THE GATEPOST Framingham State’s independent student newspaper
Volume 87 • Issue 4
FSUgatepost.com
October 5, 2018
Mayor Spicer speaks at World Teachers’ Day celebration By Robert Johnson Jr. Staff Writer Yvonne Spicer, the first mayor of Framingham, spoke during World Teachers’ Day in the Forum on Oct. 3. The event, sponsored by the United Nations Educational, Scientific and Cultural Organization (UNESCO) since 1994, is focused on celebrating the work of teachers, while also providing inspiration and encouragement for those willing to go into the field. This inspiration was also showcased visually by the poster boards surrounding the seating area, depicting Framingham State alumni who have gone on to become teachers, such as Helen Higgins ’75, Michael Morris ’16, and Deona Villagomez ’16. Juniors Jennie O’Leary and Mariah Prosansky, the president and vice president of FSU’s Education Club, respectively, began the festivities by welcoming everyone to the Forum.
See WORLD TEACHERS’ DAY page 11 FSU goalie Corey Davidge makes a save in a tied game against Salem State.
Board receives tearful thanks from Mount Ida student at first meeting
Corey McFeeley / THE GATEPOST
Michael Dixon “The more things change, the more they stay the same”
By Jillian Poland Associate Editor
By Tessa Jillson Interim Asst. Arts & Editor
Framingham State’s Board of Trustees discussed new student programs and the University budget at their first meeting of the academic year on Wednesday, Sept. 10. As part of the “Student Spotlight,” professor Brian Wilson and senior John C. Lines, previously of Mount Ida College in Newton, Massachusetts, presented on FSU’s new commercial photography program. Wilson and Lines were members of the commercial photography program at Mount Ida College, which closed abruptly last year due to funding problems. The closing left many students concerned about their next steps. Wilson said the commercial photography program at Mount Ida was unique as one of few in the area and “the only one for six hours around.” FSU invited Wilson to teach courses from the program at the University. He brought some of his students, including Lines, with him to finish out their degrees. Lines shared examples of his work and described the ways the commercial photography program had prepared him for career success. He teared up throughout the presentation, but particularly when recalling the closing of Mount Ida and what it meant to come to FSU with his classmates. He addressed the board directly at the end of his presentation, saying, “Thank you for allowing us to come because we can all be together and finish it all up.” Also at the meeting, Chair Kevin Foley announced two trustees
When artist Michael Dixon was around 5 years old, he found himself already equating race and color. He recalled the day he found out he was black after he made a race joke while eating red and purple popsicles with his sister and his cousins, associating the color red to Native Americans and the color purple to black people. Although he lived in a diverse neighborhood, Dixon said he took being black as a “negative thing” due to the education system and his experiences while growing up. Race was something that “was never really talked about” in his family, and he labeled himself as white despite the fact that he was biracial. Considering his biological father who was black was never in the picture and he never knew his black family, Dixon felt he missed out on his black experience and struggled with his identity throughout his life. It wasn’t until Dixon took his first African American history course in college that he began to develop a black identity and self-identify as black, but because of his light complexion, people often would mistake him for other races and ethnicities. Dixon referred to these instances in which his identity was in question as his “Achilles’ heel. “It’s like someone shanking me in my kidney. … There’s a lot of pain around it,” Dixon said. As a result of this confusion, he started working closely with the concept of identity, creating pieces such as self portraitures that evoked questions about perceived identity, centering around the idea of how we see ourselves and how the world sees us.
See BOARD OF TRUSTEES page 3
News
Opinions
See MAZGAL page 8
Arts & Features
Sports
EQUITY AWARD pg. 4
GATEPOST EDITORIAL pg. 6
LYCEUM LECTURE pg. 9
VOLLEYBALL pg. 14
4+1 PROGRAM IN NUTRITION pg. 5
THE LITTLE THINGS pg. 7
mewithoutYou REVIEW pg. 11
MEN’S SOCCER pg. 15
INSIDE: OP/ED 6 ARTS & FEATURES 8 SPORTS 12