ARCHITECTURAL PORTFOLIO FÜSUN ÇETİN
EDUCATION
EXPERIENCES Füsun Çetin Architect I Istanbul, Turkey www.fusuncetin.com +905343011115 fusuncetin94@gmail.com
COMPUTER SKILLS
LANGUAGES
COMMUNITY INVOLVEMENTS
INTERESTS
Istanbul Techical University, Faculty of Architecture, Architecture Department, 2014-2018, 3.64 GPA American Robert College, 2009-2014, 89.5 GPA
Intern Architect I Orjin Group I 2015, July-August Intern Architect I Tasarım Group I 2016, July-August Intern Architect I Ven Mimarlık I 2017, July-August Participant I Piremio Pirenasi, Archeological Workshop in Rome 2017, August Part Time Architect I Mimarlar ve Han Tümertekin I 2018, Feb.-August Participated in Osmangazi Urban Square Project Abdullah Gül University Sumer Campus Project AutoCAD, Revit, Rhinoceros, SketchUp Pro, Adobe Photoshop Adobe Illustrator, Final Cut Pro, MS Office, Mac OS
English French
200 hours of community involvement projects Outdoor CIP, giving camping lessons to children Gaziantep CIP, giving debate lessons to children Amasya CIP, arrangement of touring the universities in Istanbul with successful high school students from Amasya Yenişakran CIP, giving swimming lessons to children
Piano, Sketching, Digital Photography
CONTENTS
Fashion Pera Housing Public Vertical Animal Farm Karakรถy Urban History Museum Exodus Jewish Immigration Museum Sculpture & Workshop A Proposal For a Living Space Abondoned City Energy Efficient Housing Betonart Competition Steelpro Competition Nokta Published in Flapmag
Selection of Photographes
fashion Pera Pera district in Istanbul is by far the city’s most vibrant area througout the history thanks to the cultural diversity. Galata was used as a trade and business center while Pera was a residential center for Levantines, Jews and Christians who settled in Istanbul. It has a unique social structure formed by the gathering of these different cultures. Unfortunately, this cultural diversity is almost gone nowadays. Perhaps it is not possible to restore Pera's identity; but what is questioned throughout the project is whether it is possible to recreate this identity. The theater buildings, consulates and building typologies in the region are examined. Han and passage-type buildings, flamboyant theaters which make Pera ‘the Pera’ are now mostly closed or dysfunctional. In this context, the project aims to transform Pera into a place that lives as in the old days. Pera was famous as an entertaintment center; people spend two or three nights a week in theater, ballroom and other events. The memory of the project area confirms this: Tepebaşı Drama Theater continued its presence until 1970s. Regarding this, an auditorium is located as part of the project and it works as a theater stage in the evenings, open to public use. This theater building will transform into a podium in two weeks of the year in order to present student works and bring a new identity to fashion weeks in Istanbul.The auditorium is considered to have a flexible design in this respect.
View from the entrance of the university building
Refik Saydam Street
The view of Haliç, which can be perceived from all the squares and buildings in the project area.
Meşrutiyet Street
İstiklal Street
The passage in Odakule, which is the most used axis between İstiklal Street and Meşrutiyet Street, was used as a reference point for locating the project.
3 meters level difference from Meşrutiyet Street to project square was evaluated with terrace seating elements and stairs. Due to the difference in slope, it is possible to enter the project area from the road level, walking 100 meters towards the south direction.
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Dressing is a common need for all people; however fashion concept can not integrate with the people. The concept of transparency in the project aims to remove the borders between the people and fashion. The facade of the faculty building designed as transparent in order to create visual interaction with people passing by or using the area publicly; students can exhibit their work here. In addition, the program is considered to be part of the fashionable design platform open to public with pre reservation. The sewing workshop, which works as a maker lab, makes it possible for everyone to use the sewing machines and spend time here. The remaining fabric from the students are stored there. The fashion design school, the main program of the project, is also located on the same area.
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AA Section
Site Plan
West Elevation
Pera History Hans Businesses Offices Stores Shops Banks
Foreign poopulation Cultural diversity Taverns Harbour
Residentals of Levantines, Greeks, Armenians, the Jews were in Pera
The Naum Theater … was in place of the current Çiçek Passage. It was destroyed in the great Pera fire in 1870. Theaters Balls Churches Schools Hospitals
Luxury life and entertaintment center
Rise of Muslim population
Pera started to lose its unique identity.
Business Center 1st Century There was an harbour in Galata district.
5th Century Galata was defined as the 13th district.
12th Century Invasion of Geneoses.
18th Century Galata was a trade-oriented region while Pera was dominated by residentals.
19th Century Foreign countries consulates were located in Pera.
+ Venetian
20th Century Grand rue de Pera Shopping malls in the ground floors, houses within the passages.
1870 Great Pera fire After the fire stone buildings replaced the wooden constructions.
1800s Petit Champs des Morts
1858 Jardin du Publique The soil left from the tunnel construction used here.
1880 Tepebaşı Drama Theater
A view of Tepebaşı Drama Theater
1927-29 Embassies were transferred to Ankara.
1970 1955 Destruction of 6-7th of September. Tepebaşı Theater in fire. 1947-49 Jews immigrated to Israil.
East Elevation
Pera Hans&Passages,
Pera Transportation
Time-User Number Diagrams
Theaters, Consulates and Istiklal Street
Old Hans&Passages Pinto Fresko Passage Passage Oriental
Hans & Passages Narmanlı Han Suriye Passage Avrupa Passage Çiçek Passage Aznavur Passage Atlas Passage Tokatliyan Han Hazzopulo Passage Elhamra Han
Consulates French Consulate Italian Consulate Russian Consulate U.S. Consulate British Consulate Swedish Consulate
Old Theaters Concordia Theater Elhamra Theater Fransız Theater Karaca Theater Küçük Stage Naum Theater Şark Theater Beyoğlu City Theater Ses Theater Tepebaşı Dram aTheater Muhammer Karaca Theater
It has been observed that there are many hans and passages in Pera, especially in Istiklal Street. The mapping shows hans and passages, which have an important place in building typology of the region. During this analysis it was observed that the theaters in the area were generally located within these hans. In addition, the embassies and consulates of the different countries have been mapped to provide information on the region's ethnic diversity. In the region that has hosted many theaters, there is only one remained today: Ses Theater.
Project site-Istiklal Street Passage connection
Library
Project site-İstiklal Street Street connection Istiklal Street Other roads
Traffic Density University
Fashion Alternative Materials I Experiments "In England, 1.3 million tons of clothing are being sold each year, and they are worn for an average of 3 years."
Apart from the printing rooms, knitting and weaving rooms, sewing rooms and classrooms, there is a place where students can test different materials and transfer them into digital media. Apart from the materials such as fabrics and leather that come to mind first in terms of fashion, there are many existing and reprodictable materials which will be experienced and exhibited by the students.
Auditorium
Pedestrian Density
Workshops
İstiklal Street
Clothings made from recycled plastic
Products formed by humans immersed in liquid wax
Pera bölgesi yaya yoğunluğu olarak incelendiğinde en yoğun bölgenin İstiklal Caddesi olduğu gözlemlenebilir. Buradan çeşitli sokaklarla veya pasajlar aracılığıyla Meşrutiyet Caddesi’ne geçilmektedir.
Entire program
Circulation & Program Diagram
Fashion Design School Besides fashion design students use, a public workshop is also available.
Vertical Garden& Open Air Cinema Placed in front of the deaf facade, a steel structured vertical garden and an open air cinema.
Square 3
Connection through Square 3 and 2.
Square 2
Connection through Square 2-1
Axis from the Odakule to he main square Connection through Merutiyet Street to main square via stairs.
Main Square
Connection through Merutiyet Street to main square.
MeĹ&#x;rutiyet Street
Auditorium
Library
Working as a public theater auditorium is used as a fashion podium twice a year in order to present the student works.
Open to everyone as a fashion library. There are also periodicals available.
Flexibility of theater
Podium 0.00 Entrance of Auditorium
Diagram, showing the transfomation of the theater into a podium stage.
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Podium, 65 m long
Reaching auditorium entrance
Podium can be seen through the facade
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University Entrance Level Plan (+1.00 Level)
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Second Basement Floor Plan (-12.50 Level)
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Thrid Basement Floor Plan (-15.50 Level) D
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South Elevation
The overrated raise of world population brings the need of new shelterings as the population on the cities increases enormously. The researchs on population raise show that 80 % of the world will be living in the cities by 2050. This is a huge number. The land scarcity in the cities needs to be solved for this level of population. But what if this is not possible? What we need to do is not solving land scarcity, but be resilient with it . Housing Public project aims to give people an environment that is appropriate for human nature within the intensive city conditions. There are a lot of deaf facades in big cities. What the project does is taking these facades as an advantage, using them as new lands. Parasiting to the deaf facades and contibuting to the city is the main intention. The good part is it can be adapted into any deaf facade in any city. In this project, Levent&GĂźltepe district is chosen to work on because it is a problematic urban area within itself. The boundaries in this part of the city is quite visible and disturbing. The project aims to deal with these conditions of the area in order to remove the barriers and permeate into the city. In this context, the concept of private, public and housing is questioned and a new concept is propesed.
Levent Farm
Industrial area
Shanty Town
Irregular settlement
Subway line
Central Business District
Urban protected area shopping malls
Corporate Housing
2017
2008
2000
1980
1960
1947
1780
Military quarters
Skyscrapers
Levent is a multilayered district as a central business cente after 1980s, as a shanty town after 1950s, and as an urban protected area with the corporate housings in post republic period. These layers bring different people from different culture, ethnicity and people from different economic and educational levels together, in the same area. Levent is a very interesting point, because of that situation. Although they live in the same area, they are not gathering and doing something together. They just live their lives in their own small districts. Büyükdere Street and the shopping malls create a major effect on this, as being urban barriers. The Barriers can be easly red from the aerial photographes as a physical situation, but it is not that simple. People are being seperated into groups according to where they live and do not gather with the ‘others’; mostly because of the urban barriers.
SOUND ANALYSIS DIFFERENT HOUSING TYPOLOGIES IN LEVENT-GULTEPE REGION
Examining the sound analysis, three different sound region can be observerd. It can be stated that the malls and the skyscrapers in the Büyükdere street has an barrier effect on the sound of the area.
people Construction
shopping malls traffic
calm neighborhood
traffic people
birds trees
wind people trees birds calm neighborhood air conditioner
peope people people
BOUNDARIES There are several urban interventions that blocks the pedesterian ways. The first one is closed because of the construction site. The second one is closed by Kanyon shopping mall and the third one is an empty area closed to public, serving both Özdilek Kanyon shopping malls.
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DENSITY OF HUMANS Büyükdere axe is the most used area by the people because of being a business center with skyscrapers and a transfer center with subway line and bus stations. Traffic flow and pedestrian flow is fast here.
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USER TYPES
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Ones that are Ones that Ones that Undergraduates Travellers take pets for ask for the hanging old days of a walk around Istanbul
Immigrants
Moms & Dads
“ Büyükdere Street analysis on timeline shows that it is firstly an industrial area, then tourism area and lastly a central bussiness center.
50m
Present Site Plan It is obvious that Büyükdere Street has vast of different roles over a relatively short time, and these different planning strategies bring a lot of negative aspects. One of the most important effect is that this region never had an identitiy. ”
Present Site Section
PLAZALAR DISTRICT GÜLTEPE DISTRICT
Büyükdere Street
LEVENT DISTRICT
Residential area - shopping malls business center removing the barriers---permeability
Abondoned streets at night, construction barriers… boundaries Gültepe is forced to urban transformation. Feeling of belonging is destroyed…. Estrangement
Shopping mall typology… introverted, turn its back to the Gültepe neighbourhood. Creating urban barriers.
Levent neighbourhood, urban protected area…. protecting urban memory. 35.000 full grown tree.
A public library is designed in order to contribute to the city. As explained before, Levent district has a lot of people from different culture, education and economy but there were problems about gathering these people in the same area. The library aims to the conncetion point, where different people come together.
LIBRARY PROGRAM collection
nonprint
main library
study
reading rooms
research center public forum
laws young adults technical
best MAIN LIBRARYchildren’s center newspaper
sellers
magazine
Living Room
discussion group rooms
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In the program of the library, apart from the main collection of books, research center, archives and admininistration part, a huge area is used as an urban living room where people come and sit, read newspaper, magazine and books. It has a connection with all the parts of library which can be red from the sections.
A research center
main library
Route for the people living in the red marked house unit
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MAIN LIBRARY Living Room
There are three diffrent entrances to the library, from different levels and streets in order to increase accecibility. One of the entrance works with the circulation of the housing units.
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discussion group rooms
restroom
information desk
ARCHIVE administration&
ENTRANCE cloakroom operation
Different route opportunities to the library from different streets
Urban living rooms
Structure carrying the housing units The Housing Units, circulation hub and urban living rooms
Library, the main part
Library, administration and exhibition part, urban living room
Urban annex, reading rooms +18.00 Level
Circulation/Street Private Housings are generally taken as private an closed places, creating barriers in the cities and has no real contribution to the city. The new popular housing typology in Istanbul is the apartements with surrouding walls. Aprt from being close to the city, this way of buildings is actually creating an insecure environment. Does it have to be that way? Housing Public Project suggests a new concept of housing. Removing the boundaries and contributing to the city is aimed. The housing units are arranged trying to create a healthy relation within itself and with the city. Aiming that, public spaces are proposed within the same structure of the housing, working with the same circulation. Vertical gardens and urban living rooms are created throughout the structure of the housings. In this approach it can be stated that the public spaces work as a binder with the city and the housings. The yellow parts in the diagram on the left shows the public parts. It can be presumed as the streets continuing in the circulation of the housings. In this way, concepts of private and public are questioned. The distance between private and public can actually be defined as boundary and here it decreases in an humanistic way.
DWELLERS Feyza and Berkay are young couple, living together. Feyza is a singer and Berkay is a doctor. They chosed a 40 m² house. They wanted only one big bedroom, with a big closet and a work area. Apart from that they want a sitting and eating area. Their house is designed in a couple of weeks. The house they chose has a private balcony, shared with the next house. Ali, lives alone in their next door. He is a writer and he wants a peaceful and quiet house. He chose a 20 m² house. He wanted a small bedroom and a small kitchen with a sitting area. He has a balcony shared with Feyza and Berkay.
Sevim, Kenan, Ahmet Teacher couple and their kids
Ali I 23 Years old Writer
Housings are designed for different user types. The first one is for Can and Metin. They are two engineering students living together. They need a common space with a coach and television and table for eating apart from the kitchen and two bedrooms. In the Housing public project, they choose an 41 m² house and stated what they want in a house. The thing that they most insist was a big bath tub where they can lie. Sevim and Kenan live with their kid Ahmet. Sevim and Kenan works as teachers in the same school with Ahmet. They wanted a peaceful house within the neighbourhood and chosed a 60 m² house. They wanted two Can ve Metin 21 years old bedrooms with working area, a living room and a kitchen with a table and chairs. Engineering Students
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Feyza and Berkay I Singer and doctor in their 30s.
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Detail Section
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Existing buildings
1 Archive rooms
1 Second entrance
Areas under the plan level
2 Living room
2 Ä°nformation Desk
magazine, books, newspaper
1 Main Library
3 Cloakroom
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+10.00 Level +10.00 Level, Main Library Detail
VERTICAL FARM
nimal
Vertical Animal Farm is an integration of traditional and industrial farming that conceived as a result of the land scarcity. It works as a big factory in a way that creates both a natural environment for the animals and a production&market area. The main goal is creating vertical areas that cows can wander and graze freely like in conventional farms. Milk and dairy products are produced within the same area. It also has a market for selling them without need of delivery and distrubition. This is a huge step forward for reducing expenses and energy consumption. The norht side of the building, containing the market, is an opening through the sea, creating a public area where people can spend some time without intearction with the animals. People also have an opportunutiy to meet the animals in their grassland during certain times. The huge roof, covering nearly the whole building is designed as a garden in order to cultivate corn for the cows. The building is self sufficient through utilizing renewable energy sources such as solar and wind energy. North facade’s design is based on wind parameters, aiming both protection from the northern wind and producing energy with pivoted facade elements.
PROGRAMATIC INFORMATION
Project Site Market Grazing
Monorail
Sleeping Rumination, Drinking, Resting
Housing units for farmers
Site Plan
control pasteurisation
storage
milking
Car Park Area
Animal Barns
bottling transport market
Milk Production Facility
Animal Ramps
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A view from the inner side of the animal farm and its conncetion with the housings.
The southern facade of the animal farm. AA Section
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Vertical Circulation South Facade
Floor Slabs
Housing Units
North Facade
Structural System
Using the wind coming from the north. The north facade is designed with pivoting elements both for protecting the farm from the wind and using the wind as a source of energy. The pivoting facade produces energy via the movement of these elements.
View in the project site
In fourty years time period, the cities will become much more industralized and there will be less space for green. It will be unusual to see a cow for a child. The project provides people to come and see animals, play with them in the field.
Cows are needed to be milked twice a day. Their milk is stored and pasteurisatedon the project site. Afterwards the milk is bottled and ready to be selled.
The carpark area is not separated from the rest of the project. It is on the marketplace side where people can visit by car, do their shopping and leave easily. It has a beuatiful view of the sea as well.
View of the animals and their ramps going to the grass area. The housings and the vertical grasslands can be seen as well.
Systematic Section View
KARAKÖY HISTORY MUSEUM Istanbul has been one of the most important cities in the world for centuries and has witnessed important events. This historic texture can be felt all over the city. Karaköy Galata region is also very important in this sense. At least since the 4th century, there is active settlement in the region. The region gained commercial significance by Geneose coming in the Byzantine period. Although it is not used for the purpose of maritime trade today, trades still continue by artisans. With the disappearance of the importance of maritime business in a region with such an intertwined sea, and the transfer of Perşembe Pazarı tradesmen to Perpa, the region has become desolate and has lost its former vitality. Especially after the republican period, the plans for regulating the region led to various breaks. The most important of these are the practices of the Adnan Menderes period in the 50s, which are mostly based on creating main roads to the region without considering the conditi ons of the region, and in the 80s, those that happened during the mayor of Bedrettin Dalan and targeted the Perşembe Pazari region and its cost line. The result of these misapplications is desolation of the region.
North Elevation
Pera Tershane Galata
The purpose of this project is to get people down to the depths of history through the museum, to create history and city awareness. It is the society that does not react to these as much as the irresponsible government practices are the main responsibility of the breaks. The greatest reason why society does not react is that they are not aware of the historical facts of their own city. It is not expected to know or care about the historical inns in the region from a youth who knows Karaköy as a cafeteria region. With this project, it is aimed to inform Karaköy Galata region and its potentials to the public.
Foyer
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Traces of Pervetitch
Relation with the sea
Pedestrian ways
Site Plan
Seasie Sitting Places
Project Site Photographs
Urban History Museum
Traces of Pervetitich
Liibrary
Auditorium
Research Center
Open Air Museum
Parking Lot
Programatic Information
traces of pervetitich
An open air museum has been created with the traces of Pervititch's maps on outside of the museum. The purpose is to show the amount of destruction.
fuaye
kĂźtĂźphane
The auditorium for 200 people is also located under the entrance for various conferences In order to increase the use of the sea, a platform rising on the shore of the sea is positioned, people can come and sit there, or small concerts can be given at certain times.
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Research center is created in order to provide researchers the resources containing region’s information. The library is also part of the program, open to everyone's use.
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First Thoughts
JEWISH IMMIGRATION MUSEUM
Millions of Jewish people were forced to leave their country throuhout the world because of their religion and culture. Unfortunately this situation is still continuing even today. It is the shame of the whole world and the whole humanity. Jewish people don’t interact with their living spaces and architecture because of their temporary destinations. This creates the idea of transience; however inconsistently it is clear that Jewish people have a lot of ingrained cultural values. This situation made me create a space, in between the walls of Zulfaris Synogogue, that people will experience the idea of immigration, while reading how Jewish people are theated, as well as the idea of discrepancy.
Perspecitve View
Eastern European Jews began to immigrate to the United States in large
1860: 200.000 German Jews started to move to the USA
A
A’
2015 saw 31,000 Jewish individuals
Sephardic settlers arrived in New Amsterdam in 1654 from Brazil
Spanish and Portuguese Jews expelled and immigrated Ottoman Empire after 1600s.
2015 saw 31,000 Jewish individuals from around the globe make Aliyah to Israel
WORLDWIDE ROTATION OF JEWISH IMMIGRATION
Site Plan
KarakĂśy can be defined as hearth of Ist and trade center. It is a very crowded p the city. This circulation role makes Kar Zulfaris Synagog is at the very center o opportunity to create awareness for Je
tanbul, a transportation center place, full of people going around rakรถy even more important. of Karakรถy which is a great ewish immigration.
AA Section
Ground Floor Plan
First Floor Plan
Sculpture & Workshop Çomakdağ is a highly productive small village in Muğla. The villagers produce a lot of things like silk from silkworms, wooden windows and doors, and houses from local stones. The villagers complained about the loss of these local crafts. It is very sad to lose all that valeus. Hence, the project aims to retrieve the art of stone, to teach it to the younger ones of the village and also to outsiders. Aiming that, an abondened stone walled area is chosen and it is used as a pavilion for sculpture exibitions. The sculptupe studio for every day workers and for the learners is placed on the east side of the pavilion.
The platforms works as a carriage of stones to the studios Workshop area of sculptures Pavilion Placement of sculpture studio
Site Plan
Stone Carriage System
Sculpture Studios
Exhibiton-Pavilion
The wooden structural details of the sculpture studio
Wind Turbine provides energy to the house. Since the region is quite windy, a wind turbine system will be very helpful to maintain some of the required energy for the household use.
ENERGY EFFICIENT HOUSING
Openable Roof System provides the wind flow throughout the house with the help of gallery space. It can be opened during summers and closed during winter time. It provides the U-value enough to provide thermal insulation.
PV Panels are integrated on the sloped roof in order to take advantage of sun in a city that spends most of the year sunny. It uses solar energy to produce electricity.
Summer Sun Wind flow Roof Extension here is used as solar controller. Use of local materials
The house is located in Urla which is in the west side of Ä°zmir. It is designed for two people to live in, especially during summer time. Design of the house was based on many aspects; however the most importantly considering the energy efficiency to minimize the energy consumtion and to take advantage of renewable energy sources. In order to provide energy efficiency, the climatic data of the region has been analyzed and the information provided the basis of desing parameters. Urla is in hot and humid climatic region and under the effect of the north north east wind direction. These conditions are all considered and affected the design process as the idea of materials, transparency of the house, usage of renewable energy sources such as wind, geothermal and solar energy.
Winter Sun
Gallery Space
Veranda is created again to control solar heat with the help of translucent eaves on top. It also provides an open area in the house with a very good view of the Agean Sea.
Elevated Ground
Design Parameters Sea
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Solar Energy
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Wind Flow
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Energy Efficiency
Large overhanges & Veranda
CAVITY GARDENS Reinforced concrete roof structure
Cavity gardens project aims to interpret the empty spaces in the city as city gardens, to use the abondoned areas that creates public spaces. The purpose is giving a new identity to inert areas. Nowadays, the cities are so crowded that it is not very possible to have wide parks. The cavity gardens are designed to be vertical, in order to have more public space in a smaller land.
Reinforced concrete structure
The roof in the middle of the structure is designed with biodinamic cement that can clear air we breath in. The titanium oxide integrident of this roof provides the turn of nitrogen oxide into harmless salt which can be removed with the rains.
The water pipes providing water for the vertical gardens
Reinforced concrete floors
FACTORY
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Rıhtım Cadd
Steel Pro, Steel Design Competition Finalist Group Members: Füsun Çetin, Didem Ertem
The factory comes with the same primary function in place of the former Kadıköy Pier in Karaköy. This time, however, the orientation and the added secondary function are different. This project, which takes its inspiration from the book of Gündüz Vassaf's Road Friend, aims to provide an efficient and enjoyable secondary function for the compulsory waiting areas such as stations, airports, docklands. Nowadays, although the time spent in the waiting areas can be overlooked by the designer, especially with the spread of mobile communication devices, the Factory aims to provide a more efficient approach to the subject. How does the ferry pier, which is a short-lived wait and transit, become a contemporary venue that is pleasant and convenient to collect? We see that open source, maker-lab users and contemporary art followers can spread to a narrow mass when we are opening doors to a new era of production freedom with digitization. While the way of the large sections of society do not intersect with these developments, it is aimed to provide this acquaintance to the factory. As far as Karaköy-Kadıköy ferry journey is concerned, it invites the tourists, tradesmen, students, fishermen, workmen from Karaköy to observe the production and the exhibition of the products that are produced on the side. The end of the road leads to the view of Topkapı with the direction of the building. As a location, Karaköy has a big role in the selection of Perşembe Pazarı, bringing together the traditional manufacturer and the current manufacturer. Logistics saves time and energy at this point. On the north side, the feet form a space for the incoming passenger. While the hasty passenger reaches the ferry from the shortest route without making any deviation, the flanger can testify to different works and scenes from different elevations. Thus circulations do not interfere.
The PV panels on the roof to use solar energy Roof openings to have sun light
The northside of the building is closed by the existing buildings, which is used for wind protection.
The mesh on south facade in order to create solar control The openings on the building that provide wind flow
Detail of exturuded steel structure
The planted facade on the north facade in order to protect it from northern wind
Nokta dünya hayat insan ego benlik bencillik karanlık olduğu kadar aydınlık bütünlük içinde teklik sisteme ait olmak sistemin parçası olmak olamamak olmak istiyor muyuz sorgulamak akıntıda sürüklenen balık rüzgara karşı uçan kuş hangisi sensin? Kim olmak isteğini hiç düşündün mü? Bir domuz olmak mesela Kulağa eğlenceli geliyor. İçinin içinde iç Dünyaların dünyası Kafanın içi bir dünya Senin dışın bir dünya Dünyanın dışı bir dünya Nedir bu dünya? Herkes kendi dünyasının efendisi Her dünya kendinin efendisi Ne olmayı hayal ettin mesela? Bir noktayla başlayalım
Nokta kendini kendi dünyasının efendisi olarak görür, bilir. Bu durum pek de garipsenemez; noktanın kendinden başka hiç bir şeyi göremeyeceğini düşününce. Basit bir yaratık, herkesin hiç çaba sarf etmeden herhangi bir geometri bilgisi bile gerektirmeden yaratabileceği. Boyutsuz diyor ona bazıları; bana göre bu kadar da aşağılanmayı hak etmiyor. Neyse efendim, bu nokta kendini dünyanın efendisi sanıyor ya, gözü kendi varlığından başka hiç bir şey görmüyor ya; cahil yaratık farkında değil aslında bir çizgi sisteminin üzerinde olduğunun. Evet, hepimizin bildiği gibi çizgiler; yani hayatımızın neredeyse her alanında yer edinmiş olan çizgiler, sonsuz noktalar kümesinden oluşur. Zavallı nokta kendinin parçası olduğu dünyadan habersizce kendini kral ilan etmiştir. Bu size bir şey anımsattı mı acaba? Evet, tam da insandan bahsediyorum. Evrende insanların bir nokta kadar değersiz oluşundan mı bahsetmek gerek yoksa insanın kendini dünyanın efendisi sanmasından mı, açıkçası bilmiyorum. Tıpkı nokta gibi, insan içinde bulunduğu büyük sistemin farkında değil. İçinde bulunduğu dünyayı tek dünya sanıyor, kendisi ise bu tek dünyanın en zeki, tek düşünebilen varlığı. Bu da ona dünyanın efendisi olma hakkı veriyor. Bugün dünya kaynaklarının hızla sömürülmesi insanın kendini dünyanın sahibi sanmasıyla oldukça ilgilidir. Oysa ki bir kez olsun dışarıdan kendimize bakma şansımız olsaydı insan denilen yaratığın aslında evrenin yalnızca küçük bir parçası olduğunu, belki de sistemin yalnızca basit bir hizmetçisi olduğunu görebilirdik. Sistemle ne mi kast ediyorum? Bu bilimsel bir makale değil, yalnızca hayal ediyorum. Evrenin tam boyutları hala bilinmiyor, ama hayal edebileceğimizden çok daha büyük olduğu kesin. Bizim bu büyüklükteki evrenimiz üçüncü boyutta, tıpkı ikinci boyuttaki düzlem gibi. Üç boyutlu bir cismin iki boyutlu bir düzlemle kesişmesi sonucu iki boyutlu kesitler oluştuğunu hepimiz biliyoruz. Peki dört boyutlu bir cisim ( ya da ne deniyorsa) bizim üç boyutlu evrenimize girdiğinde ne oluyor? Muhtemelen onu üç boyutlu göreceğiz. Bu şu demek, bizim görsek de fark edemeyeceğimiz başka boyutlarda evrenler olabilir. Ve bizim üç boyutumuz dördüncü boyut için yalnızca bir araç. Tıpkı bir küpü oluşturmak için karelerin kullanılması gibi, dördüncü boyut için de bizim üç boyutlu cisimlerimiz (insan da üç boyutlu bir cisim olarak düşünülebilir.) gerekli. Bu bizi yine baştaki noktaya geri götürüyor: kendini dünyanın efendisi sanan noktaya, insana.
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