Architecture Portfolio

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NASTALGIA BIBLIOTHECA

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2013-2020

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ENTREPRENEURSHIP

FLOATING LIBRARY : CHASE AFTER THE MIRROR

OFFICE TOWER FOR STARTUPS : SCAN THE FACADE

Revised in Penn Design Required Seminar Arch 720 | 2018 Fall Individual work Instructor: Boyuan Jiang | Kutan Ayata

SWJTU Four Grade Core Studio | 2017 Spring Team work | Teammates: Fu Yiran / Yin Qingzhi Role in team: Team Leader / Concept / Modeling / CAD drawing

STOCKHOLM MILL

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GO AGAINST WITH

TOWER : HEDONISTIC RESILIENCE AS A LANDSCAPE

CHENGDU URBAN MUSIC HALL : REFLECT THE CITY

Penn Design Core Studio| Evolo 2020 Honor Mention | 2019 Fall Team work | Teammates: Fu Yiran / Meng Zeng Role in team: Team Leader / Concept / Modeling / Drawing

SWJTU Three Grade Core Studio | 2016 Fall Team work | Teammates: Fu Yiran / Wang Mohan Role in team: Team Leader / Concept / Modeling / CAD drawing

SUPER FLAT POP ART MUSEUM : SALUTE TO MURAKAMI

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Penn Design Core Studio| 2019 Spring Team work | Teammates: Fu Yiran / John Dunn Role in team: Team Leader / Concept / Modeling / Drawing

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STEEL FACTORY XI’AN MUSEUM OF MODERN ART : CAST THE SPACE SWJTU Graduation Design | 2018 Spring Architecture Part : Individual work

MOUNTAIN JOURNEY QINGCHENG RAILWAY STATION : LAYER THE MOUNTAIN SWJTU Three Grade Core Studio | 2016 Fall Individual work

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CELLULAR AUTOMATION OTHER WORK | SEMINAR : FORM AND ALGORITHM Penn Design Seminar: Arch-743 001 Form and Algorithm | 2018 Fall Team Work | Teammates : Fu Yiran /Liu Zhaoyi / He Liwei Role in Team: Team Leader/ Concept/ Coding/ Modeling/ Present Instructor: Cecil Balmond/ Ezio Blasetti

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N A S T A L G I A F LO AT I N G

L I B R A R Y

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B I B L I O T H E C A C H A S E

A F T E R

T H E

M I R R O R Electronic Reading Popular Novels Science & Technology Art Reviews Philosophy

Stack Room Stack Room Stack Room Stack Room Electronic Stack

THE OTHER SHORE IDEALISM ADULT

BIBLIOTHECA

LEAVE

MIRRORING

EXPLORE

NOSTALGIA

REALISM CHILD THIS SHORE

This Shore

The Other Shore A MUTUAL RELATIONSHIP OF MIRRORING

For me, Bibliotheca(library) is the representation of my idealism struggle for advance, while the nostalgia is attached with some kind of painful emotion because of the unhappy childhood. I view nostalgia as this shore, representing realism and missing for old days in childhood. In the meanwhile, bibliotheca serves as the other shore, representing idealism and a will to make advance among adults.

However, I nearly forget that this shore and the other shore are constructed by evaluation. So, the base of this dualism is deconstructed and I will get lost in the endless back and forth between this shore and the other shore.

DRIFT ALONG THE YANGZI RIVER To render this uncertain atmosphere, the site of this library is uncertain, too. The lower part of this building involves a vacuum space to provide enough buoyancy to balance the weight the whole building. Thus, this building is floating on the water. It is set free in Chongqing City, upper reaches of Yangzi River. Then it drafts along the Yangzi River, all the way through Wuxia Canyon, ends up at Sanxia Dam at last. This dynamic process strengthened this uncertain and philosophic atmosphere.

ENTRANCE OF THE LIBRARY

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-5F Electronic Stack

-3F Stack Room

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-2F Stack Room

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ENTRANCE OF THE LIBRARY up

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Now that the building is floating on water, the entrances of the library are bound to be uncommon, too. To get into this library, visitors have to go by boats. And the entrances are deliberately designed to be humble: just a door frame barely enough for two people to get through. In this way, visitors can sense the distinguish between the huge scale of the atrium and the narrow space at the cores, thus feeling a philosophic atmosphere about this shore and the other shore. up

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SECTION OF THE LIBRARY

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VIEW FROM DOWN SIDE

VIEW FROM TOP SIDE

THE BUILDING OF SELF-AWARENESS

Toilet Cores

Layout

Elevator Cores

Layout

Who I am? This is the question which I keep asking myself for a long time. Although this building does not answer this question directly, it does give a reply to what kind of people am I. I suppose, as this building suggested, I am a man with melancholy character and cannot really settle down for my whole life. However, it is just this force keeps pushing me in the road to truth restlessly. So, there is a complex emotion when I rethink this question: who am I.

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PENN DESIGN | MACDONALD STUDIO| EVOLO 2020 Highest value of water pollution registered in Stockholm

Brunnsviken

Cd2+

15

Saltsjon - Beckholmen

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Brunnsviken - Haga Sodra

8.6

The project is located next to a campus in Stockholm, where, as a result of the study, water pollution has been a persistent problem. What we want to focus on is climate crisis and the relationship between building and environmental impact. Our design is a machine driven by wind power to absorb the pollution in the seawater, while purifying the seawater and providing fresh water for the residential building on top.

This tower is a self-sustainable public infrastructure. At the same time, it also has the function of enjoyment. Tourists and residents can visit the process of energy conversion process. This project shows that sustainability is not a burden but should improve the quality of people's lives and could also be aesthetic and articulate to make a dynamic experience. It's built right in the middle of the sea and is now part of everyday activities. The tower is ecologically, economically and socially sustainable.

Cadmium -Deep Sediments

Value (ug/g)

Sicklasjon

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Brunnsviken - Southern part

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Brunnsviken - Northern part

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Solutions provided by the Tower proposal

The Cadmium Pollution issue in the sediments is salient in the Brunnsviken lake area

Use the turbine in the bottom to collect sediments which contain pollutants and filter them with mushroom

The fresh water supply in this area is not stable and safe in the raining season

Use windmills as power source to force sea water go through RO membrane and get stable fresh water supply

The Brunnsviken area is an university city located in rural area and lack of entertainments

VIEW BY THE BANK

Value (ug/g)

Brunnsviken - Bergianska tradgarden

Cd2+

Peoblems exist in the area of the Lake Brunnsviken

Cadmium -Top Sediments

Tower Proposal

Create iconic landscape and bring in hedonistic functions to delight the local community

VIEW FROM THE TOP

VIEW OF INFRASTRUCTURE

PHYSICAL MODEL

Residential The upper part of the tower accommendates several hundreds of luxury residential.

Residents within those apartment can enjoy a superb view overlooking the lake Brunnsviken.

This supports the notion that resiliance can be hedonistic.

Windmill

Lobby Located in the middle part of the tower, the lobby acts as a transition between the residential and the hedonistic restaurants. In terms of formal language, it also acts as a comma to the fluid twisting surfaces and an initial to the slim figure of residential part.

VInfrastructure

Windmill

The lower part of the tower is constituted of a maga turbine which gather sediments, a landscape park and several water tanks to accomodate RO membranes which can purify sea water.

The middle part of the tower provide several platforms on which windmills can be installed.

What's more, those platforms can act as excellent observatories for customers of restaurants beside.

Lobby

Restaurant

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AERIAL VIEW OF SITE

《In the Land of Death》

《Tan Tan Bo》

Takashi Murakami

Takashi Murakami

3D PROGRAM DIAGRAM APPLY 2D DRAWING TECHNIQUES INTO 3D VOLUMN TRANSLATE SUPER FLAT TECHNIQUE INTO DIAGRAMS Our new Warhol Museum in Miami speculates on the architectural possibilities of pop art techniques popularized by Andy Warhol.

Our design research focused specifically on the concepts of the Superflat: Color, Visual Paths, Speeds, Scale and Rotation are studied and translated into architectural form and space.

The Superflat is a pop art methodology and philosophy established by Takashi Murakami. Two principles of the Superflat were of particular interest to us: 1. The control of the viewers eye across art works and 2. Scalar Shifts and Rotations from profile to elevation. Our project pursues ways these principles can apply to Architecture.

At the site in the Design District-the Museum’s north and east exterior elevations are designed to transition from one to the other effortlessly. Large concrete volumes highlighted with embedded copper seams allow for a smooth continuous visual path across the exterior that pulls your eye across its soft corners-culminating in the museum’s entrance. Scaler shifts occur on two levels- between the larger and smaller galleries and the transition between smooth and intricate materials. Public circulation in the larger galleries is at a faster pace allowing one to take in larger amounts of artworks while the smaller galleries are designed and materially detailed for longer and more intimate experiences with the art works on view. Transition between these spaces is gradual and fluid, resulting in a interior organization that guides visitors through multiple fluid sequences of spatial experiences.

The interplay between larger concrete volumes and smaller scaled intricate metal panels emphasize this experience via natural and artificial light.

FIRST FLOOR PLAN

SECOND FLOOR PLAN

CONTINUAL ELEVATION OF EAST AND NORTH FACADES

INTERIOR RENDER

SECTION

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XI'AN MUSEUM OF MODERN ART : CAST THE SPACE

Xi'an A City Memory of Steel A Future of Mordern Art

MASTER PLAN IN XI’AN CITY

SITE PLAN

Industrial Transformation In 2016, the global economic recovery is still weak, and the overcapacity problem faced by the steel industry has not been reversed, which has a continuing negative impact on corporate profits and the steel trade environment. At the same time, 2016 is also the first year for China's steel industry to reduce capacity.

As the world's largest steel producer, China is the first to compress capacity, which has eased the pressure on overcapacity in the global steel industry and boosted steel prices. Positive role.

Judging from the layout of some big cities in the world, there are basically no polluting factories in the big cities in the international economic centers. The economic centers are mainly based on enterprises with high added value and new technologies.

Value-added and new technology companies are often surrounded by industrial production bases. Through the above research on these international and regional economic centers, we can conclude that the country's policy of retreating into the s e co n d i s v e r y i m p o r t a n t for adjusting China's urban industrial structure, promoting the rationality of urban layout, and vigorously developing the tertiary industry. effect.

Infuse Oxygen

Float Upward

Float Upward

Incline Oven

Strait Down

Strait Down

Precipitation

Detachment

Detachment

Oven Refine

Reentry

Reentry

Agitation

Rotation

Rotation

Continuous Cast

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Mapping of Steel Casting

CONTINUOUS SECTION EXAGGRERATION

CONTINUOUS SECTION COMBINATION

Float Upward

Float Upward

Strait Down

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Detachment

Detachment

Reentry

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SIX TYPOLOGY OF MOVEMENTS - AXONOMETRIC

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GRID TRANSFORM

Exterior

QR CODE VIEW FROM OTHER SIDE OF YANGZI RIVER REGULATE FOUR OFFICE PATTERNS INTO ONE GRID

DIFFERENT FIRMS INSIDE FORM QR CODE ON FACADE

TWO DIFFERENT GRID TRANSFORMATION AFFECT BOTH PLAN AND FACADE

Firms Escaped From Lapse

BIKE SHARING MARKET: FIERCE COMPETITION WIPED OUT MOST FIRMS

Newly Set Up Firms & Broken Up Firms

Advertisement Cycle Yearly

Survive Ratio of Firms in 2016

THE WRIED COINCIDENCE OF ADVERTISEMENT CYCLE AND COMMON FIRM SURVIVE TIME

WHAT HAPPENED IN CHINA 2012-2016 ?

In 2013, the Chinese government put forward a policy named National entrepreneurship aimed to solve unemployment problem. Thence then, the startups become crazy, especially in IT market. As the charts show, the economic bubble burst in 2016 and wiped out most of the homogeneous firms in IT market, causing the firms in office constantly changing. In the meanwhile, the investments and time on advertisements for firms keep increasing, even equal the life of firms. This makes a wired coincidence between advertisement cycle and common firms' survive time.

Hive Office

Cell Office

Club Office

RECONSTRUCT FOUR OFFICE PATTERN IN GRID SYSTEM

Den Office

HOW CUBES AFFECT THE FACADE

Those attached cubes fill the rails on the outside of each floor. Every row contains about ten cubes. Those cubes can shift horizontally according to users' needs. When there exist firms changes on this floor, different needs cause different arrangements of cubes, thus form different facade.

There are several cubes on the three corners of the facade square. They serve as the identify areas. Cooperated with all other movable cubes, a dynamic QR code is formed.

It can provide a short-time advertisement synchronized with the life of firms.

1. Cores 2. Public Platforms 3. Meeting Room 4. Public Corridor

Public Meeting Room

GENERAL PLAN

1. Horizontal Shift

Discussion

Advisory

Accounting

Training

2. Adjecent of Cubes

Education

VARIOUS POSSIBLE LAYOUTS 3. Double Space

This edifice constructs a changeable system with the help of a kind of lift arbor. It can be translated into floor, chair or table.

Based on this special changeable modulus system, various layouts can be achieved. To make the best use of this system, all the walls are also movable, thus making this space extremely flexible. As shown in diagrams, as much as five different layouts can be arranged on the same floor. Not to mention cooperating with the attached cubes, there are numerous combinations to adapt to different firms' spacial needs.

SECTION PRESENTATION

CONTROL THROUGH APP To better serve the firms in this edifice, we put forward an application. It can be used to control those arbors on the floor and manage the assets each firm has. They can even use this application to bid for the advertisements on the facade to get themselves well-known.

Machine Room

Privacy Office

Meeting Room

Negotiation Room

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CHENGDU URBAN MUSIC HALL : REFLECT THE CITY

STRUCTURE OF ENCLOSURE

FUNCTION PATRS

FLOORS & MAIN ENTRANCE

BASE & SUB-ENTRANCE

CYLINDER REFLECTION ART There exist a very tricky art form: cylinder reflection. It uses the cylinder to reflect surrounding, rendering a clear picture.

THE SITE OF MUSIC HALL It sits on the core area in Chengdu city. Surrounded by three universities: Sichuan University, Sichuan Broadcast School and Sichuan Music School. It enjoys a vigor and youth atmosphere of a music block.

What's more, just opposite the Fu River, there located the most famous night bar street in Chengdu city. The diversity around it is more than enough.

THE EXPLODED EXPRESSION OF THE MUSIC HALL

1. Axises of Theater/Music Hall/Function Hall

2. Main entrance of three functional parts

3. Cambered surface envelop enclosure

4. Rising under edge of enclosure in public space

5. Inset the inner globe as public space

6. Glass enclosure and cambered surface roof

REFLECT THE CITY The idea of this building is to set a reflective globe in the center of it to reflect the surrounding city. In this way, people would get attracted and gather here.

A-A SECTION

FIRST FLOOR PLAN (-3M)

SECOND FLOOR PLAN (2M)

1. Main Entrance

7. Side Stage

13. Waiting Corridor

19. Equipment Room

25. Exterior Stage

2. Sub-Entrance

8. Orchestra

14. Quick Make Up

20. Toilet

26. Front Side Spot Room

3. Box Office

9. Band Rest Room

15. Machinery Control

21. Store

27. Video Room

4. Parking Entrance

10. Dressing Room

16. Stage Director

22. Fire Control Room

28. Light&Sound Control

5. Logistics Entrance

11. Property Room

17. Security Room

23. Instrument Stock

29. Function Room

6. Main Stage

12. Costume Room

18. VIP Room

24. Piano Stock

30. Management Office

FUNCTIONS OF THE REFLECTIVE GLOBE The Urban Music Hall is a complex of a music hall, a theater and a rehearsal hall. So there is bound to exist a public space to connect those three functional parts. The reflective globe serves as this public space for its attractive form is an ideal identity for public space.

It connects the underground park lots, first floor sub- entrance and second floor main entrance. The third and forth floor of it act as the exhibition halls.

Dynamic Particle 50.1ms

STRUCTURE OF SURFACE

Reverberation time

Panels

Panel Frame

Truss

DETAILS OF SURFACE Dynamic Particle 70.1ms Associated acoustic line

Dynamic Particle 90.1ms

Surface incident point Dynamic Particle 120.1ms

Reflective coverage

Dynamic Particle 170.1ms

B-B SECTION

ACOUSTIC ANALYSIS

Beams

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Q I N G C H E N G R A I LWAY S TAT I O N : L AY E R T H E M O U N TA I N

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Road to the mountain

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QingCheng mountain

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Spring Snow in Guan Mountain by Xi Guo

Abstract Portray of It

by Myself

Against

Against

Against

Against

There exist a philosophy in metaphysical school of art: unusual experience can be achieved in the middle area between common and uncommon. It is vague that trigger poetry. So I build a mountain station with zen between the sublime of geometry and mundane of mountain's shape. To achieve this, I summarized the relationships of mountains in an ancient Chinese painting, Spring Snow in Guan Mountain, and applied them to my design.

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1: Waiting Room

8: Communication

15: Monitor

2: Ticket Hall

9: Power Telecontrol

16: Train Control

3: Departure Hall

10: Information Center 17: Office

4: Box Office

11: Security Check

18: VIP Bar

5: Substation

12: Ticket Check

19: Tourist Service

6: Maintainance Room 13: Aboard Hall

20: Upper Part

7: Public Security

21: Middle Platform

14: Duty Room

22: Basic Platform

FIRST FLOOR PLAN Parallel

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SECOND FLOOR PLAN

Trim

Barrier

Parallel

A-A SECTION

DETAILS OF GLASS CURTAIN WALL

ATMOSPHERE RENDERING OF A TRAIN CROSSING VOID

DETAILS OF TRUSS

MAKE VISUAL POINT I intend to render an atmosphere of silent in this railway station. Qingcheng Mountain is a famous site for a traditional Chinese religion, Dao Religion. I reversed the figure and ground of the mountains and trimmed several layers of white walls in this station to portray the silent and brumous atmosphere of this mountain. When the train get into the frame in the middle, it become the conspicuous visual point in a silent atmosphere.

INTERIOR RENDERING

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OTHER WORK | SEMINAR : ALGORITHM AND FORM

BASIC RULE SETTING

BASIC RULE FUNDING

Rule: 31710 Black Ratio: 0.396

Rule: 27809 Black Ratio: 0.533

Rule: 27809 Black Ratio: 0.549

Rule: 31710 Black Ratio: 0.199

Rule: 26752 Black Ratio: 0.678

Rule: 31710 Black Ratio: 0.442

Rule: 27809 Black Ratio: 0.463

Rule: 27809 Black Ratio: 0.532

Rule: 31710 Black Ratio: 0.266

Rule: 26752 Black Ratio: -

Three Choose One - Change Rules def ChangeRules(BR): if BR<0.45: elif BR >= 0.45 and BR < 0.6: elif BR >= 0.6:

Discription: We are researching on the three-dimensional cellular automata this semester. Unlike what we have learned in class, we increase the adjacent judging situation from three to four. Therefore, the basic judging decisions are 16 (2^4) rather than 8 (2^3). As a result, we will get 65536 (2^16) different rules based on the binary decisions. Then, we try to design special symmetrical rules to get organized patterns. For example, if there is three black in four adjacent squares, central square turn white and if there is one black in four adjacent squares, it turns black.

cr = 31710 cr = 27809 cr = 26752

"Binary = [0, 1, 1, 1, 1, 0, 1, 1, 1, 1, 0, 1, 1, 1, 1, 0]" "Binary = [0, 1, 1, 0, 1, 1, 0, 0, 1, 0, 1, 0, 0, 0, 0, 1]" "Binary = [0, 1, 1, 0, 1, 0, 0, 0, 1, 0, 0, 0, 0, 0, 0, 0]"

The key is make the situation symmetrical. At the end, we get 3 different rules that has different ratios of black and white, they are 31710, 26752, 27809. Next, we let the black ratio of each layer to decide the rule for the next layer. As the cubes move higher to some point, we let each cell have one rule ( which is local rule rather than layer global rule) to fight each other and create rather unsymmetrical result. The form we finally get is an interesting carved cube pillar.