtS Creative Directors - Taneish Leslie, Jasana Alleyne & Elese Patterson Executive Assistant -Michol “Nikkie Santoro” Gardner Art Director - Fran Sherman Graphic Designer - Byron Harris Photo Editor - Alex LaMarsh PHOTOGRAPHERS Anne Park, Mark Sacro, Paul Lawson, Milkman, Anthony Amadeo, Ricardo Louis, Dennis Malcolm Byron, Mike Cooke, Mykeon Smith, Earl Randolph, Maicol, Reggie Bates, Kid A, Kenny Seeney, Derek Blanks PRODUCTION DIRECTORS Taneish Leslie & Alex LaMarsh promotions Elese Patterson, Rohan Sutherland of Genesis Marketing & Promotions (561) 859-7552 Neishon Leslie of Presidential Touch PUBLIC RELATIONS Nakia Hicks Vision Media Management, LLC, (347) 423-2692 JADOREMAG.COM Web Designer - Laura Turner Webmaster - Digital Images NEWSSTAND SPECIALIST John Blassingame (609)655-3667

J’Adore Magazine and jadoremag.com reserve the right to update and change this disclaimer at any time. The opinions expressed in the editorial, article, and interviews published within this publication and on our website, www.jadoremag.com, are solely the opinions of the writers and do not represent the opinions of the J’Adore Magazine staff. All Web site design, text, graphics, the selection and arrangement thereof, and all software are © 2006 - 2008 J’Adore Magazine. Permission is granted to electronically copy and to print in hard copy portions of jadoremag.com for the sole purpose of information or personal entertainment. Any other use of materials on jadoremag.com, including reproduction for purposes other than those noted above, modification, distribution, or republication without the prior written permission of J’Adore Magazine and jadoremag.com is strictly prohibited. All other trademarks, product names, and company names or logos cited herein are the property of their respective owners, and any use of their material is hereby gratefully acknowledged. Sources, authors, dates, etc. are specified whenever and wherever possible. J’Adore Magazine makes no claims to any non-original properties and utilizes material whenever courtesy is allowed or implied. Except as specifically stated on this site, neither J’Adore Magazine, jadoremag.com, nor any of its creators or other representatives will be liable for damages arising out of or in connection with the use of this site. By using links provided on jadoremag.com that lead to sites other than the J’Adore Magazine, you agree to hold the Publisher of J’Adore Magazine from any liability resulting from your use of those sites. This is a comprehensive all damages of any kind, including (without limitation) compensatory, direct, indirect or consequential damages, or loss of data. J’Adore Magazine distances itself from content on non-J’Adore Magazine web sites and is not responsible for the content on the sites to which it links.

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Publisher's Letter

Greetings Fellow J'Adorians!

image BY: Derek Blanks makeup: Tierra Burrell Hair: April Jackson Styling: Betrice Benbow

I hope all has been well with you since our last presentation, the 2nd Anniversary of J’Adore! As always, we promise to bring you fresh, new content with every themed issue. The beauty of delving into a new topic for each edition is that it births a fresh start for my staff (I love you, editorial!), so we are always excited to present to you our latest installment. This time around, it’s the universal language: Music!! With the sudden passing of one of–if not the greatest–influential musicians of all time, Michael Jackson, we had to pay homage to the King. Not only did Your Highness change the face of music, he pushed the envelope with his creativity and thought-provoking concepts. He had the gift and power to make his visions realities that will live on for decades to come. May he rest in peace. Now for our feature presentation: We have none other than the extremely talented Ocean’s 7, a supergroup that consists of Jermaine Dupri, Trey Songz, Nelly, Usher, Brian Michael Cox, Johntá Austin and Tyrone Davis. J'Adore had the pleasure of shooting these distinguished gentlemen at the Highland Cigar Co,, which accurately portrayed the atmosphere reminiscent of yesteryear’s Vegas that was run by the famed Rat Pack. Flossing well-tailored suits and accessories, I absolutely love their cover feature and classic look of the images. In addition to the cover and other featured artists such as the legendary Stevie Wonder, new breakout artist Jeremih, burgeoning girl groups Electrik Red and Richgirl, along with many others, we also treated our readers to an in-depth look into the music industry with sound advice from record label execs and entertainment lawyers. Learn about the advantages and disadvantages of Indie vs. Major Labels, what a "360 deal" is, and the do's and don’ts of Internet marketing and promotions. You thought we were done? No way! Lifestyle! Hello?! We escape to the beautiful French Riviera and then catch a flight back to Atlanta to dine with celebrity Chef Ms. Jamika Pessoa, have a Cold One with beer expert Ale Sharpton, sample a Hip Sip and then mosey on home to play a Sexy Soundtrack for the perfect nightcap. I hope you enjoy this issue as much as we enjoyed putting it together for you. Also, please visit us at Jadoremag.com for exclusive interviews and behind-the-scenes footage. I would also like to dedicate this issue to my dear Grandfather Ira Vassell, I love you so much and may you rest in peace. Much love!

Taneish Leslie Publisher J'Adore Magazine

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cs i s u mclas

Down By Law:

Performance Rights Act HR 848

words by: Dennis Malcolm Byron

Prominent entertainment lawyer Leron E. Rogers discusses the music business’ ‘transition process’ and breaks down what the Performance Rights Act HR 848 will do for artists When it comes to entertainment law, Leron E. Rogers is one of the nation’s most revered attorneys in the industry. As a partner of Hewitt & Rogers based in Atlanta, Georgia, Rogers leads the law firm's entertainment, technology and media law divisions. Additionally, his extensive resume of high-profile clients in the world of entertainment includes everyone from Steve Harvey to icon James Brown's children, Lil Scrappy (Warner Bros.), "PSC" (Grand Hustle/Atlantic), Grammy nominated writers/producers Jason Rome (Luther Vandross, Jagged Edge, Blu Cantrell), DMX and a lengthy roster of others. Rogers adds, “I am excited to work with several artists including DMX, Erick Sermon (EPMD), Q (112) and Professor Griff (Public Enemy)–(artists) currently putting in motion plans to release projects without a major record label. It is finally time for the artists to capitalize on opportunities once only available to major labels.” Besides disclosing what we need to look for in the present and future of the music business, the world-renowned attorney will enlighten us on the new HR Bill 848 passed in the House Committee that is designed for radio stations to compensate music artists when an artist's song is played.

J’Adore: Please discuss the current and future of the music business. Leron E. Rogers: The music business is in the midst of a transition process. While digital downloads and ringtones have grown, they have not grown sufficiently to offset the slide in sales of physical albums since 2004, coinciding with the rise of peer-to-peer file sharing of music. The problem with peer-to-peer music file sharing is that none of the stakeholders in the business get paid for their work including the artist, songwriter, producer, musician, publisher and record label. The music industry must implement a mechanism to get paid from music fans’ consumption of music on the peer-topeer networks. To address this issue, I was on a panel at MusicExpo in London on June 30th to unveil a financial model aimed to compensate stakeholders for music being consumed via peer-to-peer networks. You can find more information at www.apriceformusic.com. Although the music business is in transition, one thing still holds true: good music sells.

I am a big supporter of The Performance Rights Act HR 848, which would compensate the performer (artists) when their songs are played on your local radio station. Quite simply, it is about paying artists for their work. For more than 70 years, radio has enjoyed the advantage of using artists’ songs to attract listeners and sell advertising without compensating the artist. To date, radio only pays song writers, which often times are not the artist. Although Jamie Foxx may not have written a song, he brings it to life when he performs it. I am on the Advisory Board of the Future of Music Coalition, a group advocating on behalf of the artist community for a number of public policy issues, one of which is the passage of HR 848. I have also worked with musicFIRST to advocate for the Bill. I have been to congress to speak on the issue, and also educated and sent my clients to Congress to support the Bill. The passage of HR 848 is the right thing to do, but has been grossly misrepresented by those opposing the Bill, namely the broadcasters. The truth is small broadcasters would pay no more than $5000 per year to pay artists for the music they play over the airwaves. So for a little over $416 per month, the radio station would have paid the artists for their work. The sad thing is that because the U.S. does not have a Performance Rights Act in place, no other country around the world that collects the performers’ royalty for U.S. artists pays that money to our artists. Accordingly, our artists lose approximately $100 million dollars annually which those foreign countries simply keep the money. HR 848 has only passed out of the House committee, and will still need to get through the Senate committee, as well as a full House and Senate vote.

Please break down the Performance Rights Act HR 848. What does it mean for

Please visit jadoremag.com for the complete interview with Leron E. Rogers that includes his advice for aspiring music artists. J

artists and how will it affect the future of music and radio stations?

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Do’s and Don’ts of Internet marketing for the words by: Mz. Limitless

music artist

using MySpace, Facebook, or any of the other social networking mediums, everyone is trying to be discovered. Whether you are an upcoming artist, model or actress, the common goal is being

seen online. Gone are the days when your only outlet to getting your music into the right hands was simply to hustle on the streets and physically get it to them. The new digital era of the music industry is upon us and artists are taking full advantage. What many fail to understand is that not all “in-your-face” marketing tactics are good. Ironically, most will have the completely opposite effect. Well you know J’Adore loves you aspiring stars out there, so after talking with some professionals out there coupled with extensive research, here are a few Do’s and Don’ts to keep in mind while you’re marketing yourself online

The Do’s

The Don’ts

Establish a brand for yourself that people will recognize and be consistent with it.

Spam fan, celeb or friends’ profiles with music players filled with your tracks.

Branding is very important for people to recognize you and your product. Sometimes people may not be good at remembering faces. By having a logo or a special way in which you show your name and using it consistently, this will help people to remember you and your product. Your brand could be something as simple as a special font type used to display your name. Whenever you print up a flyer, send out a newsletter or post online, make sure to use your brand so it’s getting exposure. As simple as it may sound, it could have great significance to your marketing efforts.

Utilize the various social networking mediums available.

The key to getting noticed is to be where your consumers are. Today, more people than ever are turning to the Web to purchase music, watch videos and find talent for new ventures. If you are serious about your product (talent) then you have to show you are confident by the way you present your product. If you expect a label exec to take you seriously, make sure that your page looks professional. Make sure to include a bio, photos, samples of your work and information on how they can contact you. Whenever possible, try to avoid direct use of vulgarity, obscenities and nudity on your page. Remember, though it may be a part of your personality or your product, there is a time and a place for it. Your first priority is to drawn interest.

Always have a clean or radio edit version of your music on your page.

Although J’Adore’s an advocate of complete artist creativity and freedom of speech, one thing to consider when you are trying to gain consumers, find representation or lock in a label deal, make sure you have clean or radio version’s of your music to open up more doors. Though your track may have originally been written with expletives, providing a clean version shows that you are prepared to develop music that is radio-friendly. This shows labels that you’re proactive about creating music that is ready for mass consumption.

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This tactic is used all over the Internet. Though it may sound like a good way to get your music heard, ironically, it is the best way to get people to block or ignore you. When artists drop notes introducing themselves and asking if they would check out their music and let them know what I think, this is the best way to show possible new consumers or industry connects that you are serious about your “business” and not just your music. This is a business after all. Being professional about how you go about marketing yourself is key. Posting copy after copy of your music player as a comment on someone’s page or their picture is NOT the way to go. To post one track that’s not on autoplay would be acceptable if it is not done on an everyday basis.

Promote yourself as the hottest up and coming artist out.

The idea is to show your originality. Stating that you are the hottest new artist out or that you are better than the next is how everybody wants to be seen. You need to find out what makes you different from everyone else and promote those aspects of your talent.

Mass mail your EPK, press kit and/or CD’s to industry connections in hopes of being discovered.

This is one of the most important things you need to know when marketing yourself. Whenever you send your materials out to a label, A&R or radio station, make sure that you have your package addressed to someone specifically. By not doing so, you are showing that you are not about taking care of business. You wouldn’t just send a business proposal to a company in hopes that it would get to the right person, would you? Take the time to make the necessary phone calls to find out the right person to get your material in front of. Good luck and shout out J’Adore when you blow up! For more Do’s and Don’ts of Internet marketing for the music artists, visit www.jadoremag.com . J

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J'A dore: We know that it is important for an artist to understand what publishing is and how it works. Exactly what is publishing for those who do not have a clear understanding of what its significance?

Big Jon Platt:

the power of

Big Jon Platt: We manage all of the songwriter’s songs: administratively and/or creatively along with the songwriter. We collect all the royalties that are due to them. There are so many different revenue streams when it comes to music publishing. If you have a record deal and you’re recording an album, you get your record royalties and that’s it pretty much in regards to your music. In publishing, we collect: • Mechanical Royalties: royalties collected from the sale of a song • Performance Royalties: royalties collected from the song being played on the radio • Synchronization Royalties: royalties collected from the song being played in a movie or television show • Ringtone Royalties: royalties collected from the sale of ringtones Music publishing for years didn’t get the attention from songwriters and artists because music publishing is known as the ‘Penny’s Business.’ For example, if you have a song you wrote yourself 100 percent on your album, when it’s released the rate you’re supposed to be paid is 9.1 cents for that song for every album that is sold. At 9 cents, it may not be much to get them excited, but when you sell a million records its $91,000. If you’ve got almost 10 songs on an album, that’s almost $1MIL in royalties. It’s like the crumbs business. You keep scraping enough crumbs together and eventually you’ll have a loaf of bread. We create and manage a lot of those opportunities, so that’s what we do.

Publishing Words By: Laura Turner

He’s the only music publisher Jay-Z has ever known. His clients include Beyonce, Kanye West, Ludacris and more. As the president of West

Coast Creative and head of EMI Publishing–Urban, knows how to forge successful, lasting business relationships. With such mega deals in his portfolio as Jay’s $150 million Roc Nation deal and LA Reid’s newest publishing venture, Big Jon fully understands his business and where it’s headed. Read on as Mr. Platt explains the significance of publishing in the music industry.

Big Jon Platt

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when you mention a Jay-Z, Usher, or a Kanye, I signed those guys at the very beginning of their careers. They just had great music and for me they had this passion to succeed. I connected with that along with their music. That’s what I look for. I don’t go into every day thinking I’ve got to sign writers. I’ll hear something amazing and it inspires me creatively to want to work with that writer and help that writer take their songs to the world. How has the new digital age affected music publishing today as we know it?

There’s more opportunity out there. We have iTunes now so you have people selling millions of singles. That was revenue that really wasn’t there seven or eight years ago. So there are a lot of positives with it as well. A lot of the challenge with the digital age is the industry is still trying to define ways to monetize it. With the artists that are coming out today, do you feel the changes in publishing have a direct effect on how artists are writing their music?

I don’t know if I would say we have an effect in how artists are writing their music. I would say that record companies aren’t really allowed to be creative anymore. In music publishing, we can still be creative. We can still sign someone in the beginning and nurture them like I did with Chrisette Michelle. Our business is going to continue to be challenged on the recording side until the labels finally realize they’re going to have to sacrifice and start developing more stars again. It takes time to develop a star. So then you believe that labels need to go back to the way it used to

You have signed some of today’s

be done when they were doing artist

hottest artists such as Jay Z, Beyonce,

development?

Ludacris, K anye West and more. A ll

Absolutely! Everyone has their view on what can save and/or help our business grow; the one consistent thing you will hear people say is artist development needs to happen. People have to understand with artist development you must have patience. J

have very successful careers in the music industry and beyond.

What are you

looking for when considering someone for a publishing deal?

My background is that I was a DJ so I just know great music for my taste when I hear it. For instance

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twitter: fly technology

words By: Gustavo White

How did Twitter become the new phenomenon in communication? Twitter is the phenomenon that is sweeping the nation as well as the Internet, but let’s get the real breakdown. Twitter

is a microblogging platform that allows registered users to post small, real-time updates of their lives for anyone to read. What makes Twitter so remarkable is that you can "tweet" anywhere– from your home computer to your own phone. Updates such as "Stuck in another traffic jam" give insight into the daily lives of friends, co-workers, celebrities and even government officials.

There is even a popular Twitter guide by social Web system expert, John Haydon, on his website, johnhaydon.com

Created in 2006 by Jack Dorsey, the application that the world now knows as Twitter went through numerous name changes during its development. Starting as "Status" (for the purpose of users updating their status to others), it moved to “twitch.” However, due to the obvious negative imagery twitch conveys, Dorsey next chose on twttr (as homage to image host site Flickr) before finally deciding on Twitter. Like most products, Twitter was first utilized in-house at Odeo, but soon was released to the public later in the year. Twitter really took off and caught the public's eyes at the South by Southwest (SXSW) festival in Austin, Texas in 2007 when usage tripled. The actual function termed “tweeting”–hence the chick logo, has many uses besides updating friends on personal events. Ashton Kutcher, Sean "Diddy" Combs and other celebrities use the site to promote themselves and keep fans updated on upcoming projects. Ashton Kutcher recently won a friendly wager with CNN to see who can garner the most followers to their “tweets.” Following Ashton Kutcher as the top celebrity tweeter are Ellen DeGeneres at #2 and Britney Spears at #3. Sean Combs did not fare as well when an anti-Diddy "tweeter" garnered more followers and hated on the entertainment mogul. P “Twitty” was still a good sport and congratulated the actor for being the first to earn one million followers.

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As far as news updates are concerned, Twitter has replaced RSS (Really Simple Syndication) feeds from differing websites. Twitter is also serving as one of the only sources of information from Iran concerning the fallout from that country's election. With the country blocking Western media from reporting about the protests and rallies, the true impact of the situation is being reported by Iranian citizens to the world at large. Now that people know about Twitter and are using it, how will it evolve? First, Twitter will need to demonstrate how it can generate revenue. As of now, Twitter does not have any revenue-producing streams. Some say Twitter may become the next search engine, replacing the mighty Google. Twitter can be used by companies to inform customers of special promotions at stores. Twitter can also be used to distribute emergency news and instructions. Plus, instead of Morse Code being sent out in case of trouble, people send out tweets to help when, for instance, if they are trapped in a collapsed building. The world has come a long way from talking in person and hieroglyphics, to the telegraph and the telephone. Even though it seems as if society is becoming less outgoing, there is no denying that Twitter serves as the next step in communication evolution. The question future enterprisers and tech enthusiasts are asking is: What will be the next great talking tool? J

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c i s mculass

words by: Mz. Limitless

real life

who to listen out for:

Esperanza Spalding words BY: Theresa Crushshon

A General Definition of a 360/Multiple Rights Deal In the music industry, it is the role of an artist, their manager and the talent agency that represents them to continually find ways to generate money aside from simply making marketable music. These ancillary methods for an artist to earn a living can include, but are not limited to: • Movie deals • Television/cable projects • Commercials • Product endorsements • Collaborative projects w/other artists • Merchandise • Ringtones With the constant changes and advancements in the music industry, record labels are no longer making their primary income solely from record sales. One of the obstacles from generating the deserved funds for an artist’s hard work is with digital media, where consumers are now either legally or illegally downloading the music they want to hear from the Internet. This means the past practice of rushing to the record stores to drop $12 to $20 on the purchase of their favorite musician’s new CD is yesterday’s news. Whereas once upon a time, a consumer had to pay for the entire album whether they liked it or not, they can now simply purchase those songs they want to hear. Ultimately, this means less money is being

made by the artist and the label. Current trends in purchasing music create a need for record labels and artists to work together to find additional ways to continue making money collectively. It is steadily becoming the norm for record labels to step in and take the additional responsibility in helping their artists reap more money in exchange for a percentage of the profits from those new avenues of income. The process of an artist signing a contract with a record label that includes sharing the profits from concert ticket sales, appearances, or any other mediums is known as a 360 Deal or a Multiple Rights Deal. Indeed, as with any contract established between entities, every arrangement is different due to whatever stipulations are negotiated. In the end, what works for one artist may not work well for another. That is what having a good entertainment lawyer is for, especially when a Multiple Rights or 360 Deal is in effect.

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When it comes to captivating an audience and developing a devoted fan base, take notes from the 24-year-old Esperanza Spalding. Her combination of talent, beauty and passion makes this musically daring jazz bassist, vocalist and composer one of the most revered artists who continue to burgeon worldwide. A native of Portland, Oregon, Esperanza enrolled at the prestigious Berklee College of Music at the tender age of 16 and in four years became the youngest professor of music in the school’s history. To date, Esperanza has worked on projects with some of the greatest musicians in the world including Herbie Hancock, Pat Metheny, Patti Austin, Stevie Wonder and Joe Lovano. Esperanza has been celebrated throughout her stellar career particularly due to her multicultural backgorund (her father is black and her mother is Welsh, Hispanic and Native American), and life experiences to deliver songs on a visceral and intellectual level. Coupled with her amazing ability to sing in English, Spanish and Portuguese, Esperanza’s musical elements are showcased on her projects including Junjo (2006), Esperanza (2008) and her most recent release, Head’s Up, which contains twelve tracks that interweave soul, pop, hip-hop and world music. In a live performance at the 2009 Twin Cities Jazz Festival held in Mears Park, Esperanza delighted audiences by performing her original tunes “Coisa Feita” and “I Adore You.” On “Coisa Feita,” the songbird crooned in Portuguese as she strummed heartfelt harmonies on the guitar. On “I Adore You,” Esperanza displayed a playful sense of timing, imagination and concentration as she showed off remarkable scatting techniques. What makes Esperanza shows so riveting and unforgettable is her dramatic vividness and spirited twists and turns. The sounds of the notes are perfectfully cut jewels that shine with sheer luster and affect listeners with a brilliant slashing power. On tunes like Nina Simone’s “Wild as the Wind,” she provides an exhilarating ride throughout the melody. On bass, she ritualistically creates rich textures, flawless rhythms and vocally sustains notes. Esperanza enhances the tune with lines, movement and gestures. She is so involved with the music that it helps a listener visualize the song. Her artfulness encompasses theater - outstretched arms, eyes closed, head tilted back with fingers gesturing beats that collectively puts her audience in awe.

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Outspoken Word

Hip-Hop:

What’s next?

An opinion piece by: Rational Chaos

“Hip-hop is dead!”

This phrase has been circulating throughout the hip-hop community for several years now, but is hip-hop really dead? What factors are we including in this equation to bring us to this conclusion? Perhaps it would be more accurate to say hip-hop is changing. Hip-hop, as one of the worlds’ most influential entertainment entities, has been, and continues to be, changing and evolving. From its fashion and art, to its attitude and yes, even its music, hip-hop’s influences can be felt in our daily lives. However, anyone, whether an occasional listener, die-hard fan, or even adversary, can attest to the fact that the hiphop of the early 80s compared to its current form is very different in various facets. Let’s explore them.

Acceptance In the late 70’s early 80’s, whether or not rap was even considered a true musical art form was a common debate. This new urban creation was heavily criticized as it vied for spots in various entertainment mediums. At this time, its supporters were few but rapidly growing in number. This limited acceptance pushed seminal artists to be creative and imaginative who constantly fought to not be taken as a joke and show the brilliance of their work to silence naysayers. Originality was paramount and the fusion of music and urban culture was triumphantly evident within a short span of time. Since then, things have progressed tremendously. Currently, hip-hop is acknowledged globally and now the argument can be made whether or not it is the top musical art form particularly in the U.S. The amount of followers is now so great, that we now have categories of hip-hop: gangsta, backpack, old school, East and West Coast, etc., to specifically cater to the personal preferences of listeners throughout the world. New jobs and avenues in business for everyone have been, and still are in some facets, created. The music is taken seriously now. No longer thought of as a passing trend, hip-hop is a culture and lifestyle that is now a global staple in thousands of communities.

Dominance New York’s famous borough, the Bronx, is almost unanimously credited with initiating the hip-hop generation and during the first decade or so, rap was dominated by northern rappers; virtually every big name in the rap game originated out of New York. Everyone from Kurtis Blow to Kool Moe Dee, L.L. Cool J, Run DMC, KRS-One and Scott La Rock, the Fat Boys, Eric B. and Rakim, Kool G. Rap and Doug E Fresh, where from the “Big Apple.” With razor sharp deliveries, smart wit and that New York swagger, these pioneers introduced us to

Currently, hip-hop is acknowledged globally and now the argument can be made whether or not it is the top musical art form particularly in the U.S. the different attitudes and slang that are collectively timeless fixtures throughout the history of hip-hop. Its sidewalk lyrical battles (freestyled most of the time), club performances and constant singles often fueled by fierce competition churned out many incredible, professional, battle-tested rappers that set new standards for true hip-hop. The West Coast, Dirty South and the Midwest have all reigned in popularity and monetary gain at one time or another, but presently, everyone has a shot at the title. Most analysts agree that currently, the South is dominating the airways and musical trends. Regardless of revolving claims, the bottom line is that hip-hop’s growth is without boundaries due to artists pushing the envelope and constantly taking it to new creative heights.

Subject matter Stirring a large amount of press and controversy, many who claim hip-hop is dead are referring to the subject matter of the lyrics. In the beginning, rap music had a lot of social, political and humanitarian awareness in it. Of course, there where party songs back then as well, but rappers was heralded their creative ability to report on what they saw in their lives on a daily basis, including systematic racism, injustice and poverty to name a few. What we today label “conscious rap” was simply the very essence of “rap music” early on. Throughout the years, critics have said the candid, unadulterated verses that rappers put on wax were regarded as simply glamorizing the negative. It seems that rap always has a battle, regardless of the subject.

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A lot of people say they used to like rap when rappers were “talking about something.” Now they feel the artists only talk about money, disrespecting women, killing, clothing, jewelry and cars. Even some current hip-hop advocates refer to the past as being the time when “real” hiphop was made. “It’s only a few new real M.C.’s who are really holding it down right now!” says J.R., a lifelong hip-hop fan who too worries about the current state of his beloved art. “Lupe Fiasco is one.” Many people feel like J.R. does, watching closely the trends of hip-hop, hoping to see a resurgence in meaningful subject matter. Conversely, there are many fans that don’t see anything wrong with the music itself, just what types of music are being marketed and played. A large number of people place the blame directly on videos and radio stations for rotating the same music over and over. Payola (industry bribes) and copycat rappers top the list of problems that contribute to the limited access of other subgenres of hip-hop. “A lot of artists feel the need to imitate other artists in the industry in order to become established themselves.” True, but isn’t that also how trends start? Whatever your conclusion is on its mortality, we all know that everything changes, and hip-hop is no exception. You may not recognize it in its current form, but perhaps, like the caterpillar inside its cocoon, hip-hop will emerge even more beautiful and free than we ever could have imagined. J

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real life

truth Corporate ‘Hustlenomics’ for the streets By: L. Raquel Boone

An interview with real estate and finance expert Leonard Person Jr., author of Hood Estate: The Manual and founder of www.HoodEstate.com.

ith countless homes moving into foreclosure daily, the U.S. economic meltdown, the subprime mortgage crisis and more than 1.9 million jobs lost in 2008, prospective entrants into the real estate business might consider the situation bleak. What is even worse is the constant anxiety many people are beginning to experience due to fear of losing their homes as their adjustable rate mortgages (ARMs) change rates to unaffordable levels, threatening to leave people homeless. Despite the façade of hopelessness, real estate and finance expert Leonard Person Jr. knows there is a silver lining to every cloud, no matter the circumstances. All one has to do, he says, is know the risks, research the risks and move with confidence. “I’ve always lived by the philosophy that the greatest risk is to not take one at all,” Person explains. “Through taking strategic risks, I’ve been able to develop into a successful entrepreneur and businessman. Staying determined and motivated were the key factors to how I’ve been able to continuously develop my knowledge of the field and build my ladder of success over the years.” Person, who also goes by the nickname “Spar,” was enrolled in college while helping his mother and father raise several young children, when a series of unfortunate events forced them to auction off their home. Devastated, but determined, he was delivered the opportunity to interact with Ravin Jagoo, an established mortgage consultant. Person recalls being impressed with Jagoo’s lifestyle; he had financial freedom, a beautiful home and his family was wealthy. Blessed with an opportunity to work with him, Person and his mother made it imperative to make ends meet and create an opportunity for the same independence for themselves. At 22, Person, empowered by his experience with Jagoo and Capital Homes LLC, invested his earnings into his own company, Heaven Homes, and still possesses a substantial amount of ownership in many of Brooklyn’s most sought areas. Having successfully taken his street knowledge to the business world, Person, now 29, has not forgotten where he has come from and hopes to show others—especially those from the hood —that there’s a legal, profitable way to make money and control their future without resorting to illegal hustling. Driven to lead and empower others in the basics of real estate and finance, Person authored and published Hood Estate: The Manual, an informative book which he dubs “the real estate bible for the hood.” Within the pages of Hood Estate, readers will discover the true basics of real estate, from property hunting to property management, broken down in simple terms with the right mix of professional and street vocabulary. Person has also expanded his brand to provide credit repair, financial services, business/social networking and “edutainment” on his site, www.HoodEstate.com. In an exclusive interview, Person’s knowledge and passion to educate his audience about the real estate game is evident and more importantly, sincere.

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J’Adore: There are reportedly a lot of people, including celebrities, facing foreclosure and losing their homes. Several of these foreclosures are allegedly voluntary, meaning that most would rather face foreclosure than pay on a home that costs more than it is worth. What are your thoughts on this? Leonard Person Jr.: I agree that it doesn’t make sense to put more money in a property than what it’s worth, especially in times like these. But I believe if some of these people go into foreclosure, there’s also the elements included that they either mismanaged their money, or they listened to the wrong sources who told them the market would get better than it was. People shouldn’t listen only to their real estate agents, mortgage brokers or consultants because they’re usually lying, out for profit and have obviously led them wrong. Now, nobody wins. There are solutions out there, but you have to get out there, do your research and be proactive because the banks won’t inform you of these possibilities; it’s a conflict of interest to them. They want as much money as they can -- especially right now with the subprime lending crisis. A better course of action for these individuals would be to look into programs that can help. There are modification loans available to help those in pre-fore-

It’s an opportune time to invest, but you have to have the right criteria. There’s no more subprime lending after this meltdown, just A-list banks that are looking for airtight applicants. It will be hard to get a loan by yourself, but with the right partners and with the right companies like FHA, you can have up to five cosigners on one loan. If you take five people who each make $20k per year, individually, they won’t be able to afford anything. Join all those five people together with a plan and that’s $100k per year, which is more dynamic and undeniable. Joining up and working together is how you can gain power in this industry. What is the biggest mistake anyone can make in this market? In this market, the big mistake is to buy property for more than what it’s worth. Avoid this error by checking valid comps. Looking online at sites like Realtor.com and PropertyShark.com can assist you. You can enter the property’s location by city and state or zip code; the number of bedrooms and bathrooms; build; and other information to get the details on how much comparable homes have sold for and when. Research is critical before you make a move, especially right now.

In this market, the big mistake

is to buy property for more than what it’s worth. —Leonard Person Jr. closure and foreclosure. These types of loans can take a candid look at your situation. Take that adjustable rate mortgage (ARM) business statement proving profit loss and an official letter of hardship and modify your loan into an affordable amount where you can keep your home and avoid credit damage. Banks can also work out principle reductions for you if you’re in a situation where you owe more than your house is worth. They’ll pro-rate the equity and forgive that amount of the loan, reducing the overall amount owed. In New Jersey, they have the NJ Home Act of 2008, which states that if you have an expiring ARM that’s about to kick in, you can fix that ARM and get an extension for three years. This is by law -- you’re obligated to that. People don’t know these things, and because they don’t know these things, they don’t know their options. Defaulting on your loans and filing for bankruptcy are the worst things you can do because it eliminates those options. Don’t fall from lack of knowledge. Do research on programs and get involved in banks to see what your options are and what you qualify for. They have counselors and websites like www.hopenow.com, which can give you information on how to modify loans. They’ll even help you and assist you in the process. I do it for all states on my site, Hoodestate.com, as well. What course of action do you advise those individuals with low incomes, poor credit or financial instability who want to buy homes and benefit within this economic crisis? Unify. People need to join their incomes and make investment pools; this way, as minorities, we grow powerful together. Research and apply for FHA (Federal Housing Administration) programs like Freddie Mac and Fannie Mae. They have been bailed out and are writing new loans based on loan to value or LTV ratios. There are no more loans available with stated programs and assets. Now, you have to be prepared to show your whole life plus your blood type to get a loan. It’s an excellent time to buy; properties are available for 25 cents on the dollar right now with rates like 5.25 percent and 5.75 percent.

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Besides real estate, what other endeavors are you involved in? I’m still promoting Hood Estate, I invest in stock and I have a credit repair company. My credit repair company provides credit validation and restoration services for individuals and businesses. We’re helping the community with these services as well as our site, HoodEstate.com, which provides an intelligent business forum, job postings and listings. We also do motivational speaking in the Tri-State area. What advice would you give someone who is interested in learning about real estate and wants to become involved on a professional level? The one thing I can say is to start investing in yourself. Straighten out your financial situation. Credit is the most important thing in the world – even over money sometimes. Fix your credit; fix anything that’s derogatory on your credit reports. Get all your debt settled before you even go into real estate. Learn to manage your money and prioritize your bills and wants. Once you have that situated, you can move from there. How can one handle challenging, disrespectful and/or racist situations without bringing too much ‘hood’ to the boardroom? You have to be an Obama, working hard before you get into an office. You have to ‘overprove’ yourself and be overqualified for the job. You really have to come correct because the odds are against you, but everything is possible. We got a black president now, right? You have to cut off all corners and eliminate all opportunities where you think they could deny you. Make their opportunity for rejection impossible because you’re undeniable. For more information, visit www.hoodestate.com and read Hood Estate: The Manual. J

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ls Health Fitness AND

Life & style

Tera Patrick

adies searching for a way to mix fitness with pleasure will strike gold with Fit 4 Sex. Conceptualized by adult film star Tera Patrick, Fit 4 Sex is a sexy, spicy alternative to flavorless exercise programs that deliver results, yet fail to keep things interesting. Fit 4 Sex combines the benefits of Pilates, yoga and Kama Sutra to provide an intense, sensual, total body workout that challenges all fitness levels and encourages women to reveal the sexual goddess inside. words By: L. Raquel Peterson

With studies suggesting significant amounts of women struggle with confidence in the bedroom, Fit 4 Sex comes right on time. Boasting itself as the first routine that addresses fitness and body image as it relates to sex, Fit 4 Sex encourages every woman to take ownership of her temple and sexual power. “Sexual well-being is about body concept, poise and most importantly, connecting with yourself before connecting with your partner,” says the stunning Thai/English native of Montana who motivates women throughout the video series. “Every woman’s body is sexy; enjoy every one of your sexy curves!” Broken down into three separate volumes that correlate sex positions with targeted routines for peak sexual performance, each volume is available individually or as part of a special package through www.fit4sexworkout.com. Volume One of Fit 4 Sex focuses on ten cardinal sex positions. Users develop core muscles by working abdominals and obliques performing the Forbidden Swing; stay limber through Frisky Kitty’s demanding stretches; and bring lovers to heaven with the Fallen Angel. Volume Two is more challenging; followers are coached through advanced movements for sex positions that promise to send lovers over the edge. Our staff’s favorite routine is ‘Hide and Go Seek,’ which incorporates the inflatable stability balls to challenge the abs, glutes, arms and more with lifts, crunches and pushups that improve stability. Other noteworthy routines include the Kinky Catapult; Patrick’s favorite, the Doggy Style Pushup; and the Lover’s Jigsaw which mixes up pelvic thrusts, V-splits and a wheel pose that will leave everyone breathless. Volume Three is the lusty Kama Sutra Groove. A live, secured tiger prowls behind Patrick as a conscious reminder to channel the wild sexual animal within. Users flow through this highly intense circuit that promises to “bring your lover to their hands, knees, or any other position you like!” Exercises in this DVD include deep, seductive hip swivels, smoldering stretches and deep side lunges, and ends with a challenge to bring the legs over the head and hold it to personal comfort. Fit 4 Sex proves to be more than an adult novelty. Patrick gracefully executes every exercise routine as she simultaneously explains how to obtain proper form and movement. During more demanding routines, the video vixen prompts participants to “see all that is positive.” Between exercises, followers have an opportunity to catch their breath as Patrick shares insightful health tips, statistics and witty jokes. Although this program will definitely whip followers into serious shape, Patrick reminds us of the secret to lasting fitness: “The most important part about any workout is having a good time. Let yourself go and just have fun!” J

scent

the

of a woman

Here are two fragrances that will surely have the ladies floating on air and reigning queens of olfactory stimulation. words by Nakia Hicks

Mariah Carey’s Luscious Pink Deluxe Edition Parfum

Just in time for the summer, Mariah Carey’s Luscious Pink Deluxe Edition is a sensual and luxurious parfum rendition of Mariah’s flirty and fabulous Luscious Pink. Light hints of Sicilian Bergamot and Ocean Breeze Accord married with florals such as Bellini Accord, Pink Peony, Tiare Petals and Lily of the Valley finishing with a warm dry down of Sun-Kissed Woods, a unique blend of bright Blond Woods, Creamy Sandalwood and White Musk. The Luscious Pink parfum is a symbol of femininity and luxury. In celebration of this luxurious fragrance formulation, the bottle has been dipped in glowing metallic pink and the carton glistens with shimmer. Available in a 1.7 fl. oz. spray, Mariah Carey’s Luscious Pink Deluxe Edition will be available at select department stores such as Macy’s, Belk and Dillard’s retailing for $75.00.

Badgley Mischka Couture

For more than two decades, the design team of Mark Badgley and James Mischka has defined luxury and opulence through their couture creations for women. It is with this same legacy that they create their newest fragrance, Badgley Mischka Couture. Created to parallel the feeling of luxury and confidence a women feels when she slips into a couture gown, this rich and enveloping new scent bears touches of sensual Purple Plum, Blackberry, a touch of fresh Pear Nectar, while creamy notes of lush Jasmine, voluptuous Gardenia and Violet are woven through the fragrance to create a feminine, floral blend. With prices ranging from $48-$90, this little piece of luxury is available at all fine department stores.

words By: L. Raquel Peterson  j’adore

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Life & style

e s c a

Riviera the

Le Mas de Pierre

French

Do you really want to get away? If so, the French Riviera is one of the most exotic, historic and cultural destinations any adventurous traveler should consider. Words by: Dennis Malcolm Byron

e all have to endure life’s challenges and struggles in order to enjoy the finer things that make it all worthwhile. One of the best ways to escape from everyday monotony is to travel, but even then, exploring a neighboring metropolis or even a city across the country is not enough to feel “away.” To truly experience J’Adore Magazine’s level of Escapism, we welcome our readers to splurge and explore the southeastern coast of France–the Côte d'Azur (meaning “blue coast”)–widely known to Americans as the French Riviera. Usually, when France is mentioned, the listener immediately envisions the bustling streets and fashion districts of its capital, Paris. While this is one of the most visited and influential cities globally, the French Riviera provides the perfect balance of rustic towns dating back to the medieval times, vivacious nightlife, delectable cuisine, mountainous terrain and some of the most breathtaking coastlines the world has to offer. These treasured environs leave little mystery to why countless celebrities, royalty and the affluent make their vacation homes here especially during the summer. From the region’s largest city of Nice, to its legion of seaside resorts including Antibes-Juan-les-Pins, Saint-Jean-Cap-Ferrat, Saint-Raphaël and the host of the world famous film festival, Cannes, they are all within close proximity, yet maintain their own identities. Whether you choose to stay for just a few days or make it a week or more, your money will be well spent because a French Riviera visit will be unforgettable. You can make the actual process of getting to France one of the most relaxing and pampering parts of the expedition by flying the country’s staple airline, Air France (www.airfrance.com). Even though the trip can reach the double digits in hours to Paris’ Charles de Gaulle International Airport before connecting to

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Nice, you will not realize that you spent nearly a third of a day in the air if you upgrade image By Dennis Malcolm Byron your ticket to Business Class. I strongly confirm that this indulgence will make the trip a fantastic voyage from beginning to end. Accommodating multi-lingual flight attendants cater to your every whim as you sink in your cozy seat that reclines into a bed at the switch of a button. Once you get the perfect setting, activate your personal flat-screen monitor and watch one of the 85 films on demand, catch up on a popular television show, play games or listen to hundreds of songs from various genres of music to name a few of its options. To add, maintaining the French tradition of culinary mastery, your two, three-course meals will consist of delectable gourmet selections prepared by an award-winning chef; fresh seafood, a bread basket, a variety of cheeses, devilish desserts and a tablecloth place setting are just a few elements of your dining experience. Constantly poured beverages, top-shelf libations, complimentary travel kits, wool blankets, feather pillows and refreshing hot towels (oshibori) during the journey will make you exhale in bliss. After a short, 90-minute connecting flight from Paris to the Nice Cote d'Azur International Airport, I took a 20-minute scenic highway decorated with indigenous architecture, lavish residences and luxurious vessels idling along the Riviera shoreline en route to Antibes-Juan Les Pins. Its rich cultural history, annual average of 300 days of sunny skies and glistening blue sea rivaling the most exotic Caribbean waters makes this town one the most venerated seaside resorts. The four-star Grand Beach Hotel, stationed on Antibes-Juan Les Pins’ most bustling strip lined with open air eateries, eccentric shops and the Casino Eden,

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p i s m The Cathedral in Vence By Dennis Malcolm Byron

Grand Beach Hotel view from the room By Dennis Malcolm Byron

Jazz a Juan by Lev Kantor

Vence By Dennis Malcolm Byron

Jazz a Juan by Lev Kantor

was the ideal residence to unpack my bags (www. pa r touchethe purest water ever hotel-garden-beach.fr/en/). Once checked into my beachside room, I was greeted by a flat screen television, low platform queen bed and glass sliding doors that provided a breathtaking view of the Riviera’s splendor: white sands bordering the magnificent waters of the Mediterranean Sea, nautical activities, cruise ships and tanning bodies enjoying the faultless weather. Although the gentle breeze and beaming sun certainly encouraged relaxation on my personal patio, there was a new world to explore just a few steps away. A short walk away from the hotel, I visited historical sites and attractions of Old Antibes, including the Picasso Museum in the Grimaldi Castle, eclectic shops, the fresh market and eccentric eateries. These charming landmarks justified the unyielding stone walls that once virtually encircled the town to protect it and ward off enemies years ago. Antibes is certainly accessible, but those imposing barriers still remain to forever represent the rich history of the area. After a day of insightful exploration, I went back

to the hotel, dined at its upscale beachside restaurant, Plage du Provençal, and then prepared for one of the greatest music festivals in the world later that evening. With more than 3,900 Côte d'Azur events throughout the year, the Juan-les-Pins Jazz Festival (www.jazzajuan.fr/en) will always be at the top of the list. Set in an amphitheatre of Juan les Pins’ Pinede (pine grove) blessed with the Mediterranean coastline as a backdrop, this year featured a diverse roster of world-renowned performers including legendary guitarists Stanley Clark and Jeff Beck, celebrated pianist Keith Jarrett and striking English soulstress Joss Stone, whose phenomenal show set the standard for years to come. In fact, next year will mark the festival's 50th anniversary, promising to be one amazing half-century commemoration music advocates from all corners of the earth will surely flock to. Following the jazz festival, my next two days were filled with an adventurous itinerary that covered a number of Côte d'Azur attractions. With transportation provided by the friendly drivers of the Riviera Team Service (www.rtstours.net), I visited Old Antibes’ Picasso Museum, the Provencal market, and the Maeght Foundation’s fascinating Miro En Son Jardin exhibition (www.foundation-maeght. com) in St. Paul De Vence, followed by a sampling of

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delectable cuisine at the nearby five-star Le Mas de Pierre (www.lemasdepierre.com). On my last day, I had the pleasure of touring the amiable and charming town of Vence (www.vence. fr), perhaps my favorite destination of the trip. The magnificent view of the Alps, its cultural and architectural influences dating back to the 12th century, fresh markets, boutique hotels, local eateries, coffee shops, cathedral and overall communal pride made Vence a cherished experience. Additionally, some of the world’s purest water direct from the Alps constantly flows through various fountains around the city regularly for free consumption; I have never tasted better water than this. That evening, another music festival, Nuits du Sud, featured live performances of rhythms from around the world. In the end, Vence served as the perfect exclamation mark for a fabulous trip to the French Riviera and I promised myself it certainly would not be the last. Upon arrival at the Nice airport, I had to come to grips with the fact that my extraordinary vacation was coming to the end. However, the Air France business class seat made my transition back to the States a little easier to accept. Au revoir! For more photos and information, visit www. jadoremag.com. J

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Life & style

Dish the

Chef Jamika Pessoa

words By: Andrea Janise

Entrepreneur and Chef Jamika Pessoa

adds flavor to The Next Food Network Star

Dining out? Etiquette tips

First, add some spice, a pinch of spunk and everyone should a dollop of creativity and know. you get Chef Jamika Pessoa, owner of Life of the Party Personal Chef Services and one of the four finalists on Season 5 of the Food Network’s most watched reality show, The Next Food Network Star. Bringing her signature “bold and unique” style of cooking to the show, the Atlanta-based personal chef showed the nation that she can definitely hold her own in the kitchen by putting a flavorful spin on traditional ethnic recipes. But being a TV personality wasn’t exactly her idea. Pessoa reflects, “Everybody I would meet would tell me, ‘you should have your own cooking show,’ so eventually I thought, hmmm, maybe there is something to this.” Passionate to demonstrate diverse cooking techniques using her distinctive recipes with the rest of the food nation, Pessoa started pitching her cooking demos to different networks and production companies. “A friend of mine suggested The Next Food Network Star,” she explained. “I had seen the show before and I thought about it and asked myself, am I really up for reality TV? It’s one thing to cook and have clients, but another to be critiqued by not only the panel of judges, but millions of people every night. I eventually said, You know what? Just go for it, just get over yourself and at least try out for the show; at least go for the audition.” And after dazzling the judges in the Charleston, South Carolina try-outs (which she drove almost five hours at 2:00 a.m. in order to be one of the first in line), Jamika received an unforgettable phone call. Smiling, Pessoa said, “They gave me a call back to say we like you, what you said, how you look and how you cook, so please come back.” Being selected as one of the ten talented contestants for The Next Food Network Star was a tremendous feat for the 30-year-old, savvy businesswoman–especially since she was competing against serious culinary competition. For example, Debbie Lee, a Californiabased restaurant consultant who blends Korean cuisine with Southern flair; Jeffrey Saad, a Los Angeles restaurateur who specializes in ethnic dishes with his self-proclaimed “cooking without borders” approach; and Melissa d’Arabian, a Texas stay-at-home mom who merges culinary creativity with practicality were all contending for the starring role. “Reality TV is a crazy world,” Pessoa said. “There is what you see on TV and then there is what actually goes on.” For her, the hardest thing to get used to at first was the cameras.

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Her knack for using the three ingredients that she just cannot live without—fresh herbs, spicy peppers

(Serrano, Chili or Jalapeño) and garlic because of its aromatic qualities–create on-the-spot dishes that have impressed the judges in every episode. “They tape us getting dressed and brushing our teeth, I’m like c’mon! I am just not accustomed to people interested in wanting to watch what you do every single day. And me, I am used to calling my own shots; waking up at six o’clock in the morning with a whole camera crew in the room taping is a bit startling. I had to get accustomed to the cameras, but once I got into the groove of the first challenge and the clock started ticking, once they say ‘Go!’ you forget about the cameras. You could care less because you are just trying to get your food out; you forget because you are so involved, your adrenaline is pumping and you’ve got so many things on your mind. By that point, the camera is the last thing.” With this year’s addition of Celebrity Chef Bobby Flay to the judging panel comprised of Bob Tuschman, the senior vice president of programming and production, and Susie Fogelson, the vice president of marketing and brand strategy, the contestants benefited by having some of the most knowledgeable Food Network staff critiquing them throughout the season. “I was really intimidated by Bobby Flay because I thought he was going to be really harsh,” Pessoa admitted. “You know how some chefs are. Since he is so well seasoned, I was thinking he is going to be very critical, but I was totally wrong.” In fact, after an elimination round, her perspective quickly changed. “Bobby Flay is such a cool guy. His critiques were very helpful. Its one thing to say ‘I did not like it’ or ‘I hated it,’ but Bobby tells you in detail what it is that you can work with and how to better yourself. Some chefs are very protective of their recipes and their information because the next best recipe is the next best chef, but he has no

problem with anybody else joining him at the top.” Pessoa’s bold, zesty specialties and ability to cook with emotion is part of what got her this far. Her knack for using the three ingredients that she just cannot live without–fresh herbs, spicy peppers (Serrano, Chili or Jalapeño) and garlic because of its aromatic qualities–create on-the-spot dishes that have impressed the judges in every episode. “Spicy should be a nice tingle on your palate and a nice little afterthought once you swallow,” Pessoa instructs. “There shouldn’t be intense smoke coming out of your ears. And that’s why I try to use my flavors; if I am going to kick it up, I make sure it has a nice little tingle because you don’t want to take away from the meal.” Pessoa knows “bold and spicy” doesn’t necessarily appeal to everyone, so she has strategically learned how to please the masses. She said, “Sometimes you have the dramatic Jerk Chicken (like my father makes) where they say, if you’re not sweating, it’s not hot enough, so I try to moderate for the crowd; that is why I am a personal chef. I can get in touch with people because sometimes you just have to take a chance. The great thing about food is that if you

mess it up, you can start over. The important thing is to trust yourself and have fun in the kitchen.” When asked what she would prepare if she had the chance to cook for President Obama and the First Family, Pessoa laughed and said she would capture their hearts through their stomachs with her amazing homemade Southern cooking. “Everyone else would probably try to dazzle them with all of this lavish food, but I think I would go with straight Southern home cooking just like how your grandmother would make it–smothered–just to bring them back home.” And what would be on the menu? “I would make my five-cheese macaroni and collard greens because I am the queen of collard greens. I have the best collard green recipe hands-down and I’m taking that to the grave with me. And when they think about it, they would just rub their stomachs like, ‘Mmmm, that was good!’” Although Pessoa parted the show after seven grueling episodes, she has boosted her fan base and respect from the culinary world. With so much inspiration, she wants to continue to try new things and challenge herself both inside and outside the kitchen. (Watch out Bobby Flay, it sounds like you may have a contender for a collard green “Throwdown.”) “I am so open to any and everything,” Pessoa said. “I told a friend the other day that I think I may do Dancing With the Stars next or something. Whatever it is, it will be fabulous.” Find out more about Chef Jamika Pessoa at www.foodnetwork.com/ star and www.chefjamika.com. Also, visit www.jadoremag.com for two of Jamika’s original recipes! J

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Life & style

hip sips

For this music edition of J’Adore, here are some cool libations

that are perfect for taking the edge off after a night of recording, unwinding when you want to hear the best in everything from dance-inducing Salsa to entrancing beats by hot producers, or even squashing beefs at the White House. words By: Dennis Malcolm Byron

Once every Blue Moon > President Obama offers to squash a beef over a pint of Blue Moon Belgian White. When some cops in Cambridge, MA arrested the wrong guy–scholar and Harvard professor Henry Gates–after answering a erroneous 911 call that suspected he was breaking in what turned out to be his own home, President Barack Obama called them out by stating the officers “acted stupidly.” While many agreed with the statement, a significant number didn’t. Demonstrating his passion for harmony in the States (and how cool he really is), President Obama invited Gates and the main arresting officer, Sgt. James Crowley, to the house– The White House that is–for a brew. One of his preferences? Blue Moon, the Belgian-style wheat beer that’s brewed straight from Denver, Colorado; it just so happened that the sergeant was having a burger and sipping on the exact same suds in a local pub when Obama made the call. Sure, it’s owned under the Coors umbrella and some beer aficionados might turn their nose at its mass production, but like I always said, the Moon is a great pick when you want to introduce folks to a readily accessible, well-crafted, unfiltered wheat beer (witbier) that’s not harsh on the palate and doesn’t hurt the pockets. At 5.4% alcohol by volume, there is a little kick, plus some spiciness due to the addition of coriander and orange. (Although Belgium has made the best beer in the world for centuries, the Blue Moon Brewery does a great job with their domestic rendition.) Anyway, when Gates, Crowley, Vice President Joe Biden and Obama finally had a sit down in the Rose Garden of the White House on July 30, it turned out that the sergeant was the only one who had a Blue Moon. In the end, more beer empires can capitalize off the presidential publicity; the President had a Bud Light, Gates a Samuel Adams Light and Biden sipped on a non-alcoholic Buckler. That’s great that they showed love to the suds, but I certainly would cherish the opportunity to step up the White House’s beer selection. www.bluemoonbrewingcompany.com —Ale Sharpton

< Little Jonathan Winery 2006 Central Coast Chardonnay Lil Jon says ‘Yeaaaaaaaaah!!!’ to wine. Well, it looks like the Crunk!!! Energy Drink venture is not the only thing that has Lil Jon going “Yeaaaaaaaaah!!!” Last year, Jon, or better yet, Jonathan, shocked the music industry last year when he decided to dabble in the grapes by launching the Little Jonathan Winery. To really drop some jaws, his 2006 Central Coast Chardonnay recently garnered a silver medal during the Los Angeles International Wine and Spirits Competition. Since the Atlanta-bred, multi-platinum producer/artist felt that it was

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time to step it up in the maturity department, the “Lil Jon” moniker got bounced, emphasizing that his Chardonnay was "not some ghetto Boone's Farm." Grown in one of the finest wine regions in California, his vino trio–the Paso Robles Cabernet Sauvignon, Monterey Merlot and Chardonnay–are all 13.5% ABV, packaged in the standard 750 ml bottle and moderately priced at $15.99. So while Little Jonathan deals with all of the obstacles preventing his new album from coming out, he will be toasting his award-winning Central Coast Chardonnay with a pinky up. www.littlejonathanwinery.com

< Jose Cuervo Reserva de la Familia (2009 Limited Edition) The Cuervos celebrate 200 years of tequila success! From college years to office holiday parties, everyone has a tequila story. Well, the José Cuervo Family trumps them all after celebrating more than two centuries of making the agave-based spirit for snifters and shot glasses throughout the world. Ever since the Cuervos opened the door to their private cellar in Mexico to give their close friends and relatives a taste of their hand-crafted love and joy back in 1795, Jose Cuervo Especial has emerged as the highest selling brand of tequila in the world. To commemorate the 200 years of hard work and continued success, Cuervo began releasing individually numbered and dated limited editions of José Cuervo Reserva de la Familia annually since 1995. Made from 100 percent blue agave, this smooth hip sip boasts notes of vanilla, nut and hints of Cognac. To really keep it real in their native land, the Cuervo’s 2009 edition of the Reserva is presented in a handcrafted wooden box designed by world-renowned Mexican artist Marco Arce to complete the celebration. If you are a tequila lover, grab one for $100 while supplies last. Salud! www.cuervo.com

SAVíDA SANGRíA > ‘The first white and red homemade sangria…in a bottle.’ While dipping tortilla chips in salsa and guacamole at a Mexican restaurant, diners have made it a pastime to order a pitcher of sangria to set the mood at the more authentic eateries. The traditional concoction of wine, juice and pieces of fruit has become one of the most popular beverages for a night on the town throughout the U.S. Now, thanks to Maven Brands’ introduction of SAVíDA SANGRíA, you can bring this liquid fiesta home in a bottle without the customary one to two days of preparation most modern recipes demand. Available in both red and white versions of California wine blended with all-natural juice from a medley of fruits and no added sugar, Maven boasts that SAVíDA SANGRíA is the “first fresh, homemade sangria…in a bottle.” Maven founder and President Jay Tramonte says proudly, “Until now, there have not been any ready-to-drink sangrias available that capture authentic flavors of modern recipes. The unique blend for SAVíDA SANGRíA was inspired by trends in mixology and results in a sangria that tastes homemade because it only uses the highest quality ingredients available and a variety of exotic fruits.” So when you want to switch up things at the next house gathering, SAVíDA SANGRíA might be the answer. At a mere 11 percent alcohol by volume, even grandma can get her sangria on and still get a good dose of vitamin C while she’s at it. www.savidasangria.com

For more new Hip Sips, recipes, tastings and news, visit us online at www.jadoremag.com.

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Life & style

ls 'glass'

cold one...01

in session

Beer Professor Ale Sharpton schools rapper Devin the Dude on the brews. (Yes, it rhymes…kind of.) words By: Ale Sharpton

Rapper Devin the Dude is known worldwide for his 15-plus years of amusing unadulterated rhymes about his joys of life including women, rocking the microphone, the...umm…‘green stuff’ and you guessed it, beer. Doing songs with everyone from

Snoop Dogg, Lil Wayne and Dr. Dre to soul crooner Raphael Saadiq, some of the biggest artists in the music biz share the devotion thousands of fans worldwide have for Devin’s bluntness, humor, spaced-out flow and funky tracks. Since this is J’Adore’s music issue, it was only right to invite a dedicated beer-sipping lyricist to a tasting session with yours truly.

Not only has he rhymed about his fondness for brew on every one of his five solo albums, Devin, representing Houston by way of St. Petersburg, Florida, happily sips a couple during every show. This time around, he packed Atlanta, Georgia’s Apache Café for another unforgettable performance with the crowd rapping with him word for word. After the show, we linked up as planned and Devin rubbed his hands together after eyeing the mysterious 750 ml bottle I whipped out. Since I knew this MC was used to the mainstream pilsners, I popped the cork of La Terrible, a paradoxical name for this fantastic Belgian-style ale from one of my favorite breweries, Unibroue, based in Chambly, Quebec. The result? Quite frankly, Dev was blown away by its fruity aroma, molasses color, complexity, rich mouthfeel and, let’s keep it real, gangster potency at 10.5 percent alcohol by volume. Since his surrounding fans, especially the females, wanted to holla at him, we decided to do a follow-up phoner for more beer commentary and whatever else came to mind. Ladies and gents: Devin the Dude. A le Sharpton: You know what we are going to talk about first,

right?

Devin the Dude: (Singing) Whasssssssssssuuuup?

Beer! (Laughing) Oh, hell yeah! With you being Ale Sharpton, it’s only right. That’s cool with me. In your honor, I am popping one open as we speak. Are you drinking the same one we had the other night?

Oh, naw, this time around it’s the Belgica by Great Divide out in Colorado. It is a Belgian-style hybrid with the IPA style. It’s pretty nice and hoppy that’s 7.2% ABV unlike that face-smacking 10.5% La Terrible I hit you with. IPAs, Belgians…you sick widdit! Yeah, that was a ‘face-smacker.’

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by ge

a eG ur ic

r la n

Yes, the hops. Nice Dev! I am impressed.

Well, yeah, man. From the looks to the way they separate from the stems and all…(laughing). Yeah, man. They are very similar because connoisseurs smell the hops, feel it, see how fresh it is...

Sound familiar? (Laughing) Yep! It’s fluffy. The smell… I saw some hops one time and I was like, ‘Whoa!!!’

Ha! Yeah, man. Fa sho. You in the house, then. But the ‘coughee’ we sip on is whoa!!! Okay, well I am not officially a Coughee Bro, but you are initiated into my squad called the Brew Tang Clan. (Really laughing now) Oh man, 'Brew Tang'? ‘Ale Sharpton’…you wild wit the names, man. I love that! 'The Brew Tang.' Oh man! A ll respect to the Wu, but I had to freak it on the brew tip. My name comes from my favorite of that legendary group, Ghostface Millah!

Well, you know, so many people in A merica think all beers should be served ice-cold. No suh! Unlike lagers, A les should be sipped at around

Before we begin, set the stage for my readers. What are you doing right now?

Awww man, ‘bout to fire up this weed, chill out for a little bit and listen to some music after rappin’ with you. You always know how to kick back. Let’s talk about La Terrible. What did you think? Aww man, it was cool, man. It was cool. It was a strong beer, an ale-type beer. It was kind of dark, but not really bitter. You picked a nice one. It had a strong initial taste, but it didn’t last a while. It was really kinda cool, man. It made me feel alright and I know it won’t take much of that one to get me there.

54 degrees Fahrenheit–pretty close to the temp I had the La Terrible.

On the cool side, they give off their true aroma, tasting notes and even color, ya heard?!

Oh yeah, I wasn’t mad at that! I usually drink them ice cold, but that’s alright. Actually, I can live with that other temperature, too. (Laughing) That one was like a fine wine or something! But hey, that was a cool experience, for real, though. I never did anything like that. That was cool, bro.

You know, some people said they tried to smoke hops but that just resulted in a migraine outta this world!

Okay, so you don’t want to do that, huh? I heard that. But still, beer and weed go well together…from what I heard. Ha! Yeah, man. They come from the earth. Natural. Not like crack or cocaine…you have to be outta your mind to try those. I keep it real. That’s what I rap about. Yeah, like your joint, ‘R&B.’ (Guess what the "R" stands for, folks. Please refer to his lyrics online.) Now I know you got a crew called the Coughee Brothers and the initiation is sharing, um, some ‘coughee’ with you, right?

No problem. I am on a mission to school cats on the brewskies.

Speaking of which, since you rap so much about the ‘green,’ did you know that one of

Hey man, you know it! That is how I roll. I really respect the craft. I see! I tell you what, man, I felt perfect after that. Once I had that, I didn’t need nothing else. It was right on time for the rest of the night. You know, I usually drink them ice cold but you had it almost warm–a little chilled. It could have been a tad colder, but I remember you breaking that down, though.

beer’s main ingredients is a cousin of cannabis sativa?

(Laughing) You know, there are some similarities in there for real with the hops and all. The way it looks, sometimes fluffy…they should be at least cousins. Ha!

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Uh oh! Uh oh! Oh man, you killing me! 'Brew Tang'? Okay!

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You are down since sippin’ with me, so whatcha got?

On the name? Oh man. Okay, okay. I am about to come up with something. Let’s see. Give me a sec. Ummm… Schlitz Rick! Hell naw! Hilarious! It’s official! You wild, Ale! Nowhere near your level though, Dev! Keep making that real music, Bro, and always keep doing what you love. Fa sho. I will see you in the ATL. We gotta do another one of those ales. A ll day, ‘Schlitz Rick!’ To register for a beer session with Ale Sharpton, email him at alesharpton@gmail. com J

Life & style

g ispecialf ladyt s

for your

Things that will make her go

‘Ooooh!’

^ If you can plan a luxurious vacation somewhere around the world, help her capture those unforgettable moments by bequeathing her with the ultra chic Canon PowerShot D10 Digital Camera ($329.99). It comes in an array of splashy colors, is completely waterproof and can withstand amazingly frigid conditions without shutting down. And for that relaxing trip to the Bahamas, she can snap you scuba diving because it also performs well underwater. This is the gift that will help eternalize those memories you will both share above and below sea level. Not a bad investment!

words By: Ezinne Ukoha

let’s admit it, when it comes to picking up the ideal gift for that special lady, it can be a mindboggling experience. With so

many options to choose from, not to mention a one-ofa-kind stylish woman to please, it can be a challenging and somewhat daunting task settling on the ideal gift that will truly deliver. Here is a list of some gift ideas that will make her head spin and eyes beam with joy! Take notes, gents!

> Maintaining the spirit of being practical, nothing makes a woman swoon like the sweet smell of a beloved fragrance. Well take it a step further by guaranteeing that she can carry her favorite scent around with ease. To make that happen, you would have to get her the fragrance set from Dolce & Gabbana’s The One ($70). This set consists of a purse spray and three refills in a signature box. How perfect is that? Your lady will have no problem being consistently alluring for you each time she reaches into her purse and unleashes that irresistible energy into the air. Now she can make you both happy simultaneously no matter where you go!

< It’s always a good idea to think in practical terms when searching for a gift and that’s what makes this tote from Marc Jacobs a godsend. The black, textured leather messenger bag ($328) will not only lift her spirits, but also give her the functionality that all fashionistas yearn for. This is the perfect accessory because it will stream seamlessly from the office to the gym, and then to that neighborhood joint you both love to visit for a nightcap. (The fact that it’s a brand name certainly doesn’t hurt your chances either!)

v And now we end things with a big BLING. Guys are aware that no girl in her right mind would refuse anything with a shine to it, so make your lady melt when you present her with a custom-made Swarovski sterling ring. She’ll feel like a million bucks even though you saved yourself the six zeroes because these custom rings retail at only $65! Visit www.swarovski. com to get more information on how to go about ordering this gem.

So don’t sweat it, guys! Scoring the perfect gift for your special girl requires good taste, a little imagination and this J’Adore gift guide and you are set! Hopefully, these ideas will get those juices flowing and lead you to that one thing that will undoubtedly make her go “Ooooh!” Check out Ezinne Ukoha’s fashion blog at www.trendybuzz.blogspot.com.

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smellgoods

words By: Robert J. Mair

J’Adore’s ‘scentologist’ Robert J. Mair breaks down two new eccentric colognes that are hitting the counter at a department store near you.

Before reviewing the new Thierry Mugler A*Men Pure Malt, I had to go back and try the original A*Men as well as the subsequent scents in the line: B*Men and A*Men Pure Coffee. I remember the first time I tried A*Men. I was not sure if I liked it because it was so bold and different, but I found myself constantly going back and sniffing this unique scent after it dried down. Although categorized as “woody oriental,” the original has a distinctive coffee, chocolate and musk character. A*Men was introduced in 2004, B*Men was similar but a little toned down with less of the coffee and chocolate. Then came A*Men Pure Coffee. This fragrance was released as a limited edition and rather than the coffee being in the background, it was featured up front. Do I sense some hesitation of wanting to smell like a shot of espresso? Trust me, Mugler successfully makes it work with a nice balance of musk and cedar. Now comes Thierry Mugler’s latest, A*Men Pure Malt, a fragrance honoring Scotland’s peaty whiskies in all their fine, smoky woody goodness. Not sure what a “peaty whiskey” is? If you are over 21, buy yourself a bottle of Laphroaig Single Malt Scotch. Without going into a professor’s lecture on single malts, Laphroaig is casked in Islay resulting in more exposure to the sea and a unique “peaty” flavor characteristic of single malts of that region. The result is an explosion of flavor, not unlike A*Men Pure Malt. After the initial spray, the uncertainty revisited me regarding this new cologne. Like the original A*Men, the Pure Malt goes on strong and eventually settles to something special and unique. Instead of the strong coffee, this fragrance evolves to notes of woods and musk with a touch of the malt essence. As the day wore on, I appreciated the fragrance more and more. But alas, like most of the interesting fragrances these days, this one is also a limited edition so get it while you can. For more information, go to www.us.boutique.thierrymugler.com.

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DSquared2 He Wood and He Wood Rocky Mountain Wood Another new fragrance of note is DSquared2 He Wood Rocky Mountain Wood. The original fragrance simply titled He Wood was introduced to the world of smell goods in 2007 by Canadian brothers Dean and Dan Caten (hence “DSquared”) who wanted the fragrance to be reflective of their native land. These trendsetting siblings aimed for their fragrance “to whisper” with a subtlety that “should never enter the room before you.” In any case, He Wood, created by world-renowned perfumer Daphné Bugey of Firmenich, is definitely a must-have; I cannot tell you how many compliments I have received while wearing it. There are woody base notes of cedar and vetiver with a light musk present as well. The He Wood Rocky Mountain Wood also is categorized as a “woody vetiver,” however, it’s a bit bolder and complex with hints of musk, incense, mineral amber and white pepper. Again, the theme here is bottling the essence of natural aromas derived from Canada’s majestic forests, but I guarantee Rocky Mountain Wood will be well-received in the urban jungles throughout the world as well. Both DSquared2 fragrances are uniquely presented in rich natural wood frames, of course. Check them out at www.dsquared2.com. Stay tuned for the next edition of Smell Goods, but until then, continue to find that scent that perfectly represents you J

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Life & style

ls beauty ^ With moisturizing ingredients such as CoQ10, Vitamins A, B, C and E, and loaded with high grade antioxidants with certified organic extracts, Jeune d' âge AntiAging Serum is the perfect daily beauty ritual for those with severe dry skin or living in dry climates. Boasting all natural fragrances and no added synthetic chemicals or parabens, this vegan-friendly serum has individual application packets for freshness which also are great for travel. Apply the jeune d' âge Anti-Aging Serum at night after cleansing and toning your face. jeunedage.com - $39.95

<The African Red Tea Foaming Cleanser by Ole Henriksen is filled with anti-aging botanical extracts, antioxidant-rich African red tea, Ester-C, borage seed oil, grapefruit, orange and tangerine extracts to make your face look and feel luminous. This soothing cleanser is gentle enough for the most sensitive skin, but strong enough to remove dirt and makeup. If you like this, try Ole Henriksen’s entire African Red Tea line of facial and body products. olehenriksen.com - $30.00

^Summer is officially here and people are spending more time having fun out in the sun. Philip Kingsley developed a remarkable product to help rid your hair of sun, chlorine, salt water and wind damage called Philip Kingsley Swimcap. Apply a portion of it to damp hair and work it through thoroughly right before you head to the beach or the swimming pool. After your exposure is over, wash your hair out as usual and you’ll notice a dramatic difference. philipkingsley.com - $35.00

<Did you know that the skin around the eyes is 4x thinner than the rest of the skin on your face? The brilliant people at Estee Lauder know this, so they came up with an amazing new product for anti-aging and anti-wrinkling called Time Zone Anti-Line/Wrinkle Eye Crème. In a recent clinical study, women tested using this product showed a decrease in the signs of aging around their eyes in just four weeks. Look out for this product online and in stores in August 2009 . esteelauder.com - $43.50

^Looking for bold color and versatility in a product? Try Lime Crime Pigments in one of their many color choices. Not a photo shoot goes by that I don’t use one of their amazing pigments because the quality is one of the best. Prepare to be impressed! Lime Crime Pigments - $12.00 - limecrimemakeup.com

words by: Alex LaMarsh

v Your face will stay flawless for hours with this wonderful product from Estee Lauder, the Double Wear Stay-in-Place Lipstick and Lip Pencil. This product lasts for 12 hours, and unlike most long wearing lipsticks, this one isn’t dry and uncomfortable. It’s available in 12 shades so there are plenty colors to choose from. ^ Estee Lauder introduces Sensuous Gold, their new collection of wonderfully warm toned cosmetics. This collection showcases two perfectly coordinated looks that each includes an eye shadow quad, two lipsticks, one nail polish and one item for the face and cheeks. For eyes, they offer two Signature Eyeshadow Quads with beautiful colors such as Rose Gold (lighter and softer, great for day) and Rose Amethyst (a bit darker and great for night). Brush your cheeks aglow with the Gilded Rose Marbleized Shimmer Powder, which will leave your cheeks glowing warmly. The Signature Lipstick comes in four lovely shades to compliment the eye shadow; Cinnamon, Plum Terracotta, Rose Amethyst and Plum Amethyst and glides on smoothly leaving your lips moisturized, along with their Pure Color Multi-Shimmer Gloss that is available in coordinating colors of Rose Gold or Rose Amethyst. The Pure Color Nail Lacquer comes in two shades, Rose Gold and Black Amethyst, dries fast and lasts for weeks without chipping. Limited Edition Signature Eyeshadow Quads - $35.00 – esteelauder.com Limited Edition Signature Lipsticks - $19.50 – esteelauder.com Limited Edition Pure Color Multi-Shimmer Gloss - $18.00 – esteelauder.com Limited Edition Pure Color Nail Lacquer - $18.00 – esteelauder.com Limited Edition Gilded Rose Marbleized Shimmer Powder - $36.50 – esteelauder.com

Double Wear Stay-in-Place Lipstick - $22.00 – esteelauder.com Double Wear Stay-in-Place Lip Pencil - $19.00 – esteelauder.com

grooming ^ Shaving has been constantly seen as a real hassle for men. Well, I am geared to put smiles on those faces that dread the razor. I have to say that I love the Jack Black men’s line. It’s just brilliant and works wonders. When it comes to shaving, there are a couple of Mr. Black’s products that will make it a little easier and a lot more enjoyable. First is the Jack Black Beard Lube Conditioning Shave, a real breakthrough in the shaving world. It works as a pre-shave, prepping and softening the beard for the closest shave the gents can get, then works double-time as an aftershave helping to prevent from razor burn. Next is the Jack Black Supreme Cream Triple Cushion Shave Lather, a rich lather shave cream and is perfect for men who want that traditional barber shop lather. Macadamia nut oil, glycerin and soybean oil offer a slick layer of protection against razor burn, irritation, nicks and cuts. Thanks to Jack, shaving woes are a thing of the past! Jack Black Beard Lube Conditioning Shave $16.00 - getjackblack.com Jack Black Supreme Cream Triple Cushion Shave Lather - $22.00 - getjackblack.com

^ Plain and simple, everyone needs soap, but finding the perfect bar can be a bit tricky. With the demand for a soap that does its job without leaving that lingering “scum” or skin drier than the Sahara, One With Nature has some wonderful products for men and women. Their Dead Sea Mineral Soaps deliver softly clean skin in a variety of scents, are 100% vegetable based, wrapped in biodegradable packaging, never animal tested, all naturally scented and produced 20 miles from the Dead Sea. One With Nature’s Dead Sea Mineral Soap - $3.79 - onewithnature.com

^ Kenneth Cole has been known to deliver some of fragrances that keep the ladies happy. Black by Kenneth Cole is fresh and light but masculine and sensual. They combined mint, mandarin, masculine incense, exotic wood, and black suede to create a wonderful scent that will linger on a woman’s mind. The bottle is sleek with curves and will look as good as it smells. This, gentlemen, is one of my top five picks for men’s scents. So, from looking fine to smelling great, these products should definitely be considered if you are a guy that wants to really be on point.

^ Are you like most men out there who not only want skin care that’s simple to use, but is also a one-stop shopping experience? Well fret no more over complicated skin products and check out what Snoop Dogg, Mark Wahlberg and John Leguizamo swear by: the Ole Henriksen Men’s Kit. This heavensent four-part kit includes the On The Go Cleanser (for normal to oily skin); the Sheer Transformation–an oilfree, anti-aging perfecting crème that repairs skin with ester-c and kojic acid; the Wallnut Complexion Scrub that exfoliates with finely ground walnut powder, chamomile, aloe and Korean ginseng to increase cellular energy for a soothing scrub; and the Natural Hair Wash with sea kelp, kukui nut, awapuhi, orchid, plumeria, chamomile and vitamins A, C and E to deeply condition and make the cleansing experience more manageable. Ole Henriksen Men’s Kit - $70.00 olehenriksen.com

Black by Kenneth Cole - $52.00 to $67.50 - macys.com

^ For years now, Calvin Klein has produced some memorable and highly sought fragrances for men. Remember to check out some of the best next time you are looking for a great fragrance for that special night out. Eternity by Calvin Klein is a classic and refreshing scent that's exhilarating and distinctly masculine, leaving a cool, crisp edge with a woody finish. Euphoria by Calvin Klein is fresh, blending notes of ginger, pepper, patchouli and suede. CK One by Calvin Klein has altered its packaging for a limited time, but the great scent consisting of cardamom, tangerine, violet, rose, orange flower, freesia, lavender, musk and amber remains the same. Begin and end this irresistible fragrance. CK One - $62.00 to $46.00 - macys.com | Euphoria - $65.00 to $49.00 - macys.com | Eternity - $62.00 to $47.00 - macys.com

Life & style

guilty pleasures

computerSharif love Reeves

words By: L. Raquel Peterson

Zapp & Roger’s sizzling classic is no longer an ‘80s fantasy. The advent of technology, busy schedules and long distance dating has encouraged people to look more seriously into online dating. Here are some tips to snag some “computer love” of your own. Skip “Paid” Dating Sites. Sites like Facebook allow you to make unlimited connections with those who share your interests, friends or both– for free. Ask friends about potential connections. If you’re a regular poster on an online forum, see which users have intriguing posts and strike conversation from there. If you decide to use paid sites, then keep in mind that no one can guarantee you love, so paying for a membership is akin to paying for insurance: if you actually benefit from it, great! If not, the site makes 100% profit. Be Honest. Besides the fear of meeting fake, crazy people, the biggest problem online daters encounter are liars. Never be dishonest when dealing with other people. It’s okay to withhold personal information, but lying about your age, real name, marital status, occupation or anything verifiable sets you up for trouble when the truth’s revealed. Verify their Appearance/ Identity. Have you ever met someone offline, only to find out the pictures they had were 20 pounds – or years ago?! Or worse, not even them?! Ask for recent pics and share your own as well. Eliminate those who refuse to provide any, no matter the excuse. Disqualify people with blurry or dated pictures and those who refuse to provide a clothed full body picture, as this is a red flag for insecurity/deception. If possible, use webcams, which are more powerful, timely and authentic validations of someone’s identity than any email and picture combination.

It’s a numbers game, so have fun! Not every connection is a lasting one. There are millions of people online, and the fun of Internet dating is having so many different prospects at the tip of your fingers. Meeting folks on the Internet is like waiting for the bus–miss one and there’ll be another in 15 minutes, trust! Don’t commit too soon. Making blind commitments to someone you’ve never met isn’t smart. Online, you can have the greatest connection with a person, sharing crazy jokes and stories like old friends, but things can change in person; neither one of you feels a connection and there’s little to no conversation, making the vibe awkward. Wait until you’ve actually met on a few different occasions to ensure the sparks are there and then consider solidifying commitments. Handle rejection wisely. If you’ve decided you’re just not into someone, say “the chemistry isn’t there.” Avoid specifics unless you feel compelled to reveal they’re an unattractive bore with bad hygiene and the personality of a cactus; it’s never tactful to rude. If, on the other hand, you’re the one who’s rejected, don’t take it personal and move on immediately. Don’t bother trying to change the other party’s mind; you’re better than that. Block wisely. Nobody likes to be blocked, but some can’t take a hint. If someone IMs you too often, utilize your stealth features to appear invisible to them. Oftentimes, you can modify a group of these users into a category and appear invisible to them while available to others.

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If you’re positively not interested in communicating further with someone, then block them. Put up the cyber hand to anyone who’s been dishonest, flippant or has behaved downright ugly. Verbal disrespect and emotional backlashes don’t have to be tolerated; if things become extremely disturbing (threats are made), contact local authorities. Be Safe. If you decide to meet someone, try to bring a friend for safety. Meet in a public area in which the both of you feel comfortable. If this is a long distance meeting, be sure to

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leave contact information for the both of you with trusted friends and checkin with them often. Never fly to an unknown area for a rendezvous, especially if you’re a female. Also, never meet someone who cannot tell you their first or last name. If you meet someone who doesn’t match their picture, makes you feel uncomfortable and makes warning bells go off in your head, LEAVE IMMEDIATELY. Now get your computer lovin’ on! J

The Ultimate Soundtrack For

Sex

What songs go perfectly with various types of sex? Here’s what J’Adore words By: Evierobbie thinks is the ultimate soundtrack for any situation. In an ideal world, sex would be meaningful every single time it happens. The passion would never cease and both partners would leave exhausted and fulfilled. Most of us don’t live in that fantasy, though, so we need advice on ways to keep the feeling alive under any circumstance. We start by creating a soundtrack that addresses any sexual situation. Whether entertaining a party of one or fifty, there are songs capable of setting the appropriate mood. We know there are hundreds of others including Motown classics, but we wanted to mix it up with some 21st century singles as well. Making Love What separates making love from other forms of sexual activity is the level of emotion involved. There is an intensity in which two beings want to indulge in each other’s company. There is a connection that is as much emotional, as it is physical. Making love can be seen as the moment when sex almost becomes spiritual. You transcend the bed and your two energies become one. For this sexual experience, one has to take the mood into consideration. It’s not about being a forced romantic, but it is about making the other person feel as important as they truly are to you. Here are some timeless songs for real lovemaking: 1. “Secret Garden” by Quincy Jones featuring Al B. Sure, El DeBarge, James Ingram and Barry White 2. “I Want You” by Floetry 3. “No Ordinary Love” by Sade 4. “He Loves Me” by Jill Scott

The Jump Off There is a time and place for everything: the bedroom, backseat of the car, hotel room, wherever. Jump offs are the perfect time to get it in and then get out. Setting the mood doesn’t have to be involved, but the right soundtrack has the potential

This one can be tricky due to making sure all parties feel adequately involved. Spread the love and share the physical resources with these tracks:

to heighten the intensity of the moment. Keep it simple. Both partners acknowledge this isn’t making love. Yet, that is no excuse to not fully enjoy the physicality of the experience. Definitely check out:

1. “Spread” by Andre 3000 2. “I Kissed A Girl” by Katy Perry 3. “All The Things She Said” by T.A.T.U. 4. “I’m F-cking You Tonight” by Notorious B.I.G. with R. Kelly

1. “Bump and Grind” by R. Kelly 2. “Meeting In My Bedroom” by Silk 3. “Pony” by Ginuwine 4. “Bed” by J. Holiday

One Night Stand

Self-Satisfaction Welcome to the “solo-flight” terminal. These are the nights that get you through a break-up, celibacy or awful sex with the person that just left. Regardless, it’s perfectly fine to please yourself… and set the mood for it. If possible, try drowning out some of the excessive porn with songs that put you in the zone long enough to knock that urge. Use your imagination and play these: 1. “Star*69” by Common 2. “Celibacy Thing” by Jill Scott 3. “Darling Nikki” by Prince 4. “Oh My” by Tweet

Group Session Three (or more) may be a crowd, but it can also be fun given the right provisions. If all adults involved are consenting, then let the games begin.

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That one night. Maybe you will remember it and maybe you won’t. There’s no commitment, just an escapade for a night. Who cares about preparation at that point? Throw on one of these singles and get down to business. 1. “Drunk and Hot Girls” by Kanye West featuring Mos Def 2. “Sensual Seduction” by Snoop Dogg 3. “Get You Home” by Foxy Brown featuring Blackstreet 4. “Poke Her Face” by Kid Cudi featuring Kanye West, Common and Lady Gaga

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In the end, it is what you feel like hearing at that particular point in time, but just make it happen the safe way, folks. J

model citizen

Fresh. Flawless. Beautiful. A breath of fresh air. This doesn’t even begin to describe the entrancing islander that is Leila Depina. Journey with J’Adore as we get to know this Cape Verdean masterpiece

Cape Verde Beauty:

words by: Laura Turner

leila depina  j’adore

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Images: Kenny Sweeney Makeup & Hair: Alex LaMarsh Styling: Danny O'Neill

I take modeling very seriously, so I

expect 100 percent from everyone. Leila Depina came to Boston, MA with her mother more than 20 years ago. When asked why Beantown, she replies, “I think it is because we all want to be close to each other and feel like we are back home.” A close, tight-knit family is not only a way of life for her, but a part of her culture. Leila’s career in modeling began when she was discovered at an event held by a modeling scout. She was then picked up by a local agency where she went on to diversify her portfolio and do “print, runway, hair shows and showroom projects.” Ms. Depina says, “The most important thing to me when it comes to choosing an assignment has to be the staff I am working with. I hate working with unprofessional people, especially photographers. I take modeling very seriously, so I expect 100 percent from everyone.” She also discloses, “My dream is to model for Victoria Secret one day and be a role model for the young people.” Aside from modeling, Leila states, “I want to open my own business in the future.” Any details about that business are currently under wraps, but that’s not stopping her from making current moves in the modeling world. There are many cultures in Africa that believe in the beauty of the naked skin. It’s no wonder that Leila’s friends tease her about her will to wear very little during a night on the town. "When it comes to going out with my girlfriends, I’m always the naked one!” she laughs. “They always tell me to ‘put some clothes on!’ I don’t think I have ever worn jeans to a night club. I have my own look and swag.” Though she doesn’t favor one designer over another, Leila admits, “I like all types of clothing as long I feel sexy and comfortable wearing it.” This is a major part of that “swag” Ms. Depina was referring to. Another standout regarding her rules for public appearance, Leila emphasizes exhibiting the God-given real deal with no enhancements. From the afro puffs minus hair products – just shampoo and conditioner – to her natural diet plan (“To be honest with you, I really don’t go to the gym. I eat whatever I want to eat. I just don’t gain weight.”), Depina’s regimen is extraordinary in the world of modeling. In an industry that constantly goes through many modifications, Leila Depina is establishing longevity for herself as a staple. With aspirations to shoot with such legends as Iman to wanting to “make a change in people lives especially in Africa,” she is undoubtedly on her way to achieving her goals and more. To learn more about Leila Depina online, visit her at: www.myspace.com/lailedepina twitter.com/exoticaleila www.modelmayhem.com/720394 J

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model citizen

misconceptions of

Tila Tequila I

words By: Laura Turner

f there was a guide written on how to be a celebrity in multi-media, Tila Tequila would be the author, publisher and model of the book. Labeled as the first social-network-created celebrity sparked by her tremendous popularity on MySpace for the past five years, the 4’11” Tequila may appear small in stature, but she continues to make big waves in the entertainment industry. She’s graced the covers of King, Stuff and Maxim UK, and in 2006, Ms. Tequila turned down a label deal with Will.i.am Music Group in an effort to “stay true to herself by remaining independent,” she states. Tila went on to host Fuse TV’s Pants-Off Dance-Off. Following that brief gig, this global sex symbol stayed on the tube with two seasons of her own drama-filled MTV reality show, A Shot at Love With Tila Tequila. So now what? Besides “tweeting” up a storm, Tequila is preparing to go on tour to promote her future album on iTunes and constantly battling rumors to clear the air about who Tila Tequila really is.

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there is just this misconception that I'm famous for nothing and

You mentioned online about going celibate for a year. Is that true? Yes, absolutely. My sex life, ironically, has been a lot more exciting since deciding to go celibate. When you and the person you’re with knows that you’re not going to have sex with them, it builds a mutual respect. They get to know you. It’s much nicer and much more exciting for them to get to know me better. I think sex makes everything more complicated.

that I'm a slut. I just wish people would stop hatin'.

What are some misconceptions about Tila Tequila? I have a lot of guy friends. People think that just because you’re a girl you can’t hang out with guys without hooking up with them. I have a lot of guy friends, but they are just my friends. Even at Tyrese’s party, I was talking with him and Omarion and there were girls getting jealous and talking smack. Another misconception is that I’m just another Hollywood girl. They compared me to Paris and Kim Kardashian. I wasn’t born in Hollywood. My family is not rich. I came from nothing. I still don’t have a sex tape and didn’t get famous from a sex tape. Not that there is anything wrong with that, but I worked for what I have single handedly by myself. I came to Hollywood, got my own show and got famous, but I don’t get that respect for doing this all on my own. You gotta show respect for someone that does that all on their own. I’m just a random girl from Texas who came here with no money, no family here, no Hollywood connections, no name and I did everything on my own. All my songs I put out I wrote, I paid for them and I promoted them myself. There is just this misconception that I’m famous for nothing and that I’m a slut. I just wish people would stop hatin’. You know that couldn’t be it with Tila Tequila. Check out Part II of this interview online at www.jadoremag.com. J

J’A dore: So your album is said to be dropping on iTunes this summer. What can we expect to hear from Tila Tequila that is different from what’s out now?

Tila Tequila: The trend right now is electronic music like Lady Gaga and Britney. I don’t like to follow trends, I make new trends. The album will be out in August and I will be doing concerts to promote it. You start your first tour in September. Where will it kick off and who will be touring with you?

We’re still working out the details because I have a lot of other projects I’m working on, too. The tour is from September to March 2010. After that, the tour is going to Asia, Europe and South America. I do more than just music, so I’m trying to cut the tour schedule down and make a few appearances to do special concerts in order to minimize being on the road that long. There was also the ‘now you see it, now you don’t’ tweet on Twitter. Care to clear up the pregnancy rumors?

I get bombarded a lot with those questions and I’ve been avoiding it like crazy. That’s a really personal thing and sometimes when you tweet at five in the morning when you’re on Nyquil, you gotta disregard the Nyquil tweets. You are heavily active online. Would you say that a lot of what you do is strictly for entertainment, or is this just the real 100 percent Tila Tequila all day, every day?

Images by: Kenny Sweeney

It’s both. Being Tila Tequila is entertaining in itself. In a way, I’m vivacious, I can be rambunctious and I can even be a little bit crazy. People do become very interested in my tweets. I mean, you gotta admit, it’s like a reality show. It’s like every tweet I do is something dramatic.

makeup/hair: Taylor Cox Styling: Penelope Pattee

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model citizen

mc I’ve learned that you can never make everyone happy; you can only be yourself.

Heaven’ s Love Child words By: L. Raquel Boone Images by: Mark Sacro Makeup: Artemis & Damarius G Hair: Jamie Gatlin Styling: Betrice Benbow

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est known as the always singing, deeply passionate and sometimes haughty “Krazy” from VH 1’s hit reality shows Flavor of Love 2 and Charm School, Heather Crawford represents what perseverance is all about. Since her television debut, the aspiring beauty continues to push through the Hollywood crowd on her way to stardom.

“If you knew me as a child, I was extremely shy,” Crawford confidently muses. “I’m proud of myself for having the courage to put my life and myself on blast for the world to see. I’ve learned that you can never make everyone happy; you can only be yourself. I know I’m happy.” This San Diego born, West Virginia resident keeps it real regarding her reality show career with Flavor of Love 2 and its equally notorious spinoff, Charm School. She explains, “These shows weren’t the classiest, but it is what it is! Trying to date Flav on a TV show with cameras everywhere was definitely the best dating experience ever because I’m adventurous and it was out of the box. It’s the most extreme dating experience.” Yet, in the same breath, Crawford can admit that Flavor also had its setbacks. “You can’t even imagine how hard it is trying to get to know someone in that type of environment. Everything you do is taped; there are women around you 24 hours a day that you don’t know and producers are everywhere. It’s not the most comfortable situation.” Crawford made it to the final three along with Tiffany “New York” Patterson and London “Deelishus” Charles, but was eliminated just before the season finale. Despite the

blow, she holds no ill thoughts toward the situation, stating, “Flav did miss out by not choosing me, but there is someone for everyone. It obviously wasn’t meant to be. I don’t mess with destiny. He seems to be very happy. I know I am.” Crawford also popped up soon afterwards on Monique’s Charm School, but was eliminated for “believing she was fine the way she was and not being open to change.” Although she’s positive about the experiences, Crawford admits she saw herself in a different light once she viewed the episodes on air. “I looked like a character on the show. In my opinion, I reacted too fast without thinking first and I reacted with a lot of emotion. I’ve been trying to rationalize more before reacting.” The one thing she doesn’t agree with, however, is the egotistical personality she was labeled with in Charm School. “I think the character ‘Krazy’ portrays more of the ‘ego attitude’ than Heather Crawford,” she said. “The personal side of me is more laid back, silly, ambitious and happy. There’s not enough time in the day to try to have an ego, to think that you are better than anyone else. At times, I do get into a kind of shy mood, and maybe that could be conceived as ‘stuck up’ because I become more reserved, but you can’t win them all.”

Krazy for Love: Flavor Of Love 2 and Charm School reality television vet Heaven Crawford gives J’Adore a cheat sheet on her love life. Dating Status: “Right now, I’m enjoying the single life. Guys do take me serious, I just have a really hard time taking them serious. I think it’s hard to find a guy who is honestly sincere, aside from just wanting to date you because you’ve been on a TV show or just wanting to get you in bed. Don’t worry though, if a guy catches my eye, I am very open to dating!” Fan Love: “I do have some crazy fans. I’ve been trying to keep my MySpace page (www. myspace.com/ therealheathercrawford) up forever, but I’ve been

Crawford has since used the shows to leverage further opportunities in the entertainment world, making appearances at clubs, events and conducting inspirational speaking engagements at inner-city schools, showing younger people how she overcame tough hurdles and circumstances to achieve. This aspiring starlet has also delved into more scripted roles, having finished two films, including Player’s School produced by Benjamin Jimerson, an urban comedy set to capture heavy laughs. (The other film’s name has not been released as of yet, but is scheduled to be presented at the Sundance Film Festival.) Crawford has also starred as a lead role in the music video for Stubby and Jacosta’s No. 1 Billboard hit “Smash.” She will also be starring in another reality show called House of Divas. Crawford’s dream role, however? Simply put, portraying Selena! Crawford enthusiastically notes that Selena Quintanilla, the late Mexican “Queen of Tejano music,” as the biggest influence on her musical aspirations (and her favorite movie). “We both have the same background to a certain extent. She had big dreams and even learned the Spanish language as she grew up. That is a big goal in my life right now, to speak fluently in Spanish, as well as be such a

continuously hacked. Whoever it is gets pictures from all my events -- even personal candid pictures of me and my family -- but I love all my fans. Her type of man: “Looks are, of course, the first thing to attract me, but that really only goes so far. There has to be drive and ambition, a man with fire in his eyes. I need a man who can go out and be silly, or maybe party all night and dance, yet still know how to be romantic and attentive.” Juiciest feature: “I have to say definitely my butt. It’s nice to see that times have changed and having a body is back in style.”

and yes, I know what I’m doing. It gives me a piece of mind. I like to turn on some smooth jazz or oldies, dim the lights and cook. I don’t know, it just does it for me!” How she was named Heaven/Nevaeh: I tend to be the friend that everyone comes to for advice. It’s always been like that, even when I was younger. I’ve had a few of my really close friends call me their angel. After that, it just kind of fell into place.” What Heaven wouldn’t do for fame and fortune: “I would never do anything to shame or hurt my family. Everything that I have done thus far in my career, my family has had full support for me.”

Her romantic home indulgence: “Cooking is really something that I enjoy doing,

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beautiful woman and an inspiration to so many.” Beyonce is cited as another great influence, having “achieved so much at a young age and owning a clothing line.” Even with the fascination of such singing sensations, reality is not overlooked. Crawford’s musical identity, Nevaeh (or Heaven backwards), is very much alive, but resting. “The music industry has slowed down quite a bit, but I really do love to sing.,” she said. “Just because I’m working on movies right now doesn’t mean that you won’t hear a CD come out or some songs from the soundtracks of the movies that I am going be working in – hint, hint!” Undaunted by the wild image presented on reality shows, it seems our sexy young entertainer is poised to make her career enviably larger than other cast mates and Charm School sorors. “On the business side of things, depending on what genre of work you’re trying to get, people can have a tendency to not take you serious, but there are no boundaries to what we achieve unless we make them for ourselves,” Crawford schools. “My journey has hopefully just begun.” J

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crÈme crème de la

model citizen

courtney jane An invitation to the Islands:

words by: Mz. Limitless

Moving from Hawaii to LA:

She possesses eyes with a brown that remind you of all things warm and loving. A smile so sweet it beckons you to reciprocate with joyful happiness. A shape that makes women enjoy the pain we feel from each and every workout. From the Islands to the mainland, Courtney Jane is sure to make a splash where ever she lands and is making sure the industry and fans take notice. From her sultry and seductiveness that can flip at the drop of a dime to her “girl next door” look, she’s got it. J’Adore was able to catch Ms. Jane in pausemode long enough to give us a glimpse into just who this Hawaiian princess now living in the City of Angels really is. Here is what she had to say about:

I was modeling in Japan and just got back to Hawaii and found it very slow. Living in a fast-paced world, I had to venture out somewhere else, so I had decided on L.A.; one, because it was sunny and warm, and two, because it’s only a five-hour flight home.

Projects she’s working on:

I've been working for some print companies and doing fashion shows. I am mainly focusing on acting rather than modeling. I just booked a JC Penny commercial that I'm pretty stoked on.

Other life aspirations: Make money. I'm very money driven. I plan on going to school for a bit and then open my own business back in Hawaii. No 9 to 5 for me!

Top three clothing designers: I like so many designers. There’s only one I really dislike but I won't say because I've worked for him before. Ha! My favorite would be Marc Jacobs, Karl Lagerfeld and I can’t make up my mind on the last one.

Favorite fabrics: I'm really about being comfortable, so if I'm able to breathe, move and shake, then I'm all good to dance around and play.

Location you would shoot at if you could pick anywhere in the world: It would be in Thailand. I've wanted to go there for a while.

Workout and eating schedule: I go in and out of these moods of trying to eat healthy and work my butt off and then I’ll just take a break for a month and pig out.

Images by: Kenny Sweeney

Makeup & Hair: Alex LaMarsh Styling: Danny O'Neill

Choosing assignments: I like to work with good people who make sure they can get the best out of anything. Working with [J’Adore’s] Alex and Kenny was awesome!

model citizen

mc s a c

g n ti

couch

Benjamin Jimerson:

The Politician of Entertainment

words By: L. Mz. Limitless

Images by: Mark Sacro Makeup: Damarius. G & Artemis hair: Jamie Gatlin Styling: Betrice Benbow

To persevere through adversity and succeed is always a highly regarded accomplishment. This is particularly true for Benjamin Jimerson, who came from a humbling “rags to riches” story to becoming a Special Senate Representative. Now that isn’t a typical find on the resume of a film producer or casting agency. Then again, Benjamin Jimerson is anything but typical. Growing up with his mother who was a gospel singer in the music industry, you could easily say that it was meant to be for Jimerson to align himself in the same business. What began with enough adversity early in his life to create a box office drama and turned out to be a life filled with success and continued achievements of greatness in the entertainment industry, including making films, producing platinum albums with star performers. Between doing the final edits of his next movie, Players School, Jimerson had a chance to do an exclusive interview with J'Adore.

 j’adore

jadoremag.com 

What

started you on your journey in the entertainment

industry?

Guess you can say I really grew up in the industry. My Mom was a Gospel recording artist, so I grew up watching her tape TV shows, etc. You were appointed with the honor of becoming the United States Goodwill A mbassador in a Special Senate Resolution #728. How did this come about? It’s an honorary position. Brad Pitt and Angelina Jolie have the same type of commission. You don’t have duties, you are just viewed as a representative of the Government and in some cases may have Diplomatic Immunity. You received Gold and Platinum awards for artists such as Brandy, R. Kelly and a host of others. What roles did you play in their careers and how did that come about? Well, like I said, I grew up with a recording artist, my mother. Some of the gold and platinum records I received were on artists I wrote, produced, managed or handled publicity for. My company, www.JimersonAndAssoc.Com, was one of the top suppliers of women for music videos for a lot of artists, so I have even received ‘thank you’ awards for that. Between your roles in music production, casting and film production, which do you find is the most rewarding to you and why?

I really love producing movies and now my two new upcoming reality TV shows, including The House of Diva’s. I see how television and movies have such a strong influence on the culture and, in particular, how it influences young people. I just want to do films and TV shows that can help make a positive difference in people’s lives where it is not just entertainment, but what I call ‘constructive entertainment.’ All I can say is don't be fooled by the names alone. Having your hand in the music industry, what is your opinion of the music industry today and do you feel it has gone away from being about the talent and become too commercialized?

I don’t have a problem with the commercial aspects of the industry, because for too long, black artists were taken advantage of–getting paid a used Cadillac and a few dollars in exchange for their publishing rights (which is where the money is for artists), I remember back when I was about 10, my mother was on welfare by then and we were really low on food and walked a long way to get to the publishing company for her royalties, only to find they had a check for $16.00 off a hit song. I remember my mother cried about that. Now guys like Prince, Jay Z, Puffy, and 50 have become multi-millionaires and changed the status of the game by keeping their publishing. What I would say is that in a time when we have a black President, we need to start looking at stepping up our game. Stop using our women as ho’s in song lyrics and videos, and start motivating our people to achieve greatness. If you could change something about the music industry, what would it be and why?

I’d like to see artists stop glorifying materialism and the pimp lifestyle. That’s really what my new movie, Player’s School, is all about. It’s going to be a very funny movie with some great

talent. The movie has some really strong messages to deliver. It’s a great project that I’ve been fortunate to find some wonderful investors for. They see the vision for this film and have invested in the future of this film. Special thanks to the Government of Gabon, Africa, which is quickly becoming the Hollywood of Africa. I

understand that you will be beginning pre-production on

your sixth film,

Player’s School. How did you come up with the

concept for this film?

Life experiences. Plus, I wanted to have a great film that would bring people into the theaters and allow them to see a really funny film. The movie has a real message in it–something the youth really need to hear in this new, ‘Yes We Can,’ Obama, ‘anything is possible’ era. I read about a possible dispute between yourself and 51 Minds Flava of Love Seasons 1 and 2. What has come of that? 51 Minds had their lawyer send me a cease and desist letter, which meant nothing to me! Having been a manager with a family of lawyers and politicians, I was not going to be bluffed into not working with the girls from Flavor of Love who had already signed contracts with me, because 51 Minds wanted a monopoly on them. Some of those girls only got $100 a week for a show that had reportedly generated over $100 million dollars. I was paying the girls major dollars for a small independent film. I personally felt that the girls and Flav were exploited and underpaid when you consider they were the reason for the show’s success.

regarding the use of some of the talent from

Will you still be using the same talent, or have you cast new talent in their roles?

No, the girls are in. We did lose a couple of them because of what I looked at as intimidation from that company. The others stood strong, which is a big thing, because it has been a long, hard road to go from just having a good idea to securing funding, contracts, talent, etc. I owe Buckeey, Serious, Smiley, Rain, Q-Tee, Pumpkin, Krazy and Beautiful a world of thanks for believing in the project. I also have to thank Michael Colyar and old school rap artist Kurtis Blow. When choosing the talent, at first, it was popularity, but I have come to learn it’s more about talent, along with the belief in what your project and vision are about. What can we expect to see in terms of content in this movie that will set it apart from other movies in the similar genre?

It’s seriously funny! People will go to the theaters expecting a laugh or two, and they will get that. But at the end of the movie, they will walk out saying, ‘Wow, that was really deep!’ Benjamin Jimerson also has a number of websites that represent his ventures including: www.playersschoolmovie.com www.jimersonandassoc.com www.myspace.com/arealprize www.thedivahouse.com www.catchaproducer.com J

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entertainment

e Bring the

Noise! British sensation the Noisettes continues to break down musical boundaries with their sophomore album words By: Jonathan Williams

British trio the Noisettes create an interestingly disparate sound that mixes ‘50s doo-wop, Motown, ‘80s new wave and contemporary indie rock. Led by the manic and stylish Shingai Shoniwa, the band (guitarist Dan Smith, drummer Jamie Morrison) is known for its explosively entertaining live shows and unique visual presence. On the eve of a three-week U.S. club tour to preview the band’s second album Wild Young Hearts, Shoniwa talked to J’Adore about touring, cultural trends and the unifying force of music.

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boundaries; it’s there to break them down. The music that I grew up on is music that brings people from all different walks of life together. It’s much more fun to know you’re going to look into the audience every night and see a beautiful, psychedelic, colorful audience that makes you think, ‘Wow, these people would never have met unless they came to a TV on the Radio or a Noisettes gig.’ You’ve

played to large

and smaller

A merican

European

festival crowds

club audiences.

How

do shows

differ based on the size of the audience?

When you play to a smaller crowd you get more psyched and nervous about it and it’s a different kind of payoff. With a more intimate crowd, my sensations are heightened because you can smell the perfumes and everything and you can hear a pin drop during a quiet moment. The bigger shows are more theatrical and at the smaller shows the people can see us for who we are as a band and we don’t have to put on as much of a show. But they are both equally rewarding. You go to another land when you’re onstage and it’s great to take the audience there with you. How

A merican

audiences compare to

European

audiences?

J’A dore: There is an interesting mix of influences How did these various influences merge to become the sound of the Noisettes? Shingai Shoniwa: As you can tell just by looking at us, the three of us are very different characters who were brought together by a mutual love of music. I was born and raised in South London and also spent a lot of time in Africa as a kid. Dan is half Trinidadian and half Scottish and Jamie is half English and half Scottish. So all of our record collections growing up were pretty bonkers anyway. Jamie was raised on the spectrum from Van Morrison, quite a lot of folk and a lot of ‘90s power pop. Dan grew up on a lot of blues because his dad was a famous harmonica player on the blues circuit in England and a lot of crazy ‘90s power pop. And we all loved a lot of larger-than-life performers like Prince, Kate Bush, Grace Jones, Tina Turner and stuff like that. I grew up on a lot of African music like Fela Kuti, a lot of reggae, a lot of stuff that was on the Trojan label. My mum was a student during the antiapartheid war in Zimbabwe and Rhodesia in the late ‘70s/early ‘80s, so they used to listen to everything from jazz to Chimurenga music, to a lot of Hendrix, Skynyrd and a lot of protest stuff. The music that we grew up with and love is such a mish-mash that I don’t think we could put all of our vast influences into one album. But we don’t have the desire to either. We just make what’s exciting to us at the moment. apparent in your music.

You’ve toured with a lot of bands whose sound is Who have

just as difficult to categorize as your own.

been some of your favorite bands to tour with?

Touring with TV on the Radio was almost like family because you’ve got five guys who grew up on different types of music and have made three completely different records. So that was one of the most amazing, fun and memorable tours we’ve ever done and we’re still very good friends with them. They’re a band you could never pigeonhole, so it’s taken them a good 7-8 years to [receive the] recognition they deserve. So I guess we got on really well for that fact. Muse likes their riffs, but then they like their almost operatic kind of stuff, so it was fun touring with them as well. What I love about touring with bands that don’t have a specific audience is that it reminds me why I do music. Music is not there to create

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American audiences seem to be more used to larger-than-life performers who give a lot onstage. British audiences got so used to four guys onstage kind of getting the show over with that when we came about, I think they were like, ‘Oh my God!’ They didn’t even realize we were English for a while. In the last few years, people have been wanting to be entertained a little more and the acts that are selling a lot of records reflect that. So we’re being really well-received at the moment. When we first came out, people were so used to the Arctic Monkeys, Keane, Starsailor and all these sweet indie boys that I think they were like, ‘Wow!’ But American audiences tend to be a little more gung-ho and used to seeing an act get onstage and give it like it was their first and last performance. Be sure to check out the Noisettes when they come to your city. For more info, go to www.noisettes.net. J

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entertainment

Jaspects

from

jazz to

J’Adore writer Sia Tiambi Barnes talks about the fusion of hip-hop and jazz, and brings uswith her to see one of the most burgeoning groups, the Jaspects, take it to the next level words By: Sia Tiambi Barnes

I pictured below: jaspects

n 1987, 70 years after the first noted Jazz music recording ("Livery Stable Blues" by Original Dixieland Jass Band), the U.S. House of Representatives and Senate passed a bill defining jazz as "a rare and valuable national treasure to which we should devote our attention, support, and resources to make certain it is preserved, understood and promulgated." That same year, a hip-hop duo named Gang Starr (originally Keithy E. and DJ 1, 2 B-Down) introduced their penchant for fusing jazz with rap on a vinyl with an A-side track called "Believe Dat!" Since then, Gang Starr (Guru/Keithy E. and DJ Premier) has helped pioneer a whole genre of jazz-preservation known as jazz rap. On their debut LP, No More Mr. Nice Guy (1989), Gang Starr sampled jazz icons including pianist Ramsey Lewis and saxophonist Charlie Parker. In 1993, Guru released the first in his five-volume Jazzmatazz series featuring his lyrical prowess and live musicians. Discussing the initial idea for Jazzmatazz, Guru recalled, “I said, well let’s take it to the next level. Let’s actually get the jazz cats who we sampled and get them to come to the studio and jam over hip-hop beats,” Now, as both genres – individually and fused together–continue to evolve, they are inspiring live stage shows never seen before. The dynamic, eccentric, Atlanta-based band, the Jaspects, confirms this. Read on about their story.

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Their music is exploratory, rhythmic, adventurous and multi-dimensional, escaping the

confines of being labeled solely one genre, yet jazz serves as the root. - Sia Tiambi Barnes, music journalist It’s an uncharacteristically warm summer’s night in the nation’s capital because, so far, the transition from the spring has included mostly torrential rains. But tonight, there’s a break in the stormy weather and inside Liv nightclub (situated on a street that runs perpendicular to the famed U Street Corridor), the Jaspects, a six-piece band of 20-something African-American men, is commanding the stage. They are dressed in shirts and vests prominent in polka dots and stripes, slightly sagging skinny jeans and Converse sneakers. Alto saxophonist/MC Stagolee has on a leather “A” cap confidently representing their Atlanta residence and a couple gold fronts. They are dancing choreographed steps – spins, slides, the Humpty Hump – something like the O’ Jays, or New Edition, or Andre 3000, Kanye West, Fonzworth Bentley, or Sa Ra in that video for “Everybody”… Their presentation is an amalgamation of the black experience, from a song for Uncle Sam

(“Fallin’”) to an electro-rock love story (“Be Your Man”), to their call for selfdetermination: “You are not cool, if you are not free,” they chant hip-hopstyle over a jazz swing. “We tend to infuse in our music our personal struggles and so there is a depth of realness of human-felt emotion that is pretty much undeniable,” says Dewayne Dugger, tenor saxophonist/vocalist. “You can see how you can translate our financial woes and our family breakdowns through music.” The topics of resources and love are universal, as are the divinity and demons of man that are revealed in the almost 400-year journey of African Americans. It is no wonder the soundtrack of this story is coveted worldwide. Haunting. Melodic. Honest. “You are not free/if you cannot see/ the polkadotted stripes,” Jaspects continue chanting. Pianist/vocalist/music director T. Brown notes sheet music “is made up of dots and stripes.”

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Gang Starr

The Jaspects come from around the nation – Stagolee from Aniston, Alabama; Dugger from Queens, New York; T. Brown from Memphis, Tennessee; trumpeter James King from Stamford, Connecticut; bassist Jon-Christopher Sowells from Dallas, Texas; and drummer Henry Connerway III from Detroit, Michigan. They met at Morehouse College where mostly all of them were music majors and in the marching band. As individuals, they have traveled the world and performed on stellar tracks including, Mary J. Blige’s “Just Fine,” Carlos Santana’s “All That I Am” and Big Boi’s “Kryptonite.” Collectively, the Jaspects have toured the country, appearing on the bill with blues legend Francie Reed, jazz icon Herbie Hancock, funk god George Clinton, as well as Yolanda Adams, Dwele and Devin the Dude. They have won the “Future of Jazz” title at the Atlanta Jazz Festival twice and recorded four independent albums–In ‘House’ Sessions (2005),

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Broadcasting the Definition (2006), Double Consciousness (2007) and the recent Polkadotted Stripes. Their music is exploratory, rhythmic, adventurous and multi-dimensional, escaping the confines of being labeled solely one genre, yet jazz serves as the root. “The beauty of the music that is Jaspects,” explains Connerway, “is it crosses so many genre barriers, it breaks us out of so many boxes; people – wherever you go – like it.” Besides being featured on numerous television shows including CNN’s Black In America, the Jaspects continue to tour the U.S. and abroad to artistically express their love for jazz and beyond. Visit www.myspace.com/jaspects and jadoremag.com for more information. J

entertainment

e The

Karriem Riggins

Experience Yoshi’s, Oakland, California June 25, 2009.

Review by: Theresa Crushshon

The Karriem Riggins Experience conveys life in different dimensions–technically unusual, mathematical,

adventurous and just plain curious. With his drumsticks in hand, Riggins’ disciplined affair plays simple and sophisticated, never losing the spontaneity of his group, but like a true band leader, recognizes the role of the soloist. Riggins, a 34-year-old Detroit native, is one of

the most influential musicians regarding the fusion of hip-hop and jazz. If you are familiar with the rhythmic sound of Slum Village, J-Dilla and The Roots, you have heard his work. This stellar night at Oakland night spot Yoshi’s, his quartet boldly blends aesthetics and adds a New York DJ as an instrument, which opens up tonal, harmonic and rhythmic possibilities that proves music is limitless. Immediately launching the jazz set, DJ Dummy’s looping created infectious grooves of boom-bap. He played popular jazz tunes, infused the bells and the beat with samples of Michael Jackson’s melodies, J-Dilla and B.I.G. tunes intertwined with original lines by Riggins. As the audience looked on, heads were bopping and hands clapped to their unique rhythms. The Riggins Experience –Mulgrew Miller (piano), Warren Wolf (vibraphone), Joe Sanders (bass) and Riggins (drums)–was refreshingly edgy, individually and collectively. They ambitiously melded instrument virtuosity with Wolf providing exotic melodies and captivating timbres on the vibraphone, while Sanders paced himself on the bass so that we could savor its every sound. On an Alvin Wordsworth tune entitled “Protocosbo” and also on “Fabrika,” the collective honored jazz traditions and created cutting-edge variations which fueled open-ended discourse from the audience of music advocates following the performance. “Mixing the two genres was inevitable,” says jazz pianist Miller, who also performed on more traditional pieces with the quartet throughout the show. In a 1995 New York Times poll, Miller, who has contributed on more than 400 recordings as a leader and sideman, was voted the most in-demand pianist. Miller currently resides in Easton, Pennsylvania, where he serves as the Director of Jazz Studies at William Paterson University and happily boasts, “My class is like a jam session everyday.” In fact, on one of Miller’s original tunes, “The Eleventh Hour” (which he wrote in less than twenty minutes), he does just that–jams with his STYLING: Betrice Benbow unique style of stride piano playing. MAKE-UP: Tierra Burrell (Beige Riggins, who dress) plays and with richness, range and power, is an arresting stylist with

swing. His sound is light, controlled and contains an unwavering command of the beat. His father, Emmanuel Riggins, performed with legendary guitarist Grant Green and was a strong influence on his son. Shortly after graduating from high school, Karriem moved to New York at the age of 19 and immediately landed a drumming gig touring with legendary songwriter, composer and vocalist Betty Carter and her band, Jazz Ahead. His musical education continued to evolve when he joined legendary jazz bassist Ray Brown’s Trio and later bands headed by Miller and Diana Krall. His resume also includes collaborating with a star-studded line of musicians and artists such as Herbie Hancock, Madlib, Roy Hargrove, Hank Jones, Oscar Peterson, Milt Jackson, Ron Carter, Bobby Hutchinson, Kenny Burrell, Talib Kweli, Gary Bartz and Erykah Badu. To add, Riggins has toured with Kanye West, the aforementioned Common and The Roots, among others. After seeing them live, it is official: The Karriem Riggins Experience represents the stirrings of new jazz trends. Catch them is you can.

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Please visit www.karriemriggins.com for touring information and future projects. J

Clarence Hiley (Red dress) HAIR: Gena Sullivan

clothing: Charles Lynch (Beige dress); NOIRSOUL (Red dress) Jewelry - Divalee Designs, divaleedesigns.com Model courtesey of HD, The Agency

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entertainment

e Richgirl

Girls

The

We definitely want to bring singing back– the art of singing.

– Audra, Richgirl

Words By: Nina Hemphill Reeder

Next Door

How do new R&B girl groups

Electrik Red and Richgirl

match up with some of the all-time greats? Let's break down the elements.

Electrik Red

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Character

British sensation, the Spice Girls, took their personas to a new level and became better known for their nicknames Baby, Posh, Scary, Sporty and Ginger. Emphasizing their individual personalities and “girl power” slogan, this group capitalized off of cross-branding opportunities from a No. 1 movie to Pepsi commercials and even dolls that generated millions of dollars…or pounds. Since they are officially the best-selling girl group of all time topping 60 million albums sold worldwide (not to mention their brilliant marketing), let’s have fun and use them as the measuring stick for burgeoning groups Richgirl and Electrik Red.

Richgirl’s members: Brave, Seven, Lyndriette and Audra Loving the challenge, Richgirl came up with their Spice-like descriptions. Brave is best summed up for her edge and freespirit, so she would certainly be Feisty Spice according to the rest of the members; Seven, infamous as the little sister and troublemaker of the group, takes on the title of Drama

The Sound

Spice; Lyndriette, the youngest, yet has a no-nonsense maturity about her, is attributed Gangsta Spice; and Audra is given the trifecta of Sexy, Sultry and Smart Spice. “The Spice Girls were about vocals and imagery; each girl was able to be an individual,” says Audra of Richgirl. “It gave a little girl out there in the world to say ‘I want to be like Posh, I want to be like Baby Spice.’ They were all different. And the same goes with us.”

Electrik Red’s members: Binkie, Sarah, Naomi and Lesley Respecting the feats of the spice Girls, Electrik Red also had fun coming up with some names to describe each member of the quartet. Binkie, the group’s wild card, is given the nickname Spicy Spice while Sexy Spice goes to Lesley for her girlie ways. The girls joke that Sarah, a mother of one, is both a “MILF” and Party Spice because she’s always able to get things jumping. And the super enthusiastic, but equally sassy Naomi takes on the insignia of Energy Spice.

A Mentor

With the genius of Berry Gordy and the Motown producers and writers, The Supremes commanded the charts with 12 No. 1 singles. Additionally, TLC’s 50 millions in albums sales didn’t come without the direction of L.A. Reid and the LaFace crew. Oh, and who could deny Diddy of his dues for crafting the platinum-selling Danity Kane? Richgirl has in their corner Grammy Award-winning producer Rich Harrison, who is better know for producing Amerie’s “1 Thing,” Beyonce’s “Crazy in Love” and Destiny’s Child’s “Solider.” While trying to break into the industry, the girls met each other by either working together in the past or recording in the same studio, but it was Harrison who picked up the pieces and put them together to execute his grand scheme. “A lot of people tend to say that we were manufactured and we were not at all,” says Lyndriette of Richgirl, who is signed them to Harrison’s Richcraft label and Jive Records. “Rich Harrison was the one who put us all together. He knew Brave since she was 15; she was signed to him. He knew me since I was 15. He found Audra in a nationwide audition and he found Seven on Myspace.” Def Jam’s Electrik Red, who were all back-up dancers in the industry representing Toronto and New York, is under the wing of songwriter and producer Tricky Stewart, along with the multi-talented The-Dream. This dynamic duo is credited with penning and producing Rhianna’s “Umbrella,” Mary Carey’s “Touch My Body” and Mary J. Blidge’s “Just Fine.”

Electrik Red is definitely a little bit more edgy,a little bit more in your face. – Lesley, Electrik Red  j’adore

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Coming after the doo-wop groups and Motown R&B bands, Labelle created and captured a new niche for girl groups, blending powerful gospel-like vocals over rock and funk. Likewise, while the hip-hop and New Jack Swing rhythms dominated the airwaves in the early 90s, En Vogue took the girl group concept back to its roots with heavy harmonization and an old school style, helping them become one of the top all-time selling girl groups to date. Luckily for our ears, both Richgirl and Electrik Red come from performing arts backgrounds, which signify that they can actually blow. But their sounds sing two different tunes. Electrik Red channels Vanity 6 and TLC, recreating a sexy, urban pop feel, while Richgirl tackles everything from ballads to club chants, utilizing the abilities and dynamic vocal ranges of each woman. “Electrik Red is definitely a little bit more edgy, a little bit more in your face,” says Lesley about her group. In comparison, Richgirl’s Audra says, “We definitely want to bring singing back–the art of singing.”

A Signature

The Supremes introduced an ultra feminine look with elegant dresses, sultry moves and timeless sophistication, collectively becoming the template for years to come. Early in their career, Destiny’s Child was all about fun, over-the-top outfits and upbeat hood classics like “Bug A Boo,” “Bills, Bills, Bills” and “Bootylicious.” Richgirl’s currently untitled debut album is set to release this fall, but expect their calling to have an emphasis on solid vocals through a capella performances like their rendition of “Over the Rainbow.” Electrik Red’s album How To Be A Lady Vol. 1 is currently in stores now. The four started off as professional dancers, performing for Usher, Mariah Carey and Ciara, so expect to see them shine and light up the stage, showcasing their dancing skills, frankness and extreme sex appeal. Let’s keep an eye on Electrik Red and Richgirl and see if their careers will be added to the formula of what makes a girl band one of the all-time greatest. J

entertainment

breakup The Breakdown on the

D. Woods, formerly of Danity Kane, shares advice for the new girl groups on how to stay together. words By: Nina Hemphill

We’ve seen our favorite girl groups come and go, sometimes finishing their tunes on a very nasty note. Danity Kane just happened to be one of those collectives that met a bitter end. After nearly four years on top, the platinum-selling group parted ways, but despite the general stigma that girl bands can’t remain together, former member D. Woods says there is more to the lack of their longevity.

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“People look down upon girl groups if they choose to break up or part ways, but sometimes people need space from each other,” says Woods, whose real name is Wanita Woodgette. “Family members need space from each other. That is just my way of looking at it.” Discussing Danity Kane's disband, Woods and several other members found themselves launching separate projects. And, as seen by predecessors like Diana Ross of the Supremes and Beyoncé Knowles of Destiny’s Child, sometimes the end is just a result of a natural progression in new directions. Woods is currently working on new material for her solo album set to launch this fall. And with it, she says she has been able to grow in ways she couldn’t with Danity Going forward as a solo artist, D. Woods has currently formed Kane. the Girl's Club with Mika Means and her sister Shanell (above), a “I’ve been able to stretch solo artist and songwriter signed to Lil Wayne’s Young Money my wings out,” she says. “I label who is most noted for penning the single “Prom Queen.” wasn’t totally able to be myself on the previous two Danity Kane albums after being in a slot, having to hold things back and get permission to try. I was very much having to compromise who I am and what I do for the sake of the confines of the group.” Sometimes, the ability to grow artistically outside the group is another motive for the breakup. You could make the case for En Vogue’s Dawn Robinson, who, before reuniting with the group this year, joined the neo-soul genre with supergroup Lucy Pearl, comprised of Raphael Saadiq of Tony! Toni! Toné! and Ali Shaheed Muhammad of A Tribe Called Quest. Additionally, Woods says putting the right people in the mix is yet another helpful component for the long-term success of a group. Woods discloses, “My No.1 lesson–just doing that whole experience from MTV, to dealing with the record companies, to dealing with just the dynamics of the five people in the group–is really just having a really good team and foundation. Definitely putting the right people around you that see the vision, that is the first order of business.” Going forward as a solo artist, Woods says she couldn’t have assembled a better team of people including industry friend Mika Means and her own sister Shanell, a solo artist and songwriter signed to Lil Wayne’s Young Money label who is most noted for penning the single “Prom Queen.” Together, the three founded the Girls Club, a network of female artists and industry professionals who operate like a sorority, lending their services and skill sets to one another. But Woods says the key to achieving overall longevity in the industry–whether solo or in a group–is just staying happy. “People change,” she schools. “People’s desires and wants change. You can’t force someone’s dream on another person.” When asked to offer advice to the new girl groups on the scene like Richgirl and Electrik Red, Woods says, “If it makes sense to keep going, keep going. As long as everyone is happy and is being fulfilled in a group dynamic–that’s monetarily, that’s creatively, that’s personally and spiritually–then keep it going. If it is not and it is starting to become an unhealthy situation, then something does have to change. That is why I say nothing lasts forever, but you can make right now the best you can possibly make it.” J

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go dj!

entertainment

dj wonder: The Perfectionist words by: L. Raquel Peterson

Monotony isn’t an issue for this eclectic mixmaster. DJ Wonder has a longstanding love with hip-hop but plays everything, no matter the crowd. “I’ll spin rock, breaks, electro, house, hip-hop, reggae… all that,” he boasts, revealing that “the key is to sandwich obscure music with guaranteed bangers. I personally like playing Tunnel sets.” Despite his running list of accomplishments, Wonder asserts that even if longevity isn’t in the cards, he’s a hard worker whose been blessed. “I love radio, I love being in clubs and I love making beats. I don’t know how long this will last, but I’m happy with my life right now. [In this business], you need to work constantly but always take time to thank Jesus for everything you have.”

“I

’m a perfectionist. I used to take three hours to make a recorded 30-minute mix. Now I go live with no mistakes every day–live blends, scratch and all that.” Such a bold proclamation would be hard pressed to believe for most people, but not when it comes from DJ Wonder, whose been slicing up airwaves for over a decade and perfecting the art of turntables way before then. An only child who turned to music as an escape, Wonder made “pause tapes with random songs” around the age 8. At 11, he attended DJ classes at Del Tech, where he learned about setting up equipment, blending and, most importantly, he says, the art of scratching. “That’s all anybody wanted to do in the class anyway,” chuckles Wonder, adding that he recorded his first rap (over Shabba Ranks) there as well. Maintaining that his perfectionism, originality and ear for music has earned him a respectable name in the business, Wonder says he “incorporates original samples and can pick album cuts way before they become singles. I think that has helped me in my production career as well. I’m confident I can make a hit song for anybody.” Currently, the music aficionado wears many hats besides servicing several New York City venues and making beats. Wonder not only mixes it up live on Sirius’ Shade 45 show “Lip Service,” he also produces and mixes for “The Morning After” with co-host Angela Yee. Though it’s no secret that the music industry is oversaturated with politics and ego, Wonder expresses vehement irritation at the way it’s corrupted ethics. “DJs used to break songs and put out exclusive mixtapes with artists; [they’re] more selfish now, taking the music, remixing it, selling it on websites and touring the country playing the same routine.” In terms of radio, Wonder proclaims DJs need less control on the airwaves, especially as it affects listening stats. “Radio DJs need the opportunity to veer away from their playlist a little so people can get excited over songs they haven’t heard before. Even though we’re in the Internet age and nothing is really ‘exclusive’ anymore, most people actually still listen to the radio.” Acknowledging the stagnancy in urban music has led listeners to seek out variety, Wonder quips, “It’s funny how urban [stations] are losing to pop [stations]. Now you hear thugged-out mother*ckers playing house tracks now, but that’s how it was in ’92 when hip-house was big.”

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DJ Wonder can be found mixing it up live “anywhere with a great sound system and equipment that works! And if there’s a sound guy, then it’s awesome!” Visit J’Adore’s website, www. jadoremag.com, for his hilarious interview. J

Kay Slay: Hip Hop’s Don King words by: L. Raquel Peterson

obody airs drama like Keith Grayson. Known as DJ Kay Slay the Drama King, Grayson has worked the airwaves for years, channeling his raw street persona into a legitimate hustle while maintaining hard earned street credibility. Especially known for putting artists’ battles on air for the public, the Bronx, NY native was the first to spin “Ether,” Nas’ lethal battle track during his lyrical war with Jay-Z in 2001. As long as battles are kept on the mic instead of the streets, Grayson gives listeners all the raw material they can handle–with certain exceptions. Grayson doesn’t condone attacks against innocent bystanders (kids, women) or promises of real violence. He says,

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“When two [rappers] start talking about what they’re going to do to one another, it defeats the purpose of getting off the streets and getting into the entertainment world. [You] might as well stay on the streets with that mentality. You’ll make more money, but you’ll have to give that money to a lawyer to get you out of trouble.” Grayson is adamantly disturbed regarding the current state of the DJing industry. DJs don’t DJ anymore; instead of sticking with the true elements of spinning, they’ve resorted to Serato, a software system that emulates DJ scratching and mixing. (“Anyone can use Serato. I need to stick with the two turntables and the CD-J.”) Furthermore, instead of promoting new talent, they’re playing the same established artists and excessively stamping (yelling their name) over every record in an attempt to outshine the lyricists. “Little stamps are cool, but when you’re [stamping] all over the song or lyrics, that’s when it becomes annoying,” Grayson informs. What really aggravates Grayson is corporate control over music. “I’m sick and tired of white [executives] telling black people how to be black,” he breaks down. “Don’t tell me what hip-hop is–I was born into this! I stepped over dope fiends on the way to school, seen best friends get shot, played basketball, did graffiti, went to the jams in the park- that’s all part of our culture! They didn’t do none of that, so how the hell they get to step in and decide what’s hot and what’s not?!” One of Grayson’s most recent on-air “scandals” involves the appearance of none other than erotic sensation Cubana Lust. During her visit, the curvaceous entertainer was filmed showing her goods and giving Kay Slay an illicit wall dance, which spread throughout the Internet. People denounced the video, stating such behavior is “the reason” why urban models aren’t respected. Grayson defends Cubana, stating that her behavior is true to who she is. “Anyone who knows Cubana Lust knows she’s a dancer, just like a lot of other models who came in the game,” Grayson schools. “Please don’t tell me that’s the first time y’all seen her do that?! All she did was come on my show and do what she already did with clothes on. Superhead disrespected models’ reputations, not Cubana Lust.” In addition to radio, Grayson’s ongoing ventures include Straight Stuntin’, an entertainment publication featuring models and content targeted toward the hip-hop clientele, working A&R for various artists and, of course, his 2009 album More Than Just a DJ. The album’s first single, “You Heard of Us,” is a Steely Dansampled summer track featuring D-Block and Ray-J. Grayson’s also developing a show, but is tight-lipped on the details. “I don’t like talking about it until it happens, but it will be something interesting with me and women in the industry. I’m handling everything that comes my way, so you gotta look out for me.” Do not miss the uncensored, raw K-Slay interview online at www.jadoremag.com! J

DJ Folk: Long-Term Hustling words by: Mz. Limitless

J Folk has been in the music industry for 11 years now. In that time, he’s held various roles including everything from music retail, to interning at Grand Hustle and being an A&R for CTE, Jeezy’s Label. It is safe to say DJ Folk has dabbled in a little bit of everything. “I was a marketing rep intern for the Grand Hustle Mid-Atlantic Region: North/South Carolina, Maryland, DC,” he recalled. “I would go to the different stores like independent stores and Best Buy, and set up the POP’s and handout CD’s and posters at the shows, and all the promotional material like rubber bands. That was back in the Trap Muzik days when T.I. was doing “Rubberband Man,” so we would pass them out.” Constantly juggling responsibilities that also include managing talent and being an entrepreneur, DJ Folk breaks down his current and long-term goals in the music biz. J’A dore: What is an average day in the music business like for you? DJ Folk: Right now, it’s hectic since I did the mixtape with Young Jeezy’s Trappin’ Ain’t Dead. We go back probably five or six years. My old business manager worked at CTE. I already had a relationship over there so it fell into place. Then I manage these producers called The Olympics that just signed to Rick Ross’ Maybach Music. I’ve got the day-to-day business with my company/DJ crew The Cartel. I also have a retail CD store in the works. For the most part, I handle all of the behind-the-scenes business for The Cartel. For my producers, The Olympics, I’m a third party agent after they signed their deal with Ross, so I talk to A&R’s about what’s going on, what they are working on, whose budget is open, who needs this, what genre of music they’re working on so I can provide the necessary music they need… How is the music industry different for you now than when you first started grinding? In everything that you’re doing, there is evolving and changing and you never know where you’re going as far as the music industry is concerned. Everyone knows everything in the music industry is going so digital and so technical that in a matter of a few years you’re going to see CDs start to disappear from the stores. You’re gonna start seeing little download stations pop up. You just put your debit card or cash in it, plug your iPod in and download the music you want off of the music station. That’s what we’re implementing with our store. Within the next two months, we’ll have it where people can come in with their iPods and download what they want. You just have to evolve before everything changes so that you can maximize your revenue. The mixtape game was shook up when the RIAA went after DJ Drama and Don Cannon. How has the mixtape game been changed since that incident?

What it did was opened people’s eyes to what was really going on. Now you’ve got DJ’s cutting iTunes deals. I really think the mixtape and entire music industry is too wide open for everybody to get in it. Everybody says that it’s hard to get into the business. Anybody with the right technology right now can do it. What changes do you see DJ’s making to adjust for the changes going on in the music industry? I’ve been approached by like four different companies to do an iTunes deal with my mixtapes. Being a mixtape DJ, a lot of these guys are just looking for a quick buck. Some people are not really DJ’s– just hustlers. You don’t want your short-term decisions to harm your long-term prospects. J

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entertainment

e on the rise...

Big Doty

Reppin’ Gardena, California words By: L. Raquel Boone Image: Mark Sacro Grooming: Alex LaMarash

“We on the grind for the ’09, we gettin’ signed for the ’09!” That’s the motto for southern California’s Anthony “Big Doty” Blouin. The strong-minded, Gardena, California native first started composing music at the age of 11, but didn’t decide to take his talents any further until about four years ago. Inspired to take charge of his career, Big Doty organized his own record label, started hustling his mixtapes and currently performs three to four times per week, sometimes pulling down two shows a night. Doty’s current single, “Stunt How You Want,” is a hood-hop, laid back club banger that’s burning up the club circuit all over the West Coast and lighting a fire under Doty’s name. All the hard work is starting to pay off, but Doty isn’t slowing his roll. “I’m just full-time grindin’,” he chuckles confidently. Big Doty’s self-direction keeps him busy. He finances his career completely out of pocket and manages himself. “I book my own shows, burn and package my own mixtapes, pay for everything on my own, soak up the game on my own and work all my websites by myself,” he affirms. Big Doty’s name is an offshoot from Big Indoe Smoke, a nickname he was giving from smoking “hella weed” back in the day. “Plus, I had that chronic flow,” Doty quips. “As I got older the homies just started calling me ‘Doty’ for short, so I thought it was more marketable to go with ‘Big Doty’ versus ‘Big Indoe Smoke!’” Regarding his sound, Big Doty considers it West Coast all the way. “My sound is real West Coast: authentic, aggressive, lyrical, gangsta and still smooth. I got songs for the ladies. I call my sound ‘Dumbfound’ and the style is ‘Sporty Locs’—fly but still gangsta!” he explains confidently. “I’m original. I’m not trying to be something I’m not. My music is real hardcore—that block-hop. I’m putting the city of Gardena, California on the map.” Musically, Doty’s influences are namely Left Coast artists Ice Cube, Snoop Dogg, Tupac, Eazy-E, and the East’s track

slaughterers Jay-Z and 50 Cent, but admittedly, he has no mentors. “Snoop Dogg is probably the only entertainer who told me, ‘You’re doing the right thing. Just keep doing what you’re doing and stay in [the public’s] face.’ On the business side, however, Doty recognizes moguls such as Diddy, Michael Jordan, Tyler Perry, Michael Jackson, Russell Simmons, Dame Dash, Baby and previously named artists Jay, 50 and Snoop. Doty’s sound system is arguably loyal toward Cali artists as well. “I’m basically listening to all new West Coast artists like myself. I bump Mac Lucci, The Hustle Boyz, DPG, Glasses Malone, Dubb Union, Young Hootie, Disko, The Game, Keak Da Sneak, Bishop Lamont, Taje’, DVS1…all of them. And I love a lot of R&B and oldies music,” he lists. He’d love to work with all of them as well. “I just want to keep making good music. I don’t care who it’s with!” Currently on the move to secure his path as an artist and businessman, Doty’s not looking for any easy favors, but is holding out for the ideal situation.”I’m not signed to any major or independent labels right now. I’ve received some offers, but not the right ones. I’m pretty much just looking for the right deal that will let me retain creative control of my sound,” he explains. Those looking to find more of Big Doty can catch him online at www.myspace.com/1bigdoty and ‘tweet’ him at www.twitter.com/ bigdoty. J

Brian Blade (Drums) & Christopher Thomas (Bass) of Brian Blade and the Fellowship Band @ Newport Jazz Festival 2008 (photo by Jean Hangarter)

A Must See.

If we asked Khalil Gibran’s prophet, “What about jazz?” he’d likely respond with the documentary, “Icons Among Us: jazz in the present tense.” This four-part episodic venture into the history of the modern jazz movement features the greats that breathe the air we breathe and are inspired by the lives we currently lead. Robert Glasper. Terence Blanchard. Esperanza Spalding. It is potent with guidance founded in jazz’s improvisational characteristic: “Truth is now,” and revelations founded in jazz’s power: the “quiet revolution” of African- and European-Americans working together. Developed from over seven years of interviews with 75 jazz artists and 25 hours of performance footage, this HD gem is a diamond in the rough world of a declining commercial music industry. For viewing information and release dates, visit www.iconsamongus.com. - Sia Tiambi Barnes

Did you know? pop music Words by: Jasana Alleyne

Here are eight fun facts about some of our favorite pop stars we bet you didn’t know! Did you know… 1) Rihanna is the first female artist from Barbados to win a Grammy award? 2) Madonna’s full name is Madonna Louise Veronica Ciccone? 3) LeAnn Rimes’ hot single “How do I Live” lasted 69 weeks in the 100 top Billboard in 1996-1997? 4) Lady Gaga is one of twenty people in the world to gain early admission into New York University’s prestigious Tisch School of the Arts? 5) Britney Spears auctioned off her jewelry and other personal items to raise money for the victims of Katrina? 6) Katy Perry has revealed that her song “I Kissed A Girl” is about her childhood friend? 7) Pink’s dog’s name is F*cker? 8) Eminem’s album Relapse has had the biggest debut of 2009?

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s â&#x20AC;&#x2122; n a e c

: 7

So Much Swag Stacked with so much talent that collectively has sold millions of records, supergroup Ocean’s 7 is set to take over the music game. words By: Dennis Malcolm Byron

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features

Georgia’s capital earned its “Hotlanta” moniker for its weather, vivacious atmosphere and abundance of some of the world’s most influential movers and shakers in the entertainment industry. The posh Highland Cigar Co. in

the budding district of Inman Park authenticated the latter description, as the most talked-about supergroup of 2009 prepares for a J’Adore Magazine photo session. The swagger that emulates the illustrious Rat Pack, otherwise known cinematically as the Ocean’s 11 of yesteryear that included Las Vegas kings of entertainment Frank Sinatra, Sammy Davis Jr., Dean Martin, Joey Bishop and Peter Lawford. This Rat Pack of 2009 is decked out in vintage,

motto is swagger.

Their

tailored suits who playfully pose for world famous photographer Derek Blanks while producing clouds of smoke from premium cigars and wetting their palates with top-shelf cognac. Justly titled Ocean’s 7– this stellar collective includes phenomenal producer Brian Michael Cox, smooth vocalist Trey Songz, talented songwriter Johntá Austin, burgeoning business hustler Tyrone Davis and the originator of the crew who needs no introduction, gifted music mogul Jermaine Dupri. The multi-platinum St. Louis lyricist Nelly, absent from the photo shoot due to an unshakeable commitment in Miami, adds the hip-hop muscle to this R&B all-star team. Their musical collaboration on the most productive form of promotion in recent years, a mixtape, offers well-balanced verses and tightly produced tracks that forces listeners to nod their heads and admit that, yes, they are the real deal. To add, the mission is accomplished: it’s making serious noise in the industry and serves as the perfect leverage tool for Ocean 7’s negotiation with several major labels.

images BY: Derek Blanks Grooming: Tierra Burrell  Styling: Betrice Benbow  Location: Highland Cigar Company  Tailor: Carl Bowen Tuxedos- Savvi Formalwear, www.besavvi.com | Shoes- Tagotti Shoes/www.tagottishoes.com | Hats- J's Hats | Accessories-Savvi Formalwear,Carl Bowen

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The inspiration from the original Ocean’s 11 was not formulated by an A&R rep sitting these stars down and conducting a brainstorming session on what the most marketable gimmick would be. Eerily, Ocean’s 7 was virtually living the life of the original Rat Pack, blazing the streets of Sin City during the down time of their joint effort to create Usher’s upcoming album. It was seemingly their destiny. “The Ocean's 7 started as five in Vegas while working on Usher's new album,” Johntá explained. “In looking back, Usher is truly the force that brought it all together. While we were in Vegas, we would go out every night in tuxes and party after work. It was really refreshing to party like rock stars and dress like gentlemen. From there, Trey felt like it was a nice fit with the image and style of the gang. The final touch was Nelly, who rounded us off with a hiphop touch.”

dupri (jd)  j’adore

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johntá

Usher, who was an original member of Ocean’s 7, recently parted ways to further commit to his highly anticipated release, which the remaining group members understood. Not missing a beat, the group enlisted Dupri's personal assistant and self-described funny man, Tyrone Davis, who was also in Vegas experiencing the Ocean’s comradery. Like a solid alibi everyone in a caper followed, he reflected, "We were out there for little over a month working on Usher's album–myself, JD, Usher, Brian Cox and Johntá. Every day, we were in the studio recording and then going out, hitting the clubs and hitting dinner; every time we stepped out, all of us had a suit on for the night, embracing the nightlife and the Vegas atmosphere. All of a sudden, we came up with this crew, put a little name on it called the Ocean's 7–kind of a lil’ play off the movie Ocean’s 11." Demonstrating his well-received humor fused with sincerity,

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trey

he added, "I'm kinda like an extra man in the crew adding to the style and swag factor. That’s pretty much it. I'm kind of the quiet man. They'll ask, 'What does he do again?’” The veteran leader of the pack, Dupri aka JD, was always blessed with the touch of the fabled King Midas–to the tenth degree. Practically everything he had his hands on turned platinum when working with some of the most successful singers and rappers in music history including Mariah Carey, Janet Jackson and of course, Usher. He also has the knack of discovering, developing and blowing up talent like Kriss Kross, Bow Wow and Da Brat, hence, when he realized the potential for Ocean’s 7 stardom, it was a no-brainer. “When I said ‘Ocean’s,’ everybody was with it pronto, because we were all very familiar with Sinatra and the boys,” he said regarding the conception of the supergroup’s name. “Plus, the [Vegas] backdrop was screaming for it.”

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c Running down the roster of the founding members’ alter-egos, Dupri listed, “The Ocean’s men– InTynational [Davis], J Sinatra [Austin], the Texas Ranger [Cox] and I–were all working with Usher in Vegas so those pieces just fell into place. Then Johntá said he felt Trey should be added. We all talked about it and we added him. Nelly is with me all the time so he had to be in. It's an executed concept and all the music was inspired by the Ocean’s 11, 12 and 13.” Trey Songz, who fittingly adds “007-11” to the end of his name and flawlessly laces the mixtape with his seasoned vocals, gave a play-by-play of his role with the group. “I am smooth, easygoing and relatable, laid back, yet assertive. I bring a youthful exuberance with an aura of my own that contrasts, yet fits with my fellow members.” The Ocean’s 7’s uncensored black and white video for their mixtape banger “So Much Swag” is heavily downloaded on the Internet and exhibits the group’s cohesiveness, artistry, admiration for jaw-dropping women and overall mission to have fun in everything they do. Guest star Bow Wow’s sinister, spit-fire

brian cox

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tyrone verse perfectly complements the Ocean’s silky crooning, fast-tempo braggadocio rhymes and ingenious production of Grammy Awardcollectors Dupri and Cox. And yes, like the original Rat Pack, J’Adore’s stylist made sure Ocean’s 7 was flawlessly suited and booted with three-piece suits, glimmering black shoes and tastefully complementing fashion accessories to seal the deal. During the photo shoot, hi-tech cell phones were buzzing, numerous celebrities stopped by to show love and fans outside anxiously awaited the Ocean’s 7 departure. Even though the meticulous attention to wardrobe and camera angles directed by Blanks kept the afternoon in business mode, the anticipation of a successful venture shared between all of the members maintained a positive, jocular atmosphere the entire session. Juggling the demands for poses, answering calls of support from hi-profile friends including industry mogul Diddy and updating his Global14.com website with highlights from this experience, Dupri was multi-tasking as usual. Taking a breather, he caught a glimpse of his fellow Ocean’s 7 affiliates playfully debating who looked better and revealed his patented grin. The legendary producer concluded, “Ocean’s 7 sessions are like being at a party. I don't feel like you really want to be a star if you don't have an ego. So for us, the swag level will be even higher.” To download your free Ocean’s 7 mixtape, go to www.global14.com. Also, visit www. jadoremag.com for exclusive interviews with Ocean’s 7 members. J

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stevie wonder Smiling for 60 Years J’Adore talks with music icon Stevie Wonder after one of his greatest and dangerous performances in recent years. words By: Cherry Bañez

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he stage in Atlanta, Georgia’s Philips Arena hosted one of the greatest singers and entertainers in music history. Nonstop, soul icon Stevie Wonder was jamming on the piano performing unforgettable classics from his seemingly countless catalogue including “My Cherie Amour,” “Hey Love,” “Superstition” and “Living For the City,” when suddenly, he stood on top of his piano bench, unassisted. Even with the state-of-the-art sound system blasting his ageless compositions, you could hear the crowd gasp. Without warning or a guide, Wonder jumped off the piano bench and then, without missing a beat, completed “Do I Do” leading to a standing ovation. For a heart-stopping second, the thought of this blind music genius falling and hurting himself scared thousands in the audience, but according to his closest family and

friends, that’s just Stevie being Stevie. After the show, daughter Aisha, who is touring as one of her dad’s background singers, admitted, “Everyone gets nervous.” Stevie’s brother, Milton, seemed unfazed by the antics by concurring nonchalantly, “Sure, there are uncertainties.” Hearing the comments, Stevie beamed with that patented smile and then rebutted, “They just can’t do anything about it!” When Wonder is feeling it and decides to jump off his piano’s bench, this is completely unrehearsed. But then again, who has the audacity to tell one of the greatest musicians in the planet what he can’t do? Long-time Wonder backup singer Keith John, who stands nearby during performances, elaborated on the risky act. “It’s not a good thing that we never rehearse it, but he feels confident in it and he knows I’m there,” he said. “I don’t know if I can catch him sometimes, though. He’ll stumble and I’ll help to stabilize him…that’s part of his spontaneity, so he doesn’t rehearse that. One night in Baltimore, he had gotten on top of his piano! I was so nervous because I knew he wasn’t going to

jump from there, but I had to get him to sit back down so I can scoot him off to where the keys were.” After such energetic shows and non-stop performing globally, Wonder was asked how he relaxes when the time is available. The majority would think his leisure activities would be limited due to his lifelong visionimpairment, but not Stevie. He said, kiddingly, “I get drunk, you know! I do normal things that you do when you have two young kids. Music is still my relaxation, but I like other things like movies, skating–I love to go skating–I like riding a bike…stuff like that.” Sensing the disbelief and shock from his statement, wonder reemphasized, “It’s true! That’s what I do! Do you think I’m kidding? Seriously, I do those things!” Wonder, now 60, enjoys the antics to compliment his jaw-dropping artistry, but still admits that his decision to go on tour again and be on the road for months at a time can be arduous for musicians-but not arduous enough to stop him from appreciating his fans. After a second visit to Georgia’s capital, he did another phenomenal two-hour performance of

"I have very few lows in life." —Stevie Wonder

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signature hits (including some songs laced with Auto-Tune and others with Hindu influences) at the Verizon Amphitheatre. According to Wonder, performing is deeper than simply money. “Like I’ve said on stage, [touring] is really me thanking everyone for their support that they’ve given me throughout my career. It made it possible for me to give my mother (Lula) a better life than she maybe would have had. It’s my way of saying ‘thank you.’” The beloved, revered icon Wonder gave his assessment of his successful career spanning 50 years of making music and how he manages to stay in good spirits despite the harsh realities of the music industry. For instance, while he continues to sell out arenas, many of Wonder’s famous peers from the Motown days are either struggling or performing at small venues hosting only their most dedicated followers. He humbly realizes this and finds himself blessed. Between the challenges professionally and personally, Wonder acknowledged that he maintains a positive attitude no matter what the circumstance is. “Well, I have very few lows in life,” he explained. “Actually, I don’t see them as lows partly because I don’t get hung up on I know this is going to do this, I know that’s going to do that. I just have faith. You know, you’d like certain things to be a certain way, but I just don’t get hung up; it’s just the way things are. I just don’t see them as highs or lows; I just see them as blessings.” Unlike most blind or visuallyimpaired, Wonder has never used a guide dog or the white cane to navigate his journeys. Hence, jumping on top of his piano or walking towards the front of the stage unassisted is nothing new for him. After six historic and eventful decades on earth, he still shows no signs of slowing down and his love for his fans remains solid. In fact, Wonder spent almost another two hours backstage of his latest show in Alpharetta, Georgia, playing the piano and taking photos with his band members’ families, a few lucky devotees and friends until 2:00 a.m. Smiling, of course. J

features

auto-

tune

Is it finally tuning out? words By: Angela Mayrie For B.Wurds

n a time of mass reality television, the Biggest Loser has to put in some serious sweat equity to achieve the final product–a fit and healthy human being. Contestants on Dancing With the Stars exhibit true coordination, timing and fluid movement. American Idols are made from the stellar natural singing abilities of the contestants. These kinds of shows make dreams realities.

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Cher’s 1998 hit, “Believe,” has been credited as being the first top 10 hit to use Auto-Tune. However, before “Believe,” countless R&B, and hip-hop artists used a mechanism called the Vocoder to distort their voices to make what many consider “classic” hits. To date, the masses often confuse the Vocoder sound with that of Auto-Tune. Zapp & Roger Troutman are the most well-known artists to use the Vocoder. The late, great Troutman single-handedly propelled mainstream using the vocal enhancer with such hits as “Computer Love,” “I Wanna Be Your Man” and “More Bounce to the Ounce” throughout the 80s. Music producer Teddy Riley was heavily influenced by the Zapp front man and often used a similar sound on Guy albums. Unfortunately, this form of competitiveness is no Originally developed for telecommunication applications in the 1930’s, the Vocoder is an analysis/synlonger prevalent in the music industry. Largely due to the economic instability and overall struggles, raw talent thesis system mostly used for speech in which the input is passed through a multiband filter and applied to corresponding filters in the synthesizer. Since then, some of the world’s greatest artists from various has taken a backseat to engineered talent and overall marketability. Faheem “T-Pain” Najm (who is actually an genres have discovered its sound revolutionary in music creation, using the Vocorder on hit songs, including Stevie Wonder (“Send above-par crooner) refers to the music industry as “the One Your Love”), the circus” where he has managed to turn his composiGerman synthpop band, tions into number one hits time and time again using Kraftwerk (“Trans-Europe the popular Auto-Tune software. Since then, others have Express”) and keyboardquickly followed suit, copied Mr. Pain’s formula for sucist Herbie Hancock cess and continue to be criticized for not proving their during the jazz fusion independence on this electronic vocal enhancer. period leading into the Auto-Tune is a proprietary audio processor cre80s (“Rockit”). To add, ated by Antares Audio Technologies that uses a phase Midnight Star, Madonna, vocoder to correct pitch in vocal and instrumental Prince, DeVante Swing performances. While primarily used to disguise inacof the group Jodeci, and curacies and mistakes, it can also be utilized as an even rap legend Tupac effect to deliberately distort the human voice. Since its Shakur tossed it up and inception in 1996, Auto-Tune has become standard showed “California Love” equipment in professional recording studios. with Troutman using the Recording engineers use Auto-Tune to save vocals for Vocoder. everyone in various music genres from Britney Spears Troutman, George to Faith Hill to Janet Jackson. Kanye West, a long-time Clinton, Teddy Riley fan of Auto-Tune, used it exclusively on his 808’s and and even the celebrated Heartbreak album; at the same time, he ditched its “Godfather of Hip-Hop,” use entirely on Jay-Z’s upcoming album due out in Afrika Bambatta on September, whose first single is appropriately titled “Planet Rock” used the “D.O.A. (Death of Auto-Tune).” This well-received song Vocoder to enhance their takes aim at the clichéd state of rap while also calling countless hits. However, for a cease-and-desist to all artists using the voiceduring their heydays, this manipulating device. Auto-Tune-like device was Among other monikers, Auto-Tune has been called not used as a crutch for the Photoshop for human vocals. Auto-Tune doesn’t less than stellar vocals, make it possible for just anyone to sing like a pro, but but more as a ‘styling’ used as its creator intended, it can transform wavermechanism to further ing performances info something technically flawless. season tracks that could have been classics without them. These artists did not depend on the Vocoder to sell records; their stand-alone talent is what made their music marketable and ultimately classics. Today, the same cannot be said for the wave of Auto-Tune abusers who appear to be gun-shy when asked to perform without artificial enhancement. With so many aspects of life, moderation is key and music advocates throughout the world would certainly appreciate a balance between exhibiting raw and technologically enhanced talent. Sooner or later, like everything else, things will eventually return to the basics. Or will they? J

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Jeremih: it's your 'birthday' words By: Laura Turner

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remember it like it was yesterday. I was minding J’Adore business and tweeting when all of a sudden, everyone hit me up about this song. Ladies were going crazy, exclaiming, “Oh my gosh, girl, that is my song! I need me some birthday sex every day, not just my birthday!” So of course I had to venture on an Internet journey to find this song that generated so much buzz titled “Birthday Sex.” Once I found the song, it was imperative that I knew as much as possible about the artist responsible for so much commotion. His name was Jeremih. Since that day of extensive research, J’Adore was able to catch up with Def Jam/Island artist Jeremih during his whirlwind of a publicity tour. Although his debut single may suggest he spending his time mastering the woman’s sexuality–especially during her birthday–Jeremih emphasizes just how focused and determined he really is. To simply define this native of Chicago, Jeremih could be classified as a poet turned rapper and then singer, but according to him, Jeremih has always been a musician. In an exclusive interview, Mr. J was more than happy to elaborate on his artistic evolution and how he plans to wide this wave of stardom.

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J’A dore: A s a new artist, what myths about the music industry are you finding to be true?

Jeremih: Well, I see why they call it the ‘game’ now. Especially as an artist to stay in and out of the game, you’ve got to be a great player. It’s all about consistency. As for myths, it is a cold, cut-throat industry. When you have a lot of people around you, you have to really surround yourself with great people and a great team; otherwise, you will get swallowed in the many myths which are true. There are people who don’t have your best interests in mind. There are a lot of rumors I’ve heard that I’ve already seen that possibly could have been true if I had of taken the wrong path. Where does the inspiration for your music come from? It can be from a lot of different things. It can be from a personal experience. Sometimes I just write a song based off of my emotions from that day. When it comes to coming up with the track first, I write off of whatever the beat gives me. My inspiration comes from a lot of different things. My album is all about emotions and feelings. You are a writer, singer and producer who can play any instrument, including you self-taught drums, piano and saxophone. Which role do you feel expresses the true personality of who you are?

My musicianship! Being a producer! That’s what I am first, a musician. Producing just came about because I had so many beats and I was continually playing the keys. It’s different now though, playing on stage in front of an audience. It all stems from me being a musician first. I know you began working on your Music Business Degree at Columbia College Chicago. A re you still working towards your degree while pursuing your music? My career has taken off in my last semester of school. People are now catching on to Jeremih after ‘Birthday Sex’ came out, so they are pretty much getting to know me. It would be more than difficult right now to try to continue on with my educational studies, especially with this being my last semester. A lot of things I was taking [in school] I’m dealing with now such as publishing, the financial aspects. It’s never too late and I’ve come too far. I just need to wait until I have free time. What’s A ny plans to write for others as well? Actually, before I completed my first album, we had records I essentially wrote for myself. Then I was told about people building their credibility as a writer by writing for others and then becoming an artist. I was blessed to be able to come out as an artist while writing for other people and doing it all at the same time. Will we be seeing you on any television shows or movies any time soon? As a matter of fact, I have a role on One Life to Live that airs in August with Lionel Richie. It is crazy to be on the set and actually get to meet a legend such as Mr. Richie.

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it like to be on the Young

Money Tour

headed by

Lil Wayne

right now?

I’ve only done one show thus far and it’s kind of crazy. To be on a tour with Wayne, Drake, Soulja Boy and Young Jeezy, it’s been great, but I’m trying to blend in. I am opening the show and I may get to see 2 or 3,000 in the crowd, but I feel like sooner or later they will push me back farther in the bill thanks to the response. What is your truest aspiration in life? Essentially just music! Visit www.jeremihmusic.com for more information on Jeremih. J

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wale D.C.’s most prolific rapper focuses on his Attention: Deficit.

words By: Pharoh Martin

It's Tuesday, July 14th. Wale Folarin is sitting in with the Roots on Late Night with Jimmy Fallon. He's scheduled to perform with Daniel Merriweather later on his single "Changes." Fallon wraps up another routine monolog with a joke about Larry King's wife before introducing a young rapper that most in his audience has yet to know. "I just do it for D.C., that's where I'm from...I'm kinda like the first real rapper. Well, not the first real rapper, but like the first rapper rapper that can be on Jimmy Fallon rapper," Wale rambles off during an entertaining exchange with the host about Merriweather's national origin. Fallon shakes his head in confusion.

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images by: Jon Dragonette, courtesy of Interscope Records

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Wale (pronounced WAH-lay) sometimes can come off as a cocky son-of-a-biscuit, but he knows what he's doing.

“What!?!” “I’m stroking your ego so I can do my record next time,” Wale recovers while hyping the crowd in hopes that the applause would grant him a date on next week’s show. “[Interscope Records CEO] Jimmy Iovine is gonna call you in a minute. So let’s set that up.” He’s brash. All Fallon can do is laugh it off. “That’s not how it works on our show.” Wale (pronounced WAH-lay) sometimes can come off as a cocky son-of-a-biscuit, but he knows what he’s doing. His assuredness has carried him from the nation’s capital, where he is his city’s most prolific rapper ever, into hip-hop’s most impenetrable social circles where he mingled and came out with co-signs from music’s blue-bloods who are betting the farm and a lawn chair on the rookie. Wale knows the industry has been good to him. In addition to being lucky enough to be co-managed by Jay-Z’s Roc Nation and being signed to Mark Ronson and Jimmy Iovine at Allido/ Interscope, the “Chillin” emcee has also already nabbed a couple of national magazine covers, two videos directed by Chris Robinson, Lady Gaga on his first single, a remix with Lil Wayne, a feature on a Roots single and vouches from everybody else...all before solidifying an album drop date. Pressure? “Absolutely none at all,” the rapping sneaker aficionado responds. “I just feel like I gotta make the best. The younger guys are not making bodies of work no more. No one is trying to make a Thriller, a Reasonable Doubt, a 400 Degrees or Ready to Die or All Eyes On Me. People are chasing, trying to sell iTunes. I’m looking for the accolades, the Grammies, and the critical acclaim, more so than the money. I mean, obviously, the money is great, but I’m trying to make a body of work that will stand the test of time.”

So would he put his upcoming debut album Attention: Deficit up against those widely accepted musical classics? “Absolutely,” Wale says without hesitating. “It’s a honest perspective–it’s not forced and it’s not trying. It’s okay to be imperfect and I embrace the things I’m not perfect about. I might spaz out on Twitter. I’m not above that. I may holla at a girl who’s not interested. You know what I mean?” For most artists, dropping the first album is like the countdown to fatherhood. They are never ready. Most classics are made here and so is the standard that will follow them for the rest of their careers. But in this bottom line-driven circus of commerce, critical acclaim alone doesn’t do it anymore. Wale is still feeling his way around. He’s hoping for more mainstream momentum leading into his September 22nd release, but his Lady Gaga-assisted first single “Chillin” isn’t providing as much stick as his team would have hoped. He’s following up with a single called “Pretty Girls” that better channels his hometown’s vibe. At the end of the day, Wale says he’s not worried about numbers, though. “You’ll never really be ready for it,” Wale says about his debut album, which he describes being “everywhere.” “We have to do the best that we can do to get the most attention for the record. It’s never one of those situations where I feel like I’m not ready or ‘it’s not there yet.’ We are never supposed to be satisfied with the attention we got–unless everybody in the whole entire world knew about me and my album, but that’s never going to happen.” For now, all Wale has is the build-up he makes before his first big impression–his debut album that drops 24 hours after his birthday. Oh yeah, and his mixtapes. And shows. Along with his highly lauded promotional CDs like his A Mixtape About Nothing follow-up, Back to the Future, “Mr. Never Wear The Same Thang” has been piling on the stamps in his passport with an endless summer of international and domestic show dates. Sometimes, Wale’s go-go band UCB tags along and helps the rapper give one of the best live shows this side of ?uestlove. “I take UCB where I can afford to take them at this point, even if that means not making nothing at a date,” Wale says. “Because I just think it’s about the music more so than the money. I’m big on art. It’s a lot of energy, it’s a little bit of go-go and a lot of funk in the show. And that makes me stand out.” For more Wale heat, visit www.walemusic.com and www.myspace.com/wale. J

bun b:still on the grind

features

Even with the passing of his partner Pimp C, Bun B confirms that the legacy of UGK lives on.

words By: L. Raquel Peterson

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It’s a chilly, overcast day in NYC. Bernard Freeman, musically known as Bun B, sits somewhat reserved and contemplative at a conference table, staring out a window down Madison Avenue.

It’s been a long day; Bun’s been working non-stop to promote UGK 4 Life, the concluding volume of the legendary duo’s musical legacy. Featuring appearances by Raheem DeVaughn, Ron Isley, Too Short, Snoop Dogg, E40 and 8Ball & MJG, the album is a final farewell to the fans and Pimp C (Chad Butler), the other half of the dynamic group who passed away in December of 2007 due to respiratory depression. The void will always be there, but Bun B dutifully maintains. The Pimp and the Bun

Sure, it comes with the territory. With Pimp C’s absence in actively producing the album, speculators question whether or not the upcoming album would deviate from UGK’s solid, tried-and-true formula: bass-heavy tracks, Big Texan attitude, and the love of money, broads and life in the South. Rest assured, the sound is surprisingly consistent. Taking serious responsibility to keep UGK’s brand stable, Bun B avoided sappy tributes, useless attempts for mainstream appeal and unsavory guest appearances. “This is not a tribute album; this is a UGK album,” Bun pointedly declares. “Every song on this album features me and Pimp. It’s a fully collaborative effort. It was very important for me to maintain the core integrity and sound of the group. UGK is a constant in my life, as well as in the listeners’ lives. By sticking to the script hard, [UGK]’s able to continue connecting to the fans and touching them with our message.” Describing the production process as therapeutic for the UGK team, Bun B admits while it wasn’t always sad in the studio, “it was weird at times. Everybody loved him. Everybody that knew him and met him held a special place for him in their heart. It’s not easy to fill that space in your heart when you’ve lost someone like him.” Additionally, Bun’s taken the reigns to release a final solo album from Pimp C titled The Naked Soul of Sweet James Jones (2009). Explaining that Butler had been on the grind in the studio prior to his passing, Bun had a wealth of material to assemble a solid posthumous project for the fans. The release will serve as a sequel to C’s first solo album, Sweet James Jones Stories (2005).

Still on the grind

Bun remains mum on any further details of C’s release, but has expressed plans for special tours in key cities as part of his final tribute to his lifelong friend and partner in rhyme. In an exclusive interview with MTV News, Bun revealed that while he’d love to hit every city possible, it wouldn’t be “feasible,” therefore, the tour would be held in the top five core markets of UGK fans. Admittedly handling the project with “kid gloves,” Bun plans for the experience to be interactive, featuring local artists at each venue to fill in and perform different songs.

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Another effort Bun has in development is brand expansion. Following his recent acquisition of UGK’s trademarks, Bun plans to involve UGK’s brand in several business ventures, including fashion. Expressing a key love for fgear – especially as a huge sneaker head, Bun promises the line will boast respectable styles at affordable prices. His reasoning is noble and precise: “A lot of UGK fans come from very humble beginnings and live humble lives. They don’t have a gang of money to keep buying stuff. Anything with the UGK brand will be fly and fresh, but still affordable so as not to disrespect our fans.”

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Having taken the time to respectably celebrate the legacy of UGK, Bun is now in the studio preparing for his next solo album, Trill O.G. While the formula for UGK has remained consistent, Bun B informs that his sound evolves naturally with each release. “Bun B the individual grows, changes and evolves with time,” he clarifies. “If it’s a Bun B thing, it’s a Bun B thing. You don’t just get UGK because you get Bun B. It’s not that simple. My evolution as a solo artist and partner moving forward is ever-evolving, so my sound will evolve consistently.” Although Bun B is now flying solo in the physical form, the spirit of the UGK will forever be his co-pilot. J Be sure to visit jadoremag.com for the exclusive interview with Bun B, where he discusses the legacy of UGK, smoking formaldehyde and throwing bricks.

features

f words by: Laura Turner

r o n b r ow z :

w o n 'k

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arlem native Rondell Turner aka Ron Browz was destined to shine in the music business. His resume speaks for itself. Under the tutelage of one of the greatest MCs ever,

Big L, Browz got his foot in the door in a big way by producing a quartet of songs for the late master lyricist including the classic banger “Ebonics” on his posthumous album, The Big Picture, in 2000. Persevering after the untimely death of his legendary mentor, Browz took his lessons and flipped them into a blueprint for success. He’s produced tracks for industry heavy hitters such as Ludacris, Busta Rhymes and DMX, but he will go down in history for creating the classic track “Ether” for Nas–the lethal response to Jay Z’s “Takeover” that eventually earned Browz the nickname Etherboy. To date, Browz has successfully embraced the autotune trend and starred on club bangers like Busta’s “Arab Money” and his hit single “Pop Champagne” with fellow Harlem rep Jim Jones. Visualizing a road paved of gold, Browz’s solo album Etherboy (Universal) and overall knowledge of the do’s and don’ts in the industry will certainly keep the momentum going. Although his career began with a bang, the 23-year-old Browz admits he was still in the dark about the business side of things; luckily, one of the greatest rappers to hold the mic set him straight. “I didn’t know anything about publishing or needing a lawyer,” Browz recalls. “I didn’t know about producer fees, how much you’re supposed to get paid or anything like that.” Big L took Browz under his wing and schooled him on how to make it in the music industry until his untimely passing in 1999. Since then, Browz will be the first to tell any new producer looking to make it in this business that they need to have a lawyer and they need to understand how publishing works. “Publishing is very important. That’s what pays you for the rest of your life. While you hear your song on the radio, someone else could be getting your publishing money if you don’t know or you’re not taught about publishing.” We are currently in a musical age where what we hear on the radio is driven by heavy bass and danceinducing beats. When asked about how he develops his tracks, Ron informs, “For me, you have to really pay attention to what’s going on a n d pay attention to what the girls like. Let’s face it: guys go to the club for the girls, so you’ve got to be able to cater to them more than to the guys. You’ve got to have the girls in mind when you’re producing. The

time has changed from back in the days.” To complete the formula, he adds, “You’ve also got to have a catchy chorus that will make everybody want to sing along.” Speaking of changing times, labels were more focused on the complete album, whereas today it’s about having that one hot single. The era of waiting for the full CD to come out is seemingly over. Now, millions of music enthusiasts are downloading exactly what they want to hear in a time of instant gratification. Browz admits that the technological advances of the Internet have hurt the industry in album sales, but there are still other ways money can be made. With the explosion of the music downloads, text messaging and ringtones, a new media market has been created and artists are now able to make money selling their music via alternative profitable avenues. Browz confirms, “New artists are emerging from different markets thanks to the Internet. The ringtone deals are great. I feel great when I’m walking down the street and I hear one of my songs coming out of somebody’s phone. It’s a beautiful thing. Some people may look at it in a bad way, but it helps you creatively. It makes you come up with that catchy song to make people want to play it on their phone.” He continues, “For example, before I released ‘Jumping Out the Window,’ it was leaked on the Internet and people had it on their phones; I looked at it as promotion. However, people downloading your songs–or your songs getting leaked–is what has caused the industry to be unbalanced as far as album sales goes.” Besides cyberspace, Browz adds, “You can still make a lot of money on the road doing endorsements if you’ve got the right song, so I still feel the music industry is still very lucrative.”

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The music video has also changed gears in this new age. Once touted as an artist’s main form of promotion besides touring, the music video is yesteryear’s prime method of marketing. Gone are the days of the big-budget, multi-million dollar mini movies like Diddy’s Bad Boy “Victory” premiere back in 2004. A half decade later, that’s not the case. “Today, there aren’t enough outlets to have these big budget videos,” Browz explains. “Back then, we had Music Box, Rap City and Yo! MTV Raps. We had all these different outlets to watch videos, but now they’re pulling the music video programs off TV and everything is now online. For me personally, I loved the big movie videos, but people rarely watch TV now. So artists have to stop and think, ‘Why should I do this big budget video if it’s only going to be seen online, and if it is shown on television, you might not get to see the whole thing?’” It all equates to just the sign of the times and artists have to adjust. Building a steady fan base after delivering megahits, Ron Browz will continue to ride the waves of new advancements in the music industry to maximize the success of his Etherboy project and beyond. To aspiring artists, Ron Browz’s blueprint for success includes: 1) Educate yourself on the trends of the industry. 2) Make sure you obtain proper legal counsel. 3) Understand what it means to own your own publishing. 4) When you get ready to produce your own music, be certain it’s what the people want to hear. 5) When it comes down to producing that music video, keep it simple. Less is more in this new digital age. As far as getting your music to the masses online, protect yourself. We all know how easy it is for your work to get leaked and downloaded with no profits going back to your wallet. The game has changed and there’s a new play book to learn from. The revolution may not be televised, but you will surely find it on the Internet. J

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fashion haute fashion

A stride with vibe

Being “hip” never looked so good especially while strutting the streets donning these pieces that are slightly reminiscent of the early 80’s when hip-hop and R&B were starting to hit their stride and eventually influencing youngsters all over the world. Rihanna, John Legend, and Fergie are all undeniably trendsetters in the fashion world. The energy of this collection has a certain level of edginess coupled with a chic quotient. What’s old is in again, but still seasoned with a modernized interpretation to bridge the times. When going for a well-balanced look that reflects your tastes and influences, it’s always a good idea to splurge on accessories. In this case, the Alexander McQueen “peep-toe” stilettos with the awesome skull zipper pull detail engraved with the designer’s moniker are definitely worth the plunge and help seal the deal with this ensemble. A splash of color is also mandatory to allow your look to truly inhibit the genre coupled with the coral zip-up jacket certainly delivers. The wet look leggings are sexy and fun with a daring element, and the high-waist feature will ensure that most body types will be comfortable rocking it. And the large star necklace has a chunky, but classy aura to it that will compliment your outfit rather than take away from it. No worries, there is also a men’s section in the fashion department. The Cassette T-shirt from DSquared is a definite must-have for any guy who is musically inclined and wants the world to know it. Coupled with the army cargo shorts courtesy of John Varvatos and the black chukka boots from Opening Ceremony, he is now ready to hit the recording studio or sign that record deal. Now that you are geared up, stride with vibe!

Get Into the Groove

For the ladies, get into the groove when you embrace your inner funk and all things Madonna and Blondie. Strutting to the top requires a certain amount of swagger and this collection will guarantee you will get there. The black, full swing skirt consisting of slightly wrinkled fabric resembling silk and a three-inch waistband from LaRok will captivate eyes and spark a sexy entrance complete with a flowing breeze. There is nothing like “A Little Respect” according to the pop anthem by Erasure, and you are sure to garner some when you pair your flirty skirt with the cream colored draped crop vest from the one and only Topshop straight from the U.K. “Walk Like An Egyptian” or at least mimic one by dazzling your purple ruffle socked feet as you slip them into the ultra-chic black stilettos from BCBGirls. The zipper front detail is to die for! And you certainly won’t need to ask anyone what time it is when you complete your look rocking the Spright Watch from Juicy Couture. This multi-colored accessory implements a light-hearted essence to your outfit, but make no mistake about it, this is some serious wrist candy! Remember, there always has to be an element of playfulness and unpredictability to successfully incorporate your musical preferences into your wardrobe, so take it all the way because like Cyndi L says, “Girls Just Wanna Have Fun!”

how-to

Set Your Style To The Beat

words By: Ezinne Ukoha Music can be a great motivator for achieving your own style. From eccentric hip-hop to something jazzy and refined, it’s hard to resist the urge to allow our favorite tunes work their way into our wardrobe. The artists that bring these beats to life also serve the inevitable roles of being fashion trendsetters. Here are some examples of looks that are inspired by some of the most popular music genres of the modern era.

Watch this

words By: Robert J. Mair

Watch advocate Robert J. Mair tells you “what time it is” in the advertising world, discusses Ralph Lauren’s bold defiance of the recession, and gives Michael Jackson and his “Remember the Time” hit a tribute. What Time Is It? It’s usually 10:10 in the world of advertising. How would you like to impress your friends that are not savvy in the world of watch advertising? You might even want to make a few bucks by betting that you can guess the time in the first watch ad they find in a magazine. The truth of the matter is that 97 percent of the time, the watch hands will be set to 10:10. The reason for this is quite simple. The brand and logo of a watch are usually in the top center area of the face. By photographing the watch at 10:10, the advertiser is focusing your attention on the brand and logo. After all, it wouldn’t be too cool to have the watch hands dissecting the Rolex logo at 12:00. The other reason is psychological. Hands facing upward give a happy positive appearance while hands facing downward would portray the opposite. Recession? Ralph Lauren launches a new luxury watch line despite tight economic times. Those with deep pockets, especially who are involved in the music industry, should be happy with this update since flashy timepieces are always favorites to flaunt. Iconic fashion designer Ralph Lauren has decided to enter the watch and jewelry business with the initial release of three watch collections: The Stirrup Collection, The Sporting Collection and The Slim Classique Collection. While it is not unusual for a fashion designer to enter this market, the turbulent state of the economy makes one question the timeliness of a luxury watch line launch. I would imagine that based on Lauren’s success, there is still a market who can afford these wrist companions and, of course, he is thinking long term. The “Stirrup Collection” is the most unique of the three featuring a stirrup-shaped case that’s offered in 18-carat white or rose gold, or the limited edition platinum. This collection generally ranges from $12,000 to $53,000 for the model with pave diamonds. The “Sporting Collection” is available in gold or stainless steel and features prominent screws on the front and roman numerals, similar to the features of the Cartier Santos I reviewed in J’Adore’s “Sex & Rock N’ Roll Issue.” The three pieces in this collection consist of the “Chronograph” and the “World Time” featuring movements by Jaeger Le-Coultre and the “Classic” utilizing an IWC movement. The “Steel Sporting Chronograph” with stainless band can be obtained for a mere $9,300. The “Slim Classique Collection” has earned its moniker with a thickness of only 5.35 mm, however, the diameter is a

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prominent 42mm. Available in gold or platinum only, the rich formal look of this collection is definitely for dress occasions only. Recognizing the need for experience at the helm of such a rich undertaking, Lauren has Guy Chatillon, former International Director of the renowned luxury watch giant Piaget, as the CEO of the new Ralph Lauren Watch and Jewelry Co. Initially available at Polo flagship stores, the line should eventually be offered by select independent retailers. For more information see www.ralphlaurenwatches.com. ‘Do you remember the time?’ - Michael “The King of Pop” Jackson Even with the passing of The King of Pop, Michael Jackson’s music will be eternal. To honor the music legend, let’s take the song “Remember the Time” and go back to the day Swatch hit the scene in the early 80’s. Well, if you think they were a thing of the past, wake up! In fact, they are larger than ever! Do you remember those original clear, plastic watches Swatch came out with went on sale in 1983? This popular entry level-priced watch was able to recapture much of the market lost to the Japanese timepiece in the 60’s and 70’s. With an affordable price and proven quality, the original Swatch became the most successful wristwatch of all time. But since then, a lot of people thought that Swatch was a one-hit number since that style reached its peak. No way! The Swatch Group is now the largest watch company in the world and has acquired many luxury brands in recent years such as Omega, Rado and Hamilton. In the 1980’s Swatch was prominent in Hip-Hop fashion due to its style innovation including interchangeable faces and bands along with a variety of color never seen in the watch world. Today, Swatch continues to push the edge with more than a dozen types of watches from the metal bodied “Irony Series” to the Internet connected “Paparazzi Series.” Evidently, the Swatch Group has proven that a company can remain successful if able to adapt to the “times.” Until next time… J above Left: top three watches: Ralph Lauren Sporting Collection; fourth watch: Slim Classique Collection; Above top: Swatch; Above bottom: j'adore shouts out flavor flav, the ultimate timekeeper of hip-hop

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haute fashion

man canvas

 JEWELRY BY aakofii THE JEWELRY DESIGNER www.aakofii.com  PHOTOGRAPHY BY LARETTA HOUSTON www.larettahouston.com  MAKEUP ARTIST MaraZ

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haute fashion

Martin Ksohoh: Seeing ‘Red’

Words By Mz. Limitless

If you don’t know the name Martin Ksohoh, his product speaks for itself, featured in such songs as “Don’t

Know ‘Bout That” by Bow Wow, Shawty Lo’s “$100,000,” “Pain” by Sheek Louch and a host of others. Red Monkey Jeans, now known as RMC Jeans, are a hot commodity amongst hip-hop artists, athletes and high rollers worldwide. The artistic style that is woven within every detail is the epitome of the Japanese art culture. Martin Yat Ming aka Martin Ksohoh has gone through a lot to ensure he brings style enthusiasts the highest quality fashions from his RMC Jeans line and took some time to tell J’Adore readers about it.

How much of an impact did your childhood have on your inspirations to build RMC Jeans by Martin Ksohoh to what it is today? This is the first time anyone has asked me this question. During my childhood, I always visited my grandma with my mother. Near my grandma’s house was a workshop which embroidered traditional Chinese wedding dresses. The artificer was skillfully using needle and thread to create the pattern stitch by stitch. Words cannot express how impressive and gorgeous this artwork was and at this time, I realized these were not ordinary dresses. They would be worn at an important event or a special occasion to enhance and make this occasion very special. That scene remained in my mind and thoughts during my childhood.

1) I need unlimited fiery fervor and strength. (Sun + Oriental + Strength) 2) Maintain creative and new, modern-thinking logos. Improve the skill and technique search for evolution on production. To find change based on unchanged basic. 3) Do not adhere to conventionality. Transform the form from immaterial to material. 4) Not antic, but which can express noble, strength, gorgeous technique and represent remarkable feeling. You have gone to great lengths to show consumers how to spot the real and RMC Jean products. Has counterfeit products been such an issue for the

the fake

Did you always know that you wanted to be in the fashion industry? No I did not. When I was young, I just did what I liked to do. I worked in a different field until I was 21 because I had to earn a living. So this was my first venture into the fashion industry. What was the inspiration behind establishing this name for your brand? The inspiration behind Red Monkey Company is it can express my expectations and strengths. My thoughts were to be logical and philosophical and gave me comfort to follow these elements:

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company that you felt it necessary to create a video for consumers to be able to discern the real from the fake?

Counterfeit products have been an issue for the company and we felt it necessary for consumers to be aware of how to spot the differences between the genuine RMC and the counterfeit products, especially as our products are so unique to other denim brands. Also, to give consumers extra confidence, all official appointed carriers and stores are listed on the official website: www.rmcjeans.co.uk/real.php. If a store is not listed on there, they are selling fakes.

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In 2005, the brand name was Red Monkey Company. It changed after 2005 to RMC by Martin Ksohoh. What is the significance behind the name changes? This is a serious and delicate issue. When I first created the Red Monkey Company, I didn’t think the rest of the world would appreciate, like and support the brand. I since have the long-standing support of many remarkable artists, musicians, sportsmen and popular idols of which I am both glad and honored. It came to our attention that another brand with a very similar name already existed in the market so to avoid any confusion or misunderstanding, RMC Martin Ksohoh was created incorporating my forename and Red Monkey Company. The name Ksohoh was used because the name Yat Ming was already in use on my other brand “Yoropiko.” Yoropiko was created as I had decided to stop selling RMC Martin Ksohoh to our ex-USA agents and to reconstruct the USA market. As litigation takes time, this decision was taken as our USA agents Premium Lines LLC did not fulfill the full terms and conditions of the agreement and did not pay the full fees according to the contract. We soon learned that the USA agents were selling unauthorized, unapproved RMC Martin Ksohoh products in the USA market to generate faster money. These products were not my designs and were of bad quality and not to the standard of what I design and manufacture. Most

jean designers use a simplistic embroidery

design and technique on their products. ations, simply put, are ‘works of art.’

Your creWhat inspires

your creativity for the artwork you turn into a pair of RMC jeans?

The main source of inspiration is Japanese cultural heritage projected as works of art with splendid and exquisite design and production rich in oriental colors. Our brand prides itself on exploring techniques and producing limited editions in order to requite the supporters of RMC Martin Ksohoh.

Was the decision to add a warranty to the purchase of your products done with the intent to further add quality to the already premium product you offer?

The warranty we offer goes a step further in giving confidence to our customers. Our products are made to a high standard and quality, but we will honor the warranty should it be needed. We believe that this will reassure the customer, when purchasing, of our confidence in our products. This warranty is also a good way to preclude the counterfeit RMC jeans, as they all have unique laser serial ID numbers Being a native of Hong Kong and then eventually moving to Japan, what is it about the Japanese culture that is so inspirational and fascinating to you?

I have been in Japan for over twenty years. I became interested in Japanese history and culture when I first stayed in Japan. I now spend at least half of my time there. The Japanese and Chinese culture is inspirational to me because they have retained and maintained so much of the history, culture and traditions to present day. I have seen the Suka Jean Collection and the 2009 Golden Year Collection. Can you break down for us the different collections coming out for 2009 and what we can expect from them that will make them unique to the industry this year?

Good to know that your attention has focused on our 2009 Suka and the 2009 Golden Year collections. The Suka collection is from the vintage series. This collection uses Japanese characters as the foundation for creating the design. I hope my fans like it. The Golden Year collection is using different kimono metallic thread to create the embroidery. The first pairs of these jeans were produced by us in 2000 and the name ‘Golden Year’ originates from here. What are the differences between the RMC Jean and Yoropiko Jean lines?

The differences are the focus for RMC is on exquisite embroidery and the wave pattern as a foundation. Yoropiko uses specially designed metal buttons plated in gold and silver finish and different techniques. For example: wash, embroidery and irregular production. Totally taking you a different direction, what is playing in M artin K sohoh’s iPod?

I don’t have an iPod. Does anyone have a spare one for me? I hope so! Check out RMC Jeans and the rest of their collections at www.rmcjeans.co.uk. J

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opticnerve

Kirk Kelley  Kirk kelley Leopard lycra 1 sleeve mini dress: $175.00  leopard & suede gloves $ 100.00 Macys deparment store

Kirk Kelly  Kirk Kelly plaid high coller Jacket $325.00 Charles Lynch vinyl lace up belt with Swarovski crystals. Kirk Kelly lime green Lime Green Satin Cargo Shorts: $75.00.

Karina Satyra  Leather and Satin, Chiffon gore Dress by Karina Satyra Couture $1,500.00

Kirk Kellyn Kirk Kelley Leather Jacket $1000.00 Brown corset leather belt $100.00 Silk Chiffon ruffle Skirt: $500  Shoes BCBG.

images by: Le'Ticia F., Wayne Grace II For The Hit Factory Photography studios http://www.dripbook.com/TheHitFactory

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Styled by: Le'Ticia F. Model: Janna Marie@ Runways The Talent Group Hair: Le'Ticia F. Makeup: Le'Ticia F for camera ready cosmetics http://www.camerareadycosmetics.com Asst wardrobe stylist: Nikki Asst wardrobe stylist: Kelli for KVJ Style Lighting asst: Deven Darby Lighting asst: Anthony Harris

top jeans by DKNY jeans by CK jeans belt by G Star

t-sh

jeans CK A ge by jeans G u i lded y b i rts

shirts by Acne jeans jeans by Diesel glasses by Top Shop belt by Diesel shoes by Calvin Klein collection

denim

haute fashion

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t-shirts by Guilded Age Over All (i don’t know what do i say) Energie

shirts by Rag & Bone jeans by Energie tie by Top Shop

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shirts by Energie jeans by Acne jeans belt by G Star

hat by Top Shop top by Guilded Age

both vest by DKNY jeans by Just Cavalli

shirts by G Star jeans by Rag & Bone

images by: Justin Hyte jacket by Rag & Bone jeans by CK jeans gloves by La Crasia

Styling: masaki kataoka www.masakikataoka.com Makeup: Beau M. Nelson for Beauté Cosmetics @ Artists By Timothy Priano Hair: Karmela Lozina @ John Sahag Model: Aaron Brückner @ Major Model Management Clothing By: image number

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magic hf

black images by: Steven Khan

www.stevenkhanphotography.com Makeup & Hair: Alex LaMarsh @ Artists Untied www.alexlamarsh.com Wardrobe: Danny O'Neil @ Artists Untied Model: Sha Granville @ Sirena Models

Left to right:  Black lace dress with tulle bustle by Youth Diaspora for Antiseptic Fashion; private collection, not for sale; www.antisepticfashion.com  Black Arabica sling back sandal by John Fluevog; www.johnfluevog.com  Grey pearl and chain choker by And-I; www.and-i.net  Oversize crucifix and chain necklace by Femme Metale; femmemetale.com  Black cross stones and crucifix necklace by KD Designs; Chic Little Devil; www.chiclittledevilstylehouse.com  Vintage black jet bead necklace; stylists own black rhinestone cocktail ring by Marc Jacobs; Chic Little Devil; www.chiclittledevilstylehouse.com

 Black halter baby doll dress with feathers by Sheri Bodell; www.sheribodell.com  Studded choker by Gasoline Glamour; www.gasolineglamour.com

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 Black leather Palomino vest by Skin.Graft; www.skingraftdesigns.com  Black leather garter bag by Skin.Graft; www.skingraftdesigns.com  Black panties by Calvin Klein; www.calvinklein.com  Multi strand pearl necklace with rhinestone broach by Ana Reign; www.anareign.com

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 Black gown with sheer sleeve by Grai; www.graiscale.com  White leather and canvas custom corset by Antiseptic Fashion; www.antisepticfashion.com  Black leather headband with baby devil horns (worn as a choker) by And-I; www.and-i.net

haute fashion

hf Left to right:  Black sheer blouse with cami by Lee Klabin; www.leeklabin.com  Headpiece with horns, chains and crystal drops by And-I; www. and-i.net  Chain necklace with crystal drop by And-I; www.and-i.net

 Custom one of a kind silver hand painted leather coat with tails by Skin.Graft; www.skingraftdesigns.com  Black Grand National cloven heel lace up boot by John Fluevog; www. johnfluevog.com

 Black leather jacket with 3/4 sleeve kimono wrap by Grai; www. graiscale.com  Black leather, silk, lace and poplin gown skirt with gold metal details by Skin.Graft; www.skingraftdesigns.com  Black platform boots by Shoes For The Stars; www.shoesforthestars.com  Black and clear lucite cameo, snake and cross necklaces by Candace Ang; Chic Little Devil; www.chiclittledevilstylehouse.com

 Grey barbell spine jacket by Grai; www.graiscale.com

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flawless v i c t o r y

words By Shawn Jackson

Soul Controllers

the world famous Electronic Entertainment Expo hosted at the L.A. Convention Center in California, has come and gone, but the soul still burns for new games. And even though there wasn’t a copious amount of “booth babes,” plenty of games to see and play kept attendees busy. The opening press conferences showcased a lot of newness including the highly anticipated Tatsunoko Vs Capcom coming to America (Yes!!!) and set our hearts aflutter with some good surprises including Project Natal and Metroid: Other M. (Whoa!) In this edition of Flawless Victory: Soul Controllers, J’Adore presents you with a list of exclusives for major game systems that we feel are noteworthy and rightfully worth anticipating. Oh yes, my thumbs will be in slings after these!

Wii: Tatsunoko Vs. Capcom Take almost every Capcom character from Chun-Li to Bomberman and pit them against nearly the entire Tatsunoko family tree of superheroes and supervillains. What do you have? A 3D mish-mash of epic proportions. Many new features and characters will be coming to the North American version so be on the lookout.

The Grinder

One part Tarantino flick/one part horror movie/one part first person shooter, The Grinder is Developer High Voltage Systems’ next FPS (first-person shooter) and it looks like a winner with even better graphics than the recently released The Conduit. Come on, a chance to take down vampires, werewolves and other assorted baddies? Sign me up!

Silent Hill: Shattered Memories Imagine going in to take a psych evaluation and reliving the events that brought you there. Envision a re-imagined Silent Hill game where nothing is the same, hence, creating a fresh new experience for you. Well consider that a reality come true in this mindblower from Konami. With great graphics and a new direction, you will know fear once more.

Gladiator A.D.

Is it true there will be a fighting game on the Wii with realistic graphics not based on something already out or a port? Yep, Gladiator A.D. is official and it comes courtesy of the folks at HVS. Gladiators fighting in the ring with blood gushing and flying? What more do you want?

Red Steel 2 This is the sequel to the original Red Steel, but don’t expect any tall buildings or Yakuza. Oh no, this is set in a Mad Max Beyond Thunderdome-type world combined with an Old West setting. Basically, you’re John Wayne with a Katana. The game controls very well with WiiMotionPlus and the graphics are top notch!

PS3: God of War III Can you contend with Kratos, the man who slays gods with his bare hands? In this third game of the series (and supposedly the last of Kratos’ adventures), we find our anti-hero still wielding the "chain blades"–two chains with swords at the ends representing Kratos' arms–hunting his betrayers. Utilizing brand new graphics and gameplay engine battling hordes of enemies onscreen, GoW III looks like it will keep its position on top of Olympus.

The Last Guardian Not much is known about this game from Team Ico, but from what the non-playable demo has exhibited, its graphical fidelity and imaginative art direction have yet to be seen on PS3. From the creators of Ico and Shadow of the Colossus, comes the story of a boy and a giant creature that leads to one heck of a game.

Final Fantasy XIV Unveiled as a surprise game during Sony’s PS3 press conference, Square-Enix’s new MMORPG (Massively Multi-player Online Role Playing Game) takes place on “Eorzea,” a mystical world with Chocobos and some slightly altered representations of the beasts and denizens from FFXI. At press time, Xbox 360 version has not been ruled out.

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MAG Billed as the largest console online-only FPS that supports up to 256 players at once, MAG (Massive Action Game), developed by Zipper interactive, looks to not only be a first, but possibly the most engaging online experience on the PS3! Set in the future in 2025, you’re a soldier in a Private Military Company fighting wars that don’t exist while going up against two other factions in the grandest game of its kind.

Xbox 360: Forza Motorsport 3

tidbits: Some more surprises during E3:

Even though there are barely any stories to tell in racing games, Forza has a lot to offer. With detailed damaging of a reported 400 cars, F-1 drag racing, career mode, rewind ability, an adjustable pick-up-and-play mechanic and great graphics, Forza looks like it will finally give Gran Turismo 5 a run for its money as the definitive next-gen racing game

Mass Effect 2 Even though there are barely any stories to tell in racing games, Forza has a lot to offer. With detailed damaging of a reported 400 cars, F-1 drag racing, career mode, rewind ability, an adjustable pick-up-and-play mechanic and great graphics, Forza looks like it will finally give Gran Turismo 5 a run for its money as the definitive next-gen racing game

Left 4 Dead 2 Five campaigns are what you get in this sequel to the original online four-player co-op game, Left 4 Dead. Although this game will be released in November, expect a lot of enhancements such as new play mechanics, zombies, weapons, characters and locales (from Savannah, GA to New Orleans, LA) before this one hits the shelves.

Metroid: Other M The new Metroid game will give more backstory on the titular protagonist of the series, Samus Aran, and is a joint venture between Nintendo and Team Ninja (of Dead or Alive and Ninja Gaiden fame). Project Natal Microsoft wows with a new camera controller that uses your motions to control the game. No wand or other peripheral is needed. Final Fantasy XIV Plain and simple, no one saw this coming!

Splinter Cell Conviction Sam Fisher is a changed man, and with that comes a radical change in gameplay. No longer centrally tied to the element of stealth, Splinter Cell welcomes and embraces hard-hitting action in the vein of the TV show 24. From the look of it, Conviction will leave you grasping for more. Filled with so much adventure and suspense, maybe Sam’s name should end in Bauer? Nah!

Halo: Reach The teaser trailer Microsoft and developer Bungie showed to E3 attendees exhibited the destruction of the human colony, Reach. This FPS will launch sometime in 2010 and those with Halo: ODST will gain access to the Halo: Reach beta.

Feel the Beat

Two new games also popped up at E3 that have a lot to do with the theme of this issue, Music. “And so without further adieu” (in my best Ed Sullivan voice), check out this duet:

Wii, PS3 and Xbox 360: The Beatles: Rock Band Instead of just issuing an update to the newest version of Rock Band, Electronic Arts (EA), alongside MTV Games, is developing the exhaustive catalogue of authentic Beatles music with new three-part vocal harmonies as central to gameplay (this is the Fab Four after all) and, of course, the ability to play the game with a mic, guitar, bass and/or drums. This is an experience no true rock & roll fan should miss.

Wii, PS3, Xbox 360: Def Jam Rapstar Make no mistake, this is not a quick cash-in game. Featuring songs by such lyricists as T.I., Notorious B.I.G., Flo-Rida and more (current and old school), Def Jam Rapstar looks like it just might take Karaoke to platinum status. With social networking as an integral part of the package, developer 4MM Games is livening it up with freestyle battles, recorded videos of yourself to email to others and even forming your own crews. One of the best parts is that the game’s song list isn’t limited to just the Def Jam label.

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Metal Gear Solid: Rising Coming to both the PS3 and Xbox 360, this new game centers around Raiden and Big Boss and will have gaming god Kojima-san heavily involved with its production.

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words by: Shawn Jackson and Robin McCool

To Boldly Go…Star Trek-style

his summer, one of the biggest blockbusters in theaters was the re-launching of Star Trek and the sounds of registers worldwide cha-chinging from millions of moviegoers interested in checking out the maiden voyage of the Starship Enterprise. Apart from the new look of the ship inside and out, one thing on the minds of patrons was, “Is any of this possible?” To answer that question, we at J’Adore began a trek on our own to find the answers by looking at Gene Roddenberry’s original television series. Needless to say, the results may just surprise you!

Communicator vs. Cell Phone

The classic communicator from the original Star Trek series (TOS) is shown in the opening moments of the film on-board the USS Kelvin, where James Kirk’s father, George, is first officer. Its design is eerily reminiscent to the flip-style cell phones of today. This is a shining example of Trek creator, Gene Roddenberry’s, belief that tech could not only get more advanced, but smaller as well. It’s called “foresight”!

LG GC900 Viewty Smart

LG is infamous (in a good way) for bringing out high-end devices that leave that good taste in your mouth, although it might hurt your wallet in the process. The “sequel” to the Viewty, brings in enhancements that sell the phone on just the feature set alone. With an 8 MP camera, 1.5 GB of on-board storage (complete with microSD expansion upwards of 32 GB), 7.2Mbps HSDPA, and WiFi, it’s a wonder that this is all compacted in just over a 12mm-thick apparatus. This is certainly one high-end phone that packs more bang for your buck.

PADD Vs Kindle and Zune HD

iThe PADD (Personal Access Display Device) from just about every series of Star Trek–from TOS to Enterprise–is something that has come to fruition in differing ways. It’s the ultimate portable computer with rich graphics and the ability to cull information at your fingertips from the ship’s own Intranet (or whatever they call it).

Zune HD

Kindle DX

Amazon (yes, that Amazon) released a portable e-book reader called the Kindle nearly two years ago and has now followed up with the Kindle DX, the third iteration of the device. Standing with a 9.7-inch electronic paper display, it can store up to 3,500 e-books that can be read with its built-in PDF reader, as well as personal documents that are legible in either PDF or Microsoft Word. If you wonder how you can get these e-books onto your Kindle, go to the Kindle Store hosts more than 275,000 books for you to download (the DX has 3.3 GB of storage), as well as digital versions of various national newspapers and magazines. Unlike a physical book or document, the DX also auto-rotates. It’s incredibly thin and can also be used to browse the Web with its built-in 3G wireless capability (no monthly plans or other fees required). Two other eyebrow-raising features of the DX include its text-to-speech technology (speak and the words are converted to text on-screen) and the ability to sync with the iPhone, other Kindles and a growing roster of devices in the future.

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Microsoft’s Zune has had an interesting journey since its launch three years ago and now stands poised to not only go head-to-head with the iPod Touch, but might be the apex in function and features as well. Rocking an Nvidia Tegra graphics processor, the new version of the Zune is capable of outputting High Definition video (720p) to HD capable devices via the HDMI Docking Station (sold separately). Though it is downscaled to 480x272, you can watch clear video on the Zune HD through the 3.3-inch OLED touch-screen, which has multi-touch capabilities as well. HD Radio is another new feature which you will have on the go–a robust feature that has three HD channels. This WiFi-enabled device also includes a full screen Internet browser with multi-touch functionality coupled with music streaming from the five-million-track Zune music store. Coming in 8-, 16-, and 32GB sizes, the Zune HD may just make the progressive Apple a little nervous.

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Tidbits:

LCARS Vs OSX and Windows

Biobed vs. PET/CT/MRI Scanners

henever you were gawking at the computer displays on the Enterprise, you may have wondered what kind of futuristic Operating System (OS) they were using. Called the LCARS (Library Computer Access and Retrieval System), it allowed Kirk and crew (and subsequently Captains Picard, Sisko and Janeway) to search and locate any information they needed from the computer. OS’ have come a long way since the TOS show in the 1960s, but, thanks in part to Roddenberry’s optimistic vision of the future, there are some serious advancements on the way!

Apple OSX 10.6 Snow Leopard

As one of the prime innovators in technology for consumer consumption, Apple has been at the forefront with constant updates to its OS line. Some of the changes include the Finder application tweaked to run faster, plus a visually enhanced QuickTime X with HTTP streaming and the ability to upload sharing sites such as YouTube and MobileMe–a smaller footprint than Leopard to allow faster installs and the addition of “Crash Resistance” to Safari 4. To add, all core applications (Finder, iChat, iCal, Mail, and Safari) run natively on 64-bit CPUs with 32-bit support. The Microsoft Exchange Server 2007 has built-in support, handwriting recognition ability via Apple trackpads, support for wireless Braille accessories and multi-touch gesture support for even older MacBooks. One of the major differences between Snow Leopard and past editions of Mac OSX is that this will be the first one that will only run on Intel CPU-powered Macs. For users who already have a Mac with OS X 10.5 Leopard, the upgrade to Snow Leopard is a mere twenty-nine bucks. Yes, $29!

Microsoft Windows 7

Microsoft unveiled Windows Vista to the world in 2007 and the response from consumers was less than favorable. The company hopes to rewrite the book on Operating Systems with the October 22nd launch of Windows 7. While not entirely different from the previous Vista, there are a number of improvements and omissions within 7. First off, do not expect to find the Windows Mail, Movie Maker, Photo Gallery or Calendar. Conversely, they will be available for free on Microsoft’s site as “Windows Live Essentials.” Some of the new features include recognition of new Solid State Drives, support for virtual hard disks, touch-screen and handwriting support, faster boot-up and shut down times, a new version of the Windows Media Center, improved usability on multi-core processors, a Heterogeneous Multi-adapter (for use of multiple heterogeneous graphics cards from different manufacturers) and a new task bar to name a few.

In Star Trek, the Biobed diagnoses and proposes treatments for patients in sickbay. Dr. McCoy would use the Biobed to diagnose illnesses, perform surgery on injured crewmembers and see the inner workings of the body to disclose the ailments. The modern version of the Biobed is the MRI, Magnetic Resonance Imaging, which uses magnetism (and a special dye in the bloodstream) to take a far more detailed look inside the body than an X-ray can. It uses a powerful magnetic field to align the nuclear magnetization of the hydrogen atoms in the body to create a clearer image of the body’s inner workings. TOS was obviously (and eerily) on to something, eh?

Hypospray Vs Jet Injectors

The Hypospray debut on ST: The Next Generation and was used again by Dr. McCoy in the recent blockbuster Star Trek film. Created in 1960, the jet injector “blasts” medicine through a small hole into the skin, creating a controlled and very fine, high pressure stream of medication which passes through the skin and into the tissue and blood canal. The syringe itself is needle-free and disposable, and the device is powered by a small disposable CO2 cartridge which can inject medicine up to 15 times per use.

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hugging the road: stay driven

words By: Shawn Jackson

Oftentimes we are bombarded with the argument of quality in comfort over the quantity of features in our vehicles. J’Adore says you can have both and not sacrifice one for the other. Analogous to music where you desire a club thumper that still features solid, substantial lyricism with meaning, an automobile should be able to boast

2010 Audi S5 Convertible As we all know, virtually every automobile company creates a new model of an existing one that will continue to hopefully electrify the masses. What Audi has done here with their S5 is made the convertible sweeter in the eye candy department. Not only does the soft-top roof fold into a small fraction of the trunk space (leaving an additional 11.3 cubic-ft available), but also opens and closes in under 20 seconds. Extra storage shouldn’t be a problem with its 60/40 split folding rear seats for those long road trips and major hauls. Powering this beautiful convertible is a newly developed supercharged 3-liter TFSI V6 engine which offers 333 hp and 324.53 lb-ft of torque. It’s also quite an accomplishment when you realize that this S5 is a luxury coupe that’s not strictly a speed demon, although you can go from 0-60 in only 5.6 seconds with a top speed of 155 mph. And with the crunching times for the dollar and fluctuation of fuel prices, this ‘whip’ is very impressive in fuel efficiency, coming in at 24.5 mpg. There’s plenty more, but we’re certain this should be enough to whet your appetite.

uber-cool features complimented by comfort, handling and ‘green’ advancements while Hugging the Road.

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2009 Audi Q7 Continuing with our Audi coverage, the Q7 has garnered the highest rating in the SmartGreen Index (a new category in the consumer sentiment index) for a midsized SUV with fuel efficiency peaking at 29.4 mpg. This seven-seat clean diesel SUV (two gasoline engines are also available: a 3.6-liter 280 hp with 266 lb-ft of torque and a 4.2-liter V8 350 hp with 325 lb-ft of torque) rocks a 3.0 V6 TDI engine with an ultra low emission system packs a normal sounding 221 hp, but really punches hard with 369 lb-ft of torque. Coming equipped with Audi’s Quattro All-Wheel drive and a 6-speed automatic transmission with manual shift control, expect to get some dirty mileage (re: mud play time) out of the Q7. Some of the features of this crossover SUV include active front headrests, Audi’s blind-spot warning system, optional lane assist, Audi’s MMI (Multi-Media Interface) with iPod dock, full-length side curtain airbags and front-seat side airbags. Optional packages round out the feature list and make this crossover one to seriously consider purchasing.

2010 Volkswagen GTI When many consumers think of Volkswagen, they will more than likely think of the talking VW Bug from their popular ad campaign. Enter the Volkswagen GTI. With its list of features, the public may take a serious gander and rethink their perception of the Volkswagen brand. Running on a 2.0-liter FSI turbocharged four-cylinder engine that employs a meaty 200 hp at 207 lb-ft of torque, it’s married to a standard six-speed transmission (with an optional six-speed DSG dual clutch transmission). This hot hatch’s styling has been further refined in comparison to years past while still retaining the more distinctive characteristics of a GTI. Look out for the 4-door version as well.

2010 Hyundai Genesis Coupe R-Spec The mushrooming Hyundai brand puts the petal to the metal with their new luxury coupe, the Genesis. Starting at just under $23,000, the R-Spec boasts a 2.0-liter low-pressure turbocharged intercooled 4-cylinder engine with dual continuously variable valve timing churning out 210 hp and an estimated 30 mpg, as well as a top speed of 137 mph with a six-speed close ratio manual transmission. Standard features include Electronic Stability Control with Traction Control, ABS, Electronic Brake-Force Distribution and Brake Assist, Remote Keyless Entry, airbags (front, side, and side air curtain), iPod/ USB/Aux jack connectivity, XM Satellite Radio, A/C, leatherwrapped steering wheel and Quick-ratio hydraulic steering. The 19-inch gunmetal-finish alloy wheels, Bridgestone Potenza RE050A tires and a Brembo® braking system rounds out this package. Those R-Spec badges are just the icing on the cake for this highly anticipated model.

2010 Lexus RX 350 Lexus’ relentless pursuit of perfection seems to be a never-ending quest. Even when it seems like they’ve reached automotive nirvana, they up the ante and outdo themselves. The RX 350 is a hybrid LUV (Luxury Utility Vehicle) that’s been redesigned with not only environmental consciousness in mind, but also provides a smooth, yet powerful transport. With the enhanced Lexus Hybrid Drive system, the 3.5-liter, V6 gas engine which is matched with an electrically controlled, sequential-shift six-speed transaxle that generates 295hp and 257 lb-ft of torque all while outputting 21 mpg for the FWD version (and 20 mpg for the AWD). To add, the RX comes standard with ten airbags (front, rear-seat side, full-length side curtain and dual front knee), 10-way power front seats, dual-zone automatic climate control, Bluetooth®, nine-speaker stereo and second-row seats recline. Optional features within the various packages include a hard drive-based 2010 Acura TSX V6 navigation system with real-time traffic (Navigation Package), The The Acura brand is alive and well, and thanks to continued innovation, it looks to be a side-monitoring system (Luxury Package) and Lexus’ Vehicle upping the ante in the automotive game. Sporting a 3.5-liter V6 engine with VTEC® valveDynamics Integrated Management System (Sports Package). The train control and dual-stage induction system, the TSX V6 runs with 280 hp and 254 lb-ft L People definitely went all out with this one. of torque at its disposal which is coupled with Acura’s Sequential SportShift automatic transmission; obviously, the engine performance is not a concern here. The 2010 model also boasts standard features such as leather seating, a power moonroof and a seven-speaker audio system with CD, AM/FM tuner, XM® Satellite Radio, Bluetooth® HandsFreeLink®, USB port, auxiliary jack and more. The optional Technology Package includes the Acuralink™ satellite navigation system with rear-view camera and the Acura/ELS premium audio system. Now that, plus the extensive roster of features, is music to anyone’s ears!

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Top 10 Power Rankings

2009 NFL words by: Dawn Alicia Montgomery

Are you ready for some football?!!! Yes! The highly anticipated 2009 NFL season is set for kickoff and J’Adore is here to quench the thirst of pigskin

fans worldwide still salivating from arguably the greatest NFL championship game ever played, Super Bowl XLIII. After a heart-stopping final 3:04, the Pittsburgh Steelers claimed their 6th Vince Lombardi Trophy with a drive for the ages that culminated with one of the greatest catches in Super Bowl history. Now the question for the 2009 is…Can the Steelers repeat? And most importantly, who will rise up to challenge them? J’Adore is front and center on the 50-yard line with our Top 10 NFL teams to watch during what’s sure to be an exciting 2009-2010 season. Ask yourself, will your team be lifting the Lombardi Trophy in Miami after Super Bowl XLIV? 1) New England Patriots

3) New York Giants

Tom “Terrific” Brady is back and he feels refreshed! This is bad news for teams that relished in New England’s 11-5 finish and non-playoff birth in 2008. Brady’s return immediately gives the Patriots Super Bowl contender status. Barring injury, look for more explosive plays from Brady and receivers Randy Moss, Wes Welker and new addition Joey Galloway. The Patriots obtained younger defensive players in the draft as well to assist an aging veteran crew. Guru Bill Belichick knows how to motivate men and befuddle opponents which should help to mask any weaknesses in the defense. The departure of former Offensive Coordinator Josh McDaniels who went on to coach Denver and stellar back-up Matt Cassell to Kansas City will be very interesting, especially if Brady is injured once again.

Hey New York, can Plaxico Burress be replaced? This is the #1 question on the minds of Giants fans entering the 2009 campaign. After Burress’ departure, New York lost four of their last five regular season games and was ousted in the divisional playoffs courtesy of Philadelphia. The threat of veteran WR Amani Toomer departing as an unrestricted free agent and the exodus of RB Derrick Ward does not help the offense. The running game should remain productive, however, with Brandon Jacobs and Ahmad Bradshaw. Defensively, the Giants are stout with the return of DE Osi Umenyiora, DE Justin Tuck and additions of veteran DT Rocky Bernard and DE Chris Canty who give the G-Men more depth. The defense should be downright scary, but will QB Eli Manning have enough down-the-field playmakers to boost the offense?

2) Pittsburgh Steelers

4) Philadelphia Eagles

The differences between the #1 and #2 teams on our ranking are tough to call because each squad is so complete. So, let’s just say we are pumping up the defending Super Bowl champs by placing an immediate chip on their shoulders at #2. All the championship pieces are still in place with fiery Head Coach Mike Tomlin, field general “Big Ben” Roethlisberger, RB Willie Parker, WR Hines Ward and Super Bowl hero Santonio Holmes. Plus, Dick LeBeau’s defense, without question, will once again be stellar with Defensive Player of the Year James Harrison, LB Lamar Woodley and S Troy Polamalu ready to fly some heads. The Steelers’ glaring weakness, its offensive line, should be more mature and solid with the confidence of knowing they can win a title, and the return of 08’ rookie Rashard Mendenhall from a shoulder injury should further boost the running game. The Steelers’ 29th ranked schedule is also a plus. Definitely look for the black and gold to make a serious run for Miami.

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Just when you count out Coach Andy Reid and QB Donovan McNabb, they turn around and make a Super Bowl run at you. Expectations are once again high for the Eagles who came within a half-quarter short of punching their ticket to Tampa last season. Keys to 2009-2010 will be how Philly handles the departures of game-changing personnel such as seven-time Pro Bowl S Brian Dawkins, T Trey Thomas, CB Lito Sheppard and TE L.J. Smith. The embellishments of Pro Bowl T Jason Peters and CB Ellis Hobbs should help to counter the losses, though. Offensively, the weapons remain in RB Brain Westbrook and WR Deshaun Jackson, and the new addition of speedy wideout Jeremy Macklin via the draft should pay dividends and make the Eagles highly explosive. Questions abound on defense, however, with Defensive Coordinator Jim Johnson out indefinitely fighting melanoma and the aforementioned loss of Dawkins.

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5) Atlanta Falcons

In 2008, Coach of the Year Mike Smith and Rookie of the Year QB Matt Ryan instantly won over Falcons fans who were still shocked from the unfortunate franchise demise in 2007 losing Michael Vick. With inspired performances from Ryan, scary RB’s in Michael Turner and Jerious Norwood, and a more confident receiving corps in Roddy White and Michael Jenkins, the Falcons shocked Atlanta and the world finishing 8-4 in the division and 11-5 for the season. They have set themselves up for a great encore with the addition of future Hall of Fame TE Tony Gonzalez and LB Mike Peterson. Questions will abound on defense following the departure of leaders Keith Brooking, Lawyer Milloy and notables such as Dominique Foxworth, Gray Jackson and Michael Boley. LB John Abraham is also rumored to be a bit disgruntled regarding his current contract. This will be an interesting team to watch.

6) Dallas Cowboys

Ok, the talent is there and media distractions such as Terrell Owens, Adam “Pacman” Jones and Jessica Simpson are now gone. So, for Head Coach Wade Phillips and underachieving playoff quarterback Tony Romo, there are no more excuses. One of the key questions will be whether or not WR Roy Williams can replace the production of T.O. and become a viable receiving threat. Will he meet expectations? Does he have the tenacity to be a top playmaker? On defense, a makeover has taken place with the bouncing of LB Greg Ellis, DE Chris Canty, S Roy Williams, CB Anthony Henry and LB Zach Thomas. Coach Wade Phillips will also return to calling defenses in 2009 which should be a tremendous help. The ability of Tony Romo to make sound decisions late in the season will be key to determining Dallas success.

7) Arizona Cardinals

The only way to go should be up for a team that came within 43 seconds of winning their first NFL championship since 1947. Now the question is can the taste of winning become the foundation for a new era in the desert? Invaluable components return in veteran QB Kurt Warner, star wide receiver Larry Fitzgerald and complimentary receiver Steve Breaston. A challenge will present itself at running back where Tim Hightower and Ohio State rookie Chris Wells will battle for playing time; will Coach Ken Whisenhunt opt for the open field ability in Wells or the power game in Hightower? Also, as of press time, contract negotiations with star WR Anquan Boldin were still very much in limbo. If Boldin starts the season fully committed, the Cardinals offense will once again be very explosive. Despite contract concerns for DT Darnell Dockett and LB Karlos Dansby, Arizona’s defense should be respectable with a solid secondary led by safeties Antrel Rolle, Adrian Wilson and second year corner Dominique Rodgers-Cromartie.

8) Carolina Panthers

Carolina bolstered a sinister running game in 2008 led by the legs of RB’s DeAngelo Williams and Jonathan Stewart who collectively made them a strong favorite to reach Super Bowl XLIII. Unfortunately for them, no one informed the Arizona Cardinals of that prediction who picked QB Jake Delhomme off five times in their divisional playoff matchup. Can Delhomme bounce back? Hopes are that his five year, $40 million extension, the franchise tag placed on DE Julius Peppers and arrival of new Defensive Coordinator Ron Meeks from Indianapolis will help the Panthers bounce back from a very disappointing end to the 2008 season.

9) New York Jets

The J-E-T-S ended their Brett Favre era by acquiring highly regarded USC QB Mark Sanchez in the draft. And to new coach Rex Ryan’s delight, all indications are that Sanchez is embracing the offense and taking on the taxing responsibility of being a team leader. The schedule is tough with not only rival games against division foes New England, Miami and Buffalo, but also dangerous matchups with Tennessee, New Orleans, Carolina and Indianapolis. If the already solid defense led by safety Kerry Rhodes and LB Bart Scott can continue its consistency, it will be a big plus for Sanchez as he attempts to emulate the rookie success of Atlanta’s Matt Ryan and Baltimore’s Joe Flacco.

10) Minnesota Vikings

Once again, Hall of Fame QB Brett Favre’s specter looms large over another franchise. Will he play for the Vikings or what? At press time, his decision to come back for the 2009 season was still in doubt, but the mere possibility of him joining Minnesota is enough to place them in our top ten. The addition of the record-setting veteran could serve as the missing link to a team that already bolsters a stingy defense led DT’s Pat and Kevin Williams, and DE Jared Allen. Additionally, it will open things up for the best running back in the NFL, Adrian Peterson. Favre’s presence coupled with wideout Bernard Berrian and rookie Percy Harvin immediately make the Vikings a viable Super Bowl contender…if it ever happens.

The Sleeper Division: Miami Dolphins, Baltimore Ravens, Indianapolis Colts, New Orleans Saints

Editor’s note: For some extra drama to Dawn’s already gangster rankings, what squad will have the guts to pick up Michael Vick? How will the Colts fare without the retired Coach Dungy? Which draft pick will show and prove the most? Will the Pro Bowl receive more love now that it is slated for the week before the Super Bowl? All in all, this is one of the most highly anticipated seasons in the history of the NFL, so from September 10th through February 7th, clear your Sundays, Mondays, Thursdays and one Saturday (December 19th) for some serious gridiron action. - DMB

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With so much happening in the world,

By: Shawn Jackson

H2 – August 28 With the reimagining of Michael Myers’ return to the silver screen thanks to rocker and director Rob Zombie, this sequel will continue the story of Michael’s unstoppable quest to close the doors on his past. A new hero will rise up in small town Haddonfield, Illinois, but will this new person be enough to stop the inevitable slaughter that awaits the town’s residents?

you have to find time to kick back, make a temporary escape and check out a flick. Here are a few that should be considered leading into the fall. Whiteout – September 11 Based on the graphic novel of the same name, U.S. Marshal Carrie Stetko (played by Pirates of the Caribbean’s Kate Beckinsale) is finally leaving the Antarctica research base she’s been stationed after handing in her resignation. But before she can board the last plane out, the first murder in the Antarctic thrusts her into a deep mystery rife with lethal whiteouts (get it?), mounting death tolls and a secret the killer will stop at nothing to protect. With only three days before she can leave and the continent is thrust into six months of darkness, will she be able to solve the crime and catch the killer?

Gamer – September 4 Politicians have always labeled video gaming to be far too violent, but even they will cheer on the denizens in this quasi-futuristic depiction of an insanely popular multi-player online game called Slayers. The hero, Kabel (played by 300’s Gerald Butler), is, to everyone else’s knowledge, a highly advanced simulated game character. But this flesh and blood death row inmate, under the control of a rich gamer, must find a way to break free and take down the game’s creator (Michael C. Hall) and escape altogether.

Fame – September 25 Nearly 30 years after the original Fame debuted in theaters, a new group of talented singers, dancers and actors try to make their mark on the world by attending the prestigious New York City High School of Performing Arts. Facing the trials and tribulations on the road to fame (no pun intended), this new batch of art pupils must strive through a highly competitive atmosphere and battle self-doubt to discover their true worth. The only returning actor from the original is Debbie Allen. Kelsey Grammar, Bebe Neuwirth, Charles S. Dutton, Asher Brook, Naturi Naughton and Megan Mullally make up the rest of this ensemble.

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Where the Wild Things Are – October 16 Recreating the classic tale of Wild Things is no easy task. Adapted from Maurice Sendak’s book, director Spike Jonze cinematically follows the adventures of Max and his highly active imagination, which takes him to a deep forest shouldering a vast sea. Once he sets sail in search of the land of the Wild Things, Max’s adventure fully springs to life. Utilizing elements of CGI, live action puppetry and vocal performance, the story is set to come alive and captivate numerous generations in the process.

The Road – October 16 Viggo Mortensen (from Lord of the Rings trilogy) stars in this post-apocalyptic story of a father and his son as they set out across a vast and barren landscape that remains after an Extinction Level Event has wiped out civilization and the majority of life on earth. Adapted for film from Cormac McCarthy’s best-selling and Pulitzer Prize-winning novel, the movie also stars newcomer Kodi Smit-McPhee.

tidbits The Testament, one of the John Grisham’s best-selling novels, is finally being developed into a Hollywood feature film. What made Grisham allow producers Mark Johnson and Hunt Lowry to option the book for film production after all these years was his new right to offer creative input, something he neglected in previous book-to-film adaptations of his stories. It looks like Christopher Nolan, the director who helmed the last two Batman movies, may not be available to helm the planned Batman 3. Since Nolan has other directorial duties, we’ll see how this plays out. Hopefully, he will come back to the fold; at least the writers will be back to craft a well-crafted story. It seems that the next sequel in the Scream series will not star actor Neve Campbell, the titular star of the entire franchise. This might be the first version where the tortured character, Sidney Prescott, is not featured. A new Buffy the Vampire Slayer movie is in the works, although it has nothing to do with the original movie or the Joss Whedon-helmed TV series. Casting has yet to be done at press-time

guess that

music style

who to listen out for:

KeKe J words BY: Mz. Limitless

words BY: Jasaña Alleyne

So, you think you’re in tune with the music moguls of the world? You think you know who’s who, and you’re sure you can spot them out, eh? Here is our music edition of Guess That. Let’s see how extensive your knowledge really is. Still feeling confident? 1) He reportedly once called his agent to request to have something done about the wind outside that was preventing him from falling asleep. 2) During the production of his first album, this artist lived with Sean “P. Diddy” Combs. 3) At the age of 48, he died of lung cancer. 4) She reportedly has 15 people on her staff that includes an assistant for her breast tape, an assistant to hold her drinks to her mouth and an assistant for her hair. 5) He was featured on a postage stamp in the Virgin Islands. 6) According to sources, George Clooney insists that she is a “bitch.” 7) She said “I’m not opening for a c*nt like Kanye!” 8) His song “Goodbye My Lover” topped funeral song requests. 9) Her given name before changing it was Destiny Hope. 10) She reportedly paid a drug counselor $1300 a day to live with her and keep her clean. References: Blender.com, iamfan.com, popdirt.com, entertainmentwise.com, cinema.com, www.tv.com, new.bbc. co.uk, interestingcelebrities.com.

answers

You may not have heard of her yet, but KeKe J is certainly percolating to the point when the masses will know her name. The April release of her mixtape, Purple Kisses, has the 19-year-old singer from Boynton, Florida gaining a lot of attention as of late. When asked about the experience she had recording her first album, KeKe J replies, “It was awesome! I was trying to find my style. After working with G4 productions and everything, I had a lot of fun.” The young singer even did a track with none other than Def Jam rapper Ace Hood, who’s signed to DJ Khaled’s We The Best Music label as well. These Sunshine State reps collaborated on a track titled “Neck Breaker” that is definitely a banger. To keep the coals hot, KeKe J has some other big names in the industry under the wraps she plans on working with in next few months. Like Ms. J, there are millions of young people out there today aspiring to do great things with their lives. From musicians to actors, models, students, athletes and leaders of tomorrow, the advantageous thing about the digital age is providing the possibility for everyone to communicate through various social networks and create relationships with others across the globe. This makes it easier for artists like KeKe J, who uses cyberspace as a tool to build a buzz and growing fan base. Besides creating data bases, the Internet also allows driven artists to share their experiences with each other so that they can collectively learn the do’s and don’ts of the music biz. Utilizing the print side of media as well, KeKe J’ has some advice for up and coming artists reading J’Adore: “Keep going forward. It’s a very long road because I’m still not where I want to be right now. Whenever you think something won’t work, there is always a window to something else. You just have to work hard enough to get there.” Like any childhood, everyone always fantasized about what they wanted to be when they “grew up.” KeKe J wanted to sing and rap, and by the time she was 14, it was decided that this aspiration had to be a reality. “I never really took my singing seriously when I was younger, so when I turned 14, I made the decision that this is what I wanted to do. I still sing in the church to this day.” Through choir, practicing, recording and utilizing the constant advancements in technology, KeKe J is now a must-watch artist in 2009 and beyond.

1) Sir Elton John 2) Usher 3) Nat King Cole 4) Mariah Carey 5) Michael Jackson

Check out Keke J online at www.myspace.com/kekemusic.

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6) Jennifer Lopez 7) Amy Winehouse 8) James Blunt 9) Miley Cyrus 10) Whitney Houston

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Falling Into Desitny

words By: Ronda Racha Penrice

Author Ronda Racha Penrice gives J’Adore a first-person account on her experience writing African American History For Dummies.

“Y

ou never know what’s coming for ya,” which Queenie, Taraji Henson’s character says all the time in The Curious Case of Benjamin Button, was never truer in my case. Yes, I’ve always been into Black history. To be honest, I can’t think of a time when I wasn’t. Throughout my career of writing for magazines, I was often the one called upon to write those pieces no one else was interested in. At one magazine for example, I was the only choice for a piece about Haiti’s bicentennial. A story about Gullah culture even fell into my lap there. When Kwame Ture, formerly Stokely Carmichael, the Student Nonviolent Coordinating Committee leader who became a symbol of Black power, died, no one even doubted that I would write the piece. Given those experiences, African American History For Dummies was such a natural fit for me but it wasn’t I who first realized that. I was going though a difficult time. I had come off this incredible high of working with Stevie Wonder’s team for the Super Bowl back in February 2006. Back in Atlanta, the high ended as the magazine for which I had been an editor-at-large for a few years decided arbitrarily to cut me and not give me a last check. Concerned about how I would support myself, I got a little down. See, I have a degree from Columbia University. Yes, the same Ivy League institution Barack Obama calls his alma mater. Conceivably, I could have done something else that paid a lot more and could have been living in something way more spacious than the small four-room apartment I then occupied, but God had different plans. That day, I was in tears. I stood in my tiny kitchen and began speaking with God. I said, “For whatever reason, Lord, this is the talent you’ve given me and I’m going to embrace it and trust that you have greater things in store for me.” I kid you not, within days my phone rang from a number I didn’t recognize. At first, I wasn’t even going to pick it up because I thought it was a bill collector. At the last minute, I decided to grab it and that phone call changed my life. Tonya Bolden, a mentor whom I met when I worked with The Quarterly Black Review of Books where she served as editor and is the author of nearly 30 books (most of them about African-American history), recommended me for the job when she was approached for it and had to turn it down. Now Tonya and I don’t speak on a regular basis so I had no idea. To be honest, I didn’t even realize that there wasn’t an African American History For Dummies book. But it wasn’t a done deal. I had to forward over my resume, some links to my work online and my incomplete list of published works. My now agent Matt Wagner always thought we had a great shot of getting the book. The Dummies folks didn’t just say “yes,” though. They loved that I already wrote in the Dummies style and thought that I had a command of the information, but asked me to write a sample chapter to make sure. I wrote about the Civil Rights Movement of the 1950s and 1960s and after that, it was a done deal. We began working around the first week of May. It wasn’t smooth sailing though. Because Dummies had attempted to do this book before, I did already have an outline. That was mostly good, but it did present some problems. They churn these books out and it’s very orderly. There are several deadlines and some of those I missed. For me, it wasn’t enough to have my name on a book, especially not one like this. I had to do my absolute best because this wasn’t just a book to me. My family is from Mississippi. My grandfather grew up a sharecropper. My mom and my aunt were enlisted in the Civil Rights Movement while attending

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"I’ve always found AfricanAmerican history vibrant and to see that the field is steadily growing is exciting."

Mississippi Valley State and Alcorn, both Black colleges in Mississippi, respectively. My grandmother had a brother who was killed in Chicago when he migrated there in the 1930s. Another aunt had been forced to leave Eva Hall Harris, a Black secondary school in Brookhaven, Mississippi named for a Mississippi native and tireless advocate for Black education in 1970 when Mississippi really “integrated” following Brown v. Board. So this was history I was personally connected to that was more of a legacy and a collective responsibility than just a great career opportunity. My project editor, Mike Baker, was promoted and another one, Tracy Barr, was put in place, and Dummies made the decision to push the book from its ideal February date to April in favor of quality and not just business. I was committed to that quality from day one and worked on the book 10-16 hours every day, pouring over books and documents, many obtained through Questia online —an online library. Although I checked out countless books on AfricanAmerican history, having an online library allowed me to work into the wee hours of the morning when no library outside of a university one is even open, let alone circulating. I didn’t sleep much. When I did, it was usually a catnap on the loveseat because even the couch proved too comfortable to keep me from oversleeping. Many subjects I knew well and simply had to review references. Others I was only familiar with and had to put in more research hours in addition to writing. I never assumed I knew things, even if it was the arrival of the first Africans to Jamestown in what would become the United States of America in 1619. I had to check everything, and revisiting those subjects revealed the incredible advances in African history. I’ve always found African-American history vibrant and to see that the field is steadily growing is exciting. That’s why it was doubly important to me that the book present as full and as engaging a story as possible. For example, there is information about Africa, pre-transatlantic slave trade. But the areas of Africa covered are those germane to what would become the United States of America. Unlike many other books, African American History For Dummies is written for the average person and also has chapters on sports, theatre, literature, music, religion and film/TV, among others. Most books only cover history or entertainment. Rarely do they do both. Given the time granted and scope of the book, I am extremely pleased. Could sales be better? Absolutely. People who have actually read the book love it. A few celebrities also have copies of the book. I can’t say that I’ve met more celebrities than I normally would meet because I’ve covered entertainment for so long. When Tom Joyner told me that he had personally purchased two copies of my book, I was elated because I grew up in Chicago and remember him as the Fly Jock. I actually bought his Little Known Black History Facts from McDonald’s. It was also cool when I approached Michael Eric Dyson at a Nas concert to tell him about my book and he told me that he already had a copy. T.I. smiled at the fact that he was mentioned in the book. Chris Tucker gave his signature smile when he saw that he was also in the book. I haven’t received as much media support as I’d like (thanks so much J’Adore and Executive Editor Dennis Malcolm Byron), but that is changing. Barack Obama’s presidency should definitely help the cause. From the day the book was published, I’ve insisted that this is history for everybody, not just Black folks, and his presidency has highlighted that. Once more people get the book then it will be easier for me to write more books. It’s like the music business or any other business for that matter. If you sell well, you get to do more. Of course, I have many more books in me. I want to direct serious attention towards hip-hop. Yes, there are books on hip-hop but not too many of those center hip-hop within African-American and American culture in the ways I believe are needed. I love pop culture of course, and just don’t see the kind of books I’d like to read addressing the urban contribution. I will also write some novels. For me, writing and documenting history isn’t just a cool job; I truly believe that it’s the work I’ve been put on this earth to do. I did it before I published my book and I will do it long after. Look out for more great works from Ronda Penrice in the future. You can find African American History For Dummies (Wiley Publishing) in all leading book stores and online. For more information, visit www.dummies.com. J

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Michael Jackson

The King of Pop will forever reign.

o so many, he was an icon that embodied the sentiment that all was possible to achieve. To others, he was the epitome of philanthropy as he selflessly gave in astronomical proportions to help those less fortunate. No matter what anyone thought, fabricated or accused him of, his contribution to our lives will solidify that there will never be another Michael. J'Adore wishes to send the Jackson Family our condolences and leave you all with a few of the

lyrics from “Gone Too Soon,” one of the most emotional songs Michael Joseph Jackson, the King of Pop, ever performed:

Born To Amuse, To Inspire, To Delight Here One Day Gone One Night Like A Sunset Dying With The Rising Of The Moon Gone Too Soon Gone Too Soon The entire world thanks you, Michael.

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